1 00:00:02,969 --> 00:00:04,037 ♪ ARE YOU READY, Y'ALL 2 00:00:04,104 --> 00:00:07,674 TO HAVE SOME FUN ♪ ON THE SHOW TONIGHT 3 00:00:07,741 --> 00:00:08,975 DON'T YOU WORRY, BABY ♪ WHERE YOU COME FROM 4 00:00:09,042 --> 00:00:17,751 IT'LL BE ALL RIGHT ♪ IT'S "THE LATE LATE SHOW!" 5 00:00:17,817 --> 00:00:21,454 >> Reggie: LADIES AND GENTLEMEN, ALL THE WAY FROM 6 00:00:21,521 --> 00:00:26,793 INSIDE A SMALL MICROPOCKET IN THE AIR POCKET ICE SHELF. 7 00:00:26,860 --> 00:00:33,099 GIVE IT UP FOR YOUR HOST, THE ONE, THE ONLY ... 8 00:00:33,166 --> 00:00:44,077 JAMES CORDEN! (CHEERING AND APPLAUSE) 9 00:00:44,144 --> 00:00:45,545 >> James: HOW ARE YOU? THANK YOU VERY, VERY MUCH. 10 00:00:45,612 --> 00:00:46,513 CHEERS, GUYS! IT'S VERY NICE TO SEE YOU. 11 00:00:46,579 --> 00:00:47,747 THANK YOU VERY, VERY MUCH, EVERYBODY! 12 00:00:47,814 --> 00:00:49,015 HELLO, GOOD EVENING, LADIES AND GENTLEMEN, AND WELCOME TO "THE 13 00:00:49,082 --> 00:00:53,620 LATE LATE SHOW." I HOPE YOU HAD THE BEST DAY THE 14 00:00:53,686 --> 00:00:54,821 BEST WEEKEND AND APPRECIATE YOU BEING HERE. 15 00:00:54,888 --> 00:00:55,722 WE APPRECIATE YOU BEING HERE. LET'S TAKE A LOOK AND SEE WHO 16 00:00:55,789 --> 00:00:56,823 THE GUESTS ARE ON THE SHOW TONIGHT! 17 00:00:56,890 --> 00:00:59,692 HE IS AN EMMY AWARD-WINNING ACTOR, ONE OF THE ALL-TIME 18 00:00:59,759 --> 00:01:04,831 "SATURDAY NIGHT LIVE" GREATS. THE ALWAYS HILARIOUS, KENAN 19 00:01:04,898 --> 00:01:09,969 THOMPSON IS ON THE SHOW TONIGHT! (CHEERS AND APPLAUSE) 20 00:01:10,036 --> 00:01:17,677 OH MY DAYS HOW ARE YOU, KENAN? >> I'M SO HAPPY TO SEE YOU. 21 00:01:17,744 --> 00:01:25,919 >> James: HOW IS IT GOING? >> HAPPY HOLIDAYS, HELLO 22 00:01:25,985 --> 00:01:27,754 EVERYBODY. >> James: YOU'RE GOING TO BE 23 00:01:27,821 --> 00:01:35,028 SUCH AN INCREDIBLE HOST FOR PEOPLE'S CHOICE AWARDS. 24 00:01:35,094 --> 00:01:39,132 DO YOU HAVE ANY CHANCE TO GO SHOPPING WHILE YOU'RE HERE? 25 00:01:39,199 --> 00:01:47,106 >> ABSOLUTELY NOT, BUT I'M WILLING TO GIVE IT A COLLEGE 26 00:01:47,173 --> 00:01:55,615 TRY. >> James: THE LOVELY KENAN 27 00:01:55,682 --> 00:01:57,150 THOMPSON. (CHEERS AND APPLAUSE) 28 00:01:57,217 --> 00:01:58,318 AND SHE IS A TALENTED, TONY AWARD-WINNING ACTRESS YOU KNOW 29 00:01:58,384 --> 00:01:59,552 FROM "B POSITIVE," "MASTERS OF SEX" AND "KINKY BOOTS." 30 00:01:59,619 --> 00:02:00,720 THE DAZZLING, THE DIVINE, ANNALEIGH ASHFORD IS ON THE SHOW 31 00:02:00,787 --> 00:02:05,625 TONIGHT! (CHEERS AND APPLAUSE) 32 00:02:05,692 --> 00:02:09,229 HOW ARE YOU? >> I'M GOOD. 33 00:02:09,295 --> 00:02:11,798 HAPPY HOLIDAYS. >> James: I'M SO HAPPY TO SEE 34 00:02:11,865 --> 00:02:13,633 YOU. HOW IS IT ALL GOING? 35 00:02:13,700 --> 00:02:20,340 >> IT'S GOING VERY, VERY WELL, I WORE A DELICIOUS PNTS SUIT, FOR 36 00:02:20,406 --> 00:02:25,612 TIS THE SEASON. >> James: DID IT TURN YOU 37 00:02:25,678 --> 00:02:33,286 INTO LIZA MINELLI? >> YES IT DID, READY TO GO. 38 00:02:33,353 --> 00:02:34,487 ANNALEIGH ASHFORD, EVERYBODY! (CHEERS AND APPLAUSE) 39 00:02:34,554 --> 00:02:37,123 AND LATER, WE'VE GOT MUSIC FROM BAZZI! 40 00:02:37,190 --> 00:02:40,293 YOU DO NOT WANT TO MISS. (CHEERS AND APPLAUSE) 41 00:02:40,360 --> 00:02:42,529 REGGIE, ARE YOU READY? THEN LET'S! 42 00:02:42,595 --> 00:02:43,930 I'M JAMES CORDEN, AND THIS? THIS IS "THE LATE LATE SHOW!" 43 00:02:43,997 --> 00:02:47,800 ROLL THE TITLES! 44 00:02:48,368 --> 00:02:51,604 ♪ THE LATE LATE SHOW, OH, OH 45 00:02:51,671 --> 00:02:56,009 THE LATE LATE SHOW, WOO! ♪ THE LATE LATE SHOW, OH, OH 46 00:02:56,075 --> 00:03:04,050 THE LATE LATE SHOW OH-OH! ♪ IT'S THE LATE, LATE SHOW ♪ 47 00:03:06,786 --> 00:03:07,987 >> James: IT CERTAINLY IS! WE'RE IN THE HOLIDAY SPIRIT 48 00:03:08,054 --> 00:03:10,123 AREN'T WE PETE? >> WE ARE. 49 00:03:10,189 --> 00:03:18,431 >> James: I CAN FAMILY IT. >> James: THAT IS NOT A 50 00:03:18,498 --> 00:03:25,438 FESTIVE JACKET, AND WITH THE BAND, WHAT I CAN CONSIDER ONLY 51 00:03:25,505 --> 00:03:31,744 IS THE FESTIVE JACKETS. IN THE EIGHT YEARS WE'VE BEEN 52 00:03:31,811 --> 00:03:37,116 THE SHOW, LOU, LOU DESIGNS THE SETS ON THE SHOW. 53 00:03:37,183 --> 00:03:39,919 (APPLAUSE) >> James: HOIG? 54 00:03:39,986 --> 00:03:43,656 >> SINCE SEASON 1. >> James: SINCE SEASON 1 55 00:03:43,723 --> 00:03:47,293 YOU'VE BEEN HERE, YOU CAME IN ABOUT SIX MONTHS IN. 56 00:03:47,360 --> 00:03:56,336 >> FOUR. >> James: FOUR MONTHS IN. 57 00:03:56,402 --> 00:04:02,075 FOR THE FIRST FOUR MONTHS, YOU CAME IN, THEY'RE AMAZING. 58 00:04:02,141 --> 00:04:06,446 IT'S ALL BECAUSE OF LOU, WE LOVE YOU! 59 00:04:06,512 --> 00:04:10,750 (APPLAUSE) >> James: WHMP THE CHRISTMAS 60 00:04:10,817 --> 00:04:17,690 DECORATIONS GO UP, LOU HAS A TRADITION OF LEAVING A GIFT ON 61 00:04:17,757 --> 00:04:24,897 MY DESK, SOMETIMES THEY MAKE ME TEARY, SOMETIMES THEY ARE DOWN 62 00:04:24,964 --> 00:04:27,667 RIGHT OFFENSIVE! SO IT'S HARD TO KNOW WHICH ONE 63 00:04:27,734 --> 00:04:30,336 IT'S GOING TO BE. OKAY. 64 00:04:30,403 --> 00:04:34,907 OH JEEZ! LOOK AT THIS! 65 00:04:34,974 --> 00:04:39,278 LOOK AT THIS! SS NICK BERNSTEIN! 66 00:04:39,345 --> 00:04:44,384 WE'RE COMING THROUGH. SOME BIG NICK ENERGY. 67 00:04:44,450 --> 00:04:47,186 (APPLAUSE) >> James: I LOVE IT. 68 00:04:47,253 --> 00:04:50,690 >> THAT'S ACTUALLY HIS REAL HAIR! 69 00:04:50,757 --> 00:05:05,638 >> James: FROM AROUND HIS BIG 96! 70 00:05:05,705 --> 00:05:07,140 >> James: FROM AROUND HIS BIG 96! 71 00:05:07,206 --> 00:05:14,280 WELL BLESS YOU ALLOW-BIG NICK ENERGY INTO THE SHOW. 72 00:05:14,347 --> 00:05:15,715 I MOVE ANYTHING. (APPLAUSE) 73 00:05:15,782 --> 00:05:17,684 >> James: I SAW NICK AFTER THE SHOW, AFTER THE SHOW LAST 74 00:05:17,750 --> 00:05:22,021 WEEKLY AND OUR NEW PRESIDENT OF THE NETWORK, AMY, WHOM WE 75 00:05:22,088 --> 00:05:28,127 ABSOLUTELY LOVE, BACKED INTO AMY NEAR WHERE OUR OFFICES ARE, I 76 00:05:28,194 --> 00:05:31,497 MEAN A DIFFERENTLY GUY. A DIFFERENT GUY. 77 00:05:31,564 --> 00:05:37,403 HE WAS LIKE A GIGGLING WAITER. >> WOW! 78 00:05:37,470 --> 00:05:43,810 >> James: HA HA HA HA HA. HE WAS ONE STEP FROM A NAP 79 00:05:43,876 --> 00:05:48,247 CONCERN ON HIS ARM. CAN I GET YOU ANYTHING ELSE AMY? 80 00:05:48,314 --> 00:05:49,615 DIFFERENT MAN. DIFFERENT MAN. 81 00:05:49,682 --> 00:05:54,854 ARE YOU READY FOR THE HOLIDAYS? >> READY FOR THE SHOW TO START 82 00:05:54,921 --> 00:05:58,357 AND FOR SOMEBODY TO CUT THAT OUT OF THE SHOW. 83 00:05:58,424 --> 00:06:01,427 >> James: HE'S ABSOLUTELY RIGHT, WE SHOULD. 84 00:06:01,494 --> 00:06:07,767 IT'S THAT TIME. IT'S TIME FOR THE NEWS. 85 00:06:07,834 --> 00:06:09,569 >> James: ON FRIDAY NIGHT, ELON MUSK RELEASED THE SO-CALLED 86 00:06:09,635 --> 00:06:13,406 "TWITTER FILES"-- A SERIES OF INTERNAL EMAILS THAT SHOWED, 87 00:06:13,473 --> 00:06:20,613 AMONGST OTHER THINGS, HOW FAR TWITTER WENT TO SHUT DOWN THE 88 00:06:20,680 --> 00:06:24,117 "NEW YORK POST'S" STORY ABOUT HUNTER BIDEN'S LAPTOP RIGHT 89 00:06:24,183 --> 00:06:30,123 BEFORE THE ELECTION. IT'S ONLY FAIR. 90 00:06:30,189 --> 00:06:33,459 TRUMP GOT TO WIN AN ELECTION THROUGH FACEBOOK, BIDEN SHOULD 91 00:06:33,526 --> 00:06:34,660 GET TO WIN ONE THROUGH TWITTER. THIS IS A HUGE WIN FOR FREE 92 00:06:34,727 --> 00:06:35,795 SPEECH. THE PEOPLE HAVE A RIGHT TO SEE 93 00:06:35,862 --> 00:06:44,904 THE PRESIDENT'S SON'S PENIS. TWITTER, ELON MUSK, THE "NEW 94 00:06:44,971 --> 00:06:49,675 YORK POST," AND HUNTER BIDEN-- IT'S A "WHO'S WHO" OF THINGS 95 00:06:49,742 --> 00:06:51,444 WE'RE ALL TIRED OF HEARING ABOUT, BUT JUST CAN'T SEEM TO 96 00:06:51,511 --> 00:06:56,349 ESCAPE. EVER! 97 00:06:56,415 --> 00:07:02,188 YOU CHECK THESE E-MAILS OUT, CHECK INTO THEM? 98 00:07:02,255 --> 00:07:05,691 > I'VE READ THEM ALL. >> James: I DON'T EVEN KNOW 99 00:07:05,758 --> 00:07:08,694 THE QUESTIONS TO ASK. I'M SO PAST IT. 100 00:07:08,761 --> 00:07:11,898 IT'S SORT OF, I FEEL THE SAME WAY ABOUT THESE EMMYS. 101 00:07:11,964 --> 00:07:22,141 AS I DO ABOUT THE AVATAR SEQUEL. (BLEEP) AGES AGO! 102 00:07:22,208 --> 00:07:27,713 DONALD TRUMP HAD A MEASURED RESPONSE THE ALL THIS. 103 00:07:27,780 --> 00:07:29,515 I'M KIDDING, HE WENT TO TRUTH SOCIAL AND CALLED FOR A 104 00:07:29,582 --> 00:07:32,952 TERMINATION OF THE CONSTITUTION AND EITHER HIS IMMEDIATE 105 00:07:33,019 --> 00:07:35,588 REINSTATEMENT AS PRESIDENT, OR A TERMINATION OF THE CONSTITUTION, 106 00:07:35,655 --> 00:07:40,726 HE REALLY MEANS IT. CONSTITUTION IS WHAT HE ACTUALLY 107 00:07:40,793 --> 00:07:52,905 STOLE AND TOOK TO MAR A LAGO. JORNLINGS WASHINGTON FAMOUSLY 108 00:07:52,972 --> 00:07:59,245 SAID TO PAUL REFER, SLIDE INTO MY DM'S. 109 00:07:59,312 --> 00:08:08,421 THEY'RE COMING. THEN AGAIN, IT'S PRETTY MUCH 110 00:08:08,487 --> 00:08:09,255 DONALD TRUMP'S REACTION TO EVERYTHING. 111 00:08:09,322 --> 00:08:10,323 "WE DON'T HAVE COKE. IS PEPSI OKAY?" 112 00:08:10,389 --> 00:08:13,125 "THAT'S IT! TERMINATE THE CONSTITUTION!" 113 00:08:13,192 --> 00:08:14,727 MOVING ON, THERE WAS A CAR ACCIDENT IN A TEXAS PARKING LOT 114 00:08:14,794 --> 00:08:17,830 THE OTHER DAY INVOLVING A "RECKLESS DRIVER." 115 00:08:17,897 --> 00:08:18,798 WELL, IT TURNS OUT, THAT RECKLESS DRIVER? 116 00:08:18,865 --> 00:08:20,499 WAS A DOG. IT'S TRUE! 117 00:08:20,566 --> 00:08:29,141 THE DOG ACCIDENTALLY SET THE CAR IN MOTION, AND WAS SITTING 118 00:08:29,208 --> 00:08:36,249 BEHIND THE STEERING WHEELT AT THE TIME OF THE CRASH. 119 00:08:36,315 --> 00:08:37,984 WHO'S A BAD DRIVER? WHO'S A BAD DRIVER? 120 00:08:38,050 --> 00:08:39,418 APPARENTLY, THE DOG GOT ANTSY WAITING IN THE CAR AND 121 00:08:39,485 --> 00:08:41,487 ACCIDENTALLY PUT THE CAR INTO DRIVE. 122 00:08:41,554 --> 00:08:44,290 I MEAN, THIS IS WHY YOU'VE GOT TO LET HIM HAVE A PHONE. 123 00:08:44,357 --> 00:08:47,326 TO BE CLEAR, IT'S ILLEGAL FOR DOGS TO DRIVE IN TEXAS. 124 00:08:47,393 --> 00:08:49,128 UNLESS, OF COURSE, THEY'RE A SERVICE ANIMAL. 125 00:08:49,195 --> 00:08:54,433 LAUREN, YOUR UBER SHOWS UP, AND THERE'S A YELLOW LABRADOR BEHIND 126 00:08:54,500 --> 00:08:59,972 THE WHEEL. DO YOU GET IN? 127 00:09:00,039 --> 00:09:02,808 YOU. >> THE ONLY YELLOW LAB WOULD BE 128 00:09:02,875 --> 00:09:06,712 LIKE THE LOWs LEVEL OF UBER THAT I DON'T TAKE. 129 00:09:06,779 --> 00:09:12,084 >> James: SO IT WOULD BE AN UBER POOL. 130 00:09:12,151 --> 00:09:16,355 >> OKAY. IF IT'S A LOWER LEVEL SHEEPDOG, 131 00:09:16,422 --> 00:09:23,863 ABSOLUTELY, YES. >> James: IF YOU PULL UP REG 132 00:09:23,930 --> 00:09:29,435 THE CAR PULLS UP, IT WOULD WITH THE STOCK WOULD GO -- 133 00:09:29,502 --> 00:09:32,438 >> Reggie: I WOULD IMMEDIATELY MOVE THE DOG OUT OF 134 00:09:32,505 --> 00:09:35,441 THE WAY AND DRIVE THE CAR MYSELF. 135 00:09:35,508 --> 00:09:37,109 >> James: CAN'T ARGUE WITH IT. 136 00:09:37,176 --> 00:09:42,281 (APPLAUSE) AND, DID YOU HEAR ABOUT THIS? 137 00:09:42,348 --> 00:09:43,950 FOR THE FIRST TIME, THE OXFORD ENGLISH DICTIONARY ALLOWED A 138 00:09:44,016 --> 00:09:46,352 PUBLIC VOTE TO DECIDE THE WORD OF THE YEAR. 139 00:09:46,419 --> 00:09:50,790 THE WINNING PHRASE WAS "GOBLIN MODE." 140 00:09:50,856 --> 00:09:56,896 >> WHAT? >> James: WHO HERE KNOWS WHAT 141 00:09:56,963 --> 00:10:00,733 GOBLIN MODE MEANS? PUT YOUR HAND UP IF YOU KNOW 142 00:10:00,800 --> 00:10:06,205 WHAT IT MEANS. GOOD, I DIDN'T EITHER. 143 00:10:06,272 --> 00:10:07,840 APPARENTLY, "GOBLIN MODE" IS A SLANG TERM, DESCRIBING 144 00:10:07,907 --> 00:10:08,874 "UNAPOLOGETICALLY SELF-INDULGENT, LAZY, OR GREEDY" 145 00:10:08,941 --> 00:10:10,076 BEHAVIOR. WHICH IS A REAL SLAP IN THE 146 00:10:10,142 --> 00:10:11,210 FACE TO ALL THE HARD-WORKING, LAW-ABIDING GOBLINS OUT THERE, 147 00:10:11,277 --> 00:10:16,182 JUST TRYING TO PROVIDE FOR THEIR FAMILIES. 148 00:10:16,248 --> 00:10:20,386 ,YOU KNOW? BUT, NICE TRY, OXFORD ENGLISH 149 00:10:20,453 --> 00:10:22,855 DICTIONARY. YOUNG PEOPLE STILL AREN'T GOING 150 00:10:22,922 --> 00:10:30,062 TO BUY A DICTIONARY. AND, THE MAYONNAISE BRAND 151 00:10:30,129 --> 00:10:31,130 HELLMANN'S HAS AN INTERESTING IDEA FOR YOUR HOLIDAY 152 00:10:31,197 --> 00:10:32,965 ENTERTAINING-- THEY'RE ENCOURAGING PEOPLE TO MAKE 153 00:10:33,032 --> 00:10:38,804 EGGNOG THIS HOLIDAY SEASON WITH MAYO. 154 00:10:38,871 --> 00:10:43,209 >> EUU. >>> ! 155 00:10:43,275 --> 00:10:45,878 >> James: IS THE CORRECTLY RESPONSE. 156 00:10:45,945 --> 00:10:47,246 THEIR "FROZEN MAYO-NOG" RECIPE SWAPS OUT THE EGG FOR 157 00:10:47,313 --> 00:10:53,619 MAYONNAISE. I NEVER THOUGHT I'D SHOW THIS ON 158 00:10:53,686 --> 00:10:56,088 THIS SHOW. BUT MAYBE THERE IS A WAR ON 159 00:10:56,155 --> 00:11:00,159 CHRISTMAS! BUT, CAN YOU IMAGINE COMING BACK 160 00:11:00,226 --> 00:11:02,795 TO WORK AFTER THE HOLIDAYS, LIKE, "I DON'T KNOW HOW I GAINED 161 00:11:02,862 --> 00:11:07,533 SO MUCH WEIGHT? I DIDN'T DRINK THAT MUCH MAYO!" 162 00:11:07,600 --> 00:11:11,337 MAYONNAISE EGGNOG. THIS WILL RUIN YOUR FAMILY'S 163 00:11:11,404 --> 00:11:13,472 CHRISTMAS EVEN FASTER THAN YOUR UNCLE KARL COMPLAINING 164 00:11:13,539 --> 00:11:19,178 ABOUT HOW MANY GENDERS THERE ARE THESE DAYS. 165 00:11:19,245 --> 00:11:22,882 (LAUGHTER) >> James: WOULD YOU DRINK 166 00:11:22,948 --> 00:11:27,887 THIS? >> Reggie: YES, I LOVE 167 00:11:27,953 --> 00:11:33,025 MAYONNAISE. >> James: 100% YOU WOULD 168 00:11:33,092 --> 00:11:36,629 DRINK A FROZEN MAYONNAISE EGGNOG? 169 00:11:36,695 --> 00:11:41,700 >> Reggie: YES, OF COURSE. >> James: THIS LOOKS LIKE AN 170 00:11:41,767 --> 00:11:44,370 ABSOLUTE CHALLENGE WE HAVE TO SEE THROUGH ISN'T IT? 171 00:11:44,437 --> 00:11:49,341 WE CAN GET ONE OF THESE KNOCKED UP BY TOMORROW NIGHT'S SHOW 172 00:11:49,408 --> 00:11:52,378 RIGHT ROB? >> IF THEY DO IT RIGHT? 173 00:11:52,445 --> 00:12:07,326 THEY WOULD BE NOTHING IT OUT OFF THE PARK. 174 00:12:07,393 --> 00:12:08,561 THEY WOULD BE NOTHING IT OUT OFF THE PARK. 175 00:12:08,627 --> 00:12:10,563 AND FINALLY, THE BAND GUNS 'N ROSES IS NOW SUING A SHOP FOR 176 00:12:10,629 --> 00:12:12,298 USING THE BAND'S LIKENESS WITHOUT PERMISSION. 177 00:12:12,364 --> 00:12:14,266 THE SHOP IS CALLED TEXAS GUNS AND ROSES, AND THEY SELL 178 00:12:14,333 --> 00:12:20,172 FIREARMS, AS WELL AS A SMALL AMOUNT OF ROSES. 179 00:12:20,239 --> 00:12:22,541 I LIKE THE IDEA OF SOMEBODY GOING INTO THIS STORE JUST TO 180 00:12:22,608 --> 00:12:27,179 GET ROSES. (LAUGHTER) 181 00:12:27,246 --> 00:12:29,048 BUT THE BAND IS SERIOUS. THEY'RE EVEN THREATENING TO TAKE 182 00:12:29,115 --> 00:12:30,416 THE STORE DOWN TO PARADISE CITY, WHERE THE COURTS ARE STRICT, AND 183 00:12:30,483 --> 00:12:35,254 THEY SHOW NO PITY. GUNS 'N ROSES IS SUING OVER THE 184 00:12:35,321 --> 00:12:39,258 NAME. WHICH IS REALLY BAD NEWS FOR 185 00:12:39,325 --> 00:12:45,965 "WELCOME TO THE JUNGLE" BIKINI WAXING. 186 00:12:46,031 --> 00:12:46,999 AND THAT'S THE NEWS! (CHEERS AND APPLAUSE) 187 00:12:47,066 --> 00:12:48,267 WE'LL BE RIGHT BACK WITH MORE "LATE LATE SHOW!" 188 00:13:08,187 --> 00:13:09,388 ♪ ♪ ♪ ♪ ♪ ♪ >> James: WELCOME BACK. 189 00:13:09,455 --> 00:13:17,863 LADIES AND GENTLEMEN LOOK WHO'S HERE, KENAN THOMPSON IS HERE. 190 00:13:17,930 --> 00:13:19,832 >> IT'S WONDERFUL TO SEE YOU JAMES. 191 00:13:19,899 --> 00:13:25,838 >> James: WE'RE GLAD TO HAVE YOU HERE AT THIS JOYFUL TIME OF 192 00:13:25,905 --> 00:13:28,207 YEAR. >> EVERYTHING IS SO JOYFUL AND 193 00:13:28,274 --> 00:13:30,042 BRIGHT. >> James: MAYBE WE SHOULD 194 00:13:30,109 --> 00:13:34,213 TREAT THE AUDIENCE TO A LITTLE FESTIVE SONG. 195 00:13:34,280 --> 00:13:37,616 >> NOTHING WOULD MAKE ME HAPPIER. 196 00:13:37,683 --> 00:13:45,224 >> James: THEN LET'S DO IT. >> ABSOLUTELY. 197 00:13:45,291 --> 00:13:52,598 ♪ DASHING THROUGH THE SNOW IN A ONE-HORSE OPEN SLEIGH 198 00:13:52,665 --> 00:13:53,866 (BELLS) ♪ O'ER THE FIELDS-- 199 00:13:53,933 --> 00:13:54,800 >> James: HANG ON... SORRY. 200 00:13:54,867 --> 00:13:59,004 CAN WE PAUSE FOR JUST A SEC? SORRY ONE SEC. 201 00:13:59,071 --> 00:14:01,373 >> IS EVERYTHING OKAY? >> James: YEAH, ALL GOOD. 202 00:14:01,440 --> 00:14:06,478 I JUST THINK WE SHOULDN'T JINGLE OUR BELLS QUITE YET. 203 00:14:06,545 --> 00:14:13,686 MAYBE SAVE THE JINGLING FOR THE BIG MOMENT, YOU KNOW? 204 00:14:13,752 --> 00:14:15,020 >> OH! THE BIG MOMENT. 205 00:14:15,087 --> 00:14:15,988 YES! I SEE WHAT YOU MEAN. 206 00:14:16,055 --> 00:14:21,627 ABSOLUTELY. >> James: GREAT, WE'LL CUT THAT 207 00:14:21,694 --> 00:14:25,064 FIRST PART OUT AND START AGAIN. BAND? 208 00:14:25,130 --> 00:14:28,534 WHEN YOU'RE READY BAND HERE WE GO. 209 00:14:28,601 --> 00:14:31,637 ♪ DASHING THROUGH THE SNOW IN A ONE-HORSE OPEN SLEIGH 210 00:14:31,704 --> 00:14:36,008 ♪ O'ER THE FIELDS WE GO LAUGHING ALL THE WAY 211 00:14:36,075 --> 00:14:42,748 ♪ HA-HA-HA! >> James: SORRY, WAIT, HANG 212 00:14:42,815 --> 00:14:46,952 ON. SORRY IF I WASN'T CLEAR ABOUT 213 00:14:47,019 --> 00:14:48,254 WHEN TO JINGLE, BUT THE BIG MOMENT ISN'T ACTUALLY "LAUGHING 214 00:14:48,320 --> 00:14:52,758 ALL THE WAY." >> OH! 215 00:14:52,825 --> 00:14:55,661 I BEG TO DIFFER. I THOUGHT LAUGHING WAS 216 00:14:55,728 --> 00:14:58,197 SYNONYMOUS WITH JINGLING. LIKE, (JINGLY) 217 00:14:58,264 --> 00:15:00,966 H HA HA HA! JINGLE, JINGLE! 218 00:15:01,033 --> 00:15:03,769 >> James: THAT'S A GREAT POINT, BUT I THINK THE BEST TIME TO 219 00:15:03,836 --> 00:15:07,306 JINGLE IN THE SONG "JINGLE BELLS" IS-- 220 00:15:07,373 --> 00:15:09,708 >> OOH, RIGHT, RIGHT, RIGHT, RIGHT, RIGHT, RIGHT! 221 00:15:09,775 --> 00:15:11,310 RIGHT. I'VE GOT IT NOW. 222 00:15:11,377 --> 00:15:17,416 >> James: PERFECT. OKAY HERE WE GO. 223 00:15:17,483 --> 00:15:21,820 FROM THE TOP. ♪ DASHING THROUGH THE SNOW 224 00:15:21,887 --> 00:15:26,191 IN A ONE-HORSE OPEN SLEIGH ♪ O'ER THE FIELDS WE GO 225 00:15:26,258 --> 00:15:30,863 LAUGHING ALL THE WAY ♪ HA-HA-HA! 226 00:15:30,929 --> 00:15:33,832 BELLS ON BOBTAILS RING ♪ MAKING SPIRITS-- 227 00:15:33,899 --> 00:15:38,037 >> James: NO, NO. HANG ON. 228 00:15:38,103 --> 00:15:43,309 >> WHAT IS THE PROBLEM? I KNOW THAT WAS THE RIGHT PLACE 229 00:15:43,375 --> 00:15:47,479 TO JINGLE. >> James: I WASN'T, IT 230 00:15:47,546 --> 00:15:51,250 WASN'T, YOU STILL JUMPED THE GUN ON 231 00:15:51,317 --> 00:15:56,088 JINGLING A TINY BIT. YOU'RE A PREMATURE E-JINGULATOR. 232 00:15:56,155 --> 00:16:01,994 >> NICE, NICE BUT, COME ON JAMES! 233 00:16:02,061 --> 00:16:03,362 SHOULDN'T WE BE JINGLING ON "BELLS ON BOBTAILS?" 234 00:16:03,429 --> 00:16:05,497 IT'S BELLS ON BOBTAILS. BELLS, JAMES. 235 00:16:05,564 --> 00:16:07,066 >> James: RIGHT, I KNOW THEY'RE BELLS, BUT THEY'RE ON BOBTAILS, 236 00:16:07,132 --> 00:16:12,705 AND THEREFORE THEY RING, NOT JINGLE. 237 00:16:12,771 --> 00:16:16,508 >> REALLY? WHY? 238 00:16:16,575 --> 00:16:20,713 >> James: I DON'T THINK IT'S UP TO US TO ASK WHY. 239 00:16:20,779 --> 00:16:24,416 THIS IS ALREADY TAKEN LONGER THAN ANY OF US THOUGHT IT 240 00:16:24,483 --> 00:16:26,985 SHOULD. WHAT REALLY MATTERS IS THAT WE 241 00:16:27,052 --> 00:16:30,789 WAIT TO JINGLE UNTIL WE SING "JINGLE BELLS." 242 00:16:30,856 --> 00:16:35,561 THERE'S NO JINGLING UNTIL JINGLE BELLS. 243 00:16:35,627 --> 00:16:39,465 I THINK THAT'S QUINTESSENTIAL TIME TO JINGLE. 244 00:16:39,531 --> 00:16:40,366 >> YES. I SEE THAT NOW. 245 00:16:40,432 --> 00:16:45,571 JINGLE BELLS. JINGLE ON "JINGLE BELLS." 246 00:16:45,637 --> 00:16:48,240 THANK YOU FOR JINGLE-SPLAINING THAT TO ME. 247 00:16:48,307 --> 00:16:49,108 >> James: YOU GOT IT. SHALL WE? 248 00:16:49,174 --> 00:16:54,880 >> WE SHALL! >> James: OKAY, HERE WE GO. 249 00:16:54,947 --> 00:16:59,418 ♪ DASHING THROUGH THE SNOW IN A ONE-HORSE OPEN SLEIGH 250 00:16:59,485 --> 00:17:04,022 ♪ O'ER THE FIELDS WE GO LAUGHING ALL THE WAY 251 00:17:04,089 --> 00:17:09,895 ♪ HA-HA-HA! BELLS ON BOBTAILS RING 252 00:17:09,962 --> 00:17:13,699 ♪ MAKING SPIRITS BRIGHT WHAT FUN IT IS TO RIDE AND SING 253 00:17:13,766 --> 00:17:17,136 ♪ A SLEIGHING SONG TONIGHT, OH! (BELLS) 254 00:17:17,202 --> 00:17:19,004 JINGLE BELLS! ♪ JINGLE BELLS! 255 00:17:19,071 --> 00:17:26,278 JINGLE ALL THE-- >> James: HANG ON, WAIT, 256 00:17:26,345 --> 00:17:41,226 WAIT! YOU WEREN'T JINGLING. 257 00:17:41,293 --> 00:17:42,528 WAIT! YOU WEREN'T JINGLING. 258 00:17:42,594 --> 00:17:46,064 >> OH, WOW. WASN'T I? 259 00:17:46,131 --> 00:17:53,405 IF I'M HONEST, I KIND OF TUNED OUT. 260 00:17:53,472 --> 00:17:57,776 LAWFER. >> James: SO YOU WHAT? 261 00:17:57,843 --> 00:18:01,113 JUST WENT ON AUTOPILOT. >> James: OKAY, LET'S TRY IT ONE 262 00:18:01,180 --> 00:18:04,416 MORE TIME, AND WHEN WE GET TO "JINGLE BELLS," LET'S JINGLE 263 00:18:04,483 --> 00:18:14,793 LIKE WE'VE NEVER JINGLED BEFORE. >> SLUM, ABSOLUTELY, CALL ME 264 00:18:14,860 --> 00:18:20,232 KRIS KRINGLE. BECAUSE I'M READY TO JINGLE. 265 00:18:20,299 --> 00:18:22,634 >> James: LET'S JINGLE, KRINGLE! ♪ DASHING THROUGH THE SNOW 266 00:18:22,701 --> 00:18:29,475 IN A ONE-HORSE OPEN SLEIGH ♪ O'ER THE FIELDS WE GO 267 00:18:29,541 --> 00:18:32,978 LAUGHING ALL THE WAY ♪ HA-HA-HA! 268 00:18:33,045 --> 00:18:36,715 BELLS ON BOBTAILS RING ♪ MAKING SPIRITS BRIGHT 269 00:18:36,782 --> 00:18:42,254 WHAT FUN IT IS TO RIDE AND SING ♪ A SLEIGHING SONG TONIGHT, OH! 270 00:18:42,321 --> 00:18:45,624 JINGLE BELLS! ♪ JINGLE BELLS! 271 00:18:45,691 --> 00:18:50,562 JINGLE ALL THE-- >> James: THE JINGLING! 272 00:18:50,629 --> 00:18:52,297 IT'S SO LOUD! YOU CAN'T EVEN HEAR THE LYRICS! 273 00:18:52,364 --> 00:18:58,704 >> NO ONE CARES ABOUT THE LYRICS! 274 00:18:58,770 --> 00:19:04,810 ALL THAT MATTERS ARE THE JINGLES! 275 00:19:04,877 --> 00:19:05,878 >> James: KENAN THOMPSON, EVERYBODY! 276 00:19:05,944 --> 00:19:09,548 WE'LL BE RIGHT BACK. ♪ JINGLE BELLS 277 00:19:09,615 --> 00:19:11,250 JINGLE BELLS! ♪ JINGLE ALL THE WAY! 278 00:19:11,316 --> 00:19:15,387 OH, WHAT FUN IT IS TO RIDE ♪ IN A ONE-HORSE OPEN SLEIGH 279 00:19:15,454 --> 00:19:15,854 HEY! 280 00:19:30,569 --> 00:19:31,637 ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ >> James: WELCOME BACK. 281 00:19:31,703 --> 00:19:33,772 LET'S MEET OUR GUESTS TONIGHT! SHE STARS IN "WELCOME TO 282 00:19:33,839 --> 00:19:35,274 CHIPPENDALES." PLEASE WELCOME ANNALEIGH 283 00:19:35,340 --> 00:19:36,074 ASHFORD! (CHEERS AND APPLAUSE) 284 00:19:36,141 --> 00:19:42,414 >> Reggie: IT'S ANNALEIGH ASHFORD! 285 00:19:42,481 --> 00:19:43,882 >> James: HE HOSTS "THE PEOPLE'S CHOICE AWARDS." 286 00:19:43,949 --> 00:19:45,951 IT'S KENAN THOMPSON! (CHEERS AND APPLAUSE) 287 00:19:46,018 --> 00:20:00,899 >> Reggie: IT'S KENAN THOMPSON! 288 00:20:00,966 --> 00:20:02,534 >> Reggie: IT'S KENAN THOMPSON! 289 00:20:07,873 --> 00:20:16,615 >> James: THANK YOU FOR BEING HERE! 290 00:20:16,682 --> 00:20:19,851 >> OH THAT WORKS. UNBELIEVABLE. 291 00:20:19,918 --> 00:20:22,254 YOU'RE UNBELIEVABLE. >> James: DID YOU KNOW YOU 292 00:20:22,321 --> 00:20:30,262 WOULD LEARN HOW TO PLAY BASS? >> I DID! 293 00:20:30,329 --> 00:20:33,865 ♪ ♪ ♪ >> James: I'M SO HAPPY THAT 294 00:20:33,932 --> 00:20:38,470 YOU ARE BOTH HERE. ANNALEIGH, YOU OAR LONG TIME FAN 295 00:20:38,537 --> 00:20:43,842 OF KENAN'S. TALK TO US, WHAT IS YOUR 296 00:20:43,909 --> 00:20:50,148 FAVORITE KENAN THOMPSON PROTEST? >> I HAVE TO SAY IT'S ALL THAT! 297 00:20:50,215 --> 00:20:54,419 AND THE JUMPING ON THE TRAMPOLINE. 298 00:20:54,486 --> 00:20:58,857 >> CLASSIC OPEN AND CLOSE. >> James: DO YOU GET THAT A 299 00:20:58,924 --> 00:21:00,959 LO, PEOPLE TALKING TO YOU A LOT? 300 00:21:01,026 --> 00:21:07,299 >> I DO BUT I LOVE IT. IT WAS MY CHILDHOOD SMUMS 301 00:21:07,366 --> 00:21:09,001 EVERYBODY ELSE'S. GOOD TIMES. 302 00:21:09,067 --> 00:21:17,643 >> James: THIS HATCHED JUST LAST WEEK ON S NMPTL, KENAN AND 303 00:21:17,709 --> 00:21:19,878 KEL. >> LOOK AT THAT! 304 00:21:19,945 --> 00:21:23,815 >> James: ARE WE EVER GOING TO GET GOOD BURGER 2? 305 00:21:23,882 --> 00:21:28,320 >> I THINK SO. IF I WAS A GAMBLING PERSON. 306 00:21:28,387 --> 00:21:31,857 >> James: WHERE ARE WE AT IN THE TOPIC? 307 00:21:31,923 --> 00:21:39,231 >> WE RECENTLY HAD A TABLE READ, I'VE BEEN ASKED ABOUT MY SUMMER 308 00:21:39,297 --> 00:21:41,833 SCHEDULE. >> James: I HEAR WHAT YOU'RE 309 00:21:41,900 --> 00:21:44,870 SAYING SONNY. >> YOU'RE NOT GOING TO THE POOL. 310 00:21:44,936 --> 00:21:48,273 >> I THINK THERE'S A BIG OPPORTUNITY TO PLEASE A LOT OF 311 00:21:48,340 --> 00:21:50,642 PEOPLE. >> James: WE HOPE YOU DO! 312 00:21:50,709 --> 00:21:56,548 WELL THAT'S YOUR SUMMER SORTED. ANNALEIGH, YOUR SUMMER VERY 313 00:21:56,615 --> 00:22:01,486 BUSY, I'M EXIT BED THIS. YOU ARE RETURNING TO BROADWAY 314 00:22:01,553 --> 00:22:06,892 NEXT YEAR. TELL THE AUDIENCE WHAT SHOW 315 00:22:06,958 --> 00:22:12,197 YOU'RE DOING? >> I'M DOING SWEENEY TODD! 316 00:22:12,264 --> 00:22:14,299 >> James: I THINK I'M A BIT RESPONSIBLE. 317 00:22:14,366 --> 00:22:17,703 >> I THINK YOU'RE A LITTLE BIT RESPONSIBLE TOO. 318 00:22:17,769 --> 00:22:19,337 >> James: DID WE PLANT THE SEED? 319 00:22:19,404 --> 00:22:25,110 >> WE TALKED ABOUT MAKING PIES. A YEAR AGO, YOU SAID YOU SHOULD 320 00:22:25,177 --> 00:22:31,683 BE MAKING PIES, YOU SHOULD DO SWEENEY TODD. 321 00:22:31,750 --> 00:22:36,655 >> YOU AND JOSH GROBIN. HOW ARE YOU PREPARING FOR SUCH A 322 00:22:36,722 --> 00:22:40,659 ROLE FOR SUCH A RETURN? >> I'M SCARED TO TELL YOU THIS 323 00:22:40,726 --> 00:22:49,868 BUT, YOU KNOW, SHE'S BRITISH, ALSO LOVETT, THE CHARACTER I'M 324 00:22:49,935 --> 00:22:52,904 PLAYING. I'M REALLY BRITISH, 23 AND ME 325 00:22:52,971 --> 00:22:58,543 TOLD ME I'M VERY, VERY BRITISH. SO IT FEELS NATURAL BUT I'VE IN 326 00:22:58,610 --> 00:23:01,446 THE PAST PLAYED PEOPLE LIKE THE NORTH OF LONDON. 327 00:23:01,513 --> 00:23:05,917 I CAN'T BELIEVE I'M DOING IT. YOU KNOW. 328 00:23:05,984 --> 00:23:10,789 IT'S DARK, WHAT YOU'RE GOING TO DO UP THERE, DO I SOUND OKAY? 329 00:23:10,856 --> 00:23:13,525 I DON'T KNOW. >> James: SOUNDS LIKE HOME, 330 00:23:13,592 --> 00:23:18,196 GO ON. >> SHE IS LIKE THE RAIN IN SPAIN 331 00:23:18,263 --> 00:23:20,866 STAYS MAINLY IN THE -- LIKE THAT? 332 00:23:20,932 --> 00:23:23,902 >> James: THAT'S RIGHT. >> IN OUR HOUSE I'M GOING 333 00:23:23,969 --> 00:23:28,440 AROUND, MY HUSBAND IS ALREADY LIKE WHAT'S HAPPENING, I'M LIKE 334 00:23:28,507 --> 00:23:33,678 UP THERE, UP THERE, UP THERE, MY LITTLE BOY IS WILL YOU STOP? 335 00:23:33,745 --> 00:23:37,883 STOP DOING THAT! >> James: I'M ENJOYING THIS. 336 00:23:37,949 --> 00:23:40,919 GIVE US ONE OF YOUR LINES THAT YOU HAVE IN THE SHOW. 337 00:23:40,986 --> 00:23:45,090 >> OKAY, I SAY WHAT YOU -- >> James: GO ON. 338 00:23:45,157 --> 00:23:51,429 >> WHAT YOU DOING WORRYING ABOUT THE JUDGE ALREADY! 339 00:23:51,496 --> 00:23:56,101 I'M HORRIFIED. >> James: WHEN DO YOU OPEN? 340 00:23:56,168 --> 00:23:57,502 (LAUGHTER) >> NOT YET. 341 00:23:57,569 --> 00:23:59,237 NOT YET. I'VE GOT TIME. 342 00:23:59,304 --> 00:24:06,111 I FEET LIKE CALLING YOU TO KIND OF GO THROUGH THE WHOLE SHOW. 343 00:24:06,178 --> 00:24:12,884 LIKE WHAT THECHA THINK? >> James: NOT WHAT THECHA 344 00:24:12,951 --> 00:24:19,758 THINK, IT'S TX AND F. >> LATE SHOW, IS IT, THE LATE 345 00:24:19,825 --> 00:24:23,528 SHOW -- >> James: NOT VA, THE "LATE 346 00:24:23,595 --> 00:24:27,966 LATE SHOW." "LATE LATE SHOW." 347 00:24:28,033 --> 00:24:33,171 >> WHAT YOU TALKING ABOUT WITNESS? 348 00:24:33,238 --> 00:24:37,175 >> James: COMPACTLY. THIS SHOW I'M CERTAIN GOING TO 349 00:24:37,242 --> 00:24:41,346 BE AN ABSOLUTE SMASH OF THE BROADWAY SCHEDULE NEXT YEAR I'M 350 00:24:41,413 --> 00:24:43,448 CERTAIN OF IT. >> THANK YOU. 351 00:24:43,515 --> 00:24:46,651 >> James: YOU'RE GOING TO BE THE FIRST IN LINE TO SEE THIS. 352 00:24:46,718 --> 00:24:49,855 YOU HAVE KIND OF FALLEN IN LOVE WITH BROADWAY. 353 00:24:49,921 --> 00:24:53,525 WHEN DID THIS HAPPEN? >> I HAD A SUMMER IN NEW YORK 354 00:24:53,592 --> 00:24:57,662 WHERE I ACTUALLY STAYED THERE, I WAS USUALLY TRAVELING OR 355 00:24:57,729 --> 00:25:01,266 WHATEVER. ANY HIATUS I WASN'T LIVING 356 00:25:01,333 --> 00:25:09,107 THERE. AND SNL DOESN'T CORRESPOND TO 357 00:25:09,174 --> 00:25:14,246 THE BROADWAY SCHEDULE. I SAW MJ I SAW PHANTOM OF THE 358 00:25:14,312 --> 00:25:24,856 OPERA, IT WAS REALLY GREAT, I SAW BEET MANY JUICE,. 359 00:25:24,923 --> 00:25:30,395 >> James: YOU'RE HITTING THE HITS! 360 00:25:30,462 --> 00:25:32,998 WILL WE SEE THE YOU IN A BROADWAY MUSICAL? 361 00:25:33,064 --> 00:25:37,535 IS THAT WHAT YOU WOULD DO? >> THEY'RE REALLY HARD, EIGHT 362 00:25:37,602 --> 00:25:41,273 SHOWS A WEEK FOR EVERY WEEK OF YOUR LIFE. 363 00:25:41,339 --> 00:25:46,945 I'D LOVE TO FIGURE IT OCCUPANT. MAYBE A JOURNEY OF MUSIC, WILL 364 00:25:47,012 --> 00:25:50,048 FARRELL DID, COMING TO AMERICA, SOME BLEND OF THAT. 365 00:25:50,115 --> 00:25:51,850 >> James: I WOULD LOVE IT IF YOU DO THAT. 366 00:25:51,917 --> 00:25:57,355 I WOULD LOVE IT IF YOU DO THAT. NOW ANNALEIGH LET'S TALK ABOUT 367 00:25:57,422 --> 00:26:06,298 YOUR BRILLIANT SHOW, WELCOME TO CHIPPENDALES, TELL US WHAT YOU 368 00:26:06,364 --> 00:26:12,404 DO AND WHAT DO YOU PLAY? >> IT'S ABOUT THE REAL CLUB THAT 369 00:26:12,470 --> 00:26:15,507 FORMED AROUND THEM. NOT JUST BOYS TAKING THEIR PANTS 370 00:26:15,573 --> 00:26:18,243 OFFER. LOTS OF THINGS HAPPENED. 371 00:26:18,310 --> 00:26:23,648 >> James: YOUR SON WHO IS SIX YEARS OLD A HUGE FAN OF WELCOME 372 00:26:23,715 --> 00:26:34,893 TO CHIPPENDALES. >> I PLAY THE WIFE, HE HAS TO DO 373 00:26:34,960 --> 00:26:37,862 BAD THINGS AND YOU STILL LIKE HIM WHICH MEANS YOU'RE. 374 00:26:37,929 --> 00:26:42,067 >> AT ACTING. SO ANYWAYS MY LITTLE BOY LOVES 375 00:26:42,133 --> 00:26:48,807 HIM BECAUSE HE IS ALSO IN MARVEL MOVIES. 376 00:26:48,873 --> 00:26:53,912 YOU WANT TO WATCH THE PREVIEW -- I FORGOT WHAT THE SHOW IS ABOUT. 377 00:26:53,979 --> 00:27:01,619 >> James: WELCOME TO CHIPPEN DALES,. 378 00:27:01,686 --> 00:27:10,261 >> HE'S THINKING ABOUT RESCUE RANGERS, NOT THAT CHIPPENDALES. 379 00:27:10,328 --> 00:27:16,034 THERE ARE A LOT OF DALES IN THIS SHOW. 380 00:27:16,101 --> 00:27:21,539 >> I REALIZED THAT WAS A BAD IDEA NOW WHEN IT'S TIME FOR 381 00:27:21,606 --> 00:27:31,116 BATH, HE GOES LOOK MOM I'M A CHIPPENDALE DANCER. 382 00:27:31,182 --> 00:27:37,155 HE'S PAYING ATTENTION. >> HE'S LISTEN BE APPROXIMATING. 383 00:27:37,222 --> 00:27:38,256 >> James: LET'S TAKE A LOOK AT A CLIP FROM "WELCOME TO 384 00:27:38,323 --> 00:27:39,324 CHIPPENDALES," WHICH IS STREAMING ON HULU, AND NEW 385 00:27:39,391 --> 00:27:43,762 EPISODES DROP EVERY TUESDAY. >> HOW DID YOU GUY IT? 386 00:27:43,828 --> 00:27:47,165 MADE HIM AN OFFER HE CAN'T REFUSE. 387 00:27:47,232 --> 00:27:50,568 I DID THAT! THAT'S WHAT I DID. 388 00:27:50,635 --> 00:27:52,570 >> STEVE, HOW MUCH DID YOU SPIND? 389 00:27:52,637 --> 00:27:55,874 >> IT DOESN'T MATTER. >> IT ABSOLUTELY MATTERS. 390 00:27:55,940 --> 00:28:02,247 THE CLUB'S FINANCES ARE MY MATTER AND YOU MADE A MASSIVE 391 00:28:02,313 --> 00:28:05,350 PURCHASE YOU DIDN'T EVEN CONSULT ME. 392 00:28:05,417 --> 00:28:11,189 >> WE'LL BE ABLE TO PRINT AS MANY CALENDARS AS WE WANT. 393 00:28:11,256 --> 00:28:13,191 WHICH MEANS CONTROLLING THE MEANS OF PRODUCTION. 394 00:28:13,258 --> 00:28:16,594 >> I DIDN'T KNOW THE NUMBERS. >> I RAN THE NUMBERS. 395 00:28:16,661 --> 00:28:23,768 IT'S REALLY GOOD. I'M THE KING, YOU ARE MY QUEENL. 396 00:28:23,835 --> 00:28:25,170 >> James: STICK AROUND! MORE WITH THESE TWO WHEN WE 397 00:28:25,236 --> 00:28:25,804 COME BACK. 398 00:28:49,828 --> 00:28:50,895 ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ >> James: WELCOME BACK. 399 00:28:50,962 --> 00:28:52,864 WE'RE BACK WITH ANNALEIGH ASHFORD AND KENAN THOMPSON. 400 00:28:52,931 --> 00:29:00,071 NOW KENAN YOU ARE BACK HOSTING THE PEOPLE'S CHOICE AWARDS, 401 00:29:00,138 --> 00:29:06,244 TOMORROW NIGHT, NBC K ON E! WHAT CAN WE BE MOST EXCITED 402 00:29:06,311 --> 00:29:08,279 ABOUT? >> I THINK IT'S JUST A CHANCE 403 00:29:08,346 --> 00:29:11,116 FOR THE PEOPLE TO SEE THEIR FAIFERLTS. 404 00:29:11,182 --> 00:29:13,918 THERE IS A LOT OF THEM GOING TO BE IN THE BUILDING. 405 00:29:13,985 --> 00:29:20,158 WE'RE GOING TO HONOR SOME REAL LEGEND, LIKE SHANIA TWAIN IS 406 00:29:20,225 --> 00:29:22,827 GOING TO GET AN AWARD AND RYAN -- 407 00:29:22,894 --> 00:29:27,699 >> James: OUR SHOW HAS BEEN NOMINATED, WE NEVER WIN, NEVER 408 00:29:27,765 --> 00:29:30,135 WILL. >> YOU'RE GOING TOCWIN. 409 00:29:30,201 --> 00:29:33,338 YOU'RE BOTH HER CHOICES. >> James: WELL, THAT'S 410 00:29:33,404 --> 00:29:48,286 ACTUALLY ALL I CARE ABOUT. KENAN YOU ALSO HOSTED THE EMMYS. 411 00:29:48,353 --> 00:29:49,387 ACTUALLY ALL I CARE ABOUT. KENAN YOU ALSO HOSTED THE EMMYS. 412 00:29:49,454 --> 00:29:53,358 WE REHEARSED THAT SKETCH BEFORE THE SHOW STARTED. 413 00:29:53,424 --> 00:30:00,198 YOU WOULD MAKE AN EXCELLENT LATE-NIGHT HOST RIGHT? 414 00:30:00,265 --> 00:30:02,133 (CHEERING AND APPLAUSE) >> James: THERE'S ONE OR TWO 415 00:30:02,200 --> 00:30:05,136 SPOTS OPENING UP BABY. IS THIS SOMETHING YOU WOULD BE 416 00:30:05,203 --> 00:30:08,406 INTERESTED IN? >> IT COULD BE, I FEEL LIKE THE 417 00:30:08,473 --> 00:30:13,912 MONEY IS IN DAYTIME, YOU KNOW? THAT'S WHEN OPRAH WAS DOING HER 418 00:30:13,978 --> 00:30:16,581 LIVE FOR WORLD. >> James: I UNDERSTAND. 419 00:30:16,648 --> 00:30:21,286 >> BUT I THINK THIS SHOW IS GREAT, IT'S VERY COMFORTABLE, 420 00:30:21,352 --> 00:30:25,123 WE'RE GOING TO MISS YOU WHENEVER THAT DAY APPROACHES OR WHATEVER. 421 00:30:25,190 --> 00:30:28,693 BUT WE LOVE YOU VERY MUCH. >> James: THERE'S ANYTHING 422 00:30:28,760 --> 00:30:33,398 YOU COULD DO. YOU HOSTED THE HOLIDAY CRITICS 423 00:30:33,464 --> 00:30:38,903 ASSOCIATION FILM AWARDS EARLIER. ANNALEIGH. 424 00:30:38,970 --> 00:30:41,306 DID YOU ENJOY THAT? >> ENJOY IS A WORD YOU COULD 425 00:30:41,372 --> 00:30:43,007 USE. >> James: GO ON. 426 00:30:43,074 --> 00:30:46,711 >> THE FIRST PART OF HOSTING THE SHOW, YOU KNOW. 427 00:30:46,778 --> 00:30:51,549 YOU HOSTING THE TONIES IS ONE OF THE MOST FAVORITE THINGS THAT 428 00:30:51,616 --> 00:30:53,284 HAPPENED. BUT THAT FIRST 15 MINUTES IS 429 00:30:53,351 --> 00:30:58,189 LIKE AN EPIC THING TO KIND OF GET THROUGH PEN WOW, MY WORK IS 430 00:30:58,256 --> 00:31:04,028 DONE, I'M GOING TO SLIGHTLY LISTEN ABOUT MAKING A JOKE ABOUT 431 00:31:04,095 --> 00:31:09,167 WHAT'S GOING TO HAPPEN. I'LL HANG OUT WITH THE BAND AND 432 00:31:09,234 --> 00:31:13,571 WE'LL MAKE SOMETHING UP. WE'LL GO WITH THE FLOW. 433 00:31:13,638 --> 00:31:20,812 SOMEBODY PUSHED ME OUT ON THE STAGE AND I WAS LIKE HEY GUYS 434 00:31:20,878 --> 00:31:23,781 HOW'S IT GOING? I WENT TO THE BAND AND THEY WERE 435 00:31:23,848 --> 00:31:25,950 GONE. THERE WAS NOBODY THERE. 436 00:31:26,017 --> 00:31:31,789 I MADE A BUNCH OF JOKES ABOUT BREAD AND CILIAC DISEASE. 437 00:31:31,856 --> 00:31:34,993 IT DIDN'T GO WELL. >> James: HAVE YOU HAD TO BE 438 00:31:35,059 --> 00:31:39,397 IN A POSITION LIKE THAT KENAN, YOU HAVE TO FILL OR VAMP? 439 00:31:39,464 --> 00:31:43,334 GO ON. >> NOT REALLY, I'VE BEEN LUCKY. 440 00:31:43,401 --> 00:31:47,405 >> IT'S LIKE A FEVER DREAM. >> James: ANYONE WHO IS 441 00:31:47,472 --> 00:31:52,410 HOSTING LIKE A LIVE TV SHOW TO ME AND THEY SAY TO ME, WHAT 442 00:31:52,477 --> 00:31:57,148 SHOULD I DO? YOU WEAR AN EAR PIECE SAYING 443 00:31:57,215 --> 00:32:01,252 IT'S LIVER. JUST THROW THEM UNDER THE BUS. 444 00:32:01,319 --> 00:32:04,389 BECAUSE IF SOMEONE GOES YOU NEED TO FILL FOR TWO MINUTES BECAUSE 445 00:32:04,455 --> 00:32:09,627 THEY'RE NOT READY, YOU GO, PLEASE WELCOME, YOU TWO, AND 446 00:32:09,694 --> 00:32:12,330 WALK OFF! WALK OFF! 447 00:32:12,397 --> 00:32:16,834 BECAUSE THEN NO ONE GOES, WHAT'S HE DOING? 448 00:32:16,901 --> 00:32:20,872 HE'S LOST HIS MIND. >> I FEEL THAT WAY TOO. 449 00:32:20,938 --> 00:32:25,243 >> James: THERE YOU GO BONO, GET ON. 450 00:32:25,310 --> 00:32:28,613 ANNALEIGH, YOU ARE IN THE MIDDLE OF A HOME REMODEL. 451 00:32:28,680 --> 00:32:30,281 RIGHT? >> YES. 452 00:32:30,348 --> 00:32:35,320 >> James: ALWAYS A NIGHTMARE. ARE YOU GOING TO BE IN BEFORE 453 00:32:35,386 --> 00:32:36,187 CHRISTMAS? >> ABSOLUTELY NOT. 454 00:32:36,254 --> 00:32:38,956 IT IS NOT GOING TO BE ACHRISTMAS MIRACLE. 455 00:32:39,023 --> 00:32:42,760 OUR HOUSE IS NOT DONE AND IT'S BEEN A LONG TIME. 456 00:32:42,827 --> 00:32:47,198 IT STILL DOESN'T HAVE WALLS. WE HAVE PIPES, THAT'S EXCITING 457 00:32:47,265 --> 00:32:49,500 AND IT HAS A ROOF. JUST NO WALLS. 458 00:32:49,567 --> 00:32:53,304 SO WE'RE LIKE A GHOST ALL THE TIME JUST WALKING THROUGH WALLS. 459 00:32:53,371 --> 00:32:57,241 >> James: IN RETROSPECT DO YOU NOT THINK IT WAS A MISTAKE 460 00:32:57,308 --> 00:33:01,579 TO START THIS REMODEL AND THEN SHOULD YOU NOT HAVE STARTED THE 461 00:33:01,646 --> 00:33:05,183 REMODEL BEFORE YOU MOVED TO NEW YORK FOR NINE MONTHS AND HAD IT 462 00:33:05,249 --> 00:33:08,986 DONE THEN? >> I WILL BE NOW LIKE BLINK IT'S 463 00:33:09,053 --> 00:33:11,422 HAPPENED, YOU COME BACK AND IT'S DONE. 464 00:33:11,489 --> 00:33:14,592 I JUST HOPE IT HAS WALLS. BECAUSE I DON'T WANT TO BE LIKE 465 00:33:14,659 --> 00:33:17,995 A GHOST IN MY OWN HOAX. >> DO YOU NEED WALLS? 466 00:33:18,062 --> 00:33:20,832 >> DO YOU NEED WALLS? I DON'T KNOW IF YOU COULD. 467 00:33:20,898 --> 00:33:26,137 >> IT'S REALLY AIRY. >> James: OPEN PLAN, LOST. 468 00:33:26,204 --> 00:33:31,442 >> DON'T NEED WALLS MAN. REGGIE, DO YOU HAVE A QUESTION 469 00:33:31,509 --> 00:33:32,510 FOR ANY OF OUR GUESTS THIS EVENING? 470 00:33:32,577 --> 00:33:35,513 >> Reggie: YES, I DO. TONIGHT'S QUESTION GOES TO... 471 00:33:35,580 --> 00:33:40,651 (DRUM ROLL) EVERY SINGLE ONE OF YOU ON THE 472 00:33:40,718 --> 00:33:42,320 COUCH. >> THAT'S US TOO. 473 00:33:42,387 --> 00:33:46,758 >> Reggie: IF YOU WERE COMMISSIONED TO CREATE A 474 00:33:46,824 --> 00:33:50,695 POPSICLE STAND WHICH DIMENSIONS WOULD YOU CREATE AND WHAT WOULD 475 00:33:50,762 --> 00:33:55,400 THE DIMENSIONS OF THE STAND BE? >> WOULD YOU LIKE TO GO FIRST? 476 00:33:55,466 --> 00:34:02,140 >> OKAY, I WOULD -- IT WOULD BE CALLED DREAMCICLES IT WOULD BE 477 00:34:02,206 --> 00:34:08,012 LITTLE UNICORNS WITH RAINBOW BRAIDS AND THEY WOULD THAT MAGIC 478 00:34:08,079 --> 00:34:14,318 LITTER CAN YOU EAT BECAUSE THEN YOU COULD GET TO POOP IT OUT. 479 00:34:14,385 --> 00:34:18,856 >> GLITDER POOP. >> James: UPON SICKLE WISE 480 00:34:18,923 --> 00:34:22,593 WHERE ARE WE AT? >> I WOULD HAVE THE FACE OF A 481 00:34:22,660 --> 00:34:26,898 MOUSE WITH LITTLE BUBBLE GUM NOSE AND BLACK EARS ON THE TOP I 482 00:34:26,964 --> 00:34:31,202 WOULD CALL IT MICKEY. AND THAT WOULD BE MY BIG HIT. 483 00:34:31,269 --> 00:34:35,440 AS FAR AS THE SHAPE OF THE ACTUAL STAND ITSELF, I WANT TO 484 00:34:35,506 --> 00:34:39,243 SAY SOMETHING OUT OF A TIM BURTON FILM. 485 00:34:39,310 --> 00:34:46,617 SO IT WILL BE KIND OF GORILLA-ISH, ARCHED, WEIRD 486 00:34:46,684 --> 00:34:50,188 FRAME, STAND OUT IN THE CROWD AND LOTS OF TRIANGLES. 487 00:34:50,254 --> 00:34:52,824 >> James: I LOVE BOTH OF THESE, IT'S NOT FOR ME TO SAY. 488 00:34:52,890 --> 00:34:55,226 REGGIE. >> Reggie: THOSE ARE CORRECT 489 00:34:55,293 --> 00:34:56,427 ANSWERS. THAT'S ABSOLUTELY CORRECT! 490 00:34:56,494 --> 00:34:59,363 PLEASE THANK OUR INCREDIBLE GUESTS, ANNALEIGH ASHFORD AND 491 00:34:59,430 --> 00:35:00,698 KENAN THOMPSON! WE'LL BE RIGHT BACK WITH A 492 00:35:00,765 --> 00:35:03,334 PERFORMANCE FROM BAZZI! 493 00:35:14,745 --> 00:35:15,947 ♪ ♪ ♪ ♪ ♪ >> James: WELCOME BACK. 494 00:35:16,013 --> 00:35:18,449 HE'S A MULTI-PLATINUM SELLING SINGER-SONGWRITER AND PRODUCER. 495 00:35:18,516 --> 00:35:19,684 HERE PERFORMING "HEAVEN" FROM HIS LATEST ALBUM, "INFINITE 496 00:35:19,750 --> 00:35:21,719 DREAM," WHICH IS OUT NOW PLEASE WELCOME BAZZI! 497 00:35:21,786 --> 00:35:26,757 (CHEERS AND APPLAUSE) ♪ ♪ ♪ 498 00:35:26,824 --> 00:35:34,365 ♪ BEAUTIFUL SOUL YOU OUTTA CONTROL 499 00:35:34,432 --> 00:35:38,469 ♪ DANCE LIKE THERE'S NO-- BODY THAT BE WATCHIN' YOU 500 00:35:38,536 --> 00:35:42,039 ♪ CHASIN' THE THRILL WITH POWDER AND PILLS 501 00:35:42,106 --> 00:35:44,442 ♪ IT'S A GIRL'S WORLD AND EVERYBODY'S IN IT 502 00:35:44,509 --> 00:35:52,283 ♪ I TRY TO FIGHT THE FEELIN', FEELIN' 503 00:35:52,350 --> 00:35:56,621 ♪ BUT I THINK I'M PAST THE CEILIN' 504 00:35:56,687 --> 00:36:00,491 LET'S GO! ♪ IT FEELS LIKE HEAVEN, AH 505 00:36:00,558 --> 00:36:04,762 WATCHIN' YOU MOVE AND DANCE ♪ IT FEELS LIKE HEAVEN 506 00:36:04,829 --> 00:36:10,301 LOST IN YOU. 507 00:38:06,183 --> 00:38:07,318 ♪ ♪ ♪ ♪ ♪ ♪ >> James: THANK YOU SO MUCH. 508 00:38:07,385 --> 00:38:09,787 TOMORROW NIGHT, NOAH CENTINEO WILL BE HERE, MAX THIERIOT IS 509 00:38:09,854 --> 00:38:10,955 DROPPING BY, AND WE'LL HAVE A PERFORMANCE FROM SYNCOPATED 510 00:38:11,022 --> 00:38:12,757 LADIES. WE'LL SEE YOU THEN. 511 00:38:12,823 --> 00:38:13,824 REGGIE, TAKE US HOME. ♪ ♪ ♪ ♪ ♪ ♪ ♪