1 00:00:21,921 --> 00:00:28,161 >> James: WHOA WHOA. SORRY SORRY, THIS IS MY BLOCK, 2 00:00:28,228 --> 00:00:31,097 IT'S ONE SANTA PER BLOCK. OKAY? 3 00:00:31,164 --> 00:00:35,301 >> OKAY, WELL THEN I GUESS YOU BETTER FIND A DIFFERENT BLOCK 4 00:00:35,368 --> 00:00:37,337 THEN. >> James: I'M NOT MOVING. 5 00:00:37,404 --> 00:00:43,676 I'M THE BEST SANTA IN TOWN. >> WHAT, CLOWN TOWN? 6 00:00:43,743 --> 00:00:44,611 WHOA! >> James: HOW DARE YOU. 7 00:00:44,677 --> 00:00:48,581 >> HOW DARE YOU. YOU ARE QUESTION SMIRCHING 8 00:00:48,648 --> 00:00:57,791 SANTA. >> James: I WOULD NEVER 9 00:00:57,857 --> 00:01:06,232 BESMIRCH. YOU ARE A LADY AND LAST TIME I 10 00:01:06,299 --> 00:01:07,967 CHECKED SANTA WAS A MAN. >> I'M GOING TO GET MORE 11 00:01:08,034 --> 00:01:14,107 DONATION THAN YOU, BITCH! >> James: OKAY, WE'LL SEE 12 00:01:14,174 --> 00:01:19,512 ABOUT THAT! >> HO HO HO, MERRY CHRISTMAS. 13 00:01:19,579 --> 00:01:31,491 MERRY CHRISTMAS EVERYONE. THIS FEELS SPRIT. 14 00:01:31,558 --> 00:01:35,094 ♪ ♪ ♪ >> James: THIS IS FUN ISN'T 15 00:01:35,161 --> 00:01:39,499 IT? HOW CHRISTMASSY IS THIS? 16 00:01:39,566 --> 00:01:45,438 THANK YOU, THANK YOU SO MUCH. WHO IS THE BITCH NOW McCARTHY? 17 00:01:45,505 --> 00:01:49,676 THANK YOU VERY MUCH, THANK YOU THANK YOU. 18 00:01:49,742 --> 00:02:01,621 >> COME ON BOYS! ♪ JINGLE BELL JINGLE BELL 19 00:02:01,688 --> 00:02:07,093 JINGLE BELL ROCK. JINGLE BELL SWING AND JINGLE 20 00:02:07,160 --> 00:02:14,767 BELL, LOWING AND GLOWING, NOW THE JINGLE HOP HAS BEGUN JINGLE 21 00:02:14,834 --> 00:02:20,907 BELL ROCK, JINGLE BELL ROCK, JINGLE BELL CHIME AND JINGLE 22 00:02:20,974 --> 00:02:24,444 BELL CHIME. DANCING AND PRANCING IN JINGLE 23 00:02:24,511 --> 00:02:32,652 BELL SQUARE IN THE FROSTY AIR ♪ ♪ 24 00:02:32,719 --> 00:02:47,600 [ CYMBAL ♪ >> AND MERRY CHRISTMAS! 25 00:02:47,667 --> 00:02:49,168 [ CYMBAL ♪ >> AND MERRY CHRISTMAS! 26 00:02:49,235 --> 00:02:59,846 ♪ ♪ ♪ >> COME ON! 27 00:02:59,913 --> 00:03:14,794 ♪ ♪ ♪ ♪ [ CLAPPING ] 28 00:03:14,861 --> 00:03:17,030 ♪ ♪ ♪ ♪ [ CLAPPING ] 29 00:03:17,096 --> 00:03:23,036 >> James: OKAY! ♪ ♪ CHRISTMAS, CHRISTMAS ♪ 30 00:03:23,102 --> 00:03:28,541 SNOW'S COMING DOWN ♪ ♪ I'M WATCHING IT FLOW ♪ 31 00:03:28,608 --> 00:03:29,609 ♪ CHRISTMAS. CHRISTMAS. 32 00:03:29,676 --> 00:03:44,557 [ SINGING ] HAPPY SOUND ♪ ♪ BABY PLEASE DON'T GO ♪ 33 00:03:44,624 --> 00:03:51,364 [ SINGING ] HAPPY SOUND ♪ ♪ BABY PLEASE DON'T GO ♪ 34 00:03:51,431 --> 00:03:53,399 >> James: LADIES AND GENTLEMEN MELISSA McCARTHY. 35 00:03:53,466 --> 00:03:57,604 WE LOVE HER SO MUCH. COME ON BACK EVERYBODY! 36 00:03:57,670 --> 00:04:03,610 >> I REMEMBER WHEN YOU WERE HERE ♪ ALL THE FUN WE HAD LAST YEAR ♪ 37 00:04:03,676 --> 00:04:09,382 ♪ CHRISTMAS ♪ ♪ PRETTY LIGHTS ON THE TREE ♪ 38 00:04:09,449 --> 00:04:13,753 ♪ I'M WATCHING IT SHINE ♪ ♪ CHRISTMAS ♪ 39 00:04:13,820 --> 00:04:21,461 ♪ YOU SHOULD BE HERE WITH ME ♪ ♪ BABY PLEASE DON'T GO ♪ 40 00:04:21,527 --> 00:04:21,628 ♪ 41 00:07:46,432 --> 00:07:47,333 ♪ ARE YOU READY, Y'ALL TO HAVE SOME THINGS IN YOUR LIFE 42 00:07:47,400 --> 00:07:48,601 THAT WILL ALWAYS CHANGE WHAT YOU'RE PLAYING, 43 00:07:48,668 --> 00:07:49,635 ♪ IT'S "THE LATE LATE SHOW!" >> Reggie: LADIES AND GENTLEMEN, 44 00:07:49,702 --> 00:07:50,570 ALL THE WAY FROM DEEP INSIDE BROOKLYN AND HARLEM 45 00:07:50,636 --> 00:07:51,637 SOMEHOW SIMULTANEOUSLY, GIVE IT UP FOR THE 46 00:07:51,704 --> 00:07:52,805 ONE, THE ONLY... JAMES CORDEN! >> James: HOW ARE YOU? 47 00:07:52,872 --> 00:07:53,773 THANK YOU VERY, VERY MUCH. I APPRECIATE IT, THANK YOU FOR 48 00:07:53,840 --> 00:07:54,707 BEING HERE! THANK YOU GUYS, THANK YOU VERY, 49 00:07:54,774 --> 00:07:55,708 VERY MUCH. HELLO, GOOD EVENING, LADIES AND 50 00:07:55,775 --> 00:07:56,676 GENTLEMEN, AND WELCOME TO "THE LATE LATE SHOW." 51 00:07:56,742 --> 00:07:57,877 HOPE YOU HAD A GREAT DAY, AND A GREAT WEEKEND. 52 00:07:57,944 --> 00:07:58,678 WE APPRECIATE YOU BEING HERE. LET'S TAKE A LOOK AND SEE WHO 53 00:07:58,744 --> 00:07:59,912 THE GUESTS ARE ON THE SHOW TONIGHT! 54 00:07:59,979 --> 00:08:00,746 SHE IS AN AWARD-WINNING ACTRESS, WHO'S STARRED IN SOME OF THE 55 00:08:00,813 --> 00:08:01,480 BIGGEST COMEDIES OF THE LAST DECADE. 56 00:08:01,547 --> 00:08:02,682 WE ABSOLUTELY LOVE AND ADORE HER! 57 00:08:02,748 --> 00:08:03,583 HERE AT THE "LATE LATE SHOW." THE SPECTACULAR, THE SINGULAR, 58 00:08:03,649 --> 00:08:04,650 MELISSA McCARTHY IS ON THE SHOW TONIGHT! 59 00:08:04,717 --> 00:08:05,251 (CHEERS AND APPLAUSE) HEY BEN, HEY MELISSA, ARE WE 60 00:08:05,318 --> 00:08:06,052 INTERRUPTING? >> YES. 61 00:08:06,118 --> 00:08:07,119 >> James: WE'LL LEAVE YOU TO IT. 62 00:08:07,186 --> 00:08:08,321 MELISSA McCARTHY, EVERYBODY. (CHEERS AND APPLAUSE) 63 00:08:08,387 --> 00:08:09,522 AND HE IS A MULTI-TALENTED GRAMMY, EMMY, AND TONY-NOMINATED 64 00:08:09,589 --> 00:08:10,590 SINGER, SONGWRITER, AND ACTOR, WHO HAS SOLD OVER 35 MILLION 65 00:08:10,656 --> 00:08:11,490 ALBUMS WORLDWIDE! THE GLORIOUS, JOSH GROBAN IS ON 66 00:08:11,557 --> 00:08:12,358 THE SHOW TONIGHT! (CHEERS AND APPLAUSE) 67 00:08:12,425 --> 00:08:13,359 HEY JOSH HOW ARE YOU? >> I'M SO GOOD. 68 00:08:13,426 --> 00:08:14,327 IT SMELLS LIKE A FOREST IN HERE. OH MY GOODNESS. 69 00:08:14,393 --> 00:08:15,261 IT'S SO FESTIVE. IF I FIND A TREE THAT I LIKE 70 00:08:15,328 --> 00:08:16,395 WILL YOU TIE IT TO MY CAR? IT'S SO BEAUTIFUL. 71 00:08:16,462 --> 00:08:17,496 >> James: NOTHING SO WONDERFUL THAN JOSH GROBAN WITH 72 00:08:17,563 --> 00:08:18,331 WONDER IN HIS EYES. AND THAT WONDER HAS COME TO US. 73 00:08:18,397 --> 00:08:19,131 >> YES IT HAS. JOSH GROBAN, EVERYBODY! 74 00:08:19,198 --> 00:08:20,333 (CHEERS AND APPLAUSE) THEN LET'S! 75 00:08:20,399 --> 00:08:20,933 I'M JAMES CORDEN, AND THIS? THIS IS "THE LATE LATE SHOW!" 76 00:08:21,000 --> 00:08:22,068 ROLL THE TITLES! COME ON! 77 00:08:22,134 --> 00:08:23,236 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW, WOO! 78 00:08:23,302 --> 00:08:23,903 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW OH-OH! 79 00:08:23,970 --> 00:08:24,971 ♪ IT'S THE LATE, LATE SHOW ♪ 80 00:08:25,037 --> 00:08:25,905 >> James: IT CERTAINLY IS! BLESS YOU FOR BEING HERE. 81 00:08:25,972 --> 00:08:26,973 LET'S HAVE A LOOK AND SEE WHAT LOU HAS LEFT. 82 00:08:27,039 --> 00:08:28,107 BEAUTIFULLY WRAPPED, THAT'S WHAT YOU GET FROM LOU. 83 00:08:28,174 --> 00:08:29,375 LET'S HAVE A LOOK HERE. OH, IT'S ABSOLUTELY BEAUTIFUL. 84 00:08:29,442 --> 00:08:30,543 I NEED TO EXPLAIN THIS BEFORE I -- WE HAVE TWO INCREDIBLE EXEC 85 00:08:30,610 --> 00:08:31,711 PRODUCERS HERE, ONE IN BEN WINSTON, WHO SHOULD SPEAK NOW. 86 00:08:31,777 --> 00:08:32,879 >> GOOD EVENING EVERYBODY. >> James: THAT'S BEN WINSTON. 87 00:08:32,945 --> 00:08:34,046 AND THE OTHER IS ROB CRAB SITTING OVER THERE AND LOU HAS 88 00:08:34,113 --> 00:08:34,881 GOT ME THIS, LOOK IT'S A CHRISTMAS TREE DECORATION, THAT 89 00:08:34,947 --> 00:08:35,715 IS A ROB CRAB, IT SAYS "ROB" ON IT. 90 00:08:35,781 --> 00:08:36,682 (APPLAUSE) >> James: I'LL TRUER IT. 91 00:08:36,749 --> 00:08:37,550 >> I'LL TAKE IT. >> James: YES, MY HUNCH IS, 92 00:08:37,617 --> 00:08:38,184 YOU'RE GOING TO GET THIS FOR CHRISTMAS. 93 00:08:38,251 --> 00:08:39,252 OKAY? >> WHAT ABOUT ME? 94 00:08:39,318 --> 00:08:40,519 >> James: I DON'T THINK I SHOULD GET THE GRIEF HERE. 95 00:08:40,586 --> 00:08:41,520 I'M NOT -- I HAVEN'T -- I DIDN'T KNOW WHAT WAS IN THERE SO MAYBE 96 00:08:41,587 --> 00:08:42,021 TOMORROW BEN. MAYBE TOMORROW WILL BE SOMETHING 97 00:08:42,088 --> 00:08:43,222 FOR YOU. YOU KNOW. 98 00:08:43,289 --> 00:08:43,689 >> YOU WON'T BE HERE TOMORROW. >> WHAT, YOU'VE ALREADY FIRED 99 00:08:43,756 --> 00:08:44,790 HIM? >> FIRED. 100 00:08:44,857 --> 00:08:45,591 >> James: FIRED, HE'S GONE. LOOK AT THAT HE'S TOAST. 101 00:08:45,658 --> 00:08:46,392 ROB ARE YOU GOING TO GET HIM BACK? 102 00:08:46,459 --> 00:08:47,293 >> REHIRED. >> James: IT'S FINE. 103 00:08:47,360 --> 00:08:48,427 BIG SHOW, MELISSA McCARTHY, JOSH GROBAN. 104 00:08:48,494 --> 00:08:49,562 JOSH GROBAN IS IN THIS ABC IT IS LIKE 30th CELEBRATION OF 105 00:08:49,629 --> 00:08:54,133 BEAUTY AND THE BEAST. CAN YOU BELIEVE IT WAS 30 YEARS 106 00:08:54,200 --> 00:08:55,635 AGO. >> YEAH I'LL BUY THAT. 107 00:08:55,701 --> 00:09:04,844 >> James: I WAS THREE! >> YEAH! 108 00:09:04,911 --> 00:09:07,179 >> James: WHAT'S YOUR FAVORITE DISNEY FILM? 109 00:09:07,246 --> 00:09:10,783 >> THE JUNGLE BOOK. >> James: REALLY? 110 00:09:10,850 --> 00:09:17,657 >> I ASPIRED TO BLUE IN EVERY PART OF MY LIFE. 111 00:09:17,723 --> 00:09:23,296 CASUAL SLIGHTLY OVERWEIGHT DUDE, RUBBING HIS BACK WHIT ITCHES. 112 00:09:23,362 --> 00:09:26,465 UNTIL YOU TEAM UP WITH A KID AND STEAL SOMETHING. 113 00:09:26,532 --> 00:09:30,403 >> James: CAN I BE HONEST? YOU'VE ALREADY ACHIEVED LIKE 114 00:09:30,469 --> 00:09:33,906 90%. >> TRY TO PUT UP BIG BLUE IMAGE 115 00:09:33,973 --> 00:09:39,445 WHENEVER I GO. >> James: HOW ABOUT YOU? 116 00:09:39,512 --> 00:09:42,448 >> I'M GOING TO GO WITH THE BLACK CAULDRON. 117 00:09:42,515 --> 00:09:45,418 >> James: THE WHAT? I DON'T EVEN KNOW WHAT THAT IS. 118 00:09:45,484 --> 00:09:49,522 THE BLACK CAULDRON? >> YES, IT'S GREAT. 119 00:09:49,588 --> 00:09:53,059 I'S MADE BASED ON THE PRIDE END SERIES. 120 00:09:53,125 --> 00:09:57,797 >> James: IMPOSSIBLE FOR ME TO KNOW WHETHER YOU'RE MAKING 121 00:09:57,863 --> 00:09:59,265 THIS UP. THERE IT IS. 122 00:09:59,332 --> 00:10:01,434 I HAVE NEVER EVEN HEARD OF THIS ONE. 123 00:10:01,500 --> 00:10:06,772 IS IT SUITABLE TO MY KIDS? >> I'M GOING TO LOOK INTO THAT. 124 00:10:06,839 --> 00:10:11,877 >> WHAT'S YOUR TAKE, WHAT'S YOUR NUMBER 1 PICK? 125 00:10:11,944 --> 00:10:26,826 >> James: I THINK AH ALADDIN. ROBIN WILLIAMS IS THE BEST 126 00:10:26,892 --> 00:10:28,127 >> James: I THINK AH ALADDIN. ROBIN WILLIAMS IS THE BEST 127 00:10:28,194 --> 00:10:33,132 ANIMATED VOICE OVER OF ALL TIME. WE CAN CHITCHAT ALL DAY BUT WE 128 00:10:33,199 --> 00:10:38,304 CAN'T. IT'S TIME FOR THE NEWS. 129 00:10:38,371 --> 00:10:43,442 ACCORDING TO A NEW CNBC POLL, 70% OF VOTERS DO NOT WANT 130 00:10:43,509 --> 00:10:47,880 PRESIDENT BIDEN TO RUN FOR A SECOND TERM. 131 00:10:47,947 --> 00:10:54,487 WELL, HE SAID HE'D DO IT. BIDEN'S UNITED THE COUNTRY. 132 00:10:54,553 --> 00:10:55,654 IT WASN'T QUITE AT 70%, BUT KAMALA HARRIS JUST MANAGED TO 133 00:10:55,721 --> 00:10:59,458 PUT IT OVER THE TOP. A LARGE MAJORITY OF VOTERS 134 00:10:59,525 --> 00:11:03,696 DON'T WANT BIDEN OR TRUMP TO RUN AGAIN. 135 00:11:03,763 --> 00:11:06,932 WELL YOU GOT NEWS FOR YOU. YOU'RE GOING TO GET BIDEN 136 00:11:06,999 --> 00:11:13,572 AND TRUMP-- PLUS, LIKE, FOUR MORE "AVATAR" MOVIES, WHETHER 137 00:11:13,639 --> 00:11:14,774 YOU WANT THEM OR NOT. MOVING ON, EARLIER TODAY, ELON 138 00:11:14,840 --> 00:11:15,941 MUSK RELAUNCHED TWITTER BLUE, WHERE USERS PAY A MONTHLY FEE 139 00:11:16,008 --> 00:11:22,348 FOR A BLUE CHECKMARK. BUT, THIS TIME, iPHONE USERS 140 00:11:22,415 --> 00:11:25,451 WILL HAVE TO PAY EXTRA. BIG WIN IF YOU'VE GOT A SAMSUNG 141 00:11:25,518 --> 00:11:29,455 GALAXY! ISN'T IT? 142 00:11:29,522 --> 00:11:31,791 MASSIVE WIN. THE SERVICE WILL COST $8 A MONTH 143 00:11:31,857 --> 00:11:33,459 ON THE WEB, OR $11 A MONTH IF PURCHASED THROUGH THE APPLE APP 144 00:11:33,526 --> 00:11:38,531 STORE. OR IF YOU ARE A COMPLETELY SANE 145 00:11:38,597 --> 00:11:41,000 PERSON? IT WILL COST YOU ZERO DOLLARS A 146 00:11:41,067 --> 00:11:44,937 MONTH. IT WAS ALSO REVEALED OVER THE 147 00:11:45,004 --> 00:11:46,105 WEEKEND THAT MUSK PLANS TO INCREASE THE 280 CHARACTER LIMIT 148 00:11:46,172 --> 00:11:48,874 TO 4,000. 4,000? 149 00:11:48,941 --> 00:11:53,012 THAT'S TOO MANY CHARACTERS! WE'RE TALKING ABOUT A TWEET, NOT 150 00:11:53,079 --> 00:11:58,384 THE MARVEL CINEMATIC UNIVERSE. LAWFER 151 00:11:58,451 --> 00:12:04,523 IAN, WHAT'S ONE WAY ELON MUSK COULD ACTUALLY IMPROVE TWITTER? 152 00:12:04,590 --> 00:12:07,827 SERIOUS QUESTION. >> FOR SURE, HEAVY. 153 00:12:07,893 --> 00:12:11,530 I WOULD SAY JUST SELL IT BACK TO SOMEONE WHO ACTUALLY KNOWS WHAT 154 00:12:11,597 --> 00:12:15,901 THEY'RE DOING AND GET THE HELL OUT OF THE PUBLIC SPOTLIGHT! 155 00:12:15,968 --> 00:12:17,636 (APPLAUSE) >> James: WELL, I TELL YOU 156 00:12:17,703 --> 00:12:21,974 YOU'RE GOING TO LIKE THIS STORY BECAUSE SPEAKING ON OF ELON 157 00:12:22,041 --> 00:12:24,810 MUSK, DID YOU SEE THIS? LAST NIGHT, DAVE CHAPPELLE 158 00:12:24,877 --> 00:12:26,045 INVITED MUSK TO JOIN HIM ON STAGE AT A SHOW IN SAN 159 00:12:26,112 --> 00:12:30,082 FRANCISCO, BUT THE AUDIENCE DIDN'T SEEM VERY HAPPY ABOUT IT. 160 00:12:30,149 --> 00:12:32,852 HERE'S THEIR REACTION. >> MAKE SOME NOISE FOR THE 161 00:12:32,918 --> 00:12:43,062 RICHEST MAN IN THE WORLD. [ BOOING ] 162 00:12:43,129 --> 00:12:47,933 >> WOW, THERE YOU GO. >> James: YOU KNOW WHERE ELON 163 00:12:48,000 --> 00:12:51,003 MUSK WENT WRONG? HE DIDN'T HAVE HIS PROPS. 164 00:12:51,070 --> 00:12:57,843 WHEN HE'S GOT HIS PROPS, ELON MUSK WAS PRETTY SURPRISED, THIS 165 00:12:57,910 --> 00:13:00,913 IS THE FREE SPEECH, I DIDN'T WANT THAT. 166 00:13:00,980 --> 00:13:10,122 WHY IS THE BOOING DID YOU THINK? >> HE WITNESS ON AFTER DAVE 167 00:13:10,189 --> 00:13:12,024 CHAPPELLE. BEFORE WE WATCH ONE OF THE 168 00:13:12,091 --> 00:13:19,965 GREATEST COMEDIANS OF ALL TIME. LET'S WATCH THIS BILLIONAIRE, 169 00:13:20,032 --> 00:13:25,171 QUOTE, IF I WEBSITE TO THE LAKER GAME WE'VE ALL SEEN LEBRON JAMES 170 00:13:25,237 --> 00:13:32,912 DUNKING A COUPLE OF TIMES WHAT ABOUT THIS 250 POUND JEWISH GUY? 171 00:13:32,978 --> 00:13:35,247 WHAT IS HE DOING? WHAT IS HE DOING? 172 00:13:35,314 --> 00:13:41,120 >> James: I UNDERSTAND. THAT I UNDERSTAND. 173 00:13:41,187 --> 00:13:46,692 I.T. BOBBED AND CHRIS ROCK. YOU KNOW WHAT HAPPENED? 174 00:13:46,759 --> 00:13:51,897 I RECKON HE CAME OFF STAGE, ELON MUSK CAME OFF STAGE, THEY WERE 175 00:13:51,964 --> 00:13:55,234 SAYING OH NO THEY ARE NOT SAYING BOO, THEY WERE 176 00:13:55,301 --> 00:14:01,640 SAYING 'BLUE!' THEY LOVE TWITTER BLUE!" 177 00:14:01,707 --> 00:14:02,741 IN OTHER NEWS, AN AUSTRALIAN RUNNER HAS JUST SET A NEW 178 00:14:02,808 --> 00:14:06,612 WORLD RECORD. IN THE LAST 107 DAYS, SHE HAS 179 00:14:06,679 --> 00:14:13,185 RUN 107 MARATHONS. YEAH WHAT ABOUT THAT? 180 00:14:13,252 --> 00:14:17,957 BUT WHAT IS SHE RUNNING FROM? SHE PLANS TO CONTINUE RUNNING A 181 00:14:18,023 --> 00:14:20,859 MARATHON EVERY DAY UNTIL SHE REACHES A 150. 182 00:14:20,926 --> 00:14:25,531 THAT'S AMAZING. I ACTUALLY DID 150 MARATHONS 183 00:14:25,598 --> 00:14:30,369 ONCE, BUT I DIDN'T TELL ANYBODY ABOUT IT, BECAUSE I DID IT FOR 184 00:14:30,436 --> 00:14:33,305 ME. TO GET THIS RIGHT AND THIS PURE, 185 00:14:33,372 --> 00:14:37,509 YOU KNOW? 107 MARATHONS IN 107 DAYS. 186 00:14:37,576 --> 00:14:41,113 BUT, YOU SHOULD DEFINITELY FEEL PROUD OF YOUR NEW YEAR'S 187 00:14:41,180 --> 00:14:44,483 RESOLUTION TO START GOING TO THE GYM TWICE A WEEK. 188 00:14:44,550 --> 00:14:48,721 WELL DONE, YEAH! SHOULD WE START TRAINING FOR A 189 00:14:48,787 --> 00:14:50,189 MARATHON? ARE YOU UP FOR IT? 190 00:14:50,256 --> 00:14:54,226 SHOULD WE DO IT? >> IF I GET CYBER NETTIC KNEES, 191 00:14:54,293 --> 00:14:58,998 I WOULD DO IT. >> I COULD GO FOR A GILMORE 192 00:14:59,064 --> 00:15:01,066 GIRLS MARATHON. >> James: I'M SAYING ME AND 193 00:15:01,133 --> 00:15:05,938 YOU OR ANYONE ON THE TEAM, WHY DON'T WE DO THIS, ANYONE ON THE 194 00:15:06,005 --> 00:15:10,309 "LATE LATE SHOW" TEAM TRY TO RUN A MARATHON BEFORE THE SHOW ENDS. 195 00:15:10,376 --> 00:15:12,344 RIGHT? BUT WE DON'T SET OURSELVES ANY 196 00:15:12,411 --> 00:15:15,347 LIMIT OF TIME AND WE JUST GO FOR IT. 197 00:15:15,414 --> 00:15:21,520 BECAUSE I MEAN I THINK IT WILL TAKE ME THREE DAYS. 198 00:15:21,587 --> 00:15:27,226 (LAUGHTER) >> THE ENTIRE 26.2 MILES, OVER 199 00:15:27,293 --> 00:15:31,130 THREE DAYS? I COULD DO THAT WITH YOU. 200 00:15:31,196 --> 00:15:34,933 TO EARNESTLY WALK A BIT? >> James: SOMETIMES WE'RE 201 00:15:35,000 --> 00:15:39,538 WALKING BUT PRETENDING TO JOG. FAST WALK FOR SOME BITS, STOP, 202 00:15:39,605 --> 00:15:42,808 HAVE LUNCH. >> YES? 203 00:15:42,875 --> 00:15:45,611 IN WE'RE STOPPING FOR LUNCH I'M THERE. 204 00:15:45,678 --> 00:15:48,914 WE COULD DO IT THREE, EIGHT MILE CHUNKS ABSOLUTELY. 205 00:15:48,981 --> 00:15:50,949 >> James: YOU UP FOR THIS NICK? 206 00:15:51,016 --> 00:15:53,285 ARE YOU DOING IT? >> IF WE'RE DOING THIS AS A TEAM 207 00:15:53,352 --> 00:15:58,057 I WOULD LOVE TO DO A MARATHON WITH YOU GUYS. 208 00:15:58,123 --> 00:16:00,459 >> James: BAND? I THINK WE SHOULD PLAN FOR IT ON 209 00:16:00,526 --> 00:16:03,962 A SUNDAY. WE START TRAINING AND WE RAISE 210 00:16:04,029 --> 00:16:08,233 MONEY TO GET REG SEMI BUY OTIC KNEES. 211 00:16:08,300 --> 00:16:12,404 AND WE WANT TO SHOW YOU THIS. LONDON POLICE WERE FORCED TO 212 00:16:12,471 --> 00:16:13,939 BREAK INTO AN ART GALLERY AFTER A REPORT OF A PERSON SUFFERING A 213 00:16:14,006 --> 00:16:19,611 MEDICAL EMERGENCY. BUT THAT "PERSON" TURNED OUT TO 214 00:16:19,678 --> 00:16:23,148 BE A SCULPTURE OF A WOMAN IN A CHAIR, PASSED OUT WITH HER HEAD 215 00:16:23,215 --> 00:16:26,251 ON A DESK. HERE'S THE SCULPTURE HERE. 216 00:16:26,318 --> 00:16:30,189 LOOK AT THAT! YOU KNOW THAT WAS EVERY ENGLISH 217 00:16:30,255 --> 00:16:33,859 FOOTBALL FAN ON SATURDAY. HERE IS MY THOUGHT, RIGHT? 218 00:16:33,926 --> 00:16:37,162 I SIT IN MY OFFICE IN THAT EXACT POSITION, ALL DAY, EVERY DAY! 219 00:16:37,229 --> 00:16:43,268 AND NOT ONE PERSON HERE HAS TRIED TO RESCUE ME. 220 00:16:43,335 --> 00:16:46,472 (APPLAUSE) >> James: POLICE ARRIVED 221 00:16:46,538 --> 00:16:50,275 AFTER SOMEONE CALLED AND SAID A WOMAN APPEARED 222 00:16:50,342 --> 00:16:51,577 TO BE SUFFERING A MEDICAL EMERGENCY. 223 00:16:51,643 --> 00:16:55,481 YEAH, LOOKS LIKE THEY WERE HAVING AN... ART ATTACK. 224 00:16:55,547 --> 00:16:59,385 GOOD NIGHT, WE'LL SEE YOU NEXT TIME EVERYBODY. 225 00:16:59,451 --> 00:17:03,389 AND DID YOU SEIZE THIS STORY? AND, A PAIR OF JEANS THAT WERE 226 00:17:03,455 --> 00:17:06,058 PULLED FROM A SUNKEN TRUNK AT THE SITE OF AN 1857 SHIPWRECK 227 00:17:06,125 --> 00:17:14,099 HAVE JUST SOLD AT AUCTION FOR $114,000. 228 00:17:14,166 --> 00:17:17,736 HERE THEY ARE HERE! LOOK AT THAT. 229 00:17:17,803 --> 00:17:19,938 THE PANTS ARE FROM 1857, BUT THEY'LL MAKE YOUR ASS LOOK 230 00:17:20,005 --> 00:17:24,943 TIMELESS. SOMEONE SPENT MORE THAN $100,000 231 00:17:25,010 --> 00:17:27,813 TO BUY THOSE JEANS, CAN YOU IMAGINE? 232 00:17:27,880 --> 00:17:32,017 SORRY SON YOU'RE NOT GOING TO GO TO COLLEGE ANYMORE, I HAD TO BUY 233 00:17:32,084 --> 00:17:37,556 THESE OLD PANTS MAN, I HAD TO. AND FINALLY, IF YOU'RE A FAN OF 234 00:17:37,623 --> 00:17:38,824 "THE LORD OF THE RINGS," LISTEN UP, BECAUSE YOU CAN NOW STAY IN 235 00:17:38,891 --> 00:17:44,163 A "HOBBIT HOLE" ON THE ORIGINAL "LOD OF THE RINGS" SET IN NEW 236 00:17:44,229 --> 00:17:45,431 ZEALAND. IN ADDITION TO YOUR ROOM, YOU'LL 237 00:17:45,497 --> 00:17:49,601 ALSO GET BEHIND THE SCENES TOURS OF THE SET. 238 00:17:49,668 --> 00:17:53,772 HERE'S WHERE YOU'LL BE STAYING! LOOK AT THAT! 239 00:17:53,839 --> 00:17:55,874 AND HERE'S THE BEDROOM! AND HERE'S YOUR GIRLFRIEND'S 240 00:17:55,941 --> 00:17:59,711 FACE WHEN YOU TELL HER YOU'RE TAKING HER TO A HOBBIT HOLE! 241 00:17:59,778 --> 00:18:03,315 (LAUGHTER) >> James: I'M JOKING. 242 00:18:03,382 --> 00:18:05,017 IF YOU'RE BOOKING A STAY IN A HOBBIT HOLE, YOU DO NOT HAVE A 243 00:18:05,083 --> 00:18:06,251 GIRLFRIEND. BUT HONESTLY, THIS IS A GREAT 244 00:18:06,318 --> 00:18:09,955 OPPORTUNITY. IT REALLY IS. 245 00:18:10,022 --> 00:18:11,490 USUALLY, IF YOU WANT TO GET INSIDE A HOBBIT HOLE, YOU HAVE 246 00:18:11,557 --> 00:18:15,194 TO TAKE FRODO OUT TO DINNER FIRST. 247 00:18:15,260 --> 00:18:17,296 AND THAT'S THE NEWS, EVERYBODY! (CHEERS AND APPLAUSE) 248 00:18:17,362 --> 00:18:21,333 WE'LL BE RIGHT BACK WITH MELISSA McCARTHY, EVERYBODY! 249 00:18:37,249 --> 00:18:39,551 >> James: WELCOME BACK. LET'S MEET OUR GUESTS TONIGHT. 250 00:18:39,618 --> 00:18:42,387 HE STARS IN "BEAUTY AND THE BEAST: A 30th CELEBRATION!" 251 00:18:42,454 --> 00:18:43,989 PLEASE WELCOME JOSH GROBAN! (CHEERS AND APPLAUSE) 252 00:18:44,056 --> 00:18:52,331 >> Reggie: IT'S JOSH GROBAN! ALL THE WAY FROM WHERE HE IS! 253 00:18:52,397 --> 00:18:56,835 >> James: SHE'S ONE OF THE FUNNIEST PEOPLE I KNOW! 254 00:18:56,902 --> 00:19:03,442 IT'S MELISSA McCARTHY. >> Reggie: IT'S MS. MELISSA 255 00:19:03,509 --> 00:19:14,620 McCARTHY! ♪ ♪ ♪ ♪ I LOVE IT. 256 00:19:14,686 --> 00:19:18,824 >> OH MY GOODNESS. ♪ ♪ ♪ 257 00:19:18,891 --> 00:19:25,330 >> James: I MEAN THIS IS -- THIS IS EXCEPTIONAL. 258 00:19:25,397 --> 00:19:27,699 WHERE DOES ONE GET SUCH AN OUTFIT. 259 00:19:27,766 --> 00:19:33,272 IS THIS YUSHES, DO YOU OWN THIS? >> YES, THIS IS JUST IN MY 260 00:19:33,338 --> 00:19:37,075 CLOSET. >> James: STOP! 261 00:19:37,142 --> 00:19:40,979 >> WE DO HAVE LIKE AN ANNUAL CHRISTMAS COSTUME PARTY. 262 00:19:41,046 --> 00:19:47,352 AND MAYBE TWO YEARS AGO THIS WAS A CHRISTMAS FLOCK OF SEA GULLS. 263 00:19:47,419 --> 00:19:53,425 AND IT JUST SEEMED RIGHT. I THOUGHT WE WERE SORT OF 264 00:19:53,492 --> 00:19:56,261 GUSTIED UP. >> I FEEL A LITTLE OUT OF PLACE 265 00:19:56,328 --> 00:19:57,930 NOW. I FEEL I KILLED A BAG PIPER AND 266 00:19:57,996 --> 00:19:58,964 EVERYTHING. I FEEL -- 267 00:19:59,031 --> 00:20:01,500 >> DOES YOUR SUIT HAVE BATTERIES? 268 00:20:01,567 --> 00:20:03,869 >> NO, THAT'S WHAT I NEED FROM NOW ON. 269 00:20:03,936 --> 00:20:07,339 >> James: MY FAVORITE THING OF THIS WHOLE OUTFIT IS THE LAT. 270 00:20:07,406 --> 00:20:13,412 BECAUSE IT'S A TREE WITH TWO PRESENTS. 271 00:20:13,478 --> 00:20:15,714 IT'S AMAZING. >> TRUE. 272 00:20:15,781 --> 00:20:19,751 >> James: IS THIS SOMETHING WOULD YOU AWARE ON CHRISTMAS 273 00:20:19,818 --> 00:20:21,353 DAY? >> NOT ON CHRISTMAS DAY BUT JUST 274 00:20:21,420 --> 00:20:24,189 AROUND THE HOUSE. WHEN I DO WALK OUT IN FRONT OF 275 00:20:24,256 --> 00:20:28,026 MY GIRLS AND I HAVE SOMETHING LIKE THIS ON, THEY'RE LIKE HEY, 276 00:20:28,093 --> 00:20:32,397 IT DOESN'T GET ANY REACTION AT ALL WHICH I'M LIKE HOW MUCH 277 00:20:32,464 --> 00:20:35,801 DAMAGE ARE WE DOING? >> James: JUST EARLIER YOU 278 00:20:35,867 --> 00:20:39,871 WERE DRESSED AS SANTA CLAUS AND YOUR FATHER FACE TIMED YOU. 279 00:20:39,938 --> 00:20:46,445 EXPLAIN THE STORY. >> FULL BEARD, FULL WHITE CURLY 280 00:20:46,511 --> 00:20:52,184 WIG, FULL SUIT ON, HO HO HO, HAVE YOU BEEN A GOOD BOY? 281 00:20:52,250 --> 00:20:55,954 AND MY DAD WAS LIKE ARE YOU GUYS AT THE HOUSE? 282 00:20:56,021 --> 00:21:00,892 I'M LIKE DAD I'M FULLY DRESS ED AS SANTA. 283 00:21:00,959 --> 00:21:08,000 HE WAS LIKE, IS BEN WITH YOU? LIKE WHAT AM I DOING WRONG OR 284 00:21:08,066 --> 00:21:10,936 RIGHT? >> James: YOU'VE GOT 285 00:21:11,003 --> 00:21:18,977 TEENAGERS AT HOME, MINE ARE 11, EIGHT AND 5, 5, TODAY ACTUALLY. 286 00:21:19,044 --> 00:21:22,914 >> HAPPY BIRTHDAY! >> James: WHAT WAS CHRISTMAS 287 00:21:22,981 --> 00:21:26,718 LIKE COMPARED TO WHEN THEY WERE FIVE, SIX, SEARCH? 288 00:21:26,785 --> 00:21:30,088 >> IT'S SO WEIRDLY DIFFERENT. THE MANTRA WAS LIKE NOT UNTIL 289 00:21:30,155 --> 00:21:34,993 THE SUN COMES UP. IT WAS CAN WE GO DOWNSTAIRS? 290 00:21:35,060 --> 00:21:39,331 WAIT WAIT THE SUN HAS TO BE UP. AND NOW IT'S LIKE BEN AND I 291 00:21:39,398 --> 00:21:43,602 DOWNSTAIRS ON OUR SECOND CUP OF COFFEE, AND WE'RE GOING LIKE DO 292 00:21:43,669 --> 00:21:50,108 WE HAVE TO SHAKE THEM OUT OF BED? 293 00:21:50,175 --> 00:21:58,850 LIKE VIV, SHAKE HER AND IT'S LIKE DO YOU WANT A LAT RVETIONE? 294 00:21:58,917 --> 00:22:01,353 SHE'S LIKE ALL RIGHT ALL RIGHT ALL RIGHT ALL RIGHT. 295 00:22:01,420 --> 00:22:06,224 THE EXCITEMENT, I'M UP FIRST, THE SOUND IN THE LIVING ROOM 296 00:22:06,291 --> 00:22:09,761 LIKE THIS BY MYSELF. >> James: MY SON IS JUST 297 00:22:09,828 --> 00:22:12,197 GETTING TO THE POINT WHERE I NEED TO WAKE HIM UP. 298 00:22:12,264 --> 00:22:16,802 WHEN I WOKE HIM UP THE OTHER DAY HE SAID "THIS MOMENT RIGHT NOW 299 00:22:16,868 --> 00:22:26,344 IS THE WORST MOMENT OF MY LIFE." ALL I DID WAS OPEN THE CURTAINS. 300 00:22:26,411 --> 00:22:27,879 YEAH. NOW JOSH I WANT TO TALK TO YOU 301 00:22:27,946 --> 00:22:34,720 ABOUT THIS. ANNALEIGH SASHFORD, YOU AND 302 00:22:34,786 --> 00:22:43,228 ANNALEIGH A ASHFORD ARE PLAYING SWEENEYEY TODD ON BROUGHT WAY. 303 00:22:43,295 --> 00:22:57,309 WHAT ARE YOU DOING? >> I'M LOOKING A LOT, READING A 304 00:22:57,375 --> 00:23:00,779 LOT ABOUT SERIALITY KILLERS, BECAUSE I'M GOING TO BE PLAYING 305 00:23:00,846 --> 00:23:03,014 ONE. AND YOU KNOW THEY ALL BLEND IN. 306 00:23:03,081 --> 00:23:06,885 THAT'S THE THING THEY ALL ARE THE PERSON LIKE NEXT DOOR THAT 307 00:23:06,952 --> 00:23:11,256 YOU WOULD NEVER ASSUME IS KILLING OTHER PEOPLE AND TURNING 308 00:23:11,323 --> 00:23:16,294 THEM INTO MEAT PIES, SO I FEEL LIKE THAT IS A FUN THING YOU 309 00:23:16,361 --> 00:23:21,199 WANT TO LEAN INTO. WHEN YOU ARE COLOMBO, THAT'S THE 310 00:23:21,266 --> 00:23:23,802 BAD GUY, THAT'S GOING TO BE THE TWIST. 311 00:23:23,869 --> 00:23:31,810 >> James: NOT MUCH OF A TWIST WHEN YOU GO SEE SWEENEYEY TODD, 312 00:23:31,877 --> 00:23:40,485 ANOTHER BREAKOUT MUSICAL. >> EVERY PERSON WHO'S NEVER SEEN 313 00:23:40,552 --> 00:23:42,621 IT. I'M DOING IT FOR THAT PERSON. 314 00:23:42,687 --> 00:23:46,691 >> James: YOU VISITED YOUR OLD HIGH SCHOOL HERE IN LOS 315 00:23:46,758 --> 00:23:48,126 ANGELES. >> YES I DID. 316 00:23:48,193 --> 00:23:53,532 >> James: THEY WERE DOING A PRODUCTION FROM SWEENEY TODD, 317 00:23:53,598 --> 00:23:58,770 WHAT WAS THE LUCK THERE? >> I GO TO LOS ANGELES SCHOOL 318 00:23:58,837 --> 00:24:04,476 FOR THE ARTS, BEING A SHY PERSON, BROUGHT ME OUT OF MY 319 00:24:04,543 --> 00:24:06,578 SHELL. TO GO BACK 24 YEARS LATER AND TO 320 00:24:06,645 --> 00:24:11,516 BE ABLE TO SUPPORT THIS AMAZING MUSICAL THEATER CLASS THEY CAN'T 321 00:24:11,583 --> 00:24:14,286 EVEN SHAVE AND THEY'RE DOING SWEENEY TODD. 322 00:24:14,352 --> 00:24:20,659 >> THAT YOU LOSE YOUR MIND -- >> THEY WERE SPASMING MY 323 00:24:20,725 --> 00:24:26,932 COMMENTS TRYING TO GET ME THERE, THEY DIDN'T KNOW I WAS THERE. 324 00:24:26,998 --> 00:24:29,734 >> James: WE ACTUALLY HAVE A CLIP OF THE MOMENT THAT YOU 325 00:24:29,801 --> 00:24:32,237 SURPRISED THE STUDENTS AT YOUR OLD HIGH SCHOOL. 326 00:24:32,304 --> 00:24:38,810 >> THEY WERE SO SWEET SO NICE. >> AN OLD ALUMNI, JUST HAPPENED 327 00:24:38,877 --> 00:24:45,283 TO POP BY TO SEE THE SHOW AND IS GOING TO BE STARRING IN SWEENEY 328 00:24:45,350 --> 00:24:48,453 TODD! [ SCREAMING ] 329 00:24:48,520 --> 00:24:54,993 >> SHE WENT TO THE FLOOR! >> IT'S WOULD YOU LIKE TO -- 330 00:24:55,060 --> 00:25:01,266 [ SCREAMING ] >> James: THAT IS SO GREAT! 331 00:25:01,333 --> 00:25:05,570 >> OH MY GOD! >> I LOVE THEM SO MUCH BECAUSE 332 00:25:05,637 --> 00:25:07,472 THEY'VE GOT THAT LIGHT IN THEIR EYES. 333 00:25:07,539 --> 00:25:10,976 I THINK THEY PROBABLY THOUGHT THAT THE CALIFORNIA SUPREME 334 00:25:11,042 --> 00:25:13,011 COURT JUDGE JOSH GROBAN WAS IN THE AUDIENCE. 335 00:25:13,078 --> 00:25:15,680 >> THEY GOT THE SAME RESPONSE. >> EXACTLY. 336 00:25:15,747 --> 00:25:19,150 IT WAS SO GREAT TO SEE THEM, AWESOME. 337 00:25:19,217 --> 00:25:21,086 >> >> James: YOU STARTED 338 00:25:21,152 --> 00:25:23,355 PERFORMING ON SHOWS OFF BROADWAY. 339 00:25:23,421 --> 00:25:25,257 WHAT WAS THAT TIME OF YOUR LIFE LIKE? 340 00:25:25,323 --> 00:25:28,493 >> IT WAS FANTASTIC. I JUST REALLY DIDN'T KNOW HOW TO 341 00:25:28,560 --> 00:25:32,130 DO IT. I'M FROM A SMALL FARM TOWN IN 342 00:25:32,197 --> 00:25:34,633 ILLINOIS. WHEN SOMEONE SAYS WE'VE GOT A 343 00:25:34,699 --> 00:25:39,371 ROOM ON THE THIRD FLOOR AND IF YOU RENT FOLDING CHAIRS, YOU GOT 344 00:25:39,437 --> 00:25:42,474 YOURSELF A DEAL, I'M DOING THEATER! 345 00:25:42,540 --> 00:25:47,746 IF WE GOT TEN OF US TOGETHER, I WAS SO LIKE HONESTLY LIKE, LET'S 346 00:25:47,812 --> 00:25:56,187 PUT ON A SHOW, GUYS, TEN OF US. IF WE GET 17 TO COME, WE'LL GET 347 00:25:56,254 --> 00:25:59,057 EXTRA FOLDING CHAIRS. >> PURE PROFIT. 348 00:25:59,124 --> 00:26:03,228 >> NOBODY HAD ASKED ANYBODY TO COME, GUYS WHAT ABOUT THE MATH? 349 00:26:03,295 --> 00:26:05,964 WE SHOOK HANDS ON IT. >> James: JUST YOUR 17. 350 00:26:06,031 --> 00:26:09,401 >> MY 17, TWO OTHER PEOPLE THAT ARE THERE FOR THE WRONG SHOW. 351 00:26:09,467 --> 00:26:13,939 BUT THEN THAT WOULD END AND BE THEN I HAVE ANOTHER ROOM ON THE 352 00:26:14,005 --> 00:26:17,475 FOURTH FLOOR AND WE'RE GOING TO DO MORE TENNESSEE WILLIAMS. 353 00:26:17,542 --> 00:26:21,680 >> James: THANK GOD YOU DID. PIANO BARS ARE VERY POPULAR WITH 354 00:26:21,746 --> 00:26:25,583 NEW YORK CITY. ESPECIALLY WHERE THERE'S A 355 00:26:25,650 --> 00:26:31,323 CROWD, A PLACE TO GO AND PIANO PLAYER AND SING SHOW TUNES. 356 00:26:31,389 --> 00:26:36,728 IHAVE YOU EVER FREQUENTED THESE PLACES? 357 00:26:36,795 --> 00:26:41,833 >> I'VE BEEN A FREQUENTER OF DON'T TELL MAMA. 358 00:26:41,900 --> 00:26:47,339 WE'D GO IN THERE HAVE SOME LIBATIONS AND AT SOME POINT I 359 00:26:47,405 --> 00:26:56,548 WAS LIKE I'LL GO. THE ONLY THING I KNOW IS, "I 360 00:26:56,614 --> 00:26:59,050 HAVE A DREAM A DREAM ABOUT YOU BABY ♪ 361 00:26:59,117 --> 00:27:02,921 ♪ I HAVE A DREAM AND I'D JUST LOOP IT BECAUSE THAT'S THE ONLY 362 00:27:02,988 --> 00:27:05,757 LINE I KNEW. >> WHAT'S HAPPENING BABY. 363 00:27:05,824 --> 00:27:11,663 >> AND THEY WOULD GET THE PIANO, IT WAS AN OUTRAGE LIKE BEAUTIFUL 364 00:27:11,730 --> 00:27:14,699 AMAZING BROADWAY SINGERS THAT CAN REALLY SING AND THEY DON'T 365 00:27:14,766 --> 00:27:19,871 WANT A SHORT DRUNK ILLINOIS GIRL WHO IS REPEATING ONE LINE AND 366 00:27:19,938 --> 00:27:23,541 DOING IT POORLY. YOU'RE NOT OFF THE STAGE, WE 367 00:27:23,608 --> 00:27:26,845 WANT YOU OUT OF HERE. >> THEY'RE VERY SERIOUS ABOUT 368 00:27:26,911 --> 00:27:33,651 THESE PLACES, MARIE'S CHRIS IN NEW YORK, NOT, BUT HEDGE FUND 369 00:27:33,718 --> 00:27:36,855 PEOPLE IF YOU SAW ME IN THERE, YOU DIDN'T. 370 00:27:36,921 --> 00:27:42,460 I WAS HERE LIKE ANTHEM FROM A MUSICAL CALLED CHEST. 371 00:27:42,527 --> 00:27:47,866 $20 TO DO A SOLO BUT NO PROBLEM. I DID IT! 372 00:27:47,932 --> 00:27:51,202 RULES IS RULES JAMES. >> James: RULES? 373 00:27:51,269 --> 00:27:56,341 >> VERY SERIOUS HERE. >> James: I DO THINK ABOUT 374 00:27:56,408 --> 00:28:01,479 DOING MELISSA McCARTHY'S RANGE SINGING THE FIRST LINE OVER AND 375 00:28:01,546 --> 00:28:06,351 OVER AGAIN. >> I THINK I'M NAILING IT! 376 00:28:06,418 --> 00:28:11,656 MY FRIENDS ARE LIKE, IT'S PRETTY SLURRY, THE ONE LINE YOU THINK 377 00:28:11,723 --> 00:28:15,360 YOU ARE NAILING YOU DIDN'T. >> James: IF YOU WERE TO DO A 378 00:28:15,427 --> 00:28:18,196 BROADWAY SHOW WHICH ONE WOULD YOU PICK? 379 00:28:18,263 --> 00:28:25,070 >> I LOVE AUNTIE MAME WITH MY WHOLE HEART! 380 00:28:25,136 --> 00:28:33,144 I COULD NOT SING -- I CAN'T -- NO, I CAN'T DO THAT. 381 00:28:33,211 --> 00:28:34,679 >> YOU CAN. I JUST HEARD IT. 382 00:28:34,746 --> 00:28:38,483 >> IT DOESN'T GO BEYOND THAT. >> James: JUST THAT ONE LINE. 383 00:28:38,550 --> 00:28:42,120 >> THAT'S IT, ALL I CAN DO. THE COSTUMES AND THAT WHOLE 384 00:28:42,187 --> 00:28:44,823 STORY. SHE'S SO LIKE BEFORE HER TIME 385 00:28:44,889 --> 00:28:53,465 AND SUCH -- I DON'T KNOW, THE ROSALIND RUSSELL, AUNTIE MAME DO 386 00:28:53,531 --> 00:28:56,768 YOURSELF A CHRISTMAS FAVOR. >> James: WE ARE ALL EXCITED 387 00:28:56,835 --> 00:28:59,304 ABOUT THIS. YOU ARE PLAYING THE BEAST, 388 00:28:59,370 --> 00:29:03,174 BEAUTY AND THE BEAST 30th ANNIVERSARY CELEBRATION. 389 00:29:03,241 --> 00:29:07,445 WHAT CAN YOU EXPECT OF THIS? >> WE ARE ALL FAN BOYS AND GIRLS 390 00:29:07,512 --> 00:29:12,784 OF THIS MOVIE. 30th ANNIVERSARY OF THE 391 00:29:12,851 --> 00:29:15,687 ORIGINAL MOVIE, WE CAN'T BELIEVE IT'S BEEN 30 YEARS. 392 00:29:15,753 --> 00:29:26,131 WE ALL REMEMBER WHERE WE WERE, REALITY STACKED CAST. 393 00:29:26,197 --> 00:29:29,400 JUST A REMARKABLE BUNCH OF PEOPLE. 394 00:29:29,467 --> 00:29:31,636 WE COME FROM DIFFERENT PORTION OF THE BIS BUT WE ALL LOVE 395 00:29:31,703 --> 00:29:37,375 BEAUTY AND THE BEAST. WE PERFORM THESE SONGS, THEY'LL 396 00:29:37,442 --> 00:29:40,545 GO INTO THE FILM FROM TIME TO TIME, BUT WE HAD A REALLY REALLY 397 00:29:40,612 --> 00:29:45,650 GOOD TIME. >> James: THE FILM PLAYS AND 398 00:29:45,717 --> 00:29:47,552 YOU COME OUT AND SING TO THE AUDIENCE. 399 00:29:47,619 --> 00:29:53,158 >> I HAVEN'T SEEN THE FINAL EDIT YET BUT I THINK IT WILL BE PART 400 00:29:53,224 --> 00:29:58,830 CONCERT AND PART INTERVIEWS WITH THE ANIMATORS AND STUFF. 401 00:29:58,897 --> 00:30:02,534 FOR THOSE WHO HAVE BEEN FANS FOR YEARS, WE'RE THERE TO CELEBRATE, 402 00:30:02,600 --> 00:30:05,870 WHAT IT'S BEEN FOR PEOPLE FOR THREE DECADES. 403 00:30:05,937 --> 00:30:11,609 >> I BELIEVE I WAS WITH A NANNY ONE TIME, I'VE SEEN THAT SO MANY 404 00:30:11,676 --> 00:30:15,013 TIMES AND I'M A SUCKER FOR IT EVERY SINGLE TIME! 405 00:30:15,079 --> 00:30:19,617 >> James: YOU CAN CHECKER OUT JOSH IN BEAUTY AND THE BEAST A 406 00:30:19,684 --> 00:30:22,854 30th ANNIVERSARY, AIRS ON THURSDAY AT 8:00 ON ABC. 407 00:30:22,921 --> 00:30:26,491 STICK AROUND WE'LL BE RIGHT BACK. 408 00:30:34,666 --> 00:30:39,404 ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ WE ARE BACK ♪ ♪ ♪ 409 00:30:39,470 --> 00:30:41,439 >> James: WELCOME BACK. WE ARE HERE WITH MELISSA 410 00:30:41,506 --> 00:30:45,510 McCARTHY AND JOSH GROBAN. THIS IS VERY EXCITING. 411 00:30:45,577 --> 00:30:50,848 YOU ARE PART OF AN INCREDIBLE WHISKEY THAT IS CALLED BIG NOSE 412 00:30:50,915 --> 00:30:54,118 KATE. WE ARE ALL SIPPING ON IT NOW. 413 00:30:54,185 --> 00:30:56,054 HOW DID YOU GET INVOLVED IN THIS? 414 00:30:56,120 --> 00:31:00,358 >> THEY HAD SENT US A BOTTLE BECAUSE THEY KNEW WE REALLY 415 00:31:00,425 --> 00:31:02,060 LOVED WHISKEY. IT'S REALLY GOOD. 416 00:31:02,126 --> 00:31:04,362 ISN'T IT? WE HAD NEVER DONE ANYTHING LIKE 417 00:31:04,429 --> 00:31:08,666 THIS BUT WE LIKED IT SO MUCH I LOVE HER STORY. 418 00:31:08,733 --> 00:31:19,978 BIG NOSE KATE WAS LIKE A BAD ASS, LIKE WITH DOC HOLIDAY AND 419 00:31:20,044 --> 00:31:22,880 WYATT EARP. IT IS A WESTERN WHISKEY AND WE 420 00:31:22,947 --> 00:31:27,685 KIND OF FELL IN LOVE WITH IT AND THE BETTER WE WERE GETTING TO 421 00:31:27,752 --> 00:31:31,689 KNOW THEM AND HAVING IT, WE WERE LIKE CAN WE PART OF THIS? 422 00:31:31,756 --> 00:31:35,393 THIS IS WEIRD. LIKE THE MASTER DISTILLER IS 423 00:31:35,460 --> 00:31:38,863 FEMALE, THE WOMAN WHO OWNS THE DISTILLERY IS FEMALE, IT IS 424 00:31:38,930 --> 00:31:42,433 PRETTY COOL, HER STORY IS PRETTY FASCINATING. 425 00:31:42,500 --> 00:31:48,006 >> James: WHAT I LOVE IS LOTS OF FAMOUS PEOPLE WILL ENDORSE 426 00:31:48,072 --> 00:31:51,976 DIFFERENT PRODUCTS THEY DON'T LOSE. 427 00:31:52,043 --> 00:31:55,546 HOWEVER, MELISSA McCARTHY LOVES TO DRINK! 428 00:31:55,613 --> 00:31:59,083 THAT'S THE TRUTH OF IT. >> THAT'S THE TRUTH OF IT. 429 00:31:59,150 --> 00:32:05,290 >> James: I REMEMBER PASSING YOU IN A PARTY OR SOME AND YOU 430 00:32:05,356 --> 00:32:09,594 WERE HOLDING TWO SCOTCHES. AND WHEN I DANCED PAST YOU, I 431 00:32:09,661 --> 00:32:15,066 SAID ARE YOU ON YOUR OWN? I THINK I SAID ARE YOU ON YOUR 432 00:32:15,133 --> 00:32:17,135 OWN? WHO'S THAT FOR? 433 00:32:17,201 --> 00:32:21,839 YOU WENT, "ME!" >> WELL THAT'S CHARMING. 434 00:32:21,906 --> 00:32:25,843 >> James: IT WAS, ABSOLUTELY CHARMING. 435 00:32:25,910 --> 00:32:30,815 WHEN WAS THE LAST TIME YOU GOT -- YOU WEREN'T DRUNK BUT I'D 436 00:32:30,882 --> 00:32:36,988 LOVE TO GET AROUND A RIP ROARING BLACKOUT DRUNK. 437 00:32:37,055 --> 00:32:41,359 >> WHAT WERE YOU WEARING? >> I MUST SAY THIS DRESS WAS 438 00:32:41,426 --> 00:32:47,632 PART OF ONE OF THOSE, THERE IS HISTORY BEYOND THESE. 439 00:32:47,699 --> 00:32:51,769 IN HISTORY WE DRESS UP THERE ARE DIFFERENT COSTUMES. 440 00:32:51,836 --> 00:32:56,074 BUT AT ONE POINT I SLIGHTLY I'LL SAY TOPPLED IN MY LIVING ROOM 441 00:32:56,140 --> 00:33:00,678 AND BEFORE I COULD GET UP I DID FIND MYSELF ON THE GROUND HANDS 442 00:33:00,745 --> 00:33:05,616 AND NIECE AND THIS WILL SOUND LIKE A FEVER DREAM, IT DOES TO 443 00:33:05,683 --> 00:33:07,618 ME. THE NEXT THING I KNEW, CHRISTINA 444 00:33:07,685 --> 00:33:12,623 AGUILERA WAS RIDING ME. I CLUMPED AROUND MISS LIVING 445 00:33:12,690 --> 00:33:20,531 ROOM AND IT WAS LIKE SALT AND PEPPA WAS ON. 446 00:33:20,598 --> 00:33:27,205 THAT'S WHAT YOU GET FROM ME. >> James: I CAN'T IMAGINE A 447 00:33:27,271 --> 00:33:30,308 DRUNK JOSH GROBAN. >> YOU'RE LOOKING AT HIM. 448 00:33:30,375 --> 00:33:32,443 >> James: YOU'RE ALWAYS SO CHROMED. 449 00:33:32,510 --> 00:33:36,047 WHAT IS THIS LIKE? >> DO YOU EVER GET SLOPPY? 450 00:33:36,114 --> 00:33:40,818 >> I'M NOT HANDS AND KNEES ON THE DANCE FLOOR SLOPPY BUT IT IS 451 00:33:40,885 --> 00:33:47,992 IN HERE, I'LL TELL YOU, ALL INSIDE. 452 00:33:48,059 --> 00:33:50,795 I'M A LITTLE SCARED OF THE DANCE FLOOR. 453 00:33:50,862 --> 00:33:54,198 I INCH CLOSER TO THE DANCE FLOOR WHEN I DRINK BUT THE LINE OF THE 454 00:33:54,265 --> 00:33:57,602 DANCE FLOOR IS LIKE ONE OF THE GHOST BASEBALL PLAYERS IN FIELD 455 00:33:57,668 --> 00:34:00,071 OF DREAMS. I CAN'T STEP OVER IT AND DO IT. 456 00:34:00,138 --> 00:34:04,008 BUT I'LL DO THE THUMBS IN THE POCKETS AND WATCH, AND WHEN I 457 00:34:04,075 --> 00:34:08,746 GET CLOSER AND CLOSER TO THE EDGE AS I GET DRUNKER AND, YOU 458 00:34:08,813 --> 00:34:10,982 KNOW, AT SOME POINT THE JACKET COMES OFF. 459 00:34:11,048 --> 00:34:19,223 >> James: OH STOP! [ HORN HONKING ] 460 00:34:19,290 --> 00:34:23,394 >> ALL I KNOW IS THE NEXT TIME WE'RE IN AN EVENT AND THERE'S 461 00:34:23,461 --> 00:34:26,764 DANCING I'LL PICK YOU UP AND CARRY YOU TO THE DANCE FLOR. 462 00:34:26,831 --> 00:34:30,868 WE'LL DANCE IT OUT. >> I'M NOT AGAINST DANCING IT 463 00:34:30,935 --> 00:34:33,638 OUT. IF WE HAVE A WHISKEY THAT GOOD 464 00:34:33,704 --> 00:34:38,176 AND THAT SMOKY I'LL DO ANYTHING! >> James: WHAT ARE YOUR VOCAL 465 00:34:38,242 --> 00:34:46,984 WARMUPS? >> I WAKE UP VERY GROGGY, I AM 466 00:34:47,051 --> 00:34:49,720 NOT SINGING TODAY AND USUALLY I HAVE TO SING. 467 00:34:49,787 --> 00:34:58,463 I GO THROUGH ALL KINDS OF CRAZY SIREN EXERCISES, IN BATHROOM 468 00:34:58,529 --> 00:35:03,468 SHOWERS, WITH ACOUSTICS. SOME PEOPLE CALL HEARING STRANGE 469 00:35:03,534 --> 00:35:08,906 NOISES, ESPECIALLY IF THERE'S A CONNECTORRING DOOR, MY BIGGEST 470 00:35:08,973 --> 00:35:12,510 PET PEEVE IS IF THERE'S A DOOR CONNECTING YOU WITH A STRANGER. 471 00:35:12,577 --> 00:35:16,881 THERE'S A SPACE AT THE BOTTOM LIKE AN INCH, IF I COULD PUT MY 472 00:35:16,948 --> 00:35:23,754 FACE ON THE FLOOR I COULD WATCH SOMEONE GOING AROUND IN THEIR 473 00:35:23,821 --> 00:35:28,893 SOCKS, I'M DOING THIS WEIRD NOISE, WHATEVER GETS ME FROM ONE 474 00:35:28,960 --> 00:35:31,095 PLACE TO THE OTHER. >> James: WOULD YOU JUST LEAD 475 00:35:31,162 --> 00:35:37,902 US TO ONE VOCAL WARMUP, BEFORE THE END, IS THAT SOME YOU WOULD 476 00:35:37,969 --> 00:35:41,072 DO? >> LET'S DO A LITTLE YAHYA YAHYA 477 00:35:41,138 --> 00:35:56,020 YAHYA YAH! >> GREAT JOB GANG! 478 00:35:56,087 --> 00:36:04,061 YAHYA YAH! >> GREAT JOB GANG! 479 00:36:04,128 --> 00:36:06,130 >> James: WELCOME BACK. MELISSA McCARTHY AND JOSH 480 00:36:06,197 --> 00:36:08,499 GROBAN ARE HERE. REGGIE, DO YOU HAVE A QUESTION 481 00:36:08,566 --> 00:36:10,701 FOR ANY OF OUR GUESTS THIS EVENING? 482 00:36:10,768 --> 00:36:15,673 >> Reggie: YES, I DO. IF PRESENTED WITH MULTIPLE BOWLS 483 00:36:15,740 --> 00:36:29,053 OF FRUITS, OF VARIOUS VARIETALS, CLEARLY MARKED, ON A TABLE, 484 00:36:29,120 --> 00:36:34,258 WHICH DO YOU CHOOSE? >> BUTTERSCOTCH. 485 00:36:34,325 --> 00:36:42,700 BUTTERSCOTCH. >> BANANA. 486 00:36:42,767 --> 00:36:47,939 >> OH. >> Reggie: EVERYTHING 487 00:36:48,005 --> 00:36:49,140 BUTTERSCOTCH. MORE LIKE WHISKEY. 488 00:36:49,206 --> 00:36:50,074 THOSE ARE ABSOLUTELY CORRECT. >> James: PLEASE THANK OUR 489 00:36:50,141 --> 00:36:52,209 INCREDIBLE GUESTS, MELISSA McCARTHY AND 490 00:36:52,276 --> 00:36:54,946 JOSH GROBAN. WE'LL BE RIGHT BACK! 491 00:37:12,129 --> 00:37:13,464 ♪ ♪ ♪ ♪ ♪ ♪ ♪ >> James: THANK YOU SO MUCH, 492 00:37:13,531 --> 00:37:15,032 FOR WATCHING. TOMORROW NIGHT, ZOE SALDAÑA IS 493 00:37:15,099 --> 00:37:16,500 COMING BY, KUMAIL NANJIANI WILL BE JOINING US, AND E'VE GOT 494 00:37:16,567 --> 00:37:17,868 MUSIC FROM TALK. WE HOPE YOU'LL JOIN US, TOO. 495 00:37:17,935 --> 00:37:21,772 WE'LL SEE YOU THEN. REGGIE, TAKE US HOME. 496 00:37:21,839 --> 00:37:25,042 ♪ ♪ ♪ ♪ ♪