1 00:00:02,001 --> 00:00:08,007 ♪ ARE YOU READY, Y'ALL ♪ PEOPLE LEANING ON A BARSTOOL. 2 00:00:15,515 --> 00:00:18,351 ♪ ♪ IT'S "THE LATE LATE SHOW!" 3 00:00:18,418 --> 00:00:27,961 >> Reggie: LADIES AND GENTLEMEN, ALL THE WAY FROM 4 00:00:28,027 --> 00:00:30,964 FROM UNDERNEATH-- IN PITTSBURGH, GIVE IT UP FOR YOUR HOST, THE 5 00:00:31,030 --> 00:00:40,140 ONE, THE ONLY JAMES CORDEN! 6 00:00:40,206 --> 00:00:41,040 >> James: HOW ARE YOU? 7 00:00:41,107 --> 00:00:48,448 THANK YOU VERY, VERY MUCH. 8 00:00:48,515 --> 00:00:49,516 THANK YOU. 9 00:00:49,582 --> 00:00:50,717 HELLO, GOOD EVENING, WELCOME TO THE LATE LATE SHOW. 10 00:00:50,784 --> 00:00:53,420 I HOPE YOU HAD THE BEST DAY, BLESS YOU FOR BEING HERE, THANK 11 00:00:53,486 --> 00:00:57,557 YOU FOR COMING OUT, LET'S TAKE A LOOK AND SEE WHO OUR GUESTS ARE. 12 00:00:57,624 --> 00:01:02,395 SHE IS AN INCREDIBLE OSCAR NOMINATED ACTOR, PRODUCER FROM 13 00:01:02,462 --> 00:01:03,930 I TONIA, SUICIDE SQUADS MOVIES, "BOMBSHELL" AND SO MUCH 14 00:01:03,997 --> 00:01:08,101 MORE, THE MAGNIFICENT, MARGOT ROBBIE! 15 00:01:08,168 --> 00:01:12,405 CAN YOU BELIEVE T MARGOT. 16 00:01:12,472 --> 00:01:12,839 >> HI. 17 00:01:12,906 --> 00:01:13,440 >> HOW ARE YOU. 18 00:01:13,506 --> 00:01:14,874 >> GOOD, HAPPY TO BE HERE. 19 00:01:14,941 --> 00:01:17,277 >> I'M SO HAPPY TO SIGH, THANK YOU FOR BEING HERE, WHO HAVE YOU 20 00:01:17,343 --> 00:01:18,812 GOT IN THE DRESSING ROOM. 21 00:01:18,878 --> 00:01:20,013 >> MY MOM CAME. 22 00:01:20,079 --> 00:01:24,250 >> OH MY-- MOM, SAY HI, JAMES, VOICE. 23 00:01:24,317 --> 00:01:26,352 >> HOW ARE YOU, HOW ARE YOU DOING. 24 00:01:26,419 --> 00:01:27,020 >> VERY WELL. 25 00:01:27,086 --> 00:01:27,654 >> ARE YOU HAVING A GOOD TIME. 26 00:01:27,720 --> 00:01:28,888 >> HAVING A GREAT TIME. 27 00:01:28,955 --> 00:01:31,758 >> WE ARE SO THRILLED THAT YOU ARE HERE, ARE YOU OKAY, MARGOT, 28 00:01:31,825 --> 00:01:33,326 DO YOU NEED ANYTHING? 29 00:01:33,393 --> 00:01:36,496 >> YEAH, COULD YOU BRING ME A BEER OR SOMETHING. 30 00:01:36,563 --> 00:01:42,635 >> ABSOLUTELY, CAN WE GET A BEER FOR MARGOT ROBBIE, PLEASE HE 31 00:01:42,702 --> 00:01:46,406 LOVE YOU, MARGOT ROBBIE, EVERYBODY. 32 00:01:46,473 --> 00:01:52,312 SHE'S AN EMMY AWARD-WINNING -- LOOK AT THAT FOR SMPLET 33 00:01:52,378 --> 00:01:53,680 SHE'S AN EMMY AWARD-WINNING ACTRESS YOU KNOW FROM "MARE OF 34 00:01:53,746 --> 00:01:55,582 EASTTOWN," "WATCHMEN," AND OF COURSE, "HACKS," THE ICONIC, 35 00:01:55,648 --> 00:02:00,987 THE LIVING LEGEND, JEAN SMART! 36 00:02:01,054 --> 00:02:05,859 ITS WONDER THAT IS JEAN SMART, IS ON THE SHOW, JEAN. 37 00:02:05,925 --> 00:02:11,564 >> YOU CAUGHT ME WITHOUT ANY OF MY MAKE UP OR ANYTHING ON. 38 00:02:11,631 --> 00:02:13,299 JUST THIS OLD FROCK. 39 00:02:13,366 --> 00:02:15,602 >> HOW ARE YOU, JEAN, ARE YOU WELL? 40 00:02:15,668 --> 00:02:17,937 >> I'M VERY WELL, DARLING. 41 00:02:18,004 --> 00:02:18,938 HOW ARE YOU? 42 00:02:19,005 --> 00:02:26,946 >> I'M ALL THE BETTER FOR SEEING YOU. 43 00:02:27,013 --> 00:02:30,283 NO, YOU STOP, NO, YOU STOP. 44 00:02:30,350 --> 00:02:32,819 NO, YOU STOP! 45 00:02:32,886 --> 00:02:35,622 OKAY, I WILL STOP, JEAN SMART, EVERYBODY. 46 00:02:35,688 --> 00:02:36,723 ARE YOU READY? 47 00:02:36,789 --> 00:02:37,824 > REGGIE, ARE YOU READY? 48 00:02:37,891 --> 00:02:38,658 THEN LET'S! 49 00:02:38,725 --> 00:02:39,626 I'M JAMES CORDEN, AND THIS? 50 00:02:39,692 --> 00:02:41,861 THIS IS "THE LATE LATE SHOW!" ROLL THE TITLES! 51 00:02:41,928 --> 00:02:42,228 COME ON! 52 00:02:43,162 --> 00:02:45,298 Captioning sponsored by CBS 53 00:02:46,299 --> 00:02:51,704 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW, WOO! 54 00:02:51,771 --> 00:02:57,210 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW OH-OH! 55 00:02:57,277 --> 00:03:03,550 ♪ IT'S THE LATE, LATE SHOW ♪ >> James: IT CERTAINLY IS! 56 00:03:03,616 --> 00:03:05,485 THIS IS IT, GANG. 57 00:03:05,552 --> 00:03:07,153 THIS IS IT, >> James: WELL, IT'S OUR LAST 58 00:03:07,220 --> 00:03:12,825 SHOW OF 2022. 59 00:03:12,892 --> 00:03:14,827 (CHEERS AND APPLAUSE) HOW ARE YOU FEELING? 60 00:03:14,894 --> 00:03:16,529 >> I FEEL AMAZING. 61 00:03:16,596 --> 00:03:17,530 >> GREAT CUP. 62 00:03:17,597 --> 00:03:20,166 >> THANK YOU SECH VERY MUCH-- CUT SOLID HAIRCUTS. 63 00:03:20,233 --> 00:03:22,235 >> THANK YOU, JASON SCHNEIDER. 64 00:03:22,302 --> 00:03:24,304 >> THE MEN'S GROOMER THERE ST, A GREAT CUT. 65 00:03:24,370 --> 00:03:25,204 >> A GREAT CUT. 66 00:03:25,271 --> 00:03:28,041 >> THAT SAY GREAT CUT TO SEE OUT THE YEAR. 67 00:03:28,107 --> 00:03:29,442 >> RIGHT? 68 00:03:29,509 --> 00:03:30,677 100%. 69 00:03:30,743 --> 00:03:32,045 >> ARGOT ROBBIE I THOUGHT WOULD BE THE MOST GLAMOROUS THING ON 70 00:03:32,111 --> 00:03:32,912 THE SHOW TONIGHT. 71 00:03:32,979 --> 00:03:34,614 >> NO, NO, NO. 72 00:03:34,681 --> 00:03:37,817 SHE DON'T STAND A [BLEEP] CHANCE AGAINST THAT HAIRCUT. 73 00:03:37,884 --> 00:03:42,155 >> WE HAVE HAD A RUN LONGING FEUD MARGOT ROBBIE AND I AND I 74 00:03:42,221 --> 00:03:43,289 COULDN'T LET HER WIN. 75 00:03:43,356 --> 00:03:46,059 >> I KNOW YOU CAN'T TALK ABOUT IT BECAUSE THERE ARE LEGAL 76 00:03:46,125 --> 00:03:46,960 ISSUES. 77 00:03:47,026 --> 00:03:48,194 >> WE ARE CURRENTLY LOCKED IN LITIGATION. 78 00:03:48,261 --> 00:03:51,130 >> BECAUSE YOU WERE SUPPOSED TO PLAY THAT ROLE IN THE WOLF OF 79 00:03:51,197 --> 00:03:52,432 WALL STREET. 80 00:03:52,498 --> 00:03:54,334 >> THAT'S RIGHT, YEAH. 81 00:03:54,400 --> 00:03:57,103 >> NO, I DID PLAY THAT ROLE IN THE WOLF OF WALL STREET. 82 00:03:57,170 --> 00:04:02,508 THEY SHOT MOST OF THE MOVIE, RECAST T SLID HER IN THERE. 83 00:04:02,575 --> 00:04:03,910 DISGUSTING. 84 00:04:03,977 --> 00:04:04,777 >> WHAT ARE YOU DRINKING? 85 00:04:04,844 --> 00:04:06,179 ARE YOU DRINKING LICK SNER. 86 00:04:06,245 --> 00:04:07,113 >> WHAT IS THAT? 87 00:04:07,180 --> 00:04:08,581 >> ARE YOU DRINKING ALCOHOL? 88 00:04:08,648 --> 00:04:13,152 >> I AM, YES. 89 00:04:13,219 --> 00:04:15,488 >> IT SAY LITTLE PRESHOW DRINKS BECAUSE HAVE I OTHER 90 00:04:15,555 --> 00:04:21,961 RESPONSIBILITIES SO I GOT SOME OF Y'ALL'S-- TEQUILA. 91 00:04:22,028 --> 00:04:25,398 >> NICK, HOW DO YOU FEEL ABOUT, THAT EXECUTIVE PRODUCER DRINKING 92 00:04:25,465 --> 00:04:28,434 NOT ONLY AT WORK, ON THE STUD DWRO FLOOR? 93 00:04:28,501 --> 00:04:31,137 >> I MEAN I'M IN THE CHRISTMAS SPIRIT AND HAVE I HAD NO HELP. 94 00:04:31,204 --> 00:04:33,640 AND I THINK EVERYONE ELSE COULD DO THE SAME THING THAT I DID AND 95 00:04:33,706 --> 00:04:34,507 BE JUST FINE. 96 00:04:34,574 --> 00:04:37,076 I DON'T KNOW WHY. 97 00:04:37,143 --> 00:04:38,044 >> HE IS DRINKING. 98 00:04:38,111 --> 00:04:40,747 >> ALTHOUGH YOU ARE ON QUITE A LOT OF COCAINE. 99 00:04:40,813 --> 00:04:45,251 YOU DID COME IN AND SAY COME ON GUYS, WHO IS READY FOR A WHITE 100 00:04:45,318 --> 00:04:50,623 CHRISTMAS ITS (LAUGHTER) 101 00:04:50,690 --> 00:04:55,194 >> I'M NOT DIG ANY FYING THAT WITH A RESPONSE-- DIG FYING THAT 102 00:04:55,261 --> 00:04:57,664 WITH A RESPONSE. 103 00:04:57,730 --> 00:05:00,166 REG, WHEN YOU LOOK BACK ON 202 2-RBGS WHAT IS YOUR FAVORITE 104 00:05:00,233 --> 00:05:01,567 MOMENTS ON THE SHOW. 105 00:05:01,634 --> 00:05:04,203 >> PROBABLY IF THERE WAS A MOMENT WHERE I WAS LIKE LAUGHING 106 00:05:04,270 --> 00:05:09,876 A LOT BECAUSE YOU KNOW, A GUEST DID SOMETHING REALLY COOL. 107 00:05:09,942 --> 00:05:13,880 >> BUT NO SPECIFICS. 108 00:05:13,946 --> 00:05:15,314 >> NOT THAT I CAN THINK OF. 109 00:05:15,381 --> 00:05:16,749 >> NO, NO NO. 110 00:05:16,816 --> 00:05:20,887 WHAT ABOUT YOU, HIGH POINT, 2022. 111 00:05:20,953 --> 00:05:21,521 >> OH MAN, IT WAS A GREAT YEAR. 112 00:05:21,587 --> 00:05:22,955 IT WAS REALLY FUN. 113 00:05:23,022 --> 00:05:25,658 PROBABLY ME DOING STAND UP ON HERE, JUST KILLING IT. 114 00:05:25,725 --> 00:05:28,761 JUST DOING GREAT. 115 00:05:28,828 --> 00:05:33,800 (APPLAUSE) >> JUST RIGHT OVER THERE. 116 00:05:33,866 --> 00:05:35,902 >> YEAH. 117 00:05:35,968 --> 00:05:40,707 I I AM SUPERFUNNY BUT LOOKED HOT, I WAS WEARING A DOUBLE 118 00:05:40,773 --> 00:05:41,974 BREASTED SUIT, BROWN. 119 00:05:42,041 --> 00:05:45,812 >> BUT IT HAS BEEN A GREAT YEAR BUT RIGHT NOW, AMERICA HAS NEEDS 120 00:05:45,878 --> 00:05:47,046 NEEDS. 121 00:05:47,113 --> 00:05:49,682 AND THE ONLY WAY WE CAN SATISFY THOSE NEEDS IS TO GIVE IT THE 122 00:05:49,749 --> 00:06:00,593 NEWS. 123 00:06:00,660 --> 00:06:03,129 ♪ YEAH, THE NEWS. 124 00:06:03,196 --> 00:06:04,497 ♪ YEAH. 125 00:06:04,564 --> 00:06:09,135 ♪ THE NEWS. 126 00:06:09,202 --> 00:06:10,470 ♪ (CHEERS AND APPLAUSE) 127 00:06:10,536 --> 00:06:11,704 DID YOU HEAR ABOUT THIS? 128 00:06:11,771 --> 00:06:13,706 FOR THE FIRST TIME IN A DECADE, VLADIMIR PUTIN HAS ANCELED HIS 129 00:06:13,773 --> 00:06:18,144 TRADITIONAL YEAR-END ADDRESS, PERHAPS TO AVOID QUESTIONS ABOUT 130 00:06:18,211 --> 00:06:21,114 WHY HIS WAR IN UKRAINE IS GOING SO BADLY. 131 00:06:21,180 --> 00:06:22,482 YOU CAN TELL PUTIN IS UPSET. 132 00:06:22,548 --> 00:06:26,352 NOT ONLY DID HE CANCEL HIS YEAR-END ADDRESS, HE'S LOST HIS 133 00:06:26,419 --> 00:06:31,924 APPETITE, REFUSES TO SEE FRIENDS, AND HASN'T GONE ON A 134 00:06:31,991 --> 00:06:35,928 SHIRTLESS HORSEBACK RIDE IN WEEKS. 135 00:06:35,995 --> 00:06:39,966 REPORTS SAY PUTIN IS TRYING TO STAY OUT OF THE SPOTLIGHT RIGHT 136 00:06:40,032 --> 00:06:42,502 NOW, SO HE'S HIDING AWAY IN A DOLL, THAT'S HIDDEN INSIDE 137 00:06:42,568 --> 00:06:47,073 ANOTHER DOLL, INSIDE ANOTHER DOLL. 138 00:06:47,140 --> 00:06:48,341 NO END-OF-YEAR ADDRESS. 139 00:06:48,407 --> 00:06:51,477 INSTEAD, STATE TELEVISION WILL JUST BROADCAST RERUNS OF 140 00:06:51,544 --> 00:06:55,448 RUSSIA'S MOST POPULAR COMEDY, "IT'S ALWAYS CLOUDY IN 141 00:06:55,515 --> 00:06:57,884 PETROZAVODSK." 142 00:06:57,950 --> 00:07:01,554 MOVING ON, AS YOU ALL KNOW, "AVATAR: THE WAY OF WATER" HITS 143 00:07:01,621 --> 00:07:03,990 THEATERS TOMORROW, AND THIS IS MIND-BLOWING. 144 00:07:04,056 --> 00:07:09,529 APPARENTLY, THE MOVIE WAS SO EXPENSIVE TO MAKE, IT NEEDS TO 145 00:07:09,595 --> 00:07:13,699 BRING IN TWO BILLION DOLLARS JUST TO BREAK EVEN. 146 00:07:13,766 --> 00:07:17,303 THAT'S WHY, THIS WEEKEND, A JUMBO-SIZED POPCORN AND SODA 147 00:07:17,370 --> 00:07:21,808 COMBO WILL RUN YOU A COOL FIVE MILLION DOLLARS. 148 00:07:21,874 --> 00:07:27,113 EVERYONE IS GOING TO GO SEE AVATAR THIS WEEKEND. 149 00:07:27,180 --> 00:07:30,449 EVERYONE'S GOING, EVERYONE'S GOING, HERE IS WHAT I THINK WE 150 00:07:30,516 --> 00:07:31,317 SHOULD DO. 151 00:07:31,384 --> 00:07:35,454 ALL OF US AT THE SHOW, WE SHOULD ALL WEAR 152 00:07:35,521 --> 00:07:36,489 LOINCLOTHS, PAINT OURSELVES BLUE, AND GO SEE "THE 153 00:07:36,556 --> 00:07:39,859 FABELMANS." 154 00:07:39,926 --> 00:07:41,027 >> YES. 155 00:07:41,093 --> 00:07:43,362 >> DOBTS YOU THINK WE SHOULD ALL BE COMPLETELY BLUE, HAIR, 156 00:07:43,429 --> 00:07:46,933 EVERYTHING AND THEN JUST WALK UP, WE WANT SEVEN TICKETS FOR 157 00:07:46,999 --> 00:07:48,401 FABELMANS, PLEASE. 158 00:07:48,467 --> 00:07:52,939 ON THE BRIGHT SIDE, THEY'RE HOPING SOME VERY SUBTLE 159 00:07:53,005 --> 00:07:55,441 ADVERTISING WILL COVER THEIR COSTS. 160 00:07:55,508 --> 00:07:59,178 ESPECIALLY THE SCENE WHERE THE NA'VI PREPARE FOR WAR ON A 161 00:07:59,245 --> 00:08:04,217 PELOTON WHILE DRINKING A COKE, LISTENING TO SPOTIFY ON BEATS 162 00:08:04,283 --> 00:08:11,490 HEADPHONES, WEARING FULL VERSACE BODYSUITS. 163 00:08:11,557 --> 00:08:14,994 NICK, IS THAT ENOUGH BRANDS TO MENTION THAT DON'T ADVERTISE ON 164 00:08:15,061 --> 00:08:15,995 THE NETWORK? 165 00:08:16,062 --> 00:08:21,133 >> YEAH THRARKS WAS GREAT, THANK YOU SO MUCH. 166 00:08:21,200 --> 00:08:23,336 WHICH OF THOSE BRANDS ADVERTISE ON CBS? 167 00:08:23,402 --> 00:08:25,605 >> I'M SURE ALL OF THEM AT VARIOUS POINTS. 168 00:08:25,671 --> 00:08:27,673 MAYBE NOT ON THIS SHOW BUT SOMEWHERE. 169 00:08:27,740 --> 00:08:31,010 THEY JUST GOT A BUNCH OF FREE TIEGZ THANKS TO YOU. 170 00:08:31,077 --> 00:08:32,178 JONATHAN: BUT. 171 00:08:32,245 --> 00:08:39,452 >> BUT OUT OF THOSE BRANDS WHO IS-- PELTON, VERSACE, BATES. 172 00:08:39,518 --> 00:08:42,889 >> YEAH, MENTION THEM A SECOND TIME. 173 00:08:42,955 --> 00:08:43,856 >> PROBABLY COKE. 174 00:08:43,923 --> 00:08:45,625 >> YOU HAVE TO STOP TALKING ABOUT COKE, NICK. 175 00:08:45,691 --> 00:08:49,061 THIS IS BECOMEK A PROBLEM. 176 00:08:49,128 --> 00:08:54,867 THIS IS BECOMING A PROBLEM. 177 00:08:54,934 --> 00:09:03,209 AND DOES EVERYBODY REMEMBER CLIPPY, 178 00:09:03,276 --> 00:09:05,144 THE CARTOON PAPER CLIP THAT SERVED AS THE MICROSOFT OFFICE 179 00:09:05,211 --> 00:09:06,279 VIRTUAL ASSISTANT UNTIL 2007? 180 00:09:06,345 --> 00:09:08,915 WELL MICROSOFT HAS BROUGHT CLIPPY BACK, IN THE FORM OF A 181 00:09:08,981 --> 00:09:11,284 CHRISTMAS SWEATER THEY'RE NOW SELLING ONLINE. 182 00:09:11,350 --> 00:09:11,884 HERE IT IS HERE. 183 00:09:11,951 --> 00:09:12,818 BEAUTIFUL. 184 00:09:12,885 --> 00:09:14,987 IT HARKENS BACK TO THE VERY FIRST CHRISTMAS. 185 00:09:15,054 --> 00:09:19,725 WHEN THE BABY JESUS NEEDED HELP FORMATTING AN EXCEL SPREADSHEET. 186 00:09:19,792 --> 00:09:22,361 THIS LOOKS LIKE SOMETHING THE ART TEACHER WOULD WEAR TO A HIGH 187 00:09:22,428 --> 00:09:26,532 SCHOOL DANCE TO GET THE ATTENTION OF THE COMPUTER 188 00:09:26,599 --> 00:09:28,367 SCIENCE TEACHER. 189 00:09:28,434 --> 00:09:30,603 "OH THIS? 190 00:09:30,670 --> 00:09:35,441 JUST A LITTLE OFFICE HUMOR." 191 00:09:35,508 --> 00:09:37,910 BUT IT'S PRETTY EXCITING. 192 00:09:37,977 --> 00:09:40,046 THIS YEAR, FOR JUST $75, YOU CAN HAVE PEOPLE AT YOUR 193 00:09:40,112 --> 00:09:49,855 HOLIDAY PARTY GO, "OH YEAH.ù CLIPPY. 194 00:09:49,922 --> 00:09:54,060 YEAH, ALL RIGHT. 195 00:09:54,126 --> 00:09:59,332 IAN, NOVELTY SWEATERS, ARE YOU IN OR OUT? 196 00:09:59,398 --> 00:10:03,336 YEAH, I LOVE THEM, CHURCH UP THE SEASON HOWEVER YOU WANT, I LIKE 197 00:10:03,402 --> 00:10:05,004 A SWEATER. 198 00:10:05,071 --> 00:10:08,341 >> I DON'T THINK THIS IS A NOVELTY. 199 00:10:08,407 --> 00:10:10,443 >> IT IS JUST A NICE SWEATER. 200 00:10:10,509 --> 00:10:11,677 >> ARE YOU NOT? 201 00:10:11,744 --> 00:10:12,478 IS IT NOT. 202 00:10:12,545 --> 00:10:23,155 >> I THOUGHT WERE YOU A POKEMON -- 203 00:10:23,222 --> 00:10:26,859 (LAUGHTER) >> THIS HAS BEEN A GREAT SHOWSO 204 00:10:26,926 --> 00:10:28,594 FAR. 205 00:10:28,661 --> 00:10:32,231 >> NICK, DON'T LOOK AT THIS AS A SHOW, LOOK AT IT AS AN 206 00:10:32,298 --> 00:10:33,065 INTERVENTION. 207 00:10:33,132 --> 00:10:41,574 >> WE'LL BE RIGHT BACK, EVERYBODY. 208 00:10:41,640 --> 00:10:44,877 >> WAIT, WAIT, WAIT, WAIT, ACTUALLY, IT'S NOT QUITE T IT'S 209 00:10:44,944 --> 00:10:48,347 NOT QUITE IT THIS IS OUR LAST SHOW BEFORE THE HOLIDAYS. 210 00:10:48,414 --> 00:10:51,684 AS WE KNOW. 211 00:10:51,751 --> 00:10:54,553 AND I DON'T KNOW WHAT IS GOING ON. 212 00:10:54,620 --> 00:10:56,288 >> BECAUSE IT IS THE LAST SHOW BEFORE THE HOLIDAYS WE WANTED TO 213 00:10:56,355 --> 00:11:01,394 GETYOU A SPECIAL LITTLE CHRISTMAS PRESENTS. 214 00:11:01,460 --> 00:11:02,028 >> [BLEEP]. 215 00:11:02,094 --> 00:11:03,195 >> IN IS GOING TO BE AWFUL. 216 00:11:03,262 --> 00:11:06,465 >> I WANTED TO GET YOU A SPECIAL CHRISTMAS MESSAGE, LIKE A 217 00:11:06,532 --> 00:11:09,335 SPECIAL CHRISTMAS MESSAGE FROM YOUR FAVORITE PERSON, ACTUALLY. 218 00:11:09,402 --> 00:11:10,503 FROM YOUR FAVORITE PERSON. 219 00:11:10,569 --> 00:11:13,873 IS HE SOMEONE WHO HAS BEEN ON THE SHOW QUITE A FEW TIMES. 220 00:11:13,939 --> 00:11:16,442 I THINK ALMOST MORE THAN ME, ACTUALLY. 221 00:11:16,509 --> 00:11:20,880 AND YEAH, HE HAS ACTUALLY BEEN ON THE SHOW A LOT. 222 00:11:20,946 --> 00:11:21,814 TAKE A LOOK. 223 00:11:21,881 --> 00:11:36,762 >> TONIGHT I LEARNED THE VALUE OF A FULL-- . 224 00:11:36,829 --> 00:11:37,029 >> TONIGHT I LEARNED THE VALUE OF A FULL-- . 225 00:11:37,096 --> 00:11:40,466 ♪. 226 00:11:40,533 --> 00:11:49,275 >> I MEAN HE IS THE GIFTS THAT KEEPS ON GIVING, ISN'T HE? 227 00:11:49,341 --> 00:11:53,312 ♪. 228 00:11:53,379 --> 00:12:01,153 >> MY FAVORITE GUEST THAT HAS NEVER BEEN HERE. 229 00:12:01,220 --> 00:12:04,356 >> WE LOVE THAT GUY. 230 00:12:04,423 --> 00:12:08,160 WE LOVE THAT GUY, WE WANTED TO GET YOU A SPECIAL MESSAGE FROM 231 00:12:08,227 --> 00:12:11,063 HIM BUT YOU SAID IN THAT CLIP HE IS YOUR FAVORITE GUEST WHO HAS 232 00:12:11,130 --> 00:12:11,831 NEVER BEEN HERE. 233 00:12:11,897 --> 00:12:12,765 >> DON'T YOU DARE. 234 00:12:12,832 --> 00:12:15,668 >> WELL, TONIGHT THAT CHANGES, MY FRIEND. 235 00:12:15,734 --> 00:12:18,704 MERRY CHRISTMAS, JAMES. 236 00:12:18,771 --> 00:12:33,652 PLEASE WELCOME MR. -- THAT IS SO AMAZING. 237 00:12:33,719 --> 00:12:39,091 PLEASE WELCOME MR. -- THAT IS SO AMAZING. 238 00:12:39,158 --> 00:12:42,428 OH MY GOSH! 239 00:12:42,495 --> 00:12:47,366 OH MY GOSH! 240 00:12:47,433 --> 00:12:53,606 THANK YOU, THANK YOU, I AM UTTERLY FLOORED BY THIS. 241 00:12:53,672 --> 00:12:56,342 THIS HAS MADE MY ENTIRE YEAR. 242 00:12:56,408 --> 00:13:02,548 WHAT ARE YOU GOING TO DO FOR US? 243 00:13:02,615 --> 00:13:08,454 >> JAMES, CHRISTMAS GIFT FOR YOU. 244 00:13:08,521 --> 00:13:10,856 CHRISTMAS GIFTS! 245 00:13:10,923 --> 00:13:13,559 JAMES. 246 00:13:13,626 --> 00:13:15,694 >> YES. 247 00:13:15,761 --> 00:13:22,234 >> I'M GOING TO DO SOMETHING VERY FUN. 248 00:13:22,301 --> 00:13:24,403 >> OKAY. 249 00:13:24,470 --> 00:13:34,113 (LAUGHTER) >> OKAY. 250 00:13:34,180 --> 00:13:34,513 >> HERE? 251 00:13:34,580 --> 00:13:35,281 IS THIS GOOD? 252 00:13:35,347 --> 00:13:35,915 STAND HERE? 253 00:13:35,981 --> 00:13:37,650 OR AT MY DESK? 254 00:13:37,716 --> 00:13:38,751 SHALL I GO HERE. 255 00:13:38,817 --> 00:13:41,520 HERE OKAY, IS THIS BETTER. 256 00:13:41,587 --> 00:13:45,057 OKAY, I WILL WAIT HERE, GO ON, GO FOR IT. 257 00:13:45,124 --> 00:13:55,935 >> OKAY. 258 00:13:56,001 --> 00:14:10,883 (APPLAUSE) 259 00:14:10,950 --> 00:14:12,418 (APPLAUSE) 260 00:14:18,958 --> 00:14:20,960 (CHEERS AND APPLAUSE) . 261 00:14:41,146 --> 00:14:43,148 ♪ OKAY. 262 00:15:34,700 --> 00:15:37,736 >> YEAH, CHAMPAGNE! 263 00:15:37,803 --> 00:15:52,685 ( CHEERS AND APPLAUSE ) ♪. 264 00:15:52,751 --> 00:15:55,120 ( CHEERS AND APPLAUSE ) ♪. 265 00:15:55,187 --> 00:15:57,189 ♪ ♪ ♪ JAMES, JAMES! 266 00:16:11,170 --> 00:16:20,245 ♪ ♪ ♪ ♪ ♪ ♪ 267 00:16:20,312 --> 00:16:34,259 ( CHEERS AND APPLAUSE ) ♪ ♪ ♪ 268 00:16:34,326 --> 00:16:46,338 ( CHEERS AND APPLAUSE ) >> OH MY GOD! 269 00:16:46,405 --> 00:16:48,807 THANK YOU. 270 00:16:48,874 --> 00:16:50,876 LADIES-- YOU HAVE GIVEN US SO MUCH, WE'LL BE RIGHT BACK. 271 00:16:57,483 --> 00:17:00,786 THANK YOU SO MUCH, THANK YOU SO MUCH. 272 00:17:00,853 --> 00:17:02,855 I APPRECIATE IT SO MUCH. 273 00:17:21,974 --> 00:17:24,910 ( CHEERS AND APPLAUSE ) ♪ WELCOME BACK AVATAR THE WAY OF 274 00:17:24,977 --> 00:17:28,881 WATER IS FINALLY OUT THIS WEEKEND AND 275 00:17:28,947 --> 00:17:30,482 EVERYBODY IS GOING CRAZY FOR THOSE BLUE GUYS. 276 00:17:30,549 --> 00:17:32,551 SOME MORE THAN OTHERS. 277 00:17:37,990 --> 00:17:40,926 >> James: SO I'M GETTING A HAIRCUT AND I'M LIKE "DON'T CUT 278 00:17:40,993 --> 00:17:41,827 THAT PART OFF! 279 00:17:41,894 --> 00:17:43,128 I NEED THAT!" YOU JUST CAN'T TRUST A HUMAN 280 00:17:43,195 --> 00:17:43,796 BARBER. 281 00:17:43,862 --> 00:17:44,563 LEARNED THAT THE HARD WAY. 282 00:17:44,630 --> 00:17:45,264 ALMOST! 283 00:17:45,330 --> 00:17:48,100 >> OH MY GOD, THAT IS SO FUNNY. 284 00:17:48,167 --> 00:17:50,636 WOW, I'M HAVING SUCH A GREAT TIME. 285 00:17:50,702 --> 00:17:52,171 BASED ON YOUR PROFILE, I DID NOT EXPECT YOU TO BE THIS FUNNY. 286 00:17:52,237 --> 00:17:53,172 >> James: REALLY? 287 00:17:53,238 --> 00:17:56,408 HOW DO I COME ACROSS ON MY PROFILE? 288 00:17:56,475 --> 00:17:58,410 >> VERY... SERIOUS, I GUESS? 289 00:17:58,477 --> 00:17:59,478 KIND OF STUFFY? 290 00:17:59,545 --> 00:18:00,913 >> James: STUFFY? 291 00:18:00,979 --> 00:18:03,582 OKAY, I GUESS I NEED TO WORK ON MY PROFILE. 292 00:18:03,649 --> 00:18:06,718 I'M GLAD YOU STILL AGREED TO MEET UP DESPITE THAT. 293 00:18:06,785 --> 00:18:08,854 >> WELL HEY, YOUR PICTURES DIDN'T HURT. 294 00:18:08,921 --> 00:18:10,022 >> James: OKAY! 295 00:18:10,088 --> 00:18:19,898 THAT'S GOOD TO HEAR. 296 00:18:19,965 --> 00:18:20,532 >> OH GOD, THIS IS SO WEIRD. 297 00:18:20,599 --> 00:18:21,967 MY EX JUST WALKED IN. 298 00:18:22,034 --> 00:18:23,936 OF ALL THE RESTAURANTS IN THE CITY HE HAD TO PICK THIS ONE. 299 00:18:24,002 --> 00:18:26,505 >> James: IT'S OKAY. 300 00:18:26,572 --> 00:18:33,412 DO YOU WANT TO GET THE CHECK AND WE CAN GO SOMEWHERE ELS? 301 00:18:33,479 --> 00:18:36,915 NO, IT'S FINE, IT SHOULD BE OKAY. 302 00:18:36,982 --> 00:18:37,282 >> CAROL? 303 00:18:37,349 --> 00:18:38,951 IS THAT YOU? 304 00:18:39,017 --> 00:18:40,919 WOW, WHAT ARE THE ODDS! 305 00:18:40,986 --> 00:18:48,126 I KNOW, >> HEY CRAIG, THIS IS TED. 306 00:18:48,193 --> 00:18:50,529 HEY CRAIGS. 307 00:18:50,596 --> 00:18:51,296 WELL, I'LL LEAVE YOU TWO BE. 308 00:18:51,363 --> 00:18:54,600 NICE RUNNING INTO YOU. 309 00:18:54,666 --> 00:18:58,270 >> YEAH, LIKEWISE. 310 00:18:58,337 --> 00:18:58,904 >> BYE. 311 00:18:58,971 --> 00:19:00,873 WOW, THAT WAS UNCOMFORTABLE. 312 00:19:00,939 --> 00:19:02,207 >> YEAH, A LITTLE BIT. 313 00:19:02,274 --> 00:19:05,477 GUESS YOU'VE GOT A TYPE THOUGH. 314 00:19:05,544 --> 00:19:06,645 >> WHAT DO YOU MEAN BY THAT? 315 00:19:06,712 --> 00:19:10,983 >> James: YOU KNOW, I'M A BLUE GUY, HE'S A BLUE GUY... 316 00:19:11,049 --> 00:19:11,216 NO! 317 00:19:11,283 --> 00:19:11,917 NO. 318 00:19:11,984 --> 00:19:13,118 THAT'S JUST A COINCIDENCE. 319 00:19:13,185 --> 00:19:14,219 >> James: I MEAN, YOU DID SAY MY PROFILE WAS "STUFFY" BUT YOU 320 00:19:14,286 --> 00:19:17,456 LIKED MY PICTURES. 321 00:19:17,523 --> 00:19:20,025 YOU KNOW WHAT, FORGET ABOUT IT. 322 00:19:20,092 --> 00:19:26,498 SO TELL ME ABOUT YOURSELF, ARE YOU FROM HERE? 323 00:19:26,565 --> 00:19:27,666 DID YOU GROW UP AROUND HERE? 324 00:19:27,733 --> 00:19:28,734 >> I ACTUALLY GREW UP IN SAN DIEGO AND MOVED HERE ABOUT SIX 325 00:19:28,800 --> 00:19:29,568 YEARS AGO. 326 00:19:29,635 --> 00:19:31,236 IT'S A FUNNY STORY, ACTUALLY. 327 00:19:31,303 --> 00:19:33,906 >> SORRY, BUT THERE IS A GUY OVER THERE WHO HAS BEEN STARING 328 00:19:33,972 --> 00:19:35,340 AT YOU FOR KIND OF A WHILE. 329 00:19:35,407 --> 00:19:39,211 IS THAT SOMEONE YOU KNOW? 330 00:19:39,278 --> 00:19:45,083 >> OH NO. 331 00:19:45,150 --> 00:19:47,219 >> James: PLEASE DON'T TELL ME YOU TWO DATED. 332 00:19:47,286 --> 00:19:49,488 >> NO! 333 00:19:49,555 --> 00:19:51,490 WE DIDN'T, IT WAS JUST A HOOK UP. 334 00:19:51,557 --> 00:19:54,526 I MEAN, I SAW THE WAY HE WAS WITH THOSE COOKIES AND. 335 00:19:54,593 --> 00:19:55,727 >> James: OKAY, I DON'T NEED TO HEAR THAT. 336 00:19:55,794 --> 00:19:58,797 LOOK, YOU'VE CLEARLY GOT A THING FOR BLUE GUYS AND IT'S JUST 337 00:19:58,864 --> 00:19:59,431 STARTING TO FEEL A LITTLE WEIRD. 338 00:19:59,498 --> 00:20:05,203 >> NO, PLEASE. 339 00:20:05,270 --> 00:20:06,572 HERE'S A PICTURE OF MY LAST EX. 340 00:20:06,638 --> 00:20:07,406 WE DATED FOR FOUR YEARS. 341 00:20:07,472 --> 00:20:12,811 SEE? 342 00:20:12,878 --> 00:20:16,515 >> OKAY, SORRY FOR OVERREACTING. 343 00:20:16,582 --> 00:20:17,215 IT'S JUST SOMETHING THAT I'M SORT OF SENSITIVE TOO. 344 00:20:17,282 --> 00:20:17,849 >> IT'S TOTALLY UNDERSTANDABLE. 345 00:20:17,916 --> 00:20:21,820 LET'S JUST FORGET ABOUT IT. 346 00:20:21,887 --> 00:20:23,722 >> WE'LL FORGET ABOUT IT >> AND HERE ARE YOUR SALADS. 347 00:20:23,789 --> 00:20:25,257 WHAT KIND OF DRESSING WOULD YOU LIKE? 348 00:20:25,324 --> 00:20:26,425 WE HAVE A SIMPLE BALSAMIC, A HOUSE MADE RANCH, AND A BLUE 349 00:20:26,491 --> 00:20:39,004 CHEESE. 350 00:20:39,071 --> 00:20:39,905 >> James: IT'S FINE. 351 00:20:39,972 --> 00:20:41,907 YOU CAN ORDER IT. 352 00:20:41,974 --> 00:20:42,641 >> I'LL TAKE THE BLUE CHEESE. 353 00:20:42,708 --> 00:20:43,508 >> James: BALSAMIC FOR ME. 354 00:20:43,575 --> 00:20:44,409 >> I'LL BE RIGHT BACK WITH THOSE. 355 00:20:44,476 --> 00:20:46,111 >> SO... 356 00:20:46,178 --> 00:20:49,715 >> James: SO FOUR YEARS, HUH? 357 00:20:49,781 --> 00:20:52,851 THAT IS LONGER THAN ANY OF MY RELATIONSHIPS. 358 00:20:52,918 --> 00:20:53,952 THAT MUST HAVE BEEN A HARD BREAKUP. 359 00:20:54,019 --> 00:20:55,120 >> IT WAS, BUT IT WAS FOR THE BEST. 360 00:20:55,187 --> 00:20:56,655 HE WAS ALWAYS ON TOUR AND I HARDLY EVER GOT TO SEE HIM. 361 00:20:56,722 --> 00:20:57,122 >> James: ON TOUR? 362 00:20:57,189 --> 00:20:59,891 WAS HE A MUSICIAN? 363 00:20:59,958 --> 00:21:02,260 >> NO, HE WAS, UH... A PERFORMANCE ARTIST. 364 00:21:02,327 --> 00:21:05,197 >> James: WHAT KIND OF PERFORMANCE ART? 365 00:21:05,263 --> 00:21:09,835 >> IT WAS THIS SORT OF MUSICAL, STUNTY INTERACTIVE KIND OF 366 00:21:09,901 --> 00:21:10,702 THING. 367 00:21:10,769 --> 00:21:11,603 >> James: YEAH, BUT WHAT WAS IT CALLED? 368 00:21:11,670 --> 00:21:12,638 >> IT DOESN'T MATTER. 369 00:21:12,704 --> 00:21:13,939 >> James: NO, REALLY. 370 00:21:14,006 --> 00:21:14,539 WHAT WAS IT CALLED? 371 00:21:14,606 --> 00:21:15,374 >> IT DOESN'T MATTER! 372 00:21:15,440 --> 00:21:17,943 >> James: JUST TELL ME THE NAME! 373 00:21:18,010 --> 00:21:22,347 >> THE BLUE MAN GROUP. 374 00:21:22,414 --> 00:21:24,149 >> James: OKAY, THIS IS OFFICIALLY VERY WEIRD. 375 00:21:24,216 --> 00:21:24,716 I THINK I SHOULD LEAVE. 376 00:21:24,783 --> 00:21:25,851 >> NO, PLEASE! 377 00:21:25,917 --> 00:21:26,918 I KNOW HOW THIS LOOKS, BUT I PROMISE IT HAS NOTHING TO DO 378 00:21:26,985 --> 00:21:31,323 WIH THE FACT THAT YOU'RE BLUE. 379 00:21:31,390 --> 00:21:34,092 >> REALLY. 380 00:21:34,159 --> 00:21:40,532 >> YEAH >> James: ALL RIGHT. 381 00:21:40,599 --> 00:21:43,335 OKAY, SO NICE TO MEET YOU. 382 00:21:43,402 --> 00:21:45,904 BEST OF LUCK WITH EVERYTHING. 383 00:21:45,971 --> 00:21:46,738 >> SO SORRY, SIR. 384 00:21:46,805 --> 00:21:48,540 ALL OF THE TABLES ARE COMPLETELY FULL. 385 00:21:48,607 --> 00:21:51,643 WE CAN'T GET YOU IN WITHOUT A RESERVATION. 386 00:21:51,710 --> 00:22:01,253 >> ACTUALLY, THERE'S SOME SPACE AT MY TABLE. 387 00:22:01,319 --> 00:22:04,523 ♪ >> James: OUR THANKS TO ZOE 388 00:22:04,589 --> 00:22:05,624 SALDAÑA! 389 00:22:05,691 --> 00:22:11,930 "AVATAR: THE WAY OF WATER" IS IN THEATERS THIS FRIDAY! 390 00:22:11,997 --> 00:22:16,301 WE'LL BE RIGHT BACK WITH MARGOT ROBBIE AND JEAN SMART. 391 00:22:16,368 --> 00:22:18,370 ARE GOING TO BE HERE. 392 00:22:40,025 --> 00:22:41,026 LET'S MEET OUR GUESTS TONIGHT! 393 00:22:41,093 --> 00:22:42,627 SHE'S "ELINOR SAINT JOHN" IN "BABYLON, " JEAN SMART! 394 00:22:54,139 --> 00:22:56,141 I LOVE THIS DRESS, YOU LOOK AMAZING, THANK YOU FOR BEING 395 00:22:57,576 --> 00:22:58,744 HAVE A SEAT. 396 00:22:58,810 --> 00:23:00,746 SHE'S "NELLIE LAROY" IN "BABYLON," MARGOT ROBBIE! 397 00:23:11,490 --> 00:23:13,492 >> HAVE A SEAT PLEASE, THANK YOU FOR BEING HERE. 398 00:23:22,934 --> 00:23:24,936 I AM SO HAPPY TO SEE THE BOTH OF YOU. 399 00:23:25,837 --> 00:23:30,175 TWO PEOPLE I LOVE AND YOU ARE IN WHAT I THINK IS ONE OF THE BEST 400 00:23:30,242 --> 00:23:31,109 FILMS OF THE YEAR. 401 00:23:31,176 --> 00:23:33,478 I'M THRILLED, THRILLED THAT YOU ARE UP HERE. 402 00:23:33,545 --> 00:23:35,147 NOW HAPPY HOLIDAYS. 403 00:23:35,213 --> 00:23:39,050 NOW ASK THIS CORRECT INFORMATION I HAVE BEEN GIVEN HERE, MARGOT, 404 00:23:39,117 --> 00:23:42,621 THAT YOU USED TO BE A PROFESSIONAL GIFT WRAPPER? 405 00:23:42,687 --> 00:23:44,156 IS THAT RIGHT? 406 00:23:44,222 --> 00:23:47,259 >> PROFESSIONAL WOULD BE A GENEROUS. 407 00:23:47,325 --> 00:23:50,829 I WAS PAID TO DO IT I WAS PROBABLY LIKE TEN, I WAS AT MY 408 00:23:50,896 --> 00:23:54,666 FRIEND'S DAD'S PHARMACY BUT I LOVED GIFTS OF GIFT WRAPPING. 409 00:23:54,733 --> 00:23:55,667 I LOVED PRESENTS. 410 00:23:55,734 --> 00:23:57,803 >> MAY I SEND YOU MINE. 411 00:23:57,869 --> 00:23:59,037 >> HONESTLY, HAPPILY. 412 00:23:59,104 --> 00:24:02,240 I LOVE DOING IT AS I SAY, WHAT DO YOU SAY, DO WHAT YOU LOVE YOU 413 00:24:02,307 --> 00:24:06,444 WILL NEVER WORK A DAY IN YOUR LIFE SO I NEVER CONSIDERED IT 414 00:24:06,511 --> 00:24:07,646 WORK. 415 00:24:07,712 --> 00:24:09,481 >> REALLY, JEAN, I'M TOLD YOU HAVE BIG PLANS FOR NEW YEAR'S 416 00:24:09,548 --> 00:24:10,282 EVE. 417 00:24:10,348 --> 00:24:12,984 WHAT ARE WE DOING ON NEW YEAR'S EVE? 418 00:24:13,051 --> 00:24:17,756 >> I WAS INVENTED BY ANDERSON COOPER TO COME AND BE WITH HIM 419 00:24:17,823 --> 00:24:21,459 AT THE BALL DROP IN TIMES SQUARE. 420 00:24:21,526 --> 00:24:24,162 >> I KNEW WERE YOU DOING THAT, I DIDN'T KNOW IT WAS ANDERSON 421 00:24:24,229 --> 00:24:24,729 COOPER. 422 00:24:24,796 --> 00:24:26,131 YOU LEFT THAT PART OUT? 423 00:24:26,198 --> 00:24:30,268 >> ARE YOU GOING TO BE ON TV OR JUST OFF SCREEN DRINKING A DRINK 424 00:24:30,335 --> 00:24:31,403 GOING LOOK AT THIS BALL. 425 00:24:31,469 --> 00:24:34,339 >> WELL, APPARENTLY NOW THEY DON'T LET THEM GET DRUNK ON 426 00:24:34,406 --> 00:24:35,006 CAMERA ANY MORE. 427 00:24:35,073 --> 00:24:36,975 >> WELL, THEY STAY THAT HERE. 428 00:24:37,042 --> 00:24:39,044 THEY SAY THAT HERE, JEAN. 429 00:24:39,110 --> 00:24:45,050 >> I WILL HAVE A FLACCID NG-- FLACCIDK, JUST PURELY FOR 430 00:24:45,116 --> 00:24:46,418 MEDICINAL PRURPSES. 431 00:24:46,484 --> 00:24:49,187 >> WAS THERE A YEAR THEY GOT TO GET DRUNK. 432 00:24:49,254 --> 00:24:49,788 >> APPARENTLY. 433 00:24:49,855 --> 00:24:51,022 BUT NO, THEY ARE ADORABLE. 434 00:24:51,089 --> 00:24:53,992 >> WHAT WILL YOU BE DOING NEW YEAR'S EVE, MARGOT, DO YOU KNOW 435 00:24:54,059 --> 00:24:54,960 YET? 436 00:24:55,026 --> 00:24:57,529 >> I'M GOING TO BE WITH FRIENDS, I'M NOT SURE. 437 00:24:57,596 --> 00:25:01,666 I DEFINITELY WILL NOT BE IN TIMES SQUARE, THAT SOUNDS 438 00:25:01,733 --> 00:25:02,300 INSANE. 439 00:25:02,367 --> 00:25:04,536 ARE YOU GOING TO BE OUTSIDE. 440 00:25:04,603 --> 00:25:05,704 >> ON THE PODIUM. 441 00:25:05,770 --> 00:25:08,707 >> WHERE THEY ARE DOING THE BROADCAST, YOU WILL BE THERE. 442 00:25:08,773 --> 00:25:09,441 >> APPARENTLY. 443 00:25:09,507 --> 00:25:10,876 >> I THINK YOU WILL HAVE A BLAST. 444 00:25:10,942 --> 00:25:15,046 >> IF THEY KNEW HOW MUCH I HATE BEING COLD, I'M FREEZING TO 445 00:25:15,113 --> 00:25:16,314 DEATH IN LOS ANGELES. 446 00:25:16,381 --> 00:25:19,651 SO THEY HAVE TO APPRECIATE THE FACT THAT I AM DOING THIS. 447 00:25:19,718 --> 00:25:21,353 BECAUSE I LOVE THEM BOTH. 448 00:25:21,419 --> 00:25:23,455 >> IT SOUNDS LIKE IT MIGHT NOT BE A HAPPY NEW YEAR FOR YOU. 449 00:25:23,521 --> 00:25:26,992 >> I THINK YOU HAVE TO GO FULL, IT IS JUST LAYERING. 450 00:25:27,058 --> 00:25:27,659 >> GOOSE DOWN. 451 00:25:27,726 --> 00:25:30,061 >> I THINK IT IS BEER JACKET. 452 00:25:30,128 --> 00:25:31,196 >> WHAT SAY BEER JACKET. 453 00:25:31,263 --> 00:25:39,404 >> YOU KNOW, IF YOU DRINK ENOUGH, THEN YOU'RE NOT COLD. 454 00:25:39,471 --> 00:25:41,306 >> THAT'S IT. 455 00:25:41,373 --> 00:25:43,642 >> IS THAT THE AUSTRALIAN IN ME COMING OUT? 456 00:25:43,708 --> 00:25:45,710 IS IT? 457 00:25:45,777 --> 00:25:49,648 >> THAT I THINK-- DON'T YOU WORRY ABOUT ME, A BEER JACKET, 458 00:25:49,714 --> 00:25:50,815 MATE. 459 00:25:50,882 --> 00:25:54,152 YOU DON'T EVEN NEED A SHIRT, MATE, I GOT MY BEER JACKET ON, 460 00:25:54,219 --> 00:25:57,489 IT IS GOING TO BE FINE. 461 00:25:57,555 --> 00:25:58,723 SHUT UP. 462 00:25:58,790 --> 00:26:01,326 NOW JEAN, I WANT TO TALK TO YOU ABOUT THIS, IN A PAST LIFE YOU 463 00:26:01,393 --> 00:26:03,128 WERE QUITE THE VOLLEYBALL PLAYER. 464 00:26:03,194 --> 00:26:06,064 NOW HOW GOOD ARE WE TALKING? 465 00:26:06,131 --> 00:26:08,833 >> OH, IT WAS A VERY BRIEF PERIOD, A VERY BRIEF PERIOD. 466 00:26:08,900 --> 00:26:09,968 I AS VERY YOUNG. 467 00:26:10,035 --> 00:26:12,203 >> BUT HOW GOOD ABOUT YOU? 468 00:26:12,270 --> 00:26:16,274 >> WELL, I WAS THE ONLY-- I WAS THE MVP BUT ONLY BECAUSE I WAS 469 00:26:16,341 --> 00:26:23,048 THE ONLY PERSON ON THE TEAM WHO COULD SERVE OVERHAND, FOR A 470 00:26:23,114 --> 00:26:25,717 VOLLEYBALL TEAM THAT IS PATHETIC. 471 00:26:25,784 --> 00:26:28,820 >> I WAS GOING TO SAY, DON'T YOU NEED TO BE ABLE TO DO THAT? 472 00:26:28,887 --> 00:26:32,457 >> I WAS MARRIED AT THE TIME TO MY FIRST HUSBAND. 473 00:26:32,524 --> 00:26:34,826 HE WAS IN THE MARINE CORPORATION AND I WAS IN JAPAN. 474 00:26:34,893 --> 00:26:41,032 AND ALL THE DAUGHTERS AND WIVES PUT TOGETHER A BAD NEWS BEARS 475 00:26:41,099 --> 00:26:44,836 KIND OF TEAM FOR VOLLEYBALL BUT WE DID OKAY. 476 00:26:44,903 --> 00:26:47,572 >> YOU KNOW WHAT THIS IS MAKING ME THINK? 477 00:26:47,639 --> 00:26:48,807 >> NO. 478 00:26:48,873 --> 00:26:54,746 >> THIS MOMENT NOW IS MAKING ME VERY EXCITED FOR THE NEXT TOP 479 00:26:54,813 --> 00:27:00,251 GUN BECAUSE I CAN ACTUALLY THINK OF NOTHING BETTER THAN MAVERICK 480 00:27:00,318 --> 00:27:05,256 IS OUT THERE AND WHO WALKS IN, JEAN SMART, THE ONLY PLAYER WHO 481 00:27:05,323 --> 00:27:07,659 CAN SERVE YOAMP HAND. 482 00:27:07,726 --> 00:27:12,931 >> IF THERE IS NOTHING TO YOUR FIRST-- I THINK YOUR FIRST GUEST 483 00:27:12,998 --> 00:27:15,967 COULD SERVE ANYTHING OVERHAND. 484 00:27:16,034 --> 00:27:18,236 >> CAN YOU BELIEVE, HAVE YOU SEEN. 485 00:27:18,303 --> 00:27:20,171 >> WHAT AN ACT TO FOLLOW. 486 00:27:20,238 --> 00:27:22,841 >> THE AMOUNT OF PRACTICE. 487 00:27:22,907 --> 00:27:25,677 >> IN THE KNUDSON. 488 00:27:25,744 --> 00:27:30,015 >> WHAT IS HIS OCCUPATION ON PAPERWORK, WHAT DO YOU CLASSIFY 489 00:27:30,081 --> 00:27:32,384 THAT, WHAT HE DOES IS AMAZING. 490 00:27:32,450 --> 00:27:34,519 I JUST DON'T KNOW WHAT IT IS. 491 00:27:34,586 --> 00:27:40,792 >> IT IS EXTRAORDINARY TO SPEND THAT MUCH TIME GOING OH, YOU 492 00:27:40,859 --> 00:27:43,661 ALMOST SAW MY PENIS. 493 00:27:43,728 --> 00:27:44,796 ITS. 494 00:27:44,863 --> 00:27:51,036 >> YOU CAN'T HELP BUT THINK THAT-- IS HE MARRIED, DO WE 495 00:27:51,102 --> 00:27:51,603 KNOW? 496 00:27:51,669 --> 00:27:53,004 NOT THAT I'M INTERESTED. 497 00:27:53,071 --> 00:27:54,472 >> I HEAR WHAT YOU ARE SAYING. 498 00:27:54,539 --> 00:27:57,208 WHAT YOU ARE SAYING IS CAN HE SERVE OVERHAND. 499 00:27:57,275 --> 00:27:59,044 I GET IT. 500 00:27:59,110 --> 00:28:00,879 I GET IT. 501 00:28:00,945 --> 00:28:04,582 YOU BRING THE VOLLEY, HE WILL BRING THE BALLS, JEAN, DON'T YOU 502 00:28:04,649 --> 00:28:05,717 WORRY. 503 00:28:05,784 --> 00:28:09,788 NOW MARGOT, YOU STARTED ACTING AS A TEEN WHEN YOU WERE ON 504 00:28:09,854 --> 00:28:10,955 NEIGHBORS. 505 00:28:11,022 --> 00:28:14,592 BUT YOU ALWAYS HAD A BIT OF DRAMA IN YOU EVEN AS A CHILD. 506 00:28:14,659 --> 00:28:18,096 EXPLAIN TO US THE STORY OF WHAT HAPPENED TO YOU AND YOUR 507 00:28:18,163 --> 00:28:18,797 BABYSITTER. 508 00:28:18,863 --> 00:28:20,598 >> I WAS A VERY DRAMATIC CHILD. 509 00:28:20,665 --> 00:28:23,802 I HAD, I WAS VERY UPSET ONE TIME. 510 00:28:23,868 --> 00:28:26,204 MY MUM SWAPPED BABYSITTERS. 511 00:28:26,271 --> 00:28:30,608 WE USED TO HAVE-- I LOVED MY BABYSITTER SO, SO MUCH. 512 00:28:30,675 --> 00:28:35,046 AND WE GOT THIS OLDER LADY SUDDENLY WAS OUR BABYSITTER FOR 513 00:28:35,113 --> 00:28:38,283 SOME REASON AND I THROUGH DOWN BECAUSE I WANTED TALIAK BA, SHE 514 00:28:38,349 --> 00:28:40,752 WAS A HIGH-SCHOOL STUDENT, SO COOL AND FUN. 515 00:28:40,819 --> 00:28:43,354 DIDN'T WANT THIS MEAN LADY BABYSITTER. 516 00:28:43,421 --> 00:28:45,323 ANYWAYS, SHE WANT IMMEDIATE TO HAVE A BATH. 517 00:28:45,390 --> 00:28:48,593 I SAID NO, WE GOT INTO A FIGHT AND I THOUGHT IN MY HEAD WELL, I 518 00:28:48,660 --> 00:28:49,828 WILL SHOW YOU. 519 00:28:49,894 --> 00:28:54,599 SO I WENT AND GOT KETCHUP, AND A KITCHEN KNIFE AND I LAY ON THE 520 00:28:54,666 --> 00:28:59,938 TILES NAKED, COVERED IN TOMORROW AT OWE SAUCE AND KETCHUP, AND 521 00:29:00,004 --> 00:29:02,874 WAITED, WAITED TILL SHE FOUND ME. 522 00:29:02,941 --> 00:29:05,143 AND SHE WAS AN OLDER LADY. 523 00:29:05,210 --> 00:29:06,678 LIKE SHE WAS PROBABLY DEFINITELY IN HER 70S. 524 00:29:06,744 --> 00:29:14,152 SO IT WAS NOT SMART, OLDER I SAID, NOT OLD. 525 00:29:14,219 --> 00:29:16,321 >> OLDER THAN THE PREVIOUS BABYSITTER. 526 00:29:16,387 --> 00:29:17,956 >> HOW LONG DID YOU HAVE TO WAIT? 527 00:29:18,022 --> 00:29:20,125 >> LIKE 45 MINUTES. 528 00:29:20,191 --> 00:29:22,961 >> BY THE WAY, SHE REALLY SHOULD HAVE COME AND CHECKED ON ME 529 00:29:23,027 --> 00:29:25,663 SOONER, I COULD HAVE BEEN DROWNING IN THAT BATH. 530 00:29:25,730 --> 00:29:28,266 BUT I I WAS COMMITTED, I STAYED IN THE CHARACTER THE WHOLE TIME, 531 00:29:28,333 --> 00:29:33,571 I PLAYED DEAD AND IT WAS SO WORTH T THE REACTION WAS. 532 00:29:33,638 --> 00:29:35,840 >> WHAT DID SHE DO? 533 00:29:35,907 --> 00:29:36,774 >> SHE FREAKED OUT. 534 00:29:36,841 --> 00:29:38,743 >> OH YEAH, YEAH, I NEVER SAW HER AGAIN. 535 00:29:38,810 --> 00:29:41,813 >> NOW JEAN, BACK IN THE EARLY DAYS WHEN YOU WERE LIVING IN NEW 536 00:29:41,880 --> 00:29:46,217 YORK CITY, YOU HAD A NICKNAME, YOU WERE CALLED THE THUG 537 00:29:46,284 --> 00:29:47,252 WHISPERER. 538 00:29:47,318 --> 00:29:50,288 HOW DOES ONE GET SUCH A NAME AND WHAT DOES IT MEAN? 539 00:29:50,355 --> 00:29:55,560 >> A COUPLE OF FRIENDS CAME UP WITH THAT BECAUSE I GAINED THE 540 00:29:55,627 --> 00:30:00,632 REPUTATION FOR BEING IN VERY, VERY DICEY SITUATIONS IN THE 541 00:30:00,698 --> 00:30:04,235 WRONG PLACE AT THE WRONG TIME, VERY, VERY, LATE AT NIGHT AND 542 00:30:04,302 --> 00:30:06,037 JUST SORT OF TALKING MY WAY OUT OF IT. 543 00:30:06,104 --> 00:30:11,109 LIKE FOR INSTANCE ONE TIME I WAS WITH A GUY AND WE WERE IN 544 00:30:11,176 --> 00:30:12,210 CENTRAL PARK. 545 00:30:12,277 --> 00:30:16,447 AND WE WERE ON TOP OF ONE OF THOSE BIG GIANT BOULDERS. 546 00:30:16,514 --> 00:30:21,119 AND A GUY CLIMBED UP AND HE SAID OKAY, GIVE ME YOUR JEWELRY, GIVE 547 00:30:21,186 --> 00:30:24,656 ME YOUR-- WALLET AND-- AND I THOUGHT WHY SHOULD I GIVE YOU 548 00:30:24,722 --> 00:30:25,924 ANYTHING. 549 00:30:25,990 --> 00:30:30,161 YOU SHOW ME A GUN OR SOMETHING I WILL BE POLITE AND GIVE YOU WHAT 550 00:30:30,228 --> 00:30:33,865 YOU WANT, YOU ARE NOT EVEN GOING TO SHE ME A WEAPON, WHY SHOULD 551 00:30:33,932 --> 00:30:35,066 WE JUST HAND STUFF OVER. 552 00:30:35,133 --> 00:30:37,669 AND OF COURSE MY FRIEND IS THINKING OH GOD, I'M THE GUY, 553 00:30:37,735 --> 00:30:38,603 HAVE I TO DO SOMETHING. 554 00:30:38,670 --> 00:30:39,837 YOU KNOW. 555 00:30:39,904 --> 00:30:42,807 AND I START SCREAMING AT THIS GUY, I SAID JUST LEAVE US ALONE 556 00:30:42,874 --> 00:30:44,976 OR I WILL START SCREAMING BLOODY MURDER. 557 00:30:45,043 --> 00:30:49,447 AND HE GOT SO OFFENDED, HE WAS JUST SO TAKEN ABACK. 558 00:30:49,514 --> 00:30:55,086 HE SAID WHAT DO YOU MEAN MURDER, I JUST WANT YOUR JEWELRY. 559 00:30:55,153 --> 00:30:58,356 HE WAS SO OFFENDED BY THAT. 560 00:30:58,423 --> 00:31:01,659 BUT I DID THAT SEVERAL TIMES. 561 00:31:01,726 --> 00:31:02,894 SO. 562 00:31:02,961 --> 00:31:07,065 >> AND THEREIN LIEUS, LADIES AND GENTLEMEN, THE THUG WHISPERER. 563 00:31:07,131 --> 00:31:09,133 STICK AROUND. 564 00:31:28,019 --> 00:31:29,954 >> OKAY, WE SEEM TO BE OUT. 565 00:31:30,021 --> 00:31:31,089 >> WHAT, WE DIDN'T USE ANY. 566 00:31:31,155 --> 00:31:32,457 >> HE THOUGHT IT WAS LUBE. 567 00:31:32,523 --> 00:31:35,326 >> HE THOUGHT IT WAS LUBE. 568 00:31:35,393 --> 00:31:37,395 >> SHE CAN'T CRY? 569 00:31:51,976 --> 00:31:52,977 >> CUT. 570 00:31:55,179 --> 00:31:57,181 >> HIA I'M NELLIE, DO WE GO ON AGAIN? 571 00:32:03,755 --> 00:32:08,459 >> James: THAT WAS A CLIP FROM "BABYLON," WHICH IS IN THEATERS 572 00:32:08,526 --> 00:32:09,961 DECEMBER 23rd. 573 00:32:10,028 --> 00:32:11,029 CONGRATULATIONS ON THE FILM. 574 00:32:11,095 --> 00:32:14,065 IT IS A WILD RIDE FROM START TO FINISH. 575 00:32:14,132 --> 00:32:16,200 FORB ANYONE THAT DOESN'T KNOW, TELL US WHAT IT IS ABOUT AND WHO 576 00:32:16,267 --> 00:32:17,769 YOU BOTH PLAY. 577 00:32:17,835 --> 00:32:20,371 >> I GUESS TECHNICALLY IT IS ABOUT ITS TRANSITION IN 578 00:32:20,438 --> 00:32:24,475 HOLLYWOOD FROM SILENT FILMS TO TALKIES BUT WHAT IT IS REALLY 579 00:32:24,542 --> 00:32:27,478 SHOWING YOU IS A SIDE TO HOLLYWOOD THAT YOU JUST DON'T 580 00:32:27,545 --> 00:32:31,049 THINK OF WHEN YOU THINK OF THE 1920S. 581 00:32:31,115 --> 00:32:36,454 IT WAS SO MUCH MORE DE BAWCHERROUS, AND DECK DENT AND 582 00:32:36,521 --> 00:32:40,491 EVERYONE WAS HAVING TONS OF DRUGS AND A LOT OF ORGIES SO YOU 583 00:32:40,558 --> 00:32:41,659 SEE A THE LO OF THAT. 584 00:32:41,726 --> 00:32:44,462 IT IS BEAUTIFUL A BEAUTIFUL FEAT OF CINEMA AND BEAUTIFULLY 585 00:32:44,529 --> 00:32:47,965 CRAFTED AND I'M PITCHING THIS BADLY, I MAID IT SOUND LIKE A 586 00:32:48,032 --> 00:32:48,433 PORNO. 587 00:32:48,499 --> 00:32:49,667 >> NO, NOT AT ALL. 588 00:32:49,734 --> 00:32:53,805 >> AND THE WOMEN CAN CRY ON CUE OUT OF EACH FAUCET. 589 00:32:53,871 --> 00:32:57,108 >> THE PERFORMANCES ARE EXTRAORDINARY. 590 00:32:57,175 --> 00:33:01,846 THE DIRECTOR I THINK IS ONE THE BEST FILMMAKERS OF HIS 591 00:33:01,913 --> 00:33:03,548 GENERATION AND THIS FILM REALLY SHOW THIS OFF. 592 00:33:03,614 --> 00:33:06,918 BUT YOU ARE RIGHT, THERE IS A TON OF NUDITY IN THE FILM AND 593 00:33:06,984 --> 00:33:13,291 JEAN, WHEN YOU WERE ON SET, THERE, YOU ARE AROUND SOME 594 00:33:13,358 --> 00:33:14,292 KNUDSONITY. 595 00:33:14,359 --> 00:33:16,327 >> GE, I GOT TO BE FULLY DRESSED THE ENTIRE TIME. 596 00:33:16,394 --> 00:33:19,497 >> YES, YOU WERE FULLY DRESSED BUT LET'S SAY THEY WERE NOT 597 00:33:19,564 --> 00:33:23,501 DOING WHAT OUR MAN WAS DOING EARLIER. 598 00:33:23,568 --> 00:33:27,905 THERE WAS NO SENSE OF OH, HERE IS MY PENIS, NOW HOW WAS THAT ON 599 00:33:27,972 --> 00:33:29,107 THE SET. 600 00:33:29,173 --> 00:33:32,276 >> IT WAS DAY AFTER DAY AFTER DAY, A LOT OF SMOKER AND A LOT 601 00:33:32,343 --> 00:33:35,413 OF NAKED PEOPLE SNORTING THINGS OFF EACH OTHER'S BODIES AND 602 00:33:35,480 --> 00:33:36,447 THINGS LIKE THAT. 603 00:33:36,514 --> 00:33:37,715 >> YEAH. 604 00:33:37,782 --> 00:33:39,917 >> AND BUT THAT WAS, ALSO THERE WAS ANOTHER PARTY SCENE WE WERE 605 00:33:39,984 --> 00:33:41,753 SUPPOSED TO BE AT. 606 00:33:41,819 --> 00:33:44,722 >> ANY DAYTIME THERE WAS A PARTY, THERE WAS A LOT OF 607 00:33:44,789 --> 00:33:45,957 NUDITY. 608 00:33:46,023 --> 00:33:51,062 >> AND THEN AT JACK'S HOUSE, AT BRAD'S CHARACTERS HOUSE THERE 609 00:33:51,129 --> 00:33:54,999 SAY POOL PARTY, YOU KNOW, GUYS ARE JUMPING IN THEIR TUXEDOSK 610 00:33:55,066 --> 00:33:58,636 WOMEN ARE TOP LESS AND I'M SITTING ON AN OUTDOOR THING LIKE 611 00:33:58,703 --> 00:34:01,773 THIS JUST SORT OF WATCHING AS I DO, AND TAKE NOTES FOR MY 612 00:34:01,839 --> 00:34:03,040 COLUME. 613 00:34:03,107 --> 00:34:05,910 AND I DIDN'T REALIZE THE ENTIRE TIME WE WERE SHOOTING THAT SCENE 614 00:34:05,977 --> 00:34:10,348 THAT FROM FOUR COMPLETELY NAKED GUYS BEHIND ME PLAYING FOOTBALL. 615 00:34:10,415 --> 00:34:16,654 AND I THOUGHT IF ANYONE IS GOING TO EVEN LOOK AT ME IN THE 616 00:34:16,721 --> 00:34:17,922 SCENE-- . 617 00:34:17,989 --> 00:34:21,325 >> SAY THAT TO THE DIRECTOR LIKE WHY AM I IN FRONT OF THE SAUSAGE 618 00:34:21,392 --> 00:34:22,560 PARTY. 619 00:34:22,627 --> 00:34:24,462 >> BUT THEN, THAT IS THE SCENE RIGHT BEFORE YOU WITH THE SNAKE. 620 00:34:24,529 --> 00:34:25,663 >> THAT'S RIGHT. 621 00:34:25,730 --> 00:34:29,901 >> AND SO THE SHOW ME SQUISHED IN THE BACK OF THE SEDAN WITH 622 00:34:29,967 --> 00:34:32,470 THESE FOUR SHIRTLESS COLLEGE BOYS. 623 00:34:32,537 --> 00:34:36,474 AND WE'RE DRUNK AND HAVE SPHUF WRITTEN ALL OVER THEM AND 624 00:34:36,541 --> 00:34:37,542 EVERYTHING. 625 00:34:37,608 --> 00:34:40,845 AND I'M JUST VERY THRILLED THAT THAT PART GOT QUUT. 626 00:34:40,912 --> 00:34:44,449 >> MARGOT, WERE YOU AT ALL SHOCKED BY THE DEBAUCHERY IN THE 627 00:34:44,515 --> 00:34:46,384 FILM? 628 00:34:46,451 --> 00:34:50,221 >> WELL, I THINK AFTER WOLF OF WALL STREET I'M A LITTLE DE 629 00:34:50,288 --> 00:34:51,055 SENSE ADVERTISED. 630 00:34:51,122 --> 00:34:52,223 >> YES. 631 00:34:52,290 --> 00:34:55,493 >> BUT THAT WAS TEN YEARS AGO AND I HAVEN'T SEEN SOMETHING 632 00:34:55,560 --> 00:34:56,394 THAT CRAZEER SINCE. 633 00:34:56,461 --> 00:34:57,962 HONESTLY EVERYONE GOT DE SENSE ADVERTISED. 634 00:34:58,029 --> 00:35:01,332 YEAH, THE FIRST COUPLE OF TAKES EVERYONE RUNS IN, PUTS A ROBE 635 00:35:01,399 --> 00:35:02,166 ON. 636 00:35:02,233 --> 00:35:03,634 AFTER THE THIRD OR FOURTH, IT'S JUST. 637 00:35:03,701 --> 00:35:04,435 >> THAT'S IT. 638 00:35:04,502 --> 00:35:05,670 >> THAT'S IT. 639 00:35:05,736 --> 00:35:08,473 >> I MEAN IN THE FILM, JEAN, YOUR CHARACTER TRIES TO TEACH 640 00:35:08,539 --> 00:35:12,477 MARGOT'S CHARACTER HOW TO BE A LADY AND HOW TO SPEAK PROPERLY. 641 00:35:12,543 --> 00:35:16,414 WHEN YOU WERE YOUNGER DID YOU EVER HAVE ANYONE TEACH YOU THE 642 00:35:16,481 --> 00:35:18,716 DOS AND DON'TS AS YOU WERE BEGINNING YOUR CAREER. 643 00:35:18,783 --> 00:35:23,154 DID YOU YOU HAVE ANYBODY TALK TO YOU ABOUT HOW TO BE A LADY? 644 00:35:23,221 --> 00:35:26,491 >> I WAS SORT OF A GOODY TWO-SHOES, HI A GRAND MOTHER WHO 645 00:35:26,557 --> 00:35:30,461 WAS VERY VICTORIAN AND CAME TO SEE A PLAY I WAS IN AND WROTE ME 646 00:35:30,528 --> 00:35:32,964 A NOTE ABOUT MOW I SHOULD REACH FOR HIGHER THINGS. 647 00:35:33,030 --> 00:35:38,369 BUT MY MOTHER DID TELL ME THAT NICE GIRLS WEAR SLIPS. 648 00:35:38,436 --> 00:35:39,070 >> OH. 649 00:35:39,136 --> 00:35:39,937 >> THERE YOU GO. 650 00:35:40,004 --> 00:35:41,205 >> WHAT ABOUT YOU, MARGOT. 651 00:35:41,272 --> 00:35:42,607 >> THAT WAS HER LIFE LESSON. 652 00:35:42,673 --> 00:35:44,342 >> THAT WAS IN THE 40S. 653 00:35:44,408 --> 00:35:46,477 >> NICE GIRLS WEAR SLIPS. 654 00:35:46,544 --> 00:35:47,678 >> YES. 655 00:35:47,745 --> 00:35:51,148 >> WHAT BUT, MARGOT, DID YOU EVER TAKE ANY KIND OF ELOCUTION 656 00:35:51,215 --> 00:35:53,451 OR ETIQUETTE LESSONS OR ANYTHING LIKE THAT? 657 00:35:53,518 --> 00:35:55,353 >> NO, NOTHING LIKE THAT. 658 00:35:55,419 --> 00:35:58,489 BUT I WOULD SAY THE CLOSEST THING, WHEN I WAS ON NEIGHBORS 659 00:35:58,556 --> 00:36:01,225 WHICH AS YOU KNOW, MAYBE EVERYONE ELSE KNOWS IS AN 660 00:36:01,292 --> 00:36:06,764 AUSTRALIAN SOAP, ABOUT AS AUSTRALIAN AS VEGIE MITE. 661 00:36:06,831 --> 00:36:09,734 I GOT A JOB AND THEY GOT A DIALECT COACH IN BECAUSE I 662 00:36:09,800 --> 00:36:12,770 SOUNDED TOO AUSTRALIAN FOR THE AUSTRALIAN CHARACTER I WAS 663 00:36:12,837 --> 00:36:13,938 PLAYING. 664 00:36:14,005 --> 00:36:17,174 SO I GUESS I KIND OF DID A SIMILAR THING, OUR CHARACTERS IN 665 00:36:17,241 --> 00:36:20,444 THE MOVIE, JEAN'S CHARACTER, ROUND, ROUND YOUR VOWELLS, BLAH, 666 00:36:20,511 --> 00:36:24,615 BLAH, IT WAS KIND OF THAT, ROUNDING OUT MY AUSTRALIAN 667 00:36:24,682 --> 00:36:25,249 ACCENTOR. 668 00:36:25,316 --> 00:36:26,951 >> SO HOW AUSTRALIAN WAS IT. 669 00:36:27,018 --> 00:36:28,786 >> GIVE US AN EXAMPLE. 670 00:36:28,853 --> 00:36:32,189 >> LIKE REALLY AUSTRALIAN, I WAS LIKE WHAT DUE MEAN, WHAT'S WRONG 671 00:36:32,256 --> 00:36:34,058 WITH MY VOICE, I COULDN'T HEAR IT. 672 00:36:34,125 --> 00:36:38,963 >> YOU DO THIS FOR US, IN YOUR MOST AUSTRALIAN ACCENT WILL YOU 673 00:36:39,030 --> 00:36:41,132 LOOK DOWN CAMERA TWO AND READ WHAT IT SAYS. 674 00:36:41,198 --> 00:36:43,301 >> WE'LL BE RIGHT BACK. 675 00:36:43,367 --> 00:36:45,369 >> YEAH, WE WILL, COME ON BACK, EVERYBODY. 676 00:36:54,612 --> 00:36:57,214 >> ONE DAY EVERY PERSON, EVERY FILM SHOT THIS YEAR WILL BE DEAD 677 00:36:57,281 --> 00:37:04,155 AND ONE DAY ALL THOSE FILMS WILL BE-- AND ALL THEIR GHOSTS WILL 678 00:37:04,221 --> 00:37:08,759 DINE TOGETHER, GO TO THE JUNGLE, TO WAR TOGETHER. 679 00:37:08,826 --> 00:37:13,030 THE CHILD BORN IN 50 YEARS WILL STUMBLE ACROSS YOUR IMAGE 680 00:37:13,097 --> 00:37:20,338 FLICKERING ON A SCREEN AND FEEL HE KNOWS YOU, LIKE A FRIEND, 681 00:37:20,404 --> 00:37:22,406 THOUGH YOU BREATHED YOUR LAST BEFORE HE BREATHED HIS FIRST. 682 00:37:26,544 --> 00:37:30,781 >> James: THAT WAS A CLIP FROM "BABYLON," WHICH IS IN THEATERS 683 00:37:30,848 --> 00:37:34,919 EVERYWHERE DECEMBER 23rd. 684 00:37:34,986 --> 00:37:37,121 YOU'VE GOT TO GO REGGIE, DO YOU HAVE A QUESTION 685 00:37:37,188 --> 00:37:40,458 FOR OUR GUESTS? 686 00:37:40,524 --> 00:37:45,196 SEE IT. 687 00:37:45,262 --> 00:37:49,166 OUI, MR. JAMES. 688 00:37:49,233 --> 00:37:58,275 (SPEAKING FRENCH) OKAY, THERE WE GO, THAT IS BETTER. 689 00:37:58,342 --> 00:38:03,481 WHENEVER YOU ARE STANDING IN SOME KIND OF BODY OF WATER SUCH 690 00:38:03,547 --> 00:38:14,392 AS A HOT TUB, DO YOU EVER THINK LIKE HOW DID I GET HERE? 691 00:38:14,458 --> 00:38:19,263 >> I JUST ENJOY-- I JUST ENJOY-- I JUST ENJOY THE SWIM, 692 00:38:19,330 --> 00:38:20,431 YEAH. 693 00:38:20,498 --> 00:38:21,198 >> I THINK IF YOU ARE ASKING YOURSELF THAT, YOU SHOULD GET 694 00:38:21,265 --> 00:38:24,402 OUT RIGHT AWAY. 695 00:38:24,468 --> 00:38:29,173 OR YOU WILL BE POACHED. 696 00:38:29,240 --> 00:38:35,746 >> I JUST CHECKED WITH HAND-- HE SAYS THAT IS CORRECT. 697 00:38:35,813 --> 00:38:39,750 >> PLEASE THANK OUR WONDERFUL GUEST, JEAN SMART, MARGOT 698 00:38:39,817 --> 00:38:41,819 ROBBIE, WE'LL BE RIGHT BACK, EVERYBODY. 699 00:38:52,997 --> 00:38:59,870 ( CHEERS AND APPLAUSE ) >> THANK YOU SO MUCH FOR 700 00:38:59,937 --> 00:39:00,871 HAPPY HOLIDAYS! 701 00:39:00,938 --> 00:39:02,073 HAPPY CHRISTMAS. 702 00:39:02,139 --> 00:39:03,507 FROM ALL OF US HERE, WE LOVE YOU VERY, VERY MUCH AND YOU WILL 703 00:39:03,574 --> 00:39:04,875 NEVER KNOW WHAT IT MEANS TO US THAT YOU TUNE IN AND WATCH THIS 704 00:39:04,942 --> 00:39:07,011 GO AND SPEND TIME WITH ALL THE PEOPLE THAT YOU LOVE AND WE'LL 705 00:39:07,078 --> 00:39:09,880 BE BACK NEXT YEAR AND WE CAN'T WAIT TO SEE YOU, REGGIE, TAKE US 706 00:39:09,947 --> 00:39:12,349 REGGIE, TAKE US HOME.