1 00:00:01,506 --> 00:00:02,976 [ TELEPHONE RINGS ] NO ONE EVER CALLS ON THAT LINE. 2 00:00:03,008 --> 00:00:04,178 PREVIOUSLY ON "QUEEN SUGAR"... 3 00:00:04,209 --> 00:00:05,409 -WHAT?! -MA, WHAT IS IT? 4 00:00:05,444 --> 00:00:07,374 NO. NO, NO, NO! 5 00:00:07,412 --> 00:00:08,642 MOM! 6 00:00:08,680 --> 00:00:10,380 THE MILL'S ON FIRE. 7 00:00:12,350 --> 00:00:14,720 OH, MY GOD. I'M-A GET THROUGH THIS. 8 00:00:14,753 --> 00:00:17,113 I AM STILL STRONG. WHAT HAPPENED?! 9 00:00:17,155 --> 00:00:19,355 FOUND 20 BAGS IN YOUR WORKER'S CAR OVER THERE. 10 00:00:19,391 --> 00:00:21,191 I'M GLAD I GOT CAMERAS ALL AROUND THIS PLACE, HUH? 11 00:00:21,226 --> 00:00:23,596 YOU BEEN CHECKING THOSE CAMERAS, MAKING SURE THEY'RE WORKING? 12 00:00:23,628 --> 00:00:25,428 -NOVA. -CALVIN. 13 00:00:25,464 --> 00:00:27,064 I DIDN'T FEEL RIGHT, SO I THOUGHT 14 00:00:27,099 --> 00:00:30,599 WE SHOULD DO IT AGAIN OR NOT DO IT AT ALL. 15 00:00:30,635 --> 00:00:33,705 [ SIREN WAILING ] 16 00:00:33,739 --> 00:00:35,479 [ HORN BLARING ] 17 00:00:35,507 --> 00:00:37,477 [ RADIO CHATTER ] 18 00:00:37,509 --> 00:00:47,019 ♪♪ 19 00:00:47,052 --> 00:00:56,552 ♪♪ 20 00:00:56,595 --> 00:01:06,065 ♪♪ 21 00:01:06,104 --> 00:01:15,614 ♪♪ 22 00:01:15,647 --> 00:01:18,417 MICAH? MICAH! 23 00:01:18,450 --> 00:01:22,520 ♪♪ 24 00:01:22,554 --> 00:01:24,214 I'VE BEEN TRYING TO REACH YOU. 25 00:01:24,256 --> 00:01:26,726 I'M FINE. I'M SORRY. WE'VE BEEN HERE ALL NIGHT. 26 00:01:26,758 --> 00:01:28,128 Man: MA'AM, YOU CAN'T GO IN THERE. 27 00:01:28,160 --> 00:01:31,030 SHE'S MY SISTER. PLEASE. 28 00:01:31,062 --> 00:01:38,802 ♪♪ 29 00:01:38,837 --> 00:01:46,547 ♪♪ 30 00:01:46,578 --> 00:01:48,048 ♪ DREAMS NEVER DIE ♪ 31 00:01:48,079 --> 00:01:50,219 ♪ TAKE FLIGHT AS THE WORLD TURNS ♪ 32 00:01:50,248 --> 00:01:52,088 ♪ KEEP THE COLORS IN THE LINES ♪ 33 00:01:52,117 --> 00:01:54,147 ♪ TAKE FLIGHT AS THE WORLD TURNS ♪ 34 00:01:54,186 --> 00:01:56,086 ♪ KEEP THE COLORS IN THE LINES ♪ 35 00:01:56,121 --> 00:01:58,681 ♪ TAKE FLIGHT ♪ 36 00:01:58,723 --> 00:02:00,753 ♪ DREAMS NEVER DIE ♪ 37 00:02:00,792 --> 00:02:06,222 ♪♪ 38 00:02:06,264 --> 00:02:10,194 ♪ KEEP THE COLORS IN THE LINES ♪ 39 00:02:10,235 --> 00:02:12,135 ♪ KEEP THE COLORS IN THE LINES ♪ 40 00:02:12,170 --> 00:02:13,840 ♪ TAKE FLIGHT ♪ 41 00:02:15,040 --> 00:02:16,780 I WAS IN PHILADELPHIA WHEN I HEARD. 42 00:02:16,808 --> 00:02:18,908 GOT HERE AS SOON AS I COULD. 43 00:02:18,944 --> 00:02:21,214 YEAH, I TOLD YOU. 44 00:02:21,246 --> 00:02:23,046 SHE'S STILL FAMILY, RIGHT? 45 00:02:23,081 --> 00:02:27,511 ♪♪ 46 00:02:27,552 --> 00:02:28,682 HOW BAD IS IT? 47 00:02:28,720 --> 00:02:30,660 I WISH I HAD BETTER NEWS, MS. BORDELON. 48 00:02:30,689 --> 00:02:31,929 THE DESTRUCTION'S EXTENSIVE. 49 00:02:31,957 --> 00:02:34,427 CAN I GO IN, SALVAGE ANYTHING FROM MY OFFICE? 50 00:02:34,459 --> 00:02:35,899 YOU NEED TO STAY ON THIS SIDE. 51 00:02:35,927 --> 00:02:37,397 EVERYWHERE ELSE IS UNSTABLE OR GONE. 52 00:02:37,429 --> 00:02:39,099 WHY DIDN'T YOU GET HERE SOONER? 53 00:02:39,130 --> 00:02:40,930 IT TOOK 30 MINUTES FOR YOU TO ARRIVE. 54 00:02:40,966 --> 00:02:43,196 YOUR FIRE ALARM WASN'T FUNCTIONING. 55 00:02:43,235 --> 00:02:47,905 DISPATCH NEVER GOT THE ALERT. WE GOT THE CALL FROM A CIVILIAN. 56 00:02:47,939 --> 00:02:50,539 WE HAVE REGULAR FIRE INSPECTIONS. 57 00:02:50,575 --> 00:02:52,905 WE ALSO FOUND TRACES OF AN ACCELERANT, 58 00:02:52,944 --> 00:02:56,114 MULTIPLE SOURCES OF ORIGIN, ABNORMAL BURN PATTERNS. 59 00:02:56,147 --> 00:02:57,847 ALL THESE TRAITS ARE CONSISTENT 60 00:02:57,883 --> 00:03:01,083 WITH ARSON, MS. BORDELON. 61 00:03:01,119 --> 00:03:03,559 IT'S JUST A MATTER OF TIME BEFORE THIS IS A POLICE MATTER. 62 00:03:03,588 --> 00:03:05,388 THAT'S ALL I CAN TELL YOU RIGHT NOW. 63 00:03:05,423 --> 00:03:07,823 EXCUSE ME. 64 00:03:07,859 --> 00:03:10,699 ARSON? WHAT THE HELL IS GOING ON? 65 00:03:10,729 --> 00:03:14,269 ♪♪ 66 00:03:14,299 --> 00:03:15,669 LET'S GO. 67 00:03:15,700 --> 00:03:17,500 -CHARLEY. -CHARLEY, WAIT, PLEASE. 68 00:03:17,535 --> 00:03:19,205 I KNOW YOU DON'T WANT TO HEAR FROM ME. 69 00:03:19,237 --> 00:03:20,707 LET'S JUST TALK THROUGH THINGS FIRST 70 00:03:20,739 --> 00:03:21,909 BEFORE WE DO ANYTHING RASH. 71 00:03:21,940 --> 00:03:26,010 YOU DON'T GET TO SAY THAT TO ME! 72 00:03:26,044 --> 00:03:29,644 TO US. AND THERE IS NO "WE." 73 00:03:29,681 --> 00:03:37,011 ♪♪ 74 00:03:37,055 --> 00:03:39,325 [ DOOR OPENS ] 75 00:03:39,357 --> 00:03:42,827 ♪♪ 76 00:03:42,861 --> 00:03:44,961 [ DOOR CLOSES ] 77 00:03:44,996 --> 00:03:50,466 ♪♪ 78 00:03:50,502 --> 00:03:55,472 ♪♪ 79 00:03:55,507 --> 00:03:59,077 IT'S GOOD TO SEE YOU, VIOLET. 80 00:03:59,110 --> 00:04:02,920 SAM, I DID NOT SUMMON YOU HERE FOR PLEASANTRIES. 81 00:04:02,948 --> 00:04:06,488 OR TO TALK OLD TIMES. 82 00:04:06,518 --> 00:04:09,018 HAVE YOU LOST YOUR DAMN MIND? 83 00:04:09,054 --> 00:04:11,254 I HELD OFF CALLING YOU, 84 00:04:11,289 --> 00:04:14,799 EVEN WHEN MY SHOP WAS TRASHED. 85 00:04:14,826 --> 00:04:17,696 'CAUSE I CAN HANDLE MY OWN THINGS. 86 00:04:17,729 --> 00:04:20,999 THIS IS MY FAMILY. YOU CROSSED A LINE. 87 00:04:21,032 --> 00:04:22,892 YOU KNOW THAT'S NOT MY STYLE. 88 00:04:22,934 --> 00:04:28,404 I BARK LOUD TO PROTECT MY BUSINESS AND MY LAND. 89 00:04:28,440 --> 00:04:32,710 BUT I WOULD NEVER DO SOMETHING LIKE THIS. 90 00:04:32,744 --> 00:04:34,504 YOU KNOW THAT, VIOLET. 91 00:04:34,546 --> 00:04:38,016 YOU TELL THAT TO CHARLEY, 92 00:04:38,049 --> 00:04:41,959 WHO JUST HAD THE HEAVEN KNOCKED OUT OF HER. 93 00:04:41,987 --> 00:04:44,957 IT MAY NOT BE YOUR STYLE. 94 00:04:44,990 --> 00:04:47,130 BUT IT'S YOUR PEOPLE. 95 00:04:47,158 --> 00:04:48,498 PUT A STOP TO IT. 96 00:04:48,526 --> 00:04:51,296 THIS IS BIGGER THAN ME. 97 00:04:51,329 --> 00:04:53,429 IT'S OUT OF MY HANDS NOW. 98 00:04:53,465 --> 00:04:57,795 ♪♪ 99 00:04:57,836 --> 00:05:02,206 SAM LANDRY. I'M CALLING IN THAT FAVOR. 100 00:05:02,240 --> 00:05:09,250 ♪♪ 101 00:05:09,280 --> 00:05:12,850 YOU FIND A WAY... 102 00:05:12,884 --> 00:05:16,414 TO PUT THE DOGS YOU LYING WITH BACK ON THE LEASH. 103 00:05:16,454 --> 00:05:18,554 ♪♪ 104 00:05:18,590 --> 00:05:19,760 I'LL TRY MY BEST. 105 00:05:19,791 --> 00:05:23,121 MNH-MNH. DON'T TRY. 106 00:05:24,195 --> 00:05:25,825 DO IT. 107 00:05:25,864 --> 00:05:32,904 ♪♪ 108 00:05:32,937 --> 00:05:39,477 ♪♪ 109 00:05:39,511 --> 00:05:40,701 MAKE SURE WE'RE NOT DISTURBED. 110 00:05:40,745 --> 00:05:43,375 GOTCHA. 111 00:05:43,415 --> 00:05:46,185 CHARLEY! I JUST HEARD. 112 00:05:46,217 --> 00:05:49,087 BUT DON'T YOU WORRY. YOU HAVE MY FULL SUPPORT. 113 00:05:49,120 --> 00:05:50,420 WE WILL GET THROUGH THIS. 114 00:05:50,455 --> 00:05:53,825 I KNOW YOU'RE BEHIND THIS. 115 00:05:53,858 --> 00:05:55,228 ALL OF IT. 116 00:05:55,260 --> 00:05:59,830 YOU ACTUALLY BURNED MY MILL? 117 00:05:59,864 --> 00:06:01,864 WHAT ERA ARE WE LIVING IN? 118 00:06:01,900 --> 00:06:03,770 CHARLEY, YOU'RE IN SHOCK 119 00:06:03,802 --> 00:06:06,432 AND DON'T KNOW WHAT YOU'RE SAYING. 120 00:06:06,471 --> 00:06:08,071 WHY DON'T YOU GET CLEANED UP? 121 00:06:08,106 --> 00:06:09,736 -I'LL MAKE SOME CALLS. -TO WHO? 122 00:06:09,774 --> 00:06:13,674 HANK MILLER? OR SOMEBODY ELSE HIGHER UP AT OLD WORLD ENERGY? 123 00:06:13,711 --> 00:06:15,671 WHO OWNS YOU, FRANCES? 124 00:06:15,713 --> 00:06:17,213 NO ONE OWNS ME. I'M NOT A SLAVE. 125 00:06:17,248 --> 00:06:20,148 AND I AM? 126 00:06:20,185 --> 00:06:22,255 CHARLEY, YOU'RE NOT THINKING CLEARLY. 127 00:06:22,287 --> 00:06:25,457 I'M CLEAR THAT YOU WOULD TEAR UP SAINT JO, 128 00:06:25,490 --> 00:06:29,230 THIS LAND YOU CLAIM TO LOVE, AND FILL IT WITH TOXIC WASTE 129 00:06:29,260 --> 00:06:31,470 JUST SO YOU CAN MAKE A LITTLE EXTRA CASH. 130 00:06:31,496 --> 00:06:34,226 IT WASN'T SO LONG AGO THAT YOU WERE RIGHT THERE WITH ME, 131 00:06:34,265 --> 00:06:38,105 HAPPY TO GO ALONG WITH MAKING THAT EXTRA CASH. 132 00:06:38,136 --> 00:06:40,036 WE WERE TO BE A SISTERHOOD IN -- 133 00:06:40,071 --> 00:06:41,771 SISTERHOOD?! 134 00:06:44,909 --> 00:06:47,849 CUT THE ACT, FRANCES. 135 00:06:47,879 --> 00:06:49,949 'CAUSE I SEE YOU. 136 00:06:49,981 --> 00:06:52,981 YOU DON'T GET TO QUESTION ME, GAL. 137 00:06:53,017 --> 00:06:54,717 I DO LOVE OUR LAND. 138 00:06:54,752 --> 00:06:57,712 WHAT WE GROW ON IT AND WHAT WE MAKE OUT OF IT! 139 00:06:57,755 --> 00:07:00,055 WHAT I LOVE MOST IS THAT SUGAR CANE. 140 00:07:00,091 --> 00:07:01,851 AFTER IT'S WASHED, PROCESSED, 141 00:07:01,893 --> 00:07:04,253 AND ALL THE IMPURITIES ARE SQUEEZED OUT OF IT, 142 00:07:04,295 --> 00:07:07,595 IT COMES FORTH AS WHITE AS SNOW, THE WAY IT SHOULD BE. 143 00:07:07,632 --> 00:07:09,992 THERE SHE IS! 144 00:07:10,034 --> 00:07:11,664 YOU ARE EXACTLY WHAT I THOUGHT YOU WERE! 145 00:07:11,703 --> 00:07:13,103 I DON'T KNOW WHO BURNED YOUR MILL 146 00:07:13,138 --> 00:07:15,278 BECAUSE I DID NOT BURN YOUR MILL. 147 00:07:15,306 --> 00:07:17,106 BUT WHOEVER DID IT, I'M GLAD FOR IT. 148 00:07:17,142 --> 00:07:18,902 YOU NEEDED TO BE PUT IN YOUR PLACE! 149 00:07:18,943 --> 00:07:20,743 MY PLACE IS WHEREVER I DECIDE TO BE. 150 00:07:20,778 --> 00:07:22,948 COMING DOWN HERE, INFECTING SAINT JO 151 00:07:22,981 --> 00:07:25,111 WITH YOUR NOUVEAU RICHE SPORTS MONEY 152 00:07:25,150 --> 00:07:27,090 AND A TAWDRY SEX SCANDAL. 153 00:07:27,118 --> 00:07:30,288 YOU'RE NOTHING MORE THAN AN UPSTART MULATTO GAL, 154 00:07:30,321 --> 00:07:32,051 TRYING TO BE WHITE! 155 00:07:32,090 --> 00:07:33,490 BUT I GUESS THAT'S YOUR MOTHER'S FAULT. 156 00:07:33,525 --> 00:07:36,355 NOW, YOU'D DO BEST TO KEEP MY MOTHER OUT YOUR MOUTH 157 00:07:36,394 --> 00:07:39,194 BECAUSE DEEP DOWN, YOU KNOW YOU'RE JUST INSECURE, 158 00:07:39,230 --> 00:07:42,070 LYING TRASH WHO, TRY AS SHE MIGHT, 159 00:07:42,100 --> 00:07:44,540 WILL NEVER BE MORE THAN WHAT SHE'S ALWAYS BEEN -- 160 00:07:44,569 --> 00:07:46,439 IRRELEVANT. 161 00:07:46,471 --> 00:07:51,971 ♪♪ 162 00:07:52,010 --> 00:07:56,050 WHY'D YOU EVEN BOTHER WITH THE WHOLE SISTERHOOD MASQUERADE? 163 00:07:57,515 --> 00:08:01,345 THE SAME REASON YOU DID. 164 00:08:01,386 --> 00:08:04,416 THE ART OF WAR. 165 00:08:04,455 --> 00:08:07,285 KEEP YOUR FRIENDS CLOSE AND YOUR ENEMIES CLOSER. 166 00:08:07,325 --> 00:08:09,395 SO IT WAS YOU WHO SENT JACOB AFTER ME 167 00:08:09,427 --> 00:08:10,897 WITH HIS PATHETIC ADVANCES? 168 00:08:10,929 --> 00:08:12,699 THAT WAS JACOB'S OWN WEAKNESS, 169 00:08:12,730 --> 00:08:15,940 JUST LIKE SAM AND ALL THE OTHER MEN IN OUR FAMILY. 170 00:08:15,967 --> 00:08:17,967 THEY RISK DILUTING OUR BLOODLINES, 171 00:08:18,002 --> 00:08:20,132 BUT THEY ALWAYS COME HOME IN THE END. 172 00:08:20,171 --> 00:08:22,131 THAT IS WHY YOU WILL NEVER WIN 173 00:08:22,173 --> 00:08:24,503 WHATEVER BATTLE YOU THINK YOU'RE IN. 174 00:08:24,542 --> 00:08:26,802 YOU'RE OUTDATED, FRANCES, 175 00:08:26,844 --> 00:08:31,884 AND TOO BLIND AND BASIC TO EVEN SEE IT. 176 00:08:31,916 --> 00:08:33,916 I ALMOST FEEL SORRY FOR YOU. 177 00:08:36,788 --> 00:08:38,928 ALMOST. 178 00:08:38,957 --> 00:08:43,797 ♪♪ 179 00:08:45,330 --> 00:08:46,970 [ SIGHS ] 180 00:08:46,998 --> 00:08:49,098 [ BREATHING SHAKILY ] 181 00:08:57,442 --> 00:09:01,202 YOU DID GOOD, CHARLEY. 182 00:09:01,246 --> 00:09:02,746 I GOT JUST ABOUT ALL OF IT. 183 00:09:02,780 --> 00:09:04,780 Frances: "...BURN DOWN YOUR MILL, BUT WHOEVER DID IT, 184 00:09:04,816 --> 00:09:06,116 I'M GLAD FOR IT. 185 00:09:06,150 --> 00:09:08,120 YOU NEEDED TO BE PUT IN YOUR PLACE!" 186 00:09:08,152 --> 00:09:10,282 [ BEEP ] 187 00:09:12,790 --> 00:09:14,560 [ EXHALES SHARPLY ] 188 00:09:14,592 --> 00:09:17,222 [ KEYS JINGLE, ENGINE STARTS ] 189 00:09:19,130 --> 00:09:21,100 ♪ PAIN IN MY HEART ♪ 190 00:09:21,132 --> 00:09:23,392 ♪♪ 191 00:09:23,434 --> 00:09:25,304 NOLA. 192 00:09:25,336 --> 00:09:30,906 IT'S GOOD TO SEE YOU. WELCOME BACK. 193 00:09:30,942 --> 00:09:33,672 HEY. THANK YOU. IS AUNT VI HERE? 194 00:09:33,711 --> 00:09:35,341 UH, NO, NO, I HEARD SHE WAS AT HOME 195 00:09:35,380 --> 00:09:39,020 GETTING SOME THINGS TOGETHER FOR THE FAMILY. 196 00:09:39,050 --> 00:09:42,120 COME ON. UM, TAKE A LOAD OFF. LET'S TALK. 197 00:09:42,153 --> 00:09:45,053 [ NEWS JINGLE PLAYS ] 198 00:09:45,089 --> 00:09:46,889 Woman on TV: LOCAL MILL QUEEN SUGAR 199 00:09:46,924 --> 00:09:48,724 SUFFERED A DAMAGING FIRE LAST NIGHT. 200 00:09:48,760 --> 00:09:50,360 -OH, MY GOD. -IT'S STILL TOO EARLY TO TELL, 201 00:09:50,395 --> 00:09:54,025 BUT POLICE AND FIRE OFFICIALS SUSPECT FOUL PLAY. 202 00:09:54,065 --> 00:09:55,895 [ BEEP ] 203 00:09:55,933 --> 00:09:57,463 Ralph Angel: THIS IS RALPH ANGEL. 204 00:09:57,502 --> 00:10:00,932 CAN'T GET TO MY PHONE RIGHT NOW. LEAVE A MESSAGE. 205 00:10:00,972 --> 00:10:04,732 I AIN'T EVEN SURE WE SHOULD BE DOING ALL THIS RIGHT NOW. 206 00:10:04,776 --> 00:10:06,806 I GET THAT. 207 00:10:06,844 --> 00:10:10,214 BUT THIS IS YOUR CHANCE TO STATE YOUR CASE WITH THE BOARD, 208 00:10:10,248 --> 00:10:14,218 INSPIRE THEM WITH THE GOOD WORK YOU'RE DOING WITH YOUR PROGRAM. 209 00:10:14,252 --> 00:10:17,512 IT'S 30 MINUTES, IN AND OUT. 210 00:10:17,555 --> 00:10:21,225 AND DON'T LOSE HEART. YOU'RE GONNA BE FINE. 211 00:10:23,594 --> 00:10:25,094 [ VEHICLE DOOR CLOSES ] 212 00:10:25,129 --> 00:10:27,229 RALPH ANGEL? 213 00:10:27,265 --> 00:10:29,065 RALPH ANGEL, I, UH -- I HEARD ABOUT THE MILL. 214 00:10:29,100 --> 00:10:31,770 ARE YOU OKAY? 215 00:10:31,803 --> 00:10:35,833 YEAH, I'M GOOD. WE'RE ALL GOOD. 216 00:10:35,873 --> 00:10:38,703 UMM -- DARLA, THIS IS DEESHA. 217 00:10:38,743 --> 00:10:40,143 DEESHA, DARLA. 218 00:10:40,178 --> 00:10:42,478 SHE HELPING ME OUT WITH MY RE-ENTRY PROGRAM HERE. 219 00:10:42,513 --> 00:10:46,683 SHE A LAWYER FRIEND OF MINE. 220 00:10:46,718 --> 00:10:48,358 IT'S GREAT TO MEET YOU, DARLA. 221 00:10:48,386 --> 00:10:50,086 SAME TO YOU. 222 00:10:50,121 --> 00:10:53,151 APPRECIATE YOU STOPPING BY. 223 00:10:53,191 --> 00:10:56,421 ♪♪ 224 00:10:56,461 --> 00:11:00,591 HOW IS EVERYONE DOING? HOW'S CHARLEY? 225 00:11:00,631 --> 00:11:04,761 CHARLEY GOT A PLAN, BUT... 226 00:11:04,802 --> 00:11:06,732 I DON'T KNOW. 227 00:11:06,771 --> 00:11:09,501 IT'S HITTING HER PRETTY HARD. 228 00:11:09,540 --> 00:11:13,250 OF COURSE. 229 00:11:13,277 --> 00:11:16,147 I'M GONNA GO INSIDE AND GIVE Y'ALL A MOMENT. 230 00:11:16,180 --> 00:11:18,890 NO, DON'T LET ME INTERRUPT. I, UH... 231 00:11:20,284 --> 00:11:24,484 I-I JUST CAME BY TO SEE THAT YOU'RE ALL RIGHT. 232 00:11:24,522 --> 00:11:27,052 APPRECIATE THAT, DARLA. 233 00:11:29,026 --> 00:11:31,056 NICE MEETING YOU. 234 00:11:31,095 --> 00:11:36,665 ♪♪ 235 00:11:36,701 --> 00:11:39,031 I'VE BEEN UPSET WITH THEM BEFORE, 236 00:11:39,070 --> 00:11:41,670 BUT I ALWAYS TREATED THEM LIKE FAMILY. 237 00:11:41,706 --> 00:11:44,906 WITH ALL THIS GOING ON, AM I WRONG THINKING THEY'D CALL ME? 238 00:11:44,942 --> 00:11:49,012 ♪♪ 239 00:11:49,046 --> 00:11:51,946 I -- [ CLEARS THROAT ] 240 00:11:51,983 --> 00:11:53,813 I WANT TO TALK TO YOU ABOUT THE STORY 241 00:11:53,851 --> 00:11:56,011 I READ IN YOUR BOOK, 242 00:11:56,053 --> 00:12:01,083 THE NIGHT YOU SAW ERNEST BURYING SOMETHING IN THE CANE? 243 00:12:01,125 --> 00:12:04,725 BEFORE HE WAS YOUR DADDY, HE WAS MY FRIEND. 244 00:12:04,762 --> 00:12:09,162 I MEAN, THERE WERE TIMES ME AND YOUR DADDY WALKED THE FIELD. 245 00:12:09,200 --> 00:12:10,870 SOME NIGHTS, HE WOULDN'T SAY A WORD. 246 00:12:10,902 --> 00:12:12,032 OTHER NIGHTS, HE DID. 247 00:12:12,069 --> 00:12:13,709 HE TOLD YOU ABOUT THOSE WHITE MEN 248 00:12:13,738 --> 00:12:15,708 WHO ATTACKED HIM AT THE BAIT SHOP? 249 00:12:15,740 --> 00:12:18,550 YEAH. ONE OF THEM ACTUALLY CAME OUT TO THE FARM, 250 00:12:18,576 --> 00:12:21,306 PLANNING TO DO YOU HARM. 251 00:12:21,345 --> 00:12:24,575 NOW, YOUR DADDY FOUGHT THAT MAN AND ALMOST KILLED HIM. 252 00:12:24,615 --> 00:12:26,545 SAID IT WAS LIKE BEING BACK IN THE WAR 253 00:12:26,584 --> 00:12:29,414 DOING WHAT HE HAD BEEN TRAINED TO DO. 254 00:12:29,454 --> 00:12:31,784 BUT THEN -- THEN THERE WAS A MOMENT 255 00:12:31,823 --> 00:12:33,823 WHEN THEY'RE BOTH COVERED IN BLOOD AND DIRT, 256 00:12:33,858 --> 00:12:35,328 AND THE MAN'S BARELY CONSCIOUS. 257 00:12:35,359 --> 00:12:39,799 YOUR FATHER HEARD YOUR MOTHER SINGING TO RALPH ANGEL. 258 00:12:39,831 --> 00:12:42,661 HE HAD WOKE UP CRYING, BUT IT WAS TRUDY'S VOICE 259 00:12:42,700 --> 00:12:46,010 THAT BROUGHT HIM OUT OF THE DARK. 260 00:12:46,037 --> 00:12:48,067 MAMA HAD A VOICE CLEAR AS A BELL. 261 00:12:48,105 --> 00:12:50,135 YEAH. SO PURE AND CLEAR. 262 00:12:50,174 --> 00:12:53,404 BROUGHT HIM TO HIMSELF. AND HE ENDED UP HELPING THE MAN. 263 00:12:53,444 --> 00:12:55,344 HE DROPPED HIM OFF AT THE HOSPITAL, 264 00:12:55,379 --> 00:12:57,449 AND THEN HE CAME ON BACK TO THE HOUSE. 265 00:12:57,482 --> 00:12:59,182 BUT -- BUT I SAW HIM DIGGING. 266 00:12:59,217 --> 00:13:05,117 WHAT YOU SAW WAS YOUR DADDY BURYING HIS PAIN, HIS ANGER. 267 00:13:05,156 --> 00:13:07,986 NOW, HE TOOK OFF THEM BLOODY CLOTHES AND THE BAT HE USED 268 00:13:08,025 --> 00:13:10,125 AND ANYTHING THAT REMINDED HIM OF THAT NIGHT, 269 00:13:10,161 --> 00:13:12,661 AND HE BURIED IT DEEP. 270 00:13:12,697 --> 00:13:15,667 HE WAS HOPING TO FORGET THAT HE'D BEEN TRAINED TO KILL, 271 00:13:15,700 --> 00:13:18,740 AND HE SAW THAT IT WAS STILL IN HIM TO DO IT AGAIN. 272 00:13:18,769 --> 00:13:22,109 ♪♪ 273 00:13:22,139 --> 00:13:24,579 [ VEHICLE DOOR CLOSES, VEHICLE ALARM CHIRPS ] 274 00:13:28,579 --> 00:13:30,649 [ DOOR OPENS, DOG BARKING ] 275 00:13:32,116 --> 00:13:34,016 MM. 276 00:13:36,621 --> 00:13:39,351 BABY, I GOT HERE AS SOON AS I COULD. 277 00:13:39,390 --> 00:13:46,630 ♪♪ 278 00:13:46,664 --> 00:13:48,634 THANK YOU FOR COMING HOME, BABY. 279 00:13:48,666 --> 00:13:52,166 OH, YOU KNOW I GOT YOUR BACK, ALL RIGHT? 280 00:13:52,203 --> 00:13:54,103 HOW IS EVERYTHING? YOU FEELING OKAY? 281 00:13:54,138 --> 00:13:56,778 I'M FEELING ALL RIGHT. PRETTY GOOD. 282 00:13:56,807 --> 00:13:58,307 ANYTHING YOU NEED ME TO DO? 283 00:13:58,342 --> 00:14:01,472 YOU'RE HERE NOW. THAT'S GOOD ENOUGH FOR ME. 284 00:14:01,512 --> 00:14:05,742 I INVITED THE KIDS OVER LATER FOR FAMILY DINNER. 285 00:14:05,783 --> 00:14:10,013 EVERYBODY NEEDS SOME COMFORT, SO THAT'S WHAT I'M COOKING. 286 00:14:10,054 --> 00:14:11,954 SOUNDS GOOD. 287 00:14:11,989 --> 00:14:16,399 ♪♪ 288 00:14:16,427 --> 00:14:18,727 MM. 289 00:14:19,997 --> 00:14:24,467 NAMED THIS PROGRAM AFTER MY DADDY, ERNEST BORDELON. 290 00:14:24,502 --> 00:14:28,872 HE WAS A MAN OF INTEGRITY, OF HONOR. 291 00:14:28,906 --> 00:14:33,446 AND IT'S BEEN AN HONOR FOR ME TO HELP FOLK, OFFER 'EM WORK. 292 00:14:33,477 --> 00:14:36,477 Y'ALL GOTTA KNOW, I WOULD NEVER DO ANYTHING 293 00:14:36,514 --> 00:14:39,314 TO SHAME THE LEGACY OF MY FATHER. 294 00:14:39,350 --> 00:14:43,160 THANK YOU FOR YOUR HEARTFELT WORDS, MR. BORDELON. 295 00:14:43,187 --> 00:14:45,387 BUT IN LIGHT OF BENJAMIN WILLIAM'S ARREST, 296 00:14:45,423 --> 00:14:48,823 WE STILL NEED TO CONDUCT A THOROUGH REVIEW OF YOUR PROGRAM. 297 00:14:52,396 --> 00:14:54,626 AS YOU CAN SEE THERE, MR. WILLIAMS 298 00:14:54,665 --> 00:14:57,835 HAS BEEN A MODEL CITIZEN DURING HIS PAROLE. 299 00:14:57,868 --> 00:14:59,838 THAT, PLUS THE FACT SHERIFF GUIDRY 300 00:14:59,870 --> 00:15:03,640 HAS THREE OPEN FILES OF POSSIBLE POLICE MISCONDUCT 301 00:15:03,674 --> 00:15:08,244 CASTS DOUBT ON THE VERACITY OF THIS SO-CALLED BUST. 302 00:15:08,279 --> 00:15:11,219 TAKEN TOGETHER, MR. WILLIAMS' SUSPICIOUS ARREST 303 00:15:11,248 --> 00:15:13,148 DOES NOT REFLECT ON THE GOOD WORK 304 00:15:13,184 --> 00:15:16,284 AND EFFECTIVENESS OF MR. BORDELON'S RE-ENTRY PROGRAM. 305 00:15:16,320 --> 00:15:17,860 Man: THAT MAY OR MAY NOT BE TRUE, 306 00:15:17,888 --> 00:15:20,288 BUT THERE'S ANOTHER MATTER THAT'S COME TO OUR ATTENTION. 307 00:15:20,324 --> 00:15:23,724 THE NEWS SAYS THERE WAS A FIRE AT QUEEN SUGAR MILL LAST NIGHT. 308 00:15:23,761 --> 00:15:25,521 THAT'S WHERE YOU MILL YOUR CANE, RIGHT? 309 00:15:25,563 --> 00:15:28,563 YES, SIR, BUT I MILLED MORE THAN TWO-THIRDS 310 00:15:28,599 --> 00:15:30,569 OF MY HARVEST BEFORE THE FIRE. 311 00:15:30,601 --> 00:15:34,031 IT'S A MINOR SETBACK, BUT IT DOESN'T AFFECT THE PROGRAM. 312 00:15:34,071 --> 00:15:36,271 IT DOES IF YOU'RE UNABLE TO RECUPERATE YOUR LOSSES 313 00:15:36,307 --> 00:15:37,707 IN TIME TO MAKE PAYROLL. 314 00:15:37,742 --> 00:15:39,272 HOW WILL YOU REPAY THE PAROLEES 315 00:15:39,310 --> 00:15:41,050 WHO REQUIRE 40 HOURS OF WORK PER WEEK? 316 00:15:41,078 --> 00:15:42,448 HOW WILL YOUR PROGRAM SURVIVE 317 00:15:42,480 --> 00:15:44,350 IF YOU CAN'T AFFORD TO PLANT NEXT SEASON? 318 00:15:44,382 --> 00:15:46,242 I MEAN, IT WASN'T A TOTAL LOSS. 319 00:15:46,283 --> 00:15:48,343 YEAH, THINGS MIGHT GET TIGHT FOR A MINUTE, BUT -- 320 00:15:48,386 --> 00:15:50,786 MR. BORDELON, SURELY YOU KNOW WE'LL HAVE TO TAKE 321 00:15:50,821 --> 00:15:52,751 THIS NEW LOSS INTO CONSIDERATION. 322 00:15:52,790 --> 00:15:54,630 THE PANEL WILL RECONVENE THIS WEEK, 323 00:15:54,659 --> 00:15:57,359 AND YOU'LL RECEIVE OUR DECISION SHORTLY AFTER. 324 00:15:57,395 --> 00:15:59,165 THANK YOU FOR COMING IN. 325 00:15:59,196 --> 00:16:06,366 ♪♪ 326 00:16:06,404 --> 00:16:07,734 Charley: THE FIRE DEPARTMENT IS -- 327 00:16:07,772 --> 00:16:11,032 IS ASSESSING THE DAMAGE AT THE MOMENT, 328 00:16:11,075 --> 00:16:13,075 SO, UH, ONCE THEY DO THAT, 329 00:16:13,110 --> 00:16:14,550 THE INSURANCE COMPANIES WILL GO IN AND -- 330 00:16:14,578 --> 00:16:16,918 THE INSURANCE COMPANY CAN TAKE YEARS BEFORE THEY SETTLE THIS. 331 00:16:16,947 --> 00:16:19,017 Woman: CHARLEY, WE TOOK A CHANCE MILLING WITH YOU. 332 00:16:19,050 --> 00:16:20,890 BUT THIS THING BETWEEN Y'ALL AND THE LANDRYS 333 00:16:20,918 --> 00:16:22,458 IS LOOKING TOO RISKY FOR US. 334 00:16:22,486 --> 00:16:24,456 LOOK, THIS IS JUST A TEMPORARY SETBACK. 335 00:16:24,488 --> 00:16:27,428 A SETBACK? YOUR MILL WAS ON FIRE. 336 00:16:27,458 --> 00:16:30,458 I MEAN, HOW MUCH DID YOU LOSE, RALPH ANGEL? 337 00:16:30,494 --> 00:16:32,424 I KNOW YOU STILL HAD CANE OUT THERE TO MILL. 338 00:16:32,463 --> 00:16:37,093 YEAH, I DID, BUT I'M THINKING ABOUT KEEPING MY PEOPLE WORKING, 339 00:16:37,134 --> 00:16:40,064 NOT HOW MUCH MONEY I LOST. 340 00:16:40,104 --> 00:16:43,604 LOOK, WE ALL NEED SOME GOOD WORKERS. 341 00:16:43,641 --> 00:16:45,001 I GOT PEOPLE. 342 00:16:45,042 --> 00:16:48,172 CAN'T AFFORD NO ONE ELSE, SORRY, NOT AFTER ALL THIS. 343 00:16:48,212 --> 00:16:50,872 -LET'S JUST KEEP TALKING AND -- -GOTTA GET BACK. 344 00:16:50,915 --> 00:16:54,385 Charley: IF... 345 00:16:54,418 --> 00:16:56,388 Ralph Angel: ALL Y'ALL JUST GO. 346 00:16:56,420 --> 00:16:59,160 IF -- IF YOU JUST -- IF YOU JUST GIVE ME... 347 00:16:59,190 --> 00:17:00,990 ♪♪ 348 00:17:01,025 --> 00:17:04,825 I'LL TALK TO 'EM, BUT YOU'RE GONNA HAVE TO GIVE IT SOME TIME. 349 00:17:04,862 --> 00:17:10,092 ♪♪ 350 00:17:10,134 --> 00:17:15,504 ♪♪ 351 00:17:18,926 --> 00:17:20,556 EXPECT THE ARSON INVESTIGATOR TO INTERVIEW YOU. 352 00:17:20,594 --> 00:17:22,094 I WASN'T THERE WHEN IT -- WHEN IT STARTED. 353 00:17:22,129 --> 00:17:24,269 BUT YOU MAY HAVE INFORMATION ON CONDITIONS 354 00:17:24,298 --> 00:17:25,768 THAT LED TO THE FIRE. 355 00:17:25,800 --> 00:17:28,440 THEY'LL BE LOOKING FOR EVIDENCE AND POSSIBLE MOTIVE 356 00:17:28,469 --> 00:17:30,269 FOR WHOEVER DID THIS. 357 00:17:30,304 --> 00:17:33,304 WE GOT THAT RECORDING OF FRANCES BOUDREAUX. 358 00:17:33,340 --> 00:17:34,840 HER EVIL ASS -- 359 00:17:34,875 --> 00:17:36,605 IT'S GOOD TO HAVE. A SMART MOVE. 360 00:17:36,644 --> 00:17:38,774 BUT SHE DIDN'T OUTRIGHT CONFESS, 361 00:17:38,813 --> 00:17:42,143 SO THAT, UNFORTUNATELY, WON'T HELP YOU IN A COURT OF LAW. 362 00:17:42,183 --> 00:17:46,483 YOU'RE SAYING IN ORDER TO PURSUE A CASE AGAINST FRANCES, 363 00:17:46,520 --> 00:17:49,060 WE'LL HAVE TO DIG DEEPER INTO HER CONNECTION 364 00:17:49,089 --> 00:17:51,159 WITH OLD WORLD ENERGY AND PROVE -- 365 00:17:51,192 --> 00:17:54,752 PROVE CRIMINAL CONSPIRACY TO COMMIT ARSON. 366 00:17:54,795 --> 00:18:01,835 ♪♪ 367 00:18:01,869 --> 00:18:06,539 OKAY. OKAY, OKAY, FINE. WE CAN DO THIS. 368 00:18:06,574 --> 00:18:08,704 JACOB BASICALLY ADMITTED 369 00:18:08,742 --> 00:18:11,472 THAT FRANCES TEAMED UP WITH OLD WORLD ENERGY 370 00:18:11,512 --> 00:18:13,572 TO GET THEM THE HIGHWAY THEY NEED IN ORDER TO DRILL. 371 00:18:13,614 --> 00:18:16,284 BUT WE HAVE NO PROOF. NOT YET. 372 00:18:16,317 --> 00:18:18,517 THERE HAS TO BE ANOTHER WAY. 373 00:18:18,552 --> 00:18:20,452 THIS IS CLEARLY COLLUSION. 374 00:18:20,488 --> 00:18:22,458 WE -- WE KNOW WHO DID THIS. WE JUST NEED PROOF. 375 00:18:22,490 --> 00:18:23,830 LET'S TALK TO PASTOR MARTINEZ. 376 00:18:23,858 --> 00:18:25,328 HE SAID HIS CONGREGANTS WERE BEING PRESSURED -- 377 00:18:25,359 --> 00:18:27,199 THEY'RE NOT GONNA TESTIFY AGAINST HIM. 378 00:18:27,228 --> 00:18:28,628 WITH THE COPS AND I.C.E.? 379 00:18:28,662 --> 00:18:31,992 OKAY, MAYBE -- MAYBE I COULD GET A CONFESSION FROM JACOB. 380 00:18:32,032 --> 00:18:36,332 WE JUST NEED ONE WITNESS WHO COULD -- WHO COULD -- 381 00:18:36,370 --> 00:18:37,840 [ BREATHING SHAKILY ] 382 00:18:37,872 --> 00:18:43,702 BABY, YOUR MILL JUST BURNED LESS THAN 24 HOURS AGO. 383 00:18:43,744 --> 00:18:46,474 YOU DON'T HAVE TO HAVE ALL THE ANSWERS RIGHT NOW. 384 00:18:46,514 --> 00:18:48,174 COME ON. 385 00:18:48,215 --> 00:18:50,385 ♪♪ 386 00:18:50,417 --> 00:18:54,457 THIS IS A TIME FOR US TO LOOK AT EACH OTHER, 387 00:18:54,488 --> 00:18:57,988 TO HOLD EACH OTHER, AND TO HEAL. 388 00:18:58,025 --> 00:19:00,925 ♪♪ 389 00:19:00,961 --> 00:19:03,121 IT'S A TIME TO... 390 00:19:03,163 --> 00:19:06,233 BREAK BREAD AS A FAMILY. 391 00:19:07,935 --> 00:19:11,705 OUR FATHER WHO ART IN HEAVEN, 392 00:19:11,739 --> 00:19:13,939 HALLOWED BE THY NAME. 393 00:19:13,974 --> 00:19:16,144 THY KINGDOM COME, 394 00:19:16,176 --> 00:19:18,106 THY WILL BE DONE 395 00:19:18,145 --> 00:19:21,545 ON EARTH AS IT IS IN HEAVEN. 396 00:19:27,555 --> 00:19:29,855 [ Line ringing ] 397 00:19:29,890 --> 00:19:32,930 -HELLO, BEAUTIFUL. -Hey. 398 00:19:32,960 --> 00:19:34,200 ARE YOU BACK IN BATON ROUGE? 399 00:19:34,228 --> 00:19:36,268 YEP. I JUST GOT BACK. 400 00:19:36,297 --> 00:19:38,097 EVERYONE OKAY THERE? 401 00:19:38,132 --> 00:19:42,062 THEY'RE FINE. SAFE. 402 00:19:42,102 --> 00:19:45,432 THEY'RE NOT SPEAKING TO ME, BUT THEY'RE FINE. 403 00:19:45,472 --> 00:19:48,602 AND THAT'S THE IMPORTANT THING. 404 00:19:48,642 --> 00:19:51,672 YOU'RE IMPORTANT, TOO, NOVA. 405 00:19:51,712 --> 00:19:54,172 WHAT YOU THINK ABOUT AND ALL THAT'S GOING ON, 406 00:19:54,214 --> 00:19:57,744 it's an important thing. 407 00:19:57,785 --> 00:19:59,885 I THINK... 408 00:20:02,089 --> 00:20:04,929 ...I'VE LOST THEM. 409 00:20:04,959 --> 00:20:07,229 I'VE LOST MY FAMILY. 410 00:20:07,261 --> 00:20:10,061 I don't believe that. 411 00:20:10,097 --> 00:20:11,997 YOU DIDN'T SEE THEIR FACES. 412 00:20:12,032 --> 00:20:15,432 They looked at me like I wasn't part of them. 413 00:20:15,469 --> 00:20:16,809 Like I wasn't... 414 00:20:16,837 --> 00:20:20,437 LIKE I WASN'T ONE OF THEM. 415 00:20:20,474 --> 00:20:24,104 THEY LOOKED AT ME LIKE A STRANGER. 416 00:20:24,144 --> 00:20:27,874 NOT EVEN A STRANGER. 417 00:20:27,915 --> 00:20:30,885 LIKE AN ENEMY. 418 00:20:30,918 --> 00:20:35,758 [ SOBBING ] 419 00:20:35,789 --> 00:20:38,059 I'VE LOST MY FAMILY. 420 00:20:38,092 --> 00:20:41,022 ♪♪ 421 00:20:41,061 --> 00:20:44,021 WHERE ARE YOU? 422 00:20:44,064 --> 00:20:46,494 Nova. 423 00:20:46,533 --> 00:20:48,163 HOME. 424 00:20:48,202 --> 00:20:50,302 Okay. Good. 425 00:20:50,337 --> 00:20:52,477 [ SOBBING ] 426 00:20:54,675 --> 00:20:57,705 JUST BREATHE, SWEETHEART. JUST BREATHE. 427 00:20:57,745 --> 00:21:03,845 ♪♪ 428 00:21:03,884 --> 00:21:07,714 Violet: WE ARE BEING TRIED, LORD. 429 00:21:07,755 --> 00:21:10,425 BUT I KNOW YOU GOT US. 430 00:21:10,457 --> 00:21:13,157 SO I THANK YOU. 431 00:21:13,193 --> 00:21:17,223 THANK YOU FOR KEEPING US IN YOUR SAFE PLACE. 432 00:21:17,264 --> 00:21:20,434 CHARLEY, MICAH... 433 00:21:20,467 --> 00:21:23,367 RALPH ANGEL, BLUE. 434 00:21:23,404 --> 00:21:27,604 AND I'LL ALWAYS THANK YOU FOR HOLLYWOOD. 435 00:21:27,641 --> 00:21:30,901 ♪♪ 436 00:21:30,944 --> 00:21:33,474 AND I ASK YOU TO HELP ME. 437 00:21:36,250 --> 00:21:39,520 I DO MISS THAT STUBBORN CHILD. 438 00:21:41,655 --> 00:21:44,425 I JUST CAN'T WITH HER. 439 00:21:47,327 --> 00:21:49,927 SO YOU WATCH OVER HER. 440 00:21:51,965 --> 00:21:55,195 BLESS HER, LORD. 441 00:21:55,235 --> 00:21:57,505 TOUCH HER MIND AND HEART. 442 00:21:57,538 --> 00:21:59,838 ♪♪ 443 00:21:59,873 --> 00:22:04,503 SO THAT SHE KNOWS THE HURT SHE DONE CAUSED. 444 00:22:04,545 --> 00:22:07,745 ♪♪ 445 00:22:07,781 --> 00:22:10,411 AND KEEP HER SAFE. 446 00:22:10,451 --> 00:22:16,251 ♪ AND JUST FALL BACK DOWN ♪ 447 00:22:19,126 --> 00:22:22,596 LAVOISIER. L-A-V-O-I-S-I-E-R. 448 00:22:22,629 --> 00:22:24,399 YEAH. THANKS. 449 00:22:24,431 --> 00:22:27,691 [ KNOCK ON DOOR ] ONE SEC! 450 00:22:32,239 --> 00:22:34,239 YOU CAME. 451 00:22:34,274 --> 00:22:37,544 I DID. CAN I COME IN? 452 00:22:37,578 --> 00:22:43,618 ♪♪ 453 00:22:43,650 --> 00:22:45,520 MY VISIT ISN'T ABOUT ME OR US. 454 00:22:45,552 --> 00:22:46,852 IT'S ABOUT YOU. 455 00:22:46,887 --> 00:22:48,287 ME? 456 00:22:48,322 --> 00:22:51,652 WELL, I'M STRUGGLING. THAT'S ME RIGHT NOW. 457 00:22:51,692 --> 00:22:53,752 ALL RIGHT. LET'S TALK ABOUT IT. 458 00:22:53,794 --> 00:22:57,124 [ KNOCK ON DOOR ] 459 00:22:57,164 --> 00:23:00,394 -HEY. -MICAH! 460 00:23:00,434 --> 00:23:02,564 JUST, UM, RETURNING YOUR KEYS. 461 00:23:02,603 --> 00:23:05,633 THANKS. GLAD YOU'RE HERE. 462 00:23:05,672 --> 00:23:07,872 MEET CALVIN. THIS IS MY NEPHEW, MICAH. 463 00:23:07,908 --> 00:23:10,078 I'VE HEARD GREAT THINGS ABOUT YOU, MICAH. 464 00:23:10,110 --> 00:23:12,980 YOU'RE THE COP? 465 00:23:13,013 --> 00:23:15,313 EX-COP. 466 00:23:15,349 --> 00:23:17,319 YOU KNOW, I'M THINKING I SHOULD MAKE A SIGN 467 00:23:17,351 --> 00:23:20,181 OR SOMETHING SO EVERYBODY KNOWS. 468 00:23:20,220 --> 00:23:22,530 ♪♪ 469 00:23:22,556 --> 00:23:24,656 I'M GONNA MAKE A PHONE CALL, IF YOU DON'T MIND? 470 00:23:24,691 --> 00:23:27,091 I'LL BE ON THE BACK PORCH. OF COURSE. 471 00:23:27,127 --> 00:23:30,727 ♪♪ 472 00:23:30,764 --> 00:23:32,994 GO ON. SAY WHAT'S ON YOUR MIND. 473 00:23:33,033 --> 00:23:35,233 I KNOW YOU'RE DISAPPOINTED. 474 00:23:35,269 --> 00:23:36,669 AH, IT'S NONE OF MY BUSINESS. 475 00:23:36,703 --> 00:23:39,533 BUT YOU'RE FEELING SOME TYPE OF WAY ABOUT IT. 476 00:23:39,573 --> 00:23:41,103 TELL ME. RADICAL TRUTH. 477 00:23:41,141 --> 00:23:43,441 HAVE YOU BEEN WITH HIM THE WHOLE TIME? 478 00:23:43,477 --> 00:23:46,417 NO. YOU READ THE BOOK. SO DID HE. 479 00:23:46,446 --> 00:23:48,446 WE JUST RECENTLY REUNITED ON TOUR. 480 00:23:48,482 --> 00:23:52,582 BUT DON'T YOU FEEL WEIRD BEING WITH A COP, A WHITE COP? 481 00:23:52,619 --> 00:23:54,219 LIKE ORSON? 482 00:23:54,254 --> 00:23:56,624 HE'S NOT THAT TYPE OF COP. HE DOESN'T ABUSE PEOPLE. 483 00:23:56,657 --> 00:23:58,787 BUT YOU KNOW HIM? YOU ASKED HIM? 484 00:23:58,826 --> 00:24:01,026 NO, NOT DIRECTLY. 485 00:24:01,061 --> 00:24:03,791 I'VE KNOWN CALVIN A LONG TIME. 486 00:24:03,831 --> 00:24:05,591 I KNOW HIS HEART. 487 00:24:05,632 --> 00:24:08,462 HE'S NOT THE KIND OF PERSON TO BEAT UP BLACK AND BROWN PEOPLE. 488 00:24:08,502 --> 00:24:12,732 OKAY, BUT HE'S SEEN OTHER COPS DO IT. 489 00:24:12,773 --> 00:24:14,373 I -- I DON'T KNOW. 490 00:24:14,408 --> 00:24:16,678 SO YOU'RE OKAY BEING WITH SOMEBODY WHO WILL STAND BY 491 00:24:16,710 --> 00:24:19,380 AND WATCH OTHER COPS DO THAT KIND OF ABUSE? 492 00:24:19,413 --> 00:24:22,273 WATCH OTHER COPS DO WHAT ORSON DID TO ME? 493 00:24:22,316 --> 00:24:28,386 ♪♪ 494 00:24:28,422 --> 00:24:30,682 -WHAT'S UP, EVERYBODY? -WHAT'S UP, MAN? 495 00:24:30,724 --> 00:24:32,154 CHECKS FOR THE WEEK. 496 00:24:32,192 --> 00:24:36,392 I KNOW THERE'S BEEN A LOT OF TALK ABOUT WHAT'S GOING ON, 497 00:24:36,430 --> 00:24:38,370 SO I'LL BE HONEST WITH Y'ALL. 498 00:24:40,734 --> 00:24:44,404 PROGRAM UNDER REVIEW TILL THEY FIGURE OUT WHAT'S HAPPENING. 499 00:24:44,438 --> 00:24:47,838 I HEARD ABOUT WHAT HAPPENED WITH YOUR SISTER'S MILL. 500 00:24:47,875 --> 00:24:50,305 I'M SORRY ABOUT THAT. 501 00:24:50,344 --> 00:24:54,044 BUT I GOTTA ASK, MAN. WE STILL GOT JOBS OR NOT? 502 00:24:54,081 --> 00:24:59,041 I'VE BEEN TALKING TO OTHER FARMS ABOUT ANY OPEN POSITIONS. 503 00:24:59,086 --> 00:25:00,216 MAN, WHAT ABOUT THIS FARM? 504 00:25:00,254 --> 00:25:03,854 I'M DOING MY BEST TO KEEP MY WORD. 505 00:25:04,925 --> 00:25:06,755 PUBLIC SAFETY AND CORRECTIONS BOARD, MAN, 506 00:25:06,793 --> 00:25:08,923 THEY PAY A PART OF Y'ALL'S SALARY. 507 00:25:08,962 --> 00:25:12,832 UNTIL WE OUT OF REVIEW, CAN'T KEEP EVERYBODY. 508 00:25:12,866 --> 00:25:18,366 [ ALL MURMURING ] 509 00:25:18,405 --> 00:25:20,775 Man: WHAT'S MY WIFE GONNA SAY? 510 00:25:20,807 --> 00:25:28,777 ♪♪ 511 00:25:28,815 --> 00:25:36,785 ♪♪ 512 00:25:36,823 --> 00:25:44,293 ♪♪ 513 00:25:44,331 --> 00:25:49,861 ♪ ECHOES START AS A CROSS IN YOU ♪ 514 00:25:49,903 --> 00:25:55,603 ♪ TREMBLING NOISES THAT COME TOO SOON ♪ 515 00:25:55,642 --> 00:26:01,712 ♪ SPATIAL MOVEMENT WHICH SEEMS TO YOU ♪ 516 00:26:01,748 --> 00:26:05,688 ♪ RESONATING YOUR MASK OR FEUD ♪ 517 00:26:07,487 --> 00:26:13,127 ♪ HOLLOW TALKING AND HOLLOW GIRL ♪ 518 00:26:13,160 --> 00:26:16,770 ♪ FORCE IT UP FROM THE ROOF OF PAIN ♪ 519 00:26:16,797 --> 00:26:20,267 [ CAMERA SHUTTER CLICKING ] 520 00:26:20,300 --> 00:26:22,270 ♪ NEVER SAID IT WAS GOOD ♪ 521 00:26:22,302 --> 00:26:25,932 ♪ NEVER SAID IT WAS NEAR ♪ 522 00:26:25,973 --> 00:26:29,773 ♪ SHADOW RISES, AND YOU ARE HERE ♪ 523 00:26:29,810 --> 00:26:35,080 ♪♪ 524 00:26:35,115 --> 00:26:37,215 [ SIGHS ] 525 00:26:37,250 --> 00:26:38,790 ♪♪ 526 00:26:38,819 --> 00:26:41,189 ♪ AND THEN YOU CUT ♪ 527 00:26:45,926 --> 00:26:47,756 ♪ YOU CUT IT OUT ♪ 528 00:26:47,794 --> 00:26:53,264 ♪♪ 529 00:26:53,300 --> 00:26:55,340 ♪ AND EVERYTHING ♪ 530 00:26:55,369 --> 00:27:00,709 ♪♪ 531 00:27:00,741 --> 00:27:04,041 ♪ GOES BACK TO THE BEGINNING ♪ 532 00:27:04,077 --> 00:27:11,487 ♪♪ 533 00:27:11,518 --> 00:27:13,318 ♪ AND EVERYTHING ♪ 534 00:27:13,353 --> 00:27:15,983 [ SOBBING ] 535 00:27:16,023 --> 00:27:19,153 ♪♪ 536 00:27:19,192 --> 00:27:22,962 ♪ GOES BACK TO THE BEGINNING ♪ 537 00:27:22,996 --> 00:27:27,796 ♪♪ 538 00:27:27,834 --> 00:27:30,134 [ VEHICLE DOOR CLOSES ] 539 00:27:30,170 --> 00:27:32,540 ♪♪ 540 00:27:32,572 --> 00:27:34,402 ♪ NEVER SAID IT WAS GOOD ♪ 541 00:27:34,441 --> 00:27:38,441 ♪ NEVER SAID IT WAS NEAR ♪ 542 00:27:38,478 --> 00:27:42,118 ♪♪ 543 00:27:45,285 --> 00:27:47,385 [ SIGHS ] 544 00:27:55,429 --> 00:27:57,569 HAVE YOU COME TO GLOAT? 545 00:27:57,597 --> 00:27:59,097 NO, CHARLEY. 546 00:27:59,132 --> 00:28:02,332 FROM ONE BUSINESS OWNER TO ANOTHER, 547 00:28:02,369 --> 00:28:04,469 I CAME TO PAY MY RESPECTS. 548 00:28:06,406 --> 00:28:08,536 RESPECT. 549 00:28:10,444 --> 00:28:14,274 NONE OF YOU EVEN KNOW THE MEANING OF THAT WORD. 550 00:28:16,850 --> 00:28:19,860 ESPECIALLY FRANCES. 551 00:28:19,886 --> 00:28:21,916 I WARNED YOU ABOUT MY SISTER. 552 00:28:21,955 --> 00:28:25,355 HMM. 553 00:28:25,392 --> 00:28:29,862 WELL, I KNOW SHE HAD SOMETHING TO DO WITH ALL OF THIS! 554 00:28:32,399 --> 00:28:36,039 AND I KNOW YOUR SORRY EXCUSE FOR A FAMILY IS IN BUSINESS 555 00:28:36,069 --> 00:28:40,709 WITH HANK MILLER AND OLD WORLD ENERGY. 556 00:28:40,740 --> 00:28:44,550 I WANT YOU TO KNOW... 557 00:28:44,578 --> 00:28:47,418 I WOULD NEVER PHYSICALLY HURT YOU 558 00:28:47,447 --> 00:28:50,747 OR YOUR FAMILY -- NOT LIKE THIS. 559 00:28:50,784 --> 00:28:53,784 MY HANDS ARE CLEAN ON THIS. I PROMISE YOU. 560 00:28:53,820 --> 00:28:56,730 SAM, I WILL NEVER BELIEVE 561 00:28:56,756 --> 00:28:59,426 A WORD THAT COMES OUT OF YOUR MOUTH. 562 00:28:59,459 --> 00:29:03,169 SO JUST GO AND LEAVE ME ALONE. 563 00:29:03,196 --> 00:29:11,236 ♪♪ 564 00:29:11,271 --> 00:29:19,271 ♪♪ 565 00:29:19,312 --> 00:29:27,352 ♪♪ 566 00:29:27,387 --> 00:29:34,927 ♪♪ 567 00:29:34,961 --> 00:29:38,661 THIS WAS ACTUALLY VERY DELICIOUS. 568 00:29:40,000 --> 00:29:41,940 YOU'RE A GOOD COOK. 569 00:29:41,968 --> 00:29:45,538 LEAST I COULD DO FOR ALL YOU'VE DONE. 570 00:29:45,572 --> 00:29:50,042 [ SPEAKING INDISTINCTLY ] 571 00:29:50,076 --> 00:29:55,546 JUST BEING THERE FOR ME. 572 00:29:55,582 --> 00:29:57,382 I APPRECIATE YOU. 573 00:29:57,417 --> 00:29:59,657 ♪♪ 574 00:29:59,686 --> 00:30:05,526 I KNOW LETTING YOUR WORKERS GO TODAY WAS TOUGH, 575 00:30:05,559 --> 00:30:09,399 BUT YOU DID WHAT YOU HAD TO DO FOR NOW. 576 00:30:09,429 --> 00:30:12,329 ♪♪ 577 00:30:12,365 --> 00:30:15,265 JUST... 578 00:30:15,302 --> 00:30:19,102 KEEP YOUR HEAD UP AND LOOKING FORWARD. 579 00:30:19,139 --> 00:30:21,409 YEAH. 580 00:30:21,441 --> 00:30:24,871 AND EVEN IF WE SAVE THE PROGRAM, 581 00:30:24,911 --> 00:30:28,311 STILL THE HIGHWAY COME TO TAKE AWAY THE FARM, 582 00:30:28,348 --> 00:30:32,748 I FEEL LIKE I JUST KEEP LETTING DOWN MY POPS, YOU KNOW? 583 00:30:32,786 --> 00:30:35,986 ♪♪ 584 00:30:36,022 --> 00:30:39,482 I RESPECT THAT. 585 00:30:39,526 --> 00:30:43,566 YOUR FEELINGS ARE REAL. 586 00:30:43,597 --> 00:30:46,367 IT DON'T MEAN THEY'RE ALWAYS THE TRUTH. 587 00:30:46,399 --> 00:30:49,439 [ CHUCKLES ] 588 00:30:49,469 --> 00:30:51,609 IT'S HOW THINGS ALWAYS WORK OUT FOR YOU. 589 00:30:51,638 --> 00:30:55,138 AND I REALLY BE WONDERING, LIKE -- 590 00:30:55,175 --> 00:30:59,945 SOME PEOPLE JUST BE SO BLESSED, YOU KNOW? 591 00:30:59,980 --> 00:31:03,390 AND THEN OTHERS... 592 00:31:05,418 --> 00:31:07,688 ...THEY JUST SEEM CURSED. 593 00:31:07,721 --> 00:31:13,221 ♪♪ 594 00:31:13,260 --> 00:31:19,000 I WAS STILL BREASTFEEDING AND STUDYING FOR THE BAR 595 00:31:19,032 --> 00:31:22,832 WHEN JOIE'S DAD DISAPPEARED FOR SIX MONTHS. 596 00:31:22,869 --> 00:31:25,239 ♪♪ 597 00:31:25,272 --> 00:31:27,272 I THOUGHT MY LIFE WAS OVER. 598 00:31:27,307 --> 00:31:29,907 ALMOST LOST MY HOUSE. 599 00:31:31,878 --> 00:31:37,788 HAD A JOB OFFER THAT DEPENDED ON ME PASSING THE BAR, BUT... 600 00:31:37,817 --> 00:31:40,487 I WAS EXHAUSTED 601 00:31:40,520 --> 00:31:43,960 FROM BEING UP WITH JOIE ALL NIGHT. 602 00:31:43,990 --> 00:31:48,000 BUT I TOOK IT ONE DAY AT A TIME, 603 00:31:48,028 --> 00:31:51,568 AND I GOT THROUGH IT. 604 00:31:51,598 --> 00:31:54,498 SMALL GOALS STARTED ADDING UP TO BIG STRIDES, 605 00:31:54,534 --> 00:31:57,564 AND EVENTUALLY... 606 00:31:57,604 --> 00:32:01,574 I FOUND A WAY TO MAKE IT WORK. 607 00:32:01,608 --> 00:32:06,818 YOU CAN EITHER LET FEAR STALL YOU... 608 00:32:06,846 --> 00:32:10,116 OR DRIVE YOU. 609 00:32:10,150 --> 00:32:13,760 ♪♪ 610 00:32:13,787 --> 00:32:16,557 LET IT DRIVE YOU. 611 00:32:16,589 --> 00:32:20,959 ♪ DON'T ♪ 612 00:32:20,994 --> 00:32:23,564 ♪ TREAT HIM WRONG ♪ 613 00:32:23,596 --> 00:32:29,136 ♪♪ 614 00:32:29,169 --> 00:32:32,769 ♪ AS THE SAYING GOES ♪ 615 00:32:32,806 --> 00:32:36,306 ♪ A GOOD MAN IS HARD TO FIND ♪ 616 00:32:36,343 --> 00:32:38,773 STAY WITH ME TONIGHT? 617 00:32:38,812 --> 00:32:41,372 ♪ LORD, A GOOD MAN ♪ 618 00:32:41,414 --> 00:32:44,584 ♪ IS SO HARD TO FIND ♪ 619 00:32:44,617 --> 00:32:46,787 ♪♪ 620 00:32:46,820 --> 00:32:50,990 ♪ IF YOU WANT ♪ 621 00:32:51,024 --> 00:32:54,424 ♪ THE ONE YOU LOVE ♪ 622 00:32:54,461 --> 00:32:56,191 ♪ YOU BETTER TREAT HIM RIGHT ♪ 623 00:32:56,229 --> 00:32:58,799 I MISSED YOU SO MUCH. 624 00:32:58,832 --> 00:33:00,992 I MISSED YOU, TOO. 625 00:33:05,372 --> 00:33:06,672 MICAH. 626 00:33:06,706 --> 00:33:10,106 I JUST WANTED TO SAY, YESTERDAY WAS -- 627 00:33:10,143 --> 00:33:11,573 YEAH, I KNOW. 628 00:33:11,611 --> 00:33:13,541 ALL I COULD THINK ABOUT WAS, 629 00:33:13,580 --> 00:33:15,350 WHAT IF YOU AND YOUR MOM HAD BEEN IN THERE? 630 00:33:15,382 --> 00:33:17,542 -THANKFULLY WE WEREN'T. -I KNOW, BUT WHAT IF YOU HAD? 631 00:33:17,584 --> 00:33:19,244 I DON'T KNOW WHAT I WOULD HAVE DONE. 632 00:33:19,285 --> 00:33:20,255 IT'S ALL GOOD, BABY. 633 00:33:20,286 --> 00:33:23,756 JUST WAIT. STOP INTERRUPTING ME. 634 00:33:25,725 --> 00:33:28,625 I'M TRYING TO TELL YOU SOMETHING. 635 00:33:29,796 --> 00:33:32,496 I LOVE YOU, TOO. 636 00:33:32,532 --> 00:33:34,362 [ BOTH CHUCKLE ] 637 00:33:34,401 --> 00:33:40,001 ♪♪ 638 00:33:40,039 --> 00:33:45,179 ♪♪ 639 00:33:45,211 --> 00:33:47,471 I DON'T KNOW IF IT'S THE RIGHT TIME OR NOT, 640 00:33:47,514 --> 00:33:51,014 BUT PROM IS COMING UP. 641 00:33:51,050 --> 00:33:53,320 IT IS PRETTY SOON, HUH? 642 00:33:53,353 --> 00:33:57,023 YEAH, SO I -- 643 00:33:57,056 --> 00:34:01,756 I THINK WE SHOULD TALK ABOUT MAKING PLANS FOR PROM. 644 00:34:01,795 --> 00:34:05,025 NOW? 645 00:34:05,064 --> 00:34:07,464 OKAY. 646 00:34:07,500 --> 00:34:10,640 UHH -- I'M-A GET A TUX. 647 00:34:10,670 --> 00:34:12,610 YOU KNOW, GET A LIMOUSINE. 648 00:34:12,639 --> 00:34:15,309 YOU COULD PICK THE COLORS IF YOU WANT. 649 00:34:15,341 --> 00:34:20,471 NO, I MEAN I THINK WE SHOULD TALK ABOUT... 650 00:34:20,513 --> 00:34:24,143 MAKING PLANS... 651 00:34:24,184 --> 00:34:26,214 FOR PROM... 652 00:34:26,252 --> 00:34:29,252 NIGHT. 653 00:34:29,289 --> 00:34:33,129 OHH. [ CHUCKLES ] 654 00:34:33,159 --> 00:34:36,769 PLANS. 655 00:34:36,796 --> 00:34:39,366 YEAH. 656 00:34:39,399 --> 00:34:43,269 ARE YOU READY? 657 00:34:43,303 --> 00:34:45,803 I'M READY TO TALK ABOUT IT. 658 00:34:45,839 --> 00:34:51,949 ♪♪ 659 00:34:54,614 --> 00:34:56,844 [ EXHALES DEEPLY ] 660 00:34:56,883 --> 00:34:59,543 THAT WAS REAL GOOD. 661 00:34:59,586 --> 00:35:02,686 I THINK YOUR GREEN HAS GOTTEN EVEN BETTER, IF IT'S POSSIBLE. 662 00:35:05,058 --> 00:35:07,358 I'VE -- I'M NEVER ASKED -- 663 00:35:07,393 --> 00:35:09,893 BUT I'VE NEVER FELT I NEEDED TO ASK. 664 00:35:09,929 --> 00:35:13,269 BUT AFTER TALKING WITH MICAH... 665 00:35:13,299 --> 00:35:14,599 ASK ME. 666 00:35:14,634 --> 00:35:16,264 HAVE YOU EVER USED EXCESSIVE FORCE? 667 00:35:16,302 --> 00:35:18,432 NO. 668 00:35:18,471 --> 00:35:22,631 HAVE YOU EVER SEEN ANOTHER OFFICER USE EXCESSIVE FORCE? 669 00:35:22,675 --> 00:35:25,505 ABUSE BLACK PEOPLE? 670 00:35:25,545 --> 00:35:27,875 YES. 671 00:35:27,914 --> 00:35:30,314 AND DID YOU LOOK AWAY? 672 00:35:31,751 --> 00:35:34,211 YES. 673 00:35:34,254 --> 00:35:37,684 ♪♪ 674 00:35:37,724 --> 00:35:41,154 HORRIBLE THINGS HAPPEN, 675 00:35:41,194 --> 00:35:43,564 AND YOU HAVE TO BE BRAVE TO STAND AGAINST THE TIDE. 676 00:35:43,596 --> 00:35:47,366 AND I WASN'T. I WASN'T BRAVE. I WAS... 677 00:35:50,203 --> 00:35:52,433 I WAS A COWARD. 678 00:35:54,407 --> 00:35:56,647 I'M NOT TRYING TO HUMANIZE MYSELF OR EXPLAIN IT AWAY. 679 00:35:56,676 --> 00:35:58,876 I'M TELLING YOU THE TRUTH BECAUSE I WANT YOU TO KNOW 680 00:35:58,912 --> 00:36:02,872 HOW IT FELT TO BE INSIDE. 681 00:36:02,916 --> 00:36:04,816 HOW DOES RUNNING AWAY HELP? 682 00:36:04,851 --> 00:36:08,451 BECAUSE I WANTED TO LIVE WITH MYSELF, 683 00:36:08,488 --> 00:36:11,188 NOT STAY IN A TOXIC ENVIRONMENT, 684 00:36:11,224 --> 00:36:13,924 ONE THAT RUINED THE MOST IMPORTANT RELATIONSHIP 685 00:36:13,960 --> 00:36:17,730 OF MY LIFE. 686 00:36:17,764 --> 00:36:19,824 I DIDN'T WANT TO BE THE PERSON YOU TURNED AWAY FROM. 687 00:36:19,866 --> 00:36:24,536 I WANTED TO -- TO CHANGE. 688 00:36:24,571 --> 00:36:27,771 I'M SORRY. 689 00:36:27,807 --> 00:36:30,907 AND I KNOW IT'S NOT ENOUGH. 690 00:36:30,944 --> 00:36:34,314 YOUR PAST IS ALWAYS GONNA BE THERE, 691 00:36:34,347 --> 00:36:36,317 ALWAYS GONNA BE A NEW CHALLENGE. 692 00:36:36,349 --> 00:36:39,549 BECAUSE OF IT, THERE'S NO WAY TO ERASE IT. 693 00:36:39,586 --> 00:36:42,986 WHY WOULD I WANT TO DO THAT? 694 00:36:44,457 --> 00:36:47,297 MY PAST LED ME TO YOU. 695 00:36:47,327 --> 00:36:50,527 AND THAT LED ME TO WANT TO BE A BETTER MAN. 696 00:36:50,563 --> 00:36:55,693 ♪♪ 697 00:36:55,735 --> 00:37:00,905 ♪♪ 698 00:37:00,940 --> 00:37:06,080 ♪♪ 699 00:37:06,112 --> 00:37:10,782 ♪♪ 700 00:37:10,817 --> 00:37:15,087 [ CELLPHONE BUZZING ] 701 00:37:15,121 --> 00:37:22,221 ♪♪ 702 00:37:22,261 --> 00:37:29,061 ♪♪ 703 00:37:29,102 --> 00:37:31,162 -Hello? -RALPH ANGEL? 704 00:37:31,204 --> 00:37:33,634 ♪♪ 705 00:37:33,673 --> 00:37:34,703 DARLA? 706 00:37:34,741 --> 00:37:36,771 I CALLED YOU TO SEE HOW THINGS ARE. 707 00:37:36,809 --> 00:37:38,909 Still here. 708 00:37:38,945 --> 00:37:40,545 ABOUT ALL I GOT. 709 00:37:40,580 --> 00:37:42,850 I KNOW WHAT THAT FEELS LIKE. 710 00:37:44,784 --> 00:37:47,784 IT SUCKS. 711 00:37:47,820 --> 00:37:50,030 How's Blue? 712 00:37:50,056 --> 00:37:51,556 FINE. [ CHUCKLES ] 713 00:37:51,591 --> 00:37:54,691 HE WAS DOING HIS LITTLE BLUE CORNER THING EARLIER. 714 00:37:54,727 --> 00:37:58,227 [ SPEAKING INDISTINCTLY ] 715 00:37:58,264 --> 00:37:59,624 I CAN COME BY AND PICK HIM UP 716 00:37:59,666 --> 00:38:03,066 AND TAKE THE WEIGHT OFF OF YOU FOR A WHILE, IF YOU WANT. 717 00:38:03,102 --> 00:38:05,402 NAH, YOU GOOD. 718 00:38:05,438 --> 00:38:07,208 TALKED TO HIM EARLIER. 719 00:38:07,240 --> 00:38:09,680 BEEN ASLEEP, NOT BEFORE HE TOLD ME 720 00:38:09,709 --> 00:38:14,149 HE DON'T WANT TO BE A MARINE BIOLOGIST NO MORE. 721 00:38:14,180 --> 00:38:15,550 Talking about, uh... 722 00:38:15,581 --> 00:38:17,081 Both: GOING TO SPACE. 723 00:38:17,116 --> 00:38:18,716 Yeah. 724 00:38:18,751 --> 00:38:20,711 YEAH, I DON'T KNOW. 725 00:38:20,753 --> 00:38:23,983 LIKE, HE GROWING UP RIGHT IN FRONT OF US. 726 00:38:24,023 --> 00:38:26,183 ISN'T HE AMAZING? 727 00:38:26,225 --> 00:38:29,395 Yeah, he's figuring it out. 728 00:38:29,429 --> 00:38:31,299 JUST LIKE ALL OF US. 729 00:38:31,330 --> 00:38:33,440 ♪♪ 730 00:38:33,466 --> 00:38:38,766 ♪ DON'T TAKE THE BLAME 'CAUSE YOU KEEP ON RUNNING ♪ 731 00:38:38,805 --> 00:38:40,605 ♪ KEEP ON RUNNING ♪ 732 00:38:40,640 --> 00:38:42,180 [ KNOCKING ] 733 00:38:42,208 --> 00:38:46,308 ♪ AWAY FROM ME ♪ 734 00:38:46,345 --> 00:38:52,345 ♪ I'M NOT GONNA PLAY THIS GAME WHERE I KEEP ON BEGGING ♪ 735 00:38:52,385 --> 00:38:55,385 ♪ KEEP ON ASKING ♪ 736 00:38:55,421 --> 00:38:58,721 ♪ ABOUT WHAT YOU NEED ♪ 737 00:38:58,758 --> 00:39:00,898 IS THIS TRUE? 738 00:39:00,927 --> 00:39:08,467 ♪♪ 739 00:39:08,501 --> 00:39:10,631 THE MIGRANT WORKERS THAT WERE KILLED DURING THE HURRICANE, 740 00:39:10,670 --> 00:39:13,040 WHEN THEIR BOSS TOLD THEM TO KEEP WORKING, THAT -- 741 00:39:13,072 --> 00:39:15,632 THAT WAS YOU? 742 00:39:15,675 --> 00:39:18,405 WHY DIDN'T YOU TELL ME? 743 00:39:18,444 --> 00:39:22,044 I DON'T KNOW. I WAS EMBARRASSED. 744 00:39:22,081 --> 00:39:25,181 YOU WERE EMBARRASSED BECAUSE YOU WERE GUILTY. 745 00:39:25,218 --> 00:39:27,458 YOU FORCED PEOPLE TO WORK IN A HURRICANE. 746 00:39:27,487 --> 00:39:29,357 YOU COST TWO MEN THEIR LIVES. 747 00:39:29,388 --> 00:39:32,058 I TRIED TO FIX IT. 748 00:39:32,091 --> 00:39:34,421 FOR ALL THE DIFFERENCE IT MADE. 749 00:39:34,460 --> 00:39:36,870 WHAT -- WHAT DOES THAT MEAN? 750 00:39:36,896 --> 00:39:41,766 I WISH I COULD CHANGE WHAT HAPPENED THEN. 751 00:39:41,801 --> 00:39:44,801 BUT I CAN'T. 752 00:39:44,837 --> 00:39:48,607 I WISH I COULD CHANGE WHAT'S HAPPENING NOW, BUT -- 753 00:39:48,641 --> 00:39:50,941 THAT'S -- THAT'S YOUR ANSWER? 754 00:39:50,977 --> 00:39:55,047 YOU LOST YOUR BUILDING, YOUR BUSINESS, 755 00:39:55,081 --> 00:39:56,741 AND THAT'S TERRIBLE. 756 00:39:56,783 --> 00:39:59,183 BUT THESE MEN LOST THEIR LIVES. 757 00:40:01,354 --> 00:40:03,784 IS THIS THE REAL YOU? 758 00:40:03,823 --> 00:40:09,123 ♪♪ 759 00:40:09,162 --> 00:40:11,062 YEAH. 760 00:40:11,097 --> 00:40:12,897 ♪♪ 761 00:40:12,932 --> 00:40:15,132 YEAH, I GUESS IT IS. 762 00:40:15,168 --> 00:40:20,038 ♪♪ 763 00:40:20,072 --> 00:40:25,742 ♪ I AIN'T GONNA MAKE AN EMPTY PROMISE ♪ 764 00:40:25,778 --> 00:40:29,078 ♪ I AIN'T GOT TIME ♪ 765 00:40:29,115 --> 00:40:32,745 ♪ TO TELL YOU LIES ♪ 766 00:40:32,785 --> 00:40:39,485 ♪ NO, I AIN'T GONNA PULL YOU THROUGH THE DARKNESS ♪ 767 00:40:39,525 --> 00:40:42,055 ♪ BUT I COULD SHOW YOU ♪ 768 00:40:42,094 --> 00:40:47,164 ♪ WHERE TO FIND THE LIGHT ♪ 769 00:40:47,200 --> 00:40:54,380 ♪ OOH-OOH-OOH-OOH-OHH ♪ 770 00:40:54,407 --> 00:40:59,807 ♪ AH-AH-AH-AH-AH ♪ 771 00:40:59,846 --> 00:41:06,716 ♪ NO, I AIN'T GONNA PULL YOU THROUGH THE DARKNESS ♪ 772 00:41:06,752 --> 00:41:09,682 ♪ BUT I COULD SHOW YOU ♪ 773 00:41:09,722 --> 00:41:13,652 ♪ WHERE TO FIND THE LIGHT ♪ 774 00:41:13,693 --> 00:41:16,653 -- Captions by VITAC -- www.vitac.com 775 00:41:16,696 --> 00:41:19,796 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS