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PREVIOUSLY ON "QUEEN SUGAR"...
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ARSON?
WHAT THE HELL IS GOING ON?
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PUT A STOP TO IT.
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IT'S OUT OF MY HANDS NOW.
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I'M CALLING IN
THAT FAVOR.
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HOW WILL YOUR
PROGRAM SURVIVE
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IF YOU CAN'T AFFORD
TO PLANT NEXT SEASON?
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I MEAN, IT WASN'T
A TOTAL LOSS.
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YOU FORCED PEOPLE TO WORK
IN A HURRICANE.
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YOU COST
TWO MEN THEIR LIVES.
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I'VE LOST MY FAMILY.
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AND I YOU TO HELP CHARLEY,
RALPH ANGEL, AND BLESS NOVA
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AND KEEP HER SAFE.
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AMEN.
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[ SOBS ]
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YOU ALL RIGHT,
MA'AM?
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YEAH.
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SURE YOU DON'T WANT
TO TAKE A BREAK,
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GET A COFFEE,
CLEAR YOUR HEAD FROM
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WHATEVER'S
BOTHERING YOU?
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WELL, CLEARING
MY HEAD ISN'T --
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ISN'T EXACTLY
WHAT I WANT TO DO.
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BECAUSE THEN I'D HAVE TO THINK,
AND I DON'T WANT TO THINK.
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I GOT MAN PROBLEMS,
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BILL PROBLEMS,
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KID PROBLEMS, SISTER PROBLEMS.
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OH, YEAH, AND I'M FREAKING
RUNNING FOR OFFICE.
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[ LAUGHS ]
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IN NEW ORLEANS?
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NO.
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NO. BUT STILL,
GENIUS, RIGHT?
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YOU'RE RUNNING
FOR OFFICE.
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MM-HMM.
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AND IF YOU LEAVE HERE,
IF YOU'RE NOT CAREFUL,
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YOU'RE GONNA SEE
A LOT OF PEOPLE OUT THERE
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WHO MIGHT RECOGNIZE YOU.
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AND THE LATER IN
THE MORNING IT GETS,
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THE MORE PACKED IT GETS.
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♪♪
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♪♪
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ANOTHER ONE.
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♪♪
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♪ DREAMS NEVER DIE ♪
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♪ TAKE FLIGHT
AS THE WORLD TURNS ♪
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♪ KEEP THE COLORS
IN THE LINES ♪
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♪ TAKE FLIGHT
AS THE WORLD TURNS ♪
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♪ KEEP THE COLORS
IN THE LINES ♪
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♪ TAKE FLIGHT ♪
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♪ DREAMS NEVER DIE ♪
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♪♪
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♪ KEEP THE COLORS
IN THE LINES ♪
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♪ KEEP THE COLORS
IN THE LINES ♪
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♪ TAKE FLIGHT ♪
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♪♪
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NOVA BORDELON.
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MISS MARTHA.
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THANK YOU FOR ALLOWING ME
TO COME.
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I DON'T FOOL WITH FOLKS
UNLESS THEIR SOUL'S
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BEEN CLEANSED,
WHICH MEANS I DON'T FOOL
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WITH FOLKS
IN GENERAL TOO OFTEN.
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BUT WE'RE FAMILY, NOVA.
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AH!
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YOU ARE THE SPITTING IMAGE
OF YOUR MAMA.
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AND THOSE EYES --
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I SEE NOTHING BUT LAVOISIER
BLOOD IN THOSE EYES.
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THIS IS FOR YOU.
OH!
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OH! [ LAUGHS ]
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IMPEPHO! OH!
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OH, AFRICA'S
SACRED HERB.
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TRUDY USED THIS IN
MOSTLY USED THIS IN MOST
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OF OUR MEDICINALS
AND SMUDGES.
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IT WAS A FAVORITE
OF HERS.
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I HAD A HARD TIME
FINDING YOUR PLACE, BUT
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IT ALL FEELS
SO FAMILIAR.
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WELL, IT SHOULD.
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I'VE BEEN HERE BEFORE?
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WHEN YOU WERE ABOUT
3 YEARS OLD,
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YOU RAN ALL OVER THIS YARD
WEARING OUT YOUR POOR MAMA.
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WOW.
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I-I DON'T REMEMBER
THAT...AT ALL.
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I'M SURE THERE ARE MANY THINGS
YOU DON'T QUITE REMEMBER.
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COME ON.
I'LL MAKE US SOME TEA.
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[ LAUGHS ]
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WHAT?!
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[ LAUGHS ]
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COUNTRY HAM, RED-EYE GRAVY,
GRITS, SCRAMBLED EGGS,
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FANCY BISCUITS
AND THAT
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RHUBARB STRAWBERRY JAM
YOU LIKE SO MUCH.
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YOU AIN'T GOT TO
TELL ME TWICE.
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YES.
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[ LAUGHS ]
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SO, MAY I ASK,
WHAT'S THE OCCASION?
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I GOT SOMETHING ON MY MIND
THAT I THINK I SHOULD TELL YOU.
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YOU KNOW YOU CAN
TELL ME ANYTHING.
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IT'S ABOUT JIMMY DALE.
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I KNOW YOU WAS
PROTECTING ME.
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BUT I CAN'T GET THE IMAGE
OF YOU BEATIN' HIM
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OUT OF MY HEAD.
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YOU WENT SOMEWHERE THAT DAY,
AND THE LOOK IN YOUR EYES, I...
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I --
I SCARED YOU.
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[ SIGHS ]
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BUT YOUR RIGHT, VI,
I WAS PROTECTING YOU.
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I KNOW.
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AND I KNOW THAT
YOU WOULD NEVER HURT ME.
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BUT THE FIRST TIME I SAW
JIMMY DALE GET VIOLENT,
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IT WASN'T WITH ME.
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IT WAS WITH
THIS FOOL OF A MAN
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WHO WAS TRYING TO TALK
TO ME IN THE STREETS.
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THAT'S HOW
ALL THIS STARTED.
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IF SOMEBODY COMING AT YOU --
NO, NO, I KNOW.
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BABY, I'M JUST TRYING
TO GET BACK TO US.
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I'M TRYING TO FIX THIS.
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AND I KNOW THAT WHAT
I'M SAYING RIGHT NOW
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AIN'T FAIR.
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BUT I CAN'T SHAKE IT.
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OKAY, WELL,
HOW DO I FIX THIS?
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IT'S NOT FOR YOU TO FIX.
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I THINK I GOT SOME WORK
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I NEED TO DO ON MYSELF
WHEN IT COMES TO JIMMY DALE.
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I NEVER DEALT WITH IT,
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AND I'M LEARNING THINGS
DON'T GO AWAY
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JUST BECAUSE YOU IGNORE THEM.
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MORNING, POPS.
MORNING, BLUE.
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OKAY, LET'S MAKE
A DEAL HERE.
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NO GRANOLA TODAY,
PLEASE.
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BUT TODAY'S GRANOLA DAY.
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YEAH, BUT CAN I JUST HAVE
A LITTLE BIT OF
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THE SUGAR STARS MIXED IN?
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JOIE HAS SUGAR STARS
EVERY DAY.
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THAT'S WHAT
SHE TELL YOU.
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BUT I DOUBT HER MAMA LETTING IT
GO DOWN LIKE THAT.
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DID YOU CALL JOIE'S MOM
AND SET UP A PLAY DATE?
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NOT YET.
THERE'S A LOT GOING ON.
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POPS.
I'M GONNA CALL TODAY.
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I PROMISE.
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JOIE'S ALL HE COULD TALK
ABOUT ALL NIGHT.
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IF YOU'RE TOO BUSY, I CAN
CALL HIM AND SET UP A PLAY DATE.
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WHAT'S HER NAME?
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OH, MISS DEESHA --
SHE'S REALLY NICE, MOM.
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YOU'LL LIKE HER.
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THERE GRANOLA WAITING
FOR YOU INSIDE.
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OKAY.
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AIN'T GOT TOO MUCH
TIME, BLUE.
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DEESHA IS JOIE'S MOM.
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YOU DIDN'T TELL ME.
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IT'S NOT
A BIG DEAL, DARLA.
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IT'S A BIG DEAL TO ME.
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WHEN I SAW
YOU TWO TOGETHER...
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DEESHA KNEW THAT I WAS
BLUE'S MOTHER AND YOUR EX,
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BUT I DIDN'T KNOW THAT SHE'S NOT
ONLY BOTH YOUR NEW WOMAN
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BUT THE MOTHER OF BLUE'S
BEST FRIEND.
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I MEAN, WHY WOULDN'T
I WANT TO KNOW THIS?
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YOU SAID YOU DON'T
WANT TO TALK
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ABOUT THOSE KIND OF THINGS
WITH EACH OTHER.
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SO I DIDN'T.
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I KNOW THINGS
DIFFERENT --
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YOU SEEING SOMEBODY,
ME SEEING SOMEBODY.
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IT'S NEW.
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00:08:06,688 --> 00:08:08,088
BUT JUST --
JUST GOT TO KNOW
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I AIN'T NEVER GONNA DO
SOMETHING JUST TO HURT YOU.
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I'M REALLY JUST
DOING MY BEST.
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♪♪
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HEY, PROSPER, GENEVIEVE,
YOUR TABLE'S AVAILABLE.
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YEAH, WELL,
NOT THIS TIME.
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WE'RE JUST PICKING UP LUNCH
FOR THE CAMPAIGN OFFICE.
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OH, RHON--
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I JUST GOT TO BAG IT UP,
MR. PROSPER.
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THANK YOU, RHONDA.
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YOU SEEN
MISS CHARLEY TODAY?
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OH, NO,
SHE AIN'T COME BY YET.
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AND SHE HASN'T BEEN
AT THE OFFICE EITHER.
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SHE'S USUALLY
THE FIRST ONE IN.
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YEAH, WELL, SHE PROBABLY
JUST SLEPT IN.
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GOD KNOWS SHE COULD DO
WITH A LITTLE T.L.C.
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WE ALL COULD USE
A LITTLE T.L.C.
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THIS PLACE FEELS LIKE
A WAKE IN HERE.
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YEAH, WELL, AFTER WHAT
HAPPENED HERE
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00:08:48,888 --> 00:08:51,518
AND THE FIRE AT THE MILL,
EVERYBODY'S IN A BAD WAY.
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BUT YOU KNOW WHAT I FEEL?
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YOU GET KNOCKED DOWN,
AND YOU GET BACK UP.
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YEAH, WELL, THIS WAS ONE HELL
OF A KNOCKDOWN,
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SO I'M NOT EVEN SURE
WHAT THE GET UP LOOKS LIKE.
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WELL, I DO.
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00:09:02,821 --> 00:09:04,251
YOU DO?
YEAH.
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00:09:04,255 --> 00:09:05,455
I GOT AN IDEA.
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00:09:05,455 --> 00:09:07,055
IDEA FOR WHAT?
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LET ME TALK IT OVER
WITH MISS GENEVIEVE.
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ALRIGHT, YOU ALL HAVE
A GOOD DAY, MR. MYSTERIOUS.
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♪♪
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♪♪
191
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[ DOORBELL RINGS ]
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♪♪
193
00:09:43,088 --> 00:09:48,688
♪♪
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00:09:48,688 --> 00:09:49,758
HEY, BABE.
195
00:09:49,755 --> 00:09:51,155
SORRY, I KNOW
I SHOULD HAVE TEXT FIRST.
196
00:09:51,155 --> 00:09:53,215
NO, YOU DON'T GOT
TO TEXT FIRST.
197
00:09:53,221 --> 00:09:55,211
YOU CAN COME THROUGH
WHENEVER YOU WANT.
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00:09:55,555 --> 00:09:58,285
I WAS JUST,
UM, CRAMMING.
199
00:09:58,288 --> 00:10:00,818
I'VE GOT THIS EXAM
THIRD PERIOD.
200
00:10:00,821 --> 00:10:02,151
WELL, I WAS JUST THINKING
ABOUT YOU.
201
00:10:02,155 --> 00:10:04,015
-YEAH?
-MM-HMM.
202
00:10:04,021 --> 00:10:06,411
I'M ALWAYS
THINKING ABOUT YOU.
203
00:10:06,421 --> 00:10:07,951
DON'T FEED ME YOUR SMOOTH
204
00:10:07,955 --> 00:10:09,755
CALIFORNIA-BY-WAY-OF-PARIS
LINES.
205
00:10:09,755 --> 00:10:12,055
[ CHUCKLES ]
I'M NOT.
206
00:10:12,054 --> 00:10:14,384
YOU'RE ALWAYS
ON MY MIND.
207
00:10:14,388 --> 00:10:16,118
♪ WHERE WE'RE FREE ♪
208
00:10:16,122 --> 00:10:19,852
♪ ALL I SEE IS LOST IN GREEN ♪
209
00:10:19,855 --> 00:10:26,085
♪ AND MY CORE
BREATHIN' FANTASY ♪
210
00:10:26,088 --> 00:10:31,558
♪ AND OOH, TAKE MY UP
TO THAT PLACE ♪
211
00:10:31,554 --> 00:10:33,084
WHERE'S YOUR MOM?
212
00:10:33,088 --> 00:10:35,358
OH, BETWEEN THE MILL STUFF
AND THE CAMPAIGN OFFICE,
213
00:10:35,354 --> 00:10:38,354
SHE USUALLY
LEAVES PRETTY EARLY.
214
00:10:38,355 --> 00:10:41,685
THAT'S WHAT I THOUGHT.
215
00:10:41,688 --> 00:10:42,758
SO?
216
00:10:42,755 --> 00:10:44,485
SO?
217
00:10:45,688 --> 00:10:47,218
WE'RE ALONE?
218
00:10:47,221 --> 00:10:50,211
♪♪
219
00:10:55,555 --> 00:11:02,615
♪♪
220
00:11:02,621 --> 00:11:09,411
♪♪
221
00:11:09,421 --> 00:11:16,311
♪♪
222
00:11:16,322 --> 00:11:19,282
THAT'S YOUR
GREAT GRAND MAMA --
223
00:11:19,288 --> 00:11:23,758
ONE A LONG LINE OF LAVOISIER
WOMEN CALLED TO BE HEALERS.
224
00:11:24,488 --> 00:11:26,818
WERE ALL THE WOMEN IN OUR FAMILY
CALLED TO BE HEALERS?
225
00:11:26,821 --> 00:11:28,611
YES.
226
00:11:28,621 --> 00:11:31,481
BUT NOT ALL
ACCEPTED IT.
227
00:11:31,488 --> 00:11:34,418
SOME OF US WERE CURSED
INTO IGNORING OUR GIFT.
228
00:11:34,421 --> 00:11:38,211
MY OWN PAPA WANTED ME
TO REJECT MY CALLING,
229
00:11:38,221 --> 00:11:41,281
AND WHEN I REFUSED,
HE...
230
00:11:41,288 --> 00:11:43,958
HE BANISHED ME
FROM THE FAMILY.
231
00:11:43,955 --> 00:11:45,615
WHAT DID YOU
DO AFTER THAT?
232
00:11:45,621 --> 00:11:46,781
OH.
233
00:11:46,788 --> 00:11:50,558
WELL, I SPENT MANY YEARS
IN HAITI AND AFRICA,
234
00:11:50,555 --> 00:11:53,485
BECOMING
A BETTER STUDENT.
235
00:11:53,488 --> 00:11:56,558
I CAME BACK AROUND THE TIME
YOU WERE BORN.
236
00:11:56,555 --> 00:11:59,155
I SETTLED IN THIS NICE,
PEACEFUL PLACE
237
00:11:59,155 --> 00:12:01,255
WHERE NO ONE
BOTHERED ME.
238
00:12:01,254 --> 00:12:06,414
[ CHUCKLES ] BUT YOUR
MAMA'S VISITS WERE TREASURES.
239
00:12:06,421 --> 00:12:10,211
AND AT MY REQUEST,
SHE KEPT MY RETURN A SECRET
240
00:12:10,221 --> 00:12:13,211
UNTIL HER TRANSITION.
241
00:12:13,221 --> 00:12:14,881
BUT NOW,
YOU DID NOT COME HERE
242
00:12:14,888 --> 00:12:18,218
TO LOOK AT OLD PICTURES
OR HEAR ABOUT MY TRAVELING.
243
00:12:18,222 --> 00:12:20,852
COME ON,
SIT DOWN, SIT DOWN.
244
00:12:20,854 --> 00:12:24,454
WHEN I FOUND OUT ABOUT YOU,
I KNEW I HAD TO MEET YOU.
245
00:12:24,455 --> 00:12:25,515
OH.
246
00:12:25,521 --> 00:12:28,651
YOU CAME HERE
BECAUSE YOU WERE LED TO.
247
00:12:28,655 --> 00:12:34,085
♪♪
248
00:12:34,088 --> 00:12:37,688
YOUR GIFT
IS AS STRONG AS TRUDY'S.
249
00:12:37,688 --> 00:12:39,418
FELT IT EVER SINCE
I WAS A KID.
250
00:12:39,421 --> 00:12:41,451
DID YOU HEED THE CALL?
251
00:12:41,455 --> 00:12:42,685
IN MY OWN WAY.
252
00:12:42,688 --> 00:12:44,558
[ LAUGHS ]
253
00:12:44,554 --> 00:12:46,884
YOU ARE TRUDY'S DAUGHTER.
254
00:12:46,888 --> 00:12:49,918
SHE DID THINGS IN HER
OWN WAY, TOO.
255
00:12:52,455 --> 00:12:55,485
♪ TELLING ME I'M GON' FALL
FOR YOU IF THIS GOES ON ♪
256
00:12:55,488 --> 00:12:57,958
♪ DIDN'T THINK SO ♪
257
00:12:57,955 --> 00:13:00,855
♪ BUT YOU CAME AND YOU SAW,
AND YOU WAITED TO CONQUER ♪
258
00:13:00,855 --> 00:13:03,455
♪ MY MAMA SAID SO ♪
259
00:13:03,454 --> 00:13:05,114
HOLD ON.
260
00:13:05,122 --> 00:13:08,512
♪ THOUGHT THAT I HAD IT
UNDER CONTROL ♪
261
00:13:08,521 --> 00:13:10,211
I LOVE YOU, MICAH.
262
00:13:10,222 --> 00:13:11,212
I LOVE YOU, TOO.
263
00:13:11,221 --> 00:13:13,151
BUT YOU'RE
MY FIRST EVERYTHING.
264
00:13:13,155 --> 00:13:15,055
I KNOW.
265
00:13:15,054 --> 00:13:18,314
AND I WANT
TO RESPECT THAT.
266
00:13:18,321 --> 00:13:20,611
YOUR FIRST TIME
IS A BIG DEAL.
267
00:13:20,621 --> 00:13:22,681
YOU SURE YOU HAVEN'T BEEN
WITH ANYBODY ELSE
268
00:13:22,688 --> 00:13:23,888
SINCE YOU'VE BEEN
IN ST. JO.
269
00:13:23,888 --> 00:13:25,918
NO. I MET YOU
THE FIRST MONTH I GOT HERE,
270
00:13:25,921 --> 00:13:28,311
AND IT'S BEEN US
EVER SINCE.
271
00:13:28,321 --> 00:13:29,581
AND I'M GLAD.
272
00:13:31,388 --> 00:13:33,788
LISTEN, I KNOW WE, UM...
273
00:13:33,788 --> 00:13:37,858
I KNOW WE WERE TALKING
ABOUT AFTER PROM,
274
00:13:37,855 --> 00:13:40,655
BUT THERE'S
A LOT GOING ON.
275
00:13:40,655 --> 00:13:43,955
WE GOT EXIT EXAMS,
COLLEGE ADMISSION LETTERS
276
00:13:43,955 --> 00:13:45,955
ARE GONNA DROP SOON,
GRADUATION.
277
00:13:45,955 --> 00:13:50,485
SO I'M TOTALLY COOL
278
00:13:50,488 --> 00:13:53,958
IF YOU WANT TO
TAKE MORE TIME.
279
00:13:53,955 --> 00:13:55,285
SERIOUSLY.
280
00:13:57,588 --> 00:14:00,588
WHAT?
281
00:14:00,588 --> 00:14:02,258
JUST THE FACT THAT
YOU SAID THAT
282
00:14:02,255 --> 00:14:04,585
MAKES ME THAT MUCH
MORE SURE.
283
00:14:04,588 --> 00:14:08,318
THIS, US,
284
00:14:08,321 --> 00:14:11,151
FEELS LIKE THE REAL THING,
DOESN'T IT?
285
00:14:11,155 --> 00:14:12,815
YEAH.
286
00:14:12,821 --> 00:14:18,751
♪♪
287
00:14:18,755 --> 00:14:21,585
[ CELLPHONE RINGS ]
288
00:14:21,588 --> 00:14:25,988
♪♪
289
00:14:25,988 --> 00:14:28,058
HEY, MOM, WHAT'S UP?
290
00:14:28,055 --> 00:14:30,215
HEY.
291
00:14:30,221 --> 00:14:32,911
MAKING SURE YOU GOT
TO SCHOOL OKAY.
292
00:14:32,921 --> 00:14:34,051
YEAH.
293
00:14:34,055 --> 00:14:35,715
YEAH, I'M GOOD.
294
00:14:35,721 --> 00:14:40,951
I-I NEED SOME HANDS AT THE
MILL OFFICE WHEN YOU'RE OFF.
295
00:14:40,955 --> 00:14:44,085
OKAY. OKAY. I'LL STOP BY
RIGHT AFTER LAST PERIOD.
296
00:14:44,088 --> 00:14:47,288
YOU'RE SUCH
A GOOD PERSON.
297
00:14:47,288 --> 00:14:50,358
I DON'T DESERVE YOU.
298
00:14:50,355 --> 00:14:52,185
I DON'T.
299
00:14:52,188 --> 00:14:53,788
YOU OKAY, MOM?
300
00:14:53,788 --> 00:14:56,418
YEAH, I'M FINE.
301
00:14:56,421 --> 00:14:58,411
UH, GO ON BACK.
302
00:14:58,421 --> 00:15:01,751
I'LL -- I'LL SEE YOU
A LITTLE LATER.
303
00:15:01,755 --> 00:15:03,815
OKAY?
304
00:15:03,821 --> 00:15:05,411
ALRIGHT.
305
00:15:05,421 --> 00:15:11,781
♪♪
306
00:15:11,788 --> 00:15:18,188
♪♪
307
00:15:20,288 --> 00:15:22,388
-WHAT'S UP, WOOD?
-WHAT'S HAPPENING?
308
00:15:22,388 --> 00:15:25,058
FREEING UP SOME SUPPLIES.
FIGURED I'D POP IN ON YOU.
309
00:15:25,055 --> 00:15:27,255
SEE HOW YOU WAS HOLDING UP
WITHOUT YOUR FULL TEAM.
310
00:15:27,255 --> 00:15:30,485
MAKIN' DO.
311
00:15:30,488 --> 00:15:31,958
SHUTTING DOWN
MY REENTRY PROGRAM.
312
00:15:31,955 --> 00:15:33,285
SAY WHAT?
313
00:15:33,288 --> 00:15:36,018
"FURTHER NOTICE,"
THEY SAID.
314
00:15:36,021 --> 00:15:39,281
I'M SORRY, BROTHER.
315
00:15:39,288 --> 00:15:42,088
I WAS TRYING TO DO
SOMETHING GOOD, YOU KNOW?
316
00:15:42,088 --> 00:15:43,618
I KNOW, MAN.
317
00:15:43,621 --> 00:15:45,081
I KNOW.
318
00:15:45,088 --> 00:15:49,158
I'VE BEEN FEELING
EMPTY, WOOD.
319
00:15:49,155 --> 00:15:50,285
I DON'T KNOW WHY.
320
00:15:50,288 --> 00:15:53,858
I --
321
00:15:53,854 --> 00:15:56,514
I AIN'T BEEN
FEELING RIGHT.
322
00:15:56,521 --> 00:15:59,251
LOOK, MAN, YOU JUST IN
THE FIRE RIGHT NOW.
323
00:15:59,255 --> 00:16:01,755
THAT'S IT.
324
00:16:01,755 --> 00:16:04,415
NOVA BOOK GOT YOU FEELING
SOME KIND OF WAY.
325
00:16:04,422 --> 00:16:05,552
YOU'RE IN A NEW
RELATIONSHIP.
326
00:16:05,554 --> 00:16:07,014
AIN'T EVEN ON
ITS FEET YET,
327
00:16:07,021 --> 00:16:10,481
AND WORK IS ALL SCATTERED
ALL OVER THE PLACE.
328
00:16:10,488 --> 00:16:13,288
THAT'S WHY.
329
00:16:13,288 --> 00:16:14,518
IT'S NORMAL, BROTHER.
330
00:16:16,688 --> 00:16:18,158
YEAH, MAYBE.
331
00:16:20,854 --> 00:16:23,054
LOOK HERE, MAN,
MY BOYS, UH,
332
00:16:23,054 --> 00:16:25,884
IRWIN AND OWEN ARE GONNA
STOP BY LATER ON TONIGHT.
333
00:16:25,888 --> 00:16:27,558
WHY DON'T YOU COME BY?
334
00:16:27,555 --> 00:16:30,155
AW, MAN,
I'M ONE STEP AHEAD OF YOU.
335
00:16:30,155 --> 00:16:32,215
I'M GONNA KICK BACK.
336
00:16:32,221 --> 00:16:35,481
MAKER'S READY FOR
MY SOYBEANS.
337
00:16:35,488 --> 00:16:37,658
IT'LL TAKE A WHILE
WITHOUT ALL MY WORKERS.
338
00:16:41,255 --> 00:16:42,615
ALRIGHT, BROTHER.
339
00:16:42,621 --> 00:16:44,311
NOTHING WILD, ALRIGHT?
340
00:16:46,488 --> 00:16:49,088
I APPRECIATE YOU
STOPPING BY.
341
00:16:49,088 --> 00:16:53,088
♪♪
342
00:16:53,088 --> 00:16:55,018
[ INDISTINCT CHATTER ]
343
00:16:55,021 --> 00:16:58,681
ROSE DELIVERY,
MA'AM.
344
00:16:58,688 --> 00:16:59,758
I'LL TAKE IT ON BACK
TO THE --
345
00:16:59,755 --> 00:17:01,455
OKAY, BABY.
THANK YOU.
346
00:17:05,621 --> 00:17:07,411
WHAT'S THAT?
347
00:17:07,421 --> 00:17:10,211
IT'S, UH, MEXICAN
CHOCOLATE PEPPER PIE.
348
00:17:10,221 --> 00:17:13,081
MY MOM WANTED YOU
TO HAVE IT.
349
00:17:13,088 --> 00:17:15,388
AS A THANK YOU FOR
GIVING ME A SECOND CHANCE.
350
00:17:17,522 --> 00:17:19,712
RHONDA, BABY, TAKE THAT.
351
00:17:22,188 --> 00:17:25,088
THERE'S A LIST ON
THE CHALKBOARD IN THE HALLWAY.
352
00:17:25,088 --> 00:17:26,888
I EXPECT YOU TO COMPLETE
EVERYTHING ON IT
353
00:17:26,888 --> 00:17:28,518
BY THE END
OF YOUR SHIFT.
354
00:17:28,521 --> 00:17:31,881
YES, MA'AM.
355
00:17:31,888 --> 00:17:33,818
THANK YOU AGAIN.
356
00:17:36,188 --> 00:17:38,418
OKAY.
357
00:17:38,422 --> 00:17:39,882
OKAY.
358
00:17:39,888 --> 00:17:44,758
♪♪
359
00:17:47,088 --> 00:17:51,588
SO, TRUDY'S BEEN VISITING YOU
IN YOUR DREAMS.
360
00:17:51,588 --> 00:17:57,018
AT FIRST, IT WAS JUST
A FEELING, HER PRESENCE.
361
00:17:57,021 --> 00:18:01,011
BUT RECENTLY THE DREAMS
HAVE BECOME DIFFERENT.
362
00:18:01,021 --> 00:18:03,511
I ALMOST SEE HER.
363
00:18:04,821 --> 00:18:09,751
I REACH OUT TO TOUCH HER,
AND THAT'S WHEN THE DREAM ENDS.
364
00:18:15,655 --> 00:18:17,785
♪♪
365
00:18:17,788 --> 00:18:23,358
THIS BELONGED TO YOUR MAMA,
HER REMEDY BOOK --
366
00:18:23,355 --> 00:18:28,285
NOTES SHE WAS TAKING WHEN SHE
WAS STUDYING TO BE A HEALER.
367
00:18:28,288 --> 00:18:31,218
SHE GAVE IT TO ME WHEN SHE LEFT
THIS LIFE
368
00:18:31,221 --> 00:18:33,951
AND CHOSE ANOTHER PATH.
369
00:18:33,955 --> 00:18:35,785
YOU MEAN WHEN SHE TURNED AWAY
FROM HER CALLING
370
00:18:35,788 --> 00:18:38,918
BECAUSE SHE ACCIDENTALLY
GOT PREGNANT WITH ME?
371
00:18:38,922 --> 00:18:42,412
ACCIDENTALLY?
OH, NO, NO.
372
00:18:42,421 --> 00:18:44,551
IT TOOK HER A WHILE,
BUT SHE CAME TO REALIZE
373
00:18:44,555 --> 00:18:47,915
THAT NOTHING IN HER LIFE
WAS AN ACCIDENT,
374
00:18:47,921 --> 00:18:51,751
NOT ERNEST
AND CERTAINLY NOT YOU.
375
00:18:51,754 --> 00:18:53,614
MY MAMA GAVE UP
WHAT SHE LOVED
376
00:18:53,622 --> 00:18:55,412
FOR WHAT SHE HAD
TO DO, RIGHT?
377
00:18:55,421 --> 00:18:57,151
OH, MY GOODNESS!
378
00:18:57,155 --> 00:19:00,255
YOU HAVE IT
TWISTED, CHILD.
379
00:19:01,821 --> 00:19:09,481
KNOW THIS --
YOU AND RALPH ANGEL
380
00:19:09,488 --> 00:19:14,588
WERE A SOURCE
OF GREAT JOY TO TRUDY.
381
00:19:14,588 --> 00:19:18,158
SHE'S VISITING YOU
IN YOUR DREAMS
382
00:19:18,155 --> 00:19:22,085
BECAUSE SHE WANTS YOU
TO KNOW SHE MISSES YOU.
383
00:19:22,088 --> 00:19:25,018
SHE LOVES YOU.
384
00:19:25,021 --> 00:19:28,551
SHE'S WATCHING OVER YOU.
385
00:19:28,555 --> 00:19:34,085
SHE WANTS TO REMIND YOU
TO BE YOU.
386
00:19:34,088 --> 00:19:37,458
YOU SHOULD GO SEE HER
MORE OFTEN.
387
00:19:37,455 --> 00:19:38,885
SEE HER?
WHAT DO YOU MEAN?
388
00:19:38,888 --> 00:19:40,818
MAMA WAS CREMATED.
389
00:19:40,821 --> 00:19:43,851
AFTER SHE DIED, DADDY SCATTERED
HER ASHES IN THE WIND.
390
00:19:43,855 --> 00:19:47,115
NO. NO.
391
00:19:47,121 --> 00:19:50,681
YOUR FATHER BURIED YOUR MOTHER
ON THE FAMILY FARM.
392
00:19:50,688 --> 00:19:52,818
THAT WAS HER LAST
GIFT TO HIM,
393
00:19:52,821 --> 00:19:54,481
TO YOU,
AND TO YOUR BROTHER.
394
00:19:54,488 --> 00:20:01,818
♪♪
395
00:20:01,821 --> 00:20:02,881
[ SIGHS ]
396
00:20:06,688 --> 00:20:08,158
ALL I'M SAYING, THOUGH,
WAS THIS, MAN,
397
00:20:08,155 --> 00:20:09,715
SAINTS COACH,
HE ACT LIKE,
398
00:20:09,721 --> 00:20:11,511
YOU KNOW, GOOD DEFENSE
IS OPTIONAL.
399
00:20:11,521 --> 00:20:13,611
MAN, AIN'T NOTHING WRONG
WITH THEY'RE DEFENSE.
400
00:20:13,621 --> 00:20:14,811
AIN'T THAT RIGHT,
HOLLYWOOD?
401
00:20:14,821 --> 00:20:17,281
ALL I KNOW IS IF THE REFS
CAN THROW A FLAG
402
00:20:17,288 --> 00:20:19,958
WHEN A MAN IS GETTING ABUSED OUT
OF BOUNDS, WE GETTING THAT --
403
00:20:19,955 --> 00:20:24,355
HEY, SPEAKING OF THE SUPER BOWL,
WE MAKE IT TO THE BIG GAME
404
00:20:24,355 --> 00:20:26,355
MAYBE YOU TAKE SOME OF
THAT GREEN YOU GOT
405
00:20:26,355 --> 00:20:28,155
AND CHART A PLANE
FOR ALL OF US.
406
00:20:28,155 --> 00:20:30,055
MAKE IT A BIG PARTY.
SEE?
407
00:20:30,055 --> 00:20:31,485
THAT'S HOW I KNOW YOU
ALL AIN'T MARRIED.
408
00:20:31,488 --> 00:20:33,018
YOU THINK VI GONNA PUT UP
WITH THAT FOOLISHNESS?
409
00:20:33,022 --> 00:20:35,282
YOU DO WHAT VIOLET SAYS?
HELL YEAH.
410
00:20:35,288 --> 00:20:36,358
[ LAUGHS ]
WHAT AM I GONNA DO,
411
00:20:36,355 --> 00:20:37,755
LAY UP WITH YOUR
LITTLE RUSTY ASS?
412
00:20:37,755 --> 00:20:40,255
[ LAUGHTER ]
SPEAKING OF VI, THOUGH,
413
00:20:40,255 --> 00:20:42,415
I HEARD THAT YOU HAD
A LITTLE RUN-IN WITH HER EX.
414
00:20:42,421 --> 00:20:43,611
[ LAUGHS ]
415
00:20:43,621 --> 00:20:45,081
YEAH?
WHERE YOU HEAR THAT?
416
00:20:45,088 --> 00:20:46,618
HEY, MAN, SMALL TOWN.
417
00:20:46,621 --> 00:20:48,151
YOU KNOW PEOPLE AIN'T GOT
NOTHING BETTER TO DO
418
00:20:48,154 --> 00:20:50,154
THAN TO TALK ABOUT
OTHER PEOPLE'S BUSINESS.
419
00:20:50,155 --> 00:20:52,155
[ LAUGHTER ]
420
00:20:52,155 --> 00:20:55,615
WELL, I HEARD THAT OLD BOY
SHOWED UP UNINVITED
421
00:20:55,621 --> 00:20:57,781
AND THEN YOU SHOWED HIM
HIS WAY OUT --
422
00:20:57,788 --> 00:20:59,188
HEAD FIRST.
423
00:20:59,188 --> 00:21:00,988
-THAT MAN HAD IT COMING, TOO.
-HE DID HAVE IT COMING.
424
00:21:00,988 --> 00:21:03,788
HE LUCKY TO STILL BE WALKING.
AIN'T THAT RIGHT, HOLLYWOOD?
425
00:21:03,788 --> 00:21:05,518
[ LAUGHTER ]
426
00:21:05,521 --> 00:21:06,611
YOU KNOW,
MAYBE I COULD HAVE...
427
00:21:06,621 --> 00:21:08,151
MAYBE I COULD HAVE HANDLED IT
A LITTLE BETTER,
428
00:21:08,155 --> 00:21:09,355
KEPT A COOLER HEAD.
429
00:21:09,355 --> 00:21:11,485
I KNOW THIS --
A MAN PUT HIS HANDS ON MY WOMAN,
430
00:21:11,488 --> 00:21:14,358
HE GONNA BE
SIX FEET UNDER.
431
00:21:14,354 --> 00:21:17,014
I DON'T KNOW, O.
YOU KNOW, UH,
432
00:21:17,022 --> 00:21:18,612
IT'S A LITTLE BIT MORE
COMPLICATED THAN THAT.
433
00:21:18,621 --> 00:21:19,951
HEY, MAN, AIN'T NOTHIN'
COMPLICATED, MAN,
434
00:21:19,955 --> 00:21:21,915
ABOUT PROTECTING
YOUR WIFE.
435
00:21:21,921 --> 00:21:24,281
[ LAUGHTER ]
436
00:21:24,288 --> 00:21:26,558
DAMN RIGHT.
YEAH.
437
00:21:26,555 --> 00:21:29,785
SO, I'M HANDLING
THE DRINKS,
438
00:21:29,788 --> 00:21:32,458
AND PROSPER'S TAKING CARE
OF THE MUSIC.
439
00:21:32,455 --> 00:21:34,055
VIOLET, YOU'RE HANDLING...
440
00:21:34,055 --> 00:21:36,085
FOOD AND DECORATIONS.
441
00:21:36,088 --> 00:21:38,318
THIS IS GONNA
BE A GREAT EVENT.
442
00:21:38,321 --> 00:21:40,211
MICAH, YOU OKAY, BABY?
443
00:21:41,088 --> 00:21:43,018
HEY, AUNTIE.
I'M GOOD.
444
00:21:43,021 --> 00:21:44,281
HOW ARE YOU?
445
00:21:44,288 --> 00:21:46,318
I'M GOOD.
446
00:21:46,322 --> 00:21:48,612
MR. PROSPER,
MISS GENEVIEVE,
447
00:21:48,621 --> 00:21:50,481
HAVE ANY OF YOU
SEEN MY MOM?
448
00:21:50,488 --> 00:21:52,258
I'VE BEEN TRYING TO GET
AHOLD OF HER ALL DAY.
449
00:21:52,255 --> 00:21:54,155
YEAH, ME TOO.
450
00:21:54,155 --> 00:21:55,885
WHEN'S THE LAST TIME
YOU SAW HER?
451
00:21:55,888 --> 00:21:58,558
LAST NIGHT,
BEFORE WE WENT TO BED.
452
00:21:58,555 --> 00:22:00,755
THIS MORNING, SHE CALLS ME
AND TELLS ME TO MEET HER
453
00:22:00,755 --> 00:22:03,785
AT THE MILL OFFICE,
BUT SHE NEVER SHOWED.
454
00:22:05,488 --> 00:22:07,218
IT'S PROBABLY NOT
A BIG DEAL, BUT...
455
00:22:07,221 --> 00:22:09,611
HAVE YOU TRIED
TRACKING HER ON THAT PHONE
456
00:22:09,621 --> 00:22:10,511
THINGAMAJIG OF YOURS?
457
00:22:10,521 --> 00:22:13,181
YEAH, I'M TRYING NOW.
458
00:22:13,188 --> 00:22:15,188
ACTUALLY, I THINK
I'M GETTING SOMETHING NOW.
459
00:22:15,188 --> 00:22:20,218
IT SAYS THAT SHE'S IN
NEW ORLEANS, ON POYDRAS.
460
00:22:20,221 --> 00:22:23,011
SHE'S, LIKE, NEAR
THE CONVENTION CENTER.
461
00:22:23,021 --> 00:22:24,951
Violet: WHAT'S SHE DOING
WAY DOWN THERE?
462
00:22:24,955 --> 00:22:26,485
GOOD QUESTION.
463
00:22:29,088 --> 00:22:30,758
[ SIGHS ]
464
00:22:30,755 --> 00:22:33,885
[ BAND PLAYS ]
465
00:22:33,888 --> 00:22:36,688
♪♪
466
00:22:36,688 --> 00:22:38,858
H-H-HOLD UP, GUYS.
HEY.
467
00:22:38,854 --> 00:22:40,184
HEY.
468
00:22:40,188 --> 00:22:41,758
GUYS, THIS IS DARLA.
469
00:22:41,755 --> 00:22:42,755
-HI.
-HI, GUYS.
470
00:22:42,755 --> 00:22:44,815
-HEY, DARLA.
-HEY, WHAT'S UP?
471
00:22:44,821 --> 00:22:46,511
LET'S TAKE
A BREAK, EVERYBODY.
472
00:22:46,521 --> 00:22:48,011
JUST NEED A MINUTE.
473
00:22:51,055 --> 00:22:53,385
THIS IS TRULY A...
474
00:22:53,388 --> 00:22:54,758
GREAT SURPRISE.
475
00:22:54,755 --> 00:22:55,955
I WAS, UH...
476
00:22:55,955 --> 00:22:58,285
I WAS HOPING I'D GET TO HEAR
A COUPLE OF MINUTES
477
00:22:58,288 --> 00:23:00,458
OF YOUR REHEARSAL.
478
00:23:04,022 --> 00:23:09,282
AND I, UH, BROUGHT YOU
AND THE GUYS SOME BEIGNETS.
479
00:23:09,288 --> 00:23:11,218
APPRECIATE THAT.
480
00:23:11,221 --> 00:23:13,981
I DO, BUT...
481
00:23:13,988 --> 00:23:15,458
WE NEED TO TALK.
482
00:23:18,521 --> 00:23:22,311
I READ NOVA'S BOOK.
483
00:23:22,321 --> 00:23:24,181
RIGHT.
484
00:23:24,188 --> 00:23:26,158
OF COURSE.
485
00:23:26,155 --> 00:23:27,555
I WAS, UH...
486
00:23:27,555 --> 00:23:29,885
I WAS WONDERING WHY
YOU HADN'T BEEN
487
00:23:29,888 --> 00:23:31,688
RETURNING
MY CALLS AND TEXTS.
488
00:23:31,688 --> 00:23:36,288
I WAS GOING TO,
SOON AS I COULD FIND A WAY TO --
489
00:23:36,288 --> 00:23:37,818
YOU KNOW WHAT?
490
00:23:37,821 --> 00:23:41,081
YOU COULD HAVE AT LEAST
FACED ME IN PERSON
491
00:23:41,088 --> 00:23:43,418
RATHER THAN GHOSTING ME
LIKE A TEENAGER.
492
00:23:43,421 --> 00:23:48,411
I'M NOT GHOSTING YOU, DARLA,
AND I'M NOT JUDGING YOU.
493
00:23:48,421 --> 00:23:51,981
BUT I DO HAVE A PROBLEM
WITH WHAT I READ, AND --
494
00:23:51,988 --> 00:23:56,488
MY PAST IS MORE IMPORTANT
TO YOU THAN RIGHT NOW?
495
00:23:56,488 --> 00:23:58,758
AND I THOUGHT...
496
00:23:58,755 --> 00:24:03,855
I THOUGHT YOU OF ALL PEOPLE
WOULD UNDERSTAND.
497
00:24:03,855 --> 00:24:05,385
BUT, I MEAN, IT'S FINE.
I GET IT.
498
00:24:05,388 --> 00:24:07,658
I DON'T THINK YOU DO.
499
00:24:07,655 --> 00:24:09,855
MY ISSUE ISN'T WITH THE BOOK
OR WHAT'S INSIDE IT.
500
00:24:09,855 --> 00:24:12,355
I DON'T CARE
ABOUT YOUR PAST.
501
00:24:12,355 --> 00:24:14,755
I CARE ABOUT YOUR FUTURE.
502
00:24:16,688 --> 00:24:18,318
AND MINE.
503
00:24:18,321 --> 00:24:19,811
WHAT'S THAT
SUPPOSED TO MEAN?
504
00:24:22,721 --> 00:24:24,751
I THINK YOU'RE TWO MINUTES
AWAY FROM RELAPSING,
505
00:24:24,755 --> 00:24:26,215
AND YOU'RE NOT DOING
ANYTHING ABOUT IT.
506
00:24:26,221 --> 00:24:28,281
WHAT?
507
00:24:28,288 --> 00:24:29,818
I'M FINE, LEO.
508
00:24:29,821 --> 00:24:32,151
WHEN'S THE LAST TIME
YOU CALLED YOUR SPONSOR?
509
00:24:32,154 --> 00:24:34,354
I DON'T KNOW.
A COUPLE WEEKS AGO.
510
00:24:34,354 --> 00:24:36,214
I KNOW THE SIGNS
OF A RELAPSE.
511
00:24:36,222 --> 00:24:37,682
I'VE HAD SEVERAL.
512
00:24:37,688 --> 00:24:40,058
THERE'S NO WAY THAT MY PAST
CAN BE MADE PUBLIC
513
00:24:40,055 --> 00:24:42,815
LIKE YOURS WAS AND IT NOT
HAVE A BAD EFFECT ON ME.
514
00:24:42,821 --> 00:24:43,711
THAT'S YOU.
515
00:24:43,722 --> 00:24:46,512
I FEEL FINE
AND IN CONTROL.
516
00:24:46,522 --> 00:24:50,912
I'M STILL
WORKING MY STEPS.
517
00:24:50,921 --> 00:24:53,581
WHAT DO YOU WANT TO DO?
518
00:24:53,588 --> 00:24:56,058
FOR THE SAKE
OF MY OWN SOBRIETY...
519
00:24:58,155 --> 00:25:02,085
...I NEED TO PUMP THE BRAKES
ON OUR RELATIONSHIP
520
00:25:02,088 --> 00:25:05,318
FOR A LITTLE WHILE.
521
00:25:05,322 --> 00:25:08,352
LISTEN, WE --
WE GOT A GIG LATER.
522
00:25:08,354 --> 00:25:11,884
I NEED TO GET BACK
TO REHEARSING.
523
00:25:11,888 --> 00:25:13,858
I'LL CALL YOU
IN A COUPLE DAYS.
524
00:25:15,688 --> 00:25:17,818
MAYBE WE CAN TALK.
525
00:25:17,821 --> 00:25:24,211
♪♪
526
00:25:24,221 --> 00:25:27,081
ALRIGHT, Y'ALL,
LET'S GET BACK TO IT.
527
00:25:27,088 --> 00:25:30,418
♪♪
528
00:25:30,421 --> 00:25:32,081
[ INDISTINCT CHATTER ]
529
00:25:32,088 --> 00:25:39,788
♪♪
530
00:25:43,488 --> 00:25:51,018
♪♪
531
00:25:51,021 --> 00:25:53,211
FOR HER, PLEASE.
532
00:25:58,054 --> 00:25:59,914
WHY ARE YOU HERE?
533
00:25:59,922 --> 00:26:04,782
♪♪
534
00:26:04,788 --> 00:26:06,688
YOUR SON IS CONCERNED
ABOUT YOU.
535
00:26:09,155 --> 00:26:14,315
HE CALLED ME,
TOLD ME WHERE TO LOOK.
536
00:26:14,322 --> 00:26:16,782
LET'S GET OUT OF HERE.
537
00:26:16,788 --> 00:26:21,088
♪♪
538
00:26:21,088 --> 00:26:22,458
NO.
539
00:26:24,621 --> 00:26:26,151
NO.
540
00:26:26,155 --> 00:26:28,155
I'M NOT GOING WITH YOU.
541
00:26:32,388 --> 00:26:35,658
I KNOW YOU'RE STILL
ANGRY WITH ME.
542
00:26:35,655 --> 00:26:39,885
I UNDERSTAND WHY
MORE AND MORE EACH DAY.
543
00:26:39,888 --> 00:26:42,918
BUT RIGHT NOW,
YOU ALSO NEED TO BE SAFE.
544
00:26:45,421 --> 00:26:49,011
YOU'RE RUNNING
FOR OFFICE.
545
00:26:49,021 --> 00:26:50,981
COME ON.
546
00:26:50,988 --> 00:26:52,488
GOING HOME.
547
00:26:57,188 --> 00:26:58,858
PLEASE.
548
00:27:02,155 --> 00:27:03,815
COME ON.
549
00:27:03,821 --> 00:27:10,151
♪♪
550
00:27:10,155 --> 00:27:16,615
♪♪
551
00:27:16,621 --> 00:27:18,081
HEY.
552
00:27:20,422 --> 00:27:21,952
HEY.
553
00:27:33,288 --> 00:27:36,888
YOU MAD AT ME?
554
00:27:36,888 --> 00:27:39,018
NO, BABY.
555
00:27:39,021 --> 00:27:41,851
I GOT A WHOLE LOT
ON MY MIND RIGHT NOW.
556
00:27:46,355 --> 00:27:49,755
OWEN AND IRWIN WAS OVER,
FROM THE RIG.
557
00:27:49,755 --> 00:27:51,755
HOW THEY DOING?
558
00:27:51,754 --> 00:27:54,684
HEARD ABOUT THE BEATING
I PUT ON JIMMY DALE.
559
00:27:54,688 --> 00:27:58,218
THEY WAS GLAD ABOUT IT,
GAVE ME PROPS.
560
00:27:58,222 --> 00:28:01,182
WELL, YOU GUYS LIKE
THAT KIND OF TALK.
561
00:28:01,188 --> 00:28:04,058
USUALLY, I'D ENJOY IT,
BUT I DON'T KNOW.
562
00:28:04,055 --> 00:28:08,085
IT MUST'VE BEEN SOMETHING
YOU SAID THAT MADE ME REALIZE
563
00:28:08,088 --> 00:28:10,258
THAT MOST TIMES WHEN ME
AND THE FELLAS GET TOGETHER,
564
00:28:10,254 --> 00:28:13,254
ALL WE DOING
IS KEEPING THE JOKES
565
00:28:13,255 --> 00:28:14,785
AND THE SPORTS TALK
COMING.
566
00:28:14,788 --> 00:28:16,288
SOMETHING WRONG
WITH THAT?
567
00:28:16,288 --> 00:28:19,018
WELL, IT IS IF THAT'S
THE ONLY THING WE'RE DOING.
568
00:28:19,022 --> 00:28:21,212
SEEM LIKE THE ONLY TIME I EVER
TALK ABOUT ANY REAL STUFF
569
00:28:21,222 --> 00:28:24,012
IS WHEN I'M WITH YOU.
570
00:28:24,021 --> 00:28:25,711
LIKE TODAY.
571
00:28:25,722 --> 00:28:27,712
I REALLY DIDN'T EVEN KNOW
WHAT TO SAY TO RALPH ANGEL
572
00:28:27,722 --> 00:28:29,912
WHEN HE WAS DOWN.
573
00:28:30,921 --> 00:28:33,851
WELL, WE WOMEN HAVE
HAD LOTS OF PRACTICE
574
00:28:33,855 --> 00:28:34,985
TALKING TO EACH OTHER.
575
00:28:34,988 --> 00:28:36,458
[ CHUCKLES ]
576
00:28:39,388 --> 00:28:40,918
LOOK AT THIS.
577
00:28:42,521 --> 00:28:44,911
NOW, HOW COME US MEN
DON'T DO THINGS
578
00:28:44,921 --> 00:28:46,851
IN GROUPS
LIKE Y'ALL DO?
579
00:28:46,855 --> 00:28:48,655
YOU KNOW, ALL THESE DIFFERENT
SUPPORT GROUPS FOR WOMEN
580
00:28:48,654 --> 00:28:51,214
AT ST. JO'S
AND NOT ONE FOR MEN.
581
00:28:55,121 --> 00:28:57,451
MAYBE IF WE HAD ONE,
WE WOULDN'T SCARED THE ONES
582
00:28:57,454 --> 00:29:00,714
WE LOVE SO MUCH WITH THE WAY
WE ACT SOMETIMES.
583
00:29:02,854 --> 00:29:04,484
MAYBE YOU RIGHT.
584
00:29:06,688 --> 00:29:08,288
THIS IS ALL
THE LIGHTS I GOT.
585
00:29:08,288 --> 00:29:10,088
OOH.
THAT GONNA BE ENOUGH?
586
00:29:10,088 --> 00:29:11,558
MAN, THIS IS MORE
THAN ENOUGH.
587
00:29:11,555 --> 00:29:13,815
-ALRIGHT.
-YOUR AUNT VI'S GONNA BE
588
00:29:13,821 --> 00:29:14,881
SUPER-HAPPY, MAN.
THANK YOU.
589
00:29:14,888 --> 00:29:16,958
AIN'T NO THING.
AIN'T NO THING.
590
00:29:16,955 --> 00:29:18,485
ALRIGHT.
591
00:29:21,555 --> 00:29:23,085
YO, CAN I ASK
YOU SOMETHING?
592
00:29:23,088 --> 00:29:24,818
ANYTHING AND ALWAYS.
593
00:29:24,821 --> 00:29:26,611
WHAT'S GOING ON?
594
00:29:26,621 --> 00:29:28,681
IT'S ABOUT RELATIONSHIPS.
595
00:29:28,688 --> 00:29:29,888
YOU AND KEKE A'IGHT?
596
00:29:29,888 --> 00:29:31,758
YEAH, WE GOOD, WE GOOD.
597
00:29:31,755 --> 00:29:34,315
YOU KNOW...
598
00:29:34,322 --> 00:29:36,512
WE'RE SO GOOD THAT...
599
00:29:36,521 --> 00:29:39,911
WE'RE READY TO TAKE IT
TO THE NEXT LEVEL.
600
00:29:39,921 --> 00:29:41,511
AH.
IT'S HER FIRST TIME,
601
00:29:41,522 --> 00:29:43,982
AND I'M NOT TOO FAR
BEHIND MYSELF.
602
00:29:43,988 --> 00:29:45,858
I JUST...
603
00:29:45,855 --> 00:29:48,355
IT'S A BIG DEAL
FOR BOTH OF US.
604
00:29:48,355 --> 00:29:49,955
IT'S IMPORTANT YOU DO
RIGHT BY HER.
605
00:29:49,955 --> 00:29:51,185
YEAH.
606
00:29:51,188 --> 00:29:53,858
I MEAN, THINGS ARE GREAT
BETWEEN US NOW, BUT...
607
00:29:53,855 --> 00:29:55,215
YOU KNOW, COLLEGE --
I DON'T KNOW.
608
00:29:55,221 --> 00:29:56,581
A LOT COULD CHANGE.
609
00:29:58,054 --> 00:30:00,454
I FEEL YOU, BUDDY.
610
00:30:00,455 --> 00:30:02,915
CHANGE IS
ALWAYS GONNA COME.
611
00:30:02,921 --> 00:30:05,111
WHAT REALLY MATTERS IS THAT
YOU GOT LOVE FOR HER.
612
00:30:05,121 --> 00:30:06,411
YEAH.
613
00:30:06,421 --> 00:30:08,081
I THINK I DO.
614
00:30:08,088 --> 00:30:10,418
I THINK ABOUT HER
ALL THE TIME.
615
00:30:10,422 --> 00:30:11,552
YEAH, YOU IN THERE.
616
00:30:11,554 --> 00:30:12,884
[ LAUGHS ]
617
00:30:12,888 --> 00:30:14,488
I KNOW.
CONGRATS.
618
00:30:14,488 --> 00:30:16,058
THANKS.
619
00:30:18,621 --> 00:30:21,781
BUT HOW DO YOU KNOW
IT'S FOR REAL?
620
00:30:21,788 --> 00:30:23,518
LIKE, MY DAD TOLD MY MOM
HE LOVED HER,
621
00:30:23,521 --> 00:30:25,151
AND LOOK HOW THAT
TURNED OUT.
622
00:30:25,155 --> 00:30:27,015
DON'T WORRY ABOUT
ALL THAT.
623
00:30:27,021 --> 00:30:29,611
YOU AIN'T YOUR
DADDY, MICAH.
624
00:30:29,621 --> 00:30:31,811
REAL QUESTION IS,
WHAT'S YOUR GUT SAYING?
625
00:30:31,821 --> 00:30:33,811
I DON'T KNOW.
626
00:30:33,821 --> 00:30:34,751
[ CHUCKLES ]
627
00:30:34,755 --> 00:30:36,415
THAT I'M AN IDIOT
IF I STOP
628
00:30:36,421 --> 00:30:38,611
TRIPPING ABOUT WHAT MIGHT,
MIGHT NOT HAPPEN
629
00:30:38,621 --> 00:30:40,811
AND JUST...
630
00:30:40,821 --> 00:30:42,681
BE WITH HER.
631
00:30:42,688 --> 00:30:44,288
[ CHUCKLES ]
WHAT?
632
00:30:45,821 --> 00:30:47,211
YOUR GUT SOUND
KIND OF SMART.
633
00:30:47,221 --> 00:30:48,681
[ LAUGHS ]
634
00:30:48,688 --> 00:30:50,588
MAN, YOUR BUSINESS,
BRUH.
635
00:30:53,921 --> 00:30:55,551
I GOT IT. THANKS.
636
00:30:55,555 --> 00:30:57,155
[ LAUGHS ]
ALL THAT HAIR.
637
00:30:57,155 --> 00:30:58,685
ALRIGHT.
638
00:31:03,988 --> 00:31:05,988
HEY.
639
00:31:05,988 --> 00:31:07,818
BLUE WANTED TO TRY TO CALL
TO SAY GOOD NIGHT.
640
00:31:07,821 --> 00:31:09,681
DARLA: I'm sorry.
I was, um...
641
00:31:09,688 --> 00:31:12,418
I was out.
MY BAD.
642
00:31:12,421 --> 00:31:14,811
I DIDN'T MEAN TO INTERRUPT
YOU ON YOUR, UM...
643
00:31:14,821 --> 00:31:17,351
YOUR DATE.
No, it's okay.
644
00:31:17,355 --> 00:31:22,085
I'm home, and I'm really happy
to talk to Blue.
645
00:31:22,088 --> 00:31:23,558
BLUE.
646
00:31:23,555 --> 00:31:26,415
YOUR MAMA WANTS
TO SAY GOOD NIGHT.
647
00:31:26,421 --> 00:31:27,751
HI, MOMMY.
648
00:31:27,755 --> 00:31:31,015
I TRIED TO CALL YOU
A HUNDRED TIMES.
649
00:31:31,021 --> 00:31:32,581
I'M SORRY.
650
00:31:34,488 --> 00:31:36,088
HOW WAS SCHOOL?
651
00:31:36,088 --> 00:31:37,688
School was just okay.
652
00:31:37,688 --> 00:31:40,258
BUT THERESA'S
WAS AMAZING.
653
00:31:40,254 --> 00:31:42,414
OH, YEAH?
TELL ME WHY.
654
00:31:42,421 --> 00:31:45,081
Joie made this really cool
model space rocket
655
00:31:45,088 --> 00:31:47,418
With Ms. Deesha,
and they brought it to school,
656
00:31:47,421 --> 00:31:50,911
and all recess, we pretended
that we were astronauts.
657
00:31:50,922 --> 00:31:52,382
AND GUESS WHAT.
658
00:31:52,388 --> 00:31:54,658
I WAS THE ONE WHO GOT TO
WALK ON THE MOON,
659
00:31:54,655 --> 00:31:57,585
just like you taught me
when we played astronauts.
660
00:31:57,588 --> 00:32:00,488
WHAT? WOW -- WOW.
THAT'S AMAZING.
661
00:32:00,488 --> 00:32:02,758
Joie wanted to do
the moonwalk,
662
00:32:02,755 --> 00:32:05,285
but we drew
straws, and I won.
663
00:32:05,288 --> 00:32:06,558
You should
have seen me, Mom.
664
00:32:06,555 --> 00:32:07,685
I was walking
665
00:32:07,688 --> 00:32:10,888
IN SLOW-MOTION,
LIKE THOSE ASTRONAUTS
666
00:32:10,888 --> 00:32:12,558
IN THOSE OLD
MOONWALK VIDEOS,
667
00:32:12,555 --> 00:32:15,215
taking one...
668
00:32:15,221 --> 00:32:16,751
giant...
669
00:32:16,755 --> 00:32:23,515
AND REALLY SLOW LEAP FOR MANKIND
ON THE PLAYGROUND.
670
00:32:23,522 --> 00:32:25,912
Then Ms. Deesha
gave us all cupcakes
671
00:32:25,921 --> 00:32:27,651
with the names of planets.
672
00:32:27,655 --> 00:32:29,785
Mine had caramel icing.
673
00:32:29,788 --> 00:32:32,218
It was delicious.
674
00:32:32,221 --> 00:32:34,681
BUT WE HAD SO MUCH FUN.
675
00:32:34,688 --> 00:32:35,988
YOU HAD SO MUCH FUN?
676
00:32:35,988 --> 00:32:39,288
I really wish
you were there.
677
00:32:39,288 --> 00:32:41,418
I WISH I WAS THERE, TOO.
678
00:32:43,821 --> 00:32:45,681
I LOVE YOU.
679
00:32:46,621 --> 00:32:48,111
GOOD NIGHT.
680
00:32:51,021 --> 00:32:52,611
GOOD NIGHT.
681
00:32:52,621 --> 00:33:02,411
♪♪
682
00:33:02,421 --> 00:33:12,351
♪♪
683
00:33:12,355 --> 00:33:16,185
♪ BLACK GIRL ♪
684
00:33:16,188 --> 00:33:22,658
♪ WE'LL LEAVE THIS FIGHT
TO SOMEONE ELSE FOR NOW ♪
685
00:33:22,655 --> 00:33:28,755
♪ YOU CAN CLOSE YOUR EYES,
LET YOUR HAIR DOWN ♪
686
00:33:28,755 --> 00:33:32,585
♪ BREATHE IN, BREATHE OUT ♪
687
00:33:32,588 --> 00:33:38,088
♪♪
688
00:33:38,088 --> 00:33:44,958
♪ YES, THERE WILL BE BATTLES
YOU SOMETIMES LOSE ♪
689
00:33:44,954 --> 00:33:48,884
♪ THEY'D NEVER LAST FOR
A DAY IN YOUR SHOES ♪
690
00:33:48,888 --> 00:33:50,888
I'LL BE IN THE GUEST ROOM
IF YOU NEED ME.
691
00:33:50,888 --> 00:33:53,958
♪ YOU STILL NEED TO REST, TOO ♪
692
00:33:56,888 --> 00:34:02,288
♪ YOU STILL NEED TO REST, TOO ♪
693
00:34:02,288 --> 00:34:06,558
Charley: WHY DID YOU SAY
ALL THOSE THINGS?
694
00:34:06,555 --> 00:34:12,685
♪♪
695
00:34:12,688 --> 00:34:18,618
♪♪
696
00:34:18,621 --> 00:34:20,851
I DIDN'T DO IT
TO HURT YOU.
697
00:34:24,022 --> 00:34:28,882
I THOUGHT I WAS DOING
SOMETHING GOOD FOR ALL OF US.
698
00:34:28,888 --> 00:34:30,918
I REALLY DID.
699
00:34:31,955 --> 00:34:35,755
BUT I SEE THAT IT WAS
JUST GOOD FOR ME.
700
00:34:35,755 --> 00:34:41,015
♪♪
701
00:34:41,021 --> 00:34:45,281
I LOVE YOU
SO MUCH, CHARLEY.
702
00:34:48,155 --> 00:34:49,685
SO MUCH.
703
00:34:52,388 --> 00:34:54,418
AND I'M SORRY I HURT YOU.
704
00:34:54,421 --> 00:34:57,481
♪ KEEP IT TUCKED AWAY ♪
705
00:34:57,488 --> 00:34:58,958
I'M SORRY.
706
00:34:58,955 --> 00:35:00,885
♪ THEY'LL HAVE TO FIND
ANOTHER WONDER FOR TODAY ♪
707
00:35:00,888 --> 00:35:03,018
[ SOBS ]
708
00:35:03,021 --> 00:35:04,951
♪ OOH, OOH, OOH ♪
709
00:35:04,955 --> 00:35:10,815
♪ YOU DON'T ALWAYS HAVE TO
BE THE ONE TO SAVE THE WORLD ♪
710
00:35:12,821 --> 00:35:17,781
♪ YOU'RE ALWAYS THE ONE
TO SAVE THE WORLD ♪
711
00:35:19,888 --> 00:35:24,358
♪ AND THEY NEVER SAY
THANK YOU, GIRL ♪
712
00:35:24,355 --> 00:35:27,015
[ SOBS ]
713
00:35:27,021 --> 00:35:30,211
♪ I LOVE YOU ♪
714
00:35:30,221 --> 00:35:33,751
[ SOBBING ]
715
00:35:33,755 --> 00:35:36,015
♪ GOOD NIGHT ♪
716
00:35:36,021 --> 00:35:40,011
[ SOBBING ]
717
00:35:40,021 --> 00:35:40,911
♪ GOOD NIGHT ♪
718
00:35:44,422 --> 00:35:47,282
[ BIRDS CHIRPING ]
719
00:36:09,421 --> 00:36:10,811
♪♪
720
00:36:10,821 --> 00:36:12,011
Nova:
"I SAID A LOT OF THINGS
721
00:36:12,021 --> 00:36:13,681
I SHOULDN'T HAVE SAID
ABOUT MY SISTER,
722
00:36:13,688 --> 00:36:17,688
CHARLEY BORDELON, IN MY MEMOIR,
'BLESSINGS AND BLOOD.'
723
00:36:17,688 --> 00:36:21,288
BUT I'M HERE TO TRY
TO FIX WHAT I BROKE.
724
00:36:21,288 --> 00:36:22,618
I'M SORRY.
725
00:36:22,621 --> 00:36:25,281
I WAS WRONG, AND I'M WRITING
THIS ARTICLE
726
00:36:25,288 --> 00:36:27,658
TO SET THE RECORD STRAIGHT.
727
00:36:27,654 --> 00:36:29,384
MY BOOK HURT PEOPLE.
728
00:36:29,388 --> 00:36:31,018
IT DIMINISHED MY SISTER,
729
00:36:31,021 --> 00:36:33,151
A WOMAN I KNOW SEE
AS AMONG THE STRONGEST
730
00:36:33,155 --> 00:36:35,315
I'VE EVER ENCOUNTERED,
731
00:36:35,321 --> 00:36:37,811
AND I'D RATHER NOT ONE PERSON
PICK UP THIS BOOK
732
00:36:37,821 --> 00:36:40,651
IF IT MEANS HURTING MORE PEOPLE
OR COSTING THE PEOPLE OF
733
00:36:40,655 --> 00:36:44,085
ST. JO THE BEST CHAMPION
THEY COULD EVER ELECT.
734
00:36:46,955 --> 00:36:50,055
AS A COUNCILWOMAN, SHE'LL
PROTECT THE FARMERS OF ST. JO.
735
00:36:50,055 --> 00:36:52,915
SHE'LL PUT YOU FIRST,
NOT HERSELF.
736
00:36:52,921 --> 00:36:55,411
I KNOW THIS BECAUSE DESPITE
THE UNFORGIVABLE THINGS
737
00:36:55,422 --> 00:37:00,252
I HAVE DONE, SHE STILL ALLOWS ME
TO CALL HER 'SISTER.'
738
00:37:00,255 --> 00:37:02,455
SHE IS WHAT WE ALL
WANT TO BE --
739
00:37:02,455 --> 00:37:07,885
STRONG, WISE,
COMPASSIONATE, A LEADER.
740
00:37:07,888 --> 00:37:09,418
MOST IMPORTANTLY,
CHARLEY BORDELON
741
00:37:09,421 --> 00:37:12,911
IS THE BIG LITTLE SISTER
I WANT TO BE WHEN I GROW UP."
742
00:37:17,321 --> 00:37:18,611
[ HINGES CREAK ]
743
00:37:18,621 --> 00:37:20,651
[ SIGHS ]
744
00:37:23,688 --> 00:37:25,958
[ Line ringing ]
745
00:37:25,955 --> 00:37:28,355
Hi, this is Darla.
Leave a message.
746
00:37:28,355 --> 00:37:30,215
HEY, DARLA.
747
00:37:30,222 --> 00:37:32,452
I KNOW YOU'RE BUSY, BUT...
748
00:37:32,455 --> 00:37:35,485
I WAS KIND OF WORRIED
ABOUT YOU EARLIER.
749
00:37:35,488 --> 00:37:38,418
I DON'T KNOW WHY.
I JUST...
750
00:37:38,421 --> 00:37:40,551
JUST WANT TO
MAKE SURE YOU'RE GOOD.
751
00:37:42,355 --> 00:37:44,615
ANYWAY, UH...
752
00:37:44,621 --> 00:37:47,881
HAVING A LITTLE GET TOGETHER
OVER AT THE MILL TONIGHT.
753
00:37:47,888 --> 00:37:50,158
YOU'RE WELCOME TO COME BY.
754
00:37:51,888 --> 00:37:55,158
IT'LL BE NICE TO SEE YOU.
755
00:37:55,155 --> 00:37:57,115
LET ME KNOW.
756
00:38:07,355 --> 00:38:11,415
♪♪
757
00:38:11,421 --> 00:38:13,281
MA, I NEED YOU
TO COME WITH ME.
758
00:38:13,288 --> 00:38:15,518
CAN YOU DO THAT?
759
00:38:15,521 --> 00:38:16,911
MICAH...
AH, COME ON.
760
00:38:16,921 --> 00:38:20,311
COME ON. I HAVE
TO SHOW YOU SOMETHING.
761
00:38:20,322 --> 00:38:22,052
TRUST ME.
762
00:38:23,655 --> 00:38:25,355
MICAH, WHY'D YOU
BRING ME HERE?
763
00:38:25,355 --> 00:38:27,485
IT'S OKAY, MOM.
YOU GOT TO TRUST ME.
764
00:38:27,488 --> 00:38:29,358
[ INDISTINCT CHATTER ]
765
00:38:29,355 --> 00:38:31,715
WHAT IS ALL THIS?
766
00:38:32,621 --> 00:38:34,551
MICAH,
WHAT IS GOING ON?
767
00:38:34,555 --> 00:38:36,355
Woman: THERE SHE IS.
768
00:38:36,355 --> 00:38:38,755
[ WOMAN SINGING INDISTINCTLY ]
769
00:38:38,755 --> 00:38:41,755
[ APPLAUSE ]
770
00:38:41,755 --> 00:38:48,755
[ WOMAN SINGING INDISTINCTLY ]
771
00:38:48,755 --> 00:38:56,355
♪♪
772
00:38:56,355 --> 00:39:01,285
RIGHT HERE, RIGHT NOW
IS WHERE WE HOLD THE LINE...
773
00:39:01,288 --> 00:39:04,358
-THAT'S RIGHT.
-...WHERE WE SAY "ENOUGH,"
774
00:39:04,355 --> 00:39:09,215
WHERE WE DECIDE WE WILL NOT
BE MOVED NOT ONE STEP FURTHER.
775
00:39:09,221 --> 00:39:12,011
-YEAH, THAT'S RIGHT!
-BUT WE'RE TONIGHT TO DO
776
00:39:12,022 --> 00:39:13,612
WHAT WE'VE ALWAYS DONE...
777
00:39:13,621 --> 00:39:14,951
-YEAH, PROSPER.
-WHAT WE GOT TO DO.
778
00:39:14,954 --> 00:39:17,484
...CREATE SOMETHING
OUT OF NOTHING.
779
00:39:17,488 --> 00:39:19,618
-YEAH.
-YES.
780
00:39:19,621 --> 00:39:23,011
CHARLEY,
RALPH ANGEL, NOVA --
781
00:39:23,021 --> 00:39:27,151
NOW, WE COME TOGETHER
TO CLAIM THIS SPACE
782
00:39:27,154 --> 00:39:29,684
AND WHAT'S LEFT OF THIS MILL,
783
00:39:29,688 --> 00:39:33,688
WHAT IT WAS
AND WHATEVER IT SHALL BE.
784
00:39:33,688 --> 00:39:35,758
-THAT'S RIGHT!
-WE SHARE THE PAIN IT TAKES
785
00:39:35,755 --> 00:39:37,455
TO MOVE FORWARD.
786
00:39:38,588 --> 00:39:41,858
EVERY STEP ON THIS JOURNEY
IS NOT GOING TO BE EASY.
787
00:39:41,854 --> 00:39:44,184
-NO! NO, IT'S NOT!
-IT'S TIME TO COME TOGETHER.
788
00:39:44,188 --> 00:39:46,018
-YES, IT IS!
-YES, IT IS!
789
00:39:46,022 --> 00:39:47,312
NO MATTER WHAT.
790
00:39:47,322 --> 00:39:49,082
[ APPLAUSE ]
791
00:39:49,088 --> 00:39:51,918
♪ I'VE GOT A FEELING ♪
792
00:39:51,921 --> 00:39:56,011
♪ EVERYTHING'S
GONNA BE ALL RIGHT ♪
793
00:39:56,021 --> 00:39:59,481
♪ I'VE GOT A FEELING ♪
794
00:39:59,488 --> 00:40:02,188
♪ EVERYTHING'S
GONNA BE ALL RIGHT ♪
795
00:40:02,188 --> 00:40:03,518
-OH, YEAH.
-YES, MA'AM.
796
00:40:03,521 --> 00:40:06,781
♪ I'VE GOT A FEELING ♪
797
00:40:06,788 --> 00:40:10,088
♪ EVERYTHING'S
GONNA BE ALL RIGHT ♪
798
00:40:10,088 --> 00:40:16,858
♪ BE ALRIGHT, BE ALL RIGHT,
BE ALL RIGHT ♪
799
00:40:16,854 --> 00:40:17,984
[ CHEERING ]
800
00:40:17,988 --> 00:40:21,088
♪ MY MOTHER TOLD ME ♪
801
00:40:21,088 --> 00:40:23,318
♪ EVERYTHING'S
GONNA BE ALL RIGHT ♪
802
00:40:23,322 --> 00:40:25,252
YEAH.
803
00:40:25,255 --> 00:40:28,615
♪ MY MOTHER TOLD ME ♪
804
00:40:28,622 --> 00:40:32,412
♪ EVERYTHING'S
GONNA BE ALL RIGHT ♪
805
00:40:32,421 --> 00:40:35,981
♪ MY MOTHER TOLD ME ♪
806
00:40:35,988 --> 00:40:39,058
♪ EVERYTHING'S
GONNA BE ALL RIGHT ♪
807
00:40:39,055 --> 00:40:46,085
♪ BE ALL RIGHT, BE ALL RIGHT
BE ALL RIGHT ♪
808
00:40:46,088 --> 00:40:50,818
[ CHEERS AND APPLAUSE ]
809
00:40:52,254 --> 00:40:54,454
[ SOBS ]
810
00:40:54,455 --> 00:40:56,055
[ GASPS ]
811
00:40:56,055 --> 00:41:04,615
♪♪
812
00:41:04,621 --> 00:41:07,751
[ COUGHS ]
813
00:41:07,755 --> 00:41:10,755
-- Captions by VITAC --
www.vitac.com
814
00:41:10,755 --> 00:41:13,885
CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
815
00:41:13,888 --> 00:41:23,688
♪♪
816
00:41:23,688 --> 00:41:33,618
♪♪
817
00:41:33,621 --> 00:41:43,481
♪♪