1 00:00:01,352 --> 00:00:02,551 PREVIOUSLY ON "QUEEN SUGAR"... 2 00:00:02,553 --> 00:00:03,852 Charley: DOESN'T MATTER WHO REALLY OWNS THE MILL 3 00:00:03,854 --> 00:00:05,220 AS LONG AS THE FARMERS GET THE BREAK THEY NEED. 4 00:00:05,222 --> 00:00:07,523 I GUESS IT DEPENDS ON WHAT YOU'RE GIVING UP TO GET IT. 5 00:00:07,525 --> 00:00:10,359 Man: NOW THAT YOU MANAGED TO PULL OFF THAT 1%, 6 00:00:10,361 --> 00:00:11,727 BRINGS IN THE FAMILY. 7 00:00:11,729 --> 00:00:13,946 Woman: THIS PUSH FOR THIS BIG ORDER. 8 00:00:13,948 --> 00:00:15,030 YOU'RE ONLY HUMAN. 9 00:00:15,032 --> 00:00:16,815 I'VE BEEN "ONLY HUMAN" MY WHOLE LIFE. 10 00:00:16,817 --> 00:00:18,200 I WANT TO BE A WARRIOR. 11 00:00:18,202 --> 00:00:20,252 I'VE BEEN QUESTIONING WHETHER I COULD DO THIS OR NOT. 12 00:00:20,254 --> 00:00:21,687 YOU ARE THE BEST THING THAT EVER HAPPENED 13 00:00:21,689 --> 00:00:23,105 TO THAT LITTLE BOY. 14 00:00:23,107 --> 00:00:25,474 Nova: I'M THINKING OF QUITTING THE NEWSPAPER. 15 00:00:25,476 --> 00:00:27,176 YOU GOING TO PUBLIC SCHOOL. 16 00:00:27,178 --> 00:00:28,777 MAMA, I NEED THIS. 17 00:00:28,779 --> 00:00:30,979 I FEEL LIKE I BELONG. 18 00:00:30,981 --> 00:00:33,082 ♪ FLASHLIGHT, FLASHLIGHT, FLASHLIGHT ♪ 19 00:00:33,084 --> 00:00:35,350 ♪ I THINK I'M GONNA TAKE IT TO THE FLASHLIGHT ♪ 20 00:00:35,352 --> 00:00:37,186 ♪ IF I'M FINNA TO CRASH, I'M FINNA TO CRASH RIGHT ♪ 21 00:00:37,188 --> 00:00:39,321 ♪ MAKE SURE THAT THE MONEY IN THE BAG, RIGHT ♪ 22 00:00:39,323 --> 00:00:41,423 ♪ I LIVE ON THE EDGE, ON THE DEEP END ♪ 23 00:00:41,425 --> 00:00:43,425 ♪ I LIVE ON THE EDGE, ON THE DEEP END ♪ 24 00:00:43,427 --> 00:00:45,527 ♪ I LIVE ON THE EDGE, ON THE DEEP END ♪ 25 00:00:45,529 --> 00:00:47,563 ♪ I LIVE ON THE EDGE, ON THE DEEP END ♪ 26 00:00:47,565 --> 00:00:49,698 ♪ FLASHLIGHT, FLASHLIGHT, FLASHLIGHT ♪ 27 00:00:49,700 --> 00:00:50,966 ♪ I THINK I'M GONNA TAKE IT TO THE FLASH ♪ 28 00:00:50,968 --> 00:00:53,569 -HEY! -YOU SCARED ME. 29 00:00:53,571 --> 00:00:55,304 WELL, MAYBE IF IT DIDN'T SOUND LIKE A CONCERT IN HERE... 30 00:00:55,306 --> 00:00:56,872 ♪ I LIVE ON THE EDGE, ON THE DEEP END... ♪ 31 00:00:56,874 --> 00:00:58,540 ...YOU WOULD'VE HEARD ME KNOCKING. 32 00:00:58,542 --> 00:01:01,977 SORRY. JUST GETTING READY FOR SCHOOL TOMORROW. 33 00:01:05,616 --> 00:01:07,249 YOU KNOW, IT'S GONNA BE NICE 34 00:01:07,251 --> 00:01:09,718 TO FEEL MORE LIKE MYSELF, YOU KNOW? 35 00:01:09,720 --> 00:01:11,754 I KNOW, BUT, UM... 36 00:01:15,259 --> 00:01:17,626 ...I'M PUTTING A LOT OF TRUST IN YOU. 37 00:01:17,628 --> 00:01:19,161 I MEAN, IT'S GREAT TO HAVE 38 00:01:19,163 --> 00:01:21,263 A COOL NEW OUTFIT AND EVERYTHING, 39 00:01:21,265 --> 00:01:23,799 BUT WHAT ABOUT YOUR CLASSES AND -- AND BOOKS? 40 00:01:23,801 --> 00:01:26,101 NOW YOU KNOW I'M A STRAIGHT-A STUDENT, RIGHT? 41 00:01:26,103 --> 00:01:28,604 AND I WANT YOU TO KEEP IT THAT WAY. 42 00:01:28,606 --> 00:01:31,907 I'M NOT GONNA MESS THIS UP. 43 00:01:31,909 --> 00:01:33,108 I SWEAR. 44 00:01:33,110 --> 00:01:35,778 I KNOW. I TRUST YOU. 45 00:01:41,418 --> 00:01:43,018 UNPACKED. 46 00:01:43,020 --> 00:01:45,053 I TOLD YOU I WOULD. 47 00:01:45,055 --> 00:01:47,055 YES, BUT YOU ACTUALLY DID IT. 48 00:01:47,057 --> 00:01:48,991 YOU KNOW, IF ME UNPACKING MAKES YOU THIS HAPPY, 49 00:01:48,993 --> 00:01:52,060 YOU'VE GOT TO GET OUT MORE. 50 00:01:52,062 --> 00:01:55,063 YEAH. THIS IS TRUE. 51 00:01:55,065 --> 00:01:57,966 OKAY. 52 00:01:57,968 --> 00:01:59,868 DON'T TURN THAT MUSIC BACK UP. 53 00:01:59,870 --> 00:02:02,037 ♪ FLASHLIGHT, FLASHLIGHT, FLASHLIGHT ♪ 54 00:02:02,039 --> 00:02:04,206 ♪ I THINK I'M GONNA TAKE IT TO THE FLASHLIGHT ♪ 55 00:02:06,811 --> 00:02:08,844 ♪ DREAMS NEVER DIE TAKE FLIGHT ♪ 56 00:02:08,846 --> 00:02:11,146 ♪ AS THE WORLD TURNS KEEP THE COLORS ♪ 57 00:02:11,148 --> 00:02:13,015 ♪ IN THE LINES TAKE FLIGHT ♪ 58 00:02:13,017 --> 00:02:16,251 ♪ AS THE WORLD TURNS KEEP THE COLORS IN THE LINES ♪ 59 00:02:16,253 --> 00:02:18,887 ♪ TAKE FLIGHT ♪ 60 00:02:18,889 --> 00:02:20,789 ♪ DREAMS NEVER DIE ♪ 61 00:02:26,396 --> 00:02:30,398 ♪ KEEP THE COLORS IN THE LINES ♪ 62 00:02:30,400 --> 00:02:34,086 ♪ KEEP THE COLORS IN THE LINES TAKE FLIGHT ♪ 63 00:02:34,088 --> 00:02:36,672 Deborah: AND YOU'VE HAD SOME SHAKEUPS IN YOUR WORLD. 64 00:02:36,674 --> 00:02:39,208 HUH? I HEAR YOU'RE NO LONGER WITH THE "DAILY NEWS." 65 00:02:39,210 --> 00:02:42,511 THAT'S RIGHT. I, UH... 66 00:02:42,513 --> 00:02:44,463 IT WAS TIME. 67 00:02:44,465 --> 00:02:46,765 I COMPLETELY UNDERSTAND, 68 00:02:46,767 --> 00:02:49,468 BUT I WISH YOU'D HAVE GIVEN US 69 00:02:49,470 --> 00:02:51,753 A HEADS-UP ABOUT LEAVING. 70 00:02:51,755 --> 00:02:55,224 UNFORTUNATELY, ALL OF THE ARTICLES WE DISCUSSED, 71 00:02:55,226 --> 00:02:57,559 BECAUSE THEY WERE WRITTEN FOR THE "DAILY NEWS," 72 00:02:57,561 --> 00:02:59,328 UH, THEY'RE NO LONGER AVAILABLE FOR YOUR BOOK. 73 00:03:01,966 --> 00:03:04,633 I, UH... 74 00:03:04,635 --> 00:03:07,502 WASN'T AWARE OF THAT. 75 00:03:07,504 --> 00:03:09,271 I'M SORRY. I-I SHOULD'VE -- 76 00:03:09,273 --> 00:03:10,672 NO, NO, IT'S OKAY. 77 00:03:10,674 --> 00:03:16,011 I'M SURE YOU HAVE A MILLION IDEAS FOR SOMETHING NEW. 78 00:03:16,013 --> 00:03:18,313 YES, I...I DO. 79 00:03:18,315 --> 00:03:22,684 IT SOUNDS LIKE THIS IS TAKING YOU A LITTLE OFF GUARD. 80 00:03:22,686 --> 00:03:25,654 SO, WHY DON'T YOU JUST TAKE SOME TIME TO REGROUP, 81 00:03:25,656 --> 00:03:27,806 AND WHEN YOU HAVE A PROPOSAL, YOU CAN SEND IT OVER? 82 00:03:27,808 --> 00:03:29,024 I CAN DO THAT. 83 00:03:29,026 --> 00:03:30,826 GREAT, AND I'LL NEED MY TEAM TO SIGN OFF 84 00:03:30,828 --> 00:03:33,662 BEFORE WE MAKE THINGS OFFICIAL 85 00:03:33,664 --> 00:03:35,163 AND WORK OUT OUR NEXT STEPS. 86 00:03:35,165 --> 00:03:38,217 OKAY, WELL, UH, I'VE GOT SOME WORK TO DO. 87 00:03:38,219 --> 00:03:39,635 ALL RIGHT. WELL, I LOOK FORWARD TO READING. 88 00:03:39,637 --> 00:03:41,503 -BYE, DEBORAH. -TALK SOON. 89 00:03:41,505 --> 00:03:43,088 [ COMPUTER BEEPS ] 90 00:03:43,090 --> 00:03:48,844 ♪♪ 91 00:03:48,846 --> 00:03:54,600 ♪♪ 92 00:03:54,602 --> 00:03:57,052 [ AIR HORN BLOWING ] 93 00:03:57,054 --> 00:04:00,355 [ INDISTINCT CONVERSATIONS ] 94 00:04:00,357 --> 00:04:02,658 YO, YOU STICKIN' AROUND FOR A GAME? 95 00:04:02,660 --> 00:04:03,992 UH, I CAN'T. 96 00:04:03,994 --> 00:04:05,494 GOT TO PICK UP MY LITTLE MAN. 97 00:04:05,496 --> 00:04:07,228 -NEXT TIME. -I'LL SEE YA. 98 00:04:07,230 --> 00:04:08,447 ALL RIGHT. 99 00:04:08,449 --> 00:04:09,698 [ CELLPHONE VIBRATING ] 100 00:04:11,702 --> 00:04:13,201 OH, MAN. 101 00:04:13,203 --> 00:04:14,369 RALPH ANGEL, YOU LEAVING? 102 00:04:14,371 --> 00:04:16,404 I NEED MY SPADES PARTNER. 103 00:04:16,406 --> 00:04:18,406 NOT TODAY, MRS. PHAN. 104 00:04:18,408 --> 00:04:21,009 THINK I CAN GRAB MY CHECK BEFORE I LEAVE? 105 00:04:21,011 --> 00:04:22,711 IT'LL BE READY TOMORROW. 106 00:04:22,713 --> 00:04:24,245 COME ON. PUT YOUR STUFF DOWN. 107 00:04:24,247 --> 00:04:26,214 I CAN'T. 108 00:04:26,216 --> 00:04:28,249 I'LL SEE YOU LATER, THOUGH. 109 00:04:28,251 --> 00:04:31,019 WHEN YOU FIND NICE GIRL FOR YOU AND LITTLE BOY, HUH? 110 00:04:31,021 --> 00:04:33,138 YOU DESERVE GOOD GIRL, RALPH ANGEL. 111 00:04:33,140 --> 00:04:34,973 I'M STILL A FREE AGENT, MRS. PHAN. 112 00:04:34,975 --> 00:04:36,942 YOU COME OVER. I MAKE DINNER FOR YOU ONE NIGHT. 113 00:04:36,944 --> 00:04:40,646 NAME IT. I'LL BE THERE. 114 00:04:40,648 --> 00:04:42,197 KHANH, I'LL SEE YOU TOMORROW. 115 00:04:42,199 --> 00:04:44,533 ALL RIGHT. LATER, MAN. 116 00:04:44,535 --> 00:04:46,101 SEE, IT AIN'T JUST ABOUT THE CUTS. 117 00:04:46,103 --> 00:04:47,786 IT'S A -- IT'S A DESTINATION. 118 00:04:47,788 --> 00:04:51,456 PLACE WHERE BROTHERS CAN RELAX ON WINE AND JUST BE. 119 00:04:51,458 --> 00:04:52,824 THAT'S WHAT I'M TALKIN' ABOUT. 120 00:04:52,826 --> 00:04:55,661 YEAH, OUR OWN LITTLE PLACE. 121 00:04:55,663 --> 00:04:58,213 HEY, MS. VIOLET. 122 00:04:58,215 --> 00:04:59,948 GOOD TO SEE YOU, RONDEL. 123 00:04:59,950 --> 00:05:01,282 GOOD TO SEE YOU, TOO. 124 00:05:01,284 --> 00:05:02,718 HEY, MAN, WE CAN DO SOME BIG THINGS TOGETHER. 125 00:05:02,720 --> 00:05:03,919 HEY, MAN, LOOK HERE. 126 00:05:03,921 --> 00:05:06,287 I'M GONNA LOOK THIS THING OVER AND GET BACK TO YOU. 127 00:05:06,289 --> 00:05:08,390 OKAY. COOL. ALL RIGHT. THANKS A LOT. 128 00:05:08,392 --> 00:05:11,343 ALL RIGHT. HAVE A GOOD ONE NOW. 129 00:05:11,345 --> 00:05:13,679 -FOR SURE, MAN. ALL RIGHT. -Y'ALL HAVE A GOOD ONE. 130 00:05:13,681 --> 00:05:17,399 YOU, TOO, NOW. BYE. 131 00:05:17,401 --> 00:05:19,768 GOT ME FEELIN' LIKE A NEW MAN. 132 00:05:19,770 --> 00:05:20,802 ARE YOU SERIOUSLY THINKING 133 00:05:20,804 --> 00:05:22,404 ABOUT INVESTING IN A BARBER-SHOP? 134 00:05:22,406 --> 00:05:24,139 WHY NOT? 135 00:05:24,141 --> 00:05:26,858 YEAH, I FIGURE WE BOTH COULD BE BUSINESS OWNERS. 136 00:05:26,860 --> 00:05:29,277 GOT SOME IDEAS, TOO. -HOLLYWOOD. 137 00:05:29,279 --> 00:05:31,029 YOU JUST GOT THAT SETTLEMENT CHECK 138 00:05:31,031 --> 00:05:32,781 AND YOU ALREADY ITCHIN' TO SPEND IT. 139 00:05:32,783 --> 00:05:35,534 WELL, BABY, WHAT GOOD IS THE MONEY IF YOU CAN'T SPEND IT? 140 00:05:35,536 --> 00:05:36,501 ALL I'M SAYING IS... 141 00:05:36,503 --> 00:05:37,786 YEAH, I HEAR WHAT YOU'RE SAYING. 142 00:05:37,788 --> 00:05:40,956 ALL RIGHT, I GOT THIS. THERE AIN'T NOTHIN' WRONG 143 00:05:40,958 --> 00:05:44,593 WITH SPENDING A LITTLE SOMETHING FROM TIME TO TIME. 144 00:05:44,595 --> 00:05:46,428 GOT THAT REUNION COMING NOW. 145 00:05:46,430 --> 00:05:49,330 YOU ABOUT TO BE STEPPIN' OUT FOR SOMETHING FRESH. 146 00:05:49,332 --> 00:05:52,100 -WELL, WE ALWAYS DO THAT. -UH-HUH. 147 00:05:52,102 --> 00:05:54,469 AND TOMORROW, WE'RE GOING SHOPPING. 148 00:05:54,471 --> 00:05:56,638 MIGHT GET YOU SOME RED BOTTOMS. 149 00:05:56,640 --> 00:05:59,674 I DON'T NEED NOBODY RED BOTTOM NOTHIN'. 150 00:05:59,676 --> 00:06:01,476 REUNION OR NOT, 151 00:06:01,478 --> 00:06:03,362 YOU AIN'T GOT NOTHIN' TO PROVE TO NOBODY. 152 00:06:03,364 --> 00:06:05,513 LOOK HERE, WHETHER I GOT $2 OR $2 MILLION, 153 00:06:05,515 --> 00:06:08,433 I'M THE SAME OLD HOLLYWOOD. 154 00:06:08,435 --> 00:06:10,152 AND I DO GOT SOMETHING FOR YOU. 155 00:06:13,991 --> 00:06:18,243 SEE, I FIGURED YOU WOULDN'T MIND 156 00:06:18,245 --> 00:06:21,413 IF I SPLURGED ON THIS. 157 00:06:21,415 --> 00:06:30,505 ♪♪ 158 00:06:30,507 --> 00:06:37,446 ♪♪ 159 00:06:37,448 --> 00:06:42,284 ♪♪ 160 00:06:42,286 --> 00:06:44,786 OH, HOLLYWOOD. 161 00:06:49,610 --> 00:06:52,393 OH, BABY! 162 00:06:52,395 --> 00:06:54,196 MM-HMM. 163 00:06:54,198 --> 00:06:56,415 -EXCUSE ME? -UH-HUH? 164 00:06:56,417 --> 00:06:58,233 DID YOU SAY SOMETHING? 165 00:06:58,235 --> 00:06:59,668 HUH? 166 00:07:02,456 --> 00:07:03,955 LOOK WHAT I GOT. 167 00:07:03,957 --> 00:07:05,590 SHH! HE'S SLEEPING. 168 00:07:05,592 --> 00:07:07,676 HIS WINDOW'S RIGHT OVER THERE. 169 00:07:17,855 --> 00:07:21,306 WE'VE GOT TO MAKE THIS A REGULAR THING. 170 00:07:21,308 --> 00:07:22,858 A SCHEDULE OR SOMETHING. 171 00:07:22,860 --> 00:07:26,645 MM-HMM. A SCHEDULE. 172 00:07:26,647 --> 00:07:30,232 TRUCK, KITCHEN -- WHERE YOU WANT TO GO? 173 00:07:32,953 --> 00:07:35,454 COME ON. 174 00:07:39,460 --> 00:07:40,709 I ALREADY KNOW. 175 00:07:40,711 --> 00:07:47,615 ♪♪ 176 00:07:47,617 --> 00:07:50,952 HUH? 177 00:07:50,954 --> 00:07:53,555 I'M HERE, BLUE. 178 00:07:53,557 --> 00:07:55,223 COME ON. LET'S GET YOU BACK TO BED. 179 00:07:55,225 --> 00:07:57,676 WHAT YOU DOING UP? COME ON. 180 00:08:05,069 --> 00:08:07,003 -RIGHT? -YEAH, THAT'S RIGHT. 181 00:08:07,005 --> 00:08:10,906 [ HIP-HOP MUSIC PLAYING ] 182 00:08:10,908 --> 00:08:12,575 SHOOT. MICAH WEST GO HERE NOW? 183 00:08:12,577 --> 00:08:15,177 OOH, KEKE, GIRL, WHERE YOU BEEN HIDIN' HIM? 184 00:08:15,179 --> 00:08:16,746 WHERE YOU BEEN HIDING ME? 185 00:08:16,748 --> 00:08:18,314 OH, SHH. HUSH. 186 00:08:18,316 --> 00:08:19,782 YOU HAVE YOUR SCHEDULE? 187 00:08:19,784 --> 00:08:20,950 UM, YEAH. 188 00:08:20,952 --> 00:08:29,191 ♪♪ 189 00:08:29,193 --> 00:08:30,860 MAN, WE FINALLY GO TO THE SAME SCHOOL 190 00:08:30,862 --> 00:08:33,462 AND HAVE NO CLASSES TOGETHER. 191 00:08:33,464 --> 00:08:35,765 MAYBE YOU CAN TRANSFER TO MY ENGLISH CLASS. 192 00:08:35,767 --> 00:08:38,267 YOU MOM WILL HAVE TO GET THE REQUEST, THOUGH. 193 00:08:38,269 --> 00:08:41,470 -SEE WHAT I CAN DO. -THAT'D BE AWESOME. 194 00:08:43,641 --> 00:08:45,474 OKAY, BUT I'D BETTER GET TO CLASS. 195 00:08:45,476 --> 00:08:46,842 OKAY. 196 00:08:49,647 --> 00:08:50,846 BYE. 197 00:08:50,848 --> 00:08:52,948 BYE. 198 00:08:52,950 --> 00:08:54,850 HAVE A GREAT FIRST DAY. -THANK YOU. 199 00:08:54,852 --> 00:09:04,894 ♪♪ 200 00:09:04,896 --> 00:09:06,328 WHEW. 201 00:09:08,366 --> 00:09:10,466 SO... 202 00:09:13,221 --> 00:09:15,771 RALPH ANGEL. 203 00:09:18,776 --> 00:09:21,677 BENNY WILLIAMS. 204 00:09:21,679 --> 00:09:23,696 IT'S 20 PAST. 205 00:09:23,698 --> 00:09:25,064 YOUR WIFE STOP WORKING? 206 00:09:25,066 --> 00:09:26,148 I DON'T HAVE NO CAR. 207 00:09:26,150 --> 00:09:27,516 YOU KNOW HOW THE BUS BE. 208 00:09:27,518 --> 00:09:29,034 YEAH, LAST TIME I CHECKED, THE BUS BE ON SCHEDULE. 209 00:09:29,036 --> 00:09:31,987 GONNA HAVE TO FIGURE THAT OUT. 210 00:09:36,627 --> 00:09:39,078 LET ME SHOW YOU AROUND. 211 00:09:42,500 --> 00:09:46,368 SPEND MOST DAYS OUTSIDE, OBVIOUSLY. 212 00:09:46,370 --> 00:09:50,639 HERBICIDE APPLICATIONS, SOIL TESTING, 213 00:09:50,641 --> 00:09:52,742 MONITOR CROPS FOR INSECTS. 214 00:09:52,744 --> 00:09:54,110 IT'S ALL YOU? 215 00:09:56,547 --> 00:09:59,381 WHAT, YOU KNOW SOMETHING ABOUT FARMING? 216 00:09:59,383 --> 00:10:01,217 I GREW UP ON THE BAYOU. 217 00:10:01,219 --> 00:10:04,653 I KNOW MORE ABOUT HUNTING AND FISHING THAN FARMING. 218 00:10:04,655 --> 00:10:05,921 [ CLEARS THROAT ] 219 00:10:05,923 --> 00:10:08,090 LOOK, I APPRECIATE YOU COMIN' DOWN. 220 00:10:08,092 --> 00:10:10,910 YOU'LL BE HEARING FROM ME SOON. 221 00:10:10,912 --> 00:10:11,944 ALL RIGHT. 222 00:10:16,751 --> 00:10:21,504 MIGHT, UH, WANT TO GET A FLAPPER FOR THAT EXHAUST. 223 00:10:21,506 --> 00:10:23,706 ONLY RUN YOU LIKE 15 BUCKS OR SO. 224 00:10:28,112 --> 00:10:30,112 YOU CAN'T BE SERIOUS. 225 00:10:30,114 --> 00:10:32,047 AFRAID SO. 226 00:10:32,049 --> 00:10:33,682 AND I CAN'T GET YOU TO CHANGE YOUR MIND? 227 00:10:33,684 --> 00:10:35,384 LIKE I SAID ON THE PHONE, 228 00:10:35,386 --> 00:10:37,052 WE GOT TO BREAK OUR CONTRACT WITH QUEEN SUGAR MILL. 229 00:10:37,054 --> 00:10:40,189 BUT IT'S SO SUDDEN. I MEAN... 230 00:10:40,191 --> 00:10:42,107 THERE'S SOMETHING THAT WE CAN WORK OUT, I'M SURE. 231 00:10:42,109 --> 00:10:43,759 AIN'T NO WAY AROUND IT, UNFORTUNATELY. 232 00:10:43,761 --> 00:10:46,529 WE HAVE FAMILY OBLIGATIONS. 233 00:10:49,099 --> 00:10:50,483 I REALLY WAS LOOKING FORWARD 234 00:10:50,485 --> 00:10:52,768 TO HAVING A LONG-STANDING RELATIONSHIP WITH YOUR FAMILY. 235 00:10:52,770 --> 00:10:56,138 WE WAS, TOO. BEEN ON THIS FARM FOR OVER 30 YEARS. 236 00:10:56,140 --> 00:10:59,408 LOT OF HISTORY. -I KNOW. 237 00:10:59,410 --> 00:11:02,328 WELL, WHO'S TAKING THE LAND? 238 00:11:02,330 --> 00:11:05,447 WELL, WE WAS JUST LEASING IT FROM SAM LANDRY. 239 00:11:05,449 --> 00:11:07,967 THE LAND BELONGS TO HIM. 240 00:11:11,789 --> 00:11:14,056 YOU'RE GOOD FARMERS. 241 00:11:14,058 --> 00:11:15,508 AND GOOD PEOPLE. THAT GOES A LONG WAY. 242 00:11:15,510 --> 00:11:19,228 I'M GONNA WAIVE ALL THE PENALTY FEES 243 00:11:19,230 --> 00:11:21,564 INVOLVED IN BREAKING YOUR CONTRACT EARLY. 244 00:11:23,985 --> 00:11:26,385 CHARLEY, YOU'RE A BLESSING TO US. 245 00:11:26,387 --> 00:11:28,838 CAN'T BE EASY, BUT, PLEASE... 246 00:11:28,840 --> 00:11:30,773 KEEP DOIN' WHAT YOU'RE DOIN'. 247 00:11:32,977 --> 00:11:35,444 ERNEST WAS A GOOD MAN... 248 00:11:35,446 --> 00:11:37,112 AN HONEST MAN. 249 00:11:37,114 --> 00:11:38,864 ♪ AND I CAN'T STAND ♪ 250 00:11:38,866 --> 00:11:40,983 YOU'RE DEFINITELY YOUR DADDY'S DAUGHTER. 251 00:11:40,985 --> 00:11:45,204 ♪ SO CLOSE TO THIS HEART ♪ 252 00:11:48,376 --> 00:11:49,959 Ralph Angle: I BEEN WAITIN' FOR MY WATER. 253 00:11:49,961 --> 00:11:50,926 SHE'S TAKIN' SO DAMN LONG. 254 00:11:50,928 --> 00:11:52,261 Nova: YOU ALWAYS GO SLOW IN LIFE. 255 00:11:52,263 --> 00:11:53,596 EXCUSE ME? EXCUSE ME. 256 00:11:53,598 --> 00:11:54,997 EXCUSE ME! 257 00:11:54,999 --> 00:11:56,849 [ LAUGHS ] 258 00:11:56,851 --> 00:11:58,100 MAN, I'M NOT PLAYIN'. 259 00:11:58,102 --> 00:12:00,469 THE SERVICE AIN'T BEEN THE SAME AROUND HERE. 260 00:12:00,471 --> 00:12:01,720 I AIN'T BUYIN'. 261 00:12:01,722 --> 00:12:04,223 SO, THE INTERVIEW? 262 00:12:04,225 --> 00:12:07,543 YEAH, P.L. SENT HIM OVER. 263 00:12:07,545 --> 00:12:09,478 YOU THINKIN' OF HIRING A PAROLEE? 264 00:12:09,480 --> 00:12:10,479 GOOD ON YOU, RALPH. 265 00:12:10,481 --> 00:12:13,115 YEAH. AND HE SHOWED UP LATE. 266 00:12:13,117 --> 00:12:14,900 DRESSED LIKE HE WAS GOING TO A CLUB. 267 00:12:14,902 --> 00:12:15,985 AND HE HAD NO EXPERIENCE. 268 00:12:15,987 --> 00:12:17,202 SO, HE WAS LATE AND UNPREPARED. 269 00:12:17,204 --> 00:12:18,203 YEAH. 270 00:12:18,205 --> 00:12:21,490 THAT SOUNDS VAGUELY FAMILIAR. 271 00:12:21,492 --> 00:12:23,876 I CAN'T AFFORD TO GET THIS WRONG. 272 00:12:23,878 --> 00:12:25,861 MIGHT NOT BE WORTH ALL THE TROUBLE. 273 00:12:25,863 --> 00:12:27,296 YEAH, SOME FOLKS SAID THE SAME THING ABOUT YOU, 274 00:12:27,298 --> 00:12:29,798 AND THEY WERE DEAD WRONG. 275 00:12:33,203 --> 00:12:34,737 AUNT VI SAY YOU GOT A BOOK DEAL IN THE WORKS. 276 00:12:34,739 --> 00:12:36,171 WHAT'S THAT ALL ABOUT? 277 00:12:36,173 --> 00:12:38,173 CAN'T BE THE ONLY ONE OUT HERE HUSTLIN'. 278 00:12:38,175 --> 00:12:39,441 -THAT'S WHAT'S UP. -HMM. 279 00:12:39,443 --> 00:12:40,843 GONNA LET ME OWE THE DOLLAR? 280 00:12:40,845 --> 00:12:42,895 NAH. 281 00:12:42,897 --> 00:12:44,847 MS. FONTANA. 282 00:12:44,849 --> 00:12:46,815 -RALPH ANGEL. -GOOD TO SEE YOU. 283 00:12:46,817 --> 00:12:48,400 YOU, TOO. MS. NOVA. 284 00:12:48,402 --> 00:12:49,935 BEEN MEANING TO THANK YOUR SISTER. 285 00:12:49,937 --> 00:12:53,072 I GOT BACK WITH QUEEN SUGAR FOR NEXT SEASON, 286 00:12:53,074 --> 00:12:55,357 AT FIXED RATE FOR THE NEXT FIVE YEARS. 287 00:12:55,359 --> 00:12:57,109 IT'S A GODSEND. -YEAH. 288 00:12:57,111 --> 00:12:59,695 AND SAM, HE AIN'T BOTHERIN' US NO MORE. 289 00:12:59,697 --> 00:13:01,363 SO, WHATEVER CHARLEY DID TO MAKE THAT WORK, 290 00:13:01,365 --> 00:13:02,698 WE ARE REAL THANKFUL. 291 00:13:02,700 --> 00:13:03,916 GLAD TO HEAR IT. 292 00:13:03,918 --> 00:13:06,035 FEELS GOOD TO DO BUSINESS WITH Y'ALL. 293 00:13:06,037 --> 00:13:08,170 AIN'T THAT THE TRUTH. 294 00:13:08,172 --> 00:13:09,872 YOU THANK CHARLEY FOR ME. 295 00:13:09,874 --> 00:13:12,758 YES, MA'AM. I WILL. GOOD SEEING YOU. 296 00:13:15,963 --> 00:13:19,348 SO WHAT'D CHARLEY DO TO GET EVERYONE BACK? 297 00:13:19,350 --> 00:13:21,100 SHE DID WHAT SHE DOIN'. 298 00:13:21,102 --> 00:13:24,753 HUSTLE. GOT 'EM BACK. 299 00:13:24,755 --> 00:13:26,689 WHAT YOU WANT ME TO SAY? 300 00:13:26,691 --> 00:13:28,307 SAM LEFT THEM FARMERS ALONE, DIDN'T HE? 301 00:13:28,309 --> 00:13:30,476 YEAH, BUT HOW'D SHE DO THAT? 302 00:13:30,478 --> 00:13:33,862 [ THUD ] 303 00:13:33,864 --> 00:13:34,863 YOU REALLY NOT GONNA SAY? 304 00:13:34,865 --> 00:13:36,231 WHAT? 305 00:13:36,233 --> 00:13:38,067 EVERYTHING FINE. 306 00:13:38,069 --> 00:13:39,234 CHARLEY GOT A PLAN, 307 00:13:39,236 --> 00:13:40,836 AND THE LANDRYS AIN'T GONNA SEE IT COMIN'. 308 00:13:46,922 --> 00:13:48,755 ♪ I WAS AT THE BOTTOM OF THE FOOD CHAIN, COMIN' LOOSE... ♪ 309 00:13:48,757 --> 00:13:52,493 ♪♪ 310 00:13:52,495 --> 00:13:55,796 [ INDISTINCT CONVERSATIONS ] 311 00:14:05,508 --> 00:14:07,908 YO, MR. WEST IS IN THE BUILDING. 312 00:14:07,910 --> 00:14:09,009 FROM THE GAME. 313 00:14:09,011 --> 00:14:10,677 WHAT'S UP, DUDE? I'M ANT. 314 00:14:10,679 --> 00:14:12,679 THIS IS MALIK. THIS IS K.J., AND THAT'S ASHA. 315 00:14:12,681 --> 00:14:15,048 YOU WANT TO SIT WITH US? 316 00:14:15,050 --> 00:14:16,750 YEAH. UH, YEAH, SURE. THANK YOU. 317 00:14:16,752 --> 00:14:18,719 Young man: NO PROBLEM. 318 00:14:18,721 --> 00:14:22,289 KEKE. THAT'S MY GIRL. 319 00:14:22,291 --> 00:14:24,591 -HEY. -HEY, WHAT'S UP? 320 00:14:24,593 --> 00:14:26,493 HEY, ASHA, WHAT'S HAPPENING? 321 00:14:26,495 --> 00:14:28,028 HEY. 322 00:14:28,030 --> 00:14:30,597 MY FRIENDS WERE WAITING ON US, BUT WE CAN SIT THERE TOMORROW. 323 00:14:30,599 --> 00:14:31,732 OKAY. 324 00:14:31,734 --> 00:14:33,634 Y'ALL, SO WHAT'S THE PLAN LATER? 325 00:14:33,636 --> 00:14:35,602 -FOUR-WHEELING? -YEAH, Y'ALL SHOULD COME, TOO. 326 00:14:35,604 --> 00:14:38,939 -YEAH, SURE. I'M DOWN. -YEAH. 327 00:14:38,941 --> 00:14:40,974 YOU STILL REMEMBER THE SPOT, YEAH? 328 00:14:40,976 --> 00:14:43,410 HOW CAN I FORGET? 329 00:14:43,412 --> 00:14:44,711 YOUNG, MAN. 330 00:14:44,713 --> 00:14:46,713 I NEED YOU TO GET OFF THE TABLE AND SIT IN A SEAT. 331 00:14:46,715 --> 00:14:50,250 OHH. 332 00:14:50,252 --> 00:14:57,791 ♪♪ 333 00:14:57,793 --> 00:14:59,092 MAN, HE AIN'T TRYIN' TO GET CLOSER TO ME 334 00:14:59,094 --> 00:15:01,595 AND GET DONE WHAT THE OTHER COP DID. 335 00:15:01,597 --> 00:15:03,096 Malik: MAN, THAT VIDEO WAS MESSED UP. 336 00:15:03,098 --> 00:15:04,965 K.J.: YO, YOU SEE THE HEADLINES -- 337 00:15:04,967 --> 00:15:07,134 "LOCAL HERO TAKES THE FALL." 338 00:15:07,136 --> 00:15:08,936 -HELL, LOCAL HERO, MY ASS. -EXACTLY. 339 00:15:08,938 --> 00:15:10,470 RACIST COP EXPOSED, MORE LIKE IT. 340 00:15:10,472 --> 00:15:12,306 Asha: MAN, WHITE FOLK CAN BEAT THE HELL OUT OF PEOPLE, 341 00:15:12,308 --> 00:15:15,075 KILL 'EM, EVEN, AND THEN STILL GET CALLED A LOCAL HERO. 342 00:15:15,077 --> 00:15:17,644 BUT OUR SLAIN BROTHERS AND SISTERS, 343 00:15:17,646 --> 00:15:19,713 THEY GET DEMONIZED AND PICKED APART. 344 00:15:19,715 --> 00:15:20,814 IT'S CRAZY. 345 00:15:20,816 --> 00:15:23,283 I'M TELLIN' YOU, MAN, IT'S MESSED UP. 346 00:15:23,285 --> 00:15:25,285 -YOU OKAY? -HMM? 347 00:15:25,287 --> 00:15:27,754 -YOU GOOD? -YEP. 348 00:15:29,825 --> 00:15:31,408 SO WHAT'S THIS ALL ABOUT? 349 00:15:31,410 --> 00:15:33,527 YOU LOOK REALLY DOPE, AUNT VI. 350 00:15:33,529 --> 00:15:35,829 BECAUSE WE GOIN' TO HOLLYWOOD'S BIG REUNION. 351 00:15:35,831 --> 00:15:37,331 THERE'S THOSE SODA WATERS YOU LIKE 352 00:15:37,333 --> 00:15:39,232 IN THAT BOTTOM DRAWER BACK THERE. 353 00:15:39,234 --> 00:15:42,085 -WHAT SHE TALKIN' ABOUT? -ALL RIGHT, AUNT VI. 354 00:15:42,087 --> 00:15:43,236 Violet: OKAY. 355 00:15:43,238 --> 00:15:46,873 ARE YOU DOING BUSINESS WITH THE LANDRYS? 356 00:15:46,875 --> 00:15:49,009 W-WHAT -- WHERE'D YOU GET SOMETHIN' LIKE THAT FROM? 357 00:15:49,011 --> 00:15:51,545 I HEARD IT FROM RALPH. 358 00:15:53,599 --> 00:15:55,616 WHAT SHE SAYIN'? 359 00:15:55,618 --> 00:16:01,772 ♪♪ 360 00:16:01,774 --> 00:16:08,028 ♪♪ 361 00:16:08,030 --> 00:16:10,814 IT'S TRUE. 362 00:16:10,816 --> 00:16:13,600 I SOLD THE MILL FOR 1% EQUITY IN LANDRY ENTERPRISES. 363 00:16:13,602 --> 00:16:15,319 YOU SOLD THE MILL? 364 00:16:15,321 --> 00:16:17,821 I -- WHY WOULD YOU SELL THE -- 365 00:16:17,823 --> 00:16:18,956 AFTER EVERYTHING YOU WENT THROUGH 366 00:16:18,958 --> 00:16:20,324 TO GET IT OFF THE GROUND. 367 00:16:20,326 --> 00:16:21,792 EVERYTHING THOSE PEOPLE PUT YOU THROUGH -- 368 00:16:21,794 --> 00:16:23,109 PUT US THROUGH. 369 00:16:23,111 --> 00:16:25,078 QUEEN SUGAR WAS ABOUT TO BE RUINED BY THAT FAMILY, 370 00:16:25,080 --> 00:16:26,747 JUST ON LIES ALONE. 371 00:16:26,749 --> 00:16:29,449 I ALMOST LOST EVERYTHING. 372 00:16:29,451 --> 00:16:33,220 BUT NOW MY 1% IS THE FIRST STEP TO TAKING BACK THE POWER. 373 00:16:33,222 --> 00:16:35,389 SO, YOU BETRAY OUR FAMILY, GET IN BED WITH THE ENEMY, 374 00:16:35,391 --> 00:16:38,625 AND ALL YOU GOT WAS 1%? 375 00:16:38,627 --> 00:16:42,262 THAT'S WHAT WE'RE WORTH? -I DIDN'T BETRAY ANYONE. 376 00:16:42,264 --> 00:16:46,450 -YOU DIDN'T TRY AND STOP IT? -YOU KNEW ABOUT THIS? 377 00:16:46,452 --> 00:16:47,567 Y'ALL NOT SEEIN' THE BIG PICTURE. 378 00:16:47,569 --> 00:16:49,569 IF CHARLEY GOT A CHANCE TO CHANGE THINGS, 379 00:16:49,571 --> 00:16:51,989 AND TAKE DOWN THE LANDRYS... 380 00:16:51,991 --> 00:16:53,607 I SAY SHE DO IT. -YOU SOUND CRAZY. 381 00:16:53,609 --> 00:16:55,359 Charley: YOU DON'T THINK I'VE THOUGHT THIS THROUGH? 382 00:16:55,361 --> 00:16:58,144 1% GETS ME ACCESS, AND EVERY DAY, 383 00:16:58,146 --> 00:16:59,830 THAT ACCESS GIVES ME INFORMATION 384 00:16:59,832 --> 00:17:02,082 TO BRING THAT FAMILY TO THEIR KNEES. 385 00:17:02,084 --> 00:17:03,784 LANDRY'S IN DEBT, HAS BEEN FOR YEARS, 386 00:17:03,786 --> 00:17:05,786 AND THAT'S JUST THE TIP OF THE ICEBERG. 387 00:17:05,788 --> 00:17:07,337 WHEN I HAVE ALL THE PIECES, 388 00:17:07,339 --> 00:17:09,673 I WILL DESTROY EVERY SHAREHOLDER, 389 00:17:09,675 --> 00:17:13,126 ONE BY ONE, UNTIL I OWN EVERY STAKE AT THAT COMPANY. 390 00:17:13,128 --> 00:17:15,962 Nova: WHAT YOU GONNA DO IN THE MEANTIME, HUH? 391 00:17:15,964 --> 00:17:19,966 GO TO WORK EVERY DAY? SIGN ANOTHER CONTRACT? 392 00:17:19,968 --> 00:17:22,302 SHAKE A BLACK FARMER'S HAND, SMILE IN FOLKS' FACES, 393 00:17:22,304 --> 00:17:23,353 AND IT'S ALL A LIE. 394 00:17:23,355 --> 00:17:24,438 YOU'RE NOT LISTENING, NOVA. 395 00:17:24,440 --> 00:17:26,139 I CAN'T BARGE INTO LANDRY ENTERPRISES 396 00:17:26,141 --> 00:17:28,141 WITHOUT KNOWING EVERY BACKROOM DEAL, 397 00:17:28,143 --> 00:17:30,310 EVERY FALSIFIED REPORT, EVERY LAWSUIT, 398 00:17:30,312 --> 00:17:32,045 LIKE THE BACK OF MY HAND. 399 00:17:32,047 --> 00:17:35,382 THEY CAN'T SEE ME COMING, BECAUSE BY THE TIME THEY DO, 400 00:17:35,384 --> 00:17:38,118 I'LL ALREADY BE STANDING ON THE ASHES OF SAM'S EMPIRE. 401 00:17:38,120 --> 00:17:40,620 YOU REALLY THINK PEOPLE ARE GONNA CARE HOW I DID IT? 402 00:17:40,622 --> 00:17:42,122 OR ARE THEY JUST GONNA SAY THANK YOU? 403 00:17:42,124 --> 00:17:43,623 YOU NEED TO WAKE UP. 404 00:17:43,625 --> 00:17:46,043 THE GAME'S RIGGED. YOU CAN'T WIN THIS WAY. 405 00:17:46,045 --> 00:17:49,796 I DON'T PLAN ON WINNING THE GAME, NOVA. 406 00:17:49,798 --> 00:17:53,700 I PLAN TO ELIMINATE IT. 407 00:17:53,702 --> 00:17:54,885 IT'S WHAT DADDY WOULD'VE WANTED. 408 00:17:54,887 --> 00:17:56,503 YOU THINK THIS IS WHAT DADDY WANTED? 409 00:17:56,505 --> 00:17:59,256 SERIOUSLY, CHARLEY? THEY KILLED HIM. 410 00:17:59,258 --> 00:18:01,708 AND I'M GONNA MAKE THEM PAY! 411 00:18:01,710 --> 00:18:04,895 I'M GONNA TAKE EVERYTHING. I KNOW WHAT I'M DOING. 412 00:18:04,897 --> 00:18:08,515 -YOU DON'T KNOW SHIT. -NOVA. 413 00:18:08,517 --> 00:18:09,866 Hollywood: THE LANDRYS IS CANCER, CHARLEY. 414 00:18:09,868 --> 00:18:12,519 YOU KNOW THIS. I QUIT A GOOD JOB 415 00:18:12,521 --> 00:18:15,188 'CAUSE SAM'S HANDS WAS ALL IN IT. 416 00:18:15,190 --> 00:18:17,190 NOW, LOOK, YEAH, I MIGHT NOT BE A BORDELON, 417 00:18:17,192 --> 00:18:18,241 BUT EVEN I WALKED AWAY. 418 00:18:18,243 --> 00:18:19,409 YOU'RE RIGHT, YOU'RE NOT A BORDELON. 419 00:18:19,411 --> 00:18:22,746 -SHE DID NOT JUST... -HOLD ON RIGHT THERE. 420 00:18:22,748 --> 00:18:24,230 HOLLYWOOD IS AS MUCH FAMILY 421 00:18:24,232 --> 00:18:25,665 AS ANYBODY SITTING AT THIS TABLE. 422 00:18:25,667 --> 00:18:27,567 YOU OUGHT TO PAY ATTENTION 423 00:18:27,569 --> 00:18:30,704 WHEN FOLKS ARE TRYING TO TALK SOME SENSE INTO YOU. 424 00:18:35,794 --> 00:18:38,261 I AM THE ONLY PERSON AT THIS TABLE DOING SOMETHING, 425 00:18:38,263 --> 00:18:41,148 DOING ANYTHING... 426 00:18:41,150 --> 00:18:43,550 FOR DADDY. 427 00:18:46,271 --> 00:18:47,971 COME ON, MICAH, WE'RE LEAVING. -NO. NO. 428 00:18:47,973 --> 00:18:50,941 Violet: YOU NEED TO SIT DOWN AND FINISH EXPLAINING 429 00:18:50,943 --> 00:18:53,560 HOW YOU THINK SITTIN' AT A TABLE WITH FOLKS 430 00:18:53,562 --> 00:18:55,112 THAT HAVE PREYED ON YOUR FAMILY 431 00:18:55,114 --> 00:18:57,898 FOR GENERATIONS MAKES GOOD SENSE. 432 00:18:57,900 --> 00:18:59,382 MICAH, COME ON. 433 00:19:03,739 --> 00:19:05,038 MICAH. 434 00:19:05,040 --> 00:19:08,575 ♪ HEY, THERE, SISTER ♪ 435 00:19:08,577 --> 00:19:11,828 ♪ WHAT YOU DOIN' HERE? ♪ 436 00:19:11,830 --> 00:19:16,883 ♪ CAN'T YOU SEE THERE'S TROUBLE IN THE AIR? ♪ 437 00:19:16,885 --> 00:19:18,301 ♪ AND I KNOW YOUR MAMA ♪ 438 00:19:18,303 --> 00:19:20,754 [ DOOR CLOSES ] 439 00:19:20,756 --> 00:19:23,840 ♪ I KNOW WHERE YOU'RE FROM ♪ 440 00:19:23,842 --> 00:19:25,458 ♪ AND YOU AIN'T WELCOME HERE ♪ 441 00:19:25,460 --> 00:19:27,727 ♪ YOU BETTER RUN ♪ 442 00:19:27,729 --> 00:19:30,063 Ralph Angel: Y'ALL HAVE A GOOD TIME. 443 00:19:30,065 --> 00:19:35,335 ♪ HELLO, SISTER, LET'S SLOW IT DOWN ♪ 444 00:19:35,337 --> 00:19:36,369 [ DOOR CLOSES ] 445 00:19:36,371 --> 00:19:37,604 ♪ LET'S TAKE A MOMENT ♪ 446 00:19:37,606 --> 00:19:38,872 ♪ LET'S TALK THIS OUT ♪ 447 00:19:41,736 --> 00:19:44,003 [ INDISTINCT CONVERSATIONS ] 448 00:19:44,005 --> 00:19:46,305 [ CELLPHONE VIBRATING ] 449 00:19:51,980 --> 00:19:53,112 Darla: Hey, Ralph Angel -- 450 00:19:53,114 --> 00:19:54,947 I'M GONNA HAND YOU OFF TO BLUE. 451 00:19:54,949 --> 00:19:57,567 I'M ABOUT TO GO GET MY CHECK. 452 00:19:57,569 --> 00:20:00,519 HERE, TALK TO YOUR MAMA. 453 00:20:00,521 --> 00:20:02,205 I'LL BE RIGHT BACK, ALL RIGHT? 454 00:20:02,207 --> 00:20:04,824 -HEY! -Hey, what are you doing? 455 00:20:04,826 --> 00:20:06,692 WE'RE AT THE FISHING JOB, GETTING HIS MONEY. 456 00:20:06,694 --> 00:20:09,629 HEY, THAT SOUNDS FUN. 457 00:20:09,631 --> 00:20:10,746 KENYA SAYS HI. HEY, KENYA. 458 00:20:10,748 --> 00:20:13,049 Man: OKAY, DO YOU HAVE A TIME ON THAT? 459 00:20:13,051 --> 00:20:16,202 IT SHOULD BE COMING, OFF-LOADING ANY SECOND NOW. 460 00:20:16,204 --> 00:20:17,470 -HEY. -KHANH. 461 00:20:17,472 --> 00:20:18,805 WHAT UP? 462 00:20:18,807 --> 00:20:20,256 MAN, JUST COMIN' FOR MY CHECK. 463 00:20:20,258 --> 00:20:21,757 ALL RIGHT. COULD'VE USED YOU AT THE GAME THE OTHER NIGHT. 464 00:20:21,759 --> 00:20:23,426 HAD IN THE BAG UNTIL JOHNNY OVER HERE 465 00:20:23,428 --> 00:20:24,727 CAME THROUGH AND MESSED IT ALL UP. 466 00:20:24,729 --> 00:20:27,180 NAH. JOHNNY WON FAIR AND SQUARE. 467 00:20:27,182 --> 00:20:30,183 WHAT? YOU'RE JUST SAYING THAT BECAUSE HE WAS YOUR PARTNER. 468 00:20:30,185 --> 00:20:32,735 I COULD BEAT YOU WITH ANY PARTNER. 469 00:20:32,737 --> 00:20:36,105 HI. I'M TRINH. -RALPH ANGEL. 470 00:20:36,107 --> 00:20:38,491 YOU THE DAUGHTER FROM UP NORTH, HUH? 471 00:20:38,493 --> 00:20:39,609 I SEE I'M FAMOUS. 472 00:20:39,611 --> 00:20:40,943 YEAH, SHE WENT AND GOT HERSELF A FANCY DEGREE... 473 00:20:40,945 --> 00:20:41,944 OH, OKAY. 474 00:20:41,946 --> 00:20:43,729 ...SO SHE DON'T HAVE TO HANDLE FISH. 475 00:20:43,731 --> 00:20:45,198 MAMA'S ALWAYS TALKIN' 'BOUT YOU. 476 00:20:45,200 --> 00:20:46,565 SHE'S REAL PROUD. 477 00:20:46,567 --> 00:20:49,335 YEAH, WELL, IF SHE WOULD'VE JUST SAID THAT TO MY FACE. 478 00:20:49,337 --> 00:20:50,736 UH, SHE'S AN ASIAN MOM. 479 00:20:50,738 --> 00:20:52,288 WHY WOULD SHE TELL YOU SHE'S PROUD TO YOUR FACE? 480 00:20:52,290 --> 00:20:53,339 HA-HA-HA. 481 00:20:53,341 --> 00:20:54,874 YOU HANDING OUT CHECKS NOW, BOSS? 482 00:20:54,876 --> 00:20:56,342 MA HAS THE GUYS GO TO THE OFFICE. 483 00:20:56,344 --> 00:20:58,177 JUST GO TELL THEM I HAVE THEIR CHECKS. 484 00:20:58,179 --> 00:21:01,247 ALL RIGHT. 485 00:21:01,249 --> 00:21:03,132 WHAT WAS YOUR LAST NAME? 486 00:21:03,134 --> 00:21:06,302 BORDELON. 487 00:21:06,304 --> 00:21:10,189 HOPE KHANH HASN'T BEEN RUNNING OFF HIS MOUTH TOO MUCH? 488 00:21:10,191 --> 00:21:11,724 NAH. HE GOOD. 489 00:21:11,726 --> 00:21:14,060 ACTUALLY SHOWED ME AROUND WHEN I FIRST GOT HERE. 490 00:21:14,062 --> 00:21:17,730 KHANH'S SMART. HE'S A GOOD WORKER... 491 00:21:17,732 --> 00:21:20,483 WHEN HE FOCUSES. 492 00:21:20,485 --> 00:21:23,536 DON'T TELL HIM THAT TO HIS FACE. 493 00:21:23,538 --> 00:21:24,787 TOUCHé. 494 00:21:24,789 --> 00:21:26,739 I GOT SISTERS. 495 00:21:26,741 --> 00:21:29,876 GUESS I KNOW WHAT IT'S LIKE BEIN' LITTLE BRO. 496 00:21:29,878 --> 00:21:31,377 BIG SISTERS JUST KNOW HOW MUCH POTENTIAL 497 00:21:31,379 --> 00:21:32,411 LITTLE BROTHERS HAVE. 498 00:21:35,300 --> 00:21:38,117 MA SAID YOU'VE GOT A SON. 499 00:21:38,119 --> 00:21:40,953 YEAH. BLUE. 500 00:21:40,955 --> 00:21:43,673 YEAH, HE'S IN THE CAR RIGHT NOW, TALKIN' TO HIS MAMA. 501 00:21:43,675 --> 00:21:45,057 BLUE. 502 00:21:45,059 --> 00:21:48,594 I LIKE THAT. 503 00:21:48,596 --> 00:21:49,812 GOOD KID. 504 00:21:49,814 --> 00:21:51,297 HEY, TRINH, YOU GONNA KEEP PASSIN' OUT THOSE CHECKS 505 00:21:51,299 --> 00:21:53,399 OR WHAT? 506 00:21:53,401 --> 00:21:55,401 BETTER GET GOING BEFORE THEY START A RIOT. 507 00:21:57,739 --> 00:21:59,739 I'LL SEE YOU SOON, MISS TRINH. 508 00:21:59,741 --> 00:22:02,241 I'LL BE HERE. 509 00:22:02,243 --> 00:22:04,744 -BYE NOW. -WANT YOUR CHECK? YEAH? NO? 510 00:22:04,746 --> 00:22:07,113 COME ON. GET OVER HERE, TRINH. COME ON. 511 00:22:07,115 --> 00:22:11,951 [ HIP-HOP MUSIC PLAYS ] 512 00:22:11,953 --> 00:22:13,586 MAN, WOOD WAS ALWAYS CRACKIN' JOKES 513 00:22:13,588 --> 00:22:14,754 IN THE BACK OF THE CLASS. 514 00:22:14,756 --> 00:22:16,322 EARL BE HOLLERIN' SO LOUD, 515 00:22:16,324 --> 00:22:19,125 THE OTHER KID CAME OUT INSTEAD OF ME. 516 00:22:19,127 --> 00:22:20,343 CHAMPAGNE? 517 00:22:20,345 --> 00:22:21,377 MA'AM? 518 00:22:21,379 --> 00:22:22,995 NO, THANK YOU. 519 00:22:22,997 --> 00:22:24,997 AW, BABY, ONE WON'T HURT NOTHIN'. 520 00:22:24,999 --> 00:22:29,135 I DON'T NEED NO LIQUOR TO HAVE FUN WITH YOU, BABY. 521 00:22:29,137 --> 00:22:30,519 WHEN IS THE BIG DAY? 522 00:22:30,521 --> 00:22:32,772 OH. WELL, WE'RE STILL LOOKING AT VENUES. 523 00:22:32,774 --> 00:22:34,173 YOU GONNA HAVE IT AT ST. JO'S? 524 00:22:34,175 --> 00:22:37,276 ST. JO'S MIGHT BE TOO SMALL FOR WHAT WE'RE TRYING TO DO. 525 00:22:37,278 --> 00:22:38,611 HELL, WE MIGHT GO BACK TO ITALY. 526 00:22:38,613 --> 00:22:42,481 MAKE IT A DESTINATION WEDDING, FLY THE WHOLE FAMILY OUT. 527 00:22:42,483 --> 00:22:44,951 -NICE. -YOU DONE STRUCK GOLD. 528 00:22:44,953 --> 00:22:46,786 WE ALL GOIN'. 529 00:22:46,788 --> 00:22:48,354 NOW YOU THE ONE WITH THE JOKES. 530 00:22:48,356 --> 00:22:50,039 -WELL... -WAIT A MINUTE! 531 00:22:50,041 --> 00:22:53,826 IS THAT MY HIGH SCHOOL SWEETHEART, HOLLYWOOD? 532 00:22:53,828 --> 00:22:55,745 COME HERE. 533 00:22:55,747 --> 00:22:58,047 OH, LOOK AT YOU. 534 00:22:58,049 --> 00:23:01,167 OOH! 535 00:23:01,169 --> 00:23:02,251 LONG TIME, NO SEE. 536 00:23:02,253 --> 00:23:04,220 WHERE YOU BEEN KEEPIN' YOUR FINE SELF? 537 00:23:04,222 --> 00:23:05,704 GOOD TO SEE YOU, TOO, CHARMAINE. 538 00:23:05,706 --> 00:23:08,724 HEY, GIRL! HALLELUJAH AND AMEN TO THIS DRESS. 539 00:23:08,726 --> 00:23:11,010 THREE MONTHS, SENIOR YEAR -- WASN'T NOTHIN'. 540 00:23:11,012 --> 00:23:16,983 ♪♪ 541 00:23:16,985 --> 00:23:19,485 [ BIRDS SQUAWKING ] 542 00:23:19,487 --> 00:23:23,439 [ TRAIN WHISTLE BLOWING IN DISTANCE ] 543 00:23:23,441 --> 00:23:25,191 THEY ON THEIR HIGH HORSES. 544 00:23:25,193 --> 00:23:27,660 THAT'S FOR SURE. 545 00:23:30,164 --> 00:23:33,416 IT COME DOWN TO IT... 546 00:23:33,418 --> 00:23:35,368 YOU'RE THE ONLY ONE ON THE BATTLE LINES. 547 00:23:42,510 --> 00:23:44,427 MICAH WENT OFF WITH HIS FRIENDS. 548 00:23:47,131 --> 00:23:50,082 WANTS TO STAY OVER AT NOVA'S. 549 00:23:50,084 --> 00:23:51,967 SHOULDN'T HAVE HEARD ALL THAT. 550 00:23:51,969 --> 00:23:55,521 HE'S ALMOST 17. 551 00:23:55,523 --> 00:24:01,310 I CAN'T PROTECT HIM FROM THE WORLD ANYMORE. 552 00:24:01,312 --> 00:24:02,862 YOU KNOW? 553 00:24:02,864 --> 00:24:05,197 YEAH. 554 00:24:05,199 --> 00:24:08,067 I JUST... 555 00:24:12,106 --> 00:24:13,989 I JUST DON'T WANT HIM TO HATE ME. 556 00:24:17,829 --> 00:24:20,830 NAH. HE DON'T. 557 00:24:23,668 --> 00:24:26,752 EVERYTHING Y'ALL BEEN THROUGH. 558 00:24:26,754 --> 00:24:29,288 AIN'T NOTHIN' BUT STRENGTH FOR THAT BOY. 559 00:24:29,290 --> 00:24:31,290 HE KNOW IT. 560 00:24:31,292 --> 00:24:33,642 AND ALL THIS... 561 00:24:33,644 --> 00:24:36,479 ALL THIS -- 562 00:24:36,481 --> 00:24:37,680 YOU'RE DOIN' THIS FOR HIM. 563 00:24:40,685 --> 00:24:44,570 BUILDING A WORLD THAT'S FAIR, JUST, 564 00:24:44,572 --> 00:24:46,305 AT LEAST, FOR HIM, 565 00:24:46,307 --> 00:24:48,824 HIS LEGACY. 566 00:24:50,361 --> 00:24:52,945 MAN. 567 00:24:52,947 --> 00:24:55,281 YOU GOOD? 568 00:24:55,283 --> 00:24:56,832 ALL RIGHT? 569 00:24:59,203 --> 00:25:02,037 HEY. 570 00:25:02,039 --> 00:25:03,773 YOU GOOD? 571 00:25:03,775 --> 00:25:05,791 ♪ WHAT'S THE WORLD SEE? ♪ 572 00:25:05,793 --> 00:25:07,826 ♪ OUT OF ASHES ♪ 573 00:25:07,828 --> 00:25:10,429 ♪ THE BIRD HAS FLOWN ♪ 574 00:25:10,431 --> 00:25:15,184 ♪♪ 575 00:25:15,186 --> 00:25:17,103 ♪ DON'T WANNA BE LOST ♪ 576 00:25:17,105 --> 00:25:18,721 HEY. IT'LL BE ALL RIGHT. 577 00:25:18,723 --> 00:25:19,772 ♪ DON'T WANNA BE LOST ♪ 578 00:25:19,774 --> 00:25:24,810 ♪ DON'T WANNA BE LOST ON YOU ♪ 579 00:25:24,812 --> 00:25:27,346 ♪ CONSIDER THE COST ♪ 580 00:25:27,348 --> 00:25:29,515 ♪ CONSIDER THE COST ♪ 581 00:25:29,517 --> 00:25:32,751 ♪ DON'T WANNA BE LOST ♪ 582 00:25:32,753 --> 00:25:44,530 ♪ ON -- ON YOU ♪ 583 00:25:44,532 --> 00:25:54,507 ♪♪ 584 00:25:54,509 --> 00:25:59,161 ♪ OH, AND I DON'T WANNA BE LOST ♪ 585 00:25:59,163 --> 00:26:01,347 ♪ DON'T WANNA BE LOST ♪ 586 00:26:01,349 --> 00:26:06,285 ♪ DON'T WANNA BE LOST ON YOU ♪ 587 00:26:06,287 --> 00:26:09,088 ♪ CONSIDER THE COST ♪ 588 00:26:09,090 --> 00:26:11,524 ♪ CONSIDER THE COST ♪ 589 00:26:11,526 --> 00:26:16,695 ♪ DON'T WANNA BE LOST ♪ 590 00:26:16,697 --> 00:26:22,001 ♪ OOH ♪ 591 00:26:24,071 --> 00:26:26,071 [ THUD ] 592 00:26:26,073 --> 00:26:29,275 [ CLATTERING ] 593 00:26:29,277 --> 00:26:30,342 BLUE! 594 00:26:34,649 --> 00:26:36,465 BLUE? 595 00:26:36,467 --> 00:26:37,800 WHAT HAPPENED? SCARED ME. 596 00:26:37,802 --> 00:26:41,637 I WAS LOOKING FOR PJ's. 597 00:26:41,639 --> 00:26:44,390 BUT I PULLED THE DRAWER TOO HARD AND IT FELL. 598 00:26:46,694 --> 00:26:48,394 YOU HAD ANOTHER ACCIDENT? 599 00:26:51,115 --> 00:26:52,481 [ SIGHS ] 600 00:26:54,518 --> 00:26:56,702 WHY DIDN'T YOU TELL ME? 601 00:26:56,704 --> 00:26:59,455 IT HAPPENED YESTERDAY, TOO. 602 00:26:59,457 --> 00:27:01,457 BUT WHEN I TRIED TO TELL YOU, 603 00:27:01,459 --> 00:27:03,776 YOU WERE WITH SOME LADY. 604 00:27:03,778 --> 00:27:11,283 ♪♪ 605 00:27:11,285 --> 00:27:13,719 EVERYBODY HAS ACCIDENTS. 606 00:27:13,721 --> 00:27:16,288 THERE AIN'T NO SHAME ABOUT IT. 607 00:27:16,290 --> 00:27:19,208 YOU JUST GOT TO KEEP COMING TO ME, OKAY? 608 00:27:19,210 --> 00:27:22,645 I'LL BE THERE FOR YOU, ALWAYS. YOU HEAR ME? 609 00:27:24,131 --> 00:27:26,215 WHAT IF I HAVE ANOTHER ACCIDENT? 610 00:27:26,217 --> 00:27:27,967 WE'LL CLEAN IT UP. 611 00:27:27,969 --> 00:27:30,653 START FRESH TOMORROW. 612 00:27:30,655 --> 00:27:32,221 COME ON. 613 00:27:32,223 --> 00:27:34,740 YOU CAN SLEEP WITH ME TONIGHT. 614 00:27:34,742 --> 00:27:43,082 ♪♪ 615 00:27:43,084 --> 00:27:45,451 ♪♪ 616 00:27:45,453 --> 00:27:46,752 -COLISEUM. -MM-HMM. 617 00:27:46,754 --> 00:27:48,954 WHAT YOU KNOW ABOUT THE LEANING TOWER OF PISA? 618 00:27:48,956 --> 00:27:50,839 IT'S LEANIN'. 619 00:27:50,841 --> 00:27:52,157 EARL, MAN, WE WENT EVERYWHERE. 620 00:27:52,159 --> 00:27:53,926 Violet: IT WAS BREATHTAKING. 621 00:27:53,928 --> 00:27:55,160 I'M SORRY, I DIDN'T GET A CHANCE 622 00:27:55,162 --> 00:27:56,929 TO SAY HELLO TO YOU BACK THERE. 623 00:27:56,931 --> 00:27:58,163 IT'S BEEN SO LONG, 624 00:27:58,165 --> 00:28:01,050 BUT I THINK WE MET WHEN I WAS IN HIGH SCHOOL. 625 00:28:01,052 --> 00:28:02,968 YOU'RE HOLLYWOOD'S MOTHER, RIGHT? 626 00:28:02,970 --> 00:28:06,438 YOUR SON AND I DATED FOR A FEW MONTHS OUR SENIOR YEAR. 627 00:28:06,440 --> 00:28:08,641 I'M CHARMAINE. 628 00:28:08,643 --> 00:28:11,694 THIS IS VIOLET, MY FIANCéE. 629 00:28:11,696 --> 00:28:16,282 OH, MY GOD. I AM SO SORRY. I'M AWFUL. JUST AWFUL. 630 00:28:18,185 --> 00:28:22,204 NO, IT'S FINE. VIOLET BORDELON. 631 00:28:22,206 --> 00:28:24,990 AND YOU DON'T LOOK A DAY OVER 25. 632 00:28:24,992 --> 00:28:27,459 HMM. 633 00:28:27,461 --> 00:28:29,128 OH, THIS WAS MY JAM. 634 00:28:29,130 --> 00:28:31,246 HOLLYWOOD, YOU STILL GOT THE MOVES? 635 00:28:31,248 --> 00:28:32,748 HOW ABOUT A DANCE FOR OLD TIMES' SAKE? 636 00:28:32,750 --> 00:28:34,667 NAH, I'M GOOD. 637 00:28:34,669 --> 00:28:36,502 I GOT MY FOREVER DANCE PARTNER, RIGHT HERE. 638 00:28:36,504 --> 00:28:40,372 AIN'T THAT RIGHT, BABY? -THAT IS RIGHT. 639 00:28:40,374 --> 00:28:43,592 COME ON. LET'S GET OUT OF HERE. 640 00:28:43,594 --> 00:28:45,260 NICE TO MEET YOU, BABY. 641 00:28:45,262 --> 00:28:55,387 ♪♪ 642 00:28:55,389 --> 00:29:03,162 ♪♪ 643 00:29:03,164 --> 00:29:09,735 ♪♪ 644 00:29:09,737 --> 00:29:14,423 OOH! DON'T HURT NOBODY NOW. 645 00:29:14,425 --> 00:29:23,182 ♪♪ 646 00:29:23,184 --> 00:29:26,018 OKAY, I'M GONNA GRAB ME SOME WATER. 647 00:29:26,020 --> 00:29:27,936 Y'ALL DO YOUR THING. 648 00:29:27,938 --> 00:29:35,594 ♪♪ 649 00:29:35,596 --> 00:29:41,116 ♪♪ 650 00:29:43,742 --> 00:29:45,508 Y'ALL, I'M TELLIN' Y'ALL, SHE LIKED ALL MY PICS 651 00:29:45,510 --> 00:29:46,793 AND SHE SAID SHE'S FEELIN' ME. 652 00:29:46,795 --> 00:29:49,162 SHE LIKED MY VIDEOS. 653 00:29:49,164 --> 00:29:50,463 SHE BE LIKIN' EVERYBODY'S PHOTOS. 654 00:29:50,465 --> 00:29:53,917 YOU ARE NOT SPECIAL, BOY. SHE LIKE ALL THE GUYS' PHOTOS. 655 00:29:53,919 --> 00:29:56,303 SHE WAS JUST IN MY ROOM YESTERDAY. 656 00:29:57,689 --> 00:29:59,272 ALL RIGHT, WHO GOT NEXT? 657 00:29:59,274 --> 00:30:00,857 -I GOT -- -I'LL GO. 658 00:30:00,859 --> 00:30:02,776 -REALLY? -YEAH. 659 00:30:02,778 --> 00:30:04,194 YOU MIGHT WANT TO GO SLOW. 660 00:30:04,196 --> 00:30:07,364 GIRL. BYE. DIDN'T I TEACH YOU? 661 00:30:07,366 --> 00:30:08,565 ALL RIGHT. 662 00:30:08,567 --> 00:30:11,618 -YOU RIGHT. YOU RIGHT. -I KNOW. 663 00:30:11,620 --> 00:30:13,653 ALL RIGHT, BE CAREFUL. 664 00:30:13,655 --> 00:30:15,572 LET'S SEE WHAT SHE GOT. 665 00:30:21,946 --> 00:30:23,747 SO WHY ARE YOU HERE? 666 00:30:23,749 --> 00:30:25,948 REALLY? 667 00:30:25,950 --> 00:30:29,469 LIKE, WHO LEAVES GARDINI FOR ST. JO? 668 00:30:29,471 --> 00:30:30,754 RIGHT. 669 00:30:30,756 --> 00:30:32,472 YOU MISS BEIN' AROUND YOUR PEOPLE THAT MUCH? 670 00:30:32,474 --> 00:30:36,559 I NEVER REALLY BEEN AROUND MY PEOPLE. 671 00:30:36,561 --> 00:30:38,561 YOU KNOW WHAT I MEAN? I NEVER COULD'VE RALLIED A GROUP 672 00:30:38,563 --> 00:30:39,763 TO KNEEL AT A GAME 673 00:30:39,765 --> 00:30:41,765 OR PROTEST POLICE BRUTALITY 674 00:30:41,767 --> 00:30:43,266 AT MY OLD SCHOOL, SO... 675 00:30:43,268 --> 00:30:45,134 HEY, MAN, EVERYBODY WAS TALKIN' ABOUT THAT. 676 00:30:45,136 --> 00:30:46,936 EXACTLY, MAN. 677 00:30:46,938 --> 00:30:49,155 YOU KNOW, FIGHT FOR WHAT YOU BELIEVE IN. 678 00:30:49,157 --> 00:30:52,325 AND DON'T CARE WHO IT SCARES 679 00:30:52,327 --> 00:30:55,478 OR MAKES UNCOMFORTABLE. -THAT'S ALL GOOD. 680 00:30:55,480 --> 00:30:57,313 WE'VE GOT TO FIGURE OUT WHAT WE'RE DOIN' NEXT. 681 00:30:57,315 --> 00:30:58,865 YEAH, BUT WE GOT TO LEVEL UP NEXT TIME. 682 00:30:58,867 --> 00:31:01,918 DIDN'T Y'ALL JUST GET SUSPENDED? 683 00:31:01,920 --> 00:31:03,503 MAN, I DON'T CARE ABOUT GETTING SUSPENDED. 684 00:31:03,505 --> 00:31:05,655 YEAH, FACTS. WE AIN'T NO BITCHES. 685 00:31:05,657 --> 00:31:07,590 ALL RIGHT, BUT, LOOK, WE CAN'T BE DOIN' NOTHIN' 686 00:31:07,592 --> 00:31:09,793 TO GET MY ASS PICKED UP BY TRUANCY AGAIN. 687 00:31:09,795 --> 00:31:11,795 MY MOM AIN'T WITH THAT. -NAH, NAH, NAH. 688 00:31:11,797 --> 00:31:13,880 BUT WE STILL GONNA TAKE IT TO THE REST OF ST. JO. 689 00:31:13,882 --> 00:31:15,515 -RIGHT. -YEAH, FOR REAL, LIKE, YOU KNOW. 690 00:31:15,517 --> 00:31:16,999 DON'T SLEEP ON THE RESISTANCE. 691 00:31:17,001 --> 00:31:18,518 -RIGHT. THE RESISTANCE. -YOU KNOW WHAT I'M SAYIN'? 692 00:31:18,520 --> 00:31:19,936 SO I GOT TO PUT THIS ON SNAP. SEE WHAT I'M SAYIN'? 693 00:31:19,938 --> 00:31:21,805 -ALL RIGHT. -DON'T SLEEP ON THE RESISTANCE. 694 00:31:21,807 --> 00:31:23,023 -OKAY? -LET'S GO. CHEESE. 695 00:31:23,025 --> 00:31:25,475 -YOU KNOW WHAT I'M SAYIN'? -COMIN' AT YOU. 696 00:31:25,477 --> 00:31:28,344 -RESISTANCE... -MAKIN' WAVES. 697 00:31:28,346 --> 00:31:30,030 ...MAKIN'. 698 00:31:30,032 --> 00:31:31,064 ALL RIGHT, HERE SHE COMES. 699 00:31:31,066 --> 00:31:40,573 ♪♪ 700 00:31:40,575 --> 00:31:43,243 OH, SO WE OUT HERE WHIPPIN' ATVs NOW? 701 00:31:43,245 --> 00:31:45,295 MAYBE I'LL SHOW YOU HOW ONE DAY. 702 00:31:45,297 --> 00:31:47,747 I GOT NEXT. 703 00:31:47,749 --> 00:31:49,749 -ALL RIGHT, WHO'S UP? -I'LL TAKE IT, RIGHT HERE. 704 00:31:49,751 --> 00:31:52,752 ♪ I DON'T REMEMBER AN EVENING... ♪ 705 00:31:52,754 --> 00:31:58,975 ♪♪ 706 00:31:58,977 --> 00:32:01,594 WHAT YOU DOIN' OUT HERE? 707 00:32:01,596 --> 00:32:05,231 GETTIN' SOME FRESH AIR. 708 00:32:05,233 --> 00:32:07,600 WAITIN' TO CATCH MY SECOND WIND. 709 00:32:07,602 --> 00:32:09,686 NO, BABY, GO ON IN THERE WITH YOUR FRIENDS. 710 00:32:09,688 --> 00:32:10,887 I'LL BE THERE SHORTLY. 711 00:32:10,889 --> 00:32:13,389 BABY, I AM ALL TALKED OUT. 712 00:32:13,391 --> 00:32:15,275 I CAN'T KEEP UP WITH THAT DAMN EARL. 713 00:32:15,277 --> 00:32:17,110 HE'S A TALKER. 714 00:32:17,112 --> 00:32:18,895 SHIT, I DONE TOLD EVERY JOKE, 715 00:32:18,897 --> 00:32:21,197 STORY, ANECDOTE THAT I KNOW. 716 00:32:25,504 --> 00:32:29,205 LOOK, MAYBE, IF IT'S ALL RIGHT WITH YOU... 717 00:32:32,177 --> 00:32:35,128 ...WE COULD, UH, CALL IT A NIGHT? 718 00:32:35,130 --> 00:32:38,264 I'D LIKE TO TAKE MY BEAUTIFUL, 719 00:32:38,266 --> 00:32:39,966 SEXY FIANCéE HOME. 720 00:32:39,968 --> 00:32:48,441 ♪♪ 721 00:32:48,443 --> 00:32:50,810 I'M FINE WITH THAT IF YOU ARE. 722 00:32:50,812 --> 00:32:54,430 YEAH. LET'S GET OUT OF HERE. 723 00:32:54,432 --> 00:33:03,573 ♪♪ 724 00:33:03,575 --> 00:33:10,513 ♪♪ 725 00:33:10,515 --> 00:33:13,183 GINGER TEA. 726 00:33:13,185 --> 00:33:14,284 I CAN PUT THOSE FOUR-WHEELING CLOTHES 727 00:33:14,286 --> 00:33:17,387 IN THE WASH. -NO, I'M GOOD. 728 00:33:20,642 --> 00:33:24,894 YOU MAY NOT ALWAYS AGREE WITH WHAT SHE DOES, BUT... 729 00:33:24,896 --> 00:33:27,480 WE CAN AGREE IT COMES FROM A PLACE OF LOVE. 730 00:33:27,482 --> 00:33:30,900 LOVE OF HERSELF? POWER? 731 00:33:30,902 --> 00:33:31,968 MICAH. 732 00:33:31,970 --> 00:33:34,137 NOBODY ASKED HER TO SELL OUT HER OWN 733 00:33:34,139 --> 00:33:37,540 SO SHE COULD BEG FOR WHAT, 1%. 734 00:33:37,542 --> 00:33:40,610 Micah: YOU SAID IT YOURSELF. 735 00:33:40,612 --> 00:33:42,846 MAYBE I SHOULDN'T HAVE SAID IT. 736 00:33:42,848 --> 00:33:46,549 LOOK, I DON'T AGREE WITH YOUR MOM'S METHODS. 737 00:33:46,551 --> 00:33:49,853 BUT THIS -- THIS AIN'T NEW. 738 00:33:49,855 --> 00:33:53,890 KING, MALCOLM, MEDGAR EVERS, WHITNEY YOUNG. 739 00:33:53,892 --> 00:33:55,825 SOME WANTED TO STORM THE GATES. 740 00:33:55,827 --> 00:33:59,262 OTHERS WANTED A SEAT AT THE TABLE. 741 00:33:59,264 --> 00:34:03,800 BUT THEY ALL WANTED THE SAME THING -- DIGNITY, FREEDOM. 742 00:34:06,371 --> 00:34:11,307 THE THING IS, WHY COULDN'T SHE JUST BE MORE LIKE YOU? 743 00:34:11,309 --> 00:34:13,076 -DON'T DO THAT. -I'M SERIOUS. 744 00:34:13,078 --> 00:34:16,112 YOU HAVE AN INCREDIBLE PLATFORM. 745 00:34:16,114 --> 00:34:18,448 YOU KNOW, YOU MAKE CHANGE WITH WORDS AND ACTIONS, 746 00:34:18,450 --> 00:34:21,417 NOT SECRETS AND LIES AND... 747 00:34:21,419 --> 00:34:24,320 YOU BE PROUD OF YOUR MAMA. 748 00:34:24,322 --> 00:34:25,722 SHE'S ACHIEVED MORE IN HER LIFETIME 749 00:34:25,724 --> 00:34:28,124 THAN MOST PEOPLE DREAM OF. 750 00:34:28,126 --> 00:34:29,792 I AM PROUD. 751 00:34:29,794 --> 00:34:32,262 I JUST... 752 00:34:32,264 --> 00:34:36,432 I AM PROUD. 753 00:34:36,434 --> 00:34:37,967 AND YOU DO KNOW I QUIT MY JOB. 754 00:34:37,969 --> 00:34:42,138 YEAH, BUT YOU GOT THAT BOOK DEAL. 755 00:34:42,140 --> 00:34:43,806 YOU COULD WRITE ABOUT THE BLACK FARMERS 756 00:34:43,808 --> 00:34:46,809 AND THEIR STRUGGLES. 757 00:34:46,811 --> 00:34:48,761 YOU COULD WRITE ABOUT ANYTHING YOU WANT. 758 00:34:52,834 --> 00:34:59,221 ♪♪ 759 00:34:59,223 --> 00:35:05,394 ♪ IT SEEMS IMPOSSIBLE UNTIL IT'S DONE ♪ 760 00:35:05,396 --> 00:35:08,064 ♪ MANDELA SAID IT WELL ♪ 761 00:35:08,066 --> 00:35:12,035 ♪ AND IT'S BEGUN ♪ 762 00:35:12,037 --> 00:35:17,040 ♪ THE FIGHT'S UNBEATABLE UNTIL YOU'VE WON ♪ 763 00:35:17,042 --> 00:35:20,593 ♪ SO KEEP ON FIGHTIN' ♪ 764 00:35:20,595 --> 00:35:25,265 ♪ KEEP ON FIGHTIN' AND ♪ 765 00:35:25,267 --> 00:35:30,386 ♪ KEEP YOUR SUNSHINE LIGHT INSIDE YOUR SMILE ♪ 766 00:35:30,388 --> 00:35:33,356 ♪ OPEN WIDE, SEE YOUR LIFE ♪ 767 00:35:33,358 --> 00:35:37,226 ♪ THROUGH YOUR EYES IN THE NIGHT ♪ 768 00:35:37,228 --> 00:35:40,730 ♪ AS YOU SHINE ♪ 769 00:35:40,732 --> 00:35:44,767 ♪ MAKE IT ALL WORTH YOUR WHILE ♪ 770 00:35:53,044 --> 00:35:54,944 [ CELLPHONE VIBRATES ] 771 00:36:03,488 --> 00:36:05,455 [ SIGHS ] 772 00:36:05,457 --> 00:36:15,631 ♪♪ 773 00:36:15,633 --> 00:36:18,134 WHAT UP? 774 00:36:18,136 --> 00:36:20,803 I HOPE YOU AIN'T WORE OUT ALREADY. 775 00:36:23,608 --> 00:36:27,010 I MEANT TO TEXT YOU, BUT... 776 00:36:27,012 --> 00:36:29,912 TONIGHT AIN'T NO GOOD. 777 00:36:29,914 --> 00:36:31,147 MY BAD. 778 00:36:31,149 --> 00:36:38,421 ♪♪ 779 00:36:38,423 --> 00:36:41,357 I APPRECIATE IT. 780 00:36:41,359 --> 00:36:43,860 I DO. 781 00:36:45,897 --> 00:36:48,798 BLUE AIN'T ASLEEP YET. YOU KNOW HOW IT IS. 782 00:36:50,869 --> 00:36:54,437 I DO. SIMONE'S OVER AT HER DAD'S. 783 00:36:56,041 --> 00:36:57,407 YEAH. 784 00:36:57,409 --> 00:37:02,311 I'M GONNA BE TAKIN' IT EASY FOR A WHILE, SO... 785 00:37:03,281 --> 00:37:06,482 OKAY. WELL, YOU KNOW WHAT YOU'RE MISSIN' OUT ON, SO... 786 00:37:07,402 --> 00:37:09,736 -COME ON NOW. -IT'S ALL RIGHT. 787 00:37:09,738 --> 00:37:13,522 GO ON AND BE A GOOD DAD. 788 00:37:13,524 --> 00:37:15,241 I'LL SEE YOU. 789 00:37:15,243 --> 00:37:24,834 ♪♪ 790 00:37:24,836 --> 00:37:32,875 ♪♪ 791 00:37:32,877 --> 00:37:37,146 ♪♪ 792 00:37:37,148 --> 00:37:41,434 ♪♪ 793 00:37:46,107 --> 00:37:49,358 I'M SORRY. 794 00:37:49,360 --> 00:37:51,861 IT'S COOL. 795 00:37:56,734 --> 00:37:58,501 YOU WEREN'T SUPPOSED TO FIND OUT. 796 00:38:00,472 --> 00:38:02,138 AT LEAST NOT NOW. 797 00:38:04,509 --> 00:38:06,292 BUT I'M GLAD YOU DID. 798 00:38:06,294 --> 00:38:08,594 WHY? 799 00:38:08,596 --> 00:38:12,582 THE WORLD'S NOT PERFECT. YOU KNOW THAT. 800 00:38:12,584 --> 00:38:16,786 SO, I DON'T KNOW WHY WE EXPECT OUR SOLUTIONS TO BE. 801 00:38:21,759 --> 00:38:23,059 IF YOU'RE GONNA KEEP DOING THIS, 802 00:38:23,061 --> 00:38:25,628 CAN YOU AT LEAST PROMISE TO WIN? 803 00:38:25,630 --> 00:38:28,331 I PROMISE THAT IT WILL ALL HAVE BEEN WORTH IT. 804 00:38:32,470 --> 00:38:34,904 I TRUST YOU. 805 00:38:43,815 --> 00:38:45,381 Ralph Angel: HOW DO I KNOW 806 00:38:45,383 --> 00:38:46,782 YOU'RE GONNA TAKE THIS SERIOUS? 807 00:38:46,784 --> 00:38:48,951 MAN, I'VE BEEN GOIN' THROUGH IT SINCE I GOT OUT, 808 00:38:48,953 --> 00:38:51,254 WHERE I KEEP MY NOSE CLEAN. 809 00:38:53,792 --> 00:38:55,224 WHAT YOU WERE THERE FOR? 810 00:38:55,226 --> 00:38:57,193 [ SIGHS ] 811 00:38:57,195 --> 00:39:01,964 STEALIN' CARS, SELLIN' PARTS. 812 00:39:01,966 --> 00:39:08,470 ♪♪ 813 00:39:08,472 --> 00:39:11,473 WELL, IT'S SLOW WORK AROUND HERE. 814 00:39:11,475 --> 00:39:15,194 AIN'T NO QUICK CASH. 815 00:39:15,196 --> 00:39:17,713 AND I AIN'T LOOKIN' FOR NO SHORTCUTS. 816 00:39:17,715 --> 00:39:20,183 I AIN'T GOIN' BACK. 817 00:39:32,947 --> 00:39:35,147 FILL THIS OUT. 818 00:39:35,149 --> 00:39:37,233 GET IT BACK TO ME AS SOON AS YOU CAN. 819 00:39:37,235 --> 00:39:46,158 ♪♪ 820 00:39:46,160 --> 00:39:49,245 SEE YOU TOMORROW. BRIGHT AND EARLY. 821 00:39:52,250 --> 00:39:54,417 ON TIME. 822 00:39:54,419 --> 00:39:58,170 YES, SIR. ON TIME. 823 00:39:58,172 --> 00:40:00,923 ALL RIGHT, THEN. 824 00:40:00,925 --> 00:40:04,293 ♪ TAKE AWAY THE PAIN ♪ 825 00:40:04,295 --> 00:40:07,847 ♪ TEAR ME DOWN IN FLAMES ♪ 826 00:40:07,849 --> 00:40:09,465 ♪ TOUCH ME LIKE YOU DO ♪ 827 00:40:09,467 --> 00:40:11,350 Darla: HI! 828 00:40:11,352 --> 00:40:14,520 ♪ FALL RIGHT BACK TO YOU ♪ 829 00:40:14,522 --> 00:40:18,307 -MOMMY! -OH, I MISSED YOU A LOT. 830 00:40:18,309 --> 00:40:20,743 HEY. LET ME TAKE A LOOK AT YOU. 831 00:40:20,745 --> 00:40:23,446 OH, MY GOODNESS. YOU GOT SO BIG. 832 00:40:24,749 --> 00:40:28,251 I MISSED YOU SO MUCH. -I MISSED YOU, TOO. 833 00:40:28,253 --> 00:40:32,788 ♪ TAKE AWAY THE PAIN ♪ 834 00:40:32,790 --> 00:40:36,259 ♪ PULL IT FROM MY VEIN ♪ 835 00:40:36,261 --> 00:40:39,679 ♪ TOUCH ME LIKE YOU DO ♪ 836 00:40:39,681 --> 00:40:45,101 ♪ FALL RIGHT BACK TO YOU ♪ 837 00:40:45,103 --> 00:40:50,106 ♪ WELL, DON'T TELL ME THIS DOESN'T FEEL RIGHT ♪ 838 00:40:52,543 --> 00:40:57,914 ♪ 'CAUSE I'M THINKING 'BOUT IT EVERY NIGHT ♪ 839 00:40:57,916 --> 00:41:05,821 ♪♪ 840 00:41:05,823 --> 00:41:10,860 ♪ OH, OH ♪ 841 00:41:10,862 --> 00:41:16,332 ♪ YEAH ♪ 842 00:41:16,334 --> 00:41:20,136 ♪ MM-MM-MM ♪ 843 00:41:20,138 --> 00:41:23,139 -- Captions by VITAC -- www.vitac.com 844 00:41:23,141 --> 00:41:25,074 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS