1
00:00:01,490 --> 00:00:03,180
LAST SEASON ON "QUEEN SUGAR"...
2
00:00:03,190 --> 00:00:05,100
Charley:
I LOVE THIS LITTLE DREAM.
3
00:00:05,110 --> 00:00:06,620
AND I'M GOING TO
MAKE IT A REALITY.
4
00:00:06,620 --> 00:00:08,610
OUR SISTER'S
MAKING HISTORY TODAY.
5
00:00:08,610 --> 00:00:12,460
FIRST BLACK WOMAN TO OWN A MILL
IN THE STATE OF LOUISIANA.
6
00:00:12,460 --> 00:00:15,750
THIS PLACE IS
PART OF ME.
7
00:00:15,750 --> 00:00:17,080
IT'S HOME.
8
00:00:17,080 --> 00:00:18,450
Ralph Angel:
ME AND MAMA GETTING MARRIED.
9
00:00:18,450 --> 00:00:21,390
SO, YOU'LL BE
TOGETHER FOREVER?
10
00:00:21,390 --> 00:00:23,840
Violet:
LOVE ALWAYS COMES FIRST.
11
00:00:23,840 --> 00:00:26,470
YOU WERE THE FIRST WOMAN
THAT I WANTED TO KNOW
12
00:00:26,480 --> 00:00:27,890
SINCE MY WIFE, CHARLEY.
13
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Doctor: I THINK WE CAN
SAFELY DIAGNOSE YOU.
14
00:00:29,650 --> 00:00:33,430
-LUPUS.
-WOULD YOU CONSIDER MARRYING ME?
15
00:00:33,430 --> 00:00:35,300
I AIN'T BE TELLING Y'ALL
THE TRUTH.
16
00:00:35,300 --> 00:00:36,430
THERE WAS MORE TO THE WILL.
17
00:00:36,440 --> 00:00:38,820
THE FARM --
HE LEFT IT TO JUST ME.
18
00:00:38,820 --> 00:00:42,690
I UPROOTED MY LIFE,
MY SON.
19
00:00:42,690 --> 00:00:44,280
GET OUT OF THE CAR, NOW!
20
00:00:44,280 --> 00:00:48,280
Micah: HE TAKES OUT HIS GUN, AND
HE PUTS THE GUN IN MY MOUTH!
21
00:00:48,280 --> 00:00:49,930
AND HE PULLED
THE TRIGGER, DAD!
22
00:00:49,930 --> 00:00:52,770
Man:
YOU DON'T CARE ABOUT GETTING
YOUR WORK TO A LARGER AUDIENCE.
23
00:00:52,770 --> 00:00:53,970
IT'S NOT HOW I DO THINGS.
24
00:00:53,970 --> 00:00:56,840
MAYBE IT IS HOW YOU
SHOULD DO THINGS.
25
00:00:56,840 --> 00:00:59,840
Darla: BLUE -- HE MAY NOT
BE YOURS, RALPH ANGEL.
26
00:00:59,840 --> 00:01:01,510
Ralph Angel:
SHE SAID HE AIN'T MINE.
27
00:01:01,510 --> 00:01:03,010
THAT AIN'T MY SON.
28
00:01:03,010 --> 00:01:05,930
[ SCREAMS ]
29
00:01:05,930 --> 00:01:07,130
SOMEONE'S OUT HERE
PITCHING A STORY
30
00:01:07,130 --> 00:01:08,670
ABOUT ALL THE INTERNAL ISSUES
AT QUEEN SUGAR.
31
00:01:08,670 --> 00:01:10,170
BUT THERE ARE NO
INTERNAL ISSUES.
32
00:01:10,170 --> 00:01:12,140
DON'T LET THEM WHITE BOYS
GET IN YOUR HEAD.
33
00:01:12,140 --> 00:01:13,960
WE'VE GOT TO TAKE
OUR CANE ELSEWHERE.
34
00:01:13,960 --> 00:01:16,140
Charley: I WANT YOU
TO MILL WITH BORDREAUX.
35
00:01:16,140 --> 00:01:17,340
THEY TRIED TO DESTROY POP!
36
00:01:17,340 --> 00:01:19,060
YES!
THEY HAVE TRIED!
37
00:01:19,060 --> 00:01:21,830
SO, WE'VE GOT TO
CHANGE OUR GAME.
38
00:01:21,830 --> 00:01:23,300
YOU'RE ON SOME
"GODFATHER" SHIT.
39
00:01:23,300 --> 00:01:26,170
WHATEVER PLAY YOU'RE MAKING,
YOU'RE PLAYING WITH THE DEVIL.
40
00:01:26,170 --> 00:01:29,540
IT'LL BE A SLAUGHTER
THEY NEVER COME BACK FROM.
41
00:01:32,980 --> 00:01:34,410
♪ DREAMS NEVER DIE ♪
42
00:01:34,410 --> 00:01:36,540
♪ TAKE FLIGHT AS
THE WORLD TURNS ♪
43
00:01:36,550 --> 00:01:38,450
♪ KEEP THE COLORS
IN THE LINES ♪
44
00:01:38,450 --> 00:01:40,580
♪ TAKE FLIGHT AS
THE WORLD TURNS ♪
45
00:01:40,580 --> 00:01:42,420
♪ KEEP THE COLORS
IN THE LINES ♪
46
00:01:42,420 --> 00:01:44,950
♪ TAKE FLIGHT ♪
47
00:01:44,960 --> 00:01:47,020
♪ DREAMS NEVER DIE ♪
48
00:01:47,020 --> 00:01:50,060
♪♪
49
00:01:52,530 --> 00:01:56,510
♪ KEEP THE COLORS
IN THE LINES ♪
50
00:01:56,520 --> 00:01:58,400
♪ KEEP THE COLORS IN THE LINES ♪
51
00:01:58,400 --> 00:01:59,500
♪ TAKE FLIGHT ♪
52
00:02:02,410 --> 00:02:07,440
♪♪
53
00:02:07,440 --> 00:02:09,740
♪♪
54
00:02:09,750 --> 00:02:11,980
♪ MAYBE I'M INDIFFERENT ♪
55
00:02:11,980 --> 00:02:14,450
♪ MAYBE I'M NOT
THINKING STRAIGHT AGAIN ♪
56
00:02:14,450 --> 00:02:18,890
Man:
SAINT JO PARISH! WHOO!
57
00:02:18,890 --> 00:02:21,260
♪ DROUGHT AND INDECISIOUS ♪
58
00:02:21,260 --> 00:02:25,660
♪ I CAN'T SEEM TO WANT
TO LET YOU IN ♪
59
00:02:25,660 --> 00:02:27,800
♪ OH, OH ♪
60
00:02:27,800 --> 00:02:30,000
♪ I KNOW I SHOULDN'T
PLAY THESE GAMES ♪
61
00:02:30,000 --> 00:02:34,640
♪ BUT WHY WOULD YOU THINK THAT
I COULD CHANGE IN THE MORNING ♪
62
00:02:34,640 --> 00:02:36,840
♪ OH, OH ♪
63
00:02:36,840 --> 00:02:39,140
♪ YOU'RE TELLING ME
TIME IS ON HIS SIDE ♪
64
00:02:39,140 --> 00:02:40,780
[ KNOCKING ]
65
00:02:40,780 --> 00:02:42,490
HEY.
66
00:02:42,500 --> 00:02:44,680
YOUR GUIDANCE COUNSELOR SAID
THAT THE COLLEGE RECRUITERS
WERE COMING NEXT WEEK.
67
00:02:44,680 --> 00:02:47,600
MOM, THIS IS LIKE THE FOURTH
TIME IN THE PAST 48 HOURS
68
00:02:47,600 --> 00:02:49,500
YOU'VE TALKED TO ME
ABOUT COLLEGE RECRUITERS.
69
00:02:49,500 --> 00:02:50,600
I KNOW.
70
00:02:50,600 --> 00:02:54,140
MICAH, YOU'VE GOT TO
KEEP THIS LOCKED.
71
00:02:54,140 --> 00:02:56,310
I THOUGHT WE MOVED HERE
BECAUSE IT WAS SAFE.
72
00:02:56,310 --> 00:02:57,690
YES.
73
00:02:57,690 --> 00:03:00,730
THAT, AND I JUST
NEEDED TO SEPARATE
74
00:03:00,730 --> 00:03:03,620
LIFE FROM WORK
A LITTLE MORE.
75
00:03:03,620 --> 00:03:04,820
OH, UM...
76
00:03:04,820 --> 00:03:06,230
DAD SAID HE'S COMING HOME
IN A FEW DAYS.
77
00:03:06,240 --> 00:03:09,520
OH. IS HE FINISHING OUT
THE SEASON?
78
00:03:09,520 --> 00:03:11,820
UH...
DIDN'T SOUND LIKE IT.
79
00:03:15,250 --> 00:03:17,800
LOOK AT YOU.
80
00:03:17,800 --> 00:03:21,670
MY BABY BOY --
COLLEGE-BOUND.
81
00:03:21,670 --> 00:03:23,700
WELL, IN A YEAR
AND A HALF.
82
00:03:23,700 --> 00:03:27,170
MM.
YEAH.
83
00:03:27,170 --> 00:03:28,390
I'M GONNA GO.
84
00:03:28,390 --> 00:03:31,230
OKAY.
85
00:03:31,230 --> 00:03:32,890
-LOVE YOU.
-LOVE YOU.
86
00:03:39,100 --> 00:03:40,340
[ CELLPHONE CHIMES ]
87
00:03:46,410 --> 00:03:55,320
♪♪
88
00:03:55,320 --> 00:03:56,670
I DON'T SAY THIS LIGHTLY,
89
00:03:56,670 --> 00:04:00,560
BUT YOUR ARTICLE LAST FALL
WAS A STUNNING FEAT.
90
00:04:00,560 --> 00:04:04,090
I WAS -- WE --
WERE BLOWN AWAY.
91
00:04:04,090 --> 00:04:08,080
WHICH IS WHY WE HAD TO GET YOU
TO NEW YORK AS FAST AS POSSIBLE.
92
00:04:08,080 --> 00:04:11,130
WE WOULD LOVE THE OPPORTUNITY
TO BUNDLE YOUR ARTICLES
93
00:04:11,130 --> 00:04:13,740
IN A BOOK OF ESSAYS
CHRONICLING YOUR PERSPECTIVES
94
00:04:13,740 --> 00:04:17,420
ON KATRINA, THE NINTH WARD,
MASS INCARCERATION.
95
00:04:17,420 --> 00:04:18,560
WOW.
96
00:04:21,140 --> 00:04:23,510
WE'RE PREPARED
TO OFFER YOU A BOOK DEAL
97
00:04:23,510 --> 00:04:25,650
WITH A SIX-FIGURE ADVANCE.
98
00:04:25,650 --> 00:04:27,680
OOH.
99
00:04:27,680 --> 00:04:29,100
WHAT?
-MM-HMM.
100
00:04:29,100 --> 00:04:30,150
THAT...
101
00:04:30,150 --> 00:04:32,490
THAT'S, UM...
102
00:04:32,490 --> 00:04:33,490
OKAY.
103
00:04:33,490 --> 00:04:35,240
[ LIGHT LAUGHTER ]
104
00:04:35,240 --> 00:04:38,380
I'D BE YOUR EDITOR
AND POINT PERSON.
105
00:04:38,380 --> 00:04:43,400
AND I'D JUST LOVE TO KNOW
A LITTLE MORE ABOUT YOU.
106
00:04:43,400 --> 00:04:45,170
WHAT WERE YOU LIKE
GROWING UP?
107
00:04:45,170 --> 00:04:47,800
UH...
108
00:04:47,800 --> 00:04:51,010
I WANTED TO
CHANGE THE WORLD.
109
00:04:51,010 --> 00:04:53,810
I WAS THIS REBELLIOUS
LITTLE RUGRAT
110
00:04:53,810 --> 00:04:55,630
WHO DROVE HER MAMA
AND DADDY CRAZY
111
00:04:55,630 --> 00:04:59,510
WITH STATISTICS AND
BLACK POLITICAL LITERATURE.
112
00:04:59,520 --> 00:05:03,630
I LIFTED MY FISTS FOR
MY NEIGHBORS, MY CLASSMATES
113
00:05:03,640 --> 00:05:09,690
ONE FLYER, ONE PETITION,
ONE HIGH-SCHOOL RALLY AT A TIME.
114
00:05:09,690 --> 00:05:16,130
IT'S WHERE I LEARNED THE POWER
OF GRASSROOTS AND COMMUNITY.
115
00:05:16,130 --> 00:05:17,930
HMM.
116
00:05:17,930 --> 00:05:20,200
WELL, WE WOULD LIKE
TO GIVE YOU THAT.
117
00:05:20,200 --> 00:05:22,400
AND YOU CAN LEAVE
GRASSROOTS BEHIND.
118
00:05:22,410 --> 00:05:25,040
THIS IS MUCH BIGGER.
119
00:05:25,040 --> 00:05:27,640
WE SEE YOU,
THIS TIME NEXT YEAR,
120
00:05:27,640 --> 00:05:30,140
WITH YOUR NEW YORK TIMES
BESTSELLER,
121
00:05:30,150 --> 00:05:33,410
A COLLEGE TOUR
OF SPEAKING ENGAGEMENTS,
122
00:05:33,420 --> 00:05:38,940
OP-EDS IN THE POST,
ARTICLES IN ROLLING STONE.
123
00:05:38,940 --> 00:05:43,190
WE WANT YOUR VOICE
TO GO GLOBAL.
124
00:05:43,190 --> 00:05:45,730
WE SEE YOU AS
THE NEXT TA-NEHISI COATES,
125
00:05:45,730 --> 00:05:50,970
OR ROXANE GAY
OR ELIZABETH ALEXANDER.
126
00:05:50,970 --> 00:05:52,400
PLEASE, SAY "YES."
127
00:05:52,400 --> 00:05:58,840
♪♪
128
00:05:58,840 --> 00:06:00,990
Ralph Angel: BLUE?
129
00:06:00,990 --> 00:06:03,850
HEY, BLUE,
YOU READY FOR SCHOOL?
130
00:06:03,850 --> 00:06:05,660
AIN'T YOU SUPPOSED TO BE
GETTING READY, BLUE?
131
00:06:05,670 --> 00:06:06,910
COME ON.
COME ON.
132
00:06:06,920 --> 00:06:08,170
[ TV TURNS OFF ]
133
00:06:08,170 --> 00:06:09,550
I TOLD YOU TO GET READY
ABOUT 20 MINUTES AGO.
134
00:06:09,550 --> 00:06:10,700
COME ON, BLUE.
135
00:06:10,700 --> 00:06:11,840
[ TV TURNS ON ]
136
00:06:11,840 --> 00:06:13,220
REALLY?
137
00:06:13,220 --> 00:06:15,170
THAT'S WHAT WE DOING?
138
00:06:15,180 --> 00:06:17,230
COME ON, BLUE.
I AIN'T GOT TIME FOR THIS.
139
00:06:17,230 --> 00:06:18,840
I DON'T WANT TO GO.
140
00:06:18,850 --> 00:06:20,850
OH, BUT GUESS WHAT?
YOU'RE GOING.
141
00:06:20,850 --> 00:06:21,850
COME ON, STAND UP.
142
00:06:23,720 --> 00:06:25,980
TAKE YOUR SHIRT OFF.
YOU KNOW THE DRILL.
143
00:06:25,990 --> 00:06:27,690
COME ON.
144
00:06:27,690 --> 00:06:29,600
I GOT YA.
145
00:06:29,610 --> 00:06:31,240
YOU AIN'T GOT TO
LOOK SO SAD.
146
00:06:33,830 --> 00:06:36,030
I DON'T WANT A LUNCHABLE.
147
00:06:36,030 --> 00:06:37,730
MOM ALWAYS
MADE ME SANDWICHES.
148
00:06:37,730 --> 00:06:39,950
I AIN'T GOT NOTHING
TO MAKE SANDWICHES WITH.
149
00:06:39,950 --> 00:06:41,420
SEE ALL THIS STUFF
I'M STEPPING ON?
150
00:06:41,420 --> 00:06:42,700
PUT YOUR SHOES ON.
151
00:06:42,700 --> 00:06:43,700
COME ON.
152
00:06:44,250 --> 00:06:47,420
I BETTER NOT BE HEARING
FROM MISS SANTIAGA AGAIN,
153
00:06:47,420 --> 00:06:48,840
HEARING ABOUT YOU
SHOVING KIDS.
154
00:06:48,840 --> 00:06:51,340
YOU KEEP YOUR HANDS TO YOURSELF.
YOU HEAR ME?
155
00:06:51,340 --> 00:06:52,430
HUH?
156
00:06:52,430 --> 00:06:54,630
I TOLD YOU THESE SHOES
WERE TOO SMALL!
157
00:06:54,630 --> 00:06:56,410
I WANT ONES LIKE MICAH.
158
00:06:56,420 --> 00:06:58,420
IS HE GOING WITH US
TO THE GAME?
159
00:06:58,420 --> 00:07:00,180
YEAH.
HE GOING.
160
00:07:00,190 --> 00:07:01,690
EVERYBODY GOING.
161
00:07:01,690 --> 00:07:03,250
-WHAT'S THIS?
-COME ON.
162
00:07:03,260 --> 00:07:04,260
IT'S NOTHING.
163
00:07:04,260 --> 00:07:05,570
THAT'S WHAT IT IS --
IT'S NOTHING.
164
00:07:08,980 --> 00:07:11,250
WHY DOES IT SAY
MAMA'S NAME?
165
00:07:11,250 --> 00:07:14,700
'CAUSE I GOT TO
SEND HER SOME STUFF.
166
00:07:14,700 --> 00:07:16,620
ALL RIGHT?
HURRY UP.
167
00:07:16,620 --> 00:07:18,870
NOSEY. COME ON,
COME ON, COME ON.
168
00:07:18,870 --> 00:07:20,100
GET SOME PEP
IN YOUR STEP.
169
00:07:20,110 --> 00:07:23,830
♪♪
170
00:07:23,830 --> 00:07:30,300
♪♪
171
00:07:30,300 --> 00:07:31,330
GO AHEAD IN.
172
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CHARLEY BORDELON.
173
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WHAT A PLEASURE.
174
00:07:38,010 --> 00:07:40,590
MISS BORDELON.
175
00:07:40,590 --> 00:07:43,290
JACOB.
176
00:07:43,300 --> 00:07:46,100
BOYS, ARE WE READY TO SIGN
A CONTRACT FOR QUEEN SUGAR?
177
00:07:49,390 --> 00:07:50,920
JACOB, IF YOU'LL
EXCUSE US?
178
00:07:54,860 --> 00:07:56,320
GIVE US
THE ROOM, SON.
179
00:07:56,330 --> 00:08:01,700
♪♪
180
00:08:01,700 --> 00:08:06,320
♪♪
181
00:08:06,320 --> 00:08:08,200
I THOUGHT WE HAD A DEAL.
182
00:08:08,200 --> 00:08:09,920
WE MOST CERTAINLY DO.
183
00:08:12,290 --> 00:08:14,210
BUT ABOUT THAT
FINAL STIPULATION
184
00:08:14,210 --> 00:08:17,800
THAT YOUR FANCY L.A. LAWYERS
MANAGED TO WIGGLE IN THERE...
185
00:08:17,800 --> 00:08:19,850
YOU MEAN THE 1%?
186
00:08:19,850 --> 00:08:21,050
WELL...
187
00:08:21,050 --> 00:08:23,470
HELL, SAM,
I FIGURED IT ONLY FAIR,
188
00:08:23,470 --> 00:08:27,190
IF I HAND OVER
MY ENTIRE LABOR OF LOVE,
189
00:08:27,190 --> 00:08:30,810
THAT I GET A TINY
PIECE OF YOURS.
190
00:08:30,810 --> 00:08:33,060
LET'S BE CLEAR.
191
00:08:33,060 --> 00:08:37,730
I WANT YOU TO CONSIDER
THE 1% AN ACT OF GOOD WILL.
192
00:08:37,730 --> 00:08:40,900
HAVING YOU AS THE CONTINUING
FACE OF QUEEN SUGAR,
193
00:08:40,900 --> 00:08:45,040
WELL, IT HELPS US
KEEP UP APPEARANCES,
194
00:08:45,040 --> 00:08:46,490
IF YOU KNOW WHAT I MEAN.
195
00:08:48,410 --> 00:08:51,050
AND YOU HAVE
SO KINDLY AGREED
196
00:08:51,050 --> 00:08:54,870
TO THE LOCKED RATES
FOR THE BLACK FARMERS --
197
00:08:54,870 --> 00:08:58,170
THE FOUNDATION
OF THIS COMMUNITY.
198
00:08:58,170 --> 00:08:59,420
LEAST I COULD DO.
199
00:08:59,420 --> 00:09:03,290
MM.
200
00:09:03,290 --> 00:09:07,760
HAD YOU REALIZED
THE HARD WORK IT TAKES
201
00:09:07,760 --> 00:09:10,870
TO RUN A SUCCESSFUL
BUSINESS,
202
00:09:10,870 --> 00:09:13,940
WE COULD'VE SAVED YOU
A LOT OF HEARTACHE.
203
00:09:13,940 --> 00:09:17,190
SUCH A BLOW,
TO LOSE THE FARMERS...
204
00:09:17,190 --> 00:09:20,290
LAST HARVEST.
205
00:09:20,290 --> 00:09:22,540
BUT NOW --
NOW, YOU GET 'EM BACK.
206
00:09:26,620 --> 00:09:32,020
WHO WOULD HAVE GUESSED
YOU AND ME WOULD END UP HERE...
207
00:09:32,020 --> 00:09:33,190
PARTNERS?
208
00:09:36,890 --> 00:09:37,930
WHO WOULD HAVE GUESSED?
209
00:09:37,930 --> 00:09:43,510
♪♪
210
00:09:43,520 --> 00:09:45,130
YOUR DADDY'D BE SO PROUD.
211
00:09:45,130 --> 00:09:50,240
♪♪
212
00:09:50,240 --> 00:09:55,280
♪♪
213
00:09:55,280 --> 00:09:58,450
♪♪
214
00:09:59,970 --> 00:10:03,570
S!
GO, BEARS!
215
00:10:03,570 --> 00:10:05,500
WHERE MY EUROPEAN
VACATIONERS AT?!
216
00:10:08,140 --> 00:10:10,610
OOH!
I LIKE THE NEW COLOR!
217
00:10:10,610 --> 00:10:13,180
-HEY-HEY-HEY!
-THERE'S MY GIRL!
218
00:10:13,180 --> 00:10:15,780
YOU BRING ME GIFTS, HUH?
219
00:10:15,780 --> 00:10:17,380
YOU BRING ME GIFTS?
-OH, BABY.
220
00:10:17,390 --> 00:10:20,720
-WHERE MY GIFTS?
-I MISSED YOU!
221
00:10:20,720 --> 00:10:22,490
NO, SERIOUSLY.
WHERE ARE MY GIFTS?
222
00:10:22,490 --> 00:10:24,390
[ LAUGHS ]
223
00:10:24,390 --> 00:10:26,590
IS THIS WHAT ITALY
DOES TO A WOMAN?
224
00:10:26,590 --> 00:10:30,500
OH, THIS IS WHAT JETLAG
AND NOVA'S MEDICINAL HERBS
225
00:10:30,500 --> 00:10:31,650
DOES TO A WOMAN.
226
00:10:31,650 --> 00:10:34,620
AUNT VI?
HOW YOU FEELING?
227
00:10:34,620 --> 00:10:37,290
GOOD. GOOD!
228
00:10:37,290 --> 00:10:39,840
HOLLYWOOD'S OUT GETTING
SUSTENANCE FOR THE PRE-GAME
229
00:10:39,840 --> 00:10:41,960
AND SOME SORT OF
DOOHICKEY
230
00:10:41,960 --> 00:10:44,590
SO THAT HE CAN SHOW
OUR VACATION PHOTOS.
231
00:10:46,430 --> 00:10:47,830
WAIT A MINUTE.
232
00:10:47,830 --> 00:10:50,220
WHAT'S THIS
HAPPY FACE FOR?
233
00:10:52,170 --> 00:10:53,850
NEW YORK?
234
00:10:53,860 --> 00:10:55,190
THEY OFFERED ME
A BOOK DEAL.
235
00:10:55,190 --> 00:10:56,270
HEY!
236
00:10:56,270 --> 00:10:57,970
HOLD UP, NOW.
237
00:10:57,980 --> 00:10:59,170
OH!
238
00:10:59,180 --> 00:11:00,360
I'M THINKING ABOUT IT.
239
00:11:00,360 --> 00:11:02,730
OH, CHILD, PLEASE.
WHAT'S THERE TO THINK ABOUT?
240
00:11:02,730 --> 00:11:05,770
I JUST NEED TO MAKE SURE
IT'S WHAT I WANT TO DO.
241
00:11:05,770 --> 00:11:09,790
THE BEST NEWS IS, WE'RE ABOUT TO
CELEBRATE A BIG SAINT JO WIN!
242
00:11:09,790 --> 00:11:11,240
HEY-HO!
243
00:11:11,240 --> 00:11:12,240
OH!
244
00:11:12,240 --> 00:11:14,570
SISTER? WHAT YOU GOT?
245
00:11:14,580 --> 00:11:17,360
WHAT YOU GOT?
HEY! OH!
246
00:11:17,360 --> 00:11:21,210
HEY! HEY!
MISS ITALIAN LADY!
247
00:11:21,220 --> 00:11:24,300
-OH, GOD, I LOVE YOU.
-I LOVE YOU.
248
00:11:24,300 --> 00:11:28,090
ROLLING STONE?
COLLEGE TOURS?
249
00:11:28,090 --> 00:11:31,260
YOU NEED A MANAGER?
250
00:11:31,260 --> 00:11:33,180
I JUST DON'T WANT TO BE
THE FACE OF ANYTHING.
251
00:11:33,180 --> 00:11:34,590
MM.
252
00:11:34,600 --> 00:11:38,880
I REMEMBER ONE SUMMER
YOU PUT THAT BIG, OLD PICTURE
253
00:11:38,880 --> 00:11:42,380
OF IDA B. WELLS ON YOUR WALL,
AND YOU WERE ALL LIKE,
254
00:11:42,390 --> 00:11:44,400
"I'M GONNA BE JUST
LIKE HER SOMEDAY."
255
00:11:48,310 --> 00:11:52,450
MAYBE THIS IS
YOUR SOMEDAY.
256
00:11:52,450 --> 00:11:54,810
OH.
AWW.
257
00:11:54,820 --> 00:11:56,350
TURN BACK AROUND.
WHAT YOU DOING?
258
00:11:56,350 --> 00:11:58,320
JUST TURN BACK AROUND,
THE WAY YOU WERE.
259
00:11:58,320 --> 00:12:00,190
MAKING USE OF THAT FANCY
NEW CHRISTMAS PRESENT.
260
00:12:00,190 --> 00:12:01,520
OH, YEAH.
DAVIS DID GOOD.
261
00:12:01,520 --> 00:12:06,030
HEY. DON'T LEAD WITH
THE FEAR OF WHAT MIGHT BE.
262
00:12:06,030 --> 00:12:08,730
LEAD WITH THE STRENGTH
OF WHO YOU ARE.
263
00:12:08,730 --> 00:12:14,650
♪♪
264
00:12:14,650 --> 00:12:19,000
[ CAMERA SHUTTER CLICKING ]
265
00:12:19,010 --> 00:12:21,140
I DON'T KNOW WHY THESE PICTURES
AIN'T PULLING UP.
266
00:12:21,140 --> 00:12:22,980
MICAH, PASS ME THAT
REMOTE CONTROL RIGHT THERE.
267
00:12:24,780 --> 00:12:25,860
I HELP YA.
268
00:12:27,430 --> 00:12:30,280
AUNT NOVA, YOU WERE ON THE
BASKETBALL TEAM AT SAINT JO'S?
269
00:12:30,280 --> 00:12:31,620
HELL, NAH.
270
00:12:31,620 --> 00:12:34,870
SHE JUST WENT TO WATCH HER
LITTLE BOYFRIENDS RUN AROUND.
271
00:12:34,870 --> 00:12:36,960
'CAUSE THEY WAS
FINE AS HELL.
272
00:12:36,960 --> 00:12:38,940
BUT TO ANSWER YOUR
QUESTION, YOUNG MAN,
273
00:12:38,940 --> 00:12:41,490
IT'S THE BIGGEST GAME
IN SAINT JO, AND TONIGHT,
274
00:12:41,500 --> 00:12:43,130
WE'RE GOING TO KICK
SOME COLLINS' ASS, Y'ALL.
275
00:12:43,130 --> 00:12:44,160
THAT'S WHAT WE
GONNA DO.
276
00:12:44,170 --> 00:12:46,330
-DAMN RIGHT.
-DAMN RIGHT, WE ARE.
277
00:12:46,330 --> 00:12:47,970
OH, CHECK IT OUT,
CHECK IT OUT, CHECK IT OUT.
278
00:12:47,970 --> 00:12:50,570
THIS IS THE VENUE WE'RE GONNA
USE FOR THE WEDDING, RIGHT?
279
00:12:50,570 --> 00:12:52,940
OH, WE'RE GONNA
DO IT UP RIGHT.
280
00:12:52,940 --> 00:12:55,010
GONNA BE THE BIGGEST WEDDING
SAINT JO HAS EVER SEEN.
281
00:12:55,010 --> 00:12:57,080
WOW. YOU KNOW,
YOU SHOULD BE
282
00:12:57,080 --> 00:12:59,080
INVESTING A GOOD CHUNK
OF THAT SETTLEMENT.
283
00:12:59,080 --> 00:13:00,380
MAKE THAT MONEY
WORK FOR YOU.
284
00:13:00,380 --> 00:13:03,580
IRAs, REAL ESTATE, STOCK MARKET.
-WOMAN, PLEASE.
285
00:13:03,580 --> 00:13:05,380
RIGHT NOW, I'M GONNA NEED YOU
TO TAKE SEVERAL SEATS.
286
00:13:05,390 --> 00:13:08,890
I GOT THIS, OKAY?
-OKAY. ALL RIGHT. SORRY.
287
00:13:08,890 --> 00:13:10,260
THAT IS STUNNING,
HOLLYWOOD.
288
00:13:10,260 --> 00:13:12,190
YOU HAVE A THEME, RIGHT?
YOU GUYS HAVE TO HAVE A THEME.
289
00:13:12,190 --> 00:13:13,760
OH, THE THEME IS
GONNA BE "VENICE."
290
00:13:13,760 --> 00:13:15,110
WHO'S GONNA BE
YOUR MAID OF HONOR?
291
00:13:15,110 --> 00:13:16,660
NOVA, YOU CAN'T
ASK THAT --
292
00:13:16,660 --> 00:13:19,110
'CAUSE, CLEARLY,
IT'S GONNA BE ME.
293
00:13:19,120 --> 00:13:21,000
I MEAN, WHAT SHOULD
I WEAR, AUNT VI?
294
00:13:21,000 --> 00:13:22,820
SOMETHING ITALIAN?
VERSACE, MAYBE?
295
00:13:22,820 --> 00:13:24,700
WE HAVE NOT OFFICIALLY
SETTLED ON --
296
00:13:24,710 --> 00:13:25,700
NOW, WHAT WE
GONNA DO IS,
297
00:13:25,710 --> 00:13:27,460
WE'RE GONNA HAVE
A CANAL, RIGHT?
298
00:13:27,460 --> 00:13:28,990
WE COMING IN
ON A GONDOLA.
299
00:13:28,990 --> 00:13:30,510
Y'ALL GONNA COME IN
ON A HORSE-DRAWN CARRIAGE.
300
00:13:30,510 --> 00:13:32,880
YOU KNOW, I HAVE A GREAT WEDDING
PLANNER FOR YOU, IF YOU NEED IT.
301
00:13:32,880 --> 00:13:34,130
SEE, I DON'T EVEN
NEED ALL THAT.
302
00:13:34,130 --> 00:13:36,470
I THINK YOU SHOULD PICK
A BLUE-THEMED WEDDING.
303
00:13:36,470 --> 00:13:39,130
HEY, BLUE? BLUE?
TAKE IT EASY, OKAY?
304
00:13:39,140 --> 00:13:42,270
IT'S OKAY.
ALL RIGHT, SO...
305
00:13:42,270 --> 00:13:47,230
WHY WOULD A BLUE-THEMED
WEDDING BE SO SPECIAL?
306
00:13:47,230 --> 00:13:50,600
BECAUSE OF ME.
307
00:13:50,600 --> 00:13:52,260
BECAUSE OF YOU.
308
00:13:52,270 --> 00:13:54,400
THAT'S A REALLY
GOOD REASON.
309
00:13:54,600 --> 00:13:57,600
[ INDISTINCT CONVERSATIONS ]
310
00:13:57,610 --> 00:14:04,440
♪♪
311
00:14:04,450 --> 00:14:11,250
♪♪
312
00:14:11,250 --> 00:14:18,090
♪♪
313
00:14:18,090 --> 00:14:20,480
YOU SIGNED THE CONTRACT?
314
00:14:21,850 --> 00:14:23,450
I DID.
315
00:14:26,400 --> 00:14:27,730
EVERYTHING STRAIGHT?
316
00:14:27,740 --> 00:14:29,900
HM. SAM LANDRY...
317
00:14:29,900 --> 00:14:33,690
HE OPENED THE DOOR TO HIS HOUSE
AND LET ME COME RIGHT IN.
318
00:14:33,690 --> 00:14:36,410
SO, NOW, WITH MY 1%,
319
00:14:36,410 --> 00:14:39,660
I'M GONNA MAKE MYSELF JUST
AS COMFORTABLE AS CAN BE.
320
00:14:39,660 --> 00:14:43,870
OPEN ACCESS TO ALL HIS
CORPORATE RECORDS, FINANCIALS.
321
00:14:43,870 --> 00:14:46,370
I'M GONNA DIG UP EVERY
SQUARE INCH OF DIRT
322
00:14:46,370 --> 00:14:49,260
AND TAKE DOWN EVERY
SHAREHOLDER ON THAT BOARD.
323
00:14:49,260 --> 00:14:53,130
I'LL BURN THE ENTIRE LANDRY
FAMILY TO THE GODDAMN GROUND.
324
00:14:53,130 --> 00:14:57,560
AND WHEN I OWN
LANDRY ENTERPRISES,
325
00:14:57,570 --> 00:15:02,790
WE'LL FINALLY BRING POWER
TO THE PEOPLE, RA...
326
00:15:02,790 --> 00:15:05,400
WHERE IT BELONGS.
327
00:15:05,410 --> 00:15:06,610
SEE, I CAN DIG THAT.
328
00:15:08,940 --> 00:15:13,930
♪♪
329
00:15:13,930 --> 00:15:16,850
♪♪
330
00:15:19,360 --> 00:15:21,130
♪ THE SAME OLD...
WITH THE POT ♪
331
00:15:21,130 --> 00:15:23,250
♪ THE SAME OLD...
FROM THE TRAP ♪
332
00:15:23,250 --> 00:15:24,510
♪ EVERYBODY HATED ON HIM ♪
333
00:15:24,520 --> 00:15:26,280
♪ THEN, HE BOUNCED
RIGHT BACK ♪
334
00:15:26,280 --> 00:15:30,550
♪ I DONE SPENT A WHOLE LOT
OF TIME OVERSEAS ♪
335
00:15:30,560 --> 00:15:32,960
[ INDISTINCT CONVERSATIONS ]
336
00:15:32,960 --> 00:15:37,560
-THIS IS, UH, SAINT JO, HUH?
-I KNOW -- FLASHY, HUH?
337
00:15:37,560 --> 00:15:40,600
[ CHEERLEADERS
CHEERING INDISTINCTLY ]
338
00:15:43,670 --> 00:15:45,740
HEY, PROSPER.
HOW'S THAT BACK OF YOURS?
339
00:15:45,740 --> 00:15:46,770
OH!
340
00:15:46,770 --> 00:15:47,900
YOU KNOW I GOT
ANOTHER APPOINTMENT
341
00:15:47,910 --> 00:15:49,440
SET UP FOR YOU IN
ABOUT THREE WEEKS?
342
00:15:49,440 --> 00:15:50,870
YEAH,
SO FAR, SO GOOD.
343
00:15:50,880 --> 00:15:54,580
DOCTOR GAVE ME SOME GOOD MEDS,
AND I GOT THIS THING.
344
00:15:54,580 --> 00:15:55,710
-HI, MR. PROSPER.
-USE IT.
345
00:15:55,710 --> 00:15:57,110
♪ YOU AIN'T PAYIN' NO BILLS ♪
346
00:15:57,120 --> 00:15:59,250
♪ BUYIN' NO BAGS,
BUYIN' NO HEELS ♪
347
00:15:59,250 --> 00:16:00,880
♪ GOD DAMN, LET A...LIVE ♪
348
00:16:00,890 --> 00:16:02,350
PROSPER,
CAN I GET YOU ANYTHING?
349
00:16:02,350 --> 00:16:05,490
I'M TAKING ORDERS --
HOT DOGS, NACHOS.
350
00:16:05,490 --> 00:16:07,690
DID YOU EAT DINNER?
-I'M FINE. I'M FINE.
351
00:16:07,690 --> 00:16:09,690
I HAD A BITE
BEFORE I CAME.
352
00:16:09,690 --> 00:16:11,790
THANK YOU.
-I'LL HELP WITH EVERYTHING.
353
00:16:11,800 --> 00:16:12,800
NO, VI. YOU STAY.
I'LL GO.
354
00:16:12,800 --> 00:16:14,960
-THANK YOU.
-NO, BABY, I'M GOOD.
355
00:16:14,970 --> 00:16:17,430
US GIRLS,
WE'RE GOING TO DO IT.
356
00:16:17,440 --> 00:16:19,270
-I WANT TO GO.
-BLUE, STAY HERE WITH ME.
357
00:16:19,270 --> 00:16:22,470
BLUE?
BL--
358
00:16:22,470 --> 00:16:23,710
YEAH, I'MA BE RIGHT BACK.
359
00:16:27,080 --> 00:16:28,710
BLUE?
360
00:16:28,710 --> 00:16:31,580
PUT THOSE DOWN.
COME HERE.
361
00:16:31,580 --> 00:16:32,620
YOU OKAY?
362
00:16:34,320 --> 00:16:35,690
WHAT'S GOING ON
WITH YOU?
363
00:16:35,690 --> 00:16:37,690
I NEED YOU TO
STAY WITH ME.
364
00:16:37,690 --> 00:16:39,290
YOU CAN'T JUST BE RUNNING AROUND
WITH ALL THESE PEOPLE HERE.
365
00:16:39,290 --> 00:16:41,020
YOU'RE GONNA GET LOST.
HOLD MY HAND.
366
00:16:42,760 --> 00:16:46,200
Woman: THAT'LL BE $9.50,
OFFICER ORSON.
367
00:16:46,200 --> 00:16:49,200
[ DRAMATIC MUSIC PLAYS ]
368
00:16:49,200 --> 00:16:57,910
♪♪
369
00:16:57,910 --> 00:17:06,580
♪♪
370
00:17:06,580 --> 00:17:07,820
HI.
371
00:17:07,820 --> 00:17:09,620
WHAT'S YOUR NAME?
-HAYES.
372
00:17:09,620 --> 00:17:11,020
NICE TO MEET YOU, HAYES.
373
00:17:14,290 --> 00:17:17,060
YOU GUYS HAVE
SOMEBODY IN THE GAME?
374
00:17:17,060 --> 00:17:20,800
MY OLDEST GRANDSON
PLAYS FOR COLLINS.
375
00:17:20,800 --> 00:17:22,770
YOU MUST BE VERY PROUD.
376
00:17:22,770 --> 00:17:23,800
WE ARE.
377
00:17:28,140 --> 00:17:29,170
HI.
378
00:17:31,610 --> 00:17:33,340
I REALLY LIKE
YOUR SHARK SHIRT.
379
00:17:33,340 --> 00:17:34,660
THAT'S COOL.
380
00:17:34,660 --> 00:17:35,680
THANKS.
381
00:17:37,930 --> 00:17:39,520
ALL RIGHT.
LET'S GO, HAYES.
382
00:17:39,520 --> 00:17:41,930
-BYE.
-BYE.
383
00:17:41,940 --> 00:17:45,000
YOU HAVE A NICE
NIGHT, ALL RIGHT?
384
00:17:45,010 --> 00:17:46,060
YEAH, YOU, TOO.
385
00:17:48,480 --> 00:17:50,440
BLUE?
386
00:17:50,450 --> 00:17:53,350
BABY?
387
00:17:53,350 --> 00:17:54,450
YEAH.
388
00:17:54,450 --> 00:17:57,450
[ CAMERA SHUTTER CLICKING ]
389
00:17:57,450 --> 00:18:03,740
♪♪
390
00:18:03,740 --> 00:18:10,050
♪♪
391
00:18:10,050 --> 00:18:16,350
♪♪
392
00:18:16,350 --> 00:18:18,250
LET ME HELP YOU
WITH THAT.
393
00:18:18,260 --> 00:18:20,860
HOLD THIS FOR BLUE.
THEY'RE IN THE BATHROOM.
394
00:18:20,860 --> 00:18:22,220
YOU GOT MY NACHOS?
395
00:18:22,230 --> 00:18:24,360
CALM DOWN.
I GOT YOUR NACHOS.
396
00:18:24,360 --> 00:18:25,490
THANK YOU. THANK YOU.
397
00:18:28,670 --> 00:18:29,830
THIS IS GREAT.
398
00:18:29,830 --> 00:18:31,930
YEAH.
399
00:18:31,940 --> 00:18:34,000
HEY, UH,
WHAT HAPPENED TO KEKE?
400
00:18:34,010 --> 00:18:36,210
THOUGHT SHE WAS
CAPTAIN OF THE, UH...
401
00:18:36,210 --> 00:18:37,910
SHE THINKS SHE
GOT THE FLU.
402
00:18:37,910 --> 00:18:39,740
OH, NO.
403
00:18:39,740 --> 00:18:42,310
WELL, TELL HER,
IF SHE NEEDS ANYTHING...
404
00:18:42,310 --> 00:18:45,350
[ CHEERLEADERS CHEERING ]
405
00:18:47,190 --> 00:18:49,190
[ CHEERING ]
406
00:18:49,190 --> 00:18:56,190
♪♪
407
00:18:56,190 --> 00:18:59,130
[ CHEERING ]
408
00:19:06,740 --> 00:19:08,140
GO FOR IT, TEAM!
409
00:19:08,140 --> 00:19:10,240
GO BEARS!
ST. JO!
410
00:19:10,240 --> 00:19:12,610
Cheerleaders:
LET'S HEAR YOU ROAR, TIGERS!
411
00:19:12,610 --> 00:19:14,910
LET'S HEAR YOU ROAR, TIGERS!
412
00:19:14,910 --> 00:19:17,480
[ CAMERA SHUTTER CLICKING ]
413
00:19:17,480 --> 00:19:20,680
ALL RIGHT, TAKE YOUR SEATS.
TAKE YOUR SEATS, EVERYBODY.
414
00:19:20,690 --> 00:19:22,720
THANK YOU.
415
00:19:22,720 --> 00:19:26,860
I'M BOB RICHMOND
OF WZTZ NEWS,
416
00:19:26,860 --> 00:19:30,360
AND -- THANK YOU --
I WOULD LIKE TO WELCOME YOU ALL
417
00:19:30,360 --> 00:19:34,500
TO THE COLLINS-SAINT JO
BASKETBALL CLASSIC!
418
00:19:34,500 --> 00:19:37,000
[ CHEERS AND APPLAUSE ]
419
00:19:37,000 --> 00:19:40,550
SO, THIS RIVALRY'S BEEN
GOING ON FOR, LIKE, 70 YEARS.
420
00:19:40,560 --> 00:19:41,670
WE GOT ANY ALUMNI
IN THE HOUSE?
421
00:19:41,670 --> 00:19:44,560
CLASS OF '96!
CLASS OF '75!
422
00:19:44,560 --> 00:19:46,140
HEY!
423
00:19:46,140 --> 00:19:50,010
AND I'D LIKE TO WELCOME
THE 2012 MISS SUGAR PRINCESS,
424
00:19:50,010 --> 00:19:54,530
OUR VERY OWN 2013 COLLINS
HOMECOMING QUEEN,
425
00:19:54,540 --> 00:19:58,500
MISS KACY FLEMING,
TO SING OUR NATIONAL ANTHEM.
426
00:19:58,510 --> 00:20:00,190
[ CHEERS AND APPLAUSE ]
427
00:20:00,190 --> 00:20:03,530
-LOVE YOU, KACY!
-LOOKING GOOD!
428
00:20:11,340 --> 00:20:21,160
♪ OH, SAY, CAN YOU SEE
BY THE DAWN'S EARLY LIGHT ♪
429
00:20:21,160 --> 00:20:30,940
♪ WHAT SO PROUDLY WE HAILED AT
THE TWILIGHT'S LAST GLEAMING? ♪
430
00:20:30,940 --> 00:20:36,510
♪ WHOSE BROAD STRIPES
AND BRIGHT STARS ♪
431
00:20:36,510 --> 00:20:38,940
♪ THROUGH THE
PERILOUS FIGHT ♪
432
00:20:38,950 --> 00:20:39,950
WHAT ARE THESE
KIDS DOING?
433
00:20:39,950 --> 00:20:41,730
-SHH. SHH.
-THAT AIN'T RIGHT!
434
00:20:41,730 --> 00:20:46,850
♪ O'ER THE RAMPARTS
WE WATCHED ♪
435
00:20:46,850 --> 00:20:49,990
[ MURMURING ]
436
00:20:49,990 --> 00:20:52,390
Man: SING, KACY!
JUST IGNORE 'EM!
437
00:20:52,390 --> 00:20:57,200
♪ WERE SO
GALLANTLY STREAMING? ♪
438
00:20:57,200 --> 00:20:59,920
♪ AND THE ROCKETS' RED GLARE ♪
[ BOOING ]
439
00:20:59,920 --> 00:21:02,920
YOU WANT TO DISRESPECT OUR FLAG,
GET OFF THE COURT!
440
00:21:02,920 --> 00:21:06,760
GO BACK TO WHERE
YOU CAME FROM!
441
00:21:06,760 --> 00:21:10,390
YOU STAND UP,
RIGHT NOW!
442
00:21:10,390 --> 00:21:12,900
YOU WANT TO LIVE IN OUR COUNTRY,
YOU'RE GOING TO RESPECT IT!
443
00:21:12,900 --> 00:21:16,050
Man: BUNCH OF LOW-LIFE THUGS!
DISRESPECTING AMERICA!
444
00:21:16,050 --> 00:21:19,030
[ INDISTINCT SHOUTING ]
445
00:21:19,040 --> 00:21:24,360
[ CAMERA SHUTTER CLICKING ]
446
00:21:24,360 --> 00:21:27,060
[ SPECTATORS CHANTING
"LET THEM GO!" ]
447
00:21:27,060 --> 00:21:28,530
Bob:
ALL RIGHT, EVERYBODY!
448
00:21:28,530 --> 00:21:30,230
ALL RIGHT,
EVERYBODY! SETTLE!
449
00:21:30,230 --> 00:21:32,700
SETTLE!
450
00:21:32,700 --> 00:21:35,230
ALL RIGHT.
451
00:21:35,240 --> 00:21:37,120
ALL RIGHT, LET'S GET
THIS GAME STARTED.
452
00:21:37,120 --> 00:21:38,790
WHO'S READY FOR
THE COLLINS-SAINT JO
453
00:21:38,790 --> 00:21:40,340
BASKETBALL CLASSIC, HUH?
454
00:21:40,340 --> 00:21:41,370
COME ON!
455
00:21:44,010 --> 00:21:45,430
COME ON, LET 'EM HEAR IT!
456
00:21:45,430 --> 00:21:46,600
COME ON!
457
00:21:46,600 --> 00:21:49,550
[ CHEERING ]
458
00:21:57,520 --> 00:21:58,750
[ BUZZER SOUNDS ]
459
00:21:58,750 --> 00:22:01,180
[ CHEERING ]
460
00:22:05,320 --> 00:22:08,820
BOOM! DID THAT!
461
00:22:08,830 --> 00:22:12,730
SEE, NOW, THAT'S HOW YOU WHOOP
SOME COLLINS' ASS, RIGHT?!
462
00:22:12,730 --> 00:22:14,760
BOOM! BOOM!
AM I RIGHT?
463
00:22:14,770 --> 00:22:16,600
WE DID THAT, MR. PROSPER!
YES, WE DID!
464
00:22:16,600 --> 00:22:19,200
THERE YOU GO.
THERE YOU GO.
465
00:22:19,200 --> 00:22:20,500
HERE, I GOT YOU,
PROSPER.
466
00:22:22,540 --> 00:22:23,770
HEY, MOM?
YEAH?
467
00:22:23,770 --> 00:22:25,140
I'M GONNA HANG OUT
WITH SOME FRIENDS,
468
00:22:25,140 --> 00:22:26,240
BUT I'LL GET
A RIDE HOME.
469
00:22:26,240 --> 00:22:27,810
OKAY.
MIDNIGHT CURFEW.
470
00:22:27,810 --> 00:22:29,010
AND TEXT ME.
I WANT TO KNOW WHERE YOU'LL BE.
471
00:22:29,010 --> 00:22:30,850
-MICAH?
-MIDNIGHT.
472
00:22:30,850 --> 00:22:32,110
-I LOVE YOU.
-I LOVE YOU BACK.
473
00:22:32,120 --> 00:22:33,250
-HAVE FUN.
-BYE.
474
00:22:33,250 --> 00:22:34,880
ARE YOU GOING TO BARRY'S?
475
00:22:34,890 --> 00:22:36,720
AND MISS RAISING A BEER TO
A COLLINS' SLAUGHTER?
476
00:22:36,720 --> 00:22:37,790
I'LL BE THERE.
477
00:22:37,790 --> 00:22:39,290
COME ON, BABY,
LET ME HELP YOU OUT.
478
00:22:39,290 --> 00:22:41,020
HOLLYWOOD, I GOT IT.
479
00:22:41,030 --> 00:22:42,160
THANK YOU, BABY.
480
00:22:44,330 --> 00:22:45,360
WOW.
481
00:22:47,570 --> 00:22:50,920
I TOLD YOU TO STOP
PULLING IT SO MUCH.
482
00:22:50,920 --> 00:22:52,130
I GOT IT.
483
00:22:52,140 --> 00:22:53,850
I CAN DO IT MYSELF!
484
00:22:53,850 --> 00:22:54,850
I SAID I GOT IT.
485
00:22:54,860 --> 00:22:56,590
NO! STOP!
486
00:22:56,590 --> 00:22:58,860
FINE. GO AHEAD.
487
00:22:58,860 --> 00:22:59,890
YOU GOT IT.
488
00:23:05,120 --> 00:23:08,600
HEY, RALPH ANGEL.
YOU NEED HELP WITH THAT, BABY?
489
00:23:08,600 --> 00:23:09,620
NO. I GOT IT.
490
00:23:12,770 --> 00:23:14,540
SO, Y'ALL NOT
TOGETHER NO MORE?
491
00:23:20,460 --> 00:23:22,500
WORD AROUND HERE...
492
00:23:22,500 --> 00:23:26,100
YOU AND DARLA
AIN'T TOGETHER NO MORE.
493
00:23:26,100 --> 00:23:28,970
WHAT ABOUT IT, TAMIKA?
494
00:23:28,970 --> 00:23:30,610
WELL...
495
00:23:30,610 --> 00:23:32,980
I WAS THINKING MAYBE
YOU NEED SOMEBODY
496
00:23:32,980 --> 00:23:35,140
TO HELP WARM THE OTHER SIDE
OF YOUR BED AT NIGHT.
497
00:23:44,820 --> 00:23:46,240
YOU GOT MY NUMBER.
498
00:23:54,170 --> 00:23:59,170
♪♪
499
00:23:59,170 --> 00:24:04,340
♪♪
500
00:24:04,340 --> 00:24:06,930
♪♪
501
00:24:06,930 --> 00:24:09,760
-HEY.
-WHAT'S UP?
-ALL RIGHT, PEACE.
502
00:24:09,760 --> 00:24:17,220
♪♪
503
00:24:17,220 --> 00:24:22,270
♪♪
504
00:24:22,280 --> 00:24:27,900
♪♪
505
00:24:27,900 --> 00:24:30,200
Man: HELL OF A NIGHT, EVEN WITH
ALL THAT PRE-GAME NONSENSE.
506
00:24:30,200 --> 00:24:31,480
THIS IS DOPE.
507
00:24:31,490 --> 00:24:33,290
I THOUGHT WE WERE GOING TO
HAVE A RIOT ON OUR HANDS.
508
00:24:33,290 --> 00:24:34,520
WHY THOSE YOUNG FOLKS
GOT TO BE BRINGING
509
00:24:34,520 --> 00:24:36,210
ALL THIS ONTO THE COURT?
510
00:24:36,210 --> 00:24:37,790
THERE'S A TIME AND A PLACE
FOR ALL THAT.
511
00:24:37,790 --> 00:24:39,490
NOW, I KNOW Y'ALL AIN'T SITTING
OVER HERE WITH YOUR BEERS
512
00:24:39,490 --> 00:24:41,710
AND BOUDIN TALKING CRAP
ABOUT A BUNCH OF KIDS
513
00:24:41,710 --> 00:24:43,250
DISRUPTING YOUR
PRECIOUS GAME --
514
00:24:43,250 --> 00:24:45,050
NOT TO MENTION,
BRAVELY TAKING A KNEE
515
00:24:45,050 --> 00:24:46,360
IN FRONT OF
ALL THOSE PEOPLE.
516
00:24:46,370 --> 00:24:48,530
RACIAL SLURS, DRINKS
BEING THROWN AT THEM,
517
00:24:48,540 --> 00:24:50,140
TRYING TO SPEAK THEIR TRUTH
ABOUT BROTHERS
518
00:24:50,140 --> 00:24:51,200
BEING SLAIN
IN OUR STREETS.
519
00:24:51,200 --> 00:24:52,300
NOW, MISS NOVA --
520
00:24:52,310 --> 00:24:53,760
HELL, I'LL BE DAMNED
521
00:24:53,760 --> 00:24:55,690
IF OUR FALLEN LOUISIANA SOLDIERS
WEREN'T TURNING IN THEIR GRAVES
522
00:24:55,690 --> 00:24:57,790
LISTENING TO YOU TWO
WANTING TO SILENCE
523
00:24:57,800 --> 00:24:59,530
THOSE COURAGEOUS
YOUNG VOICES!
524
00:24:59,530 --> 00:25:01,060
Violet:
THERE YOU GO, BABY.
525
00:25:01,070 --> 00:25:02,800
GEORGE, PHIL, WHAT Y'ALL
TALKING ABOUT OVER HERE?
526
00:25:02,800 --> 00:25:07,040
THE IMPORTANCE OF YOUNG FOLK AND
THE THINGS THEY'VE GOT TO SAY.
527
00:25:07,040 --> 00:25:08,540
OOH, THIS LOOKS GOOD.
528
00:25:10,540 --> 00:25:13,780
[ INDISTINCT CONVERSATION,
LAUGHTER ]
529
00:25:13,780 --> 00:25:16,980
WAS REMY THERE TONIGHT?
530
00:25:16,980 --> 00:25:18,680
YEAH. YEAH.
HE WAS THERE.
531
00:25:18,680 --> 00:25:19,980
WELL, WHY DIDN'T HE --
532
00:25:19,980 --> 00:25:22,730
REMY?!
533
00:25:22,740 --> 00:25:23,770
HEY!
534
00:25:27,490 --> 00:25:31,130
HOLLYWOOD, GO GET THAT MAN.
HE'S FAMILY.
535
00:25:31,130 --> 00:25:32,730
Y'ALL NEED TO STOP
AVOIDING ONE ANOTHER.
536
00:25:32,730 --> 00:25:36,010
OKAY. OKAY.
I GOT IT.
537
00:25:36,020 --> 00:25:37,680
NEED A NEW DRINK,
ANYWAY.
538
00:25:41,220 --> 00:25:44,140
Remy: ...THAT BALL, MAN.
I MEAN, COME ON?
539
00:25:44,140 --> 00:25:47,280
FIVE ASSISTS? FIVE GAMES?
COME ON, THAT AIN'T ENOUGH.
540
00:25:47,280 --> 00:25:48,310
HEY, GENTLEMEN.
541
00:25:51,370 --> 00:25:52,360
EXCUSE US.
542
00:25:52,370 --> 00:25:58,100
♪♪
543
00:25:58,110 --> 00:25:59,450
UM...
544
00:25:59,460 --> 00:26:01,820
AUNT VI WANTED YOU
TO COME AND SIT WITH US.
545
00:26:01,830 --> 00:26:04,880
YOU KNOW YOU'RE STILL
PART OF THIS FAMILY AND, UH,
546
00:26:04,880 --> 00:26:07,880
WHATEVER'S BETWEEN
YOU AND ME, IT...
547
00:26:07,880 --> 00:26:09,300
REALLY SHOULDN'T
AFFECT THEM.
548
00:26:11,640 --> 00:26:13,790
WELL, I APPRECIATE THAT.
549
00:26:13,790 --> 00:26:14,800
I DO.
550
00:26:16,560 --> 00:26:20,190
BUT WITH RESPECT TO VIOLET,
I THINK I'MA JUST, UM...
551
00:26:20,190 --> 00:26:21,930
I THINK I'MA JUST KEEP
MY HEAD DOWN OVER HERE.
552
00:26:21,930 --> 00:26:27,480
♪♪
553
00:26:27,480 --> 00:26:28,730
GOOD TO SEE YOU.
-YEAH.
554
00:26:28,740 --> 00:26:29,740
GOOD TO SEE YOU.
555
00:26:29,740 --> 00:26:37,930
♪♪
556
00:26:37,930 --> 00:26:46,100
♪♪
557
00:26:46,100 --> 00:26:47,470
SCOTCH ON THE ROCKS,
PLEASE.
558
00:26:49,710 --> 00:26:51,170
I THOUGHT YOU WERE
A BOURBON GAL.
559
00:26:51,180 --> 00:26:57,610
♪♪
560
00:26:57,610 --> 00:27:00,150
SHOWS HOW LITTLE
YOU KNOW.
561
00:27:00,150 --> 00:27:01,880
CONGRATULATIONS
ARE IN ORDER.
562
00:27:01,890 --> 00:27:02,920
I'D TOAST, BUT --
563
00:27:02,920 --> 00:27:05,150
WHAT ARE YOU DOING HERE?
564
00:27:05,160 --> 00:27:07,360
SUPPORTING
THE HOMETOWN VICTORY.
565
00:27:07,360 --> 00:27:09,140
I GO TO ALL THE GAMES.
566
00:27:09,140 --> 00:27:12,810
I WAS A MEAN FORWARD
IN MY HIGH-SCHOOL DAYS.
567
00:27:12,810 --> 00:27:14,980
-HERE YOU GO.
-KEEP THE CHANGE.
568
00:27:14,980 --> 00:27:17,650
Waitress:
THANK YOU, MA'AM.
569
00:27:17,650 --> 00:27:21,850
FEELS BAD, HAVING A SECRET
LIKE OURS, DON'T IT?
570
00:27:21,860 --> 00:27:24,640
FEELS A LITTLE DIRTY.
571
00:27:24,640 --> 00:27:30,610
♪♪
572
00:27:30,610 --> 00:27:36,620
♪♪
573
00:27:36,620 --> 00:27:38,220
ANOTHER TIME, JACOB.
574
00:27:38,220 --> 00:27:45,630
♪♪
575
00:27:58,050 --> 00:28:00,080
[ BANGING ]
576
00:28:02,720 --> 00:28:04,520
YOU'RE SUPPOSED TO BE
IN BED, BLUE.
577
00:28:04,520 --> 00:28:05,900
Blue:
I AM IN BED!
578
00:28:08,390 --> 00:28:09,920
NO, YOU AIN'T.
I HEARD YOU.
579
00:28:12,190 --> 00:28:14,460
[ CELLPHONE VIBRATING ]
580
00:28:21,140 --> 00:28:22,640
-HI.
-HOLD ON.
581
00:28:24,290 --> 00:28:25,460
Darla: RALPH ANGEL,
CAN WE JUST
582
00:28:25,460 --> 00:28:27,040
TALK ABOUT THIS
FOR TWO SECONDS?
583
00:28:30,710 --> 00:28:32,960
IT'S YOUR MAMA.
584
00:28:32,970 --> 00:28:35,670
HEY, BABY.
I'VE MISSED YOU.
585
00:28:35,670 --> 00:28:38,940
I ALREADY PICKED OUT
"THE SECRET PIZZA PARTY."
586
00:28:38,940 --> 00:28:41,100
AUNTIE VI BROUGHT IT BACK
FROM ITALY FOR ME.
587
00:28:41,110 --> 00:28:42,220
SHE DID?
588
00:28:42,220 --> 00:28:44,890
IT'S REALLY GOOD.
YOU'RE GONNA LOVE IT.
589
00:28:44,890 --> 00:28:46,980
I ALREADY
READ IT TWICE.
590
00:28:46,980 --> 00:28:49,330
TWICE?
OH, MY GOODNESS.
591
00:28:49,330 --> 00:28:52,050
HOW WAS THE
BASKETBALL GAME?
592
00:28:52,050 --> 00:28:54,200
POP WOULDN'T LET ME
HAVE ANY CANDY.
593
00:28:54,200 --> 00:28:56,640
WELL, WERE YOU
BEING GOOD?
594
00:28:56,640 --> 00:28:58,310
'CAUSE REMEMBER HOW WE
TALKED ABOUT LISTENING?
595
00:29:03,110 --> 00:29:05,110
WHEN ARE YOU
COMING TO GET ME?
596
00:29:05,110 --> 00:29:10,900
♪♪
597
00:29:10,900 --> 00:29:13,450
I KNOW, BABY.
598
00:29:13,460 --> 00:29:15,190
I MISS YOU SO MUCH.
599
00:29:15,190 --> 00:29:18,160
I WANT YOU TO COME HOME.
600
00:29:21,430 --> 00:29:24,000
I'M WORKING ON
A PLAN, OKAY?
601
00:29:24,000 --> 00:29:31,100
♪♪
602
00:29:31,110 --> 00:29:33,010
Violet: OH, I THOUGHT
THAT WAS SO FUNNY.
603
00:29:33,010 --> 00:29:34,640
[ LAUGHS ]
604
00:29:35,940 --> 00:29:38,600
[ SIGHS ]
605
00:29:38,600 --> 00:29:39,700
WHAT'S GOTTEN INTO YOU?
606
00:29:45,290 --> 00:29:47,520
NOW, WHY WOULDN'T YOU TAKE
MY HAND AT THE GAME TONIGHT?
607
00:29:53,380 --> 00:29:54,510
BABY...
608
00:29:56,920 --> 00:30:01,520
...I KNOW YOU'RE TRYING
TO HELP ME, AND YOU DO...
609
00:30:03,420 --> 00:30:08,860
BUT I DON'T NEED YOU BEING
ALL MANLY AND PROTECTIVE,
610
00:30:08,860 --> 00:30:12,100
LIKE I'M
GONNA BREAK,
611
00:30:12,100 --> 00:30:16,280
LIKE YOU TRYING TO PUT ME ON
SOME PEDESTAL OR SOMETHING.
612
00:30:18,090 --> 00:30:19,820
I'MA ALWAYS LIFT YOU UP.
613
00:30:23,740 --> 00:30:25,490
AND I'MA ALWAYS
PROTECT YOU.
614
00:30:27,830 --> 00:30:29,280
THAT'S WHAT I DO.
615
00:30:29,280 --> 00:30:30,630
I KNOW, BABY.
616
00:30:30,630 --> 00:30:34,170
BUT YOU'VE GOT TO UNDERSTAND
THAT I DON'T NEED NO PEDESTAL.
617
00:30:34,170 --> 00:30:37,000
I AIN'T GONNA BREAK.
618
00:30:37,010 --> 00:30:40,510
I GOT WINGS,
JUST LIKE YOU.
619
00:30:43,510 --> 00:30:44,840
RIGHT?
620
00:30:44,850 --> 00:30:49,900
♪♪
621
00:30:49,900 --> 00:30:55,020
♪♪
622
00:30:55,020 --> 00:30:56,240
[ CELLPHONE CHIMES ]
623
00:31:15,180 --> 00:31:18,210
[ INDISTINCT SHOUTING ON VIDEO ]
624
00:31:22,730 --> 00:31:27,890
♪♪
625
00:31:27,890 --> 00:31:32,980
♪♪
626
00:31:32,980 --> 00:31:41,870
♪♪
627
00:31:41,870 --> 00:31:46,940
♪♪
628
00:31:46,940 --> 00:31:51,950
♪♪
629
00:31:51,950 --> 00:31:57,030
♪♪
630
00:31:57,040 --> 00:32:02,060
♪♪
631
00:32:02,060 --> 00:32:07,060
♪♪
632
00:32:15,900 --> 00:32:18,270
[ LINE RINGING ]
633
00:32:21,280 --> 00:32:24,280
Micah: HEY. THIS IS MICAH WEST.
PROBABLY WON'T LISTEN TO IT,
634
00:32:24,280 --> 00:32:27,000
BUT YOU CAN LEAVE ME
A MESSAGE, ANYWAYS.
635
00:32:27,000 --> 00:32:29,250
YOU WERE SUPPOSED TO
BE HOME 30 MINUTES AGO!
636
00:32:29,250 --> 00:32:30,330
WHERE ARE YOU?
637
00:32:30,340 --> 00:32:31,950
I NEED YOU TO GET HOME,
RIGHT HOW.
638
00:32:31,950 --> 00:32:34,240
I'M RIGHT HERE.
639
00:32:34,240 --> 00:32:35,590
OH, THANK GOD.
640
00:32:35,590 --> 00:32:37,740
LETTICIA'S RIDE BAILED,
SO ROGER TOOK HER HOME FIRST.
641
00:32:37,740 --> 00:32:39,130
WE'VE BEEN OVER THIS.
642
00:32:39,130 --> 00:32:40,590
YOU NEED TO PLAN
YOUR TIME BETTER.
643
00:32:40,600 --> 00:32:42,700
WELL, SOMETIMES
LIFE HAPPENS, MOM.
644
00:32:42,700 --> 00:32:45,470
I'M GONNA BE LATE,
AND YOU CAN'T FREAK OUT.
645
00:32:45,470 --> 00:32:46,770
EXCUSE ME?
646
00:32:46,770 --> 00:32:50,640
[ CELLPHONE RINGING ]
647
00:32:50,640 --> 00:32:53,870
IT'S KEKE.
648
00:32:53,880 --> 00:32:56,740
ARE YOU FEELING BETTER?
649
00:32:56,750 --> 00:33:00,150
THAT'S GOOD.
650
00:33:00,150 --> 00:33:01,650
YEAH?
WHAT DID BOOGIE SAY?
651
00:33:04,250 --> 00:33:07,420
NO. THEY WALKED ON THE COURT
WITHOUT SAYING ANYTHING.
652
00:33:07,420 --> 00:33:08,460
IT WAS DOPE.
653
00:33:10,260 --> 00:33:12,680
THAT WOULD NEVER
HAPPEN AT GARDINI.
654
00:33:12,680 --> 00:33:15,180
ME, AND WHO ELSE?
CHRISTIAN?
655
00:33:15,180 --> 00:33:17,310
NAH, CHRISTIAN WOULD NEVER.
656
00:33:17,320 --> 00:33:21,330
HEY? AND...
657
00:33:21,340 --> 00:33:23,140
YOU NEED TO START
UNPACKING TOMORROW.
658
00:33:23,140 --> 00:33:24,170
SOME OF THIS NEEDS TO
GO OVER TO YOUR DAD'S.
659
00:33:24,170 --> 00:33:27,170
YES, MOM. OKAY.
660
00:33:27,180 --> 00:33:28,260
OKAY.
661
00:33:28,260 --> 00:33:30,230
DON'T STAY ON
THE PHONE TOO LATE.
662
00:33:30,230 --> 00:33:32,000
I LOVE YOU.
663
00:33:32,000 --> 00:33:35,680
MOM, CAN YOU
CLOSE THE DOOR?
664
00:33:35,680 --> 00:33:36,730
PLEASE?
665
00:33:41,590 --> 00:33:43,190
SORRY.
666
00:33:43,190 --> 00:33:45,210
NOW THAT YOU'VE GOT
THE WHOLE TOWN TALKING,
667
00:33:45,210 --> 00:33:46,640
WHAT LED TO FRIDAY
NIGHT'S PROTEST?
668
00:33:46,650 --> 00:33:49,210
WELL, THE THING IS,
EVERYBODY AROUND HERE
669
00:33:49,210 --> 00:33:51,480
GOT A STORY,
YOU KNOW?
670
00:33:51,480 --> 00:33:56,140
A LOVED ONE, A BROTHER,
A SISTER BEEN BEATEN,
671
00:33:56,140 --> 00:33:58,920
LOCKED UP, OR SHOT DEAD.
672
00:33:58,920 --> 00:34:00,290
WE SITTING HERE
TRYING TO BRING VOICE
673
00:34:00,290 --> 00:34:02,760
TO THE INJUSTICES WE BREATHE
EVERY SINGLE MORNING
674
00:34:02,760 --> 00:34:04,710
WHEN WE WAKE UP
AND WE WALK OUT THAT DOOR.
675
00:34:04,710 --> 00:34:07,250
AND WE MAY BE LITTLE,
BUT WE'RE GOING TO BE LOUD.
676
00:34:07,250 --> 00:34:08,620
MM-HMM.
677
00:34:08,620 --> 00:34:11,100
PEOPLE WAS TAKING VIDEOS
AND STUFF FRIDAY NIGHT, BRO.
678
00:34:11,100 --> 00:34:12,890
YEAH. YEAH, YEAH.
679
00:34:12,890 --> 00:34:14,850
LOOK, OUR I.G.'s BLOWING UP.
LOOK, LOOK.
680
00:34:14,860 --> 00:34:16,160
50,000 VIEWS.
681
00:34:16,160 --> 00:34:19,330
GET THAT OUT OF HER FACE,
MAN.
682
00:34:19,330 --> 00:34:22,000
Young Woman:
LOOK, IF THOSE BIG-TIME
POLITICIANS GOING TO IGNORE US,
683
00:34:22,000 --> 00:34:23,630
LIKE THEY DID
IN FERGUSON,
684
00:34:23,630 --> 00:34:28,520
PRETEND WE DON'T EXIST,
WE'LL GO STRAIGHT TO THE PEOPLE.
685
00:34:28,520 --> 00:34:30,740
YO? RESPECT, MAN.
686
00:34:30,740 --> 00:34:31,910
-APPRECIATE IT.
-RESPECT.
687
00:34:31,910 --> 00:34:34,210
HEY, MAN, WE'RE GETTING
INTERVIEWED BY THE PAPER!
688
00:34:34,210 --> 00:34:35,840
-THAT'S DOPE, MAN.
-YEAH.
689
00:34:35,840 --> 00:34:42,080
♪♪
690
00:35:05,310 --> 00:35:06,660
[ DOOR OPENS ]
691
00:35:09,140 --> 00:35:10,310
[ DOOR CLOSES ]
692
00:35:16,300 --> 00:35:18,020
Woman:
RALPH ANGEL BORDELON?
693
00:35:18,020 --> 00:35:19,040
YES, MA'AM.
694
00:35:24,460 --> 00:35:26,040
ARE EITHER OF YOU
THE MOTHER?
695
00:35:26,040 --> 00:35:27,040
SHE IN D.C.
696
00:35:29,180 --> 00:35:30,510
THESE ARE YOUR RESULTS.
697
00:35:34,020 --> 00:35:35,550
I'LL GIVE YOU A MINUTE.
698
00:35:35,550 --> 00:35:36,550
ALL RIGHT.
699
00:35:36,550 --> 00:35:39,440
♪♪
700
00:35:39,440 --> 00:35:44,530
♪♪
701
00:35:44,530 --> 00:35:49,600
♪♪
702
00:35:49,600 --> 00:35:54,650
♪♪
703
00:35:54,660 --> 00:35:59,740
♪♪
704
00:35:59,740 --> 00:36:04,800
♪♪
705
00:36:04,800 --> 00:36:09,890
♪♪
706
00:36:09,890 --> 00:36:14,960
♪♪
707
00:36:14,960 --> 00:36:16,390
IT DON'T CHANGE NOTHING.
708
00:36:18,100 --> 00:36:19,560
Charley: WE KNOW.
709
00:36:19,560 --> 00:36:23,830
-WE GOT YOU, RA.
-IT'S ALL GOOD.
710
00:36:23,840 --> 00:36:26,550
IT DON'T CHANGE NOTHING.
711
00:36:26,550 --> 00:36:27,550
NO.
712
00:36:27,560 --> 00:36:30,490
♪♪
713
00:36:30,490 --> 00:36:35,500
♪♪
714
00:36:35,500 --> 00:36:38,300
♪♪
715
00:36:38,300 --> 00:36:40,580
IT DON'T CHANGE NOTHING.
716
00:36:40,590 --> 00:36:41,750
NO.
717
00:36:41,750 --> 00:36:42,750
IT DON'T.
IT DON'T.
718
00:36:42,750 --> 00:36:47,790
♪♪
719
00:36:47,790 --> 00:36:51,180
♪♪
720
00:36:51,180 --> 00:36:52,660
IT DON'T CHANGE NOTHING.
721
00:36:52,660 --> 00:36:55,050
♪♪
722
00:36:55,050 --> 00:37:00,050
♪♪
723
00:37:00,060 --> 00:37:02,020
♪♪
724
00:37:02,020 --> 00:37:03,470
IT DON'T CHANGE NOTHING.
725
00:37:03,480 --> 00:37:05,860
♪♪
726
00:37:05,860 --> 00:37:15,150
♪♪
727
00:37:21,830 --> 00:37:23,790
DIDN'T REALIZE
YOU WERE OUT HERE.
728
00:37:27,330 --> 00:37:29,130
DIDN'T WANT TO DISTURB
YOU GUYS IN THERE,
729
00:37:29,130 --> 00:37:30,830
WORKING SO HARD
ON A SUNDAY.
730
00:37:32,420 --> 00:37:34,890
JUST TAKING
IT ALL IN.
731
00:37:36,290 --> 00:37:37,320
HERE.
732
00:37:48,770 --> 00:37:51,650
HOW YOU DOING,
MR. PROSPER?
733
00:37:51,660 --> 00:37:52,820
OH...
734
00:37:55,710 --> 00:37:57,830
I, UH...
735
00:37:57,830 --> 00:38:01,900
DIDN'T WANT TO TELL VI,
BUT THE DOCTOR SAID I...
736
00:38:01,900 --> 00:38:03,830
I NEED BACK SURGERY.
737
00:38:03,840 --> 00:38:07,750
OH, WOW.
I'M SO SORRY.
738
00:38:07,760 --> 00:38:10,620
I WAS TELLING YOUR BROTHER
739
00:38:10,630 --> 00:38:13,280
THAT I'M NOT GOING TO BE
MUCH HELP THIS SEASON.
740
00:38:15,960 --> 00:38:18,560
AND I'M CONCERNED
ABOUT RALPH ANGEL
741
00:38:18,570 --> 00:38:20,850
TAKING ON 800 ACRES
ON HIS OWN.
742
00:38:20,850 --> 00:38:22,220
[ CHUCKLES ]
743
00:38:22,220 --> 00:38:23,270
YEP.
744
00:38:24,310 --> 00:38:28,070
DADDY NEVER WAS ABLE
TO FARM ALL THE LAND.
745
00:38:28,080 --> 00:38:30,560
RA'S JUST TRYING
TO PROVE HE CAN.
746
00:38:32,780 --> 00:38:37,070
BUT IT SEEMS LIKE HE'S GOT
A GOOD HANDLE ON THINGS --
747
00:38:37,070 --> 00:38:42,090
EQUIPMENT UPGRADES, NEW WORKERS,
AND, YOU KNOW, NOVA AND ME...
748
00:38:42,090 --> 00:38:46,940
WE'LL ALWAYS BE
HERE FOR HIM.
749
00:38:46,940 --> 00:38:48,130
HE'S LUCKY TO HAVE
THE TWO OF YOU.
750
00:38:48,130 --> 00:38:49,830
[ CHUCKLES ]
751
00:38:49,830 --> 00:38:52,080
WE ARE LUCKY
TO HAVE YOU.
752
00:38:55,140 --> 00:38:58,790
YOU HAVE BEEN SUCH A
BLESSING TO THIS FAMILY.
753
00:38:58,790 --> 00:39:01,220
IT'S LIKE HAVING A LITTLE PIECE
OF DADDY IN THE FLESH.
754
00:39:04,400 --> 00:39:07,980
HE'S LOOKING DOWN,
SO PROUD.
755
00:39:07,980 --> 00:39:15,800
♪♪
756
00:39:15,810 --> 00:39:17,240
I PROMISE YOU...
757
00:39:19,330 --> 00:39:22,080
...I AM GOING TO TAKE CARE
OF THIS COMMUNITY.
758
00:39:26,200 --> 00:39:27,280
I KNOW.
759
00:39:29,340 --> 00:39:30,670
I KNOW.
760
00:39:30,670 --> 00:39:33,290
♪♪
761
00:39:33,290 --> 00:39:38,280
♪♪
762
00:39:38,280 --> 00:39:46,250
♪♪
763
00:39:46,250 --> 00:39:50,460
♪♪
764
00:39:50,460 --> 00:39:54,160
♪ BORN TO THE BIRDS ♪
765
00:39:54,160 --> 00:39:57,130
♪ BORN TO THE GHOSTS ♪
766
00:39:57,130 --> 00:40:00,500
♪♪
767
00:40:00,500 --> 00:40:04,740
♪ BORN TO THIS THREAD OF LIGHT ♪
768
00:40:04,740 --> 00:40:09,740
♪ THAT CONNECTS US ALL ♪
769
00:40:09,740 --> 00:40:14,810
♪ IT WILL ALL FALL AWAY ♪
770
00:40:14,820 --> 00:40:19,450
♪ TO THE OCEANS BELOW ♪
771
00:40:19,450 --> 00:40:24,490
♪ AND I'M GONNA
HOLD YOU NOW ♪
772
00:40:24,490 --> 00:40:27,890
♪ I'M GONNA HOLD YOU NOW ♪
773
00:40:27,900 --> 00:40:29,700
WE AIN'T GOING INSIDE.
774
00:40:29,700 --> 00:40:33,120
♪ I'M GONNA HOLD YOU NOW ♪
775
00:40:33,120 --> 00:40:36,200
♪ IN THE GRIP OF THE RIPTIDE ♪
776
00:40:36,200 --> 00:40:39,720
♪♪
777
00:40:39,720 --> 00:40:44,810
♪ I'M GONNA HOLD YOU NOW ♪
778
00:40:44,810 --> 00:40:49,920
♪ I'M GONNA HOLD YOU NOW ♪
779
00:40:49,920 --> 00:40:54,790
♪ I'M GONNA HOLD YOU NOW ♪
780
00:40:54,790 --> 00:40:56,420
♪ UNTIL I CAN'T ♪
781
00:40:56,420 --> 00:40:59,430
-- Captions by VITAC --
www.vitac.com
782
00:40:59,430 --> 00:41:02,430
CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
783
00:41:02,430 --> 00:41:07,800
♪♪
784
00:41:07,800 --> 00:41:12,540
♪ I'M GONNA HOLD YOU NOW ♪
785
00:41:12,540 --> 00:41:15,170
♪ UNTIL I CAN'T ♪
786
00:41:15,180 --> 00:41:20,880
♪♪
787
00:41:20,880 --> 00:41:20,910
Woman:
GO, RIRI!