1 00:00:01,490 --> 00:00:03,180 LAST SEASON ON "QUEEN SUGAR"... 2 00:00:03,190 --> 00:00:05,100 Charley: I LOVE THIS LITTLE DREAM. 3 00:00:05,110 --> 00:00:06,620 AND I'M GOING TO MAKE IT A REALITY. 4 00:00:06,620 --> 00:00:08,610 OUR SISTER'S MAKING HISTORY TODAY. 5 00:00:08,610 --> 00:00:12,460 FIRST BLACK WOMAN TO OWN A MILL IN THE STATE OF LOUISIANA. 6 00:00:12,460 --> 00:00:15,750 THIS PLACE IS PART OF ME. 7 00:00:15,750 --> 00:00:17,080 IT'S HOME. 8 00:00:17,080 --> 00:00:18,450 Ralph Angel: ME AND MAMA GETTING MARRIED. 9 00:00:18,450 --> 00:00:21,390 SO, YOU'LL BE TOGETHER FOREVER? 10 00:00:21,390 --> 00:00:23,840 Violet: LOVE ALWAYS COMES FIRST. 11 00:00:23,840 --> 00:00:26,470 YOU WERE THE FIRST WOMAN THAT I WANTED TO KNOW 12 00:00:26,480 --> 00:00:27,890 SINCE MY WIFE, CHARLEY. 13 00:00:27,890 --> 00:00:29,640 Doctor: I THINK WE CAN SAFELY DIAGNOSE YOU. 14 00:00:29,650 --> 00:00:33,430 -LUPUS. -WOULD YOU CONSIDER MARRYING ME? 15 00:00:33,430 --> 00:00:35,300 I AIN'T BE TELLING Y'ALL THE TRUTH. 16 00:00:35,300 --> 00:00:36,430 THERE WAS MORE TO THE WILL. 17 00:00:36,440 --> 00:00:38,820 THE FARM -- HE LEFT IT TO JUST ME. 18 00:00:38,820 --> 00:00:42,690 I UPROOTED MY LIFE, MY SON. 19 00:00:42,690 --> 00:00:44,280 GET OUT OF THE CAR, NOW! 20 00:00:44,280 --> 00:00:48,280 Micah: HE TAKES OUT HIS GUN, AND HE PUTS THE GUN IN MY MOUTH! 21 00:00:48,280 --> 00:00:49,930 AND HE PULLED THE TRIGGER, DAD! 22 00:00:49,930 --> 00:00:52,770 Man: YOU DON'T CARE ABOUT GETTING YOUR WORK TO A LARGER AUDIENCE. 23 00:00:52,770 --> 00:00:53,970 IT'S NOT HOW I DO THINGS. 24 00:00:53,970 --> 00:00:56,840 MAYBE IT IS HOW YOU SHOULD DO THINGS. 25 00:00:56,840 --> 00:00:59,840 Darla: BLUE -- HE MAY NOT BE YOURS, RALPH ANGEL. 26 00:00:59,840 --> 00:01:01,510 Ralph Angel: SHE SAID HE AIN'T MINE. 27 00:01:01,510 --> 00:01:03,010 THAT AIN'T MY SON. 28 00:01:03,010 --> 00:01:05,930 [ SCREAMS ] 29 00:01:05,930 --> 00:01:07,130 SOMEONE'S OUT HERE PITCHING A STORY 30 00:01:07,130 --> 00:01:08,670 ABOUT ALL THE INTERNAL ISSUES AT QUEEN SUGAR. 31 00:01:08,670 --> 00:01:10,170 BUT THERE ARE NO INTERNAL ISSUES. 32 00:01:10,170 --> 00:01:12,140 DON'T LET THEM WHITE BOYS GET IN YOUR HEAD. 33 00:01:12,140 --> 00:01:13,960 WE'VE GOT TO TAKE OUR CANE ELSEWHERE. 34 00:01:13,960 --> 00:01:16,140 Charley: I WANT YOU TO MILL WITH BORDREAUX. 35 00:01:16,140 --> 00:01:17,340 THEY TRIED TO DESTROY POP! 36 00:01:17,340 --> 00:01:19,060 YES! THEY HAVE TRIED! 37 00:01:19,060 --> 00:01:21,830 SO, WE'VE GOT TO CHANGE OUR GAME. 38 00:01:21,830 --> 00:01:23,300 YOU'RE ON SOME "GODFATHER" SHIT. 39 00:01:23,300 --> 00:01:26,170 WHATEVER PLAY YOU'RE MAKING, YOU'RE PLAYING WITH THE DEVIL. 40 00:01:26,170 --> 00:01:29,540 IT'LL BE A SLAUGHTER THEY NEVER COME BACK FROM. 41 00:01:32,980 --> 00:01:34,410 ♪ DREAMS NEVER DIE ♪ 42 00:01:34,410 --> 00:01:36,540 ♪ TAKE FLIGHT AS THE WORLD TURNS ♪ 43 00:01:36,550 --> 00:01:38,450 ♪ KEEP THE COLORS IN THE LINES ♪ 44 00:01:38,450 --> 00:01:40,580 ♪ TAKE FLIGHT AS THE WORLD TURNS ♪ 45 00:01:40,580 --> 00:01:42,420 ♪ KEEP THE COLORS IN THE LINES ♪ 46 00:01:42,420 --> 00:01:44,950 ♪ TAKE FLIGHT ♪ 47 00:01:44,960 --> 00:01:47,020 ♪ DREAMS NEVER DIE ♪ 48 00:01:47,020 --> 00:01:50,060 ♪♪ 49 00:01:52,530 --> 00:01:56,510 ♪ KEEP THE COLORS IN THE LINES ♪ 50 00:01:56,520 --> 00:01:58,400 ♪ KEEP THE COLORS IN THE LINES ♪ 51 00:01:58,400 --> 00:01:59,500 ♪ TAKE FLIGHT ♪ 52 00:02:02,410 --> 00:02:07,440 ♪♪ 53 00:02:07,440 --> 00:02:09,740 ♪♪ 54 00:02:09,750 --> 00:02:11,980 ♪ MAYBE I'M INDIFFERENT ♪ 55 00:02:11,980 --> 00:02:14,450 ♪ MAYBE I'M NOT THINKING STRAIGHT AGAIN ♪ 56 00:02:14,450 --> 00:02:18,890 Man: SAINT JO PARISH! WHOO! 57 00:02:18,890 --> 00:02:21,260 ♪ DROUGHT AND INDECISIOUS ♪ 58 00:02:21,260 --> 00:02:25,660 ♪ I CAN'T SEEM TO WANT TO LET YOU IN ♪ 59 00:02:25,660 --> 00:02:27,800 ♪ OH, OH ♪ 60 00:02:27,800 --> 00:02:30,000 ♪ I KNOW I SHOULDN'T PLAY THESE GAMES ♪ 61 00:02:30,000 --> 00:02:34,640 ♪ BUT WHY WOULD YOU THINK THAT I COULD CHANGE IN THE MORNING ♪ 62 00:02:34,640 --> 00:02:36,840 ♪ OH, OH ♪ 63 00:02:36,840 --> 00:02:39,140 ♪ YOU'RE TELLING ME TIME IS ON HIS SIDE ♪ 64 00:02:39,140 --> 00:02:40,780 [ KNOCKING ] 65 00:02:40,780 --> 00:02:42,490 HEY. 66 00:02:42,500 --> 00:02:44,680 YOUR GUIDANCE COUNSELOR SAID THAT THE COLLEGE RECRUITERS WERE COMING NEXT WEEK. 67 00:02:44,680 --> 00:02:47,600 MOM, THIS IS LIKE THE FOURTH TIME IN THE PAST 48 HOURS 68 00:02:47,600 --> 00:02:49,500 YOU'VE TALKED TO ME ABOUT COLLEGE RECRUITERS. 69 00:02:49,500 --> 00:02:50,600 I KNOW. 70 00:02:50,600 --> 00:02:54,140 MICAH, YOU'VE GOT TO KEEP THIS LOCKED. 71 00:02:54,140 --> 00:02:56,310 I THOUGHT WE MOVED HERE BECAUSE IT WAS SAFE. 72 00:02:56,310 --> 00:02:57,690 YES. 73 00:02:57,690 --> 00:03:00,730 THAT, AND I JUST NEEDED TO SEPARATE 74 00:03:00,730 --> 00:03:03,620 LIFE FROM WORK A LITTLE MORE. 75 00:03:03,620 --> 00:03:04,820 OH, UM... 76 00:03:04,820 --> 00:03:06,230 DAD SAID HE'S COMING HOME IN A FEW DAYS. 77 00:03:06,240 --> 00:03:09,520 OH. IS HE FINISHING OUT THE SEASON? 78 00:03:09,520 --> 00:03:11,820 UH... DIDN'T SOUND LIKE IT. 79 00:03:15,250 --> 00:03:17,800 LOOK AT YOU. 80 00:03:17,800 --> 00:03:21,670 MY BABY BOY -- COLLEGE-BOUND. 81 00:03:21,670 --> 00:03:23,700 WELL, IN A YEAR AND A HALF. 82 00:03:23,700 --> 00:03:27,170 MM. YEAH. 83 00:03:27,170 --> 00:03:28,390 I'M GONNA GO. 84 00:03:28,390 --> 00:03:31,230 OKAY. 85 00:03:31,230 --> 00:03:32,890 -LOVE YOU. -LOVE YOU. 86 00:03:39,100 --> 00:03:40,340 [ CELLPHONE CHIMES ] 87 00:03:46,410 --> 00:03:55,320 ♪♪ 88 00:03:55,320 --> 00:03:56,670 I DON'T SAY THIS LIGHTLY, 89 00:03:56,670 --> 00:04:00,560 BUT YOUR ARTICLE LAST FALL WAS A STUNNING FEAT. 90 00:04:00,560 --> 00:04:04,090 I WAS -- WE -- WERE BLOWN AWAY. 91 00:04:04,090 --> 00:04:08,080 WHICH IS WHY WE HAD TO GET YOU TO NEW YORK AS FAST AS POSSIBLE. 92 00:04:08,080 --> 00:04:11,130 WE WOULD LOVE THE OPPORTUNITY TO BUNDLE YOUR ARTICLES 93 00:04:11,130 --> 00:04:13,740 IN A BOOK OF ESSAYS CHRONICLING YOUR PERSPECTIVES 94 00:04:13,740 --> 00:04:17,420 ON KATRINA, THE NINTH WARD, MASS INCARCERATION. 95 00:04:17,420 --> 00:04:18,560 WOW. 96 00:04:21,140 --> 00:04:23,510 WE'RE PREPARED TO OFFER YOU A BOOK DEAL 97 00:04:23,510 --> 00:04:25,650 WITH A SIX-FIGURE ADVANCE. 98 00:04:25,650 --> 00:04:27,680 OOH. 99 00:04:27,680 --> 00:04:29,100 WHAT? -MM-HMM. 100 00:04:29,100 --> 00:04:30,150 THAT... 101 00:04:30,150 --> 00:04:32,490 THAT'S, UM... 102 00:04:32,490 --> 00:04:33,490 OKAY. 103 00:04:33,490 --> 00:04:35,240 [ LIGHT LAUGHTER ] 104 00:04:35,240 --> 00:04:38,380 I'D BE YOUR EDITOR AND POINT PERSON. 105 00:04:38,380 --> 00:04:43,400 AND I'D JUST LOVE TO KNOW A LITTLE MORE ABOUT YOU. 106 00:04:43,400 --> 00:04:45,170 WHAT WERE YOU LIKE GROWING UP? 107 00:04:45,170 --> 00:04:47,800 UH... 108 00:04:47,800 --> 00:04:51,010 I WANTED TO CHANGE THE WORLD. 109 00:04:51,010 --> 00:04:53,810 I WAS THIS REBELLIOUS LITTLE RUGRAT 110 00:04:53,810 --> 00:04:55,630 WHO DROVE HER MAMA AND DADDY CRAZY 111 00:04:55,630 --> 00:04:59,510 WITH STATISTICS AND BLACK POLITICAL LITERATURE. 112 00:04:59,520 --> 00:05:03,630 I LIFTED MY FISTS FOR MY NEIGHBORS, MY CLASSMATES 113 00:05:03,640 --> 00:05:09,690 ONE FLYER, ONE PETITION, ONE HIGH-SCHOOL RALLY AT A TIME. 114 00:05:09,690 --> 00:05:16,130 IT'S WHERE I LEARNED THE POWER OF GRASSROOTS AND COMMUNITY. 115 00:05:16,130 --> 00:05:17,930 HMM. 116 00:05:17,930 --> 00:05:20,200 WELL, WE WOULD LIKE TO GIVE YOU THAT. 117 00:05:20,200 --> 00:05:22,400 AND YOU CAN LEAVE GRASSROOTS BEHIND. 118 00:05:22,410 --> 00:05:25,040 THIS IS MUCH BIGGER. 119 00:05:25,040 --> 00:05:27,640 WE SEE YOU, THIS TIME NEXT YEAR, 120 00:05:27,640 --> 00:05:30,140 WITH YOUR NEW YORK TIMES BESTSELLER, 121 00:05:30,150 --> 00:05:33,410 A COLLEGE TOUR OF SPEAKING ENGAGEMENTS, 122 00:05:33,420 --> 00:05:38,940 OP-EDS IN THE POST, ARTICLES IN ROLLING STONE. 123 00:05:38,940 --> 00:05:43,190 WE WANT YOUR VOICE TO GO GLOBAL. 124 00:05:43,190 --> 00:05:45,730 WE SEE YOU AS THE NEXT TA-NEHISI COATES, 125 00:05:45,730 --> 00:05:50,970 OR ROXANE GAY OR ELIZABETH ALEXANDER. 126 00:05:50,970 --> 00:05:52,400 PLEASE, SAY "YES." 127 00:05:52,400 --> 00:05:58,840 ♪♪ 128 00:05:58,840 --> 00:06:00,990 Ralph Angel: BLUE? 129 00:06:00,990 --> 00:06:03,850 HEY, BLUE, YOU READY FOR SCHOOL? 130 00:06:03,850 --> 00:06:05,660 AIN'T YOU SUPPOSED TO BE GETTING READY, BLUE? 131 00:06:05,670 --> 00:06:06,910 COME ON. COME ON. 132 00:06:06,920 --> 00:06:08,170 [ TV TURNS OFF ] 133 00:06:08,170 --> 00:06:09,550 I TOLD YOU TO GET READY ABOUT 20 MINUTES AGO. 134 00:06:09,550 --> 00:06:10,700 COME ON, BLUE. 135 00:06:10,700 --> 00:06:11,840 [ TV TURNS ON ] 136 00:06:11,840 --> 00:06:13,220 REALLY? 137 00:06:13,220 --> 00:06:15,170 THAT'S WHAT WE DOING? 138 00:06:15,180 --> 00:06:17,230 COME ON, BLUE. I AIN'T GOT TIME FOR THIS. 139 00:06:17,230 --> 00:06:18,840 I DON'T WANT TO GO. 140 00:06:18,850 --> 00:06:20,850 OH, BUT GUESS WHAT? YOU'RE GOING. 141 00:06:20,850 --> 00:06:21,850 COME ON, STAND UP. 142 00:06:23,720 --> 00:06:25,980 TAKE YOUR SHIRT OFF. YOU KNOW THE DRILL. 143 00:06:25,990 --> 00:06:27,690 COME ON. 144 00:06:27,690 --> 00:06:29,600 I GOT YA. 145 00:06:29,610 --> 00:06:31,240 YOU AIN'T GOT TO LOOK SO SAD. 146 00:06:33,830 --> 00:06:36,030 I DON'T WANT A LUNCHABLE. 147 00:06:36,030 --> 00:06:37,730 MOM ALWAYS MADE ME SANDWICHES. 148 00:06:37,730 --> 00:06:39,950 I AIN'T GOT NOTHING TO MAKE SANDWICHES WITH. 149 00:06:39,950 --> 00:06:41,420 SEE ALL THIS STUFF I'M STEPPING ON? 150 00:06:41,420 --> 00:06:42,700 PUT YOUR SHOES ON. 151 00:06:42,700 --> 00:06:43,700 COME ON. 152 00:06:44,250 --> 00:06:47,420 I BETTER NOT BE HEARING FROM MISS SANTIAGA AGAIN, 153 00:06:47,420 --> 00:06:48,840 HEARING ABOUT YOU SHOVING KIDS. 154 00:06:48,840 --> 00:06:51,340 YOU KEEP YOUR HANDS TO YOURSELF. YOU HEAR ME? 155 00:06:51,340 --> 00:06:52,430 HUH? 156 00:06:52,430 --> 00:06:54,630 I TOLD YOU THESE SHOES WERE TOO SMALL! 157 00:06:54,630 --> 00:06:56,410 I WANT ONES LIKE MICAH. 158 00:06:56,420 --> 00:06:58,420 IS HE GOING WITH US TO THE GAME? 159 00:06:58,420 --> 00:07:00,180 YEAH. HE GOING. 160 00:07:00,190 --> 00:07:01,690 EVERYBODY GOING. 161 00:07:01,690 --> 00:07:03,250 -WHAT'S THIS? -COME ON. 162 00:07:03,260 --> 00:07:04,260 IT'S NOTHING. 163 00:07:04,260 --> 00:07:05,570 THAT'S WHAT IT IS -- IT'S NOTHING. 164 00:07:08,980 --> 00:07:11,250 WHY DOES IT SAY MAMA'S NAME? 165 00:07:11,250 --> 00:07:14,700 'CAUSE I GOT TO SEND HER SOME STUFF. 166 00:07:14,700 --> 00:07:16,620 ALL RIGHT? HURRY UP. 167 00:07:16,620 --> 00:07:18,870 NOSEY. COME ON, COME ON, COME ON. 168 00:07:18,870 --> 00:07:20,100 GET SOME PEP IN YOUR STEP. 169 00:07:20,110 --> 00:07:23,830 ♪♪ 170 00:07:23,830 --> 00:07:30,300 ♪♪ 171 00:07:30,300 --> 00:07:31,330 GO AHEAD IN. 172 00:07:34,090 --> 00:07:36,090 CHARLEY BORDELON. 173 00:07:36,090 --> 00:07:38,010 WHAT A PLEASURE. 174 00:07:38,010 --> 00:07:40,590 MISS BORDELON. 175 00:07:40,590 --> 00:07:43,290 JACOB. 176 00:07:43,300 --> 00:07:46,100 BOYS, ARE WE READY TO SIGN A CONTRACT FOR QUEEN SUGAR? 177 00:07:49,390 --> 00:07:50,920 JACOB, IF YOU'LL EXCUSE US? 178 00:07:54,860 --> 00:07:56,320 GIVE US THE ROOM, SON. 179 00:07:56,330 --> 00:08:01,700 ♪♪ 180 00:08:01,700 --> 00:08:06,320 ♪♪ 181 00:08:06,320 --> 00:08:08,200 I THOUGHT WE HAD A DEAL. 182 00:08:08,200 --> 00:08:09,920 WE MOST CERTAINLY DO. 183 00:08:12,290 --> 00:08:14,210 BUT ABOUT THAT FINAL STIPULATION 184 00:08:14,210 --> 00:08:17,800 THAT YOUR FANCY L.A. LAWYERS MANAGED TO WIGGLE IN THERE... 185 00:08:17,800 --> 00:08:19,850 YOU MEAN THE 1%? 186 00:08:19,850 --> 00:08:21,050 WELL... 187 00:08:21,050 --> 00:08:23,470 HELL, SAM, I FIGURED IT ONLY FAIR, 188 00:08:23,470 --> 00:08:27,190 IF I HAND OVER MY ENTIRE LABOR OF LOVE, 189 00:08:27,190 --> 00:08:30,810 THAT I GET A TINY PIECE OF YOURS. 190 00:08:30,810 --> 00:08:33,060 LET'S BE CLEAR. 191 00:08:33,060 --> 00:08:37,730 I WANT YOU TO CONSIDER THE 1% AN ACT OF GOOD WILL. 192 00:08:37,730 --> 00:08:40,900 HAVING YOU AS THE CONTINUING FACE OF QUEEN SUGAR, 193 00:08:40,900 --> 00:08:45,040 WELL, IT HELPS US KEEP UP APPEARANCES, 194 00:08:45,040 --> 00:08:46,490 IF YOU KNOW WHAT I MEAN. 195 00:08:48,410 --> 00:08:51,050 AND YOU HAVE SO KINDLY AGREED 196 00:08:51,050 --> 00:08:54,870 TO THE LOCKED RATES FOR THE BLACK FARMERS -- 197 00:08:54,870 --> 00:08:58,170 THE FOUNDATION OF THIS COMMUNITY. 198 00:08:58,170 --> 00:08:59,420 LEAST I COULD DO. 199 00:08:59,420 --> 00:09:03,290 MM. 200 00:09:03,290 --> 00:09:07,760 HAD YOU REALIZED THE HARD WORK IT TAKES 201 00:09:07,760 --> 00:09:10,870 TO RUN A SUCCESSFUL BUSINESS, 202 00:09:10,870 --> 00:09:13,940 WE COULD'VE SAVED YOU A LOT OF HEARTACHE. 203 00:09:13,940 --> 00:09:17,190 SUCH A BLOW, TO LOSE THE FARMERS... 204 00:09:17,190 --> 00:09:20,290 LAST HARVEST. 205 00:09:20,290 --> 00:09:22,540 BUT NOW -- NOW, YOU GET 'EM BACK. 206 00:09:26,620 --> 00:09:32,020 WHO WOULD HAVE GUESSED YOU AND ME WOULD END UP HERE... 207 00:09:32,020 --> 00:09:33,190 PARTNERS? 208 00:09:36,890 --> 00:09:37,930 WHO WOULD HAVE GUESSED? 209 00:09:37,930 --> 00:09:43,510 ♪♪ 210 00:09:43,520 --> 00:09:45,130 YOUR DADDY'D BE SO PROUD. 211 00:09:45,130 --> 00:09:50,240 ♪♪ 212 00:09:50,240 --> 00:09:55,280 ♪♪ 213 00:09:55,280 --> 00:09:58,450 ♪♪ 214 00:09:59,970 --> 00:10:03,570 S! GO, BEARS! 215 00:10:03,570 --> 00:10:05,500 WHERE MY EUROPEAN VACATIONERS AT?! 216 00:10:08,140 --> 00:10:10,610 OOH! I LIKE THE NEW COLOR! 217 00:10:10,610 --> 00:10:13,180 -HEY-HEY-HEY! -THERE'S MY GIRL! 218 00:10:13,180 --> 00:10:15,780 YOU BRING ME GIFTS, HUH? 219 00:10:15,780 --> 00:10:17,380 YOU BRING ME GIFTS? -OH, BABY. 220 00:10:17,390 --> 00:10:20,720 -WHERE MY GIFTS? -I MISSED YOU! 221 00:10:20,720 --> 00:10:22,490 NO, SERIOUSLY. WHERE ARE MY GIFTS? 222 00:10:22,490 --> 00:10:24,390 [ LAUGHS ] 223 00:10:24,390 --> 00:10:26,590 IS THIS WHAT ITALY DOES TO A WOMAN? 224 00:10:26,590 --> 00:10:30,500 OH, THIS IS WHAT JETLAG AND NOVA'S MEDICINAL HERBS 225 00:10:30,500 --> 00:10:31,650 DOES TO A WOMAN. 226 00:10:31,650 --> 00:10:34,620 AUNT VI? HOW YOU FEELING? 227 00:10:34,620 --> 00:10:37,290 GOOD. GOOD! 228 00:10:37,290 --> 00:10:39,840 HOLLYWOOD'S OUT GETTING SUSTENANCE FOR THE PRE-GAME 229 00:10:39,840 --> 00:10:41,960 AND SOME SORT OF DOOHICKEY 230 00:10:41,960 --> 00:10:44,590 SO THAT HE CAN SHOW OUR VACATION PHOTOS. 231 00:10:46,430 --> 00:10:47,830 WAIT A MINUTE. 232 00:10:47,830 --> 00:10:50,220 WHAT'S THIS HAPPY FACE FOR? 233 00:10:52,170 --> 00:10:53,850 NEW YORK? 234 00:10:53,860 --> 00:10:55,190 THEY OFFERED ME A BOOK DEAL. 235 00:10:55,190 --> 00:10:56,270 HEY! 236 00:10:56,270 --> 00:10:57,970 HOLD UP, NOW. 237 00:10:57,980 --> 00:10:59,170 OH! 238 00:10:59,180 --> 00:11:00,360 I'M THINKING ABOUT IT. 239 00:11:00,360 --> 00:11:02,730 OH, CHILD, PLEASE. WHAT'S THERE TO THINK ABOUT? 240 00:11:02,730 --> 00:11:05,770 I JUST NEED TO MAKE SURE IT'S WHAT I WANT TO DO. 241 00:11:05,770 --> 00:11:09,790 THE BEST NEWS IS, WE'RE ABOUT TO CELEBRATE A BIG SAINT JO WIN! 242 00:11:09,790 --> 00:11:11,240 HEY-HO! 243 00:11:11,240 --> 00:11:12,240 OH! 244 00:11:12,240 --> 00:11:14,570 SISTER? WHAT YOU GOT? 245 00:11:14,580 --> 00:11:17,360 WHAT YOU GOT? HEY! OH! 246 00:11:17,360 --> 00:11:21,210 HEY! HEY! MISS ITALIAN LADY! 247 00:11:21,220 --> 00:11:24,300 -OH, GOD, I LOVE YOU. -I LOVE YOU. 248 00:11:24,300 --> 00:11:28,090 ROLLING STONE? COLLEGE TOURS? 249 00:11:28,090 --> 00:11:31,260 YOU NEED A MANAGER? 250 00:11:31,260 --> 00:11:33,180 I JUST DON'T WANT TO BE THE FACE OF ANYTHING. 251 00:11:33,180 --> 00:11:34,590 MM. 252 00:11:34,600 --> 00:11:38,880 I REMEMBER ONE SUMMER YOU PUT THAT BIG, OLD PICTURE 253 00:11:38,880 --> 00:11:42,380 OF IDA B. WELLS ON YOUR WALL, AND YOU WERE ALL LIKE, 254 00:11:42,390 --> 00:11:44,400 "I'M GONNA BE JUST LIKE HER SOMEDAY." 255 00:11:48,310 --> 00:11:52,450 MAYBE THIS IS YOUR SOMEDAY. 256 00:11:52,450 --> 00:11:54,810 OH. AWW. 257 00:11:54,820 --> 00:11:56,350 TURN BACK AROUND. WHAT YOU DOING? 258 00:11:56,350 --> 00:11:58,320 JUST TURN BACK AROUND, THE WAY YOU WERE. 259 00:11:58,320 --> 00:12:00,190 MAKING USE OF THAT FANCY NEW CHRISTMAS PRESENT. 260 00:12:00,190 --> 00:12:01,520 OH, YEAH. DAVIS DID GOOD. 261 00:12:01,520 --> 00:12:06,030 HEY. DON'T LEAD WITH THE FEAR OF WHAT MIGHT BE. 262 00:12:06,030 --> 00:12:08,730 LEAD WITH THE STRENGTH OF WHO YOU ARE. 263 00:12:08,730 --> 00:12:14,650 ♪♪ 264 00:12:14,650 --> 00:12:19,000 [ CAMERA SHUTTER CLICKING ] 265 00:12:19,010 --> 00:12:21,140 I DON'T KNOW WHY THESE PICTURES AIN'T PULLING UP. 266 00:12:21,140 --> 00:12:22,980 MICAH, PASS ME THAT REMOTE CONTROL RIGHT THERE. 267 00:12:24,780 --> 00:12:25,860 I HELP YA. 268 00:12:27,430 --> 00:12:30,280 AUNT NOVA, YOU WERE ON THE BASKETBALL TEAM AT SAINT JO'S? 269 00:12:30,280 --> 00:12:31,620 HELL, NAH. 270 00:12:31,620 --> 00:12:34,870 SHE JUST WENT TO WATCH HER LITTLE BOYFRIENDS RUN AROUND. 271 00:12:34,870 --> 00:12:36,960 'CAUSE THEY WAS FINE AS HELL. 272 00:12:36,960 --> 00:12:38,940 BUT TO ANSWER YOUR QUESTION, YOUNG MAN, 273 00:12:38,940 --> 00:12:41,490 IT'S THE BIGGEST GAME IN SAINT JO, AND TONIGHT, 274 00:12:41,500 --> 00:12:43,130 WE'RE GOING TO KICK SOME COLLINS' ASS, Y'ALL. 275 00:12:43,130 --> 00:12:44,160 THAT'S WHAT WE GONNA DO. 276 00:12:44,170 --> 00:12:46,330 -DAMN RIGHT. -DAMN RIGHT, WE ARE. 277 00:12:46,330 --> 00:12:47,970 OH, CHECK IT OUT, CHECK IT OUT, CHECK IT OUT. 278 00:12:47,970 --> 00:12:50,570 THIS IS THE VENUE WE'RE GONNA USE FOR THE WEDDING, RIGHT? 279 00:12:50,570 --> 00:12:52,940 OH, WE'RE GONNA DO IT UP RIGHT. 280 00:12:52,940 --> 00:12:55,010 GONNA BE THE BIGGEST WEDDING SAINT JO HAS EVER SEEN. 281 00:12:55,010 --> 00:12:57,080 WOW. YOU KNOW, YOU SHOULD BE 282 00:12:57,080 --> 00:12:59,080 INVESTING A GOOD CHUNK OF THAT SETTLEMENT. 283 00:12:59,080 --> 00:13:00,380 MAKE THAT MONEY WORK FOR YOU. 284 00:13:00,380 --> 00:13:03,580 IRAs, REAL ESTATE, STOCK MARKET. -WOMAN, PLEASE. 285 00:13:03,580 --> 00:13:05,380 RIGHT NOW, I'M GONNA NEED YOU TO TAKE SEVERAL SEATS. 286 00:13:05,390 --> 00:13:08,890 I GOT THIS, OKAY? -OKAY. ALL RIGHT. SORRY. 287 00:13:08,890 --> 00:13:10,260 THAT IS STUNNING, HOLLYWOOD. 288 00:13:10,260 --> 00:13:12,190 YOU HAVE A THEME, RIGHT? YOU GUYS HAVE TO HAVE A THEME. 289 00:13:12,190 --> 00:13:13,760 OH, THE THEME IS GONNA BE "VENICE." 290 00:13:13,760 --> 00:13:15,110 WHO'S GONNA BE YOUR MAID OF HONOR? 291 00:13:15,110 --> 00:13:16,660 NOVA, YOU CAN'T ASK THAT -- 292 00:13:16,660 --> 00:13:19,110 'CAUSE, CLEARLY, IT'S GONNA BE ME. 293 00:13:19,120 --> 00:13:21,000 I MEAN, WHAT SHOULD I WEAR, AUNT VI? 294 00:13:21,000 --> 00:13:22,820 SOMETHING ITALIAN? VERSACE, MAYBE? 295 00:13:22,820 --> 00:13:24,700 WE HAVE NOT OFFICIALLY SETTLED ON -- 296 00:13:24,710 --> 00:13:25,700 NOW, WHAT WE GONNA DO IS, 297 00:13:25,710 --> 00:13:27,460 WE'RE GONNA HAVE A CANAL, RIGHT? 298 00:13:27,460 --> 00:13:28,990 WE COMING IN ON A GONDOLA. 299 00:13:28,990 --> 00:13:30,510 Y'ALL GONNA COME IN ON A HORSE-DRAWN CARRIAGE. 300 00:13:30,510 --> 00:13:32,880 YOU KNOW, I HAVE A GREAT WEDDING PLANNER FOR YOU, IF YOU NEED IT. 301 00:13:32,880 --> 00:13:34,130 SEE, I DON'T EVEN NEED ALL THAT. 302 00:13:34,130 --> 00:13:36,470 I THINK YOU SHOULD PICK A BLUE-THEMED WEDDING. 303 00:13:36,470 --> 00:13:39,130 HEY, BLUE? BLUE? TAKE IT EASY, OKAY? 304 00:13:39,140 --> 00:13:42,270 IT'S OKAY. ALL RIGHT, SO... 305 00:13:42,270 --> 00:13:47,230 WHY WOULD A BLUE-THEMED WEDDING BE SO SPECIAL? 306 00:13:47,230 --> 00:13:50,600 BECAUSE OF ME. 307 00:13:50,600 --> 00:13:52,260 BECAUSE OF YOU. 308 00:13:52,270 --> 00:13:54,400 THAT'S A REALLY GOOD REASON. 309 00:13:54,600 --> 00:13:57,600 [ INDISTINCT CONVERSATIONS ] 310 00:13:57,610 --> 00:14:04,440 ♪♪ 311 00:14:04,450 --> 00:14:11,250 ♪♪ 312 00:14:11,250 --> 00:14:18,090 ♪♪ 313 00:14:18,090 --> 00:14:20,480 YOU SIGNED THE CONTRACT? 314 00:14:21,850 --> 00:14:23,450 I DID. 315 00:14:26,400 --> 00:14:27,730 EVERYTHING STRAIGHT? 316 00:14:27,740 --> 00:14:29,900 HM. SAM LANDRY... 317 00:14:29,900 --> 00:14:33,690 HE OPENED THE DOOR TO HIS HOUSE AND LET ME COME RIGHT IN. 318 00:14:33,690 --> 00:14:36,410 SO, NOW, WITH MY 1%, 319 00:14:36,410 --> 00:14:39,660 I'M GONNA MAKE MYSELF JUST AS COMFORTABLE AS CAN BE. 320 00:14:39,660 --> 00:14:43,870 OPEN ACCESS TO ALL HIS CORPORATE RECORDS, FINANCIALS. 321 00:14:43,870 --> 00:14:46,370 I'M GONNA DIG UP EVERY SQUARE INCH OF DIRT 322 00:14:46,370 --> 00:14:49,260 AND TAKE DOWN EVERY SHAREHOLDER ON THAT BOARD. 323 00:14:49,260 --> 00:14:53,130 I'LL BURN THE ENTIRE LANDRY FAMILY TO THE GODDAMN GROUND. 324 00:14:53,130 --> 00:14:57,560 AND WHEN I OWN LANDRY ENTERPRISES, 325 00:14:57,570 --> 00:15:02,790 WE'LL FINALLY BRING POWER TO THE PEOPLE, RA... 326 00:15:02,790 --> 00:15:05,400 WHERE IT BELONGS. 327 00:15:05,410 --> 00:15:06,610 SEE, I CAN DIG THAT. 328 00:15:08,940 --> 00:15:13,930 ♪♪ 329 00:15:13,930 --> 00:15:16,850 ♪♪ 330 00:15:19,360 --> 00:15:21,130 ♪ THE SAME OLD... WITH THE POT ♪ 331 00:15:21,130 --> 00:15:23,250 ♪ THE SAME OLD... FROM THE TRAP ♪ 332 00:15:23,250 --> 00:15:24,510 ♪ EVERYBODY HATED ON HIM ♪ 333 00:15:24,520 --> 00:15:26,280 ♪ THEN, HE BOUNCED RIGHT BACK ♪ 334 00:15:26,280 --> 00:15:30,550 ♪ I DONE SPENT A WHOLE LOT OF TIME OVERSEAS ♪ 335 00:15:30,560 --> 00:15:32,960 [ INDISTINCT CONVERSATIONS ] 336 00:15:32,960 --> 00:15:37,560 -THIS IS, UH, SAINT JO, HUH? -I KNOW -- FLASHY, HUH? 337 00:15:37,560 --> 00:15:40,600 [ CHEERLEADERS CHEERING INDISTINCTLY ] 338 00:15:43,670 --> 00:15:45,740 HEY, PROSPER. HOW'S THAT BACK OF YOURS? 339 00:15:45,740 --> 00:15:46,770 OH! 340 00:15:46,770 --> 00:15:47,900 YOU KNOW I GOT ANOTHER APPOINTMENT 341 00:15:47,910 --> 00:15:49,440 SET UP FOR YOU IN ABOUT THREE WEEKS? 342 00:15:49,440 --> 00:15:50,870 YEAH, SO FAR, SO GOOD. 343 00:15:50,880 --> 00:15:54,580 DOCTOR GAVE ME SOME GOOD MEDS, AND I GOT THIS THING. 344 00:15:54,580 --> 00:15:55,710 -HI, MR. PROSPER. -USE IT. 345 00:15:55,710 --> 00:15:57,110 ♪ YOU AIN'T PAYIN' NO BILLS ♪ 346 00:15:57,120 --> 00:15:59,250 ♪ BUYIN' NO BAGS, BUYIN' NO HEELS ♪ 347 00:15:59,250 --> 00:16:00,880 ♪ GOD DAMN, LET A...LIVE ♪ 348 00:16:00,890 --> 00:16:02,350 PROSPER, CAN I GET YOU ANYTHING? 349 00:16:02,350 --> 00:16:05,490 I'M TAKING ORDERS -- HOT DOGS, NACHOS. 350 00:16:05,490 --> 00:16:07,690 DID YOU EAT DINNER? -I'M FINE. I'M FINE. 351 00:16:07,690 --> 00:16:09,690 I HAD A BITE BEFORE I CAME. 352 00:16:09,690 --> 00:16:11,790 THANK YOU. -I'LL HELP WITH EVERYTHING. 353 00:16:11,800 --> 00:16:12,800 NO, VI. YOU STAY. I'LL GO. 354 00:16:12,800 --> 00:16:14,960 -THANK YOU. -NO, BABY, I'M GOOD. 355 00:16:14,970 --> 00:16:17,430 US GIRLS, WE'RE GOING TO DO IT. 356 00:16:17,440 --> 00:16:19,270 -I WANT TO GO. -BLUE, STAY HERE WITH ME. 357 00:16:19,270 --> 00:16:22,470 BLUE? BL-- 358 00:16:22,470 --> 00:16:23,710 YEAH, I'MA BE RIGHT BACK. 359 00:16:27,080 --> 00:16:28,710 BLUE? 360 00:16:28,710 --> 00:16:31,580 PUT THOSE DOWN. COME HERE. 361 00:16:31,580 --> 00:16:32,620 YOU OKAY? 362 00:16:34,320 --> 00:16:35,690 WHAT'S GOING ON WITH YOU? 363 00:16:35,690 --> 00:16:37,690 I NEED YOU TO STAY WITH ME. 364 00:16:37,690 --> 00:16:39,290 YOU CAN'T JUST BE RUNNING AROUND WITH ALL THESE PEOPLE HERE. 365 00:16:39,290 --> 00:16:41,020 YOU'RE GONNA GET LOST. HOLD MY HAND. 366 00:16:42,760 --> 00:16:46,200 Woman: THAT'LL BE $9.50, OFFICER ORSON. 367 00:16:46,200 --> 00:16:49,200 [ DRAMATIC MUSIC PLAYS ] 368 00:16:49,200 --> 00:16:57,910 ♪♪ 369 00:16:57,910 --> 00:17:06,580 ♪♪ 370 00:17:06,580 --> 00:17:07,820 HI. 371 00:17:07,820 --> 00:17:09,620 WHAT'S YOUR NAME? -HAYES. 372 00:17:09,620 --> 00:17:11,020 NICE TO MEET YOU, HAYES. 373 00:17:14,290 --> 00:17:17,060 YOU GUYS HAVE SOMEBODY IN THE GAME? 374 00:17:17,060 --> 00:17:20,800 MY OLDEST GRANDSON PLAYS FOR COLLINS. 375 00:17:20,800 --> 00:17:22,770 YOU MUST BE VERY PROUD. 376 00:17:22,770 --> 00:17:23,800 WE ARE. 377 00:17:28,140 --> 00:17:29,170 HI. 378 00:17:31,610 --> 00:17:33,340 I REALLY LIKE YOUR SHARK SHIRT. 379 00:17:33,340 --> 00:17:34,660 THAT'S COOL. 380 00:17:34,660 --> 00:17:35,680 THANKS. 381 00:17:37,930 --> 00:17:39,520 ALL RIGHT. LET'S GO, HAYES. 382 00:17:39,520 --> 00:17:41,930 -BYE. -BYE. 383 00:17:41,940 --> 00:17:45,000 YOU HAVE A NICE NIGHT, ALL RIGHT? 384 00:17:45,010 --> 00:17:46,060 YEAH, YOU, TOO. 385 00:17:48,480 --> 00:17:50,440 BLUE? 386 00:17:50,450 --> 00:17:53,350 BABY? 387 00:17:53,350 --> 00:17:54,450 YEAH. 388 00:17:54,450 --> 00:17:57,450 [ CAMERA SHUTTER CLICKING ] 389 00:17:57,450 --> 00:18:03,740 ♪♪ 390 00:18:03,740 --> 00:18:10,050 ♪♪ 391 00:18:10,050 --> 00:18:16,350 ♪♪ 392 00:18:16,350 --> 00:18:18,250 LET ME HELP YOU WITH THAT. 393 00:18:18,260 --> 00:18:20,860 HOLD THIS FOR BLUE. THEY'RE IN THE BATHROOM. 394 00:18:20,860 --> 00:18:22,220 YOU GOT MY NACHOS? 395 00:18:22,230 --> 00:18:24,360 CALM DOWN. I GOT YOUR NACHOS. 396 00:18:24,360 --> 00:18:25,490 THANK YOU. THANK YOU. 397 00:18:28,670 --> 00:18:29,830 THIS IS GREAT. 398 00:18:29,830 --> 00:18:31,930 YEAH. 399 00:18:31,940 --> 00:18:34,000 HEY, UH, WHAT HAPPENED TO KEKE? 400 00:18:34,010 --> 00:18:36,210 THOUGHT SHE WAS CAPTAIN OF THE, UH... 401 00:18:36,210 --> 00:18:37,910 SHE THINKS SHE GOT THE FLU. 402 00:18:37,910 --> 00:18:39,740 OH, NO. 403 00:18:39,740 --> 00:18:42,310 WELL, TELL HER, IF SHE NEEDS ANYTHING... 404 00:18:42,310 --> 00:18:45,350 [ CHEERLEADERS CHEERING ] 405 00:18:47,190 --> 00:18:49,190 [ CHEERING ] 406 00:18:49,190 --> 00:18:56,190 ♪♪ 407 00:18:56,190 --> 00:18:59,130 [ CHEERING ] 408 00:19:06,740 --> 00:19:08,140 GO FOR IT, TEAM! 409 00:19:08,140 --> 00:19:10,240 GO BEARS! ST. JO! 410 00:19:10,240 --> 00:19:12,610 Cheerleaders: LET'S HEAR YOU ROAR, TIGERS! 411 00:19:12,610 --> 00:19:14,910 LET'S HEAR YOU ROAR, TIGERS! 412 00:19:14,910 --> 00:19:17,480 [ CAMERA SHUTTER CLICKING ] 413 00:19:17,480 --> 00:19:20,680 ALL RIGHT, TAKE YOUR SEATS. TAKE YOUR SEATS, EVERYBODY. 414 00:19:20,690 --> 00:19:22,720 THANK YOU. 415 00:19:22,720 --> 00:19:26,860 I'M BOB RICHMOND OF WZTZ NEWS, 416 00:19:26,860 --> 00:19:30,360 AND -- THANK YOU -- I WOULD LIKE TO WELCOME YOU ALL 417 00:19:30,360 --> 00:19:34,500 TO THE COLLINS-SAINT JO BASKETBALL CLASSIC! 418 00:19:34,500 --> 00:19:37,000 [ CHEERS AND APPLAUSE ] 419 00:19:37,000 --> 00:19:40,550 SO, THIS RIVALRY'S BEEN GOING ON FOR, LIKE, 70 YEARS. 420 00:19:40,560 --> 00:19:41,670 WE GOT ANY ALUMNI IN THE HOUSE? 421 00:19:41,670 --> 00:19:44,560 CLASS OF '96! CLASS OF '75! 422 00:19:44,560 --> 00:19:46,140 HEY! 423 00:19:46,140 --> 00:19:50,010 AND I'D LIKE TO WELCOME THE 2012 MISS SUGAR PRINCESS, 424 00:19:50,010 --> 00:19:54,530 OUR VERY OWN 2013 COLLINS HOMECOMING QUEEN, 425 00:19:54,540 --> 00:19:58,500 MISS KACY FLEMING, TO SING OUR NATIONAL ANTHEM. 426 00:19:58,510 --> 00:20:00,190 [ CHEERS AND APPLAUSE ] 427 00:20:00,190 --> 00:20:03,530 -LOVE YOU, KACY! -LOOKING GOOD! 428 00:20:11,340 --> 00:20:21,160 ♪ OH, SAY, CAN YOU SEE BY THE DAWN'S EARLY LIGHT ♪ 429 00:20:21,160 --> 00:20:30,940 ♪ WHAT SO PROUDLY WE HAILED AT THE TWILIGHT'S LAST GLEAMING? ♪ 430 00:20:30,940 --> 00:20:36,510 ♪ WHOSE BROAD STRIPES AND BRIGHT STARS ♪ 431 00:20:36,510 --> 00:20:38,940 ♪ THROUGH THE PERILOUS FIGHT ♪ 432 00:20:38,950 --> 00:20:39,950 WHAT ARE THESE KIDS DOING? 433 00:20:39,950 --> 00:20:41,730 -SHH. SHH. -THAT AIN'T RIGHT! 434 00:20:41,730 --> 00:20:46,850 ♪ O'ER THE RAMPARTS WE WATCHED ♪ 435 00:20:46,850 --> 00:20:49,990 [ MURMURING ] 436 00:20:49,990 --> 00:20:52,390 Man: SING, KACY! JUST IGNORE 'EM! 437 00:20:52,390 --> 00:20:57,200 ♪ WERE SO GALLANTLY STREAMING? ♪ 438 00:20:57,200 --> 00:20:59,920 ♪ AND THE ROCKETS' RED GLARE ♪ [ BOOING ] 439 00:20:59,920 --> 00:21:02,920 YOU WANT TO DISRESPECT OUR FLAG, GET OFF THE COURT! 440 00:21:02,920 --> 00:21:06,760 GO BACK TO WHERE YOU CAME FROM! 441 00:21:06,760 --> 00:21:10,390 YOU STAND UP, RIGHT NOW! 442 00:21:10,390 --> 00:21:12,900 YOU WANT TO LIVE IN OUR COUNTRY, YOU'RE GOING TO RESPECT IT! 443 00:21:12,900 --> 00:21:16,050 Man: BUNCH OF LOW-LIFE THUGS! DISRESPECTING AMERICA! 444 00:21:16,050 --> 00:21:19,030 [ INDISTINCT SHOUTING ] 445 00:21:19,040 --> 00:21:24,360 [ CAMERA SHUTTER CLICKING ] 446 00:21:24,360 --> 00:21:27,060 [ SPECTATORS CHANTING "LET THEM GO!" ] 447 00:21:27,060 --> 00:21:28,530 Bob: ALL RIGHT, EVERYBODY! 448 00:21:28,530 --> 00:21:30,230 ALL RIGHT, EVERYBODY! SETTLE! 449 00:21:30,230 --> 00:21:32,700 SETTLE! 450 00:21:32,700 --> 00:21:35,230 ALL RIGHT. 451 00:21:35,240 --> 00:21:37,120 ALL RIGHT, LET'S GET THIS GAME STARTED. 452 00:21:37,120 --> 00:21:38,790 WHO'S READY FOR THE COLLINS-SAINT JO 453 00:21:38,790 --> 00:21:40,340 BASKETBALL CLASSIC, HUH? 454 00:21:40,340 --> 00:21:41,370 COME ON! 455 00:21:44,010 --> 00:21:45,430 COME ON, LET 'EM HEAR IT! 456 00:21:45,430 --> 00:21:46,600 COME ON! 457 00:21:46,600 --> 00:21:49,550 [ CHEERING ] 458 00:21:57,520 --> 00:21:58,750 [ BUZZER SOUNDS ] 459 00:21:58,750 --> 00:22:01,180 [ CHEERING ] 460 00:22:05,320 --> 00:22:08,820 BOOM! DID THAT! 461 00:22:08,830 --> 00:22:12,730 SEE, NOW, THAT'S HOW YOU WHOOP SOME COLLINS' ASS, RIGHT?! 462 00:22:12,730 --> 00:22:14,760 BOOM! BOOM! AM I RIGHT? 463 00:22:14,770 --> 00:22:16,600 WE DID THAT, MR. PROSPER! YES, WE DID! 464 00:22:16,600 --> 00:22:19,200 THERE YOU GO. THERE YOU GO. 465 00:22:19,200 --> 00:22:20,500 HERE, I GOT YOU, PROSPER. 466 00:22:22,540 --> 00:22:23,770 HEY, MOM? YEAH? 467 00:22:23,770 --> 00:22:25,140 I'M GONNA HANG OUT WITH SOME FRIENDS, 468 00:22:25,140 --> 00:22:26,240 BUT I'LL GET A RIDE HOME. 469 00:22:26,240 --> 00:22:27,810 OKAY. MIDNIGHT CURFEW. 470 00:22:27,810 --> 00:22:29,010 AND TEXT ME. I WANT TO KNOW WHERE YOU'LL BE. 471 00:22:29,010 --> 00:22:30,850 -MICAH? -MIDNIGHT. 472 00:22:30,850 --> 00:22:32,110 -I LOVE YOU. -I LOVE YOU BACK. 473 00:22:32,120 --> 00:22:33,250 -HAVE FUN. -BYE. 474 00:22:33,250 --> 00:22:34,880 ARE YOU GOING TO BARRY'S? 475 00:22:34,890 --> 00:22:36,720 AND MISS RAISING A BEER TO A COLLINS' SLAUGHTER? 476 00:22:36,720 --> 00:22:37,790 I'LL BE THERE. 477 00:22:37,790 --> 00:22:39,290 COME ON, BABY, LET ME HELP YOU OUT. 478 00:22:39,290 --> 00:22:41,020 HOLLYWOOD, I GOT IT. 479 00:22:41,030 --> 00:22:42,160 THANK YOU, BABY. 480 00:22:44,330 --> 00:22:45,360 WOW. 481 00:22:47,570 --> 00:22:50,920 I TOLD YOU TO STOP PULLING IT SO MUCH. 482 00:22:50,920 --> 00:22:52,130 I GOT IT. 483 00:22:52,140 --> 00:22:53,850 I CAN DO IT MYSELF! 484 00:22:53,850 --> 00:22:54,850 I SAID I GOT IT. 485 00:22:54,860 --> 00:22:56,590 NO! STOP! 486 00:22:56,590 --> 00:22:58,860 FINE. GO AHEAD. 487 00:22:58,860 --> 00:22:59,890 YOU GOT IT. 488 00:23:05,120 --> 00:23:08,600 HEY, RALPH ANGEL. YOU NEED HELP WITH THAT, BABY? 489 00:23:08,600 --> 00:23:09,620 NO. I GOT IT. 490 00:23:12,770 --> 00:23:14,540 SO, Y'ALL NOT TOGETHER NO MORE? 491 00:23:20,460 --> 00:23:22,500 WORD AROUND HERE... 492 00:23:22,500 --> 00:23:26,100 YOU AND DARLA AIN'T TOGETHER NO MORE. 493 00:23:26,100 --> 00:23:28,970 WHAT ABOUT IT, TAMIKA? 494 00:23:28,970 --> 00:23:30,610 WELL... 495 00:23:30,610 --> 00:23:32,980 I WAS THINKING MAYBE YOU NEED SOMEBODY 496 00:23:32,980 --> 00:23:35,140 TO HELP WARM THE OTHER SIDE OF YOUR BED AT NIGHT. 497 00:23:44,820 --> 00:23:46,240 YOU GOT MY NUMBER. 498 00:23:54,170 --> 00:23:59,170 ♪♪ 499 00:23:59,170 --> 00:24:04,340 ♪♪ 500 00:24:04,340 --> 00:24:06,930 ♪♪ 501 00:24:06,930 --> 00:24:09,760 -HEY. -WHAT'S UP? -ALL RIGHT, PEACE. 502 00:24:09,760 --> 00:24:17,220 ♪♪ 503 00:24:17,220 --> 00:24:22,270 ♪♪ 504 00:24:22,280 --> 00:24:27,900 ♪♪ 505 00:24:27,900 --> 00:24:30,200 Man: HELL OF A NIGHT, EVEN WITH ALL THAT PRE-GAME NONSENSE. 506 00:24:30,200 --> 00:24:31,480 THIS IS DOPE. 507 00:24:31,490 --> 00:24:33,290 I THOUGHT WE WERE GOING TO HAVE A RIOT ON OUR HANDS. 508 00:24:33,290 --> 00:24:34,520 WHY THOSE YOUNG FOLKS GOT TO BE BRINGING 509 00:24:34,520 --> 00:24:36,210 ALL THIS ONTO THE COURT? 510 00:24:36,210 --> 00:24:37,790 THERE'S A TIME AND A PLACE FOR ALL THAT. 511 00:24:37,790 --> 00:24:39,490 NOW, I KNOW Y'ALL AIN'T SITTING OVER HERE WITH YOUR BEERS 512 00:24:39,490 --> 00:24:41,710 AND BOUDIN TALKING CRAP ABOUT A BUNCH OF KIDS 513 00:24:41,710 --> 00:24:43,250 DISRUPTING YOUR PRECIOUS GAME -- 514 00:24:43,250 --> 00:24:45,050 NOT TO MENTION, BRAVELY TAKING A KNEE 515 00:24:45,050 --> 00:24:46,360 IN FRONT OF ALL THOSE PEOPLE. 516 00:24:46,370 --> 00:24:48,530 RACIAL SLURS, DRINKS BEING THROWN AT THEM, 517 00:24:48,540 --> 00:24:50,140 TRYING TO SPEAK THEIR TRUTH ABOUT BROTHERS 518 00:24:50,140 --> 00:24:51,200 BEING SLAIN IN OUR STREETS. 519 00:24:51,200 --> 00:24:52,300 NOW, MISS NOVA -- 520 00:24:52,310 --> 00:24:53,760 HELL, I'LL BE DAMNED 521 00:24:53,760 --> 00:24:55,690 IF OUR FALLEN LOUISIANA SOLDIERS WEREN'T TURNING IN THEIR GRAVES 522 00:24:55,690 --> 00:24:57,790 LISTENING TO YOU TWO WANTING TO SILENCE 523 00:24:57,800 --> 00:24:59,530 THOSE COURAGEOUS YOUNG VOICES! 524 00:24:59,530 --> 00:25:01,060 Violet: THERE YOU GO, BABY. 525 00:25:01,070 --> 00:25:02,800 GEORGE, PHIL, WHAT Y'ALL TALKING ABOUT OVER HERE? 526 00:25:02,800 --> 00:25:07,040 THE IMPORTANCE OF YOUNG FOLK AND THE THINGS THEY'VE GOT TO SAY. 527 00:25:07,040 --> 00:25:08,540 OOH, THIS LOOKS GOOD. 528 00:25:10,540 --> 00:25:13,780 [ INDISTINCT CONVERSATION, LAUGHTER ] 529 00:25:13,780 --> 00:25:16,980 WAS REMY THERE TONIGHT? 530 00:25:16,980 --> 00:25:18,680 YEAH. YEAH. HE WAS THERE. 531 00:25:18,680 --> 00:25:19,980 WELL, WHY DIDN'T HE -- 532 00:25:19,980 --> 00:25:22,730 REMY?! 533 00:25:22,740 --> 00:25:23,770 HEY! 534 00:25:27,490 --> 00:25:31,130 HOLLYWOOD, GO GET THAT MAN. HE'S FAMILY. 535 00:25:31,130 --> 00:25:32,730 Y'ALL NEED TO STOP AVOIDING ONE ANOTHER. 536 00:25:32,730 --> 00:25:36,010 OKAY. OKAY. I GOT IT. 537 00:25:36,020 --> 00:25:37,680 NEED A NEW DRINK, ANYWAY. 538 00:25:41,220 --> 00:25:44,140 Remy: ...THAT BALL, MAN. I MEAN, COME ON? 539 00:25:44,140 --> 00:25:47,280 FIVE ASSISTS? FIVE GAMES? COME ON, THAT AIN'T ENOUGH. 540 00:25:47,280 --> 00:25:48,310 HEY, GENTLEMEN. 541 00:25:51,370 --> 00:25:52,360 EXCUSE US. 542 00:25:52,370 --> 00:25:58,100 ♪♪ 543 00:25:58,110 --> 00:25:59,450 UM... 544 00:25:59,460 --> 00:26:01,820 AUNT VI WANTED YOU TO COME AND SIT WITH US. 545 00:26:01,830 --> 00:26:04,880 YOU KNOW YOU'RE STILL PART OF THIS FAMILY AND, UH, 546 00:26:04,880 --> 00:26:07,880 WHATEVER'S BETWEEN YOU AND ME, IT... 547 00:26:07,880 --> 00:26:09,300 REALLY SHOULDN'T AFFECT THEM. 548 00:26:11,640 --> 00:26:13,790 WELL, I APPRECIATE THAT. 549 00:26:13,790 --> 00:26:14,800 I DO. 550 00:26:16,560 --> 00:26:20,190 BUT WITH RESPECT TO VIOLET, I THINK I'MA JUST, UM... 551 00:26:20,190 --> 00:26:21,930 I THINK I'MA JUST KEEP MY HEAD DOWN OVER HERE. 552 00:26:21,930 --> 00:26:27,480 ♪♪ 553 00:26:27,480 --> 00:26:28,730 GOOD TO SEE YOU. -YEAH. 554 00:26:28,740 --> 00:26:29,740 GOOD TO SEE YOU. 555 00:26:29,740 --> 00:26:37,930 ♪♪ 556 00:26:37,930 --> 00:26:46,100 ♪♪ 557 00:26:46,100 --> 00:26:47,470 SCOTCH ON THE ROCKS, PLEASE. 558 00:26:49,710 --> 00:26:51,170 I THOUGHT YOU WERE A BOURBON GAL. 559 00:26:51,180 --> 00:26:57,610 ♪♪ 560 00:26:57,610 --> 00:27:00,150 SHOWS HOW LITTLE YOU KNOW. 561 00:27:00,150 --> 00:27:01,880 CONGRATULATIONS ARE IN ORDER. 562 00:27:01,890 --> 00:27:02,920 I'D TOAST, BUT -- 563 00:27:02,920 --> 00:27:05,150 WHAT ARE YOU DOING HERE? 564 00:27:05,160 --> 00:27:07,360 SUPPORTING THE HOMETOWN VICTORY. 565 00:27:07,360 --> 00:27:09,140 I GO TO ALL THE GAMES. 566 00:27:09,140 --> 00:27:12,810 I WAS A MEAN FORWARD IN MY HIGH-SCHOOL DAYS. 567 00:27:12,810 --> 00:27:14,980 -HERE YOU GO. -KEEP THE CHANGE. 568 00:27:14,980 --> 00:27:17,650 Waitress: THANK YOU, MA'AM. 569 00:27:17,650 --> 00:27:21,850 FEELS BAD, HAVING A SECRET LIKE OURS, DON'T IT? 570 00:27:21,860 --> 00:27:24,640 FEELS A LITTLE DIRTY. 571 00:27:24,640 --> 00:27:30,610 ♪♪ 572 00:27:30,610 --> 00:27:36,620 ♪♪ 573 00:27:36,620 --> 00:27:38,220 ANOTHER TIME, JACOB. 574 00:27:38,220 --> 00:27:45,630 ♪♪ 575 00:27:58,050 --> 00:28:00,080 [ BANGING ] 576 00:28:02,720 --> 00:28:04,520 YOU'RE SUPPOSED TO BE IN BED, BLUE. 577 00:28:04,520 --> 00:28:05,900 Blue: I AM IN BED! 578 00:28:08,390 --> 00:28:09,920 NO, YOU AIN'T. I HEARD YOU. 579 00:28:12,190 --> 00:28:14,460 [ CELLPHONE VIBRATING ] 580 00:28:21,140 --> 00:28:22,640 -HI. -HOLD ON. 581 00:28:24,290 --> 00:28:25,460 Darla: RALPH ANGEL, CAN WE JUST 582 00:28:25,460 --> 00:28:27,040 TALK ABOUT THIS FOR TWO SECONDS? 583 00:28:30,710 --> 00:28:32,960 IT'S YOUR MAMA. 584 00:28:32,970 --> 00:28:35,670 HEY, BABY. I'VE MISSED YOU. 585 00:28:35,670 --> 00:28:38,940 I ALREADY PICKED OUT "THE SECRET PIZZA PARTY." 586 00:28:38,940 --> 00:28:41,100 AUNTIE VI BROUGHT IT BACK FROM ITALY FOR ME. 587 00:28:41,110 --> 00:28:42,220 SHE DID? 588 00:28:42,220 --> 00:28:44,890 IT'S REALLY GOOD. YOU'RE GONNA LOVE IT. 589 00:28:44,890 --> 00:28:46,980 I ALREADY READ IT TWICE. 590 00:28:46,980 --> 00:28:49,330 TWICE? OH, MY GOODNESS. 591 00:28:49,330 --> 00:28:52,050 HOW WAS THE BASKETBALL GAME? 592 00:28:52,050 --> 00:28:54,200 POP WOULDN'T LET ME HAVE ANY CANDY. 593 00:28:54,200 --> 00:28:56,640 WELL, WERE YOU BEING GOOD? 594 00:28:56,640 --> 00:28:58,310 'CAUSE REMEMBER HOW WE TALKED ABOUT LISTENING? 595 00:29:03,110 --> 00:29:05,110 WHEN ARE YOU COMING TO GET ME? 596 00:29:05,110 --> 00:29:10,900 ♪♪ 597 00:29:10,900 --> 00:29:13,450 I KNOW, BABY. 598 00:29:13,460 --> 00:29:15,190 I MISS YOU SO MUCH. 599 00:29:15,190 --> 00:29:18,160 I WANT YOU TO COME HOME. 600 00:29:21,430 --> 00:29:24,000 I'M WORKING ON A PLAN, OKAY? 601 00:29:24,000 --> 00:29:31,100 ♪♪ 602 00:29:31,110 --> 00:29:33,010 Violet: OH, I THOUGHT THAT WAS SO FUNNY. 603 00:29:33,010 --> 00:29:34,640 [ LAUGHS ] 604 00:29:35,940 --> 00:29:38,600 [ SIGHS ] 605 00:29:38,600 --> 00:29:39,700 WHAT'S GOTTEN INTO YOU? 606 00:29:45,290 --> 00:29:47,520 NOW, WHY WOULDN'T YOU TAKE MY HAND AT THE GAME TONIGHT? 607 00:29:53,380 --> 00:29:54,510 BABY... 608 00:29:56,920 --> 00:30:01,520 ...I KNOW YOU'RE TRYING TO HELP ME, AND YOU DO... 609 00:30:03,420 --> 00:30:08,860 BUT I DON'T NEED YOU BEING ALL MANLY AND PROTECTIVE, 610 00:30:08,860 --> 00:30:12,100 LIKE I'M GONNA BREAK, 611 00:30:12,100 --> 00:30:16,280 LIKE YOU TRYING TO PUT ME ON SOME PEDESTAL OR SOMETHING. 612 00:30:18,090 --> 00:30:19,820 I'MA ALWAYS LIFT YOU UP. 613 00:30:23,740 --> 00:30:25,490 AND I'MA ALWAYS PROTECT YOU. 614 00:30:27,830 --> 00:30:29,280 THAT'S WHAT I DO. 615 00:30:29,280 --> 00:30:30,630 I KNOW, BABY. 616 00:30:30,630 --> 00:30:34,170 BUT YOU'VE GOT TO UNDERSTAND THAT I DON'T NEED NO PEDESTAL. 617 00:30:34,170 --> 00:30:37,000 I AIN'T GONNA BREAK. 618 00:30:37,010 --> 00:30:40,510 I GOT WINGS, JUST LIKE YOU. 619 00:30:43,510 --> 00:30:44,840 RIGHT? 620 00:30:44,850 --> 00:30:49,900 ♪♪ 621 00:30:49,900 --> 00:30:55,020 ♪♪ 622 00:30:55,020 --> 00:30:56,240 [ CELLPHONE CHIMES ] 623 00:31:15,180 --> 00:31:18,210 [ INDISTINCT SHOUTING ON VIDEO ] 624 00:31:22,730 --> 00:31:27,890 ♪♪ 625 00:31:27,890 --> 00:31:32,980 ♪♪ 626 00:31:32,980 --> 00:31:41,870 ♪♪ 627 00:31:41,870 --> 00:31:46,940 ♪♪ 628 00:31:46,940 --> 00:31:51,950 ♪♪ 629 00:31:51,950 --> 00:31:57,030 ♪♪ 630 00:31:57,040 --> 00:32:02,060 ♪♪ 631 00:32:02,060 --> 00:32:07,060 ♪♪ 632 00:32:15,900 --> 00:32:18,270 [ LINE RINGING ] 633 00:32:21,280 --> 00:32:24,280 Micah: HEY. THIS IS MICAH WEST. PROBABLY WON'T LISTEN TO IT, 634 00:32:24,280 --> 00:32:27,000 BUT YOU CAN LEAVE ME A MESSAGE, ANYWAYS. 635 00:32:27,000 --> 00:32:29,250 YOU WERE SUPPOSED TO BE HOME 30 MINUTES AGO! 636 00:32:29,250 --> 00:32:30,330 WHERE ARE YOU? 637 00:32:30,340 --> 00:32:31,950 I NEED YOU TO GET HOME, RIGHT HOW. 638 00:32:31,950 --> 00:32:34,240 I'M RIGHT HERE. 639 00:32:34,240 --> 00:32:35,590 OH, THANK GOD. 640 00:32:35,590 --> 00:32:37,740 LETTICIA'S RIDE BAILED, SO ROGER TOOK HER HOME FIRST. 641 00:32:37,740 --> 00:32:39,130 WE'VE BEEN OVER THIS. 642 00:32:39,130 --> 00:32:40,590 YOU NEED TO PLAN YOUR TIME BETTER. 643 00:32:40,600 --> 00:32:42,700 WELL, SOMETIMES LIFE HAPPENS, MOM. 644 00:32:42,700 --> 00:32:45,470 I'M GONNA BE LATE, AND YOU CAN'T FREAK OUT. 645 00:32:45,470 --> 00:32:46,770 EXCUSE ME? 646 00:32:46,770 --> 00:32:50,640 [ CELLPHONE RINGING ] 647 00:32:50,640 --> 00:32:53,870 IT'S KEKE. 648 00:32:53,880 --> 00:32:56,740 ARE YOU FEELING BETTER? 649 00:32:56,750 --> 00:33:00,150 THAT'S GOOD. 650 00:33:00,150 --> 00:33:01,650 YEAH? WHAT DID BOOGIE SAY? 651 00:33:04,250 --> 00:33:07,420 NO. THEY WALKED ON THE COURT WITHOUT SAYING ANYTHING. 652 00:33:07,420 --> 00:33:08,460 IT WAS DOPE. 653 00:33:10,260 --> 00:33:12,680 THAT WOULD NEVER HAPPEN AT GARDINI. 654 00:33:12,680 --> 00:33:15,180 ME, AND WHO ELSE? CHRISTIAN? 655 00:33:15,180 --> 00:33:17,310 NAH, CHRISTIAN WOULD NEVER. 656 00:33:17,320 --> 00:33:21,330 HEY? AND... 657 00:33:21,340 --> 00:33:23,140 YOU NEED TO START UNPACKING TOMORROW. 658 00:33:23,140 --> 00:33:24,170 SOME OF THIS NEEDS TO GO OVER TO YOUR DAD'S. 659 00:33:24,170 --> 00:33:27,170 YES, MOM. OKAY. 660 00:33:27,180 --> 00:33:28,260 OKAY. 661 00:33:28,260 --> 00:33:30,230 DON'T STAY ON THE PHONE TOO LATE. 662 00:33:30,230 --> 00:33:32,000 I LOVE YOU. 663 00:33:32,000 --> 00:33:35,680 MOM, CAN YOU CLOSE THE DOOR? 664 00:33:35,680 --> 00:33:36,730 PLEASE? 665 00:33:41,590 --> 00:33:43,190 SORRY. 666 00:33:43,190 --> 00:33:45,210 NOW THAT YOU'VE GOT THE WHOLE TOWN TALKING, 667 00:33:45,210 --> 00:33:46,640 WHAT LED TO FRIDAY NIGHT'S PROTEST? 668 00:33:46,650 --> 00:33:49,210 WELL, THE THING IS, EVERYBODY AROUND HERE 669 00:33:49,210 --> 00:33:51,480 GOT A STORY, YOU KNOW? 670 00:33:51,480 --> 00:33:56,140 A LOVED ONE, A BROTHER, A SISTER BEEN BEATEN, 671 00:33:56,140 --> 00:33:58,920 LOCKED UP, OR SHOT DEAD. 672 00:33:58,920 --> 00:34:00,290 WE SITTING HERE TRYING TO BRING VOICE 673 00:34:00,290 --> 00:34:02,760 TO THE INJUSTICES WE BREATHE EVERY SINGLE MORNING 674 00:34:02,760 --> 00:34:04,710 WHEN WE WAKE UP AND WE WALK OUT THAT DOOR. 675 00:34:04,710 --> 00:34:07,250 AND WE MAY BE LITTLE, BUT WE'RE GOING TO BE LOUD. 676 00:34:07,250 --> 00:34:08,620 MM-HMM. 677 00:34:08,620 --> 00:34:11,100 PEOPLE WAS TAKING VIDEOS AND STUFF FRIDAY NIGHT, BRO. 678 00:34:11,100 --> 00:34:12,890 YEAH. YEAH, YEAH. 679 00:34:12,890 --> 00:34:14,850 LOOK, OUR I.G.'s BLOWING UP. LOOK, LOOK. 680 00:34:14,860 --> 00:34:16,160 50,000 VIEWS. 681 00:34:16,160 --> 00:34:19,330 GET THAT OUT OF HER FACE, MAN. 682 00:34:19,330 --> 00:34:22,000 Young Woman: LOOK, IF THOSE BIG-TIME POLITICIANS GOING TO IGNORE US, 683 00:34:22,000 --> 00:34:23,630 LIKE THEY DID IN FERGUSON, 684 00:34:23,630 --> 00:34:28,520 PRETEND WE DON'T EXIST, WE'LL GO STRAIGHT TO THE PEOPLE. 685 00:34:28,520 --> 00:34:30,740 YO? RESPECT, MAN. 686 00:34:30,740 --> 00:34:31,910 -APPRECIATE IT. -RESPECT. 687 00:34:31,910 --> 00:34:34,210 HEY, MAN, WE'RE GETTING INTERVIEWED BY THE PAPER! 688 00:34:34,210 --> 00:34:35,840 -THAT'S DOPE, MAN. -YEAH. 689 00:34:35,840 --> 00:34:42,080 ♪♪ 690 00:35:05,310 --> 00:35:06,660 [ DOOR OPENS ] 691 00:35:09,140 --> 00:35:10,310 [ DOOR CLOSES ] 692 00:35:16,300 --> 00:35:18,020 Woman: RALPH ANGEL BORDELON? 693 00:35:18,020 --> 00:35:19,040 YES, MA'AM. 694 00:35:24,460 --> 00:35:26,040 ARE EITHER OF YOU THE MOTHER? 695 00:35:26,040 --> 00:35:27,040 SHE IN D.C. 696 00:35:29,180 --> 00:35:30,510 THESE ARE YOUR RESULTS. 697 00:35:34,020 --> 00:35:35,550 I'LL GIVE YOU A MINUTE. 698 00:35:35,550 --> 00:35:36,550 ALL RIGHT. 699 00:35:36,550 --> 00:35:39,440 ♪♪ 700 00:35:39,440 --> 00:35:44,530 ♪♪ 701 00:35:44,530 --> 00:35:49,600 ♪♪ 702 00:35:49,600 --> 00:35:54,650 ♪♪ 703 00:35:54,660 --> 00:35:59,740 ♪♪ 704 00:35:59,740 --> 00:36:04,800 ♪♪ 705 00:36:04,800 --> 00:36:09,890 ♪♪ 706 00:36:09,890 --> 00:36:14,960 ♪♪ 707 00:36:14,960 --> 00:36:16,390 IT DON'T CHANGE NOTHING. 708 00:36:18,100 --> 00:36:19,560 Charley: WE KNOW. 709 00:36:19,560 --> 00:36:23,830 -WE GOT YOU, RA. -IT'S ALL GOOD. 710 00:36:23,840 --> 00:36:26,550 IT DON'T CHANGE NOTHING. 711 00:36:26,550 --> 00:36:27,550 NO. 712 00:36:27,560 --> 00:36:30,490 ♪♪ 713 00:36:30,490 --> 00:36:35,500 ♪♪ 714 00:36:35,500 --> 00:36:38,300 ♪♪ 715 00:36:38,300 --> 00:36:40,580 IT DON'T CHANGE NOTHING. 716 00:36:40,590 --> 00:36:41,750 NO. 717 00:36:41,750 --> 00:36:42,750 IT DON'T. IT DON'T. 718 00:36:42,750 --> 00:36:47,790 ♪♪ 719 00:36:47,790 --> 00:36:51,180 ♪♪ 720 00:36:51,180 --> 00:36:52,660 IT DON'T CHANGE NOTHING. 721 00:36:52,660 --> 00:36:55,050 ♪♪ 722 00:36:55,050 --> 00:37:00,050 ♪♪ 723 00:37:00,060 --> 00:37:02,020 ♪♪ 724 00:37:02,020 --> 00:37:03,470 IT DON'T CHANGE NOTHING. 725 00:37:03,480 --> 00:37:05,860 ♪♪ 726 00:37:05,860 --> 00:37:15,150 ♪♪ 727 00:37:21,830 --> 00:37:23,790 DIDN'T REALIZE YOU WERE OUT HERE. 728 00:37:27,330 --> 00:37:29,130 DIDN'T WANT TO DISTURB YOU GUYS IN THERE, 729 00:37:29,130 --> 00:37:30,830 WORKING SO HARD ON A SUNDAY. 730 00:37:32,420 --> 00:37:34,890 JUST TAKING IT ALL IN. 731 00:37:36,290 --> 00:37:37,320 HERE. 732 00:37:48,770 --> 00:37:51,650 HOW YOU DOING, MR. PROSPER? 733 00:37:51,660 --> 00:37:52,820 OH... 734 00:37:55,710 --> 00:37:57,830 I, UH... 735 00:37:57,830 --> 00:38:01,900 DIDN'T WANT TO TELL VI, BUT THE DOCTOR SAID I... 736 00:38:01,900 --> 00:38:03,830 I NEED BACK SURGERY. 737 00:38:03,840 --> 00:38:07,750 OH, WOW. I'M SO SORRY. 738 00:38:07,760 --> 00:38:10,620 I WAS TELLING YOUR BROTHER 739 00:38:10,630 --> 00:38:13,280 THAT I'M NOT GOING TO BE MUCH HELP THIS SEASON. 740 00:38:15,960 --> 00:38:18,560 AND I'M CONCERNED ABOUT RALPH ANGEL 741 00:38:18,570 --> 00:38:20,850 TAKING ON 800 ACRES ON HIS OWN. 742 00:38:20,850 --> 00:38:22,220 [ CHUCKLES ] 743 00:38:22,220 --> 00:38:23,270 YEP. 744 00:38:24,310 --> 00:38:28,070 DADDY NEVER WAS ABLE TO FARM ALL THE LAND. 745 00:38:28,080 --> 00:38:30,560 RA'S JUST TRYING TO PROVE HE CAN. 746 00:38:32,780 --> 00:38:37,070 BUT IT SEEMS LIKE HE'S GOT A GOOD HANDLE ON THINGS -- 747 00:38:37,070 --> 00:38:42,090 EQUIPMENT UPGRADES, NEW WORKERS, AND, YOU KNOW, NOVA AND ME... 748 00:38:42,090 --> 00:38:46,940 WE'LL ALWAYS BE HERE FOR HIM. 749 00:38:46,940 --> 00:38:48,130 HE'S LUCKY TO HAVE THE TWO OF YOU. 750 00:38:48,130 --> 00:38:49,830 [ CHUCKLES ] 751 00:38:49,830 --> 00:38:52,080 WE ARE LUCKY TO HAVE YOU. 752 00:38:55,140 --> 00:38:58,790 YOU HAVE BEEN SUCH A BLESSING TO THIS FAMILY. 753 00:38:58,790 --> 00:39:01,220 IT'S LIKE HAVING A LITTLE PIECE OF DADDY IN THE FLESH. 754 00:39:04,400 --> 00:39:07,980 HE'S LOOKING DOWN, SO PROUD. 755 00:39:07,980 --> 00:39:15,800 ♪♪ 756 00:39:15,810 --> 00:39:17,240 I PROMISE YOU... 757 00:39:19,330 --> 00:39:22,080 ...I AM GOING TO TAKE CARE OF THIS COMMUNITY. 758 00:39:26,200 --> 00:39:27,280 I KNOW. 759 00:39:29,340 --> 00:39:30,670 I KNOW. 760 00:39:30,670 --> 00:39:33,290 ♪♪ 761 00:39:33,290 --> 00:39:38,280 ♪♪ 762 00:39:38,280 --> 00:39:46,250 ♪♪ 763 00:39:46,250 --> 00:39:50,460 ♪♪ 764 00:39:50,460 --> 00:39:54,160 ♪ BORN TO THE BIRDS ♪ 765 00:39:54,160 --> 00:39:57,130 ♪ BORN TO THE GHOSTS ♪ 766 00:39:57,130 --> 00:40:00,500 ♪♪ 767 00:40:00,500 --> 00:40:04,740 ♪ BORN TO THIS THREAD OF LIGHT ♪ 768 00:40:04,740 --> 00:40:09,740 ♪ THAT CONNECTS US ALL ♪ 769 00:40:09,740 --> 00:40:14,810 ♪ IT WILL ALL FALL AWAY ♪ 770 00:40:14,820 --> 00:40:19,450 ♪ TO THE OCEANS BELOW ♪ 771 00:40:19,450 --> 00:40:24,490 ♪ AND I'M GONNA HOLD YOU NOW ♪ 772 00:40:24,490 --> 00:40:27,890 ♪ I'M GONNA HOLD YOU NOW ♪ 773 00:40:27,900 --> 00:40:29,700 WE AIN'T GOING INSIDE. 774 00:40:29,700 --> 00:40:33,120 ♪ I'M GONNA HOLD YOU NOW ♪ 775 00:40:33,120 --> 00:40:36,200 ♪ IN THE GRIP OF THE RIPTIDE ♪ 776 00:40:36,200 --> 00:40:39,720 ♪♪ 777 00:40:39,720 --> 00:40:44,810 ♪ I'M GONNA HOLD YOU NOW ♪ 778 00:40:44,810 --> 00:40:49,920 ♪ I'M GONNA HOLD YOU NOW ♪ 779 00:40:49,920 --> 00:40:54,790 ♪ I'M GONNA HOLD YOU NOW ♪ 780 00:40:54,790 --> 00:40:56,420 ♪ UNTIL I CAN'T ♪ 781 00:40:56,420 --> 00:40:59,430 -- Captions by VITAC -- www.vitac.com 782 00:40:59,430 --> 00:41:02,430 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 783 00:41:02,430 --> 00:41:07,800 ♪♪ 784 00:41:07,800 --> 00:41:12,540 ♪ I'M GONNA HOLD YOU NOW ♪ 785 00:41:12,540 --> 00:41:15,170 ♪ UNTIL I CAN'T ♪ 786 00:41:15,180 --> 00:41:20,880 ♪♪ 787 00:41:20,880 --> 00:41:20,910 Woman: GO, RIRI!