1
00:00:01,685 --> 00:00:04,979
[ BILLY IDOL'S
"DANCING WITH MYSELF" PLAYS ]

2
00:00:10,566 --> 00:00:13,360
♪ IF I LOOKED
ALL OVER THE WORLD ♪

3
00:00:13,360 --> 00:00:16,033
♪ AND THERE'S EVERY TYPE
OF GIRL ♪

4
00:00:16,033 --> 00:00:18,997
♪ BUT YOUR EMPTY EYES
SEEM TO PASS ME BY ♪

5
00:00:18,997 --> 00:00:21,460
♪ LEAVE ME DANCING WITH MYSELF ♪
LEAVE HIM ALONE!

6
00:00:21,460 --> 00:00:24,213
♪ SO LET'S SINK ANOTHER DRINK ♪

7
00:00:24,213 --> 00:00:26,666
♪ 'CAUSE IT'LL GIVE ME
TIME TO THINK ♪

8
00:00:26,666 --> 00:00:29,670
♪ IF I HAD THE CHANCE
I'D ASK THE WORLD TO DANCE ♪

9
00:00:29,670 --> 00:00:32,974
♪ AND I'LL BE DANCING
WITH MYSELF ♪

10
00:00:32,974 --> 00:00:34,346
[ RATT'S "DR. ROCK" PLAYS ]
♪ A DOCTOR ♪

11
00:00:34,346 --> 00:00:37,019
[ CHEERS AND APPLAUSE ]

12
00:00:41,234 --> 00:00:45,029
♪ YOU WANNA TAKE A BREAK ♪

13
00:00:45,029 --> 00:00:48,824
♪ WE'D LIKE TO TAKE YOU THERE ♪

14
00:00:48,824 --> 00:00:51,537
♪ YOU ARGUE ABOUT THE WORLD ♪

15
00:00:51,537 --> 00:00:55,372
Woman:
HERE, I'LL LAY IT OUT.

16
00:00:55,372 --> 00:00:57,624
Woman #2:
OKAY, WE'LL SEE WHAT HAPPENS.

17
00:00:57,624 --> 00:01:01,049
I'M GETTING TIRED OF CRASHING
ON PEOPLE'S COUCHES, YOU KNOW?

18
00:01:01,049 --> 00:01:02,470
HE'S SHOWING ME, LIKE,
THESE BITCHIN' APARTMENTS

19
00:01:02,470 --> 00:01:03,472
HE'S GOT FOR RENT.

20
00:01:03,472 --> 00:01:05,174
-YEAH?
-HE'S BIG IN REAL ESTATE.

21
00:01:05,174 --> 00:01:06,976
AND YEAH,
HE'S TOTALLY FINE, TOO.

22
00:01:06,976 --> 00:01:09,019
I'LL CATCH A RIDE HOME.
YOU'RE SO LUCKY.

23
00:01:09,019 --> 00:01:13,484
♪ DR. ROCK ♪
OKAY.

24
00:01:13,484 --> 00:01:14,896
[ CHEERS AND APPLAUSE ]

25
00:01:14,896 --> 00:01:18,861
COME ON, GIRL.
LET'S GO! LET'S GO.

26
00:01:18,861 --> 00:01:23,196
♪ DON'T NEED NO HEADACHE ♪

27
00:01:23,196 --> 00:01:24,948
♪ DON'T NEED TO MOVE SO SLOW ♪

28
00:01:24,948 --> 00:01:27,331
TALK TO YOU LATER.
LET'S GO.

29
00:01:27,331 --> 00:01:30,125
HOW YA DOIN'?
NICE.

30
00:01:30,125 --> 00:01:32,207
HEY, HEY.
YOU'RE NOT THE BAND'S TYPE.

31
00:01:32,207 --> 00:01:34,130
COME ON, MAN!

32
00:01:34,130 --> 00:01:35,251
HANG OUT HERE.

33
00:01:35,251 --> 00:01:38,425
♪ IT'S ONLY
ONE OF THOSE THINGS ♪

34
00:01:38,425 --> 00:01:42,100
♪ YOU KNOW YOU NEED TO ROCK ♪

35
00:01:42,100 --> 00:01:46,145
♪ DON'T NEED TO BREAK YOUR LEG ♪

36
00:01:46,145 --> 00:01:47,817
♪ CALL YOU DR. ROCK ♪

37
00:01:47,817 --> 00:01:50,770
EXCUSE ME!

38
00:01:50,770 --> 00:01:52,903
EXCUSE ME!

39
00:01:52,903 --> 00:01:55,987
BOURBON.

40
00:01:55,987 --> 00:01:58,120
WHAT YOU DRINKING?

41
00:01:58,120 --> 00:01:59,912
VODKA ORANGE.

42
00:01:59,912 --> 00:02:02,745
VODKA ORANGE.

43
00:02:02,745 --> 00:02:04,287
THANKS.

44
00:02:04,287 --> 00:02:07,882
IT'S THE LEAST I COULD DO,
BACKSTAGE REJECTION AND ALL.

45
00:02:07,882 --> 00:02:08,923
SAVE YOUR PITY.

46
00:02:08,923 --> 00:02:11,216
I DON'T WANT TO PARTY
WITH THE BAND.

47
00:02:11,216 --> 00:02:12,638
I'M WORKING ON A STORY.

48
00:02:12,638 --> 00:02:14,219
WHAT'S THE STORY?

49
00:02:14,219 --> 00:02:15,721
ALL THIS.

50
00:02:15,721 --> 00:02:17,724
THE SUNSET STRIP
IS INSANE

51
00:02:17,724 --> 00:02:19,226
WHO'S IT FOR?

52
00:02:19,226 --> 00:02:22,940
ROLLING STONE...

53
00:02:22,940 --> 00:02:24,482
I HOPE.

54
00:02:24,482 --> 00:02:27,736
RIGHT NOW I'M SLUMMIN' IT WITH
THAT MAGAZINE, L.A. NOTORIOUS.

55
00:02:27,736 --> 00:02:29,699
LISTEN, I WORK AT A&R.

56
00:02:29,699 --> 00:02:31,201
I HEAR ABOUT GIGS
ALL THE TIME.

57
00:02:31,201 --> 00:02:33,784
YOU DO KNOW THAT ROLLING STONE'S
NOT THE ONLY GAME IN TOWN?

58
00:02:33,784 --> 00:02:36,207
DO YOU HAVE A CARD?

59
00:02:36,207 --> 00:02:37,879
I READ PEOPLE
PRETTY WELL.

60
00:02:37,879 --> 00:02:39,291
GOT A GOOD FEELING
ABOUT YOU.

61
00:02:39,291 --> 00:02:41,213
YOU KNOW WHAT? I'M ALL OUT.
YOU GOT A PEN?

62
00:02:41,213 --> 00:02:42,885
WRITE YOUR NAME
AND NUMBER DOWN.

63
00:02:42,885 --> 00:02:46,259
♪ YOU NEED YOUR TIME ♪

64
00:02:46,259 --> 00:02:48,051
♪ YEAH ♪

65
00:02:48,051 --> 00:02:49,053
SMOOTH.

66
00:02:49,053 --> 00:02:50,895
AM I FLIRTING?

67
00:02:50,895 --> 00:02:52,557
♪ AW, YEAH ♪

68
00:02:52,557 --> 00:02:53,728
MAYBE A LITTLE.

69
00:02:53,728 --> 00:02:54,730
BUT I WAS YOU.

70
00:02:54,730 --> 00:02:56,232
PEOPLE HELPED ME OUT.

71
00:02:56,232 --> 00:02:58,444
SO KILL ME,
I LIKE GIVING BACK.

72
00:02:58,444 --> 00:02:59,736
KAREN WHAT?
I'M JOHN.

73
00:02:59,736 --> 00:03:02,119
McCLAREN.

74
00:03:02,119 --> 00:03:04,242
LOOK, I GOTTA SPLIT,
BUT I'LL, UH, I'LL CALL YOU,

75
00:03:04,242 --> 00:03:06,624
KAREN McCLAREN,
WHEN I WANT TO HEAR SOMETHING.

76
00:03:06,624 --> 00:03:10,209
[ CHEERS ]

77
00:03:11,501 --> 00:03:12,872
MAN: KVXT. Hello.

78
00:03:12,872 --> 00:03:16,296
YEAH, HEY, UM, I'D LIKE TO MAKE
A DEDICATION, PLEASE.

79
00:03:16,296 --> 00:03:17,878
FOR EMILY F.

80
00:03:17,878 --> 00:03:19,801
THANK YOU.

81
00:03:19,801 --> 00:03:22,184
YOU'RE GONNA LOVE THESE PADS,
EMILY.

82
00:03:22,184 --> 00:03:25,308
A BIT OUT OF YOUR PRICE RANGE,
BUT I WAS YOU ONCE.

83
00:03:25,308 --> 00:03:26,689
PEOPLE HELPED ME OUT.

84
00:03:26,689 --> 00:03:29,563
SO KILL ME,
I LIKE GIVING BACK.

85
00:03:29,563 --> 00:03:30,855
ALL RIGHT.

86
00:03:30,855 --> 00:03:33,398
LET'S GO.

87
00:03:33,398 --> 00:03:37,112
♪ DON'T WANT TO PACK
MY THINGS AND GO ♪

88
00:03:37,112 --> 00:03:38,824
♪ TAINTED LOVE ♪

89
00:03:38,824 --> 00:03:40,747
♪ WHOA-OH-OH-OH ♪

90
00:03:40,747 --> 00:03:42,249
♪ TAINTED LOVE ♪

91
00:03:42,249 --> 00:03:44,081
♪ WHOA-OH-OH-OH ♪

92
00:03:44,081 --> 00:03:45,713
♪ TAINTED LOVE ♪

93
00:03:45,713 --> 00:03:47,335
♪ WHOA-OH-OH-OH ♪

94
00:03:47,335 --> 00:03:49,257
♪ TAINTED LOVE ♪

95
00:03:49,257 --> 00:03:50,759
IT'S TAKING YOU
A WHILE, HUH?

96
00:03:50,759 --> 00:03:53,883
♪ TOUCH ME, BABY,
TAINTED LOVE ♪

97
00:03:53,883 --> 00:03:57,057
♪ TOUCH ME, BABY,
TAINTED LOVE ♪

98
00:03:57,057 --> 00:03:58,599
♪ TAINTED LOVE ♪

99
00:03:58,599 --> 00:04:00,521
Man #2: I GOTTA TELL YOU,
I AM LOVING THAT NEW RECORD.

100
00:04:00,521 --> 00:04:02,604
AND I CAN'T WAIT
TO SEE THOSE BOYS LIVE.

101
00:04:02,604 --> 00:04:04,066
NOW, I'VE GOT FOREIGNER.

102
00:04:04,066 --> 00:04:06,318
THIS IS "FEELS LIKE
THE FIRST TIME" FOR EMILY F.,

103
00:04:06,318 --> 00:04:08,151
AND IT'S FROM
HER SECRET ADMIRER.

104
00:04:08,151 --> 00:04:09,492
COOL -- [ GASPS ]

105
00:04:09,492 --> 00:04:12,406
[ SCREAMING ]
♪ FEELS LIKE THE FIRST TIME ♪

106
00:04:14,078 --> 00:04:17,252
♪ FEELS LIKE
THE VERY FIRST TIME ♪

107
00:04:19,875 --> 00:04:25,132
♪ WON'T YOU OPEN UP THE DOOR? ♪

108
00:04:25,132 --> 00:04:28,846
♪ OPEN UP THE DOOR ♪

109
00:04:28,846 --> 00:04:33,142
♪ WON'T YOU OPEN UP THE DOOR? ♪

110
00:04:33,142 --> 00:04:35,395
[ HELICOPTER BLADES WHIRRING ]
♪ KVXT, LOS ANGELES ♪

111
00:04:35,395 --> 00:04:37,818
Man: IT'S ANOTHER SCORCHER
IN LOS ANGELES, FOLKS.

112
00:04:37,818 --> 00:04:39,480
THE HILLSIDE STRANGLERS,
BIANCHI AND BUONO,

113
00:04:39,480 --> 00:04:41,072
MAY BE IN JAIL NOW,

114
00:04:41,072 --> 00:04:44,366
BUT IT DOESN'T LOOK LIKE THE
CITY CAN SLEEP EASY JUST YET.

115
00:04:44,366 --> 00:04:45,908
THEY'VE FOUND ANOTHER BODY.

116
00:04:45,908 --> 00:04:47,249
THAT'S RIGHT, FOLKS.

117
00:04:47,249 --> 00:04:48,911
ANOTHER DAY, ANOTHER CORPSE

118
00:04:48,911 --> 00:04:51,254
IN THE MURDER CAPITAL
OF THE COUNTRY.

119
00:04:53,627 --> 00:04:56,551
[ POLICE RADIO CHATTER ]

120
00:04:56,551 --> 00:04:58,764
[ SIREN WAILS ]

121
00:04:58,764 --> 00:04:59,635
[ SIGHS ]

122
00:04:59,635 --> 00:05:00,846
LEFT THEM AT THE OFFICE.

123
00:05:00,846 --> 00:05:02,008
THANK YOU, EILEEN.

124
00:05:02,008 --> 00:05:04,561
YEAH.

125
00:05:04,561 --> 00:05:05,932
GOOD THING
YOU BROUGHT THEM.

126
00:05:05,932 --> 00:05:07,975
I COULD'VE BEEN BLINDED
BY CONTRERAS' GETUP.

127
00:05:07,975 --> 00:05:09,897
WHAT'S HE STILL
DOING HERE ANYWAY?

128
00:05:09,897 --> 00:05:11,609
THERE'S ALWAYS SOME GUY
IN THE LOCAL HOMICIDE

129
00:05:11,609 --> 00:05:13,282
WHO THINKS HE'S GONNA MOVE UP
TO THE BIG LEAGUES

130
00:05:13,282 --> 00:05:14,193
BY KISSING ASS.

131
00:05:14,193 --> 00:05:16,025
WHY AM I NOT SURPRISED
IT'S HIM?

132
00:05:16,025 --> 00:05:17,236
SO WHAT HAVE WE GOT?

133
00:05:17,236 --> 00:05:20,030
WE HAVE A DEAD GIRL WITH A BUNCH
OF DEAD MOVIE STARS,

134
00:05:20,030 --> 00:05:22,663
PLACED AT THE HILLSIDE
STRANGLER'S FIRST KILL.

135
00:05:22,663 --> 00:05:24,666
PROBABLY
NOT A COINCIDENCE.

136
00:05:24,666 --> 00:05:26,037
THAT WAS YOUR CASE.

137
00:05:26,037 --> 00:05:28,210
SOMEBODY WANTS
YOUR ATTENTION.

138
00:05:28,210 --> 00:05:29,502
WELL, THEY GOT IT.

139
00:05:29,502 --> 00:05:31,754
VICTIM LOOKS BETWEEN
15 AND 25.

140
00:05:31,754 --> 00:05:34,468
EXACT AGE IS HARD
TO PIN DOWN BECAUSE...

141
00:05:34,468 --> 00:05:37,812
[ CAMERA SHUTTER CLICKING ]

142
00:05:39,354 --> 00:05:41,937
[ SIGHS ] YEAH.

143
00:05:47,945 --> 00:05:49,907
NOT MEDICAL,
BUT IT'S A PRETTY CLEAN CUT.

144
00:05:49,907 --> 00:05:51,569
LOOKS LIKE
HE'S DONE THIS BEFORE.

145
00:05:51,569 --> 00:05:54,122
IT'S 90 DEGREES OUT
AND SHE'S COLD.

146
00:05:54,122 --> 00:05:56,495
HE KEPT HER ON ICE.

147
00:05:56,495 --> 00:05:59,579
NO BRUISING
OR SIGNS OF STRUGGLE.

148
00:05:59,579 --> 00:06:01,171
HE TIED HER UP
AFTER HE KILLED HER.

149
00:06:04,385 --> 00:06:06,888
WHAT'S THAT?

150
00:06:06,888 --> 00:06:08,350
[ GRUNTS ]

151
00:06:08,350 --> 00:06:11,354
FLY BRAND COKE.

152
00:06:11,354 --> 00:06:13,266
SEEN THAT BEFORE?

153
00:06:13,266 --> 00:06:14,558
NO.

154
00:06:16,940 --> 00:06:20,695
LOOKS LIKE
HE SLIT HER JUMPSUIT HERE.

155
00:06:20,695 --> 00:06:22,608
TO HAVE SEX WITH HER?

156
00:06:22,608 --> 00:06:24,410
THE CUT WAS MADE
AFTER SHE DIED.

157
00:06:24,410 --> 00:06:25,781
SEE?
IT'S A PERFECT CUT.

158
00:06:25,781 --> 00:06:28,034
IF SHE'D BEEN ALIVE, THERE WOULD
HAVE BEEN A STRUGGLE.

159
00:06:28,034 --> 00:06:29,035
IT WOULD BE JAGGED.

160
00:06:29,035 --> 00:06:30,708
WHAT IF HE DRUGGED
AND RAPED HER?

161
00:06:31,789 --> 00:06:34,292
THE BLOOD PATTERN
IS PERFECTLY DIVIDED,

162
00:06:34,292 --> 00:06:37,085
WHICH SAYS
IT HAD ALREADY COAGULATED.

163
00:06:37,085 --> 00:06:40,390
NO BRUISING
IN THE VAGINAL REGION.

164
00:06:40,390 --> 00:06:43,844
WELL, I'M -- [ SIGHS ]
I'M GUESSING A POSTMORTEM PARTY.

165
00:06:43,844 --> 00:06:45,686
NECROPHILIA?

166
00:06:45,686 --> 00:06:48,059
WELL, THE PRESS IS GONNA HAVE
A FIELD DAY WITH THIS ONE.

167
00:06:48,059 --> 00:06:51,734
UH, CONTRERAS, YOU KNOW
WHAT YOUR PROBLEM IS?

168
00:06:51,734 --> 00:06:53,566
NO, BUT I'M SURE
YOU'RE GONNA TELL ME.

169
00:06:53,566 --> 00:06:58,031
TO ME, THIS GIRL IS A VICTIM,
BUT TO YOU SHE'S A STEP UP.

170
00:06:58,031 --> 00:07:01,656
THAT'S WHERE YOU'RE WRONG,
JACK -- SHE'S BOTH.

171
00:07:03,959 --> 00:07:06,332
THERE'S A MILITARY KNOT.

172
00:07:06,332 --> 00:07:07,663
THAT'S RIGHT.

173
00:07:07,663 --> 00:07:10,757
YOU SERVED IN VIETNAM,
SO YOU SHOULD UNDERSTAND RANK.

174
00:07:10,757 --> 00:07:13,721
WE'RE ROBBERY/HOMICIDE,
SO UNLESS YOU GOT A PROMOTION

175
00:07:13,721 --> 00:07:16,635
I HAVEN'T HEARD ABOUT,
YOU'RE OFF THE CASE.

176
00:07:16,635 --> 00:07:18,437
THANKS FOR STOPPING BY.

177
00:07:24,564 --> 00:07:26,777
[ SIGHS ]

178
00:07:26,777 --> 00:07:30,191
[ CAMERA SHUTTER CLICKS,
INDISTINCT RADIO CHATTER ]

179
00:07:30,191 --> 00:07:32,955
♪ A LUST FOR LIFE ♪

180
00:07:32,955 --> 00:07:34,957
♪ OOH ♪

181
00:07:34,957 --> 00:07:37,751
♪ I'VE GOT A LUST FOR LIFE ♪

182
00:07:37,751 --> 00:07:39,543
♪ OOH ♪

183
00:07:39,543 --> 00:07:42,046
♪ GOT A LUST FOR LIFE ♪

184
00:07:42,046 --> 00:07:44,299
♪ OOH ♪

185
00:07:44,299 --> 00:07:46,381
♪ OH, A LUST FOR LIFE ♪

186
00:07:46,381 --> 00:07:48,975
[ METAL CLANGS ]
♪ OOH ♪

187
00:07:48,975 --> 00:07:50,306
[ DOOR BELL RINGS ]

188
00:07:50,306 --> 00:07:51,978
-HEY. HEY, MARY.
-HI.

189
00:07:51,978 --> 00:07:53,811
YOU'RE A LIFESAVER, KENT.
THANKS.

190
00:07:53,811 --> 00:07:55,142
BYE, SWEETIE.
BE GOOD. SEE YA.

191
00:07:55,142 --> 00:07:58,146
LET'S HAVE FUN.

192
00:07:58,146 --> 00:07:59,648
Anchorman: YOU'RE SAYING
IT'S JUST A COINCIDENCE

193
00:07:59,648 --> 00:08:01,150
THIS BODY WAS FOUND
IN THE SAME LOCATION

194
00:08:01,150 --> 00:08:02,441
AS THE HILLSIDE STRANGLERS'
FIRST?

195
00:08:02,441 --> 00:08:04,534
I-I CAN'T COMMENT ON THAT
AT THIS TIME.

196
00:08:04,534 --> 00:08:06,116
KENT?
MM-HMM?

197
00:08:06,116 --> 00:08:08,999
HOW COME
YOU'RE NOT MARRIED?

198
00:08:08,999 --> 00:08:11,623
KENT?

199
00:08:13,335 --> 00:08:15,958
I...JUST HAVEN'T MET
THE RIGHT WOMAN YET, SWEETIE.

200
00:08:15,958 --> 00:08:17,670
I THINK
YOU'D BE A GOOD DADDY.

201
00:08:17,670 --> 00:08:20,634
[ CHUCKLES ]
YOU DO, HUH?

202
00:08:20,634 --> 00:08:22,636
MM-HMM.

203
00:08:22,636 --> 00:08:23,928
[ GASPS PLAYFULLY ]

204
00:08:23,928 --> 00:08:26,221
THAT'S A REALLY GOOD ELEPHANT,
MARY.

205
00:08:27,262 --> 00:08:28,724
GOOD JOB.

206
00:08:28,724 --> 00:08:30,106
THANKS.

207
00:08:30,106 --> 00:08:31,477
...WAS FOUND IN THE EARLIER
HOURS OF THE MORNING.

208
00:08:31,477 --> 00:08:32,729
DETECTIVE JACK ROTH,

209
00:08:32,729 --> 00:08:34,902
THE LEAD IN THE INFAMOUS
HILLSIDE STRANGLER CASE

210
00:08:34,902 --> 00:08:37,325
IS HEADING UP THIS
INVESTIGATION INTO WHAT MAY BE

211
00:08:37,325 --> 00:08:40,448
A COPYCAT KILLER,
ON THE TRAIL OF A MURDERER

212
00:08:40,448 --> 00:08:43,282
WHO'S ALREADY GOT THE ATTENTION
OF THE WHOLE CITY.

213
00:08:43,282 --> 00:08:45,625
[ SIREN WAILING ]

214
00:08:45,625 --> 00:08:49,129
MISSING PERSONS FILED REPORTS
ON THESE FIVE IN THE LAST MONTH,

215
00:08:49,129 --> 00:08:51,252
SO MAYBE ONE OF THEM
IS OUR GIRL.

216
00:08:51,252 --> 00:08:52,964
PEYTON, YOU GOT A MATCH
ON THOSE PRINTS YET?

217
00:08:52,964 --> 00:08:54,886
IT'S BACKED UP DOWNTOWN.
IF SHE'S IN THE SYSTEM AT ALL,

218
00:08:54,886 --> 00:08:58,761
WE WON'T GET THEM
TILL TUESDAY, WEDNESDAY, MAYBE.

219
00:08:58,761 --> 00:09:00,513
EXCUSE ME, DETECTIVE ROTH?

220
00:09:00,513 --> 00:09:02,976
THE VICTIM IS THE ONE
ON THE FAR LEFT --

221
00:09:02,976 --> 00:09:04,859
EMILY FUENTES
FROM ECHO PARK.

222
00:09:04,859 --> 00:09:06,771
SHE WAS PRINTED
WHEN SHE JOINED THE R.O.T.C.

223
00:09:09,985 --> 00:09:11,367
YOU SEE,
THERE'S A NEW NATIONAL

224
00:09:11,367 --> 00:09:12,819
FINGERPRINT DATABASE
GEARING UP,

225
00:09:12,819 --> 00:09:14,911
AND I WAS ONE OF THE OFFICERS
THAT INPUTTED THE INFORMATION

226
00:09:14,911 --> 00:09:16,283
INTO THE COMPUTER.

227
00:09:16,283 --> 00:09:17,625
SO I HAD A LITTLE INROAD.

228
00:09:17,625 --> 00:09:18,996
THANKS.
THERE'S THE OUT-ROAD.

229
00:09:20,088 --> 00:09:21,249
ROTH.
WHAT?

230
00:09:21,249 --> 00:09:23,672
SEE YOU'VE MET
YOUR NEW PARTNER.

231
00:09:23,672 --> 00:09:24,964
NEW --

232
00:09:27,216 --> 00:09:28,638
YOU SERIOUS?

233
00:09:28,638 --> 00:09:30,801
YEP.

234
00:09:30,801 --> 00:09:32,643
CAPTAIN,
I DON'T NEED A NEW PARTNER.

235
00:09:32,643 --> 00:09:33,765
I'M FINE WORKING ALONE.

236
00:09:33,765 --> 00:09:36,148
CAME FROM THE CHIEF.
NOT MY CALL.

237
00:09:37,309 --> 00:09:40,443
NOBODY WANTS YOU HERE.
YOU -- YOU KNOW THAT, RIGHT?

238
00:09:40,443 --> 00:09:41,815
[ SIGHS ]
COME ON, JACK.

239
00:09:41,815 --> 00:09:43,617
YOU USED TO ENJOY
WORKING WITH ME.

240
00:09:43,617 --> 00:09:45,489
YEAH, THAT WAS BEFORE
I FIGURED OUT HOW YOUR OPERATE.

241
00:09:45,489 --> 00:09:47,031
OH, YEAH?
HOW DO I OPERATE?

242
00:09:47,031 --> 00:09:48,623
SIX MONTHS AGO,
YOU'RE VICE.

243
00:09:48,623 --> 00:09:52,498
THEN A BUNCH OF COPS GO DOWN,
INCLUDING MY PARTNER VINCE,

244
00:09:52,498 --> 00:09:54,290
AND SUDDENLY YOU'RE HERE.

245
00:09:54,290 --> 00:09:55,211
COINCIDENCE?

246
00:09:55,211 --> 00:09:56,503
JUST KEEPING MY EYE
ON THE BALL.

247
00:09:56,503 --> 00:09:57,634
YEAH?

248
00:09:57,634 --> 00:10:00,548
THE REST OF US,
WE WORKED OUR ASSES OFF

249
00:10:00,548 --> 00:10:02,640
TO GET HERE --
FOR YEARS.

250
00:10:02,640 --> 00:10:04,513
BUT NOT YOU.

251
00:10:04,513 --> 00:10:06,806
YOU ALWAYS GOT AN ANGLE,
DON'T YOU, CONTRERAS?

252
00:10:06,806 --> 00:10:08,648
YOU SAY THAT
LIKE IT'S A BAD THING.

253
00:10:08,648 --> 00:10:10,650
HEY, I DON'T TRUST YOU.

254
00:10:12,392 --> 00:10:14,485
HOW AM I SUPPOSED TO WORK
WITH A GUY I DON'T TRUST?

255
00:10:14,485 --> 00:10:16,237
YOU BETTER
GET USED TO IT.

256
00:10:17,449 --> 00:10:18,951
I'M NOT GOING ANYWHERE.

257
00:10:20,993 --> 00:10:24,828
[ SIREN WAILING ]
♪ I'M ALL OUT OF HOPE ♪

258
00:10:24,828 --> 00:10:26,500
♪ ONE MORE BAD DREAM ♪

259
00:10:26,500 --> 00:10:29,754
HERE'S THE REAL DEAL --
EVERYBODY'S LOOKING
FOR LOVE, RIGHT?

260
00:10:29,754 --> 00:10:31,176
I MEAN,
THAT'S THE SUNSET STRIP --

261
00:10:31,176 --> 00:10:33,589
ACCEPT ME FOR WHO I AM.

262
00:10:33,589 --> 00:10:36,092
♪ WHEN I'M FAR FROM HOME ♪
RIGHT.
WE ALL WANT THAT.

263
00:10:36,092 --> 00:10:38,054
♪ DON'T CALL ME ON THE PHONE ♪
"KILL ME
OR TAKE ME AS I AM,

264
00:10:38,054 --> 00:10:39,766
BECAUSE I'LL BE DAMNED
IF I EVER CHANGE."

265
00:10:39,766 --> 00:10:41,559
♪ TO TELL ME YOU'RE ALONE ♪

266
00:10:41,559 --> 00:10:43,851
THE MARQUIS de SADE.
OH.

267
00:10:43,851 --> 00:10:45,694
♪ IT'S EASY TO DECEIVE ♪

268
00:10:45,694 --> 00:10:47,526
YOU CAN BE ANYBODY
YOU WANNA BE OUT HERE,

269
00:10:47,526 --> 00:10:50,109
♪ IT'S EASY TO TEASE ♪
SO THEY, AND YOU --

270
00:10:50,109 --> 00:10:51,992
♪ BUT HARD TO GET RELEASE ♪
WHOMEVER --

271
00:10:51,992 --> 00:10:53,704
BECOME THE VERY THING
YOU WANNA BE LOVED FOR.

272
00:10:53,704 --> 00:10:55,326
SEE WHAT I'M SAYING?

273
00:10:55,326 --> 00:10:58,620
♪ LES YEUX SANS VISAGE ♪
THAT'S SO TRUE, BRENT.
[ CHUCKLES ]

274
00:10:58,620 --> 00:11:01,123
♪ EYES WITHOUT A FACE ♪
YOU KNOW, I ALMOST
DIDN'T COME OUT TONIGHT.

275
00:11:01,123 --> 00:11:03,916
♪ LES YEUX SANS VISAGE ♪
WHAT MADE YOU
START TALKING TO ME?

276
00:11:03,916 --> 00:11:05,959
♪ EYES WITHOUT A FACE ♪
ARE YOU KIDDING?

277
00:11:05,959 --> 00:11:09,804
♪ LES YEUX SANS VISAGE ♪
I'M JUST GLAD SOME OTHER GUY
DIDN'T GET TO YOU BEFORE I DID.

278
00:11:09,804 --> 00:11:12,227
♪ EYES WITHOUT A FACE ♪

279
00:11:12,227 --> 00:11:14,890
♪ GOT NO HUMAN GRACE ♪
SO, UM...

280
00:11:14,890 --> 00:11:18,064
♪ YOUR EYES WITHOUT A FACE ♪
WHAT DO YOU SAY?

281
00:11:18,064 --> 00:11:21,899
YOU, UH, WANNA
GET OUT OF HERE, BETTY?

282
00:11:21,899 --> 00:11:24,442
YEAH.

283
00:11:24,442 --> 00:11:26,985
OH, NO,
PLEASE, PLEASE.

284
00:11:29,118 --> 00:11:31,370
THANKS.

285
00:11:31,370 --> 00:11:33,663
JUST GIVE ME A SEC.
I GOTTA MAKE A CALL.

286
00:11:33,663 --> 00:11:34,915
I'LL MEET YOU OUTSIDE.

287
00:11:34,915 --> 00:11:36,086
SURE.

288
00:11:36,086 --> 00:11:37,668
GREAT.

289
00:11:39,761 --> 00:11:41,763
MAY I?

290
00:11:45,138 --> 00:11:46,850
MAN: KVXT radio.

291
00:11:46,850 --> 00:11:49,893
HI. I'D, UH, I'D LIKE TO MAKE
A DEDICATION, PLEASE.

292
00:11:53,518 --> 00:11:56,021
♪ ...GOT YOU ON YOUR KNEES ♪

293
00:11:59,656 --> 00:12:01,698
Man:
MAN, THAT SONG IS ON FIRE.

294
00:12:01,698 --> 00:12:03,660
NOW HERE'S JOAN JETT
AND THE BLACKHEARTS,

295
00:12:03,660 --> 00:12:05,333
"CRIMSON AND CLOVER."

296
00:12:05,333 --> 00:12:07,625
THIS IS FOR BETTY B., AND IT'S
FROM HER SECRET ADMIRER.

297
00:12:07,625 --> 00:12:13,132
♪ I DON'T HARDLY KNOW HER ♪

298
00:12:13,132 --> 00:12:20,051
♪ BUT I THINK I COULD LOVE HER ♪

299
00:12:20,051 --> 00:12:24,937
♪ CRIMSON AND CLOVER ♪

300
00:12:27,230 --> 00:12:29,943
♪ AH ♪

301
00:12:29,943 --> 00:12:33,528
♪♪

302
00:12:33,528 --> 00:12:35,870
AM I DOING SOMETHING WRONG?

303
00:12:48,546 --> 00:12:50,048
[ PAGER BEEPING ]

304
00:12:50,048 --> 00:12:52,892
OH, I'M SO SORRY.

305
00:12:52,892 --> 00:12:54,894
[ SIGHS ]

306
00:12:54,894 --> 00:12:56,266
IT'S PROBABLY
MY BABYSITTER.

307
00:12:56,266 --> 00:12:57,437
[ BEEP ]

308
00:12:57,437 --> 00:12:59,690
IT IS.

309
00:12:59,690 --> 00:13:01,442
I'M OVER AN HOUR LATE.

310
00:13:01,442 --> 00:13:02,774
YOU'VE GOT KIDS?

311
00:13:02,774 --> 00:13:05,737
YEAH, A BOY AND A GIRL.
FIVE AND EIGHT.

312
00:13:05,737 --> 00:13:09,322
UM...I SHOULD GO.
I'M SORRY.

313
00:13:09,322 --> 00:13:10,914
WELL, WHERE'S THE FATHER?

314
00:13:10,914 --> 00:13:12,706
HE LEFT WHEN I WAS PREGNANT
WITH MY BOY.

315
00:13:12,706 --> 00:13:16,210
♪ ...SUCH A SWEET THING ♪

316
00:13:16,210 --> 00:13:18,423
WELL,
I KNOW HOW THAT FEELS.

317
00:13:18,423 --> 00:13:22,929
♪ WHAT A BEAUTIFUL FEELING ♪
MY DAD LEFT ME AND MY MOM
WHEN I WAS SEVEN.

318
00:13:22,929 --> 00:13:24,801
YOU MUST BE VERY STRONG.

319
00:13:24,801 --> 00:13:27,054
♪ OVER AND OVER ♪

320
00:13:27,054 --> 00:13:29,096
DO YOU LIKE KIDS?

321
00:13:30,558 --> 00:13:32,731
I ABSOLUTELY
LOVE CHILDREN.

322
00:13:38,068 --> 00:13:44,115
♪ CRIMSON AND CLOVER
OVER AND OVER ♪

323
00:13:44,115 --> 00:13:49,792
♪ CRIMSON AND CLOVER
OVER AND OVER ♪

324
00:13:49,792 --> 00:13:53,046
♪♪

325
00:13:54,218 --> 00:13:57,762
[ BREATHING HEAVILY ]

326
00:14:17,657 --> 00:14:19,699
HEY.

327
00:14:19,699 --> 00:14:21,702
[ SIGHS ]

328
00:14:21,702 --> 00:14:23,294
I'LL GET YOU A DRINK.

329
00:14:23,294 --> 00:14:24,705
THANKS.

330
00:14:24,705 --> 00:14:26,468
I'M GONNA TAKE
A QUICK SHOWER.

331
00:14:30,763 --> 00:14:34,017
[ MOANING ]

332
00:14:46,823 --> 00:14:48,615
SO WHAT'S GOING ON?

333
00:14:48,615 --> 00:14:50,658
WHY ARE YOU OUT RUNNING
AT DAWN?

334
00:14:50,658 --> 00:14:52,790
CAN'T I JUST RUN?

335
00:14:52,790 --> 00:14:54,913
IS IT VINCE?

336
00:14:56,245 --> 00:14:59,048
HE WAS MY PARTNER.
I SHOULD'VE SEEN SOMETHING.

337
00:14:59,048 --> 00:15:02,382
IT'S THIS NEW CASE.
IT'S A BIG ONE.

338
00:15:02,382 --> 00:15:03,964
YOU'RE A GOOD COP, JACK.

339
00:15:05,386 --> 00:15:07,308
YEAH, SAYS THE WOMAN
WITH A KILO OF COKE

340
00:15:07,308 --> 00:15:08,560
WHO'S HAVING SEX WITH HIM.

341
00:15:08,560 --> 00:15:11,644
IT'S HALF A KILO, AND I DIDN'T
KNOW YOU WERE COMING OVER.

342
00:15:11,644 --> 00:15:15,068
EVER SINCE
VINCE KILLED HIMSELF, I JUST --

343
00:15:15,068 --> 00:15:17,110
I WANT TO...

344
00:15:17,110 --> 00:15:18,572
I DON'T WHAT I WANT.

345
00:15:20,485 --> 00:15:22,908
I WANT TO BE BETTER.

346
00:15:22,908 --> 00:15:26,202
IS THIS ABOUT US?

347
00:15:26,202 --> 00:15:28,044
NO.

348
00:15:30,167 --> 00:15:31,919
WE'RE HERE AGAIN,
AREN'T WE?

349
00:15:31,919 --> 00:15:33,290
[ SIGHS ]

350
00:15:33,290 --> 00:15:34,342
WHAT DO YOU MEAN?

351
00:15:34,342 --> 00:15:36,595
THIS. US.

352
00:15:36,595 --> 00:15:38,637
I DIDN'T -- I DIDN'T COME OVER
HERE TO --

353
00:15:38,637 --> 00:15:39,929
TO SLEEP WITH ME
AND DUMP ME?

354
00:15:39,929 --> 00:15:41,721
YES. I MEAN, NO.

355
00:15:41,721 --> 00:15:43,763
WELL, BUT...

356
00:15:45,686 --> 00:15:47,728
ALSO, I'M A...

357
00:15:47,728 --> 00:15:49,110
SCREWED UP MESS?

358
00:15:49,110 --> 00:15:52,314
YEAH, I KNOW.

359
00:15:52,314 --> 00:15:54,236
WELL, NO ONE KNOWS ME
BETTER THAN YOU.

360
00:15:56,449 --> 00:15:58,241
MAYBE THAT'S THE PROBLEM.

361
00:15:59,493 --> 00:16:01,205
THAT WAS NEVER
THE PROBLEM.

362
00:16:01,205 --> 00:16:03,498
[ PAGER BEEPS ]

363
00:16:05,090 --> 00:16:07,423
YOU GOTTA GO.

364
00:16:10,427 --> 00:16:12,008
MOM?!

365
00:16:12,008 --> 00:16:13,600
WHAT?

366
00:16:13,600 --> 00:16:15,553
SPIDER.

367
00:16:15,553 --> 00:16:18,647
OH. COME HERE. COME ON.

368
00:16:18,647 --> 00:16:20,899
WHAT DO WE SAY?

369
00:16:20,899 --> 00:16:22,271
-"DO NO HARM."
-"DO NO HARM."

370
00:16:22,271 --> 00:16:23,443
"DO NO HARM."

371
00:16:23,443 --> 00:16:25,355
[ CHUCKLES ]

372
00:16:26,907 --> 00:16:30,201
♪♪

373
00:16:45,590 --> 00:16:48,344
MOM, PHONE.

374
00:16:50,266 --> 00:16:53,099
THANK YOU, SWEETIE.
HELLO?

375
00:16:53,099 --> 00:16:54,391
KENT: Hey, Betty.

376
00:16:54,391 --> 00:16:55,693
BRENT, HI.

377
00:16:55,693 --> 00:16:58,356
YEAH, I WANTED TO SEE
IF YOU WERE FREE THURSDAY NIGHT.

378
00:16:58,356 --> 00:17:00,449
As a matter of fact, I am.
GREAT.

379
00:17:00,449 --> 00:17:03,202
I'll, uh, pick you up
at 7:00?

380
00:17:03,202 --> 00:17:04,494
OKAY.

381
00:17:04,494 --> 00:17:06,576
I can't wait.

382
00:17:06,576 --> 00:17:08,208
[ TELEPHONE RINGS ]
Woman: L.A.P.D. TIP LINE.

383
00:17:08,208 --> 00:17:11,252
Woman #2:
UH, HI, I'M CALLING BECAUSE...

384
00:17:11,252 --> 00:17:13,174
Woman #3: ...ICE-CREAM MAN
IS HIDING SOMETHING...

385
00:17:13,174 --> 00:17:15,127
Woman #4: THERE'S A WHITE MAN'S
BEEN FOLLOWING ME...

386
00:17:15,127 --> 00:17:16,919
Woman #5: HEY, I HEARD KVXT
DEDICATE FOREIGNER

387
00:17:16,919 --> 00:17:21,304
"FEELS LIKE THE FIRST TIME"
TO EMILY F. LAST FRIDAY NIGHT.

388
00:17:21,304 --> 00:17:23,307
I THINK IT WAS FROM
A SECRET ADMIRER.

389
00:17:23,307 --> 00:17:26,060
GOT ANYTHING
ON THOSE COLD CASES?

390
00:17:26,060 --> 00:17:27,562
I'M INPUTTING
EVERYONE OF THESE

391
00:17:27,562 --> 00:17:30,776
THAT INVOLVED GIRLS
BETWEEN THE AGES OF 17 AND 25.

392
00:17:30,776 --> 00:17:32,608
SOME WORKING GIRLS,
SOME NOT.

393
00:17:32,608 --> 00:17:37,114
EIGHT WERE CHOPPED UP
AND NINE WERE DECAPITATED.

394
00:17:37,114 --> 00:17:38,866
IF IT IS A SERIAL KILLER
WE'RE DEALING WITH --

395
00:17:38,866 --> 00:17:41,409
IT IS A SERIAL KILLER.

396
00:17:41,409 --> 00:17:43,452
WELL, EITHER WAY, HE COULD BE
CHANGING UP HIS GAME.

397
00:17:43,452 --> 00:17:45,214
SOMETIMES THEY DO THAT.

398
00:17:45,214 --> 00:17:47,297
YEAH?
[ CHUCKLES ]

399
00:17:47,297 --> 00:17:50,761
YOU BEEN READING
THE SERIAL KILLER PAMPHLET?

400
00:17:50,761 --> 00:17:53,174
GONNA START SCHOOLING ME
ON TED BUNDY AND ZODIAC NEXT?

401
00:17:53,174 --> 00:17:55,427
I'M JUST TRYING TO LOOK
AT ALL THE POSSIBILITIES.

402
00:17:55,427 --> 00:17:57,269
WE DON'T KNOW
MUCH ABOUT HIM.

403
00:17:57,269 --> 00:17:58,561
WELL, WHAT DO WE KNOW?

404
00:17:58,561 --> 00:18:00,934
WE KNOW HE'S PROBABLY OLDER
THAN EMILY,

405
00:18:00,934 --> 00:18:03,977
BECAUSE SHE WAS LOOKING
FOR SOMEONE TO GIVE HER A WAY UP

406
00:18:03,977 --> 00:18:05,189
IN THE WORLD...

407
00:18:05,189 --> 00:18:08,283
POSSIBLE MILITARY BACKGROUND
BECAUSE OF THE KNOTS...

408
00:18:08,283 --> 00:18:11,747
A REAL ATTITUDE TOWARD AUTHORITY
WITH THE BIG MIDDLE FINGER

409
00:18:11,747 --> 00:18:14,951
HE GAVE US BY DROPPING
HER BODY AT THE CEMETERY...

410
00:18:14,951 --> 00:18:17,454
AND SOME REAL ANGER ISSUES
TOWARD WOMEN,

411
00:18:17,454 --> 00:18:20,047
WHICH PROBABLY MEANS
HIS MOMMY DIDN'T GIVE HIM

412
00:18:20,047 --> 00:18:23,381
ENOUGH ATTENTION,
SO NOW HE CUTS THEIR HEADS OFF.

413
00:18:23,381 --> 00:18:27,266
ASIDE FROM THE HEAD-CUTTING,
THAT COULD BE ANYONE.

414
00:18:27,266 --> 00:18:30,140
YOU'RE ASKING US
TO FIND A NEEDLE IN A HAY STACK.

415
00:18:31,892 --> 00:18:35,016
SO MAYBE WE MAKE THE NEEDLE
COME TO US.

416
00:18:36,858 --> 00:18:37,939
[ CLEARS THROAT ]

417
00:18:37,939 --> 00:18:39,612
LOS ANGELES CAN SLEEP
SAFER TONIGHT.

418
00:18:39,612 --> 00:18:41,364
WE HAVE OUR MAN.
HE HAS CONFESSED.

419
00:18:41,364 --> 00:18:42,785
[ CAMERA SHUTTERS CLICKING ]
WHAT'S HIS NAME?

420
00:18:42,785 --> 00:18:43,987
WHAT'S HE TALKING ABOUT?

421
00:18:43,987 --> 00:18:45,739
WE DON'T HAVE ANYBODY
IN CUSTODY.

422
00:18:45,739 --> 00:18:47,371
I HAVE NO IDEA
WHAT HE'S DOING.

423
00:18:47,371 --> 00:18:49,454
THIS KILLER WANTS FAME
AND RECOGNITION.

424
00:18:49,454 --> 00:18:50,875
THAT'S WHY HE DUMPED THE BODY

425
00:18:50,875 --> 00:18:52,838
AT THE HILLSIDE STRANGLER'S
LOCATION.

426
00:18:52,838 --> 00:18:54,089
SO AT THIS POINT,

427
00:18:54,089 --> 00:18:56,382
WE WILL RELEASE
NO INFORMATION ABOUT HIM.

428
00:18:56,382 --> 00:18:59,046
HE ISN'T GOING TO GET
THE ATTENTION HE CRAVES.

429
00:18:59,046 --> 00:19:00,427
HE DOESN'T DESERVE IT.

430
00:19:00,427 --> 00:19:02,890
FROM THIS POINT FORWARD,
NO MORE LIMELIGHT,

431
00:19:02,890 --> 00:19:07,516
NO MORE ACCOLADES,
NO MORE FEAR.

432
00:19:07,516 --> 00:19:10,059
NOBODY CARES ABOUT THIS KILLER.

433
00:19:10,059 --> 00:19:13,193
[ INDISTINCT QUESTIONING ]
THAT'S IT FOR NOW.
THANK YOU FOR YOUR TIME.

434
00:19:23,496 --> 00:19:26,039
[ TELEPHONE RINGING ]

435
00:19:27,541 --> 00:19:30,134
WELL,
DID I CAPTURE THE STRIP?

436
00:19:30,134 --> 00:19:32,087
YOU'RE LIKE TRUMAN CAPOTE
WITHOUT THE LISP.

437
00:19:32,087 --> 00:19:34,089
[ RINGING STOPS ]

438
00:19:34,089 --> 00:19:36,722
KAREN, PHONE'S FOR YOU.

439
00:19:39,306 --> 00:19:40,727
HELLO?

440
00:19:40,727 --> 00:19:42,560
KAREN, IT'S JOHN. WE MET
THE OTHER NIGHT AT THE WHISKY.

441
00:19:42,560 --> 00:19:44,061
OH, YEAH. HEY.

442
00:19:44,061 --> 00:19:45,483
I hope you don't mind me
calling you here.

443
00:19:45,483 --> 00:19:46,655
Your roommate gave me
this number.

444
00:19:46,655 --> 00:19:47,986
SURE, OF COURSE.

445
00:19:47,986 --> 00:19:49,108
I WAS THINKING ABOUT YOU

446
00:19:49,108 --> 00:19:50,990
BECAUSE I SAW
YOU GOT A STORY PUBLISHED.

447
00:19:50,990 --> 00:19:52,492
NOT ROLLING STONE,
BUT STILL.

448
00:19:52,492 --> 00:19:53,573
YOU SAW IT?

449
00:19:53,573 --> 00:19:54,705
You're good.

450
00:19:54,705 --> 00:19:55,916
THANKS.

451
00:19:55,916 --> 00:19:57,748
LOOK, I'VE ONLY GOT A SEC
'CAUSE I'M WITH A CLIENT,

452
00:19:57,748 --> 00:19:59,791
BUT YOU WANNA SEE BILLY IDOL
FRIDAY NIGHT?

453
00:19:59,791 --> 00:20:01,253
AND THIS TIME,
I'LL GET YOU BACKSTAGE.

454
00:20:01,253 --> 00:20:02,795
It's gonna be a party.

455
00:20:02,795 --> 00:20:04,126
SURE, I-I'D LOVE TO.

456
00:20:04,126 --> 00:20:06,049
I'LL PUT YOUR NAME
ON THE LIST AT THE WHISKY.

457
00:20:06,049 --> 00:20:07,010
I'LL SEE YOU THERE.

458
00:20:09,303 --> 00:20:10,805
WHO WAS THAT?

459
00:20:10,805 --> 00:20:12,016
THIS MUSIC GUY I KNOW.

460
00:20:12,016 --> 00:20:13,939
I'M GOING WITH HIM TO THE WHISKY
FRIDAY NIGHT --

461
00:20:13,939 --> 00:20:15,561
BACKSTAGE PASS.

462
00:20:15,561 --> 00:20:16,772
STICK WITH ME, DIVER.

463
00:20:16,772 --> 00:20:18,775
THIS MAGAZINE
JUST MIGHT GET GOOD.

464
00:20:20,777 --> 00:20:22,489
WHAT THE HELL WAS THAT,
ROTH?

465
00:20:22,489 --> 00:20:25,152
UH, THAT WAS -- THAT WAS CALLED
A PRESS CONFERENCE.

466
00:20:25,152 --> 00:20:28,246
YOU KNOW, IT'S WHEN I UPDATE
THE PRESS ON OUR INVESTIGATION.

467
00:20:28,246 --> 00:20:29,418
WELL, EXCEPT
YOU LIED TO THEM.

468
00:20:29,418 --> 00:20:30,499
LOOK, MAN.

469
00:20:30,499 --> 00:20:31,500
IF YOU'RE GONNA MAKE A MOVE
LIKE THAT,

470
00:20:31,500 --> 00:20:32,502
YOU NEED TO
LET ME KNOW ABOUT IT.

471
00:20:32,502 --> 00:20:34,003
IF YOU DON'T LIKE
MY STYLE, MAN,

472
00:20:34,003 --> 00:20:35,756
FEEL FREE
TO WALK OUT THE DOOR ANY TIME.

473
00:20:35,756 --> 00:20:37,508
YOU BETTER HAVE A PLAN,
ROTH.

474
00:20:37,508 --> 00:20:40,842
I DO. THIS GUY LOVES NOTORIETY,
I JUST TOOK AWAY ALL HIS POWER.

475
00:20:40,842 --> 00:20:43,175
[ TELEPRINTER PRINTING ]

476
00:20:46,599 --> 00:20:49,102
[ PRINTING STOPS ]

477
00:20:49,102 --> 00:20:50,814
"WANDA PHILLIPS CASE.

478
00:20:50,814 --> 00:20:53,858
LOOK AT HER APARTMENT
ONE MORE TIME,

479
00:20:53,858 --> 00:20:56,361
UNLESS YOU DON'T CARE ABOUT ME."

480
00:20:56,361 --> 00:20:57,693
WHAT DO WE GOT
ON WANDA PHILLIPS?

481
00:20:59,956 --> 00:21:02,909
Contreras: WANDA PHILLIPS --
MURDERED IN 1979.

482
00:21:02,909 --> 00:21:05,502
HER HEADLESS BODY WAS FOUND
ON THE SANTA MONICA PIER.

483
00:21:05,502 --> 00:21:07,625
SHE'D BEEN KEPT ON ICE,
HUNG UPSIDE DOWN.

484
00:21:07,625 --> 00:21:09,467
Jack: AND DRAINED,
JUST LIKE EMILY.

485
00:21:14,514 --> 00:21:18,138
[ SIGHS ] WHAT A SURPRISE --
A MURDER TOOK PLACE HERE.

486
00:21:18,138 --> 00:21:21,482
♪♪

487
00:21:30,323 --> 00:21:31,735
POLICE.

488
00:21:34,238 --> 00:21:36,661
HELLO?

489
00:22:05,827 --> 00:22:08,491
[ SNIFFS ]

490
00:22:12,666 --> 00:22:14,919
[ SIREN WAILS ]

491
00:22:14,919 --> 00:22:16,631
SO WHERE
DID YOU MEET HIM?

492
00:22:16,631 --> 00:22:17,842
AT LE DOME.

493
00:22:17,842 --> 00:22:19,094
OH, FANCY.

494
00:22:19,094 --> 00:22:24,100
HE'S SO SMART AND HE'S SO
HANDSOME AND HE LOVES KIDS.

495
00:22:24,100 --> 00:22:26,723
ASK HIM
IF HE HAS A FRIEND.

496
00:22:27,684 --> 00:22:29,727
I WILL.

497
00:22:31,809 --> 00:22:34,523
[ GROANS PAINFULLY ]

498
00:22:40,030 --> 00:22:43,324
[ INDISTINCT CONVERSATIONS ]

499
00:22:47,789 --> 00:22:49,501
[ SIREN CHIRPS ]

500
00:22:49,501 --> 00:22:51,214
[ SIREN WAILS ]

501
00:22:51,214 --> 00:22:53,296
[ CAMERA SHUTTERS CLICKING ]

502
00:22:53,296 --> 00:22:56,180
COME ON. NO, NO, NO.
GET BACK.

503
00:22:56,180 --> 00:22:57,511
AS SOON AS WE KNOW
ANY INFORMATION,

504
00:22:57,511 --> 00:22:58,763
WE'LL LET YOU BACK IN,

505
00:22:58,763 --> 00:23:02,437
BUT RIGHT NOW WE CANNOT
LET YOU BACK IN THE BUILDING.

506
00:23:02,437 --> 00:23:04,810
STAY OFF THE SIDEWALK.

507
00:23:04,810 --> 00:23:07,854
♪♪

508
00:23:16,365 --> 00:23:17,666
Man:
THIS COULD TAKE SOME TIME.

509
00:23:17,666 --> 00:23:20,370
Woman:
DROP THOSE RIGHT IN THERE.

510
00:23:20,370 --> 00:23:21,791
Contreras:
JACK, IT'S CONFIRMED.

511
00:23:21,791 --> 00:23:23,674
THE HEAD BELONGS
TO OUR LATEST VICTIM.

512
00:23:23,674 --> 00:23:26,678
Jack: HE MADE HER UP
JUST LIKE WANDA PHILLIPS.

513
00:23:26,678 --> 00:23:28,089
HE'S TAUNTING US.

514
00:23:29,141 --> 00:23:31,514
[ GAGS ]
I DON'T FEEL SO --

515
00:23:31,514 --> 00:23:32,975
[ VOMITS ]

516
00:23:32,975 --> 00:23:35,478
KIDDING ME.

517
00:23:40,314 --> 00:23:41,566
[ CAMERA SHUTTER CLICKING ]

518
00:23:45,661 --> 00:23:46,863
WHAT IS YOUR PROBLEM,
MAN?

519
00:23:46,863 --> 00:23:48,535
YOU EVER HEARD
OF THE FIRST AMENDMENT?

520
00:23:48,535 --> 00:23:50,707
DON'T GIVE ME
YOUR CONSTITUTION CRAP.

521
00:23:50,707 --> 00:23:52,670
THE CONSTITUTION
DOESN'T SAY YOU CAN BREAK INTO

522
00:23:52,670 --> 00:23:54,913
A CRIME SCENE, IDIOT.

523
00:23:54,913 --> 00:23:56,174
[ SIGHS ]

524
00:23:56,174 --> 00:23:57,376
NOW YOU BRING YOUR GIRLFRIEND
ALONG WITH YOU?

525
00:23:57,376 --> 00:23:58,547
I'M A REPORTER.

526
00:23:58,547 --> 00:24:00,129
YEAH? YOU DON'T HAVE THE STOMACH
FOR A REPORTER.

527
00:24:00,129 --> 00:24:01,721
HOW'D THEY GET PAST
THE UNIFORMS?

528
00:24:01,721 --> 00:24:03,804
LET'S JUST SAY I KNOW MY WAY
AROUND A CRIME SCENE.

529
00:24:03,804 --> 00:24:05,516
YOU NOW WHAT I MEAN?
-HEY, STEP BACK.

530
00:24:05,516 --> 00:24:07,979
YEAH, NOT MY CRIME SCENE.

531
00:24:08,890 --> 00:24:10,191
I SAW EMILY THE NIGHT
SHE WAS MURDERED.

532
00:24:12,024 --> 00:24:13,896
AT THE WHISKY.

533
00:24:19,783 --> 00:24:21,656
ALL RIGHT, SO,
W-WHEN YOU OVERHEARD EMILY

534
00:24:21,656 --> 00:24:23,618
TALKING IN THE BATHROOM,
DID SHE USE ANY --

535
00:24:23,618 --> 00:24:24,710
ANY DESCRIPTIVE LANGUAGE

536
00:24:24,710 --> 00:24:26,792
ABOUT THE GUY
SHE WAS TALKING ABOUT, ANYTHING?

537
00:24:26,792 --> 00:24:28,875
[ SIGHS ]
JUST THAT HE WAS HOT

538
00:24:28,875 --> 00:24:30,627
AND WORKS IN REAL ESTATE...

539
00:24:30,627 --> 00:24:32,339
AND HE WAS GONNA HELP HER
FIND A PLACE.

540
00:24:32,339 --> 00:24:33,921
OKAY, SOUNDS LIKE
THE KIND OF GUY

541
00:24:33,921 --> 00:24:35,803
WHO TELLS A GIRL
WHAT SHE WANTS TO HEAR.

542
00:24:35,803 --> 00:24:38,927
ISN'T THAT EVERY GUY
ON THE STRIP?

543
00:24:38,927 --> 00:24:41,310
YOU SPEND A LOT OF TIME
ON THE STRIP?

544
00:24:41,310 --> 00:24:42,732
SOME.

545
00:24:42,732 --> 00:24:45,686
I'LL BE THERE
THIS FRIDAY.

546
00:24:45,686 --> 00:24:47,187
I MET A MUSIC GUY
AT THE WHISKY THAT NIGHT

547
00:24:47,187 --> 00:24:48,689
WHO SAID HE COULD GET ME
BACKSTAGE

548
00:24:48,689 --> 00:24:50,401
FOR THE BILLY IDOL CONCERT.

549
00:24:50,401 --> 00:24:54,827
I WAS LOOKING FOR A GOOD STORY,
BUT WHO KNOWS?

550
00:24:54,827 --> 00:24:56,869
YOU'RE GONNA BE AT THE WHISKY
THIS FRIDAY NIGHT?

551
00:24:56,869 --> 00:24:58,371
YES.

552
00:24:58,371 --> 00:25:01,255
SO, GUYS LIKE THE GUY
WE'RE LOOKING FOR...

553
00:25:01,255 --> 00:25:03,918
THEY'RE CREATURES
OF HABIT.

554
00:25:03,918 --> 00:25:05,881
THEY GO BACK
TO THE SAME HUNTING GROUND.

555
00:25:05,881 --> 00:25:07,422
YOU MIGHT BE ABLE
TO HELP US.

556
00:25:07,422 --> 00:25:08,714
HOW COULD I HELP?

557
00:25:08,714 --> 00:25:09,805
I MEAN, I WANT TO,

558
00:25:09,805 --> 00:25:11,508
BUT I NEVER SAW HER
WITH THE GUY --

559
00:25:11,508 --> 00:25:12,769
I SAW HER IN THE BATHROOM.

560
00:25:12,769 --> 00:25:14,061
YOU MIGHT NOT KNOW IT,

561
00:25:14,061 --> 00:25:16,604
BUT MAYBE SOMETHING YOU SAW
COULD LEAD US TO THE KILLER.

562
00:25:19,728 --> 00:25:21,610
WILL YOU HELP US?

563
00:25:24,694 --> 00:25:26,446
YOU KNOW YOU CAN'T GO
TO THE WHISKY DRESSED LIKE THAT.

564
00:25:26,446 --> 00:25:27,828
YOU GOT "COP"
WRITTEN ALL OVER YOU.

565
00:25:27,828 --> 00:25:28,699
NO ONE WILL TALK TO US.

566
00:25:28,699 --> 00:25:29,700
[ SIGHS ]

567
00:25:29,700 --> 00:25:31,953
SUPPOSED TO LOOK LIKE YOU?

568
00:25:31,953 --> 00:25:34,997
YEAH.
PUT THAT ON YOUR WISH LIST.

569
00:25:34,997 --> 00:25:38,040
[ PAT BENATAR'S "HEARTBREAKER"
PLAYS ]

570
00:25:38,040 --> 00:25:39,172
WHERE WE GOING?

571
00:25:39,172 --> 00:25:40,504
Jack: PLACE WHERE BIG SHOTS
HANG OUT.

572
00:25:40,504 --> 00:25:42,426
I HAVE A CONTACT HERE.

573
00:25:44,388 --> 00:25:47,012
♪ YOUR LOVE IS LIKE
A TIDAL WAVE ♪

574
00:25:47,012 --> 00:25:50,316
♪ SPINNING OVER MY HEAD ♪

575
00:25:50,316 --> 00:25:53,359
♪ DROWNING ME IN YOUR PROMISES ♪

576
00:25:53,359 --> 00:25:56,363
♪ BETTER LEFT UNSAID ♪

577
00:25:56,363 --> 00:25:58,776
♪ YOU'RE THE RIGHT KIND
OF SINNER ♪

578
00:25:58,776 --> 00:26:02,831
♪ TO RELEASE MY INNER FANTASY ♪

579
00:26:02,831 --> 00:26:05,414
♪ THE INVINCIBLE WINNER ♪
I KNOW I SHOULDN'T BE HERE.

580
00:26:05,414 --> 00:26:07,627
♪ AND YOU KNOW
THAT YOU WERE BORN TO BE ♪
THEY DON'T BE.

581
00:26:07,627 --> 00:26:09,710
I GOT THIS.

582
00:26:09,710 --> 00:26:11,752
♪ YOU'RE A HEARTBREAKER ♪
I BET YOU DO.

583
00:26:11,752 --> 00:26:14,175
♪ DREAM MAKER ♪
I WOULDN'T BE HERE
IF IT WASN'T IMPORTANT, OKAY?

584
00:26:14,175 --> 00:26:16,048
♪ LOVE TAKER, DON'T YOU
MESS AROUND WITH ME ♪
IT'S REALLY IMPORTANT.

585
00:26:16,048 --> 00:26:18,010
♪ YOU'RE A HEARTBREAKER ♪
WHAT DO YOU NEED?

586
00:26:18,010 --> 00:26:20,393
♪ DREAM MAKER, LOVE TAKER ♪
I'M WORKING A MURDER --
A GIRL

587
00:26:20,393 --> 00:26:21,725
♪ DON'T YOU MESS AROUND ♪
MOST LIKELY LAST SEEN
ON THE STRIP.

588
00:26:21,725 --> 00:26:22,806
♪ NO, NO, NO ♪

589
00:26:22,806 --> 00:26:24,728
HAVE YOU SEEN
THIS BRAND OF COKE BEFORE?

590
00:26:24,728 --> 00:26:26,771
WE FOUND IT ON HER.

591
00:26:26,771 --> 00:26:29,274
IF YOU KNOW ANYTHING,
WHO THE DEALER IS...

592
00:26:29,274 --> 00:26:31,447
[ SIGHS ]
YEAH, I KNOW IT.

593
00:26:31,447 --> 00:26:32,908
I'M ONE OF HIS FEEDERS --
BUY AND SUPPLY.

594
00:26:32,908 --> 00:26:34,571
THAT'S GREAT. WELL, I NEED TO
TALK TO THIS GUY --

595
00:26:34,571 --> 00:26:35,742
YOU KNOW I CAN'T DO THAT.

596
00:26:35,742 --> 00:26:37,785
LOOK. LISTEN, DIANNE,
IF HE SOLD TO HER THAT NIGHT,

597
00:26:37,785 --> 00:26:39,377
HE MIGHT'VE SEEN
WHO SHE WAS WITH.

598
00:26:39,377 --> 00:26:41,209
FOR ALL I KNOW, HE SOLD IT
TO THE KILLER HIM SELF.

599
00:26:41,209 --> 00:26:43,121
A MILLION GIRLS ON THE STRIP
ARE SNORTING COKE.

600
00:26:43,121 --> 00:26:46,465
DO YOU THINK ONE OF THESE GUYS
REMEMBERS WHO THEY SELL IT TO?
I CAN TELL YOU, I DON'T.

601
00:26:46,465 --> 00:26:49,129
♪ YOU'RE THE RIGHT KIND
OF SINNER ♪
I THINK SHE MIGHT HAVE LEFT
WITH SOME BIG SHOT.

602
00:26:49,129 --> 00:26:52,893
♪ TO RELEASE MY INNER FANTASY ♪
LOOK, YOU KNOW EVERYBODY
ON THE STRIP.

603
00:26:52,893 --> 00:26:55,436
♪ THE INVINCIBLE WINNER ♪
CAN YOU PLEASE
JUST ASK AROUND

604
00:26:55,436 --> 00:26:58,941
♪ AND YOU KNOW
THAT YOU WERE BORN TO BE ♪
AND SEE IF ANYBODY SAW ANYTHING,
HEARD ANYTHING?

605
00:26:58,941 --> 00:26:59,942
FOR ME?

606
00:26:59,942 --> 00:27:02,065
♪ YOU'RE A HEART BREAKER ♪

607
00:27:03,607 --> 00:27:07,201
♪ YOUR PICTURE AIN'T ENOUGH ♪

608
00:27:07,201 --> 00:27:13,369
♪ I CAN'T WAIT TO TOUCH YOU
IN THE FLESH ♪

609
00:27:13,369 --> 00:27:17,874
♪ OOH-OOH, OOOH ♪

610
00:27:17,874 --> 00:27:21,589
♪ DARLIN', DARLIN', DARLIN' ♪
I REALLY
THOUGHT YOU LIKED ME.

611
00:27:21,589 --> 00:27:25,303
♪ I CAN'T WAIT TO HEAR YOU ♪

612
00:27:25,303 --> 00:27:28,477
♪ REMEMBERING YOUR LOVE ♪

613
00:27:28,477 --> 00:27:30,730
♪ IS NOTHING ♪

614
00:27:30,730 --> 00:27:33,604
♪ WITHOUT YOU IN THE FLESH ♪
PLEASE, DON'T MOVE.

615
00:27:36,447 --> 00:27:39,030
WHAT ARE YOU DOING?

616
00:27:41,694 --> 00:27:44,367
IT'S JUST A GAME.

617
00:27:44,367 --> 00:27:47,581
♪♪

618
00:27:56,883 --> 00:27:59,095
IT'S OKAY.

619
00:28:01,598 --> 00:28:03,271
[ BREATHING HEAVILY ]

620
00:28:03,271 --> 00:28:06,024
CLOSE YOUR EYES.

621
00:28:06,024 --> 00:28:08,857
CLOSE YOUR EYES.

622
00:28:11,531 --> 00:28:14,034
DON'T BREATHE.

623
00:28:15,736 --> 00:28:17,909
ABSOLUTELY STILL.

624
00:28:17,909 --> 00:28:20,412
MM.

625
00:28:20,412 --> 00:28:23,586
NOT A SOUND...

626
00:28:23,586 --> 00:28:25,798
NOT A BREATH.

627
00:28:30,675 --> 00:28:33,969
♪♪

628
00:28:45,363 --> 00:28:47,696
[ EXHALES SHARPLY ]

629
00:28:52,622 --> 00:28:55,786
♪♪

630
00:29:11,645 --> 00:29:12,607
[ GASPS ]

631
00:29:12,607 --> 00:29:15,400
[ GASPS ]

632
00:29:15,400 --> 00:29:17,272
OH, MY GOD.

633
00:29:17,272 --> 00:29:19,365
[ Exhaling ] OH, MY GOD.

634
00:29:19,365 --> 00:29:21,407
[ BREATHING HEAVILY ]

635
00:29:21,407 --> 00:29:24,451
THAT WAS WEIRD.

636
00:29:24,451 --> 00:29:26,284
KIND OF AMAZING.

637
00:29:26,284 --> 00:29:27,285
[ CHUCKLES ]

638
00:29:27,285 --> 00:29:30,208
I LIKE YOU, BETTY.

639
00:29:30,208 --> 00:29:31,880
I LIKE YOU, TOO, BRENT.

640
00:29:31,880 --> 00:29:33,002
IT'S KENT.

641
00:29:35,175 --> 00:29:37,047
YOU TOLD ME --
YOU TOLD ME BRENT.

642
00:29:37,047 --> 00:29:38,759
YOU JUST HEARD IT WRONG.

643
00:29:38,759 --> 00:29:42,103
KENT, BRENT.

644
00:29:42,103 --> 00:29:45,107
KENT.

645
00:29:46,058 --> 00:29:48,691
WE HAVE A REAL CONNECTION.

646
00:29:50,353 --> 00:29:52,907
I'VE NEVER DONE
ANYTHING LIKE THAT.

647
00:29:55,199 --> 00:29:57,783
AND THIS IS
JUST THE BEGINNING.

648
00:30:04,501 --> 00:30:06,634
OKAY.

649
00:30:11,760 --> 00:30:13,842
YOU HAVE NO IDEA.

650
00:30:15,144 --> 00:30:18,098
[ LAUGHS ]
OKAY.

651
00:30:19,940 --> 00:30:21,772
[ DOOR CLOSES ]
[ GASPS ]

652
00:30:21,772 --> 00:30:24,566
NO -- WA--

653
00:30:25,607 --> 00:30:27,199
Shh.

654
00:30:34,578 --> 00:30:37,292
[ GASPS ]

655
00:30:37,292 --> 00:30:39,294
IT'S OKAY.

656
00:30:40,506 --> 00:30:42,588
IT'S JUST A GAME.

657
00:30:45,302 --> 00:30:48,636
♪♪

658
00:31:45,877 --> 00:31:48,089
[ SIGHS ]

659
00:31:50,172 --> 00:31:51,504
HMM.

660
00:31:51,504 --> 00:31:53,636
I'VE NEVER SEEN
THAT JACKET BEFORE.

661
00:31:53,636 --> 00:31:55,679
DO I LOOK LIKE AN IDIOT?
I FEEL LIKE AN IDIOT.

662
00:31:55,679 --> 00:31:57,681
I NEVER WOULD'VE MARRIED
AN IDIOT.

663
00:31:57,681 --> 00:32:00,104
[ LAUGHS ]
BUT COME HERE.

664
00:32:00,104 --> 00:32:01,146
COME HERE,
LET ME HELP YOU.

665
00:32:01,146 --> 00:32:02,397
WOULD YOU PLEASE?

666
00:32:02,397 --> 00:32:04,279
[ SIGHS ]

667
00:32:05,611 --> 00:32:06,823
YOU LOOK HANDSOME.

668
00:32:06,823 --> 00:32:07,984
YEAH? THANK YOU.

669
00:32:07,984 --> 00:32:10,367
REMINDS OF THAT, UM,
SPORTS COAT YOU WORE

670
00:32:10,367 --> 00:32:11,989
WHEN YOU FIRST STARTED DATING,
REMEMBER?

671
00:32:11,989 --> 00:32:13,451
OH, YEAH.
I USED TO LOVE THAT THING.

672
00:32:13,451 --> 00:32:15,533
I SPILLED CHILI ON IT WHEN
I TOOK YOU TO CHASEN'S PLACE.

673
00:32:15,533 --> 00:32:17,796
[ LAUGHS ]
OH, THAT CHILI WAS GOOD.

674
00:32:17,796 --> 00:32:19,879
MM-HMM.

675
00:32:21,381 --> 00:32:23,714
BETTER?

676
00:32:23,714 --> 00:32:26,137
SURE. THANKS.

677
00:32:31,313 --> 00:32:33,816
I HATE
THAT YOU TAKE YOUR RING OFF.

678
00:32:33,816 --> 00:32:36,439
LIKE YOU DON'T WANT TO BE
REMINDED OF US

679
00:32:36,439 --> 00:32:37,521
WHEN YOU'RE OUT THERE.

680
00:32:37,521 --> 00:32:38,982
BABY, YOU THAT'S NOT IT.

681
00:32:38,982 --> 00:32:41,025
I CAN'T HAVE PEOPLE OUT THERE
KNOW ABOUT YOU --

682
00:32:41,025 --> 00:32:42,867
THAT THERE ARE PEOPLE
I LOVE.

683
00:32:42,867 --> 00:32:45,160
IT MAKES ME VULNERABLE.

684
00:32:47,283 --> 00:32:49,666
WHOA.

685
00:32:49,666 --> 00:32:52,579
YOU LOOK WAY TOO
"SATURDAY NIGHT FEVER," DADDY.

686
00:32:52,579 --> 00:32:53,961
-WHAT?
-WHAT'S THAT MEAN?

687
00:32:53,961 --> 00:32:55,843
YOU NEED TO LOOK
MORE "AMERICAN GIGOLO"

688
00:32:55,843 --> 00:32:57,966
IF YOU'RE GOING TO THE WHISKY,
SO YOU FIT IN.

689
00:32:59,848 --> 00:33:01,300
LOSE THE POCKET SQUARE.

690
00:33:01,300 --> 00:33:02,642
OH.
OH, OKAY.

691
00:33:02,642 --> 00:33:05,015
H-HOW DO YOU KNOW WHAT PEOPLE
DRESS LIKE AT THE WHISKY?

692
00:33:05,015 --> 00:33:08,018
YEAH, INQUIRING MINDS
WANT TO KNOW.
[ TELEPHONE RINGS ]

693
00:33:09,270 --> 00:33:11,192
HELLO?

694
00:33:11,192 --> 00:33:12,814
YEP.

695
00:33:12,814 --> 00:33:13,906
MM-HMM.

696
00:33:13,906 --> 00:33:15,868
UH...YEAH, OKAY.

697
00:33:15,868 --> 00:33:17,530
SURE.

698
00:33:17,530 --> 00:33:19,032
GREAT.

699
00:33:19,032 --> 00:33:20,073
[ TELEPHONE RECEIVER CLICKS ]

700
00:33:20,073 --> 00:33:21,575
WHO WAS THAT?

701
00:33:21,575 --> 00:33:23,878
UH, JUST ABOUT TONIGHT --
CASE STUFF.

702
00:33:23,878 --> 00:33:26,622
OH.

703
00:33:26,622 --> 00:33:28,834
WILL YOU BE HOME LATER?

704
00:33:28,834 --> 00:33:30,837
UH, I DON'T KNOW.
DEPENDS.

705
00:33:30,837 --> 00:33:33,680
ON THE CASE.
YEAH, OF COURSE.

706
00:33:33,680 --> 00:33:37,595
OKAY, SO, WHAT ARE YOU THINKING
FOR TACO TERROR NIGHT?

707
00:33:37,595 --> 00:33:42,641
Vicki: OKAY, UH, LAST WEEK WE
DID CAPTAIN CRUNCH AND PICKLES.

708
00:33:42,641 --> 00:33:44,233
...CHOCOLATE CHIPS
AND FISH STICKS.

709
00:33:44,233 --> 00:33:47,908
UGH.
[ LAUGHS ] THAT'S GROSS.

710
00:33:52,824 --> 00:33:53,915
Jack: HEY, WHAT THE HELL
WERE YOU THINKING,

711
00:33:53,915 --> 00:33:54,867
CALLING MY HOUSE?

712
00:33:54,867 --> 00:33:56,539
YOU ASKED ME FOR HELP,
JACK.

713
00:33:56,539 --> 00:33:58,211
YOU CAN'T CALL MY PAGER?

714
00:33:58,211 --> 00:33:59,542
WELL,
DON'T GET ME INVOLVED

715
00:33:59,542 --> 00:34:01,505
AND THEN GET PISSED OFF
HOW I GO ABOUT IT.

716
00:34:01,505 --> 00:34:02,666
I GOT YOU SOMETHING,
ALL RIGHT?

717
00:34:02,666 --> 00:34:03,668
HERE.

718
00:34:03,668 --> 00:34:04,799
WHAT IS IT?

719
00:34:04,799 --> 00:34:06,551
V.I.P. LIST FROM THE STRIP.

720
00:34:06,551 --> 00:34:08,514
GAZZARRI'S, RAINBOW, WHISKY...

721
00:34:08,514 --> 00:34:09,885
YOU GOT THE WHISKY
IN HERE?

722
00:34:09,885 --> 00:34:11,477
THEY ALWAYS COMP
V.I.P. TICKETS.

723
00:34:11,477 --> 00:34:14,060
YOU SAID YOU THOUGHT YOUR GUY
MIGHT BE A BIGWIG, RIGHT?

724
00:34:14,060 --> 00:34:16,183
SO THIS LIST IS EVERYONE
WHO'S EVERYONE

725
00:34:16,183 --> 00:34:18,025
HANGING ON THE STRIP
THIS WEEK.

726
00:34:18,025 --> 00:34:19,237
MAYBE IT'LL GET YOU
SOMEWHERE.

727
00:34:19,237 --> 00:34:21,490
HEY. HEY.

728
00:34:22,691 --> 00:34:23,692
[ CAR DOOR CLOSES ]

729
00:34:23,692 --> 00:34:25,535
I REALLY APPRECIATE THIS.

730
00:34:25,535 --> 00:34:27,958
LET'S KEEP THIS
STRICTLY PROFESSIONAL.

731
00:34:29,540 --> 00:34:31,792
WHO'RE YOU TRYING
TO CONVINCE?

732
00:34:31,792 --> 00:34:33,505
HEY, JACK.

733
00:34:33,505 --> 00:34:35,467
YOU KNOW, AS MUCH AS I ENJOY
WATCHING YOU MAKE EYES

734
00:34:35,467 --> 00:34:36,668
WITH YOUR
STRIPPER GIRLFRIEND,

735
00:34:36,668 --> 00:34:38,841
WE SHOULD
PROBABLY GET MOVING.

736
00:34:38,841 --> 00:34:40,513
I GOT A KILLER TO CATCH.

737
00:34:40,513 --> 00:34:45,559
SO WHY DON'T YOU GET BACK
IN YOUR CAR AND GO DO YOUR JOB,

738
00:34:45,559 --> 00:34:47,522
BECAUSE I HAVE A DRUG DEALER
TO BUST

739
00:34:47,522 --> 00:34:50,315
AND I CAN'T WASTE ANY MORE TIME
WITH THE DYNAMIC DUO.

740
00:34:52,148 --> 00:34:55,031
YOU'RE A COP.

741
00:34:55,031 --> 00:34:56,994
WHO'S GONNA BE
A LIEUTENANT.

742
00:34:56,994 --> 00:34:59,407
NOT IF I DON'T GET
MY SUPPLIER'S BOSS.

743
00:35:01,159 --> 00:35:02,951
SO YOU DO ANYTHING
TO BLOW MY COVER,

744
00:35:02,951 --> 00:35:04,703
I'LL CUT YOUR BALLS OFF.

745
00:35:04,703 --> 00:35:06,245
UNDERSTOOD?

746
00:35:06,245 --> 00:35:08,047
UNDERSTOOD.

747
00:35:08,047 --> 00:35:11,211
♪♪

748
00:35:14,345 --> 00:35:16,888
[ ROMEO VOID'S
"NEVER SAY NEVER" PLAYS ]

749
00:35:18,851 --> 00:35:21,724
♪ I MIGHT LIKE YOU BETTER
IF WE SLEPT TOGETHER ♪

750
00:35:21,724 --> 00:35:24,688
♪ I MIGHT LIKE YOU BETTER
IF WE SLEPT TOGETHER ♪
♪ I MIGHT LIKE YOU BETTER
IF WE SLEPT TOGETHER ♪

751
00:35:24,688 --> 00:35:27,692
♪ I MIGHT LIKE YOU BETTER
IF WE SLEPT TOGETHER ♪

752
00:35:27,692 --> 00:35:29,324
[ TELEPHONE RINGS ]
♪ BUT THERE'S SOMETHING
IN YOUR EYES ♪

753
00:35:29,324 --> 00:35:31,697
♪ THAT SAYS
"MAYBE THAT'S NEVER" ♪

754
00:35:31,697 --> 00:35:32,698
HELLO?

755
00:35:32,698 --> 00:35:34,330
BETTY: Kent.
I can't come tonight.

756
00:35:34,330 --> 00:35:36,953
WH-WHAT DO YOU MEAN YOU CAN'T GO
TO THE WHISKY TONIGHT?

757
00:35:36,953 --> 00:35:38,415
I GOT CALLED INTO WORK.
I'M SORRY.

758
00:35:38,415 --> 00:35:39,707
COME ON.

759
00:35:39,707 --> 00:35:41,839
I MEETING
ANOTHER FRIEND THERE, TOO.

760
00:35:41,839 --> 00:35:45,173
THERE'S SOMETHING I WANT TO SHOW
YOU THAT I THINK YOU'LL LIKE.

761
00:35:45,173 --> 00:35:47,556
IT'LL BE A PARTY.

762
00:35:47,556 --> 00:35:49,429
JUST TELL THEM YOU'RE SICK
AND YOU GOTTA GO HOME.

763
00:35:49,429 --> 00:35:50,560
God, I wish.

764
00:35:50,560 --> 00:35:52,853
BUT, YOU KNOW,
I HAVE MY PATIENTS, AND --

765
00:35:52,853 --> 00:35:56,568
I thought
we had a real connection.

766
00:35:56,568 --> 00:35:58,480
WHAT? WE DO.

767
00:35:58,480 --> 00:36:00,402
WE -- PLEASE, UNDERSTAND.

768
00:36:00,402 --> 00:36:01,694
[ SCOFFS ]

769
00:36:01,694 --> 00:36:03,026
UNDERSTAND?

770
00:36:03,026 --> 00:36:04,317
HOW ABOUT UNDERSTAND ME?

771
00:36:04,317 --> 00:36:05,408
WHAT ABOUT MY NEEDS?

772
00:36:05,408 --> 00:36:07,531
OH, KENT.

773
00:36:07,531 --> 00:36:11,206
YOU KNOW I'LL TAKE CARE OF YOUR
NEEDS TOMORROW NIGHT WHEN...

774
00:36:11,206 --> 00:36:13,589
I don't think
I can make it.

775
00:36:13,589 --> 00:36:15,331
SEE YA.

776
00:36:15,331 --> 00:36:18,214
Wait, Kent.
Kent?

777
00:36:18,214 --> 00:36:20,547
♪ NEVER SAY NEVER ♪
H-Hello?

778
00:36:20,547 --> 00:36:23,681
♪ NEVER, NEVER, NEVER ♪

779
00:36:29,769 --> 00:36:31,190
♪ I MIGHT LIKE YOU BETTER ♪

780
00:36:31,190 --> 00:36:33,814
[ TELEPHONE RINGS ]
♪ IF WE SLEPT TOGETHER ♪

781
00:36:33,814 --> 00:36:36,527
♪ MIGHT LIKE YOU BETTER
IF WE SLEPT TOGETHER ♪
♪ MIGHT LIKE YOU BETTER
IF WE SLEPT TOGETHER ♪

782
00:36:36,527 --> 00:36:39,701
♪ I MIGHT LIKE YOU BETTER
IF WE SLEPT TOGETHER ♪

783
00:36:39,701 --> 00:36:42,494
[ RINGING CONTINUES ]
♪ I MIGHT LIKE YOU BETTER
IF WE SLEPT TOGETHER ♪

784
00:36:42,494 --> 00:36:44,417
♪ BUT THERE'S SOMETHING
IN YOUR EYES THAT SAYS ♪

785
00:36:44,417 --> 00:36:47,371
♪ "MAYBE THAT'S NEVER" ♪

786
00:36:47,371 --> 00:36:52,297
♪ NEVER SAY NEVER ♪

787
00:36:56,011 --> 00:36:58,184
YOU ARE DEFINITELY
GONNA BANG HER.

788
00:36:58,184 --> 00:36:59,686
MIND YOUR BUSINESS,
PACO.

789
00:36:59,686 --> 00:37:00,887
I'M JUST SAYING.

790
00:37:02,059 --> 00:37:03,100
A. BUONO.

791
00:37:03,100 --> 00:37:04,732
THE NAME A. BUONO
IS ON THE LIST.

792
00:37:04,732 --> 00:37:08,987
ANGELO BUONO? ONE OF
THE HILLSIDE STRANGLERS?

793
00:37:08,987 --> 00:37:11,320
ANGELO BUONO IS IN PRISON.
YOU PUT HIM THERE.

794
00:37:11,320 --> 00:37:12,402
SON OF A BITCH.

795
00:37:12,402 --> 00:37:13,994
FIRST HE PUTS HIS NAME
ON THE V.I.P. LIST

796
00:37:13,994 --> 00:37:15,576
AS ONE OF HIS
HILLSIDE STRANGLER HEROES,

797
00:37:15,576 --> 00:37:18,830
AND THEN HE DUMPS EMILY'S BODY
IN THE SAME PLACE THEY DID.

798
00:37:18,830 --> 00:37:20,331
HE'S DRAWING A MAP.

799
00:37:20,331 --> 00:37:21,873
HE'S PLAYING WITH US.

800
00:37:21,873 --> 00:37:24,877
HE'S LETTING US KNOW
HE'S AT THE WHISKY RIGHT NOW.

801
00:37:24,877 --> 00:37:27,590
KAREN'S NAME'S RIGHT THERE
BELOW HIS.

802
00:37:27,590 --> 00:37:30,264
HER MUSIC GUY WOULD'VE GIVEN
BOTH NAMES AT THE SAME TIME.

803
00:37:30,264 --> 00:37:32,687
WHICH MEANS KAREN'S GUY
COULD BE OUR GUY.

804
00:37:32,687 --> 00:37:34,309
LET'S GO!
MOVE IT, MOVE IT!

805
00:37:34,309 --> 00:37:36,562
WHEN WE GET THERE,
WE GOTTA SPLIT UP.

806
00:37:37,393 --> 00:37:39,525
♪ HOT IN THE CITY ♪

807
00:37:39,525 --> 00:37:43,320
♪ HOT IN THE CITY TONIGHT ♪

808
00:37:43,320 --> 00:37:46,033
♪ TONIGHT ♪

809
00:37:46,033 --> 00:37:47,906
♪ HOT IN THE CITY ♪

810
00:37:47,906 --> 00:37:51,911
♪ HOT IN THE CITY TONIGHT ♪

811
00:37:51,911 --> 00:37:54,454
♪ TONIGHT ♪

812
00:37:54,454 --> 00:37:58,339
♪ ...BROUGHT YOU TO ME, BABE ♪

813
00:37:58,339 --> 00:38:00,341
♪ WHAT SET YOU FREE ♪

814
00:38:00,341 --> 00:38:02,263
♪ I NEED YOU HERE BY ME ♪

815
00:38:02,263 --> 00:38:04,726
YEAH, I'D LIKE TO MAKE
A DEDICATION.

816
00:38:04,726 --> 00:38:09,773
♪ IN THE MIDNIGHT HOUR, BABE,
"MORE, MORE, MORE" ♪

817
00:38:09,773 --> 00:38:15,029
♪ WITH A REBEL YELL
"MORE, MORE, MORE" ♪

818
00:38:18,984 --> 00:38:24,251
♪ HE LIVES IN HIS OWN HEAVEN ♪

819
00:38:24,251 --> 00:38:27,204
♪ COLLECTS IT TO GO
FROM THE SEVEN ELEVEN ♪

820
00:38:27,204 --> 00:38:29,087
Jack: KAREN!
HEY!

821
00:38:29,087 --> 00:38:30,418
HAS YOUR MUSIC GUY
SHOWN UP YET?

822
00:38:30,418 --> 00:38:33,803
♪ HE'S OUT ALL NIGHT
TO COLLECT A FARE ♪

823
00:38:35,174 --> 00:38:36,716
HE IS HERE.
THEY TOLD ME HE CHECKED IN.

824
00:38:36,716 --> 00:38:37,968
BUT HE HASN'T COME
TO FIND ME.

825
00:38:40,271 --> 00:38:41,602
LET'S GO BACK STAGE.

826
00:38:41,602 --> 00:38:42,814
GET LOST, MAN.

827
00:38:42,814 --> 00:38:44,936
IT'S A CLUB, MAN.
YOU DON'T OWN IT.

828
00:38:44,936 --> 00:38:46,188
LEAVE!

829
00:38:46,188 --> 00:38:48,821
ARE YOU --
JUST LEAVE!

830
00:38:48,821 --> 00:38:50,693
NOW.

831
00:38:50,693 --> 00:38:52,616
OKAY,
WHY DON'T YOU JUST LET ME KNOW?
THANK YOU.

832
00:38:52,616 --> 00:38:54,288
WE NEED TO FIND
YOUR MUSIC GUY.

833
00:38:54,288 --> 00:38:55,489
I NEED TO TALK TO HIM.

834
00:38:55,489 --> 00:38:57,532
WHY? YOU THINK HE SAW EMILY
WITH THE KILLER?

835
00:38:57,532 --> 00:39:01,086
NO, NO.
KAREN, I THINK HE IS THE KILLER.

836
00:39:01,086 --> 00:39:04,591
[ SONG ENDS ]

837
00:39:04,591 --> 00:39:06,753
[ "WHITE WEDDING" PLAYS ]

838
00:39:06,753 --> 00:39:09,096
OKAY?

839
00:39:09,096 --> 00:39:10,508
I NEED A MINUTE.

840
00:39:10,508 --> 00:39:12,761
I HAVE TO GO
TO THE BATHROOM.

841
00:39:12,761 --> 00:39:14,643
OKAY.

842
00:39:25,236 --> 00:39:27,069
I'LL BE OUT HERE.

843
00:39:27,069 --> 00:39:31,374
♪ HEY, LITTLE SISTER,
WHAT HAVE YOU DONE? ♪

844
00:39:33,667 --> 00:39:37,712
♪ HEY, LITTLE SISTER,
WHO'S THE ONLY ONE? ♪

845
00:39:40,345 --> 00:39:43,679
♪ HEY, LITTLE SISTER,
WHO'S YOUR SUPERMAN? ♪

846
00:39:43,679 --> 00:39:46,853
♪ HEY, LITTLE SISTER,
WHO'S THE ONE YOU WANT? ♪
[ PAGER BEEPING ]

847
00:39:46,853 --> 00:39:49,767
♪ HEY, LITTLE SISTER, SHOT GUN ♪

848
00:39:49,767 --> 00:39:54,362
♪ IT'S A NICE DAY
TO START AGAIN ♪

849
00:39:56,235 --> 00:40:00,320
♪ IT'S A NICE DAY
FOR A WHITE WEDDING ♪

850
00:40:00,320 --> 00:40:02,663
JERK.

851
00:40:02,663 --> 00:40:06,167
♪ IT'S A NICE DAY
TO START AGAIN ♪

852
00:40:12,885 --> 00:40:16,510
[ Ringing ]

853
00:40:17,801 --> 00:40:18,933
MILLER?

854
00:40:18,933 --> 00:40:20,265
MILLER: You gonna want to
hear this, Jack.

855
00:40:20,265 --> 00:40:21,396
MILLER, WHAT?

856
00:40:21,396 --> 00:40:22,978
The radio station people
called.

857
00:40:22,978 --> 00:40:24,900
They just got a dedication
for Karen M.

858
00:40:24,900 --> 00:40:26,903
from a secret admirer.

859
00:40:26,903 --> 00:40:28,945
[ CROWD CHEERING ]

860
00:40:28,945 --> 00:40:31,779
♪ IT'S A NICE DAY
FOR A WHITE WEDDING ♪

861
00:40:31,779 --> 00:40:32,780
KAREN?!

862
00:40:32,780 --> 00:40:35,704
[ INDISTINCT CONVERSATIONS ]

863
00:40:40,960 --> 00:40:43,924
♪ ...START AGAIN ♪

864
00:40:48,670 --> 00:40:54,887
♪ HEY, LITTLE SISTER,
WHO'S THE ONLY ONE? ♪

865
00:40:54,887 --> 00:40:58,682
♪ I'VE BEEN AWAY FOR SO LONG,
SO LONG ♪

866
00:40:58,682 --> 00:41:01,025
WHERE THE HELL IS SHE?
SHE WAS JUST WITH ME.

867
00:41:01,025 --> 00:41:05,781
♪ IT'S A NICE DAY
FOR A WHITE WEDDING ♪

868
00:41:08,034 --> 00:41:10,577
♪ IT'S A NICE DAY TO ♪
EXCUSE ME!

869
00:41:10,577 --> 00:41:13,461
♪ START AGAIN ♪

870
00:41:13,461 --> 00:41:15,503
YEAH, I HAD A GUEST SPOT
ON "THE LOVE BOAT."

871
00:41:15,503 --> 00:41:16,504
I WAS PRETTY GOOD.

872
00:41:16,504 --> 00:41:18,126
YOU'RE BETTER
THAN "THE LOVE BOAT,"

873
00:41:18,126 --> 00:41:19,168
JUST NEED A GOOD AGENT.

874
00:41:19,168 --> 00:41:20,299
I KNOW TALENT,

875
00:41:20,299 --> 00:41:23,213
AND I GOT A GOOD FEELING
ABOUT YOU, MALLORY.

876
00:41:23,213 --> 00:41:25,215
THANK YOU SO MUCH
FOR THIS.

877
00:41:25,215 --> 00:41:27,638
I WAS YOU ONCE, TRYING
TO GET AHEAD IN THIS TOWN.

878
00:41:27,638 --> 00:41:29,270
KILL ME,
I LIKE TO GIVE BACK.

879
00:41:37,941 --> 00:41:40,734
ARE YOU COMING?

880
00:41:45,450 --> 00:41:48,454
♪♪

881
00:42:11,322 --> 00:42:14,737
♪ IT'S A NICE DAY
FOR A WHITE WEDDING ♪

882
00:42:14,737 --> 00:42:18,121
Man:
NOW, THIS DEDICATION GOES OUT
TO MALLORY K.

883
00:42:18,121 --> 00:42:20,494
♪ IT'S A NICE DAY TO ♪
THIS IS FROM
HER SECRET ADMIRER.

884
00:42:20,494 --> 00:42:23,497
♪ START AGAIN ♪

885
00:42:31,427 --> 00:42:34,471
♪♪