1 00:00:01,753 --> 00:00:02,873 PREVIOUSLY ON "WICKED CITY"... [ SCREAMING ] 2 00:00:02,873 --> 00:00:04,213 THIS KILLER WANTS FAME AND RECOGNITION. 3 00:00:04,213 --> 00:00:05,623 THAT'S WHY HE DUMPED THE BODY 4 00:00:05,623 --> 00:00:07,583 AT THE HILLSIDE STRANGLER'S LOCATION. 5 00:00:07,583 --> 00:00:08,833 I SAW EMILY THE NIGHT SHE WAS MURDERED. 6 00:00:08,833 --> 00:00:11,043 MAYBE SOMETHING YOU SAW COULD LEAD US TO THE KILLER. 7 00:00:11,043 --> 00:00:12,753 I MET A MUSIC GUY AT THE WHISKY THAT NIGHT. 8 00:00:12,753 --> 00:00:13,793 I LIKE YOU, BETTY. 9 00:00:13,793 --> 00:00:15,663 WE HAVE A REAL CONNECTION. 10 00:00:15,663 --> 00:00:16,873 AND THIS IS JUST THE BEGINNING. 11 00:00:16,873 --> 00:00:19,163 I GOT YOU SOMETHING. THE V.I.P. LIST FROM THE STRIP. 12 00:00:19,163 --> 00:00:20,253 YOU'RE A COP. 13 00:00:20,253 --> 00:00:22,043 WE NEED TO FIND YOUR MUSIC GUY. 14 00:00:22,043 --> 00:00:23,043 I THINK HE IS THE KILLER. 15 00:00:25,793 --> 00:00:29,423 ♪ IN OLDEN DAYS, A GLIMPSE OF STOCKING ♪ 16 00:00:29,423 --> 00:00:32,963 ♪ WAS LOOKED ON AS SOMETHING SHOCKING ♪ 17 00:00:32,963 --> 00:00:36,663 ♪ NOW HEAVEN KNOWS ♪ 18 00:00:36,663 --> 00:00:39,663 ♪ ANYTHING GOES ♪ 19 00:00:41,123 --> 00:00:45,793 ♪ GOOD AUTHORS, TOO, WHO ONCE KNEW BETTER WORDS ♪ 20 00:00:45,793 --> 00:00:48,663 ♪ NOW ONLY USE FOUR-LETTER WORDS ♪ 21 00:00:48,663 --> 00:00:51,423 ♪ WRITING PROSE... ♪ 22 00:00:51,423 --> 00:00:53,793 DJ Kevin: AND NOW MOTLEY CRUE'S "SHOUT AT THE DEVIL." 23 00:00:53,793 --> 00:00:56,503 THIS IS DEDICATED TO MALLORY K. FROM HER SECRET ADMIRER. 24 00:00:56,503 --> 00:00:57,713 [ ENGINE TURNS OVER ] 25 00:00:57,713 --> 00:00:59,043 ♪ SHOUT ♪ 26 00:00:59,043 --> 00:01:00,213 ♪ SHOUT ♪ 27 00:01:00,213 --> 00:01:01,333 ♪ SHOUT ♪ 28 00:01:01,333 --> 00:01:02,963 ♪ SHOUT AT THE DEVIL ♪ 29 00:01:02,963 --> 00:01:05,663 ♪♪ 30 00:01:09,623 --> 00:01:11,583 [ SIREN WAILING ] 31 00:01:11,583 --> 00:01:13,043 WE GOT A SERIAL KILLER WHO LEFT THE WHISKY 32 00:01:13,043 --> 00:01:14,463 WITHIN THE LAST FIVE MINUTES 33 00:01:14,463 --> 00:01:16,713 AND PROBABLY GRABBED A YOUNG WOMAN NAMED KAREN McCLAREN -- 34 00:01:16,713 --> 00:01:18,423 BROWN HAIR, BROWN EYES, WHITE FEMALE. 35 00:01:18,423 --> 00:01:19,463 SHE WAS LAST SEEN WEARING 36 00:01:19,463 --> 00:01:21,463 AN ORANGE TANK TOP AND A BROWN SKIRT. 37 00:01:21,463 --> 00:01:22,663 GO, GO. 38 00:01:22,663 --> 00:01:23,793 KAREN McCLAREN. 39 00:01:23,793 --> 00:01:24,793 WOMAN: Roth, Contreras, are you there? 40 00:01:24,793 --> 00:01:25,713 GO FOR ROTH. 41 00:01:25,713 --> 00:01:26,963 So, get this. 42 00:01:26,963 --> 00:01:28,583 The radio station calls again. 43 00:01:28,583 --> 00:01:33,123 The dedication was just changed from Karen M. to Mallory K. 44 00:01:33,123 --> 00:01:35,163 ANYTHING? NOTHING, MAN. 45 00:01:35,163 --> 00:01:36,423 IT'S LIKE SHE JUST DISAPPEARED. 46 00:01:36,423 --> 00:01:37,963 HE CALLED IN A DEDICATION TO KAREN, 47 00:01:37,963 --> 00:01:39,753 AND NOW HE JUST CALLED IN ANOTHER DEDICATION 48 00:01:39,753 --> 00:01:41,123 TO A MALLORY K. 49 00:01:41,123 --> 00:01:43,293 MAYBE HE SPOTTED US INSIDE WITH KAREN AND SWITCHED GEARS. 50 00:01:43,293 --> 00:01:44,503 YEAH, AND GIRLS. 51 00:01:44,503 --> 00:01:46,423 YOU NEED TO HIT THE STREETS FOR LEADS ON A MALLORY K. 52 00:01:46,423 --> 00:01:48,253 I'M GONNA CALL IN AN A.P.B. ON KAREN. 53 00:01:48,253 --> 00:01:49,543 THIS IS DETECTIVE JACK ROTH. 54 00:01:49,543 --> 00:01:51,753 I NEED TO CALL IN AN A.P.B. ON A KAREN McCLAREN, 55 00:01:51,753 --> 00:01:53,333 LAST SEEN AT THE WHISKY A GO GO ON SUNSET. 56 00:01:53,333 --> 00:01:56,753 21 YEARS OLD, BROWN HAIR, BROWN EYES, WHITE FEMALE, 57 00:01:56,753 --> 00:02:00,083 LAST SEEN WEARING AN ORANGE TANK TOP AND A BROWN SKIRT. 58 00:02:01,583 --> 00:02:02,923 [ BREATHING HEAVILY ] 59 00:02:02,923 --> 00:02:04,423 THANKS FOR GETTING ME OUT OF THERE. 60 00:02:04,423 --> 00:02:06,833 I-I COULDN'T BREATHE. 61 00:02:06,833 --> 00:02:08,083 [ EXHALES SHARPLY ] 62 00:02:08,083 --> 00:02:10,213 YOU REALLY THINK THAT GUY YOU MET WAS THE KILLER? 63 00:02:10,213 --> 00:02:11,663 YEAH. 64 00:02:11,663 --> 00:02:13,623 AND W-- AND WHEN I GOT IN THAT BATHROOM, 65 00:02:13,623 --> 00:02:15,713 MY -- MY MIND JUST STARTED RACING. 66 00:02:15,713 --> 00:02:17,753 I REMEMBERED SEEING THAT EMILY GIRL JUST -- 67 00:02:17,753 --> 00:02:20,423 JUST TALKING ABOUT APARTMENTS AND SOME HOT GUY, AND... 68 00:02:20,423 --> 00:02:23,753 THEN SHE WAS DEAD. 69 00:02:23,753 --> 00:02:27,163 [ SIGHS ] 70 00:02:27,163 --> 00:02:28,713 DO YOU THINK SHE KNEW? 71 00:02:28,713 --> 00:02:29,963 KNEW WHAT? 72 00:02:29,963 --> 00:02:32,293 BEFORE SHE DIED. 73 00:02:32,293 --> 00:02:35,753 DID SHE KNOW HE WAS GONNA KILL HER? 74 00:02:35,753 --> 00:02:38,083 I HOPE SHE DIDN'T. 75 00:02:38,083 --> 00:02:39,713 YEAH, USE THAT. 76 00:02:39,713 --> 00:02:42,873 SEE, MOST PEOPLE ALWAYS THINK ABOUT THE END, THE DEATH. 77 00:02:42,873 --> 00:02:44,873 [ EXHALES SHARPLY ] 78 00:02:44,873 --> 00:02:46,213 AAH. 79 00:02:46,213 --> 00:02:48,963 I F-- I FEEL SO -- SO JACKED UP! 80 00:02:48,963 --> 00:02:51,463 YES, THAT'S THE FEAR. THAT'S THE FEAR. 81 00:02:51,463 --> 00:02:52,963 IT'S FIGHT OR FLIGHT. 82 00:02:52,963 --> 00:02:55,543 AND IN YOUR CASE, IT'S WRITE. 83 00:02:57,873 --> 00:03:02,003 PUT IT ALL DOWN ON PAPER. ALL OF IT. 84 00:03:09,163 --> 00:03:10,873 [ ENGINE SHUTS OFF ] 85 00:03:13,373 --> 00:03:15,923 I DON'T FEEL GOOD ABOUT THIS. 86 00:03:15,923 --> 00:03:18,253 IT'S OKAY. YOU'LL SEE. 87 00:03:18,253 --> 00:03:20,543 I-I DIDN'T THINK IT THROUGH. 88 00:03:20,543 --> 00:03:22,423 I THINK YOU DID. 89 00:03:27,003 --> 00:03:29,043 [ CAR DOOR CLOSES ] 90 00:03:34,543 --> 00:03:36,583 WHAT ARE YOU FEELING RIGHT NOW? 91 00:03:36,583 --> 00:03:38,333 [ SIGHS ] 92 00:03:38,333 --> 00:03:40,083 TERRIFIED. 93 00:03:40,083 --> 00:03:42,003 IT'S NOT FEAR BUBBLING UP INSIDE YOU. 94 00:03:42,003 --> 00:03:42,923 IT'S ADRENALINE. 95 00:03:42,923 --> 00:03:46,043 ADMIT IT. 96 00:03:46,043 --> 00:03:47,123 YOU FEEL MORE ALIVE 97 00:03:47,123 --> 00:03:48,923 THAN YOU HAVE IN YOUR ENTIRE LIFE, RIGHT? 98 00:03:48,923 --> 00:03:50,793 [ SIGHS ] 99 00:03:50,793 --> 00:03:52,293 [ CHUCKLES ] 100 00:03:52,293 --> 00:03:54,663 COME ON. 101 00:04:02,963 --> 00:04:05,163 [ BREATHING HEAVILY ] 102 00:04:05,163 --> 00:04:06,923 THERE'S NO TURNING BACK NOW. 103 00:04:08,123 --> 00:04:12,043 [ MUFFLED SCREAMING, CRYING ] 104 00:04:22,663 --> 00:04:24,793 [ MUFFLED SCREAMS ] 105 00:04:28,463 --> 00:04:29,463 [ HEAD THUDS ] 106 00:04:29,463 --> 00:04:30,663 OH. OH, MY GOSH. ARE YOU OKAY? 107 00:04:30,663 --> 00:04:32,753 [ PANTING ] 108 00:04:34,423 --> 00:04:37,083 I SHOULD'VE WAITED UNTIL YOU HAD ME ALL THE WAY OUT 109 00:04:37,083 --> 00:04:38,123 BEFORE I STRUGGLED. 110 00:04:38,123 --> 00:04:40,043 [ CHUCKLES ] I FEEL LIKE AN IDIOT. 111 00:04:40,043 --> 00:04:42,583 NOT AT ALL. IT'S NO BIG DEAL. 112 00:04:42,583 --> 00:04:44,923 I RUINED THE MOMENT. 113 00:04:44,923 --> 00:04:49,923 IT WAS SO HOT, ME ALL TIED UP AND YOU MY CAPTORS. 114 00:04:49,923 --> 00:04:51,833 I WAS REALLY INTO THE ROLE. 115 00:04:51,833 --> 00:04:53,293 COULD YOU TELL? I MEAN, YOU'RE A PRODUCER. 116 00:04:53,293 --> 00:04:55,583 YOU KNOW WHEN IT FEELS REAL, RIGHT? 117 00:04:55,583 --> 00:04:56,873 YOU'RE BLEEDING. 118 00:04:56,873 --> 00:04:58,833 I AM? IS IT BAD? 119 00:04:58,833 --> 00:05:00,753 UM...WELL... 120 00:05:00,753 --> 00:05:03,503 IT IS GONNA NEED A COUPLE STITCHES. 121 00:05:03,503 --> 00:05:04,923 I'M AN ACTRESS. I CAN'T HAVE A SCAR. 122 00:05:04,923 --> 00:05:06,713 I'LL NEVER MAKE IT IF MY FACE IS ALL MESSED UP. 123 00:05:06,713 --> 00:05:07,753 OH, NO, NO, HERE. 124 00:05:07,753 --> 00:05:09,753 I-I'LL STITCH YOU UP IN TWO SECS. 125 00:05:09,753 --> 00:05:11,163 MM. YOU'LL BE FINE. 126 00:05:11,163 --> 00:05:14,003 ♪♪ 127 00:05:18,663 --> 00:05:21,333 EITHER I'M STILL REALLY HIGH AND CAN BARELY FEEL THIS 128 00:05:21,333 --> 00:05:22,543 OR YOU KNOW WHAT YOU'RE DOING. 129 00:05:22,543 --> 00:05:24,293 BOTH. 130 00:05:24,293 --> 00:05:26,583 I AM A NURSE, AND THAT VALIUM I GAVE YOU 131 00:05:26,583 --> 00:05:28,623 IS PROBABLY HELPING WITH THE PAIN. 132 00:05:35,373 --> 00:05:36,873 YOU'RE VERY GENTLE. 133 00:05:36,873 --> 00:05:38,713 I LOVE WATCHING YOU WORK. 134 00:05:38,713 --> 00:05:40,123 IT'S SO SEXY. 135 00:05:42,463 --> 00:05:43,503 AND HOW'S OUR PATIENT? 136 00:05:43,503 --> 00:05:45,623 PERFECT. 137 00:05:47,373 --> 00:05:49,373 THERE WON'T EVEN BE A SCAR. 138 00:05:58,873 --> 00:06:01,293 THANK YOU. 139 00:06:10,963 --> 00:06:12,833 EMBRACE IT. 140 00:06:44,043 --> 00:06:46,043 WHOO! 141 00:06:47,583 --> 00:06:49,463 I LOVE YOUR ANGLE. 142 00:06:49,463 --> 00:06:51,753 "THE SUNSET STRIP CREATES KILLERS." 143 00:06:51,753 --> 00:06:53,923 PEOPLE COMING TO THE STRIP FOR FORTUNE AND FAME, 144 00:06:53,923 --> 00:06:55,333 EVEN IF THEY HAVE TO KILL FOR IT. 145 00:06:55,333 --> 00:06:57,963 IT'S GOOD. GLAD YOU LIKE IT. 146 00:06:57,963 --> 00:06:59,873 I WANT TO LEAVE ON A POSITIVE NOTE. 147 00:06:59,873 --> 00:07:02,043 WHAT DOES THAT MEAN? 148 00:07:02,043 --> 00:07:03,833 IT MEANS THIS MIGHT BE MY LAST PIECE FOR YOU. 149 00:07:03,833 --> 00:07:05,293 I'M THINKING ABOUT MOVING BACK HOME. 150 00:07:05,293 --> 00:07:08,793 WHY? WHY WOULD YOU DO THAT? 151 00:07:08,793 --> 00:07:11,663 [ SIGHS ] I'M NOT RISKING MY LIFE FOR A STORY. 152 00:07:11,663 --> 00:07:13,083 IT'S NOT A STORY. 153 00:07:13,083 --> 00:07:15,043 IT'S THE STORY. IT'S A HUGE STORY. 154 00:07:15,043 --> 00:07:16,923 [ SCOFFS ] WAY TO THINK ONLY OF YOURSELF. 155 00:07:16,923 --> 00:07:18,663 NO, NO, I'M THINKING ABOUT YOU. 156 00:07:18,663 --> 00:07:19,753 THIS IS YOUR DREAM. 157 00:07:19,753 --> 00:07:21,333 I MEAN, THIS IS YOUR CHANCE. 158 00:07:21,333 --> 00:07:23,873 THAT'S TRUE, BUT -- BUT THERE'S A KILLER OUT THERE 159 00:07:23,873 --> 00:07:26,123 AND HE KNOWS WHERE TO FIND ME -- RIGHT HERE. 160 00:07:26,123 --> 00:07:28,083 I'LL PROTECT YOU. 161 00:07:28,083 --> 00:07:30,793 [ SCOFFS ] WITH WHAT? THE FIRST AMENDMENT? 162 00:07:30,793 --> 00:07:34,123 [ BANGING ON DOOR ] 163 00:07:34,123 --> 00:07:36,793 [ BANGING CONTINUES ] 164 00:07:36,793 --> 00:07:39,423 Jack: IT'S DETECTIVE JACK ROTH. LET US IN. 165 00:07:39,423 --> 00:07:42,123 No, no, no. Don't -- Don't answer it. 166 00:07:42,123 --> 00:07:43,793 WE CAN HEAR YOU. 167 00:07:48,793 --> 00:07:50,373 HOW DID YOU KNOW I WAS HERE? 168 00:07:50,373 --> 00:07:51,663 WE KNOW WHERE YOU WORK. 169 00:07:51,663 --> 00:07:54,083 AND SO DOES THE KILLER, SO THIS WAS A STUPID MOVE. 170 00:07:54,083 --> 00:07:56,713 I'M SORRY. I RAN. I W-- I WAS TOTALLY FREAKED. 171 00:07:56,713 --> 00:07:57,753 I JUST PANICKED. 172 00:07:57,753 --> 00:07:59,083 AND YOU FELT SAFER WITH DIVER 173 00:07:59,083 --> 00:08:00,253 THAN WITH TWO DETECTIVES? 174 00:08:00,253 --> 00:08:02,083 OKAY, YOU KNOW WHAT? IT DOESN'T MATTER. 175 00:08:02,083 --> 00:08:04,333 WE FOUND YOU. LISTEN TO ME. WE NEED YOUR HELP. 176 00:08:04,333 --> 00:08:06,793 THE KILLER GRABBED ANOTHER GIRL FROM THE CLUB. 177 00:08:06,793 --> 00:08:09,623 WE NEED TO FIND THIS GUY. 178 00:08:09,623 --> 00:08:11,293 SHE'S GONE. 179 00:08:11,293 --> 00:08:13,793 GOD ONLY KNOWS WHAT HE'S DOING TO HER. 180 00:08:13,793 --> 00:08:17,003 ♪♪ 181 00:08:33,083 --> 00:08:34,543 [ INHALES SHARPLY ] 182 00:08:34,543 --> 00:08:36,873 [ CHUCKLES ] THAT KIND OF HURTS. 183 00:08:36,873 --> 00:08:39,663 THEN DON'T MOVE. 184 00:08:54,333 --> 00:08:56,333 OH, MY GOD. 185 00:08:56,333 --> 00:08:58,793 NO, DON'T SAY A WORD. 186 00:09:02,873 --> 00:09:04,793 DON'T EVEN BREATHE. 187 00:10:00,043 --> 00:10:02,123 [ MOANS ] 188 00:10:02,123 --> 00:10:03,923 Shh! 189 00:10:05,083 --> 00:10:07,213 QUIET. 190 00:10:33,293 --> 00:10:35,293 [ PANTING ] 191 00:10:37,713 --> 00:10:39,963 OKAY, THAT WAS FREAKY. 192 00:10:41,423 --> 00:10:44,423 INCREDIBLE, BUT FREAKY. 193 00:11:19,543 --> 00:11:22,043 [ WHIMPERING ] 194 00:11:26,833 --> 00:11:29,163 [ CRYING ] 195 00:11:38,923 --> 00:11:41,333 [ GASPS ] 196 00:11:46,873 --> 00:11:48,293 [ BREATHING HEAVILY ] 197 00:11:52,123 --> 00:11:54,663 YOU TWO ARE TOO MUCH. 198 00:12:03,213 --> 00:12:05,663 WHERE ARE YOU GOING? 199 00:12:05,663 --> 00:12:08,003 I SHOULD RUN MALLORY HOME. 200 00:12:08,003 --> 00:12:10,663 I DON'T WANT THAT LITTLE KITTY CAT TO STAY HERE. 201 00:12:10,663 --> 00:12:13,753 LET'S CALL HER A CAB. 202 00:12:13,753 --> 00:12:15,463 I'LL TAKE HER. 203 00:12:17,423 --> 00:12:20,543 JUST LIE WITH ME FOR A MINUTE. 204 00:12:24,043 --> 00:12:26,423 ALL RIGHT. 205 00:12:26,423 --> 00:12:28,253 BUT ONLY FOR A MINUTE. 206 00:12:37,463 --> 00:12:38,543 [ SIGHS ] 207 00:12:44,463 --> 00:12:46,123 [ BIRDS CHIRPING ] 208 00:12:52,083 --> 00:12:55,503 WHERE THE HELL IS MALLORY? 209 00:12:55,503 --> 00:12:58,623 ♪♪ 210 00:13:03,333 --> 00:13:04,583 [ CLEARS THROAT ] 211 00:13:07,663 --> 00:13:09,623 IS SOMETHING WRONG? 212 00:13:09,623 --> 00:13:12,713 NO, I JUST HAVE TO GET GOING. 213 00:13:12,713 --> 00:13:14,253 I, UH... 214 00:13:14,253 --> 00:13:15,503 HAVE SOMEPLACE TO BE? 215 00:13:15,503 --> 00:13:17,083 YOU KNOW, I REALLY DO. 216 00:13:17,083 --> 00:13:20,083 I FORGOT I HAVE THIS EARLY...MORNING THING. 217 00:13:20,083 --> 00:13:22,163 IS IT SOMETHING I DID? 218 00:13:22,163 --> 00:13:26,083 DON'T BE SILLY. I JUST, UH -- I HAVE A BIG DAY. 219 00:13:30,083 --> 00:13:32,623 I CAN'T FIND MY KEYS. 220 00:13:39,873 --> 00:13:41,873 THIS IS ABOUT MALLORY, ISN'T IT? 221 00:13:44,543 --> 00:13:46,043 WHAT DO YOU MEAN? 222 00:13:46,043 --> 00:13:48,713 I MEAN... 223 00:13:48,713 --> 00:13:51,293 I'VE NEVER DONE ANYTHING LIKE THIS. 224 00:13:51,293 --> 00:13:53,923 MAYBE AFTER LAST NIGHT, YOU DON'T RESPECT ME, 225 00:13:53,923 --> 00:13:55,543 OR MAYBE MALLORY IS MORE YOUR TYPE. 226 00:13:55,543 --> 00:13:58,043 SHE'S SO YOUNG AND FREE AND -- 227 00:14:11,003 --> 00:14:12,873 DOES THAT ANSWER YOUR QUESTION 228 00:14:12,873 --> 00:14:15,463 ABOUT HOW I FEEL ABOUT MALLORY? 229 00:14:17,583 --> 00:14:20,963 I WANTED TO DROP HER OFF. IT WAS THE RIGHT THING TO DO. 230 00:14:20,963 --> 00:14:22,663 THAT'S ALL, OKAY? 231 00:14:24,793 --> 00:14:26,543 I'M SORRY TO RUSH OUT. 232 00:14:31,123 --> 00:14:32,833 KENT. 233 00:14:32,833 --> 00:14:34,213 HERE THEY ARE. 234 00:14:40,833 --> 00:14:42,253 [ DOOR CLOSES ] 235 00:14:48,213 --> 00:14:50,833 [ SIGHS ] 236 00:14:50,833 --> 00:14:53,373 Jack: WE'RE GONNA NEED TO GET YOU TO SIT DOWN WITH A SKETCH ARTIST. 237 00:14:53,373 --> 00:14:55,623 WE GOT A PATROL CAR WAITING. 238 00:14:55,623 --> 00:14:57,463 OH, WERE YOU LOCKED OUT? 239 00:14:57,463 --> 00:14:58,963 WE HADN'T REALIZED. 240 00:14:58,963 --> 00:15:01,123 YEAH, JOKE ALL YOU WANT. AT LEAST I CARE ABOUT KAREN. 241 00:15:01,123 --> 00:15:02,753 YOU GUYS ARE JUST USING HER FOR BAIT. 242 00:15:02,753 --> 00:15:06,003 HEY, UH, LET ME TALK TO HIM. 243 00:15:06,003 --> 00:15:09,463 HAVE AT IT. YOU TWO ARE MADE FOR EACH OTHER. 244 00:15:14,043 --> 00:15:16,503 CARE SO MUCH ABOUT KAREN... 245 00:15:16,503 --> 00:15:18,923 WHY DON'T YOU HELP ME OUT? 246 00:15:18,923 --> 00:15:22,503 ALL RIGHT, LOOK, WHAT DO YOU KNOW ABOUT THIS COCAINE? 247 00:15:22,503 --> 00:15:24,833 [ CHUCKLES ] IT'S THAT FLY BRAND. 248 00:15:24,833 --> 00:15:26,293 BEST BLOW ON THE STRIP. 249 00:15:26,293 --> 00:15:27,253 GOT A NAME? 250 00:15:27,253 --> 00:15:29,043 COME ON, MAN. YOU KNOW THE DEAL. 251 00:15:29,043 --> 00:15:30,623 YOU HELP ME, I HELP YOU. 252 00:15:30,623 --> 00:15:32,753 HOW ABOUT I GIVE YOU SOMETHING WORTH MORE THAN MONEY? 253 00:15:32,753 --> 00:15:34,663 OKAY. 254 00:15:34,663 --> 00:15:37,213 FLY BRAND COKE WAS LEFT ON THE VICTIM. 255 00:15:37,213 --> 00:15:39,253 ONLY THE L.A.P.D. KNOWS THAT. 256 00:15:39,253 --> 00:15:41,123 NOW SO DO YOU. [ CHUCKLES ] 257 00:15:41,123 --> 00:15:43,583 AND WHY ARE YOU TRUSTING ME WITH THIS? 258 00:15:43,583 --> 00:15:45,083 BECAUSE YOU'RE SMART. 259 00:15:46,583 --> 00:15:48,373 I KNOW YOU'LL GET INTO IT. 260 00:15:48,373 --> 00:15:50,663 MAYBE YOU FIND SOMETHING NEW FOR US. 261 00:15:50,663 --> 00:15:52,623 [ CHUCKLES ] US? "US" AS IN ME-AND-YOU US? 262 00:15:52,623 --> 00:15:54,083 SURE. 263 00:15:54,083 --> 00:15:55,543 WHAT ABOUT YOUR LITTLE PARTNER? HE'S NOT GONNA GET JEALOUS? 264 00:15:55,543 --> 00:15:56,753 NAH. 265 00:15:56,753 --> 00:15:59,463 LET ME WORRY ABOUT HIM. OKAY. 266 00:15:59,463 --> 00:16:03,253 SO, THIS FLY BRAND COKE DEALER, WHAT'S HIS NAME? 267 00:16:06,583 --> 00:16:08,423 Jack: THIS GUY'S NAME IS BUCKET? 268 00:16:08,423 --> 00:16:09,753 YOU SURE DIVER ISN'T PLAYING YOU? 269 00:16:09,753 --> 00:16:11,123 THIS WILL PLAY OUT. 270 00:16:11,123 --> 00:16:13,163 YOU DIDN'T TELL HIM ANYTHING ABOUT OUR CASE, DID YOU? NO. 271 00:16:13,163 --> 00:16:15,713 OF COURSE NOT. JUST USED MY CHARM. 272 00:16:15,713 --> 00:16:17,463 YOU LIE WORSE THAN NIXON. 273 00:16:17,463 --> 00:16:18,543 AND I WANT THE CORRECT AMOUNT. 274 00:16:18,543 --> 00:16:20,583 Paco: I BELIEVE THAT IS OUR GUY. 275 00:16:20,583 --> 00:16:21,583 CERTAINLY LOOKS THE PART. 276 00:16:21,583 --> 00:16:24,663 NO LIGHT THIS WEEK. 277 00:16:24,663 --> 00:16:25,713 NO PARTIES, NO NOTHING. 278 00:16:25,713 --> 00:16:27,253 JUST MOVE IT AND MOVE IT, ALL RIGHT? 279 00:16:27,253 --> 00:16:29,873 AND THAT'S 35 FOR THESE LEMONS, ALL RIGHT? 280 00:16:29,873 --> 00:16:31,543 HOW DO YOU WANT TO PLAY THIS? 281 00:16:31,543 --> 00:16:32,503 TAKE HIM DOWN. 282 00:16:32,503 --> 00:16:33,663 BUCKET! 283 00:16:33,663 --> 00:16:35,083 REALLY? 284 00:16:35,083 --> 00:16:37,793 IS THAT JUST DRUGS SITTING THERE OUT IN THE OPEN? 285 00:16:37,793 --> 00:16:40,463 LET'S SEE -- COKE, QUAALUDES. ANYTHING I'M MISSING HERE? 286 00:16:40,463 --> 00:16:43,463 SUCH AN EGREGIOUS DISPLAY OF NARCOTICS IS FLAGRANTLY ILLEGAL. 287 00:16:43,463 --> 00:16:46,463 WOW. FANCY WORDS FOR A DUMB PIG. 288 00:16:46,463 --> 00:16:48,423 WELL, YOU'RE UNDER ARREST. 289 00:16:48,423 --> 00:16:49,873 ARE THOSE FANCY ENOUGH FOR YOU? 290 00:16:49,873 --> 00:16:51,753 FOR WHAT? FOR TELLING THE TRUTH? 291 00:16:51,753 --> 00:16:53,963 FOR POSSESSION WITH INTENT TO DISTRIBUTE, ACTUALLY. 292 00:16:53,963 --> 00:16:55,293 TAKE HER AWAY. 293 00:16:55,293 --> 00:16:56,793 HANDS BEHIND YOUR BACK. LET'S GO. 294 00:16:56,793 --> 00:16:58,003 HEY, EASY. THAT'S A LADY, MAN. 295 00:16:58,003 --> 00:17:00,423 YOU LOSE SOMETHING? 296 00:17:00,423 --> 00:17:02,503 WHAT? THAT'S HERS, MAN. 297 00:17:02,503 --> 00:17:04,293 [ SIGHS ] FRISK ME. 298 00:17:04,293 --> 00:17:05,583 I GOT NOTHING, MAN. COME ON. 299 00:17:05,583 --> 00:17:07,623 LISTEN UP. I GOT TWO NAMES FOR YOU. 300 00:17:07,623 --> 00:17:10,333 EMILY FUENTES... AND MALLORY K. 301 00:17:10,333 --> 00:17:12,213 EITHER OF THOSE RING A BELL? 302 00:17:12,213 --> 00:17:14,463 HMM. WHO ARE THEY? 303 00:17:14,463 --> 00:17:15,873 ONE OF THEM'S DEAD, THE OTHER ONE MIGHT BE, 304 00:17:15,873 --> 00:17:17,003 AND THAT COULD BE BECAUSE OF YOU. 305 00:17:17,003 --> 00:17:18,163 [ SCOFFS ] LOOK, MAN, 306 00:17:18,163 --> 00:17:20,003 I MIGHT MOVE A LITTLE BIT OF MEDICINE, 307 00:17:20,003 --> 00:17:22,003 BUT I DON'T KILL PEOPLE. OKAY, THAT'S FINE. 308 00:17:22,003 --> 00:17:23,753 I DON'T CARE ABOUT YOUR LITTLE BUSINESS HERE. 309 00:17:23,753 --> 00:17:25,163 THESE GIRLS WERE BETWEEN 18 AND 25, 310 00:17:25,163 --> 00:17:26,833 THEY HUNG ON THE STRIP WITH GUYS LIKE YOU 311 00:17:26,833 --> 00:17:28,623 WHO FEED THEM COKE AND PROMISE THEM THE WORLD. 312 00:17:28,623 --> 00:17:30,333 YEAH, YEAH, YEAH, YEAH, YEAH, YEAH, YEAH. I GOT IT. 313 00:17:30,333 --> 00:17:31,833 YES. YEAH? 314 00:17:31,833 --> 00:17:35,503 THAT IS EVERY GIRL I'VE EVER MET ON SUNSET STRIP, MAN. 315 00:17:35,503 --> 00:17:36,713 NO! HEY! YOU'RE GONNA WASTE MY TIME? 316 00:17:36,713 --> 00:17:37,793 YOU'RE UNDER ARREST. EASY. 317 00:17:37,793 --> 00:17:38,833 YOU HAVE THE RIGHT TO REMAIN SILENT. 318 00:17:38,833 --> 00:17:40,003 WHOA, WHOA! LIGHT BULB MOMENT. 319 00:17:40,003 --> 00:17:41,123 I GOT IT, I GOT IT. 320 00:17:41,123 --> 00:17:42,963 ANGIE. ALL RIGHT? 321 00:17:42,963 --> 00:17:44,793 SHE'S QUEEN OF THE SUNSET STRIP. 322 00:17:44,793 --> 00:17:46,753 SHE KNOWS ALL THESE CHICKS OUT HERE, MAN. 323 00:17:46,753 --> 00:17:49,253 LOOK, IF YOUR GIRLS ARE OUT HERE, ANGIE WILL KNOW THEM. 324 00:17:49,253 --> 00:17:50,423 HOW DO I FIND HER? 325 00:17:50,423 --> 00:17:53,003 SHE'S A DANCER FOR MTV, MAN. 326 00:17:53,003 --> 00:17:55,123 LOOK, SHE'S SHOOTING SOME VIDEO DOWNTOWN. 327 00:17:55,123 --> 00:17:56,623 JUST -- THAT'S WHERE SHE IS. 328 00:17:56,623 --> 00:17:59,963 [ DEF LEPPARD'S "PHOTOGRAPH" PLAYS ] 329 00:18:03,713 --> 00:18:05,623 ♪ I'M OUTTA LUCK ♪ 330 00:18:05,623 --> 00:18:07,463 ♪ OUTTA LOVE ♪ 331 00:18:07,463 --> 00:18:09,543 ♪ GOT A PHOTOGRAPH ♪ 332 00:18:09,543 --> 00:18:11,623 ♪ PICTURE OF ♪ LEFT, UPPER LEVEL. 333 00:18:11,623 --> 00:18:13,423 ♪ PASSION KILLER ♪ 334 00:18:13,423 --> 00:18:15,333 ♪ YOU'RE TOO MUCH ♪ 335 00:18:15,333 --> 00:18:17,463 ♪ YOU'RE THE ONLY ONE... ♪ 336 00:18:17,463 --> 00:18:18,663 MTV. 337 00:18:18,663 --> 00:18:20,583 STATION THAT ONLY PLAYS MUSIC VIDEOS. 338 00:18:20,583 --> 00:18:21,963 [ Scoffing ] YEAH. 339 00:18:21,963 --> 00:18:23,463 NO ONE'S GONNA WATCH THAT. 340 00:18:23,463 --> 00:18:25,503 ALTHOUGH I COULD WATCH THEM ALL DAY. 341 00:18:25,503 --> 00:18:26,793 ♪ PHOTOGRAPH ♪ 342 00:18:26,793 --> 00:18:32,423 ♪ ALL I'VE GOT IS A PHOTOGRAPH ♪ 343 00:18:32,423 --> 00:18:35,423 ♪ BUT IT'S NOT ENOUGH ♪ 344 00:18:35,423 --> 00:18:36,793 YOU'RE DYNAMITE. 345 00:18:36,793 --> 00:18:38,213 EXCUSE ME. BUDDY? OKAY, HEY, YOU GUYS. RIGHT HERE. 346 00:18:38,213 --> 00:18:39,793 EXCUSE ME. HI. L.A.P.D. 347 00:18:39,793 --> 00:18:42,123 I'M LOOKING FOR A DANCER NAMED ANGIE. 348 00:18:42,123 --> 00:18:43,793 I'M IN THE MIDDLE OF A PERFORMANCE HERE. 349 00:18:43,793 --> 00:18:45,923 HANG ON. OKAY. 350 00:18:45,923 --> 00:18:47,753 SWING OVER. CUT! 351 00:18:47,753 --> 00:18:50,213 ♪ YOU MAKE EVERY... ♪ STOP THE PLAYBACK! 352 00:18:50,213 --> 00:18:51,663 CUT! [ MUSIC STOPS ] 353 00:18:51,663 --> 00:18:52,873 THIS IS MY SET. 354 00:18:52,873 --> 00:18:55,753 NOBODY MAKES A MOVE WITHOUT MY SAY SO. 355 00:18:55,753 --> 00:18:57,253 OKAY, UH, HOW ABOUT THIS? 356 00:18:57,253 --> 00:18:59,583 I COULD MAKE A MOVE TO KICK YOUR ASS, 357 00:18:59,583 --> 00:19:02,663 OR YOU COULD TELL ME WHERE THE DANCER NAMED ANGIE IS. 358 00:19:02,663 --> 00:19:04,963 ALL RIGHT. 359 00:19:04,963 --> 00:19:06,163 ANGIE! 360 00:19:06,163 --> 00:19:08,713 THIS GENTLEMAN WANTS TO SPEAK WITH YOU! 361 00:19:08,713 --> 00:19:10,923 WE'RE LOOKING FOR A GIRL. WE HEARD YOU MIGHT KNOW HER. 362 00:19:10,923 --> 00:19:13,003 MALLORY K. MALLORY KHARCHENKO. 363 00:19:13,003 --> 00:19:14,003 SHE IN TROUBLE? 364 00:19:14,003 --> 00:19:15,713 NO, WE JUST NEED TO TALK TO HER. 365 00:19:15,713 --> 00:19:17,583 DO YOU KNOW WHERE WE MIGHT FIND HER? 366 00:19:17,583 --> 00:19:18,753 YOU JUST MISSED HER. 367 00:19:18,753 --> 00:19:19,833 SHE WAS HERE? 368 00:19:19,833 --> 00:19:21,003 ABOUT AN HOUR AGO. 369 00:19:21,003 --> 00:19:22,873 SHE WAS SUPPOSED TO BE IN THIS VIDEO, 370 00:19:22,873 --> 00:19:24,503 BUT SHE SHOWED UP WITH STITCHES. 371 00:19:24,503 --> 00:19:26,753 YOU CAN'T EXACTLY BE GORGEOUS GIRL NUMBER SEVEN 372 00:19:26,753 --> 00:19:28,333 WITH A GIANT GASH ON YOUR FOREHEAD. 373 00:19:28,333 --> 00:19:30,333 DO YOU HAVE AN ADDRESS FOR HER? 374 00:19:37,543 --> 00:19:39,923 IS MALLORY KHARCHENKO HOME? 375 00:19:43,253 --> 00:19:45,623 DETECTIVE COSTELLO. WHEN WILL MALLORY BE BACK? 376 00:19:45,623 --> 00:19:47,503 UM...BEATS ME. 377 00:19:47,503 --> 00:19:48,873 I DON'T KNOW. SHE'S JUST BEEN CRASHING HERE. 378 00:19:48,873 --> 00:19:49,963 I HAVEN'T SEEN HER IN A FEW DAYS. 379 00:19:49,963 --> 00:19:51,713 IT'S IMPORTANT THAT WE FIND HER. 380 00:19:51,713 --> 00:19:53,163 I UNDERSTAND. I REALLY DO. 381 00:19:53,163 --> 00:19:54,663 BUT I'M LATE FOR AN AUDITION, 382 00:19:54,663 --> 00:19:56,163 SO IF I HEAR FROM HER, I CAN JUST -- 383 00:19:56,163 --> 00:19:57,583 WAIT. 384 00:19:57,583 --> 00:19:59,333 I THOUGHT YOU LOOKED LIKE AN ACTOR. 385 00:19:59,333 --> 00:20:01,253 [ CHUCKLES ] OR A MODEL. 386 00:20:01,253 --> 00:20:02,923 WHAT'S THE SHOW? 387 00:20:02,923 --> 00:20:04,373 "REMINGTON STEELE." 388 00:20:04,373 --> 00:20:06,923 I LOVE THAT SHOW. 389 00:20:06,923 --> 00:20:09,623 THAT LEAD GUY IS... 390 00:20:09,623 --> 00:20:10,713 SO CHARMING. 391 00:20:10,713 --> 00:20:12,923 YEAH, HE IS. 392 00:20:12,923 --> 00:20:14,713 HMM. 393 00:20:14,713 --> 00:20:16,873 WELL, LIKE I SAID, 394 00:20:16,873 --> 00:20:18,373 IF I HEAR FROM MALLORY OR IF I TALK TO HER, 395 00:20:18,373 --> 00:20:19,423 I'LL DEFINITELY CALL YOU. 396 00:20:19,423 --> 00:20:21,373 DO YOU HAVE A CARD? 397 00:20:21,373 --> 00:20:23,663 GIVE ME YOUR NUMBER INSTEAD. 398 00:20:23,663 --> 00:20:25,543 I LIKE TO BE IN CONTROL. 399 00:20:33,833 --> 00:20:35,503 [ PAPER TEARS ] 400 00:20:35,503 --> 00:20:36,833 CALL ME. 401 00:20:36,833 --> 00:20:38,213 FOR SURE. 402 00:20:42,123 --> 00:20:43,873 Kent: [ British accent ] I'M TRAVIS COLEMAN. 403 00:20:43,873 --> 00:20:45,463 I'M PRODUCING A NEW CHUCK NORRIS MOVIE, 404 00:20:45,463 --> 00:20:48,003 AND I WAS WATCHING "THE LOVE BOAT" THE OTHER NIGHT. 405 00:20:48,003 --> 00:20:50,083 GREAT JOB CASTING, BY THE WAY. 406 00:20:50,083 --> 00:20:53,003 I COULDN'T TAKE MY EYES OFF THIS FIERY REDHEAD, 407 00:20:53,003 --> 00:20:56,463 MALLORY...KHARCHENKO. 408 00:20:56,463 --> 00:20:59,463 THAT'S THE ONE. DO YOU HAVE A NUMBER FOR HER? 409 00:20:59,463 --> 00:21:02,833 PERFECT. I'LL TAKE HER MANAGER'S NUMBER. 410 00:21:04,463 --> 00:21:05,923 [ Normal voice ] MISS CARTAZZO. 411 00:21:05,923 --> 00:21:08,623 TOLD YOU YOUR CAR WOULDN'T BE READY UNTIL NEXT WEEK. 412 00:21:08,623 --> 00:21:10,923 Bridget: OH. 413 00:21:10,923 --> 00:21:13,083 I HAVE A CHECK. 414 00:21:13,083 --> 00:21:14,463 FIGURED I'D PAY IN ADVANCE. 415 00:21:14,463 --> 00:21:16,253 OH. 416 00:21:16,253 --> 00:21:20,583 HAS MY PHONE NUMBER ON IT, IF YOU NEED ME. 417 00:21:20,583 --> 00:21:22,543 OR... 418 00:21:22,543 --> 00:21:23,543 FOR WHATEVER. 419 00:21:23,543 --> 00:21:24,753 [ CHUCKLES ] 420 00:21:24,753 --> 00:21:28,923 I'LL, UH, CALL YOU WHEN YOUR CAR'S READY. 421 00:21:36,753 --> 00:21:39,423 HOW DO YOU DO IT, MAN? 422 00:21:39,423 --> 00:21:41,213 YOU ALWAYS KILL IT WITH THE LADIES. 423 00:21:41,213 --> 00:21:43,163 I MAKE THEIR DREAMS COME TRUE. 424 00:21:43,163 --> 00:21:45,423 YOU REUPHOLSTER CARS, JUST LIKE US. 425 00:21:45,423 --> 00:21:46,663 EXACTLY. 426 00:21:46,663 --> 00:21:48,543 [ ENGINE TURNS OVER ] 427 00:21:51,793 --> 00:21:54,163 Jack: I SENT THE NEAREST UNIT TO THE APARTMENT 428 00:21:54,163 --> 00:21:55,753 WHERE MALLORY'S BEEN STAYING. 429 00:21:55,753 --> 00:21:57,293 I LOCATED THE PARENTS, BUT THAT WAS A BUST. 430 00:21:57,293 --> 00:21:58,293 THEY LIVE IN BROOKLYN. 431 00:21:58,293 --> 00:21:59,543 HAVEN'T HEARD FROM HER IN SIX MONTHS. 432 00:21:59,543 --> 00:22:01,083 I TRACKED DOWN THE OWNER OF THE BUILDING. 433 00:22:01,083 --> 00:22:02,713 HE SAID ANOTHER DETECTIVE WAS THERE EARLIER 434 00:22:02,713 --> 00:22:03,663 AND TALKED TO HER ROOMMATE. 435 00:22:03,663 --> 00:22:04,713 REALLY? 436 00:22:04,713 --> 00:22:06,503 WE DIDN'T SEND ANYONE THERE EARLIER. 437 00:22:06,503 --> 00:22:09,213 THE ONLY DETECTIVE THAT FORCES HIMSELF ON CASES IS THIS GUY. 438 00:22:09,213 --> 00:22:11,083 IS THAT REALLY NECESSARY? 439 00:22:14,713 --> 00:22:17,163 HE WASN'T A DETECTIVE. 440 00:22:17,163 --> 00:22:20,463 IT WAS OUR KILLER. HE'S LOOKING FOR MALLORY, TOO. 441 00:22:20,463 --> 00:22:21,963 WELL, THAT'S GOOD. 442 00:22:21,963 --> 00:22:23,623 MEANS HE DOESN'T KNOW WHERE SHE IS, EITHER. 443 00:22:23,623 --> 00:22:25,123 YEAH, BUT HE'S GOT A FEW HOURS ON US, 444 00:22:25,123 --> 00:22:26,293 SO WE HIT THE HOSPITAL. 445 00:22:26,293 --> 00:22:27,833 MALLORY HAD TO GET HER STITCHES SOMEWHERE. 446 00:22:27,833 --> 00:22:29,163 I CALLED THE SOCIAL SECURITY OFFICE, 447 00:22:29,163 --> 00:22:30,123 GAVE THEM MALLORY'S NUMBER. 448 00:22:30,123 --> 00:22:31,163 HOPEFULLY WE CAN GET A HIT 449 00:22:31,163 --> 00:22:32,333 ON ONE OF HER JOBS, FIND HER THERE. 450 00:22:32,333 --> 00:22:33,463 THAT'LL TAKE FOREVER. 451 00:22:33,463 --> 00:22:35,463 SOCIAL SECURITY IS WORSE THAN THE DMV. 452 00:22:35,463 --> 00:22:37,163 YOU ALWAYS GOT YOUR HEAD UP SOME FEDERAL ASS. 453 00:22:37,163 --> 00:22:39,503 YOU KNOW ANYONE AT SOCIAL SECURITY? 454 00:22:39,503 --> 00:22:41,623 WAS THAT YOUR WAY OF ASKING ME FOR MY HELP? 455 00:22:41,623 --> 00:22:42,583 YEAH. 456 00:22:42,583 --> 00:22:45,873 OKAY. I'LL REACH OUT. 457 00:22:46,873 --> 00:22:48,333 KAREN'S HERE WITH THE SKETCH ARTIST. 458 00:22:48,333 --> 00:22:51,373 Jack: HOW'S IT LOOKING? 459 00:22:51,373 --> 00:22:53,963 OKAY, I GUESS. 460 00:22:53,963 --> 00:22:56,163 YOU KNOW, KAREN, YOU SEEM LIKE A GOOD KID, 461 00:22:56,163 --> 00:22:58,833 SO I GOT TO ASK, WHY ARE YOU HANGING OUT WITH DIVER? 462 00:22:58,833 --> 00:23:01,003 THAT GUY FEEDS ON THE DARKEST PART OF THE STRIP. 463 00:23:01,003 --> 00:23:02,163 DIVER'S JUST EXPOSING IT. 464 00:23:02,163 --> 00:23:03,793 IF HE DIDN'T REVEAL IT, WHO WOULD? 465 00:23:03,793 --> 00:23:06,333 SO, I SPOKE TO MY GUY DOWN AT SOCIAL SECURITY. 466 00:23:06,333 --> 00:23:07,663 WE SHOULD HEAR BACK SOON. 467 00:23:07,663 --> 00:23:09,333 READY TO HIT THE HOSPITALS? 468 00:23:09,333 --> 00:23:10,753 YEAH, YOU TAKE THE CITY. I'LL HIT THE VALLEY. 469 00:23:12,083 --> 00:23:14,333 JUST SHOW HER. WHAT DO YOU THINK? 470 00:23:16,963 --> 00:23:18,963 I DON'T KNOW. KIND OF LOOKS LIKE HIM. 471 00:23:18,963 --> 00:23:21,003 MAYBE IN THE EYES. 472 00:23:23,293 --> 00:23:25,463 THE L.A.P.D. IS LOOKING FOR THIS MAN. 473 00:23:25,463 --> 00:23:28,163 IF YOU'VE SEEN HIM, PLEASE CALL US IMMEDIATELY. 474 00:23:28,163 --> 00:23:29,623 HERE YOU GO. 475 00:23:29,623 --> 00:23:32,163 PASS THESE AROUND TO THE REST OF THE STAFF, IF YOU WOULD. 476 00:23:32,163 --> 00:23:34,463 NOW, THIS MAN MIGHT HAVE BEEN SEEN WITH THIS WOMAN. 477 00:23:34,463 --> 00:23:37,753 SHE'S A 19-YEAR-OLD FEMALE. HER NAME IS MALLORY KHARCHENKO. 478 00:23:37,753 --> 00:23:39,873 I'LL LEAVE A STACK OF HER PHOTOS OVER ON THE TABLE. 479 00:23:39,873 --> 00:23:41,293 HERE YOU GO. 480 00:23:41,293 --> 00:23:42,793 YEAH, THEY'RE BOTH PERSONS OF INTEREST, 481 00:23:42,793 --> 00:23:45,123 AND THE WOMAN MIGHT'VE COME IN LATE LAST NIGHT 482 00:23:45,123 --> 00:23:47,253 WITH A HEAD INJURY THAT REQUIRED STITCHES. 483 00:23:47,253 --> 00:23:48,753 SO, IF YOU SEE EITHER OF THEM, 484 00:23:48,753 --> 00:23:51,163 ALERT SECURITY AND THEN CALL US IMMEDIATELY, ALL RIGHT? 485 00:23:51,163 --> 00:23:52,833 I'LL LEAVE THE REST OF THESE OVER HERE. 486 00:23:52,833 --> 00:23:54,373 THANK YOU FOR YOUR TIME. 487 00:23:56,423 --> 00:24:00,043 ♪♪ 488 00:24:28,043 --> 00:24:29,963 [ GASPS ] 489 00:24:29,963 --> 00:24:31,923 HEY. 490 00:24:31,923 --> 00:24:33,253 WHAT THE HELL ARE YOU DOING HERE? 491 00:24:33,253 --> 00:24:35,333 I PAGED YOU. I CALLED YOU. YOU DIDN'T ANSWER. 492 00:24:35,333 --> 00:24:36,713 YEAH, HOW ABOUT NEXT TIME YOU PAGE ME 493 00:24:36,713 --> 00:24:37,873 BEFORE YOU HAVE ME ARRESTED? 494 00:24:37,873 --> 00:24:40,043 SORRY ABOUT THAT. 495 00:24:40,043 --> 00:24:41,423 I DIDN'T KNOW YOU WERE GONNA BE THERE. 496 00:24:41,423 --> 00:24:43,083 I'VE BEEN GROOMING BUCKET FOR A YEAR. I KNOW. 497 00:24:43,083 --> 00:24:45,003 AND I'M THIS CLOSE TO GETTING TO HIS BOSS. 498 00:24:45,003 --> 00:24:46,753 YOU COULD'VE JEOPARDIZED MY WHOLE CASE. 499 00:24:46,753 --> 00:24:47,873 BUT I-I DIDN'T. 500 00:24:47,873 --> 00:24:49,423 I DIDN'T JEOPAR-- HE DIDN'T MAKE YOU. 501 00:24:49,423 --> 00:24:50,423 THAT ISN'T THE POINT! 502 00:24:50,423 --> 00:24:52,083 THE POINT IS, IS THAT YOU DON'T CARE 503 00:24:52,083 --> 00:24:53,123 THAT YOU COULD HAVE. 504 00:24:53,123 --> 00:24:54,753 YOU KNOW WHAT? MAYBE IF I HAVE TO BURN 505 00:24:54,753 --> 00:24:56,543 A DRUG DEALER TO CATCH A SERIAL KILLER, 506 00:24:56,543 --> 00:24:59,123 MAYBE THAT'S A FAIR TRADE TO ME, YOU KNOW? NO, IT ISN'T. 507 00:24:59,123 --> 00:25:01,663 THE SUNSET STRIP AND ITS VICES KILL MORE PEOPLE IN A WEEK 508 00:25:01,663 --> 00:25:03,753 THAN YOUR SERIAL KILLER WILL ALL YEAR. 509 00:25:03,753 --> 00:25:05,873 SO DON'T TELL ME THAT WHAT YOU'RE DOING 510 00:25:05,873 --> 00:25:07,003 IS MORE IMPORTANT 511 00:25:07,003 --> 00:25:08,293 THAN WHAT I'M WORKING ON. 512 00:25:08,293 --> 00:25:09,503 YOUR VICTIMS AT LEAST HAVE A CHOICE IN THE MATTER. 513 00:25:09,503 --> 00:25:10,713 COME ON! DIANNE, STOP! 514 00:25:10,713 --> 00:25:13,873 LOOK! WE HAVE A REAL CHANCE HERE TO FIND THIS -- 515 00:25:13,873 --> 00:25:16,083 THIS GIRL BEFORE HE KILLS HER. 516 00:25:16,083 --> 00:25:19,503 I'M GLAD YOU GOT WHAT YOU WANTED. 517 00:25:19,503 --> 00:25:22,043 BUT I'M TIRED OF BEING COLLATERAL DAMAGE. 518 00:25:23,543 --> 00:25:24,923 GO HOME. 519 00:25:24,923 --> 00:25:27,923 DEAL WITH YOUR REAL LIFE WHILE YOU STILL HAVE ONE. 520 00:25:32,163 --> 00:25:34,463 Man: VICTIM IS DECAPITATED. 521 00:25:34,463 --> 00:25:38,463 11 LACERATIONS LOCATED IN THE LEFT AND RIGHT TRAPEZIUS. 522 00:25:38,463 --> 00:25:40,293 [ SIZZLING ] 523 00:25:40,293 --> 00:25:43,293 SMALL PARTICLES OF WHAT LOOKS LIKE UPHOLSTERY FOAM 524 00:25:43,293 --> 00:25:46,003 IN LAYERS OF INNER SUBCUTANEOUS FAT. 525 00:25:46,003 --> 00:25:50,793 ADDITIONAL LACERATIONS ON THE POSTERIOR DELTOID 526 00:25:50,793 --> 00:25:52,923 AS WELL AS THE NECK. 527 00:25:52,923 --> 00:25:54,543 ANAL CONTUSIONS... 528 00:25:54,543 --> 00:25:57,083 WELL, NOTHING GOES WITH CHOCOLATE CHIP PANCAKES 529 00:25:57,083 --> 00:25:59,253 LIKE ANAL CONTUSIONS. 530 00:25:59,253 --> 00:26:01,253 [ CHUCKLES ] YEAH, I THOUGHT IT WOULD SPICE 531 00:26:01,253 --> 00:26:02,293 THE MORNING UP A LITTLE. 532 00:26:02,293 --> 00:26:03,793 YEAH, IT CERTAINLY ADDS SOMETHING. 533 00:26:03,793 --> 00:26:05,253 LOOKING FOR THIS GIRL MALLORY, 534 00:26:05,253 --> 00:26:07,003 AND I WAS HOPING THE CORONER'S REPORT 535 00:26:07,003 --> 00:26:09,213 ON THE LAST VICTIM WOULD GIVE ME SOME NEW LEADS. 536 00:26:09,213 --> 00:26:10,253 IS SHE DEAD? 537 00:26:10,253 --> 00:26:12,423 I HOPE NOT. 538 00:26:12,423 --> 00:26:14,123 BUT SORRY. I KNOW I SHOULDN'T BE LISTENING TO THAT. 539 00:26:14,123 --> 00:26:15,253 OH, NO, PLEASE. [ CHUCKLES ] 540 00:26:15,253 --> 00:26:17,293 I'VE HEARD THE WORD "ANAL" BEFORE. 541 00:26:17,293 --> 00:26:19,463 MOSTLY FROM VICKI. 542 00:26:19,463 --> 00:26:22,293 APPARENTLY I'M VERY ANAL-RETENTIVE 543 00:26:22,293 --> 00:26:24,373 BECAUSE I INSIST THAT SHE MAKE HER BED. 544 00:26:24,373 --> 00:26:25,663 [ CHUCKLES ] 545 00:26:26,833 --> 00:26:27,963 YOU OKAY? 546 00:26:27,963 --> 00:26:30,123 YEAH, YEAH. 547 00:26:30,123 --> 00:26:33,463 I JUST -- I WANT TO SAY, UH, YOU KNOW, 548 00:26:33,463 --> 00:26:35,753 ABOUT THE CASE... 549 00:26:35,753 --> 00:26:39,003 IT'S NOT GONNA BE LIKE THE HILLSIDE STRANGLER SITUATION. 550 00:26:39,003 --> 00:26:41,213 I MADE A PROMISE TO YOU AND VICKI, 551 00:26:41,213 --> 00:26:42,713 AND I INTEND TO KEEP IT. 552 00:26:42,713 --> 00:26:44,423 LOOK, JACK, I'VE SEEN THE NEWS, YOU KNOW? 553 00:26:44,423 --> 00:26:46,083 THIS IS A HUGE CASE, AND WITHOUT VINCE -- 554 00:26:46,083 --> 00:26:49,083 YEAH, IT'S -- IT'S DEFINITELY GONNA BE MORE DIFFICULT 555 00:26:49,083 --> 00:26:50,373 WITH A NEW PARTNER, BUT... 556 00:26:50,373 --> 00:26:53,373 YOU AND VICKI ARE MY PRIORITIES. 557 00:26:53,373 --> 00:26:54,713 OKAY. 558 00:26:54,713 --> 00:26:56,163 WELL, LET'S START WITH BREAKFAST, 559 00:26:56,163 --> 00:26:57,753 SEE HOW THAT GOES FIRST. 560 00:26:57,753 --> 00:26:58,923 THINK IT'S GONNA GO QUITE WELL. 561 00:26:58,923 --> 00:27:00,423 LOOKING GOOD. 562 00:27:00,423 --> 00:27:03,083 OH, WHO IS THIS STRANGE MAN IN OUR KITCHEN? 563 00:27:03,083 --> 00:27:04,293 [ CHUCKLES ] 564 00:27:04,293 --> 00:27:06,333 [ As Darth Vader ] I AM YOUR FATHER, LUKE SKYWALKER. 565 00:27:06,333 --> 00:27:08,253 MARK HAMILL IS SO CUTE. 566 00:27:08,253 --> 00:27:10,333 OH, SEE? ALL ROADS LEAD BACK TO BOYS. 567 00:27:10,333 --> 00:27:12,663 YEAH, AS LONG AS THEY STAY UP ON THE, UH -- 568 00:27:12,663 --> 00:27:14,463 THE MOVIE SCREEN, I'LL BE FINE. 569 00:27:14,463 --> 00:27:15,923 DADDY, I'M 15. THERE WILL BE BOYS. 570 00:27:15,923 --> 00:27:17,253 YEAH? YEAH. 571 00:27:17,253 --> 00:27:18,833 WELL, AS LONG AS THEY KNOW I HAVE GUNS. 572 00:27:18,833 --> 00:27:20,963 HEY. I'M DOOMED. 573 00:27:20,963 --> 00:27:22,253 [ PAGER BEEPING ] 574 00:27:25,043 --> 00:27:26,873 DUTY CALLS, HUH? 575 00:27:28,503 --> 00:27:30,213 GO, JACK. 576 00:27:34,583 --> 00:27:35,793 HEY. LOVE YOU. 577 00:27:35,793 --> 00:27:36,713 LOVE YOU. 578 00:27:36,713 --> 00:27:38,213 DINNER TONIGHT. I PROMISE. 579 00:27:44,373 --> 00:27:47,293 HEY, DOUG. THIS IS DETECTIVE COSTELLO. 580 00:27:47,293 --> 00:27:49,753 How did the "Remington Steele" audition go? 581 00:27:49,753 --> 00:27:51,333 I DIDN'T GET IT. 582 00:27:51,333 --> 00:27:54,253 THEIR LOSS. SO, ANY WORD FROM MALLORY? 583 00:27:54,253 --> 00:27:55,423 Just checking in. 584 00:27:55,423 --> 00:27:57,163 ACTUALLY, SHE'S HERE. 585 00:27:57,163 --> 00:27:59,373 CAN I SPEAK WITH HER? 586 00:27:59,373 --> 00:28:01,253 UH, SHE'S IN THE SHOWER. 587 00:28:01,253 --> 00:28:03,163 Should I call back? 588 00:28:03,163 --> 00:28:04,333 OR WE COULD TALK. 589 00:28:04,333 --> 00:28:06,123 SURE. 590 00:28:06,123 --> 00:28:08,503 Maybe drinks later. 591 00:28:08,503 --> 00:28:10,083 Hello? 592 00:28:10,083 --> 00:28:11,123 UH, YEAH, SORRY. 593 00:28:11,123 --> 00:28:13,163 UM, I CAN'T MEET FOR DRINKS LATER. 594 00:28:13,163 --> 00:28:15,253 I HAVE A THING WITH SOME FRIENDS. 595 00:28:18,123 --> 00:28:21,543 [ TRAIN WHISTLE BLOWS ] 596 00:28:23,923 --> 00:28:25,003 SOME OTHER TIME. 597 00:28:25,003 --> 00:28:26,463 Let's meet up again. 598 00:28:26,463 --> 00:28:28,253 So, what's it like being a cop? 599 00:28:29,833 --> 00:28:33,003 SO, THAT'S IT? HE'S JUST STILL OUT THERE? 600 00:28:33,003 --> 00:28:34,373 DON'T WORRY. 601 00:28:34,373 --> 00:28:36,503 WHETHER HE KNOWS IT OR NOT, HE JUST GAVE US SOMETHING. 602 00:28:36,503 --> 00:28:38,163 WE NEED YOU TO COME DOWN TO THE STATION 603 00:28:38,163 --> 00:28:39,163 AND GIVE US A COMPOSITE. 604 00:28:39,163 --> 00:28:41,213 JACK, IT'S ME. 605 00:28:41,213 --> 00:28:43,713 THINK I KNOW HOW WE CAN FIND OUR KILLER. 606 00:28:46,833 --> 00:28:47,833 KENT IS A REAL GENTLEMAN. 607 00:28:47,833 --> 00:28:48,923 OH, REALLY? TOTALLY. 608 00:28:48,923 --> 00:28:50,543 HE BABYSITS ME ALL THE TIME. 609 00:28:50,543 --> 00:28:52,713 HE HELPS ME WITH MY READING AND WRITING. 610 00:28:52,713 --> 00:28:53,923 I WRITE MY R's BACKWARDS, 611 00:28:53,923 --> 00:28:55,873 AND HE NEVER MAKES ME FEEL BAD ABOUT IT. 612 00:28:55,873 --> 00:28:57,793 WOMAN TO WOMAN, HE'S AWESOME. 613 00:28:57,793 --> 00:29:00,123 [ MOTORCYCLE APPROACHES ] 614 00:29:06,463 --> 00:29:08,123 [ ENGINE SHUTS OFF ] 615 00:29:13,623 --> 00:29:15,963 TOTALLY JUST TALKED YOU UP TO YOUR NEW GIRLFRIEND. 616 00:29:15,963 --> 00:29:17,333 YOU DID, HUH? 617 00:29:17,333 --> 00:29:19,123 I'LL COME BY LATER AND YOU CAN TELL ME ALL ABOUT IT. 618 00:29:20,713 --> 00:29:22,833 BYE. SEE YA. 619 00:29:22,833 --> 00:29:24,923 UM, I TRIED CALLING. 620 00:29:24,923 --> 00:29:27,713 HOW LONG HAVE YOU BEEN HERE TALKING TO MARY? 621 00:29:27,713 --> 00:29:29,623 OH, NOT LONG. 622 00:29:29,623 --> 00:29:31,583 YOU DON'T JUST SHOW UP AT SOMEONE'S HOUSE. 623 00:29:31,583 --> 00:29:34,333 WHY ARE YOU BEING SO COLD TO ME? 624 00:29:34,333 --> 00:29:36,083 HOW DID YOU FIND OUT WHERE I LIVE? 625 00:29:36,083 --> 00:29:37,963 KENT, I-I NEED TO TALK TO YOU. 626 00:29:37,963 --> 00:29:40,873 SWEETHEART, YOU RUN BACK HOME, I'LL CALL YOU LATER. 627 00:29:40,873 --> 00:29:42,753 WE'LL GO TO LE DOME TONIGHT OR TOMORROW. 628 00:29:42,753 --> 00:29:44,423 HOW DOES THAT SOUND? 629 00:29:45,623 --> 00:29:46,873 I DROVE ALL THE WAY OVER HERE, 630 00:29:46,873 --> 00:29:48,503 AND YOU'RE NOT EVEN GONNA INVITE ME INSIDE? 631 00:29:48,503 --> 00:29:50,293 MY PLACE IS A MESS, AND I -- 632 00:29:50,293 --> 00:29:51,503 WHAT ARE YOU HIDING? 633 00:29:51,503 --> 00:29:53,043 ABSOLUTELY NOTHING. 634 00:29:58,623 --> 00:29:59,833 WHAT IS THIS? 635 00:29:59,833 --> 00:30:01,163 I DON'T KNOW. WHO IS THIS? 636 00:30:01,163 --> 00:30:03,373 IT'S YOU! 637 00:30:03,373 --> 00:30:05,623 KENT, LOOK AT IT. LOOK AT THE EYES. 638 00:30:05,623 --> 00:30:07,423 THAT'S YOU. 639 00:30:07,423 --> 00:30:08,543 [ CHUCKLES ] 640 00:30:08,543 --> 00:30:10,503 THE POLICE CAME TO THE HOSPITAL. 641 00:30:10,503 --> 00:30:12,873 THEY'RE LOOKING FOR YOU AND FOR MALLORY. 642 00:30:12,873 --> 00:30:14,713 WHY? THEY WERE LOOKING FOR MALLORY? 643 00:30:14,713 --> 00:30:17,463 WHO CARES ABOUT HER? KENT... 644 00:30:17,463 --> 00:30:19,083 I'VE DONE THINGS... 645 00:30:19,083 --> 00:30:23,083 YOU KNOW, STUFF I NEVER IMAGINED BECAUSE OF YOU. 646 00:30:23,083 --> 00:30:25,583 JUST LET ME IN. 647 00:30:25,583 --> 00:30:28,003 BETTY, IF ONLY YOU KNEW. 648 00:30:28,003 --> 00:30:30,543 I'VE LET YOU IN IN WAYS I NEVER IMAGINED, 649 00:30:30,543 --> 00:30:32,373 NEVER DONE BEFORE. 650 00:30:32,373 --> 00:30:33,583 FOR ANYBODY. 651 00:30:36,793 --> 00:30:40,373 THEN ENOUGH ABOUT MALLORY [Chuckling] OKAY? 652 00:30:40,373 --> 00:30:42,293 WHAT DID THE POLICE SAY ABOUT HER? 653 00:30:42,293 --> 00:30:44,043 OH, MY GOD! 654 00:30:44,043 --> 00:30:47,123 WHAT -- WHAT IS WITH THIS GIRL? 655 00:30:47,123 --> 00:30:49,083 I PUT MYSELF THROUGH NURSING SCHOOL, 656 00:30:49,083 --> 00:30:50,833 AND I RAISED TWO KIDS ON MY OWN. 657 00:30:50,833 --> 00:30:52,083 AND WHAT HAS SHE DONE? 658 00:30:52,083 --> 00:30:54,003 SHE'S TAKEN YOUR ORDER AT HAMBURGER HEAVEN? 659 00:30:54,003 --> 00:30:56,003 HOW DO YOU KNOW SHE WORKS AT HAMBURGER HEAVEN? 660 00:30:56,003 --> 00:30:57,873 SHE TOLD ME WHEN YOU WERE OUT OF THE ROOM. 661 00:30:57,873 --> 00:30:59,923 WHY AM I EVEN TELLING YOU THIS? 662 00:30:59,923 --> 00:31:01,163 [ SIGHS ] 663 00:31:01,163 --> 00:31:03,753 KENT, CLEARLY YOU CARE MORE ABOUT HER 664 00:31:03,753 --> 00:31:05,253 THAN YOU DO ABOUT ME. 665 00:31:09,213 --> 00:31:10,833 LOSE MY NUMBER. 666 00:31:19,623 --> 00:31:21,583 [ CAR DOOR CLOSES, ENGINE TURNS OVER ] 667 00:31:21,583 --> 00:31:24,003 I'M NOT GONNA LIE. I'M MAD YOU'RE LEAVING. 668 00:31:25,253 --> 00:31:26,463 AND I'M NOT GONNA LIE 669 00:31:26,463 --> 00:31:28,213 ABOUT HOW MUCH I WANT TO GET IT ON WITH YOU. 670 00:31:28,213 --> 00:31:30,123 SUBTLE. 671 00:31:30,123 --> 00:31:33,373 I'M SPEAKING TRUTH TO POWER. 672 00:31:33,373 --> 00:31:38,043 LOOK, YOU KNOW I THINK IT'S STUPID YOU'RE LEAVING. 673 00:31:38,043 --> 00:31:39,663 AND I'M NOT GONNA STOP YOU, 674 00:31:39,663 --> 00:31:41,873 BUT, McCLAREN...HEY. 675 00:31:41,873 --> 00:31:44,293 YEAH? 676 00:31:44,293 --> 00:31:46,963 DON'T STOP WRITING. 677 00:31:46,963 --> 00:31:49,583 'CAUSE YOU GOT SOMETHING. YOU... 678 00:31:51,293 --> 00:31:54,293 YOU GOT SOMETHING REAL. 679 00:31:56,793 --> 00:31:58,253 YOU THINK SO? 680 00:32:01,003 --> 00:32:02,793 I KNOW SO. 681 00:32:10,373 --> 00:32:12,293 WHAT ARE YOU WAITING FOR? 682 00:32:12,293 --> 00:32:14,043 YOU. 683 00:32:17,213 --> 00:32:18,123 [ NOTEBOOK CLATTERS ] 684 00:32:21,583 --> 00:32:23,333 ALL I SEE ARE BOOBS. 685 00:32:23,333 --> 00:32:25,213 THAT'S 'CAUSE THE ONLY BREASTS YOU'VE EVER SEEN 686 00:32:25,213 --> 00:32:26,373 ARE ON STICK FIGURES. 687 00:32:26,373 --> 00:32:28,753 YOU KNOW WHAT? HA, HA, HA. VERY FUNNY, OKAY? 688 00:32:28,753 --> 00:32:30,213 LOOK, YOU GUYS JOKE, 689 00:32:30,213 --> 00:32:32,583 BUT THIS IS THE MOST CUTTING-EDGE TECHNOLOGY ON EARTH. 690 00:32:32,583 --> 00:32:34,123 THAT'S AN IBM 5150. 691 00:32:34,123 --> 00:32:37,753 256 KILOBYTES OF MEMORY, FOR YOUR INFORMATION. 692 00:32:37,753 --> 00:32:38,963 STILL LOOK LIKE BOOBS. 693 00:32:38,963 --> 00:32:41,003 SO, THE KILLER CALLS FROM A PAYPHONE, 694 00:32:41,003 --> 00:32:43,463 AND YOU HEARD A TRAIN IN THE BACKGROUND, RIGHT? 695 00:32:43,463 --> 00:32:45,123 YEAH, AND BASED ON THE TIME OF DAY, 696 00:32:45,123 --> 00:32:46,963 THE COMPUTER NARROWED DOWN THE LOCATION 697 00:32:46,963 --> 00:32:48,713 OF THAT PAYPHONE TO THESE TWO AREAS. 698 00:32:48,713 --> 00:32:50,163 I WONDER IF HE KNOWS WE'D BE ABLE 699 00:32:50,163 --> 00:32:51,753 TO ZERO IN ON A LOCATION LIKE THAT. 700 00:32:51,753 --> 00:32:53,373 WELL, THE PAYPHONE LEAD'S ALL WE GOT. 701 00:32:53,373 --> 00:32:55,423 I MEAN, WE HAVE TO ASSUME THAT HE KNOWS WE HAVE IT, TOO. 702 00:32:55,423 --> 00:32:56,963 ALL RIGHT, SO WHAT DO WE GOT HERE? 703 00:32:56,963 --> 00:32:59,663 WE GOT A RESTAURANT, SOME OTHER RESTAURANT. 704 00:32:59,663 --> 00:33:01,583 THIS IS AN OLD PEOPLE'S HOME. 705 00:33:01,583 --> 00:33:02,663 [ TAPS DESK ] 706 00:33:02,663 --> 00:33:03,623 HOLD ON. 707 00:33:05,463 --> 00:33:07,543 IT'S AN UPHOLSTERY SHOP. 708 00:33:07,543 --> 00:33:08,873 YEAH, SO? 709 00:33:08,873 --> 00:33:10,333 SO THE CORONER'S REPORT SAID 710 00:33:10,333 --> 00:33:12,423 THEY FOUND UPHOLSTERY FOAM IN THE LAST VICTIM. 711 00:33:12,423 --> 00:33:14,213 WE GOT TO CHECK IT OUT. LET'S GO. 712 00:33:17,123 --> 00:33:19,793 HEY, UH, CONTRERAS. YOUR CONTACT'S PAID OFF. 713 00:33:19,793 --> 00:33:22,503 SOCIAL SECURITY GOT A HIT ON MALLORY'S NUMBER. 714 00:33:22,503 --> 00:33:25,003 SHE'S A WAITRESS AT THE HAMBURGER HEAVEN ON SUNSET. 715 00:33:25,003 --> 00:33:27,213 WELL, HE MAY KNOW WE HAVE OUR SIGHTS ON HIM, 716 00:33:27,213 --> 00:33:29,213 BUT WE MIGHT JUST BE AHEAD OF HIM NOW. 717 00:33:29,213 --> 00:33:30,463 I'LL CHECK OUT THE UPHOLSTERY PLACE. 718 00:33:30,463 --> 00:33:32,793 YOU CHECK OUT THE HAMBURGER HEAVEN. 719 00:33:32,793 --> 00:33:35,003 NOT EVEN A THANK YOU. 720 00:33:35,003 --> 00:33:38,043 YOU KNOW, I DON'T REMEMBER YOU BEING THIS NEEDY. 721 00:33:40,003 --> 00:33:42,253 I'M DETECTIVE CONTRERAS, L.A.P.D. 722 00:33:42,253 --> 00:33:43,503 I'M LOOKING FOR MALLORY KHARCHENKO. 723 00:33:43,503 --> 00:33:44,663 IS SHE HERE? 724 00:33:44,663 --> 00:33:45,753 YOU JUST MISSED HER. 725 00:33:45,753 --> 00:33:47,663 SHE LEFT ABOUT, UH, 30 MINUTES AGO. 726 00:33:47,663 --> 00:33:48,833 DID YOU SEE WHO WITH? 727 00:33:48,833 --> 00:33:50,163 NOPE. 728 00:33:50,163 --> 00:33:52,793 SHE JUST SAID SHE'S GOING TO BECOME A MOVIE STAR. 729 00:33:52,793 --> 00:33:55,003 DELUSIONAL. 730 00:33:55,003 --> 00:33:58,663 ♪♪ 731 00:33:58,663 --> 00:34:01,163 ♪ I AM A PASSENGER ♪ 732 00:34:01,163 --> 00:34:03,623 I CAN'T BELIEVE YOU WERE LOOKING FOR ME THIS WHOLE TIME. 733 00:34:03,623 --> 00:34:05,873 I'M TOTALLY FIRING MY MANAGER. 734 00:34:05,873 --> 00:34:07,163 CALM DOWN. 735 00:34:07,163 --> 00:34:09,753 CAN'T HAVE YOU ALL RILED UP MEETING THIS DIRECTOR. 736 00:34:09,753 --> 00:34:12,333 I DON'T WANT TO BLOW THIS AUDITION BECAUSE I'M SO UPSET. 737 00:34:12,333 --> 00:34:14,163 POP ONE OF THESE. 738 00:34:14,163 --> 00:34:15,923 IT'LL EVEN YOU RIGHT OUT. 739 00:34:15,923 --> 00:34:19,293 ♪ YOU KNOW, IT LOOKS SO GOOD TONIGHT ♪ 740 00:34:19,293 --> 00:34:22,043 HOPE YOU'RE READY TO BE A STAR. 741 00:34:22,043 --> 00:34:24,163 HOW CRAZY IS THIS? 742 00:34:24,163 --> 00:34:26,663 ONE MINUTE, I'M SLINGING BURGERS, 743 00:34:26,663 --> 00:34:29,463 THE NEXT, I'M IN A MERCEDES WITH A PRODUCER. 744 00:34:29,463 --> 00:34:31,373 WHERE DOES THIS STUFF HAPPEN? 745 00:34:31,373 --> 00:34:33,503 ONLY IN HOLLYWOOD. 746 00:34:33,503 --> 00:34:36,463 ♪ I LOOK THROUGH MY WINDOW SO BRIGHT ♪ 747 00:34:38,793 --> 00:34:41,333 HELLO? 748 00:34:41,333 --> 00:34:43,373 POLICE! 749 00:34:43,373 --> 00:34:45,083 ANYBODY HERE? 750 00:34:51,213 --> 00:34:54,043 ♪♪ 751 00:35:49,873 --> 00:35:52,423 ♪♪ 752 00:36:13,163 --> 00:36:14,543 Paco: "DETECTIVE ROTH. 753 00:36:14,543 --> 00:36:16,123 I'M SORRY TO HAVE MISSED YOU. 754 00:36:16,123 --> 00:36:19,663 FROM YOUR SECRET ADMIRER AND MALLORY K." 755 00:36:19,663 --> 00:36:21,753 HE LURED US HERE. 756 00:36:21,753 --> 00:36:24,043 KNEW WE WERE ONTO HIM. 757 00:36:25,333 --> 00:36:28,043 HE'S BEEN FIVE STEPS AHEAD OF US. 758 00:36:35,043 --> 00:36:36,833 GOOD NIGHT, BETTY. 759 00:36:36,833 --> 00:36:40,213 ♪♪ 760 00:37:12,373 --> 00:37:14,713 WHAT ARE YOU DOING HERE? 761 00:37:16,543 --> 00:37:20,463 I'M NOT GONNA LET GO OF THE THING I NEED. 762 00:37:20,463 --> 00:37:23,503 I FEEL LIKE... 763 00:37:23,503 --> 00:37:26,293 DEEP DOWN, YOU'VE KNOWN ME FOREVER. 764 00:37:28,123 --> 00:37:30,293 DO YOU FEEL THAT? 765 00:37:32,833 --> 00:37:34,163 YEAH, I DO. 766 00:37:34,163 --> 00:37:39,753 AND WHEN ONE OF THEM MEETS THE OTHER HALF, 767 00:37:39,753 --> 00:37:44,923 THE ACTUAL HALF OF HIMSELF, THE PAIR, 768 00:37:44,923 --> 00:37:48,923 LOST IN AN AMAZEMENT OF LOVE AND INTIMACY, 769 00:37:48,923 --> 00:37:52,423 WILL NOT LEAVE THE OTHER SIDE EVEN FOR A MOMENT. 770 00:37:56,793 --> 00:37:58,753 IT'S PLATO. 771 00:37:58,753 --> 00:38:00,923 [ CHUCKLES ] 772 00:38:02,873 --> 00:38:06,123 SO, COME WITH ME. 773 00:38:06,123 --> 00:38:08,963 LET ME SHOW YOU. 774 00:38:08,963 --> 00:38:11,083 SHOW ME WHAT? ALL OF IT, ALL OF ME. 775 00:38:13,583 --> 00:38:17,713 AND IF YOU DON'T LIKE IT AFTER ALL YOU'VE SEEN... 776 00:38:17,713 --> 00:38:20,163 I'LL DISAPPEAR. 777 00:38:32,293 --> 00:38:34,373 ♪♪ 778 00:38:39,663 --> 00:38:40,873 [ CHUCKLES ] 779 00:38:40,873 --> 00:38:43,123 THAT WAS A PRETTY GOOD GOODBYE TO L.A. 780 00:38:43,123 --> 00:38:46,043 I MEAN, I THINK WE SHOULD SAY GOODBYE ONE MORE TIME. 781 00:38:46,043 --> 00:38:49,713 [ CHUCKLES ] WE ALREADY SAID GOODBYE TWICE. 782 00:38:49,713 --> 00:38:51,043 [ CHUCKLES ] 783 00:38:52,663 --> 00:38:55,213 YOU BETTER GET USED TO BRINGING THE MAIL NOW THAT I'M LEAVING. 784 00:38:55,213 --> 00:38:56,123 REALLY? 785 00:38:56,123 --> 00:38:58,423 YEAH. YOU SHOULD GO GET IT. 786 00:39:00,833 --> 00:39:02,793 [ CLEARS THROAT ] 787 00:39:06,213 --> 00:39:08,043 [ SIGHS ] 788 00:39:11,163 --> 00:39:13,753 IT'S FOR YOU. 789 00:39:13,753 --> 00:39:16,213 YOU GOT A 7-YEAR-OLD PEN PAL YOU DIDN'T TELL ME ABOUT? 790 00:39:16,213 --> 00:39:17,333 WHAT? 791 00:39:24,423 --> 00:39:25,753 [ SIGHS ] 792 00:39:25,753 --> 00:39:27,543 "KAREN, I FEEL LIKE WE HAVE A CONNECTION. 793 00:39:27,543 --> 00:39:28,963 SOMETHING REAL. 794 00:39:28,963 --> 00:39:31,163 SOMETHING THAT CAN GIVE US BOTH WHAT WE WANT, 795 00:39:31,163 --> 00:39:35,003 TO MAKE A NAME FOR OURSELVES, TO MAKE A DIFFERENCE. 796 00:39:35,003 --> 00:39:37,663 DO YOU WANT TO PLAY? PROVE YOUR WORTH?" 797 00:39:37,663 --> 00:39:41,463 OH, MY GOD. I THINK THIS IS FROM THE KILLER. 798 00:39:47,083 --> 00:39:49,293 [ BRAKES SQUEAL ] 799 00:39:49,293 --> 00:39:51,083 [ ENGINE SHUTS OFF ] 800 00:39:56,663 --> 00:39:58,123 [ SIGHS ] 801 00:40:12,333 --> 00:40:13,963 TRUST ME. 802 00:40:13,963 --> 00:40:15,463 I PROMISE, FROM THIS MOMENT ON, 803 00:40:15,463 --> 00:40:18,793 THERE WON'T BE ANY SECRETS BETWEEN US. 804 00:40:18,793 --> 00:40:20,423 I'M SCARED. 805 00:40:20,423 --> 00:40:21,963 DON'T BE. 806 00:40:21,963 --> 00:40:25,123 FEEL LIKE MY WHOLE LIFE HAS BEEN LEADING UP TO THIS MOMENT. 807 00:40:25,123 --> 00:40:25,963 TO US... 808 00:40:25,963 --> 00:40:27,793 BEING HERE. 809 00:40:35,253 --> 00:40:37,663 [ MUFFLED SCREAMING, CRYING ] 810 00:40:43,003 --> 00:40:44,503 [ POLICE RADIO CHATTER ] 811 00:40:45,873 --> 00:40:48,423 [ INDISTINCT TALKING ] 812 00:40:52,753 --> 00:40:56,043 SO, UH, WE'RE CANVASSING THE NEIGHBORHOOD, 813 00:40:56,043 --> 00:40:58,713 SEE IF ANYONE SAW HIM WITH MALLORY. 814 00:40:59,923 --> 00:41:02,623 AND THEY'RE WORKING ON I.D.ing THE BODY. 815 00:41:02,623 --> 00:41:07,043 LOOK, JACK, IT'S NOT YOUR FAULT WE DIDN'T FIND MALLORY IN TIME. 816 00:41:08,753 --> 00:41:10,503 YOU NEED ANYTHING? 817 00:41:10,503 --> 00:41:12,423 I CAN STAY IF -- 818 00:41:12,423 --> 00:41:14,003 NO, YOU GO. 819 00:41:14,003 --> 00:41:16,423 GET SOME SLEEP. 820 00:41:16,423 --> 00:41:18,083 ALL RIGHT. 821 00:41:30,213 --> 00:41:31,373 IT'S THE ONLY WAY. 822 00:41:31,373 --> 00:41:33,623 SHE'S SEEN ME! 823 00:41:33,623 --> 00:41:36,543 SHE KNOWS YOUR NAME, KNOWS WHERE YOU LIVE. 824 00:41:36,543 --> 00:41:38,423 YOU KNOW IT'S TRUE. 825 00:41:38,423 --> 00:41:41,043 SHE MUST DIE FOR US TO LIVE. 826 00:41:41,043 --> 00:41:43,923 [ WHIMPERING ] 827 00:41:47,543 --> 00:41:49,213 [ SIGHS ] 828 00:42:02,293 --> 00:42:04,213 AAH! 829 00:42:04,213 --> 00:42:06,663 [ KNIFE RENDING ] 830 00:42:06,663 --> 00:42:10,663 [ PANTING ] 831 00:42:14,423 --> 00:42:17,713 ♪♪