1
00:00:02,232 --> 00:00:03,113
PREVIOUSLY ON "WICKED CITY"...

2
00:00:03,113 --> 00:00:04,404
YOU FEEL MORE ALIVE

3
00:00:04,404 --> 00:00:05,495
THAN YOU HAVE
IN YOUR ENTIRE LIFE, RIGHT?

4
00:00:05,495 --> 00:00:07,947
BUT I'M TIRED OF BEING
COLLATERAL DAMAGE.

5
00:00:07,947 --> 00:00:10,039
DEAL WITH YOUR REAL LIFE
WHILE YOU STILL HAVE ONE.

6
00:00:10,039 --> 00:00:11,500
ABOUT THE CASE...

7
00:00:11,500 --> 00:00:12,701
IT'S NOT GONNA BE LIKE
THE HILLSIDE STRANGLER.

8
00:00:12,701 --> 00:00:14,623
YOU AND VICKI
ARE MY PRIORITIES.

9
00:00:14,623 --> 00:00:15,744
HE LURED US HERE.

10
00:00:15,744 --> 00:00:17,125
KNEW WE WERE ON TO HIM.

11
00:00:17,125 --> 00:00:18,416
HE'S BEEN FIVE STEPS
AHEAD OF US.

12
00:00:18,416 --> 00:00:20,458
"DO YOU WANT TO PLAY?
PROVE YOUR WORTH?"

13
00:00:20,458 --> 00:00:21,629
I THINK THIS IS
FROM THE KILLER.

14
00:00:21,629 --> 00:00:22,750
FROM THIS MOMENT ON,

15
00:00:22,750 --> 00:00:24,251
THERE WON'T BE ANY SECRETS
BETWEEN US.

16
00:00:24,251 --> 00:00:25,552
[ MUFFLED SCREAMING, CRYING ]

17
00:00:30,346 --> 00:00:33,259
Betty:
[ HEAVY BREATHING ]

18
00:00:33,259 --> 00:00:37,312
Betty: THE MAIDEN RAN
WITH EVERYTHING SHE HAD.

19
00:00:37,312 --> 00:00:39,474
NEVER BEFORE
HAD SHE BEEN MORE FRIGHTENED

20
00:00:39,474 --> 00:00:41,606
OR MORE EXHILARATED

21
00:00:41,606 --> 00:00:43,728
BY THE WICKEDNESS
OF THE WOODS.

22
00:00:43,728 --> 00:00:45,900
[ BREATHING SHALLOWLY ]

23
00:00:45,900 --> 00:00:49,773
FOR WHEN THE WOLF
BARED HIS FANGS AT HER,

24
00:00:49,773 --> 00:00:53,366
STILL BLOODY FROM THE ATTACK
ON HIS PREY...

25
00:00:55,948 --> 00:00:59,121
...SHE FEARED
SHE WOULD BE NEXT.

26
00:00:59,121 --> 00:01:00,542
DID THE GIRL GET AWAY?

27
00:01:00,542 --> 00:01:02,334
OR DID THE WOLF CATCH HER?

28
00:01:02,334 --> 00:01:08,169
SHE COULD HEAR HIM COMING,
CHASING HER, CATCHING UP.

29
00:01:08,169 --> 00:01:10,881
[ BREATHING HEAVILY ]

30
00:01:15,925 --> 00:01:18,177
THE WOLF, HE FOUND HER,

31
00:01:18,177 --> 00:01:20,929
ENSNARED HER
IN HIS DEADLY TRAP,

32
00:01:20,929 --> 00:01:22,561
AND POUNCED.

33
00:01:22,561 --> 00:01:24,392
PLEASE. NO!
Kent:
STOP SCREAMING, BETTY.

34
00:01:24,392 --> 00:01:26,434
I WON'T SAY ANYTHING.
I WON'T SAY ANYTHING.
STOP SCREAMING.

35
00:01:26,434 --> 00:01:27,975
I PROMISE, I PROMISE.
STOP SCREAMING.

36
00:01:27,975 --> 00:01:29,807
I PROMISE I WON'T,
I PROMISE.
STOP SCREAMING, BETTY.

37
00:01:29,807 --> 00:01:31,108
I WON'T SAYING ANYTHING.
STOP SCREAMING.

38
00:01:31,108 --> 00:01:32,649
DID HE KILL HER?

39
00:01:32,649 --> 00:01:34,361
Betty: NO, SWEETIE.

40
00:01:34,361 --> 00:01:36,813
SHE BIT BACK.

41
00:01:38,614 --> 00:01:39,405
AAH!

42
00:01:55,589 --> 00:01:57,380
Tiffany: DOES THAT MEAN
SHE'S A WOLF, TOO?

43
00:01:59,212 --> 00:02:01,964
Freddie:
MAMA, WHAT HAPPENS NEXT?

44
00:02:06,298 --> 00:02:10,302
THE MAIDEN
RETURNED TO THE VILLAGE.

45
00:02:13,895 --> 00:02:17,938
YOU MAY NEED TIME.
I KNOW THAT.

46
00:02:17,938 --> 00:02:19,559
BUT I HAVE FAITH IN US,
BETTY.

47
00:02:23,112 --> 00:02:24,774
[ SIGHS ]

48
00:02:28,527 --> 00:02:31,910
[ DOOR OPENS ]

49
00:02:36,414 --> 00:02:38,415
AND THOUGH SHE WAS HOME...

50
00:02:42,129 --> 00:02:44,711
SHE KNEW SHE WAS NOT ENTIRELY
OUT OF THE WOODS.

51
00:02:49,925 --> 00:02:52,968
♪♪

52
00:03:05,348 --> 00:03:07,270
[ INHALES DEEPLY ]

53
00:03:07,270 --> 00:03:10,193
YOU'RE UP EARLY.

54
00:03:10,193 --> 00:03:12,354
I DIDN'T HEAR YOU
GET OUT OF BED.

55
00:03:12,354 --> 00:03:14,987
UH, YEAH,
THAT'S 'CAUSE I NEVER GOT IN IT.

56
00:03:14,987 --> 00:03:17,319
NO REST FOR THE WICKED.

57
00:03:17,319 --> 00:03:19,821
I HAVE TO HEAD
INTO THE PRECINCT NOW.

58
00:03:19,821 --> 00:03:22,033
YEAH, YEAH,
OF COURSE, OF COURSE.

59
00:03:22,033 --> 00:03:25,496
UM...LISTEN,
BEFORE YOU GO, JACK,

60
00:03:25,496 --> 00:03:29,329
UM, VICKI IS ALL
BENT OUT OF SHAPE WITH ME

61
00:03:29,329 --> 00:03:32,171
'CAUSE I SAID "NO"
TO THIS PARTY THIS WEEKEND.

62
00:03:32,171 --> 00:03:35,674
BUT WE DON'T KNOW THE PARENTS
WHOSE HOUSE IT'S AT AND --

63
00:03:35,674 --> 00:03:38,297
SO WE'RE GONNA SAY "NO"
TO THE PARTY.
YES.

64
00:03:38,297 --> 00:03:40,218
BECAUSE YOU KNOW THAT
WHENEVER I SAY NO,

65
00:03:40,218 --> 00:03:42,220
SHE TRIES TO GET
A DIFFERENT ANSWER OUT OF YOU.

66
00:03:42,220 --> 00:03:44,342
WELL,
SHE WON'T GET ONE.

67
00:03:44,342 --> 00:03:46,594
ALL RIGHT?
WE'RE A TEAM.

68
00:03:47,925 --> 00:03:50,307
"NO" TO THE PARTY.

69
00:03:50,307 --> 00:03:51,478
GOOD.

70
00:03:51,478 --> 00:03:53,309
I GOT TO GO.
OKAY.

71
00:03:59,315 --> 00:04:02,067
AND REMEMBER, JUST SAY NO.

72
00:04:02,067 --> 00:04:04,069
ALL RIGHT, NANCY REAGAN.

73
00:04:06,531 --> 00:04:09,573
[ TELEPHONE RINGS ]

74
00:04:09,994 --> 00:04:12,035
Paco: NEW DEVELOPMENT
ON MALLORY KHARCHENKO?

75
00:04:12,035 --> 00:04:13,617
HUH? NO, NO.

76
00:04:13,617 --> 00:04:16,039
SHE STILL HASN'T SHOWN UP
AT WORK OR HOME.

77
00:04:16,039 --> 00:04:18,791
THE ROOMMATE'S GOT ALL
HER FRIENDS LOOKING,
POSTING FLIERS,

78
00:04:18,791 --> 00:04:20,162
LOCAL STATIONS
ARE PUTTING THE WORD OUT.

79
00:04:20,162 --> 00:04:22,084
YEAH, WE'LL FIND HER.

80
00:04:22,084 --> 00:04:24,376
WHAT DO YOU GOT?

81
00:04:24,376 --> 00:04:26,918
AH. I TRACED THE LEASE RECORDS
OF THE WAREHOUSE KILL SPOT

82
00:04:26,918 --> 00:04:28,630
BACK TO A GUY NAMED
BRUCE FORRESTER.

83
00:04:28,630 --> 00:04:30,881
HE OWNED THE UPHOLSTERY SHOP
THAT USED TO BE THERE.

84
00:04:30,881 --> 00:04:32,303
PETTY OFFICER, NAVY.

85
00:04:32,303 --> 00:04:34,344
HE WOULD'VE KNOWN HOW TO TIE
THOSE MILITARY KNOTS

86
00:04:34,344 --> 00:04:35,806
ON EMILY FUENTES.
RIGHT.

87
00:04:35,806 --> 00:04:38,388
ONLY HE COULDN'T HAVE TIED
HIS SHOELACES A WEEK AGO.

88
00:04:38,388 --> 00:04:41,641
READ THE FINE PRINT,
THE DATES HE SERVED.

89
00:04:41,641 --> 00:04:43,062
'42 TO '45.

90
00:04:43,062 --> 00:04:44,853
HE'S A GOOD TWO TO THREE DECADES
OLDER THAN OUR PROFILE.

91
00:04:44,853 --> 00:04:46,895
WELL, NOT ONLY WOULD
HE HAVE BEEN AN OLD MAN

92
00:04:46,895 --> 00:04:48,026
DURING THE RECENT MURDERS --

93
00:04:48,026 --> 00:04:49,357
HERE, DRINK THIS --

94
00:04:49,357 --> 00:04:51,939
HE HAS BEEN A DEAD MAN
FOR THE LAST 10 YEARS.

95
00:04:51,939 --> 00:04:53,281
HE'S NOT OUR SERIAL KILLER.

96
00:04:53,281 --> 00:04:54,742
DOES HE HAVE A, UH...
A SON?

97
00:04:54,742 --> 00:04:56,443
YEAH.
NEGATIVE.

98
00:04:56,443 --> 00:04:57,614
I ALREADY SHOOK
THE FAMILY TREE.

99
00:04:57,614 --> 00:04:58,745
THE ONLY THING THAT FELL OUT

100
00:04:58,745 --> 00:05:00,156
WAS A DAUGHTER,
RITA FORRESTER,

101
00:05:00,156 --> 00:05:01,578
AND SHE DIED EVEN EARLIER
THAN POPS.

102
00:05:01,578 --> 00:05:05,371
NO GRANDKIDS
TO CONTINUE THE LINEAGE.

103
00:05:05,371 --> 00:05:06,452
DEAD MAN, DEAD LEAD.

104
00:05:08,203 --> 00:05:10,165
I SHOWED YOU MINE...

105
00:05:10,165 --> 00:05:12,587
OH, YEAH.

106
00:05:12,587 --> 00:05:14,499
CORONER'S OFFICE
CAME THROUGH

107
00:05:14,499 --> 00:05:17,001
WITH AN I.D. ON OUR JANE DOE
FROM THE WAREHOUSE.

108
00:05:17,001 --> 00:05:20,504
THE DENTAL RECORDS MATCH
A MISSING-PERSONS FILE FROM '68.

109
00:05:20,504 --> 00:05:22,716
HER NAME WAS VERA BENNETT.

110
00:05:24,307 --> 00:05:26,559
SAYS HERE
THAT SHE'S 34 YEARS OLD.

111
00:05:26,559 --> 00:05:30,853
IT'S A GOOD 10 YEARS OLDER
THAN OUR OTHER VICTIMS.

112
00:05:30,853 --> 00:05:34,316
GOING SOMEWHERE?
YEAH,
BACK TO THE WAREHOUSE.

113
00:05:34,316 --> 00:05:36,107
I GOT TO -- I GOT TO STAY
IN THIS GUY'S HEAD.

114
00:05:38,189 --> 00:05:39,440
YOU KNOW, IT SEEMS LIKE

115
00:05:39,440 --> 00:05:41,362
HE HASN'T MADE
A SINGLE MISTAKE, RIGHT?

116
00:05:43,784 --> 00:05:45,405
BUT YOU KNOW WHAT?

117
00:05:45,405 --> 00:05:49,078
WE ALL MAKE MISTAKES.

118
00:05:49,078 --> 00:05:52,451
I GOT A FEELING THIS VERA...

119
00:05:52,451 --> 00:05:53,832
IS HIS FIRST ONE.

120
00:05:53,832 --> 00:05:54,953
LET'S GO.

121
00:05:57,245 --> 00:05:58,626
Paco: I GOT TO SAY,

122
00:05:58,626 --> 00:06:01,038
I'M NOT SURE WHY WE'RE BACK
AT THE KILLER'S LAIR.

123
00:06:01,038 --> 00:06:02,339
VICTIMOLOGY'S OFF.

124
00:06:02,339 --> 00:06:04,962
STRANGULATION
INSTEAD OF STABBING,

125
00:06:04,962 --> 00:06:07,504
NO SIGNS OF NECROPHILIA...

126
00:06:07,504 --> 00:06:09,466
I MEAN, VERA DOESN'T SEEM TO BE
THE WORK OF THE SAME GUY.

127
00:06:09,466 --> 00:06:11,307
MAYBE THIS FORRESTER DID HER
BACK IN HIS HEYDAY.

128
00:06:11,307 --> 00:06:12,598
TRACES OF BLOOD HERE

129
00:06:12,598 --> 00:06:14,680
THAT MATCHED WANDA PHILLIPS
AND EMILY FUENTES.

130
00:06:14,680 --> 00:06:17,142
YOU THINK OUR KILLER
JUST CONVENIENTLY HAPPENED UPON

131
00:06:17,142 --> 00:06:18,683
THE LAIR
OF A FORMER MURDERER?

132
00:06:18,683 --> 00:06:21,476
NO, THE WORK IS DIFFERENT,
BUT THE KILLER IS THE SAME.

133
00:06:21,476 --> 00:06:23,017
WHAT WE'RE SEEING HERE
IS A PROGRESSION.

134
00:06:23,017 --> 00:06:24,398
WE PEGGED OUR GUY

135
00:06:24,398 --> 00:06:26,900
TO BE BETWEEN HIS LATE 20s
AND HIS MID 30s.

136
00:06:26,900 --> 00:06:29,192
THAT WOULD HAVE MADE HIM
A YOUNG ADULT,

137
00:06:29,192 --> 00:06:30,483
POSSIBLY A TEENAGER,

138
00:06:30,483 --> 00:06:32,695
15 YEARS AGO
WHEN VERA WAS KILLED.

139
00:06:32,695 --> 00:06:34,447
AND SINCE
PSYCHOLOGICAL MARKERS

140
00:06:34,447 --> 00:06:36,619
PRESENT THEMSELVES
IN ADOLESCENCE,

141
00:06:36,619 --> 00:06:38,620
YOU THINK THAT MAYBE
SHE WAS HIS FIRST KILL.

142
00:06:43,414 --> 00:06:45,706
VERA WASN'T JUST
HIS FIRST KILL.

143
00:06:47,578 --> 00:06:49,290
THE CARE HE TOOK
OF THE BODY...

144
00:06:49,290 --> 00:06:51,081
THOSE CLOTHES
ARE THE SAME CLOTHES

145
00:06:51,081 --> 00:06:53,213
SHE WAS LAST SEEN IN,
BUT THEY WERE TAKEN CARE OF.

146
00:06:53,213 --> 00:06:55,044
THEY WERE LAUNDERED
OVER TIME.

147
00:06:55,044 --> 00:06:56,886
AND THAT WIG --
THAT WIG IS GOOD AS NEW.

148
00:06:56,886 --> 00:06:58,257
HE BRUSHED IT.

149
00:06:58,257 --> 00:07:00,549
HE GAVE THIS WOMAN
A DIGNIFIED END,

150
00:07:00,549 --> 00:07:02,181
AND HE KEPT HER
CLOSE TO HIM.

151
00:07:02,181 --> 00:07:03,472
SHE WAS SPECIAL TO HIM,

152
00:07:03,472 --> 00:07:05,263
AND THAT MAKES HER
SPECIAL TO US.

153
00:07:05,263 --> 00:07:07,515
WE FIND OUT
AS MUCH WE CAN ABOUT HER,

154
00:07:07,515 --> 00:07:10,057
WE FIND OUT A HELL OF A LOT MORE
ABOUT OUR KILLER --

155
00:07:10,057 --> 00:07:11,939
MAYBE ENOUGH TO FIND HIM.
LET'S GO.

156
00:07:11,939 --> 00:07:14,811
Diver: "DO YOU WANT TO PLAY?
PROVE YOUR WORTH.

157
00:07:14,811 --> 00:07:16,403
COME AND SEE,
KAREN McCLAREN,

158
00:07:16,403 --> 00:07:19,315
IF YOU HAVE THE SPINE
TO GO WHERE ST. JEROME
MEETS ST. MONICA."

159
00:07:19,315 --> 00:07:21,237
THIS KILLER
ENJOYS PLAYING GAMES.

160
00:07:21,237 --> 00:07:22,158
I MEAN,
HOW CAN YOU BE SURE

161
00:07:22,158 --> 00:07:23,569
YOU KNOW
WHERE THIS RIDDLE LEADS?

162
00:07:23,569 --> 00:07:26,241
DUDE, I GRADUATED BERKELEY
SUMMA CUM LAUDE.

163
00:07:26,241 --> 00:07:27,822
[ CHUCKLES ]

164
00:07:27,822 --> 00:07:30,034
YOU SEXY SMART GIRL.

165
00:07:30,745 --> 00:07:34,078
YOU KNOW, GOODBYE SEX
IS CALLED THAT FOR A REASON --

166
00:07:34,078 --> 00:07:35,919
TYPICALLY, SOMEONE LEAVES.

167
00:07:35,919 --> 00:07:38,081
SINCE I ENDED UP
STAYING IN L.A.,

168
00:07:38,081 --> 00:07:40,503
WE NEED TO KEEP THIS
ABOVEBOARD --

169
00:07:40,503 --> 00:07:42,925
ABOVE THE SHEETS,
MORE SPECIFICALLY.

170
00:07:42,925 --> 00:07:44,677
OH, THAT'S ALL RIGHT.

171
00:07:44,677 --> 00:07:46,218
WE DON'T NEED NO SHEETS.

172
00:07:47,930 --> 00:07:49,221
THAT'S NOT THE POINT.

173
00:07:51,973 --> 00:07:53,765
YOU'LL SEE
THAT BUSINESS AND PLEASURE

174
00:07:53,765 --> 00:07:55,136
CAN GO REALLY WELL TOGETHER.

175
00:07:55,136 --> 00:07:56,727
AND IF I WERE YOU,
I'D BE MORE CONCERNED

176
00:07:56,727 --> 00:07:58,519
ABOUT MY HOT EDITOR'S ATTENTION
THAN SOME SERIAL KILLER'S,

177
00:07:58,519 --> 00:08:01,401
BUT, YOU KNOW.
I'M NOT
AFTER HIS ATTENTION.

178
00:08:01,401 --> 00:08:03,143
THAT GIRL WHO'S MISSING,
MALLORY --

179
00:08:03,143 --> 00:08:04,564
WHAT IF WHERE HIS MESSAGE
TAKES ME

180
00:08:04,564 --> 00:08:06,696
IS THE KEY TO FINDING HER,
MAYBE EVEN SAVING HER?

181
00:08:06,696 --> 00:08:08,237
KAREN...

182
00:08:08,237 --> 00:08:10,148
THIS DUDE ORIGINALLY
PICKED YOU AS THE VICTIM.

183
00:08:10,148 --> 00:08:11,450
HE WAS PLANNING ON
KILLING YOU.

184
00:08:11,450 --> 00:08:13,071
W-WHAT IF
HE CIRCLES BACK?

185
00:08:13,071 --> 00:08:15,113
WHAT IF THAT LETTER
IS JUST ANOTHER WAY

186
00:08:15,113 --> 00:08:16,824
OF HIM DRAWING YOU
BACK INTO HIS TRAP.

187
00:08:16,824 --> 00:08:19,366
I KNOW. I KNOW.

188
00:08:19,366 --> 00:08:20,617
BUT IT'S A PUBLIC PLACE.

189
00:08:20,617 --> 00:08:22,079
PLUS...

190
00:08:24,541 --> 00:08:26,462
...I'M PACKING HEAT.
[ SCOFFS ]

191
00:08:26,462 --> 00:08:28,124
THAT'D BE GREAT
IF THE KILLER WAS A MOSQUITO.

192
00:08:28,124 --> 00:08:29,505
IT JUST NEEDS
TO SLOW HIM DOWN.

193
00:08:29,505 --> 00:08:32,668
AND THEN I'LL TAKE OVER.

194
00:08:32,668 --> 00:08:34,759
LEAD THE WAY,
KAREN McCLAREN.

195
00:08:34,759 --> 00:08:36,131
I AM ALL YOURS.

196
00:08:36,131 --> 00:08:38,132
LET'S GO. [ CHUCKLES ]

197
00:08:42,056 --> 00:08:44,137
WHAT HAPPENED TO YOU?

198
00:08:45,599 --> 00:08:46,600
WHAT?

199
00:08:46,600 --> 00:08:48,101
WHAT DO YOU MEAN?

200
00:08:48,101 --> 00:08:50,733
YOUR ARMS,
THEY'RE ALL SCRAPED UP.

201
00:08:50,733 --> 00:08:52,815
OH, YEAH. UM...

202
00:08:52,815 --> 00:08:54,186
I WENT HIKING.

203
00:08:55,948 --> 00:08:58,109
NOT REALLY
THE OUTDOORSY TYPE.

204
00:08:58,109 --> 00:08:59,991
GUESS THIS NEW BOYFRIEND

205
00:08:59,991 --> 00:09:03,284
IS REALLY GETTING YOU
OUT OF YOUR COMFORT ZONE.

206
00:09:03,284 --> 00:09:05,536
YOU COULD SAY THAT.

207
00:09:05,536 --> 00:09:08,118
IS THAT A GOOD THING?

208
00:09:11,000 --> 00:09:13,162
MOSTLY. BUT...

209
00:09:13,162 --> 00:09:16,465
I JUST FOUND OUT ABOUT
THIS HABIT HE HAS.

210
00:09:16,465 --> 00:09:19,708
AND I'M TRYING TO FIGURE OUT
IF I CAN...

211
00:09:19,708 --> 00:09:21,670
HANDLE IT OR NOT.

212
00:09:21,670 --> 00:09:22,800
HABIT?

213
00:09:22,800 --> 00:09:24,762
YOU MEAN LIKE HE SMOKES?

214
00:09:24,762 --> 00:09:26,714
YEAH.

215
00:09:26,714 --> 00:09:29,846
HE'S A SMOKER.

216
00:09:29,846 --> 00:09:33,520
BUT I THINK HE REALIZES
IT'S BAD FOR HIM,

217
00:09:33,520 --> 00:09:37,313
BUT...HE NEEDS IT.

218
00:09:37,313 --> 00:09:40,986
IT'S LIKE --
LIKE IT DEFINES HIM.

219
00:09:40,986 --> 00:09:43,028
WELL,
NICOTINE IS ADDICTIVE.

220
00:09:43,028 --> 00:09:44,729
MAYBE YOU COULD SIGN HIM UP

221
00:09:44,729 --> 00:09:47,612
FOR ONE OF THOSE NEW TRIALS
FOR THAT PATCH THINGY.

222
00:09:47,612 --> 00:09:49,573
NO, I -- I CAN'T ASK HIM
TO QUIT.

223
00:09:49,573 --> 00:09:51,155
THAT WOULDN'T
GO OVER WELL.

224
00:09:51,155 --> 00:09:54,117
WHY?

225
00:09:54,117 --> 00:09:56,239
I JUST -- I FEEL LIKE...

226
00:09:57,620 --> 00:09:59,372
YOU KNOW,
IF YOU LOVE SOMEONE,

227
00:09:59,372 --> 00:10:01,413
YOU SHOULD ACCEPT THEM
AS THEY ARE.

228
00:10:01,413 --> 00:10:03,375
HE SHOULD ACCEPT YOU, TOO,
THOUGH.

229
00:10:03,375 --> 00:10:06,298
IF HIS SMOKING
MAKES YOU UNCOMFORTABLE,

230
00:10:06,298 --> 00:10:08,209
HE SHOULD TRY AND STOP
FOR YOU.

231
00:10:10,251 --> 00:10:12,133
I KIND OF LIKE IT,
THOUGH.

232
00:10:14,885 --> 00:10:17,637
HE JUST KIND OF
MAKES IT LOOK ENTICING.

233
00:10:17,637 --> 00:10:20,099
BETTY, GET REAL.

234
00:10:20,099 --> 00:10:22,682
EVEN SECONDHAND SMOKE
CAN KILL.

235
00:10:26,855 --> 00:10:29,317
YEAH.

236
00:10:29,317 --> 00:10:31,359
NO, YOU'RE RIGHT.
I...

237
00:10:31,359 --> 00:10:33,401
I WANT TO BE WITH HIM,
BUT I CAN'T.

238
00:10:39,276 --> 00:10:41,077
Mary:
THANKS FOR BRINGING ME.

239
00:10:41,077 --> 00:10:43,699
SO, I'LL MEET YOU BACK HERE
IN 20 MINUTES?
MM-HMM.

240
00:10:43,699 --> 00:10:46,202
WHAT ARE YOU GONNA CHECK OUT
THIS TIME?
I DON'T KNOW.

241
00:10:46,202 --> 00:10:47,913
JUST NOT ANOTHER
DUMB FAIRY TALE.

242
00:10:47,913 --> 00:10:49,665
AND WHAT'S WRONG
WITH FAIRY TALES?

243
00:10:49,665 --> 00:10:53,418
PLEASE. THERE'S NO SUCH THING
AS HAPPILY EVER AFTER.

244
00:10:53,418 --> 00:10:55,500
MARY, JUST BECAUSE
YOUR MOM AND YOU

245
00:10:55,500 --> 00:10:57,551
HAVEN'T MET THE RIGHT
PRINCE CHARMING,

246
00:10:57,551 --> 00:10:59,463
DOESN'T MEAN
HE ISN'T OUT THERE.

247
00:10:59,463 --> 00:11:01,925
HE JUST
HASN'T FOUND YOU YET.

248
00:11:01,925 --> 00:11:04,347
YOU KNOW, IT'S KIND OF LIKE
A JIGSAW PUZZLE.

249
00:11:04,347 --> 00:11:06,389
YOU HAVE TO FIND
THE TWO MATCHING PIECES

250
00:11:06,389 --> 00:11:07,890
THAT FIT TOGETHER PERFECTLY

251
00:11:07,890 --> 00:11:09,512
TO COMPLETE THE PICTURE.

252
00:11:09,512 --> 00:11:11,183
THEY CAN BE HARD TO FIND,

253
00:11:11,183 --> 00:11:13,805
BUT YOUR MISSING PIECE
IS ALWAYS OUT THERE.

254
00:11:13,805 --> 00:11:17,729
THAT GIRL THAT I MET,
IS SHE YOUR MISSING PIECE?

255
00:11:17,729 --> 00:11:19,570
YEAH. SHE IS.

256
00:11:19,570 --> 00:11:21,902
SHE JUST ISN'T SURE
I'M HERS YET.

257
00:11:21,902 --> 00:11:24,985
BUT SOMETIMES YOU GOT TO FIGHT
FOR YOUR HAPPY ENDING.

258
00:11:24,985 --> 00:11:27,527
I'M GONNA HELP HER SEE
JUST HOW WELL WE FIT TOGETHER.

259
00:11:40,038 --> 00:11:41,789
[ Answering machine beeps ]
KENT, UM...

260
00:11:41,789 --> 00:11:45,592
CAN YOU...NOT CALL ME
FOR A LITTLE BIT?

261
00:11:45,592 --> 00:11:46,883
UM...

262
00:11:48,755 --> 00:11:50,256
I HOPE YOU KNOW
I CARE ABOUT YOU SO MUCH,

263
00:11:50,256 --> 00:11:51,798
AND -- AND I KNOW
YOU CARE ABOUT ME.

264
00:11:51,798 --> 00:11:53,549
I JUST NEED SOME TIME.

265
00:11:53,549 --> 00:11:59,184
AND THEN, WHEN WE'RE BOTH READY,
WE CAN TALK, OKAY?

266
00:11:59,184 --> 00:12:00,805
I'LL BE THINKING OF YOU.

267
00:12:00,805 --> 00:12:01,846
PLEASE KNOW THAT.

268
00:12:04,518 --> 00:12:06,730
SO, DID YOU LET HIM KNOW
IT'S OVER?

269
00:12:06,730 --> 00:12:08,352
[ BREATHES DEEPLY ]

270
00:12:08,352 --> 00:12:10,984
I DID WHAT I HAD TO,
FOR MY FAMILY.

271
00:12:10,984 --> 00:12:12,565
THAT'S MY GIRL.

272
00:12:16,529 --> 00:12:18,951
[ CAR DOOR OPENS ]

273
00:12:18,951 --> 00:12:20,362
Jack: WHAT YOU GOT?

274
00:12:20,362 --> 00:12:22,864
WELL, I COULDN'T FIND ANY LIVING
RELATIVES OF VERA BENNETT'S

275
00:12:22,864 --> 00:12:24,455
IN CALIFORNIA,
BUT I FOUND OUT THAT

276
00:12:24,455 --> 00:12:25,917
SHE WORKED
AT THIS LIBRARY BRANCH

277
00:12:25,917 --> 00:12:27,248
FOR 11 YEARS.
REALLY?

278
00:12:27,248 --> 00:12:28,709
WAS STILL WORKING HERE
WHEN SHE DISAPPEARED.

279
00:12:28,709 --> 00:12:30,831
FIGURED MIGHT BE AS GOOD A PLACE
AS ANY TO START DIGGING.

280
00:12:30,831 --> 00:12:32,252
YEAH, DEFINITELY.

281
00:12:32,252 --> 00:12:33,543
THIS -- THIS COULD BE WHERE
SHE CROSSED WITH HER KILLER.

282
00:12:33,543 --> 00:12:35,335
YOU KNOW,
THE MORE I THINK ABOUT IT,

283
00:12:35,335 --> 00:12:37,587
WITH THE AGE DIFFERENCE
AND THE RESPECT HE
TREATED HER IN DEATH,

284
00:12:37,587 --> 00:12:39,969
I GET THE SENSE THAT
VERA WAS SOME KIND OF
A MENTOR FIGURE TO HIM.

285
00:12:39,969 --> 00:12:41,140
THIS WOULD FIT
WITH THAT.

286
00:12:43,972 --> 00:12:45,553
I NEVER KNEW VERA BENNETT.

287
00:12:45,553 --> 00:12:47,685
I'VE ONLY WORKED AT THIS BRANCH
FOR A FEW YEARS.

288
00:12:47,685 --> 00:12:49,517
BUT I'VE HEARD
ALL ABOUT HER.

289
00:12:49,517 --> 00:12:52,189
I THINK THERE WILL ALWAYS BE
A PART OF HER HERE

290
00:12:52,189 --> 00:12:54,271
FOR THE PEOPLE
WHO LOVED HER.

291
00:12:54,271 --> 00:12:56,273
YOU MEAN THROUGH THE STORIES
THEY'VE SHARED WITH YOU?

292
00:12:56,273 --> 00:12:58,525
WELL, YES, THAT,

293
00:12:58,525 --> 00:13:00,856
BUT WHAT I REALLY MEANT
WAS THROUGH HER BOOKS.

294
00:13:00,856 --> 00:13:04,319
HER WHOLE COLLECTION IS
IN CIRCULATION AT THIS BRANCH.

295
00:13:04,319 --> 00:13:07,612
THEY WERE DONATED
BY HER FAMILY?
BY HER PARENTS, YES.

296
00:13:07,612 --> 00:13:10,204
APPARENTLY, SINCE VERA
WAS SINGLE AND HAD NO KIDS,

297
00:13:10,204 --> 00:13:12,206
THEY DONATED THEM ALL
TO US.

298
00:13:12,206 --> 00:13:13,617
I THINK
SHE'D BE GLAD TO KNOW

299
00:13:13,617 --> 00:13:16,540
HOW MANY YOUNG PEOPLE
SHE INSPIRED TO BECOME READERS.

300
00:13:32,383 --> 00:13:34,475
HEY!
DIVER!

301
00:13:34,475 --> 00:13:35,976
GET YOUR HANDS OFF ME,
MAN!
Karen: HEY!

302
00:13:35,976 --> 00:13:37,848
HEY, STOP!
WHAT,
ARE YOU FOLLOWING US?!

303
00:13:37,848 --> 00:13:39,229
HUH?

304
00:13:39,229 --> 00:13:40,520
NO,
WE DIDN'T FOLLOW YOU!

305
00:13:40,520 --> 00:13:41,771
THEN WHAT ARE YOU TWO
DOING HERE?

306
00:13:41,771 --> 00:13:44,193
HUH?

307
00:13:44,193 --> 00:13:46,025
KAREN?
WE FOLLOWED THIS.

308
00:13:48,527 --> 00:13:50,068
THE KILLER LED US HERE.

309
00:13:56,204 --> 00:13:58,285
HEY, WHAT HAPPENED TO YOU
LEAVING TOWN?

310
00:13:58,285 --> 00:14:00,708
OH, WOW. YOU CONTROL THE CITY
POPULATION NOW, TOO?

311
00:14:00,708 --> 00:14:02,659
NO, I CONTROL
A SERIAL-KILLER CASE,

312
00:14:02,659 --> 00:14:05,291
ONE YOU TWO
CONTINUE TO TAMPER WITH.
I SWEAR.

313
00:14:05,291 --> 00:14:07,794
I WAS GONNA COME TO YOU
WITH WHATEVER I FOUND HERE.

314
00:14:07,794 --> 00:14:09,665
I DIDN'T WANT TO GET
IN THE WAY OF YOUR
SEARCH FOR MALLORY

315
00:14:09,665 --> 00:14:11,006
IF THIS DIDN'T TURN OUT
TO BE ANYTHING.

316
00:14:11,006 --> 00:14:13,458
I MEAN, HOW DID YOU GUYS
KNOW TO COME HERE, ANYWAY?

317
00:14:13,458 --> 00:14:15,590
LISTEN, WE'LL BE ASKING
THE QUESTIONS HERE, ALL RIGHT?

318
00:14:15,590 --> 00:14:17,382
WELL, I THINK I'VE GOT
AN ANSWER FOR YOU.

319
00:14:17,382 --> 00:14:18,673
KAREN...

320
00:14:20,094 --> 00:14:22,306
HE WANTS ME TO LOCATE A BOOK
IN THIS LIBRARY.

321
00:14:22,306 --> 00:14:24,518
"WHERE ST. JEROME
MEETS ST. MONICA."

322
00:14:24,518 --> 00:14:26,730
JEROME IS THE PATRON SAINT
OF LIBRARY.

323
00:14:26,730 --> 00:14:29,142
THIS BRANCH IS THE ONLY ONE
ON SANTA MONICA BOULEVARD.

324
00:14:29,142 --> 00:14:31,063
AND IT'S NOT MY SPINE
HE'S REFERRING TO.

325
00:14:31,063 --> 00:14:32,144
IT'S THE SPINE OF A BOOK --

326
00:14:32,144 --> 00:14:33,145
THIS BOOK.

327
00:14:33,145 --> 00:14:34,647
HE PUT A CODE IN HERE --

328
00:14:34,647 --> 00:14:36,648
ENDED UP BEING
THE DEWEY DECIMAL CALL NUMBER

329
00:14:36,648 --> 00:14:38,980
FOR THE 1911 PRINTING OF
"THE PHANTOM OF THE OPERA."

330
00:14:38,980 --> 00:14:41,572
WHY THE HELL WOULD THE KILLER
WANT TO LEAD YOU TO A BOOK?

331
00:14:41,572 --> 00:14:43,444
I'LL GIVE YOU
THE CLIFF'S NOTES VERSION --

332
00:14:43,444 --> 00:14:45,035
IT'S ABOUT
A MISUNDERSTOOD MONSTER

333
00:14:45,035 --> 00:14:46,537
ON A KILLING SPREE
IN PARIS.

334
00:14:46,537 --> 00:14:48,538
SWAP THE OPERA HOUSE
FOR THE SUNSET STRIP,

335
00:14:48,538 --> 00:14:50,330
THE KILLER COULD BE TRYING
TO EXPLAIN HIMSELF

336
00:14:50,330 --> 00:14:51,991
WITH THE STORY.
HEY, YO,

337
00:14:51,991 --> 00:14:54,083
MAYBE HE JUST WANTS US
TO JOIN HIS BOOK CLUB.

338
00:14:54,083 --> 00:14:55,044
YOU KNOW, YOU NEVER KNOW.

339
00:14:58,757 --> 00:14:59,958
LEAD THE WAY.

340
00:14:59,958 --> 00:15:02,170
[ INDISTINCT CONVERSATIONS ]

341
00:15:04,422 --> 00:15:06,053
HEY, THAT'S CHEATING.

342
00:15:06,053 --> 00:15:09,346
I JUST NEED TO KNOW
IF THE SPIDER AND THE PIG DIE.

343
00:15:09,346 --> 00:15:13,510
I DON'T WANT TO GET
TOO ATTACHED, YOU KNOW?

344
00:15:13,510 --> 00:15:16,222
WHAT HAPPENS IN THE END
ISN'T IMPORTANT.

345
00:15:16,222 --> 00:15:17,773
IT'S THE FRIENDSHIP
BETWEEN THEM

346
00:15:17,773 --> 00:15:19,185
WHILE THEY'RE TOGETHER
ON THE FARM

347
00:15:19,185 --> 00:15:20,606
THAT REALLY MATTERS.

348
00:15:22,187 --> 00:15:24,859
OKAY,
I'LL READ THE WHOLE STORY.

349
00:15:24,859 --> 00:15:26,110
DID YOU GET A BOOK?

350
00:15:26,110 --> 00:15:28,693
I DID.

351
00:15:28,693 --> 00:15:32,486
ONE THAT SOMEONE VERY SPECIAL
INTRODUCED ME TO.

352
00:15:32,486 --> 00:15:35,909
NOW I WANT TO SHARE IT
WITH SOMEONE NEW...

353
00:15:35,909 --> 00:15:38,121
MAKE SURE SHE UNDERSTANDS
WHAT SHE MEANS TO ME.

354
00:15:39,292 --> 00:15:41,914
THE AUTHOR'S NAME
IS LEROUX.

355
00:15:44,496 --> 00:15:46,208
HERE ARE THE M's.

356
00:15:46,208 --> 00:15:49,590
UH...L...

357
00:15:59,639 --> 00:16:00,970
Karen: UH...

358
00:16:06,225 --> 00:16:07,015
OH, GOD.

359
00:16:09,938 --> 00:16:11,519
IT WASN'T A BOOK
HE WANTED US TO FIND.

360
00:16:11,519 --> 00:16:12,480
GET BACK.

361
00:16:24,780 --> 00:16:27,283
THAT'S MALLORY.
GET THESE KIDS OUT OF HERE.
LOCK DOWN THE LIBRARY.

362
00:16:27,283 --> 00:16:29,454
NOBODY GETS IN, NOBODY GETS OUT.
HE COULD STILL BE HERE!

363
00:16:29,454 --> 00:16:30,996
LET'S GO!
TIME TO PUT THE CAMERA AWAY!
COME ON, MAN!

364
00:16:30,996 --> 00:16:32,127
DIVER, GO!
LET'S GO! COME ON!

365
00:16:32,127 --> 00:16:33,168
GEEZ.

366
00:16:40,964 --> 00:16:43,006
[ INDISTINCT CONVERSATIONS ]

367
00:16:43,006 --> 00:16:45,969
SO, NO ONE SAW
ANYTHING SUSPICIOUS.

368
00:16:45,969 --> 00:16:48,260
NO SINGLE MEN
ON THEIR OWN.

369
00:16:48,260 --> 00:16:49,682
AND THE BOOK,
DID WE FIND IT?

370
00:16:49,682 --> 00:16:51,593
WELL, IT WASN'T CHECKED OUT,
BUT IT'S NOT HERE.

371
00:16:51,593 --> 00:16:53,895
LIBRARIAN SAID THAT THEY CAN
GIVE US SOME EXTRA COPIES,

372
00:16:53,895 --> 00:16:54,856
AND IF THERE'S ANYTHING --

373
00:16:56,017 --> 00:16:58,439
JACK. JACK!

374
00:17:02,983 --> 00:17:04,654
I HEARD ROTH
GOT PRETTY DARK

375
00:17:04,654 --> 00:17:06,606
ON THE HILLSIDE
STRANGLER CASE --

376
00:17:06,606 --> 00:17:09,278
TOUGH ON EVERYBODY AROUND HIM,
INCLUDING HIS PARTNER.

377
00:17:10,159 --> 00:17:11,530
I MEAN, GOOD LUCK, MAN.

378
00:17:11,530 --> 00:17:13,992
IT LOOKS LIKE HE'S TAKING
A NOSE DIVE ON YOUR WATCH NOW.

379
00:17:13,992 --> 00:17:16,034
YEAH,
NO THANKS TO YOU TWO.

380
00:17:16,034 --> 00:17:17,956
YOU KNOW, IF YOU HAD
SHARED THAT LETTER
WITH US TO BEGIN WITH,

381
00:17:17,956 --> 00:17:19,117
WE MIGHT HAVE GOTTEN HERE
IN TIME,

382
00:17:19,117 --> 00:17:20,038
CAUGHT
THE SON OF A BITCH.

383
00:17:20,038 --> 00:17:21,919
OKAY,
DON'T YOU PUT THAT ON HER.

384
00:17:21,919 --> 00:17:23,250
KAREN,
DO YOU NOT REALIZE?

385
00:17:23,250 --> 00:17:24,962
THIS KILLER'S
JUST USING YOU.

386
00:17:24,962 --> 00:17:26,083
NO. HE'S CHOOSING ME.

387
00:17:26,083 --> 00:17:28,215
YOU KNOW,
IT'S NOT LOST ON ME

388
00:17:28,215 --> 00:17:30,426
THAT THE BOOK'S AUTHOR,
GASTON LEROUX,

389
00:17:30,426 --> 00:17:32,128
HE WAS ONCE AN INVESTIGATIVE
JOURNALIST, TOO,

390
00:17:32,128 --> 00:17:33,679
WHO -- WHO EXPOSED
IMPORTANT TRUTHS

391
00:17:33,679 --> 00:17:36,261
TO A SOCIETY
THAT NEEDED TO FACE THEM.

392
00:17:36,261 --> 00:17:39,014
YOU KNOW, IT'S NO WONDER
THE KILLER CHOSE YOU.

393
00:17:39,014 --> 00:17:42,767
YOU'RE JUST AS HUNGRY FOR FAME
AND RECOGNITION AS HE IS.
OH.

394
00:17:42,767 --> 00:17:44,188
COMING FROM A COP

395
00:17:44,188 --> 00:17:46,270
WHO FORCED HIS WAY
ON TO A HIGH-PROFILE CASE.

396
00:17:46,270 --> 00:17:48,402
HMM. I MEAN, IT TAKES ONE
TO KNOW ONE, RIGHT?

397
00:17:48,402 --> 00:17:51,645
IF THE KILLER CONTACTS YOU
AGAIN...

398
00:17:51,645 --> 00:17:53,196
WHETHER YOU FIND IT
SIGNIFICANT OR NOT,

399
00:17:53,196 --> 00:17:54,777
YOU CALL US.

400
00:17:54,777 --> 00:17:57,570
[ FOOTSTEPS DEPARTING ]

401
00:18:02,864 --> 00:18:03,865
[ ANSWERING MACHINE BEEPS ]

402
00:18:03,865 --> 00:18:06,247
BETTY: Kent, um...

403
00:18:06,247 --> 00:18:10,120
Can you...not call me
for a little bit?

404
00:18:10,120 --> 00:18:11,211
Um...

405
00:18:13,213 --> 00:18:14,874
I hope you know
I care about you so much,

406
00:18:14,874 --> 00:18:16,296
and -- and I know
you care about me.

407
00:18:16,296 --> 00:18:18,047
I just need some time.

408
00:18:18,047 --> 00:18:22,051
And then, when we're both ready,
we can talk, okay?

409
00:18:24,092 --> 00:18:28,596
I'll be thinking of you.
Please know that.

410
00:18:28,596 --> 00:18:29,937
[ ANSWERING MACHINE BEEPS ]

411
00:18:44,239 --> 00:18:45,240
[ ANSWERING MACHINE BEEPS ]

412
00:18:45,240 --> 00:18:48,403
Hey, it's Jimmy...again.

413
00:18:49,404 --> 00:18:51,496
Where you been, sugar?

414
00:18:51,496 --> 00:18:53,657
I'm starting to think
you're avoiding me.

415
00:18:53,657 --> 00:18:54,959
I sure hope not.

416
00:18:54,959 --> 00:18:55,829
Come on --

417
00:18:55,829 --> 00:18:58,081
[ TAPE FAST-FORWARDING ]

418
00:18:58,081 --> 00:18:59,542
[ ANSWERING MACHINE BEEPS ]

419
00:18:59,542 --> 00:19:01,544
KENT: Betty, it's me.

420
00:19:01,544 --> 00:19:02,755
If you're there, pick up.

421
00:19:10,472 --> 00:19:11,803
[ Sighs ]

422
00:19:11,803 --> 00:19:13,424
When a woman sees me...

423
00:19:15,596 --> 00:19:17,057
...As you have seen me...

424
00:19:20,220 --> 00:19:21,852
...She belongs to me.

425
00:19:23,773 --> 00:19:25,104
She loves me forever.

426
00:19:27,937 --> 00:19:29,818
Gaston Leroux.

427
00:19:33,862 --> 00:19:35,733
You belong to me, Betty.

428
00:19:38,736 --> 00:19:42,079
You belong to me.

429
00:19:42,079 --> 00:19:43,120
[ ANSWERING MACHINE BEEPS ]

430
00:19:43,830 --> 00:19:45,121
[ KNOCK ON DOOR ]

431
00:19:56,671 --> 00:19:58,052
[ KNOCK ON DOOR ]

432
00:20:01,385 --> 00:20:02,887
[ SIGHS ]

433
00:20:02,887 --> 00:20:05,599
JIMMY, WHAT DO YOU WANT?

434
00:20:05,599 --> 00:20:06,810
WHERE YOU BEEN?

435
00:20:06,810 --> 00:20:08,601
YOU HAVEN'T BEEN
ANSWERING MY CALLS.

436
00:20:08,601 --> 00:20:10,563
WHAT DOES IT MATTER?
I'M NOT YOUR WIFE.
NO.

437
00:20:13,436 --> 00:20:14,817
SO, IS THAT WHAT IT IS,
HUH?

438
00:20:14,817 --> 00:20:16,818
YOU'RE SUDDENLY, UH...

439
00:20:16,818 --> 00:20:18,320
TOO GOOD
TO SCREW A MARRIED MAN?

440
00:20:21,072 --> 00:20:22,773
WELL...

441
00:20:22,773 --> 00:20:25,946
LOOKS LIKE YOU'VE DEFINITELY
BEEN ON YOUR KNEES FOR SOMEONE.

442
00:20:29,739 --> 00:20:32,372
THAT SOMEONE WOULDN'T LIKE
THE WAY YOU'RE TALKING TO ME.

443
00:20:32,372 --> 00:20:33,282
HMM.

444
00:20:34,744 --> 00:20:36,045
IS THAT SO?

445
00:20:36,045 --> 00:20:37,626
YEAH.

446
00:20:38,417 --> 00:20:39,878
HE RESPECTS ME.

447
00:20:39,878 --> 00:20:42,670
HE SEES SOMETHING IN ME.
MM-HMM.

448
00:20:42,670 --> 00:20:45,093
I'M NOT JUST A WARM BODY
TO HIM.

449
00:20:45,093 --> 00:20:47,384
I MISS YOU.

450
00:20:47,384 --> 00:20:49,176
HMM?

451
00:20:50,217 --> 00:20:51,888
DON'T TOUCH ME.

452
00:20:51,888 --> 00:20:52,969
OW.

453
00:20:52,969 --> 00:20:54,801
OW!

454
00:20:54,801 --> 00:20:56,302
DAMN IT, BETTY,
THAT HURTS.

455
00:20:56,302 --> 00:20:58,064
AAH!

456
00:21:02,107 --> 00:21:03,648
I DON'T KNOW WHAT THE HELL'S
GOTTEN INTO YOU...

457
00:21:06,571 --> 00:21:08,402
...BUT YOU'VE CHANGED.

458
00:21:08,402 --> 00:21:10,274
[ DOOR CLOSES ]

459
00:21:10,274 --> 00:21:15,368
♪♪

460
00:21:15,368 --> 00:21:18,161
[ RED RIDER'S "LUNATIC FRINGE"
PLAYS ]

461
00:21:32,253 --> 00:21:34,465
♪ LUNATIC FRINGE ♪

462
00:21:36,256 --> 00:21:39,009
♪ I KNOW YOU'RE OUT THERE ♪

463
00:21:41,841 --> 00:21:43,763
♪ YOU'RE IN HIDING ♪

464
00:21:46,105 --> 00:21:48,977
♪ AND YOU HOLD YOUR MEETINGS ♪

465
00:21:51,479 --> 00:21:53,311
♪ I CAN HEAR YOU COMING ♪

466
00:21:56,023 --> 00:21:59,656
♪ WE KNOW WHAT YOU'RE AFTER ♪

467
00:21:59,656 --> 00:22:01,197
[ INDISTINCT CONVERSATIONS ]

468
00:22:01,197 --> 00:22:03,820
♪ WE'RE WISE TO YOU THIS TIME ♪

469
00:22:03,820 --> 00:22:06,032
♪ WE'RE WISE TO YOU THIS TIME ♪

470
00:22:06,032 --> 00:22:07,913
♪ WE WON'T LET YOU KILL
THE LAUGHTER ♪

471
00:22:07,913 --> 00:22:10,245
♪ WHOA-OH, OH HO ♪

472
00:22:10,245 --> 00:22:12,957
♪ WHOA-OH, OH HO ♪

473
00:22:12,957 --> 00:22:15,370
♪ WHOA-OH, OH HO ♪

474
00:22:16,791 --> 00:22:18,582
♪ WE CAN HEAR YOU COMING ♪

475
00:22:18,582 --> 00:22:19,923
♪ COMING ♪

476
00:22:19,923 --> 00:22:23,296
♪ NO, YOU'RE NOT
GOING TO WIN THIS TIME ♪

477
00:22:23,296 --> 00:22:26,089
♪♪
[ ENGINE TURNS OVER ]

478
00:22:33,845 --> 00:22:35,557
[ SIGHS ]

479
00:22:37,889 --> 00:22:40,311
GUESS I KNOW WHO I GOT
MY INSOMNIA FROM, HUH?

480
00:22:40,311 --> 00:22:42,813
HEY. SORRY.
DID I WAKE YOU UP?

481
00:22:42,813 --> 00:22:46,156
OH. NO, I WAS JUST, UH,
GETTING WATER.
OKAY.

482
00:22:46,156 --> 00:22:47,567
WHAT, "THE PHANTOM?"

483
00:22:47,567 --> 00:22:50,610
ARE YOU SERIOUSLY UP LATE
READING A LOVE STORY?

484
00:22:50,610 --> 00:22:51,661
[ LAUGHS ]

485
00:22:51,661 --> 00:22:52,992
IT'S FOR WORK.

486
00:22:52,992 --> 00:22:54,613
OH.

487
00:22:54,613 --> 00:22:57,205
HEY, HOW CAN YOU POSSIBLY
CALL THIS A LOVE STORY?

488
00:22:57,205 --> 00:22:59,247
THIS MONSTER
ABDUCTS A WOMAN

489
00:22:59,247 --> 00:23:01,539
AND THEN KILLS
WHOEVER GETS IN HIS WAY.

490
00:23:01,539 --> 00:23:04,081
OKAY, SURE,
ERIK IS A BIT OF A FREAK,

491
00:23:04,081 --> 00:23:06,413
BUT HE'S KIND OF
ROMANTIC, TOO.

492
00:23:06,413 --> 00:23:09,256
I MEAN, HIS CHAMBER UNDERNEATH
THE PARIS OPERA HOUSE

493
00:23:09,256 --> 00:23:11,838
WHERE HE HELPS CHRISTINE
BECOME THE MOST BEAUTIFUL SINGER

494
00:23:11,838 --> 00:23:14,220
PARIS HAS EVER HEARD...

495
00:23:14,220 --> 00:23:17,633
SURE, HE WENT ABOUT IT
THE WRONG WAY, BUT...

496
00:23:17,633 --> 00:23:20,425
YOU KNOW,
HE GENUINELY LOVED HER.

497
00:23:20,425 --> 00:23:22,517
HE WANTED HER
TO BE HIS WIFE.

498
00:23:22,517 --> 00:23:24,519
AND HE MARRIED HER?
WELL, NOT EXACTLY.

499
00:23:24,519 --> 00:23:27,101
CHRISTINE'S BOYFRIEND KIND OF
GOT IN THE WAY OF THAT.

500
00:23:27,101 --> 00:23:28,932
BUT HE DID
GIVE HER A RING.

501
00:23:31,605 --> 00:23:34,937
AND MY ENGLISH TEACHER SAID
THAT THERE WAS A DEAD BODY

502
00:23:34,937 --> 00:23:36,569
FOUND UNDER
THE PARIS OPERA HOUSE

503
00:23:36,569 --> 00:23:38,030
WITH A WEDDING RING ON IT.

504
00:23:38,030 --> 00:23:39,571
HOW CREEPY IS THAT?

505
00:23:39,571 --> 00:23:41,903
YEAH, THAT'S REALLY CREEPY.

506
00:23:49,039 --> 00:23:51,081
SO, UM, THAT PARTY
TOMORROW NIGHT,

507
00:23:51,081 --> 00:23:53,453
NOT -- NOT SURE IF MOM
MENTIONED IT OR ANYTHING,

508
00:23:53,453 --> 00:23:54,874
BUT...

509
00:23:54,874 --> 00:23:57,417
I -- I DO REALLY, REALLY,
REALLY WANT TO GO.

510
00:23:57,417 --> 00:24:00,299
CAN I?

511
00:24:00,299 --> 00:24:02,551
I MEAN, I'LL CALL YOU
LIKE EVERY TWO HOURS,

512
00:24:02,551 --> 00:24:06,424
AND I'LL BE BACK BY,
SAY, 11:00?

513
00:24:06,424 --> 00:24:09,057
PLEASE?

514
00:24:09,057 --> 00:24:11,389
UH, YEAH, SWEETHEART.

515
00:24:11,389 --> 00:24:12,429
SURE.

516
00:24:13,680 --> 00:24:15,772
THANKS, DAD.

517
00:24:17,474 --> 00:24:19,936
I LOVE YOU.
I LOVE YOU, TOO.

518
00:24:27,742 --> 00:24:29,244
[ DOOR CLOSES ]

519
00:24:37,581 --> 00:24:39,082
BETTY.
[ GASPS ]

520
00:24:41,164 --> 00:24:43,706
I KNOW.
YOU SAID TO STAY AWAY.

521
00:24:43,706 --> 00:24:45,257
I GET THAT.

522
00:24:45,257 --> 00:24:49,001
I KNOW YOU HAD A LOT
TO THINK ABOUT.

523
00:24:49,001 --> 00:24:51,843
ARE WE REALLY
RIGHT FOR EACH OTHER?

524
00:24:51,843 --> 00:24:55,386
ARE WE SO RIGHT
WE'RE WRONG?

525
00:24:55,386 --> 00:24:57,308
WELL, IF YOU HAVEN'T
SETTLED ON THAT,

526
00:24:57,308 --> 00:24:59,309
THERE'S SOMETHING
I WANT TO SHARE WITH YOU.

527
00:25:01,812 --> 00:25:03,513
DO YOU KNOW THE STORY?

528
00:25:09,608 --> 00:25:11,520
WELL, I, UH...

529
00:25:11,520 --> 00:25:13,191
I HOPE YOU SEE US IN IT.

530
00:25:13,191 --> 00:25:15,733
AND WHEN YOU READ IT,
THINK OF ME.

531
00:25:20,367 --> 00:25:21,989
THAT'S ALL I ASK OF YOU.

532
00:25:31,127 --> 00:25:33,419
YOU'RE MY MISSING PIECE,
BETTY.

533
00:25:51,934 --> 00:25:54,977
♪♪

534
00:26:21,920 --> 00:26:24,962
♪♪

535
00:26:51,945 --> 00:26:54,988
♪♪

536
00:27:13,504 --> 00:27:15,295
[ ELEVATOR BELL DINGS ]

537
00:27:15,295 --> 00:27:17,047
Paco: YEAH, THAT'S GOOD.
I'LL TAKE IT.
HEY, CONTRERAS,

538
00:27:17,047 --> 00:27:18,718
I NEED YOU
TO DIG BACK INTO

539
00:27:18,718 --> 00:27:21,220
VERA BENNETT'S
FAMILY AND FRIENDS.
OH, YEAH?

540
00:27:21,220 --> 00:27:23,723
WELL, I NEED YOU TO START
TREATING ME LIKE A PARTNER.

541
00:27:23,723 --> 00:27:25,684
LISTEN, YOU DON'T GET TO JUST
WALK OUT ON OUR CRIME SCENE,

542
00:27:25,684 --> 00:27:27,095
THEN AVOID ALL MY CALLS
AND PAGES ALL NIGHT.

543
00:27:27,095 --> 00:27:28,767
Jack:
I WAS ON TO SOMETHING, PACO.

544
00:27:28,767 --> 00:27:30,478
YEAH, THE VERGE OF A BREAKDOWN,
FROM WHAT I'M HEARING.

545
00:27:30,478 --> 00:27:32,020
WHAT?

546
00:27:32,020 --> 00:27:33,901
LOOK, I WORKED WAY TOO HARD
TO GET HERE

547
00:27:33,901 --> 00:27:35,813
JUST TO GO DOWN WITH YOU,
JACK.
YEAH?

548
00:27:35,813 --> 00:27:37,695
YOU WORKED HARD,
OR DID YOU WORK
THE RIGHT PEOPLE?

549
00:27:37,695 --> 00:27:39,606
LOOK, YOU GOT A PROBLEM
WITH THE WAY I DO THINGS,

550
00:27:39,606 --> 00:27:40,817
PUT IN
FOR A REASSIGNMENT.

551
00:27:40,817 --> 00:27:42,148
I'M SURE
YOUR FRIENDS AT THE TOP

552
00:27:42,148 --> 00:27:43,029
WOULD BE HAPPY
TO DO YOU ANOTHER FAVOR.

553
00:27:43,029 --> 00:27:44,610
YEAH, THAT'S A GOOD IDEA.

554
00:27:44,610 --> 00:27:45,952
YOU KNOW WHAT?
I MAY JUST DO THAT.
GOOD.

555
00:27:45,952 --> 00:27:47,243
THEN MAYBE
THEY'LL HAND THE CASE OVER TO ME

556
00:27:47,243 --> 00:27:48,784
INSTEAD OF LETTING IT
GO OFF THE RAILS WITH YOU.

557
00:27:51,747 --> 00:27:53,288
THAT ISN'T GONNA HAPPEN.

558
00:27:55,290 --> 00:27:57,041
I WON'T LET IT.

559
00:28:05,088 --> 00:28:08,261
JUST LET ME HELP.

560
00:28:08,261 --> 00:28:09,261
KEEPING ME IN THE DARK

561
00:28:09,261 --> 00:28:10,633
ISN'T GONNA KEEP YOU
OUT OF IT.

562
00:28:16,097 --> 00:28:18,099
Paco: SO, WHAT'D YOU FIND?

563
00:28:18,099 --> 00:28:19,680
[ SIGHS ]
WELL, OUR KILLER

564
00:28:19,680 --> 00:28:21,812
DIDN'T THINK OF
VERA BENNETT AS HIS MENTOR.

565
00:28:21,812 --> 00:28:24,064
HE WAS IN LOVE WITH HER.

566
00:28:24,064 --> 00:28:25,315
SHADES OF MRS. ROBINSON.

567
00:28:25,315 --> 00:28:27,397
AND I DON'T THINK
SHE WAS ALL THAT INTO IT.

568
00:28:27,397 --> 00:28:29,689
THE LIBRARIAN TOLD US
THAT VERA WAS UNMARRIED,

569
00:28:29,689 --> 00:28:32,191
BUT THE WEDDING BAND
ON HER FINGER SAID OTHERWISE.

570
00:28:32,191 --> 00:28:34,283
AND THEN I FOUND MORE EVIDENCE
AT THE WAREHOUSE

571
00:28:34,283 --> 00:28:37,115
OF HIS...LOVE.

572
00:28:37,115 --> 00:28:39,697
HE MADE HER HIS BRIDE
IN DEATH.

573
00:28:39,697 --> 00:28:41,119
A WIFE
THAT COULD NEVER LEAVE HIM.

574
00:28:41,119 --> 00:28:42,250
THAT KIND OF PSYCHO LOVE,

575
00:28:42,250 --> 00:28:44,041
THAT -- THAT DOESN'T HAPPEN
OVERNIGHT.

576
00:28:44,041 --> 00:28:47,124
THIS KID HAD TO HAVE BEEN
IN HER LIFE FOR A WHILE.

577
00:28:47,124 --> 00:28:49,506
MAYBE ENOUGH
FOR SOMEONE TO REMEMBER HIM.

578
00:28:49,506 --> 00:28:51,507
EXACTLY.
ALL RIGHT, I'LL LOOK INTO
EVERYONE THAT KNEW HER.

579
00:28:51,507 --> 00:28:52,839
THANKS.

580
00:28:53,799 --> 00:28:55,841
Ted: I ADORED VERA.

581
00:28:55,841 --> 00:28:58,343
COULDN'T WAIT TO MARRY HER.

582
00:28:58,343 --> 00:29:00,425
I, UH --
I SAVED UP TO BUY HER

583
00:29:00,425 --> 00:29:02,717
THE ENGAGEMENT RING
SHE DESERVED,

584
00:29:02,717 --> 00:29:05,309
BUT I NEVER GOT THE CHANCE
TO PROPOSE.

585
00:29:05,309 --> 00:29:07,601
Paco: NOW, THIS BOY
THAT YOU MENTIONED TO ME

586
00:29:07,601 --> 00:29:08,852
ON THE PHONE EARLIER,

587
00:29:08,852 --> 00:29:10,724
IS THERE ANYTHING MORE
YOU RECALL ABOUT HIM?

588
00:29:10,724 --> 00:29:12,525
UH...

589
00:29:12,525 --> 00:29:16,189
HE WAS AROUND 10 OR 11
WHEN VERA MET HIM.

590
00:29:16,189 --> 00:29:18,861
HIS MOTHER
HAD PASSED AWAY.

591
00:29:18,861 --> 00:29:20,782
VERA TOOK HIM
UNDER HER WING

592
00:29:20,782 --> 00:29:23,154
AND INSPIRED HIM
TO ESCAPE HIS PAIN

593
00:29:23,154 --> 00:29:24,906
THROUGH, UH...
THROUGH BOOKS.
OKAY.

594
00:29:24,906 --> 00:29:28,239
H-HOW LONG WOULD YOU SAY
THAT VERA KNEW THIS BOY?

595
00:29:28,239 --> 00:29:30,371
WELL,
MAYBE FIVE, SIX YEARS.

596
00:29:30,371 --> 00:29:33,834
HE CAME AROUND MORE AND MORE
WHEN HE WAS 16, 17 --

597
00:29:33,834 --> 00:29:36,246
A BIT TOO MUCH
FOR MY LIKING.

598
00:29:36,246 --> 00:29:39,629
NOW, AROUND THE LIBRARY
OR VERA'S HOUSE?

599
00:29:39,629 --> 00:29:42,301
THE HOUSE.

600
00:29:42,301 --> 00:29:44,092
HUH.

601
00:29:44,092 --> 00:29:47,345
YEAH, I CAUGHT HIM LINGERING
OUTSIDE A FEW TIMES.

602
00:29:47,345 --> 00:29:51,138
JUST DIDN'T SEEM
APPROPRIATE.

603
00:29:51,138 --> 00:29:53,430
I SHOULD'VE THOUGHT TO TELL
THE POLICE ABOUT IT

604
00:29:53,430 --> 00:29:54,601
WHEN SHE DISAPPEARED,

605
00:29:54,601 --> 00:29:56,353
BUT IT JUST REALLY
DIDN'T SEEM LIKE --

606
00:29:56,353 --> 00:29:58,064
DO -- DO YOU REMEMBER
THIS KID'S NAME?

607
00:29:58,064 --> 00:29:59,395
YEAH.

608
00:29:59,395 --> 00:30:01,437
YEAH, IT WAS COOPER.

609
00:30:01,437 --> 00:30:03,109
COOPER.

610
00:30:03,109 --> 00:30:05,030
THAT'S WHAT THE "C"
STANDS FOR.
YOU GOT A LAST NAME?

611
00:30:06,862 --> 00:30:08,233
UH...

612
00:30:10,195 --> 00:30:14,618
SORRY, NO.
IT'S BEEN A LONG TIME.

613
00:30:14,618 --> 00:30:18,121
HE DID HAVE A GUARDIAN
AFTER HIS MOM PASSED --

614
00:30:18,121 --> 00:30:19,583
HIS GRANDFATHER.

615
00:30:19,583 --> 00:30:22,996
THE GRANDFATHER,
WAS HIS NAME BRUCE FORRESTER?

616
00:30:24,497 --> 00:30:25,838
FORRESTER...

617
00:30:27,459 --> 00:30:28,750
THAT SOUNDS RIGHT.

618
00:30:32,714 --> 00:30:34,345
ALL RIGHT, THANK YOU
FOR COMING IN, MR. STEVENS.

619
00:30:34,345 --> 00:30:35,967
WE'LL GIVE YOU A CALL
IF WE HAVE ANYTHING ELSE.
ALL RIGHT.

620
00:30:47,226 --> 00:30:51,110
Woman:
[ SPEAKING INDISTINCTLY ]

621
00:30:55,613 --> 00:30:57,025
[ KNOCK ON DOOR ]

622
00:31:00,317 --> 00:31:02,199
I'VE BEEN WAITING
FOR YOU.

623
00:31:04,781 --> 00:31:06,663
BUT...I'VE BEEN HERE.

624
00:31:06,663 --> 00:31:07,874
NO, NO.

625
00:31:07,874 --> 00:31:10,536
I'VE BEEN WAITING
FOR YOU...

626
00:31:10,536 --> 00:31:12,037
MY WHOLE LIFE.

627
00:31:21,636 --> 00:31:23,837
[ INHALES DEEPLY ]

628
00:31:24,758 --> 00:31:29,682
"YOU ARE AFRAID OF ME,
AND YET...

629
00:31:29,682 --> 00:31:31,394
I AM NOT REALLY WICKED.

630
00:31:33,896 --> 00:31:36,268
LOVE ME,
AND YOU SHALL SEE.

631
00:31:36,268 --> 00:31:37,899
ALL I WANTED WAS
TO BE LOVED FOR MYSELF.

632
00:31:37,899 --> 00:31:40,312
...WAS TO BE LOVED
FOR MYSELF."
"...TO BE LOVED
FOR MYSELF."

633
00:31:42,563 --> 00:31:43,484
YOU READ IT.

634
00:31:46,156 --> 00:31:50,160
YOU TOOK OFF
YOUR MASK FOR ME,

635
00:31:50,160 --> 00:31:53,283
THE WAY HE DID FOR CHRISTINE,
AND...

636
00:31:53,283 --> 00:31:55,124
IT SCARED ME AT FIRST.

637
00:31:56,786 --> 00:31:59,538
BUT NOW I UNDERSTAND WHY.

638
00:31:59,538 --> 00:32:02,250
IT'S BECAUSE
WHAT YOU SHOWED ME,

639
00:32:02,250 --> 00:32:05,633
WHAT I SAW IN YOU...

640
00:32:05,633 --> 00:32:08,546
YOU SAW IN ME, TOO.

641
00:32:10,968 --> 00:32:16,432
I SAW YOUR POWER...
PASSION...

642
00:32:16,432 --> 00:32:19,935
BETTY, YOU DON'T HAVE TO BE
AFRAID ANYMORE.

643
00:32:19,935 --> 00:32:25,690
YOU DESERVE TO BE
EVERYTHING YOU ARE.

644
00:32:25,690 --> 00:32:27,482
I GET THAT NOW.

645
00:32:28,813 --> 00:32:30,194
I WANT IT.

646
00:32:32,946 --> 00:32:34,568
I WANT US.

647
00:32:48,830 --> 00:32:53,874
[ POLICE RADIO CHATTER ]

648
00:32:53,874 --> 00:32:55,125
HEY.

649
00:32:55,125 --> 00:32:58,628
WOULDN'T BOTHER
PUTTING THIS UP.

650
00:32:58,628 --> 00:33:00,510
I CHECKED
EVERY POSSIBLE DATABASE,

651
00:33:00,510 --> 00:33:02,632
AREA PHONE BOOKS...

652
00:33:02,632 --> 00:33:05,184
NO COOPER FORRESTER --
NOT ON PAPER, AT LEAST.

653
00:33:05,184 --> 00:33:07,426
WELL, I GUESS
IT WAS A LONG SHOT.

654
00:33:07,426 --> 00:33:10,268
ANYWAY, BRUCE FORRESTER WAS
HIS MATERNAL GRANDFATHER,

655
00:33:10,268 --> 00:33:12,430
SO HE PROBABLY
HAS HIS DAD'S NAME,

656
00:33:12,430 --> 00:33:13,141
WHOEVER HE IS.

657
00:33:15,603 --> 00:33:17,064
SO, HOW DO WE FIND
A GHOST?

658
00:33:17,064 --> 00:33:20,817
A PHANTOM.

659
00:33:20,817 --> 00:33:23,490
I'M SURE THAT'S WHY HE LEFT
THAT LAIR FOR US TO FIND.

660
00:33:23,490 --> 00:33:25,741
KNEW WE COULDN'T
TRACE IT BACK TO HIM --

661
00:33:25,741 --> 00:33:27,653
NOT TO HIS ACTUAL IDENTITY,
ANYWAY.

662
00:33:27,653 --> 00:33:30,826
BUT HE DID LEAVE US
SOMETHING PRETTY BIG, THOUGH.

663
00:33:30,826 --> 00:33:32,948
HE GAVE US VERA.

664
00:33:32,948 --> 00:33:35,159
THIS WOMAN THAT...

665
00:33:35,159 --> 00:33:38,162
AS TWISTED AS IT MAY HAVE BEEN,
HE LOVED.

666
00:33:38,162 --> 00:33:44,167
FOR HIM TO LET HER GO,
AFTER ALL THESE YEARS...

667
00:33:44,167 --> 00:33:46,009
THAT HAS TO MEAN
SOMETHING.

668
00:33:49,462 --> 00:33:52,304
WHAT CHANGED
IN HIS LIFE?

669
00:33:56,728 --> 00:33:58,139
AND IS IT FOR BETTER...

670
00:34:03,434 --> 00:34:04,935
...OR FOR WORSE?

671
00:34:16,114 --> 00:34:18,076
WHERE ARE YOU TAKING ME?

672
00:34:18,076 --> 00:34:20,828
BACK WHERE WE BEGAN --
THE SUNSET STRIP.

673
00:34:51,815 --> 00:34:54,727
[ KEYS RATTLING, DOOR OPENS ]

674
00:34:56,189 --> 00:34:57,229
HEY.

675
00:34:58,731 --> 00:35:02,324
HEY. YOU'RE HOME.

676
00:35:02,324 --> 00:35:03,945
UH, OKAY,
I KNOW THAT I SAID

677
00:35:03,945 --> 00:35:05,787
I WAS GONNA MAKE
THAT CHICKEN YOU LIKE

678
00:35:05,787 --> 00:35:07,158
WITH THE LEMON UP ITS BUTT,

679
00:35:07,158 --> 00:35:09,530
BUT I RAN OUT OF TIME,
SO CHINESE IT IS.

680
00:35:09,530 --> 00:35:10,991
THAT'S FINE.

681
00:35:12,122 --> 00:35:13,583
NEED SOME HELP?

682
00:35:13,583 --> 00:35:14,794
UM, WELL, YEAH.

683
00:35:14,794 --> 00:35:17,126
YOU COULD
CLEAR OFF YOUR WORK,

684
00:35:17,126 --> 00:35:18,418
AND VICKI
COULD SET THE TABLE.

685
00:35:18,418 --> 00:35:20,419
UH, VICKI ISN'T HERE.

686
00:35:20,419 --> 00:35:21,881
WHERE IS SHE?

687
00:35:21,881 --> 00:35:23,132
SHE LEFT WITH MARNIE.

688
00:35:23,132 --> 00:35:25,594
UH, ISN'T MARNIE
GOING TO THAT PARTY?

689
00:35:27,756 --> 00:35:30,138
UH...UH, I DON'T --
MAYBE.

690
00:35:30,138 --> 00:35:32,810
THE PARTY
THAT WE TOLD VICKI

691
00:35:32,810 --> 00:35:34,101
THAT SHE COULDN'T GO TO,

692
00:35:34,101 --> 00:35:35,392
THE PARTY
THAT YOU AND I,

693
00:35:35,392 --> 00:35:37,894
WE AGREED
THAT SHE COULDN'T GO TO?

694
00:35:41,317 --> 00:35:43,059
RIGHT, RIGHT.

695
00:35:43,059 --> 00:35:44,860
UM...

696
00:35:44,860 --> 00:35:46,231
LOOK, IT'S JUST --

697
00:35:46,231 --> 00:35:48,323
IT'S JUST A PARTY, HON.
[ SCOFFS ]

698
00:35:48,323 --> 00:35:51,696
...THAT SHE WENT AROUND MY BACK
AND GOT YOU TO SAY YES TO,

699
00:35:51,696 --> 00:35:53,658
WHICH I WARNED YOU ABOUT.

700
00:35:53,658 --> 00:35:55,119
SHE DIDN'T GO BEHIND YOUR...

701
00:35:55,119 --> 00:35:56,240
OH, LET ME GUESS.

702
00:35:56,240 --> 00:35:57,411
UH, YOU WERE WORKING,

703
00:35:57,411 --> 00:35:59,282
AND YOU DON'T EVEN KNOW
WHAT YOU SAID "YES" TO.

704
00:35:59,282 --> 00:36:00,744
IT'S A BUNCH
OF TEENAGERS...

705
00:36:00,744 --> 00:36:02,375
YEAH, WHO ARE MOST LIKELY
DRINKING,

706
00:36:02,375 --> 00:36:04,417
AND THERE MOST LIKELY
IS NO ADULT SUPERVISION.

707
00:36:04,417 --> 00:36:06,579
THEY'RE NOT GONNA BE DRI--

708
00:36:06,579 --> 00:36:08,921
NO, SHE SAID THE KID'S PARENTS
ARE GONNA BE THERE.

709
00:36:08,921 --> 00:36:10,252
AND YOU BELIEVED HER?

710
00:36:11,713 --> 00:36:12,964
OH, JACK...

711
00:36:15,296 --> 00:36:17,468
WELL, SHE SAID SHE'D CALL IN.
IT'S FINE.

712
00:36:17,468 --> 00:36:19,430
SHE'S A GOOD KID.
YEAH, SHE IS.

713
00:36:19,430 --> 00:36:20,931
SHE'S A REALLY GOOD KID,

714
00:36:20,931 --> 00:36:24,224
BUT SHE'S ALSO A TEENAGER
WHO, LIKE MOST TEENAGERS,

715
00:36:24,224 --> 00:36:26,646
FEELS NO GUILT ABOUT
LYING TO THEIR PARENTS.

716
00:36:28,357 --> 00:36:30,059
OKAY, OKAY, UM...

717
00:36:30,059 --> 00:36:32,561
SHE COULD BE
AT THE KID MITCH'S PLACE,

718
00:36:32,561 --> 00:36:33,902
LIKE SHE SAID,

719
00:36:33,902 --> 00:36:36,314
OR SOMEPLACE ELSE
ALTOGETHER.

720
00:36:36,314 --> 00:36:37,655
EITHER WAY, JACK,

721
00:36:37,655 --> 00:36:40,027
WE HAVE ZERO IDEA
WHAT SHE'S DOING

722
00:36:40,027 --> 00:36:41,699
OR WHERE SHE'S DOING IT.

723
00:36:43,610 --> 00:36:46,533
[ THE CARS' "JUST WHAT I NEED"
PLAYS ]

724
00:36:46,533 --> 00:36:47,664
♪ I DON'T MIND YOU COMIN' HERE ♪
[ LAUGHTER ]

725
00:36:47,664 --> 00:36:50,206
Man: HIT IT, HIT IT.

726
00:36:50,206 --> 00:36:52,538
[ LAUGHTER ]

727
00:36:52,538 --> 00:36:54,830
YOU WANT SOME, BABE?

728
00:36:54,830 --> 00:36:56,711
NO, I'M -- I'M GOOD.

729
00:36:56,711 --> 00:36:57,962
YO.

730
00:36:57,962 --> 00:37:02,086
♪ I KIND OF LOSE MY MIND ♪

731
00:37:02,086 --> 00:37:04,798
YOU KNOW, IF THAT KILLER
WASN'T ALREADY CALLED

732
00:37:04,798 --> 00:37:06,180
THE HOLLYWOOD SLAYER,

733
00:37:06,180 --> 00:37:07,931
IT'D MAKE
A WICKED BAND NAME.
[ LAUGHTER ]

734
00:37:07,931 --> 00:37:09,763
TOTALLY.
YEAH, MAN.

735
00:37:09,763 --> 00:37:11,054
Girl: COME ON.
DOESN'T HE DEDICATE SONGS
TO HIS VICTIMS?

736
00:37:11,054 --> 00:37:12,095
Girl: YEAH, THAT'S TRUE.
[ LAUGHS ]

737
00:37:12,095 --> 00:37:13,476
DEAD-ICATIONS...

738
00:37:13,476 --> 00:37:14,977
YEAH, YOU KNOW, GUYS,

739
00:37:14,977 --> 00:37:17,849
VICKI'S DAD IS THE COP
ON THE CASE.

740
00:37:17,849 --> 00:37:19,691
Man: SAY WHAT?
Girl: REALLY?

741
00:37:22,523 --> 00:37:25,816
YOU KNOW, HE SCREWS THEM
AFTER THEY'RE DEAD.

742
00:37:25,816 --> 00:37:27,648
WHOA!
Man: NO WAY.

743
00:37:27,648 --> 00:37:29,149
Vicki: YES.

744
00:37:29,149 --> 00:37:31,201
AW, CHECK IT OUT!
IT COULDN'T BE COOLER.

745
00:37:31,201 --> 00:37:32,612
WE'RE RIGHT AT THE SCENE
OF THE CRIME.

746
00:37:32,612 --> 00:37:34,324
SUNSET STRIP.

747
00:37:34,324 --> 00:37:36,115
WELL, HE DOESN'T ACTUALLY
KILL THEM HERE, YOU KNOW.

748
00:37:36,115 --> 00:37:37,326
THIS IS JUST
WHERE HE HUNTS.
MM.

749
00:37:37,326 --> 00:37:39,998
MAN, MITCH,
YOUR GIRL ROCKS.

750
00:37:39,998 --> 00:37:41,460
[ LAUGHTER ]

751
00:37:43,251 --> 00:37:45,793
YEAH.

752
00:37:45,793 --> 00:37:47,715
LET'S FIND A PARKING SPOT,
HIT THE CLUBS.

753
00:37:47,715 --> 00:37:49,587
Mitch: YES, I'M DOWN.

754
00:37:49,587 --> 00:37:50,507
WHAT DO YOU SAY, BABE?

755
00:37:50,507 --> 00:37:52,549
Girl: LET'S DO THIS.

756
00:38:10,604 --> 00:38:12,856
Man: YOU'VE GOT THE RIGHT STUFF,
KAREN McLAREN.

757
00:38:12,856 --> 00:38:15,449
NOW DIVE INTO
YOUR RESERVOIR OF TALENT

758
00:38:15,449 --> 00:38:17,030
TO FIND THE NEXT PART
OF THE STORY.

759
00:38:21,073 --> 00:38:24,246
[ CLOCK TICKING ]

760
00:38:24,246 --> 00:38:27,289
I CAN'T BELIEVE SHE HASN'T
CALLED TO CHECK IN.

761
00:38:27,289 --> 00:38:29,330
SHE PROMISED.

762
00:38:29,330 --> 00:38:30,291
[ BREATHES DEEPLY ]

763
00:38:30,291 --> 00:38:32,333
I PROFILE SERIAL KILLERS
FOR A LIVING,

764
00:38:32,333 --> 00:38:34,165
AND MY TEENAGE DAUGHTER
GOT ONE OVER ON ME.

765
00:38:34,165 --> 00:38:35,836
Allison:
OF COURSE YOU CAVED, JACK.

766
00:38:35,836 --> 00:38:37,297
SHE'S A WORTHY OPPONENT.

767
00:38:37,297 --> 00:38:39,209
SHE IS YOUR DAUGHTER,
AFTER ALL.

768
00:38:39,209 --> 00:38:42,712
SHE KNOWS
HOW TO READ PEOPLE.
AHH.

769
00:38:42,712 --> 00:38:43,883
SHE'S GOTTEN REALLY GOOD

770
00:38:43,883 --> 00:38:45,424
AT PLAYING US
AGAINST EACH OTHER.

771
00:38:45,424 --> 00:38:47,016
YEAH,
WELL, THAT -- THAT'S --

772
00:38:47,016 --> 00:38:48,477
BECAUSE I TAUGHT HER
IT WORKS.

773
00:38:48,477 --> 00:38:50,478
AND IT'S --
IT'S NOT GONNA HAPPEN AGAIN.

774
00:38:50,478 --> 00:38:52,140
OF COURSE
IT'S GONNA HAPPEN AGAIN.

775
00:38:52,140 --> 00:38:53,771
YOU'RE ALWAYS
GONNA FEEL BAD

776
00:38:53,771 --> 00:38:55,603
WHEN WORK
TAKES YOU AWAY FROM US.

777
00:38:55,603 --> 00:38:57,484
BUT, GIVING VICKI
WHAT SHE WANTS

778
00:38:57,484 --> 00:39:00,277
ISN'T EVER GONNA MAKE UP
FOR THE TIME THAT YOU MISS.

779
00:39:00,277 --> 00:39:04,230
AND AT SOME POINT,
IT MAY EVEN HURT HER.

780
00:39:04,230 --> 00:39:07,153
[ SIGHS ] LOOK, I -- I DIDN'T
WANT HER GOING TO THIS PARTY

781
00:39:07,153 --> 00:39:09,285
BECAUSE I THOUGHT
IT MIGHT BE NICE

782
00:39:09,285 --> 00:39:11,156
TO DELAY
THE LIFE-CHANGING MISTAKES --

783
00:39:11,156 --> 00:39:13,948
YOU KNOW, LIKE, UM...
DRINKING TOO MUCH,

784
00:39:13,948 --> 00:39:17,041
SLEEPING WITH
THE WRONG GUYS...
WAIT. YOU DON'T THINK --

785
00:39:17,041 --> 00:39:18,913
WHY HASN'T SHE CALLED?

786
00:39:18,913 --> 00:39:20,954
[ SIGHS ]

787
00:39:27,630 --> 00:39:32,674
♪♪

788
00:39:32,674 --> 00:39:35,807
Betty: I AM DYING OF LOVE.

789
00:39:35,807 --> 00:39:37,969
THAT'S HOW IT IS.

790
00:39:37,969 --> 00:39:41,142
I LOVED HER SO,
AND I LOVE HER STILL.

791
00:39:43,023 --> 00:39:50,650
AND I AM DYING OF LOVE FOR HER,
I TELL YOU.

792
00:39:50,650 --> 00:39:56,485
♪ DARLIN',
YOU GOT TO LET ME KNOW ♪

793
00:39:58,737 --> 00:40:01,989
♪ SHOULD I STAY
OR SHOULD I GO? ♪

794
00:40:03,871 --> 00:40:05,743
♪ IF YOU SAY
THAT YOU ARE MINE ♪

795
00:40:05,743 --> 00:40:07,955
[ TELEPHONE RINGS ]
Jack: I GOT IT!

796
00:40:07,955 --> 00:40:11,878
♪ I'LL BE THERE
TILL THE END OF TIME ♪

797
00:40:11,878 --> 00:40:14,921
HELLO?
KAREN:
Uh, Detective Roth?

798
00:40:14,921 --> 00:40:16,382
YES,
THIS IS DETECTIVE ROTH.

799
00:40:16,382 --> 00:40:18,464
This is Karen.

800
00:40:18,464 --> 00:40:20,215
[ SIGHS ]
IT'S ABOUT THE CASE.

801
00:40:20,215 --> 00:40:22,717
GO AHEAD.

802
00:40:22,717 --> 00:40:25,059
I THINK I KNOW
WHERE MALLORY'S BODY IS.

803
00:40:25,059 --> 00:40:26,891
OKAY, UH...SIT TIGHT.

804
00:40:26,891 --> 00:40:28,472
I'LL BE RIGHT THERE.

805
00:40:30,434 --> 00:40:31,685
I GOT TO GO.

806
00:40:31,685 --> 00:40:32,976
IT'S ABOUT THE CASE.

807
00:40:32,976 --> 00:40:34,767
IT'S OKAY.

808
00:40:34,767 --> 00:40:36,269
I'LL CHECK IN.

809
00:40:38,981 --> 00:40:43,405
♪ SO IF YOU WANT ME
OFF YOUR BACK ♪

810
00:40:43,405 --> 00:40:48,449
♪ WELL, COME ON,
AND LET ME KNOW ♪

811
00:40:48,449 --> 00:40:50,871
♪ SHOULD I STAY
OR SHOULD I GO? ♪

812
00:40:50,871 --> 00:40:53,373
IF YOU KNEW
HOW BEAUTIFUL SHE WAS

813
00:40:53,373 --> 00:40:55,915
♪ SHOULD I STAY
OR SHOULD I GO NOW ♪
WHEN SHE LET ME KISS HER.

814
00:40:55,915 --> 00:40:59,378
IT WAS THE FIRST TIME,

815
00:40:59,378 --> 00:41:02,711
THE FIRST TIME
I EVER KISSED A WOMAN.

816
00:41:02,711 --> 00:41:07,295
♪ IF I GO,
THERE WILL BE TROUBLE ♪

817
00:41:07,295 --> 00:41:11,719
♪ AND IF I STAY,
IT WILL BE DOUBLE ♪

818
00:41:11,719 --> 00:41:14,762
♪ SO COME ON
AND LET ME KNOW ♪

819
00:41:16,513 --> 00:41:18,895
♪ SHOULD I STAY
OR SHOULD I GO? ♪
I'LL BE RIGHT BACK.

820
00:41:21,057 --> 00:41:25,731
♪ THIS INDECISION'S
BUGGIN' ME ♪

821
00:41:27,352 --> 00:41:31,406
♪ IF YOU DON'T WANT ME,
SET ME FREE ♪

822
00:41:32,697 --> 00:41:34,528
♪ EXACTLY WHOM
I'M SUPPOSED TO BE ♪

823
00:41:34,528 --> 00:41:37,321
[ DOOR OPENS ]

824
00:41:37,321 --> 00:41:40,033
♪ DON'T YOU KNOW WHICH CLOTHES
EVEN FIT ME? ♪

825
00:41:41,865 --> 00:41:43,866
♪ COME ON AND LET ME KNOW ♪

826
00:41:43,866 --> 00:41:46,499
[ SIGHS ]
YES, ALIVE.

827
00:41:46,499 --> 00:41:48,791
♪ SHOULD I COOL IT
OR SHOULD I BLOW? ♪

828
00:41:48,791 --> 00:41:50,872
I KISSED HER ALIVE.

829
00:41:51,583 --> 00:41:53,214
♪ OWW ♪

830
00:41:54,716 --> 00:41:55,676
HI.

831
00:41:56,928 --> 00:41:59,590
I'M CHRISTINE.

832
00:41:59,590 --> 00:42:02,182
♪ COME ON, LET ME KNOW ♪
THERE'S SOMEONE
WHO WANTS TO MEET YOU

833
00:42:02,182 --> 00:42:03,433
AS MUCH AS I DO.

834
00:42:03,433 --> 00:42:06,556
♪ SHOULD I COOL IT
OR SHOULD I BLOW? ♪

835
00:42:06,556 --> 00:42:08,808
♪ OH-OH-OH ♪

836
00:42:08,808 --> 00:42:11,850
♪ COME ON AND LET ME KNOW ♪
AND SHE LOOKED
AS BEAUTIFUL...

837
00:42:13,231 --> 00:42:15,774
...AS IF
SHE HAD BEEN DEAD...

838
00:42:15,774 --> 00:42:22,700
♪ SHOULD I STAY
OR SHOULD I GO? ♪