1 00:00:01,373 --> 00:00:02,963 PREVIOUSLY ON "WICKED CITY"... 2 00:00:02,963 --> 00:00:05,083 YOU MAY NEED TIME. I KNOW THAT. BUT I HAVE FAITH IN US, BETTY. 3 00:00:05,083 --> 00:00:06,293 Jack: CORONER'S OFFICE CAME THROUGH 4 00:00:06,293 --> 00:00:07,463 WITH AN I.D. ON OUR JANE DOE. 5 00:00:07,463 --> 00:00:08,623 VERA BENNETT. 6 00:00:08,623 --> 00:00:09,963 MAYBE SHE WAS HIS FIRST KILL. 7 00:00:09,963 --> 00:00:11,793 THIS KID HAD TO BE IN HER LIFE. 8 00:00:11,793 --> 00:00:13,003 ENOUGH THAT SOMEONE WOULD REMEMBER HIM. 9 00:00:13,003 --> 00:00:15,083 HE WAS AROUND 11 WHEN VERA MET HIM. 10 00:00:15,083 --> 00:00:16,253 HIS MOTHER HAD PASSED AWAY. 11 00:00:16,253 --> 00:00:18,373 REMEMBER THIS KID'S NAME? COOPER. 12 00:00:18,373 --> 00:00:19,623 I HAVE A DRUG DEALER TO BUST 13 00:00:19,623 --> 00:00:21,463 YOU'RE A COP. 14 00:00:21,463 --> 00:00:23,753 Paco: THIS KILLER'S JUST USING YOU. 15 00:00:23,753 --> 00:00:25,213 Karen: HE'S CHOOSING ME. 16 00:00:25,213 --> 00:00:27,213 Cooper: YOU'VE GOT THE RIGHT STUFF, KAREN McCLAREN. 17 00:00:27,213 --> 00:00:29,463 I THINK I KNOW WHERE MALLORY'S BODY IS. 18 00:00:29,463 --> 00:00:34,833 ♪♪ 19 00:00:34,833 --> 00:00:37,333 WHAT DO WE KNOW ABOUT OUR KILLER? 20 00:00:39,463 --> 00:00:40,963 WE KNOW WHO HE KILLS. 21 00:00:40,963 --> 00:00:42,543 ♪♪ 22 00:00:42,543 --> 00:00:44,833 WE KNOW HOW HE KILLS. 23 00:00:44,833 --> 00:00:46,163 [ WOMAN SCREAMING ] 24 00:00:46,163 --> 00:00:47,293 ♪♪ 25 00:00:47,293 --> 00:00:48,753 LET'S FOCUS ON THE WHY. 26 00:00:48,753 --> 00:00:51,213 WE KNOW HIS FIRST KILL, VERA, WAS A CRIME OF PASSION, RIGHT? 27 00:00:51,213 --> 00:00:53,923 IT WAS -- IT WAS FUELED BY THE STING OF REJECTION 28 00:00:53,923 --> 00:00:55,043 OF UNREQUITED LOVE. 29 00:00:55,043 --> 00:00:56,873 SHE WAS DIFFERENT. 30 00:00:56,873 --> 00:00:59,003 AN ACCIDENT IN HIS MIND. 31 00:00:59,003 --> 00:01:02,963 SO WHY DID HE KEEP KILLING? 32 00:01:02,963 --> 00:01:04,663 [ SNIFFS ] 33 00:01:04,663 --> 00:01:07,293 Jack: WHAT DRIVES HIM NOW? 34 00:01:07,293 --> 00:01:09,333 Rita: HOW ABOUT A MOVIE? 35 00:01:09,333 --> 00:01:12,163 YOU KNOW HOW MUCH MAMA LOVES THE MOVIES. 36 00:01:12,163 --> 00:01:16,043 SO MUCH THAT YOU NAMED ME AFTER MATINEE IDOL GARY COOPER. 37 00:01:16,043 --> 00:01:18,333 THAT'S RIGHT, MY SWEET COOPER. 38 00:01:18,333 --> 00:01:19,373 [ SMOOCHES ] 39 00:01:19,373 --> 00:01:22,123 SOMEDAY, BABY, WE'LL GO TO THE MOVIES, 40 00:01:22,123 --> 00:01:24,923 AND YOU'LL SEE ME UP ON THE BIG SCREEN. 41 00:01:24,923 --> 00:01:27,163 ALL I NEED'S MY BIG BREAK. 42 00:01:27,163 --> 00:01:30,003 I'LL GO TO ALL YOUR PICTURES, MOMMY. 43 00:01:30,003 --> 00:01:32,003 MM, MY BIGGEST FAN. 44 00:01:32,003 --> 00:01:35,123 [ SMOOCHES ] 45 00:01:40,423 --> 00:01:46,083 THE SPEED OF THE KILLS, THE INCREASED BRUTALITY, 46 00:01:46,083 --> 00:01:48,163 THE -- THE -- THE NEED FOR RECOGNITION -- 47 00:01:48,163 --> 00:01:51,333 THAT ALL SPEAKS TO A VOID THAT NO BODY, 48 00:01:51,333 --> 00:01:53,663 NO WOMAN WILL EVER FILL. 49 00:01:53,663 --> 00:01:55,423 THAT KIND OF PSYCHE HAS DEEP ROOTS IN EARLY-CHILDHOOD TRAUMA. 50 00:01:55,423 --> 00:01:57,163 SO LET'S -- LET'S GO OVER WHAT WE KNOW 51 00:01:57,163 --> 00:01:58,923 ABOUT HIS PRIMARY PARENT -- HIS MOTHER. 52 00:01:58,923 --> 00:02:00,543 WELL, IT'S NOT MUCH. 53 00:02:00,543 --> 00:02:03,003 RITA FORRESTER -- SHE O.D.'d IN '64. 54 00:02:03,003 --> 00:02:05,873 BASED ON THE PROFILE, THAT PUTS THE KID AT ABOUT 8 OR 10. 55 00:02:05,873 --> 00:02:08,753 AND SO FAR, THE NEIGHBORHOOD HE LIVED IN WITH HIS GRANDFATHER 56 00:02:08,753 --> 00:02:11,543 HASN'T GOTTEN US MUCH, NOT ON HER OR THE KID. 57 00:02:11,543 --> 00:02:14,873 ALL RIGHT, GUYS, WELL, LOOK, IF WE COULD FIND A WAY 58 00:02:14,873 --> 00:02:17,753 TO CONNECT HIS PAST TO HIS PRESENT MURDERS, 59 00:02:17,753 --> 00:02:19,293 THEN WE MIGHT BE ABLE TO FIND HIM. 60 00:02:19,293 --> 00:02:21,253 SO CAN WE PLEASE JUST DIG UP EVERYTHING WE CAN 61 00:02:21,253 --> 00:02:22,253 ON RITA FORRESTER? 62 00:02:22,253 --> 00:02:23,373 THANK YOU. 63 00:02:23,373 --> 00:02:24,923 ♪♪ 64 00:02:24,923 --> 00:02:26,753 [ PAGER BEEPS ] 65 00:02:26,753 --> 00:02:28,623 [ PAGER BEEPS ] 66 00:02:31,253 --> 00:02:33,713 THE DIVE UNIT FOUND A BODY. 67 00:02:39,663 --> 00:02:43,373 OKAY. 68 00:02:45,123 --> 00:02:48,163 ♪♪ 69 00:02:48,163 --> 00:02:49,753 FLY BRAND COKE. 70 00:02:49,753 --> 00:02:50,963 ♪♪ 71 00:02:50,963 --> 00:02:52,663 SAME AS THE LAST VICTIM. 72 00:02:52,663 --> 00:03:06,003 WHAT IS THIS PSYCHO TELLING US? 73 00:03:06,003 --> 00:03:09,333 ♪ I CAN'T STOP HURTIN' MYSELF ♪ 74 00:03:09,333 --> 00:03:13,333 ♪ I CAN'T STOP FEELIN' MY PAIN ♪ 75 00:03:13,333 --> 00:03:17,163 ♪ I CAN'T BLAME NOBODY ELSE ♪ 76 00:03:17,163 --> 00:03:21,503 ♪ I CAN'T GET OUT OF THE GAME ♪ 77 00:03:21,503 --> 00:03:25,503 ♪ I CAN'T STOP HURTIN' MYSELF ♪ 78 00:03:25,503 --> 00:03:27,083 ♪ I CAN'T STOP HURTIN' MY-- ♪ 79 00:03:27,083 --> 00:03:29,833 [ ENGINE SHUTS OFF, MUSIC STOPS ] 80 00:03:29,833 --> 00:03:31,423 BONSOIR, MA BELLE. 81 00:03:31,423 --> 00:03:33,293 VENEZ-VOUS SOUVENT ICI? 82 00:03:33,293 --> 00:03:35,373 I DON'T KNOW WHAT YOU'RE SAYING. 83 00:03:35,373 --> 00:03:37,373 [ CHUCKLES ] BUT IT'S WORKING. 84 00:03:40,833 --> 00:03:43,123 I THOUGHT WE'D HIT THE RIOT HOUSE HOTEL. 85 00:03:43,123 --> 00:03:44,963 SEEMS LIKE THE PERFECT FIT FOR 86 00:03:44,963 --> 00:03:49,163 [French accent] A PHOTOGRAPHER AND HIS FOXY MUSE. 87 00:03:49,163 --> 00:03:50,253 OUI. [ CHUCKLES ] 88 00:03:50,253 --> 00:03:51,873 THAT'S ALL I'VE GOT. SORRY. 89 00:03:51,873 --> 00:03:54,003 [ Normal voice ] THAT'S ALL YOU NEED. 90 00:03:54,003 --> 00:03:55,543 [ CHUCKLES ] UM, KENT... 91 00:03:57,003 --> 00:03:58,873 IS THIS ALL YOU NEED? 92 00:03:58,873 --> 00:04:01,123 BEING HERE WITH YOU? 93 00:04:01,123 --> 00:04:02,293 YEAH. 94 00:04:02,293 --> 00:04:06,923 NO, I MEAN, FLIRTING AND GETTING PHONE NUMBERS 95 00:04:06,923 --> 00:04:10,043 BUT NOT GOING ANY FURTHER. 96 00:04:11,333 --> 00:04:13,423 LIKE... LIKE THE OTHER NIGHT. 97 00:04:13,423 --> 00:04:16,583 I DON'T EXPECT YOU... TO GO FURTHER. 98 00:04:18,623 --> 00:04:23,963 BUT SINCE THEN, I'VE BEEN HAVING THOUGHTS, URGES. 99 00:04:23,963 --> 00:04:25,213 FOR MORE? 100 00:04:25,213 --> 00:04:27,293 I WANT TO FEEL WHAT YOU FEEL. 101 00:04:34,833 --> 00:04:36,003 BLOOD... 102 00:04:36,003 --> 00:04:40,333 RUSHES THROUGH YOUR VEINS LIKE A FLOOD. 103 00:04:40,333 --> 00:04:46,043 YOUR SKIN IS LIKE A LIVE WIRE -- ELECTRIC. 104 00:04:46,043 --> 00:04:49,043 EVERY SENSE IS HEIGHTENED. 105 00:04:49,043 --> 00:04:52,123 YOUR BODY THROBS, IT ACHES. 106 00:04:52,123 --> 00:04:54,503 YOUR HEART POUNDS. 107 00:04:54,503 --> 00:04:56,833 EVERYTHING IS IN YOUR HANDS. 108 00:04:58,963 --> 00:05:01,663 BUT YOU'LL KNOW WHEN IT'S RIGHT. 109 00:05:01,663 --> 00:05:04,003 AND NO MATTER WHAT HAPPENS, 110 00:05:04,003 --> 00:05:08,423 THIS EVENING OR OTHERWISE... 111 00:05:08,423 --> 00:05:10,963 IT'S YOU AND ME. 112 00:05:10,963 --> 00:05:13,293 AND THAT'S ALL THAT MATTERS. 113 00:05:13,293 --> 00:05:15,333 HMM. 114 00:05:15,333 --> 00:05:19,333 ♪♪ 115 00:05:22,873 --> 00:05:25,503 ALLEZ. 116 00:05:27,163 --> 00:05:29,293 ♪♪ 117 00:05:35,123 --> 00:05:37,503 [ CAR DOOR OPENS, CLOSES ] 118 00:05:37,503 --> 00:05:40,293 SERIAL KILLERS RARELY USE DRUGS. 119 00:05:40,293 --> 00:05:42,623 IT HINDERS THEIR ABILITY TO BE IN CONTROL AND HAVE POWER. 120 00:05:42,623 --> 00:05:44,543 CONSIDERING WHAT WE KNOW ABOUT MOM'S DRUG USE, 121 00:05:44,543 --> 00:05:45,923 COULD BE INTO THE PARTY GIRLS. 122 00:05:45,923 --> 00:05:47,213 IT'S OEDIPAL. 123 00:05:47,213 --> 00:05:48,623 SURE, SO MAYBE HE'S BUYING THE DRUGS TO LURE THEM, 124 00:05:48,623 --> 00:05:50,423 BUT CLEARLY, HE'S LEAVING THEM ON PURPOSE. 125 00:05:50,423 --> 00:05:52,713 I MEAN, OBVIOUSLY, MALLORY WOULDN'T PUT HER COKE 126 00:05:52,713 --> 00:05:54,833 IN ANOTHER BAG TO KEEP IT FROM GETTING WET. 127 00:05:54,833 --> 00:05:56,543 HE WANTS US TO SEE THEM. 128 00:05:56,543 --> 00:05:57,543 WHY? 129 00:05:57,543 --> 00:05:59,123 AND BOTH TIMES -- FLY BRAND COKE. 130 00:05:59,123 --> 00:06:01,163 THAT'S RIGHT. FLY BRAND COKE. 131 00:06:01,163 --> 00:06:03,663 THREE WORDS I'M REALLY STARTING TO HATE. 132 00:06:03,663 --> 00:06:06,543 SO WE FIND THE PUSHER THAT'S SELLING TO HIM. 133 00:06:06,543 --> 00:06:09,043 YEAH, THAT WOULD HELP. 134 00:06:09,043 --> 00:06:10,793 BUT WE NEED TO MAKE SURE EVERY STREET BOSS 135 00:06:10,793 --> 00:06:12,463 AND EVERY FLY BRAND DEALER ON THE STRIP 136 00:06:12,463 --> 00:06:13,963 SEES THAT COMPOSITE OF OUR KILLER. 137 00:06:13,963 --> 00:06:18,003 BET YOU MISS BODY SHOP CAN HELP US OUT. 138 00:06:18,003 --> 00:06:19,873 WHY DON'T YOU GO BAT YOUR EYELASHES? 139 00:06:19,873 --> 00:06:22,123 YEAH, WHY DON'T YOU GO FLUTTER YOURS AT VICE? 140 00:06:22,123 --> 00:06:23,833 WE'LL SEE WHO GETS A BITE FIRST. 141 00:06:23,833 --> 00:06:27,423 ♪♪ 142 00:06:27,423 --> 00:06:29,623 Male reporter: REPORTING FROM THE SUNSET STRIP, 143 00:06:29,623 --> 00:06:31,163 WE HAVE AN EXCLUSIVE INTERVIEW. 144 00:06:31,163 --> 00:06:32,923 Female reporter: KAREN McCLAREN IS HERE TO SPEAK CANDIDLY 145 00:06:32,923 --> 00:06:34,373 ABOUT THE HOLLYWOOD SLAYER, 146 00:06:34,373 --> 00:06:36,923 THE LATEST SERIAL KILLER TERRORIZING ANGELINOS. 147 00:06:36,923 --> 00:06:39,003 GOT HER RIGHT HERE. 148 00:06:39,003 --> 00:06:40,663 SHE'S MET HIM. 149 00:06:40,663 --> 00:06:42,503 AS A FREELANCE JOURNALIST... [ SCOFFS ] 150 00:06:42,503 --> 00:06:44,713 ...THIS MUST BE QUITE AN OVERWHELMING EXPERIENCE. "FREELANCE," MY ASS. 151 00:06:44,713 --> 00:06:46,583 TELL ME, WHAT WAS IT LIKE FIRST MEETING THE KILLER? 152 00:06:46,583 --> 00:06:48,663 HONESTLY, HE JUST SEEMED LIKE EVERY OTHER CHARMING GUY 153 00:06:48,663 --> 00:06:50,423 ON THE STRIP HOPING TO MAKE IT WITH A GIRL. 154 00:06:50,423 --> 00:06:51,963 WHY CHOOSE YOU TO TELL HIS STORY? 155 00:06:51,963 --> 00:06:53,463 I'M NOT SURE, BUT IN HIS FIRST LETTER, 156 00:06:53,463 --> 00:06:54,833 HE SAID THAT WE HAVE A CONNECTION. 157 00:06:54,833 --> 00:06:55,923 AND MAYBE THAT'S TRUE. 158 00:06:55,923 --> 00:06:57,293 WHAT KIND OF CONNECTION? 159 00:06:57,293 --> 00:06:58,833 "TO MAKE A NAME FOR OURSELVES. 160 00:06:58,833 --> 00:07:00,003 TO MAKE A DIFFERENCE." 161 00:07:00,003 --> 00:07:02,163 I-I GUESS HE SAW I WAS AMBITIOUS. 162 00:07:02,163 --> 00:07:03,753 AN APPEAL TO YOUR EGO. 163 00:07:03,753 --> 00:07:06,003 DOES IT MAKE YOU UNCOMFORTABLE TO MAKE A NAME FOR YOURSELF 164 00:07:06,003 --> 00:07:08,623 ON THE BACK OF A SERIAL KILLER? 165 00:07:08,623 --> 00:07:10,083 IT'S NOT ABOUT ME. 166 00:07:10,083 --> 00:07:11,293 IT'S ABOUT THE VICTIMS. 167 00:07:11,293 --> 00:07:13,123 I WANT TO MAKE SURE PEOPLE REMEMBER THEM -- 168 00:07:13,123 --> 00:07:15,213 THEIR -- THEIR NAMES AND THE LIVES THAT WERE LOST. 169 00:07:15,213 --> 00:07:16,663 [ TELEPHONE RINGING ] THANK YOU. 170 00:07:16,663 --> 00:07:18,503 YEAH. AND WE'LL BE BRINGING YOU MORE DETAILS... 171 00:07:18,503 --> 00:07:19,923 [ TV SHUTS OFF, RINGING CONTINUES ] 172 00:07:19,923 --> 00:07:21,963 YEAH? 173 00:07:22,923 --> 00:07:25,623 McCLAREN? [ CHUCKLES ] 174 00:07:26,583 --> 00:07:28,923 NO, I THINK SHE STILL WORKS FOR ME, YEAH. 175 00:07:28,923 --> 00:07:30,623 PAUL, ROLLING STONE. 176 00:07:30,623 --> 00:07:35,423 I'M GONNA WRITE IT DOWN RIGHT NOW AND MAKE SURE KAREN GETS IT. 177 00:07:35,423 --> 00:07:37,663 GOTCHA. OKAY. 178 00:07:41,213 --> 00:07:43,333 OH, MY. 179 00:07:43,333 --> 00:07:44,333 [ AC/DC'S "SHOOT TO THRILL" PLAYS ] 180 00:07:44,333 --> 00:07:45,923 ♪ I GET UNDER YOUR SKIN ♪ 181 00:07:45,923 --> 00:07:49,083 ♪ JUST LIKE A BOMB THAT'S READY TO BLOW ♪ 182 00:07:49,083 --> 00:07:50,373 ♪ 'CAUSE I'M ILLEGAL ♪ 183 00:07:50,373 --> 00:07:51,423 [ French accent ] ALL RIGHT, HERE WE ARE. 184 00:07:51,423 --> 00:07:54,423 ♪ I GOT EVERYTHING ♪ [ CHUCKLES ] 185 00:07:54,423 --> 00:07:55,423 AH, HERE. 186 00:07:55,423 --> 00:07:57,503 SOMETHING YOU LIKE? 187 00:07:57,503 --> 00:07:59,503 ♪ I'M GONNA TAKE YOU DOWN ♪ 188 00:07:59,503 --> 00:08:00,663 HUH? 189 00:08:00,663 --> 00:08:02,003 ♪ YEAH, DOWN, DOWN, DOWN ♪ 190 00:08:02,003 --> 00:08:03,003 HUH? 191 00:08:03,003 --> 00:08:04,003 WHAT DO YOU SEE? 192 00:08:04,003 --> 00:08:05,083 ♪ SO DON'T YOU FOOL AROUND ♪ 193 00:08:05,083 --> 00:08:06,583 Betty: HMM. 194 00:08:06,583 --> 00:08:08,003 HUH? GOOD? 195 00:08:08,003 --> 00:08:10,253 ♪ PULL THE TRIGGER ♪ 196 00:08:10,253 --> 00:08:11,753 ♪ SHOOT TO THRILL ♪ 197 00:08:11,753 --> 00:08:13,663 ♪ PLAY TO KILL ♪ 198 00:08:13,663 --> 00:08:17,373 ♪ TOO MANY WOMEN, TOO MANY PILLS ♪ 199 00:08:17,373 --> 00:08:18,833 ♪ SHOOT TO THRILL ♪ 200 00:08:18,833 --> 00:08:20,423 ♪ PLAY TO KILL ♪ 201 00:08:20,423 --> 00:08:22,163 ♪ I GOT MY GUN AT THE READY ♪ 202 00:08:22,163 --> 00:08:23,163 ♪ GONNA FIRE AT WILL ♪ 203 00:08:23,163 --> 00:08:25,003 ♪ 'CAUSE I SHOOT TO THRILL ♪ 204 00:08:25,003 --> 00:08:26,583 ♪ AND I'M READY TO KILL ♪ 205 00:08:26,583 --> 00:08:28,663 ENCHANTé. MICHEL. 206 00:08:28,663 --> 00:08:30,503 Woman: OH, HOT. 207 00:08:30,503 --> 00:08:31,923 ARE YOU, LIKE, FRENCH OR SOMETHING? 208 00:08:31,923 --> 00:08:34,083 OR SOMETHING. [ LAUGHS ] 209 00:08:34,083 --> 00:08:36,213 CAN WE BUY YOU A DRINK? 210 00:08:36,213 --> 00:08:38,083 YES, YOU CAN BUY ME A DRINK. 211 00:08:38,083 --> 00:08:40,003 [ LAUGHTER ] 212 00:08:40,003 --> 00:08:43,373 ♪♪ 213 00:08:47,543 --> 00:08:48,833 [ LAUGHTER ] 214 00:08:48,833 --> 00:08:51,123 CHEERS. THANKS, GUYS. [ LAUGHS ] 215 00:08:51,123 --> 00:08:52,463 THIRSTY. SALUT. 216 00:08:52,463 --> 00:08:54,423 NEW FRIENDS. 217 00:08:54,423 --> 00:08:56,003 SHE'S PERFECT. 218 00:08:56,003 --> 00:08:58,043 WOW. THANK YOU. 219 00:08:58,043 --> 00:08:59,793 SEE, MICHEL'S A PHOTOGRAPHER. 220 00:08:59,793 --> 00:09:01,713 ROCK 'N' ROLL. CELEBRITY SPREADS. 221 00:09:01,713 --> 00:09:03,423 STUFF LIKE THAT. OH, COOL. 222 00:09:03,423 --> 00:09:05,713 SO YOU SAY YOU WANT TO BE A SUPERSTAR. 223 00:09:05,713 --> 00:09:09,083 WHY DON'T WE SHOOT YOU TONIGHT? 224 00:09:09,083 --> 00:09:10,663 OH, UM, I-I DON'T KNOW. [ LAUGHS ] 225 00:09:10,663 --> 00:09:13,873 TRUST ME, BEFORE I MET MICHEL, I WAS SO TIMID. 226 00:09:13,873 --> 00:09:15,003 OH. 227 00:09:15,003 --> 00:09:19,043 I WAS, UNTIL I SAW MYSELF THROUGH HIS EYES, 228 00:09:19,043 --> 00:09:22,963 AND I BECAME POWERFUL, STRONG, IN CONTROL. 229 00:09:22,963 --> 00:09:25,873 DON'T YOU WANT TO FEEL THAT? 230 00:09:27,333 --> 00:09:30,873 MAYBE WE COULD, UH, GRAB A ROOM, TAKE SOME PHOTOS? 231 00:09:30,873 --> 00:09:34,123 [ LAUGHS ] 232 00:09:34,123 --> 00:09:35,873 UH, Y-YEAH, OKAY, YEAH. 233 00:09:35,873 --> 00:09:39,253 UM, OKAY, UH, LET'S GET ANOTHER ROUND BEFORE WE GO UP. 234 00:09:39,253 --> 00:09:40,753 I MEAN, IT'S ON ME. 235 00:09:40,753 --> 00:09:43,213 OKAY, YEAH, I'LL BE BACK. YES. 236 00:09:43,213 --> 00:09:46,543 ♪♪ 237 00:09:46,543 --> 00:09:48,043 I'M READY. 238 00:09:48,043 --> 00:09:51,003 TONIGHT IS THE NIGHT. 239 00:09:51,003 --> 00:09:53,293 [ Normal voice ] YOU'RE SURE? 240 00:09:53,293 --> 00:09:54,713 YES. 241 00:09:54,713 --> 00:09:57,713 ♪♪ 242 00:09:59,713 --> 00:10:03,923 I WANT HER TO BE MY FIRST. 243 00:10:10,543 --> 00:10:12,713 [ DURAN DURAN'S "GIRLS ON FILM" PLAYS ] 244 00:10:12,713 --> 00:10:14,253 [ French accent ] OUI. MORE. C'EST FANTASTIQUE. 245 00:10:14,253 --> 00:10:17,043 [ CAMERA SHUTTER CLICKING ] YES! YEAH! OUI! 246 00:10:17,043 --> 00:10:18,583 ♪ SEE THEM WALKING HAND IN HAND ACROSS THE BRIDGE AT MIDNIGHT ♪ 247 00:10:18,583 --> 00:10:20,873 [ COOPER LAUGHS ] IS THIS WHAT YOU WANT? 248 00:10:20,873 --> 00:10:24,163 C'EST TRES BIEN, BUT I WANT TO SEE ALL OF YOU. 249 00:10:24,163 --> 00:10:27,873 ♪ HEADS TURNING AS THE LIGHTS FLASHING OUT, IT'S SO BRIGHT ♪ LIKE...UM... 250 00:10:27,873 --> 00:10:29,753 PLEASE. ♪ THEN WALK RIGHT OUT TO THE FOUR-LINE TRACK ♪ 251 00:10:29,753 --> 00:10:30,873 GET COMFORTABLE. 252 00:10:30,873 --> 00:10:32,543 [ CHUCKLES ] 253 00:10:32,543 --> 00:10:34,543 YOU'RE IN GOOD HANDS. ♪ THERE'S A CAMERA ROLLING ON HER BACK ♪ 254 00:10:34,543 --> 00:10:36,543 TRUST ME. ♪ ON HER BACK ♪ 255 00:10:36,543 --> 00:10:37,963 HE KNOWS WHAT HE'S DOING. 256 00:10:37,963 --> 00:10:39,623 ♪ AND I SENSE THE RHYTHM HUMMING ♪ 257 00:10:39,623 --> 00:10:41,833 ♪ IN A FRENZY ALL THE WAY DOWN HER SPINE ♪ ALL RIGHT. 258 00:10:41,833 --> 00:10:44,663 I'M GONNA NAIL IT. 259 00:10:44,663 --> 00:10:47,213 KNOCK ON WOOD. [ IMITATES KNOCKING ] 260 00:10:47,213 --> 00:10:49,663 YOU KNOW THE DRILL. 261 00:10:49,663 --> 00:10:50,963 CUE ME. 262 00:10:53,083 --> 00:10:55,003 "AND IF I WANTED TO SEE YOU AGAIN, 263 00:10:55,003 --> 00:10:58,293 TO MAKE AN HONEST WOMAN OUT OF YOU, WHAT WOULD YOU SAY?" 264 00:10:58,293 --> 00:11:00,293 "I'D SAY..." 265 00:11:01,923 --> 00:11:03,083 DAMN IT, DON'T TELL ME! 266 00:11:03,083 --> 00:11:05,253 "I'D SAY... 267 00:11:05,253 --> 00:11:07,123 I'D SAY YOU'VE GONE MAD." 268 00:11:07,123 --> 00:11:09,293 "I HAVE. IT'S BECAUSE OF YOU." 269 00:11:09,293 --> 00:11:10,793 SHOOT. 270 00:11:10,793 --> 00:11:13,963 I'M GONNA BE LATE. 271 00:11:15,543 --> 00:11:19,003 ♪♪ 272 00:11:19,003 --> 00:11:20,583 YOU LOVE ME, DON'T YOU, SWEETIE? 273 00:11:20,583 --> 00:11:21,583 YES, MOMMY. 274 00:11:21,583 --> 00:11:24,293 MORE THAN ANYTHING IN THE WORLD. 275 00:11:24,293 --> 00:11:26,253 ALWAYS? AND FOREVER. 276 00:11:26,253 --> 00:11:29,333 ♪♪ 277 00:11:29,333 --> 00:11:31,503 Woman: HOW DO I LOOK? 278 00:11:31,503 --> 00:11:32,713 MICHEL? 279 00:11:32,713 --> 00:11:34,163 ♪♪ 280 00:11:34,163 --> 00:11:37,503 WICKED. 281 00:11:37,503 --> 00:11:39,293 [ ROCK MUSIC PLAYING ] 282 00:11:40,833 --> 00:11:45,333 I KNOW YOU THINK THIS IS SOME PLAY TO SEE YOU 283 00:11:45,333 --> 00:11:49,123 AND YOU'RE PROBABLY GONNA SAY NO, BUT I NEED YOUR HELP. 284 00:11:49,123 --> 00:11:51,873 THE LAST TIME I TRIED HELPING YOU, IT GOT ME ARRESTED. 285 00:11:51,873 --> 00:11:53,543 ♪ TAKE A LOOK AROUND ♪ 286 00:11:53,543 --> 00:11:56,583 SO IF WE COULD JUST AVOID THAT... 287 00:11:56,583 --> 00:11:59,463 ♪ GOT EVERYTHING ♪ 288 00:11:59,463 --> 00:12:01,583 ANOTHER BODY DROPPED WITH FLY BRAND. 289 00:12:01,583 --> 00:12:03,293 PLANTED? 290 00:12:03,293 --> 00:12:04,623 YEAH. 291 00:12:04,623 --> 00:12:06,213 SO I NEED TO GET THE COMPOSITE OUT TO ALL THE DEALERS. 292 00:12:06,213 --> 00:12:07,793 COULD GET US A HIT ON HIS I.D. 293 00:12:07,793 --> 00:12:09,463 I CAN'T PUSH SOMETHING LIKE THAT 294 00:12:09,463 --> 00:12:11,793 WITHOUT EXPOSING MY RELATIONSHIP WITH THE COPS. 295 00:12:11,793 --> 00:12:14,793 BUT IF YOU PUSH, YOU CAN GET THE HELP OF GRAHAM WALKER. 296 00:12:14,793 --> 00:12:17,293 MID-LEVEL BOSS IN THE OUTFIT I'VE BEEN WORKING ON THE STRIP. 297 00:12:17,293 --> 00:12:19,253 CAN YOU HELP ME GET TO HIM? [ CHUCKLES ] 298 00:12:19,253 --> 00:12:22,123 BUCKET WAS MY DIRECT LINE, BUT HE'S BEEN IN THE WIND 299 00:12:22,123 --> 00:12:24,963 EVER SINCE OUR LITTLE CHAT WITH YOU AND CONTRERAS. 300 00:12:24,963 --> 00:12:27,333 [ SIGHS ] AND WITH BUCKET GONE, YOUR CASE HAS STALLED. 301 00:12:27,333 --> 00:12:28,373 HMM. 302 00:12:28,373 --> 00:12:30,543 AND BUCKET WAS A STEP CLOSER TO GRAHAM. 303 00:12:30,543 --> 00:12:33,253 AND GRAHAM IS A STEP CLOSER TO THE ULTIMATE TARGET. 304 00:12:33,253 --> 00:12:36,123 THE ELUSIVE "OZ," AS I LIKE TO CALL HIM. 305 00:12:36,123 --> 00:12:37,123 [ CHUCKLES ] 306 00:12:37,123 --> 00:12:38,793 OKAY, NOT ORIGINAL. 307 00:12:38,793 --> 00:12:40,543 BUT YOU GET THE IDEA. 308 00:12:40,543 --> 00:12:42,963 BAG HIM AND I GET MY PROMOTION. 309 00:12:42,963 --> 00:12:47,293 SO HOW DO WE -- I -- HOW DO I GET TO HIM? 310 00:12:47,293 --> 00:12:48,873 HIT HIM WHERE IT HURTS. 311 00:12:50,423 --> 00:12:53,123 [ CLEARS THROAT ] 312 00:12:53,123 --> 00:12:55,043 TONIGHT, WE GET THE ATTENTION OF GRAHAM WALKER. 313 00:12:55,043 --> 00:12:56,963 HE'S A MID-LEVEL BOSS WHOSE MAIN SOURCE OF INCOME 314 00:12:56,963 --> 00:12:58,293 HAPPENS TO BE FLY BRAND COKE. 315 00:12:58,293 --> 00:13:00,123 OUR KILLER'S FAVORITE LITTLE CALLING CARD. 316 00:13:00,123 --> 00:13:02,213 IF IT'S IMPORTANT TO OUR KILLER, IT'S IMPORTANT TO US, 317 00:13:02,213 --> 00:13:03,663 WHICH IS WHERE GRAHAM COMES IN. 318 00:13:03,663 --> 00:13:05,963 NOW, LOOK, GRAHAM WALKER IS SHREWD, ALL RIGHT? HE'S CONTROLLING. 319 00:13:05,963 --> 00:13:08,623 AND HE WOULDN'T WANT PEOPLE TO THINK HE'S PLAYING NICE WITH THE COPS WITHOUT A FIGHT. 320 00:13:08,623 --> 00:13:10,923 RATHER THAN HAUL HIS ASS IN, WE'RE GONNA GET AN INVITATION TO HIS HOUSE. 321 00:13:10,923 --> 00:13:12,543 Jack: WE'VE GOT LOCATIONS AND TIMES 322 00:13:12,543 --> 00:13:14,253 FOR EVERY CASH DROP HE'S GOT TONIGHT. 323 00:13:14,253 --> 00:13:15,753 WE HIT EACH SPOT. GRAB THE CASH. 324 00:13:15,753 --> 00:13:17,923 AND THEN WE LET THEM KNOW IF THEY WANT THEIR MONEY BACK, 325 00:13:17,923 --> 00:13:19,463 WE'LL DELIVER IT TO GRAHAM IN PERSON. 326 00:13:19,463 --> 00:13:21,253 THAT WAY, WE CAN HAVE OUR LITTLE CHAT. 327 00:13:21,253 --> 00:13:22,463 LET'S HIT THE STRIP. 328 00:13:22,463 --> 00:13:25,793 [ AC/DC'S "WHAT DO YOU DO FOR MONEY HONEY" PLAYS ] 329 00:13:25,793 --> 00:13:26,793 [ DOOR SLAMS ] 330 00:13:26,793 --> 00:13:27,833 SEE THOSE HANDS! POLICE! 331 00:13:27,833 --> 00:13:28,873 SEE THOSE HANDS! 332 00:13:28,873 --> 00:13:30,623 HANDS UP! YEAH, YOU! HANDS UP NOW! 333 00:13:30,623 --> 00:13:32,123 LET'S GO! L.A.P.D. DONATION. 334 00:13:32,123 --> 00:13:33,923 THERE YOU GO. KEEP IT GOING. 335 00:13:33,923 --> 00:13:35,423 ALL OF IT. LET'S GO. 336 00:13:35,423 --> 00:13:37,123 THANK YOU. 337 00:13:37,123 --> 00:13:38,753 HAVE A GREAT NIGHT. Man: YEAH, RIGHT. 338 00:13:38,753 --> 00:13:40,043 HEY, HEY. 339 00:13:40,043 --> 00:13:41,543 UP AGAINST THE WALL. GET ON THE WALL. 340 00:13:41,543 --> 00:13:42,543 WHAT DO WE GOT HERE? 341 00:13:42,543 --> 00:13:44,163 MR. MONEYBAGS, HUH? GOT IT? 342 00:13:44,163 --> 00:13:45,923 THANKS. STAY THERE. DON'T MOVE. 343 00:13:45,923 --> 00:13:47,583 ♪ NEVER GONNA GIVE IT FOR FREE ♪ 344 00:13:47,583 --> 00:13:49,663 Man: HOLD IT. WE'RE CLOSED HERE, HOSS. 345 00:13:49,663 --> 00:13:51,293 YOU DON'T LOOK CLOSED TO ME. 346 00:13:51,293 --> 00:13:52,623 ♪ YOUR APARTMENT WITH A VIEW ON THE FINEST AVENUE ♪ 347 00:13:52,623 --> 00:13:54,123 WHAT DO WE HAVE HERE? 348 00:13:54,123 --> 00:13:55,963 IS THIS A LITTLE AFTER PARTY? 349 00:13:55,963 --> 00:13:58,293 I GUESS OUR INVITE GOT LOST IN THE MAIL. 350 00:13:58,293 --> 00:13:59,583 WELL, WELL. 351 00:13:59,583 --> 00:14:00,583 OOH. 352 00:14:00,583 --> 00:14:02,163 I SPY WITH MY LITTLE EYE. 353 00:14:02,163 --> 00:14:04,293 MULTIPLE COUNTS OF POSSESSION, INTENT TO DISTRIBUTE. 354 00:14:04,293 --> 00:14:05,463 BINGO. 355 00:14:05,463 --> 00:14:07,583 FOR THOSE OF YOU WHO HAVE NOT HAD THE PLEASURE, 356 00:14:07,583 --> 00:14:09,793 I AM DETECTIVE JACK ROTH, ROBBERY-HOMICIDE. 357 00:14:09,793 --> 00:14:12,963 I AM LOOKING FOR A KILLER THAT IS HIDING IN YOUR WORLD. 358 00:14:12,963 --> 00:14:14,873 NOW, I NEED SOME INFO -- 359 00:14:14,873 --> 00:14:17,293 INFO THAT YOUR BOSS, GRAHAM, COULD HELP ME GET. 360 00:14:17,293 --> 00:14:18,793 ♪ HONEY, WHAT DO YOU DO FOR MONEY? ♪ 361 00:14:18,793 --> 00:14:20,503 WE JUST NEED TO TALK. 362 00:14:20,503 --> 00:14:22,213 SO PAGE HIM. CALL HIM. 363 00:14:22,213 --> 00:14:25,043 WHATEVER IT TAKES TO GET HIM THE MESSAGE. 364 00:14:25,043 --> 00:14:27,753 'CAUSE UNTIL HE AGREES TO WORK WITH US, 365 00:14:27,753 --> 00:14:30,213 WE'RE GONNA HAVE ONE HELL OF A BONFIRE 366 00:14:30,213 --> 00:14:32,253 WITH YOUR HARD-EARNED MONEY. 367 00:14:32,253 --> 00:14:34,753 AND I CAN'T IMAGINE THAT ENDS WELL FOR ANYBODY. 368 00:14:40,003 --> 00:14:41,123 ♪ YOU CAN SAY ANYTHING YOU TALK ABOUT ♪ 369 00:14:41,123 --> 00:14:43,163 Karen: WHY ARE WE ON THIS STAKEOUT, ANYWAY? 370 00:14:43,163 --> 00:14:46,083 [ SIGHS ] 371 00:14:46,083 --> 00:14:48,623 I'M PICKING UP FROM YOUR SUBTLE CUES THAT SOMETHING'S WRONG. 372 00:14:48,623 --> 00:14:50,583 [ SCOFFS ] 373 00:14:50,583 --> 00:14:53,253 YOU SAW THE NEWS. 374 00:14:53,253 --> 00:14:54,873 IF YOU CAN CALL IT THAT. 375 00:14:54,873 --> 00:14:56,713 WHEN WERE YOU GONNA TELL ME? 376 00:14:56,713 --> 00:14:57,793 WHAT ABOUT YOU? 377 00:14:57,793 --> 00:14:59,333 EVER PLAN TO TELL ME ABOUT ROLLING STONE? 378 00:15:01,003 --> 00:15:03,293 THEY REACHED ME AT HOME. DUH. 379 00:15:03,293 --> 00:15:05,213 [ SCOFFS ] 380 00:15:05,213 --> 00:15:06,333 WELL, GOOD. 381 00:15:06,333 --> 00:15:08,503 ENJOY YOUR 15 MINUTES. 382 00:15:08,503 --> 00:15:09,873 ♪♪ 383 00:15:09,873 --> 00:15:11,043 [ HORN HONKS ] 384 00:15:11,043 --> 00:15:13,083 [ CAMERA SHUTTER CLICKING ] 385 00:15:15,123 --> 00:15:17,163 SO, WHO TIPPED YOU OFF ABOUT THIS? 386 00:15:17,163 --> 00:15:19,873 MY BEST GIRL. 387 00:15:19,873 --> 00:15:21,163 ♪♪ 388 00:15:21,163 --> 00:15:23,463 SHE ALWAYS COMES THROUGH FOR ME. 389 00:15:23,463 --> 00:15:25,163 [ SIGHS ] [ CHUCKLES ] 390 00:15:25,163 --> 00:15:28,373 WELL, YOUR BEST GIRL DIDN'T COME THROUGH WITH MUCH OF A STORY. 391 00:15:28,373 --> 00:15:29,663 DUNNO. 392 00:15:29,663 --> 00:15:32,833 MY STREET SOURCE, BUCKET, DEALS OUT THESE CLUBS. 393 00:15:32,833 --> 00:15:35,163 HE'S BEEN IN THE WIND FOR A WEEK. 394 00:15:35,163 --> 00:15:36,333 SOMETHING'S UP. 395 00:15:36,333 --> 00:15:38,293 [ HORN HONKS ] 396 00:15:38,293 --> 00:15:41,003 WELL, WELL, WELL. 397 00:15:41,003 --> 00:15:42,543 [ CAMERA SHUTTER CLICKS ] 398 00:15:42,543 --> 00:15:44,163 WHO DO WE HAVE HERE? 399 00:15:44,163 --> 00:15:46,213 CONTRERAS AND ROTH. 400 00:15:46,213 --> 00:15:48,213 IF ROBBERY-HOMICIDE IS HERE -- 401 00:15:48,213 --> 00:15:50,503 THIS COULD BE ABOUT THE SLAYER. 402 00:15:50,503 --> 00:15:51,793 [ BOTH CHUCKLES ] 403 00:15:57,333 --> 00:15:58,963 LET ME. 404 00:16:01,423 --> 00:16:02,503 OHH. 405 00:16:02,503 --> 00:16:04,583 EXCUSEZ-MOI. 406 00:16:04,583 --> 00:16:06,463 HERE. 407 00:16:07,833 --> 00:16:10,543 ♪♪ 408 00:16:17,503 --> 00:16:18,663 OHH. 409 00:16:18,663 --> 00:16:22,793 YOU ALWAYS WERE GOOD AT COLORING INSIDE THE LINES. 410 00:16:22,793 --> 00:16:24,663 THANK YOU, BABY. 411 00:16:24,663 --> 00:16:26,543 [ BREATHES DEEPLY ] 412 00:16:26,543 --> 00:16:29,753 ♪♪ 413 00:16:37,333 --> 00:16:38,753 MM. 414 00:16:38,753 --> 00:16:41,583 MAY I HAVE THIS DANCE? 415 00:16:41,583 --> 00:16:45,963 ♪♪ 416 00:16:52,833 --> 00:16:55,293 [ CHUCKLES ] 417 00:16:55,293 --> 00:16:57,293 [ SIGHS ] 418 00:16:57,293 --> 00:17:00,083 [ HORN HONKS ] 419 00:17:04,713 --> 00:17:06,963 WAIT. YOU JUST GOT BACK. 420 00:17:06,963 --> 00:17:09,253 PLEASE DON'T LEAVE ME AGAIN. 421 00:17:10,543 --> 00:17:12,753 THIS IS DIFFERENT. 422 00:17:12,753 --> 00:17:14,963 I'LL ONLY BE GONE A FEW DAYS. 423 00:17:14,963 --> 00:17:18,963 AND WHEN I'M BACK, ALL OUR DREAMS ARE GONNA COME TRUE. 424 00:17:18,963 --> 00:17:20,713 I PROMISE. 425 00:17:22,253 --> 00:17:24,253 NO. YOU'LL MUSS MY FACE. 426 00:17:24,253 --> 00:17:26,583 ♪♪ 427 00:17:26,583 --> 00:17:30,163 BE GOOD, SWEETIE. [ SIGHS ] 428 00:17:30,163 --> 00:17:32,873 I LOVE YOU, MOMMY. 429 00:17:32,873 --> 00:17:34,373 [ DOOR OPENS ] ALWAYS... 430 00:17:34,373 --> 00:17:35,423 [ DOOR CLOSES ] 431 00:17:38,213 --> 00:17:39,373 ...AND FOREVER. 432 00:17:39,373 --> 00:17:40,793 [ MOANING ] 433 00:17:40,793 --> 00:17:42,293 OOH, LA, LA. 434 00:17:42,293 --> 00:17:45,083 [ CAMERA SHUTTER CLICKING ] 435 00:17:45,083 --> 00:17:50,373 ♪♪ 436 00:17:50,373 --> 00:17:52,253 [ BOTH LAUGH ] 437 00:17:53,373 --> 00:17:55,583 IT'S ALL HAPPENING. 438 00:17:55,583 --> 00:17:58,043 OUI, MON ANGE. 439 00:17:58,043 --> 00:17:59,833 MY ANGEL. 440 00:17:59,833 --> 00:18:03,253 ♪♪ 441 00:18:05,003 --> 00:18:07,923 [ LAUGHTER ] 442 00:18:09,333 --> 00:18:10,873 MY TURN. [ SPEAKS FRENCH ] 443 00:18:10,873 --> 00:18:13,293 I'M GONNA TAKE SOME DEADLY SHOTS. 444 00:18:13,293 --> 00:18:14,503 OHH, DAMN IT. 445 00:18:14,503 --> 00:18:15,793 DAMN IT! 446 00:18:15,793 --> 00:18:19,833 WAIT, THERE -- IT'S -- THERE'S NO FILM IN HERE. 447 00:18:21,373 --> 00:18:24,163 [ CHUCKLES ] 448 00:18:24,163 --> 00:18:27,043 [ Normal voice ] OOPS. 449 00:18:27,043 --> 00:18:29,043 THERE NEVER WAS. 450 00:18:29,043 --> 00:18:32,583 [ WHITESNAKE'S "HERE I GO AGAIN" PLAYS ] 451 00:18:41,623 --> 00:18:45,663 ♪ I DON'T KNOW WHERE I'M GOING ♪ 452 00:18:47,963 --> 00:18:52,503 ♪ BUT I SURE KNOW WHERE I'VE BEEN ♪ 453 00:18:54,463 --> 00:18:56,543 ♪ HANGING ON THE PROMISES ♪ 454 00:18:56,543 --> 00:19:00,713 ♪ AND THE SONGS OF YESTERDAY ♪ 455 00:19:00,713 --> 00:19:04,833 ♪ AND I'VE MADE UP MY MIND ♪ 456 00:19:07,373 --> 00:19:11,503 ♪ I AIN'T WASTING NO MORE TIME ♪ 457 00:19:11,503 --> 00:19:17,663 ♪ AND HERE I GO AGAIN ♪ 458 00:19:20,253 --> 00:19:25,003 ♪ THOUGH I KEEP SEARCHING FOR AN ANSWER ♪ 459 00:19:26,463 --> 00:19:31,373 ♪ I NEVER SEEM TO FIND WHAT I'M LOOKING FOR ♪ 460 00:19:33,123 --> 00:19:39,043 ♪ OH, LORD, I PRAY YOU GIVE ME STRENGTH TO CARRY ON ♪ 461 00:19:40,083 --> 00:19:44,003 ♪ 'CAUSE I KNOW WHAT IT MEANS ♪ 462 00:19:45,463 --> 00:19:51,963 ♪ TO WALK ALONG THIS LONELY STREET OF DREAMS ♪ 463 00:19:51,963 --> 00:19:56,583 ♪ AND HERE I GO AGAIN ON MY OWN ♪ 464 00:19:58,123 --> 00:20:04,293 ♪ GOING DOWN THE ONLY ROAD I'VE EVER KNOWN ♪ 465 00:20:04,293 --> 00:20:09,423 ♪ LIKE A DRIFTER, I WAS BORN TO WALK ALONE ♪ 466 00:20:18,753 --> 00:20:21,753 ♪♪ 467 00:20:22,923 --> 00:20:25,293 HOW ARE YOU FEELING? 468 00:20:26,833 --> 00:20:28,963 LIKE YOU BROUGHT ME TO LIFE. 469 00:20:31,423 --> 00:20:34,663 I KNOW IT'S WRONG TO SAY, BUT... 470 00:20:34,663 --> 00:20:37,333 I'VE NEVER FELT SO ALIVE. 471 00:20:37,333 --> 00:20:40,793 THERE'S NOTHING WRONG ABOUT YOU. 472 00:20:47,753 --> 00:20:49,503 DID I DO OKAY? 473 00:20:49,503 --> 00:20:51,003 OH, MY GOD. 474 00:20:51,003 --> 00:20:55,293 YOU WERE SO POWERFUL, SO IN CONTROL. 475 00:20:56,253 --> 00:20:58,583 I FELT LIKE WE WERE ONE. 476 00:20:58,583 --> 00:21:01,873 I'VE NEVER FELT CLOSER TO ANYONE. 477 00:21:01,873 --> 00:21:04,003 I FEEL LIKE WE'VE SHARED SOMETHING 478 00:21:04,003 --> 00:21:05,663 NO ONE ELSE ON EARTH HAS. 479 00:21:05,663 --> 00:21:07,163 ♪♪ 480 00:21:08,663 --> 00:21:10,963 WHAT HAPPENS NOW? 481 00:21:10,963 --> 00:21:13,213 NOT TO US -- TO HER. 482 00:21:13,213 --> 00:21:14,213 HMM. 483 00:21:14,213 --> 00:21:17,503 I DON'T WANT YOU TO THINK ABOUT THAT. 484 00:21:17,503 --> 00:21:19,503 I'LL TAKE CARE OF IT. 485 00:21:19,503 --> 00:21:24,293 BUT IT'S IMPORTANT TO YOU, RIGHT, WHAT HAPPENS AFTER? 486 00:21:26,253 --> 00:21:29,463 THE RITUAL OF WHO SHE BECOMES. 487 00:21:30,833 --> 00:21:36,463 ♪♪ 488 00:21:37,833 --> 00:21:39,463 THANK YOU. 489 00:21:43,253 --> 00:21:45,463 [ SIGHS ] 490 00:21:45,463 --> 00:21:47,333 ♪♪ 491 00:21:47,333 --> 00:21:49,463 UM, DO YOU WANT TO RUN THE LINES? 492 00:21:49,463 --> 00:21:51,963 MAYBE IT COULD HELP YOU CALM DOWN. 493 00:21:51,963 --> 00:21:53,833 IT'S ALL RIGHT, SWEETIE. 494 00:21:53,833 --> 00:21:55,163 [ SNIFFLES, SIGHS ] 495 00:21:55,163 --> 00:21:57,963 THEY'RE ALL UP HERE. 496 00:21:57,963 --> 00:21:59,873 [ SNIFFLES ] 497 00:21:59,873 --> 00:22:02,793 ♪♪ 498 00:22:02,793 --> 00:22:07,713 [ BREATHES DEEPLY ] 499 00:22:07,713 --> 00:22:09,373 MOMMY, LET ME -- NO! 500 00:22:09,373 --> 00:22:10,963 ♪♪ 501 00:22:10,963 --> 00:22:14,043 LOOK WHAT YOU DID. 502 00:22:14,043 --> 00:22:15,963 ♪♪ 503 00:22:15,963 --> 00:22:18,543 NO! [ WOMAN LAUGHS ] 504 00:22:18,543 --> 00:22:20,333 YOU'VE ALREADY DONE ENOUGH! 505 00:22:20,333 --> 00:22:22,373 [ MUTTERS INDISTINCTLY ] 506 00:22:22,373 --> 00:22:25,713 [ WOMAN CHUCKLES ] 507 00:22:25,713 --> 00:22:27,373 ♪♪ 508 00:22:27,373 --> 00:22:30,123 DON'T LOOK AT HER! 509 00:22:30,123 --> 00:22:32,753 DON'T LOOK AT US! 510 00:22:32,753 --> 00:22:35,623 ♪♪ 511 00:22:35,623 --> 00:22:38,293 [ SIGHS ] 512 00:22:38,293 --> 00:22:40,373 ♪♪ 513 00:22:40,373 --> 00:22:42,833 [ SIGHS ] I LOVE YOU, MOMMY. 514 00:22:44,873 --> 00:22:46,963 AND I LOVE YOU. 515 00:22:46,963 --> 00:22:48,373 ♪♪ 516 00:22:54,423 --> 00:22:57,293 SHE DIED A FEW MONTHS LATER. 517 00:22:58,833 --> 00:23:02,123 I PROMISE... 518 00:23:02,123 --> 00:23:04,583 I'LL NEVER ABANDON YOU. 519 00:23:04,583 --> 00:23:07,293 NEVER. 520 00:23:07,293 --> 00:23:09,963 I LOVE YOU. ALWAYS. 521 00:23:09,963 --> 00:23:14,583 NEVER EVER? 522 00:23:16,123 --> 00:23:17,373 [ UP-TEMPO DRUMMING ] 523 00:23:17,373 --> 00:23:18,463 Jack: NOT EVERY DAY 524 00:23:18,463 --> 00:23:20,123 YOU GET INVITED TO A DRUG DEALER'S HOUSE. 525 00:23:20,123 --> 00:23:22,003 Paco: LET'S HOPE HE'S GOT SOMETHING FOR US. 526 00:23:24,043 --> 00:23:28,123 I THINK I MAY BE IN THE WRONG LINE OF WORK. 527 00:23:28,123 --> 00:23:30,253 YEAH, NO ARGUMENT HERE. 528 00:23:34,043 --> 00:23:35,543 [ DRUMMING STOPS ] 529 00:23:37,583 --> 00:23:40,663 REGULAR CAGNEY AND LACEY, YOU TWO. 530 00:23:40,663 --> 00:23:42,163 IT'S ROTH, ACTUALLY. 531 00:23:42,163 --> 00:23:43,163 YES. 532 00:23:43,163 --> 00:23:45,793 DETECTIVE JACK ROTH. 533 00:23:45,793 --> 00:23:46,793 LET ME GUESS. 534 00:23:46,793 --> 00:23:48,543 YOU DON'T WEAR A WEDDING BAND 535 00:23:48,543 --> 00:23:51,163 'CAUSE YOU DON'T WANT PEOPLE LIKE ME TO KNOW 536 00:23:51,163 --> 00:23:52,293 YOU HAVE A FAMILY. 537 00:23:52,293 --> 00:23:54,043 BUT YOU DO SOMEHOW. 538 00:23:54,043 --> 00:23:55,543 HEY, HEY, I-I GOT MY SOURCES. 539 00:23:55,543 --> 00:23:57,373 YOU KNOW WHAT, LET'S NOT. 540 00:23:57,373 --> 00:23:59,043 LET'S NOT WHAT? LET'S NOT TAKE THIS NUCLEAR. 541 00:23:59,043 --> 00:24:00,833 M.A.D. -- MUTUAL ASSURED DESTRUCTION. 542 00:24:00,833 --> 00:24:03,293 YOU KNOW, IT'S WHAT'S KEEPING US FROM NUKING THE SOVIETS. 543 00:24:03,293 --> 00:24:05,963 BUT IN THIS STORY, YOU'RE THE COMMIE AND I'M U.S.A. 544 00:24:05,963 --> 00:24:08,043 I FOUGHT FOR THIS COUNTRY. 545 00:24:08,043 --> 00:24:09,123 YEAH? 546 00:24:09,123 --> 00:24:10,713 AND LOOK AT YOU NOW. 547 00:24:10,713 --> 00:24:13,713 ♪♪ 548 00:24:13,713 --> 00:24:18,213 I TAKE IT YOU DIDN'T, UH, BRING US OUT HERE TO SHOW OFF. 549 00:24:18,213 --> 00:24:20,873 YEAH, THAT'S -- THAT'S PART OF THE FUN. 550 00:24:20,873 --> 00:24:22,873 I PREFER TO KEEP BUSINESS ON MY TURF. 551 00:24:22,873 --> 00:24:24,123 THAT'S GREAT. 552 00:24:24,123 --> 00:24:26,213 SO LET'S, UH, SKIP THE BLUSTER AND GET DOWN TO IT. 553 00:24:26,213 --> 00:24:30,083 ♪♪ 554 00:24:35,373 --> 00:24:36,713 [ SNIFFLES ] 555 00:24:37,963 --> 00:24:40,123 YEAH, I GOT WORD OUT. 556 00:24:40,123 --> 00:24:42,423 ONE OF MY GIRLS MATCHED A COMPOSITE 557 00:24:42,423 --> 00:24:45,043 TO SOME WEIRD JOHN FROM ABOUT A YEAR AGO. 558 00:24:45,043 --> 00:24:47,873 YOU GOT 10 MINUTES. SHE'S INSIDE. 559 00:24:47,873 --> 00:24:50,213 OH. 560 00:24:50,213 --> 00:24:53,373 LACEY HERE STAYS WITH ME. 561 00:24:53,373 --> 00:24:55,873 I'M GOOD. 562 00:24:55,873 --> 00:24:57,423 ♪♪ 563 00:25:00,043 --> 00:25:05,003 JOHNS DON'T EXACTLY PAY ME TO LOOK AT THEIR FACES. 564 00:25:07,623 --> 00:25:11,213 HAIR'S DIFFERENT, BUT SOMETHING ABOUT THE EYES... 565 00:25:11,213 --> 00:25:13,373 I'M PRETTY SURE IT'S HIM. 566 00:25:13,373 --> 00:25:15,083 OKAY, THAT'S GREAT. 567 00:25:15,083 --> 00:25:18,543 UM, ANYTHING YOU CAN TELL US WOULD BE HELPFUL. 568 00:25:18,543 --> 00:25:20,373 I SAW HIM A FEW TIMES. 569 00:25:20,373 --> 00:25:22,583 IT WAS ALWAYS THE SAME THING. 570 00:25:22,583 --> 00:25:25,963 MADE ME WEAR A BLONDE WIG AND PRETEND TO BE DEAD. 571 00:25:25,963 --> 00:25:28,623 GUY ONLY GETS IT UP FOR DEAD GIRLS. 572 00:25:28,623 --> 00:25:31,663 UH, ANYTHING ELSE UNIQUE YOU CAN REMEMBER? 573 00:25:31,663 --> 00:25:34,213 UH, SOMETHING HE MIGHT HAVE SAID? 574 00:25:34,213 --> 00:25:35,713 SOMETHING YOU SAW -- 575 00:25:35,713 --> 00:25:38,753 A TATTOO, BIRTHMARK, SOMETHING LIKE THAT? 576 00:25:38,753 --> 00:25:42,373 HE ALWAYS PICKED ME UP IN DIFFERENT CARS. 577 00:25:42,373 --> 00:25:46,663 REAL NICE STUFF, TOO, LIKE, HIGH-END, KIND OF OLD. 578 00:25:46,663 --> 00:25:49,963 VINTAGE. 579 00:25:49,963 --> 00:25:54,163 ♪♪ 580 00:25:54,163 --> 00:25:56,043 THE CORPS? 581 00:25:56,043 --> 00:25:58,213 YEAH, OORAH. 582 00:25:58,213 --> 00:26:00,163 U.S.M.C. 583 00:26:00,163 --> 00:26:04,163 TWO TOURS WITH UNCLE SAM'S MISGUIDED CHILDREN. 584 00:26:04,163 --> 00:26:07,003 ♪♪ 585 00:26:07,003 --> 00:26:08,663 I KNOW YOU, MAN. 586 00:26:08,663 --> 00:26:10,623 NO, WE'VE NEVER MET. 587 00:26:10,623 --> 00:26:13,463 CAME BACK FROM NAM ALL BUSTED UP, 588 00:26:13,463 --> 00:26:15,833 GOT ON DRUGS OVER THERE. 589 00:26:15,833 --> 00:26:17,503 STAYED ON 'EM HERE. 590 00:26:17,503 --> 00:26:21,253 YOU WERE SAMPLING SOME VICES WHILE IN VICE. 591 00:26:21,253 --> 00:26:24,663 YEAH, I THINK YOU GOT ME CONFUSED WITH SOMEONE ELSE. 592 00:26:24,663 --> 00:26:26,163 COME ON, GIVE ME A BREAK, MAN. 593 00:26:26,163 --> 00:26:29,163 YOU DON'T KNOW ME. 594 00:26:29,163 --> 00:26:32,753 A VICE COP ENJOYING MY GOODS. 595 00:26:32,753 --> 00:26:33,793 [ CHUCKLES ] 596 00:26:33,793 --> 00:26:36,043 TRUST ME, I KNOW EXACTLY WHO YOU ARE. 597 00:26:36,043 --> 00:26:37,423 OH, YEAH? YEAH. 598 00:26:37,423 --> 00:26:40,503 WELL, THEN, YOU KNOW THAT I CAN DESTROY YOU. 599 00:26:40,503 --> 00:26:42,043 YOU UNDERSTAND? 600 00:26:42,043 --> 00:26:43,663 I'D BE VERY CAREFUL WHERE WE'RE GOING WITH THIS. 601 00:26:43,663 --> 00:26:45,833 YEAH, YOU SHOULD BE CAREFUL, AS WELL. 602 00:26:45,833 --> 00:26:47,213 IS THAT A THREAT? 603 00:26:47,213 --> 00:26:49,123 [ CHUCKLES ] 604 00:26:50,923 --> 00:26:54,833 I BET YOUR PARTNER DOESN'T EVEN KNOW YOU AS WELL AS I DO. 605 00:26:54,833 --> 00:26:59,963 A GUY LIKE YOU -- LOTS OF SECRETS. 606 00:26:59,963 --> 00:27:01,043 IT'S DANGEROUS. 607 00:27:01,043 --> 00:27:03,003 YOU KNOW, IT'S DANGEROUS FOR YOU AND HIM. 608 00:27:03,003 --> 00:27:04,163 I MEAN, I WOULD -- 609 00:27:04,163 --> 00:27:06,543 I WOULD HATE TO SEE EITHER ONE OF YOU GET HURT. 610 00:27:06,543 --> 00:27:07,753 OKAY. 611 00:27:07,753 --> 00:27:09,753 YOU LEAVE MY PARTNER OUT OF THIS. 612 00:27:09,753 --> 00:27:11,333 Jack: CONTRERAS. 613 00:27:11,333 --> 00:27:13,253 LET'S GO. 614 00:27:13,253 --> 00:27:17,503 GOODBYE. 615 00:27:17,503 --> 00:27:21,253 [ ROCK MUSIC PLAYING ] 616 00:27:21,253 --> 00:27:23,253 HEY. HEY. 617 00:27:24,373 --> 00:27:25,713 FOR ME? YEP. 618 00:27:25,713 --> 00:27:28,423 THANKS. TO SHAKING THE TREES. 619 00:27:29,373 --> 00:27:30,963 SOMETHING FALL FOR YOU? 620 00:27:30,963 --> 00:27:33,663 GRAHAM'S CALLED FOR A MEETING WITH ME. 621 00:27:33,663 --> 00:27:36,463 UM, I'M ON STANDBY TILL I HEAR WHEN. 622 00:27:36,463 --> 00:27:39,123 AND BEFORE YOU SAY, "BE CAREFUL," 623 00:27:39,123 --> 00:27:41,293 JUST KNOW I'M -- I'M GOOD. 624 00:27:41,293 --> 00:27:44,583 I KNOW YOU ARE. 625 00:27:44,583 --> 00:27:46,583 GRAHAM GIVE YOU ANYTHING? 626 00:27:47,873 --> 00:27:50,583 YEAH, OUR -- OUR KILLER WAS WITH ONE OF HIS PROSTITUTES 627 00:27:50,583 --> 00:27:53,083 IN BETWEEN HIS FIRST KILL AND THE MOST RECENT ONE. 628 00:27:53,083 --> 00:27:55,003 HE MADE HER PRETEND TO BE DEAD. 629 00:27:55,003 --> 00:27:57,753 WELL, SOUNDS LIKE A BIT OF A COOLING-OFF PERIOD. 630 00:27:57,753 --> 00:27:59,793 TRYING TO KEEP HIS URGES AT BAY. 631 00:27:59,793 --> 00:28:04,083 YEAH, THAT'S -- THAT'S EXACTLY WHAT I WAS THINKING. 632 00:28:05,463 --> 00:28:07,213 WHAT'S WITH THE SMILE? 633 00:28:07,213 --> 00:28:10,083 WE'RE TALKING ABOUT A SERIAL KILLER HERE. 634 00:28:10,083 --> 00:28:11,213 WELL, I LIKE TALKING SHOP WITH YOU. 635 00:28:11,213 --> 00:28:13,583 YEAH, ME, TOO. 636 00:28:13,583 --> 00:28:15,663 THIS PLACE IS SUCH A DUMP. 637 00:28:15,663 --> 00:28:18,373 IT'S EVEN WORSE DURING THE DAY, HUH? 638 00:28:18,373 --> 00:28:20,293 I LIKE IT HERE. 639 00:28:20,293 --> 00:28:22,293 ME, TOO. 640 00:28:22,293 --> 00:28:25,333 [ DOG BARKING IN DISTANCE ] 641 00:28:29,213 --> 00:28:32,373 HI-YA, SWEET BETTY. 642 00:28:32,373 --> 00:28:34,543 WHAT ARE YOU DOING HERE? 643 00:28:34,543 --> 00:28:36,123 WHERE ARE THE KIDS? 644 00:28:36,123 --> 00:28:37,463 UM, OUT WITH THE WIFE. 645 00:28:37,463 --> 00:28:39,463 SHE TOOK ALL THE KIDS UP TO THE PARK. 646 00:28:39,463 --> 00:28:42,293 TOLD HER I'D WAIT HERE FOR YOU SO YOU WOULDN'T BE WORRIED. 647 00:28:42,293 --> 00:28:44,373 YOU KNOW, I WOULDN'T WANT YOU TO WORRY. 648 00:28:44,373 --> 00:28:45,423 WHERE'S THE SITTER? 649 00:28:45,423 --> 00:28:49,543 GAL SAID SHE HAD SOME EMERGENCY. 650 00:28:49,543 --> 00:28:51,753 SHE KNOWS OUR KIDS ARE FRIENDS. ASKED ME IF WE COULD FILL IN. 651 00:28:51,753 --> 00:28:55,963 AND LUCKY FOR YOU, I WAS HERE TO SAVE THE DAY. 652 00:28:55,963 --> 00:28:57,963 YOU'RE WELCOME. 653 00:28:57,963 --> 00:29:00,213 OKAY, GO NOW. 654 00:29:00,213 --> 00:29:02,463 THAT'S THE THANKS I'M GONNA GET? 655 00:29:02,463 --> 00:29:04,623 THANK YOU! 656 00:29:04,623 --> 00:29:05,753 CAN YOU GET OUT? 657 00:29:05,753 --> 00:29:08,663 I NEED TO GO TO THE PARK NOW AND GET MY KIDS. 658 00:29:08,663 --> 00:29:09,793 I GOT AN IDEA... 659 00:29:09,793 --> 00:29:12,663 ABOUT HOW YOU COULD REALLY THANK ME. 660 00:29:14,123 --> 00:29:15,963 ALL RIGHT, I'M GONNA GIVE YOU A HINT. 661 00:29:16,963 --> 00:29:21,163 IT INVOLVES YOUR MOUTH, BUT YOU'RE NOT TALKING. 662 00:29:22,623 --> 00:29:23,833 COME ON, BABY, 663 00:29:23,833 --> 00:29:26,123 YOU USED TO LOVE GETTING DOWN ON YOUR KNEES FOR ME. 664 00:29:26,123 --> 00:29:28,043 GET OUT OF MY HOUSE. 665 00:29:31,083 --> 00:29:33,423 OHH. 666 00:29:33,423 --> 00:29:37,713 ♪♪ 667 00:29:44,923 --> 00:29:46,543 [ DOOR SLAMS ] 668 00:29:46,543 --> 00:29:50,423 [ SIGHS ] 669 00:29:55,713 --> 00:29:56,923 HEY, WHAT DO YOU GOT? 670 00:29:56,923 --> 00:29:58,713 WENT TO ALL RITA FORRESTER'S PREVIOUS ADDRESSES. 671 00:29:58,713 --> 00:30:00,293 WAS ABLE TO COLLECT SOME OF HER STUFF 672 00:30:00,293 --> 00:30:02,463 FROM AN OLD LANDLADY WHO HAD HELD ONTO IT. 673 00:30:02,463 --> 00:30:03,833 REALLY? ALL THIS TIME? 674 00:30:03,833 --> 00:30:06,293 THIS LADY HAD NEWSPAPERS STACKED TO HER CEILING. 675 00:30:06,293 --> 00:30:09,373 I MAY NEED TO SEE A THERAPIST AFTER BEING IN THAT HOUSE. 676 00:30:09,373 --> 00:30:11,543 I FEEL LIKE I SUFFERED A REAL TRAUMA. 677 00:30:11,543 --> 00:30:14,043 WELL, YOU DEFINITELY NEED A SHRINK, BUT IT HAS NOTHING TO DO WITH TODAY. 678 00:30:14,043 --> 00:30:16,213 UH, THERE WAS ALSO A 16-MILLIMETER FILM REEL. 679 00:30:16,213 --> 00:30:18,253 I HAVE IT AT THE LAB, CONVERTING IT TO VHS. 680 00:30:18,253 --> 00:30:20,963 I-I WANT THAT TAPE HANDED TO ME AS SOON AS THEY'RE DONE WITH IT. 681 00:30:20,963 --> 00:30:23,083 SHE'S GOT MEMENTOS OF EVERY MOVIE SHE EVER SAW, 682 00:30:23,083 --> 00:30:24,583 INCLUDING THE DATE SHE WENT ON, 683 00:30:24,583 --> 00:30:26,213 BUT THERE'S NO PHOTOS OF HER KID. 684 00:30:26,213 --> 00:30:28,213 YEAH, I GUESS HER PRIORITIES WERE ELSEWHERE. 685 00:30:28,213 --> 00:30:30,583 DID YOU TALK TO ANYONE WHO REMEMBERED HER HAVING A SON? 686 00:30:30,583 --> 00:30:33,253 YEAH. SAID HE WAS SHY, MOUSY. 687 00:30:33,253 --> 00:30:35,123 MOM LEFT HIM ALONE A LOT. 688 00:30:35,123 --> 00:30:36,543 THAT WAS ABOUT IT. 689 00:30:36,543 --> 00:30:39,963 IT'S AMAZING THE DAMAGE WE CAN DO AS PARENTS, YOU KNOW? 690 00:30:39,963 --> 00:30:41,083 YEAH. 691 00:30:41,083 --> 00:30:43,163 THIS KIND OF LOOKS LIKE MARILYN 692 00:30:43,163 --> 00:30:45,503 IF YOU SQUINT AND POUND FIVE BEERS. 693 00:30:45,503 --> 00:30:47,753 ♪♪ 694 00:30:47,753 --> 00:30:50,503 MARILYN IS MOM. 695 00:30:52,543 --> 00:30:55,793 THE DRUGS, THE VICTIMS THAT HE TARGETS, 696 00:30:55,793 --> 00:30:57,873 THE WAY HE KILLS THEM. 697 00:30:57,873 --> 00:31:00,123 IT'S NOT ABOUT MARILYN. 698 00:31:00,123 --> 00:31:04,963 IT'S ALL ABOUT HIS MOTHER. 699 00:31:04,963 --> 00:31:06,873 YEAH. 700 00:31:06,873 --> 00:31:08,373 YEAH, HE WATCHES RITA TURN HERSELF 701 00:31:08,373 --> 00:31:10,713 INTO A CHEAP HOLLYWOOD SEX SYMBOL FOR MEN WHO JUST USE HER. 702 00:31:10,713 --> 00:31:13,423 AND HE KILLS WOMEN WHO HAVE THE SAME DESIRE FOR FAME, 703 00:31:13,423 --> 00:31:16,923 WHO HANG OUT ON THE STRIP AND HAVE DREAMS OF STARDOM. 704 00:31:16,923 --> 00:31:19,463 YEAH, BUT WHY DOESN'T HE KILL THE MEN WHO TARGETED HIS MOM? 705 00:31:19,463 --> 00:31:22,583 BECAUSE HE BLAMES HER FOR BELIEVING THEM, 706 00:31:22,583 --> 00:31:24,083 FOR ABANDONING HIM. 707 00:31:24,083 --> 00:31:26,083 RITA LEFT HIM POWERLESS, ALONE. 708 00:31:26,083 --> 00:31:27,333 AND ANGRY. 709 00:31:27,333 --> 00:31:30,253 HE DISMEMBERS THEM TO STRIP THEM OF THEIR IDENTITY 710 00:31:30,253 --> 00:31:34,043 AND REMAKES THEM INTO THE WOMAN HE MOST DESIRES AND HATES -- 711 00:31:34,043 --> 00:31:35,663 HIS MOM. 712 00:31:35,663 --> 00:31:40,423 WITH EACH VICTIM, HE KILLS HIS MOTHER OVER AND OVER AGAIN. 713 00:31:41,923 --> 00:31:44,293 ♪♪ 714 00:31:45,333 --> 00:31:47,213 [ MAN WHISTLES ] 715 00:31:48,753 --> 00:31:50,663 AIN'T YOU A SIGHT FOR SORE EYES. 716 00:31:50,663 --> 00:31:52,543 DAMN IT, BUCKET. YOU SCARED ME. 717 00:31:52,543 --> 00:31:54,333 WHERE THE HELL HAVE YOU BEEN? 718 00:31:54,333 --> 00:31:57,123 NONE OF YOUR BUSINESS. GET IN THE CAR. 719 00:31:57,123 --> 00:31:59,423 SERIOUSLY, WHAT'S THE DEAL? 720 00:31:59,423 --> 00:32:00,623 GET IN THE CAR. 721 00:32:00,623 --> 00:32:02,753 GRAHAM WANTS TO SEE US. 722 00:32:09,963 --> 00:32:14,793 ♪♪ 723 00:32:14,793 --> 00:32:17,253 WHERE'S THE PARTY, RAY? 724 00:32:17,253 --> 00:32:18,583 [ CHUCKLES ] 725 00:32:20,253 --> 00:32:22,373 HEY, PAPA GRAHAM! YEAH! 726 00:32:22,373 --> 00:32:24,083 WHAT IT IS, MAN. 727 00:32:25,543 --> 00:32:26,923 STRIP. 728 00:32:26,923 --> 00:32:28,333 WHAT, ARE YOU KIDDING, MAN? COME ON. 729 00:32:28,333 --> 00:32:30,833 CLOTHES OFF. 730 00:32:30,833 --> 00:32:33,083 SERIOUSLY? 731 00:32:33,083 --> 00:32:34,753 DO IT. 732 00:32:34,753 --> 00:32:36,583 JUST GREAT. 733 00:32:36,583 --> 00:32:40,873 I THOUGHT THIS WAS GONNA BE A PARTY UP IN THE HILLS. 734 00:32:50,463 --> 00:32:56,253 LAST NIGHT, THE COPS KNEW WHERE AND WHEN TO HIT US. 735 00:32:57,293 --> 00:33:00,963 I GUESS I GOT A RAT PROBLEM. 736 00:33:00,963 --> 00:33:03,923 AND I HATE RODENTS. 737 00:33:03,923 --> 00:33:05,123 BOSS -- 738 00:33:05,123 --> 00:33:06,423 SHUT UP! 739 00:33:06,423 --> 00:33:09,163 BRASS BALLS ON YOU SPEAKING UP. 740 00:33:09,163 --> 00:33:10,793 'CAUSE I CAN'T HELP BUT NOTICE 741 00:33:10,793 --> 00:33:12,963 THE TIMING OF YOUR LITTLE DISAPPEARING ACT. 742 00:33:12,963 --> 00:33:17,423 Bucket: LOOK, MAN, I'M INNOCENT, LIKE A DAMN VIRGIN, RIGHT? 743 00:33:17,423 --> 00:33:18,543 NO, NO. 744 00:33:18,543 --> 00:33:21,623 SEE, YOU DIPPED OUT BECAUSE YOU WERE WORRIED 745 00:33:21,623 --> 00:33:25,543 THAT I WOULD FIND OUT ABOUT THE COPS COURTING YOU. 746 00:33:26,833 --> 00:33:31,423 SHE GOES TO JAIL, BUT THEY DON'T EVEN TOUCH YOU OR YOUR DRUGS. 747 00:33:31,423 --> 00:33:37,003 YOU JUST WALK AWAY, JUST LEAVING YOU SITTING THERE. 748 00:33:37,003 --> 00:33:38,963 YOU DIDN'T THINK I'D HEAR ABOUT THAT? 749 00:33:38,963 --> 00:33:44,043 I NEGLECTED TO TELL YOU THAT, BUT I'M NOT A RAT. 750 00:33:45,333 --> 00:33:48,663 TWO OF MY SOLDIERS GET FACE TIME WITH A COP 751 00:33:48,663 --> 00:33:52,543 WHO ENDS UP PUTTING THE SCREWS TO ME A WEEK LATER. 752 00:33:53,833 --> 00:33:55,123 I GOT TO BE HONEST. 753 00:33:55,123 --> 00:33:56,663 THAT'S NOT A GOOD LOOK. 754 00:33:56,663 --> 00:33:58,753 IT'S TIME TO CUT LOOSE ENDS. 755 00:33:58,753 --> 00:33:59,833 [ GUN COCKS ] 756 00:33:59,833 --> 00:34:04,793 ♪♪ 757 00:34:08,583 --> 00:34:10,293 [ CHUCKLES ] 758 00:34:11,253 --> 00:34:16,123 [ GUNSHOT ] 759 00:34:18,253 --> 00:34:20,043 ♪♪ 760 00:34:22,583 --> 00:34:26,663 [ GROANS ] 761 00:34:26,663 --> 00:34:28,623 ♪♪ 762 00:34:28,623 --> 00:34:31,793 YOU'RE MOVING UP. 763 00:34:33,293 --> 00:34:35,833 LET'S SEE IF YOU CAN DO BETTER. 764 00:34:35,833 --> 00:34:42,213 ♪♪ 765 00:34:49,963 --> 00:34:53,003 ♪♪ 766 00:35:02,333 --> 00:35:04,293 [ KNOCK ON DOOR ] 767 00:35:11,423 --> 00:35:13,253 Jack: HEY, I CAN HEAR YOU BREATHING IN THERE. 768 00:35:13,253 --> 00:35:14,793 OPEN UP. 769 00:35:17,543 --> 00:35:19,963 DIANNE? 770 00:35:23,583 --> 00:35:24,713 JUST... 771 00:35:24,713 --> 00:35:27,463 JUST GO AWAY, JACK. 772 00:35:28,583 --> 00:35:30,003 WHAT YOU TALKING ABOUT? 773 00:35:30,003 --> 00:35:32,123 PAGING YOU WAS A MISTAKE, OKAY? 774 00:35:33,423 --> 00:35:35,963 OPEN THE DOOR, DIANNE. I WANT TO SEE YOU. 775 00:35:41,923 --> 00:35:44,963 [ DOOR CREAKS ] 776 00:35:47,253 --> 00:35:48,583 WELL, NOW YOU'VE SEEN ME. 777 00:35:48,583 --> 00:35:52,503 COULD YOU JUST P-PLEASE, PLEASE GO? 778 00:35:52,503 --> 00:35:55,963 [ DOOR CREAKS ] 779 00:35:57,713 --> 00:35:58,713 YOU'RE UPSET. 780 00:35:58,713 --> 00:36:00,663 WELL, WELL-DONE, SHERLOCK. 781 00:36:00,663 --> 00:36:03,253 AND -- AND I'M DRUNK. 782 00:36:04,873 --> 00:36:07,423 HERE, JUST HAVE A GLASS AND JUST GO. 783 00:36:10,543 --> 00:36:12,923 I-I'LL GO WHEN YOU TELL ME WHAT'S WRONG. 784 00:36:14,873 --> 00:36:16,373 WHAT'S WRONG? 785 00:36:18,923 --> 00:36:22,333 I HAD AN AUDIENCE WITH GRAHAM TONIGHT. 786 00:36:22,333 --> 00:36:23,463 OKAY? 787 00:36:23,463 --> 00:36:26,543 WELL, GOOD NEWS -- I'M THE NEW BUCKET. 788 00:36:26,543 --> 00:36:28,873 BAD NEWS -- I'LL BE WASHING HIS BRAIN MATTER OUT OF MY HAIR 789 00:36:28,873 --> 00:36:30,163 FOR THE NEXT WEEK. 790 00:36:30,163 --> 00:36:31,503 NOW YOU KNOW. 791 00:36:31,503 --> 00:36:34,583 JUST, PLEASE -- JUST -- JUST GO. 792 00:36:36,713 --> 00:36:37,963 DIANNE. GO AWAY, JACK. 793 00:36:37,963 --> 00:36:38,963 DIANNE. 794 00:36:38,963 --> 00:36:40,753 JUST -- JUST -- JUST GO, PLEASE. 795 00:36:40,753 --> 00:36:42,543 JUST -- JUST -- JUST GO AWAY! DIANNE, STOP. 796 00:36:42,543 --> 00:36:43,583 HEY! DIANNE, STOP. 797 00:36:43,583 --> 00:36:44,583 GO! DIANNE, STOP. 798 00:36:44,583 --> 00:36:46,543 STOP IT. STOP IT. STOP IT. 799 00:36:46,543 --> 00:36:47,873 Shh. IT'S OKAY. 800 00:36:47,873 --> 00:36:49,293 IT'S OKAY. 801 00:36:49,293 --> 00:36:52,123 I'M NOT GONNA LEAVE. 802 00:36:52,123 --> 00:36:53,503 YOU'RE OKAY. 803 00:36:53,503 --> 00:36:54,963 YOU'RE OKAY. 804 00:36:54,963 --> 00:36:58,083 IT'S OKAY. 805 00:37:01,293 --> 00:37:04,163 OKAY, THAT'S -- THAT'S... 806 00:37:04,163 --> 00:37:06,963 THAT'S NOT WHY I'M HERE. 807 00:37:06,963 --> 00:37:09,873 SOMETIMES, I THINK I HATE YOU. 808 00:37:09,873 --> 00:37:11,623 [ CHUCKLES ] YEAH. 809 00:37:11,623 --> 00:37:15,423 NOT BECAUSE I DON'T WANT YOU OR NEED YOU. 810 00:37:17,543 --> 00:37:19,623 ONLY 'CAUSE I DO. 811 00:37:19,623 --> 00:37:23,963 ♪♪ 812 00:37:56,923 --> 00:37:59,163 [ KNOCK ON DOOR ] 813 00:37:59,163 --> 00:38:01,873 YEAH? 814 00:38:03,423 --> 00:38:06,253 YOU BEEN HIDING IN HERE ALL DAY? 815 00:38:06,253 --> 00:38:08,163 NO, WENT OUT LOOKING FOR BUCKET. 816 00:38:08,163 --> 00:38:09,793 NO DICE. 817 00:38:09,793 --> 00:38:14,503 SO, ROLLING STONE. 818 00:38:14,503 --> 00:38:17,963 WHEN WILL I BE BUYING A COPY TO READ YOUR GENIUS? 819 00:38:17,963 --> 00:38:20,833 YOU WON'T. I TURNED THEM DOWN. 820 00:38:20,833 --> 00:38:24,923 I THOUGHT THAT WAS YOUR DREAM -- ROLLING STONE. 821 00:38:24,923 --> 00:38:26,003 [ SIGHS ] 822 00:38:26,003 --> 00:38:28,503 WHY BE A SMALL FISH IN A BIG POND... 823 00:38:28,503 --> 00:38:30,463 WHEN I CAN JUST BE ME... 824 00:38:30,463 --> 00:38:32,163 IN A POND WITH YOU? 825 00:38:32,163 --> 00:38:36,083 McCLAREN. 826 00:38:36,083 --> 00:38:38,713 THEY ONLY WANTED THE STORY, NOT MY VOICE. 827 00:38:38,713 --> 00:38:40,293 I WANT MORE. 828 00:38:40,293 --> 00:38:43,253 YOU LET ME TELL THE STORIES I CARE ABOUT. 829 00:38:43,253 --> 00:38:45,213 THERE'S NOWHERE ELSE I'D RATHER BE. 830 00:38:47,503 --> 00:38:49,923 WE'RE A GOOD TEAM. 831 00:38:49,923 --> 00:38:52,963 ♪♪ 832 00:39:23,583 --> 00:39:26,163 WHO'S THAT? 833 00:39:26,163 --> 00:39:29,333 YOUR MOTHER. 834 00:39:29,333 --> 00:39:32,163 THAT'S NOT HER. 835 00:39:32,163 --> 00:39:35,003 IT MAY NOT BE HOW SHE STARTED OUT, 836 00:39:35,003 --> 00:39:37,503 BUT THAT'S HOW SHE ENDED UP. 837 00:39:37,503 --> 00:39:39,833 YOU'RE A LIAR. 838 00:39:39,833 --> 00:39:43,003 I ALWAYS KNEW SHE WAS NO GOOD. 839 00:39:43,003 --> 00:39:46,333 KILLED HER MAMA DAY SHE WAS BORN. 840 00:39:46,333 --> 00:39:49,963 SINS LIKE THAT DON'T GO UNPUNISHED. 841 00:39:51,333 --> 00:39:53,003 YOU'RE A LIAR! 842 00:39:53,003 --> 00:39:55,583 YOU'RE A LIAR! TAKE IT BACK! 843 00:39:55,583 --> 00:39:57,253 YOU LOOK! LOOK! 844 00:39:57,253 --> 00:39:59,463 NOW, I'M NOT THE LIAR! 845 00:39:59,463 --> 00:40:01,083 YOU REMEMBER THAT! 846 00:40:06,123 --> 00:40:08,163 SHE PROMISED. 847 00:40:08,163 --> 00:40:11,833 SHE PROMISED ME SHE'D COME BACK FOR ME. 848 00:40:11,833 --> 00:40:13,163 [ SNIFFLES ] 849 00:40:13,163 --> 00:40:15,833 AND TAKE ME TO THE MOVIES. 850 00:40:15,833 --> 00:40:17,123 [ SNIFFLES ] 851 00:40:17,123 --> 00:40:20,293 TAKE ME ANYWHERE I'D WANT TO GO. 852 00:40:22,753 --> 00:40:25,333 JUST US. 853 00:40:25,333 --> 00:40:27,713 ♪♪ 854 00:40:29,253 --> 00:40:30,963 [ SNIFFLES ] 855 00:40:34,253 --> 00:40:37,503 I LOVE YOU, MOMMY. 856 00:40:37,503 --> 00:40:39,463 ALWAYS... 857 00:40:41,423 --> 00:40:43,423 ...AND FOREVER. 858 00:40:43,423 --> 00:40:47,463 ♪♪ 859 00:40:57,003 --> 00:40:58,333 Man: ROLLING. 860 00:40:58,333 --> 00:41:00,463 [ SIGHS ] MARKER. 861 00:41:02,003 --> 00:41:04,293 PLEASE STATE YOUR NAME AND AGE. 862 00:41:04,293 --> 00:41:06,793 OH, I-I'M SORRY. CAN WE START OVER? 863 00:41:06,793 --> 00:41:08,923 I-I'M JUST HAVING A BAD DAY. 864 00:41:08,923 --> 00:41:10,543 WHAT DID YOU NEED AGAIN? 865 00:41:10,543 --> 00:41:12,793 UH, YOUR NAME AND AGE, PLEASE? 866 00:41:12,793 --> 00:41:14,333 RITA FORRESTER. 867 00:41:14,333 --> 00:41:17,213 AND, UH, A LADY NEVER TELLS. 868 00:41:17,213 --> 00:41:20,123 SO, UH, LET'S SAY 29. 869 00:41:20,123 --> 00:41:21,833 SEE? NOT BAD, HUH? 870 00:41:21,833 --> 00:41:24,463 MA'AM, PLEASE. THE SCENE. 871 00:41:25,963 --> 00:41:28,623 MISS FORRESTER, IF WE COULD CONTINUE... 872 00:41:28,623 --> 00:41:31,373 I'M SORRY, IT'S JUST MY SWEET BOY IS HERE. 873 00:41:31,373 --> 00:41:34,163 HE'S MY LITTLE GOOD LUCK CHARM. 874 00:41:34,163 --> 00:41:37,793 WE ALWAYS GO TO THE MOVIES TOGETHER -- MY DATE. 875 00:41:37,793 --> 00:41:39,623 MY LITTLE MAN. 876 00:41:39,623 --> 00:41:42,213 HE LOOKS JUST LIKE ME. 877 00:41:42,213 --> 00:41:44,163 YOU REALLY SHOULD MEET MY BEAUTIFUL BOY. 878 00:41:44,163 --> 00:41:45,423 OH. WELL -- 879 00:41:45,423 --> 00:41:46,873 NAMED HIM AFTER ONE OF MY FAVORITE ACTORS. 880 00:41:46,873 --> 00:41:49,123 I KNOW YOU'LL JUST LOVE HIM. 881 00:41:49,123 --> 00:41:52,543 THIS IS MY SOON, COOPER. 882 00:41:52,543 --> 00:41:54,753 SAY HI, SWEETIE. 883 00:41:56,713 --> 00:41:58,793 HI. 884 00:42:00,833 --> 00:42:02,963 [ VCR CLICKS ] 885 00:42:02,963 --> 00:42:06,833 ♪♪