1 00:00:02,134 --> 00:00:04,387 PREVIOUSLY, ON "WICKED CITY"... 2 00:00:04,387 --> 00:00:06,849 I'VE NEVER FELT CLOSER TO ANYONE. 3 00:00:06,849 --> 00:00:09,182 BABY, YOU USED TO LOVE GETTING DOWN ON YOUR KNEES FOR ME. 4 00:00:09,182 --> 00:00:10,763 GET OUT OF MY HOUSE. 5 00:00:10,763 --> 00:00:11,975 [ BANG ON WINDOW ] 6 00:00:11,975 --> 00:00:14,858 THE COPS KNEW WHERE AND WHEN TO HIT US. 7 00:00:14,858 --> 00:00:16,109 I'M NOT A RAT. 8 00:00:16,109 --> 00:00:17,691 IT'S TIME TO CUT LOOSE ENDS. 9 00:00:17,691 --> 00:00:18,772 [ GUNSHOT ] 10 00:00:18,772 --> 00:00:20,654 LET'S SEE IF YOU CAN DO BETTER. 11 00:00:20,654 --> 00:00:23,116 THE VICTIMS THAT HE TARGETS, THE WAY HE KILLS THEM. 12 00:00:23,116 --> 00:00:26,079 HE'S KILLING HIS MOTHER, OVER AND OVER AGAIN. 13 00:00:26,079 --> 00:00:28,492 Man: IT'S 5:30 A.M. IN LOS ANGELES, 14 00:00:28,492 --> 00:00:31,125 AND ALREADY, 78 DEGREES OUTSIDE. 15 00:00:31,125 --> 00:00:33,998 LOOKS LIKE TODAY'S GONNA BE THE HOTTEST DAY OF THE YEAR. 16 00:00:33,998 --> 00:00:36,500 [ SIREN WAILS IN DISTANCE ] 17 00:00:37,882 --> 00:00:39,884 YOU HAVE TO GO. 18 00:00:39,884 --> 00:00:42,887 I DO? MM-HMM. 19 00:00:42,887 --> 00:00:44,679 I'VE GOT TO GET TO WORK. 20 00:00:44,679 --> 00:00:47,392 REALLY? 21 00:00:47,392 --> 00:00:49,724 YOU GOT THE EARLY SHIFT TODAY, HUH? 22 00:00:49,724 --> 00:00:52,567 OH, I GOT EVERY SHIFT NOW THAT BUCKET'S... 23 00:00:52,567 --> 00:00:54,730 GONE. 24 00:00:54,730 --> 00:00:57,112 GRAHAM HAS ME WORKING AT ENZO'S ON THE STRIP -- 25 00:00:57,112 --> 00:00:59,154 THAT NEW CLUB? FANCY. 26 00:00:59,154 --> 00:01:02,117 GUESS THAT'S ONE WAY TO KEEP PEOPLE WORKING HARD -- 27 00:01:02,117 --> 00:01:03,869 BLOW THEIR CO-WORKERS' BRAINS OUT. 28 00:01:03,869 --> 00:01:05,701 WELL, DON'T WORRY. I'M GONNA HAVE GRAHAM 29 00:01:05,701 --> 00:01:08,124 BEHIND BARS IN NO TIME -- AND HIS BOSS. 30 00:01:08,124 --> 00:01:10,876 I HAVE NO DOUBT. 31 00:01:10,876 --> 00:01:13,419 SO YOU'LL KEEP YOUR EYES OPEN FOR BUYERS WITH FANCY CARS? 32 00:01:13,419 --> 00:01:15,461 LET ME KNOW IF SOMETHING POPS UP? 33 00:01:15,461 --> 00:01:17,003 YOU THINK THAT'S THE KEY? 34 00:01:17,003 --> 00:01:19,295 THE KILLER DRIVES DIFFERENT HIGH-END CARS? 35 00:01:19,295 --> 00:01:22,339 NOW IF I CAN FIGURE OUT WHY, IT MIGHT JUST GET ME SOMETHING. 36 00:01:22,339 --> 00:01:24,471 WELL, WE KNOW HE'S PROBABLY STEALING THEM, 37 00:01:24,471 --> 00:01:26,763 'CAUSE A GUY LIKE THIS ISN'T BUYING THEM. 38 00:01:26,763 --> 00:01:28,145 YEAH, BUT WH-WHY IS HE USING THEM -- 39 00:01:28,145 --> 00:01:29,266 ALL THOSE DIFFERENT CARS? 40 00:01:29,266 --> 00:01:30,477 IT'S NOT TO BLEND IN. THEY'RE VINTAGE. 41 00:01:30,477 --> 00:01:32,519 PEOPLE NOTICE. YEAH, THAT'S WEIRD. 42 00:01:32,519 --> 00:01:33,901 SOMEONE LIKE THIS PROBABLY 43 00:01:33,901 --> 00:01:36,193 WOULDN'T WANT TO BRING ATTENTION TO HIMSELF. 44 00:01:36,193 --> 00:01:37,735 RIGHT. AND HE HASN'T -- 45 00:01:37,735 --> 00:01:39,156 NOT SINCE HE WAS ABOUT 9 YEARS OLD. 46 00:01:39,156 --> 00:01:40,157 CHECK THIS OUT. 47 00:01:43,280 --> 00:01:46,364 THIS IS THE ONLY VISUAL I HAVE ON HIM. 48 00:01:46,364 --> 00:01:48,035 THAT'S THE KILLER? 49 00:01:48,035 --> 00:01:50,708 CUTE KID, HUH? 50 00:01:50,708 --> 00:01:54,082 I WONDER IF HE KNEW WHAT HE'D BECOME... 51 00:01:54,082 --> 00:01:55,924 IF HE FELT THE DARKNESS. 52 00:01:55,924 --> 00:01:58,046 [ SIGHS ] 53 00:01:58,046 --> 00:01:59,377 I KNEW I WANTED TO BE A COP. 54 00:01:59,377 --> 00:02:02,761 YEAH? ME TOO. 55 00:02:02,761 --> 00:02:06,385 I USED TO WEAR MY BROTHER'S TOY GUN AND HOLSTER EVERYWHERE. 56 00:02:06,385 --> 00:02:08,767 [ BOTH CHUCKLE ] 57 00:02:08,767 --> 00:02:10,479 I WOULD HAVE LOVED TO SEE YOU AS A LITTLE GIRL. 58 00:02:10,479 --> 00:02:11,941 WELL, I WOULD'VE KICKED YOUR ASS. 59 00:02:11,941 --> 00:02:14,483 YEAH? OH, YEAH. 60 00:02:14,483 --> 00:02:17,356 ALL RIGHT, GET OUT OF HERE. 61 00:02:17,356 --> 00:02:19,318 WE BOTH GOT WORK. 62 00:02:21,070 --> 00:02:23,112 Betty: BUT I NEVER WANT YOU TO LEAVE. 63 00:02:23,112 --> 00:02:24,904 BUT I HAVE TO. 64 00:02:24,904 --> 00:02:27,367 THESE CARS WON'T REUPHOLSTER THEMSELVES. 65 00:02:27,367 --> 00:02:29,169 I WISH THEY DID. 66 00:02:30,120 --> 00:02:32,172 I'M SO HAPPY WITH YOU. 67 00:02:32,172 --> 00:02:33,834 I FEEL SO SAFE. 68 00:02:33,834 --> 00:02:35,415 AND YOU ARE. 69 00:02:35,415 --> 00:02:39,880 BUT I CAN'T ALWAYS BE THERE, YOU KNOW? 70 00:02:42,222 --> 00:02:43,343 OF COURSE. 71 00:02:46,887 --> 00:02:48,639 I GOT YOU SOMETHING. 72 00:03:18,460 --> 00:03:20,963 SAFETY FIRST. 73 00:03:20,963 --> 00:03:23,225 HONEY, I LOVE IT. 74 00:03:27,730 --> 00:03:29,602 AH, YES. 75 00:03:31,394 --> 00:03:33,316 YOU WANT ME TO CUBE YOU, McCLAREN? 76 00:03:33,316 --> 00:03:34,567 YEAH, RIGHT. 77 00:03:34,567 --> 00:03:36,359 DIVER, WE'RE THE FOURTH ESTATE. 78 00:03:36,359 --> 00:03:37,821 A LITTLE PROFESSIONALISM? 79 00:03:37,821 --> 00:03:38,531 [ DOOR OPENS ] 80 00:03:38,531 --> 00:03:41,945 HEY. 81 00:03:41,945 --> 00:03:46,410 I GOT SOMETHING FOR YOU -- THE HOLLYWOOD SLAYER AS A KID. 82 00:03:46,410 --> 00:03:49,123 SO? WHY'D YOU BRING IT TO US? 83 00:03:49,123 --> 00:03:50,624 FIRST NAME'S COOPER. 84 00:03:50,624 --> 00:03:51,915 SHOULD BE ABOUT 28, 29 YEARS OLD RIGHT NOW. 85 00:03:51,915 --> 00:03:53,667 HE LOOKS SO SWEET. 86 00:03:53,667 --> 00:03:56,340 YOU TWO ARE GONNA RUN A STORY ON BABY SLAYER THERE. 87 00:03:56,340 --> 00:03:58,212 "ARE MONSTERS BORN OR MADE OR..." 88 00:03:58,212 --> 00:03:59,383 ALL THAT CRAP YOU DO. 89 00:03:59,383 --> 00:04:00,805 "ALL THAT CRAP." 90 00:04:00,805 --> 00:04:02,967 WITH THE PICTURE FRONT AND CENTER, PLUS THE TIP LINE, 91 00:04:02,967 --> 00:04:04,348 WE'RE HOPING SOMEBODY RECOGNIZES HIM. 92 00:04:04,348 --> 00:04:05,600 SO CAN I COUNT ON YOU GUYS? 93 00:04:05,600 --> 00:04:06,641 NO. SURE. 94 00:04:06,641 --> 00:04:08,723 WE'RE HALFWAY THERE. 95 00:04:08,723 --> 00:04:10,725 YOU WANT TO LET THE COPS FORCE US INTO WRITING A PIECE? 96 00:04:10,725 --> 00:04:13,068 IT'S A HUGE SCOOP. YOU JUST HATE JACK ROTH. 97 00:04:13,068 --> 00:04:14,860 I DON'T HATE HIM. 98 00:04:14,860 --> 00:04:16,151 JUST THAT DUDLEY DO-RIGHT WON'T PLAY -- 99 00:04:16,151 --> 00:04:17,232 ALL TAKE, NO GIVE. 100 00:04:17,232 --> 00:04:19,234 HEY, HEY. EXCUSE ME. 101 00:04:19,234 --> 00:04:20,826 HOW ABOUT I TAKE YOU DOWNTOWN? 102 00:04:20,826 --> 00:04:22,157 JACKASS. 103 00:04:24,410 --> 00:04:26,622 FINE, BUT I WANT SOMETHING IN RETURN. 104 00:04:26,622 --> 00:04:28,244 GETTING GREEDY, MAN. 105 00:04:28,244 --> 00:04:30,666 I'VE BEEN LOOKING FOR BUCKET, THAT GUY YOU POPPED A WEEK AGO. 106 00:04:30,666 --> 00:04:32,208 DUDE'S BEEN MISSING EVER SINCE. 107 00:04:32,208 --> 00:04:33,419 SINCE WHEN DO YOU CARE ABOUT DRUG DEALERS? 108 00:04:33,419 --> 00:04:35,091 SINCE THE KILLER CARES. 109 00:04:35,091 --> 00:04:38,214 THE HOLLYWOOD SLAYER PLANTS "FLY BRAND" COKE ON HIS VICTIMS. 110 00:04:38,214 --> 00:04:40,426 THAT'S WHAT BUCKET SELLS. 111 00:04:40,426 --> 00:04:43,389 AT LEAST THAT'S WHAT I'VE BEEN TOLD, ANYWAY. 112 00:04:43,389 --> 00:04:45,392 NOW, THAT'S FOR CALLING MY WORK "CRAP," BROTHER. 113 00:04:45,392 --> 00:04:47,143 YOU GAVE HIM THAT? I HAD TO TRADE. 114 00:04:47,143 --> 00:04:49,356 I MEAN, HOW DO YOU THINK WE FOUND BUCKET IN THE FIRST PLACE? 115 00:04:51,518 --> 00:04:53,230 JUST MAKE SURE THE PHOTO RUNS FRONT AND CENTER. 116 00:04:53,230 --> 00:04:55,732 YES, SIR. 117 00:04:55,732 --> 00:04:57,114 LET ME SEE THAT. 118 00:05:04,662 --> 00:05:05,623 HI, THERE. 119 00:05:05,623 --> 00:05:08,165 HI. 120 00:05:08,165 --> 00:05:10,378 MAN, NICE WHEELS, HUH? 121 00:05:10,378 --> 00:05:11,669 LOOKS EXPENSIVE. 122 00:05:11,669 --> 00:05:14,212 SURE. 123 00:05:14,212 --> 00:05:16,925 JIMMY LOVETT. 124 00:05:16,925 --> 00:05:18,676 UH, NEIGHBOR. 125 00:05:18,676 --> 00:05:20,178 YOU LIVE AROUND HERE? 126 00:05:20,178 --> 00:05:22,220 NO, I'M JUST, UH, VISITING. 127 00:05:24,262 --> 00:05:26,144 EXCUSE ME. 128 00:05:26,144 --> 00:05:27,145 OH! 129 00:05:27,145 --> 00:05:28,397 [ LAUGHS ] 130 00:05:33,692 --> 00:05:35,564 [ ENGINE TURNS OVER ] 131 00:05:35,564 --> 00:05:37,156 SEE YA. 132 00:05:37,156 --> 00:05:38,527 YEAH, I'LL SEE YA. 133 00:05:48,498 --> 00:05:51,251 ♪♪ 134 00:05:59,389 --> 00:06:01,722 [ INDISTINCT TALKING ] 135 00:06:04,555 --> 00:06:05,686 HEY, BETTY. 136 00:06:05,686 --> 00:06:07,057 [ SIGHS ] 137 00:06:07,057 --> 00:06:08,689 WHAT A NICE SURPRISE. 138 00:06:08,689 --> 00:06:10,481 IS IT REALLY? 139 00:06:10,481 --> 00:06:11,602 Kent: HI, THERE. 140 00:06:11,602 --> 00:06:12,853 HI. HEY, BABE. 141 00:06:12,853 --> 00:06:14,235 JIMMY, IT'S NICE TO SEE YOU AGAIN. 142 00:06:14,235 --> 00:06:16,067 YOU'VE MET. 143 00:06:16,067 --> 00:06:17,859 YEAH. THAT'S NICE. 144 00:06:17,859 --> 00:06:20,651 JIMMY IS...HERE WITH HIS KIDS. 145 00:06:20,651 --> 00:06:21,823 OH. 146 00:06:21,823 --> 00:06:23,154 YEAH, OVER THERE. 147 00:06:24,956 --> 00:06:27,369 YEAH, LITTLE ONE'S A REAL WIMP. 148 00:06:27,369 --> 00:06:29,421 YEAH, WELL, MOST CHILDREN MODEL THEIR BEHAVIOR 149 00:06:29,421 --> 00:06:31,713 ON THE SAME-SEX PARENT. 150 00:06:31,713 --> 00:06:34,967 I GOT TO GET THESE OUT OF THE SUN BEFORE THEY MELT. 151 00:06:34,967 --> 00:06:36,588 MM, SEE YA. 152 00:06:39,932 --> 00:06:42,224 SO THAT'S YOUR NEW BOYFRIEND, HUH? 153 00:06:42,224 --> 00:06:45,177 UM, IT'S NONE OF YOUR BUSINESS. 154 00:06:45,177 --> 00:06:47,390 WELL, I THINK IT IS. 155 00:06:47,390 --> 00:06:48,941 OUR KIDS PLAY TOGETHER. 156 00:06:48,941 --> 00:06:50,773 I'M GUESSING HE'S GONNA BE AROUND A LOT. 157 00:06:50,773 --> 00:06:54,857 YOU KNOW, WE DON'T WANT A BAD ELEMENT IN THE NEIGHBORHOOD. 158 00:06:54,857 --> 00:06:56,449 WHAT ARE YOU SAYING? 159 00:06:56,449 --> 00:06:58,361 OH, COME ON. LIKE YOU DIDN'T KNOW. 160 00:06:58,361 --> 00:07:00,153 DIFFERENT CARS EVERY DAY? 161 00:07:00,153 --> 00:07:02,746 THAT JAG, THE FURY, THE HOURS HE KEEPS. 162 00:07:02,746 --> 00:07:05,328 WHOO! [ LAUGHS ] 163 00:07:05,328 --> 00:07:08,291 YEAH, IT TOOK ME A WHILE, BUT I FINALLY FIGURED IT OUT. 164 00:07:08,291 --> 00:07:11,205 YOUR HUNK IS A DRUG DEALER. 165 00:07:11,205 --> 00:07:13,257 [ LAUGHS ] 166 00:07:13,257 --> 00:07:14,758 HE'S A DRUG DEALER? 167 00:07:14,758 --> 00:07:15,799 YEAH. HMM. 168 00:07:15,799 --> 00:07:17,591 AND I CAN'T HAVE NO DOPE PUSHER 169 00:07:17,591 --> 00:07:19,553 COMING INTO THIS NEIGHBORHOOD. 170 00:07:19,553 --> 00:07:21,676 SO I'M ASKING RON TO LOOK INTO IT. 171 00:07:21,676 --> 00:07:23,638 RON? 172 00:07:23,638 --> 00:07:27,562 MY COUSIN IN THE LAPD. 173 00:07:27,562 --> 00:07:29,354 YOU CALLED THE POLICE? 174 00:07:29,354 --> 00:07:32,397 MM-HMM. RON'LL LOOK AT KENT HARD. 175 00:07:32,397 --> 00:07:34,649 EVERYTHING -- HIS WORK, HIS HOME. 176 00:07:34,649 --> 00:07:36,821 MAN HAS SECRETS. 177 00:07:36,821 --> 00:07:39,234 THEY GOT A WAY OF COMING OUT. 178 00:07:39,234 --> 00:07:40,495 JIMMY, KENT IS NOT A DRUG DEALER. 179 00:07:40,495 --> 00:07:42,157 MAYBE THAT'S WHAT HE'S TELLING YOU, 180 00:07:42,157 --> 00:07:43,789 BUT DO YOU THINK THE POLICE WILL BELIEVE YOU DIDN'T REALLY KNOW? 181 00:07:43,789 --> 00:07:46,291 PROBABLY NOT. W-- SHOOT. 182 00:07:46,291 --> 00:07:48,374 I WONDER IF THEY'LL TAKE YOUR KIDS STRAIGHT AWAY 183 00:07:48,374 --> 00:07:50,416 OR WILL THEY GIVE YOU A HEARING OR SOMETHING. 184 00:07:50,416 --> 00:07:51,917 NO ONE'S TAKING MY KIDS ANYWHERE. 185 00:07:51,917 --> 00:07:53,549 KENT'S DIRTY -- THEY'D BE STUPID 186 00:07:53,549 --> 00:07:55,461 NOT TO LOOK AT THE GIRLFRIEND, RIGHT? 187 00:07:55,461 --> 00:07:59,055 MAYBE ARREST HER, GET HER TO TESTIFY. 188 00:07:59,055 --> 00:08:01,517 THAT'S WHEN CHILD SERVICES SWOOPS IN. 189 00:08:01,517 --> 00:08:03,019 [ LAUGHING ] 190 00:08:03,019 --> 00:08:05,892 WHOOP! 191 00:08:05,892 --> 00:08:10,146 BUT HEY, LOOK. I JUST WANTED TO WARN YOU, 192 00:08:10,146 --> 00:08:13,690 'CAUSE I'M ALWAYS LOOKING OUT FOR YOU. 193 00:08:13,690 --> 00:08:17,114 'CAUSE THAT'S WHAT FRIENDS ARE FOR. 194 00:08:17,114 --> 00:08:19,616 YOU KNOW WHAT ELSE FRIENDS ARE FOR? 195 00:08:19,616 --> 00:08:22,539 JUST BEING SWEET TO EACH OTHER. 196 00:08:22,539 --> 00:08:25,082 MMM. 197 00:08:25,082 --> 00:08:27,334 [ INHALES DEEPLY ] 198 00:08:27,334 --> 00:08:30,207 ONE NIGHT OF FUN, BETTY... 199 00:08:32,670 --> 00:08:35,293 THEN I'LL LEAVE YOU AND YOUR BOYFRIEND ALONE. 200 00:08:36,844 --> 00:08:38,296 I'LL TELL YOUR WIFE. 201 00:08:38,296 --> 00:08:40,218 [ LAUGHS ] 202 00:08:40,218 --> 00:08:42,260 IT WOULDN'T BE THE FIRST TIME. 203 00:08:45,263 --> 00:08:46,645 MM. 204 00:08:48,767 --> 00:08:52,771 SO TONIGHT, AROUND 6:00... 205 00:08:52,771 --> 00:08:54,773 MY PLACE. 206 00:08:54,773 --> 00:08:56,775 WIFE'LL BE AT WORK. 207 00:08:56,775 --> 00:08:58,317 [ MOANS ] 208 00:08:59,578 --> 00:09:00,579 [ SMOOCHES ] 209 00:09:19,219 --> 00:09:20,931 HERE'S THE PAPER YOU LIKE. 210 00:09:20,931 --> 00:09:22,432 THANKS, DAVE. 211 00:09:22,432 --> 00:09:25,475 I DON'T KNOW WHY YOU LIKE LOOKING AT ALL THAT GORE 212 00:09:25,475 --> 00:09:27,608 WHEN THE NEW PLAYBOY JUST CAME OUT. 213 00:09:27,608 --> 00:09:29,940 FIND THIS WORLD INTRIGUING. 214 00:09:29,940 --> 00:09:32,813 SO, UH, DIFFERENT FROM OURS. 215 00:09:32,813 --> 00:09:35,616 GUYS, WHOA. 216 00:09:39,570 --> 00:09:41,282 ♪♪ 217 00:09:48,039 --> 00:09:49,871 [ PHONE RINGS ] 218 00:09:54,796 --> 00:09:57,469 Paco: HEY, JACK, SOME CHICK IN THE VALLEY 219 00:09:57,469 --> 00:10:00,262 IS CLAIMING SHE KNOWS YOUR GUY COOPER. 220 00:10:00,262 --> 00:10:03,225 SO THIS IS THE COOPER THAT YOU KNEW IN JUNIOR HIGH. 221 00:10:03,225 --> 00:10:05,267 DO YOU THINK THE NEWS STATIONS WANT TO TALK TO ME TOO? 222 00:10:05,267 --> 00:10:06,939 MA'AM, THE PHOTO. 223 00:10:06,939 --> 00:10:09,311 YEAH, YEAH. THAT'S COOPER FLYNN. 224 00:10:09,311 --> 00:10:12,445 "FLYNN". YOU SURE ABOUT THAT? 225 00:10:12,445 --> 00:10:14,447 DO YOU WANT TO HEAR THE STORY OR NOT? 226 00:10:14,447 --> 00:10:16,239 OF COURSE I'M SURE. 227 00:10:16,239 --> 00:10:17,860 I HAD TO SIT ACROSS THE KITCHEN TABLE 228 00:10:17,860 --> 00:10:19,452 FROM HIS GEEKY FACE FOR LIKE A MONTH. 229 00:10:19,452 --> 00:10:21,034 HE TUTORED ME IN SCIENCE CLASS. 230 00:10:21,034 --> 00:10:23,907 OKAY, SO COOPER WAS A SMART KID? 231 00:10:23,907 --> 00:10:25,999 IF BY SMART YOU MEAN "LOSER," YES. 232 00:10:28,792 --> 00:10:31,915 I WAS A FINALIST AT THE LOS ANGELES 233 00:10:31,915 --> 00:10:34,838 CHEERLEADER CHAMPIONSHIP IN SEVENTH GRADE. 234 00:10:34,838 --> 00:10:36,470 I HAD OTHER THINGS GOING ON 235 00:10:36,470 --> 00:10:39,013 BESIDES THE PERIODIC TABLE, YOU KNOW? 236 00:10:39,013 --> 00:10:39,883 I BET YOU WERE AMAZING. 237 00:10:39,883 --> 00:10:41,685 I STILL AM. 238 00:10:41,685 --> 00:10:44,428 NOW, YOU SAY THAT HE TUTORED YOU AT HIS HOUSE. 239 00:10:44,428 --> 00:10:45,639 YEP. 240 00:10:45,639 --> 00:10:47,481 WHAT DO YOU REMEMBER ABOUT THAT? 241 00:10:47,481 --> 00:10:49,854 HIS GRANDFATHER SMELLED LIKE PEE AND MOTHBALLS. 242 00:10:49,854 --> 00:10:52,567 AND COOPER BUILT THOSE STUPID MODEL CARS. 243 00:10:52,567 --> 00:10:53,648 [ CHUCKLES ] 244 00:10:53,648 --> 00:10:55,149 FINALLY, A REAL LEAD. YEAH. 245 00:10:55,149 --> 00:10:56,701 FLYNN -- AN ACTUAL LAST NAME. 246 00:10:56,701 --> 00:10:58,363 OKAY, I'LL PUT BUKOWSKI ON IT -- 247 00:10:58,363 --> 00:11:00,325 SEE IF WE CAN GET A SOCIAL OR BIRTH CERTIFICATE. 248 00:11:00,325 --> 00:11:01,947 AND DON'T FORGET, WE NOW KNOW 249 00:11:01,947 --> 00:11:03,829 HE WAS A LOSER WHO BUILT MODEL CARS. 250 00:11:03,829 --> 00:11:06,251 YOU KNOW, THERE'S NOTHING WRONG WITH BUILDING MODEL CARS, OKAY? 251 00:11:06,251 --> 00:11:07,753 IT PROMOTES DISCIPLINE, FOCUS. 252 00:11:07,753 --> 00:11:08,954 GIVE ME BUKOWSKI, ASAP. 253 00:11:08,954 --> 00:11:10,375 Man: YES, SIR. 254 00:11:10,375 --> 00:11:11,957 YOU GET A MESSAGE FROM DIVER... 255 00:11:11,957 --> 00:11:14,260 HOPING YOU'LL GIVE HIM ANOTHER VALUABLE PIECE OF EVIDENCE? 256 00:11:14,260 --> 00:11:15,881 YOU KNOW, WE WOULD'VE NEVER FOUND BUCKET 257 00:11:15,881 --> 00:11:17,923 HAD IT NOT BEEN FOR THAT TRADE. REMEMBER THAT. 258 00:11:17,923 --> 00:11:20,806 YEAH, WELL, DIVER'S LOOKING FOR A DEAD MAN. 259 00:11:20,806 --> 00:11:21,928 YOU KNOW, GRAHAM OFFED HIM... 260 00:11:21,928 --> 00:11:23,559 RIGHT IN FRONT OF DIANE. 261 00:11:23,559 --> 00:11:24,470 REALLY? 262 00:11:24,470 --> 00:11:25,682 YEAH. 263 00:11:25,682 --> 00:11:27,604 DAMN. 264 00:11:27,604 --> 00:11:30,276 YEAH, WELL, THAT GUY'S A MANIAC ANYWAY. 265 00:11:30,276 --> 00:11:32,859 NAH, THIS WAS JUST, UH, FAMILY STUFF. 266 00:11:32,859 --> 00:11:35,362 MY WIFE -- SOON TO BE EX-WIFE -- 267 00:11:35,362 --> 00:11:37,864 I TOLD HER THAT I CAN'T PICK UP MY KIDS TONIGHT, 268 00:11:37,864 --> 00:11:39,696 AND SHE'S NOT TOO HAPPY ABOUT THAT. 269 00:11:41,488 --> 00:11:42,870 HOW LONG'S IT BEEN? 270 00:11:42,870 --> 00:11:46,043 WELL, WE'VE BEEN SEPARATED OVER A YEAR NOW. 271 00:11:46,043 --> 00:11:48,916 NOT MY CHOICE, BUT DEFINITELY MY FAULT. 272 00:11:48,916 --> 00:11:51,959 LET ME GUESS -- YOU'RE HARD TO LIVE WITH. 273 00:11:51,959 --> 00:11:55,052 I HAVE MY DEMONS. 274 00:11:56,173 --> 00:11:58,346 DON'T ALL COPS? 275 00:11:58,346 --> 00:12:01,179 YEAH, ONLY MINE AFFECTED MY SON. 276 00:12:01,179 --> 00:12:03,471 HE HAS NIGHT TERRORS NOW. 277 00:12:03,471 --> 00:12:06,815 THAT SUCKS. 278 00:12:08,647 --> 00:12:10,979 YOU KNOW, WE THINK THAT THE SELFISH THINGS 279 00:12:10,979 --> 00:12:12,360 THAT WE DO TO CUT LOOSE, 280 00:12:12,360 --> 00:12:15,574 JUST GET OUT OF OUR OWN HEAD, THAT IT WON'T AFFECT US. 281 00:12:15,574 --> 00:12:17,906 WE CONTROL IT, BUT... 282 00:12:17,906 --> 00:12:22,331 THEN WE LOSE THE THING THAT WE ACTUALLY NEED -- OUR FAMILY. 283 00:12:26,165 --> 00:12:28,337 [ WHISTLING ] 284 00:12:30,540 --> 00:12:32,592 [ PHONE RINGS ] 285 00:12:35,214 --> 00:12:36,886 HELLO AND GOOD EVENING. 286 00:12:36,886 --> 00:12:38,968 HI. YOU SOUND CHIPPER. 287 00:12:38,968 --> 00:12:42,392 You're not worried about that article in the paper? 288 00:12:42,392 --> 00:12:44,434 THAT PICTURE IS OF YOU, ISN'T IT? 289 00:12:44,434 --> 00:12:46,316 I-I DIDN'T KNOW YOUR NAME WAS REALLY COOPER. 290 00:12:46,316 --> 00:12:48,438 YOU KNOW, I ALWAYS PREFERRED KENT. 291 00:12:48,438 --> 00:12:50,150 I THOUGHT IT SOUNDED COOL. 292 00:12:50,150 --> 00:12:51,902 PLUS, IT'S WHAT YOU CALL ME. 293 00:12:51,902 --> 00:12:53,734 THAT'S WHY I NEVER TOLD YOU. 294 00:12:53,734 --> 00:12:55,446 Don't worry about the story. 295 00:12:55,446 --> 00:12:57,448 It doesn't matter. I promise. 296 00:12:57,448 --> 00:12:59,240 So what are you doing tonight? 297 00:12:59,240 --> 00:13:01,872 I'M GONNA BE WATCHING "LOVE BOAT"... 298 00:13:01,872 --> 00:13:04,575 a little "Fantasy Island" if I'm feeling adventurous. 299 00:13:04,575 --> 00:13:06,287 WELL, DON'T BE TOO ADVENTUROUS WITHOUT ME. 300 00:13:06,287 --> 00:13:09,460 NEVER. 301 00:13:09,460 --> 00:13:10,752 So, you coming over? 302 00:13:10,752 --> 00:13:12,173 PROBABLY NOT. 303 00:13:12,173 --> 00:13:14,926 DEPENDS HOW LONG THIS PROJECT TAKES. 304 00:13:14,926 --> 00:13:18,180 SOMETIMES THESE THINGS CAN GET A LITTLE MESSY. 305 00:13:18,180 --> 00:13:19,511 AND BETTY, 306 00:13:19,511 --> 00:13:21,393 about your friend Jimmy. 307 00:13:21,393 --> 00:13:22,644 HE'S NOT MY FRIEND. 308 00:13:22,644 --> 00:13:24,436 Well, he was, though, right? 309 00:13:24,436 --> 00:13:27,309 I MEAN, YOU GUYS DATED. I COULD TELL. 310 00:13:27,309 --> 00:13:29,692 Look, it's okay. 311 00:13:29,692 --> 00:13:32,024 I JUST DON'T THINK HE'S VERY GOOD FOR THE KIDS. 312 00:13:32,024 --> 00:13:34,367 That's all. 313 00:13:34,367 --> 00:13:35,868 I don't really care for him. 314 00:13:35,868 --> 00:13:37,530 [ SIGHS ] NEITHER DO I. 315 00:13:37,530 --> 00:13:41,534 I DON'T CARE ABOUT YOUR PAST. I CARE ABOUT YOUR FUTURE. 316 00:13:41,534 --> 00:13:45,458 KENT. 317 00:13:45,458 --> 00:13:47,500 YOU KNOW I'D DO ANYTHING FOR YOU. 318 00:13:47,500 --> 00:13:50,123 LIKEWISE. 319 00:13:50,123 --> 00:13:51,334 ANYTHING. 320 00:13:51,334 --> 00:13:54,758 I'll see you. 321 00:13:54,758 --> 00:13:57,801 BYE. 322 00:13:57,801 --> 00:14:00,344 [ Dial tone ] 323 00:14:03,727 --> 00:14:05,189 [ SIGHS ] 324 00:14:10,064 --> 00:14:11,405 [ WHISTLES ] 325 00:14:13,528 --> 00:14:15,990 ♪♪ 326 00:14:19,864 --> 00:14:21,496 [ KNOCK ON DOOR ] 327 00:14:21,496 --> 00:14:22,917 I -- I GOT IT! 328 00:14:31,506 --> 00:14:34,339 [ SIGHS ] 329 00:14:34,339 --> 00:14:36,762 WIFE CAME HOME EARLY. SHE GOT A COLD OR SOMETHING. 330 00:14:36,762 --> 00:14:38,554 COME ON. WE'RE GONNA HAVE TO TAKE THIS PARTY ELSEWHERE. 331 00:14:38,554 --> 00:14:41,016 COME ON. OR WE COULD JUST CANCEL. 332 00:14:41,016 --> 00:14:43,559 MAYBE IT'S A SIGN IT WASN'T MEANT TO BE. 333 00:14:43,559 --> 00:14:45,231 BABY, COME ON. 334 00:14:45,231 --> 00:14:47,273 I'M GONNA DO MY BEST WORK ON YOU. 335 00:14:47,273 --> 00:14:48,564 YOU'RE GONNA LOVE IT. 336 00:14:51,237 --> 00:14:53,149 Jack: SO, HOW WAS THE CONCERT, HONEY? 337 00:14:53,149 --> 00:14:54,451 STING IS A GOD. 338 00:14:54,451 --> 00:14:56,242 I SERIOUSLY THINK HE LOOKED AT ME. 339 00:14:56,242 --> 00:14:58,405 WELL, YOU KNOW WHAT? I'M SURE HE DID. 340 00:14:58,405 --> 00:15:01,077 HOW CAN YOU HATE A BAND CALLED "THE POLICE"? 341 00:15:01,077 --> 00:15:05,913 [ CHUCKLES ] UH, BECAUSE THEY'RE NOT. 342 00:15:05,913 --> 00:15:08,705 WELL, THIS MAY BE YOUR LAST CONCERT PICK-UP, 343 00:15:08,705 --> 00:15:11,759 BECAUSE IN THREE MONTHS, I'LL BE DRIVING MYSELF. 344 00:15:11,759 --> 00:15:13,511 THREE MONTHS? THAT'S NOT POSSIBLE. 345 00:15:13,511 --> 00:15:15,132 NO. YOUR -- YOUR MATH IS OFF. 346 00:15:15,132 --> 00:15:16,303 WHAT? THREE MONTHS? 347 00:15:16,303 --> 00:15:17,805 CAST YOUR MIND WAY BACK -- 348 00:15:17,805 --> 00:15:20,308 15 YEARS AND 9 MONTHS AGO -- WHEN I WAS BORN? 349 00:15:20,308 --> 00:15:22,640 [ SIGHS ] THIS IS LIKE MY FAVORITE TIME. 350 00:15:22,640 --> 00:15:24,983 YOU KNOW, IT'S OUR CHANCE TO JUST CHILL TOGETHER. 351 00:15:24,983 --> 00:15:26,394 DON'T SAY "CHILL," DAD. 352 00:15:26,394 --> 00:15:28,226 THAT'S TOTALLY GEEKY COMING FROM YOU. 353 00:15:28,226 --> 00:15:30,148 OH [CHUCKLES] TOTALLY. AND DON'T WORRY. 354 00:15:30,148 --> 00:15:31,650 YOU CAN TAKE MOM TO A CONCERT, 355 00:15:31,650 --> 00:15:33,321 LIKE, I DON'T KNOW, BARRY MANILOW. 356 00:15:33,321 --> 00:15:36,945 TRY ZEPPELIN. 357 00:15:36,945 --> 00:15:39,368 LOOK, THREE MONTHS -- I'M DRIVING. 358 00:15:39,368 --> 00:15:40,829 18 MONTHS -- I GRADUATE FROM HIGH SCHOOL, 359 00:15:40,829 --> 00:15:42,161 AND IN TWO YEARS, I'M OFF TO COLLEGE. 360 00:15:42,161 --> 00:15:43,792 HEY, I KNOW THIS. 361 00:15:43,792 --> 00:15:44,873 WHAT ARE YOU TRYING TO DO? YOU WANT TO SEE ME CRY? 362 00:15:44,873 --> 00:15:46,205 JUST GET USED TO IT. 363 00:15:46,205 --> 00:15:48,878 SOON, IT'LL JUST BE YOU AND MOM... OKAY. 364 00:15:48,878 --> 00:15:50,670 AND BARRY MANILOW. 365 00:15:50,670 --> 00:15:52,301 [ CHUCKLES ] AND BARRY MANILOW. 366 00:15:52,301 --> 00:15:54,463 THANK YOU. YOU KNOW WHAT? JUST PIPE DOWN. 367 00:15:54,463 --> 00:15:57,807 [ MUSIC PLAYS LIGHTLY ON RADIO ] 368 00:15:57,807 --> 00:16:00,059 UP NEXT, "OVERLOAD" BY TALKING HEADS. 369 00:16:00,059 --> 00:16:04,224 THIS IS FROM RANDALL TO HIS MAIN SQUEEZE, LEILA. 370 00:16:04,224 --> 00:16:05,855 WHY DO PEOPLE DO THESE DEDICATIONS? 371 00:16:05,855 --> 00:16:08,268 I MEAN, H-HOW DO THEY EVEN KNOW THE PERSON IS LISTENING? 372 00:16:08,268 --> 00:16:09,649 BECAUSE YOU TELL THEM TO. 373 00:16:09,649 --> 00:16:11,071 YOU SET THE WHOLE THING UP 374 00:16:11,071 --> 00:16:13,864 SO THEY'RE RIGHT THERE LISTENING WHEN THE SONG COMES ON. 375 00:16:13,864 --> 00:16:16,867 [ THE TALKING HEADS' "THE OVERLOAD" PLAYS ] 376 00:16:34,345 --> 00:16:37,469 ♪ TERRIBLE SIGNAL ♪ 377 00:16:37,469 --> 00:16:39,260 Jack: THE RADIO DEDICATIONS -- 378 00:16:39,260 --> 00:16:41,603 LIKE "FOR EMILY F., FROM YOUR SECRET ADMIRER" -- 379 00:16:41,603 --> 00:16:44,106 THE KILLER IS WITH THE WOMEN WHEN THE DEDICATIONS COME ON. 380 00:16:44,106 --> 00:16:45,397 OKAY, SO WHAT. 381 00:16:45,397 --> 00:16:47,149 SO, WE CALLED THE RADIO STATION, 382 00:16:47,149 --> 00:16:48,690 AND THE TIMELINES MATCH EXACTLY. 383 00:16:48,690 --> 00:16:50,112 I MEAN, JUST THINK ABOUT IT. 384 00:16:50,112 --> 00:16:52,194 THE SLAYER, HE LEAVES THE CLUB WITH THE VICTIM, 385 00:16:52,194 --> 00:16:54,366 DRIVES HER IN HIS CAR, SHE HEARS THE DEDICATION... 386 00:16:54,366 --> 00:16:55,528 THEN HE KILLS HER IN THAT CAR. 387 00:16:55,528 --> 00:16:57,079 SO IT'S A BIG HONKING MESS. 388 00:16:57,079 --> 00:16:59,241 EXACTLY, THAT'S WHY HE NEEDS ALL THESE DIFFERENT VEHICLES, 389 00:16:59,241 --> 00:17:00,583 BECAUSE THEY'RE TRASHED AFTERWARDS. 390 00:17:00,583 --> 00:17:02,535 ALL RIGHT. MILLER AND I WILL GET BACK 391 00:17:02,535 --> 00:17:04,377 INTO THE STOLEN VEHICLE REPORTS. 392 00:17:04,377 --> 00:17:06,539 OKAY, I'LL TAKE USED CAR DEALERSHIPS. JUNKYARDS? 393 00:17:06,539 --> 00:17:08,591 SURE, GIVE THE MEXICAN THE SCRAP YARDS. 394 00:17:08,591 --> 00:17:10,673 YOU SAID THAT, NOT ME. 395 00:17:10,673 --> 00:17:13,967 TOUCH BASE IF YOU FIND ANYTHING. 396 00:17:13,967 --> 00:17:17,300 [ "THE OVERLOAD" CONTINUES ] 397 00:17:17,300 --> 00:17:22,226 ♪ I VALUE THESE MOMENTS ♪ 398 00:17:25,109 --> 00:17:29,904 ♪ WE'RE OLDER THAN ♪ 399 00:17:29,904 --> 00:17:35,409 ♪ WE REALIZE ♪ 400 00:17:38,242 --> 00:17:43,127 ♪ IN SOMEONE'S EYES ♪ 401 00:17:52,758 --> 00:17:54,259 [ MOANS SOFTLY ] 402 00:18:02,768 --> 00:18:06,022 [ GASPS ] 403 00:18:06,022 --> 00:18:08,274 HI, KAREN McCLAREN. 404 00:18:14,991 --> 00:18:16,072 [ BREATHING HEAVILY ] 405 00:18:18,034 --> 00:18:19,406 HOW DID YOU GET IN? 406 00:18:19,406 --> 00:18:20,957 YOU ROOMMATE'S WINDOW. 407 00:18:20,957 --> 00:18:25,172 SHE LEFT IT OPEN, WHILE SHE'S OUT CLUBBING. 408 00:18:25,172 --> 00:18:28,875 SO HER ROOM WOULD BE COOL, SCREW EVERYBODY ELSE. 409 00:18:28,875 --> 00:18:31,628 SELFISH. 410 00:18:31,628 --> 00:18:36,383 DOESN'T SHE KNOW IT'S A DANGEROUS WORLD OUT THERE? 411 00:18:43,851 --> 00:18:45,603 [ CLICKS ] 412 00:18:45,603 --> 00:18:47,735 I PULLED THE FUSE BOX. 413 00:18:47,735 --> 00:18:51,860 YOU DON'T WANT TO GET A GOOD LOOK AT MY FACE, KAREN. 414 00:18:51,860 --> 00:18:53,942 THAT WOULD BE A PROBLEM. 415 00:18:56,865 --> 00:18:58,036 DO YOU UNDERSTAND? 416 00:18:59,908 --> 00:19:01,540 YEAH. 417 00:19:01,540 --> 00:19:03,212 ATTAGIRL. [ GASPS ] 418 00:19:12,962 --> 00:19:15,264 WHY ARE YOU HERE? 419 00:19:15,264 --> 00:19:18,137 I SAW SOMETHING IN YOU, KAREN, 420 00:19:18,137 --> 00:19:20,560 SOMETHING WORTHY. 421 00:19:20,560 --> 00:19:24,274 AND THEN YOU PRINT THAT PHOTO OF ME -- 422 00:19:24,274 --> 00:19:26,436 PUT ME AT RISK. 423 00:19:26,436 --> 00:19:27,978 THEY PRESSURED US. THE POLICE -- 424 00:19:27,978 --> 00:19:29,819 YOU'RE MINE... 425 00:19:29,819 --> 00:19:31,401 NOT JACK ROTH'S. YOU'RE MINE. 426 00:19:33,864 --> 00:19:34,985 I'M SORRY. 427 00:19:34,985 --> 00:19:35,826 THEN PROVE IT. 428 00:19:38,829 --> 00:19:41,622 BE MY VOICE, NOT THEIRS. 429 00:19:46,957 --> 00:19:49,300 THEN YOU HAVE TO SHARE SOMETHING WITH ME... 430 00:19:49,300 --> 00:19:51,052 ABOUT YOU -- SOMETHING REAL. 431 00:19:53,885 --> 00:19:56,007 [ SIGHS ] 432 00:19:58,510 --> 00:20:00,602 HOW ABOUT AN INTERVIEW? 433 00:20:05,437 --> 00:20:07,479 [ THE ROLLING STONES' "PLAY WITH FIRE" PLAYS ] 434 00:20:07,479 --> 00:20:11,403 ♪ WELL, YOU GOT YOUR DIAMONDS ♪ 435 00:20:11,403 --> 00:20:15,988 ♪ AND YOU GOT YOUR PRETTY CLOTHES ♪ 436 00:20:15,988 --> 00:20:20,372 ♪ AND THE CHAUFFEUR DRIVES YOUR CAR ♪ 437 00:20:20,372 --> 00:20:24,997 ♪ YOU LET EVERYBODY KNOW ♪ 438 00:20:24,997 --> 00:20:28,961 ♪ BUT DON'T PLAY WITH ME ♪ 439 00:20:28,961 --> 00:20:31,714 ♪ 'CAUSE YOU'RE PLAYING WITH FIRE ♪ CHEERS. 440 00:20:31,714 --> 00:20:33,716 HEY. 441 00:20:33,716 --> 00:20:36,509 YOU PAGED. 442 00:20:36,509 --> 00:20:38,552 HOW ABOUT A DRINK? 443 00:20:38,552 --> 00:20:41,224 I'M ON THE CLOCK, SO ABSOLUTELY. 444 00:20:43,106 --> 00:20:45,359 I THINK I GOT SOMETHING. 445 00:20:45,359 --> 00:20:47,321 CALVIN, ONE OF MY GUYS, 446 00:20:47,321 --> 00:20:50,734 SOLD FLY BRAND TO A GUY IN A RED CORVETTE LAST WEEK. 447 00:20:50,734 --> 00:20:52,867 CALVIN'S GOT A SERIOUS THING FOR VETTES -- 448 00:20:52,867 --> 00:20:53,988 SAID IT WAS A BEAUTY. 449 00:20:53,988 --> 00:20:56,661 DID YOU GET A DESCRIPTION OF THE GUY? 450 00:20:56,661 --> 00:20:59,624 HE SAID HE WAS WEARING GLASSES AND A FEDORA, 451 00:20:59,624 --> 00:21:02,126 LIKE HE WAS TRYING TO HIDE HIS FACE. 452 00:21:02,126 --> 00:21:03,838 THAT'S OUR GUY. 453 00:21:03,838 --> 00:21:08,843 ♪ ...WITH ME, 'CAUSE YOU'RE PLAYING WITH FIRE ♪ 454 00:21:11,296 --> 00:21:13,048 HEY, D-MAN, YOU SEEN BUCKET? 455 00:21:13,048 --> 00:21:14,549 NO, MAN. HAVEN'T. 456 00:21:14,549 --> 00:21:16,141 ♪ ...'CAUSE YOU'RE PLAYING WITH FIRE ♪ 457 00:21:16,141 --> 00:21:17,262 [ SIGHS ] 458 00:21:20,185 --> 00:21:22,558 [ CHUCKLES ] WHAT? 459 00:21:22,558 --> 00:21:25,311 THAT'S ALL I GOT. 460 00:21:25,311 --> 00:21:27,483 [ CHUCKLES ] 461 00:21:27,483 --> 00:21:29,735 WHAT ARE WE DOING? 462 00:21:29,735 --> 00:21:32,658 I'M GIVING YOU VALUABLE INFORMATION, 463 00:21:32,658 --> 00:21:33,779 AND YOU'RE DRINKING SCOTCH. 464 00:21:36,112 --> 00:21:37,784 I MEAN US. 465 00:21:37,784 --> 00:21:39,746 ♪ SO DON'T PLAY WITH ME... ♪ 466 00:21:39,746 --> 00:21:45,422 DON'T YOU EVER THINK ABOUT, YOU KNOW, THE FUTURE? 467 00:21:45,422 --> 00:21:47,884 THE FUTURE? 468 00:21:47,884 --> 00:21:51,508 YOU KNOW, SHOULDN'T WE AT LEAST TALK ABOUT IT? 469 00:21:51,508 --> 00:21:54,131 NO, JACK, YOU'RE NOT DOING THIS TO ME. 470 00:21:55,432 --> 00:21:57,725 YO, SKEEVE, MY MAN. [ CHUCKLES ] 471 00:21:57,725 --> 00:21:59,186 YOU SEEN BUCKET? 472 00:21:59,186 --> 00:22:00,808 BUCKET? 473 00:22:00,808 --> 00:22:02,229 NOBODY SEEN BUCKET SINCE THE GIRL TOOK OVER THE ROUTE. 474 00:22:02,229 --> 00:22:03,100 WHAT GIRL? 475 00:22:09,357 --> 00:22:12,360 DIANE, WOULD YOU STOP FOR A SECOND, PLEASE? 476 00:22:12,360 --> 00:22:14,953 THERE IS NO THINKING ABOUT US. 477 00:22:14,953 --> 00:22:16,074 OKAY, WELL I JUST -- 478 00:22:16,074 --> 00:22:19,287 LOOK. I LIKE WHAT WE HAVE. 479 00:22:19,287 --> 00:22:21,419 IT'S GOOD. 480 00:22:21,419 --> 00:22:23,331 LET'S NOT MAKE THIS INTO SOMETHING IT CAN NEVER BE. 481 00:22:32,761 --> 00:22:34,723 OH, WOW. 482 00:22:34,723 --> 00:22:36,555 AIN'T THAT A THING? 483 00:22:45,315 --> 00:22:46,486 TURN THE CHAIR AROUND, KAREN. 484 00:22:46,486 --> 00:22:48,027 DO IT. 485 00:22:59,159 --> 00:23:04,164 SO, KAREN McCLAREN. THE RHYME NEVER BUGGED YOU? 486 00:23:06,467 --> 00:23:08,169 IT'S BETTER THAN KIKI. 487 00:23:08,169 --> 00:23:10,471 GROWING UP, UNTIL L.A., ACTUALLY, 488 00:23:10,471 --> 00:23:12,673 I'VE ALWAYS BEEN KIKI. KIKI. 489 00:23:12,673 --> 00:23:14,425 BUT KAREN IS FOR A JOURNALIST -- 490 00:23:14,425 --> 00:23:15,927 SOMEONE WHO IS TAKEN SERIOUSLY. 491 00:23:15,927 --> 00:23:18,139 WELL, I'M SURE NOBODY WOULD CALL YOU ANYTHING 492 00:23:18,139 --> 00:23:20,852 BUT VERY, VERY SERIOUS. 493 00:23:20,852 --> 00:23:21,773 [ INHALES SHARPLY ] 494 00:23:21,773 --> 00:23:24,105 SO, SHALL... 495 00:23:24,105 --> 00:23:26,187 WE...GET STARTED? 496 00:23:29,030 --> 00:23:30,572 HEY. [ GASPS ] 497 00:23:30,572 --> 00:23:31,233 HEY. 498 00:23:33,365 --> 00:23:36,698 GET STARTED WITH THE INTERVIEW, OF COURSE. 499 00:23:37,870 --> 00:23:39,371 [ BREATHES SHAKILY ] 500 00:23:43,746 --> 00:23:47,840 WHY DO YOU KILL THEM -- THE GIRLS -- UH, WOMEN? 501 00:23:47,840 --> 00:23:50,843 WHY DOES ANYBODY DO ANYTHING? BECAUSE IT FEELS GOOD. 502 00:23:52,345 --> 00:23:54,427 SO THEY'RE JUST OBJECTS TO YOU? 503 00:23:54,427 --> 00:23:55,808 THEY DON'T MATTER? 504 00:23:55,808 --> 00:23:58,641 VERA, WANDA, 505 00:23:58,641 --> 00:24:00,814 EMILY, MALLORY, NATASHA -- 506 00:24:00,814 --> 00:24:02,686 THEY MATTER VERY MUCH. 507 00:24:02,686 --> 00:24:05,188 I THINK ABOUT THEM ALL THE TIME. 508 00:24:07,531 --> 00:24:11,115 IT'S THE CITY THAT KILLS THEM, KAREN. 509 00:24:11,115 --> 00:24:14,328 THE STRIP KILLS THEM. 510 00:24:15,659 --> 00:24:21,045 THERE ARE MEN MAKE MILLIONS SELLING DRUGS 511 00:24:21,045 --> 00:24:24,208 THAT TAKE SO MANY INNOCENT GIRLS -- 512 00:24:24,208 --> 00:24:26,591 MANY MORE THAN I EVER COULD. 513 00:24:26,591 --> 00:24:29,754 I DOUBT THE POLICE SEE IT THAT WAY. 514 00:24:29,754 --> 00:24:32,927 THE POLICE -- DETECTIVE ROTH? 515 00:24:32,927 --> 00:24:36,351 HE'S GONNA FAIL. 516 00:24:36,351 --> 00:24:39,474 HE'S GOING TO CATCH YOU. DON'T YOU KNOW THAT? 517 00:24:39,474 --> 00:24:41,226 [ LAUGHS ] 518 00:24:41,226 --> 00:24:44,810 MY, MY. KIKI'S GOT BALLS. 519 00:24:44,810 --> 00:24:46,482 IT'S KAREN. 520 00:24:48,233 --> 00:24:51,237 YOU NEED A NEW LOOK -- 521 00:24:51,237 --> 00:24:55,321 ONE THAT SHOWS WHAT A FORMIDABLE WOMAN YOU'VE BECOME. 522 00:24:55,321 --> 00:24:58,374 NEW NAME, NEW LOOK. 523 00:24:58,374 --> 00:25:03,039 YOU SEE, WITH YOUR HAIR DOWN, YOU LOOK LIKE A GIRL. 524 00:25:11,007 --> 00:25:13,140 BUT LIKE THIS... [ GASPS ] 525 00:25:13,140 --> 00:25:15,222 [ BREATHING SHAKILY ] 526 00:25:22,650 --> 00:25:25,443 LIKE THIS, YOU LOOK SOPHISTICATED... 527 00:25:27,905 --> 00:25:29,697 ...POWERFUL. 528 00:25:32,820 --> 00:25:34,862 THIS... 529 00:25:37,996 --> 00:25:40,128 THIS IS KAREN. 530 00:25:52,090 --> 00:25:54,303 ♪♪ 531 00:25:58,808 --> 00:25:59,849 [ GASPS ] 532 00:26:11,821 --> 00:26:14,164 [ GASPS ] 533 00:26:14,164 --> 00:26:17,247 THERE. 534 00:26:17,247 --> 00:26:18,869 BEAUTIFUL. 535 00:26:18,869 --> 00:26:20,290 [ BREATHING HEAVILY ] 536 00:26:23,584 --> 00:26:25,716 YOU HAVEN'T GIVEN ME ANYTHING YET -- 537 00:26:25,716 --> 00:26:26,757 NO NEW INFORMATION. 538 00:26:26,757 --> 00:26:29,219 SURE I HAVE. 539 00:26:29,219 --> 00:26:30,801 CAN YOU FIGURE IT OUT? 540 00:26:30,801 --> 00:26:34,685 AND YOU CAN DO SOMETHING FOR ME -- 541 00:26:34,685 --> 00:26:37,428 TELL JACK ROTH I SAID "HI." 542 00:26:39,851 --> 00:26:41,853 WHAT IS IT ABOUT JACK ROTH? 543 00:26:41,853 --> 00:26:43,895 WHY ARE YOU OBSESSED WITH HIM? 544 00:26:43,895 --> 00:26:46,107 IS IT PERSONAL? 545 00:26:49,491 --> 00:26:51,243 HELLO? 546 00:26:54,906 --> 00:26:56,328 [ EXHALES ] 547 00:27:06,919 --> 00:27:08,801 [ BREATHES SHAKILY ] 548 00:27:08,801 --> 00:27:10,463 [ REO SPEEDWAGON'S "KEEP ON LOVING YOU" PLAYS ] 549 00:27:10,463 --> 00:27:13,726 ♪ YOU SHOULD'VE SEEN BY THE LOOK IN MY EYES, BABY ♪ [ JIMMY GRUNTS ] 550 00:27:13,726 --> 00:27:15,098 Betty: CAN YOU GET IT OVER WITH ALREADY? 551 00:27:15,098 --> 00:27:17,140 AW, BABY, YOU'RE SO GOOD. 552 00:27:17,140 --> 00:27:18,852 OH, YOU'RE GONNA BE MY REGULAR THING, NOW. 553 00:27:18,852 --> 00:27:20,103 NO, JUST TONIGHT, JIMMY. 554 00:27:20,103 --> 00:27:22,435 HEY, COME ON. 555 00:27:22,435 --> 00:27:25,028 YOU BETTER STAY ON MY GOOD SIDE -- 556 00:27:25,028 --> 00:27:26,690 THAT BOYFRIEND OF YOURS 557 00:27:26,690 --> 00:27:29,653 GONNA BE GETTING ALL OF HIS ACTION IN PRISON. 558 00:27:29,653 --> 00:27:31,114 [ SIGHS ] 559 00:27:31,114 --> 00:27:32,826 LORD KNOWS WHAT COULD HAPPEN TO THOSE KIDS. 560 00:27:32,826 --> 00:27:34,868 [ GRUNTS ] 561 00:27:34,868 --> 00:27:38,452 OHH, YEAH. 562 00:27:38,452 --> 00:27:41,836 WE ARE DOING THIS, BABY, WHENEVER I WANT. 563 00:27:41,836 --> 00:27:43,798 WHENEVER I SAY. 564 00:27:43,798 --> 00:27:46,711 OH, YEAH. YOU GONNA BE MINE FROM NOW ON, BABY. 565 00:27:46,711 --> 00:27:48,963 [ GRUNTING ] 566 00:27:52,387 --> 00:27:54,559 NO! 567 00:27:54,559 --> 00:27:56,972 [ GASPS ] 568 00:27:56,972 --> 00:28:01,106 [ BOTH GRUNTING ] 569 00:28:14,910 --> 00:28:17,994 ♪♪ 570 00:28:25,802 --> 00:28:27,383 [ GAGGING ] 571 00:28:27,383 --> 00:28:31,137 ♪ 'CAUSE IT'S THE ONLY THING I WANNA DO ♪ 572 00:28:33,850 --> 00:28:36,313 [ THE STOOGES' "DIRT" PLAYS ] 573 00:28:51,198 --> 00:28:54,532 ♪ OOH, I BEEN DIRT ♪ 574 00:28:58,076 --> 00:29:01,209 ♪ AND I DON'T CARE ♪ 575 00:29:04,132 --> 00:29:08,216 ♪ OOH, I BEEN DIRT ♪ 576 00:29:08,216 --> 00:29:10,389 [ BREATHING HEAVILY ] 577 00:29:11,219 --> 00:29:14,263 ♪ AND I DON'T CARE ♪ 578 00:29:15,434 --> 00:29:22,311 ♪ 'CAUSE I'M BURNING... ♪ 579 00:29:25,364 --> 00:29:27,567 ♪ ...INSIDE ♪ 580 00:29:29,949 --> 00:29:32,782 ♪ OOOH ♪ 581 00:29:32,782 --> 00:29:34,874 ♪ YEAH ♪ 582 00:29:38,078 --> 00:29:41,882 ♪ YEAH, ALL RIGHT ♪ 583 00:29:45,836 --> 00:29:47,427 OH! 584 00:29:47,427 --> 00:29:49,219 [ INSTRUMENTAL SOLO ] 585 00:29:59,640 --> 00:30:00,942 [ MUSIC FADING ] 586 00:30:00,942 --> 00:30:03,524 ♪♪ 587 00:30:04,986 --> 00:30:06,487 [ TIRES SCREECH ] 588 00:30:13,955 --> 00:30:15,457 [ DOG BARKS IN DISTANCE ] 589 00:30:22,544 --> 00:30:23,966 Jack: HEY. 590 00:30:28,671 --> 00:30:30,132 LOOK. 591 00:30:30,132 --> 00:30:31,934 JACK, NO MORE TALKING. 592 00:30:31,934 --> 00:30:34,767 [ SIGHS ] 593 00:30:34,767 --> 00:30:36,849 OKAY. 594 00:30:36,849 --> 00:30:38,391 NO MORE TALKING. 595 00:30:50,994 --> 00:30:52,996 [ CAMERA SHUTTER CLICKS ] 596 00:31:01,835 --> 00:31:04,008 ♪♪ 597 00:31:17,061 --> 00:31:19,564 I LOVE YOU, JACK ROTH. 598 00:31:21,816 --> 00:31:23,568 [ SIREN WAILS IN DISTANCE ] 599 00:31:25,901 --> 00:31:27,362 [ CLEARS THROAT ] 600 00:31:27,362 --> 00:31:30,616 HEY. WHAT TIME IS IT? 601 00:31:30,616 --> 00:31:32,408 TIME FOR YOU TO GET GOING. 602 00:31:39,875 --> 00:31:42,008 [ BEEPER BEEPS ] 603 00:31:44,380 --> 00:31:45,421 [ BEEPER CHIRPS ] 604 00:31:48,134 --> 00:31:49,846 [ POLICE RADIO CHATTER ] 605 00:31:56,313 --> 00:31:57,854 HEY. 606 00:31:57,854 --> 00:31:59,186 YOU OKAY? 607 00:32:01,228 --> 00:32:03,820 [ SIGHS ] THE KILLER SAID TO SAY "HI". 608 00:32:03,820 --> 00:32:05,072 HI. 609 00:32:05,072 --> 00:32:07,775 NO USABLE PRINTS. NO HAIR. 610 00:32:07,775 --> 00:32:11,078 NO FIBER TRACE. I HATE THIS GUY. 611 00:32:11,078 --> 00:32:12,830 BUT HE GAVE ME ONE CLUE. 612 00:32:12,830 --> 00:32:15,543 HE LISTED FIVE GIRLS HE KILLED, NOT FOUR. 613 00:32:15,543 --> 00:32:18,626 VERA, EMILY, WANDA, MALLORY, AND NATASHA. 614 00:32:18,626 --> 00:32:21,049 NATASHA. YOU'RE SURE? 615 00:32:21,049 --> 00:32:23,291 OKAY, CHECK FOR A MISSING PERSONS REPORT. 616 00:32:25,423 --> 00:32:26,755 OKAY, WE NEED TO FIGURE OUT A PLACE 617 00:32:26,755 --> 00:32:28,096 FOR YOU AND YOUR ROOMMATE TO STAY. 618 00:32:28,096 --> 00:32:30,138 ANNIE'S ALREADY GONE. MY ROOMMATE -- 619 00:32:30,138 --> 00:32:32,801 SHE'S CATCHING THE FIRST FLIGHT BACK TO MINNEAPOLIS. 620 00:32:32,801 --> 00:32:34,222 ME -- I'LL FIGURE IT OUT. 621 00:32:34,222 --> 00:32:35,934 KAREN, I DON'T KNOW WHAT TO SAY, 622 00:32:35,934 --> 00:32:38,647 BUT I PROMISE YOU, WE WILL PROTECT YOU BETTER THIS TIME. 623 00:32:38,647 --> 00:32:41,570 I'M GONNA TAKE A QUICK LOOK AROUND, OKAY? 624 00:32:48,988 --> 00:32:50,319 HELLO. 625 00:32:55,084 --> 00:32:56,666 WHAT'S THE MATTER? 626 00:33:04,094 --> 00:33:06,046 I TASTE ADRENALINE IN YOUR MOUTH. 627 00:33:06,046 --> 00:33:07,427 WHAT-- WHAT'S HAPPENED? 628 00:33:09,760 --> 00:33:12,012 [ GASPS LIGHTLY ] 629 00:33:12,012 --> 00:33:13,223 TELL ME. 630 00:33:16,016 --> 00:33:18,189 I DID SOMETHING. 631 00:33:31,573 --> 00:33:33,495 HOW BAD IS IT? 632 00:33:33,495 --> 00:33:36,748 IT'S BAD. 633 00:33:36,748 --> 00:33:39,331 ♪♪ 634 00:33:48,300 --> 00:33:50,012 DID YOU GET IT HANDLED? I DID. 635 00:33:50,012 --> 00:33:51,594 I STUCK A UNIFORM OUTSIDE THE DOOR TO L.A. NOTORIOUS -- 636 00:33:51,594 --> 00:33:53,726 A STAND-UP GUY AND HE'S BUILT LIKE A LINEBACKER. 637 00:33:53,726 --> 00:33:56,268 OKAY, WELL, PUT AN EVEN BIGGER GUY IN THE BACK. 638 00:33:56,268 --> 00:33:57,770 THAT CANNOT HAPPEN AGAIN. 639 00:33:57,770 --> 00:33:59,522 WHAT ABOUT NATASHA? ANYTHING ON THAT? 640 00:33:59,522 --> 00:34:01,734 IT'S DONE. UH, NO. I GOT NOTHING THERE YET, 641 00:34:01,734 --> 00:34:03,656 AND I GOT NO PAPER ON COOPER FLYNN. 642 00:34:03,656 --> 00:34:05,278 THEY SAY THE BIRTH CERTIFICATES -- 643 00:34:05,278 --> 00:34:07,360 THEY'RE ALL IN BOXES AT THE COUNTY CLERK'S. 644 00:34:07,360 --> 00:34:08,611 [ PHONE RINGS ] THAT COULD TAKE WEEKS. 645 00:34:08,611 --> 00:34:10,493 YEAH. ROTH. GO. 646 00:34:10,493 --> 00:34:12,285 HEY, LOOK, JACK. I'VE BEEN AT IT ALL NIGHT. 647 00:34:12,285 --> 00:34:14,407 NO ONE'S TRIED TO CRUSH UP A MESSED UP VINTAGE CAR. 648 00:34:14,407 --> 00:34:16,670 BESIDES, GUYS HERE TELL ME THEY WOULDN'T DESTROY IT ANYWAY. 649 00:34:16,670 --> 00:34:18,171 They'd fix it and they'd sell it. 650 00:34:18,171 --> 00:34:19,543 OKAY. WHAT'S NEXT? 651 00:34:19,543 --> 00:34:22,005 WELL, ME TELLING YOU HOW HE DOES IT. 652 00:34:22,005 --> 00:34:24,008 I THINK I FIGURED IT OUT. 653 00:34:26,300 --> 00:34:28,182 ALL RIGHT, SO AFTER THE SLAYER KILLS THESE WOMEN, 654 00:34:28,182 --> 00:34:30,054 OBVIOUSLY HE'S LEAVING ONE HELL OF A MESS. 655 00:34:30,054 --> 00:34:32,096 SO IF HE'S NOT JUNKING THE CARS, HE MUST BE REPAIRING THEM. 656 00:34:32,096 --> 00:34:34,388 SO WHAT IF HE DOES THAT FOR A LIVING? HE'S A CAR RESTORER. 657 00:34:34,388 --> 00:34:36,140 TAKES THE CUSTOMER'S CAR -- USES IT FOR THE KILL. 658 00:34:36,140 --> 00:34:37,892 AND AFTERWARDS, HE PULLS ALL THE BLOODY STUFF OUT 659 00:34:37,892 --> 00:34:39,314 AND HE REPLACES IT WITH BRAND-NEW SEATS, 660 00:34:39,314 --> 00:34:40,815 A NEW DASH -- THE WORKS. DETECTIVE. 661 00:34:40,815 --> 00:34:42,197 CALL BACK. 662 00:34:42,197 --> 00:34:43,778 AND THEN HE CHARGES YOU TOP DOLLAR FOR IT. 663 00:34:43,778 --> 00:34:46,071 NOW, SLAYER'S GRANDFATHER -- HE UPHOLSTERED FURNITURE, 664 00:34:46,071 --> 00:34:47,823 SO WE'RE THINKING MAYBE THE GUY PICKED UP A FEW TIPS. 665 00:34:47,823 --> 00:34:50,075 THIS IS L.A. HOW MANY SHOPS WE TALKING ABOUT? 666 00:34:50,075 --> 00:34:51,536 WE GOT 31 TOTAL LISTED BUSINESSES. 667 00:34:51,536 --> 00:34:52,748 THERE ARE PROBABLY WAY MORE, 668 00:34:52,748 --> 00:34:54,249 BUT WE'LL START THERE, WORK OUR WAY DOWN. 669 00:34:54,249 --> 00:34:56,372 DIVVY THEM UP. I SAVED THESE TWO FOR US. 670 00:34:56,372 --> 00:34:57,953 A KILLER DOESN'T OFTEN PLAY WHERE HE WORKS. 671 00:34:57,953 --> 00:34:59,455 THESE TWO ARE WELL OUTSIDE THE KILL ZONE. 672 00:34:59,455 --> 00:35:01,457 GOT TO START SOMEWHERE. 673 00:35:07,844 --> 00:35:11,057 KENT? HEY. 674 00:35:13,600 --> 00:35:15,311 IS SOMETHING WRONG? 675 00:35:18,475 --> 00:35:19,566 KENT. 676 00:35:19,566 --> 00:35:21,107 HOW COULD YOU DO THAT? 677 00:35:21,107 --> 00:35:23,860 YOU SNEAK OUT WITH SOMEBODY ELSE AND DO IT. 678 00:35:23,860 --> 00:35:25,692 JIMMY FORCED ME TO DO IT. 679 00:35:25,692 --> 00:35:28,075 I DID NOT WANT TO HAVE SEX WITH HIM. 680 00:35:28,075 --> 00:35:30,287 HE -- IT'S NOT ABOUT THAT. 681 00:35:30,287 --> 00:35:32,329 SEX IS WHAT EVERYBODY DOES. WHAT WE DO IS SPECIAL. 682 00:35:32,329 --> 00:35:33,330 IT'S UNIQUE. 683 00:35:35,332 --> 00:35:37,334 YOU MEAN KILLING HIM? 684 00:35:37,334 --> 00:35:40,588 YOU BETRAYED ME. HOW -- HOW DO YOU NOT SEE THAT? 685 00:35:40,588 --> 00:35:42,590 I DIDN'T KNOW THAT IT WAS GONNA HAPPEN. 686 00:35:42,590 --> 00:35:45,303 MAYBE I THOUGHT I COULD HANDLE HIM, AND I COULDN'T, 687 00:35:45,303 --> 00:35:46,965 AND I-I JUST MADE A MISTAKE. 688 00:35:46,965 --> 00:35:48,766 YOU MADE A CHOICE. 689 00:35:48,766 --> 00:35:50,268 IT WAS CHEATING. 690 00:35:50,268 --> 00:35:53,311 IF YOU WOULD'VE ASKED ME TO, I WOULD'VE KILLED HIM FOR YOU. 691 00:35:53,311 --> 00:35:54,973 I WOULD'VE TAKEN CARE OF YOU. 692 00:35:54,973 --> 00:35:57,105 I TAKE CARE OF MYSELF BECAUSE OF YOU. 693 00:35:57,105 --> 00:35:59,147 YOU TAUGHT ME THAT, BABY -- JUST DON'T. 694 00:35:59,147 --> 00:36:02,070 KENT. 695 00:36:02,070 --> 00:36:03,782 I DON'T THINK I CAN DO THIS. 696 00:36:03,782 --> 00:36:04,573 THIS -- THIS "US". 697 00:36:07,867 --> 00:36:09,829 KENT. I'VE GOT WORK TO DO. 698 00:36:09,829 --> 00:36:11,701 [ TIRES SCREECH ] 699 00:36:19,879 --> 00:36:22,752 Paco: THEY DON'T OPEN FOR ANOTHER COUPLE HOURS. 700 00:36:22,752 --> 00:36:24,424 SHOULD WE TRY TO GET A WARRANT? 701 00:36:28,808 --> 00:36:30,180 LOOK. 702 00:36:31,762 --> 00:36:35,055 THINK THAT'S THE CAR DIANE WAS TALKING ABOUT? 703 00:36:35,055 --> 00:36:37,688 LET'S GET S.I.D. OUT HERE AND FIND OUT. 704 00:36:37,688 --> 00:36:38,979 GET SOME UNITS OUT HERE, TOO. 705 00:36:44,985 --> 00:36:47,118 THIS IS DETECTIVE CONTRERAS, REQUESTING... 706 00:36:47,118 --> 00:36:48,699 Betty: I'M SO SORRY. 707 00:36:48,699 --> 00:36:50,161 I NEED TO REMOVE THE BODY, 708 00:36:50,161 --> 00:36:52,163 CLEAN OUT AS MUCH AS I CAN, QUICKLY. 709 00:36:52,163 --> 00:36:53,454 THEN I'LL TAKE THE CAR. 710 00:36:53,454 --> 00:36:55,126 I WON'T HAVE TIME TO REUPHOLSTER IT, 711 00:36:55,126 --> 00:36:56,708 BUT AT LEAST I CAN GET THESE SEATS OUT. 712 00:36:59,751 --> 00:37:01,253 GO HOME, BETTY. 713 00:37:10,302 --> 00:37:13,936 [ SIRENS CHIRP ] 714 00:37:13,936 --> 00:37:15,648 WHAT THE HELL? COOPER COULD BE HERE WITHIN THE HOUR. 715 00:37:15,648 --> 00:37:17,269 DID YOU TELL THEM? YES, I TOLD THEM. 716 00:37:20,232 --> 00:37:22,945 HEY! WE SAID SET UP A PERIMETER 717 00:37:22,945 --> 00:37:24,527 ONE BLOCK WEST, ONE BLOCK EAST. 718 00:37:24,527 --> 00:37:25,528 ONE BLOCK! GET BACK IN THE CAR. 719 00:37:25,528 --> 00:37:27,110 BACK IN THE CAR. 720 00:37:27,110 --> 00:37:28,912 THE GUY COULD BE HERE ANY TIME. 721 00:37:28,912 --> 00:37:31,574 GET BACK IN THE CAR AND KILL THESE LIGHTS. 722 00:37:31,574 --> 00:37:34,377 MOVE! MOVE! MOVE! 723 00:37:37,671 --> 00:37:40,253 ♪♪ 724 00:37:44,468 --> 00:37:46,050 I DON'T KNOW WHAT HAPPENED, JACK. 725 00:37:46,050 --> 00:37:49,553 Karen: AS A HEADLINE -- "INTERVIEW WITH A KILLER." 726 00:37:49,553 --> 00:37:51,055 I'VE BEEN WRITING SINCE I GOT HERE. 727 00:37:51,055 --> 00:37:52,476 I COULDN'T STOP. 728 00:37:52,476 --> 00:37:54,438 "SITTING THERE AS THE SLAYER TOUCHED MY NECK, 729 00:37:54,438 --> 00:37:57,021 I WAS TERRIFIED BUT ALSO EXHILARATED... 730 00:37:57,021 --> 00:37:58,643 LIKE I WAS SITTING AT THE TOP 731 00:37:58,643 --> 00:38:00,405 OF A ROLLER COASTER'S TALLEST HILL." 732 00:38:00,405 --> 00:38:02,026 YEAH, I KIND OF LOVE THAT LINE, TOO. 733 00:38:02,026 --> 00:38:03,318 THE WHOLE THING'S GARBAGE. 734 00:38:03,318 --> 00:38:05,490 THERE'S NO WAY WE'RE RUNNING IT. 735 00:38:05,490 --> 00:38:06,992 GARBAGE? IT'S A GOOD PIECE. 736 00:38:06,992 --> 00:38:09,955 "HE TOUCHED ME. I NEARLY SWOONED, DEAR READER." 737 00:38:09,955 --> 00:38:12,417 YOU SOUND PATHETIC. YOU SOUND LIKE HIS GIRLFRIEND. 738 00:38:12,417 --> 00:38:14,039 YOU ARE NOT SERIOUS RIGHT NOW. 739 00:38:14,039 --> 00:38:15,420 HE'S A MONSTER, AND YOU'RE TALKING 740 00:38:15,420 --> 00:38:16,792 ABOUT HIM BEING A THRILL ON A ROLLER COASTER. 741 00:38:16,792 --> 00:38:17,963 HE WOULDN'T HURT ME. 742 00:38:17,963 --> 00:38:20,255 OH, MY GOD. YOU ARE DELUSIONAL! 743 00:38:20,255 --> 00:38:22,838 HE COULD'VE KILLED YOU, AND IT WOULD'VE BEEN MY FAULT. 744 00:38:22,838 --> 00:38:23,929 YOUR FAULT? 745 00:38:23,929 --> 00:38:25,341 'CAUSE I CONVINCED YOU TO STAY. 746 00:38:25,341 --> 00:38:27,133 BECAUSE... I WANTED A STORY. 747 00:38:27,133 --> 00:38:28,434 I MEAN, I-I WANTED YOU. 748 00:38:30,136 --> 00:38:32,178 BUT I MAINLY WANTED THE STORY BECAUSE -- 749 00:38:32,178 --> 00:38:34,100 JUST TO PUT MY PAPER ON THE MAP -- 750 00:38:34,100 --> 00:38:34,941 TO BE THE BIG MAN. 751 00:38:36,392 --> 00:38:39,235 BUT NOW, IF HE HURT YOU... 752 00:38:42,319 --> 00:38:44,281 ALL I'M SAYING IS YOU'RE HERE BECAUSE OF ME. 753 00:38:46,453 --> 00:38:48,825 I'M HERE BECAUSE OF ME, 754 00:38:48,825 --> 00:38:50,247 BUT... 755 00:38:52,409 --> 00:38:54,371 ...IT'S SWEET THAT YOU CARE. 756 00:39:04,972 --> 00:39:07,095 I'M GLAD I STAYED. 757 00:39:07,095 --> 00:39:09,427 AND NOT JUST FOR THE STORY. 758 00:39:10,808 --> 00:39:12,310 [ CHUCKLES ] 759 00:39:12,310 --> 00:39:14,182 WELL, OKAY, THEN. 760 00:39:18,527 --> 00:39:21,229 SORRY. I-I SLEPT HERE LAST NIGHT. 761 00:39:22,651 --> 00:39:24,943 DON'T BE SORRY. 762 00:39:24,943 --> 00:39:27,496 YOU GOT TO STAY WITH ME UNTIL ALL THIS IS OVER. 763 00:39:30,659 --> 00:39:32,701 I MEAN, IF -- IF THAT'S ALL RIGHT. 764 00:39:36,245 --> 00:39:37,877 Man: RIGHT HERE, FELLAS. HERE'S THE OFFICE. 765 00:39:37,877 --> 00:39:38,958 Jack: THANKS. 766 00:39:57,357 --> 00:39:59,269 WHOSE DESK IS THIS? 767 00:39:59,269 --> 00:40:00,821 KENT'S A COOL MANAGER. 768 00:40:00,821 --> 00:40:04,275 HARD WORK. CLOCKS IN EARLY EVERY DAMN DAY. 769 00:40:04,275 --> 00:40:06,327 THAT MAKES SENSE. 770 00:40:06,327 --> 00:40:09,951 SEE, HE KILLS GIRLS IN YOUR CUSTOMERS' CARS, 771 00:40:09,951 --> 00:40:13,084 AND THEN HE SWAPS OUT THE BLOODY SEATS 772 00:40:13,084 --> 00:40:15,126 FOR BRAND-NEW UPHOLSTERY. 773 00:40:15,126 --> 00:40:18,499 TO DO ALL THAT, YOU'D HAVE TO -- 774 00:40:18,499 --> 00:40:20,251 YOU'D HAVE TO GET IN EARLY. 775 00:40:25,637 --> 00:40:27,719 ♪♪ 776 00:40:40,442 --> 00:40:41,944 HI. HI. 777 00:40:41,944 --> 00:40:44,156 SORRY, I PROBABLY SHOULD'VE CALLED TO REMIND YOU, 778 00:40:44,156 --> 00:40:45,578 BUT I'VE GOT THAT JOB INTERVIEW. 779 00:40:45,578 --> 00:40:46,779 I DON'T MIND, GLORIA. 780 00:40:46,779 --> 00:40:48,411 IT'S -- I JUST HAD A COUPLE OF THINGS ON MY MIND. 781 00:40:48,411 --> 00:40:49,412 OKAY, THANK YOU SO MUCH. 782 00:40:49,412 --> 00:40:50,493 COME ON. BYE, SWEETIE. 783 00:40:50,493 --> 00:40:51,915 LOVE YOU. LOVE YOU, TOO. 784 00:40:51,915 --> 00:40:53,416 SEE YA. BYE. 785 00:40:53,416 --> 00:40:55,829 YOU READY? YEAH. 786 00:40:55,829 --> 00:40:58,922 YOU KNOW WHAT? 787 00:40:58,922 --> 00:41:02,215 IT'S SO HOT, I THINK WE SHOULD HAVE ICE CREAM. 788 00:41:02,215 --> 00:41:04,177 KENT, IT'S NOT EVEN LUNCH. 789 00:41:04,177 --> 00:41:06,260 ICE CREAM FOR EVERYONE. 790 00:41:07,801 --> 00:41:09,513 [ TV CHATTER ] 791 00:41:09,513 --> 00:41:10,934 [ SIGHS ] 792 00:41:10,934 --> 00:41:13,307 Man: ...225 YARDS RUSHING TODAY, 793 00:41:13,307 --> 00:41:15,609 SIMPLY GUARANTEEING THE STATE VICTORY. 794 00:41:15,609 --> 00:41:18,693 TECH HAS NO ANSWER FOR HIM DEFENSIVELY. 795 00:41:18,693 --> 00:41:21,736 Announcer: AND NOW FOR YOUR LOCAL LOS ANGELES NEWS, 796 00:41:21,736 --> 00:41:23,237 HERE'S JASON BROWN. 797 00:41:23,237 --> 00:41:25,239 Brown: SOURCES TELL K.A.B.C. 798 00:41:25,239 --> 00:41:28,363 THE LAPD IS MOVING IN ON THE HOLLYWOOD SLAYER. 799 00:41:28,363 --> 00:41:31,246 HIS TRAGIC VICTIMS WERE ALL YOUNG WOMEN -- 800 00:41:31,246 --> 00:41:35,290 VERA BENNETT, EMILY FUENTES, MALLORY KHARCHENKO, 801 00:41:35,290 --> 00:41:39,374 AND A POTENTIAL VICTIM NOW IDENTIFIED ONLY AS NATASHA. 802 00:41:39,374 --> 00:41:41,547 DETECTIVES ARE WORKING OFF OF CLUES 803 00:41:41,547 --> 00:41:43,258 FOUND AT VARIOUS CRIME SCENES, 804 00:41:43,258 --> 00:41:46,181 AND THERE MAY BE A BREAK IN THE CASE. 805 00:41:46,181 --> 00:41:49,225 AND FROM WASHINGTON, AT 9:00 A.M. THIS MORNING, 806 00:41:49,225 --> 00:41:50,516 PRESIDENT REAGAN... 807 00:41:50,516 --> 00:41:52,188 CHOCOLATE AND STRAWBERRY. 808 00:41:52,188 --> 00:41:53,559 [ SIGHS ] 809 00:41:55,151 --> 00:41:56,652 ISN'T STRAWBERRY YOUR FAVORITE? 810 00:41:56,652 --> 00:41:59,566 OH, YES. 811 00:41:59,566 --> 00:42:01,317 IS EVERYTHING ALL RIGHT? 812 00:42:01,317 --> 00:42:03,820 YEAH. 813 00:42:03,820 --> 00:42:07,244 AND I HAVE APPROVED... 814 00:42:09,326 --> 00:42:11,788 ARE YOU OKAY, KENT? 815 00:42:11,788 --> 00:42:13,250 YEAH. 816 00:42:13,250 --> 00:42:16,503 OKAY. 817 00:42:16,503 --> 00:42:18,966 [ PRESIDENT REAGAN CONTINUES INDISTINCTLY ]