1 00:00:01,966 --> 00:00:03,046 PREVIOUSLY ON "WICKED CITY"... 2 00:00:03,046 --> 00:00:04,258 [ KAREN GASPS ] HI, KAREN McCLAREN. 3 00:00:04,258 --> 00:00:05,589 TELL JACK ROTH I SAID "HI." 4 00:00:05,589 --> 00:00:06,880 WE ARE DOING THIS. 5 00:00:06,880 --> 00:00:09,382 YOU GONNA BE MINE FROM NOW ON, BABY. 6 00:00:09,382 --> 00:00:11,804 NO! 7 00:00:11,804 --> 00:00:13,686 WHAT WE DO IS SPECIAL. IT'S UNIQUE. 8 00:00:13,686 --> 00:00:15,648 YOU BETRAYED ME. HOW DO YOU NOT SEE THAT? 9 00:00:15,648 --> 00:00:17,689 Dave: KENT CLOCKS IN EARLY EVERY DAY. 10 00:00:17,689 --> 00:00:19,651 TO KILLS GIRLS IN CUSTOMERS' CARS, 11 00:00:19,651 --> 00:00:21,232 YOU'D HAVE TO GET IN EARLY. 12 00:00:21,232 --> 00:00:22,484 I WRITE MY R's BACKWARDS, 13 00:00:22,484 --> 00:00:24,235 AND HE NEVER MAKES ME FEEL BAD ABOUT IT. 14 00:00:24,235 --> 00:00:25,776 DETECTIVES ARE WORKING OFF OF CLUES 15 00:00:25,776 --> 00:00:26,987 FOUND AT VARIOUS CRIME SCENES, 16 00:00:26,987 --> 00:00:29,320 AND THERE MAY BE A BREAK IN THE CASE. 17 00:00:32,032 --> 00:00:34,784 Reporter: IT'S ANOTHER GORGEOUS DAY IN LOS ANGELES. 18 00:00:34,784 --> 00:00:36,746 IN THE NEWS HEADLINES, THERE'S A BIG BREAK 19 00:00:36,746 --> 00:00:38,908 IN THE GRUESOME HOLLYWOOD SLAYER MURDERS. 20 00:00:38,908 --> 00:00:40,289 THERE ARE A LOT OF RUMORS 21 00:00:40,289 --> 00:00:42,411 THAT THE LAPD HAVE A SUBJECT OF INTEREST. 22 00:00:42,411 --> 00:00:44,873 ALSO IN THE HEADLINES, TROUBLE SEEMS TO BE BREWING AT... 23 00:00:44,873 --> 00:00:47,546 [ SIREN WAILS ] 24 00:00:47,546 --> 00:00:51,379 ♪♪ 25 00:00:57,684 --> 00:00:59,426 [ SIREN CHIRPS ] 26 00:00:59,426 --> 00:01:01,348 [ SIREN WAILING ] 27 00:01:14,940 --> 00:01:17,322 Jack: WE HAVE OUR SUSPECT, COOPER FLYNN, 28 00:01:17,322 --> 00:01:19,444 ALSO KNOWN AS KENT GRAINGER. 29 00:01:19,444 --> 00:01:20,865 GOT A VERY BLOODY PIECE OF FABRIC 30 00:01:20,865 --> 00:01:22,576 THAT MAY TIE ONE OF OUR KILLER'S VICTIMS 31 00:01:22,576 --> 00:01:24,158 TO HIS JOB AT EDGEWAY CAR UPHOLSTERY. 32 00:01:24,158 --> 00:01:25,829 GETTING CLOSE. 33 00:01:25,829 --> 00:01:27,661 ANY LUCK RUNNING THE KILLER'S NAME THROUGH THE DMV DATABASE? 34 00:01:27,661 --> 00:01:29,162 NO, I DIDN'T COME UP WITH ANYTHING. 35 00:01:29,162 --> 00:01:30,834 ZILCH. NADA. NO KENT GRAINGER. 36 00:01:30,834 --> 00:01:32,505 WELL, THAT'S NADA-HELPFUL. 37 00:01:32,505 --> 00:01:34,667 BUKOWSKI, THE RED CORVETTE GIVE US ANYTHING? 38 00:01:34,667 --> 00:01:36,759 ALL TECH FOUND WAS A THING OF, UH, TIC TACS, 39 00:01:36,759 --> 00:01:38,921 AND THEN MULTIPLE PRINTS, NONE OF WHICH ARE IN THE SYSTEM. 40 00:01:38,921 --> 00:01:41,012 NO IDENTITY ON FILE, WHICH MEANS NO ADDRESS. 41 00:01:41,012 --> 00:01:43,094 OKAY. OH, WE'RE HOPING THE OWNER OF THE SHOP HAS IT. 42 00:01:43,094 --> 00:01:44,425 YEAH, WHERE THE HELL IS HE? 43 00:01:44,425 --> 00:01:45,847 Eileen: I FINALLY TRACKED HIM DOWN. 44 00:01:45,847 --> 00:01:48,229 HE WAS ON HIS WAY TO BIG BEAR FOR A FAMILY VACATION. 45 00:01:48,229 --> 00:01:50,521 I'VE GOT A BLACK-AND-WHITE ESCORTING HIM HERE NOW. 46 00:01:50,521 --> 00:01:52,813 Jack: WHAT ABOUT THE TWO KNUCKLEHEADS WHO WORK FOR HIM? 47 00:01:52,813 --> 00:01:54,234 T.J. AND DAVE? 48 00:01:54,234 --> 00:01:55,355 UH, ON THEIR WAY. 49 00:01:55,355 --> 00:01:57,237 WHAT'S WITH THE PIMP-DADDY SHOES, MAN? 50 00:01:57,237 --> 00:02:00,940 OH, THESE ARE LIMITED EDITION, UH, STACY ADAMS. 51 00:02:00,940 --> 00:02:02,401 OUR MANHUNT GOOD-LUCK CHARM. Arnie: EXACTLY. 52 00:02:02,401 --> 00:02:03,823 10 CHASES, 10 ARRESTS. 53 00:02:03,823 --> 00:02:05,694 ALL A LITTLE BEFORE YOUR TIME, PACO. 54 00:02:05,694 --> 00:02:07,786 HERE'S HOPING WE GET TO THE CHASE. 55 00:02:07,786 --> 00:02:10,248 WELL, I JUST HOPE YOU GOT A CANARY-YELLOW ZOOT SUIT 56 00:02:10,248 --> 00:02:11,329 TO MATCH, HUGGY BEAR. 57 00:02:11,329 --> 00:02:12,330 HUGGY BEAR. 58 00:02:12,330 --> 00:02:13,541 [ LAUGHS ] 59 00:02:13,541 --> 00:02:15,793 WHERE'S THE LOVE? HUH? 60 00:02:15,793 --> 00:02:23,049 ♪♪ 61 00:02:38,853 --> 00:02:43,607 Paco: SO, HOW LONG DID COOPER FLYNN WORK AT YOUR AUTO SHOP? 62 00:02:43,607 --> 00:02:45,109 I-I DON'T KNOW HIM BY COOPER FLYNN, 63 00:02:45,109 --> 00:02:46,440 ONLY KENT GRAINGER. 64 00:02:46,440 --> 00:02:48,071 YOU GOT AN ADDRESS TO GO WITH THAT NAME? 65 00:02:48,071 --> 00:02:49,903 [ SIGHS ] 66 00:02:49,903 --> 00:02:51,484 YOU KNOW, I-I GOT A COPY OF HIS I.D. WITH HIS ADDRESS ON IT 67 00:02:51,484 --> 00:02:52,485 IN HERE SOMEWHERE. 68 00:02:52,485 --> 00:02:54,237 WHERE DO YOU SEND HIS CHECKS TO? 69 00:02:54,237 --> 00:02:55,948 IT'S AN ALL-CASH BUSINESS. 70 00:02:55,948 --> 00:02:57,490 AN ALL-CASH BUSINESS 71 00:02:57,490 --> 00:03:00,662 THAT CLEARLY REQUIRES A TRAPPER KEEPER ORGANIZER. 72 00:03:00,662 --> 00:03:02,454 GOT IT. THANK YOU. 73 00:03:02,454 --> 00:03:06,037 WELL, KENT ATTRACTED A LOT OF WOMEN LIKE BEES TO HONEY. 74 00:03:06,037 --> 00:03:07,709 YEAH, I MEAN, MORE LIKE MOTHS TO FLAME. 75 00:03:07,709 --> 00:03:09,210 NOT HIS FAULT. CHICKS DIG HIM. 76 00:03:09,210 --> 00:03:10,881 I JUST FIGURED IT WAS THE BIKE. 77 00:03:10,881 --> 00:03:12,883 HE DROVE A MOTORCYCLE? 78 00:03:12,883 --> 00:03:15,465 YES, A BONNIE. '76. BLUE. BEAUT. 79 00:03:15,465 --> 00:03:16,847 NICE. YEAH. 80 00:03:16,847 --> 00:03:19,049 DID OUR GUYS BRING THE TRASH FROM THE GARAGE? 81 00:03:19,049 --> 00:03:20,510 IT'S RIGHT THERE. 82 00:03:20,510 --> 00:03:22,261 HEY, WHEN WAS THE LAST TIME YOUR TRASH WAS PICKED UP? 83 00:03:22,261 --> 00:03:24,013 WEEK OR SO AGO. 84 00:03:24,013 --> 00:03:25,604 I DON'T KNOW. 85 00:03:27,146 --> 00:03:28,767 GOD, THAT SMELLS LIKE 86 00:03:28,767 --> 00:03:31,269 MY SECOND EX WIFE'S PUMPERNICKEL BREAD BOWL. 87 00:03:31,269 --> 00:03:33,191 YOU GUYS, PICK OUT YOUR TRASH. 88 00:03:33,191 --> 00:03:34,903 WHAT? 89 00:03:34,903 --> 00:03:37,235 Jack: PICK OUT WHAT YOU PERSONALLY THREW OUT, PLEASE. 90 00:03:43,200 --> 00:03:46,032 WHO DO THOSE HOBIE'S ICE-CREAM WRAPPERS BELONG TO? 91 00:03:46,032 --> 00:03:48,204 KENT. HAD ONE MOST EVERY DAY. 92 00:03:48,204 --> 00:03:49,786 HOBIE'S ICE CREAMS. 93 00:03:49,786 --> 00:03:51,287 WRITE THAT DOWN. 94 00:03:51,287 --> 00:03:53,169 FOUND IT -- THE XEROX OF KENT'S I.D. 95 00:03:53,169 --> 00:03:55,080 GOT A PHOTO. 96 00:03:55,080 --> 00:03:57,753 LET ME SEE. LET ME SEE. 97 00:03:57,753 --> 00:03:59,584 UGH, IT'S BLURRY. 98 00:03:59,584 --> 00:04:01,256 IT'S NO BETTER THAN THE COMPOSITE. 99 00:04:01,256 --> 00:04:03,588 YEAH, BUT THERE'S AN ADDRESS. 100 00:04:03,588 --> 00:04:05,219 YEAH. 101 00:04:05,219 --> 00:04:07,801 ♪♪ 102 00:04:10,093 --> 00:04:13,436 Gloria: MARY, DID YOU FINISH YOUR BREAKFAST YET? 103 00:04:15,398 --> 00:04:16,809 MARY? 104 00:04:20,443 --> 00:04:22,194 SWEETIE, THAT'S A GROWN-UP MAGAZINE. 105 00:04:22,194 --> 00:04:24,606 WOULDN'T WANT IT TO GIVE YOU NIGHTMARES. 106 00:04:24,606 --> 00:04:26,027 MOMMY, WHY -- MM? 107 00:04:26,027 --> 00:04:28,990 WHY DOESN'T KENT GO TO NEIGHBORHOOD BLOCK PARTIES 108 00:04:28,990 --> 00:04:31,572 OR INVITE ANYBODY OVER TO HIS HOUSE BUT US? 109 00:04:31,572 --> 00:04:34,074 WELL, MAYBE 'CAUSE WE'RE JUST SPECIAL. 110 00:04:34,074 --> 00:04:36,286 NOW WISH ME LUCK ON MY NEW JOB. 111 00:04:36,286 --> 00:04:38,038 [ SMOOCHES ] I LOVE YOU. 112 00:04:38,038 --> 00:04:39,499 LOVE YOU, TOO. OKAY. 113 00:04:39,499 --> 00:04:41,881 OH, AND IF THERE'S AN EMERGENCY... 114 00:04:41,881 --> 00:04:43,623 CALL KENT. ...CALL KENT. 115 00:04:43,623 --> 00:04:45,795 OKAY, BYE. BYE. 116 00:04:48,177 --> 00:04:51,220 [ DOOR OPENS, CLOSES ] 117 00:05:13,819 --> 00:05:16,242 OH, I PICKED THE WRONG TIME TO GO ON A DIET. 118 00:05:16,242 --> 00:05:17,282 WHAT DO YOU GOT? 119 00:05:17,282 --> 00:05:19,204 WELL, CHECKED WITH THE DMV. 120 00:05:19,204 --> 00:05:21,706 THE KILLER HASN'T REGISTERED THE TRIUMPH BONNEVILLE MOTORCYCLE. 121 00:05:21,706 --> 00:05:23,208 NOTHING? OF COURSE. 122 00:05:23,208 --> 00:05:26,370 AND, UH, NO SURPRISE, THE ADDY ON HIS I.D. WAS BOGUS. 123 00:05:26,370 --> 00:05:28,582 FAKE ADDRESS TO GO WITH THE FAKE NAME. 124 00:05:28,582 --> 00:05:31,255 BLURRY, BUT THE I.D. LOOKS LEGIT. 125 00:05:31,255 --> 00:05:34,007 FIGURE OUT WHERE THE GUY PROCURED IT. 126 00:05:34,007 --> 00:05:35,629 YEAH, MILLER AND BUKOWSKI ARE DIGGING UP FORGERS 127 00:05:35,629 --> 00:05:36,970 THE KILLER COULD'VE USED. 128 00:05:36,970 --> 00:05:38,841 IN THE MEANTIME, WE'RE GONNA GET THE FAKE NAME OUT THERE. 129 00:05:38,841 --> 00:05:43,015 IF HE WENT BY "KENT" AT WORK, MAYBE OTHER PEOPLE KNOW HIM. 130 00:05:44,596 --> 00:05:48,600 ♪♪ 131 00:05:53,604 --> 00:05:56,187 WHAT THE HELL? 132 00:05:56,187 --> 00:05:58,399 WHAT ARE YOU WEARING? 133 00:05:58,399 --> 00:06:00,450 CLOTHES. CLOWN CLOTHES. 134 00:06:00,450 --> 00:06:03,533 IT'S NOT HALLOWEEN, SO THAT CAN'T BE A COSTUME. 135 00:06:03,533 --> 00:06:06,406 YEAH, WELL, I KIND OF HAVE TO WEAR IT. 136 00:06:06,406 --> 00:06:08,828 DID YOU LOSE A BET OR SOMETHING? 137 00:06:08,828 --> 00:06:12,081 NO, I KIND OF HAVE A STANDING TUESDAY GOLF GAME WITH MY DAD. 138 00:06:12,081 --> 00:06:14,583 YOU HAVE A DAD? 139 00:06:14,583 --> 00:06:15,704 YEAH. 140 00:06:15,704 --> 00:06:18,376 A DAD WHO MAKES YOU WEAR THAT STUPID GETUP? 141 00:06:20,048 --> 00:06:22,470 NO, NOT HIM, BUT HIS COUNTRY CLUB. 142 00:06:22,470 --> 00:06:23,591 WHAT? 143 00:06:23,591 --> 00:06:25,212 I-I SAID THAT -- 144 00:06:25,212 --> 00:06:29,216 I HEARD WHAT YOU SAID -- GOLF, DAD, COUNTRY CLUB. 145 00:06:32,218 --> 00:06:34,220 ARE YOU RICH? 146 00:06:34,220 --> 00:06:35,601 UH... 147 00:06:35,601 --> 00:06:38,183 YOU'RE SUCH A FREAKING POSER. 148 00:06:38,183 --> 00:06:39,274 [ SCOFFS ] 149 00:06:39,274 --> 00:06:40,776 WHAT ARE YOU -- 150 00:06:40,776 --> 00:06:43,608 ALL YOUR RANTING ABOUT BEING PUNK, BEING REAL -- 151 00:06:43,608 --> 00:06:45,029 YEAH, I AM. I AM BOTH THOSE THINGS. 152 00:06:45,029 --> 00:06:46,731 NO. 153 00:06:46,731 --> 00:06:49,533 YOU'RE A TRUSTAFARIAN PRETENDING TO BE DOWN WITH THE PEOPLE 154 00:06:49,533 --> 00:06:51,325 WHEN ALL YOU ARE IS A RICH KID. 155 00:06:53,367 --> 00:06:55,078 [ DOOR SLAMS ] 156 00:06:55,078 --> 00:06:57,240 THAT'S NOT VERY NICE. 157 00:06:57,240 --> 00:06:58,872 WE'RE ASKING FOR THE PUBLIC'S HELP 158 00:06:58,872 --> 00:07:00,503 IN FINDING OUR SUSPECT OF INTEREST 159 00:07:00,503 --> 00:07:02,625 IN THE HOLLYWOOD SLAYER KILLINGS. 160 00:07:02,625 --> 00:07:04,457 UH, HIS NAME IS COOPER FLYNN, 161 00:07:04,457 --> 00:07:07,009 BUT HE GOES BY THE ALIAS "KENT GRAINGER." 162 00:07:07,009 --> 00:07:10,302 HE'S IN HIS 20s, CAUCASIAN, BROWN HAIR, 5'9". 163 00:07:10,302 --> 00:07:15,136 HE DRIVES A BABY-BLUE 1976 TRIUMPH BONNEVILLE MOTORCYCLE. 164 00:07:15,136 --> 00:07:16,677 IF YOU SEE HIM, DON'T BE A HERO. 165 00:07:16,677 --> 00:07:17,848 CALL OUR TIP HOTLINE. 166 00:07:17,848 --> 00:07:19,680 YOU COULD BE SAVING THE LIFE OF ANOTHER GIRL. 167 00:07:19,680 --> 00:07:21,311 THANKS. 168 00:07:21,311 --> 00:07:22,472 [ CAMERA SHUTTERS CLICKING, INDISTINCT SHOUTING ] 169 00:07:28,938 --> 00:07:30,860 Cooper: BETTY. 170 00:07:30,860 --> 00:07:31,861 KENT! 171 00:07:31,861 --> 00:07:33,772 ARE YOU OKAY? 172 00:07:33,772 --> 00:07:35,654 YOU'RE ALL OVER THE TELEVISION. 173 00:07:35,654 --> 00:07:38,196 WHICH IS WHY I DON'T HAVE MUCH TIME, OKAY? 174 00:07:38,196 --> 00:07:41,159 OKAY, JUST... COME WITH ME. 175 00:07:41,159 --> 00:07:42,660 ALL RIGHT. 176 00:07:42,660 --> 00:07:45,453 [ DOOR OPENS, CLOSES ] 177 00:07:54,420 --> 00:07:57,003 NO ONE WILL SEE US HERE. 178 00:07:58,714 --> 00:08:01,597 ♪♪ 179 00:08:17,611 --> 00:08:21,404 I WANT YOU TO KNOW I TOOK CARE OF OUR PROBLEM. 180 00:08:21,404 --> 00:08:24,367 JIMMY? [ SIGHS ] 181 00:08:24,367 --> 00:08:25,408 [ CHUCKLES ] 182 00:08:25,408 --> 00:08:27,950 THAT WAS MY MISTAKE. I'M SO SORRY. 183 00:08:27,950 --> 00:08:29,281 DOESN'T MATTER. 184 00:08:29,281 --> 00:08:31,123 IT'S -- IT'S TAKEN CARE OF. 185 00:08:31,123 --> 00:08:32,534 [ SIGHS ] THANK YOU. 186 00:08:32,534 --> 00:08:34,205 I KNOW HOW MAD YOU WERE. 187 00:08:34,205 --> 00:08:36,878 DOESN'T MATTER ANYMORE. 188 00:08:36,878 --> 00:08:39,750 SO YOU FORGIVE ME. 189 00:08:39,750 --> 00:08:42,713 WE CAN BE TOGETHER. 190 00:08:42,713 --> 00:08:47,047 I FORGIVE YOU, BUT...[SIGHS] 191 00:08:47,047 --> 00:08:51,390 I'M MEANT TO BE A LONE WOLF. 192 00:08:51,390 --> 00:08:57,976 WITH JACK ROTH DOGGING MY EVERY MOVE... 193 00:08:59,768 --> 00:09:05,563 THESE VIOLENT DELIGHTS... HAVE VIOLENT ENDS. 194 00:09:09,156 --> 00:09:11,198 "ROMEO AND JULIET." 195 00:09:14,821 --> 00:09:18,244 [ Voice breaking ] PLEASE DON'T BREAK UP WITH ME. 196 00:09:18,244 --> 00:09:22,328 KENT... THIS IS WHAT I WANT. 197 00:09:22,328 --> 00:09:24,249 IT CAN'T BE. 198 00:09:24,249 --> 00:09:31,175 IT CAN'T BE. 199 00:09:35,139 --> 00:09:39,763 THEN LET ME SAY GOODBYE... 200 00:09:39,763 --> 00:09:41,805 OUR WAY. 201 00:09:41,805 --> 00:09:47,310 ♪♪ 202 00:09:59,280 --> 00:10:05,205 [ SIGHS ] 203 00:10:06,827 --> 00:10:10,210 ♪♪ 204 00:10:17,256 --> 00:10:19,918 [ SIGHS ] 205 00:10:26,974 --> 00:10:28,266 [ SCOFFS ] 206 00:10:28,266 --> 00:10:30,057 SO, THIS IS REALLY A FIRST EDITION 207 00:10:30,057 --> 00:10:32,099 OF ACHEBE'S "THINGS FALL APART"? 208 00:10:32,099 --> 00:10:34,311 I THOUGHT IT WAS JUST A COPY OR SOMETHING. 209 00:10:34,311 --> 00:10:35,352 HE'S A FAMILY FRIEND. 210 00:10:36,643 --> 00:10:38,104 [ BOOK THUDS ] 211 00:10:38,104 --> 00:10:39,395 WHAT ARE YOU DOING? 212 00:10:39,395 --> 00:10:40,937 [ SIGHS ] 213 00:10:40,937 --> 00:10:42,898 WHY ARE YOU SO UPSET ABOUT THIS? 214 00:10:42,898 --> 00:10:44,149 I'M NOT UPSET. 215 00:10:44,149 --> 00:10:47,743 I'M JUST -- I'M CONFUSED WHY MR. LAY IT ALL OUT THERE 216 00:10:47,743 --> 00:10:49,204 WOULD BE HIDING SOMETHING SO BIG FROM ME. 217 00:10:51,116 --> 00:10:53,498 YEAH, IT IS A BIG PART OF ME. 218 00:10:53,498 --> 00:10:56,620 SO WHY WERE YOU KEEPING IT FROM ME? 219 00:10:56,620 --> 00:10:59,913 IS L.A. NOTORIOUS JUST YOUR BOURGEOIS REBELLION? 220 00:10:59,913 --> 00:11:01,545 NO. 221 00:11:01,545 --> 00:11:04,718 L.A. NOTORIOUS IS ME. IT'S MY SOUL. 222 00:11:04,718 --> 00:11:07,590 [ SIGHS ] WHERE I CAME FROM -- 223 00:11:07,590 --> 00:11:10,963 THAT PART OF ME IS WHY I BELIEVE THAT... 224 00:11:14,136 --> 00:11:19,310 LOOK, MY -- MY POPS LOVED MY MOM EVERY SINGLE DAY SHE WAS ALIVE. 225 00:11:19,310 --> 00:11:21,813 TREATED HER LIKE A PRINCESS. 226 00:11:21,813 --> 00:11:24,605 BUT THOSE BEVERLY HILLS BITCHES NEVER LET HER FORGET 227 00:11:24,605 --> 00:11:27,778 SHE WAS BLACK OR WHERE SHE CAME FROM. 228 00:11:27,778 --> 00:11:29,189 OKAY, NOW... 229 00:11:32,572 --> 00:11:34,073 ...I JUST NEVER WANT PEOPLE TO FORGET 230 00:11:34,073 --> 00:11:35,945 THE PEOPLE THAT DIDN'T HAVE A MAN LIKE MY DAD 231 00:11:35,945 --> 00:11:39,158 TO TELL THEM THAT THEY MATTER, 'CAUSE THEY DO. 232 00:11:39,158 --> 00:11:41,870 BLACK OR WHITE, RICH OR POOR, THEY MATTER. 233 00:11:43,542 --> 00:11:45,954 WELL, IT'S NOT REALLY PUNK. 234 00:11:45,954 --> 00:11:47,295 MM. 235 00:11:48,586 --> 00:11:50,668 BUT IT'S KIND OF AMAZING. 236 00:11:50,668 --> 00:11:52,209 [ SIREN WAILS IN DISTANCE ] 237 00:11:52,209 --> 00:11:53,260 [ TELEPHONE RINGS ] 238 00:11:56,173 --> 00:11:58,215 OH, MY GOD. REALLY? 239 00:11:58,215 --> 00:12:00,306 YOU DON'T HAVE A BUTLER? 240 00:12:01,968 --> 00:12:04,140 THIS IS DIVER. 241 00:12:04,140 --> 00:12:06,182 YEAH, SHE'S HERE. 242 00:12:07,933 --> 00:12:09,474 [ CHUCKLES ] REALLY? 243 00:12:09,474 --> 00:12:11,566 T-TV. 244 00:12:14,359 --> 00:12:15,860 Reporter: THE SEARCH IS CONTINUING... 245 00:12:15,860 --> 00:12:18,152 It's the big leagues. 246 00:12:18,152 --> 00:12:20,694 KABC WANTS TO COME DO AN INTERVIEW HERE ABOUT THE SLAYER. 247 00:12:20,694 --> 00:12:23,447 IF YOU KNOW THIS PERSON OR HAVE ANY INFORMATION AS TO... 248 00:12:23,447 --> 00:12:28,291 ♪♪ 249 00:12:31,414 --> 00:12:33,295 MARY, YOU SCARED ME. 250 00:12:33,295 --> 00:12:36,588 DO YOU THINK A GOOD PERSON COULD DO SOMETHING BAD? 251 00:12:36,588 --> 00:12:39,251 IS THIS ABOUT BILLY FROM DOWN THE STREET AGAIN? 252 00:12:39,251 --> 00:12:43,384 YEAH, HE GOT SOME ICE CREAM FROM HOBIE'S THE OTHER DAY, 253 00:12:43,384 --> 00:12:44,805 AND WHEN HE WENT TO PAY, 254 00:12:44,805 --> 00:12:46,637 HE REALIZED HE -- HE DIDN'T HAVE THE MONEY, 255 00:12:46,637 --> 00:12:47,968 SO HE WALKED OUT. 256 00:12:47,968 --> 00:12:50,220 YOU SHOULD TELL HIM TO COME CLEAN, GO BACK AND PAY THEM. 257 00:12:50,220 --> 00:12:51,601 SINCE -- SINCE HE DIDN'T GET CAUGHT, 258 00:12:51,601 --> 00:12:53,013 HE THINKS HE DOESN'T HAVE TO. 259 00:12:53,013 --> 00:12:56,316 IT'S LIKE I ALWAYS SAY, YOU GOT TO TELL THE TRUTH, MARY. 260 00:12:56,316 --> 00:12:59,358 EVEN IF THAT MEANS BILLY GETS INTO A LOT OF TROUBLE? 261 00:12:59,358 --> 00:13:02,821 WELL, MAYBE GETTING IN TROUBLE WILL MAKE HIM STOP. 262 00:13:02,821 --> 00:13:04,152 I HAVE TO GO. 263 00:13:04,152 --> 00:13:06,154 WHERE'S YOUR MOTORCYCLE, KENT? 264 00:13:06,154 --> 00:13:07,656 YOU KNOW WHAT? 265 00:13:07,656 --> 00:13:09,327 IT WAS SUCH A BEAUTIFUL DAY, I THOUGHT I'D WALK. 266 00:13:09,327 --> 00:13:10,618 SEE YA. 267 00:13:10,618 --> 00:13:15,332 [ DOOR OPENS, CLOSES ] 268 00:13:15,332 --> 00:13:17,374 HELLO, POLICE? 269 00:13:17,374 --> 00:13:21,338 THE MAN THAT YOU'RE LOOKING FOR... 270 00:13:21,338 --> 00:13:23,580 KENT GRAINGER? 271 00:13:24,881 --> 00:13:27,463 I KNOW WHERE HE LIVES. 272 00:13:32,637 --> 00:13:34,009 [ TELEPHONES RINGING ] 273 00:13:34,009 --> 00:13:35,430 Man: LAPD HOTLINE. 274 00:13:35,430 --> 00:13:38,142 UH, CAN I GET THAT ADDRESS AGAIN ONE MORE TIME? 275 00:13:38,142 --> 00:13:40,094 Man #2: LAPD HOTLINE. 276 00:13:40,094 --> 00:13:43,517 RIGHT? OKAY. [ CHATTER ] 277 00:13:43,517 --> 00:13:45,269 EXTRA MANPOWER FROM RAMPART ANY HELP? 278 00:13:45,269 --> 00:13:47,440 HASN'T EVEN MADE A DENT. WE'RE GETTING 100 CALLS A MINUTE. 279 00:13:47,440 --> 00:13:49,102 GET ANYTHING FROM THE NEW BATCH OF CALLS? 280 00:13:49,102 --> 00:13:50,483 WELL, THERE WAS A LITTLE GIRL 281 00:13:50,483 --> 00:13:52,235 THAT SAYS THAT THE KILLER'S HER BABYSITTER, 282 00:13:52,235 --> 00:13:53,776 BUT, I MEAN, WHAT KIND OF PARENT 283 00:13:53,776 --> 00:13:55,698 WOULD LET THIS SOCIOPATH WATCH THEIR KID? 284 00:13:55,698 --> 00:13:57,449 WHAT DO YOU MEAN? THE CHARISMATIC SOCIOPATH 285 00:13:57,449 --> 00:13:59,281 WHOSE COWORKERS WANT TO ELECT AS THE NEXT MAYOR? 286 00:13:59,281 --> 00:14:00,662 SURE, I HAD THAT THOUGHT, TOO, JACK, 287 00:14:00,662 --> 00:14:02,073 BUT I RAN DOWN THE ADDRESS SHE GAVE. 288 00:14:02,073 --> 00:14:03,535 IT DOESN'T EXIST. 289 00:14:03,535 --> 00:14:06,787 OKAY, JUST LET ME KNOW OF ANY NEW DEVELOPMENTS. 290 00:14:06,787 --> 00:14:08,379 ♪♪ 291 00:14:08,379 --> 00:14:10,881 NEED SOME HELP WITH THAT TRASH THERE, "SANFORD AND SON"? 292 00:14:10,881 --> 00:14:12,753 SOCIOPATHS ARE DEFINED BY THEIR HABITS. 293 00:14:12,753 --> 00:14:16,216 MY GUESS IS OURS DRIVES TO THE SAME HOBIE'S. 294 00:14:16,216 --> 00:14:18,177 WE, UH, GOT OUR WALL OF SHAME READY FOR YA. OKAY, GREAT. 295 00:14:18,177 --> 00:14:20,299 LET'S SEE. 296 00:14:22,341 --> 00:14:24,053 THESE TWO -- RECENTLY PAROLED. 297 00:14:24,053 --> 00:14:25,934 RAN A FAKE-I.D. AND CHECK-CASHING SCHEME AT THE FORUM. 298 00:14:25,934 --> 00:14:27,596 THAT'S TOO HIGH-PROFILE. 299 00:14:27,596 --> 00:14:30,138 THESE LOVELIES -- PART OF THE DEUCE FORGERY CREW. 300 00:14:30,138 --> 00:14:32,560 THEY SELL FAKE IDs OUT OF MacARTHUR PARK. 301 00:14:32,560 --> 00:14:34,602 IT'S IN OUR GUY'S BEST INTEREST TO DO BUSINESS WITH SOMEONE 302 00:14:34,602 --> 00:14:35,733 WHO'S NEVER BEEN TO JAIL. 303 00:14:35,733 --> 00:14:37,524 WELL, HOLLEN-BECK'S GOT THEIR EYES 304 00:14:37,524 --> 00:14:38,946 ON SEVEN FORGERS IN EAST L.A. -- 305 00:14:38,946 --> 00:14:41,198 ALL VIRGINS WAITING TO GET THEIR CHERRIES POPPED. 306 00:14:41,198 --> 00:14:42,699 OKAY, WELL, LET'S BE THEIR FIRST. 307 00:14:42,699 --> 00:14:44,781 WE'LL SPLIT UP THE LIST. WE'LL HIT THEM ALL QUIETLY. 308 00:14:44,781 --> 00:14:48,324 THEY CAN'T SEE US COMING. THESE COCKROACHES SPOOK EASY. 309 00:14:48,324 --> 00:14:50,616 Woman on P.A.: PAIN MANAGEMENT TO O.R. THREE. 310 00:14:50,616 --> 00:14:52,287 PAIN MANAGEMENT TO O.R. THREE. 311 00:14:52,287 --> 00:14:53,999 HI. THANKS FOR COVERING FOR ME, JANE. 312 00:14:53,999 --> 00:14:55,831 OH, I DON'T MIND. 313 00:14:55,831 --> 00:14:58,253 PLUS, FELECIA HERE WANTED ME 314 00:14:58,253 --> 00:15:02,466 TO GIVE HER MY CHERYL TIEGS MAKEOVER TO KICK CANCER'S ASS. 315 00:15:02,466 --> 00:15:04,758 [ CHUCKLES ] LOOKING GOOD. 316 00:15:04,758 --> 00:15:06,090 [ CHUCKLES ] 317 00:15:06,090 --> 00:15:08,802 YOU MUST BE FREAKING OUT. 318 00:15:08,802 --> 00:15:13,516 YOUR BOYFRIEND AND THE SLAYER HAVE THE SAME NAME -- KENT? 319 00:15:13,516 --> 00:15:15,558 OH, SERIOUSLY? 320 00:15:15,558 --> 00:15:20,142 THAT IS, UH, A CRAZY COINCIDENCE. 321 00:15:20,142 --> 00:15:21,943 YOU HAVEN'T SEEN THE NEWS? 322 00:15:21,943 --> 00:15:25,487 NO, I'VE BEEN ON THE PHONE WITH A MECHANIC ABOUT MY CAR. 323 00:15:25,487 --> 00:15:27,318 IT BROKE DOWN. DID I TELL YOU? 324 00:15:27,318 --> 00:15:29,780 NO. YEAH. 325 00:15:29,780 --> 00:15:32,152 I'LL GET THIS IN A MINUTE. 326 00:15:32,152 --> 00:15:33,614 THANK YOU. 327 00:15:33,614 --> 00:15:36,536 SO, IS IT JUST THE CAR THAT YOU'RE UPSET ABOUT? 328 00:15:36,536 --> 00:15:37,787 JANE. 329 00:15:38,788 --> 00:15:41,080 THANK YOU. 330 00:15:42,121 --> 00:15:44,333 IT'S RELATIONSHIP TROUBLE. 331 00:15:45,374 --> 00:15:49,508 I THINK KENT'S BREAKING UP WITH ME. 332 00:15:49,508 --> 00:15:53,421 HE LOVES ME, BUT SOMEHOW IT'S NOT ENOUGH. 333 00:15:53,421 --> 00:15:55,673 WE'RE SO GOOD TOGETHER. 334 00:15:55,673 --> 00:15:57,134 IT'S JUST... 335 00:15:57,134 --> 00:16:00,978 OTHER PEOPLE MEDDLING WITH OUR BUSINESS. 336 00:16:00,978 --> 00:16:02,639 IT DOESN'T WORK. 337 00:16:02,639 --> 00:16:06,272 BEEN THERE, DONE THAT WITH MY EX CARL. 338 00:16:06,272 --> 00:16:10,066 THAT NOSY MOTHER OF HIS WAS A PSYCHO. 339 00:16:10,066 --> 00:16:14,400 KENT JUST HAS TO TELL ANY BUSYBODIES IN HIS LIFE 340 00:16:14,400 --> 00:16:15,731 TO BUG OFF. 341 00:16:15,731 --> 00:16:18,073 I WISH IT WERE THAT SIMPLE. 342 00:16:18,073 --> 00:16:19,494 YOU LOVE HIM, RIGHT? 343 00:16:19,494 --> 00:16:21,946 I WOULD DIE FOR HIM. 344 00:16:21,946 --> 00:16:23,498 SO IT'S SIMPLE. 345 00:16:23,498 --> 00:16:26,740 TELL THEM TO BACK OFF OR ELSE. 346 00:16:26,740 --> 00:16:32,916 ♪♪ 347 00:16:34,627 --> 00:16:37,250 HI, COLETTE. IT'S BETTY BEAUMONTAINE. 348 00:16:37,250 --> 00:16:39,592 YEAH, IT'S BEEN A WHILE. [ CHUCKLES ] 349 00:16:39,592 --> 00:16:41,633 LISTEN, I'M RUNNING POINT 350 00:16:41,633 --> 00:16:44,346 FOR OUR HOSPITAL'S CHARITY BALL THIS YEAR, 351 00:16:44,346 --> 00:16:47,178 AND I'M WORKING THE LIST FOR THE FIRE DEPARTMENT AND LAPD. 352 00:16:47,178 --> 00:16:48,810 JUST WANT TO MAKE SURE 353 00:16:48,810 --> 00:16:51,142 THAT THE LISTS WITH THE ADDRESSES ARE ALL UPDATED. 354 00:16:52,103 --> 00:16:53,314 PERFECT. 355 00:16:53,314 --> 00:16:56,026 I'LL COME BY AND PICK THEM UP. 356 00:16:56,026 --> 00:16:57,107 THANK YOU. 357 00:16:57,107 --> 00:16:58,979 [ CHUCKLES ] YOU, TOO. 358 00:16:58,979 --> 00:17:01,361 [ CAMERA SHUTTER CLICKS ] 359 00:17:01,361 --> 00:17:06,115 [ J. GEILS BAND'S "FREEZE-FRAME" PLAYS ] 360 00:17:08,697 --> 00:17:10,239 [ French accent ] YOU LOOK GORGEOUS. 361 00:17:11,580 --> 00:17:13,331 [ British accent ] ARE YOU HERE WITH ANYONE? 362 00:17:14,622 --> 00:17:15,954 [ Southern accent ] CAN I BUY YOU A DRINK? 363 00:17:16,994 --> 00:17:18,996 [ CAMERA WHIRS ] 364 00:17:18,996 --> 00:17:21,048 [ CAMERA SHUTTER CLICKS ] 365 00:17:21,048 --> 00:17:22,379 ♪ FREEZE-FRAME ♪ ♪ FREEZE-FRAME ♪ 366 00:17:22,379 --> 00:17:23,460 ♪ FREEZE-FRAME ♪ ♪ FREEZE-FRAME ♪ 367 00:17:23,460 --> 00:17:25,212 ♪ FREEZE-FRAME ♪ ♪ FREEZE-FRAME ♪ 368 00:17:25,212 --> 00:17:26,213 ♪ FREEZE-FRAME, WHOO! ♪ 369 00:17:26,213 --> 00:17:29,135 ♪ NOW FREEZE ♪ 370 00:17:29,135 --> 00:17:31,557 ♪ NOW I'M LOOKIN' AT A FLASHBACK SUNDAY ♪ 371 00:17:31,557 --> 00:17:33,429 ♪ ZOOM LENS FEELIN' JUST WON'T DISAPPEAR ♪ 372 00:17:33,429 --> 00:17:36,101 Reporter: STAY TUNED, AS WE'RE ABOUT AN HOUR AWAY 373 00:17:36,101 --> 00:17:38,764 FROM MY LIVE INTERVIEW WITH KAREN McCLAREN, 374 00:17:38,764 --> 00:17:42,727 THE L.A. NOTORIOUS REPORTER WHO SURVIVED A MIDNIGHT ENCOUNTER 375 00:17:42,727 --> 00:17:45,610 WITH THE MURDEROUS HOLLYWOOD SLAYER JUST LAST NIGHT. 376 00:17:45,610 --> 00:17:47,111 OOH. 377 00:17:47,111 --> 00:17:49,943 WELL, HOPEFULLY BLONDES REALLY DO HAVE MORE FUN. 378 00:17:49,943 --> 00:17:51,074 WOMAN: ...second unit. 379 00:17:51,074 --> 00:17:52,366 YEAH, COPY. [ SIGHS ] 380 00:17:52,366 --> 00:17:53,987 ANOTHER ONE BITES THE DUST. 381 00:17:53,987 --> 00:17:55,448 FOURTH DEAD END. 382 00:17:55,448 --> 00:17:57,530 YEAH, MILLER AND BUKOWSKI AREN'T HAVING ANY LUCK, EITHER. 383 00:17:57,530 --> 00:17:58,701 [ SIGHS ] 384 00:17:58,701 --> 00:18:00,283 WELL, UH, WE GOT ONE MORE POTENTIAL SUSPECT. 385 00:18:00,283 --> 00:18:01,534 NAME'S BOBBY JONES, 386 00:18:01,534 --> 00:18:03,706 BUT HE GOES BY THE STREET NAME OF AUNT BOBBY. 387 00:18:03,706 --> 00:18:05,087 AUNT BOBBY? I DON'T GET IT. 388 00:18:05,087 --> 00:18:07,709 NEITHER DO I. 389 00:18:07,709 --> 00:18:14,335 [ EARTH, WIND & FIRE'S "LET'S GROOVE" PLAYS ] 390 00:18:15,926 --> 00:18:17,798 Aunt Bobby: HOW LONG HAS IT BEEN? 391 00:18:17,798 --> 00:18:19,299 [ Normal voice ] TWO YEARS. 392 00:18:19,299 --> 00:18:21,261 RIGHT. CALLED YOURSELF TRAVIS THEN. 393 00:18:21,261 --> 00:18:23,053 AND YOU HAD PERKY "D"-CUPS. 394 00:18:23,053 --> 00:18:25,345 LISTEN, WHEN DIANA ROSS SANG "I'M COMING OUT," 395 00:18:25,345 --> 00:18:27,897 I FIGURED, "WHY STAY IN THE SHELL OF A BODY?" 396 00:18:27,897 --> 00:18:30,689 SAY HELLO TO A-MEN. 397 00:18:30,689 --> 00:18:32,851 YOU MEAN A-WOMAN. YES! 398 00:18:32,851 --> 00:18:35,854 HOPE YOU DON'T MIND A LITTLE EARTH, WIND & FIRE. 399 00:18:35,854 --> 00:18:38,026 MY TV's BEEN ON THE FRITZ TODAY. 400 00:18:38,026 --> 00:18:39,657 I LIKE A LITTLE FIRE NOW AND AGAIN. 401 00:18:39,657 --> 00:18:41,409 I BET YOU DO. 402 00:18:41,409 --> 00:18:43,490 [ CHUCKLES ] ♪ IT'S ALL RIGHT ♪ 403 00:18:43,490 --> 00:18:46,493 ♪ ALL RIGHT ♪ 404 00:18:46,493 --> 00:18:47,494 ♪ LET THIS GROOVE SET IN YOUR SHOES ♪ 405 00:18:47,494 --> 00:18:49,286 SO, WHAT ARE YOU THINKING? 406 00:18:49,286 --> 00:18:51,538 ♪ SO STAND UP, ALL RIGHT ♪ 407 00:18:51,538 --> 00:18:53,579 THINKING OF GOING AMERICANA THIS TIME AROUND. 408 00:18:53,579 --> 00:18:54,830 MM-HMM. 409 00:18:54,830 --> 00:18:58,043 SO, WHEN DID YOU SAY YOUR TV WENT ON THE FRITZ AGAIN? 410 00:18:58,043 --> 00:19:00,295 OH, A WEEK OR SO. SO, WHAT'S THE NAME? 411 00:19:00,295 --> 00:19:02,047 I THOUGHT YOU SAID TODAY. 412 00:19:02,047 --> 00:19:03,638 [ CHUCKLES ] 413 00:19:03,638 --> 00:19:06,260 DAMN HORMONES GOT MY MEMORY ON THE FRITZ AGAIN. 414 00:19:06,260 --> 00:19:07,682 ♪ ALL RIGHT ♪ 415 00:19:07,682 --> 00:19:11,685 ♪ JUST MOVE YOURSELF ♪ 416 00:19:11,685 --> 00:19:14,978 [ VOLUME INCREASES ] ♪ AND GLIDE LIKE A 747 ♪ 417 00:19:14,978 --> 00:19:21,103 ♪ AND LOSE YOURSELF IN THE SKY ♪ 418 00:19:21,103 --> 00:19:22,985 I'M REALLY SORRY, BOBBY. 419 00:19:22,985 --> 00:19:24,526 YOU DON'T HAVE TO DO THIS. 420 00:19:24,526 --> 00:19:25,778 YEAH, I DO. 421 00:19:25,778 --> 00:19:28,280 THE POLICE ARE GONNA FIND YOU, THROW THE BOOK AT YOU, 422 00:19:28,280 --> 00:19:30,862 YOU'RE GONNA TELL THEM MY NEW NAME, MY NEW LOOK, 423 00:19:30,862 --> 00:19:32,744 AND I CAN'T LET THAT HAPPEN. 424 00:19:32,744 --> 00:19:34,035 ♪ LET THIS GROOVE SET IN YOUR SHOES ♪ 425 00:19:34,035 --> 00:19:35,036 ♪ SO STAND UP ♪ 426 00:19:35,036 --> 00:19:36,037 ♪ ALL RIGHT ♪ 427 00:19:36,037 --> 00:19:37,118 [ GRUNTS ] 428 00:19:37,118 --> 00:19:38,749 ♪ ALL RIGHT ♪ 429 00:19:38,749 --> 00:19:39,620 ♪ LET THIS GROOVE ♪ 430 00:19:44,334 --> 00:19:47,176 LOOKS LIKE AUNT BOBBY HAD A VISITOR. 431 00:19:47,176 --> 00:19:48,878 HELLO? POLICE. 432 00:19:48,878 --> 00:19:52,471 I'LL HEAD AROUND BACK IN CASE THEY MAKE A BREAK FOR IT. 433 00:19:52,471 --> 00:19:53,682 COMING IN. 434 00:19:56,685 --> 00:19:58,306 ANYBODY HERE? 435 00:20:01,059 --> 00:20:04,101 [ Dial tone ] 436 00:20:09,276 --> 00:20:11,488 [ DOOR OPENS ] 437 00:20:11,488 --> 00:20:15,321 THERE'S NOTHING OUT BACK. 438 00:20:17,703 --> 00:20:19,495 [ THUDDING ] 439 00:20:20,866 --> 00:20:23,909 [ POUNDING ] 440 00:20:33,877 --> 00:20:36,259 [ MUFFLED GRUNTING ] 441 00:20:39,422 --> 00:20:40,924 [ BREATHING HEAVILY ] 442 00:20:40,924 --> 00:20:44,307 I'VE NEVER BEEN SO HAPPY TO BE IN THE CLOSET IN MY LIFE. 443 00:20:44,307 --> 00:20:47,469 [ BREATHING HEAVILY ] 444 00:20:49,311 --> 00:20:51,393 THANK GOD Y'ALL CAME. I HAD TO TINKLE. 445 00:20:51,393 --> 00:20:53,274 UH, SIR, WE'RE GONNA HAVE TO -- 446 00:20:53,274 --> 00:20:54,315 MA'AM. 447 00:20:55,566 --> 00:20:57,188 MADEMOISELLE. TOO YOUNG TO BE A MA'AM. 448 00:20:58,359 --> 00:21:00,821 OKAY, M-MISS, THE MAN WHO DID THIS TO YOU, 449 00:21:00,821 --> 00:21:02,693 YOU KNOW HIM BY KENT GRAINGER? 450 00:21:02,693 --> 00:21:04,194 LITTLE PUNK. 451 00:21:04,194 --> 00:21:05,946 HALF MY SIZE, BUT STRONG. 452 00:21:05,946 --> 00:21:07,487 W-WHY DO YOU THINK HE DIDN'T KILL YOU? 453 00:21:07,487 --> 00:21:08,748 [ CHUCKLES ] 454 00:21:08,748 --> 00:21:10,329 HONEY, DON'T WISH DEATH ON ME. 455 00:21:10,329 --> 00:21:12,041 MAYBE IT'S BECAUSE HE HAS MANNERS 456 00:21:12,041 --> 00:21:13,662 AND HE'S FOND OF ALL THIS. 457 00:21:13,662 --> 00:21:14,753 [ CHUCKLES ] 458 00:21:16,755 --> 00:21:18,627 IT'S OKAY TO LOOK, BABY. 459 00:21:18,627 --> 00:21:21,880 I'M THE COMMODORES' INSPIRATION FOR "BRICK HOUSE." OOH. 460 00:21:21,880 --> 00:21:24,632 UH, YEAH, D-DO YOU HAVE AN ADDRESS FOR KENT GRAINGER? 461 00:21:24,632 --> 00:21:26,964 I DON'T KNOW WHERE HE LIVES OR ANYTHING ELSE ABOUT HIM 462 00:21:26,964 --> 00:21:28,926 OTHER THAN THE FACT THAT I GIVE HIM A NEW NAME 463 00:21:28,926 --> 00:21:30,637 EVERY TIME HE NEEDS A NEW IDENTITY. 464 00:21:30,637 --> 00:21:32,559 WHAT NEW IDENTITY WOULD THAT BE? I DON'T KNOW. 465 00:21:32,559 --> 00:21:33,810 WE DIDN'T GET TO THAT. 466 00:21:33,810 --> 00:21:35,772 BLONDIE GOT ANTSY, PUT A KNIFE TO ME, 467 00:21:35,772 --> 00:21:37,774 HOG-TIED ME, AND CLEANED OUT MY ENTIRE PASSPORT STASH. 468 00:21:37,774 --> 00:21:39,565 BLONDIE? 469 00:21:39,565 --> 00:21:42,318 HIS HAIR -- FROSTED -- VERY FARRAH FAWCETT WITHOUT THE FEATHER. 470 00:21:42,318 --> 00:21:44,980 IF HE'S GOT A NEW PASSPORT AND A NEW LOOK, HE COULD BE TRYING TO SKIP TOWN. 471 00:21:44,980 --> 00:21:46,231 WE COULD HAVE A BORDER-JUMPER. 472 00:21:46,231 --> 00:21:47,862 WE NEED TO ALERT THE AIRPORTS, TRAIN STATIONS, 473 00:21:47,862 --> 00:21:49,234 AND BUS TERMINALS OF HIS NEW LOOK 474 00:21:49,234 --> 00:21:50,695 UNTIL WE CAN GET PEOPLE THERE. 475 00:21:50,695 --> 00:21:51,826 THANK YOU. 476 00:21:51,826 --> 00:21:53,237 ♪♪ 477 00:21:55,119 --> 00:21:57,701 Cooper: [ Southern accent ] THIS IS SCOTT WRIGHT. 478 00:21:57,701 --> 00:22:00,584 I'M CALLING TO CONFIRM MY FLIGHT TO SYDNEY LEAVES IN 45 MINUTES. 479 00:22:00,584 --> 00:22:02,165 ALL RIGHT. 480 00:22:02,165 --> 00:22:04,747 YOU TAKE CARE NOW. 481 00:22:04,747 --> 00:22:06,959 [ KNOCK ON DOOR ] 482 00:22:06,959 --> 00:22:13,255 ♪♪ 483 00:22:16,217 --> 00:22:19,310 [ Normal voice ] JUST THE YOUNG LADY I WANTED TO SEE. 484 00:22:19,310 --> 00:22:21,432 SO, DID YOU TAKE MY ADVICE 485 00:22:21,432 --> 00:22:24,054 AFTER OUR LITTLE PHILOSOPHICAL CHAT EARLIER? 486 00:22:24,054 --> 00:22:26,436 YEAH, I TOLD THE TRUTH. 487 00:22:26,436 --> 00:22:29,359 I DIDN'T DOUBT YOU FOR A MINUTE. 488 00:22:29,359 --> 00:22:31,150 AND HERE'S YOUR REWARD. 489 00:22:36,775 --> 00:22:38,237 I KNOW IT'S YOU. 490 00:22:38,237 --> 00:22:40,489 YOU'RE THE HOLLYWOOD SLAYER. 491 00:22:42,781 --> 00:22:47,745 WELL, I GUESS NOW IT'S MY TURN TO PAY FOR WHAT I'VE DONE. 492 00:22:47,745 --> 00:22:50,708 ♪♪ 493 00:22:50,708 --> 00:22:53,500 DID YOU CALL THE COPS? 494 00:22:53,500 --> 00:22:58,424 ♪♪ 495 00:22:58,424 --> 00:23:00,676 YOU DID THE RIGHT THING. 496 00:23:02,088 --> 00:23:04,089 I DON'T WANT YOU TO EVER FEEL BAD, 497 00:23:04,089 --> 00:23:06,722 'CAUSE IT MEANS YOU'RE A GREAT KID. 498 00:23:06,722 --> 00:23:10,305 AND YOU'RE GONNA GROW UP TO BE AN INCREDIBLE ADULT. 499 00:23:10,305 --> 00:23:17,691 ♪♪ 500 00:23:20,864 --> 00:23:24,107 I LOVE YOU, TOO. 501 00:23:24,107 --> 00:23:27,410 ♪♪ 502 00:23:29,822 --> 00:23:31,954 NOW GET HOME. 503 00:23:31,954 --> 00:23:36,458 ♪♪ 504 00:23:40,421 --> 00:23:43,124 Jack: IN HIS 20s, 5'9", BROWN HAIR. 505 00:23:43,124 --> 00:23:47,337 HE DRIVES A BABY-BLUE 1976 TRIUMPH BONNEVILLE MOTORCYCLE. 506 00:23:47,337 --> 00:23:49,890 IF YOU SEE HIM, DON'T BE A HERO. 507 00:23:49,890 --> 00:23:51,761 CALL OUR TIP HOTLINE. [ DOORBELL RINGS ] 508 00:23:51,761 --> 00:23:53,393 YOU COULD BE SAVING THE LIFE OF ANOTHER GIR-- 509 00:23:53,393 --> 00:23:55,895 WHO IS IT? Woman: LUXE CALLING. 510 00:23:58,847 --> 00:24:00,439 HI. I'M NANCY. 511 00:24:00,439 --> 00:24:04,643 I WORK WITH THE MOST GLAMOROUS MAKEUP COMPANY IN THE WORLD, 512 00:24:04,643 --> 00:24:07,235 AND I'M HERE TO CHANGE YOUR LIFE. 513 00:24:07,235 --> 00:24:08,316 [ CHUCKLES ] 514 00:24:08,316 --> 00:24:10,147 ♪♪ 515 00:24:15,242 --> 00:24:17,654 Betty: MY SECRET -- 516 00:24:17,654 --> 00:24:20,787 MIX A BIT OF EYE SHADOW IN WITH YOUR FOUNDATION... 517 00:24:20,787 --> 00:24:21,918 Allison: HUH. 518 00:24:21,918 --> 00:24:24,830 ...TO HIGHLIGHT THE APPLES OF YOUR CHEEKS, 519 00:24:24,830 --> 00:24:28,253 THE CONTOURS OF YOUR EYES, AND THE SLOPE OF YOUR NECKLINE. 520 00:24:28,253 --> 00:24:29,464 REALLY? 521 00:24:29,464 --> 00:24:31,626 I NEVER HEARD OF THAT. 522 00:24:31,626 --> 00:24:34,629 [ CHUCKLES ] 523 00:24:34,629 --> 00:24:37,341 SOME WOMEN MIX PRIMER IN WITH THEIR FOUNDATION, 524 00:24:37,341 --> 00:24:39,513 BUT I THINK THAT MAKES THEM LOOK LIKE THE LIVING DEAD. 525 00:24:39,513 --> 00:24:40,844 [ CHUCKLES ] 526 00:24:40,844 --> 00:24:43,056 WELL, I GUESS IT'S BETTER THAN BEING DEAD-DEAD. 527 00:24:43,056 --> 00:24:44,638 BUT STILL, I PREFER TO LOOK ALIVE. 528 00:24:44,638 --> 00:24:47,680 WELL, I CAN HELP YOU OUT WITH THAT. 529 00:24:47,680 --> 00:24:49,482 [ SIGHS ] 530 00:24:49,482 --> 00:24:53,816 AH, YOU KIND OF ALREADY ARE [CHUCKLES] JUST BY BEING HERE. 531 00:24:53,816 --> 00:24:55,397 REALLY? HMM. 532 00:24:55,397 --> 00:24:57,609 YOU HAVING A BAD DAY? 533 00:24:57,609 --> 00:24:58,900 NO. 534 00:24:58,900 --> 00:25:00,492 NO. NO, NO. 535 00:25:00,492 --> 00:25:03,614 UM, [CHUCKLES] I HAVE NOTHING TO COMPLAIN ABOUT. 536 00:25:03,614 --> 00:25:05,616 I-I'M LUCKY. I KNOW THAT. 537 00:25:05,616 --> 00:25:08,078 IT'S JUST THAT SOMETIMES... 538 00:25:08,078 --> 00:25:09,660 [ SIGHS ] 539 00:25:09,660 --> 00:25:14,704 DO YOU EVER FEEL LIKE YOUR LIFE JUST ISN'T YOUR OWN? 540 00:25:14,704 --> 00:25:16,125 DON'T WE ALL? 541 00:25:16,125 --> 00:25:19,508 WITH SO MUCH ON OUR PLATES, 542 00:25:19,508 --> 00:25:22,261 IT'S HARD FOR US LADIES TO KEEP ANY FOCUS ON OURSELVES. 543 00:25:24,883 --> 00:25:29,307 NOW... YOU JUST SIT BACK AND RELAX. 544 00:25:29,307 --> 00:25:30,928 YES, MA'AM. 545 00:25:32,980 --> 00:25:37,224 AH. [ SIGHS ] 546 00:25:38,605 --> 00:25:42,689 ♪♪ 547 00:25:42,689 --> 00:25:44,490 [ ELEVATOR BELL DINGS ] 548 00:25:47,863 --> 00:25:49,785 DO I EVEN WANT TO KNOW WHAT HAPPENED? 549 00:25:49,785 --> 00:25:52,447 YEAH, WE GOT A BAD TIP THAT OUR KILLER WAS AT L.A.X. 550 00:25:52,447 --> 00:25:54,659 WE GET THERE, THIS GUY TURNED INTO O.J. SIMPSON -- 551 00:25:54,659 --> 00:25:56,501 STARTS JUMPING OVER BAGGAGE, 552 00:25:56,501 --> 00:25:58,913 PUSHING PEOPLE OUT OF THE WAY UNTIL HE NUDGES THE WRONG PERSON. 553 00:25:58,913 --> 00:26:00,164 HEY, YOU KNOW, 554 00:26:00,164 --> 00:26:01,585 WHAT KIND OF ELDERLY WOMAN STRIKES A COP WITH A CANE? 555 00:26:01,585 --> 00:26:03,507 YOU KNOW, I SHOULD'VE ARRESTED HER FOR ASSAULT. 556 00:26:03,507 --> 00:26:05,248 HEY, UH, ANYWAY, WE GOT, UH -- WE GOT PATROLS AT L.A.X. 557 00:26:05,248 --> 00:26:07,130 AND BURBANK AIRPORTS, UNION STATION, 558 00:26:07,130 --> 00:26:09,462 EVERY GREYHOUND STATION IN THE CITY WITH THE NEW SKETCH. 559 00:26:09,462 --> 00:26:11,174 MILLER AND BUKOWSKI ARE RUNNING POINT. 560 00:26:11,174 --> 00:26:12,805 Man: NEW TIPS. 561 00:26:12,805 --> 00:26:16,138 OKAY, UH, YOU START CALLING THESE HOBIE'S LOCATIONS. 562 00:26:16,138 --> 00:26:17,559 WHAT? 563 00:26:17,559 --> 00:26:19,431 ARE YOU CRAVING A BANANA BAZOOKA SPLIT? 564 00:26:19,431 --> 00:26:22,063 GUY GOES INTO THE SAME ICE-CREAM SHOP THREE OR FOUR TIMES A WEEK. 565 00:26:22,063 --> 00:26:23,434 SOMEBODY MIGHT KNOW HIM. 566 00:26:23,434 --> 00:26:25,606 MAYBE EVEN WHERE HE LIVES. 567 00:26:25,606 --> 00:26:27,978 Penelope: I'M HERE WITH REPORTER KAREN McCLAREN. 568 00:26:27,978 --> 00:26:30,771 SO, HOW DID YOU FEEL WHEN HE CONTACTED YOU? 569 00:26:30,771 --> 00:26:31,902 [ TELEPHONE RINGS ] 570 00:26:31,902 --> 00:26:33,363 L.A. NOTORIOUS. 571 00:26:33,363 --> 00:26:35,485 I KNEW IT WAS A HUGE OPPORTUNITY. 572 00:26:35,485 --> 00:26:36,656 NO, SHE'S BUSY. 573 00:26:37,617 --> 00:26:39,078 WHAT? 574 00:26:40,279 --> 00:26:41,660 LOOK, JOE, I'M NOT -- I'M -- 575 00:26:47,205 --> 00:26:49,838 YEAH. HOLD ON A MINUTE. 576 00:26:49,838 --> 00:26:52,170 SO YOU WEREN'T SCARED? 577 00:26:52,170 --> 00:26:54,792 IN HIS PRESENCE? ALONE? 578 00:26:54,792 --> 00:26:56,503 OF COURSE I WAS. 579 00:26:56,503 --> 00:26:59,676 IT WAS TERRIFYING, BUT I KNEW THAT I HAD A JOB TO DO, 580 00:26:59,676 --> 00:27:02,258 AND THAT WAS TO ELICIT ANY INFORMATION I COULD FROM HIM. 581 00:27:02,258 --> 00:27:05,802 UH, WE'RE, UH, IN THE MIDDLE OF AN INTERVIEW HERE. 582 00:27:05,802 --> 00:27:07,143 IT'S HIM. 583 00:27:07,143 --> 00:27:11,647 ♪♪ 584 00:27:15,770 --> 00:27:20,234 COOPER: Did you forget about me already? 585 00:27:22,236 --> 00:27:24,448 I LOVE WHAT YOU'VE DONE WITH THE HAIR, KIKI. 586 00:27:24,448 --> 00:27:26,780 BEAUTIFUL. 587 00:27:28,662 --> 00:27:32,705 DO YOU WANT TO TELL PEOPLE WHO YOU ARE, OR SHOULD I? 588 00:27:32,705 --> 00:27:33,706 Be my guest. 589 00:27:33,706 --> 00:27:35,668 ♪♪ 590 00:27:35,668 --> 00:27:37,459 WE'RE ON WITH KENT GRAINGER, 591 00:27:37,459 --> 00:27:41,003 ALSO KNOWN AS THE HOLLYWOOD SLAYER. 592 00:27:41,003 --> 00:27:43,545 Is it really him? 593 00:27:43,545 --> 00:27:45,837 MR. GRAINGER -- 594 00:27:45,837 --> 00:27:47,468 AH, AH, AH. 595 00:27:47,468 --> 00:27:49,640 ON THIS CALL, WE PLAY BY MY RULES, 596 00:27:49,640 --> 00:27:52,643 WHICH MEANS YOU JUST SIT THERE AND LOOK PRETTY. 597 00:27:52,643 --> 00:27:56,016 I DON'T LIKE THE MONSTER YOU'VE BEEN DEPICTING ME AS, PENELOPE. 598 00:27:56,016 --> 00:27:58,688 ♪♪ 599 00:27:58,688 --> 00:28:00,019 I WASN'T TRYING TO INSULT YOU. 600 00:28:00,019 --> 00:28:01,400 I-I-I JUST -- 601 00:28:01,400 --> 00:28:04,733 Shh, Penelope, this is about Karen. 602 00:28:04,733 --> 00:28:06,655 SO, HERE'S YOUR CHANCE TO ENLIGHTEN THE WORLD. 603 00:28:06,655 --> 00:28:08,737 COOPER: Isn't that your job? 604 00:28:08,737 --> 00:28:12,030 TO EXPOSE ME AS WHO YOU THINK I AM? 605 00:28:12,030 --> 00:28:14,242 MY PURPOSE IS TO SIMPLY BE. 606 00:28:14,242 --> 00:28:16,163 THE POLICE ARE CLOSING IN. 607 00:28:16,163 --> 00:28:18,285 ARE YOU GOING TO GIVE YOURSELF UP? 608 00:28:18,285 --> 00:28:20,367 AND WHERE WOULD THE FUN IN THAT BE? 609 00:28:20,367 --> 00:28:23,290 Whatever way it shakes down, you're too late. 610 00:28:23,290 --> 00:28:25,832 Big stories need big endings. 611 00:28:25,832 --> 00:28:28,754 BIG CLIMAX. THE EXPLOSION. 612 00:28:28,754 --> 00:28:32,217 FAR MORE CINEMATIC, DON'T YOU THINK? 613 00:28:36,471 --> 00:28:40,184 YOU HEARD IT HERE FIRST, LOS ANGELES -- 614 00:28:40,184 --> 00:28:43,557 KAREN McCLAREN'S CHILLING CONVERSATION 615 00:28:43,557 --> 00:28:45,890 WITH THE HOLLYWOOD SLAYER. 616 00:28:45,890 --> 00:28:48,312 HE'S CALLING INTO A LIVE INTERVIEW ON A LOCAL STATION -- 617 00:28:48,312 --> 00:28:49,853 MEANS HE'S STILL IN THE CITY. 618 00:28:49,853 --> 00:28:52,195 WE'VE GOT THE AIR, THE RAILS, AND THE HIGHWAYS ON LOCK. 619 00:28:52,195 --> 00:28:54,857 WHICH MEANS HE'S TRAPPED. 620 00:28:54,857 --> 00:28:57,239 ♪♪ 621 00:28:59,531 --> 00:29:03,955 [ FOOTSTEPS APPROACH ] 622 00:29:03,955 --> 00:29:05,206 HEY. 623 00:29:05,206 --> 00:29:07,579 WHAT ARE YOU DOING? 624 00:29:07,579 --> 00:29:09,871 [ ROCK MUSIC PLAYING ] 625 00:29:09,871 --> 00:29:13,294 LISTENING TO YOUR INTERVIEW, KIKI. 626 00:29:13,294 --> 00:29:16,126 I'VE GOT A SILLY NICKNAME. 627 00:29:16,126 --> 00:29:17,467 Karen: SO WHAT? [ LAUGHS ] 628 00:29:17,467 --> 00:29:18,838 NO, IT'S ALL GOOD. 629 00:29:18,838 --> 00:29:22,592 I'M JUST...GLAD TO KNOW I'M NOT THE ONLY ONE WITH SECRETS. 630 00:29:22,592 --> 00:29:24,093 [ CLEARS THROAT ] 631 00:29:24,093 --> 00:29:27,226 WHY ARE YOU LISTENING TO IT AGAIN? 632 00:29:27,226 --> 00:29:28,557 [ TAPE REWINDS ] 633 00:29:28,557 --> 00:29:30,429 THERE WAS A MELODY PLAYING IN THE BACKGROUND 634 00:29:30,429 --> 00:29:32,230 WHEN YOU WERE CHATTING WITH MR. THRILL KILL 635 00:29:32,230 --> 00:29:33,691 THAT I JUST COULDN'T SHAKE. 636 00:29:33,691 --> 00:29:37,355 SO I ISOLATED IT, AND I'VE BEEN LISTENING TO IT AGAIN. 637 00:29:37,355 --> 00:29:38,606 HERE. 638 00:29:47,824 --> 00:29:50,827 [ OZZY OSBOURNE'S "SUICIDE SOLUTION" PLAYING ] 639 00:29:52,498 --> 00:29:55,621 YOU RECOGNIZE THAT? 640 00:29:55,621 --> 00:29:56,832 NO. 641 00:29:56,832 --> 00:29:59,004 "SUICIDE SOLUTION." 642 00:29:59,004 --> 00:30:00,955 IS THAT A SONG? 643 00:30:00,955 --> 00:30:02,417 REALLY? 644 00:30:02,417 --> 00:30:03,958 IT WAS OZZY OSBOURNE. 645 00:30:03,958 --> 00:30:05,840 THAT'S ONE OF THE PUREST TUNES 646 00:30:05,840 --> 00:30:07,922 ABOUT THE FRAGMENTED HUMAN PSYCHE. 647 00:30:07,922 --> 00:30:12,806 AN-ANYWAYS, HE SAID THAT YOU WERE TOO LATE WHEN HE CALLED. 648 00:30:12,806 --> 00:30:14,768 TOO LATE FOR WHAT? 649 00:30:14,768 --> 00:30:16,729 I THINK HE'S GONNA KILL HIMSELF. 650 00:30:16,729 --> 00:30:18,181 REALLY? 651 00:30:18,181 --> 00:30:20,473 IT SEEMS SO UNLIKE HIM. 652 00:30:20,473 --> 00:30:23,856 HE'S ARROGANT, LIKE -- LIKE HE CAN NEVER LOSE. 653 00:30:23,856 --> 00:30:26,608 YEAH, BUT MAYBE HE'S NOT LOSING. 654 00:30:26,608 --> 00:30:29,941 I MEAN, MAYBE HE'S GOING OUT ON HIS OWN TERMS. 655 00:30:29,941 --> 00:30:32,033 [ "SUICIDE SOLUTION" PLAYING ] 656 00:30:35,826 --> 00:30:40,200 ♪ WINE IS FINE, BUT WHISKEY'S QUICKER ♪ 657 00:30:40,200 --> 00:30:44,834 ♪ SUICIDE IS SLOW WITH LIQUOR ♪ 658 00:30:44,834 --> 00:30:49,168 ♪ TAKE A BOTTLE, DROWN YOUR SORROWS ♪ 659 00:30:49,168 --> 00:30:53,091 ♪ THEN IT FLOODS AWAY TOMORROWS ♪ 660 00:30:54,843 --> 00:30:55,964 [ BLOWS ] 661 00:30:55,964 --> 00:30:59,006 ♪ TAKE ME AWAY ♪ 662 00:31:00,308 --> 00:31:01,599 ♪ OH, OH ♪ 663 00:31:01,599 --> 00:31:04,812 ♪ TOMORROW ♪ 664 00:31:04,812 --> 00:31:07,354 ♪ YOU NEVER GIVE ME REST ♪ 665 00:31:07,354 --> 00:31:12,688 ♪ NO FIRST, NO FIRST, NO FIRST, NO DAY ♪ 666 00:31:12,688 --> 00:31:17,152 ♪♪ 667 00:31:21,076 --> 00:31:22,617 Betty: HMM. 668 00:31:22,617 --> 00:31:24,529 Allison: OH. 669 00:31:24,529 --> 00:31:25,950 [ LAUGHS ] 670 00:31:25,950 --> 00:31:27,371 OH, WOW. 671 00:31:27,371 --> 00:31:31,085 YOU ARE FAR TOO YOUNG TO HAVE A 15-YEAR-OLD. 672 00:31:31,085 --> 00:31:34,458 OH, I ONLY LOOK THIS YOUNG BECAUSE OF YOUR MAGIC. 673 00:31:34,458 --> 00:31:37,040 [ CHUCKLES ] NO, NO. WOW. SHE'S BEAUTIFUL. 674 00:31:37,040 --> 00:31:40,253 AND SUDDENLY SO GROWN UP. 675 00:31:40,253 --> 00:31:42,425 SO FAR, SHE DOESN'T HATE ME, THANK GOD, 676 00:31:42,425 --> 00:31:44,596 BUT I HAVE A FEELING THAT'S COMING. 677 00:31:44,596 --> 00:31:45,547 NO, NO. 678 00:31:45,547 --> 00:31:46,848 YOU'RE LUCKY. 679 00:31:46,848 --> 00:31:48,850 I WAS A HORRIBLE TEENAGER. 680 00:31:48,850 --> 00:31:50,352 ALWAYS CAUSING TROUBLE. 681 00:31:50,352 --> 00:31:51,352 [ LAUGHS ] 682 00:31:51,352 --> 00:31:53,644 OH, AND I WAS SUCH A GOODY-GOODY. 683 00:31:53,644 --> 00:31:55,436 I WAS BORING, REALLY. 684 00:31:55,436 --> 00:31:57,898 [ CHUCKLES ] DO YOU HAVE KIDS? 685 00:31:57,898 --> 00:31:59,940 I DO, YEAH. I HAVE A BOY, 5. 686 00:31:59,940 --> 00:32:01,481 AND MY DAUGHTER IS 8. 687 00:32:01,481 --> 00:32:02,732 OH. 688 00:32:02,732 --> 00:32:04,114 SHE WANTS TO BE A SCIENTIST. 689 00:32:04,114 --> 00:32:05,365 [ CHUCKLES ] 690 00:32:05,365 --> 00:32:07,487 YEAH, MINE WANTS TO BE A ROCK STAR. 691 00:32:07,487 --> 00:32:08,487 [ CHUCKLES ] 692 00:32:08,487 --> 00:32:10,369 SHE SINGS IN THIS BAND, 693 00:32:10,369 --> 00:32:12,911 HAS DREAMS OF BEING DISCOVERED ON THE STRIP. 694 00:32:12,911 --> 00:32:14,202 WOW. 695 00:32:14,202 --> 00:32:16,244 WELL, LOTS OF GIRLS HAVE DREAMS 696 00:32:16,244 --> 00:32:17,876 OF BEING DISCOVERED ON THE STRIP. 697 00:32:17,876 --> 00:32:19,207 I KNOW. 698 00:32:19,207 --> 00:32:20,838 I-IT'S A TEENAGE FANTASY, NOTHING MORE. 699 00:32:20,838 --> 00:32:23,250 BUT HER FATHER WOULD, UH, MAKE A BIG DEAL 700 00:32:23,250 --> 00:32:24,882 OUT OF SAYING NO IF HE KNEW, 701 00:32:24,882 --> 00:32:26,924 MAKING HER WANT IT EVEN MORE, SO... 702 00:32:26,924 --> 00:32:28,925 WE'VE KEPT THAT OUR LITTLE SECRET. 703 00:32:28,925 --> 00:32:30,427 IS HE NOT AROUND? 704 00:32:30,427 --> 00:32:33,089 ARE YOU A SINGLE MOM, TOO? 705 00:32:33,089 --> 00:32:37,353 I'M MARRIED, BUT I OFTEN FEEL LIKE I'M A SINGLE MOM. 706 00:32:37,353 --> 00:32:39,725 MY HUSBAND WORKS A LOT. 707 00:32:39,725 --> 00:32:41,226 HMM. THAT MUST BE HARD. 708 00:32:41,226 --> 00:32:43,558 KIND OF USED TO IT. [ CHUCKLES ] 709 00:32:43,558 --> 00:32:46,441 WHEN IT'S JUST ME AND VICKI, YOU KNOW, IT'S EASY. 710 00:32:46,441 --> 00:32:50,194 POP TWO LEAN CUISINES IN THE OVEN AND CALL IT A DAY. 711 00:32:50,194 --> 00:32:52,776 BUT WHEN JACK IS HERE... 712 00:32:52,776 --> 00:32:54,948 IT'S A LOT OF WORK. 713 00:32:54,948 --> 00:32:57,531 LET ME GUESS -- DIRTY LAUNDRY ALL OVER THE FLOOR. 714 00:32:57,531 --> 00:32:59,372 [ CHUCKLES ] DISHES IN THE SINK. 715 00:32:59,372 --> 00:33:01,874 ARE ALL -- IS THIS ALL MEN? 716 00:33:01,874 --> 00:33:04,246 [ CHUCKLES ] I'M SURE MOST. 717 00:33:04,246 --> 00:33:08,000 MY BOYFRIEND ACTUALLY ALWAYS CLEANS UP AFTER HIMSELF, 718 00:33:08,000 --> 00:33:10,172 BUT HE HAS OTHER THINGS. 719 00:33:10,172 --> 00:33:14,926 HE'S...SO STUBBORN AND OBSESSIVE. 720 00:33:14,926 --> 00:33:16,427 OH, I GET OBSESSIVE. 721 00:33:16,427 --> 00:33:19,220 MY HUSBAND IS THE POSTER CHILD FOR IT. 722 00:33:19,220 --> 00:33:24,434 JACK IS A DETECTIVE, AND HE GETS VERY CAUGHT UP IN HIS CASES. 723 00:33:24,434 --> 00:33:26,436 MY BOYFRIEND IS NOT EVEN SURE WE CAN BE TOGETHER 724 00:33:26,436 --> 00:33:27,807 BECAUSE OF WHAT HE DOES. 725 00:33:27,807 --> 00:33:30,229 NO, I-I GET IT. THEIR WORK IS SO IMPORTANT TO THEM. 726 00:33:30,229 --> 00:33:32,942 AND WITH JACK, IT'S PERSONAL. 727 00:33:32,942 --> 00:33:35,023 REALLY? HOW SO? 728 00:33:35,023 --> 00:33:38,737 HE LOST HIS MOTHER WHEN HE WAS YOUNG. 729 00:33:38,737 --> 00:33:40,108 HMM. 730 00:33:40,108 --> 00:33:42,490 AND NOW IT'S LIKE HE HAS TO SAVE PEOPLE 731 00:33:42,490 --> 00:33:44,952 TO MAKE UP FOR HIS OWN LOSS. 732 00:33:44,952 --> 00:33:48,826 I'M JUST NOT SURE ANYTHING WILL EVER FILL THAT VOID. 733 00:33:48,826 --> 00:33:50,417 MM-HMM. OH... 734 00:33:50,417 --> 00:33:51,788 [ CHUCKLES ] 735 00:33:51,788 --> 00:33:56,002 AND YOU CAME HERE TO TRY TO SELL COLOR STICKS. 736 00:33:56,002 --> 00:33:58,964 I'M SORRY. WAY TOO MUCH INFORMATION. 737 00:33:58,964 --> 00:34:00,336 NO, NOT AT ALL. 738 00:34:02,007 --> 00:34:03,378 I'M PARCHED. 739 00:34:03,378 --> 00:34:04,970 COULD I TROUBLE YOU FOR A GLASS OF WATER? 740 00:34:04,970 --> 00:34:06,471 OH, MY GOD. 741 00:34:06,471 --> 00:34:07,842 I CAN'T BELIEVE HOW INHOSPITABLE I'VE BEEN. 742 00:34:07,842 --> 00:34:09,133 YES, OF COURSE. 743 00:34:09,133 --> 00:34:11,385 I'LL BE RIGHT BACK. OH. 744 00:34:13,347 --> 00:34:16,230 [ INHALES DEEPLY, CLEARS THROAT ] 745 00:34:17,641 --> 00:34:22,525 ♪♪ 746 00:34:22,525 --> 00:34:24,947 MAKE SURE YOU CALL ME IF ANY OF YOUR EMPLOYEES RECOGNIZE HIM 747 00:34:24,947 --> 00:34:27,279 AS ONE OF YOUR REGULARS, OKAY? 748 00:34:27,279 --> 00:34:28,490 ALL RIGHT. 749 00:34:28,490 --> 00:34:30,492 YOU KNOW, I DON'T KNOW HOW MANY MORE OF THESE TIPS 750 00:34:30,492 --> 00:34:31,573 I CAN LISTEN TO, JACK. 751 00:34:31,573 --> 00:34:33,365 I MEAN, THESE PEOPLE ARE COMPLETE WHACK JOBS, 752 00:34:33,365 --> 00:34:35,076 AND THE OTHER HALF ARE OBNOXIOUS KIDS 753 00:34:35,076 --> 00:34:36,457 WHO ARE CALLING TO MAKE PRANK CALLS. 754 00:34:36,457 --> 00:34:37,869 ARE MOST OF THE KIDS BOYS? 755 00:34:37,869 --> 00:34:40,081 OF COURSE, AND THEY ALL THINK A SERIAL KILLER IS HILARIOUS. 756 00:34:40,081 --> 00:34:41,412 ANY OF THEM GIVE AN ADDRESS? 757 00:34:41,412 --> 00:34:43,584 WELL, SURE, IF THE ADDRESS HAS "URANUS" IN IT. 758 00:34:45,255 --> 00:34:47,967 THERE WAS THAT ONE LITTLE GIRL. 759 00:34:47,967 --> 00:34:50,630 YEAH, THERE'S BEEN A FEW GIRLS. 760 00:34:50,630 --> 00:34:54,593 THE TAPE OF -- OF -- OF THE GIRL WITH THE KILLER SITTER. 761 00:34:54,593 --> 00:34:56,515 CUE THAT UP AGAIN. YEAH, WHAT ARE YOU THINKING? 762 00:34:56,515 --> 00:34:57,516 [ TAPE REWINDING ] 763 00:34:57,516 --> 00:34:58,847 I DON'T KNOW. 764 00:34:58,847 --> 00:35:01,720 Mary: THE MAN THAT YOU'RE LOOKING FOR... 765 00:35:01,720 --> 00:35:04,222 KENT GRAINGER? 766 00:35:04,222 --> 00:35:07,104 I KNOW WHERE HE LIVES. 767 00:35:07,104 --> 00:35:09,727 HE'S MY BABYSITTER. 768 00:35:09,727 --> 00:35:12,989 I LIVE AT 2003 DOVER ROAD. 769 00:35:12,989 --> 00:35:15,111 THAT'S WHAT I'M SAYING. I ALREADY RAN THAT DOWN. 770 00:35:15,111 --> 00:35:16,653 THE ADDRESS DOESN'T EXIST. 771 00:35:16,653 --> 00:35:18,534 THERE'S NO 2003 DOVER ROAD. 772 00:35:18,534 --> 00:35:19,535 PLAY IT AGAIN. 773 00:35:19,535 --> 00:35:21,367 ALL RIGHT. [ TAPE REWINDS ] 774 00:35:21,367 --> 00:35:23,739 THE MAN THAT YOU'RE LOOKING FOR... 775 00:35:23,739 --> 00:35:25,951 KENT GRAINGER? 776 00:35:25,951 --> 00:35:29,374 I KNOW WHERE HE LIVES. 777 00:35:29,374 --> 00:35:31,706 HE'S MY BABYSITTER. 778 00:35:31,706 --> 00:35:35,589 I LIVE AT 2003 DOVER ROAD. 779 00:35:35,589 --> 00:35:36,630 2003. 780 00:35:36,630 --> 00:35:39,092 THE ENVELOPE THAT WAS SENT TO KAREN -- 781 00:35:39,092 --> 00:35:42,305 THE KILLER USED A KID TO WRITE THE ADDRESS. 782 00:35:42,305 --> 00:35:44,347 THIS LITTLE GIRL -- MAYBE IT'S HER HANDWRITING. 783 00:35:44,347 --> 00:35:45,848 WHAT IF SHE'S DYSLEXIC? 784 00:35:45,848 --> 00:35:47,560 SHE GETS HER LETTERS BACKWARDS, MAYBE HER NUMBERS, TOO, 785 00:35:47,560 --> 00:35:48,561 LIKE HER ADDRESS. 786 00:35:48,561 --> 00:35:49,762 TRY, UM -- TRY 2300. 787 00:35:49,762 --> 00:35:51,263 [ KEYBOARD CLACKING ] 788 00:35:51,263 --> 00:35:52,764 [ COMPUTER BEEPS ] 789 00:35:52,764 --> 00:35:54,066 UH, NEGATIVE. 790 00:35:54,066 --> 00:35:56,107 WHAT ABOUT, UH, 2030? 791 00:35:56,107 --> 00:35:58,029 [ KEYBOARD CLACKING ] 792 00:35:58,029 --> 00:36:00,151 [ COMPUTER BEEPS ] BINGO. 793 00:36:00,151 --> 00:36:01,652 THIS HAS GOT TO BE IT. 794 00:36:01,652 --> 00:36:03,824 THERE'S A HOBIE'S ICE CREAM RIGHT NEARBY. LET'S GO. 795 00:36:03,824 --> 00:36:06,987 WELL, IT'S SO NICE TO HAVE GIRLFRIEND TIME FOR A CHANGE. 796 00:36:06,987 --> 00:36:08,869 [ CHUCKLES ] 797 00:36:08,869 --> 00:36:11,991 NANCY, UNTIL YOU CAME BY TODAY, I FORGOT HOW MUCH I MISSED IT. 798 00:36:11,991 --> 00:36:14,874 I NEED IT. LIFE-AFFIRMING, ALMOST. 799 00:36:14,874 --> 00:36:17,456 [ CHUCKLES ] FOR ME, TOO. 800 00:36:17,456 --> 00:36:20,209 YOU KNOW, THIS WAS A PERFECT AFTERNOON. 801 00:36:20,209 --> 00:36:22,210 GOOD LUCK WITH VICKI, 802 00:36:22,210 --> 00:36:25,673 AND...I HAVE A FEELING WE'LL SEE EACH OTHER AGAIN. 803 00:36:25,673 --> 00:36:27,175 [ CHUCKLES ] 804 00:36:27,175 --> 00:36:28,756 THANK YOU. 805 00:36:28,756 --> 00:36:30,758 [ CHUCKLES ] THANK YOU. 806 00:36:37,974 --> 00:36:41,767 ♪♪ 807 00:36:57,992 --> 00:37:00,244 [ KNOCKING ON DOOR ] 808 00:37:00,244 --> 00:37:02,245 POLICE. OPEN UP. 809 00:37:02,245 --> 00:37:03,877 ♪♪ 810 00:37:03,877 --> 00:37:05,328 HI, YOUNG LADY. 811 00:37:05,328 --> 00:37:07,040 ARE Y-- ARE YOU MARY? 812 00:37:08,671 --> 00:37:11,003 HE'S NOT A BAD PERSON. 813 00:37:11,003 --> 00:37:12,464 HEY. 814 00:37:12,464 --> 00:37:14,796 LISTEN, YOU DID THE RIGHT THING BY CALLING US. 815 00:37:14,796 --> 00:37:16,508 CAN YOU TELL US WHERE HE LIVES? 816 00:37:16,508 --> 00:37:17,599 ♪♪ 817 00:37:18,640 --> 00:37:20,341 Gloria: MARY? 818 00:37:20,341 --> 00:37:22,343 WHAT'S GOING ON? 819 00:37:22,343 --> 00:37:23,844 MA'AM, I NEED YOU TO KEEP HER INSIDE. 820 00:37:23,844 --> 00:37:24,845 KEEP THE DOORS LOCKED. 821 00:37:24,845 --> 00:37:26,056 STAY AWAY FROM THE WINDOWS, OKAY? 822 00:37:26,056 --> 00:37:27,147 OKAY. THANK YOU, MA'AM. 823 00:37:28,649 --> 00:37:29,649 ♪♪ 824 00:37:29,649 --> 00:37:30,610 [ EXPLOSION ] 825 00:37:30,610 --> 00:37:42,070 ♪♪ 826 00:37:49,127 --> 00:37:51,669 Man: YEAH, HE'S GOING DOOR-TO-DOOR RIGHT NOW. 827 00:37:51,669 --> 00:37:52,750 SIFT THROUGH IT. 828 00:37:52,750 --> 00:37:53,631 GUYS, HE WANTS... 829 00:37:53,631 --> 00:37:54,872 [ CHATTER ] 830 00:37:54,872 --> 00:37:57,084 Man: FIRE DEPARTMENT SAYS YOUR GUY HERE 831 00:37:57,084 --> 00:37:59,586 DRENCHED HIMSELF IN AN ACCELERANT AND SET HIMSELF ON FIRE. 832 00:37:59,586 --> 00:38:00,927 BASED ON THE HEAT DAMAGE, 833 00:38:00,927 --> 00:38:02,969 HE MUST HAVE SPREAD IT AROUND THE HOUSE, TOO. 834 00:38:02,969 --> 00:38:04,880 SO, SUICIDE, HUH? YEAH. 835 00:38:04,880 --> 00:38:06,592 NASTY WAY TO DIE, 836 00:38:06,592 --> 00:38:09,184 BUT GIVEN THE GRACE HE SHOWED HIS VICTIMS, IT'S WELL-DESERVED. 837 00:38:09,184 --> 00:38:11,436 HOW LONG UNTIL YOU HAVE CONFIRMATION IT'S HIM? 838 00:38:11,436 --> 00:38:12,477 UH, A FEW DAYS. 839 00:38:12,477 --> 00:38:14,349 CALL AS SOON AS YOU KNOW SOMETHING. 840 00:38:14,349 --> 00:38:17,481 ♪♪ 841 00:38:22,776 --> 00:38:25,318 [ BRAKES SQUEAL ] 842 00:38:25,318 --> 00:38:27,450 ♪♪ 843 00:38:32,074 --> 00:38:33,956 [ TAPPING ] 844 00:38:33,956 --> 00:38:35,287 COULD YOU MOVE IT ALONG, PLEASE, MA'AM? 845 00:38:35,287 --> 00:38:36,618 WE'RE TRYING TO KEEP THE STREET CLEAR. 846 00:38:36,618 --> 00:38:38,870 ♪♪ 847 00:38:54,554 --> 00:38:56,686 [ VAN DOOR CLOSES ] 848 00:38:56,686 --> 00:38:59,729 ♪♪ 849 00:39:09,027 --> 00:39:10,778 [ ELEVATOR BELL DINGS ] 850 00:39:10,778 --> 00:39:14,151 HEY, THE, UH, SEARCH DOGS PICK UP ANYTHING? 851 00:39:14,151 --> 00:39:15,943 NO, THEY HAD HIS SCENT UP UNTIL THE BACKYARD, 852 00:39:15,943 --> 00:39:17,284 BUT THEN THEY LOST IT, 853 00:39:17,284 --> 00:39:19,536 SO LOOKS LIKE OUR GUY NEVER ESCAPED THE FIRE. 854 00:39:19,536 --> 00:39:21,948 WE FOUND HIS MOTORCYCLE IN THE GARAGE, ALL BURNED UP, 855 00:39:21,948 --> 00:39:23,750 BUT THERE WAS NO EVIDENCE OF ANY OF OUR VICTIMS, 856 00:39:23,750 --> 00:39:24,751 CHARRED OR OTHERWISE. 857 00:39:24,751 --> 00:39:26,212 AH, THAT COULD JUST MEAN HIS KILL LAIR 858 00:39:26,212 --> 00:39:27,333 WAS SOMEWHERE ELSE, RIGHT? 859 00:39:27,333 --> 00:39:28,414 Eileen: I TALKED TO KENT'S NEIGHBORS. 860 00:39:28,414 --> 00:39:30,456 THEY SAID HE KEPT TO HIMSELF. 861 00:39:30,456 --> 00:39:33,258 YEAH, WELL, WITH THE EXCEPTION OF MARY AND HER MOTHER. 862 00:39:33,258 --> 00:39:35,380 I TALKED TO THE SOCIAL WORKER. 863 00:39:35,380 --> 00:39:37,762 SHE SAYS THE MOTHER AND DAUGHTER ARE STILL IN SHOCK. 864 00:39:37,762 --> 00:39:39,093 SURE. 865 00:39:39,093 --> 00:39:40,765 THE SAD GIST OF WHAT I COULD GATHER FROM MARY 866 00:39:40,765 --> 00:39:42,766 IS THAT KENT WAS A GREAT BABYSITTER. 867 00:39:42,766 --> 00:39:46,930 WELL, I GUESS EVEN HORRIBLE PEOPLE DO GOOD THINGS SOMETIMES. 868 00:39:47,971 --> 00:39:51,314 I GUESS WE'RE 11 FOR 11. 869 00:39:51,314 --> 00:39:52,895 [ LAUGHS ] 870 00:39:52,895 --> 00:39:54,607 THOSE SHOES ARE STILL UGLY, BUKOWSKI. 871 00:39:54,607 --> 00:39:56,028 [ EILEEN LAUGHS ] 872 00:39:56,028 --> 00:39:58,240 BEAUTY IS IN THE EYE OF THE BEHOLDER. 873 00:39:58,240 --> 00:40:01,743 IN AN UNEXPECTED YET EXCITING TURN, 874 00:40:01,743 --> 00:40:05,366 THE HOLLYWOOD SLAYER HAS ELUDED JUSTICE 875 00:40:05,366 --> 00:40:09,950 AND HAS TAKEN HIS OWN LIFE. 876 00:40:11,412 --> 00:40:13,704 ♪♪ 877 00:40:13,704 --> 00:40:15,835 [ JOHNNY OSBOURNE'S "FALLY LOVER" PLAYING ] 878 00:40:15,835 --> 00:40:20,710 [ CRYING ] 879 00:40:20,710 --> 00:40:22,762 [ SIGHS ] 880 00:40:26,805 --> 00:40:30,558 ♪ I GAVE YOU MY HEART AND I GAVE YOU MY SOUL ♪ 881 00:40:30,558 --> 00:40:34,182 ♪ AND NOW YOU GONE AND LEFT ME COLD ♪ 882 00:40:34,182 --> 00:40:37,565 ♪ I'M MERELY ASKING FOR YOU TO COME ON DOWN ♪ 883 00:40:37,565 --> 00:40:38,896 [ SOBBING ] Cooper: YOU KNOW I HATE TO SEE YOU CRY. 884 00:40:38,896 --> 00:40:39,897 [ GASPS ] 885 00:40:39,897 --> 00:40:42,939 [ SOBBING ] 886 00:40:51,447 --> 00:40:53,288 [ SNIFFLES ] 887 00:40:56,161 --> 00:40:57,532 THEY SAID YOU WERE DEAD. 888 00:40:57,532 --> 00:40:59,704 YOU KNOW I COULD NEVER DO THAT TO YOU. 889 00:40:59,704 --> 00:41:01,035 [ CHUCKLES ] TO US. 890 00:41:01,035 --> 00:41:05,749 I HAVE SO MUCH TO LIVE FOR BECAUSE OF YOU. 891 00:41:05,749 --> 00:41:07,341 [ CHUCKLES ] 892 00:41:08,922 --> 00:41:11,464 I SAW THE BODY. 893 00:41:11,464 --> 00:41:15,758 YOUR LITTLE MISTAKE CAME IN HANDY. 894 00:41:17,680 --> 00:41:18,971 JIMMY. 895 00:41:21,263 --> 00:41:25,517 [ CHUCKLES ] 896 00:41:27,649 --> 00:41:31,522 ♪♪ 897 00:41:41,571 --> 00:41:43,623 [ CHUCKLES ] 898 00:41:43,623 --> 00:41:46,955 ♪♪ 899 00:41:49,628 --> 00:41:52,841 BETTER TOGETHER THAN APART. 900 00:41:52,841 --> 00:41:55,043 [ CHUCKLES ] YEAH. 901 00:41:55,043 --> 00:41:59,296 ♪♪ 902 00:41:59,296 --> 00:42:02,179 [ INDISTINCT SINGING ] 903 00:42:11,727 --> 00:42:14,520 Man: THAT WAS "FALLY LOVER" BY JOHNNY OSBOURNE. 904 00:42:14,520 --> 00:42:17,192 AND IN THE NEWS, ANGELENOS CAN REST EASY TONIGHT 905 00:42:17,192 --> 00:42:19,524 AS THE HOLLYWOOD SLAYER'S MURDEROUS SUMMER 906 00:42:19,524 --> 00:42:21,276 COMES TO AN END.