1 00:00:02,163 --> 00:00:03,124 PREVIOUSLY ON "WICKED CITY"... I KNOW IT'S YOU. 2 00:00:03,124 --> 00:00:04,875 YOU'RE THE HOLLYWOOD SLAYER. 3 00:00:04,875 --> 00:00:06,547 WELL, I GUESS NOW IT'S MY TURN TO PAY FOR WHAT I'VE DONE. 4 00:00:06,547 --> 00:00:08,219 I LIKE WHAT WE HAVE. 5 00:00:08,219 --> 00:00:10,971 LET'S NOT MAKE THIS INTO SOMETHING IT CAN NEVER BE. 6 00:00:10,971 --> 00:00:13,474 OH, WOW. AIN'T THAT A THING? 7 00:00:13,474 --> 00:00:15,435 BIG CLIMAX. THE EXPLOSION. 8 00:00:15,435 --> 00:00:17,097 FAR MORE CINEMATIC, DON'T YOU THINK? 9 00:00:19,349 --> 00:00:21,311 YOUR GUY HERE SET HIMSELF ON FIRE. 10 00:00:21,311 --> 00:00:23,183 HE MUST HAVE SPREAD IT AROUND THE HOUSE, TOO. 11 00:00:23,183 --> 00:00:25,025 [ SOBBING ] Cooper: YOU KNOW I HATE TO SEE YOU CRY. 12 00:00:25,025 --> 00:00:25,896 [ GASPS ] 13 00:00:25,896 --> 00:00:27,397 THEY SAID YOU WERE DEAD. 14 00:00:27,397 --> 00:00:29,279 I HAVE SO MUCH TO LIVE FOR BECAUSE OF YOU. 15 00:00:31,691 --> 00:00:35,034 ♪♪ 16 00:00:38,698 --> 00:00:42,752 ♪ YOU'RE SWEETER THAN THE TASTE ♪ 17 00:00:42,752 --> 00:00:45,084 ♪ OF HONEY ♪ DON'T BREATHE. 18 00:00:45,084 --> 00:00:46,796 I'M TRYING. DON'T TALK. 19 00:00:46,796 --> 00:00:49,919 ♪ AND I'M SO GLAD ♪ 20 00:00:49,919 --> 00:00:52,551 ♪ THAT YOU'RE MINE ♪ BABE. THE POLICE THINK YOU'RE DEAD. 21 00:00:52,551 --> 00:00:54,633 WE NEED TO USE THAT TO OUR ADVANTAGE. 22 00:00:54,633 --> 00:00:56,475 ♪ YOU'RE SWEETER THAN THE CHANCE♪ WHY -- WHY DON'T WE GET OUT OF TOWN? 23 00:00:56,475 --> 00:00:58,217 I HAVE A PLAN, AND IT DOESN'T INCLUDE RUNNING. 24 00:00:58,217 --> 00:01:02,351 IT INVOLVES YOU STAYING VERY, VERY STILL. 25 00:01:02,351 --> 00:01:05,103 ♪ AND I'M SO GLAD ♪ 26 00:01:05,103 --> 00:01:05,854 ♪ THAT YOU'RE MINE ♪ OKAY, AFTER -- 27 00:01:05,854 --> 00:01:09,487 JU-- I CAN'T IF YOU... 28 00:01:09,487 --> 00:01:13,151 ♪ LA, LA, LA ♪ 29 00:01:13,151 --> 00:01:16,534 ♪ LA, LA, LA ♪ 30 00:01:20,078 --> 00:01:23,411 IS THIS GONNA BE ENOUGH FOR YOU? 31 00:01:23,411 --> 00:01:25,663 JUST ME? 32 00:01:25,663 --> 00:01:29,587 ♪ WE LIVE OUR LIVES TOGETHER ♪ 33 00:01:29,587 --> 00:01:33,551 MM. [ SIGHS ] WHAT AM I, DROOLING? 34 00:01:33,551 --> 00:01:35,252 [ CHUCKLES ] NO. 35 00:01:35,252 --> 00:01:37,805 YOU'RE HERE, BUT I JUST CAN'T REMEMBER 36 00:01:37,805 --> 00:01:40,097 THE LAST TIME YOU WERE ACTUALLY IN THIS BED WHEN I WOKE UP. 37 00:01:40,097 --> 00:01:42,849 WELL, YOU MAY HAVE TO GET USED TO IT. 38 00:01:42,849 --> 00:01:45,392 SO, IS THE CASE CLOSED? 39 00:01:45,392 --> 00:01:46,473 DOES THIS MEAN YOU'RE GONNA BE COMING BACK 40 00:01:46,473 --> 00:01:48,935 FROM BARONE'S TONIGHT STINKING LIKE CIGARS? 41 00:01:48,935 --> 00:01:51,568 OH, YOU BETTER BRING ME AND VICKI BACK A FEW SLICES. 42 00:01:51,568 --> 00:01:55,442 NO, I DON'T THINK THERE'S GONNA BE ANY BARONE'S TONIGHT. 43 00:01:55,442 --> 00:01:58,615 BUT THAT -- THAT'S WHERE YOU USUALLY GO WHEN A BIG CASE ENDS. 44 00:01:58,615 --> 00:02:01,367 THAT'S WHAT YOU DO WITH VINCE. 45 00:02:01,367 --> 00:02:03,619 IS THIS BECAUSE YOU DON'T LIKE PACO? 46 00:02:03,619 --> 00:02:06,332 NO, NO, HE'S ACTUALLY -- HE'S ALL RIGHT. 47 00:02:06,332 --> 00:02:07,583 HE'S PRETTY SMART. 48 00:02:07,583 --> 00:02:11,047 BUT, UM, JUST NOT SURE THERE'S ANYTHING TO CELEBRATE. 49 00:02:11,047 --> 00:02:12,168 WHY? 50 00:02:12,168 --> 00:02:15,050 'CAUSE I'M NOT SURE THE CASE IS OVER. 51 00:02:15,050 --> 00:02:17,463 BUT THEY FOUND THE BODY, RIGHT? 52 00:02:17,463 --> 00:02:19,715 IN THAT HOUSE WHEN IT BURNED DOWN? 53 00:02:19,715 --> 00:02:22,968 YEAH, AND EVERYBODY ASSUMES IT'S OUR GUY, BUT... 54 00:02:22,968 --> 00:02:25,300 EVERYONE BUT YOU. 55 00:02:25,300 --> 00:02:26,722 RIGHT. 56 00:02:26,722 --> 00:02:30,185 WELL, IF I WAS A BETTING WOMAN, I'D PUT MY MONEY ON YOU. 57 00:02:30,185 --> 00:02:31,977 YEAH? HOW MUCH? 50 CENTS? 58 00:02:31,977 --> 00:02:33,568 OH, AT LEAST A DOLLAR. 59 00:02:33,568 --> 00:02:35,940 WELL, I'M -- I'M HONORED YOU HAVE THAT MUCH FAITH IN ME. 60 00:02:35,940 --> 00:02:39,984 IF YOU SAY IT ISN'T OVER, IT ISN'T OVER. 61 00:02:39,984 --> 00:02:42,817 [ SIGHS ] BUT I SURE WISH IT WAS. 62 00:02:44,869 --> 00:02:49,323 YEAH, I KNOW. I KNOW THIS HAS BEEN HARD ON YOU. 63 00:02:49,323 --> 00:02:50,875 ON US. 64 00:02:50,875 --> 00:02:53,327 LOOK, IT'S OUR LIFE, JACK. 65 00:02:53,327 --> 00:02:55,539 I KNOW THAT'S NEVER GONNA CHANGE. 66 00:02:55,539 --> 00:02:58,542 BUT IT'D BE NICE IF YOU WERE HERE MORE -- PRESENT. 67 00:02:58,542 --> 00:03:03,297 IT'D GIVE US A CHANCE TO JUST...BE. 68 00:03:03,297 --> 00:03:05,549 HMM. 69 00:03:08,432 --> 00:03:09,182 I KNOW. 70 00:03:10,434 --> 00:03:12,105 Karen: I CAN'T BELIEVE HE'S A CHEATER. 71 00:03:12,105 --> 00:03:13,687 Diver: I CAN'T BELIEVE HE'S SO CARELESS. 72 00:03:13,687 --> 00:03:15,188 MAN'S A POLICE OFFICER. 73 00:03:15,188 --> 00:03:16,730 KEEP IT IN YOUR PANTS UNTIL YOU GET INSIDE. 74 00:03:16,730 --> 00:03:18,021 SO WHAT SHOULD WE DO? 75 00:03:18,021 --> 00:03:20,273 KNOW THAT MR. CLEAN'S A LITTLE DIRTY AND ENJOY IT. 76 00:03:20,273 --> 00:03:21,985 NO, I MEANT WHAT SHOULD OUR ANGLE BE FOR THE PIECE. 77 00:03:21,985 --> 00:03:23,736 WE'RE NOT WRITING ABOUT THIS. 78 00:03:23,736 --> 00:03:25,448 I DON'T EVEN KNOW WHY I TOOK THESE PHOTOS. 79 00:03:25,448 --> 00:03:27,320 I-I SEE SOMETHING SEEDY, AND I CAN'T EVEN HELP MYSELF. 80 00:03:27,320 --> 00:03:28,491 WHY NOT? 81 00:03:28,491 --> 00:03:30,413 WITH THE SLAYER DEAD, THIS COULD BE A BIG STORY. 82 00:03:30,413 --> 00:03:32,955 IT'S AN AFFAIR. IT'S NOBODY'S BUSINESS. 83 00:03:32,955 --> 00:03:34,367 IT'S THE PEOPLE'S BUSINESS. 84 00:03:34,367 --> 00:03:36,669 THE LEAD DETECTIVE ON A CASE WHERE COCAINE WAS FOUND 85 00:03:36,669 --> 00:03:39,171 ON THE VICTIMS IS HAVING AN AFFAIR WITH A COCAINE DEALER. 86 00:03:39,171 --> 00:03:41,083 IT MIGHT HAVE AFFECTED THE INVESTIGATION. 87 00:03:41,083 --> 00:03:42,715 MAYBE -- MAYBE HE DIDN'T LOOK ENOUGH 88 00:03:42,715 --> 00:03:44,797 INTO THE CONNECTION BETWEEN THE COKE AND THE KILLER. 89 00:03:44,797 --> 00:03:46,719 DETECTIVE CONTRERAS TOLD YOU HE ALWAYS LEFT FLY BRAND 90 00:03:46,719 --> 00:03:47,760 ON HIS VICTIMS, RIGHT? 91 00:03:47,760 --> 00:03:49,181 WHAT IF HE DIDN'T FOCUS ENOUGH ON THAT? 92 00:03:49,181 --> 00:03:52,014 WELL, THE SLAYER IS DEAD. 93 00:03:52,014 --> 00:03:54,476 SO IT SEEMS LIKE IT WASN'T AN ISSUE. 94 00:03:54,476 --> 00:03:57,229 IN ANOTHER DAY OR TWO, THE CORONER'S GOING TO DISCOVER 95 00:03:57,229 --> 00:03:59,561 THAT THE BODY IN THE FIRE ISN'T MINE. 96 00:03:59,561 --> 00:04:02,814 OF COURSE THE CHARRING WILL ONLY BURN THE SUBCUTANEOUS TISSUE. 97 00:04:02,814 --> 00:04:04,946 THE STAB WOUNDS WILL STILL BE THERE. 98 00:04:04,946 --> 00:04:08,610 YOU...ARE SO SEXY WHEN YOU TALK MEDICAL. 99 00:04:09,661 --> 00:04:10,902 OH. 100 00:04:10,902 --> 00:04:12,824 A SEXY NURSE. 101 00:04:12,824 --> 00:04:14,075 IS THAT CLICHé? 102 00:04:14,075 --> 00:04:15,496 NOT WHEN IT'S YOU. 103 00:04:15,496 --> 00:04:17,668 [ CHUCKLES ] 104 00:04:17,668 --> 00:04:19,750 IF DENTAL RECORDS ARE PROVIDED, 105 00:04:19,750 --> 00:04:22,213 THE BODY WILL BE I.D.'d VERY QUICKLY, 106 00:04:22,213 --> 00:04:26,417 AND OUR SITUATION WILL CHANGE FAST. 107 00:04:26,417 --> 00:04:29,129 JIMMY'S PATHETIC WIFE WILL DEFINITELY REPORT HIM MISSING, 108 00:04:29,129 --> 00:04:31,341 INSTEAD OF BEING GRATEFUL HE'S GONE. 109 00:04:31,341 --> 00:04:33,183 IDIOT. 110 00:04:34,975 --> 00:04:36,596 WE NEED TO STAY AHEAD OF THIS. 111 00:04:36,596 --> 00:04:38,849 RIGHT NOW WE HAVE THE ELEMENT OF SURPRISE. 112 00:04:38,849 --> 00:04:42,812 WE NEED TO USE THAT TO OUR ADVANTAGE. 113 00:04:42,812 --> 00:04:43,984 WHAT ARE WE GONNA DO? 114 00:04:46,696 --> 00:04:50,109 "WHEN THE ENEMY IS RELAXED, MAKE THEM TOIL. 115 00:04:50,109 --> 00:04:52,201 WHEN THEY ARE FULL, STARVE THEM. 116 00:04:52,201 --> 00:04:56,035 WHEN THEY ARE SETTLED, MAKE THEM MOVE." 117 00:04:56,035 --> 00:04:58,948 "THE ART OF WAR" BY SUN TZU. 118 00:05:01,330 --> 00:05:03,542 [ LOCK DISENGAGES ] 119 00:05:16,675 --> 00:05:19,678 [ BREATHES DEEPLY ] 120 00:05:24,472 --> 00:05:27,435 ♪♪ 121 00:05:37,445 --> 00:05:39,617 [ SIGHS ] 122 00:05:41,699 --> 00:05:44,952 ♪♪ 123 00:05:46,664 --> 00:05:48,205 Karen: I'M JUST GONNA SAY IT. 124 00:05:48,205 --> 00:05:49,296 WITHOUT THE SLAYER, 125 00:05:49,296 --> 00:05:51,258 THIS TOWN JUST GOT A LOT MORE BORING. 126 00:05:51,258 --> 00:05:52,499 Diver: YOU DIDN'T THINK THE OPENING 127 00:05:52,499 --> 00:05:53,961 OF THE NEW HOT DOG STAND WAS EXCITING? 128 00:05:53,961 --> 00:05:57,925 Karen: IF THAT'S WHAT I HAVE TO REPORT ON, I'D RATHER BE DEAD. 129 00:05:57,925 --> 00:06:00,007 AFTER EATING THAT, WE MIGHT JUST BE. 130 00:06:03,970 --> 00:06:05,182 I'M HEADING BACK OUT. 131 00:06:05,182 --> 00:06:07,314 NOT FOR ANOTHER ONE OF THOSE HOT DOGS. 132 00:06:07,314 --> 00:06:08,645 NO, FOR A REAL STORY -- 133 00:06:08,645 --> 00:06:10,727 ABOUT JACK ROTH AND HIS DRUG DEALER MISTRESS. 134 00:06:10,727 --> 00:06:12,439 THERE'S SOMETHING THERE -- YOU'LL SEE. 135 00:06:12,439 --> 00:06:14,110 I KNOW IT. 136 00:06:14,110 --> 00:06:15,732 WELL, IF YOU FIND A NEWS-WORTHY STORY, 137 00:06:15,732 --> 00:06:17,193 I'LL PRINT IT. 138 00:06:17,193 --> 00:06:19,155 DONE. 139 00:06:22,198 --> 00:06:25,161 ♪♪ 140 00:06:50,475 --> 00:06:53,688 ♪♪ 141 00:06:54,269 --> 00:06:55,980 [ Dialing ] 142 00:06:55,980 --> 00:06:57,322 YEAH, IT'S ROTH. 143 00:06:57,322 --> 00:06:59,524 ANYTHING ON OUR BURNT-TO-A-CRISP CORPSE? 144 00:07:01,366 --> 00:07:03,197 WELL, THAT'S FINE. WHAT'S TAKING SO LONG? 145 00:07:03,197 --> 00:07:05,159 I HOPE THIS IS A PRIORITY FOR YOU GUYS. 146 00:07:05,159 --> 00:07:08,452 HE IS A BIG RAY OF SUNSHINE YOUR PARTNER. 147 00:07:08,452 --> 00:07:09,954 YEAH, ABOUT THAT. 148 00:07:09,954 --> 00:07:12,126 A CRANKY SON OF A BITCH. 149 00:07:12,126 --> 00:07:13,537 NOTHING YOU CAN DO ABOUT IT. 150 00:07:13,537 --> 00:07:15,539 YOU MIGHT CONSIDER ASSIGNING ME MY OWN CASES. 151 00:07:15,539 --> 00:07:18,212 YOU READY TO ABANDON THE ROTH SHIP SO SOON? 152 00:07:18,212 --> 00:07:20,174 LOOK, THIS WAS A HUGE CASE, CAPTAIN. 153 00:07:20,174 --> 00:07:22,386 I KEPT MY HEAD DOWN, I DID THE WORK. 154 00:07:22,386 --> 00:07:24,638 I THINK I DESERVE TO TAKE ON MY OWN CASES AFTER THIS ONE. 155 00:07:24,638 --> 00:07:27,761 MY MONEY WAS ON YOU JUMPING SHIP WITHIN FIVE DAYS WITH ROTH. 156 00:07:27,761 --> 00:07:29,393 BUT YOU'VE HANDLED IT. 157 00:07:29,393 --> 00:07:30,724 AND GOT THE JOB DONE. 158 00:07:30,724 --> 00:07:32,265 BUT YOU'VE GOT DRIVE. 159 00:07:32,265 --> 00:07:34,017 YOU GOT BALLS, TOO -- COMING IN HERE 160 00:07:34,017 --> 00:07:35,809 BEFORE WE EVEN KNOW THE CASE IS OFFICIALLY OVER. 161 00:07:35,809 --> 00:07:37,360 WELL, SUCCESS ONLY COMES 162 00:07:37,360 --> 00:07:39,062 WHEN PREPARATION AND OPPORTUNITY MEET. 163 00:07:39,062 --> 00:07:42,065 YEAH. I'M NOT ONE FOR FANCY QUOTES. 164 00:07:42,065 --> 00:07:43,866 BUT HERE'S ONE -- HERE'S ONE YOU MIGHT HAVE HEARD. 165 00:07:43,866 --> 00:07:45,408 [ CLEARS THROAT ] 166 00:07:45,408 --> 00:07:47,740 DON'T COUNT YOUR CHICKENS BEFORE THEY HATCH. 167 00:07:49,322 --> 00:07:50,913 SO I'M GUESSING THAT'S A NO. 168 00:07:50,913 --> 00:07:52,325 NO, THAT'S JUST A WAIT AND SEE 169 00:07:52,325 --> 00:07:54,116 WHAT THE CORONER COMES BACK WITH. 170 00:07:54,116 --> 00:07:57,289 'CAUSE IF BY SOME SMALL CHANCE THIS IS NOT OUR KILLER, 171 00:07:57,289 --> 00:07:59,712 YOU'VE JUST LAID YOUR CARDS ON THE TABLE TOO SOON. 172 00:07:59,712 --> 00:08:02,925 NOW, HOW'S THAT FOR FANCY. 173 00:08:02,925 --> 00:08:05,007 [ SLURPS ] 174 00:08:07,299 --> 00:08:08,971 [ SIGHS ] 175 00:08:08,971 --> 00:08:12,054 VICKI. CAN I GET SOME HELP? 176 00:08:14,636 --> 00:08:17,269 HONEY. 177 00:08:22,564 --> 00:08:24,606 VICTORIA. 178 00:08:24,606 --> 00:08:28,740 [ MUSIC PLAYING SOFTLY ] 179 00:08:28,740 --> 00:08:30,822 VICKI? 180 00:08:33,704 --> 00:08:36,327 AND HERE I THOUGHT YOU WERE JUST IGNORING ME. 181 00:08:36,327 --> 00:08:38,369 I WAS LISTENING TO A MIX TAPE MITCH MADE ME. 182 00:08:38,369 --> 00:08:40,661 A MIX TAPE, REALLY? 183 00:08:40,661 --> 00:08:42,793 YEAH, JUST SOME COOL SONGS TO INSPIRE ME AND DAISY 184 00:08:42,793 --> 00:08:44,004 AS WE WORK ON OUR MUSIC. 185 00:08:44,004 --> 00:08:47,628 HUH. AND HOW'S, UH, HOW'S THAT GOING? 186 00:08:47,628 --> 00:08:48,969 IT'S PRETTY COOL. 187 00:08:48,969 --> 00:08:50,340 WE'RE MOSTLY GONNA SING COVERS, 188 00:08:50,340 --> 00:08:52,803 BUT I'D REALLY LIKE TO WRITE SOME OF MY OWN STUFF. 189 00:08:52,803 --> 00:08:55,475 UM, NO, I MEANT, HOW'S IT GOING WITH MITCH? 190 00:08:55,475 --> 00:08:56,977 ARE WE GONNA PRETEND THAT YOU'RE NOT TOTALLY 191 00:08:56,977 --> 00:08:58,478 FREAKING OUT THAT I HAVE A BOYFRIEND? 192 00:08:58,478 --> 00:08:59,980 SO MITCH IS YOUR BOYFRIEND? 193 00:08:59,980 --> 00:09:02,182 MOM, PLEASE DON'T. 194 00:09:02,182 --> 00:09:05,525 LOOK, IT'S JUST I -- [ SIGHS ] MITCH IS A SENIOR, OKAY? 195 00:09:05,525 --> 00:09:06,646 AND I WORRY. 196 00:09:06,646 --> 00:09:08,988 I -- I WAS YOUR AGE NOT TOO LONG AGO. 197 00:09:08,988 --> 00:09:10,149 [ SIGHS ] PLEASE DON'T GIVE ME 198 00:09:10,149 --> 00:09:11,451 THE "WAIT UNTIL YOU'RE MARRIED" SPEECH. 199 00:09:11,451 --> 00:09:13,653 WELL, CONSIDERING THAT I DIDN'T, 200 00:09:13,653 --> 00:09:16,075 I CERTAINLY WOULDN'T EXPECT YOU TO. REALLY? 201 00:09:16,075 --> 00:09:18,457 IS THIS ICKING YOU OUT TALKING ABOUT THIS? 202 00:09:18,457 --> 00:09:21,370 NO, I'M -- I'M GLAD YOU HAD A LIFE BEFORE DAD, 203 00:09:21,370 --> 00:09:24,333 THAT YOU WERE SOMETHING BEFORE YOU WERE MY MOM, 204 00:09:24,333 --> 00:09:25,874 I DON'T KNOW, DAD'S WIFE. 205 00:09:25,874 --> 00:09:29,338 I'M STILL MY OWN PERSON, HONEY. 206 00:09:29,338 --> 00:09:31,340 I KNOW. I DIDN'T MEAN IT LIKE THAT. 207 00:09:31,340 --> 00:09:33,632 LOOK, LOOK, I WANT YOU TO BE YOUR OWN PERSON, TOO. 208 00:09:33,632 --> 00:09:35,263 I WANT YOU TO MAKE GOOD CHOICES. 209 00:09:35,263 --> 00:09:38,136 AND SEX CAN HAVE CONSEQUENCES. 210 00:09:38,136 --> 00:09:39,678 YEAH, I WOULD USE PROTECTION. 211 00:09:39,678 --> 00:09:41,680 I'M -- I'M NOT INTERESTED IN BEING A TEENAGE MOMMY. 212 00:09:41,680 --> 00:09:44,062 THEN THAT'S -- THAT'S VERY GOOD. 213 00:09:44,062 --> 00:09:46,224 UM, BUT OTHER KINDS, AS WELL. 214 00:09:46,224 --> 00:09:48,686 LIKE YOU CAN THINK, "OH, IT'S JUST SEX." 215 00:09:48,686 --> 00:09:50,818 AND THEN YOU CAN FALL FOR THE PERSON. 216 00:09:50,818 --> 00:09:54,692 OR IT CAN MAKE THE RELATIONSHIP TOO INTENSE. 217 00:09:54,692 --> 00:09:57,285 I JUST -- I WANT YOU TO BE PREPARED 218 00:09:57,285 --> 00:10:00,037 FOR ALL OF IT BEFORE YOU ACTUALLY DO. 219 00:10:00,037 --> 00:10:02,500 SO, WHAT WE DOING FOR LUNCH? PINK'S? 220 00:10:02,500 --> 00:10:04,792 AH, NO, THE LINE WILL BE TOO LONG. 221 00:10:04,792 --> 00:10:06,043 WELL, WE GOT THE TIME. 222 00:10:06,043 --> 00:10:08,796 WHAT'S THIS? 223 00:10:08,796 --> 00:10:12,249 HEY, JACK! WE GOT IT. CORONER'S REPORT IS IN. 224 00:10:12,249 --> 00:10:13,670 AND? 225 00:10:13,670 --> 00:10:16,343 WELL, UNLESS THIS GUY STABBED HIMSELF 14 TIMES, 226 00:10:16,343 --> 00:10:17,634 HE'S NOT THE KILLER. 227 00:10:17,634 --> 00:10:19,386 THAT BODY WAS DEAD LONG BEFORE THE FIRE. 228 00:10:19,386 --> 00:10:20,717 MM. 229 00:10:20,717 --> 00:10:21,928 LOOKS LIKE IT'S LUNCH AT OUR DESKS, 230 00:10:21,928 --> 00:10:23,180 AND WE'RE BACK TO SQUARE ONE. 231 00:10:23,180 --> 00:10:24,811 NOT IF WE CAN FIGURE OUT WHO THIS VICTIM IS. 232 00:10:24,811 --> 00:10:25,972 WE FIND HIM, WE HAVE MORE LEADS 233 00:10:25,972 --> 00:10:27,223 THAT MIGHT LEAD US TO THE KILLER. 234 00:10:27,223 --> 00:10:28,435 ALL RIGHT, WELL, I'LL CHECK WITH, UH, 235 00:10:28,435 --> 00:10:29,646 MISSING-PERSON REPORTS. 236 00:10:29,646 --> 00:10:31,187 YEAH. 237 00:10:31,187 --> 00:10:33,189 AND I'LL PUT OUT AN APB ON OUR ELUSIVE KILLER, 238 00:10:33,189 --> 00:10:34,901 WHATEVER THE HELL HIS NAME IS. 239 00:10:34,901 --> 00:10:36,482 YEAH, I'LL BE RIGHT UP. 240 00:10:36,482 --> 00:10:39,535 ♪♪ 241 00:11:07,432 --> 00:11:08,513 HEY, WHAT DO WE GOT? 242 00:11:08,513 --> 00:11:10,225 WELL, WE KNOW THAT SON OF A BITCH 243 00:11:10,225 --> 00:11:12,397 HID HIS SCENT WHEN HE FLED HIS HOUSE. 244 00:11:12,397 --> 00:11:14,359 OTHERWISE, THE DOGS WOULD HAVE SMELLED HIM, 245 00:11:14,359 --> 00:11:15,900 AND DOGS ALWAYS SMELL VERMIN. 246 00:11:15,900 --> 00:11:17,272 WELL, HE PROBABLY POURED THE KEROSENE HE USED 247 00:11:17,272 --> 00:11:18,443 TO BLOW UP THE HOUSE ON HIMSELF, 248 00:11:18,443 --> 00:11:19,904 AND THE DOGS WOULDN'T HAVE FOLLOWED THAT. 249 00:11:19,904 --> 00:11:21,816 WHAT ABOUT OUR -- OUR CRèME BRûLéE BODY? 250 00:11:21,816 --> 00:11:24,028 WHAT DOES HE TELL US BESIDES CRISPY ON THE OUTSIDE? 251 00:11:24,028 --> 00:11:26,080 14 STAB WOUNDS. 252 00:11:26,080 --> 00:11:28,372 AROUND THE NECK AREA? CONSISTENT WITH OUR VICTIMS? 253 00:11:28,372 --> 00:11:30,494 SOME -- MOSTLY THE RIBCAGE. 254 00:11:30,494 --> 00:11:31,826 REALLY? 255 00:11:31,826 --> 00:11:35,629 SO, AN UNPLANNED KILLING, ONE WITH A LOT OF EMOTION. 256 00:11:35,629 --> 00:11:37,000 MAYBE THE VICTIM SURPRISED HIM. 257 00:11:37,000 --> 00:11:38,212 HE HAD TO KILL HIM. 258 00:11:38,212 --> 00:11:40,214 OKAY, THE STAB WOUNDS WERE ON THE RIBCAGE 259 00:11:40,214 --> 00:11:42,045 ON THE LEFT SIDE ANGLING SLIGHTLY UP, 260 00:11:42,045 --> 00:11:43,967 SO IF OUR KILLER WAS LEFT-HANDED, 261 00:11:43,967 --> 00:11:45,929 HE COULD HAVE COME AT HIM FROM BEHIND. 262 00:11:45,929 --> 00:11:47,891 OR THE VICTIM COULD HAVE BEEN ON TOP OF HIM 263 00:11:47,891 --> 00:11:49,142 AS HE WAS BEING STABBED. 264 00:11:49,142 --> 00:11:50,844 SO OUR VICTIM ATTACKED HIM. 265 00:11:52,225 --> 00:11:53,556 MAYBE. 266 00:11:53,556 --> 00:11:55,849 I'M GONNA GO PULL SOME MISSING-PERSONS REPORTS. 267 00:11:55,849 --> 00:11:58,021 AND, UH, THE CORONER SAID THAT THEY'D BE HERE 268 00:11:58,021 --> 00:12:00,063 ANY MINUTE WITH ALL THE GORY DETAILS. OKAY. 269 00:12:00,063 --> 00:12:01,234 I JUST GOT OFF 270 00:12:01,234 --> 00:12:02,565 A HIGHLY UNPLEASANT CALL FROM THE CHIEF. 271 00:12:02,565 --> 00:12:03,776 HE'S NOT HAPPY. 272 00:12:03,776 --> 00:12:05,027 WAS HE WORRIED HE MIGHT HAVE TO 273 00:12:05,027 --> 00:12:06,239 KISS MORE MAYOR ASS TO KEEP HIS JOB? 274 00:12:06,239 --> 00:12:07,450 WE HAVE TO RELEASE A STATEMENT 275 00:12:07,450 --> 00:12:09,412 AND ANNOUNCE THAT WE DID NOT CATCH OUR MAN. 276 00:12:09,412 --> 00:12:13,245 CONTRERAS, YOU'RE STUCK WITH A PARTNER A LITTLE WHILE LONGER. 277 00:12:13,245 --> 00:12:14,917 LOOKS LIKE NONE OF US GONNA GET WHAT WE WANT TODAY. 278 00:12:14,917 --> 00:12:16,959 WHAT'S THAT SUPPOSED TO MEAN? 279 00:12:16,959 --> 00:12:18,540 WHAT'S THAT SUPPOSED TO MEAN? 280 00:12:18,540 --> 00:12:21,133 WHAT -- YOU DIDN'T MENTION TO ROTH 281 00:12:21,133 --> 00:12:23,295 YOUR MOVE TO GET YOUR OWN CASES? 282 00:12:27,509 --> 00:12:28,550 Contreras: LOOK, I ONLY MENTIONED 283 00:12:28,550 --> 00:12:30,382 THAT NOW THAT THE INVESTIGATION WAS OVER, 284 00:12:30,382 --> 00:12:32,554 THAT MAYBE I COULD TAKE THE LEAD ON MY OWN CASES. 285 00:12:32,554 --> 00:12:33,765 THAT'S ALL. 286 00:12:33,765 --> 00:12:36,558 LET'S JUST STAY FOCUSED. 287 00:12:36,558 --> 00:12:38,440 RIGHT. OF COURSE. 288 00:12:38,440 --> 00:12:39,981 I'LL COORDINATE WITH BUKOWSKI 289 00:12:39,981 --> 00:12:42,103 ON THE MISSING-PERSONS FILES, CHECK FOR DENTAL RECS. 290 00:12:42,103 --> 00:12:43,394 I'LL WAIT FOR THE CORONER. 291 00:12:43,394 --> 00:12:46,607 ♪♪ 292 00:12:56,327 --> 00:12:58,999 DIANNE, IT'S JACK. IT'S URGENT. 293 00:12:58,999 --> 00:13:01,211 I'M GONNA PAGE YOU. PLEASE CALL ME BACK. 294 00:13:02,833 --> 00:13:04,625 [ PAGER VIBRATING ] 295 00:13:12,803 --> 00:13:14,134 Dianne: CAN I HELP YOU? 296 00:13:14,134 --> 00:13:15,886 I HOPE SO. MY NAME'S KAREN McCLAREN. 297 00:13:15,886 --> 00:13:17,557 I'M A REPORTER WITH L.A. NOTORIOUS. 298 00:13:17,557 --> 00:13:19,309 NOT SURE I NEEDED YOUR NAME OR WHAT YOU DO FOR A LIVING 299 00:13:19,309 --> 00:13:20,390 TO POUR YOU A DRINK. 300 00:13:20,390 --> 00:13:21,521 I'M NOT HERE FOR A DRINK. 301 00:13:21,521 --> 00:13:23,062 THEN I CAN'T HELP YOU. 302 00:13:24,524 --> 00:13:26,235 DO YOU NOT WANT TO TALK TO ME 303 00:13:26,235 --> 00:13:28,237 BECAUSE YOU'RE A DRUG DEALER? 304 00:13:28,237 --> 00:13:30,740 OR BECAUSE YOU'RE HAVING SEX WITH A COP? 305 00:13:31,901 --> 00:13:34,744 IS THAT YOUR ANGLE FOR A STORY? 306 00:13:34,744 --> 00:13:37,616 THAT PEOPLE HAVE SEX AND SELL DRUGS ON THE STRIP? 307 00:13:37,616 --> 00:13:39,328 HOPE YOU'RE NOT TRYING TO MAKE MONEY AS A REPORTER. 308 00:13:39,328 --> 00:13:40,829 KIND OF STATING THE OBVIOUS. 309 00:13:40,829 --> 00:13:42,661 MOST DRUG DEALERS DON'T HAVE SEX WITH COPS. 310 00:13:42,661 --> 00:13:44,373 MOST COPS AREN'T THAT CUTE. 311 00:13:44,373 --> 00:13:45,794 ONE TOO MANY DOUGHNUTS. 312 00:13:45,794 --> 00:13:47,216 YOU KNOW, HE'S MARRIED? 313 00:13:47,216 --> 00:13:49,628 ARE YOU TRYING TO WRITE A STORY OR PASS JUDGMENT? 314 00:13:49,628 --> 00:13:51,630 I'M TRYING TO FIGURE OUT IF DETECTIVE ROTH'S JUDGMENT 315 00:13:51,630 --> 00:13:53,091 WAS IMPAIRED BY BEING INVOLVED WITH YOU. 316 00:13:53,091 --> 00:13:55,343 HE HANDLED SOME PRETTY BIG CASES. 317 00:13:55,343 --> 00:13:56,725 YEAH, HE DOES. 318 00:13:56,725 --> 00:13:58,807 AND SOMEHOW I THINK CATCHING THE HOLLYWOOD SLAYER 319 00:13:58,807 --> 00:14:01,059 IS A BIT MORE IMPORTANT THAN WHO HE GOES TO BED WITH. 320 00:14:01,059 --> 00:14:03,021 WELL, SINCE THE KILLER BLEW HIMSELF UP IN A FIRE, 321 00:14:03,021 --> 00:14:04,022 I'M NOT TOO WORRIED ABOUT THAT. 322 00:14:06,184 --> 00:14:07,815 YOU'RE NOT MUCH OF A REPORTER. 323 00:14:07,815 --> 00:14:09,777 BEEN ALL OVER THE NEWS. 324 00:14:09,777 --> 00:14:11,899 THE PSYCHO FAKED HIS OWN DEATH. 325 00:14:15,032 --> 00:14:17,114 I HAVE TO -- I HAVE TO GO. 326 00:14:17,114 --> 00:14:19,286 MAYBE TRY WORKING ON THOSE INVESTIGATIVE SKILLS, 327 00:14:19,286 --> 00:14:21,829 LIKE TURNING ON A TV. 328 00:14:21,829 --> 00:14:23,370 [ DOOR OPENS ] 329 00:14:23,370 --> 00:14:25,252 [ SIGHS ] 330 00:14:26,664 --> 00:14:28,996 [ DOOR CLOSES ] 331 00:14:30,127 --> 00:14:32,920 [ Ringing ] 332 00:14:32,920 --> 00:14:37,344 SO, THE RUMORS OF MY DEMISE HAVE BEEN GREATLY EXAGGERATED. 333 00:14:37,344 --> 00:14:40,677 AND JIMMY'S ABOUT TO BE DISCOVERED. 334 00:14:40,677 --> 00:14:42,769 OKAY. 335 00:14:42,769 --> 00:14:45,772 SO, NOW THAT THE COPS KNOW THAT I'M ALIVE, 336 00:14:45,772 --> 00:14:48,184 WE NEED TO COVER OUR TRACKS. 337 00:14:48,184 --> 00:14:51,227 WE NEED TO MAKE SURE THOSE WHO ARE LOOKING FOR US 338 00:14:51,227 --> 00:14:53,690 ARE TOO DISTRACTED TO STAY FOCUSED. 339 00:14:53,690 --> 00:14:56,112 AND HOW DO WE DO THAT? 340 00:14:56,112 --> 00:14:58,524 I'M WORKING ON THE LATTER ALREADY. 341 00:14:58,524 --> 00:15:00,196 AND AS TO THE FORMER, 342 00:15:00,196 --> 00:15:02,788 YOU NEED AN ALIBI FOR THE NIGHT JIMMY DISAPPEARED. 343 00:15:02,788 --> 00:15:05,491 [ INDISTINCT P.A. ANNOUNCEMENT ] 344 00:15:09,535 --> 00:15:13,298 ♪♪ 345 00:15:13,298 --> 00:15:16,171 [ DOG BARKING IN DISTANCE ] 346 00:15:37,652 --> 00:15:38,823 I CAN'T DO IT. 347 00:15:38,823 --> 00:15:41,485 YES, YOU CAN. YOU CAN DO ANYTHING YOU WANT. 348 00:15:41,485 --> 00:15:44,949 YOU ARE THE STRONGEST WOMAN I KNOW, BETTY BEAUMONTAINE. 349 00:15:44,949 --> 00:15:47,371 THIS IS ASKING TOO MUCH OF ME. 350 00:15:47,371 --> 00:15:51,575 I KNOW IT WILL BE HARD, BUT I HAVE FAITH IN YOU. 351 00:15:51,575 --> 00:15:54,078 [ SIGHS ] 352 00:15:54,078 --> 00:15:55,959 CAN'T BELIEVE I HAVE TO PRETEND 353 00:15:55,959 --> 00:15:59,253 THAT I CARE WHERE THAT DOUCHE JIMMY IS. 354 00:16:04,508 --> 00:16:06,850 [ SIGHS ] I HEARD JIMMY'S MISSING. 355 00:16:06,850 --> 00:16:08,852 I'M HERE FOR YOU. 356 00:16:08,852 --> 00:16:11,975 ♪♪ 357 00:16:17,650 --> 00:16:19,562 I HAVE TO MAKE IT LOOK LIKE JIMMY HAD A CONNECTION 358 00:16:19,562 --> 00:16:20,863 TO EDGEWAY UPHOLSTERY. 359 00:16:20,863 --> 00:16:23,736 ♪♪ 360 00:16:27,740 --> 00:16:30,072 [ SIGHS ] JUST -- SHE'S SO PATHETIC. 361 00:16:30,072 --> 00:16:32,324 SHE'S JUST -- SHE'S WEEPING AND CRYING 362 00:16:32,324 --> 00:16:34,707 OVER THIS MAN WHO BEAT HER, WHO CHEATED ON HER. 363 00:16:34,707 --> 00:16:36,118 DON'T LET HER GET YOU ANGRY. 364 00:16:36,118 --> 00:16:38,500 PEOPLE LIKE PAM ARE ESSENTIAL. 365 00:16:38,500 --> 00:16:40,672 THEIR FRAGILITY IS OUR POWER. 366 00:16:40,672 --> 00:16:45,837 THEN IN WAR, THE WAY IS WE STRIKE AT WHAT IS WEAK 367 00:16:45,837 --> 00:16:48,470 AND AVOID WHAT IS STRONG. 368 00:16:52,263 --> 00:16:54,596 I BOUGHT NEW SHOES YESTERDAY. 369 00:16:54,596 --> 00:16:57,559 ♪♪ 370 00:17:02,403 --> 00:17:05,316 [ CAR DOORS OPENING ] 371 00:17:15,416 --> 00:17:17,368 [ British accent ] OI. HAVE YOU SEEN BUCKET TODAY? 372 00:17:17,368 --> 00:17:19,249 HE DON'T WORK HERE ANYMORE. 373 00:17:19,249 --> 00:17:20,290 I SEE. 374 00:17:20,290 --> 00:17:23,123 WELL, MAYBE I CAN MEET HIS REPLACEMENT, 375 00:17:23,123 --> 00:17:26,166 SOMEONE WHO HAS THE RIGHT LIBATIONS FOR A BLOKE LIKE ME. 376 00:17:26,166 --> 00:17:28,168 I DON'T KNOW WHAT THE HELL YOU'RE TALKING ABOUT. 377 00:17:28,168 --> 00:17:29,379 BUT SHE CAN GET YOU WANT YOU NEED. 378 00:17:33,763 --> 00:17:36,556 WELL, SHE'S A LOT LOVELIER TO LOOK AT THAN BUCKET. 379 00:17:36,556 --> 00:17:38,978 CHEERS. 380 00:17:43,443 --> 00:17:45,104 ALL RIGHT, LOVE. 381 00:17:45,104 --> 00:17:46,986 I HEAR YOU MIGHT BE ABLE TO HELP ME GET MY FIX. 382 00:17:49,068 --> 00:17:50,990 I DON'T DO BUSINESS INSIDE. 383 00:17:50,990 --> 00:17:54,243 MEET ME OUT BACK IN THE ALLEY. 384 00:17:54,243 --> 00:17:57,246 ♪ I NEED JUST WHAT IT TAKES ♪ 385 00:18:01,660 --> 00:18:04,293 LOOKS LIKE IT REALLY IS MY LUCKY DAY. 386 00:18:07,626 --> 00:18:08,627 HELLO. 387 00:18:08,627 --> 00:18:10,709 Hi, is Dianne there? 388 00:18:10,709 --> 00:18:12,090 I DON'T SEE HER. CAN YOU CALL BACK? 389 00:18:12,090 --> 00:18:13,842 UH, CAN YOU JUST TAKE DOWN MY NUMBER? 390 00:18:13,842 --> 00:18:15,473 SORRY, MAN, GOT NO PAPER. 391 00:18:15,473 --> 00:18:18,386 ALL RIGHT, LOOK, JUST TELL HER THAT THE 35th PRESIDENT CALLED. 392 00:18:18,386 --> 00:18:20,428 Could you do that? 393 00:18:20,428 --> 00:18:22,851 THANK YOU. 394 00:18:24,722 --> 00:18:26,184 ALL RIGHT, SO, WHAT DO YOU NEED? 395 00:18:26,184 --> 00:18:28,106 WELL, THERE'S SO MANY THINGS I NEED, 396 00:18:28,106 --> 00:18:30,358 BUT TODAY I FEEL THE QUESTION IS, WHAT DO I WANT? 397 00:18:30,358 --> 00:18:32,820 AND WHAT IS IT THAT YOU HAVE THAT I MIGHT WANT? 398 00:18:32,820 --> 00:18:35,403 I GOT POT, SPEED, COKE, QUAALUDES, VALIUM. 399 00:18:35,403 --> 00:18:37,785 I DON'T DO PCP. MAKES PEOPLE CRAZY. 400 00:18:37,785 --> 00:18:40,497 WELL, I JUST DON'T KNOW WHAT I'M IN THE MOOD FOR. 401 00:18:40,497 --> 00:18:43,540 QUAALUDES -- 402 00:18:43,540 --> 00:18:48,005 THEY MAKE IT SLOW, LANGUID. 403 00:18:48,005 --> 00:18:50,747 I COULD REALLY ENJOY THE MOMENT. 404 00:18:50,747 --> 00:18:52,919 IT COULD BE KILLER. 405 00:18:52,919 --> 00:18:55,302 SO QUAALUDES? 406 00:18:55,302 --> 00:18:59,215 BUT COKE...[SNAPPING FINGERS] WOULD BE FRENETIC. 407 00:18:59,215 --> 00:19:01,558 IT WOULD BE FAST, IT'D BE FURIOUS. 408 00:19:01,558 --> 00:19:05,261 I ALWAYS FIND SPEED TO BE WICKEDLY DELICIOUS, DON'T YOU? 409 00:19:05,261 --> 00:19:08,645 LOOK, GET HIGH, GET STONED, JUST MAKE A BUY. 410 00:19:08,645 --> 00:19:10,146 MM. 411 00:19:10,146 --> 00:19:11,818 I'LL TAKE THE COKE. 412 00:19:16,822 --> 00:19:19,155 [ CHUCKLES ] OH, LOOK. 413 00:19:19,155 --> 00:19:20,826 IT'S GOT A LITTLE MOSQUITO ON IT. 414 00:19:20,826 --> 00:19:22,158 IT'S A FLY. 415 00:19:22,158 --> 00:19:23,369 BZZT. MM. 416 00:19:23,369 --> 00:19:24,410 MY MISTAKE. 417 00:19:24,410 --> 00:19:27,493 SO WHY THEY PUT THAT ON THE BAG ANYWAY? 418 00:19:27,493 --> 00:19:30,045 THERE YOU ARE. SOME GUY JUST CALLED FOR YOU. 419 00:19:30,045 --> 00:19:31,336 DID YOU GET A NAME? 420 00:19:31,336 --> 00:19:33,839 SAID SOMETHING ABOUT BEING THE 35th PRESIDENT. 421 00:19:33,839 --> 00:19:35,881 WHO KNOWS? ALL THESE TWEAKERS ARE CRAZY. 422 00:19:35,881 --> 00:19:36,922 YEAH. 423 00:19:36,922 --> 00:19:38,673 WE'RE DONE HERE, RIGHT? 424 00:19:38,673 --> 00:19:42,887 FOR NOW. 425 00:19:42,887 --> 00:19:46,221 [ INDISTINCT CONVERSATIONS ] 426 00:19:46,221 --> 00:19:49,304 ♪♪ 427 00:19:55,730 --> 00:19:57,572 WHERE YOU HEADED, JACK? 428 00:19:57,572 --> 00:19:59,864 UH, I HAVE TO DEAL WITH SOMETHING. 429 00:19:59,864 --> 00:20:02,947 DO YOU NOT TRUST ME NOW BECAUSE OF THE WILKINSON THING? 430 00:20:02,947 --> 00:20:05,950 I HAVE TO GO HOME. 431 00:20:05,950 --> 00:20:08,242 I HAVE SOMETHING I HAVE TO TAKE CARE OF. 432 00:20:10,244 --> 00:20:11,825 WE HAVE AN I.D. ON OUR VICTIM. 433 00:20:14,328 --> 00:20:15,709 LOOKS LIKE HOME WILL HAVE TO WAIT. 434 00:20:15,709 --> 00:20:17,170 Roth: YEAH. 435 00:20:17,170 --> 00:20:19,963 [ TELEPHONE RINGING ] 436 00:20:22,716 --> 00:20:24,758 I REALLY LIKE MITCH, BUT I DON'T KNOW. 437 00:20:24,758 --> 00:20:26,429 I'M SCARED IT'S GONNA HURT. 438 00:20:26,429 --> 00:20:28,511 AND I DON'T -- WHAT IF THERE'S A LOT OF BLOOD? 439 00:20:28,511 --> 00:20:31,724 I JUST -- I JUST DON'T REALLY THINK I'M READY. 440 00:20:31,724 --> 00:20:34,477 YOUNG WOMAN: He's a nice guy, though, and you really like him. 441 00:20:34,477 --> 00:20:36,149 It's not a big deal. 442 00:20:36,149 --> 00:20:39,192 I DON'T KNOW, MY MOM WAS SAYING THAT SEX CAN BE INTENSE. 443 00:20:39,192 --> 00:20:41,694 AND I DON'T KNOW, I THINK SHE'S PROBABLY RIGHT. 444 00:20:41,694 --> 00:20:45,568 I JUST DON'T REALLY WANT TO HAVE ANY REGRETS. 445 00:20:45,568 --> 00:20:47,780 Yeah, I guess. 446 00:20:49,321 --> 00:20:52,204 Vicki? 447 00:20:52,204 --> 00:20:55,127 Are you there? 448 00:20:55,127 --> 00:20:56,628 Hello? 449 00:20:56,628 --> 00:20:58,540 Hello? 450 00:20:58,540 --> 00:21:03,004 HELLO, JIMMY LOVETT. THAT IS THE NAME OF OUR VICTIM. 451 00:21:03,004 --> 00:21:04,586 NOW, WE NEED TO FIND OUT HOW THIS VICTIM 452 00:21:04,586 --> 00:21:06,338 IS CONNECTED TO OUR KILLER, ALL RIGHT? 453 00:21:06,338 --> 00:21:08,380 WHICH MEANS WE ROUND UP EVERYONE THAT KNEW HIM. 454 00:21:08,380 --> 00:21:11,182 DRINKING BUDDIES, FAMILY, PEOPLE HE WORKED WITH. 455 00:21:11,182 --> 00:21:12,764 WORK COLLEAGUES, EVEN NEIGHBORS -- 456 00:21:12,764 --> 00:21:14,095 THAT MEANS YOU. 457 00:21:14,095 --> 00:21:15,386 BUT DIDN'T WE CONNECT JIMMY BACK TO EDGEWAY? 458 00:21:15,386 --> 00:21:16,648 WE DID. 459 00:21:16,648 --> 00:21:18,189 BUT THEY'RE GONNA WANT TO COVER THEIR BASES 460 00:21:18,189 --> 00:21:19,941 AND MAKE SURE THERE AREN'T ANY PISSED OFF 461 00:21:19,941 --> 00:21:21,893 BUSINESS PARTNERS, JILTED LOVERS. 462 00:21:21,893 --> 00:21:24,025 [ CHUCKLES ] I WAS HARDLY JILTED, 463 00:21:24,025 --> 00:21:25,856 BUT WON'T IT LOOK BAD TO THE COPS 464 00:21:25,856 --> 00:21:27,658 IF THEY KNOW I WAS INVOLVED WITH HIM? 465 00:21:27,658 --> 00:21:29,240 IT'LL BE WORSE IF YOU LIE, BETTY. 466 00:21:29,240 --> 00:21:30,451 IT'S NOT THE CRIME, 467 00:21:30,451 --> 00:21:32,032 BUT ALWAYS THE LIE THAT CATCHES UP TO YOU. 468 00:21:32,032 --> 00:21:33,534 SO WHAT DO I DO? 469 00:21:33,534 --> 00:21:36,827 [ CRYING ] 470 00:21:36,827 --> 00:21:40,911 I -- I'M JUST SO ASHAMED. 471 00:21:40,911 --> 00:21:44,835 BUT I KNEW I HAD TO TELL THE TRUTH. 472 00:21:44,835 --> 00:21:47,797 AND THEN USE THAT TRUTH TO STICK A DAGGER 473 00:21:47,797 --> 00:21:49,679 THROUGH JACK ROTH'S HEART. 474 00:21:49,679 --> 00:21:52,922 ♪♪ 475 00:22:12,201 --> 00:22:13,822 I CAN'T BELIEVE JIMMY'S DEAD. 476 00:22:13,822 --> 00:22:15,444 THAT'S... 477 00:22:15,444 --> 00:22:17,246 SO AWFUL. 478 00:22:17,246 --> 00:22:19,158 YEAH, YOU, UH, YOU WERE IN LOVE WITH HIM? 479 00:22:19,158 --> 00:22:21,120 DOES IT MATTER? I WASN'T HIS WIFE. 480 00:22:21,120 --> 00:22:22,621 I DIDN'T DESERVE TO BE. 481 00:22:22,621 --> 00:22:24,543 WE'RE NOT HERE TO JUDGE, MISS BEAUMONTAINE. 482 00:22:24,543 --> 00:22:26,294 I WOULDN'T BLAME YOU IF YOU DID. 483 00:22:26,294 --> 00:22:28,717 I MEAN, I KNOW I WASN'T THE ONE THAT WAS MARRIED, 484 00:22:28,717 --> 00:22:33,461 BUT WHAT I DID, 485 00:22:33,461 --> 00:22:37,425 WHAT I TOOK PART IN COULD HAVE RUINED A FAMILY. 486 00:22:37,425 --> 00:22:39,057 OKAY, MA-- MA'AM CAN WE STICK TO THE -- 487 00:22:39,057 --> 00:22:41,229 WHEN WAS THE LAST TIME YOU SAW JIMMY? 488 00:22:41,229 --> 00:22:43,471 I SAW HIM AT THE PARK WITH HIS KIDS. 489 00:22:43,471 --> 00:22:45,313 HE LOVED THOSE KIDS. 490 00:22:45,313 --> 00:22:48,646 ARE YOU GONNA TELL HIS WIFE ABOUT US? 491 00:22:48,646 --> 00:22:50,858 I DON'T THINK I CAN TAKE THAT. 492 00:22:50,858 --> 00:22:53,030 THAT POOR WOMAN WILL HAVE TO KNOW 493 00:22:53,030 --> 00:22:55,943 [Voice breaking] THAT HE DIDN'T LOVE HER ENOUGH. 494 00:22:55,943 --> 00:23:00,788 HE DIDN'T CHERISH HIS FAMILY ENOUGH TO STAY FAITHFUL. 495 00:23:00,788 --> 00:23:04,121 I HATE MYSELF. 496 00:23:09,796 --> 00:23:11,798 YO! WHERE WE HEADED? 497 00:23:11,798 --> 00:23:14,421 W-WE AREN'T HEADED ANYWHERE. THERE'S SOMETHING I GOT TO DO. 498 00:23:14,421 --> 00:23:16,132 BUT WE STILL HAVE TO DOWNLOAD ON THE INTERVIEWS. 499 00:23:16,132 --> 00:23:17,554 I MEAN, BESIDES THE FACT THAT THIS JIMMY 500 00:23:17,554 --> 00:23:19,055 WAS A REAL SLEAZE BAG PUTTING IT IN 501 00:23:19,055 --> 00:23:20,216 HALF THE WOMEN IN THE NEIGHBORHOOD. 502 00:23:20,216 --> 00:23:21,307 GEEZ, HIS POOR WIFE. 503 00:23:21,307 --> 00:23:22,889 SO YOU -- CAN YOU JUST GO TALK TO HER 504 00:23:22,889 --> 00:23:24,180 AND SEE IF THERE'S SOMETHING ELSE SHE CAN GIVE US? 505 00:23:24,180 --> 00:23:25,511 THERE'S SOMEWHERE I HAVE TO BE, PACO. 506 00:23:25,511 --> 00:23:29,896 OF COURSE. YEAH, THE FAMOUS JACK ROTH DISAPPEARING ACT. 507 00:23:29,896 --> 00:23:30,726 LOOK, YOU CAN'T JUST BAIL -- 508 00:23:30,726 --> 00:23:32,108 I CAN'T WHAT? 509 00:23:32,108 --> 00:23:33,519 I CAN'T -- I CAN'T GO BEHIND YOUR BACK 510 00:23:33,519 --> 00:23:34,940 AND WORK MY OWN AGENDA? JUST STOP IT. 511 00:23:34,940 --> 00:23:36,902 DON'T GIVE ME THAT, ALL RIGHT? 512 00:23:36,902 --> 00:23:38,364 LOOK, I PROVED MYSELF. 513 00:23:38,364 --> 00:23:39,825 I'VE TAKEN YOUR ABUSE. 514 00:23:39,825 --> 00:23:40,906 LOOK, AM I AMBITIOUS? YES. 515 00:23:40,906 --> 00:23:42,328 I'M NOT ASHAMED TO ADMIT IT. 516 00:23:42,328 --> 00:23:43,409 REALLY? YOU'RE NOT ASHAMED 517 00:23:43,409 --> 00:23:44,530 THAT YOU WOULD DO ANYTHING TO GET AHEAD. 518 00:23:44,530 --> 00:23:46,161 OH, THIS AGAIN. 519 00:23:46,161 --> 00:23:47,703 WHAT? YOU DON'T CARE WHO YOU HAVE TO HURT TO GET AHEAD. 520 00:23:47,703 --> 00:23:50,535 LORD KNOWS WHAT YOU TOLD DIVER TO GET WHAT YOU NEEDED. 521 00:23:50,535 --> 00:23:51,376 WHAT WE NEEDED. 522 00:23:51,376 --> 00:23:52,838 DON'T INCLUDE ME IN THAT. 523 00:23:52,838 --> 00:23:55,210 YOU ARE ONLY IN IT FOR YOURSELF, AND EVERYBODY KNOWS THAT! 524 00:23:55,210 --> 00:23:56,381 IT'S A FACT. 525 00:23:56,381 --> 00:23:57,963 LOOK, I DON'T KNOW HOW MUCH LONGER YOU THINK 526 00:23:57,963 --> 00:23:58,924 I'M GONNA PUT UP WITH IT, 527 00:23:58,924 --> 00:24:00,305 BUT YOU NEED TO WATCH YOUR MOUTH. 528 00:24:00,305 --> 00:24:01,256 YEAH, OR WHAT? 529 00:24:01,256 --> 00:24:02,467 YOU DON'T WANT TO GO THERE, JACK. 530 00:24:02,467 --> 00:24:03,808 THE HELL I DON'T. 531 00:24:03,808 --> 00:24:06,431 MAYBE IT'S TIME I STOPPED HOLDING BACK 532 00:24:06,431 --> 00:24:08,723 'CAUSE HONESTLY, I AM SICK OF IT. 533 00:24:08,723 --> 00:24:10,435 YOU'RE SICK OF IT. 534 00:24:10,435 --> 00:24:13,357 I AM SICK OF PRETENDING THAT I DON'T KNOW WHO YOU ARE, 535 00:24:13,357 --> 00:24:15,359 WHAT YOU'VE DONE TO THE PEOPLE I CARE ABOUT. 536 00:24:15,359 --> 00:24:17,191 YOU TOOK VINCE DOWN. 537 00:24:17,191 --> 00:24:20,234 YOU RATTED HIM OUT TO GET AHEAD! 538 00:24:20,234 --> 00:24:22,776 ARE YOU GOING TO DENY IT?! 539 00:24:24,448 --> 00:24:27,831 NO. THAT'S RIGHT. 540 00:24:27,831 --> 00:24:29,413 I NEVER SHOULD HAVE TRUSTED YOU. 541 00:24:29,413 --> 00:24:31,535 OH, AND YOU'RE SO TRUSTWORTHY? 542 00:24:31,535 --> 00:24:33,166 WONDER WHAT YOUR WIFE THINKS ABOUT THAT. 543 00:24:35,379 --> 00:24:37,040 [ GRUNTS ] 544 00:24:38,712 --> 00:24:40,293 OH, OKAY. 545 00:24:40,293 --> 00:24:42,465 [ CHUCKLES ] SHOULDN'T HAVE DONE THAT. 546 00:24:42,465 --> 00:24:44,347 YOU'RE WRONG -- I SHOULD HAVE DONE THIS MONTHS AGO. 547 00:24:44,347 --> 00:24:45,799 YOU DON'T KNOW WHO YOU'RE MESSING WITH, ROTH. 548 00:24:45,799 --> 00:24:47,390 YEAH. WHAT, A NARC? 549 00:24:47,390 --> 00:24:50,433 [ BOTH GRUNTING ] 550 00:24:55,688 --> 00:24:58,060 STOP! ALL RIGHT, STOP! 551 00:24:58,060 --> 00:25:00,022 WHAT DO YOU WANT, MAN?! WHAT YOU DO YOU WANT, HUH? 552 00:25:00,022 --> 00:25:01,864 YOU WANT ME TO ADMIT THAT I TOOK DOWN YOUR PARTNER? 553 00:25:01,864 --> 00:25:04,867 FINE! FINE, I DID IT, OKAY? 554 00:25:04,867 --> 00:25:07,029 I TOOK DOWN VINCE. YOU HAPPY? 555 00:25:08,530 --> 00:25:10,953 NO, I'M NOT HAPPY. 556 00:25:10,953 --> 00:25:12,664 WHAT HAVE I DONE? 557 00:25:12,664 --> 00:25:14,206 LOOK, I KNOW THIS CASE IS GETTING TO BOTH OF US, JACK. 558 00:25:14,206 --> 00:25:17,459 BUT THERE'S SOMETHING ELSE GOING ON. 559 00:25:17,459 --> 00:25:19,501 YOU GONNA TELL ME? 560 00:25:21,753 --> 00:25:24,125 THE KILLER HAS PICTURES OF DIANNE AND ME. 561 00:25:24,125 --> 00:25:26,758 GOT A NICE LITTLE NOTE IN THE PACKAGE. 562 00:25:26,758 --> 00:25:28,970 HOW'D HE GET THEM? I DON'T KNOW. 563 00:25:28,970 --> 00:25:33,344 ALL LONG LENS, GOOD QUALITY, CRYSTAL-CLEAR PICTURES 564 00:25:33,344 --> 00:25:36,187 TELLING THE TALE OF INFIDELITY. 565 00:25:36,187 --> 00:25:37,809 SO, PROFESSIONAL? 566 00:25:39,560 --> 00:25:40,851 YOU GONNA TELL ALLISON? 567 00:25:40,851 --> 00:25:42,273 YEAH, I HAVE TO. 568 00:25:42,273 --> 00:25:44,315 I CAN'T LET HIM HAVE THAT KIND OF POWER OVER ME. 569 00:25:44,315 --> 00:25:46,947 PLUS, SHE'S GOT TO KNOW THAT HER AND VICKI ARE IN DANGER. 570 00:25:46,947 --> 00:25:49,700 AND BECAUSE OF THE PHOTO, HE ALSO KNOWS ABOUT DIANNE. 571 00:25:49,700 --> 00:25:50,741 SO SHE'S AT RISK, TOO. 572 00:25:50,741 --> 00:25:51,952 HAVE YOU TOLD HER? 573 00:25:51,952 --> 00:25:53,203 NO, I HAVEN'T BEEN ABLE TO REACH HER. 574 00:25:53,203 --> 00:25:54,244 I'VE BEEN TRYING ALL DAY. 575 00:25:54,244 --> 00:25:55,706 YOU LOVE HER, DON'T YOU? 576 00:25:56,997 --> 00:25:59,209 YEAH, BUT I ALSO LOVE MY FAMILY. 577 00:25:59,209 --> 00:26:00,460 AND I CANNOT BELIEVE 578 00:26:00,460 --> 00:26:02,622 I'M GONNA HURT ALLISON LIKE THIS. 579 00:26:02,622 --> 00:26:04,294 WELL, LOOK, I COULD FIND DIANNE, IS THAT GONNA HELP? 580 00:26:04,294 --> 00:26:06,126 YEAH. THANKS. 581 00:26:06,126 --> 00:26:08,298 THAT'S WHAT PARTNERS ARE FOR. 582 00:26:08,298 --> 00:26:10,260 [ LAUGHS ] 583 00:26:10,260 --> 00:26:11,971 YEAH. 584 00:26:11,971 --> 00:26:13,973 [ SIGHS ] ALL RIGHT, I GOT TO GET HOME. 585 00:26:13,973 --> 00:26:16,225 YOU NEED TO GET TO HER BEFORE HE DOES. 586 00:26:19,308 --> 00:26:21,981 ♪♪ 587 00:26:37,696 --> 00:26:40,459 OH. I DIDN'T HEAR YOU WALK IN. 588 00:26:40,459 --> 00:26:41,790 EVERYTHING GOOD? 589 00:26:41,790 --> 00:26:43,332 YOU LOOK CUTE. 590 00:26:43,332 --> 00:26:44,583 YEAH, WHATEVER. I'M JUST -- 591 00:26:44,583 --> 00:26:46,004 I'M JUST GOING TO MARNIE'S TO WATCH A MOVIE. 592 00:26:46,004 --> 00:26:48,506 OKAY, WELL, B-BEFORE YOU GO, UH, WHAT DO YOU THINK? 593 00:26:48,506 --> 00:26:49,708 DO YOU LIKE THIS HERE? 594 00:26:49,708 --> 00:26:51,299 MOM, WHAT DOES IT MATTER? 595 00:26:51,299 --> 00:26:54,052 IT'S LIKE REARRANGING DECK CHAIRS ON THE TITANIC. 596 00:26:54,052 --> 00:26:55,844 [ CHUCKLES ] GLAD TO KNOW YOU THINK 597 00:26:55,844 --> 00:26:57,385 OF OUR HOME AS A SINKING SHIP. 598 00:26:57,385 --> 00:26:59,847 IT'S JUST A CHAIR, HONEY. DON'T BE SO DRAMATIC. 599 00:26:59,847 --> 00:27:01,849 BUT, YEAH, NO, NO, NO. YOU'RE RIGHT, YOU'RE RIGHT. 600 00:27:01,849 --> 00:27:04,352 LOOKS BETTER OVER THERE, OKAY. 601 00:27:04,352 --> 00:27:06,143 BACK YOU GO. 602 00:27:06,143 --> 00:27:07,395 MOM. 603 00:27:07,395 --> 00:27:08,816 YEAH, HONEY? 604 00:27:12,439 --> 00:27:15,072 JUST I'LL -- I'LL SEE YOU LATER. 605 00:27:15,072 --> 00:27:18,575 OKAY, WELL, BE HOME BY 10:00. IT'S A SCHOOL NIGHT. 606 00:27:18,575 --> 00:27:23,830 ♪♪ 607 00:27:23,830 --> 00:27:26,453 HEY, SO WHERE'D YOU TELL YOUR MOM YOU WERE GOING TONIGHT? 608 00:27:26,453 --> 00:27:28,375 WHAT DOES IT MATTER? 609 00:27:28,375 --> 00:27:31,918 SHE'S SO CLUELESS SHE HAS NO IDEA WHAT'S GOING ON. 610 00:27:37,594 --> 00:27:38,845 [ LOCK DISENGAGES ] 611 00:27:40,847 --> 00:27:43,059 HEY. YOU'RE HOME EARLY. 612 00:27:43,059 --> 00:27:45,061 I WASN'T EXPECTING YOU TILL LATER. 613 00:27:45,061 --> 00:27:48,064 YOU HUNGRY? I CAN MAKE YOU SOMETHING. 614 00:27:48,064 --> 00:27:49,065 IS VICKI HOME? 615 00:27:49,065 --> 00:27:51,027 NO, SHE'S AT MARNIE'S. 616 00:27:52,188 --> 00:27:54,570 WHY? 617 00:27:59,194 --> 00:28:01,657 JACK. 618 00:28:04,700 --> 00:28:06,081 WHAT IS IT? 619 00:28:17,172 --> 00:28:20,715 YOU KNOW, SOMETIMES LATE AT NIGHT, 620 00:28:20,715 --> 00:28:23,007 WHEN I'M ALONE IN BED -- 621 00:28:23,007 --> 00:28:24,719 [ SCOFFS ] BECAUSE LET'S FACE IT, 622 00:28:24,719 --> 00:28:28,302 I'M ALWAYS ALONE... 623 00:28:28,302 --> 00:28:32,647 I WOULD THINK TO MYSELF, "I LIKE MY LIFE LIKE THIS." 624 00:28:34,568 --> 00:28:37,651 JUST ME AN VICKI. 625 00:28:37,651 --> 00:28:38,983 [ SIGHS ] 626 00:28:38,983 --> 00:28:41,275 DIDN'T HAVE TO WORRY IF YOU WERE OKAY. 627 00:28:41,275 --> 00:28:44,158 I DIDN'T HAVE TO WORRY IF YOU WERE HUNGRY, 628 00:28:44,158 --> 00:28:47,821 IF YOU WERE SINKING INTO SOME OBSESSION WITH THE CASE. 629 00:28:51,915 --> 00:28:55,168 AND YOU KNOW WHAT I WOULD FEEL WHILE I WAS THINKING THIS? 630 00:28:57,330 --> 00:29:01,965 I WOULD FEEL GUILTY... 631 00:29:01,965 --> 00:29:03,837 THAT DIDN'T LOVE YOU ENOUGH, 632 00:29:03,837 --> 00:29:06,219 THAT I DIDN'T APPRECIATE YOU, 633 00:29:06,219 --> 00:29:09,102 THAT THERE WAS SOMETHING WRONG WITH ME. 634 00:29:09,102 --> 00:29:10,433 THERE'S NOTHING WRONG WITH YOU. 635 00:29:10,433 --> 00:29:12,645 THAT'S RIGHT. THERE'S SOMETHING WRONG WITH YOU. 636 00:29:12,645 --> 00:29:14,477 YOU HAVE EVERYTHING -- 637 00:29:14,477 --> 00:29:17,610 A FAMILY THAT LOVES YOU, A BEAUTIFUL HOME. 638 00:29:17,610 --> 00:29:20,402 AND YET THAT IS JUST NOT ENOUGH FOR YOU. 639 00:29:20,402 --> 00:29:21,614 [ SIGHS ] 640 00:29:21,614 --> 00:29:24,526 OR MAYBE -- MAYBE IT'S TOO MUCH 641 00:29:24,526 --> 00:29:27,780 BECAUSE YOU'RE TOO SCREWED UP TO WANT GOODNESS. 642 00:29:27,780 --> 00:29:28,781 YOU WANT THE UGLY. 643 00:29:28,781 --> 00:29:30,162 YOU WANT THE DARKNESS. 644 00:29:30,162 --> 00:29:32,124 YOU WANT TO DESTROY THINGS. 645 00:29:32,124 --> 00:29:33,705 I NEVER WANTED TO DESTROY US. 646 00:29:34,786 --> 00:29:36,628 AND YET YOU DID. 647 00:29:36,628 --> 00:29:39,291 AND I'LL NEVER FORGIVE MYSELF FOR THAT. 648 00:29:39,291 --> 00:29:41,673 OH, GOD, PLEASE, SPARE ME THE GUILT, JACK. 649 00:29:41,673 --> 00:29:43,084 YOU DON'T GET TO FEEL BAD HERE. 650 00:29:43,084 --> 00:29:44,756 YOU'RE RIGHT, I DON'T. 651 00:29:44,756 --> 00:29:48,299 BUT THIS IS ABOUT MORE THAN JUST YOU AND ME RIGHT NOW. 652 00:29:48,299 --> 00:29:50,431 THIS KILLER -- 653 00:29:50,431 --> 00:29:51,432 [ SIGHS ] 654 00:29:51,432 --> 00:29:53,144 THIS KILLER HAS MADE IT PERSONAL. 655 00:29:53,144 --> 00:29:55,016 ARE WE IN -- IN DANGER? 656 00:29:55,016 --> 00:29:56,017 I DON'T KNOW. 657 00:29:56,017 --> 00:29:57,688 I'M GONNA PUT A SQUAD CAR OUT FRONT, 658 00:29:57,688 --> 00:29:59,980 AND I'M GONNA BE HERE TO PROTECT YOU AND TO PROTECT VICKI. 659 00:29:59,980 --> 00:30:01,692 HOW CAN YOU PROTECT US? 660 00:30:01,692 --> 00:30:02,733 YOU'RE THE REASON WE'RE IN THIS SITUATION 661 00:30:02,733 --> 00:30:04,395 IN THE FIRST PLACE. 662 00:30:04,395 --> 00:30:06,697 BECAUSE OF YOU, WE CAN'T FEEL SAFE IN OUR OWN HOME, 663 00:30:06,697 --> 00:30:08,238 ESPECIALLY IN OUR HOME. 664 00:30:08,238 --> 00:30:10,821 NO, DON'T -- DON'T TOUCH ME! 665 00:30:10,821 --> 00:30:12,703 I WANT YOU OUT OF HERE. 666 00:30:16,076 --> 00:30:17,537 WHERE ARE YOU GOING? 667 00:30:17,537 --> 00:30:18,829 I'M GOING FOR A WALK. 668 00:30:18,829 --> 00:30:20,961 NOT THAT IT'S ANY OF YOUR DAMN BUSINESS. 669 00:30:23,583 --> 00:30:25,465 [ DOOR CLOSES ] 670 00:30:32,382 --> 00:30:34,303 [ SIGHS ] 671 00:30:36,926 --> 00:30:39,889 [ SOBBING ] 672 00:30:46,275 --> 00:30:49,278 ♪ SURRENDER, DON'T LEAVE ♪ 673 00:30:49,278 --> 00:30:50,569 ♪ YOU'RE A LONG WAY ♪ DO YOU HAVE A RUBBER? 674 00:30:50,569 --> 00:30:52,611 ♪ FROM HOME ♪ YEAH, I HAVE PROTECTION. 675 00:30:52,611 --> 00:30:54,703 ♪ AND THE MARCH IS OVER ♪ OKAY, GOOD. 676 00:30:56,365 --> 00:30:57,366 ♪ AND THEY DON'T CARE ♪ 677 00:30:57,366 --> 00:30:59,287 ♪ THAT YOU'RE ALONE ♪ HEY. 678 00:30:59,287 --> 00:31:00,659 HEY, ARE YOU SURE? 679 00:31:00,659 --> 00:31:01,620 I MEAN, YOU'RE REALLY READY? 680 00:31:03,872 --> 00:31:05,253 YEAH. 681 00:31:05,253 --> 00:31:06,715 I'M SURE. 682 00:31:06,715 --> 00:31:10,088 ♪ SURRENDER, DON'T LEAVE ♪ 683 00:31:10,088 --> 00:31:12,630 ♪ 'CAUSE THEY'LL NEVER RUN YOU DOWN ♪ 684 00:31:12,630 --> 00:31:14,132 Anchorman: AT A NEWS CONFERENCE TODAY, 685 00:31:14,132 --> 00:31:15,633 THE L.A.P.D. ANNOUNCED THAT THE HOLLYWOOD SLAYER 686 00:31:15,633 --> 00:31:17,265 IS STILL AT LARGE. 687 00:31:17,265 --> 00:31:19,267 I CAN'T BELIEVE HE USED ME TO LIE TO THE WORLD. 688 00:31:19,267 --> 00:31:21,098 HE'S A KILLER, KAREN. 689 00:31:21,098 --> 00:31:23,271 HE HAS NO MORAL CODE. YOU KNOW THAT, RIGHT? 690 00:31:24,772 --> 00:31:27,354 YEAH, I GUESS I DO. 691 00:31:27,354 --> 00:31:28,856 I JUST DON'T LIKE THAT HE'S OUT THERE 692 00:31:28,856 --> 00:31:29,977 AND THAT HE TAKES PLEASURE 693 00:31:29,977 --> 00:31:31,569 IN MAKING YOU A PART OF HIS STORY. 694 00:31:31,569 --> 00:31:33,030 [ KNOCK ON DOOR ] 695 00:31:35,112 --> 00:31:37,284 WHO IS IT? 696 00:31:37,284 --> 00:31:39,446 Contreras: DETECTIVE CONTRERAS. 697 00:31:45,792 --> 00:31:47,494 HE HASN'T REACHED OUT TO US. 698 00:31:47,494 --> 00:31:49,996 SHE'S NOT LYING. 699 00:31:49,996 --> 00:31:52,258 THAT'S GOOD. THAT'S GOOD. 700 00:31:52,258 --> 00:31:54,921 I JUST WANTED TO BE SURE THAT YOU GUYS ARE SAFE. 701 00:31:54,921 --> 00:31:57,343 WHAT'S GOING ON? 702 00:32:02,718 --> 00:32:04,891 HE HASN'T CONTACTED YOU, BUT HE'S BEEN HERE. 703 00:32:04,891 --> 00:32:06,312 WHAT? 704 00:32:06,312 --> 00:32:08,394 NO, HE'S NOT LEFT A NOTE OR NOTHING. HE -- 705 00:32:08,394 --> 00:32:09,725 WELL, THAT'S BECAUSE HE DIDN'T LEAVE SOMETHING. 706 00:32:09,725 --> 00:32:11,016 HE TOOK SOMETHING. 707 00:32:12,318 --> 00:32:14,149 I DON'T UNDERSTAND. 708 00:32:14,149 --> 00:32:16,281 THE KILLER SENT THESE PHOTOGRAPH TO JACK. 709 00:32:16,281 --> 00:32:19,324 ♪♪ 710 00:32:22,578 --> 00:32:23,949 A BUNCH ARE MISSING. 711 00:32:23,949 --> 00:32:25,530 HE MUST HAVE BROKEN IN. 712 00:32:25,530 --> 00:32:29,374 NOW WHAT I WANT TO UNDERSTAND IS WHY YOU TOOK THEM AND HOW. 713 00:32:29,374 --> 00:32:31,536 I WAS LOOKING FOR BUCKET, AND THEY SAID THAT THIS CHICK... 714 00:32:31,536 --> 00:32:33,038 DIANNE. 715 00:32:33,038 --> 00:32:34,799 THAT SHE WAS THE REPLACEMENT, SO I FOLLOWED HER. 716 00:32:34,799 --> 00:32:36,341 WHY YOU STILL LOOKING FOR BUCKET, MAN? 717 00:32:36,341 --> 00:32:38,593 BECAUSE THE KILLER LEAVES FLY BRAND COKE ON HIS VICTIMS. 718 00:32:38,593 --> 00:32:39,924 THAT'S WHAT YOU TOLD ME. 719 00:32:39,924 --> 00:32:42,387 THAT'S WHAT BUCKET DEALT, SO I-I FIGURED IT WAS A LEAD. 720 00:32:42,387 --> 00:32:44,348 OKAY, SO -- SO THE INFORMATION I GAVE YOU 721 00:32:44,348 --> 00:32:46,220 ABOUT FLY BRAND COKE IS THE REASON 722 00:32:46,220 --> 00:32:47,762 WHY JACK'S AFFAIR IS GONNA BE EXPOSED? 723 00:32:48,603 --> 00:32:49,644 I'M SORRY, MAN. 724 00:32:51,936 --> 00:32:53,267 AND NOW DIANNE MAY BE AT RISK 725 00:32:53,267 --> 00:32:55,559 IF THE KILLER DECIDES THAT SHE'S USEFUL TO HIM. 726 00:32:55,559 --> 00:32:57,361 I'VE BEEN LOOKING ALL OVER FOR HER. I CAN'T FIND HER. 727 00:32:57,361 --> 00:32:58,862 I COULD TELL YOU WHERE SHE LIVES. 728 00:32:59,773 --> 00:33:01,865 HOW? 729 00:33:01,865 --> 00:33:03,527 IT'S WHERE I TOOK THE PHOTOS. 730 00:33:05,369 --> 00:33:06,530 GOOD. 731 00:33:07,571 --> 00:33:09,913 [ LOCK DISENGAGES ] 732 00:33:13,456 --> 00:33:16,579 ♪♪ 733 00:34:03,004 --> 00:34:05,967 ♪♪ 734 00:34:10,842 --> 00:34:13,394 [ PAGER VIBRATING ] 735 00:34:18,479 --> 00:34:20,561 [ KNOCK ON DOOR ] 736 00:34:22,062 --> 00:34:23,274 WHO IS IT? 737 00:34:23,274 --> 00:34:24,855 Contreras: IT'S PACO. 738 00:34:29,279 --> 00:34:30,320 HEY. 739 00:34:30,320 --> 00:34:31,572 HEY. 740 00:34:31,572 --> 00:34:33,864 I'M, UH, SORRY TO BARGE IN ON YOU LIKE THIS. 741 00:34:33,864 --> 00:34:36,326 WHAT'S GOING ON? [ DOOR CLOSES ] 742 00:34:36,326 --> 00:34:38,959 IT'S THE KILLER. HE KNOWS ABOUT YOU AND JACK. 743 00:34:38,959 --> 00:34:41,251 MAY EVEN KNOW WHERE YOU LIVE. 744 00:34:43,663 --> 00:34:45,625 [ SIGHS ] DOES HE KNOW I'M A COP? 745 00:34:45,625 --> 00:34:48,258 LOOK, I DON'T KNOW, BUT I KNOW THAT YOU'RE NOT SAFE HERE. 746 00:34:48,258 --> 00:34:50,550 ALL RIGHT? JACK'S BEEN TRYING TO FIND YOU ALL DAY. 747 00:34:50,550 --> 00:34:52,382 WHERE YOU BEEN? [ SIGHS ] IS HE OKAY? 748 00:34:52,382 --> 00:34:54,343 HE'S WORRIED ABOUT YOU. 749 00:34:54,343 --> 00:34:56,265 LOOK, JUST GATHER UP YOUR THINGS, AND LET'S MOVE. 750 00:34:56,265 --> 00:34:57,637 WE GOT TO GO. 751 00:34:57,637 --> 00:34:59,729 ALL RIGHT, HOLD ON. 752 00:34:59,729 --> 00:35:01,640 YOU GOOD? 753 00:35:01,640 --> 00:35:02,942 YEAH. LET'S GO. 754 00:35:05,945 --> 00:35:08,447 [ LOCK ENGAGES ] 755 00:35:08,447 --> 00:35:11,490 ♪♪ 756 00:35:19,788 --> 00:35:21,540 [ SIGHS ] [ DOG PANTING ] 757 00:35:21,540 --> 00:35:23,461 YOU TAKE GOOD CARE OF THEM, GIRL. 758 00:35:28,967 --> 00:35:32,090 ♪♪ 759 00:35:36,764 --> 00:35:38,806 [ TELEPHONE RINGS ] 760 00:35:40,928 --> 00:35:41,929 HELLO. KENT: Kiki. 761 00:35:41,929 --> 00:35:44,522 HELLO... 762 00:35:44,522 --> 00:35:45,813 WHAT SHOULD I CALL YOU? 763 00:35:45,813 --> 00:35:49,316 JOHN'S FINE. IT'S A BIBLICAL NAME. STRONG. 764 00:35:49,316 --> 00:35:51,859 I'M SURPRISED TO HEAR FROM YOU, JOHN. 765 00:35:51,859 --> 00:35:53,650 SINCE LAST TIME YOU USED ME TO FAKE YOUR OWN DEATH. 766 00:35:53,650 --> 00:35:56,443 DON'T BE ANGRY. I NEEDED TO PROTECT MYSELF. 767 00:35:56,443 --> 00:35:57,234 YOU UNDERSTAND THAT. 768 00:35:57,234 --> 00:35:58,535 ANYWAY, LOOK, 769 00:35:58,535 --> 00:36:01,738 I've got this big scoop for you to make up for it all. 770 00:36:01,738 --> 00:36:06,913 IT INVOLVES JACK ROTH AND A CERTAIN GIRLFRIEND. 771 00:36:06,913 --> 00:36:08,545 Since you stole those photos from here, 772 00:36:08,545 --> 00:36:10,417 you already know I'm aware of the fact that Detective Roth 773 00:36:10,417 --> 00:36:12,088 IS HAVING AN AFFAIR WITH A DRUG DEALER. 774 00:36:12,088 --> 00:36:15,421 Yeah, but that Dianne has so many layers. 775 00:36:15,421 --> 00:36:17,463 AND ONCE YOU PEEL THEM BACK, 776 00:36:17,463 --> 00:36:21,057 WHAT YOU WILL FIND IS AN UNDERCOVER POLICE OFFICER. 777 00:36:21,057 --> 00:36:23,970 She's a narc? How do you know that? 778 00:36:23,970 --> 00:36:28,103 WELL, I MAY BE YOUR SOURCE, BUT I HAVE MY OWN. 779 00:36:28,103 --> 00:36:30,686 AND WHAT A JUICY STORY THAT WOULD BE. 780 00:36:30,686 --> 00:36:34,690 You get to expose the inner workings of the L.A.P.D. -- 781 00:36:34,690 --> 00:36:37,322 a world of narcs and police officers 782 00:36:37,322 --> 00:36:39,615 that fall in love with them. 783 00:36:39,615 --> 00:36:41,326 That's a sexy exposé. 784 00:36:41,326 --> 00:36:43,278 IF I PRINTED THAT, HER COVER WOULD BE BLOWN. 785 00:36:43,278 --> 00:36:45,871 SHE WOULD BE IN REAL JEOPARDY -- MAYBE EVEN KILLED. 786 00:36:45,871 --> 00:36:47,742 Well, perhaps there would be blood. 787 00:36:47,742 --> 00:36:50,915 BUT I CAN'T CONTROL WHAT PEOPLE DO WITH INFORMATION. 788 00:36:50,915 --> 00:36:52,587 YOU MEAN YOU CAN HURT HER AND JACK ROTH 789 00:36:52,587 --> 00:36:54,339 WITHOUT GETTING ANY BLOOD ON YOUR HANDS. 790 00:36:54,339 --> 00:36:56,751 Not that it's ever seemed to bother you before. 791 00:36:56,751 --> 00:37:01,055 THE GREATEST VICTORY IS THAT WHICH REQUIRES NO BATTLE. 792 00:37:01,055 --> 00:37:05,299 And I'd be very careful how you speak to me, Kiki. 793 00:37:05,299 --> 00:37:08,062 I'M ONLY HUMAN AFTER ALL. 794 00:37:08,062 --> 00:37:10,895 [ Receiver clicks, dial tone ] 795 00:37:13,978 --> 00:37:16,110 [ BREATHES SHAKILY ] 796 00:37:16,110 --> 00:37:17,521 [ DOOR OPENS ] 797 00:37:17,521 --> 00:37:19,903 [ SNIFFLES ] 798 00:37:19,903 --> 00:37:21,775 HI, HONEY. 799 00:37:21,775 --> 00:37:24,157 UH...HOW WAS DEBBIE'S? 800 00:37:25,739 --> 00:37:27,160 IT WAS FINE. 801 00:37:27,160 --> 00:37:29,242 OH, MARNIE'S -- SORRY, YOU WERE AT MARNIE'S. 802 00:37:29,242 --> 00:37:30,744 UM... [ SNIFFLES ] 803 00:37:30,744 --> 00:37:32,535 I'M JUST A LITTLE TIRED. [ CHUCKLES ] 804 00:37:32,535 --> 00:37:34,247 YEAH, ME TOO. 805 00:37:34,247 --> 00:37:37,250 WELL, MARNIE'S WAS MARNIE'S -- NOTHING SPECIAL. 806 00:37:37,250 --> 00:37:39,332 I'M GONNA GET SOME WATER. DO YOU NEED ANYTHING? 807 00:37:40,423 --> 00:37:41,254 NO, I'M GOOD. 808 00:37:41,254 --> 00:37:42,755 OKAY. 809 00:37:42,755 --> 00:37:45,928 ♪♪ 810 00:37:50,142 --> 00:37:52,725 HE'S DEAD. 811 00:37:52,725 --> 00:37:55,558 MY JIMMY'S DEAD. 812 00:38:00,152 --> 00:38:01,854 I HEARD. 813 00:38:01,854 --> 00:38:04,616 HE BROUGHT HIS TRUCK TO THAT AUTO SHOP. 814 00:38:04,616 --> 00:38:06,778 THE POLICE THINK HE MUST HAVE WALKED IN ON 815 00:38:06,778 --> 00:38:08,660 THE SERIAL KILLER CLEANING OUT ONE OF THE CARS 816 00:38:08,660 --> 00:38:10,031 HE KILLED A GIRL IN. 817 00:38:10,031 --> 00:38:13,535 [Voice breaking] THAT CRAZED MONSTER TOOK MY JIMMY FROM ME. 818 00:38:15,747 --> 00:38:18,420 YOU KNOW, WHO THE REAL MONSTER IS? 819 00:38:18,420 --> 00:38:19,791 PAM. 820 00:38:19,791 --> 00:38:21,793 IT'S JIMMY. 821 00:38:21,793 --> 00:38:24,505 YOU THINK WE DIDN'T KNOW HE BEAT YOU, BUT WE ALL DID. 822 00:38:24,505 --> 00:38:29,971 ALL THE BLACK EYES, THE BRUISES ON THE KIDS' ARMS. 823 00:38:29,971 --> 00:38:31,842 HE DIDN'T MEAN TO. SOMETIMES -- 824 00:38:31,842 --> 00:38:35,266 YOU SHOULD BE HAPPY HE'S GONE. 825 00:38:35,266 --> 00:38:38,769 YOU DESERVE BETTER. 826 00:38:38,769 --> 00:38:43,063 YOU DESERVE A MAN WHO LOVES YOU AND RESPECTS YOU. 827 00:38:43,063 --> 00:38:46,156 EVERY WOMAN DOES. 828 00:38:46,156 --> 00:38:50,610 NOW, GO HOME TO YOUR KIDS 829 00:38:50,610 --> 00:38:53,703 AND KNOW THAT YOU ARE ALL BETTER OFF. 830 00:38:57,407 --> 00:39:00,620 [ BREATHES SHAKILY ] 831 00:39:03,082 --> 00:39:05,965 ♪♪ 832 00:39:14,423 --> 00:39:15,765 I FOUND DIANNE. 833 00:39:17,136 --> 00:39:18,137 IS SHE SAFE? 834 00:39:18,137 --> 00:39:20,189 YEAH, SHE'S DOWNSTAIRS IN MY CAR. 835 00:39:20,189 --> 00:39:21,560 NO ONE SAW HER. 836 00:39:21,560 --> 00:39:23,312 HEY. 837 00:39:23,312 --> 00:39:24,893 THANK YOU. 838 00:39:24,893 --> 00:39:26,355 [ TELEPHONE RINGS ] 839 00:39:26,355 --> 00:39:28,026 YEAH. 840 00:39:37,826 --> 00:39:38,707 HEY. 841 00:39:38,707 --> 00:39:39,618 HEY. 842 00:39:39,618 --> 00:39:41,119 YOU OKAY? 843 00:39:41,119 --> 00:39:42,951 I'M FINE. 844 00:39:45,253 --> 00:39:47,335 WELL, IT'S NEVER COMFORTING TO KNOW A SERIAL KILLER 845 00:39:47,335 --> 00:39:48,256 HAS YOU IN THEIR SIGHTS. 846 00:39:50,128 --> 00:39:51,799 I KNOW. 847 00:39:54,552 --> 00:39:57,094 I FEEL EXPOSED. 848 00:39:57,094 --> 00:39:59,887 I HATE THAT I DID THIS TO YOU. 849 00:39:59,887 --> 00:40:02,019 I'M A GROWN-UP. 850 00:40:02,019 --> 00:40:03,811 I -- I KNEW WHAT I WAS GETTING MYSELF INTO. 851 00:40:03,811 --> 00:40:05,312 WELL, I DIDN'T. 852 00:40:05,312 --> 00:40:08,185 IF I HAD -- HAD KNOWN WHAT KIND OF DANGER... 853 00:40:08,185 --> 00:40:10,647 HAZARDS OF OUR JOBS, I GUESS. 854 00:40:10,647 --> 00:40:13,280 [ SIREN WAILS ] 855 00:40:13,280 --> 00:40:14,861 I'M GONNA CATCH THIS PSYCHO. 856 00:40:14,861 --> 00:40:16,653 HOW DO YOU PLAN TO DO THAT? 857 00:40:18,155 --> 00:40:20,907 UH... 858 00:40:20,907 --> 00:40:22,078 I'M GONNA HIT HIM WHERE IT HURTS. 859 00:40:23,620 --> 00:40:25,542 DO SOCIOPATHS HAVE FEELINGS? 860 00:40:25,542 --> 00:40:27,163 [ SIGHS ] I DON'T KNOW. 861 00:40:27,163 --> 00:40:29,796 I JUST KEEP GOING BACK TO HIS MOM, YOU KNOW, 862 00:40:29,796 --> 00:40:31,668 AND THE FLY BRAND COKE ON THE BODIES. 863 00:40:31,668 --> 00:40:33,760 YOU KNOW, WHY THAT? 864 00:40:33,760 --> 00:40:35,091 MAYBE HIS MOM'S DRUG USE? 865 00:40:35,091 --> 00:40:39,215 YEAH, SURE, BUT, UH, WHY FLY BRAND? 866 00:40:39,215 --> 00:40:41,557 MAYBE THERE'S SOMETHING HE WANTS YOU TO SEE 867 00:40:41,557 --> 00:40:42,308 IN THAT WORLD. 868 00:40:42,308 --> 00:40:45,181 GO SEE CALVIN AT THE WHISKY. 869 00:40:45,181 --> 00:40:46,472 HE'S A BARTENDER THERE. HE DEALS FLY BRAND. 870 00:40:46,472 --> 00:40:47,513 MAYBE HE KNOWS SOMETHING. 871 00:40:47,513 --> 00:40:48,684 CALVIN? 872 00:40:48,684 --> 00:40:49,895 MM-HMM. 873 00:40:49,895 --> 00:40:51,607 THAT'LL BE GREAT, YEAH. 874 00:40:51,607 --> 00:40:52,978 I MEAN, THAT'S -- THAT'S WHERE HE MET EMILY AND KAREN, 875 00:40:52,978 --> 00:40:54,439 SO MAYBE THIS GUY SOLD TO HIM. 876 00:40:54,439 --> 00:40:55,320 THANKS. 877 00:40:55,320 --> 00:40:57,362 MM-HMM. 878 00:40:59,114 --> 00:41:00,285 IT'S GOOD TO SEE YOU. 879 00:41:00,285 --> 00:41:01,366 YOU TOO. 880 00:41:01,366 --> 00:41:02,407 [ CHUCKLES ] 881 00:41:06,491 --> 00:41:08,953 I LOVE YOU. 882 00:41:11,166 --> 00:41:13,248 I LOVE YOU, TOO. 883 00:41:13,248 --> 00:41:16,381 ♪♪ 884 00:41:22,386 --> 00:41:25,309 [ HORN HONKS ] 885 00:41:25,309 --> 00:41:28,933 ♪ THE DESTROYER ♪ 886 00:41:28,933 --> 00:41:32,476 [ INDISTINCT CONVERSATIONS ] 887 00:41:32,476 --> 00:41:35,729 ♪♪ 888 00:41:40,654 --> 00:41:43,407 ♪ DOCTOR, DOCTOR HELP ME PLEASE, I KNOW YOU'LL UNDERSTAND ♪ 889 00:41:43,407 --> 00:41:45,158 ♪ THERE'S A TIME DEVICE INSIDE OF ME ♪ 890 00:41:45,158 --> 00:41:46,910 ♪ I'M A SELF-DESTRUCTIN' MAN ♪ 891 00:41:46,910 --> 00:41:49,833 ♪ THERE'S A RED UNDER MY BED ♪ 892 00:41:49,833 --> 00:41:53,246 ♪ AND THERE'S A LITTLE GREEN MAN IN MY HEAD ♪ 893 00:41:53,246 --> 00:41:54,958 ♪ AND HE SAID, YOU'RE NOT GOIN' CRAZY ♪ 894 00:41:54,958 --> 00:41:57,000 ♪ YOU'RE JUST A BIT SAD ♪ Man: EXCUSE ME. 895 00:41:57,000 --> 00:41:59,002 ♪ 'CAUSE THERE'S A MAN IN YOU, GNAWING YOU ♪ YOUR DETECTIVE ROTH, RIGHT? 896 00:41:59,002 --> 00:42:00,503 ♪ TEARING YOU INTO TWO ♪ I'VE BEEN LOOKING FOR YOU. 897 00:42:00,503 --> 00:42:03,966 ♪ PARANOIA, THE DESTROYER ♪ 898 00:42:06,849 --> 00:42:11,644 ♪ PARANOIA, THE DESTROYER ♪ 899 00:42:11,644 --> 00:42:12,474 ♪ AND IT GOES LIKE THIS ♪ 900 00:42:15,147 --> 00:42:18,440 ♪♪