1 00:00:01,734 --> 00:00:02,695 PREVIOUSLY ON "WICKED CITY"... 2 00:00:02,695 --> 00:00:04,116 THIS KILLER HAS MADE IT PERSONAL. 3 00:00:04,116 --> 00:00:05,948 BECAUSE OF YOU, WE CAN'T FEEL SAFE IN OUR OWN HOME. 4 00:00:05,948 --> 00:00:08,120 NOW THAT THE COPS KNOW THAT I'M ALIVE, 5 00:00:08,120 --> 00:00:09,531 WE NEED TO COVER OUR TRACKS. 6 00:00:09,531 --> 00:00:11,493 I HAVE TO MAKE IT LOOK LIKE JIMMY HAD A CONNECTION 7 00:00:11,493 --> 00:00:12,584 TO EDGEWAY UPHOLSTERY. 8 00:00:12,584 --> 00:00:14,456 HE BROUGHT HIS TRUCK TO THAT AUTO SHOP. 9 00:00:14,456 --> 00:00:16,788 [ Voice breaking ] THAT MONSTER TOOK MY JIMMY FROM ME. 10 00:00:16,788 --> 00:00:18,249 HOW DO YOU DO IT, MAN? 11 00:00:18,249 --> 00:00:19,791 YOU ALWAYS KILL IT WITH THE LADIES. 12 00:00:19,791 --> 00:00:22,003 That Dianne has so many layers. 13 00:00:22,003 --> 00:00:23,634 Peel them back, what you will find 14 00:00:23,634 --> 00:00:26,096 IS AN UNDERCOVER POLICE OFFICER. 15 00:00:26,096 --> 00:00:28,258 EXCUSE ME. YOU'RE DETECTIVE ROTH, RIGHT? 16 00:00:28,258 --> 00:00:29,510 I'VE BEEN LOOKING FOR YOU. 17 00:00:30,891 --> 00:00:32,392 I'M KENT GRAINGER. 18 00:00:32,392 --> 00:00:34,644 I-I'M NOT THIS KILLER THAT YOU THINK I AM. 19 00:00:34,644 --> 00:00:36,186 I'M NOT THIS HOLLYWOOD SLAYER. 20 00:00:36,186 --> 00:00:37,687 I-I DON'T KNOW WHAT'S GOING ON, 21 00:00:37,687 --> 00:00:40,270 IF SOMEBODY'S TRYING TO FRAME ME OR SET ME UP OR SOMETHING. 22 00:00:40,270 --> 00:00:41,441 YOU'RE -- YOU'RE THE ONLY ONE 23 00:00:41,441 --> 00:00:43,062 WHO CAN HELP ME, DETECTIVE ROTH -- PLEASE. 24 00:00:43,062 --> 00:00:45,194 OKAY, LOOK, I WANT TO HEAR YOUR STORY. 25 00:00:45,194 --> 00:00:47,406 WHY DON'T WE HEAD DOWN TO THE PRECINCT? YOU CAN TELL ME ALL ABOUT IT. 26 00:00:47,406 --> 00:00:48,858 PRECINCT? YEAH. 27 00:00:48,858 --> 00:00:50,199 Emcee: LADIES AND GENTLEMEN, WHISKY A GO GO WELCOMES... 28 00:00:50,199 --> 00:00:51,620 NO, I-I DON'T HAVE THE ANSWERS. 29 00:00:51,620 --> 00:00:52,531 I-I-I TOLD YOU I'M NOT -- IT'S NOT ME. ...JOAN JETT! 30 00:00:52,531 --> 00:00:54,323 [ CHEERS AND APPLAUSE ] I'M NOT THE GUY. 31 00:00:54,323 --> 00:00:56,865 ♪ CRY AT NIGHT, NO ONE IN SIGHT ♪ 32 00:00:56,865 --> 00:00:58,326 ♪ AND WE GOT SO MUCH TO SHARE ♪ HEY! WAIT! 33 00:00:58,326 --> 00:01:00,498 STOP HIM! 34 00:01:00,498 --> 00:01:04,332 ♪ TALKING'S FINE IF YOU GOT THE TIME ♪ 35 00:01:04,332 --> 00:01:08,135 ♪ BUT I AIN'T GOT THE TIME TO SPARE, YEAH ♪ 36 00:01:08,135 --> 00:01:10,137 ♪ DO YOU WANNA TOUCH? ♪ YEAH! 37 00:01:10,137 --> 00:01:11,969 ♪ DO YOU WANNA TOUCH? ♪ YEAH! 38 00:01:11,969 --> 00:01:14,551 ♪ DO YOU WANNA TOUCH ME THERE? ♪ WHOA! 39 00:01:14,551 --> 00:01:15,642 ♪ WHERE? ♪ 40 00:01:15,642 --> 00:01:17,514 ♪ DO YOU WANNA TOUCH? ♪ YEAH! 41 00:01:17,514 --> 00:01:19,226 ♪ DO YOU WANNA TOUCH? ♪ YEAH! 42 00:01:19,226 --> 00:01:22,018 ♪ DO YOU WANNA TOUCH ME THERE? ♪ 43 00:01:22,018 --> 00:01:23,690 ♪ WHERE? THERE ♪ 44 00:01:23,690 --> 00:01:25,982 YEAH! 45 00:01:25,982 --> 00:01:28,564 ♪ OH, YEAH, OH, YEAH ♪ 46 00:01:28,564 --> 00:01:29,275 HEY! 47 00:01:32,398 --> 00:01:34,660 ♪ YEAH, OH... ♪ 48 00:01:34,660 --> 00:01:36,822 [ HORN BLARES ] 49 00:01:36,822 --> 00:01:39,324 [ TIRES SCREECH ] 50 00:01:39,324 --> 00:01:40,666 [ HORN HONKS ] 51 00:01:40,666 --> 00:01:41,957 OUT OF MY WAY! 52 00:01:41,957 --> 00:01:43,748 [ TIRES SCREECHING ] 53 00:01:43,748 --> 00:01:45,670 [ INDISTINCT SHOUTING ] 54 00:01:52,256 --> 00:01:53,918 Woman: EASY! 55 00:01:56,470 --> 00:01:58,382 HEY! DUDE! WATCH WHERE YOU'RE GOING! 56 00:02:03,387 --> 00:02:06,189 [ PANTING ] 57 00:02:18,651 --> 00:02:19,942 STOP! I WILL SHOOT! 58 00:02:19,942 --> 00:02:21,033 DON'T SHOOT! 59 00:02:21,033 --> 00:02:23,655 [ BREATHING QUICKLY ] 60 00:02:23,655 --> 00:02:25,157 DON'T MOVE. 61 00:02:41,342 --> 00:02:43,804 Paco: I JUST DON'T GET IT. 62 00:02:43,804 --> 00:02:45,386 WE'VE BEEN LOOKING ALL OVER FOR THIS GUY, 63 00:02:45,386 --> 00:02:46,727 HUNTING HIM FOR WEEKS ON END, 64 00:02:46,727 --> 00:02:48,428 AND HE JUST WALKS INTO THE SAME BAR AS YOU? 65 00:02:48,428 --> 00:02:49,680 IT WASN'T BY ACCIDENT. 66 00:02:49,680 --> 00:02:51,181 HE WAS LOOKING FOR ME. 67 00:02:52,812 --> 00:02:54,564 THE QUESTION IS, WHY? 68 00:03:10,989 --> 00:03:12,411 I JUST GOT OFF WITH THE D.A. 69 00:03:12,411 --> 00:03:14,583 THE CASE AGAINST GRAINGER -- NOT EXACTLY ROCK-SOLID. 70 00:03:14,583 --> 00:03:16,254 COME ON, CAPTAIN, WHAT ABOUT ALL THE BLOOD 71 00:03:16,254 --> 00:03:18,046 AT THE AUTO SHOP HE WORKS AT THAT MATCHES A VICTIM? 72 00:03:18,046 --> 00:03:20,168 MATCHES THE BLOOD TYPE OF THE VICTIM. 73 00:03:20,168 --> 00:03:22,130 IT'S A BLOOD TYPE SHARED BY MILLIONS OF PEOPLE, 74 00:03:22,130 --> 00:03:24,382 INCLUDING A COUPLE OF OTHER GUYS THAT WORK THERE, 75 00:03:24,382 --> 00:03:26,133 SO IT CAN'T BE TIED TO ANYBODY. 76 00:03:26,133 --> 00:03:28,005 YOU'VE GOT NO WITNESSES TO THE MURDERS. 77 00:03:28,005 --> 00:03:30,347 YOU'VE GOT NO FORENSICS THAT TIES HIM TO THE BODIES. 78 00:03:30,347 --> 00:03:32,970 CAPTAIN...YOU GOT TO TRUST ME. THIS IS OUR GUY. 79 00:03:34,471 --> 00:03:36,473 JUST GIVE ME SOME TIME, AND I PROMISE YOU 80 00:03:36,473 --> 00:03:38,395 I WILL TURN EVERYTHING THEY CONSIDER CIRCUMSTANTIAL 81 00:03:38,395 --> 00:03:40,066 INTO SOMETHING CONCRETE. 82 00:03:43,730 --> 00:03:45,521 YOU GOT 24 HOURS, JACK, 83 00:03:45,521 --> 00:03:48,234 BUT THE CHIEF IS NOT GONNA ACCEPT ANY MORE MISSTEPS. 84 00:03:48,234 --> 00:03:50,076 YOU GOT TO HANDLE IT PERFECTLY. 85 00:03:50,076 --> 00:03:52,198 YOU CROSS EVERY "T," YOU DOT EVERY "I," 86 00:03:52,198 --> 00:03:55,160 'CAUSE IF YOU SCREW IT UP, WHOLE CASE GOES UP IN FLAMES. 87 00:03:58,453 --> 00:04:00,125 THIS GUY THINKS HE'S GONNA PLAY ME, 88 00:04:00,125 --> 00:04:01,836 BUT I'M GONNA BEAT HIM AT HIS OWN GAME. 89 00:04:01,836 --> 00:04:03,708 I NEED YOU TO FIND EVERYONE THAT'S LAID EYES ON HIM -- 90 00:04:03,708 --> 00:04:06,040 THE FORGER HE USED, MALLORY KHARCHENKO'S ROOMMATE, 91 00:04:06,040 --> 00:04:08,843 KAREN McCLAREN -- I NEED THEM ALL TO I.D. HIM AS THE SLAYER. 92 00:04:08,843 --> 00:04:10,174 AND I GOT DIANNE TRACKING DOWN 93 00:04:10,174 --> 00:04:11,886 THE DEALER SHE THINKS SOLD TO HIM. 94 00:04:11,886 --> 00:04:12,927 WE GOT 24 HOURS. 95 00:04:12,927 --> 00:04:14,468 I'M ON IT. 96 00:04:14,468 --> 00:04:17,551 IF I TELL YOU SOMETHING, YOU SWEAR NOT TO TELL ANYONE? 97 00:04:17,551 --> 00:04:19,183 HE CALLED AGAIN. 98 00:04:19,183 --> 00:04:20,514 LET ME GUESS -- 99 00:04:20,514 --> 00:04:23,857 KILLER KENT WANTS US TO RUN THAT PIECE ON THE AFFAIR 100 00:04:23,857 --> 00:04:26,109 TO MESS UP THE CASE. 101 00:04:26,109 --> 00:04:27,861 YOU WANT TO? 102 00:04:27,861 --> 00:04:29,192 NO. 103 00:04:29,192 --> 00:04:30,693 IT WAS ACTUALLY MY CONVERSATION WITH HIM 104 00:04:30,693 --> 00:04:32,615 THAT CONVINCED ME NOT TO -- 105 00:04:32,615 --> 00:04:36,328 BECAUSE I-I REALIZED IT'S A MATTER OF LIFE AND DEATH. 106 00:04:36,328 --> 00:04:38,370 SHE'S AN UNDERCOVER COP. 107 00:04:38,370 --> 00:04:40,202 THE KILLER TOLD ME THAT HIMSELF, WHICH MEANS... 108 00:04:40,202 --> 00:04:42,784 WHICH MEANS THAT HER LIFE IS IN DANGER 109 00:04:42,784 --> 00:04:43,955 IF HER COVER'S BLOWN. 110 00:04:43,955 --> 00:04:45,627 EXACTLY. 111 00:04:45,627 --> 00:04:47,879 SO IT'S -- IT'S NOT INFORMATION I CAN JUST SIT ON. 112 00:04:47,879 --> 00:04:49,671 BUT WHAT DO I DO? WHO DO I TELL? 113 00:04:49,671 --> 00:04:51,082 NO ONE. 114 00:04:51,082 --> 00:04:53,965 THEN MY ONLY OPTION IS TO GO TO HER DIRECTLY. 115 00:04:53,965 --> 00:04:56,968 I HAVE TO FIND HER BEFORE I DO THAT TV PIECE. 116 00:04:56,968 --> 00:04:58,799 YEAH, SHE NEEDS TO KNOW. 117 00:04:59,850 --> 00:05:01,932 [ SIGHS ] 118 00:05:10,440 --> 00:05:13,273 [ SIGHS ] 119 00:05:13,273 --> 00:05:15,275 [ SNIFFLES ] 120 00:05:15,275 --> 00:05:18,067 VICKI? YOU UP? 121 00:05:19,819 --> 00:05:22,071 VICKI? [ KNOCKS ON DOOR ] 122 00:05:22,071 --> 00:05:24,743 VICKI, I'M COMING IN, HONEY. 123 00:05:27,035 --> 00:05:29,247 HEY, WHAT -- YOU OKAY? 124 00:05:30,829 --> 00:05:32,330 WHAT'S GOING ON, BUB? 125 00:05:34,622 --> 00:05:36,214 MM. 126 00:05:37,966 --> 00:05:39,507 IS IT MITCH? 127 00:05:40,758 --> 00:05:43,551 WHATEVER. I DON'T CARE ABOUT HIM. 128 00:05:43,551 --> 00:05:46,684 [ SIGHS ] 129 00:05:46,684 --> 00:05:48,435 YOU SLEPT WITH HIM. 130 00:05:48,435 --> 00:05:50,938 DO YOU REALLY EXPECT ME TO TELL YOU THAT 131 00:05:50,938 --> 00:05:52,229 WHEN YOU DON'T EVEN KNOW 132 00:05:52,229 --> 00:05:54,020 WHO YOUR OWN HUSBAND IS SLEEPING WITH? 133 00:05:55,942 --> 00:05:58,985 THAT IS NO WAY TO SPEAK TO ME, YOUNG LADY. 134 00:05:58,985 --> 00:06:00,607 SORRY. I JUST -- NO, NO. WAIT, WAIT, WAIT. 135 00:06:00,607 --> 00:06:02,198 H-- 136 00:06:02,198 --> 00:06:03,449 [ SIGHS ] 137 00:06:03,449 --> 00:06:04,820 HOW DID -- HOW DID YOU EVEN -- 138 00:06:04,820 --> 00:06:05,992 DOES IT MATTER? 139 00:06:10,616 --> 00:06:14,830 NO, BUT I REALLY -- I REALLY WISH THAT YOU DIDN'T. 140 00:06:14,830 --> 00:06:16,621 THIS IS BETWEEN ME AND YOUR FATHER. 141 00:06:16,621 --> 00:06:20,375 THIS HAS NOTHING TO DO WITH YOU OR HOW MUCH WE LOVE YOU. 142 00:06:22,217 --> 00:06:24,088 DID YOU KICK DADDY OUT? 143 00:06:24,088 --> 00:06:27,511 I WOULDN'T BLAME YOU. 144 00:06:27,511 --> 00:06:30,054 WELL, I ASKED HIM FOR SOME SPACE. 145 00:06:30,054 --> 00:06:31,635 BUT HE'S GONNA COME OVER... 146 00:06:31,635 --> 00:06:33,097 [ INHALES DEEPLY ] 147 00:06:33,097 --> 00:06:36,680 ...TO TALK TO US ABOUT WHAT COMES NEXT. 148 00:06:38,642 --> 00:06:40,233 ONLY, HE HASN'T SHOWN UP YET, RIGHT? 149 00:06:42,646 --> 00:06:44,687 OH, HE'S PROBABLY JUST RUNNING A LITTLE BEHIND. 150 00:06:44,687 --> 00:06:46,649 [ SCOFFS ] 151 00:06:46,649 --> 00:06:49,652 MOM, GET A CLUE. 152 00:06:49,652 --> 00:06:51,404 HE'S NOT COMING. 153 00:06:58,080 --> 00:07:00,252 YOU BETTER MAKE USE OF THIS PHONE CALL YOU ASKED FOR -- 154 00:07:00,252 --> 00:07:02,044 IF THERE'S ANYONE OUT THERE THAT GIVES A DAMN ABOUT YOU, 155 00:07:02,044 --> 00:07:03,165 WHICH I DOUBT. 156 00:07:03,165 --> 00:07:04,466 YOU MIGHT WANT TO TELL THEM 157 00:07:04,466 --> 00:07:07,208 YOU'RE NOT GONNA BE SEEING THEM FOR A VERY LONG TIME. 158 00:07:08,630 --> 00:07:10,301 STOP ME IF YOU HEARD THIS ONE, JACK. 159 00:07:10,301 --> 00:07:11,973 THIS SERIAL KILLER WALKS INTO A BAR -- 160 00:07:11,973 --> 00:07:13,554 [ CHUCKLES ] YEAH, GOOD ONE, PEYTON. 161 00:07:13,554 --> 00:07:14,976 YEAH, I'M PLANNING ON DELIVERING A PUNCH LINE 162 00:07:14,976 --> 00:07:16,177 HE WON'T FIND VERY FUNNY. 163 00:07:16,177 --> 00:07:17,888 WHERE ARE WE WITH ANYONE WHO CAN I.D. GRAINGER? 164 00:07:17,888 --> 00:07:19,980 VICE SAID AUNT BOBBY SKIPPED OUT ON BAIL, 165 00:07:19,980 --> 00:07:22,432 PROBABLY RUNNING FOR HER LIFE SINCE SHE CAN I.D. THE KILLER. 166 00:07:22,432 --> 00:07:23,814 YEAH, AND MALLORY'S ROOMMATE, DOUG, 167 00:07:23,814 --> 00:07:26,146 GOT SOME BIT PART IN A MOVIE FILMING IN CHICAGO, 168 00:07:26,146 --> 00:07:28,688 SOMETHING CALLED "RISKY BUSINESS" -- BAD TITLE. 169 00:07:28,688 --> 00:07:30,400 YEAH, WELL, GET HIM ON THE NEXT PLANE BACK HERE. 170 00:07:30,400 --> 00:07:31,821 THE KILLER CAME TO HIM IMPERSONATING AN OFFICER, 171 00:07:31,821 --> 00:07:32,862 FOR CRYING OUT LOUD. 172 00:07:32,862 --> 00:07:34,193 HE'S GONNA BE ESSENTIAL 173 00:07:34,193 --> 00:07:35,495 IN I.D.'ing KENT GRAINGER AS OUR KILLER. 174 00:07:35,495 --> 00:07:36,035 WILL DO. 175 00:07:37,536 --> 00:07:39,038 SO, THERE'S NO ANSWER AT L.A. NOTORIOUS, 176 00:07:39,038 --> 00:07:40,829 BUT I SENT A UNIFORM DOWN THERE. [ SIGHS ] OKAY. 177 00:07:40,829 --> 00:07:42,541 WE'RE GONNA GET KAREN DOWN HERE AND THE GUY THAT DIANNE KNOWS -- 178 00:07:42,541 --> 00:07:43,502 WHATEVER IT TAKES TO GET THIS DONE. 179 00:07:43,502 --> 00:07:44,663 YEAH. 180 00:07:44,663 --> 00:07:47,546 FOR NOW, WE INTERROGATE HIM. 181 00:07:47,546 --> 00:07:49,548 YOU NEED ME IN THERE WITH YOU? 182 00:07:49,548 --> 00:07:51,549 NO, I'M GOOD. 183 00:07:51,549 --> 00:07:53,171 I JUST DON'T WANT HIM GETTING UNDER YOUR SKIN. 184 00:07:53,171 --> 00:07:54,672 HE'S DONE ENOUGH DAMAGE ALREADY. 185 00:07:54,672 --> 00:07:56,594 WELL, THAT'S 'CAUSE HE KNEW WE WERE CLOSING IN ON HIM. 186 00:07:56,594 --> 00:07:57,845 HE WAS FEELING THREATENED. 187 00:07:59,136 --> 00:08:01,098 AND HE WAS RIGHT TO BE. 188 00:08:02,810 --> 00:08:04,431 [ Ringing ] 189 00:08:04,431 --> 00:08:05,642 THANK YOU. 190 00:08:10,857 --> 00:08:12,729 [ TELEPHONE RINGS ] 191 00:08:14,651 --> 00:08:15,902 HELLO? 192 00:08:15,902 --> 00:08:16,903 [ CLEARS THROAT ] 193 00:08:16,903 --> 00:08:20,236 [ CHUCKLING ] 194 00:08:20,236 --> 00:08:21,737 OH, YOU MADE IT. 195 00:08:21,737 --> 00:08:23,279 [ SIGHS ] 196 00:08:23,279 --> 00:08:25,701 GOD, I HATE THAT YOU'RE IN THERE WITH THAT MONSTER. 197 00:08:25,701 --> 00:08:26,912 RINGING. 198 00:08:26,912 --> 00:08:29,495 BUT I'M READY. 199 00:08:29,495 --> 00:08:33,749 JUST KNOW THAT I LOVE YOU -- ALWAYS AND FOREVER. 200 00:08:33,749 --> 00:08:35,590 COME ON. COME ON. 201 00:08:35,590 --> 00:08:38,293 WHATEVER IT TAKES, BY THE END OF THIS DAY, 202 00:08:38,293 --> 00:08:41,175 I'LL MAKE SURE THAT YOU ARE FREE 203 00:08:41,175 --> 00:08:43,848 AND THAT JACK ROTH'S LIFE IS A LIVING HELL. 204 00:08:45,179 --> 00:08:46,721 [ RECEIVER CLICKS ] [ SIGHS ] 205 00:08:49,063 --> 00:08:50,264 [ RECEIVER CLICKS ] 206 00:08:50,264 --> 00:08:51,725 JUST MY LUCK. 207 00:08:51,725 --> 00:08:54,268 NO ONE PICKED UP. 208 00:08:54,268 --> 00:08:57,110 THIS IS SHAPING UP TO BE A HELL OF A DAY. 209 00:09:03,076 --> 00:09:05,408 Peyton: GUY'S CLAIMING HE'S GOT NOTHING TO HIDE, 210 00:09:05,408 --> 00:09:07,370 EVEN WAIVED HIS RIGHT TO AN ATTORNEY. 211 00:09:07,370 --> 00:09:09,782 YEAH, THAT'S BECAUSE HE'S GUILTY AS SIN, 212 00:09:09,782 --> 00:09:11,744 AND HE PROBABLY KNOWS CALLING IN A LAWYER 213 00:09:11,744 --> 00:09:13,786 IS GONNA ONLY HELP TO UNCOVER THAT FASTER. 214 00:09:15,207 --> 00:09:17,089 WON'T MATTER, THOUGH. 215 00:09:17,089 --> 00:09:18,880 HE'S MET HIS MATCH. 216 00:09:23,795 --> 00:09:25,006 LOOK AT THEM. 217 00:09:27,468 --> 00:09:29,801 I KNOW YOU WANT ACKNOWLEDGMENT FOR YOUR WORK. 218 00:09:32,393 --> 00:09:34,685 LOOK...AT THEM. 219 00:09:44,114 --> 00:09:46,236 [ Sighing ] OH, G-- 220 00:09:46,236 --> 00:09:48,158 IT'S JUST SO AWFUL. 221 00:09:49,529 --> 00:09:51,280 I DON'T KNOW HOW... 222 00:09:52,862 --> 00:09:54,573 SOMETHING WRONG? NO. 223 00:09:54,573 --> 00:09:57,126 I JUST NEED YOU TO BELIEVE ME THAT I DID NOT KILL THESE WOMEN. 224 00:09:59,328 --> 00:10:00,669 OKAY. 225 00:10:00,669 --> 00:10:01,750 WELL, THERE YOU GO. 226 00:10:25,812 --> 00:10:26,984 HOW ABOUT THIS ONE? 227 00:10:28,655 --> 00:10:29,856 MISS BENNETT. 228 00:10:31,318 --> 00:10:33,860 THAT'S RIGHT. YES. 229 00:10:33,860 --> 00:10:35,782 THANK YOU -- VERA BENNETT, 230 00:10:35,782 --> 00:10:38,955 THE KIND LIBRARIAN WHO BEFRIENDED YOU, 231 00:10:38,955 --> 00:10:41,787 UNTIL -- WELL, YOU KNOW... 232 00:10:41,787 --> 00:10:43,369 YOU KILLED HER. 233 00:10:43,369 --> 00:10:46,081 OTHERWISE, HOW WOULD YOU BE ABLE TO RECOGNIZE HER CORPSE? 234 00:10:46,081 --> 00:10:48,123 I RECOGNIZE HER NECKLACE -- SHE WORE IT TO CHURCH 235 00:10:48,123 --> 00:10:51,126 EVERY SUNDAY WHEN I WOULD GO WITH HER. 236 00:10:51,126 --> 00:10:53,048 WELL, YOU'VE GOT AN ANSWER FOR EVERYTHING, DON'T YOU? 237 00:10:53,048 --> 00:10:56,551 NOT EVERYTHING. I...THOUGHT SHE LEFT WITHOUT SAYING GOODBYE. 238 00:10:56,551 --> 00:10:58,222 I NEVER KNEW WHAT HAPPENED TO HER. 239 00:10:58,222 --> 00:11:00,304 NO, SHE WAS BRUTALLY MURDERED BY YOU 240 00:11:00,304 --> 00:11:03,097 BECAUSE SHE DIDN'T LOVE YOU THE WAY YOU WANTED HER TO. 241 00:11:03,097 --> 00:11:04,478 THAT IS NOT TRUE. THAT IS NOT WHAT HAPPENED. 242 00:11:04,478 --> 00:11:06,520 I CARED ABOUT HER, YES, BUT I DID NOT KILL HER. 243 00:11:06,520 --> 00:11:07,481 THEN WHO DID? 244 00:11:11,895 --> 00:11:12,986 SOMEONE CRUEL. 245 00:11:12,986 --> 00:11:14,067 MM-HMM. 246 00:11:15,278 --> 00:11:17,030 SOMEONE DERANGED. 247 00:11:21,654 --> 00:11:23,206 MAYBE SOMEONE LIKE MY GRANDFATHER. 248 00:11:25,037 --> 00:11:26,999 YOUR GRANDFATHER? 249 00:11:28,370 --> 00:11:31,413 OKAY. SO YOUR GRANDFATHER KILLED THEM. 250 00:11:31,413 --> 00:11:33,455 OUT OF CURIOSITY, JUST, UH, 251 00:11:33,455 --> 00:11:36,218 WHAT WOULD YOU GUESS HIS MOTIVATION WAS? 252 00:11:36,218 --> 00:11:40,802 SAME REASON FOR EVERY EVIL THING HE EVER DID. 253 00:11:43,054 --> 00:11:45,767 TO HURT HIS BASTARD GRANDSON. 254 00:11:45,767 --> 00:11:47,969 HE HATED ME. 255 00:11:50,101 --> 00:11:52,523 WELL, THERE IT IS, THEN -- 256 00:11:52,523 --> 00:11:55,185 YOUR GRANDFATHER IS THE ONE THAT'S FRAMING YOU. 257 00:11:58,899 --> 00:11:59,940 HE'S DEAD. 258 00:11:59,940 --> 00:12:02,362 OHH. MY CONDOLENCES. 259 00:12:02,362 --> 00:12:03,863 I GUESS WE'LL HAVE TO KEEP LOOKING. 260 00:12:03,863 --> 00:12:06,576 MAYBE WE'LL GET LUCKY... 261 00:12:06,576 --> 00:12:10,159 AND THE REAL KILLER WILL LEAVE US A RIDDLE... 262 00:12:10,159 --> 00:12:11,911 TO LEAD US TO THE TRUTH, 263 00:12:11,911 --> 00:12:14,043 LIKE THE ONES HE'S BEEN LEAVING KAREN McCLAREN. 264 00:12:17,086 --> 00:12:19,087 KAREN McCLAREN? NO? 265 00:12:19,087 --> 00:12:20,499 [ CHUCKLES ] 266 00:12:20,499 --> 00:12:21,760 COME ON, MAN. 267 00:12:21,760 --> 00:12:24,132 THE REPORTER GIRL THAT YOU MET AT THE WHISKY 268 00:12:24,132 --> 00:12:26,925 WHEN YOU WERE POSING AS JOHN, THE BIG MOGUL. 269 00:12:26,925 --> 00:12:30,008 OKAY. I-I-I REMEMBER HER. I MET HER. 270 00:12:31,469 --> 00:12:33,351 I READ HER ARTICLES, ACTUALLY, SOMETIMES. 271 00:12:33,351 --> 00:12:36,854 SHE'S -- SHE'S A REALLY GOOD WRITER. 272 00:12:36,854 --> 00:12:38,686 [ SNIFFS, CLEARS THROAT ] 273 00:12:38,686 --> 00:12:41,648 BUT I... I NEVER SAW HER AGAIN. 274 00:12:41,648 --> 00:12:44,231 "ST. JEROME MEETS ST. MONICA." 275 00:12:44,231 --> 00:12:46,783 I LIKE THAT ONE -- WHERE ST. JEROME MEETS ST. MONICA. 276 00:12:46,783 --> 00:12:48,695 THAT'S CLEVER, CLEVER STUFF. YOU SHOULD TAKE CREDIT FOR THAT. 277 00:12:48,695 --> 00:12:51,327 I-I-I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 278 00:12:51,327 --> 00:12:53,740 I... 279 00:12:53,740 --> 00:12:55,791 I-I REALLY DON'T KNOW MUCH ABOUT SAINTS. 280 00:12:55,791 --> 00:12:56,953 I-I'M AN ATHEIST. 281 00:12:56,953 --> 00:12:59,034 AN ATHEIST? 282 00:12:59,034 --> 00:13:01,797 WHAT ABOUT ALL THOSE SUNDAYS AT CHURCH WITH MISS BENNETT? 283 00:13:05,300 --> 00:13:07,302 [ SIGHS ] 284 00:13:10,465 --> 00:13:13,348 I WANTED...TO BELIEVE 285 00:13:13,348 --> 00:13:16,971 THERE WAS SOMETHING WATCHING OVER US. 286 00:13:20,895 --> 00:13:24,478 BUT AFTER SHE WENT AWAY, I JUST... 287 00:13:24,478 --> 00:13:26,150 I COULDN'T. 288 00:13:26,150 --> 00:13:28,982 WELL, THERE CERTAINLY IS NO ONE LOOKING AFTER YOU, IS THERE? 289 00:13:30,404 --> 00:13:31,865 I MEAN, YOU GET FRAMED 290 00:13:31,865 --> 00:13:34,027 FOR A SERIES OF MURDERS YOU DIDN'T COMMIT, 291 00:13:34,027 --> 00:13:37,530 AND THEN YOUR HOUSE ENDS UP GETTING BURNED DOWN, 292 00:13:37,530 --> 00:13:41,914 ALONG WITH POSSIBLE EVIDENCE THAT COULD CONVICT -- 293 00:13:41,914 --> 00:13:45,417 PARDON ME -- EXONERATE YOU. 294 00:13:45,417 --> 00:13:47,710 NOW, WHY DIDN'T YOU REPORT THAT, 295 00:13:47,710 --> 00:13:49,211 FILE AN INSURANCE CLAIM FOR YOUR LOSS? 296 00:13:49,211 --> 00:13:50,883 NO, I-I WANTED TO. 297 00:13:50,883 --> 00:13:52,174 UH-HUH. 298 00:13:52,174 --> 00:13:54,426 OH, I-I-I WANTED TO, 299 00:13:54,426 --> 00:13:59,591 BUT AFTER MY HOUSE WAS SET ON FIRE A FEW DAYS AGO, 300 00:13:59,591 --> 00:14:03,514 I'VE REALIZED THE POLICE THOUGHT THAT I WAS... 301 00:14:03,514 --> 00:14:07,768 THEIR GUY, THIS...KILLER. 302 00:14:07,768 --> 00:14:11,231 AND [SIGHS] THE PUBLIC -- 303 00:14:11,231 --> 00:14:13,864 THEY CONSIDER ME ARMED AND DANGEROUS. 304 00:14:13,864 --> 00:14:16,196 I WAS WORRIED THAT SOMEONE WOULD SHOOT FIRST 305 00:14:16,196 --> 00:14:17,818 AND NOT GIVE ME THE CHANCE TO EXPLAIN -- 306 00:14:17,818 --> 00:14:18,989 OR NOT EXPLAIN IT -- 307 00:14:18,989 --> 00:14:23,203 JUST TO GET HELP TO PROVE THAT I AM INNOCENT. 308 00:14:23,203 --> 00:14:26,245 THAT'S WHY I CAME TO YOU LAST NIGHT ON MY OWN -- 309 00:14:26,245 --> 00:14:27,617 TO SHOW YOU OTHERWISE. 310 00:14:27,617 --> 00:14:29,669 [ BANGS TABLE ] 311 00:14:29,669 --> 00:14:32,421 COME ON! STOP IT! 312 00:14:33,922 --> 00:14:35,834 STOP DENYING IT! 313 00:14:37,676 --> 00:14:39,838 THIS IS YOUR CHANCE TO -- TO CLAIM YOUR FAME. 314 00:14:39,838 --> 00:14:41,680 I MEAN, WE'VE GOT MORE THAN ENOUGH EVIDENCE ON YOU. 315 00:14:41,680 --> 00:14:43,131 THE PEOPLE WHO HAVE SEEN YOU -- 316 00:14:43,131 --> 00:14:45,393 MALLORY KHARCHENKO'S ROOMMATE -- REMEMBER HIM, OFFICER? 317 00:14:45,393 --> 00:14:46,724 NO. 318 00:14:46,724 --> 00:14:49,937 OR YOUR -- YOUR LITTLE FORGER BUDDY, AUNT BOBBY? 319 00:14:49,937 --> 00:14:51,439 KAREN McCLAREN, WHO -- 320 00:14:51,439 --> 00:14:53,140 OH, YEAH, THAT'S RIGHT -- YOU ONLY MET ONCE, 321 00:14:53,140 --> 00:14:56,563 EXCEPT FOR THAT EVENING THAT YOU DROPPED BY HER HOUSE. 322 00:14:56,563 --> 00:14:58,485 AND WHAT ABOUT THE BLOOD -- 323 00:14:58,485 --> 00:15:00,197 THE BLOOD THAT WE FOUND ON THE UPHOLSTERY 324 00:15:00,197 --> 00:15:02,739 IN THE DRAIN AT YOUR PLACE OF WORK? 325 00:15:04,861 --> 00:15:06,072 EDGEWAY? 326 00:15:06,072 --> 00:15:07,494 YEAH, EDGEWAY. 327 00:15:07,494 --> 00:15:09,576 YOU KNOW, THAT PLACE THAT, UH, JIMMY LOVETT, 328 00:15:09,576 --> 00:15:12,038 ANOTHER VICTIM OF THE SLAYER -- I.E. YOU -- 329 00:15:12,038 --> 00:15:14,370 WAS LAST CONNECTED TO BEFORE WE FOUND HIM 330 00:15:14,370 --> 00:15:16,712 BURNED TO A CRISP IN YOUR LITTLE HOUSE FIRE. 331 00:15:24,049 --> 00:15:26,011 I KNOW WHO'S FRAMING ME. 332 00:15:29,224 --> 00:15:32,056 I KNOW WHO THE HOLLYWOOD SLAYER IS. 333 00:15:38,102 --> 00:15:39,273 YOU HEAR THAT, FELLAS? 334 00:15:39,273 --> 00:15:40,985 IT WAS DAVE, HIS CO-WORKER 335 00:15:40,985 --> 00:15:43,317 AT THE AUTO RESTORATION PLACE THE WHOLE TIME. 336 00:15:44,688 --> 00:15:46,360 GET ME EVERYTHING WE HAVE ON DAVE KELLER. 337 00:15:48,111 --> 00:15:49,823 AND THE TRANSCRIPTS FROM WHEN WE INTERVIEWED HIM 338 00:15:49,823 --> 00:15:51,194 AND THE EDGEWAY STAFF ABOUT GRAINGER. 339 00:15:51,194 --> 00:15:52,746 YOU GOT IT. 340 00:15:54,287 --> 00:15:55,658 I KNOW YOU DON'T WANT TO BELIEVE IT, DETECTIVE, 341 00:15:55,658 --> 00:15:56,999 AND QUITE FRANKLY, I DON'T, 342 00:15:56,999 --> 00:16:00,503 BUT NOW THAT I THINK ABOUT IT, EVERYTHING POINTS TO DAVE. 343 00:16:00,503 --> 00:16:03,916 HE WAS ALWAYS MAKING COMMENTS ABOUT MY DATING LIFE. 344 00:16:03,916 --> 00:16:06,919 I WOULD SOMETIMES MEET GIRLS AND GET NUMBERS. 345 00:16:06,919 --> 00:16:09,011 HE MUST HAVE FOLLOWED ME, 346 00:16:09,011 --> 00:16:11,633 SEEN THE GIRLS I TALKED TO, AND DOUBLED BACK ON THEM. 347 00:16:11,633 --> 00:16:14,556 RIGHT, AND MURDERED THEM OUT OF REVENGE, 348 00:16:14,556 --> 00:16:16,928 JUST TO MAKE YOU OUT AS A SERIAL KILLER, RIGHT? 349 00:16:16,928 --> 00:16:19,681 WELL -- AND I KNOW YOU'RE THE PROFESSIONAL HERE, 350 00:16:19,681 --> 00:16:21,772 BUT [CLEARS THROAT] I WOULD THEORIZE 351 00:16:21,772 --> 00:16:23,484 THAT HE KILLED THEM BECAUSE THEY REJECTED HIM. 352 00:16:23,484 --> 00:16:24,275 OH. 353 00:16:25,936 --> 00:16:27,568 AND DIDN'T I READ IN THE PRESS 354 00:16:27,568 --> 00:16:30,991 THAT THE KILLER YOU PROFILED HAD A MILITARY HISTORY? 355 00:16:32,322 --> 00:16:34,614 DAVE WAS IN THE ARMED FORCES. 356 00:16:34,614 --> 00:16:35,615 I WASN'T. 357 00:16:35,615 --> 00:16:37,037 WEREN'T YOU? 358 00:16:37,037 --> 00:16:40,330 OH, THAT'S RIGHT -- WASHED OUT IN BOOT CAMP. 359 00:16:40,330 --> 00:16:41,701 BUT EVEN A COUPLE WEEKS IN THE MILITARY, 360 00:16:41,701 --> 00:16:43,292 YOU COULD'VE LEARNED TO TIE THOSE KNOTS 361 00:16:43,292 --> 00:16:44,504 YOU USED TO RESTRAIN YOUR VICTIMS. 362 00:16:45,745 --> 00:16:48,878 WHICH BRINGS ME TO THE OTHER HOLE IN YOUR LITTLE STORY -- 363 00:16:48,878 --> 00:16:50,339 YOUR LAIR. 364 00:16:51,670 --> 00:16:54,423 WHERE YOU DRAINED AND DISMEMBERED THESE POOR GIRLS, 365 00:16:54,423 --> 00:16:57,926 OTHERWISE KNOWN AS FORRESTER FABRICATORS, 366 00:16:57,926 --> 00:17:01,099 GRANDDADDY'S OLD UPHOLSTERY BUSINESS. 367 00:17:01,099 --> 00:17:03,101 HOW, PRAY TELL, IS DAVE KELLER CONNECTED TO THAT? 368 00:17:03,101 --> 00:17:04,352 COME ON. 369 00:17:04,352 --> 00:17:06,394 I DON'T KNOW. 370 00:17:09,527 --> 00:17:10,317 WAIT. 371 00:17:17,905 --> 00:17:21,828 A FEW YEARS AGO... DAVE FELL ON HARD TIMES. 372 00:17:21,828 --> 00:17:23,450 I THINK HE WAS GAMBLING. 373 00:17:25,041 --> 00:17:27,163 HE LOST HIS APARTMENT, AND I-I LET HIM CRASH THERE. 374 00:17:28,374 --> 00:17:30,166 I HADN'T BEEN IN YEARS. 375 00:17:30,166 --> 00:17:32,588 HE MUST HAVE NEVER GIVEN THE KEYS BACK. 376 00:17:32,588 --> 00:17:34,049 YOU'RE A GENEROUS GUY, AREN'T YOU? 377 00:17:36,672 --> 00:17:38,554 KILL ME -- I LIKE TO GIVE BACK. 378 00:17:38,554 --> 00:17:41,256 [ DOOR OPENS, CLOSES ] 379 00:17:41,256 --> 00:17:44,179 WILKINSON NEEDS TO SEE YOU. 380 00:17:44,179 --> 00:17:46,011 Karen: THERE'S BEEN A TWISTED FASCINATION 381 00:17:46,011 --> 00:17:47,262 WITH THE HOLLYWOOD SLAYER. 382 00:17:47,262 --> 00:17:49,143 IN THE WEEKS SINCE HIS KILLING SPREE STARTED, 383 00:17:49,143 --> 00:17:51,356 TOURISM ON THE SUNSET STRIP HAS INCREASED -- 384 00:17:51,356 --> 00:17:53,808 PEOPLE COMING FROM ALL OVER TO WALK IN THE KILLER'S FOOTSTEPS, 385 00:17:53,808 --> 00:17:55,269 ON HIS HUNTING GROUNDS. 386 00:17:55,269 --> 00:17:56,901 SOME HAVE EVEN TAKEN TO CALLING THIS 387 00:17:56,901 --> 00:17:58,522 "THE HOLLYWOOD WALK OF MAIM." 388 00:17:58,522 --> 00:17:59,733 AND THE STRIP'S VENUES 389 00:17:59,733 --> 00:18:03,116 ARE CAPITALIZING ON THE NOTORIOUS CONNECTION. 390 00:18:03,116 --> 00:18:05,118 ITS INFAMOUS TATTOO PARLORS ARE NOW DESIGNING 391 00:18:05,118 --> 00:18:07,370 SLAYER-INSPIRED TATTOOS FOR THEIR CUSTOMERS. 392 00:18:12,495 --> 00:18:15,588 AND A LOCAL U.C. STUDENT IS GETTING IN ON THE ACT, TOO, 393 00:18:15,588 --> 00:18:17,750 SELLING THESE KILLER-CENTRIC T-SHIRTS FROM THE SIDEWALK. 394 00:18:17,750 --> 00:18:20,092 [ Chuckling ] YEAH! OH, YEAH, YOU WANT ONE? 395 00:18:20,092 --> 00:18:21,964 BUT THIS IS NO LAUGHING MATTER. 396 00:18:21,964 --> 00:18:24,046 WHETHER YOU'RE NEW TO THIS TOWN, AS I AM, 397 00:18:24,046 --> 00:18:25,597 OR YOU'RE PART OF THE FABRIC OF THE STRIP, 398 00:18:25,597 --> 00:18:28,260 LIKE THE COCKTAIL WAITRESSES AT ITS FANCIEST CLUBS, 399 00:18:28,260 --> 00:18:29,721 THIS KILLER -- HE KNOWS YOU -- 400 00:18:29,721 --> 00:18:31,393 KNOWS WHAT YOU WANT, WHAT YOU LOVE, 401 00:18:31,393 --> 00:18:32,844 AND THAT'S HOW HE'LL GET YOU. 402 00:18:32,844 --> 00:18:34,936 SO BE CAREFUL, PLEASE. 403 00:18:34,936 --> 00:18:36,898 AND...THAT'S A CUT. 404 00:18:36,898 --> 00:18:38,689 THAT WAS GREAT, KAREN. 405 00:18:38,689 --> 00:18:41,062 MAKING WOMEN FEEL LIKE THEY COULD POSSIBLY BE A VICTIM -- 406 00:18:41,062 --> 00:18:42,983 THAT'S GONNA LAND RATINGS. 407 00:18:42,983 --> 00:18:45,065 WELL, I-I HOPE IT ACCOMPLISHES MORE THAN THAT. 408 00:18:45,065 --> 00:18:46,777 I HOPE, IF -- IF ENOUGH PEOPLE ARE VIGILANT, 409 00:18:46,777 --> 00:18:48,659 WE CAN STOP THE SLAYER IN HIS TRACKS. 410 00:18:48,659 --> 00:18:51,411 THAT'S GOOD. USE THAT IN THE NEXT SEGMENT. 411 00:18:51,411 --> 00:18:53,243 OKAY, LET'S GET KAREN BACK TO BASE 412 00:18:53,243 --> 00:18:55,285 FOR HER QUICK CHANGE FOR THE PIECE AT THE WHISKY. 413 00:18:55,285 --> 00:18:57,457 AFTER WARDROBE, COULD I MAKE A QUICK CALL BEFORE WE ROLL? 414 00:18:57,457 --> 00:18:58,828 I CAN JUST FIND A PAY PHONE. 415 00:18:58,828 --> 00:19:00,039 SURE. WHATEVER YOU NEED. 416 00:19:00,039 --> 00:19:01,130 THANK YOU. MM-HMM. 417 00:19:01,130 --> 00:19:02,632 [ DOOR OPENS ] 418 00:19:09,678 --> 00:19:12,090 [ CELL DOOR OPENS ] 419 00:19:19,017 --> 00:19:20,848 Jack: AH, THAT'S FINE. RIGHT THERE. 420 00:19:20,848 --> 00:19:22,100 THANK YOU. 421 00:19:29,987 --> 00:19:33,070 [ CELL DOOR OPENS, CLOSES ] 422 00:19:33,070 --> 00:19:35,322 HAVE YOU FOUND DAVE YET? 423 00:19:35,322 --> 00:19:37,534 OH, I DON'T THINK WE'LL BE NEEDING TO DO THAT. 424 00:19:39,115 --> 00:19:41,408 YOU SEE, I KNOW... 425 00:19:41,408 --> 00:19:43,079 YOU'RE THE KILLER. 426 00:19:44,671 --> 00:19:46,332 AND YOU KNOW HOW? 427 00:19:46,332 --> 00:19:50,336 BECAUSE I UNDERSTAND YOUR NEED TO KILL. 428 00:19:51,797 --> 00:19:52,968 ALL THOSE GIRLS -- 429 00:19:52,968 --> 00:19:55,721 THEY REMIND YOU OF SOMEONE, DON'T THEY? 430 00:19:55,721 --> 00:19:57,683 SOMEONE VERY SPECIAL. 431 00:19:57,683 --> 00:19:59,384 [ CLICK ] 432 00:19:59,384 --> 00:20:00,595 Man: PLEASE STATE YOUR NAME AND AGE. YOUR MOTHER. 433 00:20:00,595 --> 00:20:02,137 RITA FORRESTER. 434 00:20:02,137 --> 00:20:04,849 AND, UH... A LADY NEVER TELLS. 435 00:20:04,849 --> 00:20:08,853 SO LET'S SAY...29? 436 00:20:08,853 --> 00:20:11,395 SEE? NOT BAD, HUH? 437 00:20:11,395 --> 00:20:13,647 MA'AM, PLEASE. THE SCENE. 438 00:20:13,647 --> 00:20:15,439 ONE SECOND. 439 00:20:16,991 --> 00:20:19,823 THE WOMAN WHOSE BIG DREAMS FOR HER FUTURE 440 00:20:19,823 --> 00:20:21,535 DID NOT INCLUDE YOU. 441 00:20:21,535 --> 00:20:22,906 OH, THAT'S -- THAT'S NOT TRUE. 442 00:20:22,906 --> 00:20:25,328 SHE -- SHE LOVED ME. 443 00:20:27,080 --> 00:20:28,751 IT WAS ALL FOR US. 444 00:20:28,751 --> 00:20:30,293 NO, YOU DON'T BELIEVE THAT. 445 00:20:30,293 --> 00:20:32,125 WE WERE SUCCESSFUL. 446 00:20:32,125 --> 00:20:35,458 SHE ONLY CARED ABOUT HERSELF 447 00:20:35,458 --> 00:20:39,051 AND HER... DELUSIONAL DREAMS... 448 00:20:40,723 --> 00:20:42,594 ...AND HER DRUGS. 449 00:20:42,594 --> 00:20:43,765 PRETTY PATHETIC IN THE END. 450 00:20:43,765 --> 00:20:46,178 DON'T YOU LOOK AT HER! 451 00:20:46,178 --> 00:20:47,849 ...LOST OUR WAY. 452 00:20:47,849 --> 00:20:49,230 YOU'RE ANGRY. 453 00:20:51,062 --> 00:20:54,315 AND YOU HAVE EVERY REASON TO BE. 454 00:20:54,315 --> 00:20:55,566 WHO WOULDN'T? 455 00:20:57,068 --> 00:21:01,282 BUT YOU DON'T HAVE TO CONFRONT HER ANYMORE, COOPER. 456 00:21:01,282 --> 00:21:04,575 YOU CAN CONFESS AND FIND PEACE. 457 00:21:04,575 --> 00:21:09,489 DAYS, YEARS, UNTIL WE ENDED UP WRINKLED AND... 458 00:21:09,489 --> 00:21:10,870 YOU CAN FIND DAVE. 459 00:21:10,870 --> 00:21:12,122 NO. 460 00:21:13,373 --> 00:21:19,088 BECAUSE NO MATTER WHAT YOU THINK ABOUT MY MOTHER... 461 00:21:19,088 --> 00:21:20,880 SHE LOVED ME, AND I LOVED HER, 462 00:21:20,880 --> 00:21:22,842 AND THAT DOES NOT MAKE ME A MURDERER. 463 00:21:25,344 --> 00:21:26,555 [ SIGHS ] 464 00:21:26,555 --> 00:21:29,598 NOR DOES CHANGING MY NAME. I WANTED A CLEAN START. 465 00:21:31,430 --> 00:21:34,272 WOULDN'T ANYONE WHO CAME FROM SUCH TORTURED BEGINNINGS? 466 00:21:36,014 --> 00:21:39,227 I MEAN, YOU'VE SUCCEED AT IT, 467 00:21:39,227 --> 00:21:42,280 AFTER EVERYTHING YOU'VE ENDURED -- 468 00:21:42,280 --> 00:21:43,691 LOSING YOUR MOTHER. 469 00:21:45,192 --> 00:21:46,363 HOW WOULD YOU KNOW THAT? 470 00:21:46,363 --> 00:21:50,117 I HAD TO DO MY HOMEWORK BEFORE COMING TO YOU. 471 00:21:51,869 --> 00:21:56,743 LOOK INTO THE MAN WHO WAS...LOOKING INTO SME. 472 00:21:56,743 --> 00:21:58,795 AND THAT'S WHEN I REALIZED JUST HOW SIMILAR WE ARE -- 473 00:21:58,795 --> 00:22:03,169 BOTH LOSING PARENTS AT SUCH A YOUNG AGE. 474 00:22:03,169 --> 00:22:07,253 THE ONLY DIFFERENCE IS HOW YOU MANAGED TO MOVE ON. 475 00:22:08,464 --> 00:22:09,505 UNLIKE ME -- 476 00:22:09,505 --> 00:22:12,808 WORKING A MENIAL JOB, NO NEXT OF KIN. 477 00:22:12,808 --> 00:22:14,349 YOU... 478 00:22:14,349 --> 00:22:17,853 SUCCESSFUL CAREER, A LOVING FAMILY. 479 00:22:17,853 --> 00:22:19,474 I ENVY YOU. 480 00:22:19,474 --> 00:22:20,935 IS THAT WHY YOU WENT AFTER MY FAMILY -- 481 00:22:20,935 --> 00:22:22,267 BECAUSE YOU'RE JEALOUS OF ME? 482 00:22:22,267 --> 00:22:23,858 OR WAS IT BECAUSE YOU ALWAYS KNEW 483 00:22:23,858 --> 00:22:26,360 THAT I'D GET YOU AND I WOULD DESTROY YOU? 484 00:22:26,360 --> 00:22:28,322 WHY? 485 00:22:28,322 --> 00:22:30,775 WHY ARE YOU MAKING THIS SO PERSONAL? 486 00:22:30,775 --> 00:22:32,656 I'VE DONE NOTHING TO YOU. 487 00:22:32,656 --> 00:22:35,659 YOU KNOW WHAT? DENY IT ALL YOU WANT. 488 00:22:35,659 --> 00:22:37,371 IT DOESN'T MATTER. 489 00:22:37,371 --> 00:22:39,032 I'VE GOT YOU NOW, 490 00:22:39,032 --> 00:22:41,284 AND YOU ARE NEVER GONNA BE ABLE 491 00:22:41,284 --> 00:22:43,376 TO GET ANYWHERE NEAR THE PEOPLE I LOVE. 492 00:22:43,376 --> 00:22:45,788 NAMED HIM AFTER ONE OF MY FAVORITE ACTORS. 493 00:22:45,788 --> 00:22:47,500 YOU REALLY SHOULD STAY. 494 00:22:47,500 --> 00:22:48,841 OH. WELL -- 495 00:22:48,841 --> 00:22:51,214 I KNOW YOU'LL JUST LOVE HIM. 496 00:22:51,214 --> 00:22:54,847 THIS IS MY SON -- COOPER. 497 00:22:54,847 --> 00:22:56,088 SAY HI, SWEETIE. 498 00:22:58,140 --> 00:22:59,801 HI. 499 00:23:02,974 --> 00:23:05,597 [ NEW WAVE MUSIC PLAYS ON RADIO ] 500 00:23:05,597 --> 00:23:08,229 Daisy: SO, WHAT MOVIE DID YOU TELL YOUR MOM WE'RE SEEING? 501 00:23:08,229 --> 00:23:09,480 "OFFICER AND A GENTLEMAN." 502 00:23:09,480 --> 00:23:11,152 I'LL JUST GET THE LOWDOWN ON IT 503 00:23:11,152 --> 00:23:12,273 FROM SOMEONE WHO SAW IT ALREADY... 504 00:23:12,273 --> 00:23:14,605 MM-HMM. ...IN CASE SHE ASKS. 505 00:23:14,605 --> 00:23:17,738 BUT LOOK, ALL THAT I CARE ABOUT RIGHT NOW, THOUGH... 506 00:23:17,738 --> 00:23:19,109 Both: THE SUNSET STRIP! 507 00:23:19,109 --> 00:23:20,371 [ LAUGHS ] 508 00:23:20,371 --> 00:23:22,412 I CAN'T BELIEVE WE'RE GONNA SING AT A REAL CLUB. 509 00:23:22,412 --> 00:23:25,455 ♪ FORGET WHY YOU CAME HERE ♪ 510 00:23:31,581 --> 00:23:33,463 HEY, OSCAR, HAVE YOU SEEN CALVIN AROUND? 511 00:23:33,463 --> 00:23:34,794 NOT TODAY. 512 00:23:34,794 --> 00:23:37,126 ONLY PEOPLE WHO'VE BEEN HERE BEEN LOOKING FOR YOU. 513 00:23:38,337 --> 00:23:40,469 REALLY? WHO? 514 00:23:40,469 --> 00:23:42,131 SOME GIRL. 515 00:23:42,131 --> 00:23:43,762 SOMETHING ABOUT A PHOTO OF YOU? 516 00:23:46,975 --> 00:23:48,897 KAREN McCLAREN. 517 00:23:48,897 --> 00:23:50,939 SAID SHE'S HERE ON THE STRIP ALL DAY. 518 00:23:52,020 --> 00:23:54,352 OKAY, I'LL TRACK HER DOWN. 519 00:23:54,352 --> 00:23:56,484 WHO ELSE WAS ASKING ABOUT ME? 520 00:23:56,484 --> 00:23:59,106 SOME BLOND CHICK -- KIND OF A FRUMPY HOUSEWIFE. 521 00:23:59,106 --> 00:24:01,238 JUST WANTED TO KNOW IF YOU'D BE WORKING TONIGHT. 522 00:24:01,238 --> 00:24:02,990 APPARENTLY, YOU'RE POPULAR WITH THE LADIES. 523 00:24:34,890 --> 00:24:36,771 JACK: This is Roth. Go. 524 00:24:36,771 --> 00:24:39,064 JACK, WE FOUND FLY BRAND COKE IN DAVE KELLER'S CAR. 525 00:24:39,064 --> 00:24:40,775 [ SIGHS ] SO MAYBE HE'S A USER. 526 00:24:40,775 --> 00:24:43,027 YEAH, BUT THAT'S NOT ALL. THERE WAS A -- 527 00:24:43,027 --> 00:24:45,740 A PIECE OF JEWELRY WEDGED UNDER THE PASSENGER SEAT. 528 00:24:45,740 --> 00:24:46,901 IT'S A RING -- 529 00:24:46,901 --> 00:24:48,652 shape of a human skull. 530 00:24:48,652 --> 00:24:51,495 NATASHA -- THE GIRL THAT'S STILL MISSING. 531 00:24:51,495 --> 00:24:53,197 YEAH, AND IT'S EXACTLY LIKE THE ONE THAT HER FAMILY SAID 532 00:24:53,197 --> 00:24:54,618 THAT SHE USED TO WEAR ALL THE TIME. 533 00:24:54,618 --> 00:24:56,159 GRAINGER MUST HAVE PLANTED IT. 534 00:24:56,159 --> 00:24:57,621 AND DAVE -- WHERE THE HELL IS HE? 535 00:24:57,621 --> 00:24:59,412 HE'S M.I.A. 536 00:24:59,412 --> 00:25:01,965 LUCKILY FOR US, HE LEFT HIS CAR HERE, UNLOCKED. 537 00:25:04,087 --> 00:25:08,010 LOOK, JACK, HE'S GOT A RECORD -- 538 00:25:08,010 --> 00:25:09,762 ASSAULT AND BATTERY, GRAND THEFT AUTO. 539 00:25:09,762 --> 00:25:12,474 I MEAN, BOTH THINGS JIBE WITH OUR SLAYER'S M.O. 540 00:25:12,474 --> 00:25:13,926 LOOK, I'M NOT SAYING THAT HE'S THE KILLER, 541 00:25:13,926 --> 00:25:14,847 BUT WE REALLY NEED TO LOOK INTO -- 542 00:25:14,847 --> 00:25:16,889 HE'S NOT, PACO. 543 00:25:16,889 --> 00:25:18,890 GRAINGER WAS AHEAD OF US AT EVERY TURN. 544 00:25:18,890 --> 00:25:20,352 YOU KNOW HE WOULDN'T HAVE COME TO ME LAST NIGHT 545 00:25:20,352 --> 00:25:22,274 IF HE DIDN'T HAVE AN EXIT MAPPED OUT, RIGHT? 546 00:25:22,274 --> 00:25:23,485 ALL RIGHT -- WELL, THIS -- THIS IS IT. 547 00:25:23,485 --> 00:25:26,227 LOOK, IF -- IF DAVE IS KENT'S EXIT STRATEGY, 548 00:25:26,227 --> 00:25:28,439 WE NEED TO DO OUR DUE DILIGENCE TO CUT OFF HIS ESCAPE ROUTE. 549 00:25:28,439 --> 00:25:30,281 ALL RIGHT, WE NEED TO BRING HIM IN AND QUESTION HIM 550 00:25:30,281 --> 00:25:31,442 TO CONFIRM THAT HE'S BEING FRAMED. 551 00:25:31,442 --> 00:25:32,903 ALL RIGHT? THEN WE CAN DISMISS HIM. 552 00:25:32,903 --> 00:25:34,034 WELL, GET HIM THE HELL IN HERE, 553 00:25:34,034 --> 00:25:36,537 AND BEFORE MY TIME WITH GRAINGER RUNS OUT! 554 00:25:36,537 --> 00:25:38,619 [ RECEIVER SLAMS ] 555 00:25:38,619 --> 00:25:39,910 [ SIGHS ] 556 00:26:02,391 --> 00:26:04,062 [ SCRAPING ] 557 00:26:26,493 --> 00:26:28,495 [ PANTING ] 558 00:26:28,495 --> 00:26:30,086 [ SIGHS ] 559 00:26:33,550 --> 00:26:35,592 [ VOMITS ] 560 00:26:49,224 --> 00:26:52,227 LET'S FACE IT -- THE SUNSET STRIP IS CHANGING. 561 00:26:52,227 --> 00:26:53,899 WHAT WITH THE NEW HARD ROCKERS 562 00:26:53,899 --> 00:26:55,730 FIGHTING FOR TURF WITH THE PUNKS, 563 00:26:55,730 --> 00:26:58,573 IT'S LIKE THE WILD, WILD WEST OUT HERE. 564 00:26:58,573 --> 00:27:00,735 DIDN'T YOU JUST HAVE A RIOT AT THE WHISKY LAST WEEK? 565 00:27:00,735 --> 00:27:02,867 YEAH, DURING THAT BLACK FLAG CONCERT. 566 00:27:02,867 --> 00:27:05,079 PEOPLE HAVE ALWAYS BEEN PRONE TO BAD BEHAVIOR, 567 00:27:05,079 --> 00:27:07,281 FAR AS THIS STRETCH OF STREET GOES. 568 00:27:07,281 --> 00:27:09,913 BUT THIS -- THIS SLAYER -- 569 00:27:09,913 --> 00:27:12,165 WELL, HE SURE HAS BEEN ATTRACTING THEM. 570 00:27:12,165 --> 00:27:15,088 AND WITH EVERY NEW VICTIM OUT THERE THAT'S BEEN FOUND, 571 00:27:15,088 --> 00:27:18,211 MORE AND MORE SHOW UP, 572 00:27:18,211 --> 00:27:20,593 DESPERATE TO BE PART OF THE STORY. 573 00:27:22,045 --> 00:27:24,217 YEAH. 574 00:27:24,217 --> 00:27:25,388 EVEN ME. 575 00:27:25,388 --> 00:27:28,471 I'VE BEEN A PART OF HIS STORY -- 576 00:27:28,471 --> 00:27:30,933 EVEN GOTTEN IT OUT THERE FOR HIM. 577 00:27:33,185 --> 00:27:34,146 IS THAT A QUESTION? 578 00:27:37,689 --> 00:27:40,522 I DON'T WANT TO DO THIS ANYMORE. 579 00:27:40,522 --> 00:27:42,654 [ BREATHING SHAKILY ] 580 00:27:42,654 --> 00:27:44,315 I'M NOT YOUR VOICE. 581 00:27:44,315 --> 00:27:47,358 I WANT YOU TO KNOW THAT, JOHN, KENT, COOPER. 582 00:27:47,358 --> 00:27:49,570 I'M THE VOICE OF THE WOMEN YOU'VE KILLED -- 583 00:27:49,570 --> 00:27:54,535 VERA, WANDA, EMILY, MALLORY, NATASHA. 584 00:27:54,535 --> 00:27:56,627 AND I'M GOING TO MAKE SURE THEY HAUNT YOU FOREVER. 585 00:27:56,627 --> 00:27:58,829 YEAH, YOU WILL. YOU PUT THAT ANIMAL IN HIS PLACE. 586 00:27:58,829 --> 00:28:01,001 [ STATIC CRACKLES ] 587 00:28:01,001 --> 00:28:04,174 DISPATCHER: Any available unit -- report of a possible 187 victim -- 588 00:28:04,174 --> 00:28:07,257 Ocean Avenue and the Santa Monica Pier. 589 00:28:07,257 --> 00:28:08,968 L.A. County is en route. 590 00:28:08,968 --> 00:28:11,591 Contact is L.A. County lifeguard... 591 00:28:11,591 --> 00:28:15,264 DO YOU KNOW WHO THE PATRON SAINT OF LIBRARIES IS, MR. KELLER? 592 00:28:15,264 --> 00:28:18,847 SURE. ST. JEROME. 593 00:28:18,847 --> 00:28:20,769 BIBLE STUDY EVERY SUNDAY. 594 00:28:20,769 --> 00:28:22,811 I KNOW MY SAINTS. 595 00:28:22,811 --> 00:28:24,773 BELIEVE YOU ME -- I'M GONNA BE CALLING ON ST. JUDE 596 00:28:24,773 --> 00:28:26,064 TO GET ME OUT OF THIS MESS. 597 00:28:26,064 --> 00:28:27,896 OH, YEAH? WHAT'S HE THE SAINT OF? 598 00:28:27,896 --> 00:28:29,357 DESPERATE CASES. 599 00:28:29,357 --> 00:28:30,658 MM. 600 00:28:30,658 --> 00:28:32,990 WELL, HE'S DEFINITELY YOUR GUY. 601 00:28:32,990 --> 00:28:34,492 TELL ME -- HOW DO YOU ACCOUNT FOR THE COCAINE 602 00:28:34,492 --> 00:28:37,995 THAT WAS FOUND IN THE VEHICLE REGISTERED TO YOUR NAME? 603 00:28:37,995 --> 00:28:41,498 I DON'T...KNOW HOW IT COULD'VE GOT THERE, MAN -- REALLY. 604 00:28:41,498 --> 00:28:43,170 THOUGH YOU HAVE A RECORD OF DRUG USE. 605 00:28:43,170 --> 00:28:45,002 WELL, YES, SIR. 606 00:28:46,673 --> 00:28:48,415 BUT THAT STUFF THAT YOU FOUND TODAY, 607 00:28:48,415 --> 00:28:49,876 THAT -- [ CHUCKLES ] 608 00:28:49,876 --> 00:28:52,549 IT WASN'T MINE. I SWEAR. 609 00:28:52,549 --> 00:28:55,341 AND THIS MATCHBOOK WE FOUND ON YOU -- 610 00:28:55,341 --> 00:28:57,013 HOW'D YOU COME BY THAT? 611 00:28:57,013 --> 00:28:58,384 YOU DON'T NEED TO ANSWER THAT. 612 00:28:58,384 --> 00:29:01,136 LOOK, I'M A PACK-A-DAY SMOKER. 613 00:29:01,136 --> 00:29:02,978 MATCHES ARE JUST A MEANS TO AN END. 614 00:29:02,978 --> 00:29:04,390 YEAH, NOT WHEN THEY HAVE THE PHONE NUMBER 615 00:29:04,390 --> 00:29:06,141 OF A GIRL WHO'S BEEN STALKED BY THE KILLER. 616 00:29:06,141 --> 00:29:07,983 DETECTIVE, PEOPLE BORROW CIGARETTES 617 00:29:07,983 --> 00:29:10,145 AND BUM MATCHBOOKS ALL THE TIME. 618 00:29:10,145 --> 00:29:11,896 IT DOESN'T INCRIMINATE MY CLIENT. 619 00:29:13,528 --> 00:29:15,029 NOW THAT I THINK OF IT... 620 00:29:17,281 --> 00:29:19,994 ...I GOT 'EM FROM KENT. 621 00:29:19,994 --> 00:29:22,616 YOU THINK HE'S BEEN TRYING TO SET ALL THIS UP ON ME? 622 00:29:22,616 --> 00:29:23,908 YES. WE DO. 623 00:29:23,908 --> 00:29:25,619 Paco: JACK. YEAH, YEAH. 624 00:29:25,619 --> 00:29:27,541 HE MUST HAVE BEEN PLAYING YOU FOR A LONG TIME, BUDDY, 625 00:29:27,541 --> 00:29:29,122 KNOWING HE WOULD NEED A FALL GUY EVENTUALLY. 626 00:29:29,122 --> 00:29:30,374 JACK, THAT'S ENOUGH, ALL RIGHT? CONTRERAS, COME ON. 627 00:29:30,374 --> 00:29:32,716 THE GUY WAS BUSTED FOR POT, NOT COCAINE, 628 00:29:32,716 --> 00:29:35,088 AND IT WASN'T HIS MOTHER THAT DIED OF A DRUG OVERDOSE. 629 00:29:35,088 --> 00:29:36,339 AND I'D ALSO LIKE TO VENTURE TO GUESS 630 00:29:36,339 --> 00:29:37,881 THAT YOUR MOM DIDN'T HAVE HOPES OF BECOMING 631 00:29:37,881 --> 00:29:39,672 THE NEXT MARILYN MONROE, DID SHE? 632 00:29:39,672 --> 00:29:42,765 NO. THAT IS WHAT IS AT THE HEART OF THE SLAYER'S SIGNATURE, 633 00:29:42,765 --> 00:29:44,176 AND THAT IS JUST NOT HERE. 634 00:29:44,176 --> 00:29:47,099 WELL, IT DOESN'T LOOK LIKE YOU NEED ME TO DEFEND YOU. 635 00:29:47,099 --> 00:29:49,601 DETECTIVE ROTH HERE IS DOING A BANG-UP JOB OF IT. 636 00:29:49,601 --> 00:29:51,433 WHAT THE HELL ARE YOU TRYING TO DO, JACK? 637 00:29:51,433 --> 00:29:52,854 YOU'RE GONNA GET THE ENTIRE CASE THROWN OUT, 638 00:29:52,854 --> 00:29:54,186 LOSE KELLER AND GRAINGER! 639 00:29:54,186 --> 00:29:55,977 YEAH. WE'RE JUST WASTING TIME, PACO. 640 00:29:55,977 --> 00:29:57,319 NOBODY'S GOTTEN TO KAREN YET. 641 00:29:57,319 --> 00:29:59,110 DIANNE ISN'T ANSWERING MY PAGES. 642 00:29:59,110 --> 00:30:00,612 WHAT'S IT GONNA TAKE TO NAIL THIS GUY? 643 00:30:00,612 --> 00:30:01,943 WE'VE GOT TO FIND OUR WITNESSES! 644 00:30:01,943 --> 00:30:03,985 BUT WE'VE GOT PEOPLE WORKING ON THAT, ALL RIGHT? 645 00:30:03,985 --> 00:30:06,037 YOU ARE THE ONE THAT NEEDS TO DECIDE WHAT'S IMPORTANT HERE -- 646 00:30:06,037 --> 00:30:09,250 STOPPING A SERIAL KILLER OR TAKING DOWN KENT GRAINGER. 647 00:30:09,250 --> 00:30:11,542 STAY FOCUSED, MAN. D-DON'T MAKE IT PERSONAL. 648 00:30:11,542 --> 00:30:15,045 HE'S KILLING YOUNG WOMEN, PACO -- PEOPLE'S DAUGHTERS, 649 00:30:15,045 --> 00:30:17,297 NOT A WHOLE HELL OF A LOT OLDER THAN MY OWN. 650 00:30:17,297 --> 00:30:19,459 IT CAN'T NOT BE PERSONAL FOR ME. 651 00:30:19,459 --> 00:30:21,211 WE'VE GOT A NEW VICTIM -- 652 00:30:21,211 --> 00:30:24,053 DECAPITATED FEMALE FOUND UNDER THE SANTA MONICA PIER. 653 00:30:24,053 --> 00:30:25,214 COULD BE OUR MISSING NATASHA. 654 00:30:25,214 --> 00:30:26,846 THE SANTA MONICA PIER -- THAT'S -- 655 00:30:26,846 --> 00:30:29,468 THAT'S WHERE THEY FOUND THE SECOND KILL, WANDA PHILLIPS. 656 00:30:29,468 --> 00:30:32,061 THAT IS WHY HE GOT HIMSELF TAKEN INTO CUSTODY -- 657 00:30:32,061 --> 00:30:33,852 HE DROPPED THE BODY BEFORE HE SHOWED UP AT THE WHISKY 658 00:30:33,852 --> 00:30:36,395 TO MAKE IT SEEM LIKE HE COULDN'T POSSIBLY BE THE KILLER. 659 00:30:36,395 --> 00:30:37,566 HE USED ME. 660 00:30:38,777 --> 00:30:40,859 WILL YOU JUST LET MILLER RESPOND? 661 00:30:40,859 --> 00:30:43,401 [ DOOR OPENS ] I'LL ACCOMPANY. RADIO BACK WITH INTEL. 662 00:31:02,749 --> 00:31:05,131 [ SIRENS WAILING ] 663 00:31:05,131 --> 00:31:07,133 [ CAMERA SHUTTERS CLICKING ] 664 00:31:09,425 --> 00:31:12,308 [ SIRENS STOP, VEHICLE DOORS OPEN, CLOSE ] 665 00:31:12,308 --> 00:31:14,010 [ POLICE RADIO CHATTER ] 666 00:31:30,905 --> 00:31:32,527 GREAT. DIVER'S HERE. TALK TO HIM. 667 00:31:32,527 --> 00:31:35,159 FIND OUT WHERE KAREN IS. WE NEED HER TO I.D. KENT. 668 00:31:35,159 --> 00:31:36,661 DON'T LET ON THAT WE HAVE ANYONE IN CUSTODY. 669 00:31:36,661 --> 00:31:38,162 ALL RIGHT. WILL DO. 670 00:31:40,164 --> 00:31:42,206 DIVER. WE NEED TO TALK TO YOU. 671 00:31:42,206 --> 00:31:43,497 WE'RE LOOKING FOR KAREN. 672 00:31:43,497 --> 00:31:45,038 [ CAMERA SHUTTERS CLICKING ] 673 00:31:45,038 --> 00:31:46,710 Jack: WHAT DO WE GOT? 674 00:31:46,710 --> 00:31:49,793 BODY TEMPERATURE INDICATES SHE'S BEEN DEAD UNDER THREE HOURS. 675 00:31:51,504 --> 00:31:53,676 WELL... IF IT WAS REFRIGERATED, 676 00:31:53,676 --> 00:31:55,138 THAT COULD AFFECT YOUR TIME ESTIMATE, RIGHT? 677 00:31:55,138 --> 00:31:57,470 MM, POSSIBLY, BUT THIS CADAVER, 678 00:31:57,470 --> 00:31:59,051 UNLIKE THE OTHER ONES IN THE SLAYER CASE, 679 00:31:59,051 --> 00:32:01,934 SHOWS NO EVIDENCE OF BEING REFRIGERATED POSTMORTEM 680 00:32:01,934 --> 00:32:03,145 OR DRAINED OF BLOOD. 681 00:32:03,145 --> 00:32:05,858 THIS -- THIS IS A FRESH KILL. 682 00:32:05,858 --> 00:32:08,310 SO IT'S NOT OUR MISSING GIRL NATASHA, THEN? 683 00:32:08,310 --> 00:32:09,731 SHE'S BEEN MISSING FOR OVER TWO WEEKS. 684 00:32:09,731 --> 00:32:11,733 THEN WHO IS IT? 685 00:32:11,733 --> 00:32:14,236 AND IF IT'S A NEW KILL, WHO THE HELL DID IT? 686 00:32:15,697 --> 00:32:18,279 WELL, THAT SETTLES IT. 687 00:32:18,279 --> 00:32:20,371 OUR NEW JANE DOE WAS KILLED AND DUMPED 688 00:32:20,371 --> 00:32:23,744 WHILE KENT GRAINGER SAT RIGHT HERE IN THIS DEPARTMENT. 689 00:32:23,744 --> 00:32:26,707 AND BEFORE WE CAUGHT UP TO KELLER. 690 00:32:26,707 --> 00:32:29,289 ARE YOU -- ARE YOU KIDDING ME? IT -- IT WASN'T DAVE. 691 00:32:29,289 --> 00:32:30,791 AND IT WASN'T KENT. 692 00:32:30,791 --> 00:32:32,753 NOT THIS KILL, ANYWAY. 693 00:32:32,753 --> 00:32:34,755 I'M SORRY. DOES ANYONE REMEMBER THE HILLSIDE STRANGLER CASE? 694 00:32:34,755 --> 00:32:36,216 THE TRIAL IS STILL GOING ON DOWNTOWN, 695 00:32:36,216 --> 00:32:37,427 IF YOU NEED A REFRESHER. 696 00:32:37,427 --> 00:32:39,008 WE DIDN'T REALIZE UNTIL LATE IN THE GAME 697 00:32:39,008 --> 00:32:41,050 THAT, ALL ALONG, BIANCHI WAS WORKING WITH BUONO. 698 00:32:41,050 --> 00:32:44,263 HE HAD A PARTNER, AND SO DOES, APPARENTLY, OUR SLAYER. 699 00:32:44,263 --> 00:32:45,515 I MEAN, HE DROPS THE FIRST CORPSE 700 00:32:45,515 --> 00:32:46,806 AT THE SAME SPOT AS THE STRANGLER -- 701 00:32:46,806 --> 00:32:48,397 MAKES EVEN MORE SENSE. 702 00:32:51,060 --> 00:32:52,351 AND THAT -- THAT -- THAT PHONE CALL, 703 00:32:52,351 --> 00:32:53,852 THE ONE THAT APPARENTLY DIDN'T GO THROUGH -- 704 00:32:53,852 --> 00:32:57,195 HE WAS SIGNALING HIS ACCOMPLICE, RIGHT UNDER OUR NOSE. 705 00:32:57,195 --> 00:32:58,777 LOOK, YOU'RE LOOKING AT EVERY PIECE OF EVIDENCE 706 00:32:58,777 --> 00:33:00,068 THROUGH YOUR OWN AGENDA. 707 00:33:00,068 --> 00:33:02,240 YEAH. YEAH, I AM. 708 00:33:02,240 --> 00:33:04,742 THAT AGENDA IS TO CATCH A KILLER -- 709 00:33:04,742 --> 00:33:06,074 WHO IS NAMED KENT GRAINGER. 710 00:33:06,074 --> 00:33:07,075 OR HE ISN'T. 711 00:33:08,706 --> 00:33:11,499 LOOK, I DON'T KNOW WHO THE KILLER IS. 712 00:33:11,499 --> 00:33:14,461 BUT I KNOW THIS -- HE'S MADE IT PERSONAL TO YOU. 713 00:33:14,461 --> 00:33:16,163 HE DRUG YOUR FAMILY INTO IT. 714 00:33:17,544 --> 00:33:20,377 NOW, JACK, YOU CAN'T LOSE YOUR OBJECTIVITY. 715 00:33:20,377 --> 00:33:22,469 HE'S GOT A PARTNER. 716 00:33:22,469 --> 00:33:25,432 AND IT'S NOT DAVE. 717 00:33:25,432 --> 00:33:27,934 BUT I SURE AS HELL AM GONNA FIGURE OUT WHO IT IS. 718 00:33:34,890 --> 00:33:38,143 I DID WHAT I HAD TO DO... 719 00:33:38,143 --> 00:33:40,816 FOR MY FAMILY TO SURVIVE. 720 00:33:46,191 --> 00:33:48,032 [ Voice breaking ] PLEASE FORGIVE ME. 721 00:34:21,313 --> 00:34:24,066 JACK, I CAN'T GIVE YOU ANY MORE TIME WITH GRAINGER. 722 00:34:24,066 --> 00:34:25,317 NOW, WE'VE GOT THIS DAVE. 723 00:34:25,317 --> 00:34:26,939 HE HAD TIME TO COMMIT THE MURDER OF THE NEW VICTIM 724 00:34:26,939 --> 00:34:28,490 BEFORE WE NABBED HIM. 725 00:34:28,490 --> 00:34:30,992 HE HAD THE RING OF A DEAD GIRL. HE HAD FLY BRAND COKE. 726 00:34:30,992 --> 00:34:33,324 HE HAD THE MATCHES THAT CONNECTED TO KAREN McCLAREN. 727 00:34:33,324 --> 00:34:35,286 NOW, I DON'T SEE HOW YOU'RE GONNA PROVE OTHERWISE. 728 00:34:35,286 --> 00:34:36,447 NO, THERE'S A WAY. THERE IS A WAY. 729 00:34:36,447 --> 00:34:38,449 WHERE THE HELL IS KAREN McCLAREN?! ANYONE?! 730 00:34:38,449 --> 00:34:39,700 OKAY, I HAD OFFICERS GO 731 00:34:39,700 --> 00:34:41,872 TO WHERE DIVER SAID SHE WAS SHOOTING, ON SUNSET, 732 00:34:41,872 --> 00:34:43,454 BUT THE TV CREW SAID SHE WRAPPED ALREADY. 733 00:34:43,454 --> 00:34:45,205 WELL, THEN SHE'S PROBABLY BACK AT L.A. NOTORIOUS. 734 00:34:45,205 --> 00:34:47,918 ISN'T IT POSSIBLE THAT IT'S DAVE? 735 00:34:47,918 --> 00:34:49,840 JUST CONSIDER IT. 736 00:34:49,840 --> 00:34:51,511 NO. I-I-I NEED KAREN. 737 00:34:51,511 --> 00:34:53,884 SHE CAN PROVE THAT KENT GRAINGER IS OUR GUY. 738 00:34:53,884 --> 00:34:55,095 WELL, YOU GOT ONE HOUR, ROTH. 739 00:34:56,386 --> 00:34:58,808 ONE HOUR! OR GRAINGER GOES FREE! 740 00:35:05,644 --> 00:35:07,356 [ BUTTON CLICKS ] 741 00:35:07,356 --> 00:35:08,767 [ ELEVATOR BELL DINGS ] 742 00:35:10,689 --> 00:35:12,441 I KNOW WHERE THE KILLER LEFT THE HEAD. 743 00:35:12,441 --> 00:35:14,773 I FOUND THIS AT L.A. NOTORIOUS. 744 00:35:19,487 --> 00:35:21,329 Diver: THIS IS THE PLACE. GOODBYE, NORMA JEAN. 745 00:35:21,329 --> 00:35:23,121 [ INDISTINCT TALKING ] 746 00:35:34,882 --> 00:35:35,632 JACK. 747 00:35:35,632 --> 00:35:36,843 YEAH? 748 00:36:01,656 --> 00:36:02,737 IT'S KAREN. 749 00:36:21,795 --> 00:36:23,967 [ SIGHS ] 750 00:36:32,645 --> 00:36:39,441 ♪ I SAW HIM DANCING THERE BY THE RECORD MACHINE ♪ 751 00:36:39,441 --> 00:36:46,028 ♪ I KNEW HE MUST HAVE BEEN ABOUT 17 ♪ 752 00:36:46,028 --> 00:36:49,861 ♪ THE BEAT WAS GOING STRONG ♪ 753 00:36:49,861 --> 00:36:54,455 ♪ PLAYING MY FAVORITE SONG ♪ 754 00:36:54,455 --> 00:36:57,208 ♪ AND I COULD TELL IT WOULDN'T BE LONG ♪ 755 00:36:57,208 --> 00:36:59,540 ♪ TILL HE WAS WITH ME ♪ 756 00:36:59,540 --> 00:37:00,831 ♪ YEAH, ME ♪ 757 00:37:00,831 --> 00:37:04,004 ♪ SINGIN' I LOVE ♪ 758 00:37:04,004 --> 00:37:07,007 ♪ I LOVE ♪ 759 00:37:07,007 --> 00:37:09,509 ♪ ROCK 'N' ROLL ♪ 760 00:37:09,509 --> 00:37:12,012 ♪ I LOVE ROCK 'N' ROLL ♪ 761 00:37:12,012 --> 00:37:16,226 ♪ SO PUT ANOTHER DIME IN THE JUKEBOX, BABY ♪ 762 00:37:16,226 --> 00:37:18,438 ♪ I LOVE ♪ 763 00:37:18,438 --> 00:37:20,479 ♪ I LOVE ♪ 764 00:37:20,479 --> 00:37:25,694 ♪ ROCK 'N' ROLL ♪ 765 00:37:25,694 --> 00:37:30,068 ♪ SO COME AND TAKE YOUR TIME AND DANCE WITH ME ♪ 766 00:37:30,068 --> 00:37:31,320 [ Echoing ] EXCUSE ME. 767 00:37:31,320 --> 00:37:33,401 ♪ OOH, YEAH ♪ 768 00:37:33,401 --> 00:37:35,784 ♪ OHHHHH ♪ 769 00:37:35,784 --> 00:37:37,365 ♪ HE SMILED, SO I... ♪ 770 00:37:37,365 --> 00:37:40,368 [ Echoing ] YOU KILLED KAREN, YOU SON OF A BITCH! 771 00:37:40,368 --> 00:37:41,829 Paco: [ Echoing ] JACK! 772 00:37:43,120 --> 00:37:45,292 ♪ "THAT DON'T MATTER," HE SAID ♪ 773 00:37:45,292 --> 00:37:49,917 ♪ "'CAUSE IT'S ALL THE SAME" ♪ 774 00:37:49,917 --> 00:37:52,970 ♪ HE SAID, "CAN I TAKE YOU HOME ♪ 775 00:37:52,970 --> 00:37:58,184 ♪ WHERE WE CAN BE ALONE?" ♪ 776 00:37:58,184 --> 00:38:01,097 ♪ AND NEXT, WE WERE MOVING ON ♪ 777 00:38:01,097 --> 00:38:04,600 ♪ AND HE WAS WITH ME, YEAH, ME ♪ 778 00:38:04,600 --> 00:38:08,564 ♪ SINGIN' I LOVE ♪ 779 00:38:08,564 --> 00:38:10,736 ♪ I LOVE ♪ 780 00:38:10,736 --> 00:38:12,398 ♪ ROCK 'N' ROLL ♪ 781 00:38:12,398 --> 00:38:15,651 ♪ I LOVE ROCK 'N' ROLL ♪ 782 00:38:15,651 --> 00:38:19,744 ♪ SO PUT ANOTHER DIME IN THE JUKEBOX, BABY ♪ 783 00:38:19,744 --> 00:38:22,287 ♪ I LOVE ♪ 784 00:38:22,287 --> 00:38:24,209 ♪ LOVE ♪ 785 00:38:24,209 --> 00:38:26,411 ♪ ROCK 'N' ROLL ♪ 786 00:38:26,411 --> 00:38:29,413 ♪ I LOVE ROCK 'N' ROLL ♪ 787 00:38:29,413 --> 00:38:31,796 ♪ SO COME AND TAKE YOUR TIME AND DANCE WITH ME ♪ 788 00:38:31,796 --> 00:38:33,958 Reporter: THESE ARE THE LAST IMAGES OF KAREN McCLAREN 789 00:38:33,958 --> 00:38:36,009 FILMED FOR OUR STATION EARLIER TODAY 790 00:38:36,009 --> 00:38:37,841 BEFORE SHE WAS BRUTALLY MURDERED 791 00:38:37,841 --> 00:38:40,514 AT THE HANDS OF THE HOLLYWOOD SLAYER. 792 00:38:42,175 --> 00:38:43,677 HEY. 793 00:38:43,677 --> 00:38:44,928 HEY. 794 00:38:46,809 --> 00:38:48,141 I LOST HIM. 795 00:38:48,141 --> 00:38:49,522 ♪ YEAHHHHH ♪ 796 00:38:49,522 --> 00:38:50,813 THE KILLER'S BACK OUT THERE. 797 00:38:52,235 --> 00:38:53,856 AND, UH... 798 00:38:53,856 --> 00:38:56,529 [ DOOR CLOSES ] 799 00:38:56,529 --> 00:38:57,940 AND KAREN... 800 00:38:59,902 --> 00:39:02,034 KAREN'S DEAD BECAUSE OF ME. 801 00:39:06,248 --> 00:39:08,249 I'M SO SORRY. 802 00:39:08,249 --> 00:39:09,661 [ CRYING ] 803 00:39:09,661 --> 00:39:16,047 ♪ OHHHHHHHHHHH ♪ 804 00:39:20,671 --> 00:39:22,553 ♪ OHHHHH ♪ 805 00:39:22,553 --> 00:39:26,056 [ INDISTINCT CONVERSATIONS, TELEPHONES RINGING ] 806 00:39:26,056 --> 00:39:28,058 YOU DON'T THINK SO? [ CHUCKLES ] 807 00:39:28,058 --> 00:39:30,220 YEAH, IT'S GOOD. IT'S FINE. 808 00:39:30,220 --> 00:39:31,431 ALL RIGHT. HUH? 809 00:39:31,431 --> 00:39:32,932 I GOT A LOT TO TELL YOU TOMORROW NIGHT. 810 00:39:32,932 --> 00:39:34,724 OH, REALLY? YEAH. 811 00:39:34,724 --> 00:39:35,775 HAVE A GOOD DAY. 812 00:39:35,775 --> 00:39:36,776 ALL RIGHT. YOU TOO. 813 00:39:37,647 --> 00:39:39,438 MORNING. 814 00:39:39,438 --> 00:39:41,020 PARTNER. 815 00:39:44,153 --> 00:39:45,154 [ LATCHES CLICK ] 816 00:39:45,154 --> 00:39:46,195 YOU TWO ARE SO CUTE. 817 00:39:46,195 --> 00:39:47,826 ZIP IT, CONTRERAS. 818 00:39:47,826 --> 00:39:49,448 I HAVE A REPUTATION TO UPHOLD, YOU KNOW? 819 00:39:49,448 --> 00:39:50,949 OH, IS THAT RIGHT? 820 00:39:50,949 --> 00:39:53,081 YEAH, WELL, EVERYONE STILL KNOWS 821 00:39:53,081 --> 00:39:54,452 YOU'RE A CRANKY SON OF A BITCH. 822 00:39:54,452 --> 00:39:56,034 YEAH? GOOD. 823 00:39:58,296 --> 00:39:59,497 SO, WHAT DO WE GOT ON TAP? 824 00:39:59,497 --> 00:40:00,918 [ SIGHS ] 825 00:40:02,209 --> 00:40:03,421 IT'S TIME, JACK. 826 00:40:08,595 --> 00:40:09,546 [ SIGHS ] 827 00:40:14,971 --> 00:40:18,184 Jack: CAN'T BELIEVE IT'S BEEN SIX MONTHS. 828 00:40:18,184 --> 00:40:20,146 IT KILLS ME THAT WE DID NOT CATCH THIS GUY. 829 00:40:20,146 --> 00:40:22,688 WELL, AT LEAST HE HASN'T KILLED AGAIN. 830 00:40:22,688 --> 00:40:24,820 NO. 831 00:40:24,820 --> 00:40:26,982 YOU KNOW, WITH MONSTERS LIKE THIS, 832 00:40:26,982 --> 00:40:29,485 SOMETIMES, THERE'S A COOLING-OFF PERIOD. 833 00:40:29,485 --> 00:40:31,116 FITS THE PROFILE. 834 00:40:33,238 --> 00:40:36,491 YOU BEEN, UH, READING YOUR SERIAL-KILLER HANDBOOK AGAIN? 835 00:40:36,491 --> 00:40:39,374 NAH. JUST LEARNING FROM MY PARTNER. 836 00:40:42,206 --> 00:40:44,959 SO, UH, A COOLING-OFF PERIOD, HUH? 837 00:40:46,040 --> 00:40:48,632 YEAH, THAT'S RIGHT. 838 00:40:48,632 --> 00:40:52,006 THESE TWO -- THEY'RE JUST LAYING LOW. 839 00:40:52,006 --> 00:40:53,387 THEY CAN'T HOLD OFF FOREVER. 840 00:40:53,387 --> 00:40:55,048 WHEN THEY RESURFACE 841 00:40:55,048 --> 00:40:57,140 AND THEY GO TO MAKE THEIR NEXT KILL, 842 00:40:57,140 --> 00:40:58,852 WE'LL BE THERE. 843 00:41:01,094 --> 00:41:02,936 DAMN STRAIGHT. 844 00:41:04,397 --> 00:41:06,019 LET'S WRAP IT UP. 845 00:41:26,708 --> 00:41:28,329 [ LAUGHS ] 846 00:41:28,329 --> 00:41:29,580 [ Sighing ] OHHH. 847 00:41:29,580 --> 00:41:32,463 I MISS L.A. 848 00:41:32,463 --> 00:41:34,505 IT'S THE FIRST TIME IT'S BEEN WARM ENOUGH 849 00:41:34,505 --> 00:41:36,257 TO EVEN EAT ICE CREAM. 850 00:41:36,257 --> 00:41:38,258 YEAH, BUT IN L.A., THE KIDS COULDN'T MAKE SNOW ANGELS. 851 00:41:38,258 --> 00:41:39,760 MM. 852 00:41:39,760 --> 00:41:42,262 I LOVE YOU FOR ALWAYS BEING ABLE TO SEE THE POSITIVE. 853 00:41:42,262 --> 00:41:43,724 AND I LOVE YOU. 854 00:41:43,724 --> 00:41:44,724 Both: ALWAYS AND... 855 00:41:44,724 --> 00:41:45,765 All: FOREVER! 856 00:41:45,765 --> 00:41:47,187 THAT'S RIGHT. 857 00:41:47,187 --> 00:41:49,939 LOOK AT YOU! YOU'VE GOT ICE CREAM ON YOUR FACE. 858 00:41:49,939 --> 00:41:51,901 OH, MY GOODNESS. 859 00:41:51,901 --> 00:41:53,693 THAT'S BETTER. OKAY. 860 00:41:53,693 --> 00:41:55,945 [ HEART BEATING ] 861 00:42:06,365 --> 00:42:08,116 Deejay: GOOD AFTERNOON, CHICAGO. 862 00:42:08,116 --> 00:42:10,919 FINALLY, SPRING HAS SPRUNG IN THE WINDY CITY. 863 00:42:10,919 --> 00:42:12,460 AND WE HAVE A DEDICATION TO MAKE. 864 00:42:12,460 --> 00:42:15,163 IT'S FOREIGNER'S "FEELS LIKE THE FIRST TIME" 865 00:42:15,163 --> 00:42:18,005 TO MONICA P., FROM HER SECRET ADMIRER. 866 00:42:18,005 --> 00:42:19,837 [ "FEELS LIKE THE FIRST TIME" PLAYS ] 867 00:42:22,930 --> 00:42:25,552 ♪ IT FEELS LIKE THE FIRST TIME ♪