(narrator) Previously on "The Making of the Mob: New York"
(gunshot)
Charles "Lucky" Luciano and his crew,
Meyer Lansky, Bugsy Siegel,
Frank Costello, and Vito Genovese,
have risen from the chaotic streets of New York City
to build a nationwide criminal empire.
All right, drink up. Alla salute!
(all) Salute! God bless.
(narrator) And, at the height of his power,
Luciano expands his operation...
(applause)
...into the dangerous business
of prostitution.
It's a dirty business.
It's a business. It's trouble.
(narrator) But when Luciano gets too invested,
special prosecutor Thomas Dewey...
What do you have on Luciano?
(narrator) ...seizes the opportunity
to take down the kingpin of the New York underworld.
We are entirely prepared to prosecute Lucky Luciano.
The only problem is that he has fled to Arkansas.
(narrator) After months on the run,
Luciano is finally arrested
and forced to face Thomas Dewey in court.
(judge) Court will come to order.
(narrator) After days of damning testimony from over 50 prostitutes...
(Dewey) Let the record show that the witness is pointing at
Charles "Lucky" Luciano.
(narrator) Luciano makes the unprecedented move
to take the stand in his own defense,
a decision that could destroy the Mafia...
Mr. Luciano...
(narrator) ...forever.
♪♪
♪ This ain't no time ♪
♪ To feel sorry for myself ♪
♪ I can't help it ♪
♪ 'Cause there's nobody else ♪
♪ I'll walk these streets ♪
♪ With your name on my tongue ♪
♪ But I dare not speak ♪
♪ Only there it belongs ♪
♪ There's got to be a better way ♪
♪ Better way ♪♪
(gunshot)
♪♪
(narrator) After years of building a case against the New York Mafia,
prosecutor Thomas Dewey is finally face to face
with the most powerful Mob boss in America,
Charles "Lucky" Luciano.
With the fate of the underworld hanging in the balance,
Luciano makes an unprecedented move
and takes the stand in his own defense.
(Rudy Giuliani) From a lawyer's point of view,
it's a terrible mistake to put a Mafia member
on the witness stand.
Because they think they're very smart,
and they're not as smart as the lawyer.
They think they can get away with
what they usually get away with in life, which is to charm.
And when you have the judge telling you,
"No, you've gotta answer that question,"
it's a little different than being able to
talk your way out of something.
Mr. Dewey.
Mr. Luciano...
you've denied any acquaintance at all
with any of the young women who've testified
as to your involvement in the prostitution racket.
Is that correct?
Yes.
Mr. Luciano...
Your tax records
indicate that you made $22,000
over the last four years,
and yet you live in a massive suite
in the Waldorf Astoria,
New York's most expensive hotel.
How is that possible?
I got a good deal.
Oh. (laughing)
Yes, I suppose it would have to be.
(gallery murmuring)
You've denied any acquaintance at all
with any of the individuals that I have mentioned,
including Al Capone.
Yeah.
And how do you explain...
phone records
from your residence at the Waldorf
showing calls to all of these individuals,
including Mr. Capone in Chicago?
Someone else must have been using my phone.
(gallery murmuring)
(laughing)
(Dewey) Honestly, Mr. Luciano...
do you really expect this jury to believe,
given your history, that you have never
made the acquaintance
of notorious mobster Al Capone?!
They believe what they're led to believe!
(gallery murmuring)
So...
every one of the nearly 70 witnesses
who have testified against you is a liar?
And only you, Charles "Lucky" Luciano,
are telling the truth?
I have no reason to lie to anyone in this courtroom.
Gentlemen of the jury,
what you see before you is a simple display
of sanctimonious perjury.
At the end of which I'm sure not one of you has any doubt
that before you sits not a gambler,
not a bookmaker,
not just one of the most powerful gangsters in America,
but a common pimp...
guilty of forcing women into prostitution.
I've nothing further, Your Honor.
(gallery chattering)
(Rudy Giuliani) The worst witnesses in their own defense
are very often, they say, Mafia members and politicians,
'cause they lie so much.
When you get away with lying so much,
you don't realize that when there's a really smart,
tough guy on the other end of it,
you can get absolutely destroyed on the witness stand.
(narrator) With time running out,
Luciano knows that if he wants to sway the jury,
he'll need to exercise his power outside the courtroom.
(Ellen Poulsen) Lucky's defense team took
an unorthodox route and tried to bribe a juror.
(Thomas Dewey III) I think it's very difficult
for people in our time really to understand
how widespread the corruption
in New York City at that time was.
They had substantial segments of law enforcement
and the courts in their pocket.
And that is the way they did business.
(gavel pounding)
(whispering indistinctly)
Mr. Foreman, has the jury reached a verdict?
Yes, we have.
How say you, gentlemen of the jury?
Do you find the defendant Luciano guilty or not guilty?
♪♪
(foreman) We find the defendant...
...guilty as charged, Your Honor.
(gallery chattering)
(Rudy Giuliani) Tom Dewey put together this case
using prostitutes and was able
to successfully prosecute Luciano,
which people thought was impossible.
And he, in fact, had prosecuted
the most significant member of the Mafia.
(narrator) Luciano's attempt to buy members of the jury fails...
(gavel pounding)
...and the notorious gangster is found guilty
of 62 counts of compulsory prostitution.
♪♪
(Richard Hammer) Tom Dewey was looking to make himself
a major figure, and he did.
(narrator) After his victory over Luciano,
Dewey's name makes national headlines,
and his crime fighting exploits
inspire a popular radio show
called "Gang Busters."
(Ellen Poulsen) He became a national figure
for having become a crime buster
of epic proportions.
This was built upon the name that he made for himself
during Lucky's trial in 1936.
(narrator) While Dewey enjoys the spotlight in New York City...
350 miles away, in a remote town on the border of Canada...
(man) No, no. No, no!
No. No! Aah! No, sir, please don't...
(narrator) ...Lucky Luciano has been sentenced to 50 years
in a maximum security prison.
(Thomas Dewey III) I think my grandfather was somewhat surprised
at the severity of the sentence that Luciano got
on the prostitution charges.
But I don't think the idea of having him in prison
even for that length of time caused him to lose any sleep.
(inmates chattering)
Luciano got, what, 50-, 60-year sentence for--
for being a pimp.
Certainly wasn't sentenced simply as a pimp.
He was sentenced because he was a major organized crime figure
in the United States.
Hey, it's Lucky Luciano.
(sighs)
♪♪
(Richard Hammer) When Luciano went to prison,
and they sent him to Dannemora,
which is the last place he wanted to be,
this is not living in the Waldorf Towers.
This is not going to nightclubs every night.
(inmates chattering)
This is not the world he wanted.
(narrator) The most powerful mobster in America
must now figure out how to run his empire
from an eight- by-ten-foot cell.
(cell door clanging shut)
♪♪
(bird calling)
(bell ringing)
(narrator) Lucky Luciano has begun serving
a 50-year sentence in upstate New York.
But he knows his crew in the city
is working tirelessly on a plan to set him free.
(man screaming) No! No!
(Richard Hammer) Nobody thought at that point
that Luciano was gonna be in prison for 40 years.
Everybody was convinced that he would win on an appeal
and he would be out.
(cart wheels rattling)
("Collegiana" playing)
♪♪
♪ Collegiana, see how it's done, easy as pie... ♪
(narrator) As his lawyers fight for an appeal,
Luciano's crew funnels him enough money
to put the prison guards on his payroll.
(Selwyn Raab) Luciano practically ran the prison he was in.
Wine?
What do you have?
(Selwyn Raab) People took care of him.
He might be behind bars,
but he certainly wasn't in solitary confinement.
Pepper?
Sure.
Luciano would get the best steaks
and the b-- the best chopped meat.
Like in the scene in "Goodfellas"
where Pauly Sorvino cutting the--
the garlic with a razor blade.
And-- and it is like-- I think it's like a little vacation.
Not that I wanna go on that kind of a vacation.
♪♪
(narrator) With the prison guards paid off,
Luciano enjoys the luxuries of the outside world,
including better clothing, top-notch booze,
and furniture from home.
(Sal Polisi) I was in Lewisburg Federal Penitentiary in 1974.
The Italian Mob ran the prison.
Whatever we wanted, we could have.
Whatever food we wanted, whatever booze we wanted.
Even the warden knew that the Italians ran the prison.
(narrator) With direct phone access to New York,
the Mob boss can also run his business from his cell,
and his associates can come and go as they please.
(Luciano) What's going on with my appeal, Meyer?
I gotta get the hell out of here.
I'm starting to go stir-crazy.
Charlie, we're working on it.
You're "working on it."
I'd like to see if one of you guys were in here...
and I tell you I'm "working on it."
What would you say, Frank, huh?
(Costello) Charlie, what do you want us to do?
It's gonna take some time.
We need to throw some money at it, but...
we can't press too hard.
Just sit tight, we're gonna get you out of here.
(narrator) Back in New York,
all major rulings are made by the Mafia's governing board,
known as the Commission...
run by the heads of the five New York families.
Why is this not gonna be an issue?
Why does he not care?
(narrator) But, in Luciano's absence,
the four remaining bosses still meet in New York
and must run their decisions by the criminal kingpin
350 miles upstate.
Luciano knows he needs stronger representation
at the Commission,
and until he can find his way out of prison,
he'll have to name an acting boss of his family.
(Oscar Goodman) It's not easy being a person
who's an organized crime figure because,
if they're at the top,
there's always somebody out there
looking to knock them off their perch.
Other families of these figures who--
who want to take your family's place.
There's an awful lot of pressure on you to keep your position.
(narrator) Faced with the biggest decision of his life,
he turns to his closest adviser,
Meyer Lansky.
How's the family?
They're doing good.
If you ask me, Frank's got a lot more even hand than Vito.
What set the Italians apart
from the Irish and Jewish gangs
was the Irish and Jewish gangs had no framework.
And Lucky said, "We've gotta have a structure."
The organization is supreme,
that even the boss can be replaced.
But the family must function forever.
(narrator) With the Mafia's strict Sicilian code still in place,
Luciano knows the Jewish gangster
can't be his acting boss.
Instead, he'll have to pick between
the two Italian higher-ups in his inner circle:
Frank Costello and Vito Genovese.
(Rudy Giuliani) Frank Costello was a gentleman gangster.
Between Vito and him,
Frank was the more intelligent, the more gentlemanly,
the more urbane.
He was working at an IQ level
several rungs above Vito.
(Selwyn Raab) Costello was total opposite
of Vito Genovese.
And Vito Genovese
was almost a classical hoodlum.
Tough guy.
Killed at-- at the merest whim.
(narrator) Frank Costello is one of Luciano's closest advisors,
the man who gave Luciano his first break in the Mob...
while Vito Genovese has been a ruthless but loyal ally
for over a decade.
Luciano's choice will determine
the success of his crime family
and future of the American Mob.
(bird calling)
(bell ringing)
♪♪
You both know why you're here.
Now, I respect both of you equally.
Thank you.
But I'm naming Vito head of the Luciano family.
Thank you, Charlie.
You won't regret this.
Congratulations, Vito.
Thanks, Frank.
Vito, give me a second to talk with Frank, all right?
You got it.
Let's have a drink.
You don't have to explain.
Yes, I do.
I want you to run the business, Frank.
I named Vito head of the family.
'Cause if I put you in charge,
you'd have a big target on your back.
I want you to stay alive, you understand?
Let Vito have all the headaches,
make all the decisions.
I understand.
And thank you, Charlie.
Salute.
(Richard Hammer) Costello was his friend.
Frank Costello was a gentleman.
Genovese, he was a strong-arm.
He was a bad, bad guy.
But he was good at what he did.
♪♪
(narrator) With his promotion to acting boss,
Vito Genovese finally has the power
he's been waiting for,
and he's prepared to rule the Mob with an iron fist.
♪♪
(narrator) Lucky Luciano has come up with a plan
to keep his empire running while he's in prison.
He's named Vito Genovese as his acting boss
and Frank Costello as Vito's underboss.
Luciano's still calling the shots...
but Costello and Genovese carry out his orders,
working together to make sure the business runs smoothly.
(upbeat jazz music)
(indistinct chatter)
(narrator) But from the beginning,
Genovese lets the power go straight to his head.
♪♪
I don't care who it is, but just get someone good on it.
(narrator) Genovese starts living like a king,
flaunting his power in the city's
most expensive restaurants and nightclubs.
(Frank Vincent) Being a Mob boss,
it's like being a rock and roll star.
I mean, this is what attracts groupies.
This is what attracts women.
(narrator) Genovese is on top of the world
and is convinced he can have any woman he wants.
(applause)
But the one who catches his eye...
...is his cousin, Anna Petillo.
So what do you want?
(narrator) After courting Anna for months,
Genovese and his cousin fall in love.
But to be together, Genovese will have to take care
of the one man who stands in his way:
Anna's husband.
(man) ♪ Let's have a nightcap ♪
♪ Let down your hair ♪
♪ Let's have a moment ♪
♪ And just to be fair ♪
♪ I haven't told you ♪
♪ This won't take too long ♪
(groaning)
♪ Maybe you're right ♪
♪ Maybe I'm wrong ♪
(man screaming)
(woman) ♪ I say be patient ♪
♪ And maybe slow down ♪♪
(champagne cork pops)
(narrator) Two weeks after ordering the murder of her husband,
Vito Genovese marries Anna Petillo.
His wife, whom I met, 'cause he used to own the 82 Club
and I used to go there,
he, uh, whacked her husband
in order to marry her.
She was supposed to have been a great beauty, otherwise,
why would he have, you know, uh, heh, you know.
♪♪
Did your old husband give you champagne in bed?
What do you think?
Ahh.
I don't think he did.
Never.
He never gave me anything in bed.
Hmm, dumb bastard.
♪♪
(narrator) Under Genovese reign,
the structure of Luciano's crime family begins to collapse...
...as Genovese starts playing by his own rules...
Look at these.
(narrator) ...wasting money...
(laughing) I love them.
(narrator) ...abusing his authority...
Uhh!
I killed the bear myself for you, heh.
(narrator) ...and eliminating anyone who disagrees with him.
All without the approval of the Commission.
Where's the money coming in?
He said it was gonna be one million, now it's six million.
At the rate that he's going, forget it.
Names all over the place. This looks-- makes us look bad.
(gunshot)
(narrator) But in his quest
to assert his power...
(gunshot)
...Genovese is getting sloppy.
This thing of ours, this is a private thing.
It ain't no good if we're in the public.
(narrator) Knowing Genovese's behavior
is affecting all the crime families,
Costello realizes he has to get
his own family's boss under control.
(Vincent Pastore) I think a lot of wiseguys have an impulsive disorder.
And, uh, if they don't get what they want,
they get angry.
And sometimes, they make a bad name for the families
because they're so impulsive.
Vito, your work's getting sloppy lately.
You know? Can't have bodies in the street like that.
Don't talk about my work being sloppy.
All right? You know what?
You're too soft, Frank. All right?
I'm soft? You're soft!
Vito, you're stupid, okay?
I'm stupid? You're stupid.
Who are you calling stupid, Frank? Listen to me.
I'll put two in your head, you understand me?
We'll see who's stupid, Frank. Get your finger out of my face.
We'll see who's stupid, Frank! Get your finger out of my face!
All right, I'm scared.
Get out of here. I'm shakin'!
(narrator) The more Costello tries to rein in Genovese,
the more out of control the gangster becomes.
(Luciano) What exactly happened with Vito?
He's greedy. He's reckless, he's careless.
(Lansky sighs)
I told you Vito wasn't gonna be a good boss.
He dug his grave.
(Costello) What are we gonna do?
(Luciano) It's time for something to happen.
(narrator) Luciano knows Vito Genovese
has become a major liability.
And he needs to find a way to keep him in check.
But before Luciano can get to Genovese,
a mobster looking to reduce his jail time
comes forward with information on a murder
that has the potential to destroy Luciano's crime family.
(typewriters clacking)
(indistinct chatter)
I have some information.
I saw the hit.
And I know who ordered it.
I was there.
He's someone you wanna take down.
But I need a deal.
And I need protection.
By all means, continue.
The man who ordered the hit...
is Vito Genovese.
♪♪
(narrator) Thomas Dewey has already
taken down Lucky Luciano.
Now he has a witness
who is willing to testify against the new boss
of the Luciano crime family...
Vito Genovese.
(phone ringing)
(Selwyn Raab) Genovese took over the family,
but Genovese got into trouble
over another murder-- of many--
that there was suddenly-- a witness was found
who could implicate him.
(narrator) Dewey files murder charges
against Vito Genovese.
The acting boss of the Luciano crime family
is now in Dewey's crosshairs.
(traffic noise)
It isn't long before Luciano's second in command,
Frank Costello, is tipped off about the warrant.
(phone ringing)
("Why" playing softly)
♪ 'Cause I found you, that's why ♪
♪ I wonder why ♪
Hello?
♪ Am I so happy I could cry ♪
♪ Why... ♪♪
(narrator) Genovese must make a crucial decision.
He could either fight the charges
and try to keep his power as boss,
or he can go on the run.
(boat horn blowing)
(sighs)
Take care of yourself, Vito.
You promise.
(car motor puttering)
(boat horn blowing)
(narrator) Less than a year after becoming acting boss,
Vito Genovese is forced to return to his homeland
to escape Thomas Dewey.
(boat horn blows)
(inmates clamoring)
So Vito's in Italy.
That stupid prick.
What the hell's the matter with this guy?
Frank...
You know what this means?
Can you handle it?
I can handle it.
Frank Costello is a very interesting Mafia figure.
Maybe one of the most interesting.
As opposed to Vito,
Costello was considered by Luciano
and by Meyer Lansky to be very intelligent
and very gentlemanly.
(narrator) With Genovese out of the picture,
Frank Costello becomes the new acting boss
of the Luciano crime family.
(Sal Polisi) A mobster who becomes a leader
has to have a presence
and he has to have a type of charisma
so that most of these minions will follow him.
And they work on it.
It's just almost like an actor developing skills.
♪♪
(faint clattering)
(narrator) With Frank Costello as the newly-appointed boss,
business is once again running smoothly.
With everything under control,
Luciano decides it's time to expand.
90 miles off the coast of Florida,
in Cuba, Luciano sees a huge opportunity
to expand his family's gambling empire.
He sends Meyer Lansky to convince the new Cuban leader,
who's just risen to power after a violent coup
to let the Mob build a casino in downtown Havana.
Generale Batista.
Mr. Lansky. Welcome.
(narrator) Fulgencio Batista will go on
to dominate Cuban politics for 20 years
as a corrupt and violent dictator.
(Meyer Lansky II) My grandfather was planning with Batista
to put in multi casinos, not just the Havana Riviera.
Once time I asked him personally, I said,
"What was Batista like, in one word?"
And he said, "Greedy."
♪♪
He said, "You could not pay that man enough."
(narrator) While Lansky works the Cuban leader...
(briefcase snaps shut)
...Luciano has sent Bugsy Siegel to Los Angeles
to set up a stronghold for the New York Mob.
(Michael Green) A lot of people think Bugsy went to Hollywood from New York
because he wanted to be in movies.
But his real reason for going out to L.A.
was part of a Mob plan.
(narrator) The plan is for Bugsy Siegel
to take control of the Hollywood labor unions.
(film projector clacking)
(Rich Cohen) Bugsy focused on the projectionists' union.
That's like a-- a choke point.
If you shut off the projectionists,
you shut down the whole industry.
Then you have incredible leverage
about getting what you want.
♪♪
(narrator) Costello has effectively grown
the Luciano family's businesses and profits.
But he's about to face a serious test...
as one of the founders of Murder, Inc. is arrested
and has information that could bring down
the entire American Mafia.
(narrator) Lucky Luciano has named Frank Costello
the new acting boss of the Luciano crime family,
and business is better than ever.
Costello is overseeing Luciano's plans
to expand the crime family's empire
to Cuba and California.
But the biggest threat they'll face
is about to come from within.
Abe Reles is a founding member of Murder, Inc.,
the Mob's squad of notorious hitmen
comprised of Jewish gangsters like Bugsy Siegel
and Louie Lepke.
Over the past ten years, Murder, Inc.
has killed more than 1,000 men
and built a reputation for meticulously
covering their tracks.
But when Abe Reles retaliates
after his girlfriend is raped by a rival gangster...
he gets sloppy in the heat of the moment
and leaves a trail of incriminating evidence.
♪♪
You wanted to see me?
I wanna walk.
Tall order.
I'll give you 50 guys.
Albert Anastasia.
Bugsy Siegel.
You got him.
(narrator) Reles begins naming names...
...giving Thomas Dewey the evidence he needs...
...to take down all of Murder, Inc.
(Rich Cohen) Abe Reles becomes a rat,
and he went in and he cut a deal,
testifying against Albert Anastasia,
the Lord High Executioner.
And who is the next guy Reles was gonna testify against?
It was Bugsy Siegel.
(falcons screeching)
(pop)
(upbeat jazz music)
(narrator) Siegel's been sent to California
to set up their rackets on the west coast.
And while he should be gaining control
of the labor unions...
♪♪
...he's becoming more and more interested
in rubbing shoulders with Hollywood's elite.
♪♪
Siegel begins frequenting movie premieres and parties,
the kind attended by stars like Gary Cooper,
Clark Gable, and Cary Grant.
(Michael Green) Bugsy Siegel knew celebrities. He loved celebrities.
They kind of loved the idea of hanging out with him.
This is a gangster. He's glamorous, he's different.
But his real reason for going out to L.A. was not to party.
They wanted to get in on the stagehands' unions,
because if you controlled the stagehands,
you control the movie industry.
(narrator) But when word gets out
that Reles has been ratting on Murder, Inc.,
Costello orders Siegel to go into hiding.
Reles is talking, Charlie.
He knows about the rackets...
the brothels, the unions.
He knows about Bugsy's hit in L.A.
He knows everything.
So what are you waiting for, Frank?
Get it done, now.
(seagulls calling)
(narrator) In the fall of 1941,
the fate of the five families rests in the hands
of Frank Costello.
While Costello's been a smart and diplomatic boss,
some members of the Commission begin to doubt
he's tough enough for the job.
(Frank Vincent) The real, true bosses
were very, very ruthless.
You have to be ruthless. You can't be afraid...
you can't be afraid to hurt people.
(narrator) Costello knows if doesn't take out his own hitman,
Abe Reles's testimony could dismantle the American Mafia.
(Rich Cohen) Abe Reles wound up being
one of the biggest rats in underworld history.
And he did incredible damage.
He gutted Murder, Incorporated.
He put many guys in the electric chair.
So, obviously, if you're a mobster,
and you wanna live,
what you gotta do is kill Abe Reles.
(narrator) But before Costello could order the hit on Reles...
he has to find him.
(narrator) In the fall of 1941,
with Abe Reles spilling the Mob's secrets,
acting boss Frank Costello knows
he has to track down Reles...
and order the hit.
Guys, I-- I need a favor.
I need a big favor, all right? I got a...
(narrator) After years of making inroads
with New York City's politicians,
judges, and policemen,
Frank Costello was finally in a position to collect.
I understand.
♪♪
(narrator) In an effort to track down Reles,
Costello puts the heat on his sources around the city.
♪♪
(narrator) Finally, he gets the break he's been waiting for.
(patrons chattering)
Costello learns that law enforcement
is hiding its most valuable informant...
in a heavily-guarded hotel room in Coney Island.
(waves crashing, seagulls calling)
(Rich Cohen) There is an incredible incentive to kill him.
The police knew that.
So they put him in this hotel
called the Half Moon Hotel,
and they had 16 police officers guarding Reles.
He was never alone.
When he'd sleep, a guy was supposed to be
sitting in the room-- when he was in the bathroom,
there was a guy right outside the door.
And when he would testify, they'd bring him
to and from court in an armored car.
(narrator) Getting to Reles will be next to impossible.
But Costello knows he has to find a way.
(seagulls calling)
Reles...
come check out the view.
Hey, fellas...
what gives?
(loud thud)
(seagulls squawking)
Call it in.
Prisoner died trying to escape.
(Selwyn Raab) Frank Costello knew he had this political influence.
He had tentacles,
not only into the police department,
but into the political system.
Even when he made these pretenses,
at being so sophisticated, he was ordering hits.
I mean, he might not do the dirty work,
but someone did the dirty work for him.
(narrator) The death of Abe Reles
makes headlines around the country
as the man willing to snitch on the New York underworld
is silenced.
(Sal Polisi) Abe Reles was an informant,
and he was gonna testify against Murder, Incorporated.
This is stuff that we grew up with.
And the Mob guys made sure these legends continued.
They wanted us to know what the penalties were.
♪♪
(chuckling)
What's so funny?
Nothin'.
What are you smiling about?
It's just a funny story in the paper.
About what?
Some guy tried to climb out a window.
He fell and died.
Oh, that's funny?
Yeah, it's pretty funny.
That's nice, Frank.
Very nice.
(narrator) In a single move,
Frank Costello has solidified his authority
as the head of the Luciano family.
♪♪
Now, Luciano is certain the system he's built works.
But as he faces the remainder of his 50-year sentence,
Luciano is determined to find a way to get out of prison.
And his opportunity may come from a battle...
(Hitler shouting in German on radio)
(crowd cheering on radio)
(narrator) ...soon to be waged halfway around the world.
♪♪