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MUSIC: "It Seemed The Better Way"
by Leonard Cohen

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♪ Seemed the better way ♪

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♪ When first I heard him speak ♪

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♪ Now it's much too late ♪

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♪ To turn the other cheek ♪

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♪ Sounded like the truth ♪

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♪ Seemed the better way ♪

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♪ Sounded like the truth ♪

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♪ But it's not the truth today ♪

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♪ I wonder what it was ♪

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♪ I wonder what it meant ♪

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♪ First he touched on love ♪

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♪ Then he touched on death ♪

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♪ Sounded like the truth ♪

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♪ Seemed the better way ♪

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♪ Sounded like the truth ♪

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♪ But it's not the truth today ♪

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♪ I better hold my tongue ♪

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♪ I better take my place ♪

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♪ Lift this glass of blood ♪

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♪ Try to say the grace... ♪

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HE KNOCKS

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You have to go.

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THUNDER RUMBLES

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GIRL SINGS:
<i>♪ Light after darkness ♪</i>

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<i>♪ Pain after love ♪</i>

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<i>♪ Strength after weakness ♪</i>

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<i>♪ Crown after cross ♪</i>

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<i>♪ Sweet after bitter ♪</i>

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<i>♪ Hope after fears ♪</i>

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<i>♪ Home after wandering ♪</i>

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<i>♪ Praise after tears ♪</i>

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God is good and all powerful.

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A rock...

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in a troubled sea.

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God is just.

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He protects those who believe.

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He sees all

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but He forgets nothing.

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God is slow to anger

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but his love

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knows no end.

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JOHAN (VO): <i>Those who would make
an enemy of the Lord</i>

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<i>He will pursue into the dark realm.</i>

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THUNDER RUMBLES

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He is fury

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He is wrath

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He is vengeance

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and affliction shall not rise up
a second time.

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But the righteous shall rejoice
when they see the vengeance.

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And He will bathe His feet

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in the blood of the wicked.

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THUNDER RUMBLES

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We should go find your dad.

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What's the plan?

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Let's be honest, Dad doesn't give a shit
about these people.

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Why are we still here? Hanging around?

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ANGELA:
Would you sit down with me for a minute?

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Mum?

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You're scaring me.

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That's you.

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Tiny.

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The man holding you there...

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is your father.

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That's not Dad.

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This is a joke, right?

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JACK:
No, it's not a joke.

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You're not my dad?

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No.

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I know this is a shock.
I always imagined I'd tell you so differently

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but...

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Your real dad, he was a bit of a criminal.

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But the...

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the people he and Jack worked with...

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they're coming after us.
- Why?

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Cos of something that we did.

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Me and Jack.

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What we saw...

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The stuff that we know.

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It could hurt them.
- Wait, just wait, just wait, wait, wait.

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Um...

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Uh, I don't... I don't get it.
So this is not about a cartel?

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No.

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This is about you and you and me.

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Yeah.

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And this is all so difficult

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but I need you to know
that you were always wanted

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and always loved.

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Yeah. Um...

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But you're my mum?

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You are my real mum?

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Because if you tell me you're not, I...
- I'm your mother, darling girl.

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I carried you inside me
and I brought you into this world.

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OK.

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THUNDER RUMBLES

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DOOR OPENS

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DOOR CLOSES

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I'm so sorry.

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She brought you to us

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you became part of our family.

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Yeah... I loved her.

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I let her down.

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I sent her away
without her knowing the truth.

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With no way of protecting herself.

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She never said goodbye to me.

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You have to forgive yourself.

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Perhaps if I'd been more like your father

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my daughter would be alive today.

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I won't make that mistake again.

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He's not my father.

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What do you mean?

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He's not my real dad. Jack.
I just, I just found out.

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He loves you.

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You belong together.

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Have faith in that.

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You should leave.

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No.

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No, I'm staying, Anna.

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I'll kill every man responsible
for my daughter's death.

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And I'm at peace with that.

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Collen. Jess.

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Still packing, I see.

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You got my back, right?

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Yep.
- Yep.

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Now we're fucking talking.

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I stand with you.

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Well, that's a relief.

128
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You need a fucking shave, mate.

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Stop following me!

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ANNA:
Why now?

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Why've you never told me before?

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Because he is a very dangerous man,
and I didn't want you looking into him.

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He was a cunt, love.

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Your mum has very definite taste in men.

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How did you meet him?

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Working in a pub in Liverpool he owned.

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I stayed upstairs.

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He ran a chain of pubs
we ran a racket out of.

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ANNA: We?
- Yeah.

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There wasn't much money to be had
as a barmaid.

141
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So where is he now? Prison?

142
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No.

143
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He's dead.

144
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Dead?
- Yeah.

145
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Yeah.

146
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How?

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He was killed.

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SHE SNIFFS

149
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So where do you fit into all this?

150
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He was an informer.

151
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On pub scams?

152
00:15:07,680 --> 00:15:09,080
No, it was a lot deeper than that.

153
00:15:10,840 --> 00:15:12,256
And what about you?
Were you an informer?

154
00:15:12,280 --> 00:15:13,280
No.

155
00:15:14,680 --> 00:15:17,149
And you two got together when?

156
00:15:18,720 --> 00:15:19,720
Er...

157
00:15:20,120 --> 00:15:21,839
that happened a bit later, but, er...

158
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we went to London
cos we had to get you out.

159
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So what about now?

160
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Now they want us dead.

161
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We're gonna do everything we can
to keep you safe, Anna.

162
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The people who are coming.
They're like you, aren't they?

163
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Yeah.

164
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And you don't think we can win this one,
do you?

165
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Don't, Johan. Don't.

166
00:16:00,240 --> 00:16:02,596
Don't say what you don't mean. Please.

167
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I did not mean to hurt you.

168
00:16:05,560 --> 00:16:07,119
But you do mean to harm, don't you?

169
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If you take this path, there's no end to it.
No end.

170
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You're becoming like them.

171
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I'm not asking you
to walk the same path as me.

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That's my choice.

173
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But you must take Thomas
and you must leave.

174
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I must?
<i>- Ja.</i>

175
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I must?

176
00:16:24,560 --> 00:16:26,313
Where should we go? To Nelson?

177
00:16:31,320 --> 00:16:32,320
I love you.

178
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Then why are you asking me to leave?

179
00:16:34,760 --> 00:16:37,514
You're not safe if you stay here.
- I'm not safe if I go.

180
00:16:39,120 --> 00:16:40,554
My daughter's grave is here.

181
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I'll never leave.

182
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Just as I'll never leave you.

183
00:17:01,040 --> 00:17:03,032
This might be my last chance to say this.

184
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I don't care that you're not my real dad.

185
00:17:09,360 --> 00:17:10,589
You're the only dad I've got.

186
00:17:12,200 --> 00:17:13,520
I don't want another one.

187
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I love you, Dad.

188
00:17:21,600 --> 00:17:23,592
So we either live together
or we die together.

189
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Let the fuckers come.

190
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JACK: You're the pickle.
- ANGELA: I thought I was the pickle.

191
00:17:44,680 --> 00:17:47,040
JACK: No, you're not the fucking pickle,
you're the ketchup.

192
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Pay attention.

193
00:17:50,000 --> 00:17:51,753
So, I think they'll take us at the trailer.

194
00:17:52,400 --> 00:17:54,073
How can you be sure?
- I can't be.

195
00:17:55,440 --> 00:17:56,440
So we're splitting up?

196
00:17:57,000 --> 00:17:59,196
Yeah, you get the low ground,
Mum gets the high ground.

197
00:17:59,880 --> 00:18:00,880
What about you?

198
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I'm the bun.

199
00:18:42,120 --> 00:18:43,120
ANGELA:
Marry me?

200
00:18:47,960 --> 00:18:48,960
Nah.

201
00:18:52,600 --> 00:18:53,716
Then I'd be stuck with you.

202
00:18:54,320 --> 00:18:55,754
I'd like to keep my options open.

203
00:19:04,920 --> 00:19:06,593
You used to beg me to marry you.

204
00:19:08,920 --> 00:19:09,920
I know.

205
00:19:11,000 --> 00:19:13,310
How many times? Two, three?

206
00:19:14,640 --> 00:19:15,640
Four...

207
00:19:16,640 --> 00:19:17,640
actually.

208
00:19:20,000 --> 00:19:21,957
It's the last one that stung the most though.

209
00:19:36,080 --> 00:19:37,309
Don't know how to say goodbye.

210
00:19:41,960 --> 00:19:42,960
Then don't.

211
00:20:18,680 --> 00:20:20,000
Go back to your room, Thomas.

212
00:21:51,120 --> 00:21:52,240
JACK (VO):
<i>What d'you reckon?</i>

213
00:21:53,640 --> 00:21:55,760
ANGELA (VO):
<i>I think she's stronger than either of us.</i>

214
00:22:54,600 --> 00:22:55,829
If it all goes wrong, alright?

215
00:22:56,520 --> 00:23:00,036
No... if it goes wrong
and we lose track of each other

216
00:23:00,640 --> 00:23:01,994
and it goes fucking...

217
00:23:04,000 --> 00:23:05,000
tits up...

218
00:23:10,120 --> 00:23:11,120
I'll see you in the pub.

219
00:23:19,680 --> 00:23:21,717
The usual seat.

220
00:23:23,280 --> 00:23:24,316
Best view in the room.

221
00:23:25,600 --> 00:23:26,670
Liverpool?

222
00:23:29,600 --> 00:23:30,829
Jesus, Jack...

223
00:23:32,080 --> 00:23:33,116
you want to go back?

224
00:23:33,520 --> 00:23:34,520
We have to, don't we?

225
00:23:35,320 --> 00:23:38,040
If I can't do it, you gotta do it.
You need to do it. We need to.

226
00:23:43,480 --> 00:23:44,709
Names are in the bag.

227
00:23:58,240 --> 00:24:00,391
I'll have three pints on the bar.
- THEY CHUCKLE

228
00:24:03,560 --> 00:24:05,199
Get there before I finish them, alright?

229
00:24:08,040 --> 00:24:09,040
See ya.

230
00:24:09,520 --> 00:24:10,520
Jack...

231
00:24:13,080 --> 00:24:14,116
Come here to me.

232
00:24:41,200 --> 00:24:42,200
See ya.

233
00:27:25,000 --> 00:27:26,593
CREAK

234
00:27:35,080 --> 00:27:36,150
GUN COCKS

235
00:27:49,480 --> 00:27:51,676
SHE BREATHES HEAVILY

236
00:27:52,920 --> 00:27:54,240
CREAK

237
00:28:13,680 --> 00:28:15,194
WIND WHISTLES

238
00:28:19,360 --> 00:28:20,430
CREAK
- ANGELA GASPS

239
00:28:24,160 --> 00:28:25,160
Thomas.

240
00:28:30,080 --> 00:28:31,080
SHE WHISPERS:
Hey.

241
00:28:32,040 --> 00:28:33,040
Hey.

242
00:28:33,960 --> 00:28:35,076
What are you doing here?

243
00:28:42,480 --> 00:28:43,630
DOOR CREAKS

244
00:28:50,080 --> 00:28:51,309
DOOR CREAKS

245
00:28:56,400 --> 00:28:57,720
DOOR CREAKS

246
00:29:12,080 --> 00:29:13,230
DOOR CREAKS

247
00:29:42,280 --> 00:29:43,396
DOOR OPENS

248
00:30:17,760 --> 00:30:18,955
GUNSHOT
- MAN GRUNTS

249
00:30:21,680 --> 00:30:22,955
GUNFIRE

250
00:30:26,520 --> 00:30:27,920
GUNFIRE

251
00:30:41,200 --> 00:30:42,759
GUNFIRE
- JACK: Fuckin' hell!

252
00:30:43,080 --> 00:30:44,719
GUNFIRE

253
00:30:45,880 --> 00:30:46,996
ANNA GASPS

254
00:30:51,760 --> 00:30:53,035
GUNFIRE

255
00:30:53,080 --> 00:30:54,594
Fuck, fuck, fuck off!

256
00:31:02,160 --> 00:31:03,160
Oh, fuck.

257
00:31:05,240 --> 00:31:06,435
PAINTBALL GUN FIRES

258
00:31:06,480 --> 00:31:07,596
GUNSHOT

259
00:31:10,280 --> 00:31:11,475
PAINTBALL GUN FIRES

260
00:31:16,760 --> 00:31:17,830
GUNSHOTS

261
00:31:30,640 --> 00:31:31,676
GUNSHOT

262
00:31:32,400 --> 00:31:33,400
GUNSHOT

263
00:31:34,800 --> 00:31:36,473
Look at me. Look at me!

264
00:31:36,640 --> 00:31:37,676
GUNSHOT

265
00:32:07,680 --> 00:32:08,909
HE SOBS

266
00:32:24,440 --> 00:32:25,351
Go, go, go!

267
00:32:25,400 --> 00:32:26,400
DISTANT GUNFIRE

268
00:32:26,520 --> 00:32:27,520
SHOTGUN COCKS

269
00:32:35,040 --> 00:32:36,040
GUNFIRE

270
00:32:36,400 --> 00:32:38,080
I'm gonna take this off and put it on you.

271
00:32:38,640 --> 00:32:39,790
GUNFIRE

272
00:32:39,840 --> 00:32:41,194
It's OK, here.

273
00:32:42,240 --> 00:32:43,151
Look at me, it's OK.

274
00:32:43,200 --> 00:32:44,793
GUNFIRE

275
00:32:49,840 --> 00:32:51,513
GUNFIRE

276
00:33:02,320 --> 00:33:03,470
DOOR OPENS

277
00:33:04,720 --> 00:33:06,040
FOOTSTEPS APPROACH

278
00:33:09,760 --> 00:33:11,240
GUNSHOTS

279
00:33:23,280 --> 00:33:24,280
Shit.

280
00:33:25,400 --> 00:33:26,400
Come on.

281
00:33:29,880 --> 00:33:30,880
Stay there.

282
00:33:32,880 --> 00:33:34,678
OK, straight to the tractors, go!

283
00:33:41,120 --> 00:33:42,952
OK, to the woods, go, go, go!

284
00:33:53,960 --> 00:33:54,960
You alright, Jack?

285
00:33:55,960 --> 00:33:56,996
GUNSHOTS

286
00:33:57,280 --> 00:33:58,280
GUNSHOT

287
00:34:03,520 --> 00:34:04,520
GUNSHOT

288
00:34:05,760 --> 00:34:06,760
GUNSHOTS

289
00:34:11,280 --> 00:34:12,555
GUNFIRE

290
00:34:12,640 --> 00:34:14,632
Thomas, here, run.

291
00:34:15,000 --> 00:34:16,195
Get out of here, run!

292
00:34:19,440 --> 00:34:20,874
GUNFIRE

293
00:34:31,000 --> 00:34:32,116
GUNFIRE

294
00:34:34,360 --> 00:34:35,510
GUNSHOT

295
00:34:37,440 --> 00:34:38,440
GUNSHOT

296
00:34:38,880 --> 00:34:39,880
GUNSHOTS

297
00:34:41,680 --> 00:34:43,239
GUNFIRE

298
00:34:46,160 --> 00:34:47,230
GUNFIRE

299
00:34:52,280 --> 00:34:53,714
ANNA COUGHS

300
00:34:58,960 --> 00:34:59,960
GUNSHOT

301
00:35:02,480 --> 00:35:03,755
GUNFIRE
- JOHAN GRUNTS

302
00:35:03,880 --> 00:35:04,950
JOHAN GROANS

303
00:35:05,160 --> 00:35:06,160
Johan!

304
00:35:06,640 --> 00:35:08,950
Run, run... Run, Anna!

305
00:35:14,120 --> 00:35:15,156
GUNFIRE

306
00:35:15,320 --> 00:35:16,320
GUNSHOT

307
00:35:24,120 --> 00:35:25,839
JOHAN GASPS
- DISTANT GUNFIRE