1 00:00:04,310 --> 00:00:05,670 POP 2 00:00:05,670 --> 00:00:06,710 Well, well, well. 3 00:00:06,710 --> 00:00:09,230 Ooh! Oh, no, no. 4 00:00:09,230 --> 00:00:10,470 Yes! Ah! 5 00:00:10,470 --> 00:00:11,670 SHE HISSES, BELL RINGS 6 00:00:11,670 --> 00:00:13,510 This programme contains strong language and adult humour 7 00:00:13,510 --> 00:00:14,590 Ah! 8 00:00:14,590 --> 00:00:16,070 Um... 9 00:00:16,070 --> 00:00:17,750 Quite windy today. Yeah. 10 00:00:17,750 --> 00:00:18,790 Christ. 11 00:00:18,790 --> 00:00:21,070 Ooh! Wrong way. 12 00:00:21,070 --> 00:00:22,270 That's how you do it, baby. 13 00:00:22,270 --> 00:00:23,710 OK. 14 00:00:23,710 --> 00:00:25,230 Oh, my God! 15 00:00:25,230 --> 00:00:26,870 Ah! Ah! Ah! Ooh! 16 00:00:26,870 --> 00:00:27,950 SHE BABBLES 17 00:00:27,950 --> 00:00:30,190 CHEERING AND APPLAUSE 18 00:00:36,550 --> 00:00:40,950 Hi, hello, welcome. Welcome to Taskmaster. 19 00:00:40,950 --> 00:00:43,790 A show that if my social media communications are anything 20 00:00:43,790 --> 00:00:48,190 to go by, attracts sociopathic nerds who mistakenly believe they have 21 00:00:48,190 --> 00:00:50,550 the right to reply. LAUGHING 22 00:00:50,550 --> 00:00:52,590 As do the following five task titans. 23 00:00:52,590 --> 00:00:55,750 Please welcome Joanne McNally... CHEERING AND APPLAUSE 24 00:00:55,750 --> 00:00:57,590 ..John Robins... CHEERING AND APPLAUSE 25 00:00:57,590 --> 00:00:59,630 ..Nick Mohammed... CHEERING AND APPLAUSE 26 00:00:59,630 --> 00:01:01,990 ..Sophie Willan... CHEERING AND APPLAUSE 27 00:01:01,990 --> 00:01:04,950 ..and Steve Pemberton! CHEERING AND APPLAUSE 28 00:01:04,950 --> 00:01:09,350 And next to me, a man who on a night out recently confided in me 29 00:01:09,350 --> 00:01:12,830 about his theory that strength of regional accent is 30 00:01:12,830 --> 00:01:15,750 directly related to lack of intelligence. 31 00:01:15,750 --> 00:01:18,270 LAUGHING 32 00:01:18,270 --> 00:01:20,590 Don't shoot the messenger... LAUGHING 33 00:01:20,590 --> 00:01:22,550 ..shoot little Alex Horne! 34 00:01:22,550 --> 00:01:25,070 CHEERING AND APPLAUSE 35 00:01:25,070 --> 00:01:27,630 It's an opinion, it's just an opinion. 36 00:01:27,630 --> 00:01:29,590 Hello, Greg. Hello, there. 37 00:01:29,590 --> 00:01:31,350 So I wanna...I wanna talk about something quite, 38 00:01:31,350 --> 00:01:33,630 uh, grown-up. A bit...a bit of adult stuff. 39 00:01:35,030 --> 00:01:38,070 So sorry but what...what's that under there? Hmm. 40 00:01:38,070 --> 00:01:39,630 Greg, what's that under there? 41 00:01:39,630 --> 00:01:42,510 Where? W...no, what's that under there? 42 00:01:42,510 --> 00:01:45,590 Under where? Ah! Underwear. She said underwear. 43 00:01:45,590 --> 00:01:49,270 She...she said underwear. Huh? Yeah? APPLAUSE 44 00:01:49,270 --> 00:01:50,870 I like that. 45 00:01:50,870 --> 00:01:52,470 Shall we have the prize task? 46 00:01:52,470 --> 00:01:53,830 We shall see a prize task, 47 00:01:53,830 --> 00:01:56,190 and things are gonna get hot in here, 48 00:01:56,190 --> 00:01:59,470 because we're gonna get to see their most extraordinary pictures. 49 00:01:59,470 --> 00:02:02,070 Five points for the picture Greg thinks is the most extraordinary, 50 00:02:02,070 --> 00:02:04,870 and one lucky winner will take home five extraordinary pictures. 51 00:02:04,870 --> 00:02:06,230 Hello, Sophie. Oh, hello. 52 00:02:06,230 --> 00:02:09,150 What extra-ordinary picture have you brought me? 53 00:02:09,150 --> 00:02:12,830 I've set up a little studio in me dressing room. And I made you this. 54 00:02:12,830 --> 00:02:15,750 LAUGHING Aww, that's great. It's good! 55 00:02:15,750 --> 00:02:17,230 It's the dancing vole! 56 00:02:17,230 --> 00:02:18,430 From episode one. 57 00:02:18,430 --> 00:02:19,990 I think that's great. Really? 58 00:02:19,990 --> 00:02:22,390 Well, let me give you a different take on it, Nick. 59 00:02:23,710 --> 00:02:26,070 Why is it extraordinary? I mean it's extraordinary 60 00:02:26,070 --> 00:02:29,150 to discover that you've got some level of ability at art. 61 00:02:29,150 --> 00:02:31,750 What, really? You think so? Have I? 62 00:02:31,750 --> 00:02:34,470 Well, I mean... You know. Yeah. GC...GCSE. 63 00:02:35,710 --> 00:02:38,510 I think why it's extraordinary is look at the fur at 64 00:02:38,510 --> 00:02:41,470 the ends that's fli...flinging off. That was purposeful. 65 00:02:41,470 --> 00:02:44,710 Could it be a vole that's very recently died? 66 00:02:44,710 --> 00:02:47,030 LAUGHING 67 00:02:47,030 --> 00:02:48,830 I thought it was running into a fire. 68 00:02:48,830 --> 00:02:51,230 LAUGHING 69 00:02:51,230 --> 00:02:53,950 It's neither bad nor extraordinary. 70 00:02:53,950 --> 00:02:57,310 Well done, Sophie. Thank you. Thanks. 71 00:02:57,310 --> 00:02:59,630 Nick, what have you brought in? 72 00:02:59,630 --> 00:03:02,550 Well, ah... So this is a picture that I have taken. 73 00:03:02,550 --> 00:03:05,430 And it's a picture of a sign outside of 74 00:03:05,430 --> 00:03:06,910 a church quite near where I live. 75 00:03:06,910 --> 00:03:11,270 And I just find it extraordinary that "teas" is...is so big. 76 00:03:11,270 --> 00:03:12,630 LAUGHING 77 00:03:13,910 --> 00:03:15,550 So it's like, why are they scream... 78 00:03:15,550 --> 00:03:18,470 "TEAS!!" Like, why are they screaming "teas"? 79 00:03:18,470 --> 00:03:21,110 There's a slight raise of voice on "till" and "Sunday", 80 00:03:21,110 --> 00:03:22,510 as well, isn't there? Yeah. Yeah. 81 00:03:22,510 --> 00:03:27,030 St Anne's Church, home-made cream TEAS, 3pm TILL 5pm SUNDAY. SUNDAY. 82 00:03:27,030 --> 00:03:28,310 LAUGHING 83 00:03:28,310 --> 00:03:31,190 Scared the shit out of me, that. Sorry. 84 00:03:31,190 --> 00:03:33,190 LAUGHING It is extraordinary. 85 00:03:33,190 --> 00:03:34,230 Thanks, Greg. 86 00:03:34,230 --> 00:03:35,470 John. Hi, Greg. 87 00:03:35,470 --> 00:03:36,830 Can you beat a shouty sign? 88 00:03:36,830 --> 00:03:39,950 We all work in entertainment in various forms. 89 00:03:39,950 --> 00:03:41,790 And people watching us might think that's a very 90 00:03:41,790 --> 00:03:43,550 glamorous industry. Hmm. 91 00:03:43,550 --> 00:03:47,270 However, my picture was, uh, taken of a comedian called Paul McCaffrey 92 00:03:47,270 --> 00:03:50,510 and captures the true bleakness of being 93 00:03:50,510 --> 00:03:53,550 a travelling comedian better than any image 94 00:03:53,550 --> 00:03:56,190 in the history of civilisation. LAUGHING 95 00:03:56,190 --> 00:03:58,230 Jesus Christ, that's a build-up. 96 00:03:58,230 --> 00:04:01,430 LAUGHING 97 00:04:05,830 --> 00:04:08,510 Oh, my God. I have been in that chair. 98 00:04:08,510 --> 00:04:09,910 LAUGHING 99 00:04:09,910 --> 00:04:13,230 I love that he's being papped in a restaurant. 100 00:04:13,230 --> 00:04:16,070 He's being recognised from a TV show 101 00:04:16,070 --> 00:04:19,870 and the guy taking the picture is sort of unaware of 102 00:04:19,870 --> 00:04:23,630 the moment of complete sort of... 103 00:04:23,630 --> 00:04:26,670 It's a mixture of self-hatred. Yeah. 104 00:04:26,670 --> 00:04:28,150 It's...it's... 105 00:04:28,150 --> 00:04:30,790 ..it's bafflement at how life turned out this way. 106 00:04:30,790 --> 00:04:32,390 Just... Do you know what, when I first saw it, 107 00:04:32,390 --> 00:04:34,750 I didn't even realise that someone had taken that picture 108 00:04:34,750 --> 00:04:37,550 and posted it. I thought it was someone Paul knew. No. 109 00:04:37,550 --> 00:04:41,110 But no, it's a member of the public. LAUGHING 110 00:04:41,110 --> 00:04:43,430 Wow, that's gonna take some beating. Joanne. 111 00:04:43,430 --> 00:04:45,310 You said an extraordinary picture 112 00:04:45,310 --> 00:04:47,790 and I was like, "Mine's more experiential." 113 00:04:47,790 --> 00:04:50,430 Mine's a thought, a movement, an experience. 114 00:04:50,430 --> 00:04:52,790 Ready? Yeah. Ready. Ready for the experience. 115 00:04:52,790 --> 00:04:54,310 I'm gonna turn away and then I'm gonna experience it. 116 00:04:54,310 --> 00:04:56,630 No, you have to look at it to experience it. 117 00:04:56,630 --> 00:04:58,110 LAUGHING 118 00:04:58,110 --> 00:05:00,030 LAUGHTER AND APPLAUSE 119 00:05:00,030 --> 00:05:01,790 LAUGHTER CONTINUES 120 00:05:04,030 --> 00:05:05,870 There, look. Oh, Che, yeah. 121 00:05:05,870 --> 00:05:08,150 LAUGHTER 122 00:05:09,950 --> 00:05:11,350 That's Che Guevara. 123 00:05:11,350 --> 00:05:12,590 I-I know who it is. 124 00:05:13,790 --> 00:05:15,110 On a balloon. Yeah. 125 00:05:16,470 --> 00:05:19,110 I thought it was important to just raise awareness. 126 00:05:19,110 --> 00:05:20,790 Of Che Guevara? Of Che Guevara? 127 00:05:20,790 --> 00:05:22,150 Of Che on a balloon. Yeah. 128 00:05:22,150 --> 00:05:23,550 And if I, if you give me the five points 129 00:05:23,550 --> 00:05:25,870 I will donate my fee to the Cuban revolution. 130 00:05:25,870 --> 00:05:27,830 LAUGHTER 131 00:05:27,830 --> 00:05:29,630 They do have a GoFundMe, I've just found out, 132 00:05:29,630 --> 00:05:31,110 the Cuban revolution. I... 133 00:05:31,110 --> 00:05:32,990 LAUGHTER 134 00:05:32,990 --> 00:05:34,830 What is the political statement you were making? 135 00:05:34,830 --> 00:05:37,230 I'm making the statement that balloons are... 136 00:05:37,230 --> 00:05:38,830 AUDIENCE MEMBER: Inflation. Balloons are pricey, 137 00:05:38,830 --> 00:05:39,990 that's it, inflation! 138 00:05:39,990 --> 00:05:41,910 Inflation. LAUGHTER 139 00:05:41,910 --> 00:05:44,910 APPLAUSE 140 00:05:44,910 --> 00:05:48,350 Actually, you didn't say it had to be extraordinarily good, 141 00:05:48,350 --> 00:05:49,670 you just said extraordinary. 142 00:05:49,670 --> 00:05:51,110 Mine's extraordinarily shite. 143 00:05:51,110 --> 00:05:53,430 Ah. LAUGHTER 144 00:05:53,430 --> 00:05:56,310 APPLAUSE 145 00:05:56,310 --> 00:05:58,150 Hello, Steve. Hello. You all right? 146 00:05:58,150 --> 00:06:00,670 What I've brought in is a photograph of two friends. 147 00:06:00,670 --> 00:06:01,710 Here it is. Ah. 148 00:06:01,710 --> 00:06:04,830 LAUGHTER 149 00:06:04,830 --> 00:06:06,390 SOPHIE: That's terrifying. 150 00:06:06,390 --> 00:06:08,710 STEVE: The gentleman on the right, uh, who, 151 00:06:08,710 --> 00:06:11,430 whose name is, uh, Glug Gravies. 152 00:06:11,430 --> 00:06:12,950 Um, he was a, 153 00:06:12,950 --> 00:06:15,470 a geography teacher who took early retirement. 154 00:06:15,470 --> 00:06:18,670 And then his friend, Alan Hornes, runs a pub quiz. 155 00:06:19,790 --> 00:06:21,430 It is sinister, isn't it? 156 00:06:21,430 --> 00:06:22,950 I mean we're not... 157 00:06:22,950 --> 00:06:27,510 ..we're not great-looking guys with our own faces, 158 00:06:27,510 --> 00:06:30,550 but Jesus Christ. LAUGHTER 159 00:06:30,550 --> 00:06:32,310 You must have thought about it, though. 160 00:06:32,310 --> 00:06:34,270 You... I must have thought about swapping our faces? 161 00:06:34,270 --> 00:06:37,670 Hmm. No. On a long flight all I think about is your torso 162 00:06:37,670 --> 00:06:39,190 and one of my eyes, one of yours, 163 00:06:39,190 --> 00:06:40,790 your legs, my arms 164 00:06:40,790 --> 00:06:42,670 and just see what, you know, see how that works. 165 00:06:42,670 --> 00:06:44,750 LAUGHTER 166 00:06:44,750 --> 00:06:47,390 It's funny, innit, it's a relatively short thing he said to me 167 00:06:47,390 --> 00:06:49,310 and yet I still tuned out halfway through. 168 00:06:49,310 --> 00:06:51,990 LAUGHTER 169 00:06:51,990 --> 00:06:54,830 Sometimes, I just mark on instinct. Hmm. OK. 170 00:06:54,830 --> 00:06:57,550 I, I didn't find Che Guevara's balloon going down 171 00:06:57,550 --> 00:06:59,870 even remotely extraordinary, I'm giving it one point. 172 00:06:59,870 --> 00:07:01,550 I don't like looking at our faces, 173 00:07:01,550 --> 00:07:03,030 even if they're chopped off 174 00:07:03,030 --> 00:07:05,350 and put on the other face, I'm giving that two points. 175 00:07:05,350 --> 00:07:06,990 I think you're perfectly good at art. 176 00:07:06,990 --> 00:07:08,270 All right, thank you, I'll take that. 177 00:07:08,270 --> 00:07:09,630 I'll give you three points. 178 00:07:09,630 --> 00:07:11,630 Shouty teas, four points. 179 00:07:11,630 --> 00:07:14,870 The Paul McCaffrey scream of despair, five points. 180 00:07:14,870 --> 00:07:16,550 OK, well done, John Robins, five points. 181 00:07:16,550 --> 00:07:18,870 APPLAUSE 182 00:07:18,870 --> 00:07:20,750 Right, let's get on with the task proper, shall we? 183 00:07:20,750 --> 00:07:22,110 OK then, Greg. 184 00:07:22,110 --> 00:07:24,470 And get a load of this one, if you can bear it. 185 00:07:32,950 --> 00:07:35,190 DOORBELL RINGS 186 00:07:37,430 --> 00:07:38,790 Alex. Nick Mohammed. 187 00:07:38,790 --> 00:07:40,270 Hi, yes. 188 00:07:40,270 --> 00:07:41,710 Present. Thank you. 189 00:07:45,150 --> 00:07:47,030 Oh, what are you wearing? 190 00:07:47,030 --> 00:07:48,390 My special belt. 191 00:07:50,030 --> 00:07:51,910 Hello. I was hiding. 192 00:07:51,910 --> 00:07:54,710 You were hiding? You look like a sort of action hero. 193 00:07:54,710 --> 00:07:57,110 Or as close to an action hero as you're ever gonna look. 194 00:07:59,030 --> 00:08:01,390 Sophie. Yes. Are you all right? 195 00:08:01,390 --> 00:08:02,870 Just taking precautions. 196 00:08:02,870 --> 00:08:04,390 Right. Oh, God, OK. 197 00:08:05,790 --> 00:08:06,990 Hello. 198 00:08:06,990 --> 00:08:08,230 You wearing a girdle? 199 00:08:09,990 --> 00:08:13,070 Be the most impressive load bearer. 200 00:08:14,430 --> 00:08:18,150 Be the most impressive load bearer. Hmm. 201 00:08:18,150 --> 00:08:20,750 In 15 minutes' time, you must stand on the doormat, 202 00:08:20,750 --> 00:08:22,710 wave with one hand above your head 203 00:08:22,710 --> 00:08:25,190 and give a nice big thumbs up with the other, 204 00:08:25,190 --> 00:08:27,470 whilst bearing the most impressive load. 205 00:08:29,030 --> 00:08:30,990 Right. 206 00:08:30,990 --> 00:08:34,830 Your load must not be touching anything other than you. 207 00:08:34,830 --> 00:08:37,150 Your time starts when Alex interrupts you. 208 00:08:37,150 --> 00:08:38,310 It's called a support belt. 209 00:08:39,350 --> 00:08:40,830 Your time starts when Alex int... 210 00:08:40,830 --> 00:08:41,990 I'm wearing a girdle, Steve. 211 00:08:42,990 --> 00:08:44,990 You're wearing a girdle. 212 00:08:44,990 --> 00:08:47,990 Your time starts when Alex inter.. Good luck with the task! 213 00:08:47,990 --> 00:08:49,550 I've started the clock. Oh, yeah. 214 00:08:50,510 --> 00:08:52,790 Your time starts... 215 00:08:52,790 --> 00:08:53,910 ..when Alex... 216 00:08:53,910 --> 00:08:56,670 ..interrupts you. You. 217 00:08:58,150 --> 00:09:01,350 I-I missed my opportunity. I'm gonna try again. 218 00:09:04,990 --> 00:09:06,790 You have to say something. 219 00:09:08,270 --> 00:09:10,190 I'll have to interrupt you physically. 220 00:09:17,110 --> 00:09:20,670 Does that count? Fair enough, mate. I'm wearing a weightlifter's belt! 221 00:09:23,030 --> 00:09:25,830 A good sign of Alex being an absolute narcissist, I think, 222 00:09:25,830 --> 00:09:28,150 the attention he wanted for wearing that weightlifter's belt. 223 00:09:28,150 --> 00:09:29,710 There's no reason for him to wear it. 224 00:09:29,710 --> 00:09:31,110 He's just going, "Everyone look at me." 225 00:09:31,110 --> 00:09:32,670 Everyone goes, "Oh, he's such a nice guy." 226 00:09:32,670 --> 00:09:33,750 He's not, the guy's a prick. 227 00:09:33,750 --> 00:09:36,750 LAUGHTER Um, OK. 228 00:09:36,750 --> 00:09:38,710 it's all about load bearing, right? 229 00:09:38,710 --> 00:09:41,790 Yeah. We start with a bit of Jo and a bit of So. 230 00:09:41,790 --> 00:09:43,510 OK, well, I suppose I'll take that. 231 00:09:43,510 --> 00:09:44,750 Yeah, yeah. 232 00:09:44,750 --> 00:09:47,070 It's...what's this for, to balance it out? 233 00:09:47,070 --> 00:09:47,990 It's for strong men. 234 00:09:47,990 --> 00:09:49,430 Oh, so can I stick stuff in there? 235 00:09:49,430 --> 00:09:51,110 Do whatever you want, Joanne. 236 00:09:52,510 --> 00:09:54,830 Hmm, what's impressive as a load? 237 00:09:55,910 --> 00:09:57,830 What's an impressive load? 238 00:09:57,830 --> 00:09:59,670 Like, could I wear that around my neck? 239 00:10:01,190 --> 00:10:02,190 No. 240 00:10:09,230 --> 00:10:10,750 Brought the bucket of balls. 241 00:10:10,750 --> 00:10:13,710 I mean, look, to be honest, a lot of this is just looking in that shed 242 00:10:13,710 --> 00:10:16,670 and sort of having a panic attack, isn't it, really? 243 00:10:18,310 --> 00:10:21,310 LAUGHTER Well, well, well. Look at this. 244 00:10:22,710 --> 00:10:27,070 I think it's all about utilising different structures, isn't it, 245 00:10:27,070 --> 00:10:29,310 within your own body. 246 00:10:30,790 --> 00:10:31,950 Are you in pain? 247 00:10:31,950 --> 00:10:33,350 Not at all. 248 00:10:33,350 --> 00:10:34,590 I never felt better. 249 00:10:36,990 --> 00:10:41,590 So I've maximised the load by using the pegging system. 250 00:10:41,590 --> 00:10:43,270 Yeah. But that's a load in itself 251 00:10:43,270 --> 00:10:45,070 and then I've loaded the loader 252 00:10:45,070 --> 00:10:46,510 and then there's some steering wheels 253 00:10:46,510 --> 00:10:48,390 and hula hoops around the neck for balance. 254 00:10:48,390 --> 00:10:50,990 Oh, and a plunger in there somewhere, yeah, look at that. 255 00:10:50,990 --> 00:10:52,150 Lovely. 256 00:10:52,150 --> 00:10:54,430 This is good cos then what I can do 257 00:10:54,430 --> 00:10:58,030 is put the balls on the skirt. 258 00:10:58,030 --> 00:10:59,670 Shall I just pour them in? Yeah. 259 00:10:59,670 --> 00:11:00,870 I'm ready. 260 00:11:04,350 --> 00:11:05,670 Right. 261 00:11:05,670 --> 00:11:08,070 It's quite wet. Yeah, it, it is quite wet, 262 00:11:08,070 --> 00:11:09,510 I wasn't expecting that, were you? 263 00:11:09,510 --> 00:11:10,510 No. 264 00:11:14,790 --> 00:11:16,470 Release. 265 00:11:16,470 --> 00:11:19,110 Oh, no. 266 00:11:19,110 --> 00:11:21,630 WHISTLE BLOWS, DISH CLATTERS 267 00:11:23,470 --> 00:11:25,910 Did anyone...? No-one saw that, did they? 268 00:11:25,910 --> 00:11:28,150 APPLAUSE 269 00:11:31,790 --> 00:11:33,390 Well, interesting. 270 00:11:33,390 --> 00:11:35,710 I-I thought both ladies did what we call on this show 271 00:11:35,710 --> 00:11:36,950 a shed panic. 272 00:11:36,950 --> 00:11:39,270 LAUGHTER 273 00:11:39,270 --> 00:11:41,590 Joanne. Yeah. Did you think it was impressive? 274 00:11:41,590 --> 00:11:42,830 I mean, yeah. Ah. 275 00:11:42,830 --> 00:11:44,150 I clipped all the cutlery 276 00:11:44,150 --> 00:11:45,550 individually onto that pegging thing. 277 00:11:45,550 --> 00:11:46,750 I mean that's the one thing 278 00:11:46,750 --> 00:11:49,110 I would say you did, you did quite well. 279 00:11:49,110 --> 00:11:51,910 Yeah. Aside from that, what I wrote down is, you, 280 00:11:51,910 --> 00:11:55,510 "You look like an old lady who's had a fall into a room of her own tat." 281 00:11:55,510 --> 00:11:57,830 LAUGHTER 282 00:11:57,830 --> 00:12:00,150 This is Sophie and Joanne bearing their impressive loads. 283 00:12:00,150 --> 00:12:02,990 LAUGHTER 284 00:12:02,990 --> 00:12:05,950 If I didn't know what this task was, 285 00:12:05,950 --> 00:12:08,950 I wouldn't say that woman's got an impressive load. 286 00:12:10,910 --> 00:12:12,430 Yeah. I look deranged, I... 287 00:12:12,430 --> 00:12:14,270 Oh, oh. 288 00:12:14,270 --> 00:12:17,270 You, I mean you look like you've done a lot of shouting in a high street. 289 00:12:17,270 --> 00:12:19,590 LAUGHTER 290 00:12:19,590 --> 00:12:22,150 You, Sophie looks like she's turned up to 291 00:12:22,150 --> 00:12:24,750 a beach party that everyone has desperately tried 292 00:12:24,750 --> 00:12:25,870 to stop her finding out about. 293 00:12:25,870 --> 00:12:28,950 LAUGHTER 294 00:12:28,950 --> 00:12:31,350 I mean, it's hard to know which one of these two 295 00:12:31,350 --> 00:12:33,150 you want to turn up l-less. 296 00:12:34,750 --> 00:12:38,230 Both, both of them are saying, "I didn't get any of the WhatsApps." 297 00:12:39,790 --> 00:12:42,110 Have you got some statistics for me? Yes, we did weigh 298 00:12:42,110 --> 00:12:43,190 the amount of load they, 299 00:12:43,190 --> 00:12:44,750 they were bearing. Uh, 300 00:12:44,750 --> 00:12:47,070 Sophie, 13.2kg 301 00:12:47,070 --> 00:12:49,710 versus 5.4 for Joanne, 302 00:12:49,710 --> 00:12:52,310 half of which was the traffic cone. LAUGHTER 303 00:12:52,310 --> 00:12:54,110 Right, who are we gonna see next? 304 00:12:54,110 --> 00:12:56,470 It's time to get a load of Nick and Steve. 305 00:12:57,550 --> 00:12:59,230 Bear an impressive load. 306 00:12:59,230 --> 00:13:00,430 Bear. 307 00:13:00,430 --> 00:13:01,470 Bear. 308 00:13:01,470 --> 00:13:03,470 Bear. Bear. 309 00:13:03,470 --> 00:13:05,030 Got a rare tiger, don't know why. 310 00:13:05,030 --> 00:13:08,190 But it's quite impressive, also it's got a sort of natural... 311 00:13:10,430 --> 00:13:11,670 How heavy is the caravan? 312 00:13:12,750 --> 00:13:14,230 I'm only kidding. 313 00:13:14,230 --> 00:13:16,230 Um, is there some dress-up clothes? 314 00:13:16,230 --> 00:13:17,630 If you go into the secret room. 315 00:13:18,950 --> 00:13:21,670 The secret room. Yeah, it's in the caravan. Ah. 316 00:13:21,670 --> 00:13:24,670 Right, if there's a way of sort of doing kind of. 317 00:13:25,750 --> 00:13:27,350 Have you done this sort of thing before? 318 00:13:27,350 --> 00:13:28,710 No. Right. 319 00:13:28,710 --> 00:13:31,030 Have you found the secret room? Um... 320 00:13:31,030 --> 00:13:32,910 This? Yeah. Oh, my God! 321 00:13:32,910 --> 00:13:36,590 You're kidding! Oh, my God, this is amazing. 322 00:13:36,590 --> 00:13:39,710 NICK GRUNTS Come on, Linda. 323 00:13:39,710 --> 00:13:41,190 Nick. Oh, yeah. 324 00:13:43,150 --> 00:13:44,510 Um, right. 325 00:13:47,270 --> 00:13:50,390 What I'm gonna do is create somebody who's riding the tiger 326 00:13:50,390 --> 00:13:52,790 and the tiger and the person are on my back. 327 00:13:56,830 --> 00:13:58,190 We can do this. 328 00:13:59,510 --> 00:14:00,790 We can do this. 329 00:14:00,790 --> 00:14:02,070 Another six inches, Steve. 330 00:14:02,070 --> 00:14:03,270 It's easy for you to say. 331 00:14:05,550 --> 00:14:09,910 How to do it and still maintain some dignity, 332 00:14:09,910 --> 00:14:11,150 that is the question. 333 00:14:12,310 --> 00:14:13,990 AUDIENCE: Oh! 334 00:14:15,550 --> 00:14:16,550 OK. 335 00:14:18,270 --> 00:14:19,390 Oh, oh, oh. 336 00:14:19,390 --> 00:14:20,430 There you are. 337 00:14:25,910 --> 00:14:27,470 It's quite windy, Steve. Yeah. 338 00:14:30,590 --> 00:14:32,350 How long have I got, Alex? 339 00:14:32,350 --> 00:14:33,550 You've got two minutes, Nick. 340 00:14:34,590 --> 00:14:40,950 We are attempting something that's not been attempted before on UK TV. 341 00:14:45,710 --> 00:14:48,270 APPLAUSE 342 00:14:48,270 --> 00:14:50,550 Oh, you've kept your dignity. Thank you. 343 00:14:58,550 --> 00:15:02,870 CHEERING AND APPLAUSE 344 00:15:02,870 --> 00:15:05,910 Well, Steve, what a...what a showman. 345 00:15:05,910 --> 00:15:09,230 You know what, when I found out there was a secret dressing-up room, 346 00:15:09,230 --> 00:15:11,710 I was that little five-year-old boy again. 347 00:15:11,710 --> 00:15:14,790 And to see you acting like a five-year-old boy was very creepy. 348 00:15:14,790 --> 00:15:16,670 LAUGHTER 349 00:15:16,670 --> 00:15:19,110 One of my favourite moments from the series so far is 350 00:15:19,110 --> 00:15:20,590 the question and answer, 351 00:15:20,590 --> 00:15:22,870 "Have you ever done this before?" "No." 352 00:15:25,950 --> 00:15:28,310 The way you picked that chair up I thought oh, 353 00:15:28,310 --> 00:15:30,710 well he's obviously done street performance or something. 354 00:15:30,710 --> 00:15:32,390 The confidence with which you... 355 00:15:32,390 --> 00:15:34,110 Uh, yeah, I can pick up a chair. 356 00:15:34,110 --> 00:15:35,990 LAUGHTER 357 00:15:35,990 --> 00:15:37,350 You didn't have to wave 358 00:15:37,350 --> 00:15:39,710 and do the thumbs up for any certain length of time but... 359 00:15:39,710 --> 00:15:42,030 Oh, you just had to be able to do it. Very, very briefly, you did it. 360 00:15:42,030 --> 00:15:43,350 Oh, the load was on his chin. Yeah. 361 00:15:43,350 --> 00:15:45,590 LAUGHTER 362 00:15:47,710 --> 00:15:50,310 Right, I'm suspending all joy for a few minutes. 363 00:15:50,310 --> 00:15:52,590 Why? For these adverts. 364 00:15:52,590 --> 00:15:54,550 APPLAUSE 365 00:16:04,160 --> 00:16:05,640 Hello, everybody. 366 00:16:05,640 --> 00:16:08,840 Welcome back to the second part of today's Taskmaster hour. 367 00:16:08,840 --> 00:16:13,240 Yes, and as Darwin said, a man who dares to waste one hour of time 368 00:16:13,240 --> 00:16:16,040 has not discovered the value of life. Whoopsie. 369 00:16:16,040 --> 00:16:19,000 LAUGHTER Our contestants are trying to become 370 00:16:19,000 --> 00:16:21,320 the most impressive load bearers. 371 00:16:21,320 --> 00:16:24,040 We only have one man left to see and his John is Robins. 372 00:16:26,880 --> 00:16:27,880 Oh, I don't mind that. 373 00:16:29,600 --> 00:16:31,640 Have we got any model Gregs around 374 00:16:31,640 --> 00:16:36,120 because it would be quite impressive to have Greg on the old shoulders? 375 00:16:36,120 --> 00:16:37,360 Yeah, I can get you some Gregs. 376 00:16:37,360 --> 00:16:39,040 Yeah, can you get me some Gregs, please. 377 00:16:43,320 --> 00:16:44,800 I've got some little Gregs 378 00:16:44,800 --> 00:16:46,640 and I've got one more big Greg coming. 379 00:16:46,640 --> 00:16:48,960 So, what I'm thinking is... 380 00:16:48,960 --> 00:16:52,120 ..well, it's a classic case of a gutter of Gregs. 381 00:16:52,120 --> 00:16:54,520 LAUGHTER 382 00:16:54,520 --> 00:16:56,120 John. Yes, uh, Alex. 383 00:16:56,120 --> 00:16:58,680 Got a Greg for you. Oh, this is good stuff. 384 00:16:58,680 --> 00:17:00,040 A Greg for your gutter. 385 00:17:00,040 --> 00:17:01,200 This is great. 386 00:17:01,200 --> 00:17:02,800 Greg. This is Greg, sorry. 387 00:17:04,240 --> 00:17:07,400 Ladies and gentlemen, I'm proud to present 388 00:17:07,400 --> 00:17:11,080 the most impressive load ever carried by man or woman, 389 00:17:11,080 --> 00:17:16,520 feast your eyes on the one and only 390 00:17:16,520 --> 00:17:21,600 gutter of Gregs! 391 00:17:21,600 --> 00:17:22,960 Yes. 392 00:17:34,880 --> 00:17:37,680 Ladies and gentlemen, 393 00:17:37,680 --> 00:17:44,120 there is nothing we cannot do with a gutter of Gregs. 394 00:17:44,120 --> 00:17:46,440 WHISTLE BLOWS That's your time up, John. 395 00:17:46,440 --> 00:17:47,920 Thank you, Alex. 396 00:17:47,920 --> 00:17:50,680 Bye-bye. Bye-bye. APPLAUSE 397 00:17:53,160 --> 00:17:55,040 You think that appealing to my ego 398 00:17:55,040 --> 00:17:57,360 is gonna get you points on this show, do you? 399 00:17:57,360 --> 00:17:58,600 Yeah. Very wise. 400 00:17:58,600 --> 00:18:01,040 LAUGHTER 401 00:18:01,040 --> 00:18:03,400 Well, you just have to work out how impressed you are. 402 00:18:03,400 --> 00:18:06,200 So, first of all - Sophie and Joanne, who looked like this. 403 00:18:06,200 --> 00:18:09,920 Yeah. LAUGHTER 404 00:18:09,920 --> 00:18:12,840 And then the three gentlemen, uh, did these things. 405 00:18:12,840 --> 00:18:14,320 SOPHIE: Oh, that's, yeah. We have Nick. 406 00:18:14,320 --> 00:18:15,840 Come on, that looks good. 407 00:18:15,840 --> 00:18:17,720 NICK: Why have they blurred the cow's face out? 408 00:18:17,720 --> 00:18:19,680 LAUGHTER We have Steve. 409 00:18:19,680 --> 00:18:21,960 That doesn't look as good as I remember, Steve. 410 00:18:23,160 --> 00:18:25,120 And then we have John's. 411 00:18:25,120 --> 00:18:26,560 It's a bit much, though, isn't it? 412 00:18:26,560 --> 00:18:27,840 It is. 413 00:18:27,840 --> 00:18:32,440 I'm sorry, Joanne, yours is the least impressive final load. 414 00:18:32,440 --> 00:18:34,240 One to Joanne. Five. 415 00:18:34,240 --> 00:18:36,120 Two points for Sophie. 416 00:18:36,120 --> 00:18:38,480 Three for Steve, the narrative was impressive. OK. 417 00:18:38,480 --> 00:18:41,480 I'm showing humility by giving four points to John, 418 00:18:41,480 --> 00:18:45,040 and I'm sorry - the final image that I found the most impressive 419 00:18:45,040 --> 00:18:47,720 was old snooker cue umbrella chin, and I stand by it. 420 00:18:47,720 --> 00:18:50,120 Five points to Nick Mohammed. Well done. 421 00:18:50,120 --> 00:18:53,040 CHEERING AND APPLAUSE 422 00:18:53,040 --> 00:18:54,120 Can you tell me the scores? 423 00:18:54,120 --> 00:18:56,520 Uh, yes, Sophie and Steve both on five, 424 00:18:56,520 --> 00:18:58,560 John and Nick both on nine! 425 00:18:58,560 --> 00:19:01,480 CHEERING And Joanne is there on two. 426 00:19:04,320 --> 00:19:06,280 What is next, young fellow, m'lad? 427 00:19:06,280 --> 00:19:08,040 Ooh, well, let's just sit back 428 00:19:08,040 --> 00:19:12,360 and have a right laugh watching the Fresh Prince of Mid-Air. 429 00:19:26,480 --> 00:19:28,760 What on Earth is going on in here, then? 430 00:19:30,240 --> 00:19:31,560 Oh! 431 00:19:31,560 --> 00:19:33,280 Oh, that's clever, in't it. 432 00:19:34,800 --> 00:19:36,360 Ooh, yeah. 433 00:19:36,360 --> 00:19:37,480 Wow. 434 00:19:39,360 --> 00:19:41,040 It took me a while to get it just right. 435 00:19:41,040 --> 00:19:42,960 Yeah. 436 00:19:42,960 --> 00:19:44,040 Magic. 437 00:19:44,040 --> 00:19:46,480 Lovely, love it. 438 00:19:46,480 --> 00:19:47,640 Hi, Nick. 439 00:19:47,640 --> 00:19:48,800 Hi, Alex. 440 00:19:48,800 --> 00:19:51,120 Could you turn the hairdryer off? It's a bit noisy. 441 00:19:51,120 --> 00:19:52,400 Yeah, sure. Oh. 442 00:19:54,760 --> 00:19:56,480 That was very good. Yeah? 443 00:19:58,440 --> 00:19:59,840 Oh, I saw that. Pardon? 444 00:19:59,840 --> 00:20:01,360 Cheeky. What do you mean? 445 00:20:01,360 --> 00:20:05,840 The string and the... there was a lot going on there. 446 00:20:05,840 --> 00:20:07,200 Oh, I did it too early. 447 00:20:10,480 --> 00:20:12,800 SHE LAUGHS 448 00:20:12,800 --> 00:20:16,360 Take the most dramatic photo of yourself in mid-air. 449 00:20:16,360 --> 00:20:19,600 You have 15 minutes and may take five photos. 450 00:20:19,600 --> 00:20:21,960 In mid-air? I've never been a good jumper. 451 00:20:23,280 --> 00:20:26,160 Your time starts now. 452 00:20:26,160 --> 00:20:29,520 Well, this is gonna be a health and safety ball ache, isn't it? 453 00:20:29,520 --> 00:20:31,960 The most dramatic photo of yourself. 454 00:20:31,960 --> 00:20:34,320 Do you know what I'd love, is to get, you know, 455 00:20:34,320 --> 00:20:38,360 the hair bands that they wear, the really bad knives to your head? 456 00:20:38,360 --> 00:20:40,720 Do you have to be actually in mid-air 457 00:20:40,720 --> 00:20:43,080 or could you be pretending to levitate? 458 00:20:43,080 --> 00:20:47,600 We've got a hairdryer. We have got a hairdryer. 459 00:20:47,600 --> 00:20:51,960 Ooh. No. Yes, OK. 460 00:20:51,960 --> 00:20:54,960 I've been doing a selfie on the top of a very tall building. 461 00:20:54,960 --> 00:20:59,040 I've fallen and I'm plunging as I'm talking the selfie. 462 00:20:59,040 --> 00:21:01,360 I'll have a wander. Yeah, see what strikes you. 463 00:21:01,360 --> 00:21:02,680 I'll have a wander and a think. 464 00:21:02,680 --> 00:21:05,160 Photo of yourself in the air. 465 00:21:05,160 --> 00:21:09,560 Right I'm gonna have a wander round. Yeah. 466 00:21:09,560 --> 00:21:13,920 Yeah, that hasn't been very helpful, wandering around, really. 467 00:21:13,920 --> 00:21:16,160 APPLAUSE 468 00:21:17,320 --> 00:21:19,400 You got a history of jumping, Sophie? 469 00:21:19,400 --> 00:21:23,040 No, I'm not a great jumper. I'm more of a slut dropper. 470 00:21:23,040 --> 00:21:25,440 I'm very floor-based with my movement, yeah. 471 00:21:25,440 --> 00:21:27,240 OK. Joanne? 472 00:21:27,240 --> 00:21:29,760 I do all my own stunts. Yeah. Oh, wow. 473 00:21:29,760 --> 00:21:35,040 Always have, always will. I enjoy the adrenaline. 474 00:21:35,040 --> 00:21:38,160 Highest you've ever jumped? You know I'm not great on measurements, now. 475 00:21:38,160 --> 00:21:40,080 I'd say like a metre. 476 00:21:40,080 --> 00:21:41,960 Shall we all have a little jump? 477 00:21:41,960 --> 00:21:43,520 Yeah, why not. 478 00:21:43,520 --> 00:21:44,640 Shall we all have a little jump? 479 00:21:44,640 --> 00:21:47,000 Nick, you may as well sit down. No, I'm quite good. 480 00:21:47,000 --> 00:21:49,400 LAUGHTER Genuinely quite good. 481 00:21:49,400 --> 00:21:51,280 Three, two, one, jump. 482 00:21:52,400 --> 00:21:54,320 It was Nick. It was Nick. 483 00:21:54,320 --> 00:21:56,840 It was Nick. Good. Yeah. 484 00:21:56,840 --> 00:21:59,480 I apologise. Can we see them in mid-air? 485 00:21:59,480 --> 00:22:01,840 Well, we're going to see them montaging first of all, 486 00:22:01,840 --> 00:22:04,760 and then we'll see the photos, so enjoy this, Greg. 487 00:22:04,760 --> 00:22:07,480 Right, well, we need to light a fire. We can light a fire. 488 00:22:07,480 --> 00:22:10,520 Good, let's light a fire. 489 00:22:10,520 --> 00:22:13,280 Right, now Alex, I might need a bit of help. 490 00:22:13,280 --> 00:22:15,160 OK. Do you want me to come with you? 491 00:22:15,160 --> 00:22:17,640 Yeah, please, yes. 492 00:22:17,640 --> 00:22:21,160 Now, I've been experimenting with how to get some G-force into my face. 493 00:22:21,160 --> 00:22:22,480 'Course you have. 494 00:22:22,480 --> 00:22:26,880 I thought this would be quite a nice... Huh? 495 00:22:26,880 --> 00:22:29,320 Do you feel.... Yeah. ..G-force on my face? 496 00:22:29,320 --> 00:22:30,920 Horrible. Ah, yeah. 497 00:22:32,000 --> 00:22:33,320 Wow. 498 00:22:33,320 --> 00:22:35,960 It's my big day. How's the day gone? 499 00:22:35,960 --> 00:22:40,320 It started out OK. Things took a turn. Yeah. 500 00:22:40,320 --> 00:22:43,560 One, two, three. Go. 501 00:22:43,560 --> 00:22:45,920 LAUGHTER 502 00:22:48,320 --> 00:22:50,600 Hang on, hang on. 503 00:22:50,600 --> 00:22:52,840 LAUGHTER CONTINUES 504 00:22:58,040 --> 00:22:59,400 Right. 505 00:22:59,400 --> 00:23:00,720 I've got my parachute. 506 00:23:00,720 --> 00:23:01,920 Your what? 507 00:23:01,920 --> 00:23:02,960 My parachute. 508 00:23:05,280 --> 00:23:06,480 Ready? 509 00:23:07,600 --> 00:23:09,160 Good luck. Thank you. 510 00:23:12,760 --> 00:23:14,320 Oh, no, I'm gonna need... 511 00:23:14,320 --> 00:23:16,640 You're gonna need to take me from higher up, Alex. 512 00:23:19,240 --> 00:23:20,720 Oh. 513 00:23:20,720 --> 00:23:22,160 Go! 514 00:23:25,480 --> 00:23:27,720 You've gotta give me some G-force. 515 00:23:31,560 --> 00:23:33,040 Go. 516 00:23:35,920 --> 00:23:39,040 You ready? Here we go. On your marks. Yeah. Go. 517 00:23:46,360 --> 00:23:47,720 Yeah, not bad. 518 00:23:47,720 --> 00:23:49,960 LAUGHTER AND APPLAUSE 519 00:23:51,960 --> 00:23:55,440 Can you justify to me that you were in mid-air, Nick? 520 00:23:55,440 --> 00:23:57,800 You know when you put just a few things in a washing machine 521 00:23:57,800 --> 00:24:00,200 and it's going round quite slow. They sort of... there is a moment 522 00:24:00,200 --> 00:24:01,840 where they sort of suspend, as it's kind of... 523 00:24:01,840 --> 00:24:04,240 Yes, of course they are technically in mid-air, 524 00:24:04,240 --> 00:24:07,240 so that's what you were hoping for. The way I interpreted it... Yes. 525 00:24:07,240 --> 00:24:10,600 ..was I was watching a father of three rammed into some tyres 526 00:24:10,600 --> 00:24:15,760 being pushed into some baked bean cans. I was very tyre-d. 527 00:24:15,760 --> 00:24:20,080 OK, here is Nick dramatically in mid-air. 528 00:24:20,840 --> 00:24:23,080 LAUGHTER 529 00:24:25,880 --> 00:24:29,560 I mean you arguably could, couldn't be less mid-air. 530 00:24:30,960 --> 00:24:33,560 Whose can we see next? Jilted Joanne. 531 00:24:35,960 --> 00:24:38,320 I think you might be back in the game. 532 00:24:38,320 --> 00:24:40,040 Taskmaster's proving to me that I have the creativity of 533 00:24:40,040 --> 00:24:41,200 a wheelie bin. 534 00:24:43,680 --> 00:24:46,960 So, this is a jilted bride on her wedding day. 535 00:24:46,960 --> 00:24:49,800 She's just found out her husband's riding the nanny. 536 00:24:49,800 --> 00:24:51,480 Did you say why she's wearing an eye-patch? 537 00:24:51,480 --> 00:24:54,000 She's just had laser, she's just had laser eye. 538 00:24:54,000 --> 00:24:55,760 ALEX: And that's for the wedding? 539 00:24:55,760 --> 00:24:57,360 On the way to the wedding. 540 00:24:57,360 --> 00:25:00,120 God, she's had a bad day, hasn't he? Exactly. 541 00:25:00,120 --> 00:25:01,520 It's a hell of an image. 542 00:25:01,520 --> 00:25:04,400 If you want to see the rest of their mid-air pictures, you're gonna have 543 00:25:04,400 --> 00:25:07,000 to come back promptly, and if you're off for a poo, 544 00:25:07,000 --> 00:25:08,800 do factor-in the wipe, you never 545 00:25:08,800 --> 00:25:11,120 factor-in wipe time. Go on, off you pop. 546 00:25:11,120 --> 00:25:12,960 LAUGHTER AND APPLAUSE 547 00:25:22,640 --> 00:25:24,480 Hello, and welcome back to another 548 00:25:24,480 --> 00:25:26,520 life-affirming episode of Taskmaster. 549 00:25:26,520 --> 00:25:30,080 We're part way seeing some dramatic mid-air pictures, aren't we, Alex? 550 00:25:30,080 --> 00:25:33,320 Oh, we sure are, and Nick rolled around in some tyres. 551 00:25:33,320 --> 00:25:36,800 The next picture is the one taken by Sophie in mid-air. 552 00:25:36,800 --> 00:25:38,480 I mean, I cannot wait. 553 00:25:41,720 --> 00:25:46,440 APPLAUSE 554 00:25:46,440 --> 00:25:48,800 Was it another shed panic, did you run into...? No, no, 555 00:25:48,800 --> 00:25:51,440 I planned this. I've been wanting to get him in that pigeon head from 556 00:25:51,440 --> 00:25:53,120 the moment I saw him. 557 00:25:53,120 --> 00:25:54,480 People do, people do. Yeah. 558 00:25:55,920 --> 00:25:58,840 And how nice for once that it's 559 00:25:58,840 --> 00:26:02,800 the pigeons themselves that are covered in shit. 560 00:26:02,800 --> 00:26:04,480 All right, who's next? 561 00:26:04,480 --> 00:26:06,800 Do you want to see Robins in flight? 562 00:26:06,800 --> 00:26:07,640 Please. 563 00:26:07,640 --> 00:26:09,680 Bloody hell. NICK: That's great. 564 00:26:09,680 --> 00:26:10,840 That's good. 565 00:26:10,840 --> 00:26:12,360 ALEX: He's been shot out of the cannon. 566 00:26:12,360 --> 00:26:14,120 He's going towards the little bucket of fire. 567 00:26:14,120 --> 00:26:15,240 No eye-patch, though. 568 00:26:15,240 --> 00:26:17,640 LAUGHTER 569 00:26:17,640 --> 00:26:19,080 Did you get in a cannon? 570 00:26:19,080 --> 00:26:20,400 Yes. 571 00:26:21,600 --> 00:26:23,200 You really want this, don't you? 572 00:26:24,920 --> 00:26:26,520 Well, I mean, look at the air. 573 00:26:26,520 --> 00:26:28,400 Look at the air I've got, I'm pleased with that. 574 00:26:28,400 --> 00:26:30,720 You've got nice air. You've got a bucket of fire. 575 00:26:30,720 --> 00:26:31,720 You've got a pretend cannon 576 00:26:31,720 --> 00:26:34,800 and you've got that prick. There's a lot there. 577 00:26:34,800 --> 00:26:36,480 Who's next? The final one - 578 00:26:36,480 --> 00:26:38,760 have a look at Steve Pemberton in mid-air. 579 00:26:40,640 --> 00:26:43,440 STEVE LAUGHS 580 00:26:43,440 --> 00:26:47,200 APPLAUSE 581 00:26:47,200 --> 00:26:49,240 Oh, it's a failed parachute. 582 00:26:49,240 --> 00:26:50,920 It's a failed parachute. 583 00:26:50,920 --> 00:26:53,800 I like the cut rope, that's drama. Yes. 584 00:26:53,800 --> 00:26:56,200 This captures the moment of realisation 585 00:26:56,200 --> 00:26:57,520 that he's going to splat. 586 00:26:57,520 --> 00:26:59,000 SOPHIE: Oh. 587 00:26:59,000 --> 00:27:00,760 STEVE: And you see the, the G-force? 588 00:27:00,760 --> 00:27:03,320 I hoped that they would've painted out the elastic band, which... 589 00:27:04,640 --> 00:27:06,960 You would hope they would've made it look like 590 00:27:06,960 --> 00:27:07,960 you were in mid-air as well. 591 00:27:07,960 --> 00:27:09,920 LAUGHTER 592 00:27:09,920 --> 00:27:11,800 I'll put all five up for you, Greg, 593 00:27:11,800 --> 00:27:14,160 and then you can work out which is the most dramatic mid-air picture. 594 00:27:14,160 --> 00:27:16,080 Oh, Christ. There they are. OK, well, let's... 595 00:27:16,080 --> 00:27:17,480 ..let's deal with Nick first of all. 596 00:27:17,480 --> 00:27:19,440 Right, of course, of course. 597 00:27:19,440 --> 00:27:20,680 LAUGHING: OK. 598 00:27:20,680 --> 00:27:23,040 It looks like a completely different task. 599 00:27:23,040 --> 00:27:25,360 Well, I'm gonna give you one point for that. Thank you. 600 00:27:25,360 --> 00:27:26,280 You're welcome. Thank you. 601 00:27:26,280 --> 00:27:28,320 And then there's got to be a jump up. 602 00:27:28,320 --> 00:27:29,960 I'm gonna give John, 603 00:27:29,960 --> 00:27:32,440 Joanne and Steve four points. 604 00:27:32,440 --> 00:27:34,720 But I'm gonna give that insane 605 00:27:34,720 --> 00:27:36,680 pigeon madness five. 606 00:27:36,680 --> 00:27:39,040 I don't know why, I just think it's the most dramatic 607 00:27:39,040 --> 00:27:40,320 because possibly, 608 00:27:40,320 --> 00:27:41,840 because I'm worried about her state of mind. 609 00:27:41,840 --> 00:27:44,160 But that's, that's the way I'm scoring it. Four, four, four, five. 610 00:27:44,160 --> 00:27:46,720 APPLAUSE 611 00:27:46,720 --> 00:27:49,040 Let's try and squeeze another one in, shall we? 612 00:27:49,040 --> 00:27:50,760 Ooh, er, vicar, isn't it? 613 00:27:52,840 --> 00:27:55,080 One more, then, and it's a tie. 614 00:28:08,680 --> 00:28:10,160 Oh, Jesus. 615 00:28:10,160 --> 00:28:12,080 Hey, Joanne. Hi, Alex. 616 00:28:12,080 --> 00:28:13,240 Wanna have a little lie down? 617 00:28:16,320 --> 00:28:17,920 Ooh. 618 00:28:17,920 --> 00:28:19,120 Hello. 619 00:28:19,120 --> 00:28:21,520 Hello. Oh, hello. Make yourself comfortable. 620 00:28:21,520 --> 00:28:22,960 I shall. 621 00:28:22,960 --> 00:28:24,480 Oh, lovely. 622 00:28:24,480 --> 00:28:26,120 Just nice to have a lay down, isn't it? 623 00:28:26,120 --> 00:28:27,840 Ah, OK. 624 00:28:29,040 --> 00:28:32,400 I'm quite TIE-red. 625 00:28:33,800 --> 00:28:36,160 There goes the task, shall I get it now? 626 00:28:36,160 --> 00:28:37,400 Can you reach? Yeah. 627 00:28:39,640 --> 00:28:40,800 Ah, 628 00:28:40,800 --> 00:28:43,120 and I've got a tie as a bonus. 629 00:28:43,120 --> 00:28:44,680 Ah, this is nice. 630 00:28:44,680 --> 00:28:46,320 JOANNE: Tie yourself to the bed. 631 00:28:46,320 --> 00:28:48,800 Most tied-up person wins. 632 00:28:48,800 --> 00:28:52,240 You must be horizontal whilst in the lab. 633 00:28:52,240 --> 00:28:53,800 If you pull down 634 00:28:53,800 --> 00:28:56,160 the terrible tie, you are disqualified. 635 00:28:56,160 --> 00:28:58,040 Oh, how do I know which is the terrible tie? 636 00:28:58,040 --> 00:28:59,440 Oh, you'll know. 637 00:28:59,440 --> 00:29:02,400 Your time starts now. 638 00:29:02,400 --> 00:29:04,040 Is, is... 639 00:29:04,040 --> 00:29:06,320 ..is going up like that horizontal? 640 00:29:06,320 --> 00:29:07,280 Going up like what? Like that. 641 00:29:07,280 --> 00:29:09,040 Ooh, no, that's not horizontal. Is that horizontal? 642 00:29:09,040 --> 00:29:10,120 No! 643 00:29:10,120 --> 00:29:12,480 So this is horizontal. That's horizontal. 644 00:29:12,480 --> 00:29:14,320 So I need something to help me access. 645 00:29:14,320 --> 00:29:16,320 Just out of reach, Alex. 646 00:29:17,880 --> 00:29:19,800 How the fuck do I take them down? 647 00:29:26,160 --> 00:29:28,720 I sometimes wonder whether you knew that the, 648 00:29:28,720 --> 00:29:31,000 what the show was that you were signing up to. 649 00:29:32,000 --> 00:29:34,720 They said the less you watched it, the better. That's what they said. 650 00:29:34,720 --> 00:29:36,240 They say that to everyone. 651 00:29:36,240 --> 00:29:38,600 You do fairly regularly seem incredulous 652 00:29:38,600 --> 00:29:40,440 about being asked to do things. 653 00:29:41,480 --> 00:29:42,600 Let's just have a look at it. 654 00:29:42,600 --> 00:29:45,200 OK, well, we're gonna start with J&J - 655 00:29:45,200 --> 00:29:49,160 no, not the American multi-national pharmaceutical and medical technologies corporation - 656 00:29:49,160 --> 00:29:51,120 it's Joanne and John. 657 00:29:51,120 --> 00:29:53,920 Can I levit...? I can't... I'd have to levitate myself up. 658 00:29:53,920 --> 00:29:57,400 Uh, if you could levitate horizontally, that'd be perfect. 659 00:29:57,400 --> 00:30:00,840 This is a bad idea. That's not a good idea. 660 00:30:00,840 --> 00:30:03,120 Don't hit yourself in the face with a buckle. 661 00:30:04,120 --> 00:30:05,320 What do you need? 662 00:30:05,320 --> 00:30:06,600 I need the ties. Yeah. 663 00:30:06,600 --> 00:30:08,560 I obviously c... Oh, no, thank you. 664 00:30:09,960 --> 00:30:11,720 Ah, for God's sake. 665 00:30:15,280 --> 00:30:17,560 Ah, thank God. 666 00:30:17,560 --> 00:30:18,920 Here we go. 667 00:30:18,920 --> 00:30:20,640 Doesn't look terrible to me. 668 00:30:20,640 --> 00:30:23,080 This is real '80s dad vibes, isn't it? 669 00:30:23,080 --> 00:30:24,320 Is that tied to the bed? 670 00:30:24,320 --> 00:30:25,800 Yeah. Oh, no. 671 00:30:28,480 --> 00:30:31,240 Some of the ties seem to have prayers on them, Alex. 672 00:30:31,240 --> 00:30:32,280 Is it a prayer? 673 00:30:32,280 --> 00:30:34,160 Why do you think it's a prayer, John? 674 00:30:34,160 --> 00:30:36,640 What else are you going on write on a tie? 675 00:30:36,640 --> 00:30:37,960 Oh, it's Welsh. 676 00:30:37,960 --> 00:30:43,680 HE READS WELSH 677 00:30:47,200 --> 00:30:50,480 This is something from like a really low-end brothel, isn't it? 678 00:30:50,480 --> 00:30:51,840 Hate the low-end ones. 679 00:30:51,840 --> 00:30:54,400 At what point are you gonna start tying yourself together? 680 00:30:54,400 --> 00:30:56,320 Maybe I'll make a start. 681 00:30:56,320 --> 00:30:58,680 It's kind of like a survival course but I, 682 00:30:58,680 --> 00:31:01,160 I'd actually rather drink a jar of piss than do this. 683 00:31:01,160 --> 00:31:03,720 Right, I'll put that down. LAUGHTER 684 00:31:10,320 --> 00:31:12,960 LAUGHTER 685 00:31:12,960 --> 00:31:14,560 Ah, this is good. 686 00:31:17,440 --> 00:31:21,040 I don't know why I stayed the wrong way round for so long! 687 00:31:21,040 --> 00:31:23,840 LAUGHTER 688 00:31:23,840 --> 00:31:25,800 Right, you have still got one minute. 689 00:31:25,800 --> 00:31:27,320 Is that the terrible tie? 690 00:31:27,320 --> 00:31:31,600 SHE ATTEMPTS TO READ WELSH 691 00:31:33,640 --> 00:31:35,240 You've got 20 seconds. 692 00:31:35,240 --> 00:31:38,000 This better not be some snuff movie, now. 693 00:31:38,000 --> 00:31:40,040 WHISTLE BLOWS 694 00:31:40,040 --> 00:31:42,760 Two on the head and one on the wrist, is it? 695 00:31:42,760 --> 00:31:44,400 OK, I'm just gonna just check on the, 696 00:31:44,400 --> 00:31:45,720 on the ties. 697 00:31:50,160 --> 00:31:52,600 You're so mean! Yes, it's tied. 698 00:31:52,600 --> 00:31:54,120 The rest are good, Joanne. 699 00:31:54,120 --> 00:31:56,000 Thanks, John, you seem pretty tied up. 700 00:31:57,280 --> 00:31:59,960 HE LAUGHS This is actually quite tight. 701 00:32:03,720 --> 00:32:06,040 I'll be in my dressing room if anyone needs me. 702 00:32:06,040 --> 00:32:06,920 Right. 703 00:32:10,320 --> 00:32:12,880 I'm so sorry that I can't give extra points for the, 704 00:32:12,880 --> 00:32:14,560 for your exit. 705 00:32:14,560 --> 00:32:16,320 Cos it was really impressive. 706 00:32:16,320 --> 00:32:19,040 They didn't stop me, no-one said they'd untie me. 707 00:32:19,040 --> 00:32:21,520 At one point, you announced that the experience, 708 00:32:21,520 --> 00:32:23,120 uh, was like a low-end brothel. 709 00:32:23,120 --> 00:32:24,800 Yeah. And, uh, at the time you were 710 00:32:24,800 --> 00:32:27,080 a woman tied to a camp bed with one tie. 711 00:32:28,680 --> 00:32:31,760 A lazy brothel of middle-aged men, yeah. 712 00:32:31,760 --> 00:32:34,120 Uh, but she did well. She got a lot of ties on. 713 00:32:34,120 --> 00:32:36,080 Yeah, she tied herself up with 15 ties. 714 00:32:36,080 --> 00:32:37,840 Uh, John was two on the hands, one on the wrist, 715 00:32:37,840 --> 00:32:39,320 and then ten ties all tied together 716 00:32:39,320 --> 00:32:42,440 to make one long tie rope, which went round his middle and his chest. 717 00:32:42,440 --> 00:32:44,000 Good. Who's next? 718 00:32:45,520 --> 00:32:48,120 OK, now it's for a tie between Bolton and Leeds. 719 00:32:48,120 --> 00:32:50,040 Oh. It's Sophie and Nick. 720 00:32:50,040 --> 00:32:52,520 I'm just gonna strategise here first. 721 00:32:52,520 --> 00:32:54,240 OK, how long are you gonna strategise for? 722 00:32:54,240 --> 00:32:56,120 Um, just... 723 00:32:56,120 --> 00:32:57,240 ..just a second. 724 00:32:59,320 --> 00:33:01,280 I thi...I'm, I'm done. 725 00:33:01,280 --> 00:33:03,200 Whilst in the lab, you must be horizontal. 726 00:33:03,200 --> 00:33:05,040 So does that mean that my sort of back 727 00:33:05,040 --> 00:33:06,560 has to be parallel to the floor? 728 00:33:06,560 --> 00:33:08,520 Exactly that. But I could be on all fours, couldn't I? 729 00:33:08,520 --> 00:33:10,800 So that's allowed, isn't it? 730 00:33:10,800 --> 00:33:12,200 That's horizontal. 731 00:33:12,200 --> 00:33:14,520 There's something I've missed, isn't there? 732 00:33:14,520 --> 00:33:16,600 Because this is what you kind of... 733 00:33:16,600 --> 00:33:19,240 ..you know, it's usually how it works, isn't it? 734 00:33:19,240 --> 00:33:21,800 There's something I've missed in the room. 735 00:33:21,800 --> 00:33:25,440 It didn't say I need to use a tie to tie myself to the bed. 736 00:33:25,440 --> 00:33:28,480 That was the trick, whilst in this room. 737 00:33:28,480 --> 00:33:30,000 I've got it, I know what I'm doing. 738 00:33:30,000 --> 00:33:31,440 Make sure you're horizontal. 739 00:33:31,440 --> 00:33:32,760 I'm, I am. Quite a, 740 00:33:32,760 --> 00:33:35,120 quite a fall there, so be careful. Ooh, yeah. 741 00:33:35,120 --> 00:33:37,680 Horizontal, but then as soon as I've left, 742 00:33:37,680 --> 00:33:39,200 I can actually be any... 743 00:33:41,680 --> 00:33:43,080 How long have I got, Greg? 744 00:33:43,080 --> 00:33:45,360 Pardon? Uh, Alex. 745 00:33:45,360 --> 00:33:46,840 No-one's ever called me Greg before. 746 00:33:46,840 --> 00:33:48,120 Ever, in the whole show? 747 00:33:48,120 --> 00:33:50,480 Ever, in the whole show, I've been waiting. Thank you. 748 00:33:50,480 --> 00:33:51,560 Right. 749 00:33:53,280 --> 00:33:54,560 Hello. 750 00:33:55,640 --> 00:33:57,040 Ah, right. 751 00:33:57,040 --> 00:33:58,040 Oh. 752 00:34:00,400 --> 00:34:02,240 Uh, sugar. Um... 753 00:34:04,920 --> 00:34:08,240 I've got a lot of rope and no way of doing it. 754 00:34:08,240 --> 00:34:11,720 Feel like there's something I've not got right here. 755 00:34:11,720 --> 00:34:13,760 Tie yourself to the bed. 756 00:34:13,760 --> 00:34:16,120 You've gotta be horizontal whilst in the lab. 757 00:34:16,120 --> 00:34:17,560 Whilst in the lab? 758 00:34:17,560 --> 00:34:19,160 I can't get out, out now. 759 00:34:19,160 --> 00:34:20,680 You've got three and a half minutes. 760 00:34:27,080 --> 00:34:28,680 And I don't, 761 00:34:28,680 --> 00:34:30,960 but I don't know what this is gaining me. 762 00:34:32,280 --> 00:34:33,680 Um... 763 00:34:35,800 --> 00:34:37,720 I don't think I've done this one right. 764 00:34:37,720 --> 00:34:39,960 LAUGHTER 765 00:34:41,520 --> 00:34:42,960 One minute left. 766 00:34:42,960 --> 00:34:44,760 Yeah. 767 00:34:44,760 --> 00:34:47,160 Thread it through. Thread it through. 768 00:34:47,160 --> 00:34:48,440 Are you threading it through? 769 00:34:48,440 --> 00:34:50,200 Yeah. Through the bed and over me, 770 00:34:50,200 --> 00:34:52,960 so there's no way I'm not roped in here. 771 00:34:52,960 --> 00:34:54,720 Works quite well, actually. 772 00:34:54,720 --> 00:34:57,040 One minute left. Right. Oh, God, quick. 773 00:34:57,040 --> 00:34:57,840 Yeah. 774 00:34:59,680 --> 00:35:01,960 SHE SIGHS, WHISTLE BLOWS 775 00:35:01,960 --> 00:35:03,360 No. Um... 776 00:35:04,560 --> 00:35:06,840 WHISTLE BLOWS 777 00:35:06,840 --> 00:35:09,360 Oh, so close. 778 00:35:09,360 --> 00:35:11,040 So you're still tied to the bed? 779 00:35:11,040 --> 00:35:12,960 Very much, I mean, it's a very efficient tie. 780 00:35:12,960 --> 00:35:14,560 Yeah, too efficient, really. 781 00:35:14,560 --> 00:35:15,880 Ah. 782 00:35:15,880 --> 00:35:17,080 There we go. 783 00:35:18,920 --> 00:35:20,240 Bye then, Nick. 784 00:35:20,240 --> 00:35:21,760 See you later, Alex. 785 00:35:21,760 --> 00:35:23,040 I'll get the door, don't worry. 786 00:35:23,040 --> 00:35:24,040 Yeah. 787 00:35:25,760 --> 00:35:27,800 No, I am stuck now, I think. 788 00:35:27,800 --> 00:35:31,080 LAUGHTER AND APPLAUSE 789 00:35:33,920 --> 00:35:35,640 My favourite moment of both of those 790 00:35:35,640 --> 00:35:37,360 is just hearing Nick's little voice say, 791 00:35:37,360 --> 00:35:39,720 "I don't think I've done this one well." 792 00:35:39,720 --> 00:35:41,160 You can't actually see my face at that point, 793 00:35:41,160 --> 00:35:42,560 but I was crying. 794 00:35:42,560 --> 00:35:44,000 I was actually crying. 795 00:35:44,000 --> 00:35:46,600 Talk me through the strategy. It was quite good, I thought. 796 00:35:46,600 --> 00:35:48,320 I don't think I had one, really. 797 00:35:48,320 --> 00:35:50,640 You went and got a rope. I did. Just crawled about 798 00:35:50,640 --> 00:35:52,120 and got a rope and tied myself up. 799 00:35:52,120 --> 00:35:54,120 Well, don't talk yourself down, you saw what Nick was doing. 800 00:35:54,120 --> 00:35:55,920 Right, yeah, yeah, yeah. 801 00:35:55,920 --> 00:35:58,600 Nick, what was going through your mind when you were 802 00:35:58,600 --> 00:36:01,040 crawling around on the floor with a camp bed strapped to your back? 803 00:36:01,040 --> 00:36:03,560 I felt like a wood louse that had inverted itself 804 00:36:03,560 --> 00:36:05,000 and just couldn't get back. Once I, 805 00:36:05,000 --> 00:36:07,760 once I flipped, I just couldn't, there was nothing I could do. No! 806 00:36:10,200 --> 00:36:14,160 Yeah. But what I'm interested in is why did you flip? 807 00:36:14,160 --> 00:36:16,440 Yeah, well, it's a good question. Yeah, yeah. 808 00:36:17,520 --> 00:36:18,840 That's another part done, 809 00:36:18,840 --> 00:36:20,160 join us for part four, 810 00:36:20,160 --> 00:36:22,800 when one lucky winner has to look happy onstage with 811 00:36:22,800 --> 00:36:25,080 a deflated Che Guevara balloon. 812 00:36:25,080 --> 00:36:26,800 This is primetime, baby. 813 00:36:26,800 --> 00:36:28,800 They can't take the BAFTA off us now! 814 00:36:39,420 --> 00:36:41,780 Hello, welcome back to Taskmaster. 815 00:36:41,780 --> 00:36:43,220 It's the last part of the show 816 00:36:43,220 --> 00:36:45,700 and there is a tricky tie task which needs completing. 817 00:36:45,700 --> 00:36:47,060 That's right, Greg, they're trying 818 00:36:47,060 --> 00:36:50,220 to tie themselves up as best as possible, while lying horizontally. 819 00:36:50,220 --> 00:36:52,580 But if during the process they pull down 820 00:36:52,580 --> 00:36:55,420 the terrible tie, it's all over. 821 00:36:55,420 --> 00:36:57,020 Finally, a man perhaps best known 822 00:36:57,020 --> 00:36:58,740 for his role as Mattis in Free Jimmy, 823 00:36:58,740 --> 00:37:01,420 the 2006 animation which also starred Woody Harrelson, 824 00:37:01,420 --> 00:37:03,060 it's Steve Pemberton. 825 00:37:04,820 --> 00:37:06,460 Oh, now you're talking. 826 00:37:06,460 --> 00:37:08,100 I want to higher the bed. 827 00:37:08,100 --> 00:37:09,740 So if I come off here. 828 00:37:10,940 --> 00:37:15,260 I thought there'd be a way to screw, ah, bollocks. 829 00:37:18,700 --> 00:37:20,980 Is this the horrible one? 830 00:37:20,980 --> 00:37:22,500 Ah, it's something in Welsh. 831 00:37:24,460 --> 00:37:25,940 Come on! 832 00:37:27,980 --> 00:37:32,740 This is like sort of hook-a-duck but with ties 833 00:37:32,740 --> 00:37:34,580 and lying down. 834 00:37:34,580 --> 00:37:37,100 I want different body parts involved. 835 00:37:37,100 --> 00:37:38,700 Oh, thank you, God. 836 00:37:38,700 --> 00:37:41,140 The tie gods are shining down on me. 837 00:37:41,140 --> 00:37:43,380 Oh, thank you. 838 00:37:44,940 --> 00:37:46,260 Yeah. Oh! 839 00:37:48,980 --> 00:37:49,980 Ah. 840 00:37:51,180 --> 00:37:53,180 I can't keep up with the number of ties 841 00:37:53,180 --> 00:37:54,740 the tie gods are giving me. 842 00:37:54,740 --> 00:37:56,780 It's a whole TIE-rade! 843 00:37:56,780 --> 00:37:58,100 Oh. 844 00:37:58,100 --> 00:37:59,460 20 seconds. 845 00:37:59,460 --> 00:38:02,060 OK, I think I'm done. I'll enjoy it now. 846 00:38:02,060 --> 00:38:03,700 Five seconds left. OK. 847 00:38:03,700 --> 00:38:06,180 WHISTLE BLOWS If you could leave the lab now, 848 00:38:06,180 --> 00:38:08,940 that'd be great. LAUGHTER 849 00:38:08,940 --> 00:38:12,340 APPLAUSE ALEX: We left him there. 850 00:38:13,860 --> 00:38:15,740 He was so violent with the mechanism, 851 00:38:15,740 --> 00:38:18,100 he whacked it and he put it off at an angle, so they couldn't, 852 00:38:18,100 --> 00:38:19,940 they had nowhere to go but fall on top of Steve. 853 00:38:19,940 --> 00:38:21,780 And he tied 28 ties. AUDIENCE: Ooh. 854 00:38:21,780 --> 00:38:23,300 Attached himself to the bed. 855 00:38:23,300 --> 00:38:25,340 Each of his fingers was tied up. GREG WHISTLES 856 00:38:25,340 --> 00:38:28,020 Individual fingers, mouth, head, pelvis. 857 00:38:28,020 --> 00:38:31,100 Not through the pelvic bone but... No. No. 858 00:38:31,100 --> 00:38:33,700 I mean, do you wanna win or not? 859 00:38:33,700 --> 00:38:35,100 Um, let's talk about this, 860 00:38:35,100 --> 00:38:37,060 uh, Welsh tie business. They weren't prayers. 861 00:38:37,060 --> 00:38:38,860 No, they were my family mottos. 862 00:38:38,860 --> 00:38:41,180 There's the green one - that's the one that Joanne got 863 00:38:41,180 --> 00:38:42,500 and obviously that says, uh, 864 00:38:42,500 --> 00:38:44,820 "Know what you want and have the confidence to go after it." 865 00:38:44,820 --> 00:38:46,340 That's what I wore on my stag night. 866 00:38:46,340 --> 00:38:47,580 Nice. 867 00:38:47,580 --> 00:38:50,220 Joanne and John both got the yellow one down. 868 00:38:50,220 --> 00:38:52,660 "Don't watch the clock - do what it does. Keep going." 869 00:38:52,660 --> 00:38:54,260 I wore that on my wedding day. 870 00:38:54,260 --> 00:38:56,180 Uh, purple, Steve got the purple one. 871 00:38:56,180 --> 00:38:59,180 Which says, "Whoever is happy will make others happy too." 872 00:38:59,180 --> 00:39:00,980 And then the red tie of course, uh, 873 00:39:00,980 --> 00:39:05,020 my dad's tie which says, "This is the terrible tie." 874 00:39:05,020 --> 00:39:07,340 And that was brought down by Mr Steve Pemberton. 875 00:39:07,340 --> 00:39:09,980 AUDIENCE: Aw. 876 00:39:09,980 --> 00:39:12,620 Of all the ties to rain down on me. 877 00:39:12,620 --> 00:39:14,060 Poor Steve is out. 878 00:39:14,060 --> 00:39:15,540 I liked Sophie's attempt 879 00:39:15,540 --> 00:39:18,060 and I thought the rope was impressive, so I'm going to reward it. 880 00:39:18,060 --> 00:39:19,740 Woo. Most tied-up person wins. 881 00:39:19,740 --> 00:39:21,260 She was the most tied-up person. 882 00:39:21,260 --> 00:39:23,620 Yes. And then we'll do it according to the amount of ties. 883 00:39:23,620 --> 00:39:25,180 That were used. OK, well it's two points to Nick, 884 00:39:25,180 --> 00:39:26,580 three to John, four to Joanne, 885 00:39:26,580 --> 00:39:28,340 five points to Sophie Willan! 886 00:39:33,340 --> 00:39:34,740 Can we have a look at the scores? 887 00:39:34,740 --> 00:39:36,020 Yes, Sophie's got a chance of winning, 888 00:39:36,020 --> 00:39:38,340 she's on 15, John is on the top with 16 points. 889 00:39:38,340 --> 00:39:39,580 Wow, still ahead. 890 00:39:39,580 --> 00:39:42,180 APPLAUSE 891 00:39:42,180 --> 00:39:43,780 She's in with a shot. 892 00:39:44,980 --> 00:39:46,540 All right, well, here we are. 893 00:39:46,540 --> 00:39:47,780 Make your way to the stage, 894 00:39:47,780 --> 00:39:48,980 final task of the show! 895 00:39:48,980 --> 00:39:51,300 APPLAUSE 896 00:39:55,380 --> 00:39:57,020 What's cooking, good-looking? 897 00:39:57,020 --> 00:39:58,780 Who's reading the task out? 898 00:39:58,780 --> 00:40:01,100 Uh, I think Steve Pemberton's going to read this one out. 899 00:40:01,100 --> 00:40:02,140 Is he? Oh, yes. 900 00:40:03,860 --> 00:40:06,180 Park a vehicle in the parking bay. 901 00:40:06,180 --> 00:40:09,540 Your vehicle must be rolled whilst standing on the spot, 902 00:40:09,540 --> 00:40:12,340 and the worst parker each round, is eliminated. 903 00:40:12,340 --> 00:40:14,060 It's a parking challenge. 904 00:40:14,060 --> 00:40:16,060 We have four parking bays there. 905 00:40:16,060 --> 00:40:18,660 So in round one, you've gotta try to park one of these vehicles 906 00:40:18,660 --> 00:40:20,300 in parking space number one. 907 00:40:20,300 --> 00:40:22,220 So you can now write down what order 908 00:40:22,220 --> 00:40:24,100 you want to park your vehicles. 909 00:40:24,100 --> 00:40:26,420 As always happens in this show, Greg, 910 00:40:26,420 --> 00:40:28,180 the person in the lead goes first. 911 00:40:28,180 --> 00:40:31,340 On this occasion it's John. So, John, you have selected the car. 912 00:40:31,340 --> 00:40:33,780 Yeah. You must stay on the gold circle. 913 00:40:33,780 --> 00:40:36,220 You're aiming for parking bay number one. 914 00:40:36,220 --> 00:40:37,620 John, park that car. 915 00:40:41,020 --> 00:40:44,460 AUDIENCE: Ooh. APPLAUSE 916 00:40:44,460 --> 00:40:46,260 Not a bad start. 917 00:40:46,260 --> 00:40:49,340 He's popped into two. LAUGHTER 918 00:40:49,340 --> 00:40:51,220 Right, it's Sophie next. 919 00:40:51,220 --> 00:40:54,020 Bring your little version of yourself with you. 920 00:40:54,020 --> 00:40:56,300 That's lovely. LAUGHTER 921 00:40:58,340 --> 00:41:01,180 No. No, it's gone too far, fuck! 922 00:41:03,180 --> 00:41:05,500 APPLAUSE Not too bad, it's not a disaster. 923 00:41:05,500 --> 00:41:06,900 It, it is a bit, let's be honest. 924 00:41:06,900 --> 00:41:09,180 It's not great. 925 00:41:09,180 --> 00:41:11,060 Nick, you're up next. I'm third. 926 00:41:11,060 --> 00:41:12,620 And you've selected the buggy. 927 00:41:12,620 --> 00:41:15,740 Yes. You've just, you can just slot your little legs. 928 00:41:15,740 --> 00:41:17,500 My own or...? Well, either's fine. 929 00:41:21,580 --> 00:41:23,140 AUDIENCE: Ooh. 930 00:41:23,140 --> 00:41:24,460 Very clever. 931 00:41:25,620 --> 00:41:27,940 He's definitely made it through to round two, I can tell you that. 932 00:41:27,940 --> 00:41:30,740 Yeah, well done. 933 00:41:30,740 --> 00:41:32,340 OK, Joanne McNally, you're up next. OK. 934 00:41:32,340 --> 00:41:33,860 You have chosen the horse. Yeah. 935 00:41:35,900 --> 00:41:38,220 Oh, ooh. Go on! 936 00:41:38,220 --> 00:41:40,540 It's safe, she is safely through. Well done. 937 00:41:40,540 --> 00:41:42,820 APPLAUSE 938 00:41:42,820 --> 00:41:44,780 Right, finally it's Steve Pemberton. 939 00:41:44,780 --> 00:41:46,460 What have you selected first of all? 940 00:41:46,460 --> 00:41:48,740 I've selected the trolley. 941 00:41:48,740 --> 00:41:50,140 OK. 942 00:41:53,100 --> 00:41:54,420 Yeah. Ooh. 943 00:41:54,420 --> 00:41:56,820 Is it enough? Let's have a look. 944 00:41:56,820 --> 00:42:00,580 Arguably, Sophie's only chance at winning an episode... 945 00:42:00,580 --> 00:42:02,900 ..has just been dashed against the rocks. 946 00:42:02,900 --> 00:42:04,180 Fine. 947 00:42:04,180 --> 00:42:06,020 Unfortunately, Sophie, you've been eliminated in round one. 948 00:42:06,020 --> 00:42:07,100 Have I? And I must... 949 00:42:07,100 --> 00:42:09,460 ..I must take small Sophie away from you. 950 00:42:09,460 --> 00:42:11,780 No. Yeah. LAUGHTER 951 00:42:11,780 --> 00:42:13,380 Oh. Sit on the bench of shame. 952 00:42:15,660 --> 00:42:17,660 Sit on the what? The bench of shame. 953 00:42:17,660 --> 00:42:19,580 Right, round two. It is sad. John, you're up first. 954 00:42:19,580 --> 00:42:22,580 You've picked the trolley, so if you wanna mount the trolley. 955 00:42:29,740 --> 00:42:32,660 This is aiming for number two, of course. 956 00:42:32,660 --> 00:42:35,660 Gosh, yeah. Oh. 957 00:42:35,660 --> 00:42:38,300 It's hard to get the balance right with that trolley. 958 00:42:38,300 --> 00:42:39,300 Yeah. 959 00:42:41,220 --> 00:42:42,580 Parking bay two. 960 00:42:42,580 --> 00:42:44,140 Nick also with the trolley. 961 00:42:46,460 --> 00:42:47,700 Oh, God. Confident. 962 00:42:47,700 --> 00:42:50,340 Bold. My, God. Oh! 963 00:42:50,340 --> 00:42:53,900 APPLAUSE 964 00:42:56,140 --> 00:42:58,620 That was electric. 965 00:42:58,620 --> 00:43:00,980 Joanne, you've selected the car. 966 00:43:00,980 --> 00:43:03,340 And do you remember what happened the first time the car was used? 967 00:43:03,340 --> 00:43:04,900 It went too far. 968 00:43:04,900 --> 00:43:06,020 So what are you gonna do? 969 00:43:07,260 --> 00:43:08,460 I'm gonna win, Alex. 970 00:43:08,460 --> 00:43:10,740 LAUGHTER 971 00:43:10,740 --> 00:43:13,380 AUDIENCE MEMBER SCREAMS 972 00:43:15,100 --> 00:43:16,660 Ah. 973 00:43:16,660 --> 00:43:18,340 I fucked up. AUDIENCE: Aw. 974 00:43:18,340 --> 00:43:20,780 JOHN: I've gotta say, despite being in the drop zone, 975 00:43:20,780 --> 00:43:21,940 I didn't wanna see that. 976 00:43:23,700 --> 00:43:25,380 Steve, you're up. What have you chosen? 977 00:43:25,380 --> 00:43:26,700 I've chosen the buggy. 978 00:43:28,380 --> 00:43:30,860 You step on that board I'm gonna come up there like a windmill. 979 00:43:35,300 --> 00:43:36,980 Oh, that's lovely. This is looking good. 980 00:43:36,980 --> 00:43:39,300 Yeah, that is lovely. 981 00:43:39,300 --> 00:43:41,580 Woo! APPLAUSE 982 00:43:43,500 --> 00:43:45,460 And that is how you park a child. 983 00:43:47,020 --> 00:43:48,580 Joanne's out. Tragic. 984 00:43:51,060 --> 00:43:53,620 OK, it's the penultimate round. 985 00:43:53,620 --> 00:43:57,540 John Robins, again, up first. Picked the horse. 986 00:43:57,540 --> 00:43:59,860 So, John, you're aiming for parking bay number three, of course. 987 00:43:59,860 --> 00:44:01,060 OK. 988 00:44:03,340 --> 00:44:04,820 Oh, my God. 989 00:44:07,700 --> 00:44:09,940 It's very level, it's very level. 990 00:44:13,220 --> 00:44:15,540 OK it's, uh, Nick Mohammed, what are you going with? 991 00:44:15,540 --> 00:44:16,780 I'm going with horse as well. 992 00:44:16,780 --> 00:44:19,100 Oh, really, well you've seen how to do it. 993 00:44:19,100 --> 00:44:20,140 Good luck, Nick. 994 00:44:23,820 --> 00:44:24,820 Oh! 995 00:44:26,460 --> 00:44:29,220 APPLAUSE 996 00:44:34,060 --> 00:44:35,780 I think I'm out. 997 00:44:35,780 --> 00:44:38,380 Well, there's still Steve, he just needs to not do that. 998 00:44:39,820 --> 00:44:42,180 The slightest shove will do it, Steve. What have you picked? 999 00:44:42,180 --> 00:44:44,500 I've got horse as well. John, any advice on the horse? 1000 00:44:44,500 --> 00:44:45,980 Just whack it right off the end. 1001 00:44:45,980 --> 00:44:46,980 Whack it. 1002 00:44:50,020 --> 00:44:51,660 Ooh. Really good. 1003 00:44:51,660 --> 00:44:54,140 Oh, good stuff. You've made it through to round three, well done. 1004 00:44:54,140 --> 00:44:56,460 APPLAUSE 1005 00:44:56,460 --> 00:44:58,340 Greg, I'm afraid we have to say goodbye to Nick Mohammed. 1006 00:44:59,580 --> 00:45:03,940 APPLAUSE 1007 00:45:03,940 --> 00:45:06,380 OK, so it's Pemberton versus Robins, 1008 00:45:06,380 --> 00:45:08,860 and it's been a theme of the series so far. 1009 00:45:08,860 --> 00:45:12,100 In the final round, you both push at the same time. 1010 00:45:12,100 --> 00:45:14,620 Oh, a twist! 1011 00:45:14,620 --> 00:45:16,900 Yes. Oh, my God. 1012 00:45:16,900 --> 00:45:18,420 This to the glue factory now? 1013 00:45:20,020 --> 00:45:21,780 Get in your vehicles, guys. 1014 00:45:21,780 --> 00:45:23,500 Clear the Knappett. 1015 00:45:23,500 --> 00:45:25,140 Oh, that's lovely to see. 1016 00:45:26,340 --> 00:45:28,980 APPLAUSE 1017 00:45:28,980 --> 00:45:30,780 So you must roll on the whistle. 1018 00:45:30,780 --> 00:45:32,060 I am genuinely excited. 1019 00:45:33,420 --> 00:45:35,740 Three, two, one. 1020 00:45:35,740 --> 00:45:37,460 WHISTLE BLOWS Ooh. 1021 00:45:37,460 --> 00:45:38,740 Oh, my God. 1022 00:45:41,380 --> 00:45:43,660 Pemberton! 1023 00:45:43,660 --> 00:45:45,460 Pemberton takes it! 1024 00:45:53,940 --> 00:45:58,020 That is classic Pemberton. LAUGHTER 1025 00:45:58,020 --> 00:45:59,980 Well done, we'll add that to your final scores, 1026 00:45:59,980 --> 00:46:01,380 come down and join me, well done. 1027 00:46:01,380 --> 00:46:03,980 APPLAUSE 1028 00:46:08,340 --> 00:46:10,180 Tell you what, Pemberton can park. 1029 00:46:10,180 --> 00:46:12,020 It's not me, it's the little guy. 1030 00:46:12,020 --> 00:46:15,620 I have totted-up the scores now, Greg, 1031 00:46:15,620 --> 00:46:17,980 and those five points for Pemberton... 1032 00:46:17,980 --> 00:46:20,340 ..have very little bearing on the final scores because 1033 00:46:20,340 --> 00:46:22,660 the third episode in a row has been won 1034 00:46:22,660 --> 00:46:23,620 by Mr John Robins! 1035 00:46:23,620 --> 00:46:25,500 Oh, gosh. 1036 00:46:25,500 --> 00:46:28,100 APPLAUSE 1037 00:46:28,100 --> 00:46:30,500 John Robins wins! 1038 00:46:30,500 --> 00:46:33,980 Please pick up your extraordinary pictures! 1039 00:46:36,340 --> 00:46:40,020 So, what have we learnt from today's show? 1040 00:46:40,020 --> 00:46:43,220 Well, we all know that life has its ups and its downs. 1041 00:46:43,220 --> 00:46:44,900 Everybody has their struggles, 1042 00:46:44,900 --> 00:46:46,620 but whatever you've been through, 1043 00:46:46,620 --> 00:46:48,940 whatever you're going through, do remember... 1044 00:46:48,940 --> 00:46:51,620 ..things could always be worse. 1045 00:46:51,620 --> 00:46:53,900 LAUGHTER 1046 00:46:53,900 --> 00:46:57,060 That's us halfway through the series 1047 00:46:57,060 --> 00:47:00,700 and this is your champion of the night, Mr John Robins! 1048 00:47:00,700 --> 00:47:04,020 CHEERING AND APPLAUSE 1049 00:47:20,660 --> 00:47:23,620 Subtitles by Red Bed Media