1
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{\an1}POP
2
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{\an2}Well, well, well.
3
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{\an2}Ooh! Oh, no, no.
4
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{\an2}Yes! Ah!
5
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{\an1}SHE HISSES, BELL RINGS
6
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{\an2}This programme contains strong
language and adult humour
7
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{\an2}Ah!
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{\an2}Um...
9
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{\an2}Quite windy today. Yeah.
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{\an2}Christ.
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{\an2}Ooh! Wrong way.
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{\an2}That's how you do it, baby.
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{\an2}OK.
14
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{\an2}Oh, my God!
15
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{\an2}Ah! Ah! Ah! Ooh!
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{\an1}SHE BABBLES
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{\an1}CHEERING AND APPLAUSE
18
00:00:34,680 --> 00:00:39,040
{\an2}Hi, hello, welcome.
Welcome to Taskmaster.
19
00:00:39,080 --> 00:00:41,960
{\an2}A show that if my social media
communications are anything
20
00:00:42,000 --> 00:00:46,120
{\an2}to go by, attracts sociopathic nerds
who mistakenly believe they have
21
00:00:46,160 --> 00:00:48,480
{\an2}the right to reply.
LAUGHING
22
00:00:48,520 --> 00:00:50,760
{\an2}As do the following five
task titans.
23
00:00:50,800 --> 00:00:53,920
{\an2}Please welcome Joanne McNally...
CHEERING AND APPLAUSE
24
00:00:53,960 --> 00:00:55,760
{\an2}..John Robins...
CHEERING AND APPLAUSE
25
00:00:55,800 --> 00:00:57,800
{\an2}..Nick Mohammed...
CHEERING AND APPLAUSE
26
00:00:57,840 --> 00:00:59,880
{\an2}..Sophie Willan...
CHEERING AND APPLAUSE
27
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{\an2}..and Steve Pemberton!
CHEERING AND APPLAUSE
28
00:01:03,160 --> 00:01:07,360
{\an2}And next to me, a man who on
a night out recently confided in me
29
00:01:07,400 --> 00:01:11,000
{\an2}about his theory that strength
of regional accent is
30
00:01:11,040 --> 00:01:13,960
{\an2}directly related to
lack of intelligence.
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00:01:14,000 --> 00:01:16,440
{\an1}LAUGHING
32
00:01:16,480 --> 00:01:18,720
{\an2}Don't shoot the messenger...
LAUGHING
33
00:01:18,760 --> 00:01:20,760
{\an2}..shoot little Alex Horne!
34
00:01:20,800 --> 00:01:23,240
{\an1}CHEERING AND APPLAUSE
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{\an2}It's an opinion, it's just an
opinion.
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00:01:25,880 --> 00:01:27,760
{\an2}Hello, Greg. Hello, there.
37
00:01:27,800 --> 00:01:29,520
{\an2}So I wanna...I wanna talk about
something quite,
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00:01:29,560 --> 00:01:31,800
{\an2}uh, grown-up. A bit...a bit of
adult stuff.
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00:01:33,240 --> 00:01:36,280
{\an2}So sorry but what...what's that
under there? Hmm.
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00:01:36,320 --> 00:01:37,800
{\an2}Greg, what's that under there?
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00:01:37,840 --> 00:01:40,680
{\an2}Where? W...no, what's that under
there?
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00:01:40,720 --> 00:01:43,760
{\an2}Under where? Ah! Underwear.
She said underwear.
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00:01:43,800 --> 00:01:47,480
{\an2}She...she said underwear. Huh? Yeah?
APPLAUSE
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{\an2}I like that.
45
00:01:49,120 --> 00:01:50,680
{\an2}Shall we have the prize task?
46
00:01:50,720 --> 00:01:52,000
{\an2}We shall see a prize task,
47
00:01:52,040 --> 00:01:54,160
{\an2}and things are gonna get hot
in here,
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{\an2}because we're gonna get to see
their most extraordinary pictures.
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00:01:57,680 --> 00:02:00,240
{\an2}Five points for the picture Greg
thinks is the most extraordinary,
50
00:02:00,280 --> 00:02:03,080
{\an2}and one lucky winner will take home
five extraordinary pictures.
51
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{\an2}Hello, Sophie. Oh, hello.
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00:02:04,440 --> 00:02:07,320
{\an2}What extra-ordinary picture have you
brought me?
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00:02:07,360 --> 00:02:11,000
{\an2}I've set up a little studio in me
dressing room. And I made you this.
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00:02:11,040 --> 00:02:13,960
{\an2}LAUGHING
Aww, that's great.It's good!
55
00:02:14,000 --> 00:02:15,440
{\an2}It's the dancing vole!
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00:02:15,480 --> 00:02:16,640
{\an2}From episode one.
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{\an2}I think that's great. Really?
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00:02:18,200 --> 00:02:20,640
{\an2}Well, let me give you a different
take on it, Nick.
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{\an2}Why is it extraordinary? I mean
it's extraordinary
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{\an2}to discover that you've got some
level of ability at art.
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{\an2}What, really? You think so? Have I?
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00:02:29,960 --> 00:02:32,720
{\an2}Well, I mean... You know. Yeah.
GC...GCSE.
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00:02:33,920 --> 00:02:36,680
{\an2}I think why it's extraordinary is
look at the fur at
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00:02:36,720 --> 00:02:39,640
{\an2}the ends that's fli...flinging off.
That was purposeful.
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00:02:39,680 --> 00:02:42,920
{\an2}Could it be a vole that's very
recently died?
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00:02:42,960 --> 00:02:45,160
{\an1}LAUGHING
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00:02:45,200 --> 00:02:47,040
{\an2}I thought it was
running into a fire.
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00:02:47,080 --> 00:02:49,440
{\an1}LAUGHING
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00:02:49,480 --> 00:02:52,120
{\an2}It's neither bad nor extraordinary.
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00:02:52,160 --> 00:02:55,520
{\an2}Well done, Sophie. Thank you.
Thanks.
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00:02:55,560 --> 00:02:57,760
{\an2}Nick, what have you brought in?
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00:02:57,800 --> 00:03:00,720
{\an2}Well, ah... So this is a picture
that I have taken.
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00:03:00,760 --> 00:03:03,640
{\an2}And it's a picture of
a sign outside of
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{\an2}a church quite near where I live.
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00:03:05,120 --> 00:03:09,400
{\an2}And I just find it extraordinary
that "teas" is...is so big.
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00:03:09,440 --> 00:03:10,880
{\an1}LAUGHING
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00:03:12,160 --> 00:03:13,720
{\an2}So it's like, why are they scream...
78
00:03:13,760 --> 00:03:16,640
{\an2}"TEAS!!" Like, why are they
screaming "teas"?
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00:03:16,680 --> 00:03:19,320
{\an2}There's a slight raise of voice on
"till" and "Sunday",
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00:03:19,360 --> 00:03:20,680
{\an2}as well, isn't there? Yeah. Yeah.
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00:03:20,720 --> 00:03:25,240
{\an2}St Anne's Church, home-made cream
TEAS, 3pm TILL 5pm SUNDAY. SUNDAY.
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00:03:25,280 --> 00:03:26,480
{\an1}LAUGHING
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00:03:26,520 --> 00:03:29,360
{\an2}Scared the shit out of me,
that. Sorry.
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00:03:29,400 --> 00:03:31,400
{\an2}LAUGHING
It is extraordinary.
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00:03:31,440 --> 00:03:32,440
{\an2}Thanks, Greg.
86
00:03:32,480 --> 00:03:33,680
{\an2}John. Hi, Greg.
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00:03:33,720 --> 00:03:35,000
{\an2}Can you beat a shouty sign?
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00:03:35,040 --> 00:03:38,120
{\an2}We all work in entertainment in
various forms.
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00:03:38,160 --> 00:03:40,000
{\an2}And people watching us might think
that's a very
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00:03:40,040 --> 00:03:41,720
{\an2}glamorous industry. Hmm.
91
00:03:41,760 --> 00:03:45,440
{\an2}However, my picture was, uh, taken
of a comedian called Paul McCaffrey
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00:03:45,480 --> 00:03:48,680
{\an2}and captures the true bleakness
of being
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00:03:48,720 --> 00:03:51,720
{\an2}a travelling comedian better than
any image
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00:03:51,760 --> 00:03:54,400
{\an2}in the history of civilisation.
LAUGHING
95
00:03:54,440 --> 00:03:56,440
{\an2}Jesus Christ, that's a build-up.
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00:03:56,480 --> 00:03:59,680
{\an1}LAUGHING
97
00:04:04,040 --> 00:04:06,720
{\an2}Oh, my God.
I have been in that chair.
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00:04:06,760 --> 00:04:08,080
{\an1}LAUGHING
99
00:04:08,120 --> 00:04:11,440
{\an2}I love that he's being papped in
a restaurant.
100
00:04:11,480 --> 00:04:14,240
{\an2}He's being recognised from a TV show
101
00:04:14,280 --> 00:04:18,080
{\an2}and the guy taking
the picture is sort of unaware of
102
00:04:18,120 --> 00:04:21,840
{\an2}the moment of complete sort of...
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00:04:21,880 --> 00:04:24,880
{\an2}It's a mixture of self-hatred. Yeah.
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00:04:24,920 --> 00:04:26,320
{\an2}It's...it's...
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00:04:26,360 --> 00:04:28,960
{\an2}..it's bafflement at how life turned
out this way.
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00:04:29,000 --> 00:04:30,560
{\an2}Just... Do you know what, when
I first saw it,
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{\an2}I didn't even realise that someone
had taken that picture
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{\an2}and posted it. I thought it was
someone Paul knew. No.
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00:04:35,760 --> 00:04:39,280
{\an1}But no, it's a member of the public.
LAUGHING
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00:04:39,320 --> 00:04:41,600
{\an2}Wow, that's gonna take some
beating. Joanne.
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00:04:41,640 --> 00:04:43,480
{\an2}You said an extraordinary picture
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00:04:43,520 --> 00:04:45,960
{\an2}and I was like, "Mine's
more experiential."
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{\an2}Mine's a thought,
a movement, an experience.
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{\an2}Ready? Yeah. Ready.
Ready for the experience.
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00:04:50,960 --> 00:04:52,480
{\an2}I'm gonna turn away
and then I'm gonna experience it.
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00:04:52,520 --> 00:04:54,600
{\an2}No, you have to look at it to
experience it.
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00:04:54,640 --> 00:04:56,320
{\an1}LAUGHING
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00:04:56,360 --> 00:04:58,240
{\an1}LAUGHTER AND APPLAUSE
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00:04:58,280 --> 00:05:00,040
{\an1}LAUGHTER CONTINUES
120
00:05:02,160 --> 00:05:04,080
{\an2}There, look. Oh, Che, yeah.
121
00:05:04,120 --> 00:05:06,400
{\an1}LAUGHTER
122
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{\an2}That's Che Guevara.
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00:05:09,600 --> 00:05:10,840
{\an2}I-I know who it is.
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00:05:12,040 --> 00:05:13,360
{\an2}On a balloon. Yeah.
125
00:05:14,680 --> 00:05:17,320
{\an2}I thought it was important
to just raise awareness.
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00:05:17,360 --> 00:05:19,000
{\an2}Of Che Guevara? Of Che Guevara?
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00:05:19,040 --> 00:05:20,320
{\an2}Of Che on a balloon. Yeah.
128
00:05:20,360 --> 00:05:21,720
{\an2}And if I, if you give me the five
points
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00:05:21,760 --> 00:05:23,960
{\an2}I will donate my fee to
the Cuban revolution.
130
00:05:24,000 --> 00:05:26,000
{\an1}LAUGHTER
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00:05:26,040 --> 00:05:27,840
{\an2}They do have a GoFundMe, I've just
found out,
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00:05:27,880 --> 00:05:29,320
{\an2}the Cuban revolution. I...
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00:05:29,360 --> 00:05:31,160
{\an1}LAUGHTER
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00:05:31,200 --> 00:05:33,000
{\an2}What is the political statement you
were making?
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00:05:33,040 --> 00:05:35,400
{\an2}I'm making the statement that
balloons are...
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00:05:35,440 --> 00:05:37,040
{\an2}AUDIENCE MEMBER: Inflation.
Balloons are pricey,
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00:05:37,080 --> 00:05:38,160
{\an2}that's it, inflation!
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00:05:38,200 --> 00:05:40,120
{\an2}Inflation.
LAUGHTER
139
00:05:40,160 --> 00:05:43,080
{\an1}APPLAUSE
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00:05:43,120 --> 00:05:46,560
{\an2}Actually, you didn't say it had
to be extraordinarily good,
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00:05:46,600 --> 00:05:47,880
{\an2}you just said extraordinary.
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00:05:47,920 --> 00:05:49,280
{\an2}Mine's extraordinarily shite.
143
00:05:49,320 --> 00:05:51,360
{\an2}Ah.
LAUGHTER
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00:05:51,400 --> 00:05:54,520
{\an1}APPLAUSE
145
00:05:54,560 --> 00:05:56,320
{\an2}Hello, Steve. Hello. You all right?
146
00:05:56,360 --> 00:05:58,880
{\an2}What I've brought in is
a photograph of two friends.
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00:05:58,920 --> 00:05:59,920
{\an2}Here it is. Ah.
148
00:05:59,960 --> 00:06:03,040
{\an1}LAUGHTER
149
00:06:03,080 --> 00:06:04,560
{\an8}SOPHIE: That's terrifying.
150
00:06:04,600 --> 00:06:06,720
{\an8}STEVE: The gentleman on the right,
uh, who,
151
00:06:06,760 --> 00:06:09,640
{\an2}whose name is, uh, Glug Gravies.
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00:06:09,680 --> 00:06:11,120
{\an2}Um, he was a,
153
00:06:11,160 --> 00:06:13,640
{\an2}a geography teacher who took
early retirement.
154
00:06:13,680 --> 00:06:16,920
{\an8}And then his friend, Alan Hornes,
runs a pub quiz.
155
00:06:18,040 --> 00:06:19,640
{\an2}It is sinister, isn't it?
156
00:06:19,680 --> 00:06:21,120
{\an2}I mean we're not...
157
00:06:21,160 --> 00:06:25,680
{\an8}..we're not great-looking guys
with our own faces,
158
00:06:25,720 --> 00:06:28,720
{\an2}but Jesus Christ.
LAUGHTER
159
00:06:28,760 --> 00:06:30,480
{\an2}You must have thought about
it, though.
160
00:06:30,520 --> 00:06:32,440
{\an2}You... I must have thought about
swapping our faces?
161
00:06:32,480 --> 00:06:35,880
{\an2}Hmm. No. On a long flight all
I think about is your torso
162
00:06:35,920 --> 00:06:37,400
{\an2}and one of my eyes, one of yours,
163
00:06:37,440 --> 00:06:38,960
{\an2}your legs, my arms
164
00:06:39,000 --> 00:06:40,880
{\an2}and just see what,
you know, see how that works.
165
00:06:40,920 --> 00:06:42,920
{\an1}LAUGHTER
166
00:06:42,960 --> 00:06:45,560
{\an2}It's funny, innit, it's a relatively
short thing he said to me
167
00:06:45,600 --> 00:06:47,520
{\an2}and yet I still tuned out
halfway through.
168
00:06:47,560 --> 00:06:50,160
{\an1}LAUGHTER
169
00:06:50,200 --> 00:06:53,000
{\an2}Sometimes, I just mark on instinct.
Hmm. OK.
170
00:06:53,040 --> 00:06:55,720
{\an2}I, I didn't find
Che Guevara's balloon going down
171
00:06:55,760 --> 00:06:58,000
{\an2}even remotely extraordinary,
I'm giving it one point.
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00:06:58,040 --> 00:06:59,760
{\an2}I don't like looking at our faces,
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00:06:59,800 --> 00:07:01,200
{\an2}even if they're chopped off
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00:07:01,240 --> 00:07:03,320
{\an2}and put on the other face,
I'm giving that two points.
175
00:07:03,360 --> 00:07:05,160
{\an2}I think you're perfectly good at art.
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00:07:05,200 --> 00:07:06,480
{\an2}All right, thank you, I'll take
that.
177
00:07:06,520 --> 00:07:07,840
{\an2}I'll give you three points.
178
00:07:07,880 --> 00:07:09,800
{\an2}Shouty teas, four points.
179
00:07:09,840 --> 00:07:13,040
{\an2}The Paul McCaffrey scream
of despair, five points.
180
00:07:13,080 --> 00:07:14,760
{\an2}OK, well done,
John Robins, five points.
181
00:07:14,800 --> 00:07:16,920
{\an1}APPLAUSE
182
00:07:16,960 --> 00:07:18,960
{\an2}Right, let's get on with
the task proper, shall we?
183
00:07:19,000 --> 00:07:20,280
{\an2}OK then, Greg.
184
00:07:20,320 --> 00:07:22,720
{\an2}And get a load of this one,
if you can bear it.
185
00:07:31,200 --> 00:07:33,240
{\an1}DOORBELL RINGS
186
00:07:35,680 --> 00:07:37,000
{\an2}Alex. Nick Mohammed.
187
00:07:37,040 --> 00:07:38,480
{\an2}Hi, yes.
188
00:07:38,520 --> 00:07:39,960
{\an2}Present. Thank you.
189
00:07:43,400 --> 00:07:45,240
{\an2}Oh, what are you wearing?
190
00:07:45,280 --> 00:07:46,640
{\an2}My special belt.
191
00:07:48,280 --> 00:07:50,080
{\an2}Hello. I was hiding.
192
00:07:50,120 --> 00:07:52,880
{\an2}You were hiding?
You look like a sort of action hero.
193
00:07:52,920 --> 00:07:55,360
{\an2}Or as close to an action hero as
you're ever gonna look.
194
00:07:57,280 --> 00:07:59,600
{\an2}Sophie. Yes. Are you all right?
195
00:07:59,640 --> 00:08:01,080
{\an2}Just taking precautions.
196
00:08:01,120 --> 00:08:02,640
{\an8}Right. Oh, God, OK.
197
00:08:04,040 --> 00:08:05,200
{\an2}Hello.
198
00:08:05,240 --> 00:08:06,480
{\an2}You wearing a girdle?
199
00:08:08,240 --> 00:08:11,320
{\an2}Be the most impressive load bearer.
200
00:08:12,640 --> 00:08:16,320
{\an2}Be the most impressive
load bearer. Hmm.
201
00:08:16,360 --> 00:08:18,960
{\an2}In 15 minutes' time,
you must stand on the doormat,
202
00:08:19,000 --> 00:08:20,880
{\an2}wave with one hand above your head
203
00:08:20,920 --> 00:08:23,360
{\an2}and give a nice big thumbs up
with the other,
204
00:08:23,400 --> 00:08:25,680
{\an2}whilst bearing the most
impressive load.
205
00:08:27,280 --> 00:08:29,160
{\an2}Right.
206
00:08:29,200 --> 00:08:33,000
{\an2}Your load must not be
touching anything other than you.
207
00:08:33,040 --> 00:08:35,240
{\an2}Your time starts when
Alex interrupts you.
208
00:08:35,280 --> 00:08:36,560
{\an2}It's called a support belt.
209
00:08:37,600 --> 00:08:39,040
{\an2}Your time starts when Alex int...
210
00:08:39,080 --> 00:08:40,240
{\an2}I'm wearing a girdle, Steve.
211
00:08:41,240 --> 00:08:43,160
{\an2}You're wearing a girdle.
212
00:08:43,200 --> 00:08:46,200
{\an2}Your time starts when Alex inter..
Good luck with the task!
213
00:08:46,240 --> 00:08:47,800
{\an2}I've started the clock. Oh, yeah.
214
00:08:48,760 --> 00:08:50,880
{\an2}Your time starts...
215
00:08:50,920 --> 00:08:52,120
{\an2}..when Alex...
216
00:08:52,160 --> 00:08:54,920
{\an2}..interrupts you. You.
217
00:08:56,360 --> 00:08:59,600
{\an2}I-I missed my opportunity.
I'm gonna try again.
218
00:09:03,240 --> 00:09:05,040
{\an2}You have to say something.
219
00:09:06,480 --> 00:09:08,440
{\an2}I'll have to interrupt you
physically.
220
00:09:15,320 --> 00:09:18,920
{\an2}Does that count? Fair enough, mate.
I'm wearing a weightlifter's belt!
221
00:09:21,240 --> 00:09:24,000
{\an2}A good sign of Alex being
an absolute narcissist, I think,
222
00:09:24,040 --> 00:09:26,320
{\an2}the attention he wanted for wearing
that weightlifter's belt.
223
00:09:26,360 --> 00:09:27,880
{\an2}There's no reason for him to wear it.
224
00:09:27,920 --> 00:09:29,280
{\an2}He's just going, "Everyone look at
me."
225
00:09:29,320 --> 00:09:30,880
{\an2}Everyone goes, "Oh,
he's such a nice guy."
226
00:09:30,920 --> 00:09:31,920
{\an2}He's not, the guy's a prick.
227
00:09:31,960 --> 00:09:34,960
{\an2}LAUGHTER
Um, OK.
228
00:09:35,000 --> 00:09:36,880
{\an2}it's all about load bearing, right?
229
00:09:36,920 --> 00:09:40,000
{\an2}Yeah. We start with a bit of Jo
and a bit of So.
230
00:09:40,040 --> 00:09:41,720
{\an2}OK, well, I suppose I'll take that.
231
00:09:41,760 --> 00:09:42,920
{\an2}Yeah, yeah.
232
00:09:42,960 --> 00:09:45,040
{\an2}It's...what's this for,
to balance it out?
233
00:09:45,080 --> 00:09:46,200
{\an2}It's for strong men.
234
00:09:46,240 --> 00:09:47,640
{\an2}Oh, so can I stick stuff in there?
235
00:09:47,680 --> 00:09:49,360
{\an2}Do whatever you want, Joanne.
236
00:09:50,760 --> 00:09:53,080
{\an2}Hmm, what's impressive as a load?
237
00:09:54,160 --> 00:09:56,000
{\an2}What's an impressive load?
238
00:09:56,040 --> 00:09:57,920
{\an2}Like, could I wear that
around my neck?
239
00:09:59,440 --> 00:10:00,440
{\an2}No.
240
00:10:07,480 --> 00:10:08,920
{\an8}Brought the bucket of balls.
241
00:10:08,960 --> 00:10:11,880
{\an8}I mean, look, to be honest, a lot of
this is just looking in that shed
242
00:10:11,920 --> 00:10:14,920
{\an8}and sort of having
a panic attack, isn't it, really?
243
00:10:16,520 --> 00:10:19,560
{\an2}LAUGHTER
Well, well, well. Look at this.
244
00:10:20,920 --> 00:10:25,160
{\an8}I think it's all about utilising
different structures, isn't it,
245
00:10:25,200 --> 00:10:27,480
{\an8}within your own body.
246
00:10:29,040 --> 00:10:30,160
{\an2}Are you in pain?
247
00:10:30,200 --> 00:10:31,560
{\an2}Not at all.
248
00:10:31,600 --> 00:10:32,840
{\an2}I never felt better.
249
00:10:35,200 --> 00:10:39,800
{\an2}So I've maximised the load by using
the pegging system.
250
00:10:39,840 --> 00:10:41,480
{\an2}Yeah. But that's a load in itself
251
00:10:41,520 --> 00:10:43,240
{\an2}and then I've loaded the loader
252
00:10:43,280 --> 00:10:44,680
{\an2}and then there's some
steering wheels
253
00:10:44,720 --> 00:10:46,560
{\an2}and hula hoops around the neck
for balance.
254
00:10:46,600 --> 00:10:49,200
{\an2}Oh, and a plunger in there
somewhere, yeah, look at that.
255
00:10:49,240 --> 00:10:50,360
{\an2}Lovely.
256
00:10:50,400 --> 00:10:52,480
{\an8}This is good cos then what I can do
257
00:10:52,520 --> 00:10:56,240
{\an8}is put the balls on the skirt.
258
00:10:56,280 --> 00:10:57,880
{\an8}Shall I just pour them in? Yeah.
259
00:10:57,920 --> 00:10:59,120
{\an8}I'm ready.
260
00:11:02,600 --> 00:11:03,840
{\an8}Right.
261
00:11:03,880 --> 00:11:06,280
{\an2}It's quite wet. Yeah, it, it is
quite wet,
262
00:11:06,320 --> 00:11:07,720
{\an2}I wasn't expecting that, were you?
263
00:11:07,760 --> 00:11:08,760
{\an2}No.
264
00:11:12,920 --> 00:11:14,680
{\an8}Release.
265
00:11:14,720 --> 00:11:16,280
{\an8}Oh, no.
266
00:11:16,320 --> 00:11:17,320
{\an8}Oh, no.
267
00:11:17,360 --> 00:11:19,880
{\an7}WHISTLE BLOWS, DISH CLATTERS
268
00:11:21,680 --> 00:11:24,120
{\an2}Did anyone...?
No-one saw that, did they?
269
00:11:24,160 --> 00:11:26,200
{\an1}APPLAUSE
270
00:11:30,040 --> 00:11:31,560
{\an2}Well, interesting.
271
00:11:31,600 --> 00:11:33,920
{\an2}I-I thought both ladies did what we
call on this show
272
00:11:33,960 --> 00:11:35,160
{\an2}a shed panic.
273
00:11:35,200 --> 00:11:37,320
{\an1}LAUGHTER
274
00:11:37,360 --> 00:11:39,760
{\an2}Joanne. Yeah.
Did you think it was impressive?
275
00:11:39,800 --> 00:11:41,040
{\an2}I mean, yeah. Ah.
276
00:11:41,080 --> 00:11:42,320
{\an2}I clipped all the cutlery
277
00:11:42,360 --> 00:11:43,760
{\an2}individually onto
that pegging thing.
278
00:11:43,800 --> 00:11:44,920
{\an2}I mean that's the one thing
279
00:11:44,960 --> 00:11:47,040
{\an2}I would say you did,
you did quite well.
280
00:11:47,080 --> 00:11:50,080
{\an2}Yeah. Aside from that, what I
wrote down is, you,
281
00:11:50,120 --> 00:11:53,720
{\an2}"You look like an old lady who's had
a fall into a room of her own tat."
282
00:11:53,760 --> 00:11:56,000
{\an1}LAUGHTER
283
00:11:56,040 --> 00:11:58,280
{\an2}This is Sophie and Joanne
bearing their impressive loads.
284
00:11:58,320 --> 00:12:01,200
{\an1}LAUGHTER
285
00:12:01,240 --> 00:12:04,120
{\an2}If I didn't know what this task was,
286
00:12:04,160 --> 00:12:07,200
{\an2}I wouldn't say that woman's got
an impressive load.
287
00:12:09,160 --> 00:12:10,640
{\an2}Yeah. I look deranged, I...
288
00:12:10,680 --> 00:12:12,440
{\an2}Oh, oh.
289
00:12:12,480 --> 00:12:15,480
{\an2}You, I mean you look like you've done
a lot of shouting in a high street.
290
00:12:15,520 --> 00:12:17,680
{\an1}LAUGHTER
291
00:12:17,720 --> 00:12:20,320
{\an2}You, Sophie looks like
she's turned up to
292
00:12:20,360 --> 00:12:22,960
{\an2}a beach party that everyone has
desperately tried
293
00:12:23,000 --> 00:12:24,080
{\an2}to stop her finding out about.
294
00:12:24,120 --> 00:12:27,120
{\an1}LAUGHTER
295
00:12:27,160 --> 00:12:29,560
{\an2}I mean, it's hard to
know which one of these two
296
00:12:29,600 --> 00:12:31,400
{\an2}you want to turn up l-less.
297
00:12:32,960 --> 00:12:36,480
{\an2}Both, both of them are saying,
"I didn't get any of the WhatsApps."
298
00:12:38,000 --> 00:12:40,040
{\an2}Have you got some statistics for me?
Yes, we did weigh
299
00:12:40,080 --> 00:12:41,400
{\an2}the amount of load they,
300
00:12:41,440 --> 00:12:42,960
{\an2}they were bearing. Uh,
301
00:12:43,000 --> 00:12:45,280
{\an2}Sophie, 13.2kg
302
00:12:45,320 --> 00:12:47,880
{\an2}versus 5.4 for Joanne,
303
00:12:47,920 --> 00:12:50,520
{\an2}half of which was the traffic cone.
LAUGHTER
304
00:12:50,560 --> 00:12:52,280
{\an2}Right, who are we gonna see next?
305
00:12:52,320 --> 00:12:54,720
{\an2}It's time to get a load of Nick
and Steve.
306
00:12:55,800 --> 00:12:57,440
{\an2}Bear an impressive load.
307
00:12:57,480 --> 00:12:58,640
{\an2}Bear.
308
00:12:58,680 --> 00:12:59,680
{\an2}Bear.
309
00:12:59,720 --> 00:13:01,680
{\an2}Bear. Bear.
310
00:13:01,720 --> 00:13:03,200
{\an2}Got a rare tiger, don't know why.
311
00:13:03,240 --> 00:13:06,440
{\an2}But it's quite impressive,
also it's got a sort of natural...
312
00:13:08,560 --> 00:13:09,920
{\an2}How heavy is the caravan?
313
00:13:11,000 --> 00:13:12,440
{\an2}I'm only kidding.
314
00:13:12,480 --> 00:13:14,440
{\an2}Um, is there some dress-up clothes?
315
00:13:14,480 --> 00:13:15,880
{\an2}If you go into the secret room.
316
00:13:17,160 --> 00:13:19,840
{\an2}The secret room. Yeah, it's
in the caravan. Ah.
317
00:13:19,880 --> 00:13:22,920
{\an2}Right, if there's a way of
sort of doing kind of.
318
00:13:23,960 --> 00:13:25,560
{\an2}Have you done this sort
of thing before?
319
00:13:25,600 --> 00:13:26,880
{\an2}No. Right.
320
00:13:26,920 --> 00:13:29,040
{\an2}Have you found the secret
room? Um...
321
00:13:29,080 --> 00:13:31,080
{\an2}This? Yeah. Oh, my God!
322
00:13:31,120 --> 00:13:34,760
{\an2}You're kidding!
Oh, my God, this is amazing.
323
00:13:34,800 --> 00:13:37,920
{\an2}NICK GRUNTS
Come on, Linda.
324
00:13:37,960 --> 00:13:39,440
{\an2}Nick. Oh, yeah.
325
00:13:41,400 --> 00:13:42,760
{\an2}Um, right.
326
00:13:45,480 --> 00:13:48,560
{\an2}What I'm gonna do is create somebody
who's riding the tiger
327
00:13:48,600 --> 00:13:51,040
{\an2}and the tiger
and the person are on my back.
328
00:13:55,080 --> 00:13:56,440
{\an2}We can do this.
329
00:13:57,760 --> 00:13:59,000
{\an2}We can do this.
330
00:13:59,040 --> 00:14:00,280
{\an2}Another six inches, Steve.
331
00:14:00,320 --> 00:14:01,520
{\an2}It's easy for you to say.
332
00:14:03,720 --> 00:14:07,920
{\an2}How to do it
and still maintain some dignity,
333
00:14:07,960 --> 00:14:09,400
{\an2}that is the question.
334
00:14:10,560 --> 00:14:12,240
{\an2}AUDIENCE: Oh!
335
00:14:13,800 --> 00:14:14,800
{\an2}OK.
336
00:14:16,520 --> 00:14:17,600
{\an2}Oh, oh, oh.
337
00:14:17,640 --> 00:14:18,680
{\an2}There you are.
338
00:14:24,160 --> 00:14:25,720
{\an2}It's quite windy, Steve. Yeah.
339
00:14:28,840 --> 00:14:30,560
{\an2}How long have I got, Alex?
340
00:14:30,600 --> 00:14:31,800
{\an2}You've got two minutes, Nick.
341
00:14:32,800 --> 00:14:39,120
{\an2}We are attempting something that's
not been attempted before on UK TV.
342
00:14:43,960 --> 00:14:46,440
{\an1}APPLAUSE
343
00:14:46,480 --> 00:14:48,800
{\an2}Oh, you've kept your dignity.
Thank you.
344
00:14:56,800 --> 00:15:00,920
{\an1}CHEERING AND APPLAUSE
345
00:15:00,960 --> 00:15:04,080
{\an2}Well, Steve, what a...what a showman.
346
00:15:04,120 --> 00:15:07,400
{\an2}You know what, when I found out
there was a secret dressing-up room,
347
00:15:07,440 --> 00:15:09,880
{\an2}I was that little five-year-old
boy again.
348
00:15:09,920 --> 00:15:13,000
{\an2}And to see you acting like
a five-year-old boy was very creepy.
349
00:15:13,040 --> 00:15:14,840
{\an1}LAUGHTER
350
00:15:14,880 --> 00:15:17,320
{\an2}One of my favourite moments from
the series so far is
351
00:15:17,360 --> 00:15:18,760
{\an2}the question and answer,
352
00:15:18,800 --> 00:15:20,880
{\an2}"Have you ever done this before?"
"No."
353
00:15:24,160 --> 00:15:26,320
{\an2}The way you picked that chair up
I thought oh,
354
00:15:26,360 --> 00:15:28,920
{\an2}well he's obviously done street
performance or something.
355
00:15:28,960 --> 00:15:30,600
{\an2}The confidence with which you...
356
00:15:30,640 --> 00:15:32,320
{\an2}Uh, yeah, I can pick up a chair.
357
00:15:32,360 --> 00:15:34,200
{\an1}LAUGHTER
358
00:15:34,240 --> 00:15:35,520
{\an2}You didn't have to wave
359
00:15:35,560 --> 00:15:37,720
{\an2}and do the thumbs up for any certain
length of time but...
360
00:15:37,760 --> 00:15:39,960
{\an2}Oh, you just had to be able to do it.
Very, very briefly, you did it.
361
00:15:40,000 --> 00:15:41,560
{\an2}Oh, the load was on his chin. Yeah.
362
00:15:41,600 --> 00:15:43,800
{\an1}LAUGHTER
363
00:15:45,920 --> 00:15:48,520
{\an2}Right, I'm suspending all joy for
a few minutes.
364
00:15:48,560 --> 00:15:50,640
{\an2}Why? For these adverts.
365
00:15:50,680 --> 00:15:52,800
{\an1}APPLAUSE
366
00:16:01,920 --> 00:16:03,400
{\an2}Hello, everybody.
367
00:16:03,440 --> 00:16:06,600
{\an2}Welcome back to the second part
of today's Taskmaster hour.
368
00:16:06,640 --> 00:16:10,920
{\an2}Yes, and as Darwin said, a man who
dares to waste one hour of time
369
00:16:10,960 --> 00:16:13,800
{\an2}has not discovered the
value of life. Whoopsie.
370
00:16:13,840 --> 00:16:16,800
{\an2}LAUGHTER
Our contestants are trying to become
371
00:16:16,840 --> 00:16:18,880
{\an2}the most impressive load bearers.
372
00:16:18,920 --> 00:16:21,880
{\an2}We only have one man left to see
and his John is Robins.
373
00:16:24,720 --> 00:16:25,720
{\an2}Oh, I don't mind that.
374
00:16:27,440 --> 00:16:29,400
{\an2}Have we got any model Gregs around
375
00:16:29,440 --> 00:16:33,920
{\an2}because it would be quite impressive
to have Greg on the old shoulders?
376
00:16:33,960 --> 00:16:35,120
{\an2}Yeah, I can get you some Gregs.
377
00:16:35,160 --> 00:16:36,880
{\an2}Yeah, can you get me some
Gregs, please.
378
00:16:41,160 --> 00:16:42,560
{\an2}I've got some little Gregs
379
00:16:42,600 --> 00:16:44,440
{\an2}and I've got one more big
Greg coming.
380
00:16:44,480 --> 00:16:46,600
{\an2}So, what I'm thinking is...
381
00:16:46,640 --> 00:16:49,920
{\an2}..well, it's a classic case of
a gutter of Gregs.
382
00:16:49,960 --> 00:16:52,320
{\an1}LAUGHTER
383
00:16:52,360 --> 00:16:53,880
{\an2}John. Yes, uh, Alex.
384
00:16:53,920 --> 00:16:56,480
{\an2}Got a Greg for you.
Oh, this is good stuff.
385
00:16:56,520 --> 00:16:57,840
{\an2}A Greg for your gutter.
386
00:16:57,880 --> 00:16:59,000
{\an2}This is great.
387
00:16:59,040 --> 00:17:00,640
{\an2}Greg. This is Greg, sorry.
388
00:17:02,040 --> 00:17:05,160
{\an2}Ladies and gentlemen,
I'm proud to present
389
00:17:05,200 --> 00:17:08,880
{\an2}the most impressive load ever
carried by man or woman,
390
00:17:08,920 --> 00:17:14,320
{\an2}feast your eyes on the one and only
391
00:17:14,360 --> 00:17:19,400
{\an2}gutter of Gregs!
392
00:17:19,440 --> 00:17:20,800
{\an2}Yes.
393
00:17:32,720 --> 00:17:35,440
{\an2}Ladies and gentlemen,
394
00:17:35,480 --> 00:17:41,880
{\an2}there is nothing we cannot do
with a gutter of Gregs.
395
00:17:41,920 --> 00:17:44,200
{\an2}WHISTLE BLOWS
That's your time up, John.
396
00:17:44,240 --> 00:17:45,680
{\an2}Thank you, Alex.
397
00:17:45,720 --> 00:17:48,520
{\an2}Bye-bye.Bye-bye.
APPLAUSE
398
00:17:51,000 --> 00:17:52,800
{\an2}You think that appealing to my ego
399
00:17:52,840 --> 00:17:55,080
{\an2}is gonna get you points
on this show, do you?
400
00:17:55,120 --> 00:17:56,400
{\an2}Yeah. Very wise.
401
00:17:56,440 --> 00:17:58,800
{\an1}LAUGHTER
402
00:17:58,840 --> 00:18:00,880
{\an2}Well, you just have
to work out how impressed you are.
403
00:18:00,920 --> 00:18:03,960
{\an2}So, first of all - Sophie
and Joanne, who looked like this.
404
00:18:04,000 --> 00:18:07,680
{\an2}Yeah.
LAUGHTER
405
00:18:07,720 --> 00:18:10,600
{\an2}And then the three gentlemen,
uh, did these things.
406
00:18:10,640 --> 00:18:12,120
{\an2}SOPHIE: Oh, that's, yeah.
We have Nick.
407
00:18:12,160 --> 00:18:13,600
{\an2}Come on, that looks good.
408
00:18:13,640 --> 00:18:15,480
{\an2}NICK: Why have they blurred
the cow's face out?
409
00:18:15,520 --> 00:18:17,440
{\an2}LAUGHTER
We have Steve.
410
00:18:17,480 --> 00:18:19,800
{\an2}That doesn't look as good as I
remember, Steve.
411
00:18:21,000 --> 00:18:22,920
{\an2}And then we have John's.
412
00:18:22,960 --> 00:18:24,360
{\an2}It's a bit much, though, isn't it?
413
00:18:24,400 --> 00:18:25,600
{\an2}It is.
414
00:18:25,640 --> 00:18:30,240
{\an2}I'm sorry, Joanne, yours is
the least impressive final load.
415
00:18:30,280 --> 00:18:32,040
{\an2}One to Joanne. Five.
416
00:18:32,080 --> 00:18:33,880
{\an2}Two points for Sophie.
417
00:18:33,920 --> 00:18:36,240
{\an2}Three for Steve, the
narrative was impressive. OK.
418
00:18:36,280 --> 00:18:39,240
{\an2}I'm showing humility by giving four
points to John,
419
00:18:39,280 --> 00:18:42,800
{\an2}and I'm sorry - the final image that
I found the most impressive
420
00:18:42,840 --> 00:18:45,480
{\an2}was old snooker cue umbrella
chin, and I stand by it.
421
00:18:45,520 --> 00:18:47,920
{\an2}Five points to Nick Mohammed.
Well done.
422
00:18:47,960 --> 00:18:50,840
{\an1}CHEERING AND APPLAUSE
423
00:18:50,880 --> 00:18:51,880
{\an2}Can you tell me the scores?
424
00:18:51,920 --> 00:18:54,320
{\an2}Uh, yes, Sophie and Steve both on
five,
425
00:18:54,360 --> 00:18:56,320
{\an2}John and Nick both on nine!
426
00:18:56,360 --> 00:18:59,320
{\an2}CHEERING
And Joanne is there on two.
427
00:19:02,160 --> 00:19:04,080
{\an2}What is next, young fellow, m'lad?
428
00:19:04,120 --> 00:19:05,800
{\an2}Ooh, well, let's just sit back
429
00:19:05,840 --> 00:19:09,920
{\an2}and have a right laugh watching
the Fresh Prince of Mid-Air.
430
00:19:24,280 --> 00:19:26,600
{\an2}What on Earth is going on in
here, then?
431
00:19:28,080 --> 00:19:29,360
{\an2}Oh!
432
00:19:29,400 --> 00:19:31,120
{\an2}Oh, that's clever, in't it.
433
00:19:32,640 --> 00:19:34,160
{\an2}Ooh, yeah.
434
00:19:34,200 --> 00:19:35,320
{\an2}Wow.
435
00:19:37,160 --> 00:19:38,840
{\an2}It took me a while
to get it just right.
436
00:19:38,880 --> 00:19:40,760
{\an2}Yeah.
437
00:19:40,800 --> 00:19:41,840
{\an2}Magic.
438
00:19:41,880 --> 00:19:44,280
{\an2}Lovely, love it.
439
00:19:44,320 --> 00:19:45,440
{\an2}Hi, Nick.
440
00:19:45,480 --> 00:19:46,560
{\an2}Hi, Alex.
441
00:19:46,600 --> 00:19:48,840
{\an8}Could you turn the hairdryer off?
It's a bit noisy.
442
00:19:48,880 --> 00:19:50,240
{\an8}Yeah, sure. Oh.
443
00:19:52,600 --> 00:19:54,320
{\an2}That was very good. Yeah?
444
00:19:56,280 --> 00:19:57,640
{\an2}Oh, I saw that. Pardon?
445
00:19:57,680 --> 00:19:59,120
{\an8}Cheeky. What do you mean?
446
00:19:59,160 --> 00:20:03,640
{\an8}The string and the... there was
a lot going on there.
447
00:20:03,680 --> 00:20:05,040
{\an2}Oh, I did it too early.
448
00:20:08,320 --> 00:20:10,400
{\an1}SHE LAUGHS
449
00:20:10,440 --> 00:20:14,120
{\an2}Take the most dramatic photo
of yourself in mid-air.
450
00:20:14,160 --> 00:20:17,360
{\an2}You have 15 minutes
and may take five photos.
451
00:20:17,400 --> 00:20:19,800
{\an2}In mid-air? I've never been a good
jumper.
452
00:20:21,120 --> 00:20:23,920
{\an2}Your time starts now.
453
00:20:23,960 --> 00:20:27,280
{\an2}Well, this is gonna be a health
and safety ball ache, isn't it?
454
00:20:27,320 --> 00:20:29,720
{\an2}The most dramatic photo
of yourself.
455
00:20:29,760 --> 00:20:31,920
{\an2}Do you know what I'd love, is
to get, you know,
456
00:20:31,960 --> 00:20:36,120
{\an2}the hair bands that they wear,
the really bad knives to your head?
457
00:20:36,160 --> 00:20:38,360
{\an2}Do you have to be actually in
mid-air
458
00:20:38,400 --> 00:20:40,680
{\an2}or could you be pretending to
levitate?
459
00:20:40,720 --> 00:20:45,400
{\an2}We've got a hairdryer.
We have got a hairdryer.
460
00:20:45,440 --> 00:20:49,600
{\an2}Ooh. No. Yes, OK.
461
00:20:49,640 --> 00:20:52,720
{\an2}I've been doing a selfie on
the top of a very tall building.
462
00:20:52,760 --> 00:20:56,800
{\an2}I've fallen and I'm plunging as
I'm talking the selfie.
463
00:20:56,840 --> 00:20:58,920
{\an2}I'll have a wander.
Yeah, see what strikes you.
464
00:20:58,960 --> 00:21:00,480
{\an2}I'll have a wander and a think.
465
00:21:00,520 --> 00:21:02,920
{\an2}Photo of yourself in the air.
466
00:21:02,960 --> 00:21:07,120
{\an2}Right I'm gonna have
a wander round. Yeah.
467
00:21:07,160 --> 00:21:11,600
{\an2}Yeah, that hasn't been very helpful,
wandering around, really.
468
00:21:11,640 --> 00:21:13,840
{\an1}APPLAUSE
469
00:21:15,160 --> 00:21:17,160
{\an2}You got a history of jumping, Sophie?
470
00:21:17,200 --> 00:21:20,800
{\an2}No, I'm not a great jumper. I'm more
of a slut dropper.
471
00:21:20,840 --> 00:21:23,240
{\an2}I'm very floor-based
with my movement, yeah.
472
00:21:23,280 --> 00:21:25,000
{\an2}OK. Joanne?
473
00:21:25,040 --> 00:21:27,520
{\an2}I do all my own stunts.
Yeah. Oh, wow.
474
00:21:27,560 --> 00:21:32,800
{\an2}Always have, always will.
I enjoy the adrenaline.
475
00:21:32,840 --> 00:21:35,960
{\an2}Highest you've ever jumped? You know
I'm not great on measurements, now.
476
00:21:36,000 --> 00:21:37,880
{\an2}I'd say like a metre.
477
00:21:37,920 --> 00:21:39,760
{\an2}Shall we all have a little jump?
478
00:21:39,800 --> 00:21:41,320
{\an2}Yeah, why not.
479
00:21:41,360 --> 00:21:42,400
{\an2}Shall we all have a little jump?
480
00:21:42,440 --> 00:21:44,480
{\an2}Nick, you may as well sit down.
No, I'm quite good.
481
00:21:44,520 --> 00:21:47,200
{\an2}LAUGHTER
Genuinely quite good.
482
00:21:47,240 --> 00:21:49,120
{\an2}Three, two, one, jump.
483
00:21:50,240 --> 00:21:52,120
{\an2}It was Nick. It was Nick.
484
00:21:52,160 --> 00:21:54,600
{\an2}It was Nick. Good. Yeah.
485
00:21:54,640 --> 00:21:57,240
{\an2}I apologise.
Can we see them in mid-air?
486
00:21:57,280 --> 00:21:59,400
{\an2}Well, we're going to see them
montaging first of all,
487
00:21:59,440 --> 00:22:02,520
{\an2}and then we'll see the photos,
so enjoy this, Greg.
488
00:22:02,560 --> 00:22:05,280
{\an2}Right, well, we need to light a
fire. We can light a fire.
489
00:22:05,320 --> 00:22:08,280
{\an2}Good, let's light a fire.
490
00:22:08,320 --> 00:22:11,040
{\an2}Right, now Alex, I might need
a bit of help.
491
00:22:11,080 --> 00:22:12,960
{\an2}OK. Do you want me to come
with you?
492
00:22:13,000 --> 00:22:15,360
{\an2}Yeah, please, yes.
493
00:22:15,400 --> 00:22:18,960
{\an2}Now, I've been experimenting with
how to get some G-force into my
face.
494
00:22:19,000 --> 00:22:20,240
{\an2}'Course you have.
495
00:22:20,280 --> 00:22:24,360
{\an2}I thought this would be quite
a nice... Huh?
496
00:22:24,400 --> 00:22:27,120
{\an2}Do you feel.... Yeah.
..G-force on my face?
497
00:22:27,160 --> 00:22:28,760
{\an2}Horrible. Ah, yeah.
498
00:22:29,840 --> 00:22:31,080
{\an2}Wow.
499
00:22:31,120 --> 00:22:33,720
{\an2}It's my big day.
How's the day gone?
500
00:22:33,760 --> 00:22:37,880
{\an2}It started out OK. Things took a
turn. Yeah.
501
00:22:37,920 --> 00:22:41,360
{\an2}One, two, three. Go.
502
00:22:41,400 --> 00:22:43,760
{\an1}LAUGHTER
503
00:22:46,160 --> 00:22:48,200
{\an2}Hang on, hang on.
504
00:22:48,240 --> 00:22:50,520
{\an1}LAUGHTER CONTINUES
505
00:22:55,880 --> 00:22:57,200
{\an2}Right.
506
00:22:57,240 --> 00:22:58,520
{\an2}I've got my parachute.
507
00:22:58,560 --> 00:22:59,720
{\an2}Your what?
508
00:22:59,760 --> 00:23:00,800
{\an2}My parachute.
509
00:23:03,120 --> 00:23:04,320
{\an2}Ready?
510
00:23:05,440 --> 00:23:07,000
{\an2}Good luck. Thank you.
511
00:23:10,600 --> 00:23:12,080
{\an2}Oh, no, I'm gonna need...
512
00:23:12,120 --> 00:23:14,480
{\an2}You're gonna need to take me from
higher up, Alex.
513
00:23:17,080 --> 00:23:18,520
{\an2}Oh.
514
00:23:18,560 --> 00:23:20,000
{\an2}Go!
515
00:23:23,320 --> 00:23:25,440
{\an2}You've gotta give me some G-force.
516
00:23:29,400 --> 00:23:30,880
{\an2}Go.
517
00:23:33,720 --> 00:23:36,880
{\an2}You ready? Here we go. On your marks.
Yeah. Go.
518
00:23:44,200 --> 00:23:45,520
{\an2}Yeah, not bad.
519
00:23:45,560 --> 00:23:47,680
{\an1}LAUGHTER AND APPLAUSE
520
00:23:49,760 --> 00:23:53,200
{\an2}Can you justify to me that you were
in mid-air, Nick?
521
00:23:53,240 --> 00:23:55,480
{\an2}You know when you put just
a few things in a washing machine
522
00:23:55,520 --> 00:23:57,960
{\an2}and it's going round quite slow.
They sort of... there is a moment
523
00:23:58,000 --> 00:23:59,600
{\an2}where they sort of suspend, as it's
kind of...
524
00:23:59,640 --> 00:24:01,760
{\an2}Yes, of course they are
technically in mid-air,
525
00:24:01,800 --> 00:24:05,000
{\an2}so that's what you were hoping
for. The way I interpreted it...
Yes.
526
00:24:05,040 --> 00:24:08,360
{\an2}..was I was watching a father of
three rammed into some tyres
527
00:24:08,400 --> 00:24:13,520
{\an2}being pushed into some baked
bean cans. I was very tyre-d.
528
00:24:13,560 --> 00:24:17,680
{\an2}OK, here is Nick dramatically in
mid-air.
529
00:24:18,680 --> 00:24:20,800
{\an1}LAUGHTER
530
00:24:23,680 --> 00:24:27,400
{\an2}I mean you arguably could,
couldn't be less mid-air.
531
00:24:28,760 --> 00:24:31,400
{\an2}Whose can we see next?
Jilted Joanne.
532
00:24:33,760 --> 00:24:35,800
{\an2}I think you might be back in
the game.
533
00:24:35,840 --> 00:24:37,840
{\an2}Taskmaster's proving
to me that I have the creativity of
534
00:24:37,880 --> 00:24:39,040
{\an2}a wheelie bin.
535
00:24:41,480 --> 00:24:44,720
{\an2}So, this is a jilted bride on her
wedding day.
536
00:24:44,760 --> 00:24:47,560
{\an2}She's just found out her husband's
riding the nanny.
537
00:24:47,600 --> 00:24:49,240
{\an2}Did you say why she's wearing
an eye-patch?
538
00:24:49,280 --> 00:24:51,800
{\an2}She's just had laser,
she's just had laser eye.
539
00:24:51,840 --> 00:24:53,560
{\an2}ALEX: And that's for the wedding?
540
00:24:53,600 --> 00:24:55,120
{\an2}On the way to the wedding.
541
00:24:55,160 --> 00:24:57,920
{\an2}God, she's had a bad day, hasn't he?
Exactly.
542
00:24:57,960 --> 00:24:59,280
{\an2}It's a hell of an image.
543
00:24:59,320 --> 00:25:02,160
{\an2}If you want to see the rest of their
mid-air pictures, you're gonna have
544
00:25:02,200 --> 00:25:04,800
{\an2}to come back promptly,
and if you're off for a poo,
545
00:25:04,840 --> 00:25:06,560
{\an2}do factor-in the wipe, you never
546
00:25:06,600 --> 00:25:08,720
{\an2}factor-in wipe time. Go on, off you
pop.
547
00:25:08,760 --> 00:25:10,800
{\an1}LAUGHTER AND APPLAUSE
548
00:25:18,480 --> 00:25:20,280
{\an2}Hello, and welcome back to another
549
00:25:20,320 --> 00:25:22,280
{\an2}life-affirming episode of Taskmaster.
550
00:25:22,320 --> 00:25:25,840
{\an2}We're part way seeing some dramatic
mid-air pictures, aren't we, Alex?
551
00:25:25,880 --> 00:25:29,080
{\an2}Oh, we sure are, and Nick rolled
around in some tyres.
552
00:25:29,120 --> 00:25:32,600
{\an2}The next picture is the one taken by
Sophie in mid-air.
553
00:25:32,640 --> 00:25:34,320
{\an2}I mean, I cannot wait.
554
00:25:37,560 --> 00:25:42,200
{\an1}APPLAUSE
555
00:25:42,240 --> 00:25:44,440
{\an2}Was it another shed panic,
did you run into...? No, no,
556
00:25:44,480 --> 00:25:47,240
{\an2}I planned this. I've been wanting
to get him in that pigeon head from
557
00:25:47,280 --> 00:25:48,920
{\an2}the moment I saw him.
558
00:25:48,960 --> 00:25:50,320
{\an2}People do, people do. Yeah.
559
00:25:51,760 --> 00:25:54,600
{\an2}And how nice for once that it's
560
00:25:54,640 --> 00:25:58,600
{\an2}the pigeons themselves that are
covered in shit.
561
00:25:58,640 --> 00:26:00,240
{\an2}All right, who's next?
562
00:26:00,280 --> 00:26:02,360
{\an2}Do you want to see Robins
in flight?
563
00:26:02,400 --> 00:26:03,440
{\an2}Please.
564
00:26:03,480 --> 00:26:05,480
{\an2}Bloody hell. NICK: That's great.
565
00:26:05,520 --> 00:26:06,600
{\an2}That's good.
566
00:26:06,640 --> 00:26:08,120
{\an2}ALEX: He's been shot out of the
cannon.
567
00:26:08,160 --> 00:26:09,920
{\an2}He's going towards
the little bucket of fire.
568
00:26:09,960 --> 00:26:11,040
{\an2}No eye-patch, though.
569
00:26:11,080 --> 00:26:13,440
{\an1}LAUGHTER
570
00:26:13,480 --> 00:26:14,880
{\an2}Did you get in a cannon?
571
00:26:14,920 --> 00:26:16,240
{\an2}Yes.
572
00:26:17,440 --> 00:26:19,040
{\an2}You really want this, don't you?
573
00:26:20,760 --> 00:26:22,280
{\an2}Well, I mean, look at the air.
574
00:26:22,320 --> 00:26:24,160
{\an2}Look at the air I've got,
I'm pleased with that.
575
00:26:24,200 --> 00:26:26,400
{\an2}You've got nice air.
You've got a bucket of fire.
576
00:26:26,440 --> 00:26:27,480
{\an2}You've got a pretend cannon
577
00:26:27,520 --> 00:26:30,600
{\an2}and you've got that prick.
There's a lot there.
578
00:26:30,640 --> 00:26:32,240
{\an2}Who's next? The final one -
579
00:26:32,280 --> 00:26:34,480
{\an2}have a look at Steve Pemberton
in mid-air.
580
00:26:36,480 --> 00:26:39,240
{\an1}STEVE LAUGHS
581
00:26:39,280 --> 00:26:43,000
{\an1}APPLAUSE
582
00:26:43,040 --> 00:26:45,040
{\an2}Oh, it's a failed parachute.
583
00:26:45,080 --> 00:26:46,680
{\an2}It's a failed parachute.
584
00:26:46,720 --> 00:26:49,560
{\an2}I like the cut rope, that's drama.
Yes.
585
00:26:49,600 --> 00:26:52,000
{\an2}This captures the
moment of realisation
586
00:26:52,040 --> 00:26:53,320
{\an2}that he's going to splat.
587
00:26:53,360 --> 00:26:54,800
{\an2}SOPHIE: Oh.
588
00:26:54,840 --> 00:26:56,520
{\an8}STEVE: And you see the, the G-force?
589
00:26:56,560 --> 00:26:59,160
{\an8}I hoped that they would've painted
out the elastic band, which...
590
00:27:00,440 --> 00:27:02,480
{\an2}You would hope they would've
made it look like
591
00:27:02,520 --> 00:27:03,760
{\an2}you were in mid-air as well.
592
00:27:03,800 --> 00:27:05,720
{\an1}LAUGHTER
593
00:27:05,760 --> 00:27:07,560
{\an2}I'll put all five up for you, Greg,
594
00:27:07,600 --> 00:27:09,720
{\an2}and then you can work out which is
the most dramatic mid-air picture.
595
00:27:09,760 --> 00:27:11,880
{\an2}Oh, Christ. There they are.
OK, well, let's...
596
00:27:11,920 --> 00:27:13,280
{\an2}..let's deal with Nick first of all.
597
00:27:13,320 --> 00:27:15,240
{\an2}Right, of course, of course.
598
00:27:15,280 --> 00:27:16,440
{\an2}LAUGHING: OK.
599
00:27:16,480 --> 00:27:18,600
{\an2}It looks like a completely
different task.
600
00:27:18,640 --> 00:27:20,960
{\an2}Well, I'm gonna give you one point
for that. Thank you.
601
00:27:21,000 --> 00:27:22,080
{\an2}You're welcome. Thank you.
602
00:27:22,120 --> 00:27:24,120
{\an2}And then there's got to be a jump up.
603
00:27:24,160 --> 00:27:25,760
{\an2}I'm gonna give John,
604
00:27:25,800 --> 00:27:28,240
{\an2}Joanne and Steve four points.
605
00:27:28,280 --> 00:27:30,480
{\an2}But I'm gonna give that insane
606
00:27:30,520 --> 00:27:32,440
{\an2}pigeon madness five.
607
00:27:32,480 --> 00:27:34,840
{\an2}I don't know why, I just think it's
the most dramatic
608
00:27:34,880 --> 00:27:36,080
{\an2}because possibly,
609
00:27:36,120 --> 00:27:37,600
{\an2}because I'm worried about her state
of mind.
610
00:27:37,640 --> 00:27:39,760
{\an2}But that's, that's the way I'm
scoring it. Four, four, four, five.
611
00:27:39,800 --> 00:27:42,480
{\an1}APPLAUSE
612
00:27:42,520 --> 00:27:44,840
{\an2}Let's try and squeeze another one in,
shall we?
613
00:27:44,880 --> 00:27:46,600
{\an2}Ooh, er, vicar, isn't it?
614
00:27:48,680 --> 00:27:50,800
{\an2}One more, then, and it's a tie.
615
00:28:04,520 --> 00:28:05,960
{\an2}Oh, Jesus.
616
00:28:06,000 --> 00:28:07,880
{\an2}Hey, Joanne. Hi, Alex.
617
00:28:07,920 --> 00:28:09,080
{\an2}Wanna have a little lie down?
618
00:28:12,160 --> 00:28:13,720
{\an2}Ooh.
619
00:28:13,760 --> 00:28:14,880
{\an2}Hello.
620
00:28:14,920 --> 00:28:17,320
{\an2}Hello. Oh, hello. Make
yourself comfortable.
621
00:28:17,360 --> 00:28:18,760
{\an2}I shall.
622
00:28:18,800 --> 00:28:20,240
{\an2}Oh, lovely.
623
00:28:20,280 --> 00:28:21,920
{\an2}Just nice to have a lay down,
isn't it?
624
00:28:21,960 --> 00:28:23,680
{\an2}Ah, OK.
625
00:28:24,880 --> 00:28:28,240
{\an2}I'm quite TIE-red.
626
00:28:29,600 --> 00:28:31,960
{\an2}There goes the task, shall
I get it now?
627
00:28:32,000 --> 00:28:33,240
{\an2}Can you reach? Yeah.
628
00:28:35,360 --> 00:28:36,600
{\an2}Ah,
629
00:28:36,640 --> 00:28:38,920
{\an2}and I've got a tie as a bonus.
630
00:28:38,960 --> 00:28:40,480
{\an2}Ah, this is nice.
631
00:28:40,520 --> 00:28:42,120
{\an8}JOANNE: Tie yourself to the bed.
632
00:28:42,160 --> 00:28:44,560
{\an8}Most tied-up person wins.
633
00:28:44,600 --> 00:28:48,040
{\an8}You must be
horizontal whilst in the lab.
634
00:28:48,080 --> 00:28:49,560
{\an2}If you pull down
635
00:28:49,600 --> 00:28:51,920
{\an2}the terrible tie, you are
disqualified.
636
00:28:51,960 --> 00:28:53,840
{\an2}Oh, how do I know which is
the terrible tie?
637
00:28:53,880 --> 00:28:55,240
{\an2}Oh, you'll know.
638
00:28:55,280 --> 00:28:58,200
{\an2}Your time starts now.
639
00:28:58,240 --> 00:28:59,840
{\an2}Is, is...
640
00:28:59,880 --> 00:29:02,000
{\an8}..is going up like that horizontal?
641
00:29:02,040 --> 00:29:03,040
{\an8}Going up like what? Like that.
642
00:29:03,080 --> 00:29:04,840
{\an8}Ooh, no, that's not horizontal.
Is that horizontal?
643
00:29:04,880 --> 00:29:05,880
{\an8}No!
644
00:29:05,920 --> 00:29:08,000
{\an8}So this is horizontal.
That's horizontal.
645
00:29:08,040 --> 00:29:10,120
{\an2}So I need something to help
me access.
646
00:29:10,160 --> 00:29:12,160
{\an2}Just out of reach, Alex.
647
00:29:13,720 --> 00:29:15,640
{\an2}How the fuck do I take them down?
648
00:29:21,920 --> 00:29:24,480
{\an2}I sometimes wonder whether you knew
that the,
649
00:29:24,520 --> 00:29:26,720
{\an2}what the show was that you were
signing up to.
650
00:29:27,800 --> 00:29:30,520
{\an2}They said the less you watched it,
the better. That's what they said.
651
00:29:30,560 --> 00:29:32,000
{\an2}They say that to everyone.
652
00:29:32,040 --> 00:29:34,400
{\an2}You do fairly
regularly seem incredulous
653
00:29:34,440 --> 00:29:36,280
{\an2}about being asked to do things.
654
00:29:37,320 --> 00:29:38,360
{\an2}Let's just have a look at it.
655
00:29:38,400 --> 00:29:40,920
{\an2}OK, well, we're gonna start
with J&J -
656
00:29:40,960 --> 00:29:44,960
{\an2}no, not the American multi-national
pharmaceutical and medical
technologies corporation -
657
00:29:45,000 --> 00:29:46,880
{\an2}it's Joanne and John.
658
00:29:46,920 --> 00:29:49,680
{\an8}Can I levit...? I can't...
I'd have to levitate myself up.
659
00:29:49,720 --> 00:29:53,160
{\an8}Uh, if you could levitate
horizontally, that'd be perfect.
660
00:29:53,200 --> 00:29:56,600
{\an2}This is a bad idea.
That's not a good idea.
661
00:29:56,640 --> 00:29:58,840
{\an2}Don't hit yourself in the face
with a buckle.
662
00:29:59,960 --> 00:30:01,120
{\an2}What do you need?
663
00:30:01,160 --> 00:30:02,400
{\an2}I need the ties. Yeah.
664
00:30:02,440 --> 00:30:04,400
{\an2}I obviously c... Oh, no, thank you.
665
00:30:05,800 --> 00:30:07,560
{\an2}Ah, for God's sake.
666
00:30:11,120 --> 00:30:13,160
{\an2}Ah, thank God.
667
00:30:13,200 --> 00:30:14,720
{\an2}Here we go.
668
00:30:14,760 --> 00:30:16,400
{\an2}Doesn't look terrible to me.
669
00:30:16,440 --> 00:30:18,880
{\an8}This is real '80s dad vibes,
isn't it?
670
00:30:18,920 --> 00:30:20,120
{\an8}Is that tied to the bed?
671
00:30:20,160 --> 00:30:21,640
{\an8}Yeah. Oh, no.
672
00:30:24,280 --> 00:30:27,040
{\an2}Some of the ties seem
to have prayers on them, Alex.
673
00:30:27,080 --> 00:30:28,080
{\an2}Is it a prayer?
674
00:30:28,120 --> 00:30:29,920
{\an2}Why do you think it's a prayer, John?
675
00:30:29,960 --> 00:30:32,440
{\an2}What else are you going
on write on a tie?
676
00:30:32,480 --> 00:30:33,760
{\an2}Oh, it's Welsh.
677
00:30:33,800 --> 00:30:39,520
{\an1}HE READS WELSH
678
00:30:43,000 --> 00:30:46,280
{\an2}This is something from like
a really low-end brothel, isn't it?
679
00:30:46,320 --> 00:30:47,600
{\an2}Hate the low-end ones.
680
00:30:47,640 --> 00:30:50,200
{\an2}At what point are you gonna start
tying yourself together?
681
00:30:50,240 --> 00:30:52,080
{\an2}Maybe I'll make a start.
682
00:30:52,120 --> 00:30:54,160
{\an2}It's kind of like
a survival course but I,
683
00:30:54,200 --> 00:30:56,920
{\an2}I'd actually rather drink
a jar of piss than do this.
684
00:30:56,960 --> 00:30:59,560
{\an2}Right, I'll put that down.
LAUGHTER
685
00:31:06,160 --> 00:31:08,760
{\an1}LAUGHTER
686
00:31:08,800 --> 00:31:10,400
{\an2}Ah, this is good.
687
00:31:13,240 --> 00:31:16,840
{\an2}I don't know why I stayed
the wrong way round for so long!
688
00:31:16,880 --> 00:31:19,640
{\an1}LAUGHTER
689
00:31:19,680 --> 00:31:21,600
{\an2}Right, you have still got one minute.
690
00:31:21,640 --> 00:31:23,120
{\an2}Is that the terrible tie?
691
00:31:23,160 --> 00:31:27,360
{\an1}SHE ATTEMPTS TO READ WELSH
692
00:31:29,480 --> 00:31:31,000
{\an2}You've got 20 seconds.
693
00:31:31,040 --> 00:31:33,800
{\an2}This better not be some snuff
movie, now.
694
00:31:33,840 --> 00:31:35,800
{\an1}WHISTLE BLOWS
695
00:31:35,840 --> 00:31:38,560
{\an2}Two on the head and one
on the wrist, is it?
696
00:31:38,600 --> 00:31:40,200
{\an2}OK, I'm just gonna just check on the,
697
00:31:40,240 --> 00:31:41,560
{\an2}on the ties.
698
00:31:46,000 --> 00:31:48,400
{\an2}You're so mean! Yes, it's tied.
699
00:31:48,440 --> 00:31:49,880
{\an2}The rest are good, Joanne.
700
00:31:49,920 --> 00:31:51,840
{\an2}Thanks, John, you seem pretty
tied up.
701
00:31:53,080 --> 00:31:55,800
{\an2}HE LAUGHS
This is actually quite tight.
702
00:31:59,520 --> 00:32:01,560
{\an2}I'll be in my dressing room if
anyone needs me.
703
00:32:01,600 --> 00:32:02,760
{\an2}Right.
704
00:32:06,120 --> 00:32:08,680
{\an2}I'm so sorry that I can't give extra
points for the,
705
00:32:08,720 --> 00:32:10,360
{\an2}for your exit.
706
00:32:10,400 --> 00:32:12,080
{\an2}Cos it was really impressive.
707
00:32:12,120 --> 00:32:14,800
{\an2}They didn't stop me,
no-one said they'd untie me.
708
00:32:14,840 --> 00:32:17,320
{\an2}At one point, you announced that
the experience,
709
00:32:17,360 --> 00:32:18,920
{\an2}uh, was like a low-end brothel.
710
00:32:18,960 --> 00:32:20,560
{\an2}Yeah. And, uh, at the time you were
711
00:32:20,600 --> 00:32:22,840
{\an2}a woman tied to a camp bed
with one tie.
712
00:32:24,480 --> 00:32:27,520
{\an2}A lazy brothel of middle-aged
men, yeah.
713
00:32:27,560 --> 00:32:29,600
{\an2}Uh, but she did well.
She got a lot of ties on.
714
00:32:29,640 --> 00:32:31,840
{\an2}Yeah, she tied herself up
with 15 ties.
715
00:32:31,880 --> 00:32:33,640
{\an2}Uh, John was two on the hands,
one on the wrist,
716
00:32:33,680 --> 00:32:35,080
{\an2}and then ten ties all tied together
717
00:32:35,120 --> 00:32:38,240
{\an2}to make one long tie rope, which
went round his middle and his chest.
718
00:32:38,280 --> 00:32:39,840
{\an2}Good. Who's next?
719
00:32:41,320 --> 00:32:43,920
{\an2}OK, now it's for
a tie between Bolton and Leeds.
720
00:32:43,960 --> 00:32:45,800
{\an2}Oh. It's Sophie and Nick.
721
00:32:45,840 --> 00:32:48,280
{\an2}I'm just gonna strategise
here first.
722
00:32:48,320 --> 00:32:50,040
{\an2}OK, how long are you gonna
strategise for?
723
00:32:50,080 --> 00:32:51,920
{\an2}Um, just...
724
00:32:51,960 --> 00:32:53,080
{\an2}..just a second.
725
00:32:55,160 --> 00:32:57,040
{\an2}I thi...I'm, I'm done.
726
00:32:57,080 --> 00:32:58,960
{\an2}Whilst in the lab, you
must be horizontal.
727
00:32:59,000 --> 00:33:00,840
{\an2}So does that mean that
my sort of back
728
00:33:00,880 --> 00:33:02,320
{\an2}has to be parallel to the floor?
729
00:33:02,360 --> 00:33:04,320
{\an2}Exactly that. But I could be
on all fours, couldn't I?
730
00:33:04,360 --> 00:33:06,600
{\an2}So that's allowed, isn't it?
731
00:33:06,640 --> 00:33:07,960
{\an2}That's horizontal.
732
00:33:08,000 --> 00:33:10,080
{\an2}There's something I've
missed, isn't there?
733
00:33:10,120 --> 00:33:12,360
{\an2}Because this is what you kind of...
734
00:33:12,400 --> 00:33:15,000
{\an2}..you know, it's usually how it
works, isn't it?
735
00:33:15,040 --> 00:33:17,560
{\an2}There's something I've missed in
the room.
736
00:33:17,600 --> 00:33:21,200
{\an2}It didn't say I need to use
a tie to tie myself to the bed.
737
00:33:21,240 --> 00:33:24,280
{\an2}That was the trick,
whilst in this room.
738
00:33:24,320 --> 00:33:25,800
{\an2}I've got it, I know what I'm doing.
739
00:33:25,840 --> 00:33:27,240
{\an2}Make sure you're horizontal.
740
00:33:27,280 --> 00:33:28,520
{\an2}I'm, I am. Quite a,
741
00:33:28,560 --> 00:33:30,840
{\an2}quite a fall there, so be careful.
Ooh, yeah.
742
00:33:30,880 --> 00:33:33,480
{\an2}Horizontal, but then as soon as
I've left,
743
00:33:33,520 --> 00:33:35,040
{\an2}I can actually be any...
744
00:33:37,520 --> 00:33:38,880
{\an2}How long have I got, Greg?
745
00:33:38,920 --> 00:33:40,960
{\an2}Pardon? Uh, Alex.
746
00:33:41,000 --> 00:33:42,640
{\an2}No-one's ever called me Greg before.
747
00:33:42,680 --> 00:33:43,880
{\an2}Ever, in the whole show?
748
00:33:43,920 --> 00:33:46,280
{\an2}Ever, in the whole show,
I've been waiting. Thank you.
749
00:33:46,320 --> 00:33:47,400
{\an2}Right.
750
00:33:49,120 --> 00:33:50,400
{\an2}Hello.
751
00:33:51,480 --> 00:33:52,840
{\an2}Ah, right.
752
00:33:52,880 --> 00:33:53,880
{\an2}Oh.
753
00:33:56,240 --> 00:33:58,080
{\an2}Uh, sugar. Um...
754
00:34:00,720 --> 00:34:04,000
{\an2}I've got a lot of rope
and no way of doing it.
755
00:34:04,040 --> 00:34:07,520
{\an2}Feel like there's something
I've not got right here.
756
00:34:07,560 --> 00:34:09,520
{\an2}Tie yourself to the bed.
757
00:34:09,560 --> 00:34:11,920
{\an2}You've gotta be horizontal whilst in
the lab.
758
00:34:11,960 --> 00:34:13,360
{\an2}Whilst in the lab?
759
00:34:13,400 --> 00:34:14,960
{\an2}I can't get out, out now.
760
00:34:15,000 --> 00:34:16,520
{\an2}You've got three and a half minutes.
761
00:34:22,920 --> 00:34:24,440
{\an2}And I don't,
762
00:34:24,480 --> 00:34:26,560
{\an2}but I don't know what this is
gaining me.
763
00:34:28,120 --> 00:34:29,520
{\an2}Um...
764
00:34:31,600 --> 00:34:33,520
{\an2}I don't think I've done this
one right.
765
00:34:33,560 --> 00:34:35,720
{\an1}LAUGHTER
766
00:34:37,360 --> 00:34:38,760
{\an2}One minute left.
767
00:34:38,800 --> 00:34:40,520
{\an2}Yeah.
768
00:34:40,560 --> 00:34:42,960
{\an2}Thread it through.
Thread it through.
769
00:34:43,000 --> 00:34:44,240
{\an2}Are you threading it through?
770
00:34:44,280 --> 00:34:45,960
{\an2}Yeah. Through the bed and over me,
771
00:34:46,000 --> 00:34:48,760
{\an2}so there's no way
I'm not roped in here.
772
00:34:48,800 --> 00:34:50,480
{\an2}Works quite well, actually.
773
00:34:50,520 --> 00:34:52,560
{\an2}One minute left.
Right. Oh, God, quick.
774
00:34:52,600 --> 00:34:53,680
{\an2}Yeah.
775
00:34:55,520 --> 00:34:57,600
{\an1}SHE SIGHS, WHISTLE BLOWS
776
00:34:57,640 --> 00:34:59,200
{\an2}No. Um...
777
00:35:00,400 --> 00:35:02,560
{\an1}WHISTLE BLOWS
778
00:35:02,600 --> 00:35:05,160
{\an2}Oh, so close.
779
00:35:05,200 --> 00:35:06,800
{\an2}So you're still tied to the bed?
780
00:35:06,840 --> 00:35:08,760
{\an2}Very much,
I mean, it's a very efficient tie.
781
00:35:08,800 --> 00:35:10,360
{\an2}Yeah, too efficient, really.
782
00:35:10,400 --> 00:35:11,680
{\an2}Ah.
783
00:35:11,720 --> 00:35:12,920
{\an2}There we go.
784
00:35:14,760 --> 00:35:16,040
{\an2}Bye then, Nick.
785
00:35:16,080 --> 00:35:17,560
{\an2}See you later, Alex.
786
00:35:17,600 --> 00:35:18,840
{\an2}I'll get the door, don't worry.
787
00:35:18,880 --> 00:35:19,880
{\an2}Yeah.
788
00:35:21,600 --> 00:35:23,600
{\an2}No, I am stuck now, I think.
789
00:35:23,640 --> 00:35:26,920
{\an1}LAUGHTER AND APPLAUSE
790
00:35:29,760 --> 00:35:31,400
{\an2}My favourite moment of both of those
791
00:35:31,440 --> 00:35:33,120
{\an2}is just hearing
Nick's little voice say,
792
00:35:33,160 --> 00:35:35,400
{\an2}"I don't think I've
done this one well."
793
00:35:35,440 --> 00:35:36,960
{\an2}You can't actually see my face at
that point,
794
00:35:37,000 --> 00:35:38,360
{\an2}but I was crying.
795
00:35:38,400 --> 00:35:39,760
{\an2}I was actually crying.
796
00:35:39,800 --> 00:35:42,400
{\an2}Talk me through the strategy.
It was quite good, I thought.
797
00:35:42,440 --> 00:35:44,080
{\an2}I don't think I had one, really.
798
00:35:44,120 --> 00:35:46,320
{\an2}You went and got a rope.
I did. Just crawled about
799
00:35:46,360 --> 00:35:47,880
{\an2}and got a rope and tied myself up.
800
00:35:47,920 --> 00:35:49,920
{\an2}Well, don't talk yourself down,
you saw what Nick was doing.
801
00:35:49,960 --> 00:35:51,680
{\an2}Right, yeah, yeah, yeah.
802
00:35:51,720 --> 00:35:54,360
{\an2}Nick, what was going through your
mind when you were
803
00:35:54,400 --> 00:35:56,800
{\an2}crawling around on the floor with a
camp bed strapped to your back?
804
00:35:56,840 --> 00:35:59,360
{\an2}I felt like a wood louse
that had inverted itself
805
00:35:59,400 --> 00:36:00,760
{\an2}and just couldn't get back. Once I,
806
00:36:00,800 --> 00:36:03,600
{\an2}once I flipped, I just couldn't,
there was nothing I could do. No!
807
00:36:06,000 --> 00:36:09,920
{\an2}Yeah. But what I'm interested in is
why did you flip?
808
00:36:09,960 --> 00:36:12,240
{\an2}Yeah, well, it's a good question.
Yeah, yeah.
809
00:36:13,360 --> 00:36:14,640
{\an2}That's another part done,
810
00:36:14,680 --> 00:36:15,920
{\an2}join us for part four,
811
00:36:15,960 --> 00:36:18,600
{\an2}when one lucky winner has
to look happy onstage with
812
00:36:18,640 --> 00:36:20,680
{\an2}a deflated Che Guevara balloon.
813
00:36:20,720 --> 00:36:22,600
{\an2}This is primetime, baby.
814
00:36:22,640 --> 00:36:24,640
{\an2}They can't take the BAFTA off us now!
815
00:36:34,240 --> 00:36:36,640
{\an2}Hello, welcome back to Taskmaster.
816
00:36:36,680 --> 00:36:38,040
{\an2}It's the last part of the show
817
00:36:38,080 --> 00:36:40,560
{\an2}and there is a tricky tie task
which needs completing.
818
00:36:40,600 --> 00:36:41,880
{\an2}That's right, Greg, they're trying
819
00:36:41,920 --> 00:36:45,040
{\an2}to tie themselves up as best as
possible, while lying horizontally.
820
00:36:45,080 --> 00:36:47,440
{\an2}But if during the process they
pull down
821
00:36:47,480 --> 00:36:50,280
{\an2}the terrible tie, it's all over.
822
00:36:50,320 --> 00:36:51,840
{\an2}Finally, a man perhaps best known
823
00:36:51,880 --> 00:36:53,560
{\an2}for his role as Mattis in Free
Jimmy,
824
00:36:53,600 --> 00:36:56,280
{\an2}the 2006 animation which
also starred Woody Harrelson,
825
00:36:56,320 --> 00:36:57,960
{\an2}it's Steve Pemberton.
826
00:36:59,720 --> 00:37:01,320
{\an2}Oh, now you're talking.
827
00:37:01,360 --> 00:37:02,960
{\an2}I want to higher the bed.
828
00:37:03,000 --> 00:37:04,640
{\an2}So if I come off here.
829
00:37:05,800 --> 00:37:10,120
{\an8}I thought there'd be a way
to screw, ah, bollocks.
830
00:37:13,600 --> 00:37:15,720
{\an2}Is this the horrible one?
831
00:37:15,760 --> 00:37:17,400
{\an2}Ah, it's something in Welsh.
832
00:37:19,360 --> 00:37:20,840
{\an8}Come on!
833
00:37:22,840 --> 00:37:27,600
{\an8}This is like sort of hook-a-duck
but with ties
834
00:37:27,640 --> 00:37:29,400
{\an2}and lying down.
835
00:37:29,440 --> 00:37:31,960
{\an8}I want different body
parts involved.
836
00:37:32,000 --> 00:37:33,560
{\an8}Oh, thank you, God.
837
00:37:33,600 --> 00:37:36,000
{\an8}The tie gods are shining down on me.
838
00:37:36,040 --> 00:37:38,160
{\an8}Oh, thank you.
839
00:37:39,840 --> 00:37:41,160
{\an8}Yeah. Oh!
840
00:37:43,880 --> 00:37:44,880
{\an8}Ah.
841
00:37:46,040 --> 00:37:48,040
{\an8}I can't keep up with
the number of ties
842
00:37:48,080 --> 00:37:49,600
{\an8}the tie gods are giving me.
843
00:37:49,640 --> 00:37:51,640
{\an8}It's a whole TIE-rade!
844
00:37:51,680 --> 00:37:52,960
{\an8}Oh.
845
00:37:53,000 --> 00:37:54,280
{\an8}20 seconds.
846
00:37:54,320 --> 00:37:56,920
{\an8}OK, I think I'm done.
I'll enjoy it now.
847
00:37:56,960 --> 00:37:58,520
{\an2}Five seconds left. OK.
848
00:37:58,560 --> 00:38:01,000
{\an8}WHISTLE BLOWS
If you could leave the lab now,
849
00:38:01,040 --> 00:38:03,760
{\an8}that'd be great.
LAUGHTER
850
00:38:03,800 --> 00:38:07,240
{\an2}APPLAUSE
ALEX:We left him there.
851
00:38:08,720 --> 00:38:10,560
{\an2}He was so violent with
the mechanism,
852
00:38:10,600 --> 00:38:12,880
{\an2}he whacked it and he put it off at
an angle, so they couldn't,
853
00:38:12,920 --> 00:38:14,800
{\an2}they had nowhere to go
but fall on top of Steve.
854
00:38:14,840 --> 00:38:16,640
{\an2}And he tied 28 ties. AUDIENCE: Ooh.
855
00:38:16,680 --> 00:38:18,120
{\an2}Attached himself to the bed.
856
00:38:18,160 --> 00:38:20,160
{\an2}Each of his fingers was tied up.
GREG WHISTLES
857
00:38:20,200 --> 00:38:22,840
{\an2}Individual fingers,
mouth, head, pelvis.
858
00:38:22,880 --> 00:38:25,960
{\an2}Not through the pelvic bone but...
No. No.
859
00:38:26,000 --> 00:38:28,560
{\an2}I mean, do you wanna win or not?
860
00:38:28,600 --> 00:38:29,920
{\an2}Um, let's talk about this,
861
00:38:29,960 --> 00:38:31,920
{\an2}uh, Welsh tie business.
They weren't prayers.
862
00:38:31,960 --> 00:38:33,680
{\an2}No, they were my family mottos.
863
00:38:33,720 --> 00:38:35,760
{\an2}There's the green one - that's
the one that Joanne got
864
00:38:35,800 --> 00:38:37,320
{\an2}and obviously that says, uh,
865
00:38:37,360 --> 00:38:39,440
{\an2}"Know what you want and
have the confidence to go after it."
866
00:38:39,480 --> 00:38:41,200
{\an2}That's what I wore on my stag night.
867
00:38:41,240 --> 00:38:42,400
{\an2}Nice.
868
00:38:42,440 --> 00:38:45,040
{\an2}Joanne and John both got
the yellow one down.
869
00:38:45,080 --> 00:38:47,520
{\an2}"Don't watch the clock - do what
it does. Keep going."
870
00:38:47,560 --> 00:38:49,080
{\an2}I wore that on my wedding day.
871
00:38:49,120 --> 00:38:51,000
{\an2}Uh, purple, Steve got the purple
one.
872
00:38:51,040 --> 00:38:54,040
{\an2}Which says, "Whoever is happy will
make others happy too."
873
00:38:54,080 --> 00:38:55,800
{\an2}And then the red tie of course, uh,
874
00:38:55,840 --> 00:38:59,840
{\an2}my dad's tie which says,
"This is the terrible tie."
875
00:38:59,880 --> 00:39:02,120
{\an2}And that was brought down by
Mr Steve Pemberton.
876
00:39:02,160 --> 00:39:04,840
{\an2}AUDIENCE: Aw.
877
00:39:04,880 --> 00:39:07,480
{\an2}Of all the ties to rain down on me.
878
00:39:07,520 --> 00:39:08,920
{\an2}Poor Steve is out.
879
00:39:08,960 --> 00:39:10,320
{\an2}I liked Sophie's attempt
880
00:39:10,360 --> 00:39:12,920
{\an2}and I thought the rope was
impressive, so I'm going to reward
it.
881
00:39:12,960 --> 00:39:14,600
{\an2}Woo. Most tied-up person wins.
882
00:39:14,640 --> 00:39:16,080
{\an2}She was the most tied-up person.
883
00:39:16,120 --> 00:39:18,320
{\an2}Yes. And then we'll do it according
to the amount of ties.
884
00:39:18,360 --> 00:39:20,040
{\an2}That were used. OK, well it's two
points to Nick,
885
00:39:20,080 --> 00:39:21,440
{\an2}three to John, four to Joanne,
886
00:39:21,480 --> 00:39:23,240
{\an2}five points to Sophie Willan!
887
00:39:28,240 --> 00:39:29,560
{\an2}Can we have a look at the scores?
888
00:39:29,600 --> 00:39:30,840
{\an2}Yes, Sophie's got
a chance of winning,
889
00:39:30,880 --> 00:39:33,160
{\an2}she's on 15,
John is on the top with 16 points.
890
00:39:33,200 --> 00:39:34,440
{\an2}Wow, still ahead.
891
00:39:34,480 --> 00:39:37,040
{\an1}APPLAUSE
892
00:39:37,080 --> 00:39:38,680
{\an2}She's in with a shot.
893
00:39:39,880 --> 00:39:41,400
{\an2}All right, well, here we are.
894
00:39:41,440 --> 00:39:42,640
{\an2}Make your way to the stage,
895
00:39:42,680 --> 00:39:43,840
{\an2}final task of the show!
896
00:39:43,880 --> 00:39:46,200
{\an1}APPLAUSE
897
00:39:50,280 --> 00:39:51,880
{\an2}What's cooking, good-looking?
898
00:39:51,920 --> 00:39:53,600
{\an2}Who's reading the task out?
899
00:39:53,640 --> 00:39:55,760
{\an2}Uh, I think Steve Pemberton's
going to read this one out.
900
00:39:55,800 --> 00:39:57,040
{\an2}Is he? Oh, yes.
901
00:39:58,760 --> 00:40:00,840
{\an2}Park a vehicle in the parking bay.
902
00:40:00,880 --> 00:40:04,360
{\an2}Your vehicle must be rolled whilst
standing on the spot,
903
00:40:04,400 --> 00:40:07,200
{\an2}and the worst parker each round,
is eliminated.
904
00:40:07,240 --> 00:40:08,920
{\an2}It's a parking challenge.
905
00:40:08,960 --> 00:40:10,880
{\an2}We have four parking bays there.
906
00:40:10,920 --> 00:40:13,520
{\an2}So in round one, you've gotta
try to park one of these vehicles
907
00:40:13,560 --> 00:40:15,160
{\an2}in parking space number one.
908
00:40:15,200 --> 00:40:17,080
{\an2}So you can now write down what order
909
00:40:17,120 --> 00:40:18,920
{\an2}you want to park your vehicles.
910
00:40:18,960 --> 00:40:21,000
{\an2}As always happens
in this show, Greg,
911
00:40:21,040 --> 00:40:23,000
{\an2}the person in the lead goes first.
912
00:40:23,040 --> 00:40:26,160
{\an2}On this occasion it's John.
So, John, you have selected the car.
913
00:40:26,200 --> 00:40:28,600
{\an2}Yeah. You must stay on
the gold circle.
914
00:40:28,640 --> 00:40:31,080
{\an2}You're aiming for parking bay
number one.
915
00:40:31,120 --> 00:40:32,520
{\an2}John, park that car.
916
00:40:35,880 --> 00:40:39,320
{\an2}AUDIENCE:Ooh.
APPLAUSE
917
00:40:39,360 --> 00:40:41,080
{\an8}Not a bad start.
918
00:40:41,120 --> 00:40:44,200
{\an2}He's popped into two.
LAUGHTER
919
00:40:44,240 --> 00:40:46,040
{\an2}Right, it's Sophie next.
920
00:40:46,080 --> 00:40:48,840
{\an2}Bring your little version
of yourself with you.
921
00:40:48,880 --> 00:40:51,160
{\an2}That's lovely.
LAUGHTER
922
00:40:53,240 --> 00:40:56,080
{\an8}No. No, it's gone too far, fuck!
923
00:40:58,040 --> 00:41:00,200
{\an2}APPLAUSE
Not too bad, it's not a disaster.
924
00:41:00,240 --> 00:41:01,760
{\an2}It, it is a bit, let's be honest.
925
00:41:01,800 --> 00:41:03,920
{\an2}It's not great.
926
00:41:03,960 --> 00:41:05,920
{\an2}Nick, you're up next. I'm third.
927
00:41:05,960 --> 00:41:07,440
{\an2}And you've selected the buggy.
928
00:41:07,480 --> 00:41:10,600
{\an2}Yes. You've just, you can
just slot your little legs.
929
00:41:10,640 --> 00:41:12,400
{\an2}My own or...? Well, either's fine.
930
00:41:16,480 --> 00:41:18,000
{\an8}AUDIENCE: Ooh.
931
00:41:18,040 --> 00:41:19,360
{\an8}Very clever.
932
00:41:20,480 --> 00:41:22,800
{\an8}He's definitely made it through
to round two, I can tell you that.
933
00:41:22,840 --> 00:41:25,560
{\an2}Yeah, well done.
934
00:41:25,600 --> 00:41:27,200
{\an2}OK, Joanne McNally,
you're up next. OK.
935
00:41:27,240 --> 00:41:28,760
{\an2}You have chosen the horse. Yeah.
936
00:41:30,800 --> 00:41:32,960
{\an8}Oh, ooh. Go on!
937
00:41:33,000 --> 00:41:35,240
{\an2}It's safe,
she is safely through. Well done.
938
00:41:35,280 --> 00:41:37,560
{\an1}APPLAUSE
939
00:41:37,600 --> 00:41:39,600
{\an2}Right, finally it's Steve Pemberton.
940
00:41:39,640 --> 00:41:41,320
{\an2}What have you selected first
of all?
941
00:41:41,360 --> 00:41:43,600
{\an2}I've selected the trolley.
942
00:41:43,640 --> 00:41:45,040
{\an2}OK.
943
00:41:48,000 --> 00:41:49,280
{\an2}Yeah. Ooh.
944
00:41:49,320 --> 00:41:51,640
{\an2}Is it enough? Let's have a look.
945
00:41:51,680 --> 00:41:55,400
{\an2}Arguably, Sophie's only chance at
winning an episode...
946
00:41:55,440 --> 00:41:57,720
{\an2}..has just been dashed against
the rocks.
947
00:41:57,760 --> 00:41:59,000
{\an2}Fine.
948
00:41:59,040 --> 00:42:00,880
{\an2}Unfortunately, Sophie, you've been
eliminated in round one.
949
00:42:00,920 --> 00:42:01,920
{\an2}Have I? And I must...
950
00:42:01,960 --> 00:42:04,000
{\an2}..I must take small
Sophie away from you.
951
00:42:04,040 --> 00:42:06,640
{\an2}No.Yeah.
LAUGHTER
952
00:42:06,680 --> 00:42:08,280
{\an2}Oh. Sit on the bench of shame.
953
00:42:10,520 --> 00:42:12,480
{\an2}Sit on the what?
The bench of shame.
954
00:42:12,520 --> 00:42:14,400
{\an2}Right, round two. It is sad.
John, you're up first.
955
00:42:14,440 --> 00:42:17,480
{\an2}You've picked the trolley,
so if you wanna mount the trolley.
956
00:42:24,600 --> 00:42:27,520
{\an2}This is aiming for number two,
of course.
957
00:42:27,560 --> 00:42:30,480
{\an2}Gosh, yeah. Oh.
958
00:42:30,520 --> 00:42:33,160
{\an2}It's hard to get the balance right
with that trolley.
959
00:42:33,200 --> 00:42:34,200
{\an2}Yeah.
960
00:42:36,120 --> 00:42:37,440
{\an2}Parking bay two.
961
00:42:37,480 --> 00:42:39,040
{\an2}Nick also with the trolley.
962
00:42:41,360 --> 00:42:42,560
{\an2}Oh, God. Confident.
963
00:42:42,600 --> 00:42:45,200
{\an2}Bold. My, God. Oh!
964
00:42:45,240 --> 00:42:48,800
{\an1}APPLAUSE
965
00:42:51,000 --> 00:42:53,480
{\an2}That was electric.
966
00:42:53,520 --> 00:42:55,800
{\an2}Joanne, you've selected the car.
967
00:42:55,840 --> 00:42:58,200
{\an2}And do you remember what happened
the first time the car was used?
968
00:42:58,240 --> 00:42:59,760
{\an2}It went too far.
969
00:42:59,800 --> 00:43:00,920
{\an2}So what are you gonna do?
970
00:43:02,160 --> 00:43:03,320
{\an2}I'm gonna win, Alex.
971
00:43:03,360 --> 00:43:05,560
{\an7}LAUGHTER
972
00:43:05,600 --> 00:43:08,280
{\an7}AUDIENCE MEMBER SCREAMS
973
00:43:10,000 --> 00:43:11,520
{\an2}Ah.
974
00:43:11,560 --> 00:43:13,160
{\an2}I fucked up. AUDIENCE: Aw.
975
00:43:13,200 --> 00:43:15,640
{\an2}JOHN: I've gotta say, despite
being in the drop zone,
976
00:43:15,680 --> 00:43:16,840
{\an2}I didn't wanna see that.
977
00:43:18,560 --> 00:43:20,240
{\an2}Steve, you're up.
What have you chosen?
978
00:43:20,280 --> 00:43:21,600
{\an2}I've chosen the buggy.
979
00:43:23,240 --> 00:43:25,760
{\an2}You step on that board I'm
gonna come up there like a windmill.
980
00:43:30,160 --> 00:43:31,840
{\an2}Oh, that's lovely.
This is looking good.
981
00:43:31,880 --> 00:43:34,000
{\an2}Yeah, that is lovely.
982
00:43:34,040 --> 00:43:36,400
{\an2}Woo!
APPLAUSE
983
00:43:38,400 --> 00:43:40,360
{\an2}And that is how you park a child.
984
00:43:41,920 --> 00:43:43,480
{\an2}Joanne's out. Tragic.
985
00:43:45,960 --> 00:43:48,440
{\an2}OK, it's the penultimate round.
986
00:43:48,480 --> 00:43:52,360
{\an2}John Robins, again, up first.
Picked the horse.
987
00:43:52,400 --> 00:43:54,640
{\an2}So, John, you're aiming for parking
bay number three, of course.
988
00:43:54,680 --> 00:43:55,960
{\an2}OK.
989
00:43:58,240 --> 00:43:59,720
{\an2}Oh, my God.
990
00:44:02,600 --> 00:44:04,720
{\an2}It's very level, it's very level.
991
00:44:08,080 --> 00:44:10,280
{\an2}OK it's, uh, Nick Mohammed,
what are you going with?
992
00:44:10,320 --> 00:44:11,600
{\an2}I'm going with horse as well.
993
00:44:11,640 --> 00:44:13,840
{\an2}Oh, really,
well you've seen how to do it.
994
00:44:13,880 --> 00:44:15,040
{\an2}Good luck, Nick.
995
00:44:18,720 --> 00:44:19,720
{\an2}Oh!
996
00:44:21,360 --> 00:44:24,120
{\an1}APPLAUSE
997
00:44:28,960 --> 00:44:30,600
{\an2}I think I'm out.
998
00:44:30,640 --> 00:44:33,280
{\an2}Well, there's still Steve, he just
needs to not do that.
999
00:44:34,680 --> 00:44:36,720
{\an2}The slightest shove will do it,
Steve. What have you picked?
1000
00:44:36,760 --> 00:44:39,280
{\an2}I've got horse as well.
John, any advice on the horse?
1001
00:44:39,320 --> 00:44:40,840
{\an2}Just whack it right off the end.
1002
00:44:40,880 --> 00:44:41,880
{\an2}Whack it.
1003
00:44:44,920 --> 00:44:46,480
{\an2}Ooh. Really good.
1004
00:44:46,520 --> 00:44:49,000
{\an2}Oh, good stuff. You've made it
through to round three, well done.
1005
00:44:49,040 --> 00:44:51,160
{\an1}APPLAUSE
1006
00:44:51,200 --> 00:44:53,240
{\an2}Greg, I'm afraid we have
to say goodbye to Nick Mohammed.
1007
00:44:54,480 --> 00:44:58,800
{\an1}APPLAUSE
1008
00:44:58,840 --> 00:45:01,200
{\an2}OK, so it's Pemberton versus Robins,
1009
00:45:01,240 --> 00:45:03,680
{\an2}and it's been a theme of
the series so far.
1010
00:45:03,720 --> 00:45:06,960
{\an2}In the final round, you both push at
the same time.
1011
00:45:07,000 --> 00:45:09,480
{\an2}Oh, a twist!
1012
00:45:09,520 --> 00:45:11,680
{\an2}Yes. Oh, my God.
1013
00:45:11,720 --> 00:45:13,320
{\an2}This to the glue factory now?
1014
00:45:14,920 --> 00:45:16,640
{\an2}Get in your vehicles, guys.
1015
00:45:16,680 --> 00:45:18,360
{\an2}Clear the Knappett.
1016
00:45:18,400 --> 00:45:20,040
{\an2}Oh, that's lovely to see.
1017
00:45:21,240 --> 00:45:23,840
{\an1}APPLAUSE
1018
00:45:23,880 --> 00:45:25,640
{\an2}So you must roll on the whistle.
1019
00:45:25,680 --> 00:45:26,960
{\an2}I am genuinely excited.
1020
00:45:28,320 --> 00:45:30,360
{\an2}Three, two, one.
1021
00:45:30,400 --> 00:45:32,320
{\an2}WHISTLE BLOWS
Ooh.
1022
00:45:32,360 --> 00:45:33,640
{\an2}Oh, my God.
1023
00:45:36,280 --> 00:45:38,440
{\an2}Pemberton!
1024
00:45:38,480 --> 00:45:40,360
{\an2}Pemberton takes it!
1025
00:45:48,800 --> 00:45:52,840
{\an2}That is classic Pemberton.
LAUGHTER
1026
00:45:52,880 --> 00:45:54,840
{\an2}Well done, we'll add that to your
final scores,
1027
00:45:54,880 --> 00:45:56,240
{\an2}come down and join me, well done.
1028
00:45:56,280 --> 00:45:58,880
{\an1}APPLAUSE
1029
00:46:03,240 --> 00:46:05,040
{\an2}Tell you what, Pemberton can park.
1030
00:46:05,080 --> 00:46:06,840
{\an2}It's not me, it's the little guy.
1031
00:46:06,880 --> 00:46:10,440
{\an2}I have totted-up the scores now,
Greg,
1032
00:46:10,480 --> 00:46:12,680
{\an2}and those five points for
Pemberton...
1033
00:46:12,720 --> 00:46:15,040
{\an2}..have very little bearing on
the final scores because
1034
00:46:15,080 --> 00:46:17,240
{\an2}the third episode in a row
has been won
1035
00:46:17,280 --> 00:46:18,480
{\an2}by Mr John Robins!
1036
00:46:18,520 --> 00:46:20,360
{\an2}Oh, gosh.
1037
00:46:20,400 --> 00:46:22,960
{\an1}APPLAUSE
1038
00:46:23,000 --> 00:46:25,320
{\an2}John Robins wins!
1039
00:46:25,360 --> 00:46:28,880
{\an2}Please pick up your
extraordinary pictures!
1040
00:46:31,200 --> 00:46:34,840
{\an2}So, what have we learnt from
today's show?
1041
00:46:34,880 --> 00:46:38,080
{\an2}Well, we all know that life has its
ups and its downs.
1042
00:46:38,120 --> 00:46:39,760
{\an2}Everybody has their struggles,
1043
00:46:39,800 --> 00:46:41,440
{\an2}but whatever you've been through,
1044
00:46:41,480 --> 00:46:43,720
{\an2}whatever you're going through,
do remember...
1045
00:46:43,760 --> 00:46:46,480
{\an2}..things could always be worse.
1046
00:46:46,520 --> 00:46:48,600
{\an1}LAUGHTER
1047
00:46:48,640 --> 00:46:51,880
{\an2}That's us halfway through the series
1048
00:46:51,920 --> 00:46:55,560
{\an2}and this is your champion of
the night, Mr John Robins!
1049
00:46:55,600 --> 00:46:58,920
{\an1}CHEERING AND APPLAUSE
1050
00:47:15,560 --> 00:47:18,520
{\an2}Subtitles by Red Bed Media