1 00:00:02,560 --> 00:00:03,880 {\an1}POP 2 00:00:03,920 --> 00:00:04,920 {\an2}Well, well, well. 3 00:00:04,960 --> 00:00:07,440 {\an2}Ooh! Oh, no, no. 4 00:00:07,480 --> 00:00:08,680 {\an2}Yes! Ah! 5 00:00:08,720 --> 00:00:09,840 {\an1}SHE HISSES, BELL RINGS 6 00:00:09,880 --> 00:00:11,720 {\an2}This programme contains strong language and adult humour 7 00:00:11,760 --> 00:00:12,800 {\an2}Ah! 8 00:00:12,840 --> 00:00:14,280 {\an2}Um... 9 00:00:14,320 --> 00:00:15,960 {\an2}Quite windy today. Yeah. 10 00:00:16,000 --> 00:00:17,000 {\an2}Christ. 11 00:00:17,040 --> 00:00:19,160 {\an2}Ooh! Wrong way. 12 00:00:19,200 --> 00:00:20,480 {\an2}That's how you do it, baby. 13 00:00:20,520 --> 00:00:21,920 {\an2}OK. 14 00:00:21,960 --> 00:00:23,440 {\an2}Oh, my God! 15 00:00:23,480 --> 00:00:25,080 {\an2}Ah! Ah! Ah! Ooh! 16 00:00:25,120 --> 00:00:26,160 {\an1}SHE BABBLES 17 00:00:26,200 --> 00:00:28,400 {\an1}CHEERING AND APPLAUSE 18 00:00:34,680 --> 00:00:39,040 {\an2}Hi, hello, welcome. Welcome to Taskmaster. 19 00:00:39,080 --> 00:00:41,960 {\an2}A show that if my social media communications are anything 20 00:00:42,000 --> 00:00:46,120 {\an2}to go by, attracts sociopathic nerds who mistakenly believe they have 21 00:00:46,160 --> 00:00:48,480 {\an2}the right to reply. LAUGHING 22 00:00:48,520 --> 00:00:50,760 {\an2}As do the following five task titans. 23 00:00:50,800 --> 00:00:53,920 {\an2}Please welcome Joanne McNally... CHEERING AND APPLAUSE 24 00:00:53,960 --> 00:00:55,760 {\an2}..John Robins... CHEERING AND APPLAUSE 25 00:00:55,800 --> 00:00:57,800 {\an2}..Nick Mohammed... CHEERING AND APPLAUSE 26 00:00:57,840 --> 00:00:59,880 {\an2}..Sophie Willan... CHEERING AND APPLAUSE 27 00:00:59,920 --> 00:01:03,120 {\an2}..and Steve Pemberton! CHEERING AND APPLAUSE 28 00:01:03,160 --> 00:01:07,360 {\an2}And next to me, a man who on a night out recently confided in me 29 00:01:07,400 --> 00:01:11,000 {\an2}about his theory that strength of regional accent is 30 00:01:11,040 --> 00:01:13,960 {\an2}directly related to lack of intelligence. 31 00:01:14,000 --> 00:01:16,440 {\an1}LAUGHING 32 00:01:16,480 --> 00:01:18,720 {\an2}Don't shoot the messenger... LAUGHING 33 00:01:18,760 --> 00:01:20,760 {\an2}..shoot little Alex Horne! 34 00:01:20,800 --> 00:01:23,240 {\an1}CHEERING AND APPLAUSE 35 00:01:23,280 --> 00:01:25,840 {\an2}It's an opinion, it's just an opinion. 36 00:01:25,880 --> 00:01:27,760 {\an2}Hello, Greg. Hello, there. 37 00:01:27,800 --> 00:01:29,520 {\an2}So I wanna...I wanna talk about something quite, 38 00:01:29,560 --> 00:01:31,800 {\an2}uh, grown-up. A bit...a bit of adult stuff. 39 00:01:33,240 --> 00:01:36,280 {\an2}So sorry but what...what's that under there? Hmm. 40 00:01:36,320 --> 00:01:37,800 {\an2}Greg, what's that under there? 41 00:01:37,840 --> 00:01:40,680 {\an2}Where? W...no, what's that under there? 42 00:01:40,720 --> 00:01:43,760 {\an2}Under where? Ah! Underwear. She said underwear. 43 00:01:43,800 --> 00:01:47,480 {\an2}She...she said underwear. Huh? Yeah? APPLAUSE 44 00:01:47,520 --> 00:01:49,080 {\an2}I like that. 45 00:01:49,120 --> 00:01:50,680 {\an2}Shall we have the prize task? 46 00:01:50,720 --> 00:01:52,000 {\an2}We shall see a prize task, 47 00:01:52,040 --> 00:01:54,160 {\an2}and things are gonna get hot in here, 48 00:01:54,200 --> 00:01:57,640 {\an2}because we're gonna get to see their most extraordinary pictures. 49 00:01:57,680 --> 00:02:00,240 {\an2}Five points for the picture Greg thinks is the most extraordinary, 50 00:02:00,280 --> 00:02:03,080 {\an2}and one lucky winner will take home five extraordinary pictures. 51 00:02:03,120 --> 00:02:04,400 {\an2}Hello, Sophie. Oh, hello. 52 00:02:04,440 --> 00:02:07,320 {\an2}What extra-ordinary picture have you brought me? 53 00:02:07,360 --> 00:02:11,000 {\an2}I've set up a little studio in me dressing room. And I made you this. 54 00:02:11,040 --> 00:02:13,960 {\an2}LAUGHING Aww, that's great.It's good! 55 00:02:14,000 --> 00:02:15,440 {\an2}It's the dancing vole! 56 00:02:15,480 --> 00:02:16,640 {\an2}From episode one. 57 00:02:16,680 --> 00:02:18,160 {\an2}I think that's great. Really? 58 00:02:18,200 --> 00:02:20,640 {\an2}Well, let me give you a different take on it, Nick. 59 00:02:21,920 --> 00:02:24,240 {\an2}Why is it extraordinary? I mean it's extraordinary 60 00:02:24,280 --> 00:02:27,360 {\an2}to discover that you've got some level of ability at art. 61 00:02:27,400 --> 00:02:29,920 {\an2}What, really? You think so? Have I? 62 00:02:29,960 --> 00:02:32,720 {\an2}Well, I mean... You know. Yeah. GC...GCSE. 63 00:02:33,920 --> 00:02:36,680 {\an2}I think why it's extraordinary is look at the fur at 64 00:02:36,720 --> 00:02:39,640 {\an2}the ends that's fli...flinging off. That was purposeful. 65 00:02:39,680 --> 00:02:42,920 {\an2}Could it be a vole that's very recently died? 66 00:02:42,960 --> 00:02:45,160 {\an1}LAUGHING 67 00:02:45,200 --> 00:02:47,040 {\an2}I thought it was running into a fire. 68 00:02:47,080 --> 00:02:49,440 {\an1}LAUGHING 69 00:02:49,480 --> 00:02:52,120 {\an2}It's neither bad nor extraordinary. 70 00:02:52,160 --> 00:02:55,520 {\an2}Well done, Sophie. Thank you. Thanks. 71 00:02:55,560 --> 00:02:57,760 {\an2}Nick, what have you brought in? 72 00:02:57,800 --> 00:03:00,720 {\an2}Well, ah... So this is a picture that I have taken. 73 00:03:00,760 --> 00:03:03,640 {\an2}And it's a picture of a sign outside of 74 00:03:03,680 --> 00:03:05,080 {\an2}a church quite near where I live. 75 00:03:05,120 --> 00:03:09,400 {\an2}And I just find it extraordinary that "teas" is...is so big. 76 00:03:09,440 --> 00:03:10,880 {\an1}LAUGHING 77 00:03:12,160 --> 00:03:13,720 {\an2}So it's like, why are they scream... 78 00:03:13,760 --> 00:03:16,640 {\an2}"TEAS!!" Like, why are they screaming "teas"? 79 00:03:16,680 --> 00:03:19,320 {\an2}There's a slight raise of voice on "till" and "Sunday", 80 00:03:19,360 --> 00:03:20,680 {\an2}as well, isn't there? Yeah. Yeah. 81 00:03:20,720 --> 00:03:25,240 {\an2}St Anne's Church, home-made cream TEAS, 3pm TILL 5pm SUNDAY. SUNDAY. 82 00:03:25,280 --> 00:03:26,480 {\an1}LAUGHING 83 00:03:26,520 --> 00:03:29,360 {\an2}Scared the shit out of me, that. Sorry. 84 00:03:29,400 --> 00:03:31,400 {\an2}LAUGHING It is extraordinary. 85 00:03:31,440 --> 00:03:32,440 {\an2}Thanks, Greg. 86 00:03:32,480 --> 00:03:33,680 {\an2}John. Hi, Greg. 87 00:03:33,720 --> 00:03:35,000 {\an2}Can you beat a shouty sign? 88 00:03:35,040 --> 00:03:38,120 {\an2}We all work in entertainment in various forms. 89 00:03:38,160 --> 00:03:40,000 {\an2}And people watching us might think that's a very 90 00:03:40,040 --> 00:03:41,720 {\an2}glamorous industry. Hmm. 91 00:03:41,760 --> 00:03:45,440 {\an2}However, my picture was, uh, taken of a comedian called Paul McCaffrey 92 00:03:45,480 --> 00:03:48,680 {\an2}and captures the true bleakness of being 93 00:03:48,720 --> 00:03:51,720 {\an2}a travelling comedian better than any image 94 00:03:51,760 --> 00:03:54,400 {\an2}in the history of civilisation. LAUGHING 95 00:03:54,440 --> 00:03:56,440 {\an2}Jesus Christ, that's a build-up. 96 00:03:56,480 --> 00:03:59,680 {\an1}LAUGHING 97 00:04:04,040 --> 00:04:06,720 {\an2}Oh, my God. I have been in that chair. 98 00:04:06,760 --> 00:04:08,080 {\an1}LAUGHING 99 00:04:08,120 --> 00:04:11,440 {\an2}I love that he's being papped in a restaurant. 100 00:04:11,480 --> 00:04:14,240 {\an2}He's being recognised from a TV show 101 00:04:14,280 --> 00:04:18,080 {\an2}and the guy taking the picture is sort of unaware of 102 00:04:18,120 --> 00:04:21,840 {\an2}the moment of complete sort of... 103 00:04:21,880 --> 00:04:24,880 {\an2}It's a mixture of self-hatred. Yeah. 104 00:04:24,920 --> 00:04:26,320 {\an2}It's...it's... 105 00:04:26,360 --> 00:04:28,960 {\an2}..it's bafflement at how life turned out this way. 106 00:04:29,000 --> 00:04:30,560 {\an2}Just... Do you know what, when I first saw it, 107 00:04:30,600 --> 00:04:32,880 {\an2}I didn't even realise that someone had taken that picture 108 00:04:32,920 --> 00:04:35,720 {\an2}and posted it. I thought it was someone Paul knew. No. 109 00:04:35,760 --> 00:04:39,280 {\an1}But no, it's a member of the public. LAUGHING 110 00:04:39,320 --> 00:04:41,600 {\an2}Wow, that's gonna take some beating. Joanne. 111 00:04:41,640 --> 00:04:43,480 {\an2}You said an extraordinary picture 112 00:04:43,520 --> 00:04:45,960 {\an2}and I was like, "Mine's more experiential." 113 00:04:46,000 --> 00:04:48,600 {\an2}Mine's a thought, a movement, an experience. 114 00:04:48,640 --> 00:04:50,920 {\an2}Ready? Yeah. Ready. Ready for the experience. 115 00:04:50,960 --> 00:04:52,480 {\an2}I'm gonna turn away and then I'm gonna experience it. 116 00:04:52,520 --> 00:04:54,600 {\an2}No, you have to look at it to experience it. 117 00:04:54,640 --> 00:04:56,320 {\an1}LAUGHING 118 00:04:56,360 --> 00:04:58,240 {\an1}LAUGHTER AND APPLAUSE 119 00:04:58,280 --> 00:05:00,040 {\an1}LAUGHTER CONTINUES 120 00:05:02,160 --> 00:05:04,080 {\an2}There, look. Oh, Che, yeah. 121 00:05:04,120 --> 00:05:06,400 {\an1}LAUGHTER 122 00:05:08,200 --> 00:05:09,560 {\an2}That's Che Guevara. 123 00:05:09,600 --> 00:05:10,840 {\an2}I-I know who it is. 124 00:05:12,040 --> 00:05:13,360 {\an2}On a balloon. Yeah. 125 00:05:14,680 --> 00:05:17,320 {\an2}I thought it was important to just raise awareness. 126 00:05:17,360 --> 00:05:19,000 {\an2}Of Che Guevara? Of Che Guevara? 127 00:05:19,040 --> 00:05:20,320 {\an2}Of Che on a balloon. Yeah. 128 00:05:20,360 --> 00:05:21,720 {\an2}And if I, if you give me the five points 129 00:05:21,760 --> 00:05:23,960 {\an2}I will donate my fee to the Cuban revolution. 130 00:05:24,000 --> 00:05:26,000 {\an1}LAUGHTER 131 00:05:26,040 --> 00:05:27,840 {\an2}They do have a GoFundMe, I've just found out, 132 00:05:27,880 --> 00:05:29,320 {\an2}the Cuban revolution. I... 133 00:05:29,360 --> 00:05:31,160 {\an1}LAUGHTER 134 00:05:31,200 --> 00:05:33,000 {\an2}What is the political statement you were making? 135 00:05:33,040 --> 00:05:35,400 {\an2}I'm making the statement that balloons are... 136 00:05:35,440 --> 00:05:37,040 {\an2}AUDIENCE MEMBER: Inflation. Balloons are pricey, 137 00:05:37,080 --> 00:05:38,160 {\an2}that's it, inflation! 138 00:05:38,200 --> 00:05:40,120 {\an2}Inflation. LAUGHTER 139 00:05:40,160 --> 00:05:43,080 {\an1}APPLAUSE 140 00:05:43,120 --> 00:05:46,560 {\an2}Actually, you didn't say it had to be extraordinarily good, 141 00:05:46,600 --> 00:05:47,880 {\an2}you just said extraordinary. 142 00:05:47,920 --> 00:05:49,280 {\an2}Mine's extraordinarily shite. 143 00:05:49,320 --> 00:05:51,360 {\an2}Ah. LAUGHTER 144 00:05:51,400 --> 00:05:54,520 {\an1}APPLAUSE 145 00:05:54,560 --> 00:05:56,320 {\an2}Hello, Steve. Hello. You all right? 146 00:05:56,360 --> 00:05:58,880 {\an2}What I've brought in is a photograph of two friends. 147 00:05:58,920 --> 00:05:59,920 {\an2}Here it is. Ah. 148 00:05:59,960 --> 00:06:03,040 {\an1}LAUGHTER 149 00:06:03,080 --> 00:06:04,560 {\an8}SOPHIE: That's terrifying. 150 00:06:04,600 --> 00:06:06,720 {\an8}STEVE: The gentleman on the right, uh, who, 151 00:06:06,760 --> 00:06:09,640 {\an2}whose name is, uh, Glug Gravies. 152 00:06:09,680 --> 00:06:11,120 {\an2}Um, he was a, 153 00:06:11,160 --> 00:06:13,640 {\an2}a geography teacher who took early retirement. 154 00:06:13,680 --> 00:06:16,920 {\an8}And then his friend, Alan Hornes, runs a pub quiz. 155 00:06:18,040 --> 00:06:19,640 {\an2}It is sinister, isn't it? 156 00:06:19,680 --> 00:06:21,120 {\an2}I mean we're not... 157 00:06:21,160 --> 00:06:25,680 {\an8}..we're not great-looking guys with our own faces, 158 00:06:25,720 --> 00:06:28,720 {\an2}but Jesus Christ. LAUGHTER 159 00:06:28,760 --> 00:06:30,480 {\an2}You must have thought about it, though. 160 00:06:30,520 --> 00:06:32,440 {\an2}You... I must have thought about swapping our faces? 161 00:06:32,480 --> 00:06:35,880 {\an2}Hmm. No. On a long flight all I think about is your torso 162 00:06:35,920 --> 00:06:37,400 {\an2}and one of my eyes, one of yours, 163 00:06:37,440 --> 00:06:38,960 {\an2}your legs, my arms 164 00:06:39,000 --> 00:06:40,880 {\an2}and just see what, you know, see how that works. 165 00:06:40,920 --> 00:06:42,920 {\an1}LAUGHTER 166 00:06:42,960 --> 00:06:45,560 {\an2}It's funny, innit, it's a relatively short thing he said to me 167 00:06:45,600 --> 00:06:47,520 {\an2}and yet I still tuned out halfway through. 168 00:06:47,560 --> 00:06:50,160 {\an1}LAUGHTER 169 00:06:50,200 --> 00:06:53,000 {\an2}Sometimes, I just mark on instinct. Hmm. OK. 170 00:06:53,040 --> 00:06:55,720 {\an2}I, I didn't find Che Guevara's balloon going down 171 00:06:55,760 --> 00:06:58,000 {\an2}even remotely extraordinary, I'm giving it one point. 172 00:06:58,040 --> 00:06:59,760 {\an2}I don't like looking at our faces, 173 00:06:59,800 --> 00:07:01,200 {\an2}even if they're chopped off 174 00:07:01,240 --> 00:07:03,320 {\an2}and put on the other face, I'm giving that two points. 175 00:07:03,360 --> 00:07:05,160 {\an2}I think you're perfectly good at art. 176 00:07:05,200 --> 00:07:06,480 {\an2}All right, thank you, I'll take that. 177 00:07:06,520 --> 00:07:07,840 {\an2}I'll give you three points. 178 00:07:07,880 --> 00:07:09,800 {\an2}Shouty teas, four points. 179 00:07:09,840 --> 00:07:13,040 {\an2}The Paul McCaffrey scream of despair, five points. 180 00:07:13,080 --> 00:07:14,760 {\an2}OK, well done, John Robins, five points. 181 00:07:14,800 --> 00:07:16,920 {\an1}APPLAUSE 182 00:07:16,960 --> 00:07:18,960 {\an2}Right, let's get on with the task proper, shall we? 183 00:07:19,000 --> 00:07:20,280 {\an2}OK then, Greg. 184 00:07:20,320 --> 00:07:22,720 {\an2}And get a load of this one, if you can bear it. 185 00:07:31,200 --> 00:07:33,240 {\an1}DOORBELL RINGS 186 00:07:35,680 --> 00:07:37,000 {\an2}Alex. Nick Mohammed. 187 00:07:37,040 --> 00:07:38,480 {\an2}Hi, yes. 188 00:07:38,520 --> 00:07:39,960 {\an2}Present. Thank you. 189 00:07:43,400 --> 00:07:45,240 {\an2}Oh, what are you wearing? 190 00:07:45,280 --> 00:07:46,640 {\an2}My special belt. 191 00:07:48,280 --> 00:07:50,080 {\an2}Hello. I was hiding. 192 00:07:50,120 --> 00:07:52,880 {\an2}You were hiding? You look like a sort of action hero. 193 00:07:52,920 --> 00:07:55,360 {\an2}Or as close to an action hero as you're ever gonna look. 194 00:07:57,280 --> 00:07:59,600 {\an2}Sophie. Yes. Are you all right? 195 00:07:59,640 --> 00:08:01,080 {\an2}Just taking precautions. 196 00:08:01,120 --> 00:08:02,640 {\an8}Right. Oh, God, OK. 197 00:08:04,040 --> 00:08:05,200 {\an2}Hello. 198 00:08:05,240 --> 00:08:06,480 {\an2}You wearing a girdle? 199 00:08:08,240 --> 00:08:11,320 {\an2}Be the most impressive load bearer. 200 00:08:12,640 --> 00:08:16,320 {\an2}Be the most impressive load bearer. Hmm. 201 00:08:16,360 --> 00:08:18,960 {\an2}In 15 minutes' time, you must stand on the doormat, 202 00:08:19,000 --> 00:08:20,880 {\an2}wave with one hand above your head 203 00:08:20,920 --> 00:08:23,360 {\an2}and give a nice big thumbs up with the other, 204 00:08:23,400 --> 00:08:25,680 {\an2}whilst bearing the most impressive load. 205 00:08:27,280 --> 00:08:29,160 {\an2}Right. 206 00:08:29,200 --> 00:08:33,000 {\an2}Your load must not be touching anything other than you. 207 00:08:33,040 --> 00:08:35,240 {\an2}Your time starts when Alex interrupts you. 208 00:08:35,280 --> 00:08:36,560 {\an2}It's called a support belt. 209 00:08:37,600 --> 00:08:39,040 {\an2}Your time starts when Alex int... 210 00:08:39,080 --> 00:08:40,240 {\an2}I'm wearing a girdle, Steve. 211 00:08:41,240 --> 00:08:43,160 {\an2}You're wearing a girdle. 212 00:08:43,200 --> 00:08:46,200 {\an2}Your time starts when Alex inter.. Good luck with the task! 213 00:08:46,240 --> 00:08:47,800 {\an2}I've started the clock. Oh, yeah. 214 00:08:48,760 --> 00:08:50,880 {\an2}Your time starts... 215 00:08:50,920 --> 00:08:52,120 {\an2}..when Alex... 216 00:08:52,160 --> 00:08:54,920 {\an2}..interrupts you. You. 217 00:08:56,360 --> 00:08:59,600 {\an2}I-I missed my opportunity. I'm gonna try again. 218 00:09:03,240 --> 00:09:05,040 {\an2}You have to say something. 219 00:09:06,480 --> 00:09:08,440 {\an2}I'll have to interrupt you physically. 220 00:09:15,320 --> 00:09:18,920 {\an2}Does that count? Fair enough, mate. I'm wearing a weightlifter's belt! 221 00:09:21,240 --> 00:09:24,000 {\an2}A good sign of Alex being an absolute narcissist, I think, 222 00:09:24,040 --> 00:09:26,320 {\an2}the attention he wanted for wearing that weightlifter's belt. 223 00:09:26,360 --> 00:09:27,880 {\an2}There's no reason for him to wear it. 224 00:09:27,920 --> 00:09:29,280 {\an2}He's just going, "Everyone look at me." 225 00:09:29,320 --> 00:09:30,880 {\an2}Everyone goes, "Oh, he's such a nice guy." 226 00:09:30,920 --> 00:09:31,920 {\an2}He's not, the guy's a prick. 227 00:09:31,960 --> 00:09:34,960 {\an2}LAUGHTER Um, OK. 228 00:09:35,000 --> 00:09:36,880 {\an2}it's all about load bearing, right? 229 00:09:36,920 --> 00:09:40,000 {\an2}Yeah. We start with a bit of Jo and a bit of So. 230 00:09:40,040 --> 00:09:41,720 {\an2}OK, well, I suppose I'll take that. 231 00:09:41,760 --> 00:09:42,920 {\an2}Yeah, yeah. 232 00:09:42,960 --> 00:09:45,040 {\an2}It's...what's this for, to balance it out? 233 00:09:45,080 --> 00:09:46,200 {\an2}It's for strong men. 234 00:09:46,240 --> 00:09:47,640 {\an2}Oh, so can I stick stuff in there? 235 00:09:47,680 --> 00:09:49,360 {\an2}Do whatever you want, Joanne. 236 00:09:50,760 --> 00:09:53,080 {\an2}Hmm, what's impressive as a load? 237 00:09:54,160 --> 00:09:56,000 {\an2}What's an impressive load? 238 00:09:56,040 --> 00:09:57,920 {\an2}Like, could I wear that around my neck? 239 00:09:59,440 --> 00:10:00,440 {\an2}No. 240 00:10:07,480 --> 00:10:08,920 {\an8}Brought the bucket of balls. 241 00:10:08,960 --> 00:10:11,880 {\an8}I mean, look, to be honest, a lot of this is just looking in that shed 242 00:10:11,920 --> 00:10:14,920 {\an8}and sort of having a panic attack, isn't it, really? 243 00:10:16,520 --> 00:10:19,560 {\an2}LAUGHTER Well, well, well. Look at this. 244 00:10:20,920 --> 00:10:25,160 {\an8}I think it's all about utilising different structures, isn't it, 245 00:10:25,200 --> 00:10:27,480 {\an8}within your own body. 246 00:10:29,040 --> 00:10:30,160 {\an2}Are you in pain? 247 00:10:30,200 --> 00:10:31,560 {\an2}Not at all. 248 00:10:31,600 --> 00:10:32,840 {\an2}I never felt better. 249 00:10:35,200 --> 00:10:39,800 {\an2}So I've maximised the load by using the pegging system. 250 00:10:39,840 --> 00:10:41,480 {\an2}Yeah. But that's a load in itself 251 00:10:41,520 --> 00:10:43,240 {\an2}and then I've loaded the loader 252 00:10:43,280 --> 00:10:44,680 {\an2}and then there's some steering wheels 253 00:10:44,720 --> 00:10:46,560 {\an2}and hula hoops around the neck for balance. 254 00:10:46,600 --> 00:10:49,200 {\an2}Oh, and a plunger in there somewhere, yeah, look at that. 255 00:10:49,240 --> 00:10:50,360 {\an2}Lovely. 256 00:10:50,400 --> 00:10:52,480 {\an8}This is good cos then what I can do 257 00:10:52,520 --> 00:10:56,240 {\an8}is put the balls on the skirt. 258 00:10:56,280 --> 00:10:57,880 {\an8}Shall I just pour them in? Yeah. 259 00:10:57,920 --> 00:10:59,120 {\an8}I'm ready. 260 00:11:02,600 --> 00:11:03,840 {\an8}Right. 261 00:11:03,880 --> 00:11:06,280 {\an2}It's quite wet. Yeah, it, it is quite wet, 262 00:11:06,320 --> 00:11:07,720 {\an2}I wasn't expecting that, were you? 263 00:11:07,760 --> 00:11:08,760 {\an2}No. 264 00:11:12,920 --> 00:11:14,680 {\an8}Release. 265 00:11:14,720 --> 00:11:16,280 {\an8}Oh, no. 266 00:11:16,320 --> 00:11:17,320 {\an8}Oh, no. 267 00:11:17,360 --> 00:11:19,880 {\an7}WHISTLE BLOWS, DISH CLATTERS 268 00:11:21,680 --> 00:11:24,120 {\an2}Did anyone...? No-one saw that, did they? 269 00:11:24,160 --> 00:11:26,200 {\an1}APPLAUSE 270 00:11:30,040 --> 00:11:31,560 {\an2}Well, interesting. 271 00:11:31,600 --> 00:11:33,920 {\an2}I-I thought both ladies did what we call on this show 272 00:11:33,960 --> 00:11:35,160 {\an2}a shed panic. 273 00:11:35,200 --> 00:11:37,320 {\an1}LAUGHTER 274 00:11:37,360 --> 00:11:39,760 {\an2}Joanne. Yeah. Did you think it was impressive? 275 00:11:39,800 --> 00:11:41,040 {\an2}I mean, yeah. Ah. 276 00:11:41,080 --> 00:11:42,320 {\an2}I clipped all the cutlery 277 00:11:42,360 --> 00:11:43,760 {\an2}individually onto that pegging thing. 278 00:11:43,800 --> 00:11:44,920 {\an2}I mean that's the one thing 279 00:11:44,960 --> 00:11:47,040 {\an2}I would say you did, you did quite well. 280 00:11:47,080 --> 00:11:50,080 {\an2}Yeah. Aside from that, what I wrote down is, you, 281 00:11:50,120 --> 00:11:53,720 {\an2}"You look like an old lady who's had a fall into a room of her own tat." 282 00:11:53,760 --> 00:11:56,000 {\an1}LAUGHTER 283 00:11:56,040 --> 00:11:58,280 {\an2}This is Sophie and Joanne bearing their impressive loads. 284 00:11:58,320 --> 00:12:01,200 {\an1}LAUGHTER 285 00:12:01,240 --> 00:12:04,120 {\an2}If I didn't know what this task was, 286 00:12:04,160 --> 00:12:07,200 {\an2}I wouldn't say that woman's got an impressive load. 287 00:12:09,160 --> 00:12:10,640 {\an2}Yeah. I look deranged, I... 288 00:12:10,680 --> 00:12:12,440 {\an2}Oh, oh. 289 00:12:12,480 --> 00:12:15,480 {\an2}You, I mean you look like you've done a lot of shouting in a high street. 290 00:12:15,520 --> 00:12:17,680 {\an1}LAUGHTER 291 00:12:17,720 --> 00:12:20,320 {\an2}You, Sophie looks like she's turned up to 292 00:12:20,360 --> 00:12:22,960 {\an2}a beach party that everyone has desperately tried 293 00:12:23,000 --> 00:12:24,080 {\an2}to stop her finding out about. 294 00:12:24,120 --> 00:12:27,120 {\an1}LAUGHTER 295 00:12:27,160 --> 00:12:29,560 {\an2}I mean, it's hard to know which one of these two 296 00:12:29,600 --> 00:12:31,400 {\an2}you want to turn up l-less. 297 00:12:32,960 --> 00:12:36,480 {\an2}Both, both of them are saying, "I didn't get any of the WhatsApps." 298 00:12:38,000 --> 00:12:40,040 {\an2}Have you got some statistics for me? Yes, we did weigh 299 00:12:40,080 --> 00:12:41,400 {\an2}the amount of load they, 300 00:12:41,440 --> 00:12:42,960 {\an2}they were bearing. Uh, 301 00:12:43,000 --> 00:12:45,280 {\an2}Sophie, 13.2kg 302 00:12:45,320 --> 00:12:47,880 {\an2}versus 5.4 for Joanne, 303 00:12:47,920 --> 00:12:50,520 {\an2}half of which was the traffic cone. LAUGHTER 304 00:12:50,560 --> 00:12:52,280 {\an2}Right, who are we gonna see next? 305 00:12:52,320 --> 00:12:54,720 {\an2}It's time to get a load of Nick and Steve. 306 00:12:55,800 --> 00:12:57,440 {\an2}Bear an impressive load. 307 00:12:57,480 --> 00:12:58,640 {\an2}Bear. 308 00:12:58,680 --> 00:12:59,680 {\an2}Bear. 309 00:12:59,720 --> 00:13:01,680 {\an2}Bear. Bear. 310 00:13:01,720 --> 00:13:03,200 {\an2}Got a rare tiger, don't know why. 311 00:13:03,240 --> 00:13:06,440 {\an2}But it's quite impressive, also it's got a sort of natural... 312 00:13:08,560 --> 00:13:09,920 {\an2}How heavy is the caravan? 313 00:13:11,000 --> 00:13:12,440 {\an2}I'm only kidding. 314 00:13:12,480 --> 00:13:14,440 {\an2}Um, is there some dress-up clothes? 315 00:13:14,480 --> 00:13:15,880 {\an2}If you go into the secret room. 316 00:13:17,160 --> 00:13:19,840 {\an2}The secret room. Yeah, it's in the caravan. Ah. 317 00:13:19,880 --> 00:13:22,920 {\an2}Right, if there's a way of sort of doing kind of. 318 00:13:23,960 --> 00:13:25,560 {\an2}Have you done this sort of thing before? 319 00:13:25,600 --> 00:13:26,880 {\an2}No. Right. 320 00:13:26,920 --> 00:13:29,040 {\an2}Have you found the secret room? Um... 321 00:13:29,080 --> 00:13:31,080 {\an2}This? Yeah. Oh, my God! 322 00:13:31,120 --> 00:13:34,760 {\an2}You're kidding! Oh, my God, this is amazing. 323 00:13:34,800 --> 00:13:37,920 {\an2}NICK GRUNTS Come on, Linda. 324 00:13:37,960 --> 00:13:39,440 {\an2}Nick. Oh, yeah. 325 00:13:41,400 --> 00:13:42,760 {\an2}Um, right. 326 00:13:45,480 --> 00:13:48,560 {\an2}What I'm gonna do is create somebody who's riding the tiger 327 00:13:48,600 --> 00:13:51,040 {\an2}and the tiger and the person are on my back. 328 00:13:55,080 --> 00:13:56,440 {\an2}We can do this. 329 00:13:57,760 --> 00:13:59,000 {\an2}We can do this. 330 00:13:59,040 --> 00:14:00,280 {\an2}Another six inches, Steve. 331 00:14:00,320 --> 00:14:01,520 {\an2}It's easy for you to say. 332 00:14:03,720 --> 00:14:07,920 {\an2}How to do it and still maintain some dignity, 333 00:14:07,960 --> 00:14:09,400 {\an2}that is the question. 334 00:14:10,560 --> 00:14:12,240 {\an2}AUDIENCE: Oh! 335 00:14:13,800 --> 00:14:14,800 {\an2}OK. 336 00:14:16,520 --> 00:14:17,600 {\an2}Oh, oh, oh. 337 00:14:17,640 --> 00:14:18,680 {\an2}There you are. 338 00:14:24,160 --> 00:14:25,720 {\an2}It's quite windy, Steve. Yeah. 339 00:14:28,840 --> 00:14:30,560 {\an2}How long have I got, Alex? 340 00:14:30,600 --> 00:14:31,800 {\an2}You've got two minutes, Nick. 341 00:14:32,800 --> 00:14:39,120 {\an2}We are attempting something that's not been attempted before on UK TV. 342 00:14:43,960 --> 00:14:46,440 {\an1}APPLAUSE 343 00:14:46,480 --> 00:14:48,800 {\an2}Oh, you've kept your dignity. Thank you. 344 00:14:56,800 --> 00:15:00,920 {\an1}CHEERING AND APPLAUSE 345 00:15:00,960 --> 00:15:04,080 {\an2}Well, Steve, what a...what a showman. 346 00:15:04,120 --> 00:15:07,400 {\an2}You know what, when I found out there was a secret dressing-up room, 347 00:15:07,440 --> 00:15:09,880 {\an2}I was that little five-year-old boy again. 348 00:15:09,920 --> 00:15:13,000 {\an2}And to see you acting like a five-year-old boy was very creepy. 349 00:15:13,040 --> 00:15:14,840 {\an1}LAUGHTER 350 00:15:14,880 --> 00:15:17,320 {\an2}One of my favourite moments from the series so far is 351 00:15:17,360 --> 00:15:18,760 {\an2}the question and answer, 352 00:15:18,800 --> 00:15:20,880 {\an2}"Have you ever done this before?" "No." 353 00:15:24,160 --> 00:15:26,320 {\an2}The way you picked that chair up I thought oh, 354 00:15:26,360 --> 00:15:28,920 {\an2}well he's obviously done street performance or something. 355 00:15:28,960 --> 00:15:30,600 {\an2}The confidence with which you... 356 00:15:30,640 --> 00:15:32,320 {\an2}Uh, yeah, I can pick up a chair. 357 00:15:32,360 --> 00:15:34,200 {\an1}LAUGHTER 358 00:15:34,240 --> 00:15:35,520 {\an2}You didn't have to wave 359 00:15:35,560 --> 00:15:37,720 {\an2}and do the thumbs up for any certain length of time but... 360 00:15:37,760 --> 00:15:39,960 {\an2}Oh, you just had to be able to do it. Very, very briefly, you did it. 361 00:15:40,000 --> 00:15:41,560 {\an2}Oh, the load was on his chin. Yeah. 362 00:15:41,600 --> 00:15:43,800 {\an1}LAUGHTER 363 00:15:45,920 --> 00:15:48,520 {\an2}Right, I'm suspending all joy for a few minutes. 364 00:15:48,560 --> 00:15:50,640 {\an2}Why? For these adverts. 365 00:15:50,680 --> 00:15:52,800 {\an1}APPLAUSE 366 00:16:01,920 --> 00:16:03,400 {\an2}Hello, everybody. 367 00:16:03,440 --> 00:16:06,600 {\an2}Welcome back to the second part of today's Taskmaster hour. 368 00:16:06,640 --> 00:16:10,920 {\an2}Yes, and as Darwin said, a man who dares to waste one hour of time 369 00:16:10,960 --> 00:16:13,800 {\an2}has not discovered the value of life. Whoopsie. 370 00:16:13,840 --> 00:16:16,800 {\an2}LAUGHTER Our contestants are trying to become 371 00:16:16,840 --> 00:16:18,880 {\an2}the most impressive load bearers. 372 00:16:18,920 --> 00:16:21,880 {\an2}We only have one man left to see and his John is Robins. 373 00:16:24,720 --> 00:16:25,720 {\an2}Oh, I don't mind that. 374 00:16:27,440 --> 00:16:29,400 {\an2}Have we got any model Gregs around 375 00:16:29,440 --> 00:16:33,920 {\an2}because it would be quite impressive to have Greg on the old shoulders? 376 00:16:33,960 --> 00:16:35,120 {\an2}Yeah, I can get you some Gregs. 377 00:16:35,160 --> 00:16:36,880 {\an2}Yeah, can you get me some Gregs, please. 378 00:16:41,160 --> 00:16:42,560 {\an2}I've got some little Gregs 379 00:16:42,600 --> 00:16:44,440 {\an2}and I've got one more big Greg coming. 380 00:16:44,480 --> 00:16:46,600 {\an2}So, what I'm thinking is... 381 00:16:46,640 --> 00:16:49,920 {\an2}..well, it's a classic case of a gutter of Gregs. 382 00:16:49,960 --> 00:16:52,320 {\an1}LAUGHTER 383 00:16:52,360 --> 00:16:53,880 {\an2}John. Yes, uh, Alex. 384 00:16:53,920 --> 00:16:56,480 {\an2}Got a Greg for you. Oh, this is good stuff. 385 00:16:56,520 --> 00:16:57,840 {\an2}A Greg for your gutter. 386 00:16:57,880 --> 00:16:59,000 {\an2}This is great. 387 00:16:59,040 --> 00:17:00,640 {\an2}Greg. This is Greg, sorry. 388 00:17:02,040 --> 00:17:05,160 {\an2}Ladies and gentlemen, I'm proud to present 389 00:17:05,200 --> 00:17:08,880 {\an2}the most impressive load ever carried by man or woman, 390 00:17:08,920 --> 00:17:14,320 {\an2}feast your eyes on the one and only 391 00:17:14,360 --> 00:17:19,400 {\an2}gutter of Gregs! 392 00:17:19,440 --> 00:17:20,800 {\an2}Yes. 393 00:17:32,720 --> 00:17:35,440 {\an2}Ladies and gentlemen, 394 00:17:35,480 --> 00:17:41,880 {\an2}there is nothing we cannot do with a gutter of Gregs. 395 00:17:41,920 --> 00:17:44,200 {\an2}WHISTLE BLOWS That's your time up, John. 396 00:17:44,240 --> 00:17:45,680 {\an2}Thank you, Alex. 397 00:17:45,720 --> 00:17:48,520 {\an2}Bye-bye.Bye-bye. APPLAUSE 398 00:17:51,000 --> 00:17:52,800 {\an2}You think that appealing to my ego 399 00:17:52,840 --> 00:17:55,080 {\an2}is gonna get you points on this show, do you? 400 00:17:55,120 --> 00:17:56,400 {\an2}Yeah. Very wise. 401 00:17:56,440 --> 00:17:58,800 {\an1}LAUGHTER 402 00:17:58,840 --> 00:18:00,880 {\an2}Well, you just have to work out how impressed you are. 403 00:18:00,920 --> 00:18:03,960 {\an2}So, first of all - Sophie and Joanne, who looked like this. 404 00:18:04,000 --> 00:18:07,680 {\an2}Yeah. LAUGHTER 405 00:18:07,720 --> 00:18:10,600 {\an2}And then the three gentlemen, uh, did these things. 406 00:18:10,640 --> 00:18:12,120 {\an2}SOPHIE: Oh, that's, yeah. We have Nick. 407 00:18:12,160 --> 00:18:13,600 {\an2}Come on, that looks good. 408 00:18:13,640 --> 00:18:15,480 {\an2}NICK: Why have they blurred the cow's face out? 409 00:18:15,520 --> 00:18:17,440 {\an2}LAUGHTER We have Steve. 410 00:18:17,480 --> 00:18:19,800 {\an2}That doesn't look as good as I remember, Steve. 411 00:18:21,000 --> 00:18:22,920 {\an2}And then we have John's. 412 00:18:22,960 --> 00:18:24,360 {\an2}It's a bit much, though, isn't it? 413 00:18:24,400 --> 00:18:25,600 {\an2}It is. 414 00:18:25,640 --> 00:18:30,240 {\an2}I'm sorry, Joanne, yours is the least impressive final load. 415 00:18:30,280 --> 00:18:32,040 {\an2}One to Joanne. Five. 416 00:18:32,080 --> 00:18:33,880 {\an2}Two points for Sophie. 417 00:18:33,920 --> 00:18:36,240 {\an2}Three for Steve, the narrative was impressive. OK. 418 00:18:36,280 --> 00:18:39,240 {\an2}I'm showing humility by giving four points to John, 419 00:18:39,280 --> 00:18:42,800 {\an2}and I'm sorry - the final image that I found the most impressive 420 00:18:42,840 --> 00:18:45,480 {\an2}was old snooker cue umbrella chin, and I stand by it. 421 00:18:45,520 --> 00:18:47,920 {\an2}Five points to Nick Mohammed. Well done. 422 00:18:47,960 --> 00:18:50,840 {\an1}CHEERING AND APPLAUSE 423 00:18:50,880 --> 00:18:51,880 {\an2}Can you tell me the scores? 424 00:18:51,920 --> 00:18:54,320 {\an2}Uh, yes, Sophie and Steve both on five, 425 00:18:54,360 --> 00:18:56,320 {\an2}John and Nick both on nine! 426 00:18:56,360 --> 00:18:59,320 {\an2}CHEERING And Joanne is there on two. 427 00:19:02,160 --> 00:19:04,080 {\an2}What is next, young fellow, m'lad? 428 00:19:04,120 --> 00:19:05,800 {\an2}Ooh, well, let's just sit back 429 00:19:05,840 --> 00:19:09,920 {\an2}and have a right laugh watching the Fresh Prince of Mid-Air. 430 00:19:24,280 --> 00:19:26,600 {\an2}What on Earth is going on in here, then? 431 00:19:28,080 --> 00:19:29,360 {\an2}Oh! 432 00:19:29,400 --> 00:19:31,120 {\an2}Oh, that's clever, in't it. 433 00:19:32,640 --> 00:19:34,160 {\an2}Ooh, yeah. 434 00:19:34,200 --> 00:19:35,320 {\an2}Wow. 435 00:19:37,160 --> 00:19:38,840 {\an2}It took me a while to get it just right. 436 00:19:38,880 --> 00:19:40,760 {\an2}Yeah. 437 00:19:40,800 --> 00:19:41,840 {\an2}Magic. 438 00:19:41,880 --> 00:19:44,280 {\an2}Lovely, love it. 439 00:19:44,320 --> 00:19:45,440 {\an2}Hi, Nick. 440 00:19:45,480 --> 00:19:46,560 {\an2}Hi, Alex. 441 00:19:46,600 --> 00:19:48,840 {\an8}Could you turn the hairdryer off? It's a bit noisy. 442 00:19:48,880 --> 00:19:50,240 {\an8}Yeah, sure. Oh. 443 00:19:52,600 --> 00:19:54,320 {\an2}That was very good. Yeah? 444 00:19:56,280 --> 00:19:57,640 {\an2}Oh, I saw that. Pardon? 445 00:19:57,680 --> 00:19:59,120 {\an8}Cheeky. What do you mean? 446 00:19:59,160 --> 00:20:03,640 {\an8}The string and the... there was a lot going on there. 447 00:20:03,680 --> 00:20:05,040 {\an2}Oh, I did it too early. 448 00:20:08,320 --> 00:20:10,400 {\an1}SHE LAUGHS 449 00:20:10,440 --> 00:20:14,120 {\an2}Take the most dramatic photo of yourself in mid-air. 450 00:20:14,160 --> 00:20:17,360 {\an2}You have 15 minutes and may take five photos. 451 00:20:17,400 --> 00:20:19,800 {\an2}In mid-air? I've never been a good jumper. 452 00:20:21,120 --> 00:20:23,920 {\an2}Your time starts now. 453 00:20:23,960 --> 00:20:27,280 {\an2}Well, this is gonna be a health and safety ball ache, isn't it? 454 00:20:27,320 --> 00:20:29,720 {\an2}The most dramatic photo of yourself. 455 00:20:29,760 --> 00:20:31,920 {\an2}Do you know what I'd love, is to get, you know, 456 00:20:31,960 --> 00:20:36,120 {\an2}the hair bands that they wear, the really bad knives to your head? 457 00:20:36,160 --> 00:20:38,360 {\an2}Do you have to be actually in mid-air 458 00:20:38,400 --> 00:20:40,680 {\an2}or could you be pretending to levitate? 459 00:20:40,720 --> 00:20:45,400 {\an2}We've got a hairdryer. We have got a hairdryer. 460 00:20:45,440 --> 00:20:49,600 {\an2}Ooh. No. Yes, OK. 461 00:20:49,640 --> 00:20:52,720 {\an2}I've been doing a selfie on the top of a very tall building. 462 00:20:52,760 --> 00:20:56,800 {\an2}I've fallen and I'm plunging as I'm talking the selfie. 463 00:20:56,840 --> 00:20:58,920 {\an2}I'll have a wander. Yeah, see what strikes you. 464 00:20:58,960 --> 00:21:00,480 {\an2}I'll have a wander and a think. 465 00:21:00,520 --> 00:21:02,920 {\an2}Photo of yourself in the air. 466 00:21:02,960 --> 00:21:07,120 {\an2}Right I'm gonna have a wander round. Yeah. 467 00:21:07,160 --> 00:21:11,600 {\an2}Yeah, that hasn't been very helpful, wandering around, really. 468 00:21:11,640 --> 00:21:13,840 {\an1}APPLAUSE 469 00:21:15,160 --> 00:21:17,160 {\an2}You got a history of jumping, Sophie? 470 00:21:17,200 --> 00:21:20,800 {\an2}No, I'm not a great jumper. I'm more of a slut dropper. 471 00:21:20,840 --> 00:21:23,240 {\an2}I'm very floor-based with my movement, yeah. 472 00:21:23,280 --> 00:21:25,000 {\an2}OK. Joanne? 473 00:21:25,040 --> 00:21:27,520 {\an2}I do all my own stunts. Yeah. Oh, wow. 474 00:21:27,560 --> 00:21:32,800 {\an2}Always have, always will. I enjoy the adrenaline. 475 00:21:32,840 --> 00:21:35,960 {\an2}Highest you've ever jumped? You know I'm not great on measurements, now. 476 00:21:36,000 --> 00:21:37,880 {\an2}I'd say like a metre. 477 00:21:37,920 --> 00:21:39,760 {\an2}Shall we all have a little jump? 478 00:21:39,800 --> 00:21:41,320 {\an2}Yeah, why not. 479 00:21:41,360 --> 00:21:42,400 {\an2}Shall we all have a little jump? 480 00:21:42,440 --> 00:21:44,480 {\an2}Nick, you may as well sit down. No, I'm quite good. 481 00:21:44,520 --> 00:21:47,200 {\an2}LAUGHTER Genuinely quite good. 482 00:21:47,240 --> 00:21:49,120 {\an2}Three, two, one, jump. 483 00:21:50,240 --> 00:21:52,120 {\an2}It was Nick. It was Nick. 484 00:21:52,160 --> 00:21:54,600 {\an2}It was Nick. Good. Yeah. 485 00:21:54,640 --> 00:21:57,240 {\an2}I apologise. Can we see them in mid-air? 486 00:21:57,280 --> 00:21:59,400 {\an2}Well, we're going to see them montaging first of all, 487 00:21:59,440 --> 00:22:02,520 {\an2}and then we'll see the photos, so enjoy this, Greg. 488 00:22:02,560 --> 00:22:05,280 {\an2}Right, well, we need to light a fire. We can light a fire. 489 00:22:05,320 --> 00:22:08,280 {\an2}Good, let's light a fire. 490 00:22:08,320 --> 00:22:11,040 {\an2}Right, now Alex, I might need a bit of help. 491 00:22:11,080 --> 00:22:12,960 {\an2}OK. Do you want me to come with you? 492 00:22:13,000 --> 00:22:15,360 {\an2}Yeah, please, yes. 493 00:22:15,400 --> 00:22:18,960 {\an2}Now, I've been experimenting with how to get some G-force into my face. 494 00:22:19,000 --> 00:22:20,240 {\an2}'Course you have. 495 00:22:20,280 --> 00:22:24,360 {\an2}I thought this would be quite a nice... Huh? 496 00:22:24,400 --> 00:22:27,120 {\an2}Do you feel.... Yeah. ..G-force on my face? 497 00:22:27,160 --> 00:22:28,760 {\an2}Horrible. Ah, yeah. 498 00:22:29,840 --> 00:22:31,080 {\an2}Wow. 499 00:22:31,120 --> 00:22:33,720 {\an2}It's my big day. How's the day gone? 500 00:22:33,760 --> 00:22:37,880 {\an2}It started out OK. Things took a turn. Yeah. 501 00:22:37,920 --> 00:22:41,360 {\an2}One, two, three. Go. 502 00:22:41,400 --> 00:22:43,760 {\an1}LAUGHTER 503 00:22:46,160 --> 00:22:48,200 {\an2}Hang on, hang on. 504 00:22:48,240 --> 00:22:50,520 {\an1}LAUGHTER CONTINUES 505 00:22:55,880 --> 00:22:57,200 {\an2}Right. 506 00:22:57,240 --> 00:22:58,520 {\an2}I've got my parachute. 507 00:22:58,560 --> 00:22:59,720 {\an2}Your what? 508 00:22:59,760 --> 00:23:00,800 {\an2}My parachute. 509 00:23:03,120 --> 00:23:04,320 {\an2}Ready? 510 00:23:05,440 --> 00:23:07,000 {\an2}Good luck. Thank you. 511 00:23:10,600 --> 00:23:12,080 {\an2}Oh, no, I'm gonna need... 512 00:23:12,120 --> 00:23:14,480 {\an2}You're gonna need to take me from higher up, Alex. 513 00:23:17,080 --> 00:23:18,520 {\an2}Oh. 514 00:23:18,560 --> 00:23:20,000 {\an2}Go! 515 00:23:23,320 --> 00:23:25,440 {\an2}You've gotta give me some G-force. 516 00:23:29,400 --> 00:23:30,880 {\an2}Go. 517 00:23:33,720 --> 00:23:36,880 {\an2}You ready? Here we go. On your marks. Yeah. Go. 518 00:23:44,200 --> 00:23:45,520 {\an2}Yeah, not bad. 519 00:23:45,560 --> 00:23:47,680 {\an1}LAUGHTER AND APPLAUSE 520 00:23:49,760 --> 00:23:53,200 {\an2}Can you justify to me that you were in mid-air, Nick? 521 00:23:53,240 --> 00:23:55,480 {\an2}You know when you put just a few things in a washing machine 522 00:23:55,520 --> 00:23:57,960 {\an2}and it's going round quite slow. They sort of... there is a moment 523 00:23:58,000 --> 00:23:59,600 {\an2}where they sort of suspend, as it's kind of... 524 00:23:59,640 --> 00:24:01,760 {\an2}Yes, of course they are technically in mid-air, 525 00:24:01,800 --> 00:24:05,000 {\an2}so that's what you were hoping for. The way I interpreted it... Yes. 526 00:24:05,040 --> 00:24:08,360 {\an2}..was I was watching a father of three rammed into some tyres 527 00:24:08,400 --> 00:24:13,520 {\an2}being pushed into some baked bean cans. I was very tyre-d. 528 00:24:13,560 --> 00:24:17,680 {\an2}OK, here is Nick dramatically in mid-air. 529 00:24:18,680 --> 00:24:20,800 {\an1}LAUGHTER 530 00:24:23,680 --> 00:24:27,400 {\an2}I mean you arguably could, couldn't be less mid-air. 531 00:24:28,760 --> 00:24:31,400 {\an2}Whose can we see next? Jilted Joanne. 532 00:24:33,760 --> 00:24:35,800 {\an2}I think you might be back in the game. 533 00:24:35,840 --> 00:24:37,840 {\an2}Taskmaster's proving to me that I have the creativity of 534 00:24:37,880 --> 00:24:39,040 {\an2}a wheelie bin. 535 00:24:41,480 --> 00:24:44,720 {\an2}So, this is a jilted bride on her wedding day. 536 00:24:44,760 --> 00:24:47,560 {\an2}She's just found out her husband's riding the nanny. 537 00:24:47,600 --> 00:24:49,240 {\an2}Did you say why she's wearing an eye-patch? 538 00:24:49,280 --> 00:24:51,800 {\an2}She's just had laser, she's just had laser eye. 539 00:24:51,840 --> 00:24:53,560 {\an2}ALEX: And that's for the wedding? 540 00:24:53,600 --> 00:24:55,120 {\an2}On the way to the wedding. 541 00:24:55,160 --> 00:24:57,920 {\an2}God, she's had a bad day, hasn't he? Exactly. 542 00:24:57,960 --> 00:24:59,280 {\an2}It's a hell of an image. 543 00:24:59,320 --> 00:25:02,160 {\an2}If you want to see the rest of their mid-air pictures, you're gonna have 544 00:25:02,200 --> 00:25:04,800 {\an2}to come back promptly, and if you're off for a poo, 545 00:25:04,840 --> 00:25:06,560 {\an2}do factor-in the wipe, you never 546 00:25:06,600 --> 00:25:08,720 {\an2}factor-in wipe time. Go on, off you pop. 547 00:25:08,760 --> 00:25:10,800 {\an1}LAUGHTER AND APPLAUSE 548 00:25:18,480 --> 00:25:20,280 {\an2}Hello, and welcome back to another 549 00:25:20,320 --> 00:25:22,280 {\an2}life-affirming episode of Taskmaster. 550 00:25:22,320 --> 00:25:25,840 {\an2}We're part way seeing some dramatic mid-air pictures, aren't we, Alex? 551 00:25:25,880 --> 00:25:29,080 {\an2}Oh, we sure are, and Nick rolled around in some tyres. 552 00:25:29,120 --> 00:25:32,600 {\an2}The next picture is the one taken by Sophie in mid-air. 553 00:25:32,640 --> 00:25:34,320 {\an2}I mean, I cannot wait. 554 00:25:37,560 --> 00:25:42,200 {\an1}APPLAUSE 555 00:25:42,240 --> 00:25:44,440 {\an2}Was it another shed panic, did you run into...? No, no, 556 00:25:44,480 --> 00:25:47,240 {\an2}I planned this. I've been wanting to get him in that pigeon head from 557 00:25:47,280 --> 00:25:48,920 {\an2}the moment I saw him. 558 00:25:48,960 --> 00:25:50,320 {\an2}People do, people do. Yeah. 559 00:25:51,760 --> 00:25:54,600 {\an2}And how nice for once that it's 560 00:25:54,640 --> 00:25:58,600 {\an2}the pigeons themselves that are covered in shit. 561 00:25:58,640 --> 00:26:00,240 {\an2}All right, who's next? 562 00:26:00,280 --> 00:26:02,360 {\an2}Do you want to see Robins in flight? 563 00:26:02,400 --> 00:26:03,440 {\an2}Please. 564 00:26:03,480 --> 00:26:05,480 {\an2}Bloody hell. NICK: That's great. 565 00:26:05,520 --> 00:26:06,600 {\an2}That's good. 566 00:26:06,640 --> 00:26:08,120 {\an2}ALEX: He's been shot out of the cannon. 567 00:26:08,160 --> 00:26:09,920 {\an2}He's going towards the little bucket of fire. 568 00:26:09,960 --> 00:26:11,040 {\an2}No eye-patch, though. 569 00:26:11,080 --> 00:26:13,440 {\an1}LAUGHTER 570 00:26:13,480 --> 00:26:14,880 {\an2}Did you get in a cannon? 571 00:26:14,920 --> 00:26:16,240 {\an2}Yes. 572 00:26:17,440 --> 00:26:19,040 {\an2}You really want this, don't you? 573 00:26:20,760 --> 00:26:22,280 {\an2}Well, I mean, look at the air. 574 00:26:22,320 --> 00:26:24,160 {\an2}Look at the air I've got, I'm pleased with that. 575 00:26:24,200 --> 00:26:26,400 {\an2}You've got nice air. You've got a bucket of fire. 576 00:26:26,440 --> 00:26:27,480 {\an2}You've got a pretend cannon 577 00:26:27,520 --> 00:26:30,600 {\an2}and you've got that prick. There's a lot there. 578 00:26:30,640 --> 00:26:32,240 {\an2}Who's next? The final one - 579 00:26:32,280 --> 00:26:34,480 {\an2}have a look at Steve Pemberton in mid-air. 580 00:26:36,480 --> 00:26:39,240 {\an1}STEVE LAUGHS 581 00:26:39,280 --> 00:26:43,000 {\an1}APPLAUSE 582 00:26:43,040 --> 00:26:45,040 {\an2}Oh, it's a failed parachute. 583 00:26:45,080 --> 00:26:46,680 {\an2}It's a failed parachute. 584 00:26:46,720 --> 00:26:49,560 {\an2}I like the cut rope, that's drama. Yes. 585 00:26:49,600 --> 00:26:52,000 {\an2}This captures the moment of realisation 586 00:26:52,040 --> 00:26:53,320 {\an2}that he's going to splat. 587 00:26:53,360 --> 00:26:54,800 {\an2}SOPHIE: Oh. 588 00:26:54,840 --> 00:26:56,520 {\an8}STEVE: And you see the, the G-force? 589 00:26:56,560 --> 00:26:59,160 {\an8}I hoped that they would've painted out the elastic band, which... 590 00:27:00,440 --> 00:27:02,480 {\an2}You would hope they would've made it look like 591 00:27:02,520 --> 00:27:03,760 {\an2}you were in mid-air as well. 592 00:27:03,800 --> 00:27:05,720 {\an1}LAUGHTER 593 00:27:05,760 --> 00:27:07,560 {\an2}I'll put all five up for you, Greg, 594 00:27:07,600 --> 00:27:09,720 {\an2}and then you can work out which is the most dramatic mid-air picture. 595 00:27:09,760 --> 00:27:11,880 {\an2}Oh, Christ. There they are. OK, well, let's... 596 00:27:11,920 --> 00:27:13,280 {\an2}..let's deal with Nick first of all. 597 00:27:13,320 --> 00:27:15,240 {\an2}Right, of course, of course. 598 00:27:15,280 --> 00:27:16,440 {\an2}LAUGHING: OK. 599 00:27:16,480 --> 00:27:18,600 {\an2}It looks like a completely different task. 600 00:27:18,640 --> 00:27:20,960 {\an2}Well, I'm gonna give you one point for that. Thank you. 601 00:27:21,000 --> 00:27:22,080 {\an2}You're welcome. Thank you. 602 00:27:22,120 --> 00:27:24,120 {\an2}And then there's got to be a jump up. 603 00:27:24,160 --> 00:27:25,760 {\an2}I'm gonna give John, 604 00:27:25,800 --> 00:27:28,240 {\an2}Joanne and Steve four points. 605 00:27:28,280 --> 00:27:30,480 {\an2}But I'm gonna give that insane 606 00:27:30,520 --> 00:27:32,440 {\an2}pigeon madness five. 607 00:27:32,480 --> 00:27:34,840 {\an2}I don't know why, I just think it's the most dramatic 608 00:27:34,880 --> 00:27:36,080 {\an2}because possibly, 609 00:27:36,120 --> 00:27:37,600 {\an2}because I'm worried about her state of mind. 610 00:27:37,640 --> 00:27:39,760 {\an2}But that's, that's the way I'm scoring it. Four, four, four, five. 611 00:27:39,800 --> 00:27:42,480 {\an1}APPLAUSE 612 00:27:42,520 --> 00:27:44,840 {\an2}Let's try and squeeze another one in, shall we? 613 00:27:44,880 --> 00:27:46,600 {\an2}Ooh, er, vicar, isn't it? 614 00:27:48,680 --> 00:27:50,800 {\an2}One more, then, and it's a tie. 615 00:28:04,520 --> 00:28:05,960 {\an2}Oh, Jesus. 616 00:28:06,000 --> 00:28:07,880 {\an2}Hey, Joanne. Hi, Alex. 617 00:28:07,920 --> 00:28:09,080 {\an2}Wanna have a little lie down? 618 00:28:12,160 --> 00:28:13,720 {\an2}Ooh. 619 00:28:13,760 --> 00:28:14,880 {\an2}Hello. 620 00:28:14,920 --> 00:28:17,320 {\an2}Hello. Oh, hello. Make yourself comfortable. 621 00:28:17,360 --> 00:28:18,760 {\an2}I shall. 622 00:28:18,800 --> 00:28:20,240 {\an2}Oh, lovely. 623 00:28:20,280 --> 00:28:21,920 {\an2}Just nice to have a lay down, isn't it? 624 00:28:21,960 --> 00:28:23,680 {\an2}Ah, OK. 625 00:28:24,880 --> 00:28:28,240 {\an2}I'm quite TIE-red. 626 00:28:29,600 --> 00:28:31,960 {\an2}There goes the task, shall I get it now? 627 00:28:32,000 --> 00:28:33,240 {\an2}Can you reach? Yeah. 628 00:28:35,360 --> 00:28:36,600 {\an2}Ah, 629 00:28:36,640 --> 00:28:38,920 {\an2}and I've got a tie as a bonus. 630 00:28:38,960 --> 00:28:40,480 {\an2}Ah, this is nice. 631 00:28:40,520 --> 00:28:42,120 {\an8}JOANNE: Tie yourself to the bed. 632 00:28:42,160 --> 00:28:44,560 {\an8}Most tied-up person wins. 633 00:28:44,600 --> 00:28:48,040 {\an8}You must be horizontal whilst in the lab. 634 00:28:48,080 --> 00:28:49,560 {\an2}If you pull down 635 00:28:49,600 --> 00:28:51,920 {\an2}the terrible tie, you are disqualified. 636 00:28:51,960 --> 00:28:53,840 {\an2}Oh, how do I know which is the terrible tie? 637 00:28:53,880 --> 00:28:55,240 {\an2}Oh, you'll know. 638 00:28:55,280 --> 00:28:58,200 {\an2}Your time starts now. 639 00:28:58,240 --> 00:28:59,840 {\an2}Is, is... 640 00:28:59,880 --> 00:29:02,000 {\an8}..is going up like that horizontal? 641 00:29:02,040 --> 00:29:03,040 {\an8}Going up like what? Like that. 642 00:29:03,080 --> 00:29:04,840 {\an8}Ooh, no, that's not horizontal. Is that horizontal? 643 00:29:04,880 --> 00:29:05,880 {\an8}No! 644 00:29:05,920 --> 00:29:08,000 {\an8}So this is horizontal. That's horizontal. 645 00:29:08,040 --> 00:29:10,120 {\an2}So I need something to help me access. 646 00:29:10,160 --> 00:29:12,160 {\an2}Just out of reach, Alex. 647 00:29:13,720 --> 00:29:15,640 {\an2}How the fuck do I take them down? 648 00:29:21,920 --> 00:29:24,480 {\an2}I sometimes wonder whether you knew that the, 649 00:29:24,520 --> 00:29:26,720 {\an2}what the show was that you were signing up to. 650 00:29:27,800 --> 00:29:30,520 {\an2}They said the less you watched it, the better. That's what they said. 651 00:29:30,560 --> 00:29:32,000 {\an2}They say that to everyone. 652 00:29:32,040 --> 00:29:34,400 {\an2}You do fairly regularly seem incredulous 653 00:29:34,440 --> 00:29:36,280 {\an2}about being asked to do things. 654 00:29:37,320 --> 00:29:38,360 {\an2}Let's just have a look at it. 655 00:29:38,400 --> 00:29:40,920 {\an2}OK, well, we're gonna start with J&J - 656 00:29:40,960 --> 00:29:44,960 {\an2}no, not the American multi-national pharmaceutical and medical technologies corporation - 657 00:29:45,000 --> 00:29:46,880 {\an2}it's Joanne and John. 658 00:29:46,920 --> 00:29:49,680 {\an8}Can I levit...? I can't... I'd have to levitate myself up. 659 00:29:49,720 --> 00:29:53,160 {\an8}Uh, if you could levitate horizontally, that'd be perfect. 660 00:29:53,200 --> 00:29:56,600 {\an2}This is a bad idea. That's not a good idea. 661 00:29:56,640 --> 00:29:58,840 {\an2}Don't hit yourself in the face with a buckle. 662 00:29:59,960 --> 00:30:01,120 {\an2}What do you need? 663 00:30:01,160 --> 00:30:02,400 {\an2}I need the ties. Yeah. 664 00:30:02,440 --> 00:30:04,400 {\an2}I obviously c... Oh, no, thank you. 665 00:30:05,800 --> 00:30:07,560 {\an2}Ah, for God's sake. 666 00:30:11,120 --> 00:30:13,160 {\an2}Ah, thank God. 667 00:30:13,200 --> 00:30:14,720 {\an2}Here we go. 668 00:30:14,760 --> 00:30:16,400 {\an2}Doesn't look terrible to me. 669 00:30:16,440 --> 00:30:18,880 {\an8}This is real '80s dad vibes, isn't it? 670 00:30:18,920 --> 00:30:20,120 {\an8}Is that tied to the bed? 671 00:30:20,160 --> 00:30:21,640 {\an8}Yeah. Oh, no. 672 00:30:24,280 --> 00:30:27,040 {\an2}Some of the ties seem to have prayers on them, Alex. 673 00:30:27,080 --> 00:30:28,080 {\an2}Is it a prayer? 674 00:30:28,120 --> 00:30:29,920 {\an2}Why do you think it's a prayer, John? 675 00:30:29,960 --> 00:30:32,440 {\an2}What else are you going on write on a tie? 676 00:30:32,480 --> 00:30:33,760 {\an2}Oh, it's Welsh. 677 00:30:33,800 --> 00:30:39,520 {\an1}HE READS WELSH 678 00:30:43,000 --> 00:30:46,280 {\an2}This is something from like a really low-end brothel, isn't it? 679 00:30:46,320 --> 00:30:47,600 {\an2}Hate the low-end ones. 680 00:30:47,640 --> 00:30:50,200 {\an2}At what point are you gonna start tying yourself together? 681 00:30:50,240 --> 00:30:52,080 {\an2}Maybe I'll make a start. 682 00:30:52,120 --> 00:30:54,160 {\an2}It's kind of like a survival course but I, 683 00:30:54,200 --> 00:30:56,920 {\an2}I'd actually rather drink a jar of piss than do this. 684 00:30:56,960 --> 00:30:59,560 {\an2}Right, I'll put that down. LAUGHTER 685 00:31:06,160 --> 00:31:08,760 {\an1}LAUGHTER 686 00:31:08,800 --> 00:31:10,400 {\an2}Ah, this is good. 687 00:31:13,240 --> 00:31:16,840 {\an2}I don't know why I stayed the wrong way round for so long! 688 00:31:16,880 --> 00:31:19,640 {\an1}LAUGHTER 689 00:31:19,680 --> 00:31:21,600 {\an2}Right, you have still got one minute. 690 00:31:21,640 --> 00:31:23,120 {\an2}Is that the terrible tie? 691 00:31:23,160 --> 00:31:27,360 {\an1}SHE ATTEMPTS TO READ WELSH 692 00:31:29,480 --> 00:31:31,000 {\an2}You've got 20 seconds. 693 00:31:31,040 --> 00:31:33,800 {\an2}This better not be some snuff movie, now. 694 00:31:33,840 --> 00:31:35,800 {\an1}WHISTLE BLOWS 695 00:31:35,840 --> 00:31:38,560 {\an2}Two on the head and one on the wrist, is it? 696 00:31:38,600 --> 00:31:40,200 {\an2}OK, I'm just gonna just check on the, 697 00:31:40,240 --> 00:31:41,560 {\an2}on the ties. 698 00:31:46,000 --> 00:31:48,400 {\an2}You're so mean! Yes, it's tied. 699 00:31:48,440 --> 00:31:49,880 {\an2}The rest are good, Joanne. 700 00:31:49,920 --> 00:31:51,840 {\an2}Thanks, John, you seem pretty tied up. 701 00:31:53,080 --> 00:31:55,800 {\an2}HE LAUGHS This is actually quite tight. 702 00:31:59,520 --> 00:32:01,560 {\an2}I'll be in my dressing room if anyone needs me. 703 00:32:01,600 --> 00:32:02,760 {\an2}Right. 704 00:32:06,120 --> 00:32:08,680 {\an2}I'm so sorry that I can't give extra points for the, 705 00:32:08,720 --> 00:32:10,360 {\an2}for your exit. 706 00:32:10,400 --> 00:32:12,080 {\an2}Cos it was really impressive. 707 00:32:12,120 --> 00:32:14,800 {\an2}They didn't stop me, no-one said they'd untie me. 708 00:32:14,840 --> 00:32:17,320 {\an2}At one point, you announced that the experience, 709 00:32:17,360 --> 00:32:18,920 {\an2}uh, was like a low-end brothel. 710 00:32:18,960 --> 00:32:20,560 {\an2}Yeah. And, uh, at the time you were 711 00:32:20,600 --> 00:32:22,840 {\an2}a woman tied to a camp bed with one tie. 712 00:32:24,480 --> 00:32:27,520 {\an2}A lazy brothel of middle-aged men, yeah. 713 00:32:27,560 --> 00:32:29,600 {\an2}Uh, but she did well. She got a lot of ties on. 714 00:32:29,640 --> 00:32:31,840 {\an2}Yeah, she tied herself up with 15 ties. 715 00:32:31,880 --> 00:32:33,640 {\an2}Uh, John was two on the hands, one on the wrist, 716 00:32:33,680 --> 00:32:35,080 {\an2}and then ten ties all tied together 717 00:32:35,120 --> 00:32:38,240 {\an2}to make one long tie rope, which went round his middle and his chest. 718 00:32:38,280 --> 00:32:39,840 {\an2}Good. Who's next? 719 00:32:41,320 --> 00:32:43,920 {\an2}OK, now it's for a tie between Bolton and Leeds. 720 00:32:43,960 --> 00:32:45,800 {\an2}Oh. It's Sophie and Nick. 721 00:32:45,840 --> 00:32:48,280 {\an2}I'm just gonna strategise here first. 722 00:32:48,320 --> 00:32:50,040 {\an2}OK, how long are you gonna strategise for? 723 00:32:50,080 --> 00:32:51,920 {\an2}Um, just... 724 00:32:51,960 --> 00:32:53,080 {\an2}..just a second. 725 00:32:55,160 --> 00:32:57,040 {\an2}I thi...I'm, I'm done. 726 00:32:57,080 --> 00:32:58,960 {\an2}Whilst in the lab, you must be horizontal. 727 00:32:59,000 --> 00:33:00,840 {\an2}So does that mean that my sort of back 728 00:33:00,880 --> 00:33:02,320 {\an2}has to be parallel to the floor? 729 00:33:02,360 --> 00:33:04,320 {\an2}Exactly that. But I could be on all fours, couldn't I? 730 00:33:04,360 --> 00:33:06,600 {\an2}So that's allowed, isn't it? 731 00:33:06,640 --> 00:33:07,960 {\an2}That's horizontal. 732 00:33:08,000 --> 00:33:10,080 {\an2}There's something I've missed, isn't there? 733 00:33:10,120 --> 00:33:12,360 {\an2}Because this is what you kind of... 734 00:33:12,400 --> 00:33:15,000 {\an2}..you know, it's usually how it works, isn't it? 735 00:33:15,040 --> 00:33:17,560 {\an2}There's something I've missed in the room. 736 00:33:17,600 --> 00:33:21,200 {\an2}It didn't say I need to use a tie to tie myself to the bed. 737 00:33:21,240 --> 00:33:24,280 {\an2}That was the trick, whilst in this room. 738 00:33:24,320 --> 00:33:25,800 {\an2}I've got it, I know what I'm doing. 739 00:33:25,840 --> 00:33:27,240 {\an2}Make sure you're horizontal. 740 00:33:27,280 --> 00:33:28,520 {\an2}I'm, I am. Quite a, 741 00:33:28,560 --> 00:33:30,840 {\an2}quite a fall there, so be careful. Ooh, yeah. 742 00:33:30,880 --> 00:33:33,480 {\an2}Horizontal, but then as soon as I've left, 743 00:33:33,520 --> 00:33:35,040 {\an2}I can actually be any... 744 00:33:37,520 --> 00:33:38,880 {\an2}How long have I got, Greg? 745 00:33:38,920 --> 00:33:40,960 {\an2}Pardon? Uh, Alex. 746 00:33:41,000 --> 00:33:42,640 {\an2}No-one's ever called me Greg before. 747 00:33:42,680 --> 00:33:43,880 {\an2}Ever, in the whole show? 748 00:33:43,920 --> 00:33:46,280 {\an2}Ever, in the whole show, I've been waiting. Thank you. 749 00:33:46,320 --> 00:33:47,400 {\an2}Right. 750 00:33:49,120 --> 00:33:50,400 {\an2}Hello. 751 00:33:51,480 --> 00:33:52,840 {\an2}Ah, right. 752 00:33:52,880 --> 00:33:53,880 {\an2}Oh. 753 00:33:56,240 --> 00:33:58,080 {\an2}Uh, sugar. Um... 754 00:34:00,720 --> 00:34:04,000 {\an2}I've got a lot of rope and no way of doing it. 755 00:34:04,040 --> 00:34:07,520 {\an2}Feel like there's something I've not got right here. 756 00:34:07,560 --> 00:34:09,520 {\an2}Tie yourself to the bed. 757 00:34:09,560 --> 00:34:11,920 {\an2}You've gotta be horizontal whilst in the lab. 758 00:34:11,960 --> 00:34:13,360 {\an2}Whilst in the lab? 759 00:34:13,400 --> 00:34:14,960 {\an2}I can't get out, out now. 760 00:34:15,000 --> 00:34:16,520 {\an2}You've got three and a half minutes. 761 00:34:22,920 --> 00:34:24,440 {\an2}And I don't, 762 00:34:24,480 --> 00:34:26,560 {\an2}but I don't know what this is gaining me. 763 00:34:28,120 --> 00:34:29,520 {\an2}Um... 764 00:34:31,600 --> 00:34:33,520 {\an2}I don't think I've done this one right. 765 00:34:33,560 --> 00:34:35,720 {\an1}LAUGHTER 766 00:34:37,360 --> 00:34:38,760 {\an2}One minute left. 767 00:34:38,800 --> 00:34:40,520 {\an2}Yeah. 768 00:34:40,560 --> 00:34:42,960 {\an2}Thread it through. Thread it through. 769 00:34:43,000 --> 00:34:44,240 {\an2}Are you threading it through? 770 00:34:44,280 --> 00:34:45,960 {\an2}Yeah. Through the bed and over me, 771 00:34:46,000 --> 00:34:48,760 {\an2}so there's no way I'm not roped in here. 772 00:34:48,800 --> 00:34:50,480 {\an2}Works quite well, actually. 773 00:34:50,520 --> 00:34:52,560 {\an2}One minute left. Right. Oh, God, quick. 774 00:34:52,600 --> 00:34:53,680 {\an2}Yeah. 775 00:34:55,520 --> 00:34:57,600 {\an1}SHE SIGHS, WHISTLE BLOWS 776 00:34:57,640 --> 00:34:59,200 {\an2}No. Um... 777 00:35:00,400 --> 00:35:02,560 {\an1}WHISTLE BLOWS 778 00:35:02,600 --> 00:35:05,160 {\an2}Oh, so close. 779 00:35:05,200 --> 00:35:06,800 {\an2}So you're still tied to the bed? 780 00:35:06,840 --> 00:35:08,760 {\an2}Very much, I mean, it's a very efficient tie. 781 00:35:08,800 --> 00:35:10,360 {\an2}Yeah, too efficient, really. 782 00:35:10,400 --> 00:35:11,680 {\an2}Ah. 783 00:35:11,720 --> 00:35:12,920 {\an2}There we go. 784 00:35:14,760 --> 00:35:16,040 {\an2}Bye then, Nick. 785 00:35:16,080 --> 00:35:17,560 {\an2}See you later, Alex. 786 00:35:17,600 --> 00:35:18,840 {\an2}I'll get the door, don't worry. 787 00:35:18,880 --> 00:35:19,880 {\an2}Yeah. 788 00:35:21,600 --> 00:35:23,600 {\an2}No, I am stuck now, I think. 789 00:35:23,640 --> 00:35:26,920 {\an1}LAUGHTER AND APPLAUSE 790 00:35:29,760 --> 00:35:31,400 {\an2}My favourite moment of both of those 791 00:35:31,440 --> 00:35:33,120 {\an2}is just hearing Nick's little voice say, 792 00:35:33,160 --> 00:35:35,400 {\an2}"I don't think I've done this one well." 793 00:35:35,440 --> 00:35:36,960 {\an2}You can't actually see my face at that point, 794 00:35:37,000 --> 00:35:38,360 {\an2}but I was crying. 795 00:35:38,400 --> 00:35:39,760 {\an2}I was actually crying. 796 00:35:39,800 --> 00:35:42,400 {\an2}Talk me through the strategy. It was quite good, I thought. 797 00:35:42,440 --> 00:35:44,080 {\an2}I don't think I had one, really. 798 00:35:44,120 --> 00:35:46,320 {\an2}You went and got a rope. I did. Just crawled about 799 00:35:46,360 --> 00:35:47,880 {\an2}and got a rope and tied myself up. 800 00:35:47,920 --> 00:35:49,920 {\an2}Well, don't talk yourself down, you saw what Nick was doing. 801 00:35:49,960 --> 00:35:51,680 {\an2}Right, yeah, yeah, yeah. 802 00:35:51,720 --> 00:35:54,360 {\an2}Nick, what was going through your mind when you were 803 00:35:54,400 --> 00:35:56,800 {\an2}crawling around on the floor with a camp bed strapped to your back? 804 00:35:56,840 --> 00:35:59,360 {\an2}I felt like a wood louse that had inverted itself 805 00:35:59,400 --> 00:36:00,760 {\an2}and just couldn't get back. Once I, 806 00:36:00,800 --> 00:36:03,600 {\an2}once I flipped, I just couldn't, there was nothing I could do. No! 807 00:36:06,000 --> 00:36:09,920 {\an2}Yeah. But what I'm interested in is why did you flip? 808 00:36:09,960 --> 00:36:12,240 {\an2}Yeah, well, it's a good question. Yeah, yeah. 809 00:36:13,360 --> 00:36:14,640 {\an2}That's another part done, 810 00:36:14,680 --> 00:36:15,920 {\an2}join us for part four, 811 00:36:15,960 --> 00:36:18,600 {\an2}when one lucky winner has to look happy onstage with 812 00:36:18,640 --> 00:36:20,680 {\an2}a deflated Che Guevara balloon. 813 00:36:20,720 --> 00:36:22,600 {\an2}This is primetime, baby. 814 00:36:22,640 --> 00:36:24,640 {\an2}They can't take the BAFTA off us now! 815 00:36:34,240 --> 00:36:36,640 {\an2}Hello, welcome back to Taskmaster. 816 00:36:36,680 --> 00:36:38,040 {\an2}It's the last part of the show 817 00:36:38,080 --> 00:36:40,560 {\an2}and there is a tricky tie task which needs completing. 818 00:36:40,600 --> 00:36:41,880 {\an2}That's right, Greg, they're trying 819 00:36:41,920 --> 00:36:45,040 {\an2}to tie themselves up as best as possible, while lying horizontally. 820 00:36:45,080 --> 00:36:47,440 {\an2}But if during the process they pull down 821 00:36:47,480 --> 00:36:50,280 {\an2}the terrible tie, it's all over. 822 00:36:50,320 --> 00:36:51,840 {\an2}Finally, a man perhaps best known 823 00:36:51,880 --> 00:36:53,560 {\an2}for his role as Mattis in Free Jimmy, 824 00:36:53,600 --> 00:36:56,280 {\an2}the 2006 animation which also starred Woody Harrelson, 825 00:36:56,320 --> 00:36:57,960 {\an2}it's Steve Pemberton. 826 00:36:59,720 --> 00:37:01,320 {\an2}Oh, now you're talking. 827 00:37:01,360 --> 00:37:02,960 {\an2}I want to higher the bed. 828 00:37:03,000 --> 00:37:04,640 {\an2}So if I come off here. 829 00:37:05,800 --> 00:37:10,120 {\an8}I thought there'd be a way to screw, ah, bollocks. 830 00:37:13,600 --> 00:37:15,720 {\an2}Is this the horrible one? 831 00:37:15,760 --> 00:37:17,400 {\an2}Ah, it's something in Welsh. 832 00:37:19,360 --> 00:37:20,840 {\an8}Come on! 833 00:37:22,840 --> 00:37:27,600 {\an8}This is like sort of hook-a-duck but with ties 834 00:37:27,640 --> 00:37:29,400 {\an2}and lying down. 835 00:37:29,440 --> 00:37:31,960 {\an8}I want different body parts involved. 836 00:37:32,000 --> 00:37:33,560 {\an8}Oh, thank you, God. 837 00:37:33,600 --> 00:37:36,000 {\an8}The tie gods are shining down on me. 838 00:37:36,040 --> 00:37:38,160 {\an8}Oh, thank you. 839 00:37:39,840 --> 00:37:41,160 {\an8}Yeah. Oh! 840 00:37:43,880 --> 00:37:44,880 {\an8}Ah. 841 00:37:46,040 --> 00:37:48,040 {\an8}I can't keep up with the number of ties 842 00:37:48,080 --> 00:37:49,600 {\an8}the tie gods are giving me. 843 00:37:49,640 --> 00:37:51,640 {\an8}It's a whole TIE-rade! 844 00:37:51,680 --> 00:37:52,960 {\an8}Oh. 845 00:37:53,000 --> 00:37:54,280 {\an8}20 seconds. 846 00:37:54,320 --> 00:37:56,920 {\an8}OK, I think I'm done. I'll enjoy it now. 847 00:37:56,960 --> 00:37:58,520 {\an2}Five seconds left. OK. 848 00:37:58,560 --> 00:38:01,000 {\an8}WHISTLE BLOWS If you could leave the lab now, 849 00:38:01,040 --> 00:38:03,760 {\an8}that'd be great. LAUGHTER 850 00:38:03,800 --> 00:38:07,240 {\an2}APPLAUSE ALEX:We left him there. 851 00:38:08,720 --> 00:38:10,560 {\an2}He was so violent with the mechanism, 852 00:38:10,600 --> 00:38:12,880 {\an2}he whacked it and he put it off at an angle, so they couldn't, 853 00:38:12,920 --> 00:38:14,800 {\an2}they had nowhere to go but fall on top of Steve. 854 00:38:14,840 --> 00:38:16,640 {\an2}And he tied 28 ties. AUDIENCE: Ooh. 855 00:38:16,680 --> 00:38:18,120 {\an2}Attached himself to the bed. 856 00:38:18,160 --> 00:38:20,160 {\an2}Each of his fingers was tied up. GREG WHISTLES 857 00:38:20,200 --> 00:38:22,840 {\an2}Individual fingers, mouth, head, pelvis. 858 00:38:22,880 --> 00:38:25,960 {\an2}Not through the pelvic bone but... No. No. 859 00:38:26,000 --> 00:38:28,560 {\an2}I mean, do you wanna win or not? 860 00:38:28,600 --> 00:38:29,920 {\an2}Um, let's talk about this, 861 00:38:29,960 --> 00:38:31,920 {\an2}uh, Welsh tie business. They weren't prayers. 862 00:38:31,960 --> 00:38:33,680 {\an2}No, they were my family mottos. 863 00:38:33,720 --> 00:38:35,760 {\an2}There's the green one - that's the one that Joanne got 864 00:38:35,800 --> 00:38:37,320 {\an2}and obviously that says, uh, 865 00:38:37,360 --> 00:38:39,440 {\an2}"Know what you want and have the confidence to go after it." 866 00:38:39,480 --> 00:38:41,200 {\an2}That's what I wore on my stag night. 867 00:38:41,240 --> 00:38:42,400 {\an2}Nice. 868 00:38:42,440 --> 00:38:45,040 {\an2}Joanne and John both got the yellow one down. 869 00:38:45,080 --> 00:38:47,520 {\an2}"Don't watch the clock - do what it does. Keep going." 870 00:38:47,560 --> 00:38:49,080 {\an2}I wore that on my wedding day. 871 00:38:49,120 --> 00:38:51,000 {\an2}Uh, purple, Steve got the purple one. 872 00:38:51,040 --> 00:38:54,040 {\an2}Which says, "Whoever is happy will make others happy too." 873 00:38:54,080 --> 00:38:55,800 {\an2}And then the red tie of course, uh, 874 00:38:55,840 --> 00:38:59,840 {\an2}my dad's tie which says, "This is the terrible tie." 875 00:38:59,880 --> 00:39:02,120 {\an2}And that was brought down by Mr Steve Pemberton. 876 00:39:02,160 --> 00:39:04,840 {\an2}AUDIENCE: Aw. 877 00:39:04,880 --> 00:39:07,480 {\an2}Of all the ties to rain down on me. 878 00:39:07,520 --> 00:39:08,920 {\an2}Poor Steve is out. 879 00:39:08,960 --> 00:39:10,320 {\an2}I liked Sophie's attempt 880 00:39:10,360 --> 00:39:12,920 {\an2}and I thought the rope was impressive, so I'm going to reward it. 881 00:39:12,960 --> 00:39:14,600 {\an2}Woo. Most tied-up person wins. 882 00:39:14,640 --> 00:39:16,080 {\an2}She was the most tied-up person. 883 00:39:16,120 --> 00:39:18,320 {\an2}Yes. And then we'll do it according to the amount of ties. 884 00:39:18,360 --> 00:39:20,040 {\an2}That were used. OK, well it's two points to Nick, 885 00:39:20,080 --> 00:39:21,440 {\an2}three to John, four to Joanne, 886 00:39:21,480 --> 00:39:23,240 {\an2}five points to Sophie Willan! 887 00:39:28,240 --> 00:39:29,560 {\an2}Can we have a look at the scores? 888 00:39:29,600 --> 00:39:30,840 {\an2}Yes, Sophie's got a chance of winning, 889 00:39:30,880 --> 00:39:33,160 {\an2}she's on 15, John is on the top with 16 points. 890 00:39:33,200 --> 00:39:34,440 {\an2}Wow, still ahead. 891 00:39:34,480 --> 00:39:37,040 {\an1}APPLAUSE 892 00:39:37,080 --> 00:39:38,680 {\an2}She's in with a shot. 893 00:39:39,880 --> 00:39:41,400 {\an2}All right, well, here we are. 894 00:39:41,440 --> 00:39:42,640 {\an2}Make your way to the stage, 895 00:39:42,680 --> 00:39:43,840 {\an2}final task of the show! 896 00:39:43,880 --> 00:39:46,200 {\an1}APPLAUSE 897 00:39:50,280 --> 00:39:51,880 {\an2}What's cooking, good-looking? 898 00:39:51,920 --> 00:39:53,600 {\an2}Who's reading the task out? 899 00:39:53,640 --> 00:39:55,760 {\an2}Uh, I think Steve Pemberton's going to read this one out. 900 00:39:55,800 --> 00:39:57,040 {\an2}Is he? Oh, yes. 901 00:39:58,760 --> 00:40:00,840 {\an2}Park a vehicle in the parking bay. 902 00:40:00,880 --> 00:40:04,360 {\an2}Your vehicle must be rolled whilst standing on the spot, 903 00:40:04,400 --> 00:40:07,200 {\an2}and the worst parker each round, is eliminated. 904 00:40:07,240 --> 00:40:08,920 {\an2}It's a parking challenge. 905 00:40:08,960 --> 00:40:10,880 {\an2}We have four parking bays there. 906 00:40:10,920 --> 00:40:13,520 {\an2}So in round one, you've gotta try to park one of these vehicles 907 00:40:13,560 --> 00:40:15,160 {\an2}in parking space number one. 908 00:40:15,200 --> 00:40:17,080 {\an2}So you can now write down what order 909 00:40:17,120 --> 00:40:18,920 {\an2}you want to park your vehicles. 910 00:40:18,960 --> 00:40:21,000 {\an2}As always happens in this show, Greg, 911 00:40:21,040 --> 00:40:23,000 {\an2}the person in the lead goes first. 912 00:40:23,040 --> 00:40:26,160 {\an2}On this occasion it's John. So, John, you have selected the car. 913 00:40:26,200 --> 00:40:28,600 {\an2}Yeah. You must stay on the gold circle. 914 00:40:28,640 --> 00:40:31,080 {\an2}You're aiming for parking bay number one. 915 00:40:31,120 --> 00:40:32,520 {\an2}John, park that car. 916 00:40:35,880 --> 00:40:39,320 {\an2}AUDIENCE:Ooh. APPLAUSE 917 00:40:39,360 --> 00:40:41,080 {\an8}Not a bad start. 918 00:40:41,120 --> 00:40:44,200 {\an2}He's popped into two. LAUGHTER 919 00:40:44,240 --> 00:40:46,040 {\an2}Right, it's Sophie next. 920 00:40:46,080 --> 00:40:48,840 {\an2}Bring your little version of yourself with you. 921 00:40:48,880 --> 00:40:51,160 {\an2}That's lovely. LAUGHTER 922 00:40:53,240 --> 00:40:56,080 {\an8}No. No, it's gone too far, fuck! 923 00:40:58,040 --> 00:41:00,200 {\an2}APPLAUSE Not too bad, it's not a disaster. 924 00:41:00,240 --> 00:41:01,760 {\an2}It, it is a bit, let's be honest. 925 00:41:01,800 --> 00:41:03,920 {\an2}It's not great. 926 00:41:03,960 --> 00:41:05,920 {\an2}Nick, you're up next. I'm third. 927 00:41:05,960 --> 00:41:07,440 {\an2}And you've selected the buggy. 928 00:41:07,480 --> 00:41:10,600 {\an2}Yes. You've just, you can just slot your little legs. 929 00:41:10,640 --> 00:41:12,400 {\an2}My own or...? Well, either's fine. 930 00:41:16,480 --> 00:41:18,000 {\an8}AUDIENCE: Ooh. 931 00:41:18,040 --> 00:41:19,360 {\an8}Very clever. 932 00:41:20,480 --> 00:41:22,800 {\an8}He's definitely made it through to round two, I can tell you that. 933 00:41:22,840 --> 00:41:25,560 {\an2}Yeah, well done. 934 00:41:25,600 --> 00:41:27,200 {\an2}OK, Joanne McNally, you're up next. OK. 935 00:41:27,240 --> 00:41:28,760 {\an2}You have chosen the horse. Yeah. 936 00:41:30,800 --> 00:41:32,960 {\an8}Oh, ooh. Go on! 937 00:41:33,000 --> 00:41:35,240 {\an2}It's safe, she is safely through. Well done. 938 00:41:35,280 --> 00:41:37,560 {\an1}APPLAUSE 939 00:41:37,600 --> 00:41:39,600 {\an2}Right, finally it's Steve Pemberton. 940 00:41:39,640 --> 00:41:41,320 {\an2}What have you selected first of all? 941 00:41:41,360 --> 00:41:43,600 {\an2}I've selected the trolley. 942 00:41:43,640 --> 00:41:45,040 {\an2}OK. 943 00:41:48,000 --> 00:41:49,280 {\an2}Yeah. Ooh. 944 00:41:49,320 --> 00:41:51,640 {\an2}Is it enough? Let's have a look. 945 00:41:51,680 --> 00:41:55,400 {\an2}Arguably, Sophie's only chance at winning an episode... 946 00:41:55,440 --> 00:41:57,720 {\an2}..has just been dashed against the rocks. 947 00:41:57,760 --> 00:41:59,000 {\an2}Fine. 948 00:41:59,040 --> 00:42:00,880 {\an2}Unfortunately, Sophie, you've been eliminated in round one. 949 00:42:00,920 --> 00:42:01,920 {\an2}Have I? And I must... 950 00:42:01,960 --> 00:42:04,000 {\an2}..I must take small Sophie away from you. 951 00:42:04,040 --> 00:42:06,640 {\an2}No.Yeah. LAUGHTER 952 00:42:06,680 --> 00:42:08,280 {\an2}Oh. Sit on the bench of shame. 953 00:42:10,520 --> 00:42:12,480 {\an2}Sit on the what? The bench of shame. 954 00:42:12,520 --> 00:42:14,400 {\an2}Right, round two. It is sad. John, you're up first. 955 00:42:14,440 --> 00:42:17,480 {\an2}You've picked the trolley, so if you wanna mount the trolley. 956 00:42:24,600 --> 00:42:27,520 {\an2}This is aiming for number two, of course. 957 00:42:27,560 --> 00:42:30,480 {\an2}Gosh, yeah. Oh. 958 00:42:30,520 --> 00:42:33,160 {\an2}It's hard to get the balance right with that trolley. 959 00:42:33,200 --> 00:42:34,200 {\an2}Yeah. 960 00:42:36,120 --> 00:42:37,440 {\an2}Parking bay two. 961 00:42:37,480 --> 00:42:39,040 {\an2}Nick also with the trolley. 962 00:42:41,360 --> 00:42:42,560 {\an2}Oh, God. Confident. 963 00:42:42,600 --> 00:42:45,200 {\an2}Bold. My, God. Oh! 964 00:42:45,240 --> 00:42:48,800 {\an1}APPLAUSE 965 00:42:51,000 --> 00:42:53,480 {\an2}That was electric. 966 00:42:53,520 --> 00:42:55,800 {\an2}Joanne, you've selected the car. 967 00:42:55,840 --> 00:42:58,200 {\an2}And do you remember what happened the first time the car was used? 968 00:42:58,240 --> 00:42:59,760 {\an2}It went too far. 969 00:42:59,800 --> 00:43:00,920 {\an2}So what are you gonna do? 970 00:43:02,160 --> 00:43:03,320 {\an2}I'm gonna win, Alex. 971 00:43:03,360 --> 00:43:05,560 {\an7}LAUGHTER 972 00:43:05,600 --> 00:43:08,280 {\an7}AUDIENCE MEMBER SCREAMS 973 00:43:10,000 --> 00:43:11,520 {\an2}Ah. 974 00:43:11,560 --> 00:43:13,160 {\an2}I fucked up. AUDIENCE: Aw. 975 00:43:13,200 --> 00:43:15,640 {\an2}JOHN: I've gotta say, despite being in the drop zone, 976 00:43:15,680 --> 00:43:16,840 {\an2}I didn't wanna see that. 977 00:43:18,560 --> 00:43:20,240 {\an2}Steve, you're up. What have you chosen? 978 00:43:20,280 --> 00:43:21,600 {\an2}I've chosen the buggy. 979 00:43:23,240 --> 00:43:25,760 {\an2}You step on that board I'm gonna come up there like a windmill. 980 00:43:30,160 --> 00:43:31,840 {\an2}Oh, that's lovely. This is looking good. 981 00:43:31,880 --> 00:43:34,000 {\an2}Yeah, that is lovely. 982 00:43:34,040 --> 00:43:36,400 {\an2}Woo! APPLAUSE 983 00:43:38,400 --> 00:43:40,360 {\an2}And that is how you park a child. 984 00:43:41,920 --> 00:43:43,480 {\an2}Joanne's out. Tragic. 985 00:43:45,960 --> 00:43:48,440 {\an2}OK, it's the penultimate round. 986 00:43:48,480 --> 00:43:52,360 {\an2}John Robins, again, up first. Picked the horse. 987 00:43:52,400 --> 00:43:54,640 {\an2}So, John, you're aiming for parking bay number three, of course. 988 00:43:54,680 --> 00:43:55,960 {\an2}OK. 989 00:43:58,240 --> 00:43:59,720 {\an2}Oh, my God. 990 00:44:02,600 --> 00:44:04,720 {\an2}It's very level, it's very level. 991 00:44:08,080 --> 00:44:10,280 {\an2}OK it's, uh, Nick Mohammed, what are you going with? 992 00:44:10,320 --> 00:44:11,600 {\an2}I'm going with horse as well. 993 00:44:11,640 --> 00:44:13,840 {\an2}Oh, really, well you've seen how to do it. 994 00:44:13,880 --> 00:44:15,040 {\an2}Good luck, Nick. 995 00:44:18,720 --> 00:44:19,720 {\an2}Oh! 996 00:44:21,360 --> 00:44:24,120 {\an1}APPLAUSE 997 00:44:28,960 --> 00:44:30,600 {\an2}I think I'm out. 998 00:44:30,640 --> 00:44:33,280 {\an2}Well, there's still Steve, he just needs to not do that. 999 00:44:34,680 --> 00:44:36,720 {\an2}The slightest shove will do it, Steve. What have you picked? 1000 00:44:36,760 --> 00:44:39,280 {\an2}I've got horse as well. John, any advice on the horse? 1001 00:44:39,320 --> 00:44:40,840 {\an2}Just whack it right off the end. 1002 00:44:40,880 --> 00:44:41,880 {\an2}Whack it. 1003 00:44:44,920 --> 00:44:46,480 {\an2}Ooh. Really good. 1004 00:44:46,520 --> 00:44:49,000 {\an2}Oh, good stuff. You've made it through to round three, well done. 1005 00:44:49,040 --> 00:44:51,160 {\an1}APPLAUSE 1006 00:44:51,200 --> 00:44:53,240 {\an2}Greg, I'm afraid we have to say goodbye to Nick Mohammed. 1007 00:44:54,480 --> 00:44:58,800 {\an1}APPLAUSE 1008 00:44:58,840 --> 00:45:01,200 {\an2}OK, so it's Pemberton versus Robins, 1009 00:45:01,240 --> 00:45:03,680 {\an2}and it's been a theme of the series so far. 1010 00:45:03,720 --> 00:45:06,960 {\an2}In the final round, you both push at the same time. 1011 00:45:07,000 --> 00:45:09,480 {\an2}Oh, a twist! 1012 00:45:09,520 --> 00:45:11,680 {\an2}Yes. Oh, my God. 1013 00:45:11,720 --> 00:45:13,320 {\an2}This to the glue factory now? 1014 00:45:14,920 --> 00:45:16,640 {\an2}Get in your vehicles, guys. 1015 00:45:16,680 --> 00:45:18,360 {\an2}Clear the Knappett. 1016 00:45:18,400 --> 00:45:20,040 {\an2}Oh, that's lovely to see. 1017 00:45:21,240 --> 00:45:23,840 {\an1}APPLAUSE 1018 00:45:23,880 --> 00:45:25,640 {\an2}So you must roll on the whistle. 1019 00:45:25,680 --> 00:45:26,960 {\an2}I am genuinely excited. 1020 00:45:28,320 --> 00:45:30,360 {\an2}Three, two, one. 1021 00:45:30,400 --> 00:45:32,320 {\an2}WHISTLE BLOWS Ooh. 1022 00:45:32,360 --> 00:45:33,640 {\an2}Oh, my God. 1023 00:45:36,280 --> 00:45:38,440 {\an2}Pemberton! 1024 00:45:38,480 --> 00:45:40,360 {\an2}Pemberton takes it! 1025 00:45:48,800 --> 00:45:52,840 {\an2}That is classic Pemberton. LAUGHTER 1026 00:45:52,880 --> 00:45:54,840 {\an2}Well done, we'll add that to your final scores, 1027 00:45:54,880 --> 00:45:56,240 {\an2}come down and join me, well done. 1028 00:45:56,280 --> 00:45:58,880 {\an1}APPLAUSE 1029 00:46:03,240 --> 00:46:05,040 {\an2}Tell you what, Pemberton can park. 1030 00:46:05,080 --> 00:46:06,840 {\an2}It's not me, it's the little guy. 1031 00:46:06,880 --> 00:46:10,440 {\an2}I have totted-up the scores now, Greg, 1032 00:46:10,480 --> 00:46:12,680 {\an2}and those five points for Pemberton... 1033 00:46:12,720 --> 00:46:15,040 {\an2}..have very little bearing on the final scores because 1034 00:46:15,080 --> 00:46:17,240 {\an2}the third episode in a row has been won 1035 00:46:17,280 --> 00:46:18,480 {\an2}by Mr John Robins! 1036 00:46:18,520 --> 00:46:20,360 {\an2}Oh, gosh. 1037 00:46:20,400 --> 00:46:22,960 {\an1}APPLAUSE 1038 00:46:23,000 --> 00:46:25,320 {\an2}John Robins wins! 1039 00:46:25,360 --> 00:46:28,880 {\an2}Please pick up your extraordinary pictures! 1040 00:46:31,200 --> 00:46:34,840 {\an2}So, what have we learnt from today's show? 1041 00:46:34,880 --> 00:46:38,080 {\an2}Well, we all know that life has its ups and its downs. 1042 00:46:38,120 --> 00:46:39,760 {\an2}Everybody has their struggles, 1043 00:46:39,800 --> 00:46:41,440 {\an2}but whatever you've been through, 1044 00:46:41,480 --> 00:46:43,720 {\an2}whatever you're going through, do remember... 1045 00:46:43,760 --> 00:46:46,480 {\an2}..things could always be worse. 1046 00:46:46,520 --> 00:46:48,600 {\an1}LAUGHTER 1047 00:46:48,640 --> 00:46:51,880 {\an2}That's us halfway through the series 1048 00:46:51,920 --> 00:46:55,560 {\an2}and this is your champion of the night, Mr John Robins! 1049 00:46:55,600 --> 00:46:58,920 {\an1}CHEERING AND APPLAUSE 1050 00:47:15,560 --> 00:47:18,520 {\an2}Subtitles by Red Bed Media