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{\an2}This programme contains
strong language
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{\an2}Tickets, please.
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{\an2}Oh!
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{\an2}Yeah.
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{\an2}This isn't my fault.
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{\an2}Oh, my God.
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{\an2}Oh, my God!
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{\an2}Argh!
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{\an2}Bloody hell!
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{\an2}Mum?
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{\an2}Ah!
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{\an2}I say!
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{\an1}CHEERING AND APPLAUSE
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{\an2}Hello! Welcome to a brand-new series
of Taskmaster.
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{\an1}CHEERING AND APPLAUSE
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{\an2}it's the goon gulag,
the performance penitentiary,
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{\an2}a penal facility
for the makers of hilarity.
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{\an2}Lock up your laughter.
We've got two BAFTAs.
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{\an2}If you want comedians doing tasks,
we're what you're after.
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{\an2}Wik-ah, wik-ah, wik-ah!
STARTS BEATBOXING
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{\an2}With five silly comics,
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{\an2}a big man in a throne,
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{\an2}and sitting right next to him,
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{\an2}the man that makes him moan.
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{\an2}Not moan in a sexy way -
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{\an2}moan because he is a wonky-toothed
fool.
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{\an2}Plastic shoes, like a kid,
you know it will be chaos,
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{\an2}you know there will be pain.
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{\an2}And when someone wins,
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{\an2}they'll take a rubbish trophy home -
we start again!
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{\an1}WHOOPING
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{\an2}Please welcome...
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{\an2}..Chloe Petts...
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{\an2}..Isy Suttie...
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{\an2}..Matt Lucas...
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{\an2}..Nina Conti...
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{\an2}..and Richard Ayoade!
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{\an2}And sitting next to me - a man
who is like an egg,
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{\an2}because he's so fragile -
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{\an2}a mouse, because he's frightened -
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{\an2}and like a village fete marquee,
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{\an2}because he's always
erect around senior citizens.
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{\an2}Please welcome little Alex Horne!
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{\an1}CHEERING AND APPLAUSE
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{\an2}Not always!
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{\an2}Not always. Often.
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{\an2}Well, what a big day this is. Ah-ha.
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{\an2}New series. Yep. I'm so excited.
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{\an2}I wanted to get you a present,
Greg, to mark the occasion. Mm-hm.
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{\an2}I've got you this.
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{\an2}Have a look at this, Greg.
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{\an2}Genuine.
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{\an8}I sponsored a dog waste bin
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{\an8}in your name.
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{\an8}It's in Witham.
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{\an2}Have you really done that? Mm-hm.
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{\an2}Good. I like it.
It'll be there forever.
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{\an2}If forever is one year.
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{\an2}It's time
for the first prize task category.
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{\an2}Yes, Greg. And to give this series
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{\an2}the lift-off it deserves,
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{\an2}the category is the droopiest
object.
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{\an2}Oooh! I know, it's a tough opener,
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{\an2}because if there's one
thing Greg knows about,
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{\an2}it's drooping.
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{\an2}Five points
for the droopiest object -
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{\an2}five droopy things
for the episode winner.
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{\an2}And now it's time for this soppy git
to judge their floppy bits.
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{\an2}I've been Alex Horne.
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{\an2}And off the back of that,
welcome, Chloe.
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{\an2}Thank you so much for having me.
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{\an2}What's your droopy thing?
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{\an2}Well, unfortunately, I'm worried
that I've sort of failed at
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{\an2}the first hurdle here
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{\an2}because I haven't brought you
a droopy thing.
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{\an2}I've actually bought you
an extremely erect thing...
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{\an2}Ah. ..that I would like to share
with you.
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{\an2}Oh-oh-oh-oh!
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{\an2}Oh! Do you like this? Yeah,
I like it already.
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{\an2}Please touch it.
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{\an2}You have my consent.
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{\an2}Droopy! That's a laugh.
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{\an2}It drooped! It drooped.
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{\an2}Thank you.
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{\an2}It's a hell of an opener. Yeah!
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{\an2}Hello, Isy. Hello. What have
you brought?
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{\an2}I've brought oaty soup
in a pair of tights.
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{\an2}Yes, she has.
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{\an2}Oh!
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{\an2}Just a normal pair of tights.
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{\an2}It's pretty droopy!
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{\an2}And someone can win that.
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{\an2}I get eczema,
and my mum told us to put
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{\an2}one leg of a pair of tights over
the bath tap with some oats in.
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{\an2}Yeah. And you run the water through
the tights.
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{\an2}Oh, yeah. Your mum's
an 18th century witch, isn't she?
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{\an2}So the kind of oaty soup soothes
the eczema.
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{\an2}But the tights stretch and stretch
and stretch.
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{\an2}And then afterwards you can't
resist just swinging
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{\an2}them around your head like
a mediaeval weapon.
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{\an2}Oh, right. And you can make porridge
if you use the hot tap.
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{\an2}OK.
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{\an2}Who wouldn't want
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{\an2}to eat porridge out of
the gusset of some tights?
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{\an2}Who doesn't? Who doesn't?
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{\an2}Matt. Hello.
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{\an2}Hello. So I acquired a plush toy of
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{\an2}the whimsical cartoon character,
Droopy, and I took the stuffing out.
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{\an2}So now it's even more droopy.
It's a droopy Droopy.
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{\an2}Aw!
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{\an2}He always reminds me of you, Droopy,
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{\an2}because he seems unhappy on
the outside,
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{\an2}but actually,
he's quite chirpy on the inside.
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{\an2}And also, he was born in 1943.
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{\an2}And have you seen videos
of yourself lately?
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{\an2}No. Honestly.
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{\an2}Flick through earlier episodes
of this
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{\an2}and you see someone age
before your eyes.
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{\an2}It's like the end of Indiana Jones
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{\an2}when that when that Nazi's face
melts off.
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{\an2}I love your droopy Droopy.
Thank you.
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{\an2}Hi, Nina. Hello. Welcome.
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{\an2}What have you brought?
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{\an2}I've brought a specific part
of a thing because it's very droopy.
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{\an2}It is a monster from a famous film.
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{\an2}It's a bit of fan art, I think.
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{\an2}it's the guy who has hands
for eyes and droop for arse.
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{\an2}Have a look. Oh!
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{\an1}LAUGHTER
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{\an2}That looks like my eczema.
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{\an2}Hooray!
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{\an2}We don't have the film rights,
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{\an2}but we are allowed to show just
the arse of the creature.
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{\an1}LAUGHTER
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{\an2}It's coming to us all, isn't it?
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{\an2}As you saw in the dressing room,
mine's like a peach.
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{\an2}Yeah, nothing like that.
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{\an2}It isn't! No!
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{\an2}Richard, what droopy object
have you bought for us?
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{\an2}I was asked to look
after a plant once.
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{\an2}And this is it
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{\an2}in the early stages of my looking
after it.
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{\an2}Greg, he's brought in a droopy
plant.
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{\an2}I know!
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{\an2}It's not even that droopy!
It's not.
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{\an2}It's actually a pretty decent plant.
Pretty decent plant!
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{\an2}I say, water that once,
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{\an2}you've got yourself
a lovely bit of houseware, there.
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{\an2}I'm actually sad to see that go.
Yeah.
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{\an2}Right. Have you got scores for me,
Greg? I have.
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{\an2}I'm going to give Richard one
point. Mm-hm.
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{\an2}Two points for Chloe's one.
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{\an2}Droopy I'm going to give three
points to.
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{\an2}I'm only giving it three points
because it made me feel so sad.
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{\an2}And I don't want to feel sad at
the beginning of a series.
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{\an2}OK, Matt Lucas three points.
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{\an2}Four is Nina.
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{\an2}And just because they shocked me
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{\an2}and because they have
positive medicinal benefits,
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{\an2}I'm going to give Isy Suttie
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{\an2}five points for her porridge tights.
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{\an2}Well done.
Isy Suttie gets five points.
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{\an2}OK, on we go.
What's task number one,
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{\an2}please, Alex? Well, for once,
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{\an2}task number one is genuinely
the first task they all filmed.
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{\an2}So let's have a look
at their very first day at school.
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{\an2}Ooh!
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{\an2}Oh, hello, Richard.
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{\an2}Hi.
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{\an2}Hi, Isy. Hi.
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{\an2}Hello, Alex. Hello, Chloe.
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{\an2}It's a toilet!
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{\an2}That's a cupboard.
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{\an2}Hello!
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{\an2}I probably should have
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{\an2}watched this show
before coming on it. Ah!
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{\an2}Yeah. Anyway,
do you want me to sit down?
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{\an2}Yes. Normally, people sit
down and they open the envelope.
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{\an2}All right. You see, I told you I
should have watched this show.
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{\an2}This is nice, isn't it?
Yes. The seal.
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{\an2}22 series. Yeah.
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{\an2}No, I'll take your word for it.
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{\an2}All right, here we go.
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{\an2}OK. Your first task is to put
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{\an2}the golden apple on
the golden plate.
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{\an2}If the golden apple touches
the ground, you are disqualified.
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{\an2}Also, you must be handcuffed
to Alex throughout.
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{\an2}Fastest wins. Your time starts
when your hands are cuffed.
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{\an2}Taskmaster. Mm-hm.
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{\an2}Yeah, that's the name of the show.
Right. And I'm Alex.
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{\an2}So here we go. Alex, you say?
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{\an2}Happy with this one?
This wrist? Yeah.
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{\an2}Don't cuff me yet.
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{\an2}I want to see if I can find
the golden apple first.
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{\an2}I knew you were going to go
that way.
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{\an2}OK, you can cuff me now.
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{\an2}Much kinkier than I expected this
to be.
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{\an2}Is it?
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{\an2}Which hand would you like?
It doesn't have to be hand.
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{\an2}Probably it should be. It doesn't
have to be hand?
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00:09:01,280 --> 00:09:02,280
{\an2}Well...
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00:09:02,320 --> 00:09:04,560
{\an2}Foot, please. You're going to go
foot?
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00:09:07,520 --> 00:09:09,240
{\an2}I think this is going to make
things easier.
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00:09:09,280 --> 00:09:10,680
{\an2}Yeah. Through the lace.
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{\an2}OK.
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00:09:13,880 --> 00:09:14,880
{\an2}There we go.
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{\an2}Shall we go to the kitchen?
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{\an1}APPLAUSE
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{\an2}Very good. Thank you.
The foot thing.
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{\an2}It was offered. It wasn't offered!
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{\an2}You'll go far in this show, young
man.
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{\an2}Thank you very much.
Let's have a look.
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{\an2}OK. Well, first, to follow
in the ancient footsteps of Hercules
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{\an2}and find the golden
apples of Hesperides
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{\an2}while handcuffed to Horne is
Nina and Chloe.
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{\an2}Oh!
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{\an2}Fuck's sake.
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{\an2}Golden apple and the golden plate.
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{\an2}OK, so we have to locate
where the golden apple is.
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{\an2}We're off, are we? We're off.
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{\an2}I can see the plate.
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{\an2}Now this apple.
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{\an2}Do you know where it is? No.
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{\an2}But do you actually? Yeah.
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00:10:01,440 --> 00:10:03,000
{\an2}PHONE RINGS
Stop it!
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00:10:03,040 --> 00:10:04,720
{\an2}Why is that ringing?
Is it over?
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00:10:06,920 --> 00:10:08,120
{\an2}Hello?
NEW ZEALAND ACCENT: Shed.
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00:10:08,160 --> 00:10:09,800
{\an2}What do you say?
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00:10:09,840 --> 00:10:11,320
{\an2}Shed. A shade?
230
00:10:11,360 --> 00:10:13,360
{\an2}Shade? A lampshade.
231
00:10:17,640 --> 00:10:19,160
{\an2}Turn around. Turn around now!
232
00:10:19,200 --> 00:10:20,200
{\an2}This way. Stay!
233
00:10:22,360 --> 00:10:25,400
{\an2}To find the golden apple,
you must go to the shed.
234
00:10:25,440 --> 00:10:26,600
{\an2}This way.
235
00:10:26,640 --> 00:10:27,640
{\an2}Shade...
236
00:10:29,560 --> 00:10:31,440
{\an2}PHONE RINGS
Did you say shade?
237
00:10:31,480 --> 00:10:34,120
{\an2}Shed.
She said shade again.
238
00:10:34,160 --> 00:10:35,720
{\an2}Shed! She's Scottish.
239
00:10:35,760 --> 00:10:37,640
{\an2}Let's go. Shed.
240
00:10:37,680 --> 00:10:39,280
{\an2}Shed, is it. So I'm in the shed.
241
00:10:39,320 --> 00:10:41,120
{\an2}I'm in the shed as well. Thank you.
242
00:10:42,600 --> 00:10:43,760
{\an2}What's in this thing?
243
00:10:44,880 --> 00:10:46,600
{\an2}Oh, God. Oh, no.
244
00:10:46,640 --> 00:10:49,200
{\an2}Oh, no. Come on. Is it?
245
00:10:49,240 --> 00:10:53,520
{\an2}We have to go up here. OK.
Because it's gold.
246
00:10:53,560 --> 00:10:55,000
{\an2}Right.
247
00:10:55,040 --> 00:10:58,360
{\an2}We're going up here. Are we?
Yeah. Follow me.
248
00:10:58,400 --> 00:10:59,720
{\an2}It's lovely to meet you.
249
00:10:59,760 --> 00:11:01,960
{\an2}Sorry about where my head just went.
That's all right.
250
00:11:02,000 --> 00:11:03,800
{\an2}The first time a man's been there.
Mm.
251
00:11:03,840 --> 00:11:05,840
{\an1}LAUGHTER
252
00:11:17,040 --> 00:11:20,440
{\an2}Oh, yes. Oh, yes! Look at this. Wow.
253
00:11:22,000 --> 00:11:24,080
{\an2}Oh, it's very Greek.
254
00:11:24,120 --> 00:11:25,560
{\an2}Right, Alex, we're through.
255
00:11:25,600 --> 00:11:27,760
{\an2}Well, you're through. Ow! Come on!
256
00:11:29,320 --> 00:11:31,200
{\an2}Good boy.
257
00:11:31,240 --> 00:11:35,040
{\an2}Right, so there's the golden apple.
258
00:11:36,320 --> 00:11:37,520
{\an2}There she is.
259
00:11:37,560 --> 00:11:39,720
{\an2}Where does the golden
apple have to go now, Alex?
260
00:11:39,760 --> 00:11:41,200
{\an2}Not on the floor.
261
00:11:41,240 --> 00:11:42,440
{\an2}Oh, shit.
262
00:11:43,760 --> 00:11:45,440
{\an2}OK, not on the floor.
263
00:11:45,480 --> 00:11:47,720
{\an2}We need to stand on these.
264
00:11:47,760 --> 00:11:49,920
{\an2}Ah, clever. To get them a
little bit... That's a good idea.
265
00:11:53,160 --> 00:11:54,440
{\an2}Oh, OK.
266
00:11:54,480 --> 00:11:56,560
{\an2}Right, we're going back to the first
room. Yeah.
267
00:12:01,760 --> 00:12:03,400
{\an2}Clock's stopped. Well done.
268
00:12:03,440 --> 00:12:04,440
{\an2}Golden plate.
269
00:12:04,480 --> 00:12:06,200
{\an2}Golden fucking plate.
270
00:12:07,920 --> 00:12:09,040
{\an2}That's pissed me off, that has.
271
00:12:09,080 --> 00:12:10,560
{\an2}Mm. Me, too.
272
00:12:12,720 --> 00:12:13,760
{\an2}Stop the clock.
273
00:12:15,520 --> 00:12:16,920
{\an2}Have you got the key for that?
274
00:12:16,960 --> 00:12:18,600
{\an2}I've got the key for my side.
275
00:12:19,880 --> 00:12:21,520
{\an2}See you later. Thanks, Chloe.
276
00:12:21,560 --> 00:12:24,600
{\an2}This is quite fashionable
in the queer community.
277
00:12:31,320 --> 00:12:34,680
{\an2}Straight off the bat -
lovely competitive energy from you.
278
00:12:34,720 --> 00:12:36,960
{\an2}Yeah, he's quite frustrating
as a presence.
279
00:12:37,000 --> 00:12:38,880
{\an2}Oh, I despise the man. Yeah.
280
00:12:38,920 --> 00:12:41,760
{\an2}And you'll be pleased
to hear I've watched all 22 series,
281
00:12:41,800 --> 00:12:43,080
{\an2}so I knew that very well.
282
00:12:45,840 --> 00:12:48,800
{\an2}Yeah. I'm sorry to say, Alex -
you have aged.
283
00:12:51,640 --> 00:12:53,320
{\an2}I don't want to say badly.
284
00:12:53,360 --> 00:12:55,200
{\an2}It's just the passage of time
has happened to happened to you.
285
00:12:55,240 --> 00:12:56,680
{\an2}And that's all right. It's like a
filmed candle.
286
00:12:58,000 --> 00:12:59,600
{\an2}You still congratulated
287
00:12:59,640 --> 00:13:02,040
{\an2}him on slamming his
face into your special area.
288
00:13:03,200 --> 00:13:04,560
{\an2}It's not that special, Greg.
289
00:13:06,080 --> 00:13:07,520
{\an2}Don't talk it down.
290
00:13:09,440 --> 00:13:11,280
{\an2}I thought yours was a very
good audition
291
00:13:11,320 --> 00:13:13,600
{\an2}to be a daytime detective,
292
00:13:13,640 --> 00:13:18,400
{\an2}just because of, "Shed? Shed? Shed?
293
00:13:18,440 --> 00:13:19,520
{\an2}"She's Scottish!"
294
00:13:22,400 --> 00:13:26,360
{\an2}Point of fact - she was Rose
Matafeo, and she's a New Zealander.
295
00:13:26,400 --> 00:13:27,560
{\an2}Oh, really?
296
00:13:27,600 --> 00:13:28,760
{\an2}They were both quick.
297
00:13:28,800 --> 00:13:32,520
{\an2}Chloe - ten minutes 20 seconds,
Nina - six minutes 40.
298
00:13:32,560 --> 00:13:34,160
{\an2}Whoa! Oof!
299
00:13:34,200 --> 00:13:36,400
{\an2}It's a good start. Hercules -
several months
300
00:13:36,440 --> 00:13:38,120
{\an2}to find the golden apple.
301
00:13:39,240 --> 00:13:41,160
{\an2}Right, stop! Adverts.
302
00:13:41,200 --> 00:13:42,560
{\an2}Back soon. Bye.
303
00:13:50,920 --> 00:13:52,440
{\an2}Hello!
304
00:13:52,480 --> 00:13:56,560
{\an2}Welcome back to episode one,
where the new rivals are trying
305
00:13:56,600 --> 00:13:58,920
{\an2}to find a golden apple and place it
in a golden plate,
306
00:13:58,960 --> 00:14:01,760
{\an2}but in some grotesque affront
to humanity,
307
00:14:01,800 --> 00:14:03,360
{\an2}they had to be chained to a
308
00:14:03,400 --> 00:14:04,960
{\an2}yet-to-be-exposed pervert.
309
00:14:05,000 --> 00:14:07,000
{\an1}LAUGHTER
310
00:14:08,520 --> 00:14:10,920
{\an2}Thank you Greg,
and happy anniversary to my parents.
311
00:14:10,960 --> 00:14:13,920
{\an2}Yes. So here's Isy and Richard.
312
00:14:22,640 --> 00:14:26,440
{\an2}Um, and then, uh, yellow paint.
313
00:14:26,480 --> 00:14:28,080
{\an2}Is that in the craft drawer?
314
00:14:29,920 --> 00:14:31,880
{\an2}Fastest wins. When your time starts
when your hands are...
315
00:14:31,920 --> 00:14:33,160
{\an2}Head to the shed!
316
00:14:37,840 --> 00:14:40,760
{\an2}Where are we going?
Uh, shed. Uh, shed.
317
00:14:44,080 --> 00:14:45,920
{\an2}Where are we going? Shed!
318
00:14:55,360 --> 00:14:56,440
{\an2}Do we call that golden?
319
00:14:56,480 --> 00:14:58,200
{\an2}You can if you want. OK.
320
00:14:58,240 --> 00:15:00,320
{\an2}If your right foot goes first
I'll have warning.
321
00:15:00,360 --> 00:15:01,360
{\an2}Yep. Now.
322
00:15:06,880 --> 00:15:08,160
{\an2}Oh, my God.
323
00:15:12,760 --> 00:15:13,760
{\an2}Are we in Narnia?
324
00:15:17,600 --> 00:15:19,040
{\an2}I think we're close to the golden
apple now.
325
00:15:24,520 --> 00:15:25,560
{\an2}How are your eyes?
326
00:15:30,520 --> 00:15:31,520
{\an2}OK.
327
00:15:33,360 --> 00:15:35,720
{\an2}Um... Is it... Are they in here?
328
00:15:35,760 --> 00:15:37,200
{\an2}What? What is they?
329
00:15:37,240 --> 00:15:39,720
{\an2}The crafts. Sure. Yeah.
330
00:15:39,760 --> 00:15:41,920
{\an2}One, two, three...
331
00:15:41,960 --> 00:15:42,960
{\an2}Oh!
332
00:15:46,040 --> 00:15:48,560
{\an2}One, two, three...
333
00:15:52,720 --> 00:15:53,720
{\an2}Thank you.
334
00:15:55,080 --> 00:15:56,920
{\an2}I've forgotten the task.
335
00:15:56,960 --> 00:15:58,640
{\an2}Put the golden apple on the golden
plate.
336
00:15:59,800 --> 00:16:01,760
{\an2}Let's call this golden.
337
00:16:01,800 --> 00:16:02,840
{\an2}You want me to stop the clock?
338
00:16:02,880 --> 00:16:03,880
{\an2}Yep.
339
00:16:10,600 --> 00:16:11,600
{\an2}OK.
340
00:16:14,560 --> 00:16:17,760
{\an2}Lay them on their side.
That is a golden plate.
341
00:16:17,800 --> 00:16:19,280
{\an2}This is a golden apple.
342
00:16:20,520 --> 00:16:23,000
{\an2}And that is good as gold.
343
00:16:29,960 --> 00:16:31,200
{\an2}Good. Well, I was thrilled
344
00:16:31,240 --> 00:16:33,560
{\an2}that you bothered to look at
the back of the task.
345
00:16:33,600 --> 00:16:36,360
{\an2}And therefore, you straight away saw
346
00:16:36,400 --> 00:16:37,840
{\an2}you should go to the shed. Yeah.
347
00:16:37,880 --> 00:16:39,000
{\an2}And you found a grabber,
348
00:16:39,040 --> 00:16:41,880
{\an2}but you decided not to use
the grabbing facility -
349
00:16:41,920 --> 00:16:45,040
{\an2}just to use it as a giant snooker
cue, really.
350
00:16:46,280 --> 00:16:49,120
{\an2}When I was just saying, "One, two,
three," it was like,
351
00:16:49,160 --> 00:16:51,360
{\an2}I couldn't believe I was
going to do it.
352
00:16:51,400 --> 00:16:52,680
{\an2}And then I didn't do it.
353
00:16:54,240 --> 00:16:55,280
{\an2}Surely she was fast?
354
00:16:55,320 --> 00:16:56,640
{\an2}It was quick. Well,
no, it wasn't quick.
355
00:16:56,680 --> 00:16:58,200
{\an2}It was 14 minutes 42.
356
00:16:58,240 --> 00:17:00,800
{\an2}It was slow. But was it acceptable?
357
00:17:00,840 --> 00:17:03,000
{\an2}Was it acceptable
for her to put a golden apple into
358
00:17:03,040 --> 00:17:05,600
{\an2}a silver bowl with some coffee pods
in it?
359
00:17:07,240 --> 00:17:09,480
{\an2}Do you think you succeeded?
360
00:17:09,520 --> 00:17:10,520
{\an2}Ye-e-e-s...
361
00:17:12,080 --> 00:17:14,920
{\an2}Richard, in terms of your approach
to the task,
362
00:17:14,960 --> 00:17:17,320
{\an2}is this how it's going to be
for the whole series?
363
00:17:17,360 --> 00:17:18,440
{\an2}I presume you're going
364
00:17:18,480 --> 00:17:20,800
{\an2}to show absolute contempt
for the tasks.
365
00:17:20,840 --> 00:17:23,440
{\an2}I have trauma-wiped all of this.
Trauma-wiped?
366
00:17:23,480 --> 00:17:24,760
{\an2}Trauma-wiped it. Trauma-wiped?
367
00:17:24,800 --> 00:17:26,760
{\an2}Try and dig into your trauma
because it was you,
368
00:17:26,800 --> 00:17:28,160
{\an2}and answer the question,
369
00:17:28,200 --> 00:17:30,880
{\an2}was that a golden apple and was
that a golden plate?
370
00:17:30,920 --> 00:17:31,960
{\an2}Final answer yes.
371
00:17:37,000 --> 00:17:41,160
{\an2}I put it to you that that that was a
yellow bowl.
372
00:17:42,840 --> 00:17:44,040
{\an2}That's a golden bowl.
373
00:17:45,360 --> 00:17:46,840
{\an2}Golden plate?
374
00:17:46,880 --> 00:17:47,920
{\an2}Or plate.
375
00:17:50,320 --> 00:17:53,480
{\an2}I mean, weirdly, gold is yellow.
I've done some research.
376
00:17:53,520 --> 00:17:56,480
{\an2}It is. Yeah, I love that Spandau
Ballet song Yellow.
377
00:17:56,520 --> 00:17:58,080
{\an2}Yes.
378
00:17:58,120 --> 00:18:00,520
{\an2}Yes, and the Coldplay song Gold.
Yes.
379
00:18:01,840 --> 00:18:05,280
{\an2}I mean, also people have argued
that a bowl can be a plate.
380
00:18:05,320 --> 00:18:07,640
{\an2}They're both tableware.
I've been at those arguments.
381
00:18:09,240 --> 00:18:13,240
{\an2}If I go to a shop and I get
a plate of soup, will that be fine?
382
00:18:13,280 --> 00:18:16,040
{\an2}I think some restaurants,
they serve it on plates.
383
00:18:16,080 --> 00:18:18,200
{\an2}They don't serve soup on plates!
384
00:18:19,240 --> 00:18:20,400
{\an2}Look, you fuck knuckle...
385
00:18:27,720 --> 00:18:30,880
{\an2}You can't dictate the exact size of
a plate.
386
00:18:30,920 --> 00:18:35,120
{\an2}It's cultural. And are you actually
in some kind of act of imperialism?
387
00:18:36,160 --> 00:18:37,520
{\an2}Which is what this has become?
388
00:18:37,560 --> 00:18:38,720
{\an2}He's going to do this quite a lot.
389
00:18:38,760 --> 00:18:40,160
{\an2}Dictating heights of plates?
390
00:18:40,200 --> 00:18:42,560
{\an2}You're on very thin ice, Greg.
391
00:18:42,600 --> 00:18:43,680
{\an2}I can tell you he was quick.
392
00:18:43,720 --> 00:18:44,720
{\an2}Two minutes 22.
393
00:18:44,760 --> 00:18:45,840
{\an2}Of course he was quick!
394
00:18:45,880 --> 00:18:48,280
{\an2}Anyone can be quick if they just get
an apple and toss it in a bowl.
395
00:18:49,720 --> 00:18:51,560
{\an2}There is one more person still
to see.
396
00:18:51,600 --> 00:18:52,920
{\an2}I think I've already
made my judgement,
397
00:18:52,960 --> 00:18:54,480
{\an2}but let's have a look
at Matt's attempt.
398
00:18:54,520 --> 00:18:56,000
{\an2}Here we go.
399
00:18:56,040 --> 00:18:58,520
{\an2}Uh... It's a golden plate
and a golden apple.
400
00:18:58,560 --> 00:19:00,920
{\an2}Well, I can't... Uh...
401
00:19:02,000 --> 00:19:04,360
{\an2}Oh, there's a golden plate. Oh,
that's something.
402
00:19:04,400 --> 00:19:07,680
{\an2}OK. Golden apple, golden apple.
403
00:19:07,720 --> 00:19:09,120
{\an2}Golden apple.
404
00:19:13,880 --> 00:19:15,600
{\an2}Oh!
405
00:19:15,640 --> 00:19:17,200
{\an2}And what's it got to do? Oh.
406
00:19:23,680 --> 00:19:25,960
{\an2}How is it..? How did that happen?
407
00:19:27,480 --> 00:19:29,000
{\an2}Lucas has smashed it out of the
park.
408
00:19:29,040 --> 00:19:30,120
{\an2}How are you feeling?
409
00:19:30,160 --> 00:19:32,840
{\an2}I'm thinking that's probably
the best I did in the whole series.
410
00:19:34,560 --> 00:19:38,960
{\an2}Matt found the apple in one minute
37- sub 100 seconds.
411
00:19:39,000 --> 00:19:40,040
{\an2}Yeah. It's quick.
412
00:19:42,760 --> 00:19:45,240
{\an2}Slowest was Isy, then Chloe,
then Nina,
413
00:19:45,280 --> 00:19:46,800
{\an2}then Richard, then Matt.
414
00:19:46,840 --> 00:19:49,200
{\an2}Yes. But is
that how the points fall?
415
00:19:49,240 --> 00:19:52,080
{\an2}Of course not. Is a golden
416
00:19:52,120 --> 00:19:54,880
{\an2}plate a silver bowl with coffee
pods?
417
00:19:54,920 --> 00:19:58,480
{\an2}No. Is a golden plate, a yellow
bowl?
418
00:19:58,520 --> 00:19:59,520
{\an2}Yes. No.
419
00:20:00,800 --> 00:20:02,200
{\an2}So no points to Isy or Richard?
420
00:20:02,240 --> 00:20:03,880
{\an2}Correct. It's time I got tougher.
421
00:20:03,920 --> 00:20:05,080
{\an2}People have been saying on
the internet
422
00:20:05,120 --> 00:20:08,120
{\an2}that I'm getting softer
and I'm going to toughen up.
423
00:20:08,160 --> 00:20:11,680
{\an2}Daddy...daddy... Daddy's back!
Daddy's back!
424
00:20:11,720 --> 00:20:13,680
{\an2}Finally Daddy's back! Daddy's back!
425
00:20:13,720 --> 00:20:16,160
{\an2}Which means three to Chloe,
four to Nina,
426
00:20:16,200 --> 00:20:17,840
{\an2}but five to Matt Lucas! Hey!
427
00:20:20,400 --> 00:20:22,280
{\an2}Shall we have a scoreboard now?
We should.
428
00:20:22,320 --> 00:20:25,640
{\an2}At the top, we have Matt and Nina
with eight points.
429
00:20:26,720 --> 00:20:27,760
{\an2}There we go.
430
00:20:28,960 --> 00:20:30,920
{\an2}More tasking, please. Yes.
431
00:20:30,960 --> 00:20:35,040
{\an2}And I think it's bed-time to meet
the teams.
432
00:20:46,360 --> 00:20:47,920
{\an1}KNOCKING
433
00:20:47,960 --> 00:20:51,040
{\an2}Who is it? It's TV's Matt Lucas.
434
00:20:51,080 --> 00:20:52,760
{\an2}You best come in.
435
00:20:52,800 --> 00:20:55,040
{\an2}Hi. It really is TV's Matt Lucas.
Yeah.
436
00:20:55,080 --> 00:20:56,120
{\an2}Do you want to touch me?
437
00:20:58,880 --> 00:21:00,840
{\an2}Look at this. Well,
you're welcome to get in.
438
00:21:00,880 --> 00:21:01,960
{\an2}Should I?
439
00:21:03,360 --> 00:21:07,240
{\an2}Hey! How are you?
I'm so good! How are you?
440
00:21:07,280 --> 00:21:09,920
{\an2}Very well, thank you. Nice to see
you.
441
00:21:09,960 --> 00:21:12,640
{\an2}Not thrilled with the mattress,
442
00:21:12,680 --> 00:21:14,680
{\an2}but I don't think I'm spending
the night here.
443
00:21:14,720 --> 00:21:18,960
{\an2}Hey, hello! Hello! Nice to see
you. You, too.
444
00:21:20,560 --> 00:21:22,920
{\an2}MATT: Did you know I was coming?
I had no idea.
445
00:21:22,960 --> 00:21:25,880
{\an2}Oh. Hi. Hello.
446
00:21:25,920 --> 00:21:27,440
{\an2}Hey!
447
00:21:27,480 --> 00:21:29,160
{\an2}What happened to you
448
00:21:29,200 --> 00:21:32,440
{\an2}that you've been so brutalised
that you'd just get into a bed?
449
00:21:32,480 --> 00:21:34,160
{\an2}Well... Have you been asked to get
into it?
450
00:21:34,200 --> 00:21:35,560
{\an2}Yeah, well, it was suggested.
451
00:21:35,600 --> 00:21:38,160
{\an2}Were you given the option? Oh,
suggested, isn't it? Yes.
452
00:21:39,200 --> 00:21:41,680
{\an2}Move this bed into the living room.
453
00:21:41,720 --> 00:21:43,920
{\an2}You may not look at each other.
454
00:21:43,960 --> 00:21:46,400
{\an2}Well, fine. I mean, that...
455
00:21:46,440 --> 00:21:48,080
{\an2}Richard hasn't done that already.
456
00:21:48,120 --> 00:21:50,640
{\an2}And you may only say words
with one syllable.
457
00:21:50,680 --> 00:21:56,040
{\an2}For every stray glance, scuff mark
or extra syllable,
458
00:21:56,080 --> 00:21:59,560
{\an2}a minute will be added to your time.
Oh.
459
00:21:59,600 --> 00:22:02,680
{\an2}Stray glance is wonderful writing.
Thank you.
460
00:22:02,720 --> 00:22:07,560
{\an2}Fastest fully made bed
in the living room wins.
461
00:22:07,600 --> 00:22:10,120
{\an2}Your time starts on the whistle.
462
00:22:10,160 --> 00:22:12,600
{\an2}Shall we discuss this
before the task starts?
463
00:22:12,640 --> 00:22:15,960
{\an2}No. No. No, please. All right. OK.
464
00:22:16,000 --> 00:22:17,360
{\an2}Absolute fascist regime.
465
00:22:22,760 --> 00:22:25,760
{\an2}Well, it looked like two relatively
fun sleepovers -
466
00:22:25,800 --> 00:22:28,480
{\an2}one of them being ruined by
the weird kid from school.
467
00:22:30,320 --> 00:22:32,440
{\an2}OK, we're going to begin with
the team of two.
468
00:22:32,480 --> 00:22:35,920
{\an2}Remember, no eye contact, no scuffs,
one-syllable words.
469
00:22:35,960 --> 00:22:37,840
{\an2}It is Isy and Nina. Here we go.
470
00:22:39,000 --> 00:22:40,760
{\an2}Speed. Ted.
471
00:22:47,480 --> 00:22:49,640
{\an2}Stack. Stay.
472
00:22:49,680 --> 00:22:51,840
{\an2}Win. Win!
473
00:22:51,880 --> 00:22:52,880
{\an2}So...
474
00:22:57,080 --> 00:22:58,080
{\an2}Oh.
475
00:22:59,480 --> 00:23:00,560
{\an2}OK.
476
00:23:00,600 --> 00:23:01,600
{\an1}Try?
477
00:23:04,040 --> 00:23:05,520
{\an2}Tool? Tool.
478
00:23:05,560 --> 00:23:06,560
{\an2}Box there.
479
00:23:08,320 --> 00:23:09,920
{\an2}Tool.
480
00:23:09,960 --> 00:23:11,000
{\an2}There.
481
00:23:11,040 --> 00:23:12,320
{\an2}Mm.
482
00:23:12,360 --> 00:23:13,360
{\an2}Leg off.
483
00:23:16,720 --> 00:23:19,360
{\an2}Good. Good. No good. Argh!
484
00:23:20,480 --> 00:23:22,280
{\an2}Piss one, this one.
485
00:23:24,360 --> 00:23:27,280
{\an2}At start me think we win.
486
00:23:27,320 --> 00:23:29,120
{\an2}Me, too.
487
00:23:29,160 --> 00:23:31,240
{\an2}Long time past.
488
00:23:31,280 --> 00:23:32,640
{\an2}New low.
489
00:23:34,960 --> 00:23:37,320
{\an2}It's off, it's off, it's off!
490
00:23:37,360 --> 00:23:39,240
{\an2}Headboard off.
491
00:23:39,280 --> 00:23:41,560
{\an2}This off all OK.
492
00:23:41,600 --> 00:23:42,880
{\an2}OK, OK.
493
00:23:45,840 --> 00:23:47,920
{\an2}A minute for any scuff marks,
remember?
494
00:23:47,960 --> 00:23:49,160
{\an2}Good, good.
495
00:23:49,200 --> 00:23:50,360
{\an2}Oh...
496
00:23:50,400 --> 00:23:53,160
{\an2}Scuff not, scuff not we.
497
00:23:53,200 --> 00:23:54,400
{\an2}Now OK.
498
00:23:56,880 --> 00:23:57,880
{\an2}Tis good.
499
00:23:58,960 --> 00:24:00,560
{\an2}Tiny scuff.
500
00:24:03,080 --> 00:24:06,360
{\an2}Oh, flip. Watch out, cam guy.
501
00:24:07,840 --> 00:24:10,360
{\an2}This go in hole.
502
00:24:10,400 --> 00:24:13,360
{\an2}Is eyes closed? Yes.
503
00:24:13,400 --> 00:24:14,680
{\an2}Why so?
504
00:24:14,720 --> 00:24:18,320
{\an2}I no want look you. I see.
505
00:24:18,360 --> 00:24:20,240
{\an2}Your eyes o...
506
00:24:20,280 --> 00:24:21,280
{\an2}Pen.
507
00:24:21,320 --> 00:24:22,720
{\an2}Yes. It helps.
508
00:24:26,280 --> 00:24:30,360
{\an2}She no like tool, this small hole.
She tight one.
509
00:24:30,400 --> 00:24:32,360
{\an2}She virgin, this one.
510
00:24:32,400 --> 00:24:34,280
{\an2}Oh, no, I make joke.
511
00:24:34,320 --> 00:24:36,400
{\an2}I blow word. Too long word.
512
00:24:38,840 --> 00:24:41,480
{\an2}It is good. Tis good, this bed.
513
00:24:41,520 --> 00:24:43,720
{\an2}We win!
514
00:24:43,760 --> 00:24:44,960
{\an2}Stop the clock.
Stopped the clock.
515
00:24:45,000 --> 00:24:46,280
{\an2}OK, there we go.
516
00:24:46,320 --> 00:24:47,400
{\an2}Ooh.
517
00:24:47,440 --> 00:24:48,840
{\an8}Bring these cameras up
518
00:24:48,880 --> 00:24:50,560
{\an8}for nice shot on top,
519
00:24:50,600 --> 00:24:52,840
{\an8}not under chin and up nose. Yeah.
520
00:24:52,880 --> 00:24:54,880
{\an1}LAUGHTER
521
00:24:54,920 --> 00:24:56,920
{\an1}APPLAUSE
522
00:24:59,520 --> 00:25:02,960
{\an2}Well done. I'm beginning to feel
that you've never spoken
523
00:25:03,000 --> 00:25:05,000
{\an2}in more than one syllable
in your life,
524
00:25:05,040 --> 00:25:06,280
{\an2}after a while.
525
00:25:06,320 --> 00:25:08,280
{\an2}It was Shakespearean.
526
00:25:08,320 --> 00:25:09,880
{\an2}Yeah, they said at one point,
527
00:25:09,920 --> 00:25:12,320
{\an2}"If we live this for long time,
it makes nice life."
528
00:25:15,280 --> 00:25:17,360
{\an2}I could... I could happily
live with you
529
00:25:17,400 --> 00:25:18,840
{\an2}and talk like
that for the rest of my life.
530
00:25:18,880 --> 00:25:20,760
{\an2}Yes. Aw!
531
00:25:20,800 --> 00:25:25,000
{\an2}One of you said, "At start,
I think we win."
532
00:25:25,040 --> 00:25:27,720
{\an2}And then Nina said, "Me too. New
low."
533
00:25:31,560 --> 00:25:32,800
{\an2}Part two is complete.
534
00:25:32,840 --> 00:25:33,840
{\an2}Get out of here!
535
00:25:43,920 --> 00:25:45,960
{\an2}Welcome back. It's part three
536
00:25:46,000 --> 00:25:48,400
{\an2}and the teams
are busy moving furniture.
537
00:25:48,440 --> 00:25:51,320
{\an2}Yes. Greg wanted his bed moved into
the living room.
538
00:25:51,360 --> 00:25:53,440
{\an2}I guess it's probably an age thing.
539
00:25:53,480 --> 00:25:56,040
{\an2}One team to go.
540
00:25:56,080 --> 00:25:58,560
{\an2}It is Richard with Matt and Chloe.
541
00:25:59,640 --> 00:26:04,880
{\an2}Shall we tip the bed up on its side?
Yes.
542
00:26:10,720 --> 00:26:12,720
{\an2}Shame. That's a shame.
543
00:26:12,760 --> 00:26:13,760
{\an2}Tool box.
544
00:26:15,680 --> 00:26:17,280
{\an2}Two words.
545
00:26:17,320 --> 00:26:18,320
{\an2}Ah-ha.
546
00:26:18,360 --> 00:26:19,360
{\an1}Al.
547
00:26:19,400 --> 00:26:20,400
{\an1}An.
548
00:26:20,440 --> 00:26:21,440
{\an2}Key.
549
00:26:22,960 --> 00:26:25,000
{\an2}Two Al key. Cheers.
550
00:26:28,280 --> 00:26:29,280
{\an2}OK.
551
00:26:35,000 --> 00:26:37,080
{\an2}Run, Matt. I will.
552
00:26:37,120 --> 00:26:39,400
{\an2}Which room? Liv.
553
00:26:39,440 --> 00:26:41,640
{\an2}How do we do this?
554
00:26:41,680 --> 00:26:42,680
{\an2}To me.
555
00:26:43,680 --> 00:26:46,320
{\an2}Put to you. Good.
556
00:26:46,360 --> 00:26:47,840
{\an2}Comme ca.
557
00:26:47,880 --> 00:26:49,640
{\an2}Oh. Comme ca.
558
00:26:49,680 --> 00:26:51,200
{\an2}Can I help?
559
00:26:51,240 --> 00:26:52,760
{\an2}Yes. How?
560
00:26:54,160 --> 00:26:56,120
{\an1}BLOWS RASPBERRY
561
00:26:56,160 --> 00:26:57,560
{\an2}Uh, I don't know.
562
00:26:59,160 --> 00:27:00,200
{\an2}I think Chloe is making more of
563
00:27:00,240 --> 00:27:02,360
{\an2}an effort than you not to look
at each other, Richard.
564
00:27:03,680 --> 00:27:08,360
{\an2}I think look means eyes.
565
00:27:09,560 --> 00:27:13,640
{\an2}If I look at leg - not look.
566
00:27:13,680 --> 00:27:15,880
{\an2}Really? Yes.
567
00:27:15,920 --> 00:27:19,000
{\an2}Eyes mean look,
568
00:27:19,040 --> 00:27:20,920
{\an2}not body part.
569
00:27:24,120 --> 00:27:25,120
{\an2}Matt?
570
00:27:25,160 --> 00:27:27,160
{\an2}Yes? Ress.
571
00:27:27,200 --> 00:27:30,440
{\an2}Ah, I see. I see.
572
00:27:30,480 --> 00:27:32,400
{\an2}Argh!
573
00:27:32,440 --> 00:27:33,480
{\an2}Good work.
574
00:27:35,680 --> 00:27:38,760
{\an2}Can I say, I like to not look at
you?
575
00:27:38,800 --> 00:27:40,440
{\an2}Me, too.
576
00:27:40,480 --> 00:27:41,720
{\an2}Cute.
577
00:27:41,760 --> 00:27:42,800
{\an2}Stop the clock.
578
00:27:48,680 --> 00:27:49,760
{\an2}Stop the clock.
579
00:27:49,800 --> 00:27:51,680
{\an2}Bloody ruined it!
580
00:27:51,720 --> 00:27:53,120
{\an2}Well done. Well done.
581
00:27:53,160 --> 00:27:54,960
{\an2}Richard, you really carried the team
there,
582
00:27:55,000 --> 00:27:57,560
{\an2}as expected. Thank you.
Where do we go to?
583
00:28:09,320 --> 00:28:10,800
{\an2}Who would have thought you had
584
00:28:10,840 --> 00:28:13,640
{\an2}that sort of
action hero skill within you?
585
00:28:13,680 --> 00:28:14,920
{\an2}But... I'm a physical guy.
586
00:28:16,520 --> 00:28:18,280
{\an2}I know they're not my team,
587
00:28:18,320 --> 00:28:24,440
{\an2}but Matt Ress was amazing
and shouldn't be penalised.
588
00:28:24,480 --> 00:28:25,920
{\an2}Thank you. I have penalised them for
that
589
00:28:25,960 --> 00:28:27,960
{\an2}because you just put a big pause
in the word mattress.
590
00:28:28,000 --> 00:28:31,760
{\an2}No, no, no, you're wrong, OK?
591
00:28:31,800 --> 00:28:33,440
{\an2}This is what we want. Go on, Matt!
592
00:28:33,480 --> 00:28:35,600
{\an2}This is what we want.
YOU'RE wrong, OK?
593
00:28:35,640 --> 00:28:38,440
{\an2}Chloe was saying, "Matt," to mean
me,
594
00:28:38,480 --> 00:28:40,600
{\an2}and then using only the second
595
00:28:40,640 --> 00:28:44,080
{\an2}syllable of the word mattress
to denote a mattress.
596
00:28:44,120 --> 00:28:46,120
{\an2}One was a proper noun,
one was a contraction.
597
00:28:46,160 --> 00:28:47,280
{\an2}And you know that, Alex.
598
00:28:48,520 --> 00:28:49,560
{\an2}I'm happy to
599
00:28:49,600 --> 00:28:52,000
{\an2}strike one extra syllable from
the list.
600
00:28:52,040 --> 00:28:54,960
{\an2}They took 12 minutes.
They made nine mistakes.
601
00:28:55,000 --> 00:28:57,840
{\an2}So that's a total of 21 minutes.
I'm happy with that.
602
00:28:57,880 --> 00:28:59,920
{\an2}Whereas the team of two -
and it's close -
603
00:28:59,960 --> 00:29:04,600
{\an2}they took 33 minutes and 29 seconds
and made 33 mistakes.
604
00:29:04,640 --> 00:29:07,760
{\an2}So they took one hour, six minutes
and 29 seconds.
605
00:29:07,800 --> 00:29:08,800
{\an2}Wow!
606
00:29:12,920 --> 00:29:14,520
{\an2}The team of three obviously get five
points,
607
00:29:14,560 --> 00:29:16,920
{\an2}but how many do Isy and Nina get?
608
00:29:16,960 --> 00:29:19,560
{\an2}The gap's so big I'm inclined
towards one point,
609
00:29:19,600 --> 00:29:22,040
{\an2}but do you want to talk me
up to two somehow?
610
00:29:22,080 --> 00:29:23,080
{\an2}Yeah. Go on, then.
611
00:29:25,360 --> 00:29:27,440
{\an2}We were very friendly.
612
00:29:27,480 --> 00:29:28,920
{\an2}Go on.
613
00:29:28,960 --> 00:29:30,600
{\an2}She nearly injured a member of
the production team.
614
00:29:30,640 --> 00:29:32,080
{\an2}And she said, "Cam man soz."
615
00:29:33,800 --> 00:29:36,440
{\an2}Cam man soz alone gets them
two points, doesn't it?
616
00:29:36,480 --> 00:29:38,160
{\an2}OK, so it's five points for team of
three,
617
00:29:38,200 --> 00:29:39,320
{\an2}two points for the team of two.
618
00:29:42,280 --> 00:29:43,480
{\an2}Next task, please.
619
00:29:43,520 --> 00:29:47,000
{\an2}And do you know what?
It's another, sort of, team task.
620
00:29:47,040 --> 00:29:48,600
{\an2}What? I know.
621
00:29:48,640 --> 00:29:50,080
{\an2}This show's like Tilda Swinton.
622
00:29:50,120 --> 00:29:51,920
{\an2}It's really intriguing
and interesting.
623
00:30:05,200 --> 00:30:06,200
{\an2}Hi, Isy. Oh, hi.
624
00:30:06,240 --> 00:30:08,800
{\an2}Just to warn you, for this one,
you're very much under pressure.
625
00:30:08,840 --> 00:30:09,880
{\an2}OK.
626
00:30:11,080 --> 00:30:13,800
{\an2}I don't know why I said that really
sarcastically.
627
00:30:13,840 --> 00:30:16,480
{\an2}Chloe. Hi, Alex.
You are the one I want.
628
00:30:16,520 --> 00:30:17,520
{\an2}Oh!
629
00:30:17,560 --> 00:30:18,560
{\an2}Richard!
630
00:30:18,600 --> 00:30:20,280
{\an2}Nothing's gonna stop us now.
631
00:30:20,320 --> 00:30:21,480
{\an2}Nothing? Nothing.
632
00:30:22,880 --> 00:30:24,440
{\an2}Will we build the bridge together?
633
00:30:26,880 --> 00:30:28,880
{\an2}This is snazzy indeed.
634
00:30:28,920 --> 00:30:30,080
{\an2}Richard.
635
00:30:30,120 --> 00:30:31,920
{\an2}And Richard. The last time something
on this scale
636
00:30:31,960 --> 00:30:33,880
{\an2}was attempted was probably The Lady
From Shanghai.
637
00:30:33,920 --> 00:30:35,400
{\an2}Orson Welles.
638
00:30:35,440 --> 00:30:37,840
{\an2}Perform a passionate
duet with yourself.
639
00:30:37,880 --> 00:30:41,480
{\an2}About yourselves.
You must sing both parts.
640
00:30:41,520 --> 00:30:43,320
{\an2}Best duet wins.
641
00:30:43,360 --> 00:30:46,800
{\an2}Passionate? Yeah. OK.
642
00:30:46,840 --> 00:30:48,840
{\an2}You have 20 minutes?
643
00:30:48,880 --> 00:30:50,640
{\an2}I've got to sing for 20 minutes?
644
00:30:50,680 --> 00:30:52,520
{\an2}No, you've got to write the song.
645
00:30:52,560 --> 00:30:54,640
{\an2}And then perform... And
perform it within 20 minutes.
646
00:30:54,680 --> 00:30:57,040
{\an2}Your time starts now. OK.
647
00:30:57,080 --> 00:30:58,120
{\an2}There's no writing.
648
00:30:58,160 --> 00:31:00,320
{\an2}There's no writing?
There will be no writing.
649
00:31:00,360 --> 00:31:03,480
{\an2}I don't like overthinking things.
Are you musical?
650
00:31:03,520 --> 00:31:05,960
{\an2}I was in a Christian rock band
in my youth,
651
00:31:06,000 --> 00:31:09,440
{\an2}but that was because I wasn't
musically talented enough
652
00:31:09,480 --> 00:31:10,480
{\an2}to be in a mainstream band.
653
00:31:10,520 --> 00:31:13,280
{\an2}So I had to go and beg the
Christians to let me be in theirs.
654
00:31:13,320 --> 00:31:15,600
{\an2}Can I use instruments? Yeah! OMG!
655
00:31:16,680 --> 00:31:17,920
{\an2}PLAYS DEMO
Stop it!
656
00:31:19,920 --> 00:31:20,920
{\an2}DING! Oh!
657
00:31:20,960 --> 00:31:22,960
{\an1}PLAYS GUITAR
658
00:31:24,720 --> 00:31:26,680
{\an2}Shall I leave you to it? No.
659
00:31:26,720 --> 00:31:28,480
{\an2}OK. Just stay.
660
00:31:28,520 --> 00:31:30,520
{\an1}PLAYS TWO-NOTE CHORDS
661
00:31:39,880 --> 00:31:41,720
{\an2}I got the impression that faith
isn't
662
00:31:41,760 --> 00:31:43,280
{\an2}at the heart of your songwriting.
663
00:31:43,320 --> 00:31:47,120
{\an2}You just joined the Christian band
because they're worse musicians?
664
00:31:47,160 --> 00:31:48,960
{\an2}Yeah, they were so shit, Greg.
665
00:31:50,120 --> 00:31:52,400
{\an2}They were so bad. We played
666
00:31:52,440 --> 00:31:54,280
{\an2}a version of music which was called
Christian Rock.
667
00:31:54,320 --> 00:31:57,680
{\an2}I came up with a hand gesture
that our fans could do at our gigs.
668
00:31:57,720 --> 00:32:01,240
{\an2}You just do the rock sign like
that - very simple rock sign.
669
00:32:01,280 --> 00:32:03,200
{\an2}And then you just pop Jesus on
the cross there.
670
00:32:05,880 --> 00:32:07,600
{\an2}Lovely.
671
00:32:07,640 --> 00:32:10,200
{\an2}Lovely. His suffering was not
in vain.
672
00:32:11,920 --> 00:32:13,200
{\an2}I'm sorry, Christians.
673
00:32:14,240 --> 00:32:16,600
{\an1}LAUGHTER
674
00:32:16,640 --> 00:32:17,920
{\an2}Let's go. Right, we're going
675
00:32:17,960 --> 00:32:19,960
{\an2}to start with a classic
rock profile.
676
00:32:20,000 --> 00:32:21,960
{\an2}It is Matt and Matt.
677
00:32:26,440 --> 00:32:27,680
{\an2}# Me and me
678
00:32:27,720 --> 00:32:31,280
{\an2}# Everyone can see that
Me and me
679
00:32:31,320 --> 00:32:36,720
{\an2}# I was made to be together on the
day that I was born
680
00:32:38,280 --> 00:32:40,240
{\an2}# Cos I'm so gorgeous
681
00:32:41,360 --> 00:32:42,840
{\an2}# I give me the horn
682
00:32:42,880 --> 00:32:44,200
{\an1}HORN PARPS
683
00:32:44,240 --> 00:32:47,000
{\an2}# Oh, cos I kiss myself, I kiss
myself
684
00:32:47,040 --> 00:32:48,480
{\an2}# Mwah, mwah-mwah, mwah-mwah
685
00:32:48,520 --> 00:32:50,160
{\an2}# I kiss myself, I kiss myself
686
00:32:50,200 --> 00:32:51,560
{\an2}# Mwah, mwah-mwah, mwah-mwah
687
00:32:51,600 --> 00:32:53,480
{\an2}# I kiss myself, I kiss myself
688
00:32:53,520 --> 00:32:54,600
{\an2}# Mwah, mwah-mwah, mwah-mwah
689
00:32:54,640 --> 00:32:56,440
{\an2}# I kiss myself, I kiss myself
690
00:32:56,480 --> 00:32:57,480
{\an2}# Mwah, mwah
691
00:32:57,520 --> 00:32:58,680
{\an2}# Oh, me and me
692
00:32:58,720 --> 00:32:59,720
{\an2}# Me and me
693
00:32:59,760 --> 00:33:01,000
{\an2}# Everyone can see that
694
00:33:01,040 --> 00:33:02,040
{\an2}# Me and me
695
00:33:02,080 --> 00:33:03,080
{\an2}# Me and me
696
00:33:03,120 --> 00:33:06,080
{\an2}# Must have found a lucky heather
697
00:33:06,120 --> 00:33:08,080
{\an2}# On a wintry morn
698
00:33:08,120 --> 00:33:09,240
{\an2}It's true.
699
00:33:09,280 --> 00:33:12,200
{\an2}# For when we film ourselves doing
it
700
00:33:13,560 --> 00:33:15,240
{\an2}# It makes for interesting porn. #
701
00:33:15,280 --> 00:33:16,720
{\an2}Sorry, Mum.
702
00:33:22,800 --> 00:33:26,160
{\an2}Very good. Fairly life-affirming
song initially.
703
00:33:26,200 --> 00:33:28,720
{\an2}Lovely harmonies, made me feel good.
704
00:33:28,760 --> 00:33:31,000
{\an2}It was a man talking himself up.
705
00:33:31,040 --> 00:33:32,880
{\an2}And then suddenly you're
bagging yourself.
706
00:33:32,920 --> 00:33:35,800
{\an2}Yeah. Yeah.
It's a song about self-love.
707
00:33:35,840 --> 00:33:38,040
{\an2}Yeah. Yeah. It's the power of words,
isn't it?
708
00:33:38,080 --> 00:33:41,120
{\an2}I certainly can't shift the image
of Matt having sex with himself.
709
00:33:41,160 --> 00:33:43,560
{\an2}Can you? No. What are you imagining?
710
00:33:43,600 --> 00:33:45,680
{\an2}Well, I like the... Oh, is he on
top?
711
00:33:46,800 --> 00:33:47,840
{\an2}He's everywhere.
712
00:33:47,880 --> 00:33:49,800
{\an2}He's all over the place,
isn't he?
713
00:33:49,840 --> 00:33:51,000
{\an2}Now for another duo.
714
00:33:51,040 --> 00:33:54,480
{\an2}Move over, Sooty and Sweep.
It is Suttie and Suttie.
715
00:33:56,680 --> 00:33:57,680
{\an3}Who is Isy?
716
00:33:57,720 --> 00:33:58,720
{\an2}Who is Isy?
717
00:33:58,760 --> 00:34:00,600
{\an2}Let's see.
718
00:34:00,640 --> 00:34:01,640
{\an2}Hot.
719
00:34:01,680 --> 00:34:02,680
{\an2}Cold.
720
00:34:02,720 --> 00:34:03,720
{\an2}Shy.
721
00:34:03,760 --> 00:34:04,760
{\an2}Bold.
722
00:34:04,800 --> 00:34:08,400
{\an2}# We're both different,
but we're both the same. #
723
00:34:08,440 --> 00:34:09,440
{\an3}Fast.
724
00:34:09,480 --> 00:34:10,480
{\an2}Slow.
725
00:34:10,520 --> 00:34:11,520
{\an3}Suck.
726
00:34:11,560 --> 00:34:12,560
{\an2}Blow.
727
00:34:12,600 --> 00:34:15,800
{\an2}# We both feel love
and we both feel pain
728
00:34:15,840 --> 00:34:19,400
{\an2}# Would you like to join me
in the maze of life?
729
00:34:19,440 --> 00:34:23,400
{\an2}# You have to have the joy
And also have the strife. #
730
00:34:23,440 --> 00:34:24,440
{\an3}Stiletto.
731
00:34:24,480 --> 00:34:25,480
{\an1}Welly.
732
00:34:25,520 --> 00:34:26,520
{\an2}Reading.
733
00:34:26,560 --> 00:34:27,560
{\an1}Telly.
734
00:34:27,600 --> 00:34:31,320
{\an2}# So many qualities in the same
human. #
735
00:34:31,360 --> 00:34:32,360
{\an2}Noodles.
736
00:34:32,400 --> 00:34:33,400
{\an2}Rice.
737
00:34:33,440 --> 00:34:34,440
{\an2}Bland.
738
00:34:34,480 --> 00:34:35,480
{\an1}Spice.
739
00:34:35,520 --> 00:34:39,080
{\an2}# Even the ones no-one uses
Like cumin
740
00:34:39,120 --> 00:34:42,560
{\an2}# Would you like to join me
in the maze of life?
741
00:34:42,600 --> 00:34:46,480
{\an2}# You have to have the joy
and also have the strife
742
00:34:46,520 --> 00:34:49,720
{\an2}# Would you like to join me
in the maze of life? #
743
00:34:49,760 --> 00:34:50,760
{\an2}Say yes.
744
00:34:50,800 --> 00:34:51,800
{\an1}Say yes.
745
00:34:51,840 --> 00:34:52,840
{\an2}Say yes!
746
00:34:57,800 --> 00:35:00,520
{\an2}Lovely. You seemed quite angry
747
00:35:00,560 --> 00:35:02,840
{\an2}about people joining you
in the maze of life.
748
00:35:02,880 --> 00:35:04,280
{\an2}It was more satisfying to go,
749
00:35:04,320 --> 00:35:07,320
{\an2}"Would you like to join me
in the maze of life?"
750
00:35:13,200 --> 00:35:15,400
{\an2}There's only one character I didn't
like
751
00:35:15,440 --> 00:35:17,440
{\an2}of the various aspects of Isy.
752
00:35:17,480 --> 00:35:18,600
{\an2}And it was this one -
753
00:35:18,640 --> 00:35:20,560
{\an2}"Telly."
I didn't like her.
754
00:35:20,600 --> 00:35:22,000
{\an2}I didn't like her.
755
00:35:22,040 --> 00:35:23,040
{\an2}Telly!
756
00:35:23,080 --> 00:35:24,920
{\an2}"I'm just so down to earth."
757
00:35:24,960 --> 00:35:27,120
{\an2}Oh, no, it's meant to be kind
of disparaging.
758
00:35:27,160 --> 00:35:29,920
{\an2}Like, "Telly! I should be reading a
book."
759
00:35:29,960 --> 00:35:32,000
{\an2}Yeah. Oh, I thought you were saying,
760
00:35:32,040 --> 00:35:34,560
{\an2}"I'm just so casual,
I'll just watch telly."
761
00:35:36,120 --> 00:35:39,520
{\an2}OK, it's now time
for Ayoade on Ayoade.
762
00:35:39,560 --> 00:35:44,480
{\an2}Can he sing? Well, let's listen
and judge Richard.
763
00:35:50,560 --> 00:35:53,440
{\an2}# When I look into your magical face
764
00:35:54,880 --> 00:35:57,040
{\an2}# I feel that I'm ready to fly
765
00:35:58,080 --> 00:36:01,480
{\an2}# But I know that I mustn't fly
766
00:36:01,520 --> 00:36:05,440
{\an2}# Because I'm putting other
passengers at risk
767
00:36:05,480 --> 00:36:08,520
{\an2}# When I skate across your furious
thighs
768
00:36:09,600 --> 00:36:11,960
{\an2}# I feel like I'm ready to die
769
00:36:13,760 --> 00:36:17,360
{\an2}# Because the smell of your thighs
770
00:36:17,400 --> 00:36:19,000
{\an2}# Is unacceptable
771
00:36:21,080 --> 00:36:23,280
{\an2}# I'm all unacceptable
772
00:36:24,560 --> 00:36:28,360
{\an2}# I got no business flying the plane
It's unacceptable
773
00:36:28,400 --> 00:36:31,720
{\an2}# It's unacceptable
Cos I refused to train
774
00:36:31,760 --> 00:36:33,400
{\an2}# I gotta wipe the grease from my
thighs
775
00:36:33,440 --> 00:36:36,600
{\an2}# It's unacceptable
It's unacceptable
776
00:36:36,640 --> 00:36:38,600
{\an2}# It's stinging my eyes
777
00:36:38,640 --> 00:36:40,160
{\an2}# It's unacceptable
778
00:36:46,320 --> 00:36:47,720
{\an2}# Unacceptable. #
779
00:36:48,920 --> 00:36:50,920
{\an1}CHEERING AND APPLAUSE
780
00:36:55,560 --> 00:36:56,760
{\an2}I guess what I want to know is,
781
00:36:56,800 --> 00:37:02,000
{\an2}who is the smelly-thighed man,
and why are his thighs smelly?
782
00:37:02,040 --> 00:37:03,880
{\an2}I don't patronise the listener...
783
00:37:03,920 --> 00:37:05,640
{\an1}LAUGHTER
784
00:37:05,680 --> 00:37:07,840
{\an2}..by telling them
what the song is about.
785
00:37:07,880 --> 00:37:09,200
{\an2}They go on their own journey.
786
00:37:09,240 --> 00:37:10,520
{\an2}Well, at one point one of them said
787
00:37:10,560 --> 00:37:12,680
{\an2}they've got to wipe
the grease from their thighs.
788
00:37:12,720 --> 00:37:15,120
{\an2}Yeah. They've been frying
bacon on their thighs.
789
00:37:15,160 --> 00:37:18,280
{\an2}Ah, well that helps. And the
songwriter reveals the magic.
790
00:37:18,320 --> 00:37:20,640
{\an2}It's one of the possible
interpretations.
791
00:37:22,200 --> 00:37:23,880
{\an2}That's the end of part three.
792
00:37:23,920 --> 00:37:25,720
{\an2}Who will kick off their series
793
00:37:25,760 --> 00:37:29,640
{\an2}by winning the first episode
and taking home a droopy arse,
794
00:37:29,680 --> 00:37:31,600
{\an2}a dead plant, a flaccid dog
795
00:37:31,640 --> 00:37:33,600
{\an2}and realise that their agents were
wrong -
796
00:37:33,640 --> 00:37:35,240
{\an2}this might harm their careers?
797
00:37:44,400 --> 00:37:46,520
{\an2}Here we are again, and we're
in the midst
798
00:37:46,560 --> 00:37:49,080
{\an2}of a sort of festival of
identical twins.
799
00:37:49,120 --> 00:37:50,840
{\an2}That's right, featuring Bros,
800
00:37:50,880 --> 00:37:54,520
{\an2}The Proclaimers,
Jedward, and now it's Petts at Home.
801
00:37:55,920 --> 00:38:00,200
{\an2}This is, I'm Gonna Be Beautiful
(To Myself)
802
00:38:52,520 --> 00:38:54,520
{\an1}CHEERING AND APPLAUSE
803
00:38:58,440 --> 00:39:00,240
{\an2}Genuinely rather lovely, Chloe.
804
00:39:00,280 --> 00:39:02,120
{\an2}I'm trying to kind of look at myself
and go like,
805
00:39:02,160 --> 00:39:03,320
{\an2}"What a lovely, beautiful song."
806
00:39:03,360 --> 00:39:05,520
{\an2}But then there's another part
of me which is like,
807
00:39:05,560 --> 00:39:07,440
{\an2}"Why didn't you make it funny
and fuck yourself at the end?"
808
00:39:07,480 --> 00:39:09,480
{\an2}LAUGHTER
Yeah, yeah.
809
00:39:11,480 --> 00:39:14,560
{\an2}Just to let you know - left,
top, right, bottom.
810
00:39:14,600 --> 00:39:16,840
{\an1}LAUGHTER
811
00:39:16,880 --> 00:39:20,440
{\an2}Oh. Suddenly it's slightly
less beautiful somehow.
812
00:39:21,960 --> 00:39:24,760
{\an2}Finally, then, will she sound like
an ambulance?
813
00:39:24,800 --> 00:39:28,400
{\an2}Let's find out. It's Nina-Nina.
Oh...
814
00:39:28,440 --> 00:39:30,760
{\an2}I like that.
Here we go.
815
00:39:30,800 --> 00:39:33,600
{\an1}PLAYS CHORD
816
00:39:33,640 --> 00:39:37,200
{\an2}# This is song for you
Cos you're my best friend
817
00:39:37,240 --> 00:39:38,680
{\an2}# And you're my lover
Love you
818
00:39:38,720 --> 00:39:42,640
{\an2}# We've been going steady for a long
time now
819
00:39:42,680 --> 00:39:45,080
{\an2}# Yeah, yeah
820
00:39:45,120 --> 00:39:48,480
{\an2}# Take it to the next
level
821
00:39:48,520 --> 00:39:49,560
{\an2}# Cos you're a hottie
822
00:39:49,600 --> 00:39:51,200
{\an2}# You're a hot bitch
823
00:39:51,240 --> 00:39:52,880
{\an2}# It's just me and you
824
00:39:54,920 --> 00:39:56,840
{\an2}# With your boots off
825
00:39:56,880 --> 00:39:59,920
{\an2}# Get your boots off,
baby, yeah
826
00:39:59,960 --> 00:40:02,600
{\an2}# Do you want to take my boots off?
827
00:40:02,640 --> 00:40:06,000
{\an2}# Freaking hot bitch
828
00:40:06,040 --> 00:40:08,080
{\an2}# Take your boots off
829
00:40:08,120 --> 00:40:10,280
{\an2}# I will take them off for you
830
00:40:10,320 --> 00:40:12,280
{\an2}# Take your boots off
831
00:40:12,320 --> 00:40:14,560
{\an2}# It's a beautiful night
832
00:40:14,600 --> 00:40:16,560
{\an2}# It's a night for love
833
00:40:16,600 --> 00:40:18,800
{\an2}# With me and you
834
00:40:18,840 --> 00:40:22,000
{\an2}# And I really love you
835
00:40:22,040 --> 00:40:28,280
{\an2}# And I think it's the end of
the song of the Taskmaster song
836
00:40:28,320 --> 00:40:29,800
{\an2}# The song, song
837
00:40:29,840 --> 00:40:34,480
{\an2}# Is gonna end right now. #
838
00:40:38,400 --> 00:40:40,400
{\an1}CHEERING AND APPLAUSE
839
00:40:45,360 --> 00:40:46,480
{\an2}Do you know that
feeling,
840
00:40:46,520 --> 00:40:48,960
{\an2}when you've had a bad tummy
for a while
841
00:40:49,000 --> 00:40:51,240
{\an2}and you think you're
better,
842
00:40:51,280 --> 00:40:53,560
{\an2}but you're not 100%
sure?
843
00:40:53,600 --> 00:40:57,440
{\an2}That's the style. I think Nina sang
this whole song in.
844
00:40:57,480 --> 00:40:59,240
{\an2}That's the genre.
That's the genre of music.
845
00:40:59,280 --> 00:41:00,480
{\an2}I just felt all the way through,
846
00:41:00,520 --> 00:41:02,640
{\an2}she was like,
"Take your boots off."
847
00:41:05,760 --> 00:41:07,480
{\an2}What was going on there, do you
think, Nina?
848
00:41:07,520 --> 00:41:09,680
{\an2}Well, in my mind, there's a river.
849
00:41:09,720 --> 00:41:11,640
{\an2}Is...is there a river in the song?
850
00:41:15,600 --> 00:41:18,160
{\an2}There doesn't need to be.
There doesn't need to be a river.
851
00:41:18,200 --> 00:41:20,600
{\an2}It happened by the river in my mind.
Ah!
852
00:41:25,640 --> 00:41:28,840
{\an2}I enjoyed all of the songs.
I'm not giving anyone one point.
853
00:41:28,880 --> 00:41:31,720
{\an2}Right. I'm going to give Richard
two points.
854
00:41:31,760 --> 00:41:35,920
{\an2}OK. I very much enjoyed it, but
I felt there was a lack of passion.
855
00:41:35,960 --> 00:41:37,000
{\an2}Shows like this
856
00:41:37,040 --> 00:41:38,920
{\an2}are why I hide my feelings
in the first place.
857
00:41:41,320 --> 00:41:43,360
{\an2}Matt three, because I felt that
there
858
00:41:43,400 --> 00:41:45,560
{\an2}was a fairly passionless sex going
on between...
859
00:41:45,600 --> 00:41:47,680
{\an2}How dare you?! I did a proper
860
00:41:47,720 --> 00:41:49,280
{\an2}thrusting at the end of that.
861
00:41:50,680 --> 00:41:52,760
{\an2}I mean, we should go
and have sex now...
862
00:41:53,880 --> 00:41:55,760
{\an2}..and then you'll see how passionate
I am,
863
00:41:55,800 --> 00:41:57,400
{\an2}and then you'll give me more points.
864
00:41:57,440 --> 00:42:00,880
{\an2}All right, well, I'm going to give
you three points for now,
865
00:42:00,920 --> 00:42:03,520
{\an2}and then... And then after we make
love...
866
00:42:03,560 --> 00:42:05,520
{\an2}And then after we've had sex
backstage
867
00:42:05,560 --> 00:42:07,680
{\an2}maybe I'll change the points. Yes.
868
00:42:07,720 --> 00:42:08,880
{\an2}Thank you. And that's a promise.
869
00:42:08,920 --> 00:42:10,080
{\an2}Thank you. Top - bottom.
870
00:42:12,960 --> 00:42:16,480
{\an2}Yeah. I've got very bad knees.
I'll take whatever I'm given.
871
00:42:21,320 --> 00:42:23,840
{\an2}And I'm going to give four to Isy.
Not bad.
872
00:42:23,880 --> 00:42:25,520
{\an2}Now, here's the weird thing. Mm.
873
00:42:25,560 --> 00:42:27,560
{\an2}Nina's still in the mix. I think...
874
00:42:29,600 --> 00:42:34,840
{\an2}I think Chloe's was by far the most
pure,
875
00:42:34,880 --> 00:42:36,840
{\an2}so I'm going to give it five points.
876
00:42:36,880 --> 00:42:40,800
{\an2}But I'm also,
for reasons I can't explain,
877
00:42:40,840 --> 00:42:42,840
{\an2}I'm also giving Nina five points.
878
00:42:42,880 --> 00:42:45,480
{\an2}There we go.
I don't know why.
879
00:42:45,520 --> 00:42:46,560
{\an2}I don't know why.
880
00:42:47,720 --> 00:42:50,080
{\an2}OK, everyone, please,
for the first time,
881
00:42:50,120 --> 00:42:52,960
{\an2}make your way to the stage
for the final task of the show.
882
00:43:00,880 --> 00:43:04,120
{\an2}I'm already intrigued. Mm!
Who will read the task,
883
00:43:04,160 --> 00:43:05,640
{\an2}young fella-me-lad? OK.
884
00:43:05,680 --> 00:43:07,640
{\an2}I think Matt Lucas will read
the task.
885
00:43:08,960 --> 00:43:14,080
{\an2}Hold up the item or items
that the taskmaster shouts.
886
00:43:14,120 --> 00:43:18,840
{\an2}You may only look in your belts
after the taskmaster has shouted.
887
00:43:18,880 --> 00:43:23,080
{\an2}You must not remove your belts
at any point.
888
00:43:23,120 --> 00:43:26,400
{\an2}Also, you must beep while searching.
889
00:43:28,080 --> 00:43:30,880
{\an2}Slowest player each round
is eliminated.
890
00:43:30,920 --> 00:43:33,600
{\an2}Last player standing wins.
891
00:43:33,640 --> 00:43:34,920
{\an2}Yes, I think that's it, really.
892
00:43:34,960 --> 00:43:37,720
{\an2}Any questions? Hello,
Richard Ayoade.
893
00:43:37,760 --> 00:43:39,000
{\an2}Can we keep the belts?
894
00:43:42,520 --> 00:43:44,520
{\an2}I think yes. Yes, yes,
you can keep the belts.
895
00:43:44,560 --> 00:43:45,880
{\an2}Round one.
896
00:43:45,920 --> 00:43:46,920
{\an2}Sausage.
897
00:43:46,960 --> 00:43:49,880
{\an2}ALL: Beep, beep, beep...
898
00:43:49,920 --> 00:43:51,600
{\an2}No sign of a sausage yet.
899
00:43:51,640 --> 00:43:53,240
{\an2}No sign of a sausage.
900
00:43:54,600 --> 00:43:55,640
{\an2}We have a sausage!
901
00:43:56,760 --> 00:43:59,800
{\an2}Nina's safe. Who else is safe?
902
00:43:59,840 --> 00:44:01,120
{\an2}When you've found it, you can stop
beeping.
903
00:44:01,160 --> 00:44:02,160
{\an2}Oh, we have another sausage.
904
00:44:03,440 --> 00:44:05,880
{\an2}Just three people beeping.
Keep beeping.
905
00:44:05,920 --> 00:44:07,840
{\an2}Isy. Beep, beep, beep!
906
00:44:07,880 --> 00:44:09,360
{\an2}OK, OK!
907
00:44:09,400 --> 00:44:11,000
{\an2}Where's your sausage urgency?
908
00:44:12,680 --> 00:44:14,760
{\an2}ALL: Beep, beep, beep, beep...
909
00:44:16,360 --> 00:44:17,360
{\an2}Oh, bugger.
910
00:44:18,400 --> 00:44:19,600
{\an2}We have a sausage!
911
00:44:21,120 --> 00:44:23,200
{\an2}It's just Richard and Matt beeping
now.
912
00:44:23,240 --> 00:44:24,800
{\an2}I'm very close to stopping beeping.
913
00:44:24,840 --> 00:44:26,280
{\an2}Beep the beep.
914
00:44:26,320 --> 00:44:27,400
{\an2}We have a winner!
915
00:44:29,800 --> 00:44:31,440
{\an2}We have lost Mr
Matt Lucas, everyone.
916
00:44:31,480 --> 00:44:33,120
{\an2}There he goes
917
00:44:33,160 --> 00:44:35,840
{\an2}It's hard to think that this will
sustain four rounds, isn't it?
918
00:44:37,520 --> 00:44:39,760
{\an2}Round two. Ready? Yes. Yes.
919
00:44:39,800 --> 00:44:41,000
{\an2}Apple and duck!
920
00:44:41,040 --> 00:44:42,360
{\an2}Apple and duck.
921
00:44:42,400 --> 00:44:44,600
{\an2}Have they remembered
where the things are?
922
00:44:46,640 --> 00:44:49,240
{\an2}That's a pear. This is great stuff.
923
00:44:50,640 --> 00:44:51,640
{\an2}Chloe is through!
924
00:44:51,680 --> 00:44:56,200
{\an2}Makes it so much more exciting when
they beep! Yes!
925
00:44:56,240 --> 00:44:57,280
{\an2}Well done, Nina.
926
00:44:57,320 --> 00:44:59,880
{\an2}Oh, beep. Richard, have you found
anything yet this round?
927
00:44:59,920 --> 00:45:01,720
{\an2}Beep, beep, yeah, beep.
928
00:45:01,760 --> 00:45:03,920
{\an2}I bloody have. Beep. Beep-beep-beep.
929
00:45:03,960 --> 00:45:05,040
{\an2}Why are they all helping?
930
00:45:05,080 --> 00:45:07,560
{\an2}I don't think it's in the rules.
931
00:45:07,600 --> 00:45:09,080
{\an2}Beep in your face.
932
00:45:09,120 --> 00:45:10,160
{\an2}Yeah!
933
00:45:12,720 --> 00:45:13,800
{\an2}We've lost Isy Suttie.
934
00:45:15,320 --> 00:45:17,840
{\an2}Round three. Let's go. Paintbrush.
Feather. Duck.
935
00:45:17,880 --> 00:45:19,680
{\an2}Beep. Beep. Beep-beep-beep.
936
00:45:19,720 --> 00:45:21,760
{\an2}Paintbrush, feather, duck.
937
00:45:21,800 --> 00:45:23,040
{\an2}Couple of feathers there.
938
00:45:23,080 --> 00:45:24,240
{\an2}What were the other things?
939
00:45:24,280 --> 00:45:25,480
{\an2}Paintbrush. Feather. Duck.
940
00:45:25,520 --> 00:45:27,760
{\an2}The paintbrush is enormous,
by the way.
941
00:45:27,800 --> 00:45:29,840
{\an1}ALL STILL BEEPING
942
00:45:29,880 --> 00:45:31,920
{\an2}You do have to hold it
up when you've got them all.
943
00:45:31,960 --> 00:45:35,240
{\an2}Can't get it out. Beep. Beep.
944
00:45:35,280 --> 00:45:36,600
{\an2}Oh, we have Chloe through.
945
00:45:36,640 --> 00:45:37,960
{\an2}Richard, are you through?
946
00:45:38,000 --> 00:45:40,080
{\an2}We have lost Nina Conti. Oh!
947
00:45:42,640 --> 00:45:43,720
{\an2}It's the final.
948
00:45:43,760 --> 00:45:44,960
{\an2}Good luck.
949
00:45:45,000 --> 00:45:46,360
{\an2}Egg. Lemon.
950
00:45:46,400 --> 00:45:48,000
{\an2}Fish. Paintbrush.
951
00:45:48,040 --> 00:45:50,040
{\an2}Beep-beep-beep...
952
00:45:50,080 --> 00:45:52,960
{\an2}Beep, beep, beep...
953
00:45:53,000 --> 00:45:56,160
{\an2}Oh, my God, he's so...
954
00:45:56,200 --> 00:45:57,200
{\an2}He's got two.
955
00:45:57,240 --> 00:45:59,600
{\an2}Yeah. Beep. Fish has broken beep.
956
00:45:59,640 --> 00:46:01,520
{\an2}Broken fish is fine.
957
00:46:01,560 --> 00:46:02,960
{\an2}Richard, have you won?
958
00:46:03,000 --> 00:46:04,320
{\an2}Of course not. OK.
959
00:46:06,960 --> 00:46:08,760
{\an2}How many do you need, Chloe?
Beep-beep-beep-beep. One.
960
00:46:08,800 --> 00:46:09,800
{\an2}Which one?
961
00:46:09,840 --> 00:46:11,240
{\an2}Fish.
962
00:46:11,280 --> 00:46:13,840
{\an2}Beep-beep-beep. Oh. Maybe... Beep,
beep.
963
00:46:13,880 --> 00:46:15,000
{\an2}We have a winner!
964
00:46:17,320 --> 00:46:19,800
{\an2}I will add that to the final scores.
965
00:46:19,840 --> 00:46:21,240
{\an2}Come down and join me.
966
00:46:28,280 --> 00:46:33,440
{\an2}Wow. Wow. Well, as we saw,
Richard won the five points.
967
00:46:33,480 --> 00:46:36,600
{\an2}And that means that Richard
is now not in last place.
968
00:46:36,640 --> 00:46:38,640
{\an2}He's in joint last place
969
00:46:38,680 --> 00:46:39,720
{\an2}with Isy on 13 points.
970
00:46:39,760 --> 00:46:42,920
{\an2}At the other end of the table -
Matt 17, Nina, 18.
971
00:46:42,960 --> 00:46:45,000
{\an2}But the winner of the first
episode is Chloe Petts with 19!
972
00:46:47,400 --> 00:46:48,960
{\an2}Chloe Petts wins!
973
00:46:49,000 --> 00:46:50,920
{\an2}Please head up to the stage
974
00:46:50,960 --> 00:46:53,800
{\an2}to stand firm
with your droopy delights!
975
00:46:57,320 --> 00:46:59,320
{\an2}Subtitles by Red Bee Media