1 00:00:02,000 --> 00:00:03,920 {\an8}This programme contains strong language and adult humour 2 00:00:03,960 --> 00:00:04,960 {\an2}Tickets, please! 3 00:00:06,000 --> 00:00:07,200 {\an2}Oh! 4 00:00:09,480 --> 00:00:11,080 {\an2}Yeah! This isn't my fault. 5 00:00:12,960 --> 00:00:15,240 {\an2}Oh, my God! Oh, my God! 6 00:00:16,400 --> 00:00:17,600 {\an2}Argh! 7 00:00:17,640 --> 00:00:19,240 {\an1}PHONE RINGS 8 00:00:20,280 --> 00:00:21,400 {\an2}Bloody hell! 9 00:00:21,440 --> 00:00:22,960 {\an2}Mum! Ah! 10 00:00:25,320 --> 00:00:26,600 {\an2}I say! Ha-ha! 11 00:00:26,640 --> 00:00:28,640 {\an1}CHEERING AND APPLAUSE 12 00:00:37,960 --> 00:00:40,360 {\an2}Welcome! Welcome to Taskmaster. 13 00:00:40,400 --> 00:00:43,360 {\an2}It's the penultimate episode, the calm before the storm. 14 00:00:43,400 --> 00:00:46,280 {\an2}To say any one of them could win at this stage is a lie. 15 00:00:46,320 --> 00:00:49,320 {\an2}But I guess it depends on how you define winning. 16 00:00:49,360 --> 00:00:51,800 {\an2}For me, a summer's day is a win. 17 00:00:51,840 --> 00:00:54,080 {\an2}Time spent with friends, a victory. 18 00:00:54,120 --> 00:00:56,040 {\an2}Screaming in the face of the intern 19 00:00:56,080 --> 00:00:58,120 {\an2}who got my coffee order wrong this morning, 20 00:00:58,160 --> 00:00:59,720 {\an2}my World Cup. 21 00:00:59,760 --> 00:01:02,600 {\an2}So, let's greet those who are all winners, 22 00:01:02,640 --> 00:01:05,440 {\an2}because they are here, because they are human. 23 00:01:05,480 --> 00:01:08,480 {\an2}It's Chloe Petts! CHEERING 24 00:01:08,520 --> 00:01:11,240 {\an2}Isy Suttie! 25 00:01:11,280 --> 00:01:13,560 {\an2}Matt Lucas! 26 00:01:13,600 --> 00:01:16,120 {\an2}Nina Conti! 27 00:01:16,160 --> 00:01:18,360 {\an2}And Richard Ayoade! 28 00:01:21,200 --> 00:01:23,320 {\an2}And next to me, a man who tells me 29 00:01:23,360 --> 00:01:26,320 {\an2}that the member of his family that he feels closest to is his dog. 30 00:01:26,360 --> 00:01:28,720 {\an2}Because like him, she lives in the moment, 31 00:01:28,760 --> 00:01:30,400 {\an2}she's excited by simple things, 32 00:01:30,440 --> 00:01:34,120 {\an2}and spends lots of time lapping away at her own backside. 33 00:01:34,160 --> 00:01:36,800 {\an2}It's little Alex Horne! 34 00:01:36,840 --> 00:01:38,840 {\an1}CHEERING 35 00:01:38,880 --> 00:01:41,080 {\an2}Hello, Loky. She does. She does. 36 00:01:41,120 --> 00:01:43,120 {\an2}Lapping away. Lapping away. 37 00:01:43,160 --> 00:01:44,920 {\an2}Right, it's chat time, and I know you'll have prepared 38 00:01:44,960 --> 00:01:46,560 {\an2}something hilarious. No, no. 39 00:01:46,600 --> 00:01:48,280 {\an2}I thought... Because it's the penultimate episode, 40 00:01:48,320 --> 00:01:50,880 {\an2}I thought a treat for the viewers, 41 00:01:50,920 --> 00:01:52,840 {\an2}I might show them what actually happened to my iPad. 42 00:01:52,880 --> 00:01:55,480 {\an2}OK. I've never shown really this side of it. 43 00:01:55,520 --> 00:01:57,040 {\an8}So that's all I'm doing. 44 00:01:57,080 --> 00:01:58,760 {\an8}Just pressing the button so I can talk you through it. 45 00:01:58,800 --> 00:02:01,320 {\an8}Obviously, "Next Video" is the next video. Yeah. 46 00:02:01,360 --> 00:02:02,840 {\an8}I can press that, yeah. Then the emergency button, 47 00:02:02,880 --> 00:02:04,400 {\an8}which we've never pressed before. Yeah. 48 00:02:06,600 --> 00:02:08,200 {\an8}Just what I look at if I feel sad. 49 00:02:10,440 --> 00:02:14,200 {\an8}Because I know that Greg's here, and...then I'm safe. 50 00:02:14,240 --> 00:02:16,240 {\an1}LAUGHTER 51 00:02:21,400 --> 00:02:22,960 {\an2}Let's get on with the show, shall we? 52 00:02:23,000 --> 00:02:24,760 {\an2}Yes, Greg, it's Prize Task time. 53 00:02:24,800 --> 00:02:28,240 {\an2}And the category is, quite simply - the rarest thing. 54 00:02:28,280 --> 00:02:29,720 {\an2}ALL: Ooh! 55 00:02:29,760 --> 00:02:32,040 {\an2}Can you imagine? The object from antiquity 56 00:02:32,080 --> 00:02:34,600 {\an2}they've worked day and night to get hold of for this section 57 00:02:34,640 --> 00:02:36,840 {\an2}for those five vital points. 58 00:02:36,880 --> 00:02:38,040 {\an2}Right, Richard. 59 00:02:38,080 --> 00:02:41,080 {\an2}I've brought you Orson Welles' 60 00:02:41,120 --> 00:02:43,880 {\an2}personal steak hache recipe. 61 00:02:43,920 --> 00:02:45,840 {\an2}Mm. It's rare. 62 00:02:45,880 --> 00:02:48,920 {\an2}Here it is. There it is. Wow. Yeah. 63 00:02:48,960 --> 00:02:50,760 {\an2}That's weird. 64 00:02:50,800 --> 00:02:54,520 {\an2}That's what Welles... He'd make it with his fists in a big old bowl, 65 00:02:54,560 --> 00:02:55,920 {\an2}if you were staying with Welles. 66 00:02:55,960 --> 00:02:58,200 {\an2}And that's what he'd eat every day when he was dieting. 67 00:02:58,240 --> 00:03:01,720 {\an2}OK. Lean protein. Lean protein. 68 00:03:01,760 --> 00:03:04,720 {\an2}Pan-seared quickly over high heat in butter, 69 00:03:04,760 --> 00:03:06,520 {\an2}ensuring a crusty exterior 70 00:03:06,560 --> 00:03:09,000 {\an2}while remaining rare inside. 71 00:03:09,040 --> 00:03:11,000 {\an2}The rarest thing. Five points, please. 72 00:03:11,040 --> 00:03:13,200 {\an2}LAUGHTER We... 73 00:03:14,320 --> 00:03:15,680 {\an2}It is rare. 74 00:03:18,520 --> 00:03:20,480 {\an2}Where did you get it from? From Orson. 75 00:03:21,960 --> 00:03:23,920 {\an2}Orson's long dead, as you well know, so... 76 00:03:23,960 --> 00:03:25,560 {\an2}Yes, I was there at his deathbed. 77 00:03:26,840 --> 00:03:29,560 {\an2}My question to you is - did you get that off the Internet? 78 00:03:29,600 --> 00:03:31,600 {\an2}Snappy Snaps. LAUGHTER 79 00:03:35,640 --> 00:03:38,680 {\an2}We're off to a bad start. Nina, save it. 80 00:03:38,720 --> 00:03:42,520 {\an2}It's a flask of collected objects 81 00:03:42,560 --> 00:03:44,800 {\an2}from an audience at the end of every show. 82 00:03:44,840 --> 00:03:49,160 {\an2}OK. It contains an empty pack of antidepressants, 83 00:03:49,200 --> 00:03:53,600 {\an2}a lock of hair, an earring, a lip balm, a lozenge. 84 00:03:53,640 --> 00:03:56,440 {\an2}Erm... What I'm hearing so far is you've brought me a jar 85 00:03:56,480 --> 00:03:59,400 {\an2}of the contents of one of your drawers at home. 86 00:03:59,440 --> 00:04:01,560 {\an2}No, no, no, no, no. 87 00:04:01,600 --> 00:04:04,360 {\an2}A tissue containing divorce tears. 88 00:04:06,760 --> 00:04:08,160 {\an2}We're getting there? 89 00:04:08,200 --> 00:04:10,280 {\an2}So, Nina's is certainly a one-of-a-kind item. 90 00:04:10,320 --> 00:04:13,160 {\an2}Yeah. Is it the rarest? It's just a load of old tat, innit? 91 00:04:13,200 --> 00:04:15,280 {\an2}Erm, Matt. 92 00:04:15,320 --> 00:04:18,920 {\an2}I chose an uncooked kangaroo steak. 93 00:04:18,960 --> 00:04:20,400 {\an2}We all love kangaroos. Mm. 94 00:04:20,440 --> 00:04:22,840 {\an2}So let's have a look at this slice of kangaroo. 95 00:04:23,920 --> 00:04:25,360 {\an2}Oh! 96 00:04:25,400 --> 00:04:26,880 {\an2}So, yeah... Ugh! 97 00:04:26,920 --> 00:04:28,920 {\an1}LAUGHTER 98 00:04:29,960 --> 00:04:32,800 {\an2}Erm, it's rare because it's uncooked. Yeah. 99 00:04:32,840 --> 00:04:35,800 {\an2}And it's rare because it's kangaroo and we are not in Australia. Yeah. 100 00:04:35,840 --> 00:04:37,680 {\an2}It's a play on words, and in this country, 101 00:04:37,720 --> 00:04:39,680 {\an2}I imagine kangaroo meat is rather rare. 102 00:04:39,720 --> 00:04:42,040 {\an2}Yeah, exactly. Would you like a right of reply, 103 00:04:42,080 --> 00:04:45,680 {\an2}Richard, as to why that's more rare than your steak recipe? 104 00:04:45,720 --> 00:04:47,920 {\an2}I don't live in a world of comparisons, Greg. 105 00:04:49,480 --> 00:04:51,120 {\an2}I thought that's the nature of the beast. 106 00:04:51,160 --> 00:04:53,200 {\an2}I just like to enjoy things as I take them. 107 00:04:53,240 --> 00:04:55,520 {\an2}OK. And I very much enjoy the item 108 00:04:55,560 --> 00:04:57,400 {\an2}and I don't feel threatened by it. 109 00:04:57,440 --> 00:04:59,920 {\an1}LAUGHTER 110 00:04:59,960 --> 00:05:02,040 {\an2}Refreshing. Refreshing. 111 00:05:02,080 --> 00:05:03,680 {\an2}Isy, what have you brought in? 112 00:05:03,720 --> 00:05:06,600 {\an2}My mum, an ex-piano teacher, 113 00:05:06,640 --> 00:05:09,760 {\an2}has designed, patented 114 00:05:09,800 --> 00:05:13,040 {\an2}and tried to manufacture 115 00:05:13,080 --> 00:05:15,080 {\an2}the lentil piano. 116 00:05:15,120 --> 00:05:16,520 {\an2}Yeah. 117 00:05:18,440 --> 00:05:19,880 {\an2}What do you mean by lentil? 118 00:05:19,920 --> 00:05:21,800 {\an2}Well, it's filled with lentils. Oh! 119 00:05:22,960 --> 00:05:25,880 {\an2}Erm, and that's to give it a bit of weight. Hmm. 120 00:05:25,920 --> 00:05:29,840 {\an2}And it's so that, at home, you can practise your fingering. 121 00:05:29,880 --> 00:05:32,080 {\an2}Erm... LAUGHTER 122 00:05:32,120 --> 00:05:33,640 {\an2}Are you listening? I'm listening. 123 00:05:34,840 --> 00:05:36,360 {\an2}Kind of something I'm into. 124 00:05:39,160 --> 00:05:41,560 {\an2}How do you know that you've hit the right notes 125 00:05:41,600 --> 00:05:44,840 {\an2}when you're thumping onto lentils through material? 126 00:05:44,880 --> 00:05:47,600 {\an2}Well, I mean, I can demonstrate, if you like. 127 00:05:47,640 --> 00:05:49,520 {\an2}Er, yeah. 128 00:05:49,560 --> 00:05:50,680 {\an2}Erm... 129 00:05:51,760 --> 00:05:54,440 {\an2}I'll play an arpeggio in C. Yes, please. 130 00:05:57,760 --> 00:05:59,280 {\an2}Oh! 131 00:06:00,840 --> 00:06:02,920 {\an2}NINA:I just came. LAUGHTER 132 00:06:09,880 --> 00:06:11,880 {\an2}And, Chloe, what have you brought in? 133 00:06:11,920 --> 00:06:16,200 {\an2}So, erm, I believe that the rarest thing 134 00:06:16,240 --> 00:06:18,720 {\an2}is a home printer that works. 135 00:06:20,040 --> 00:06:22,320 {\an2}Good. What printers always work? 136 00:06:22,360 --> 00:06:24,880 {\an2}The printers that you find in an office. Hmm. 137 00:06:24,920 --> 00:06:26,680 {\an2}So for whoever wins this episode, 138 00:06:26,720 --> 00:06:30,800 {\an2}I have bought them in an office printer...to take home. 139 00:06:30,840 --> 00:06:33,080 {\an2}They actually have. It is not the smallest of printers. 140 00:06:33,120 --> 00:06:35,120 {\an2}It's this printer here. LAUGHTER 141 00:06:39,360 --> 00:06:41,400 {\an2}RICHARD: Can I ask - is that printer to one of a kind? 142 00:06:42,480 --> 00:06:45,760 {\an2}AUDIENCE: Ooh! No, it isn't. But... OK. No, just bear in mind. 143 00:06:45,800 --> 00:06:47,520 {\an2}That... 144 00:06:47,560 --> 00:06:50,000 {\an2}But that's not the basis of Chloe's argument, of course. Yeah. 145 00:06:50,040 --> 00:06:51,600 {\an2}Well, it's not a home printer, then, is it? 146 00:06:51,640 --> 00:06:54,840 {\an2}I'm sorry. I don't think Chloe suggested it was a home printer. 147 00:06:54,880 --> 00:06:57,440 {\an2}They were just suggesting it was a printer that worked. 148 00:06:57,480 --> 00:06:58,920 {\an2}I understand that, 149 00:06:58,960 --> 00:07:01,000 {\an2}but it's not a home printer that works. 150 00:07:01,040 --> 00:07:03,040 {\an2}Yeah, but it will become a home printer. 151 00:07:03,080 --> 00:07:04,760 {\an2}That's where you fall down. 152 00:07:05,960 --> 00:07:07,680 {\an2}That's illogical form. That's illogical form. 153 00:07:07,720 --> 00:07:09,560 {\an2}Explain, explain. How did it become a home printer? 154 00:07:09,600 --> 00:07:11,200 {\an2}When you take it home, Richard. 155 00:07:13,400 --> 00:07:15,280 {\an2}I'm sorry...I'm sorry if I'm short with him. No, no, no. 156 00:07:15,320 --> 00:07:17,480 {\an2}This has been nine long episodes. 157 00:07:17,520 --> 00:07:19,520 {\an1}LAUGHTER 158 00:07:23,840 --> 00:07:25,960 {\an2}All right. Least rare to rarest, I suppose. 159 00:07:26,000 --> 00:07:28,560 {\an2}OK. One point for Nina. OK. Two points for Richard. 160 00:07:28,600 --> 00:07:30,200 {\an2}You'll thank me for those two points. 161 00:07:30,240 --> 00:07:32,360 {\an2}I don't think he will. Er... 162 00:07:32,400 --> 00:07:36,680 {\an2}My instinct is the kangaroo steak is rarer than the printer. 163 00:07:36,720 --> 00:07:38,320 {\an2}Chloe, three points. 164 00:07:38,360 --> 00:07:40,480 {\an2}Four for your kangaroo steak. Thank you. 165 00:07:40,520 --> 00:07:43,760 {\an2}And for the lunacy of a lentil keyboard - five points. 166 00:07:43,800 --> 00:07:45,520 {\an2}There. There we go. Five points to Isy Suttie! 167 00:07:45,560 --> 00:07:47,560 {\an1}CHEERING 168 00:07:51,760 --> 00:07:54,400 {\an2}Right. Let's get this show started! 169 00:07:54,440 --> 00:07:58,280 {\an2}Yes, please, Greg. And we're going to carry on being animated. 170 00:07:58,320 --> 00:07:59,840 {\an2}AUDIENCE: Ooh! 171 00:08:11,240 --> 00:08:13,200 {\an2}ALEX: Chloe, welcome to the hutch. Thank you. 172 00:08:13,240 --> 00:08:15,320 {\an2}Ooh! Ooh. 173 00:08:15,360 --> 00:08:18,120 {\an2}Ooh! So, we're here. There's a task. 174 00:08:18,160 --> 00:08:20,000 {\an2}We are here. 175 00:08:20,040 --> 00:08:21,440 {\an2}Whoa. 176 00:08:22,520 --> 00:08:23,720 {\an2}Mate. 177 00:08:24,760 --> 00:08:26,440 {\an2}Ah! Whoa. 178 00:08:26,480 --> 00:08:29,200 {\an2}Oh, some dark works in the mix. 179 00:08:30,320 --> 00:08:31,720 {\an2}It's possessed. Yeah. 180 00:08:31,760 --> 00:08:35,120 {\an2}Great when, especially in an era of AI, 181 00:08:35,160 --> 00:08:39,120 {\an2}to see physical effects still as magical as this. 182 00:08:42,440 --> 00:08:43,840 {\an2}Whoa! 183 00:08:45,720 --> 00:08:47,640 {\an2}"Create the greatest animation..." 184 00:08:47,680 --> 00:08:52,840 {\an2}"..featuring you, and either the Taskmaster, his assistant, or both." 185 00:08:52,880 --> 00:08:55,880 {\an2}"Your animation must involve a dilemma, 186 00:08:55,920 --> 00:08:59,040 {\an2}"and that dilemma must get resolved." 187 00:08:59,080 --> 00:09:01,680 {\an2}"You have 30 minutes, and one animator." 188 00:09:01,720 --> 00:09:05,320 {\an2}What's one animator? OK, do you know what an animator is? 189 00:09:05,360 --> 00:09:09,160 {\an2}A person that does animations? Yes. Do we have one? Yes. 190 00:09:09,200 --> 00:09:11,840 {\an2}Who's that? Pendleton Ward. 191 00:09:11,880 --> 00:09:14,040 {\an2}Pendleton Ward. They are also my solicitors. 192 00:09:15,840 --> 00:09:18,280 {\an2}So, we're going to send your pictures to them. 193 00:09:18,320 --> 00:09:21,160 {\an2}OK. Half an hour is not that long. 194 00:09:21,200 --> 00:09:22,720 {\an2}No, it's not that long. 195 00:09:22,760 --> 00:09:26,120 {\an2}"Your time starts now." OK. 196 00:09:26,160 --> 00:09:28,040 {\an2}At the end, you're going to actually voice it. 197 00:09:28,080 --> 00:09:30,200 {\an2}We voice it. If you scribble down the dialogue as you go. 198 00:09:30,240 --> 00:09:33,480 {\an2}Can I have a jumper if I'm going to be in here for half an hour drawing? 199 00:09:35,520 --> 00:09:37,960 {\an2}Wow. I have no plan, by the way. I'm just... 200 00:09:38,000 --> 00:09:39,560 {\an2}I'm just... Yeah, but you can draw. 201 00:09:39,600 --> 00:09:41,480 {\an2}Hee-hee-hee-hee! 202 00:09:41,520 --> 00:09:45,040 {\an2}Matt Lucas. Erm, this is the clown's ear. 203 00:09:46,960 --> 00:09:49,880 {\an2}Big choccy biscuit theme coming here. So... 204 00:09:49,920 --> 00:09:51,000 {\an2}Erm... 205 00:09:52,080 --> 00:09:55,160 {\an2}Going to cut to a close up there for terror. 206 00:09:55,200 --> 00:09:56,640 {\an2}Oh-ho-ho-ho! 207 00:09:58,160 --> 00:10:00,520 {\an2}Erm... I'm already stuck! 208 00:10:00,560 --> 00:10:02,160 {\an2}ISY: Do people call you Al? 209 00:10:02,200 --> 00:10:04,200 {\an2}One person does. Who's that? 210 00:10:04,240 --> 00:10:07,280 {\an2}Xavier. Oh, I should've known it would be Xavier. 211 00:10:07,320 --> 00:10:09,760 {\an2}Up for doing the voices? ISY VOCALISES 212 00:10:09,800 --> 00:10:12,280 {\an2}But you must! Hello back, Matt. 213 00:10:12,320 --> 00:10:15,120 {\an2}No time left. WHISTLE BLOWS 214 00:10:15,160 --> 00:10:16,760 {\an2}All right? Thanks, Matt. It's OK. 215 00:10:16,800 --> 00:10:19,920 {\an2}Right, well, I look forward to watching your animation. 216 00:10:19,960 --> 00:10:21,840 {\an2}I'm going to be honest, I won't. 217 00:10:23,840 --> 00:10:25,840 {\an1}APPLAUSE 218 00:10:29,640 --> 00:10:31,640 {\an2}Good to lower expectations. Excellent. 219 00:10:31,680 --> 00:10:35,200 {\an2}Well, lots for me to judge here. Drawing skills. Mm-hm. 220 00:10:35,240 --> 00:10:37,480 {\an2}Voice work. Originality of ideas, 221 00:10:37,520 --> 00:10:39,240 {\an2}characters, voice work. 222 00:10:39,280 --> 00:10:41,640 {\an2}But if anyone can judge it, it's you, Greg. 223 00:10:41,680 --> 00:10:43,920 {\an2}Thanks, baby. 224 00:10:43,960 --> 00:10:46,200 {\an2}We're going to begin with that familiar fable of 225 00:10:46,240 --> 00:10:48,960 {\an2}Chloe And The Biscuit Factory. 226 00:10:50,840 --> 00:10:53,800 {\an2}CHLOE: What a beautiful day to visit the biscuit factory. 227 00:10:55,600 --> 00:10:58,320 {\an2}Where is everyone? It's half term. 228 00:10:58,360 --> 00:10:59,640 {\an2}It should be heaving. 229 00:10:59,680 --> 00:11:02,240 {\an2}Even at the chocolate factory I attended. 230 00:11:02,280 --> 00:11:04,720 {\an2}Do-do-do-do! 231 00:11:05,840 --> 00:11:08,960 {\an2}Suddenly... I am Howard Webb, 232 00:11:09,000 --> 00:11:13,320 {\an2}protector and rightful owner of the biscuit factory. 233 00:11:13,360 --> 00:11:16,000 {\an2}No, not Howard Webb! He's a rotter. 234 00:11:16,040 --> 00:11:20,400 {\an2}Don't worry, I've handled referees before, particularly rotters. 235 00:11:20,440 --> 00:11:22,120 {\an2}Yellow card to Chloe. 236 00:11:22,160 --> 00:11:24,520 {\an2}Pow! Ha! Pow! 237 00:11:24,560 --> 00:11:27,360 {\an2}Argh! Not again! 238 00:11:27,400 --> 00:11:28,800 {\an2}Splosh. 239 00:11:28,840 --> 00:11:30,840 {\an2}The factory is ours! 240 00:11:38,920 --> 00:11:41,200 {\an2}I was left with questions at the end. Yeah. 241 00:11:41,240 --> 00:11:43,600 {\an2}Why has Howard Webb been singled out? 242 00:11:43,640 --> 00:11:46,680 {\an2}Why would Howard Webb want to take biscuits off people? 243 00:11:46,720 --> 00:11:50,480 {\an2}Yeah. And I don't think your piece resolves that in any way. 244 00:11:50,520 --> 00:11:53,480 {\an2}But you're very keen for a second episode. 245 00:11:56,200 --> 00:11:57,600 {\an2}I-I... 246 00:11:57,640 --> 00:11:59,280 {\an2}I don't think I am. 247 00:12:01,200 --> 00:12:03,000 {\an2}OK. Want to see another? Yeah. 248 00:12:04,240 --> 00:12:07,880 {\an2}Now it's time to sit back and watch Nina Conti's cartoon. 249 00:12:09,040 --> 00:12:13,320 {\an2}NINA: Oh, no. My brain's run out of tasks. 250 00:12:13,360 --> 00:12:15,320 {\an2}Think, Alex. 251 00:12:15,360 --> 00:12:19,080 {\an2}Don't worry, Alex, I'll be your Fairy Task Mother. 252 00:12:19,120 --> 00:12:23,520 {\an2}Gather all your wax seals from all the previous tasks. 253 00:12:23,560 --> 00:12:25,480 {\an2}Your time starts now. 254 00:12:25,520 --> 00:12:28,200 {\an2}Oh, but there's so many to collect. 255 00:12:28,240 --> 00:12:29,680 {\an2}And no time! 256 00:12:31,960 --> 00:12:34,920 {\an2}OK, got them all. Now what? 257 00:12:34,960 --> 00:12:38,840 {\an2}Melt them into a new brain. 258 00:12:38,880 --> 00:12:42,840 {\an2}I hope this works. Just melting them now. 259 00:12:42,880 --> 00:12:46,800 {\an2}How long have I got? No time at all! 260 00:12:46,840 --> 00:12:49,560 {\an2}Argh! Oh! Ah! 261 00:12:49,600 --> 00:12:51,960 {\an2}It's hard to make a new brain. 262 00:12:52,000 --> 00:12:53,760 {\an2}No time left! 263 00:12:53,800 --> 00:12:55,800 {\an2}Ah! 264 00:12:55,840 --> 00:12:57,680 {\an2}Your time's up! 265 00:12:57,720 --> 00:12:59,560 {\an2}Oh, no! 266 00:12:59,600 --> 00:13:01,480 {\an2}It's come out all wrong! 267 00:13:03,880 --> 00:13:06,080 {\an2}It doesn't look like a brain. 268 00:13:06,120 --> 00:13:07,840 {\an2}What's that?! 269 00:13:07,880 --> 00:13:11,680 {\an2}That's brilliant. And makes perfect sense. 270 00:13:11,720 --> 00:13:13,520 {\an2}Hee-hee, hee-hee! 271 00:13:13,560 --> 00:13:15,560 {\an2}Ah! APPLAUSE 272 00:13:17,680 --> 00:13:20,720 {\an2}Very good. What's the message of the piece? 273 00:13:20,760 --> 00:13:25,080 {\an2}Well, the m... Well, actually, it's an homage to how impressed 274 00:13:25,120 --> 00:13:27,720 {\an2}I am with the amount of ideas Alex has. 275 00:13:27,760 --> 00:13:29,640 {\an2}Yeah. And I fear for him running out. 276 00:13:29,680 --> 00:13:33,920 {\an2}But, you know, if he doesn't, he's going to have to make a melted 277 00:13:33,960 --> 00:13:37,000 {\an2}red penis out of task seals. Yeah. 278 00:13:37,040 --> 00:13:39,560 {\an2}So, we could say it was a strong piece. 279 00:13:39,600 --> 00:13:41,600 {\an2}Some great characters, 280 00:13:41,640 --> 00:13:43,520 {\an2}a fully understandable narrative, 281 00:13:43,560 --> 00:13:47,640 {\an2}until the end when Alex inexplicably had a big waxy penis. 282 00:13:49,280 --> 00:13:51,600 {\an2}Hey, guess what? That's right. Goodbye! 283 00:14:01,640 --> 00:14:03,560 {\an2}Hello! Welcome back. 284 00:14:03,600 --> 00:14:06,200 {\an2}Welcome back to the start of part two, 285 00:14:06,240 --> 00:14:08,440 {\an2}where we are just sitting around watching a bunch of cartoons. 286 00:14:08,480 --> 00:14:11,560 {\an2}Yes, we are, Greg. The competitors created storyboards 287 00:14:11,600 --> 00:14:14,320 {\an2}to be animated by the prodigious Pendleton Ward 288 00:14:14,360 --> 00:14:16,040 {\an2}and his talented team. 289 00:14:16,080 --> 00:14:19,320 {\an2}Now, for a man who's no stranger to voice artistry in cartoons, 290 00:14:19,360 --> 00:14:21,800 {\an2}yes, it's Richard Ayo-artistry. 291 00:14:27,680 --> 00:14:30,360 {\an2}RICHARD: I can't go on with this task. 292 00:14:30,400 --> 00:14:32,400 {\an2}I have to conceive and execute an animation 293 00:14:32,440 --> 00:14:34,560 {\an2}in a comically compressed time window. 294 00:14:34,600 --> 00:14:36,120 {\an2}But you must. 295 00:14:36,160 --> 00:14:37,760 {\an2}I really don't have to. 296 00:14:37,800 --> 00:14:39,280 {\an2}Splosh! 297 00:14:41,560 --> 00:14:42,880 {\an2}Shoe! 298 00:14:44,040 --> 00:14:45,320 {\an2}Shoe! 299 00:14:45,360 --> 00:14:47,440 {\an2}Shoe! 300 00:14:47,480 --> 00:14:49,360 {\an2}Take it! Take the shoe. 301 00:14:49,400 --> 00:14:51,280 {\an2}He needs shoe! 302 00:14:51,320 --> 00:14:53,160 {\an2}He needs shoe! 303 00:14:53,200 --> 00:14:56,000 {\an2}I'm honestly fine for shoes, because I'm basically gas. 304 00:14:56,040 --> 00:14:57,520 {\an2}Just let me die. 305 00:14:59,320 --> 00:15:00,640 {\an2}Burn him! 306 00:15:00,680 --> 00:15:02,320 {\an2}The end? 307 00:15:05,520 --> 00:15:08,240 {\an2}I know this is often counterintuitive to the artist, 308 00:15:08,280 --> 00:15:09,720 {\an2}but would you talk me through the narrative? 309 00:15:09,760 --> 00:15:13,440 {\an2}Someone wants their shoe. They see need. 310 00:15:13,480 --> 00:15:15,760 {\an2}They have to overcome their own ego... Yes. 311 00:15:15,800 --> 00:15:18,320 {\an2}..their own wish, to serve others. 312 00:15:18,360 --> 00:15:20,320 {\an2}Altruism. 313 00:15:20,360 --> 00:15:23,880 {\an2}You know, you don't want to labour things, really. 314 00:15:23,920 --> 00:15:26,840 {\an2}That's the whole idea. I do, though. I do. 315 00:15:26,880 --> 00:15:28,240 {\an2}Right, who's next? 316 00:15:28,280 --> 00:15:29,720 {\an2}OK, well, let's have a look at Isy's 317 00:15:29,760 --> 00:15:34,000 {\an2}very specifically dated 1991-based animation. 318 00:15:34,040 --> 00:15:36,920 {\an2}ISY: A Dastardly Dilemma in 1991. 319 00:15:36,960 --> 00:15:39,840 {\an2}(Please remember year.) 320 00:15:39,880 --> 00:15:42,160 {\an2}By Isy Suttie. 321 00:15:42,200 --> 00:15:46,200 {\an2}Bring, bring. Hey, I don't have a mobile. 322 00:15:46,240 --> 00:15:49,000 {\an2}Tumpty, tumpty, tum. A nice walk. 323 00:15:50,320 --> 00:15:51,840 {\an2}Walking is cool. 324 00:15:51,880 --> 00:15:53,440 {\an2}Help me escape! 325 00:15:53,480 --> 00:15:55,040 {\an2}What's that? 326 00:15:55,080 --> 00:15:56,520 {\an2}Sh! 327 00:15:56,560 --> 00:15:59,920 {\an2}If you help me find Alex, I'll give you a prize. 328 00:15:59,960 --> 00:16:02,520 {\an2}Me? Yes, you. 329 00:16:02,560 --> 00:16:04,160 {\an2}Creep, creep. 330 00:16:04,200 --> 00:16:05,920 {\an2}Don't let Greg see. 331 00:16:05,960 --> 00:16:07,640 {\an2}Alex! 332 00:16:07,680 --> 00:16:09,640 {\an2}Argh! 333 00:16:09,680 --> 00:16:11,600 {\an2}My brain! 334 00:16:11,640 --> 00:16:13,400 {\an2}Argh! 335 00:16:13,440 --> 00:16:15,200 {\an2}Help! 336 00:16:15,240 --> 00:16:17,480 {\an2}My brain! 337 00:16:17,520 --> 00:16:20,640 {\an2}Now, all to my dungeon! 338 00:16:20,680 --> 00:16:22,120 {\an2}Argh! 339 00:16:22,160 --> 00:16:23,440 {\an2}Later... 340 00:16:23,480 --> 00:16:25,200 {\an1}SNAKE HISSES 341 00:16:25,240 --> 00:16:27,440 {\an2}Ee, ee, ee! Neigh! 342 00:16:27,480 --> 00:16:30,840 {\an2}Guys! A secret hole! 343 00:16:30,880 --> 00:16:32,480 {\an2}By the mouse! 344 00:16:32,520 --> 00:16:35,360 {\an2}We're safe! Hooray! 345 00:16:35,400 --> 00:16:37,520 {\an2}Er, guys. 346 00:16:37,560 --> 00:16:40,560 {\an2}I left my wallet in the dungeon. 347 00:16:40,600 --> 00:16:42,440 {\an2}Oh! 348 00:16:49,840 --> 00:16:51,480 {\an2}Strong artwork. Yeah. 349 00:16:51,520 --> 00:16:53,360 {\an2}Honestly? 350 00:16:53,400 --> 00:16:55,680 {\an2}I don't know what the fuck was going on. 351 00:16:55,720 --> 00:16:57,800 {\an1}LAUGHTER 352 00:16:57,840 --> 00:16:59,760 {\an2}We're all in the park. Mm-hm. 353 00:16:59,800 --> 00:17:01,800 {\an2}We all get captured by you. 354 00:17:01,840 --> 00:17:05,400 {\an2}You put us in the dungeon with a snake, a mouse and a horse. 355 00:17:05,440 --> 00:17:07,360 {\an2}We escape through the mouse hole, 356 00:17:07,400 --> 00:17:09,800 {\an2}but Alex leaves his wallet behind. 357 00:17:09,840 --> 00:17:12,440 {\an2}Why did I need to remember it was 1991? 358 00:17:12,480 --> 00:17:14,480 {\an2}I don't know. LAUGHTER 359 00:17:18,000 --> 00:17:19,640 {\an2}There must've been a reason. 360 00:17:19,680 --> 00:17:21,120 {\an2}Well, I didn't have a mobile phone. 361 00:17:21,160 --> 00:17:23,960 {\an2}I think that was the only reason. I couldn't phone someone for help. 362 00:17:24,000 --> 00:17:27,400 {\an2}Yes! That was the only reason. That's it! No mobiles. 363 00:17:27,440 --> 00:17:29,120 {\an2}In 1991. 364 00:17:29,160 --> 00:17:30,600 {\an2}I reckon we should see the last one, Greg. 365 00:17:30,640 --> 00:17:33,080 {\an2}OK. Right, well, finally now, 366 00:17:33,120 --> 00:17:36,880 {\an2}it's Matt Lucas with his animation - Greg's Head. 367 00:17:36,920 --> 00:17:38,800 {\an2}MATT: This is Greg's Head. 368 00:17:38,840 --> 00:17:41,000 {\an2}Hello, Greg. Hello back, Matt. 369 00:17:41,040 --> 00:17:42,960 {\an2}Flippin' heck. I knew you was tall, 370 00:17:43,000 --> 00:17:44,560 {\an2}but I didn't know you was this tall. 371 00:17:44,600 --> 00:17:47,880 {\an2}I know. I can't even fit on the screen. 372 00:17:47,920 --> 00:17:50,840 {\an2}Good news! I found this saw in the shed. 373 00:17:50,880 --> 00:17:53,400 {\an2}What if I sawed your head off? Would that help? 374 00:17:53,440 --> 00:17:55,760 {\an2}Don't know if you don't try. OK. 375 00:18:02,080 --> 00:18:05,000 {\an2}Ouch! That actually quite hurt. 376 00:18:05,040 --> 00:18:08,240 {\an2}Oh, you're still too tall, you lanky man. 377 00:18:08,280 --> 00:18:11,000 {\an2}You, er... You don't need these legs, do you? 378 00:18:11,040 --> 00:18:12,640 {\an2}Not especially. 379 00:18:16,800 --> 00:18:18,840 {\an2}Ah! Yelp! 380 00:18:18,880 --> 00:18:20,720 {\an2}We got there! Cheers, Matt. 381 00:18:20,760 --> 00:18:22,440 {\an2}The end. 382 00:18:25,760 --> 00:18:27,520 {\an2}That was great. Thank you very much. 383 00:18:27,560 --> 00:18:30,480 {\an2}All right, OK. Maybe the artwork was basic, 384 00:18:30,520 --> 00:18:33,000 {\an2}but I think I've got the narrative right. 385 00:18:33,040 --> 00:18:34,960 {\an2}Yeah. I'm too big for the screen. Yeah. 386 00:18:35,000 --> 00:18:36,760 {\an2}A dilemma. Mm-hm. 387 00:18:36,800 --> 00:18:39,440 {\an2}The solution? Someone sawed my head off. Me. 388 00:18:39,480 --> 00:18:42,040 {\an2}Mercifully... Yeah. ..my head continued to function, 389 00:18:42,080 --> 00:18:45,160 {\an2}as surely it would. 390 00:18:45,200 --> 00:18:47,360 {\an2}Yeah. And as you've pointed out, 391 00:18:47,400 --> 00:18:49,480 {\an2}my legs are fairly useless. 392 00:18:49,520 --> 00:18:51,160 {\an2}So you hack them off as well. Yeah. 393 00:18:51,200 --> 00:18:53,880 {\an2}And then, the jumble of parts fit on the screen. 394 00:18:53,920 --> 00:18:57,400 {\an2}Dilemma solved. You have a very televisual torso, yes. 395 00:18:58,760 --> 00:19:00,760 {\an2}All right, well, you've seen all five animations. 396 00:19:00,800 --> 00:19:04,640 {\an2}I think the main flaws were with Chloe and Isy. 397 00:19:04,680 --> 00:19:07,880 {\an2}I'll take the one. I really liked Chloe's. 398 00:19:07,920 --> 00:19:09,480 {\an2}And I really liked Isy's. 399 00:19:10,640 --> 00:19:12,200 {\an2}I'll tell you what I'll do. 400 00:19:12,240 --> 00:19:13,840 {\an2}I'll give them both two points. 401 00:19:13,880 --> 00:19:16,600 {\an2}AUDIENCE WHOOP OK. Right. 402 00:19:18,320 --> 00:19:19,840 {\an2}Happy with that? 403 00:19:19,880 --> 00:19:21,920 {\an2}Now, Matt was the clearest narrative. 404 00:19:21,960 --> 00:19:24,000 {\an2}I thought the artwork fell down a little bit, 405 00:19:24,040 --> 00:19:25,760 {\an2}so I'll probably give you three points. 406 00:19:25,800 --> 00:19:27,760 {\an2}I'll live with that. Thank you. 407 00:19:27,800 --> 00:19:29,720 {\an2}And then... I'll take the four. 408 00:19:31,280 --> 00:19:33,640 {\an2}..I enjoyed the grandiosity of your ambition, 409 00:19:33,680 --> 00:19:35,560 {\an2}but I thought it was somewhat muddled 410 00:19:35,600 --> 00:19:37,720 {\an2}towards the end of the narrative. Four. 411 00:19:37,760 --> 00:19:40,600 {\an2}And without question, the most rounded one for me was Nina Conti. 412 00:19:40,640 --> 00:19:42,960 {\an2}Five points.Thank you. CHEERING 413 00:19:43,000 --> 00:19:45,160 {\an2}Nina Conti, five points! 414 00:19:45,200 --> 00:19:47,880 {\an2}I want to know what their scores are, please. 415 00:19:47,920 --> 00:19:50,520 {\an2}Ooh, it's a tight one! We have Chloe on five, 416 00:19:50,560 --> 00:19:52,120 {\an2}Nina and Richard on six. 417 00:19:52,160 --> 00:19:54,680 {\an2}Isy and Matt are both in the lead with seven points! 418 00:19:54,720 --> 00:19:56,920 {\an2}APPLAUSE Ooh, Matt. 419 00:19:58,200 --> 00:20:01,000 {\an2}Please may we have a task which you haven't 420 00:20:01,040 --> 00:20:03,880 {\an2}just delegated out to somebody else to sort for you? 421 00:20:03,920 --> 00:20:06,480 {\an2}Oh, go on, then. And in honour of Phil Wang, 422 00:20:06,520 --> 00:20:09,800 {\an2}this one involves a lime! 423 00:20:09,840 --> 00:20:11,440 {\an2}AUDIENCE: Woo! 424 00:20:27,640 --> 00:20:30,240 {\an2}It's a nightmare. ALEX: Yeah. 425 00:20:30,280 --> 00:20:32,080 {\an2}A lime... 426 00:20:32,120 --> 00:20:33,760 {\an2}..in a...in a water. 427 00:20:35,960 --> 00:20:38,240 {\an2}OK, what's going on here? Is that a lime? 428 00:20:39,320 --> 00:20:41,520 {\an2}And an egg cup. 429 00:20:41,560 --> 00:20:44,640 {\an2}We got a lime. We got a lime and some water. Mm-hm. Mm-hm. 430 00:20:44,680 --> 00:20:46,800 {\an2}We got an egg cup. Yeah. We got a task. 431 00:20:46,840 --> 00:20:48,840 {\an2}Yeah. We got a job to do. 432 00:20:51,480 --> 00:20:53,360 {\an2}"Put a lime in the egg cup. 433 00:20:53,400 --> 00:20:58,360 {\an2}"If there is more than 20ml less water in the vase 434 00:20:58,400 --> 00:21:02,440 {\an2}"when the lime is in the egg cup than there is now, 435 00:21:02,480 --> 00:21:04,680 {\an2}"you are disqualified." 436 00:21:04,720 --> 00:21:06,880 {\an2}"You must not leave the lab." 437 00:21:08,200 --> 00:21:09,720 {\an2}Oh, I see. Yeah. 438 00:21:10,880 --> 00:21:12,880 {\an2}"Fastest wins." 439 00:21:14,280 --> 00:21:17,240 {\an2}"Your time starts..." 440 00:21:19,000 --> 00:21:21,000 {\an2}"..now." APPLAUSE 441 00:21:23,000 --> 00:21:25,200 {\an2}A science task. I know it's a science task 442 00:21:25,240 --> 00:21:28,680 {\an2}because I see Richard Ayoade's nostrils just slightly flare. 443 00:21:29,840 --> 00:21:31,680 {\an2}That was wind. 444 00:21:32,960 --> 00:21:36,760 {\an2}OK, the first two to try and get the lime into the egg cup are 445 00:21:36,800 --> 00:21:39,480 {\an2}Citrusy Suttie and Chloe Zests. 446 00:21:40,720 --> 00:21:42,800 {\an2}So, look, I know that this isn't right, 447 00:21:42,840 --> 00:21:45,320 {\an2}but you need to get your worst idea out of your head first. 448 00:21:59,520 --> 00:22:01,800 {\an2}OK. Good first attempt. 449 00:22:01,840 --> 00:22:03,840 {\an2}Hmm, now... What are you looking for? 450 00:22:03,880 --> 00:22:06,000 {\an2}Hmm, I'm looking for inspiration. 451 00:22:08,600 --> 00:22:11,160 {\an2}Is there anything else in this room that can help me? 452 00:22:15,640 --> 00:22:17,240 {\an2}I think I found something. 453 00:22:21,000 --> 00:22:23,120 {\an2}Old table chopstick, of course. 454 00:22:26,480 --> 00:22:28,680 {\an2}I'm going to skewer... 455 00:22:28,720 --> 00:22:30,240 {\an2}No, I'm not going to do that. 456 00:22:37,360 --> 00:22:39,920 {\an1}APPLAUSE 457 00:22:39,960 --> 00:22:41,920 {\an2}Some water's come out. Yeah. 458 00:22:41,960 --> 00:22:46,320 {\an2}I'm optimistic about it being less than 20ml. 459 00:22:46,360 --> 00:22:48,640 {\an2}Now, this is harder than you would think. 460 00:22:48,680 --> 00:22:50,160 {\an2}Oh! 461 00:22:50,200 --> 00:22:51,800 {\an2}Oh! 462 00:22:52,960 --> 00:22:55,040 {\an2}Oh, you had to get swirling action! 463 00:22:58,520 --> 00:23:01,600 {\an2}You do. You do have to get swirling action. 464 00:23:01,640 --> 00:23:04,360 {\an2}I think Chloe's right. You do need to get your worst idea 465 00:23:04,400 --> 00:23:06,080 {\an2}out of your head first. 466 00:23:06,120 --> 00:23:09,320 {\an2}And I presume, Isy, that's why you drank some water, 467 00:23:09,360 --> 00:23:11,680 {\an2}put your hand in the vase, spat out the water, 468 00:23:11,720 --> 00:23:13,720 {\an2}and then looked confused. LAUGHTER 469 00:23:15,160 --> 00:23:18,680 {\an2}I really thought I could hold a lot more water in my mouth 470 00:23:18,720 --> 00:23:20,280 {\an2}than I could. 471 00:23:20,320 --> 00:23:22,400 {\an2}And you lost 18ml. 472 00:23:22,440 --> 00:23:24,760 {\an2}You were fine. Whoa! 473 00:23:24,800 --> 00:23:26,240 {\an2}Well done. What about Petts? 474 00:23:26,280 --> 00:23:28,280 {\an2}Petts lost 6ml. Yes! We're fine. 475 00:23:28,320 --> 00:23:31,880 {\an2}It's just a case of time. Looking good. Looking good. 476 00:23:31,920 --> 00:23:34,200 {\an2}We're off! So, you could watch some adverts now. 477 00:23:34,240 --> 00:23:35,640 {\an2}It doesn't sound like much fun, does it? 478 00:23:35,680 --> 00:23:38,200 {\an2}But imagine what it's going to be like when capitalism collapses 479 00:23:38,240 --> 00:23:42,280 {\an2}and you have to convert your Qashqai into a Mad Max battering ram. 480 00:23:42,320 --> 00:23:44,000 {\an2}We'll see you after the break. 481 00:23:51,880 --> 00:23:53,320 {\an2}Hello! 482 00:23:53,360 --> 00:23:55,360 {\an2}It's the start of part three. 483 00:23:55,400 --> 00:23:59,000 {\an2}And boy, oh, boy, are we having fun with limes. 484 00:23:59,040 --> 00:24:01,560 {\an2}And look whose turn it is to put a lime in the egg cup 485 00:24:01,600 --> 00:24:04,000 {\an2}without losing more than 20ml out of the vase. 486 00:24:04,040 --> 00:24:06,440 {\an2}Oh, boy. It's Richard and Nina. 487 00:24:08,320 --> 00:24:10,840 {\an2}How on earth are we meant to do this? 488 00:24:10,880 --> 00:24:12,440 {\an2}Erm, yeah. 489 00:24:19,880 --> 00:24:21,880 {\an1}LAUGHTER 490 00:24:21,920 --> 00:24:23,200 {\an2}OK. 491 00:24:23,240 --> 00:24:25,120 {\an2}I think that's me done. 492 00:24:25,160 --> 00:24:27,160 {\an2}That's more or less it for me. 493 00:24:29,400 --> 00:24:31,440 {\an2}Is an egg cup...? 494 00:24:31,480 --> 00:24:35,120 {\an2}The volume of my hand is more than that of an egg cup, isn't it? 495 00:24:39,760 --> 00:24:41,800 {\an8}Let's just see... Ah! You idiot! 496 00:24:41,840 --> 00:24:43,400 {\an8}You idiot bitch! 497 00:24:43,440 --> 00:24:45,520 {\an2}You silly, silly bitch! 498 00:24:46,800 --> 00:24:49,120 {\an2}What did you call yourself? Idiot bitch. 499 00:24:49,160 --> 00:24:50,920 {\an2}It's a bit harsh. 500 00:24:52,120 --> 00:24:55,600 {\an2}Is this part of the lab? The sign is on the door, yeah. 501 00:24:55,640 --> 00:24:57,520 {\an2}Oh, I see. 502 00:24:57,560 --> 00:24:59,080 {\an2}Oh, right. 503 00:24:59,120 --> 00:25:02,000 {\an2}I just thought the lab only started where it... 504 00:25:02,040 --> 00:25:05,120 {\an2}You've not been in many labs. How many have you been in? 505 00:25:05,160 --> 00:25:07,120 {\an2}I've been in one lab. OK. 506 00:25:10,840 --> 00:25:12,800 {\an2}Ooh! Ah! Ah! Aha! 507 00:25:12,840 --> 00:25:14,680 {\an2}Ah! Ah! Ah! Ah! 508 00:25:16,480 --> 00:25:18,480 {\an2}Ah! You little bitch! 509 00:25:18,520 --> 00:25:21,520 {\an2}Ah. You come here, you naughty little bitch! 510 00:25:21,560 --> 00:25:24,080 {\an2}Ah, look at that. Look at that. 511 00:25:24,120 --> 00:25:25,760 {\an2}Look at that. 512 00:25:25,800 --> 00:25:29,080 {\an2}Now... Now... Now... Now... Stay there. 513 00:25:29,120 --> 00:25:32,280 {\an2}But still, the idea of a pour 514 00:25:32,320 --> 00:25:35,000 {\an2}without spill seems unlikely. Hmm. 515 00:25:37,960 --> 00:25:39,600 {\an2}As illustrated by that. 516 00:25:57,200 --> 00:25:58,720 {\an2}What do I have to do again? 517 00:25:58,760 --> 00:26:00,560 {\an2}Is it a lime in the egg cup? 518 00:26:00,600 --> 00:26:02,160 {\an2}That's it. 519 00:26:02,200 --> 00:26:03,640 {\an2}It's all over. 520 00:26:05,120 --> 00:26:06,960 {\an2}I've stopped the clock. OK. 521 00:26:11,320 --> 00:26:12,720 {\an2}Brilliant. 522 00:26:12,760 --> 00:26:14,880 {\an2}It was a catastrophic pour off the table into 523 00:26:14,920 --> 00:26:16,120 {\an2}the glass head, I presume. 524 00:26:16,160 --> 00:26:18,640 {\an2}It was gung ho. Gung ho! 525 00:26:18,680 --> 00:26:20,640 {\an2}My feeling is Richard did very badly. 526 00:26:20,680 --> 00:26:22,720 {\an2}I'll show you the moment the lime went into the egg cup. 527 00:26:29,960 --> 00:26:32,600 {\an1}AUDIENCE GROANS 528 00:26:32,640 --> 00:26:34,040 {\an2}RICHARD: Oh. 529 00:26:35,440 --> 00:26:40,080 {\an2}Mm. I mean, I should say it was also more than 20ml. 530 00:26:40,120 --> 00:26:42,480 {\an2}But if I hadn't put the lime into the egg cup, 531 00:26:42,520 --> 00:26:44,560 {\an2}the task would not have been over at that point. 532 00:26:44,600 --> 00:26:46,520 {\an2}True. OK. True. True. 533 00:26:46,560 --> 00:26:48,280 {\an2}I'll bear it in mind for next time. 534 00:26:49,400 --> 00:26:51,760 {\an2}I think that Nina's clean-up operation 535 00:26:51,800 --> 00:26:54,960 {\an2}after her mistakes was so thorough that she might still be in the game, 536 00:26:55,000 --> 00:26:57,360 {\an2}as an observer, what I'm thinking. You're a good observer. 537 00:26:57,400 --> 00:27:01,400 {\an2}But I think it was quite good to use the task paper. 538 00:27:01,440 --> 00:27:03,400 {\an2}You did. You said, "I've got to use it before it gets floppy." 539 00:27:03,440 --> 00:27:08,760 {\an2}You used it, and then you wrung out the water from the task, 540 00:27:08,800 --> 00:27:12,960 {\an2}and I can tell you, you lost 20ml. 541 00:27:13,000 --> 00:27:14,800 {\an2}Ooh. Which is fine. 542 00:27:14,840 --> 00:27:17,320 {\an2}Ooh! Just! Wow! 543 00:27:17,360 --> 00:27:20,520 {\an2}Exactly! Yeah. I promise, yeah. Wow. 544 00:27:20,560 --> 00:27:23,280 {\an2}Last, on his own, in a lab with a lime, 545 00:27:23,320 --> 00:27:25,000 {\an2}it is Matt Lucas. Mm. 546 00:27:26,080 --> 00:27:29,200 {\an2}Right, is there anything in this lab that can help me? 547 00:27:30,520 --> 00:27:32,520 {\an2}No. Erm... 548 00:27:32,560 --> 00:27:33,960 {\an2}Hmm. 549 00:27:35,400 --> 00:27:37,240 {\an2}Looking up. Er... 550 00:27:38,280 --> 00:27:40,200 {\an2}Oh, there's another lime there. Ah! 551 00:27:41,320 --> 00:27:45,040 {\an2}So if I can get that lime down... Oh. 552 00:27:45,080 --> 00:27:46,880 {\an2}And put it in the egg cup. 553 00:27:46,920 --> 00:27:49,640 {\an2}Stop the clock. OK. Cool stuff. Thank you. 554 00:27:49,680 --> 00:27:51,680 {\an1}CHEERING AND APPLAUSE 555 00:27:58,880 --> 00:28:00,880 {\an1}AUDIENCE EXCLAIM 556 00:28:02,880 --> 00:28:04,480 {\an2}It's a lemon! 557 00:28:13,200 --> 00:28:15,440 {\an2}You are a shit of a man! Yes. 558 00:28:18,400 --> 00:28:20,920 {\an2}I just... You are. Yeah. I'll take that. 559 00:28:20,960 --> 00:28:22,760 {\an2}You present this sort of whole front of, 560 00:28:22,800 --> 00:28:25,480 {\an2}"Oh, the Taskmaster's evil, but I'm your friend!" 561 00:28:25,520 --> 00:28:27,880 {\an2}Thank you, Matt! Yeah. 562 00:28:27,920 --> 00:28:30,080 {\an2}You've broken the social contract, Alex. 563 00:28:32,200 --> 00:28:34,520 {\an2}NINA: You look gleeful. Of course he was gleeful. 564 00:28:34,560 --> 00:28:35,960 {\an2}I was so happy when you found that. 565 00:28:36,000 --> 00:28:38,000 {\an2}He was sitting at home in his little hot tub, 566 00:28:38,040 --> 00:28:40,720 {\an2}and he went, "Oh-ho-ho!" 567 00:28:40,760 --> 00:28:44,760 {\an2}"Oh-ho-ho! I'll paint it green!" 568 00:28:44,800 --> 00:28:47,560 {\an2}Did you have...? Was it an especially small lemon 569 00:28:47,600 --> 00:28:49,560 {\an2}so that it would more look like a lime? 570 00:28:49,600 --> 00:28:51,200 {\an2}Yeah, it was quite a difficult process. 571 00:28:51,240 --> 00:28:54,320 {\an2}And to get the paint that stays on a fruit is difficult. Yeah, yeah. 572 00:28:54,360 --> 00:28:56,640 {\an2}We have an art department to do that sort of thing, 573 00:28:56,680 --> 00:28:58,920 {\an2}but he painted that lime himself. Yeah, I bet he did. 574 00:28:58,960 --> 00:29:00,800 {\an2}Yeah, yeah. 575 00:29:00,840 --> 00:29:03,360 {\an2}He's got that iPad to cover his erection. 576 00:29:03,400 --> 00:29:05,400 {\an1}LAUGHTER 577 00:29:11,160 --> 00:29:14,080 {\an2}So because of the sneaky, sneaky lemon, 578 00:29:14,120 --> 00:29:18,360 {\an2}Nina comes in third... Sneaky lime-painting boner boy. 579 00:29:23,360 --> 00:29:25,720 {\an2}Because of the sneaky lemon, Nina, you're very lucky, 580 00:29:25,760 --> 00:29:29,880 {\an2}you get three points for coming third with four minutes 15. 581 00:29:29,920 --> 00:29:31,640 {\an2}Chloe, you took three minutes and two seconds. 582 00:29:31,680 --> 00:29:33,760 {\an2}Isy, you took one minute and six seconds. 583 00:29:33,800 --> 00:29:36,360 {\an2}You get the five points! Chloe gets four points. 584 00:29:36,400 --> 00:29:40,120 {\an2}APPLAUSE Well done!Ooh!Well done. 585 00:29:40,160 --> 00:29:43,800 {\an2}So, before Alex sneaks off to make a margarita with his own dick... 586 00:29:43,840 --> 00:29:45,840 {\an1}LAUGHTER 587 00:29:53,880 --> 00:29:55,320 {\an2}OK. 588 00:29:55,360 --> 00:30:00,240 {\an2}Sand, water, flags, fire, eggs, and loads of task instructions. 589 00:30:00,280 --> 00:30:02,280 {\an2}It's got everything I've ever wanted. 590 00:30:18,280 --> 00:30:22,120 {\an2}Hello. Chloe. Yes. Yes. 591 00:30:22,160 --> 00:30:24,560 {\an2}Well, what have we here? 592 00:30:25,840 --> 00:30:28,680 {\an2}Wow, this is nice. Yeah, some nice things. 593 00:30:33,320 --> 00:30:35,480 {\an2}"Make a sand castle that looks exactly like 594 00:30:35,520 --> 00:30:37,400 {\an2}"the sand castle in the lab." 595 00:30:37,440 --> 00:30:40,360 {\an2}"Your finished sand castle must be on this tray." 596 00:30:40,400 --> 00:30:42,800 {\an2}"You may only be in the lab 597 00:30:42,840 --> 00:30:45,200 {\an2}"when holding a lit match 598 00:30:45,240 --> 00:30:47,480 {\an2}"in the match holder." 599 00:30:47,520 --> 00:30:51,600 {\an2}"And that match must only be kindled in this room." 600 00:30:51,640 --> 00:30:53,280 {\an2}Convoluted! 601 00:30:53,320 --> 00:30:56,040 {\an2}Oh, and also, "Before kindling the match, 602 00:30:56,080 --> 00:31:00,800 {\an2}"you must select and complete one of the extra tasks." 603 00:31:00,840 --> 00:31:06,120 {\an2}"Most similar sand castle to the sand castle in the lab wins." OK. 604 00:31:06,160 --> 00:31:09,360 {\an2}"Your time starts..." 605 00:31:09,400 --> 00:31:11,640 {\an2}Hang on a minute. What have I got to do? 606 00:31:11,680 --> 00:31:14,400 {\an2}No, it takes a while! 607 00:31:14,440 --> 00:31:17,240 {\an2}All right. So I better not light that until I've done one of these. 608 00:31:17,280 --> 00:31:19,280 {\an2}You better not. "Your time starts..." 609 00:31:19,320 --> 00:31:20,760 {\an2}Are you going to do the whistle? 610 00:31:20,800 --> 00:31:23,200 {\an2}No. OK. "..now." 611 00:31:23,240 --> 00:31:24,760 {\an2}Well, I've only got 15 minutes. 612 00:31:24,800 --> 00:31:26,680 {\an2}Can you give me one of the extra tasks? 613 00:31:26,720 --> 00:31:29,320 {\an2}Sure, yeah. Sorry, yeah. Yeah. 614 00:31:29,360 --> 00:31:31,280 {\an2}Which one would you like? Oh, my word. 615 00:31:31,320 --> 00:31:33,320 {\an1}APPLAUSE 616 00:31:36,000 --> 00:31:38,320 {\an2}Right, real dweeby little task, this, isn't it? 617 00:31:38,360 --> 00:31:40,280 {\an2}It is convoluted, I admit. Mm. 618 00:31:40,320 --> 00:31:42,880 {\an2}You can only look at the sand castle when you're holding a lit match. 619 00:31:42,920 --> 00:31:44,600 {\an2}Yes. You can only light the match after completing 620 00:31:44,640 --> 00:31:46,400 {\an2}one of the other tasks. Mm. That's it. 621 00:31:46,440 --> 00:31:50,040 {\an2}Isy and Chloe are first on the slate to replicate. 622 00:31:50,080 --> 00:31:52,560 {\an2}Here we go. Pick a task, any task. 623 00:31:53,680 --> 00:31:55,360 {\an2}Once you've done that, you can light a match. 624 00:31:57,080 --> 00:31:59,840 {\an2}"Drum all your fingers on the table for two minutes." 625 00:31:59,880 --> 00:32:01,960 {\an2}"Drum all your fingers on the table for two minutes." 626 00:32:05,400 --> 00:32:07,120 {\an2}It's going to get tense, isn't it? 627 00:32:09,600 --> 00:32:12,920 {\an2}Four, three, two, one. 628 00:32:12,960 --> 00:32:15,440 {\an2}That's it. You may now kindle a match. Thank you. 629 00:32:19,680 --> 00:32:21,560 {\an2}Right, that wasn't so good. 630 00:32:21,600 --> 00:32:23,160 {\an2}It won't go out. 631 00:32:25,000 --> 00:32:26,880 {\an2}It's gone out. 632 00:32:26,920 --> 00:32:29,160 {\an2}Ah, no, not until you've done another task. 633 00:32:29,200 --> 00:32:31,880 {\an2}What? Every time you kindle, you must do a task. 634 00:32:31,920 --> 00:32:33,520 {\an2}Well, I'm not going to have any minutes left, am I? 635 00:32:33,560 --> 00:32:35,040 {\an2}Well, not if you pick ones like that one. 636 00:32:35,080 --> 00:32:37,320 {\an2}"Go to the caravan and return wearing a hat." OK. 637 00:32:39,480 --> 00:32:40,880 {\an2}Oh, my God. 638 00:32:45,800 --> 00:32:47,200 {\an2}OK, right. 639 00:32:50,320 --> 00:32:51,720 {\an2}Did you br...? 640 00:32:53,120 --> 00:32:56,920 {\an2}This isn't my fault. This isn't my fault! 641 00:32:56,960 --> 00:32:59,080 {\an2}Imagine if this is the last match on Earth? 642 00:33:02,560 --> 00:33:04,440 {\an2}What would happen to me? 643 00:33:04,480 --> 00:33:06,080 {\an2}"Hide an egg within your castle." 644 00:33:06,120 --> 00:33:08,960 {\an2}"The egg must remain unseen in your castle till the end of the task." 645 00:33:11,040 --> 00:33:13,880 {\an2}This is a strong flame. And it's stronger at this point 646 00:33:13,920 --> 00:33:16,960 {\an2}than it was when I nearly got through the door last time. 647 00:33:19,400 --> 00:33:20,800 {\an2}It's still alight. 648 00:33:25,320 --> 00:33:27,960 {\an2}Has it gone out? No! Chloe, has it gone out? 649 00:33:28,000 --> 00:33:29,720 {\an2}Yes. It's gone out. Leave the room. 650 00:33:35,960 --> 00:33:37,600 {\an2}OK. Yep. 651 00:33:39,480 --> 00:33:43,400 {\an2}That means that, with my own hands, I've got to craft a castle? 652 00:33:46,120 --> 00:33:48,040 {\an2}Yeah, well... Ha, ha. 653 00:33:49,680 --> 00:33:52,480 {\an2}This is a guess. OK, I'm going to go back in the room now. 654 00:33:52,520 --> 00:33:54,160 {\an2}You can't do that until you've done a task. 655 00:33:56,080 --> 00:33:57,640 {\an2}"Put all your sand in the bin." 656 00:33:57,680 --> 00:33:59,680 {\an2}Yeah, great. AUDIENCE GROANS 657 00:34:02,200 --> 00:34:03,880 {\an2}You've got to be happy with that, Alex. 658 00:34:03,920 --> 00:34:05,560 {\an2}Isy Suttie's not doing better than that. 659 00:34:07,120 --> 00:34:09,120 {\an2}Eight turrets. 660 00:34:09,160 --> 00:34:11,880 {\an2}WHISTLE BLOWS Buzzin' with that. 661 00:34:14,960 --> 00:34:16,960 {\an1}WHISTLE BLOWS 662 00:34:19,520 --> 00:34:21,760 {\an2}Where's the mould, Alex? 663 00:34:21,800 --> 00:34:23,440 {\an2}Is it on your...? Is it on you? 664 00:34:23,480 --> 00:34:24,880 {\an2}Is it behind you? 665 00:34:26,400 --> 00:34:27,800 {\an2}Hmm. 666 00:34:29,040 --> 00:34:31,040 {\an1}AUDIENCE GROANS 667 00:34:33,080 --> 00:34:34,480 {\an2}There it is. 668 00:34:36,280 --> 00:34:38,640 {\an2}I don't think either of you know how matches work. 669 00:34:38,680 --> 00:34:42,760 {\an2}That's the main thing. That I won't dispute. 670 00:34:42,800 --> 00:34:47,080 {\an2}Well, the thing is, if you encourage it by turning it upside down... 671 00:34:47,120 --> 00:34:49,760 {\an2}The correct way. ..it will burn more quickly. 672 00:34:49,800 --> 00:34:52,240 {\an2}So you're also thinking about the journey to the lab and the amount 673 00:34:52,280 --> 00:34:54,120 {\an2}of time you're going to get to look at the castle. Ah! 674 00:34:54,160 --> 00:34:57,520 {\an2}But what I will say is, at least it would burn. 675 00:35:00,080 --> 00:35:01,840 {\an2}That would help. Yeah. 676 00:35:01,880 --> 00:35:03,840 {\an2}Time for a break now, but come back soon 677 00:35:03,880 --> 00:35:06,320 {\an2}to see somebody you previously respected 678 00:35:06,360 --> 00:35:08,600 {\an2}with a load of old tat. We'll see you in a minute. 679 00:35:18,120 --> 00:35:20,640 {\an2}Here we are, and welcome back. 680 00:35:20,680 --> 00:35:23,680 {\an2}It's the very last part of this penultimate episode 681 00:35:23,720 --> 00:35:26,520 {\an2}and the five are busy building sand castles. 682 00:35:26,560 --> 00:35:28,960 {\an2}They really are. Their finished sand castles need 683 00:35:29,000 --> 00:35:31,920 {\an2}to look as identical to the sand castle in the lab as possible, 684 00:35:31,960 --> 00:35:34,400 {\an2}but there are lots of hindrances along the way. 685 00:35:34,440 --> 00:35:37,200 {\an2}Right, who's next? Matt and Nina. 686 00:35:40,040 --> 00:35:42,240 {\an2}"Go to the caravan and return wearing a hat." 687 00:35:42,280 --> 00:35:43,760 {\an2}So I've got to do that first. 688 00:35:45,800 --> 00:35:48,640 {\an2}"Place Alex's tray on top of your sand 689 00:35:48,680 --> 00:35:50,320 {\an2}"and put both your shoes on the tray 690 00:35:50,360 --> 00:35:52,280 {\an2}"and leave them there for the next two minutes." 691 00:35:52,320 --> 00:35:53,920 {\an2}And now that goes on there. 692 00:35:57,640 --> 00:35:59,040 {\an2}OK, come on, little ducky. 693 00:36:01,600 --> 00:36:04,040 {\an2}Windy out here. Oh, shit bags! 694 00:36:04,080 --> 00:36:05,600 {\an2}It's OK. OK. 695 00:36:10,200 --> 00:36:11,440 {\an2}Oh. 696 00:36:12,800 --> 00:36:16,080 {\an2}OK, four turrets and lots of beads. 697 00:36:16,120 --> 00:36:18,400 {\an2}Here we go! The match is kindled. 698 00:36:18,440 --> 00:36:20,000 {\an2}How are you with sand castles? 699 00:36:20,040 --> 00:36:23,320 {\an2}I'm not a sand castle kind of lady. You're not? 700 00:36:23,360 --> 00:36:25,160 {\an2}Not much, no. 701 00:36:25,200 --> 00:36:26,480 {\an2}OK. 702 00:36:28,280 --> 00:36:30,440 {\an2}Oh, don't do this to me. 703 00:36:30,480 --> 00:36:32,200 {\an2}Oh! You're OK. 704 00:36:32,240 --> 00:36:33,600 {\an2}Yeah, I'm OK. 705 00:36:34,680 --> 00:36:36,680 {\an2}Oh, my days. Is that the one? 706 00:36:36,720 --> 00:36:38,200 {\an2}Dunno. 707 00:36:41,520 --> 00:36:43,200 {\an2}Ah, there it is! 708 00:36:43,240 --> 00:36:45,280 {\an2}Am I allowed to get it? Oh, yeah. 709 00:36:45,320 --> 00:36:46,720 {\an2}Well, how do I...? 710 00:36:48,200 --> 00:36:49,720 {\an2}There you go. 711 00:36:49,760 --> 00:36:50,960 {\an2}Right. 712 00:36:51,000 --> 00:36:53,720 {\an2}It's like that cake show. 713 00:36:53,760 --> 00:36:55,480 {\an2}There was something in the top, wasn't there? 714 00:36:55,520 --> 00:36:57,160 {\an2}There was something fancy in the middle. 715 00:36:57,200 --> 00:36:58,640 {\an2}Only one way of finding out. 716 00:36:58,680 --> 00:36:59,920 {\an2}All right, give me one. 717 00:37:01,080 --> 00:37:03,840 {\an2}"Go to the caravan and return wearing a hat." 718 00:37:09,040 --> 00:37:12,440 {\an2}Ready? I'm ready. All right. Pretty excited. 719 00:37:12,480 --> 00:37:14,120 {\an2}Well, I'm glad one of us is. 720 00:37:15,520 --> 00:37:18,800 {\an2}Ha-ha, ha-ha! Nothing's coming out! 721 00:37:18,840 --> 00:37:20,440 {\an2}Mum! 722 00:37:21,880 --> 00:37:24,080 {\an2}Yeah, that works. The hat of an arsehole. 723 00:37:24,120 --> 00:37:25,800 {\an2}It's a hat of an arsehole? Yeah. 724 00:37:29,120 --> 00:37:30,920 {\an2}What do you call that?! 725 00:37:33,080 --> 00:37:35,880 {\an2}"Pull... Put all your sand in the bin." 726 00:37:39,200 --> 00:37:41,240 {\an2}Actually, that's looking pretty good. 727 00:37:41,280 --> 00:37:43,480 {\an2}I'll tell you what. You'd be hard pushed seeing the difference. 728 00:37:46,240 --> 00:37:48,640 {\an2}It's it... It's all in the bin, OK? 729 00:37:48,680 --> 00:37:50,480 {\an2}No, it has to be on the tray. Yeah. 730 00:37:50,520 --> 00:37:52,280 {\an2}We agreed that was in the bin enough. 731 00:37:55,920 --> 00:37:57,520 {\an2}I'm actually finished ahead of time. 732 00:37:57,560 --> 00:37:59,680 {\an2}Yeah, you got 15 seconds spare. Great. 733 00:38:01,680 --> 00:38:03,680 {\an1}WHISTLE BLOWS 734 00:38:10,400 --> 00:38:12,840 {\an2}She's not a sand castle kind of lady. She's not. 735 00:38:12,880 --> 00:38:15,040 {\an2}I thought she was, but she's not. I've met sand castle ladies 736 00:38:15,080 --> 00:38:16,640 {\an2}and not liked them. 737 00:38:16,680 --> 00:38:18,600 {\an2}Matt, you spotted the castle mould... 738 00:38:18,640 --> 00:38:20,280 {\an2}Yeah, I spotted a lime, as well. 739 00:38:21,960 --> 00:38:24,960 {\an2}Yes. The problem with the castle, though, is that you... 740 00:38:25,000 --> 00:38:28,360 {\an2}..you've clearly never made a sand castle with a bucket before. 741 00:38:28,400 --> 00:38:31,640 {\an2}Not since I was about three, no. I didn't cover myself in glory. 742 00:38:31,680 --> 00:38:34,080 {\an2}No. You complained that the sand was too fine. 743 00:38:34,120 --> 00:38:37,480 {\an2}Yeah. Well, it was. Yeah, it was a little overground. 744 00:38:37,520 --> 00:38:39,120 {\an2}Oh! 745 00:38:39,160 --> 00:38:41,760 {\an2}Erm, Nina, I thought yours was... 746 00:38:41,800 --> 00:38:43,880 {\an2}The flash I saw of yours was so disappointing. 747 00:38:43,920 --> 00:38:46,400 {\an2}I thought it was going to be good. It was so shit. 748 00:38:46,440 --> 00:38:48,560 {\an2}There is one more to see. Let's see it. 749 00:38:48,600 --> 00:38:50,640 {\an2}Finally, then, a man who I quite often 750 00:38:50,680 --> 00:38:52,560 {\an2}like to imagine frolicking about on a beach. 751 00:38:52,600 --> 00:38:54,040 {\an2}It's Richard Ayoade. 752 00:38:55,880 --> 00:38:59,320 {\an2}OK. "Hide an egg within your castle. 753 00:38:59,360 --> 00:39:02,400 {\an2}"The egg must remain unseen in your castle till the end of the task." 754 00:39:12,040 --> 00:39:14,560 {\an2}You may now kindle a match. Thank you. 755 00:39:14,600 --> 00:39:16,440 {\an2}OK, so I should do it by the door, really. 756 00:39:26,640 --> 00:39:28,200 {\an2}OK. 757 00:39:32,320 --> 00:39:34,840 {\an2}Why is this room so windy? 758 00:39:34,880 --> 00:39:37,000 {\an2}None of your business. 759 00:39:37,040 --> 00:39:38,400 {\an2}OK. 760 00:39:52,360 --> 00:39:54,040 {\an2}OK, I can copy that. 761 00:40:06,720 --> 00:40:08,400 {\an2}I'd say that's pretty good. 762 00:40:12,200 --> 00:40:15,000 {\an2}APPLAUSE Fantastic.Very good. 763 00:40:15,040 --> 00:40:18,640 {\an2}I believe Richard has just cuckooed you out of the nerd nest, 764 00:40:18,680 --> 00:40:20,600 {\an2}my friend. 765 00:40:20,640 --> 00:40:22,040 {\an2}Doesn't feel good, 766 00:40:22,080 --> 00:40:25,000 {\an2}but I have to admire. Game sees game. 767 00:40:25,040 --> 00:40:27,120 {\an2}You looked pretty sad when I did that 768 00:40:27,160 --> 00:40:29,080 {\an2}to your tiny little castle, didn't you? 769 00:40:29,120 --> 00:40:31,080 {\an2}I was sad and pleased. 770 00:40:31,120 --> 00:40:32,640 {\an2}Which is weird. I wasn't expecting it. 771 00:40:32,680 --> 00:40:34,120 {\an2}Very clever, Richard. 772 00:40:34,160 --> 00:40:36,400 {\an2}Read the task out to me again, just so I'm very clear. 773 00:40:36,440 --> 00:40:38,920 {\an2}The task says this. "Make a sand castle that looks exactly like 774 00:40:38,960 --> 00:40:41,280 {\an2}"the sand castle in the lab." Yeah, there you go. 775 00:40:41,320 --> 00:40:43,280 {\an2}By the time he made his one, that's what the castle looked like. 776 00:40:43,320 --> 00:40:44,520 {\an2}That's what it looked like. 777 00:40:44,560 --> 00:40:46,600 {\an2}I like it, actually. 778 00:40:46,640 --> 00:40:49,640 {\an2}I'm really glad that he showed you the contempt you deserve. 779 00:40:49,680 --> 00:40:51,440 {\an1}APPLAUSE 780 00:40:51,480 --> 00:40:53,000 {\an2}I don't mind it either, Matt. I don't mind it. 781 00:40:53,040 --> 00:40:54,480 {\an2}I don't mind it. 782 00:40:56,760 --> 00:40:59,040 {\an2}Yeah, you're going to have to choose between five 783 00:40:59,080 --> 00:41:00,680 {\an2}not-brilliant sand castles. 784 00:41:00,720 --> 00:41:02,320 {\an2}I can't wait, I can't wait. 785 00:41:03,440 --> 00:41:05,880 {\an2}There's a motley crew there. 786 00:41:05,920 --> 00:41:08,520 {\an2}Matt's was made with a sand castle mould, remember. 787 00:41:13,440 --> 00:41:15,760 {\an2}Ah, you've all got four flags... Oh, no. 788 00:41:15,800 --> 00:41:17,720 {\an2}Nina hasn't got four flags. 789 00:41:17,760 --> 00:41:19,240 {\an2}She has got a knife. 790 00:41:19,280 --> 00:41:20,720 {\an2}My flags were in the bin. 791 00:41:21,920 --> 00:41:24,200 {\an2}So Nina must have one point, clearly. 792 00:41:24,240 --> 00:41:25,760 {\an2}OK, one point to Nina. 793 00:41:25,800 --> 00:41:29,080 {\an2}I don't think flags matter as much as the... They do... 794 00:41:29,120 --> 00:41:31,760 {\an2}..body of the thing and the space around it. 795 00:41:31,800 --> 00:41:33,920 {\an2}I think she's got a point. Yeah, we'll give her two. 796 00:41:33,960 --> 00:41:35,960 {\an2}OK. So it's... Yeah, yeah. Two to Nina. 797 00:41:36,000 --> 00:41:39,520 {\an2}Two? Right, OK. Three to Matt and Chloe. 798 00:41:39,560 --> 00:41:41,600 {\an2}Right. Four to Isy, five to Richard. 799 00:41:41,640 --> 00:41:43,480 {\an2}There we go. Well done, Richard Ayoade. Five points! 800 00:41:45,200 --> 00:41:46,560 {\an2}Okey dokey. 801 00:41:50,240 --> 00:41:52,160 {\an2}So, they're all on double figures. Matt's on ten. 802 00:41:52,200 --> 00:41:54,560 {\an2}The other end of the leaderboard, Isy's got 16 points! 803 00:41:55,840 --> 00:41:59,280 {\an2}OK, everyone, please pop on your pinnies 804 00:41:59,320 --> 00:42:02,280 {\an2}for the final task of the show. 805 00:42:06,840 --> 00:42:10,200 {\an2}Well, hello. This is unusual. Isn't it? Mm. 806 00:42:10,240 --> 00:42:12,720 {\an2}I'm excited. Who will read the task out? 807 00:42:12,760 --> 00:42:14,320 {\an2}Er, Isy Suttie. 808 00:42:15,520 --> 00:42:18,240 {\an2}"When the Taskmaster says "sock," 809 00:42:18,280 --> 00:42:22,560 {\an2}"you must pass a sock under the table to your left. 810 00:42:22,600 --> 00:42:25,440 {\an2}"When you have four of the same coloured socks, 811 00:42:25,480 --> 00:42:27,280 {\an2}"you may grab a duck. 812 00:42:27,320 --> 00:42:31,280 {\an2}"Or when somebody else grabs a duck, you may grab a duck. 813 00:42:31,320 --> 00:42:34,160 {\an2}"Whoever doesn't grab a duck is eliminated." 814 00:42:34,200 --> 00:42:37,400 {\an2}I concede. LAUGHTER 815 00:42:37,440 --> 00:42:40,760 {\an2}In your pouches, you have four socks each. 816 00:42:40,800 --> 00:42:44,000 {\an2}They will all be different colours. When Greg says "sock..." 817 00:42:44,040 --> 00:42:46,400 {\an2}"One, two, three, sock," you pass one of them to the left, 818 00:42:46,440 --> 00:42:48,880 {\an2}under the table. Are we looking at the colour of them? 819 00:42:48,920 --> 00:42:50,640 {\an2}You can do. You should do. 820 00:42:52,280 --> 00:42:55,200 {\an2}You may retrieve your socks from your pouch. 821 00:42:55,240 --> 00:42:57,480 {\an2}Are you all right, Matt? Yeah, I'm just wondering... 822 00:42:57,520 --> 00:43:01,840 {\an2}I'm not colour-blind, but what if I was? Mm, yeah. 823 00:43:01,880 --> 00:43:04,560 {\an2}No, I see that. Yeah, well, I'm going to take the fact 824 00:43:04,600 --> 00:43:07,680 {\an2}that you're not as the most important thing here. OK. 825 00:43:07,720 --> 00:43:09,880 {\an2}Richard? Can we keep the socks? Can we keep the socks? 826 00:43:09,920 --> 00:43:11,760 {\an2}Yes, you can keep the socks. Thank you. 827 00:43:11,800 --> 00:43:14,320 {\an2}Just the socks, is it? Yeah, I've got these ducks. 828 00:43:14,360 --> 00:43:16,840 {\an2}OK. 829 00:43:16,880 --> 00:43:19,360 {\an2}Good luck, everyone. Let's play! 830 00:43:19,400 --> 00:43:21,560 {\an2}One, two, three, sock! 831 00:43:21,600 --> 00:43:23,600 {\an2}Sock. Pass on the socks. 832 00:43:23,640 --> 00:43:26,240 {\an2}There we go. Thank you. You should always have four socks. 833 00:43:26,280 --> 00:43:28,280 {\an2}One, two, three, sock! 834 00:43:30,720 --> 00:43:32,080 {\an2}Argh! 835 00:43:33,160 --> 00:43:35,760 {\an2}Getting close. One, two, three, sock. 836 00:43:38,600 --> 00:43:40,040 {\an2}What's happened? 837 00:43:41,920 --> 00:43:43,320 {\an2}One, two, three, sock! 838 00:43:45,080 --> 00:43:47,720 {\an2}One, two, three, sock. 839 00:43:48,960 --> 00:43:50,680 {\an2}OK. OK. 840 00:43:50,720 --> 00:43:52,200 {\an2}One, two, three, sock! 841 00:43:52,240 --> 00:43:53,640 {\an2}Ah! 842 00:43:53,680 --> 00:43:55,080 {\an2}Argh! AUDIENCE: Ooh! 843 00:43:55,120 --> 00:43:56,720 {\an2}We have lost Isy Suttie! 844 00:43:56,760 --> 00:43:58,160 {\an2}ALL: Oh! 845 00:43:58,200 --> 00:43:59,440 {\an2}No! 846 00:44:00,720 --> 00:44:01,920 {\an2}Yeah. 847 00:44:02,960 --> 00:44:04,600 {\an2}So, Chloe, can you reveal your four socks? 848 00:44:04,640 --> 00:44:07,640 {\an2}All four greens. That's how the game works. 849 00:44:07,680 --> 00:44:10,760 {\an2}OK. Round 2, Greg. Let's do it. 850 00:44:10,800 --> 00:44:13,240 {\an2}One, two, three, sock! 851 00:44:13,280 --> 00:44:14,880 {\an2}Under the table. Keep them under the table. 852 00:44:14,920 --> 00:44:16,120 {\an2}You can only grab when you've got four. 853 00:44:16,160 --> 00:44:18,560 {\an2}One, two, three, sock! 854 00:44:21,280 --> 00:44:23,920 {\an1}INDISTINCT CHATTER 855 00:44:23,960 --> 00:44:26,240 {\an2}One, two, three, sock. 856 00:44:27,680 --> 00:44:29,200 {\an2}One, two, three, sock! 857 00:44:31,960 --> 00:44:33,360 {\an2}Who have we lost? 858 00:44:33,400 --> 00:44:34,840 {\an2}We've lost Richard Ayoade! 859 00:44:37,040 --> 00:44:38,960 {\an2}Yeah. 860 00:44:39,000 --> 00:44:40,880 {\an2}Wow. OK, Greg. 861 00:44:40,920 --> 00:44:43,280 {\an2}This is to get our finalists. 862 00:44:43,320 --> 00:44:45,000 {\an2}Here we go. One, two, three, sock! 863 00:44:48,600 --> 00:44:50,320 {\an2}One, two, three, sock! 864 00:44:52,240 --> 00:44:53,920 {\an2}We've lost Nina Conti! 865 00:44:58,720 --> 00:45:00,960 {\an2}Richard. Can I ask, erm... 866 00:45:01,000 --> 00:45:02,920 {\an2}..why are we all wearing aprons? 867 00:45:06,360 --> 00:45:07,800 {\an2}Just cos it's got pockets. 868 00:45:08,920 --> 00:45:11,840 {\an2}There is completely no need for anyone to wear an apron. 869 00:45:11,880 --> 00:45:14,240 {\an2}Greg, it's the final. I know. 870 00:45:17,200 --> 00:45:19,200 {\an2}Let's play, shall we? I think so. 871 00:45:26,400 --> 00:45:29,520 {\an2}One, two, three, sock! 872 00:45:32,600 --> 00:45:36,280 {\an2}One, two, three, sock. 873 00:45:38,800 --> 00:45:43,160 {\an2}One, two, three, sock. 874 00:45:45,840 --> 00:45:47,560 {\an2}Well, look at that! 875 00:45:49,960 --> 00:45:51,840 {\an2}Good game, good game. 876 00:45:51,880 --> 00:45:54,640 {\an2}Wow! I'm very surprised. 877 00:45:55,720 --> 00:45:58,320 {\an2}That was Matt Lucas's moment. 878 00:45:58,360 --> 00:46:01,000 {\an2}The lime is avenged. 879 00:46:01,040 --> 00:46:03,240 {\an2}We'll add that to your final scores. 880 00:46:03,280 --> 00:46:04,880 {\an2}See you down there! 881 00:46:07,160 --> 00:46:08,640 {\an2}Come to me. Ah! 882 00:46:11,640 --> 00:46:13,120 {\an2}Well... Well, well, well. 883 00:46:13,160 --> 00:46:15,840 {\an2}I'm just so glad I was wearing that apron. Yeah. 884 00:46:15,880 --> 00:46:17,880 {\an2}So handy when you're passing socks under a table. 885 00:46:17,920 --> 00:46:19,200 {\an2}It really is. It really is. 886 00:46:19,240 --> 00:46:21,000 {\an2}Power move from Matt Lucas at the end. 887 00:46:21,040 --> 00:46:23,680 {\an2}Wowee! You had your moment in the sun there. 888 00:46:23,720 --> 00:46:25,120 {\an2}Cat-like reflexes. 889 00:46:25,160 --> 00:46:27,520 {\an2}He's been hiding those reflexes for nine episodes. 890 00:46:27,560 --> 00:46:29,920 {\an2}Yeah, yeah. How do you feel? 891 00:46:29,960 --> 00:46:32,240 {\an2}Oh, my God. I mean, it changes everything, doesn't it? 892 00:46:33,600 --> 00:46:35,280 {\an2}It changes the scoreboard. It really does. 893 00:46:35,320 --> 00:46:37,360 {\an2}Because now, at the end of the episode, 894 00:46:37,400 --> 00:46:40,480 {\an2}we've got people on 13, 14, 15, 16 and 17 points. 895 00:46:40,520 --> 00:46:42,120 {\an2}My sort of scoreboard. Wow. 896 00:46:42,160 --> 00:46:44,600 {\an2}You love a bit of symmetry, don't you? I do. But who's won? 897 00:46:44,640 --> 00:46:47,200 {\an2}Isy Suttie's won with 17 points! Whoa! 898 00:46:47,240 --> 00:46:49,000 {\an1}CHEERING 899 00:46:49,040 --> 00:46:50,240 {\an2}Well done. 900 00:46:50,280 --> 00:46:53,760 {\an2}Please run up and raise up your rarity! 901 00:46:54,960 --> 00:46:59,280 {\an2}Here is your episode winner. Isy Suttie! 902 00:47:22,880 --> 00:47:24,880 {\an2}Subtitles by Red Bee Media