(wind blowing quietly)
Jeff (crying): Please... Please, forgive me!
- (wind blowing) - I'm sorry!
Please!
Please forgive me!
Charles: Grab your toolbox. I wanna cut off his eyelids!
- His eyelids? - I wanna watch him suffer. Come on!
I thought you wanted me to shoot him
- after he was done digging the hole. - I changed my mind.
(car door opens)
(car door closes)
(mutters): Changed his mind...
She tell you how big your cock is? Huh, Jeff?
Jeff (crying): I'm sorry!
(wind continues blowing)
(rummaging)
(sighs)
Jeff: I, I, I, know. I'm sorry.
(continues, indistinct)
- Please. - Charlie: Hold up. Hold up.
Hey, uh,
I think we're going to call this off.
What, no eyelids? Just shoot him?
- No, I-I don't want him dead. - Thank you.
- I thought you said you wanted to watch him suffer. - Charlie: I know,
but, um, he's asked for my forgiveness.
Y-you know, he made some valid points, so, uh,
I'm forgiving Jeff.
- You're forgiving Jeff. - I'm sorry I fucked your wife.
He's sorry he fucked my wife! (laughs)
You know, and she's no saint either, okay?
There's a whole history we don't need to get into. I...
I think I just overreacted.
(gunshots, bodies thudding)
(wind blowing)
Barry: There's no forgiving Jeff!
(birds chirping)
(theme song playing)
(Sally humming)
Ha! Ha! Ha!
(lip warm-ups)
Ha! Ha! Ha!
Sally: Did you not come to bed again last night?
Uh, no. I had a line on some work,
but it fell through, so I just drove around.
Fun!
Okay, so lunch today's at 2:00...
- Uh-huh. - Yeah. Can you, like,
get there, like, a little early, you know,
- and watch us shoot. - Oh...
- My controller's broken. - Oh!
Hoo! Ah!
(shivers)
Oh god. Diane's coming to look at cuts today.
Do you want me to bring you flowers?
- Yeah. Uh, nothing yellow, okay? - Unbelievable...
And, uh, if I say you can stay for lunch,
just know that you can't.
(sighs) Love you!
(sighs) Fuck.
("Africa" playing)
(man muttering)
(singing "Africa" in foreign language)
(angry muttering)
(spraying water)
Sir?
- (stops spraying) - Yes?
Hi. I'm Detective Mae Dunn.
These are officers Tereno and Hale.
We'd like to speak to NoHo Hank.
I will fetch him.
- (singing continues) - (yelling in foreign language)
(shouting in foreign language)
I spoke to the elders,
told them we needed more men.
LA is us, Akhmal, and Yandar. That's four guys.
Well, SEAL Team Six only has six guys,
and they have their own TV show.
- (door opens) - (panting)
- (door shuts) - Hank. The cops are outside.
- They want to speak to you. - (sighs) Well...
we always knew this was going to happen.
This one is for all the marbles.
You have your story straight?
Yeah. Um...
(sighs) This is my first interrogation,
you know? I'm, like, legit nervous.
Alright.
We don't hear from you in two hours,
- we will all take cyanide pills. - What?
- Ciao, babies. - Yandar: Wait, what?
Yeah. Monastery shooting.
I heard about that.
Heard about it. But, you weren't there?
No.
Well, we heard that you were there.
I wasn't. Because no one survived.
How would you know that if you weren't there?
I saw it on Citizen App?
Can you tell me what that pin says?
(gurgling)
(clears throat)
It says, "The debt has been paid."
Mm-hm. Any idea where we found it?
Well, they do hand them out at banks back home.
- Hank... - After you pay your debts.
Well, we found that one in the trunk of a car
next to a detective's dead body.
Wow.
Wow. (laughs)
What the fuck?
That is super fucked up. You know?
What does this have to do with monastery?
We think the cases are linked.
And we can put you outside the monastery
a few days before the shooting.
Touché.
Dr. Watsons.
Yes.
These two cases are linked.
Same man who shot at monastery
is also fucking idiot
who killed your dear, sweet detective.
♪ ♪
That pin...
is calling card for...
that man.
(sighs) We have been trying to identify him.
If I tell you, you'd have to pall-bear my coffin becau--
Hank. I'm fed up with the mind games.
My patience was here.
Now, it's here.
Just tell us, Hank.
His name is...
- the Raven. - (Hale sputters)
- It's a good name. - It's a fake name.
You're saying this...
Raven killed Detective Moss and shot up the monastery?
Hank: I know he did.
Anytime someone compromises Chechen operation,
he's sent down by top brass to take care of it.
And he never fails.
You know, you should really Wikipedia "raven."
You'll see the name works on, like, three different levels.
Okay, where do we find him?
The name is not just random is what I'm saying.
Where to find him?
The Raven lives in the shadows, my friends.
(ominous music playing)
Who knows where he is?
(cereal rattling)
(wind blowing)
(bleating)
(milk hitting pail)
(bleats)
This time of year, in my home?
Spend the weekend watching college football.
I'm assuming...
streaming is a no-go. (sniffs)
We could put, uh, put an aerial on the roof.
Ohio State! Huh?
Haven't missed a game in 25 years! Come on.
Hank said you could come home when things cool off in LA.
- (door opens) - That the only phrase you know in English?
(door shuts)
Hello. I'm Ana. I got two more Flaky Critters.
They have no Crunchies, so I hope you like.
Holy smokes.
Mae Dunn: Mr. Cousineau, thank you so much for coming in.
We've been spending the last six months
putting our case together,
and we have some information for you.
Now, I want you to look at these photographs, please,
and tell me are any of these the men
that took you out to see Janice's body?
- (moves picture) - (tapping)
Gene Cousineau: That's the man.
- Are you sure? - Yes, I'm sure. That's the man,
and he is connected to Barry.
That man, Mr. Cousineau...
is a Chechen assassin they call the Raven.
The what?
He killed Janice.
Yeah, we cleared Barry.
Ever since I met that punk, bad things have happened to me.
The love of my life, dead.
My acting class, dead.
Mr. Cousineau, you of all people should know what it's like
to be accused of a crime you didn't commit.
From what I understand, Berkman left a pretty big audition...
♪ ♪
(inaudible)
("The Unforgiven" by Metallica playing on computer)
♪ Through constant pained disgraced ♪
♪ The young boy learns their rules ♪
♪ With time the child draws in ♪
♪ This whipping boy done wrong... ♪
Distraught Wife (on phone): I'm a good person. I wish I didn't have to do this
but he disparaged me. He cheated on me.
He turned our children against me.
He leaves work at 6:30.
I can give you a map of the parking lot.
- It'd be great if it looked like a mugging-- - Hey, can you--
can you help me with something for a second?
Distraught Wife: What?
I'm buying flowers for my girlfriend. Um...
Do the colors mean different things?
Distraught Wife: What?
Like, does red mean love and yellow mean happy?
Distraught Wife: How could you ask me that right now?
I mean, with everything I'm going through? I...
Are-- Are you psycho?
- Look, Chloe, I just-- - (dramatic music)
I don't want you to make the same mistakes that I did.
- He cares about me. - He's manipulating her!
Direct to Chloe.
(sighs) He's manipulating you.
Look, Chloe, you have so much light inside of you.
And when you're with him, I just...
I see it being smothered.
Therapist: I think what your mother is saying
is you need to be with someone who doesn't abuse you.
Well, she's one to talk.
(music, scene stops)
(sighs)
Katie Harris, who plays Chloe, is one of ours.
She's a real find.
- Who? Oh, what-- that-- Was that the daughter? - The daughter, yeah.
The daughter. Yeah. She was excellent.
Yeah.
Which can sometimes bite you in the ass.
- Agreed. - Mm...
Do they... live together?
Does who live together?
Chloe and your character.
Well, they're mother and daughter...
- ...so, so yes. - Oh. Right...
How do we feel about that?
Did you live with your mother when you were in high school?
- I did. - Oh, I know I did.
Mine passed away early--
So we're "touching" on a thing,
but we're not "commenting" on it.
Right. Nice. Well done.
Thank you.
But, I miss that beautiful old man.
You know, the one who says...
"You can't call me names in my café."
You can't call me names in my café.
It's the most powerful scene in the episode.
Mm-hmm.
Oh, I'm thinking of a different show.
(relieved sighs)
Natalie: It was powerful though.
Even though it wasn't in this show.
(heavy sigh)
♪ ♪
Well, just keep up all the good work.
- We're so... - Over the moon.
Thank you. Thank you for--
opportunity...
Well, she didn't seem thrilled, like, at all.
No, no, no. That's just how these meetings go.
- It's positioning. - Positioning?
Yeah, so if it's a hit, they can catch it and take credit.
And if it isn't a hit, then they can just step aside and...
- splat. - They're ready for the Chloe scene.
- Oh, okay. - Just remember, Sal, it has to work.
Which it will. But, it has to.
(soft laugh)
- Oh! Hey, Natalie. - Yes?
Um, listen.
I can't feel empowered as a woman
if I don't bring up other women with me.
So, I'm so happy that you're here.
- Thank you. - And I-I really want you to learn.
- Great. - But, uh, don't talk in meetings.
- Right. - Actually, you know what? When I'm in a meeting,
that is a great time for you to be making my snack.
- And that is where I'm going right now. - (gasps) Great!
Oh, and can you cut up some carrots
in those tiny little bites you do?
- Oh, you're just so good at it. Thank you! - (laughs)
♪ ♪
(set chatter)
- Sally: Are they ready for the Chloe scene? - Yeah, she's on set.
Wade just wants to do a quick run-through of the Sally/Sam fight.
- The flashback in 104? - Yeah, that's right.
- Hi. - Hi! Um, what do you think
about this for Chloe in the dinner scene?
- Sally: It's blue. Aren't I wearing blue? - No, this is teal.
Sally: It looks blue. I think we should be wearing different colors.
- Alright, everyone, quiet on rehearsal! - Hey, took your notes,
made it a little more harsh. Let me know what you think.
- Great, great. - On go. Three, two, one, go.
(grunting, struggling)
Good. Cut. Put you in here for your close-up.
- Okay, yeah, and he'll be yelling the whole time? - It's up to you.
Okay, yeah, he should be yelling the whole time.
- Okay. - When do we shoot this?
- First thing tomorrow. - Okay, looks good!
- Thank you! - Moving on to Sally's present-day house.
- Uh, Swiss, Apple Watch? - Swiss.
For the dinner scene, Janet doesn't eat meat.
- Okay. - But I can make a steak out of apples.
- If it looks like steak, I'm good. - Oh, it'll look like steak.
♪ ♪
- Hi, hi, um, how about this one? - Ah! Still blue though!
- No, no, it's sea foam-- - Uh, just find me anything
- that is not blue! Thank you! - But it's not! It's not blue!
(quietly): Fuck.
(exhales)
(buzzer)
Assistant Director: Alright, everyone, cameras up!
Cameras up!
♪ ♪
(indistinct chatter)
- Here she is. - Makeup on standby.
Hey!
- Oh! You good? - Oh, I'm good. I wanna get started...
- (overlapping chatter) - Guys, I'm good. I don't need touches.
- Okay, we're in meal penalty, so we really gotta jam. - Fuck a duck, okay.
- Let's do this thing. - Roll sound!
Okay. (clears throat)
- You good? You wanna run lines? - Oh, I'm good. Do you need to?
I am great! Oh my god.
(chattering continues)
- (clears throat) - (buzzer)
- Director: Quiet! - Wardrobe Assistant: How about this?
- Still blue. - Director: And, action!
How long has he been pressuring you to have sex?
For a while, but I promised I wouldn't do it
until I knew I loved him.
Sally: I think you need to know yourself and love yourself
before you can truly love someone else.
Chloe: What am I supposed to do? Wait for the perfect person?
Sally: You gotta make yourself the perfect person.
Assistant Director: Cut! That's half-hour lunch!
- (lights clicking) - (set chatter resumes)
Could someone grab wardrobe?
Sally: The key to stage acting is doing,
whereas when you're on camera, you really just want to be.
You know, it's more about being. (sighs)
Oh my god! Oh!
Are those for me?
I got 'em from Ralphs.
When's your audition?
Before, uh, you guys have lunch.
Oh, sucks you can't stay. Can't you move it?
You know, you're like a... you're like kind of a dude.
- It's cool. - Oh, he is.
- (gunshot) - (audio drops out)
♪ ♪
(inaudible)
NoHo Hank: The cops bought it hook, line, and a sinker.
Batir (on phone): So, if we have problem with them or Bolivians,
we give them Fuches?
NoHo Hank: We pin everything on him because he is worthless to us.
- He is our patsy. - Batir: And they bought the name?
NoHo Hank: Oh, they were scared. They were like,
"Holy shit, he's called what?"
Batir: Hmm...
NoHo Hank: Alright, I gotta run. See you on the flippy-flops!
- (shower running) - (romantic song playing)
♪ ♪
(door opens)
(door shuts)
(sighs)
(music continues)
(shower running)
Oh! Jesus Christ.
Guess who finally got interrogated by police today?
Fuck. You scared me.
- How did it go? - Um...
- I think I aced it. - I told you. I told you, Hank.
You have to envision your future, yeah?
You have to. That's the only way it's ever going to happen.
I'm telling you, that's what I did. I totally envisioned my future,
and I think it really worked because it worked.
(indistinct chatter on computer)
(chewing)
Hey, just so you know, I got, like, 16 notifications
about properties in Santa Fe.
- Mm-hmm. - Come on. We have the money.
- Hank, there is a daydream. - It's not daydream.
I can't make anything happen until I rebuild.
Your little boyfriend Barry killed all my buddies.
- You know this. - And you know that he killed most of my buddies, too.
I don't want to talk about Barry.
When I do, I can't sleep.
- Plus... - (chatter continues)
he killed all my buddies.
We both had buddies killed.
You have some buddies.
I have no buddies.
(breeze blowing)
(blows)
(blowing)
(blows)
- Barry: Hey, man. - Fuck!
Barry?
What the fuck are you doing here?
I'm sorry to surprise you like this, Hank,
- but I didn't know where else to go, man. - No, no, no.
You need to get the fuck outta here.
- You need to get the fuck out. - Why?
- Cristobal: Babe! I'm going to make some tea. - Shit.
You want the usual?
Can you make me a... choco-latte?
Sure.
So, you and Cristobal are an item now?
Yes. What? You jealous?
I was wondering if you had any work, Hank.
Uh...
I've been working with some amateurs on,
you know, people hiring me off of Craigslist, things like that,
and I, uh...
I could use a job,
and, uh, you know, you don't have to tell anyone
you're working with me. I under...
I understand, but I could use--
You shoot up monastery.
You fuck my business.
You frame me using pin
- I gave you for being great dude. - Fuck.
And now you come here to my fucking home,
asking me for a job?
I know, no, I know, I know, I know.
What the fuck is the matter with you?
I don't know what to do, man.
Look, I'm-I'm... I'm in a bad spot.
Like, I'm seeing shit that's not there.
I'm like-- I'm kinda losing my mind, man.
And I need help.
I need... I need a purpose, Hank.
- You-- - Barry.
Forgiveness is something that has to be earned.
And whatever shit you're going through...
I can't be part of it.
I'm embracing my life.
It's like that line in "Shawshank Redemption."
"Get rich, or die trying."
Now, seriously. Fuck off.
Try not to frame me on the way out.
(dog barking)
(phone buzzes)
(door closes)
♪ ♪
(phone bloops)
(clock ticking)
- Alright, make sure you dry that all the way off, alright? - Okay.
- (dishes clinking) - (water splashing)
Hey, Dad. Uh, after work,
you wanna meet us at the park?
We'll see how it goes. Come here.
Gordon, I love you so, so much.
It's all going to be okay.
- I love you, too, Grandpa. - Yeah.
(ominous music playing)
(door opens)
(door shuts)
- (door shuts) - Barry: You look good.
So do you.
(sighs) Downstairs looks like a lot of work.
It is.
Must be hard, uh, closing up this place.
So, if you're not teaching anymore,
are you gonna go back to performing or...
My career is shit, Barry. You know that.
Well, are you, uh...
doing well otherwise?
Remember that day in the woods?
I've been thinking about that a lot.
♪ ♪
Remember the guy that took me into the woods?
What was his name?
Like the singer.
Goulet.
Kenneth Goulet.
Yeah.
After he popped the trunk...
and I saw what I saw...
he whispered into my ear.
He said, "Barry Berkman did this."
I know you killed Janice.
(opens drawer)
(gun clicking)
So, you have two choices.
Come with me to the station, turn yourself in...
or fuckin' die.
(click, thud, bullets fall out, clattering)
(rolling)
Oh.
Mr. Cousineau.
Huh?
I'm sorry.
Gene: Barry, you don't have to do this.
We can get past this.
I know that there is a world in which
we can get right past this. Barry, it's me.
It's Mr. Cousineau. Please. Please, dear God.
I'm not going to tell anybody. Barry,
I am swearing on my grandson's life.
I won't tell a soul.
For Christ's sake, put that fuckin' gun down.
(gunshot)
Look, I promise you...
this is water under the bridge. Whatever you've done,
I forgot it. I've forgiven you.
I forgive you.
Forgiveness has to be earned.
Then fuckin' earn it!
(heavy breathing)
(wind blowing)
(heavy breathing)
I know how I can make it up to you.
I know what I can do.
It could work.
(laughs) It could work.
Get back in the trunk.
♪ Whoa... ♪
♪ Davy Crockett ♪
♪ What you got in your pocket? ♪
♪ Whoa ♪
♪ You got a big furry tail ♪
♪ Hanging down your back ♪
♪ Whoa ♪
♪ Davy Crockett ♪
♪ Who's that girl in your locket? ♪
♪ Whoa ♪
♪ You got a big Bowie knife ♪
♪ To take her life ♪
♪ Whoa ♪
♪ Yeah ♪
- (rhythmic clapping) - (cheering)
Gabba gabba ♪
♪ Hey, hey, hey, hey, hey... ♪
(cheering)
♪ ♪
(applause, cheering)