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Previously on Genius...

2
00:00:07,708 --> 00:00:10,344
PICASSO: I want to do
something original.

3
00:00:10,378 --> 00:00:11,979
-Unique!
-PALLARES: You could paint

4
00:00:12,012 --> 00:00:14,148
your perfect painting, Pablo.

5
00:00:14,182 --> 00:00:15,483
PICASSO:
These paintings, they were

6
00:00:15,516 --> 00:00:16,917
the best work I've ever done.

7
00:00:16,950 --> 00:00:18,486
I've had my work

8
00:00:18,519 --> 00:00:20,188
-destroyed before.
-ROSENBERG: And the Nazis

9
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have labeled every bit of it
as "degenerate."

10
00:00:23,157 --> 00:00:24,892
It is extraordinary, Pablo.

11
00:00:24,925 --> 00:00:26,860
YOUNG PICASSO:
It's a gift, Uncle,

12
00:00:26,894 --> 00:00:28,829
to thank you for everything
you've done for me.

13
00:00:28,862 --> 00:00:31,965
I made a vow to God
that if he let Conchita live,

14
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I would give up painting.

15
00:00:33,434 --> 00:00:35,236
God knew I could
never keep my promise.

16
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So to punish me...

17
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(crying):
...he took her.

18
00:00:39,640 --> 00:00:40,941
The roses are exquisite, Hervé.

19
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HERVE:
Thank you, Monsieur.

20
00:00:42,543 --> 00:00:44,044
There are thorns.

21
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-Be careful.
-DORA (whispers): Never.

22
00:00:46,514 --> 00:00:47,515
MARIE-THERESE:
Who is this woman, Pablo?

23
00:00:47,548 --> 00:00:49,150
I am Dora Maar.

24
00:00:49,183 --> 00:00:50,518
And you must be Marie-Thérèse.

25
00:00:50,551 --> 00:00:52,019
(yelling, grunting)

26
00:00:52,052 --> 00:00:54,455
(laughing):
I will never be bored by you.

27
00:00:54,488 --> 00:00:56,056
-(laughing)
-My name is

28
00:00:56,090 --> 00:00:57,325
Carles Casagemas.

29
00:00:57,358 --> 00:00:59,527
What is yours?

30
00:00:59,560 --> 00:01:01,195
Picasso.

31
00:01:01,229 --> 00:01:03,097
CASAGEMAS: Picasso and I,
we are the future.

32
00:01:03,131 --> 00:01:04,332
I don't understand you,
Françoise.

33
00:01:04,365 --> 00:01:06,200
I want to be a painter.

34
00:01:06,234 --> 00:01:08,536
You will become a lawyer.
Do I make myself clear?

35
00:01:08,569 --> 00:01:10,838
SERT: Franco and his fanatics
are winning the war.

36
00:01:10,871 --> 00:01:14,608
Franco has Hitler and the Nazis
on his side, Pablo.

37
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-We need you on ours.
-DORA: I know you didn't want

38
00:01:18,246 --> 00:01:19,913
to make a painting
for the Spanish Pavilion.

39
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But now you must.

40
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PICASSO:
I am going to need

41
00:01:23,384 --> 00:01:24,918
a very big canvas.

42
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ROSENBERG: I'm getting
my family to safety.

43
00:01:27,555 --> 00:01:29,723
Guernica made the Nazis
very angry.

44
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You have children,

45
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women you love.

46
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Some things are
more important than art.

47
00:01:35,095 --> 00:01:37,431
Not to me.

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*

49
00:02:09,763 --> 00:02:11,765
*

50
00:02:25,346 --> 00:02:26,980
*

51
00:02:27,014 --> 00:02:28,449
(explosion)

52
00:02:29,450 --> 00:02:30,718
(explosion)

53
00:02:41,429 --> 00:02:42,996
(explosion)

54
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*

55
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(explosion)

56
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-Françoise.
-Mama?

57
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The Germans
have crossed the border.

58
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You must hurry.
Your father is waiting

59
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-for us at the harbor
in Saint-Malo.
-(distant explosion)

60
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(people gasping)

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00:03:14,895 --> 00:03:16,697
FRANCOISE:
Papa!

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Françoise. Madeleine.
Oh, thank God.

63
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-Where are they all going?
-The Germans have closed
the harbor.

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So we could have been
in England days ago.

65
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But no, you insisted
Françoise take

66
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this stupid exam,
and now we're prisoners?

67
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We are not prisoners.
We are French citizens.

68
00:03:35,015 --> 00:03:38,719
Yes. With Nazi monsters!

69
00:03:44,392 --> 00:03:46,394
*

70
00:03:53,401 --> 00:03:55,035
(soldier shouting in German)

71
00:03:56,770 --> 00:03:58,572
(phone rings)

72
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That was Hervé,
calling from Tremblay.

73
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German troops
have commandeered the house.

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PICASSO:
Bastards.

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They think they can just take
whatever they want.

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They do have guns and tanks.

77
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And it could have been
much worse.

78
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Maya and Marie-Thérèse
could have been there.

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Get the car.

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Pablo, it's 300 miles.

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-Then we better get on the road.
-And what are you going

82
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to do when we get there?

83
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Ask the Nazis politely
to give you back your house?

84
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-I don't care about the house.
-Then what?

85
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We are gonna steal my art.

86
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(gunshot, glass shatters)

87
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(gunshots,
glass shattering)

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(shouting in German)

89
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*

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PICASSO: Put as much
as you can in the car.

91
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The rest in Hervé's truck.

92
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-(clapping hands)
-Hurry!

93
00:05:21,455 --> 00:05:24,124
*

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00:05:31,832 --> 00:05:34,402
PICASSO (chuckles): You
should have seen it, my love.

95
00:05:34,435 --> 00:05:37,170
We were a band of gypsies
picking the Nazis clean.

96
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DORA:
What if you'd been caught?

97
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PICASSO:
Oh, impossible.

98
00:05:40,207 --> 00:05:42,510
No, my African masks protect me

99
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against all evil spirits.

100
00:05:44,378 --> 00:05:46,747
This isn't a joke, Pablo.
They might have killed you.

101
00:05:46,780 --> 00:05:48,982
But they didn't. Did they?

102
00:05:51,318 --> 00:05:53,053
(chuckles)

103
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So you saved your paintings.

104
00:06:04,432 --> 00:06:06,634
Now we should go.

105
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Go?

106
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(chuckles):
Where?

107
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To America.

108
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It's too dangerous here.

109
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Huh.

110
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So...

111
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...wh-when the fascists
were far away in Spain,

112
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you wanted to fight them.

113
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You... you wanted me
to paint Guernica.

114
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And now that they are
on our doorstep,

115
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you-you just want to run away?

116
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-*
-(sighs)

117
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Take it.

118
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Go on.

119
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Play that game you played

120
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the night we first met.

121
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Spread your fingers apart and
drive the blade between them.

122
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Pablo, please.

123
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Even when you missed
and drew blood,

124
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-you didn't flinch.
-I was drunk.

125
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You were fearless.

126
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(exhales)

127
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You do what you want,

128
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but I am going back to Paris.

129
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*

130
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(bells tinkling)

131
00:08:25,038 --> 00:08:28,041
*

132
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PICASSO:
Come with me, Carles.

133
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Show Mañach some of your work.

134
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Nonell says he has a soft spot
for Spaniards.

135
00:08:36,383 --> 00:08:40,453
Mm. Well, you be the picador--
soften up the bull.

136
00:08:40,487 --> 00:08:43,991
And when you've weakened him,
I'll come in for the kill!

137
00:08:44,024 --> 00:08:46,126
-(knocking)
-I will get it.

138
00:08:46,159 --> 00:08:49,362
You're onto something,
and... clearly I am not.

139
00:08:51,431 --> 00:08:53,433
(knocking continues)

140
00:08:54,602 --> 00:08:56,570
Oh, uh, I'm looking for Pablo.

141
00:08:56,604 --> 00:08:58,338
CASAGEMAS (laughs):
You must be Pallarès.

142
00:08:58,371 --> 00:09:00,774
-I see you've found our tailor.
-Manuel.

143
00:09:00,808 --> 00:09:02,776
I'm so glad you're finally here.

144
00:09:02,810 --> 00:09:04,177
Where were you?

145
00:09:04,211 --> 00:09:06,046
You were supposed to meet me
at the station.

146
00:09:06,079 --> 00:09:08,048
Ah. I lost track of the time.

147
00:09:08,081 --> 00:09:10,618
I can see why.

148
00:09:10,651 --> 00:09:14,554
Pallarès, say hello to Odette.

149
00:09:14,588 --> 00:09:15,756
Enchantée.

150
00:09:17,991 --> 00:09:19,993
Antoinette.

151
00:09:20,027 --> 00:09:21,762
Lovely to meet you.

152
00:09:23,063 --> 00:09:25,065
And Germaine.

153
00:09:26,066 --> 00:09:27,768
We'll make coffee.

154
00:09:30,537 --> 00:09:32,405
-Friends of Nonell's.
-Mm.

155
00:09:32,439 --> 00:09:34,975
-They were here when we arrived.
-We didn't think it was polite

156
00:09:35,008 --> 00:09:36,376
to ask them to leave.

157
00:09:36,409 --> 00:09:38,411
No, of course not.

158
00:09:38,445 --> 00:09:40,413
CASAGEMAS:
Since Pablo prefers Odette,

159
00:09:40,447 --> 00:09:42,683
I'll have to satisfy
the other two.

160
00:09:42,716 --> 00:09:45,385
But I suppose I could find it
in my heart to...

161
00:09:45,418 --> 00:09:48,088
lend you Antoinette.

162
00:09:50,658 --> 00:09:52,525
Is he serious?

163
00:09:53,526 --> 00:09:54,995
Welcome to Paris.

164
00:09:55,028 --> 00:09:57,030
-(chuckles)
-(slaps Pallerès' back)

165
00:09:59,099 --> 00:10:01,068
PICASSO:
What do you think?

166
00:10:03,871 --> 00:10:07,808
Spanish painters are as common
as mud in Paris these days.

167
00:10:09,743 --> 00:10:10,878
PICASSO:
Very well, then.

168
00:10:10,911 --> 00:10:12,646
I will find someone

169
00:10:12,680 --> 00:10:14,481
who likes the common touch.

170
00:10:14,514 --> 00:10:17,450
I'll take three on consignment.

171
00:10:17,484 --> 00:10:20,420
See what I can do.

172
00:10:20,453 --> 00:10:21,855
No promises.

173
00:10:21,889 --> 00:10:24,524
BERTHE:
I'll give you 100 francs

174
00:10:24,557 --> 00:10:26,794
for all three of them.

175
00:10:28,061 --> 00:10:31,231
Mm, I don't know, Berthe.

176
00:10:31,264 --> 00:10:34,001
Young Spaniards are
all the rage these days.

177
00:10:34,034 --> 00:10:37,370
If you had another buyer,
you would not have come to me.

178
00:10:39,807 --> 00:10:41,942
Now, tell me, what is he like?

179
00:10:41,975 --> 00:10:43,677
This...

180
00:10:43,711 --> 00:10:45,813
Picasso?

181
00:10:45,846 --> 00:10:47,480
Small.

182
00:10:47,514 --> 00:10:49,282
Intense.

183
00:10:49,316 --> 00:10:52,385
And exclusive to me,
in case you're wondering.

184
00:10:52,419 --> 00:10:53,486
(rapping on door)

185
00:10:53,520 --> 00:10:55,155
MAÑACH:
It wasn't easy.

186
00:10:55,188 --> 00:10:58,291
But...

187
00:10:58,325 --> 00:11:00,627
I managed to sell all three.

188
00:11:00,660 --> 00:11:03,163
That's quite an achievement,

189
00:11:03,196 --> 00:11:07,167
considering Spaniards are
"as common as mud."

190
00:11:07,200 --> 00:11:09,436
After my expenses
and commission,

191
00:11:09,469 --> 00:11:11,805
you've earned yourself
50 francs.

192
00:11:11,839 --> 00:11:13,573
Or...

193
00:11:13,606 --> 00:11:17,577
I could give you 150 francs
every month.

194
00:11:17,610 --> 00:11:19,346
In return,

195
00:11:19,379 --> 00:11:22,215
I own everything you produce.

196
00:11:26,253 --> 00:11:28,789
-Everything?
-You keep the stipend

197
00:11:28,822 --> 00:11:31,391
whether I sell the work or not;
the risk is entirely mine.

198
00:11:31,424 --> 00:11:36,163
This is the way the art business
is conducted in Paris, Picasso.

199
00:11:36,196 --> 00:11:39,332
Ask around;
it's more than fair.

200
00:11:46,073 --> 00:11:48,308
Can you pay in advance?

201
00:11:54,481 --> 00:11:56,416
-To Picasso!
-To Picasso!

202
00:11:58,051 --> 00:12:00,120
-To Picasso!
-(giggles)

203
00:12:00,153 --> 00:12:02,155
*

204
00:12:02,189 --> 00:12:04,191
PALLARES:
Let's dance.

205
00:12:15,302 --> 00:12:18,071
I am in love with Germaine.

206
00:12:18,105 --> 00:12:19,940
You're drunk.

207
00:12:19,973 --> 00:12:22,742
True. But I'm
also quite serious.

208
00:12:22,776 --> 00:12:26,346
I can't paint, I can't sleep.

209
00:12:26,379 --> 00:12:28,548
-I want to marry her.
-(chuckles)

210
00:12:28,581 --> 00:12:29,649
Carles...

211
00:12:29,682 --> 00:12:31,484
we are not in Spain anymore.

212
00:12:31,518 --> 00:12:35,022
You don't have to marry a woman
or pay her to get her to...

213
00:12:35,055 --> 00:12:37,090
I haven't.

214
00:12:37,124 --> 00:12:40,060
Gotten her to...

215
00:12:43,630 --> 00:12:47,434
I know, I know,
I've-I've... I've boasted, but

216
00:12:47,467 --> 00:12:49,169
the studio's always so crowded.

217
00:12:49,202 --> 00:12:51,939
We're-we're never alone.

218
00:12:51,972 --> 00:12:54,741
There's no one
at the studio now.

219
00:12:54,774 --> 00:12:57,344
(laughter)

220
00:13:02,215 --> 00:13:04,717
(Casagemas and Germaine
kissing and moaning)

221
00:13:04,751 --> 00:13:06,586
GERMAINE:
I can't wait anymore.

222
00:13:06,619 --> 00:13:08,088
(moaning)

223
00:13:08,121 --> 00:13:10,257
(laughing):
I can't.

224
00:13:10,290 --> 00:13:12,359
-Mmm.
-I...

225
00:13:12,392 --> 00:13:14,194
I help you, okay?

226
00:13:14,227 --> 00:13:16,396
-I...
-(sighs)

227
00:13:16,429 --> 00:13:19,967
I... I-I-I-I... I-I...

228
00:13:20,000 --> 00:13:22,402
I mean...

229
00:13:22,435 --> 00:13:25,372
I...

230
00:13:25,405 --> 00:13:27,908
I-I can't.

231
00:13:36,183 --> 00:13:39,586
(Casagemas sighs)

232
00:13:43,223 --> 00:13:45,658
-Carles...
-I'm sorry.

233
00:13:47,160 --> 00:13:49,562
(Casagemas exhales)

234
00:13:51,598 --> 00:13:53,967
(sighs)

235
00:14:06,346 --> 00:14:08,348
*

236
00:14:26,699 --> 00:14:28,468
-(indistinct chatter)
-*

237
00:14:36,409 --> 00:14:38,445
(indistinct chatter)

238
00:14:53,927 --> 00:14:56,329
-(indistinct chatter)
-*

239
00:15:03,103 --> 00:15:04,938
MAN:
It's so alive.

240
00:15:04,972 --> 00:15:08,675
I can almost smell the smoke
and the perfume.

241
00:15:08,708 --> 00:15:10,843
BERTHE:
Didn't I tell you, Arthur?

242
00:15:10,877 --> 00:15:13,780
He is one of the most exciting
young artists

243
00:15:13,813 --> 00:15:16,516
working in Paris today.

244
00:15:16,549 --> 00:15:18,551
How much?

245
00:15:18,585 --> 00:15:20,220
Two hundred and fifty.

246
00:15:22,122 --> 00:15:24,457
MAÑACH: Arthur Huc is one
of the most influential

247
00:15:24,491 --> 00:15:26,226
collectors in Paris,
and he thought

248
00:15:26,259 --> 00:15:28,228
your painting could have been
a Degas or Lautrec.

249
00:15:28,261 --> 00:15:29,662
You're getting noticed.

250
00:15:29,696 --> 00:15:31,864
Yes.

251
00:15:31,898 --> 00:15:36,369
For copying the styles
of other painters.

252
00:15:36,403 --> 00:15:38,071
It's what sells,
and I need more.

253
00:15:38,105 --> 00:15:40,107
CASAGEMAS:
Don't be so gloomy, Pablo.

254
00:15:40,140 --> 00:15:43,010
You're going to be famous.
(chuckles)

255
00:15:45,445 --> 00:15:47,580
What about Casagemas?

256
00:15:47,614 --> 00:15:51,951
Have you seen his watercolor
of Germaine?

257
00:15:51,985 --> 00:15:53,420
-It's-it's, uh...
-Show him, Carles.

258
00:15:53,453 --> 00:15:55,155
-Mm-hmm.
-MAÑACH: I'm sure it's charming,

259
00:15:55,188 --> 00:15:57,090
but I need more paintings
from you, Pablo.

260
00:15:59,993 --> 00:16:01,594
Work up
some more dance hall scenes.

261
00:16:04,631 --> 00:16:07,134
(footsteps retreating)

262
00:16:10,937 --> 00:16:13,706
I see
you're an admirer of Matisse.

263
00:16:13,740 --> 00:16:15,775
You think it's derivative.

264
00:16:19,779 --> 00:16:21,881
Maybe my father was right.

265
00:16:21,914 --> 00:16:23,950
About what?

266
00:16:23,983 --> 00:16:26,086
He wants me to be a lawyer.

267
00:16:26,119 --> 00:16:28,421
(laughs softly)

268
00:16:28,455 --> 00:16:30,890
What's the point of that

269
00:16:30,923 --> 00:16:32,959
if there's no law
in the world anymore?

270
00:16:35,628 --> 00:16:37,964
Well...

271
00:16:37,997 --> 00:16:40,400
I can teach you what I know.

272
00:16:44,771 --> 00:16:47,274
The first thing is...

273
00:16:47,307 --> 00:16:49,442
there is no shame
in being derivative

274
00:16:49,476 --> 00:16:52,145
when you're starting out.

275
00:16:52,179 --> 00:16:56,949
Your friend Matisse
is the best... for color.

276
00:16:56,983 --> 00:16:59,819
But if you want to learn
how to draw a line,

277
00:16:59,852 --> 00:17:01,721
you must study Picasso.

278
00:17:01,754 --> 00:17:04,224
PICASSO:
Sabartés,

279
00:17:04,257 --> 00:17:05,692
I thought you were going

280
00:17:05,725 --> 00:17:08,495
to find me some bronze
for my sculptures.

281
00:17:08,528 --> 00:17:12,432
It seems the Nazis have
confiscated it all

282
00:17:12,465 --> 00:17:14,234
to make their shiny bullets.

283
00:17:14,267 --> 00:17:18,004
So, I suppose you couldn't
find me any cadmium red, either,

284
00:17:18,037 --> 00:17:20,307
'cause they need it
to paint swastikas.

285
00:17:20,340 --> 00:17:23,843
No one forced you
to stay in Paris.

286
00:17:23,876 --> 00:17:28,848
I would go back to Spain if that
Fascist pig wasn't in charge.

287
00:17:28,881 --> 00:17:31,050
(Picasso sighs)

288
00:17:31,084 --> 00:17:33,052
To see Pallarés in Horta.

289
00:17:33,086 --> 00:17:35,088
That was the last time
in my life

290
00:17:35,122 --> 00:17:38,391
I felt truly free.

291
00:17:38,425 --> 00:17:40,860
(loud knocking)

292
00:17:42,595 --> 00:17:44,597
(knocking continues)

293
00:17:52,038 --> 00:17:54,040
Ah.

294
00:17:54,073 --> 00:17:56,042
Good evening.

295
00:17:56,075 --> 00:17:57,610
Is Herr Picasso at home?

296
00:18:03,216 --> 00:18:04,651
(thudding)

297
00:18:04,684 --> 00:18:06,085
PICASSO:
You be careful with that.

298
00:18:06,119 --> 00:18:08,988
Is Herr Rosenberg staying here?

299
00:18:09,021 --> 00:18:10,857
No.

300
00:18:10,890 --> 00:18:12,225
Herr Goldstein, perhaps?

301
00:18:12,259 --> 00:18:15,061
I told you last time.

302
00:18:15,094 --> 00:18:18,064
And the time before.

303
00:18:18,097 --> 00:18:22,402
Here there is only Picasso.

304
00:18:22,435 --> 00:18:24,871
So then...

305
00:18:24,904 --> 00:18:26,906
you did this?

306
00:18:28,575 --> 00:18:30,943
No.

307
00:18:30,977 --> 00:18:33,446
You did.

308
00:18:35,482 --> 00:18:39,452
You know, Herr Picasso, we have
been very gracious to you,

309
00:18:39,486 --> 00:18:43,122
but we could take away
everything in this room.

310
00:18:43,156 --> 00:18:45,392
And everyone.

311
00:18:47,494 --> 00:18:51,564
I am told your General Muller is
an admirer of mine.

312
00:18:51,598 --> 00:18:53,366
(thuds)

313
00:18:58,104 --> 00:19:00,106
Go ahead.

314
00:19:01,808 --> 00:19:03,943
Take me.

315
00:19:03,976 --> 00:19:07,880
You see what happens
when he finds out

316
00:19:07,914 --> 00:19:10,817
you arrested the most famous
artist in the world.

317
00:19:13,019 --> 00:19:15,588
Perhaps it is you
who will disappear.

318
00:19:19,792 --> 00:19:21,594
(speaking German)

319
00:19:24,997 --> 00:19:28,835
Until next time, Herr Picasso.

320
00:19:49,155 --> 00:19:50,590
GERMAINE:
It's lovely.

321
00:19:50,623 --> 00:19:51,824
CASAGEMAS:
It's not as lovely as you.

322
00:19:51,858 --> 00:19:54,494
-You're so silly.
-Why?

323
00:19:54,527 --> 00:19:56,296
Because I'm in love with you?

324
00:19:56,329 --> 00:20:01,000
Then I happily declare I am the
silliest man in all of Paris!

325
00:20:01,033 --> 00:20:02,902
-Don't!
-(bells tolling)

326
00:20:02,935 --> 00:20:04,537
(laughs)

327
00:20:04,571 --> 00:20:06,473
I'm going
to buy you that necklace.

328
00:20:06,506 --> 00:20:08,875
With what? You haven't got
a single centime to your name.

329
00:20:08,908 --> 00:20:12,078
I'll sell my paintings,
the clothes off my back.

330
00:20:12,111 --> 00:20:14,113
I have to go.

331
00:20:14,146 --> 00:20:16,483
Germaine, Germaine,
wait, wait, wait.

332
00:20:16,516 --> 00:20:19,619
I thought we were
spending the day together.

333
00:20:19,652 --> 00:20:21,654
I'm meeting someone.

334
00:20:21,688 --> 00:20:24,324
Who?

335
00:20:24,357 --> 00:20:26,726
-Carles, you're very sweet...
-Who?

336
00:20:26,759 --> 00:20:29,195
But I don't answer to you.

337
00:20:32,732 --> 00:20:35,001
PICASSO:
I'm worried about you.

338
00:20:35,034 --> 00:20:38,538
When was the last time
you picked up a brush?

339
00:20:38,571 --> 00:20:42,575
I can't paint. Not until
I know Germaine is mine.

340
00:20:44,377 --> 00:20:47,580
Lend me some money, Pablo.

341
00:20:47,614 --> 00:20:49,416
-For what?
-There is

342
00:20:49,449 --> 00:20:51,384
a necklace that she admired.

343
00:20:51,418 --> 00:20:54,186
-Carles.
-Please, Pablo, please.

344
00:20:54,220 --> 00:20:56,188
-Carles.
-Please, Pablo.

345
00:20:56,222 --> 00:20:58,190
Please.

346
00:21:12,939 --> 00:21:15,308
Buy some paints instead.

347
00:21:16,909 --> 00:21:18,878
Thank you.

348
00:21:18,911 --> 00:21:22,214
I will pay you back. I will.

349
00:21:23,483 --> 00:21:25,251
(footsteps retreating)

350
00:21:25,284 --> 00:21:27,620
MAÑACH:
Trust me, Madame.

351
00:21:27,654 --> 00:21:31,223
Picasso here is the most
exciting young painter in Paris.

352
00:21:31,257 --> 00:21:34,394
A portrait by him would make you
the envy of your friends.

353
00:21:34,427 --> 00:21:38,331
Can he paint me
in the style of Renoir?

354
00:21:38,365 --> 00:21:40,667
Picasso can paint
in any style you want.

355
00:21:40,700 --> 00:21:43,102
Renoir, Lautrec, Degas.

356
00:21:43,135 --> 00:21:45,237
WOMAN:
Very well, then.

357
00:21:45,271 --> 00:21:47,907
As long
as he makes me look pretty.

358
00:21:53,312 --> 00:21:55,314
I am sorry, Madame,

359
00:21:55,348 --> 00:21:59,519
but I'm not nearly
talented enough to do that.

360
00:22:01,988 --> 00:22:04,357
Pablo!

361
00:22:07,594 --> 00:22:09,562
(indistinct chatter)

362
00:22:10,863 --> 00:22:13,400
MAÑACH:
Pablo!

363
00:22:13,433 --> 00:22:17,103
Pablo! (sighs)

364
00:22:17,136 --> 00:22:19,606
-Empty your pockets.
-What?!

365
00:22:19,639 --> 00:22:21,841
How much do you have left
of your stipend

366
00:22:21,874 --> 00:22:24,076
after feeding
and housing all of those

367
00:22:24,110 --> 00:22:26,479
bloodsucking friends of yours?

368
00:22:29,982 --> 00:22:33,185
I didn't come to Paris
to paint dance hall scenes

369
00:22:33,219 --> 00:22:35,221
and fat cows
in the style of Renoir.

370
00:22:35,254 --> 00:22:38,791
You need to eat, and to eat,

371
00:22:38,825 --> 00:22:42,028
you need to paint a few cows.

372
00:22:47,434 --> 00:22:49,135
PALLARES: Hey, save some
for the rest of us.

373
00:22:49,168 --> 00:22:52,338
(women giggling)

374
00:22:53,540 --> 00:22:57,009
PICASSO:
Hmm. Ah, behold,

375
00:22:57,043 --> 00:22:59,378
the incomparable Casagemas.

376
00:22:59,412 --> 00:23:01,013
(indistinct chatter, laughter)

377
00:23:01,047 --> 00:23:03,583
-Carles...
-I bought you something.

378
00:23:03,616 --> 00:23:08,020
I heard a rumor
about you, Carles, that

379
00:23:08,054 --> 00:23:11,357
you put your brush down, and now
you cannot pick it up again.

380
00:23:11,390 --> 00:23:13,059
(laughter)

381
00:23:14,561 --> 00:23:17,063
Well, go ahead. Open it.

382
00:23:17,096 --> 00:23:19,532
-I can't accept this, Carles.
-Why not?

383
00:23:19,566 --> 00:23:21,568
Because...

384
00:23:21,601 --> 00:23:23,402
I'm not in love with you.

385
00:23:23,436 --> 00:23:25,404
I can change your mind.

386
00:23:25,438 --> 00:23:27,640
-No, you can't. No.
-Yes.
-PICASSO: Carles.

387
00:23:27,674 --> 00:23:30,209
-CASAGEMAS: Yes.
-Carles, relax, have a drink.

388
00:23:30,242 --> 00:23:32,545
It's the necklace you admired.

389
00:23:32,579 --> 00:23:34,246
Please just let me
put it on you.

390
00:23:34,280 --> 00:23:36,182
-No, Carles. No, no.
-Please. Why?

391
00:23:36,215 --> 00:23:39,218
-Why not?
-Because you cannot satisfy me.

392
00:23:39,251 --> 00:23:41,454
(Antoinette giggles)

393
00:23:44,624 --> 00:23:46,926
(women giggling)

394
00:23:46,959 --> 00:23:49,328
I'm sorry, Carles.

395
00:23:52,865 --> 00:23:55,334
I'm sorry.

396
00:24:01,674 --> 00:24:03,743
Oh.

397
00:24:03,776 --> 00:24:07,213
(grunts)
Carles, wait.

398
00:24:07,246 --> 00:24:09,682
Carles! Carles, wait!

399
00:24:33,472 --> 00:24:35,875
(woman singing in French)

400
00:25:01,367 --> 00:25:03,369
(sighs)

401
00:25:04,971 --> 00:25:07,339
(woman continues singing)

402
00:25:07,373 --> 00:25:10,877
Do you know where I can find
something a little stronger?

403
00:25:13,045 --> 00:25:15,047
*

404
00:25:38,504 --> 00:25:40,172
GERMAINE (distorted):
I'm meeting someone.

405
00:25:40,206 --> 00:25:42,609
ANTOINETTE: I heard
a rumor about you, Carles.

406
00:25:42,642 --> 00:25:44,343
-PICASSO: Carles, relax.
-ANTOINETTE: That you put

407
00:25:44,376 --> 00:25:47,113
your brush down and now
you cannot pick it up again.

408
00:25:47,146 --> 00:25:49,315
GERMAINE:
I'm not in love with you.

409
00:25:49,348 --> 00:25:51,317
Because you cannot satisfy me.

410
00:25:51,350 --> 00:25:53,352
(distorted laughter)

411
00:25:55,121 --> 00:25:57,089
(panting)

412
00:25:57,123 --> 00:25:59,726
(thumping)

413
00:25:59,759 --> 00:26:01,027
(moaning)

414
00:26:06,198 --> 00:26:08,868
(muffled moan)

415
00:26:15,574 --> 00:26:17,343
(exhales)

416
00:26:45,071 --> 00:26:47,073
*

417
00:27:01,387 --> 00:27:04,623
Do I actually disgust you
that much?

418
00:27:24,877 --> 00:27:27,680
You should have forgotten
about me, Pablo.

419
00:27:27,714 --> 00:27:30,549
You need a warm bath
and a strong pot of coffee.

420
00:27:30,582 --> 00:27:33,185
-That's all.
-You think that's going
to fix me?

421
00:27:33,219 --> 00:27:34,320
Carles.

422
00:27:34,353 --> 00:27:36,588
I can't pay you what I owe.

423
00:27:36,622 --> 00:27:38,424
-Forget it.
-I can't...

424
00:27:38,457 --> 00:27:40,927
paint.

425
00:27:40,960 --> 00:27:45,097
I-I can't satisfy
the woman I love.

426
00:27:45,131 --> 00:27:47,366
(crying)

427
00:27:52,872 --> 00:27:56,342
What am I going to do, Pablo?

428
00:27:56,375 --> 00:27:59,511
What am I going to do?

429
00:28:03,916 --> 00:28:05,918
He'll be fine once he sobers up.

430
00:28:05,952 --> 00:28:07,653
He can't stay here.

431
00:28:07,686 --> 00:28:09,688
He won't survive it.

432
00:28:09,722 --> 00:28:12,224
So cable his parents.
We will put him on a train.

433
00:28:12,258 --> 00:28:14,026
Look at him, Manuel.

434
00:28:14,060 --> 00:28:16,362
He can't travel by himself.

435
00:28:16,395 --> 00:28:18,664
You can't leave now.

436
00:28:18,697 --> 00:28:20,900
Not when you're having
so much success.

437
00:28:20,933 --> 00:28:23,435
(chuckles) Painting portraits
of society ladies.

438
00:28:23,469 --> 00:28:24,670
Imitating other artists.

439
00:28:24,703 --> 00:28:26,205
So? Do something different.

440
00:28:26,238 --> 00:28:27,373
-It's not that simple.
-It is!

441
00:28:27,406 --> 00:28:29,776
Remember Horta?

442
00:28:29,809 --> 00:28:32,344
You weren't just copying
some fancy French painters.

443
00:28:32,378 --> 00:28:34,280
-Because I'd never seen any.
-Exactly.

444
00:28:34,313 --> 00:28:37,149
So you were painting
what you saw and what you felt.

445
00:28:37,183 --> 00:28:39,185
So go back to doing that.
Something original!

446
00:28:39,218 --> 00:28:40,787
I don't know...

447
00:28:40,820 --> 00:28:43,222
(exhales)

448
00:28:47,559 --> 00:28:49,195
(voice breaking):
I don't know if I can.

449
00:28:49,228 --> 00:28:50,629
(shuddering breath)

450
00:28:59,738 --> 00:29:03,309
So are you leaving now
to help Casagemas?

451
00:29:03,342 --> 00:29:05,577
Or are you leaving
because you are afraid

452
00:29:05,611 --> 00:29:08,881
that you can't paint
your perfect painting?

453
00:29:20,059 --> 00:29:23,095
I need to finish packing.

454
00:29:23,129 --> 00:29:25,497
(clacking)

455
00:29:27,533 --> 00:29:29,535
At least
you'll finish something.

456
00:29:32,504 --> 00:29:34,473
(door opens)

457
00:29:34,506 --> 00:29:36,742
(door closes)

458
00:29:43,115 --> 00:29:44,783
-(bell tolling)
-(indistinct chatter)

459
00:29:44,817 --> 00:29:46,986
FIRST AUNT:
Tell us about Paris, Pablito.

460
00:29:47,019 --> 00:29:49,055
-It must have been so exciting.
-(chuckles)

461
00:29:49,088 --> 00:29:51,057
A feast for the eyes, Auntie.

462
00:29:51,090 --> 00:29:53,960
You were a great success,
I suppose, hmm?

463
00:29:53,993 --> 00:29:56,662
I sold quite a few paintings.

464
00:29:56,695 --> 00:29:58,664
FIRST AUNT:
How wonderful.

465
00:29:58,697 --> 00:30:00,599
(chuckling)

466
00:30:00,632 --> 00:30:02,601
Look who has come, Salvador.

467
00:30:02,634 --> 00:30:04,403
All the way from Paris.

468
00:30:04,436 --> 00:30:05,737
PICASSO:
Happy New Year, Uncle.

469
00:30:05,771 --> 00:30:07,339
(clears throat)
Ah.

470
00:30:07,373 --> 00:30:10,609
This is my friend,
Carles Casagemas.

471
00:30:10,642 --> 00:30:12,378
He's also a painter.

472
00:30:12,411 --> 00:30:14,246
It's an honor, señor.

473
00:30:14,280 --> 00:30:17,083
PICASSO: After the-the noise
and glare of Paris,

474
00:30:17,116 --> 00:30:20,953
we thought a few weeks by
the sea could do us some good.

475
00:30:22,321 --> 00:30:25,124
If you're going to stay
in my house,

476
00:30:25,157 --> 00:30:26,692
you're going to need a haircut.

477
00:30:27,994 --> 00:30:29,495
And a shave.

478
00:30:29,528 --> 00:30:30,897
Of course, Uncle. Uh, but...

479
00:30:32,231 --> 00:30:34,433
...after paying
for the journey...

480
00:30:34,466 --> 00:30:37,369
(clears throat) ...we're
a little short of funds.

481
00:30:54,086 --> 00:30:57,323
Buy yourself
a respectable suit as well.

482
00:30:59,892 --> 00:31:02,194
CASAGEMAS:
Charming fellow, your uncle.

483
00:31:02,228 --> 00:31:05,164
To hell with him.
And the barber.

484
00:31:05,197 --> 00:31:07,166
I like our hair the way it is.

485
00:31:07,199 --> 00:31:08,834
(chuckles)

486
00:31:08,867 --> 00:31:13,005
So, what are we going to do
with all that money?

487
00:31:13,039 --> 00:31:15,107
I have an idea.

488
00:31:17,176 --> 00:31:20,146
I need you to take special care
of my friend.

489
00:31:20,179 --> 00:31:22,748
He's just had his heart broken.

490
00:31:28,354 --> 00:31:30,222
Whoever she is,

491
00:31:30,256 --> 00:31:32,524
I'll make you forget her.

492
00:31:52,344 --> 00:31:54,313
Stop.

493
00:31:54,346 --> 00:31:56,348
(sighs)

494
00:31:57,549 --> 00:31:59,952
Don't waste your time.

495
00:32:01,687 --> 00:32:04,123
(footsteps approaching)

496
00:32:05,757 --> 00:32:07,393
-Hey.
-Well?

497
00:32:07,426 --> 00:32:09,761
Well, you were right, my friend.

498
00:32:09,795 --> 00:32:12,398
Much more enjoyable
than a haircut. (chuckles)

499
00:32:12,431 --> 00:32:14,566
(chuckling)

500
00:32:14,600 --> 00:32:17,936
SOLDIER:
Show your ration card!

501
00:32:17,970 --> 00:32:21,240
Only one loaf today.

502
00:32:21,273 --> 00:32:23,275
So, what would you like
for dinner tonight?

503
00:32:23,309 --> 00:32:25,877
Maybe some cheese
and some soup?

504
00:32:25,911 --> 00:32:29,448
-(gasps)
-What is it, darling?

505
00:32:32,084 --> 00:32:34,453
Come. Come, cherie.

506
00:32:58,344 --> 00:33:00,512
PICASSO: Well, that should be
enough coal to last

507
00:33:00,546 --> 00:33:03,249
until the end of the week. I'm
sorry I couldn't come sooner,

508
00:33:03,282 --> 00:33:05,484
but with the curfew and...

509
00:33:05,517 --> 00:33:06,918
-It's all right.
-Yeah.

510
00:33:06,952 --> 00:33:08,420
We've just missed you.

511
00:33:08,454 --> 00:33:09,721
Haven't we, Maya?

512
00:33:09,755 --> 00:33:11,990
PICASSO:
And for you,

513
00:33:12,024 --> 00:33:14,026
princesa...

514
00:33:16,628 --> 00:33:18,797
...a special treat.

515
00:33:22,801 --> 00:33:25,071
Pablo, she's...

516
00:33:29,041 --> 00:33:32,010
(quietly): She saw two dead
resistance fighters today,

517
00:33:32,044 --> 00:33:34,180
hanging from ropes.

518
00:33:34,213 --> 00:33:37,149
Ah.

519
00:33:37,183 --> 00:33:39,985
You have a pair of scissors?

520
00:33:40,018 --> 00:33:42,621
Uh, yes.

521
00:33:42,654 --> 00:33:44,856
PICASSO:
Yeah.

522
00:33:45,857 --> 00:33:48,360
(gasps)
You did it.

523
00:33:48,394 --> 00:33:50,329
Look.

524
00:33:50,362 --> 00:33:52,531
Pretty, isn't she?

525
00:33:52,564 --> 00:33:56,802
Oh, you should meet her friends.
(gasps, chuckles)

526
00:33:56,835 --> 00:33:58,804
Take it.

527
00:33:58,837 --> 00:34:00,372
Mwah, mwah.

528
00:34:00,406 --> 00:34:02,874
Eat your apple.
(sighs)

529
00:34:02,908 --> 00:34:04,910
Oh.

530
00:34:05,977 --> 00:34:07,213
Stay the night.

531
00:34:07,246 --> 00:34:08,714
No, I can't.

532
00:34:08,747 --> 00:34:10,716
Because you are going
to see her.

533
00:34:10,749 --> 00:34:12,684
Because I must work.

534
00:34:12,718 --> 00:34:15,053
The Nazis won't even let you
show your art.

535
00:34:15,087 --> 00:34:16,588
I know, but, uh...

536
00:34:16,622 --> 00:34:20,092
but they cannot stop me
from making it.

537
00:34:21,427 --> 00:34:23,629
Good night.

538
00:34:29,034 --> 00:34:31,036
(pigeon cooing)

539
00:34:40,579 --> 00:34:43,582
Well, hello, little paloma.

540
00:34:45,651 --> 00:34:48,754
Have you come to visit me?

541
00:34:48,787 --> 00:34:51,089
(gunshot)

542
00:34:51,123 --> 00:34:53,559
(people clamoring in distance)

543
00:35:07,139 --> 00:35:09,675
PICASSO: There is fighting
in the street.

544
00:35:09,708 --> 00:35:11,510
I was nearly killed
by a stray bullet.

545
00:35:11,543 --> 00:35:13,979
Topics such as this
no longer matter.

546
00:35:14,012 --> 00:35:15,080
You promised me.

547
00:35:15,113 --> 00:35:16,248
-(doorbell buzzes)
-But you know very well

548
00:35:16,282 --> 00:35:17,516
I have tried everything.

549
00:35:17,549 --> 00:35:19,651
You can petition the courts
again.

550
00:35:19,685 --> 00:35:21,453
You are an important man.

551
00:35:21,487 --> 00:35:23,389
I'm also an old man!

552
00:35:23,422 --> 00:35:26,158
What would be the point
of marrying you now?

553
00:35:26,192 --> 00:35:27,959
-Maya is eight years old.
She wants to know...
-(sighs)

554
00:35:27,993 --> 00:35:30,362
-...why her papa
doesn't live with us.
-I'm sorry, mademoiselle,

555
00:35:30,396 --> 00:35:31,997
but he is not...

556
00:35:32,030 --> 00:35:33,965
Mademoiselle, you cannot...

557
00:35:37,703 --> 00:35:38,704
Why is she here?

558
00:35:38,737 --> 00:35:40,071
-Get out.
-Mademoiselles,

559
00:35:40,105 --> 00:35:42,908
-please.
-Why is she here, Pablo?

560
00:35:42,941 --> 00:35:44,943
Dora, uh...

561
00:35:46,712 --> 00:35:49,114
You know very well

562
00:35:49,147 --> 00:35:52,518
that Marie-Thérèse...

563
00:35:52,551 --> 00:35:55,587
is the only woman I love.

564
00:36:07,566 --> 00:36:10,569
Pablo...

565
00:36:15,173 --> 00:36:17,709
MARIE-THERESE:
You heard Pablo.

566
00:36:18,777 --> 00:36:21,313
You may leave now.

567
00:36:25,284 --> 00:36:27,686
(whispers):
Pablo.

568
00:36:30,222 --> 00:36:32,458
(quietly):
Come.

569
00:36:32,491 --> 00:36:36,228
Come, I will take you home.

570
00:36:37,763 --> 00:36:39,765
Come on.

571
00:36:59,518 --> 00:37:00,719
(door closes)

572
00:37:00,752 --> 00:37:03,154
I knew you would choose me.

573
00:37:16,702 --> 00:37:19,004
You can go, too.

574
00:37:19,037 --> 00:37:21,106
But...

575
00:37:21,139 --> 00:37:24,175
Yeah, I need to be alone now.

576
00:37:46,031 --> 00:37:49,735
So, you are finished with Dora.

577
00:37:49,768 --> 00:37:53,372
Of course not. (chuckles softly)

578
00:37:53,405 --> 00:37:55,507
And Marie-Thérèse?

579
00:37:55,541 --> 00:37:58,143
I love Marie-Thérèse.

580
00:38:01,079 --> 00:38:05,751
She's... kind and soft,

581
00:38:05,784 --> 00:38:08,787
and she does everything
I want her to.

582
00:38:14,125 --> 00:38:16,528
And I love Dora because she's...

583
00:38:18,096 --> 00:38:21,900
...brilliant. Talented.

584
00:38:23,669 --> 00:38:27,238
And yet you treat them
so cruelly.

585
00:38:33,011 --> 00:38:35,280
I can't remember the last time

586
00:38:35,313 --> 00:38:38,750
either of them made me
want to pick up a brush.

587
00:38:42,187 --> 00:38:45,557
Or the last time I made
a picture worth looking at.

588
00:38:52,130 --> 00:38:54,366
I need something new.

589
00:39:02,140 --> 00:39:05,411
AUDIENCE:
Olé! Olé!

590
00:39:05,444 --> 00:39:08,414
Olé!

591
00:39:08,447 --> 00:39:10,449
(audience gasps)

592
00:39:13,218 --> 00:39:14,620
Ooh.

593
00:39:14,653 --> 00:39:15,787
PICASSO:
He's all right.

594
00:39:15,821 --> 00:39:17,689
He's not hurt.

595
00:39:17,723 --> 00:39:19,591
My father had a friend

596
00:39:19,625 --> 00:39:21,727
who used to say

597
00:39:21,760 --> 00:39:23,495
it was every Spanish man's
paradise.

598
00:39:23,529 --> 00:39:25,330
Bullfight in the morning,

599
00:39:25,363 --> 00:39:27,198
bar in the afternoon,

600
00:39:27,232 --> 00:39:28,934
whorehouse at night.

601
00:39:28,967 --> 00:39:30,736
(chuckles)

602
00:39:30,769 --> 00:39:32,438
Wise man, your father's friend.

603
00:39:32,471 --> 00:39:34,139
AUDIENCE:
Olé!

604
00:39:34,172 --> 00:39:36,875
After he took me here
the first time,

605
00:39:36,908 --> 00:39:38,677
-I painted.
-AUDIENCE: Olé!

606
00:39:38,710 --> 00:39:42,548
All in reds and golds.

607
00:39:42,581 --> 00:39:45,050
It was a terrible picture.
(laughs)

608
00:39:45,083 --> 00:39:46,685
But my mother,

609
00:39:46,718 --> 00:39:50,321
she thought
it was a masterpiece.

610
00:39:51,590 --> 00:39:53,324
But you haven't painted anything

611
00:39:53,358 --> 00:39:55,727
since we arrived in Málaga.

612
00:39:57,729 --> 00:39:59,197
I'd rather make trouble
with you.

613
00:39:59,230 --> 00:40:01,467
Hmm. 'Cause you're
trying to help me

614
00:40:01,500 --> 00:40:03,569
forget about Germaine,

615
00:40:03,602 --> 00:40:06,738
or because you're avoiding work?

616
00:40:06,772 --> 00:40:08,406
-AUDIENCE: Olé!
-(laughs)

617
00:40:08,440 --> 00:40:11,777
Olé! Olé!

618
00:40:14,212 --> 00:40:16,715
Well, it's time
for you to pick up a brush.

619
00:40:16,748 --> 00:40:20,151
And for me to go.

620
00:40:20,185 --> 00:40:21,520
Carles...

621
00:40:21,553 --> 00:40:23,822
No, you've worked a miracle,
Pablo.

622
00:40:23,855 --> 00:40:26,224
I feel better
than I have in months.

623
00:40:26,257 --> 00:40:27,759
You cannot go back to Paris.

624
00:40:27,793 --> 00:40:29,194
No, no, don't worry.

625
00:40:29,227 --> 00:40:30,829
I-I'm going back to Barcelona

626
00:40:30,862 --> 00:40:33,198
to stay with my parents.

627
00:40:33,231 --> 00:40:36,101
AUDIENCE:
Olé! Olé!

628
00:40:36,134 --> 00:40:37,402
Olé!

629
00:41:16,341 --> 00:41:18,810
(laughs)

630
00:41:18,844 --> 00:41:21,146
-You came.
-You look well.

631
00:41:21,179 --> 00:41:24,149
Oh, you look beautiful.

632
00:41:26,952 --> 00:41:29,655
I am sorry I embarrassed you.

633
00:41:29,688 --> 00:41:32,223
-Oh, no. It...
-And I really wanted
to come and meet you...

634
00:41:32,257 --> 00:41:33,859
-It doesn't matter anymore.
-...but you must know

635
00:41:33,892 --> 00:41:36,127
-I am with someone else now.
-It doesn't.

636
00:41:36,161 --> 00:41:37,996
So we cannot be more
than friends.

637
00:41:38,029 --> 00:41:40,331
I hope you can understand that.

638
00:41:44,335 --> 00:41:46,404
I am happy for you.

639
00:41:46,437 --> 00:41:49,240
Truly?

640
00:41:49,274 --> 00:41:52,043
We should get the circus
together.

641
00:41:52,077 --> 00:41:53,879
Have dinner,

642
00:41:53,912 --> 00:41:56,281
celebrate my triumphant return
to Paris.

643
00:41:56,314 --> 00:41:59,050
-Wonderful.
-(laughs)

644
00:42:08,526 --> 00:42:11,997
Picasso. (scoffs)

645
00:42:12,030 --> 00:42:14,465
Is that what you're
calling yourself now?

646
00:42:14,499 --> 00:42:17,502
Because you're ashamed
of your father's name?

647
00:42:17,535 --> 00:42:19,004
-My name?
-Of course not, Uncle.

648
00:42:19,037 --> 00:42:20,471
And you expect me

649
00:42:20,505 --> 00:42:21,707
to give you money to make

650
00:42:21,740 --> 00:42:24,442
-these obscene journals?
-It's not obscene.

651
00:42:24,475 --> 00:42:26,311
And it's not a gift.
It-it's an investment.

652
00:42:26,344 --> 00:42:28,146
Pablo.

653
00:42:28,179 --> 00:42:31,382
You used to make
beautiful paintings.

654
00:42:31,416 --> 00:42:33,484
And now you're what?

655
00:42:33,518 --> 00:42:35,654
A caricaturist?

656
00:42:35,687 --> 00:42:38,724
(sniffles)

657
00:42:38,757 --> 00:42:42,127
Don't squander your talent,
Pablo.

658
00:42:42,160 --> 00:42:46,297
GENEVIEVE: Alain Cuny is
the most talented actor alive,

659
00:42:46,331 --> 00:42:49,367
and he just invited me
to dinner.

660
00:42:49,400 --> 00:42:52,237
How did you manage that?

661
00:42:52,270 --> 00:42:54,806
I waited for him backstage
after his matinee.

662
00:42:54,840 --> 00:42:56,742
He thought I was very charming,

663
00:42:56,775 --> 00:42:59,110
and he offered to take me
to the Catalan.

664
00:42:59,144 --> 00:43:00,879
The Catalan, Françoise.

665
00:43:00,912 --> 00:43:03,148
He probably just wants
to take you to bed.

666
00:43:03,181 --> 00:43:04,750
I certainly hope so.

667
00:43:04,783 --> 00:43:06,184
He must be 40.

668
00:43:06,217 --> 00:43:07,986
-He's probably married.
-So?

669
00:43:08,019 --> 00:43:09,755
He's famous and handsome.

670
00:43:09,788 --> 00:43:12,724
But I can't go alone.

671
00:43:12,758 --> 00:43:13,959
You must come with me.

672
00:43:13,992 --> 00:43:16,461
No. There's-there's too much
to do here

673
00:43:16,494 --> 00:43:17,929
-if we're going to be ready.
-Oh!

674
00:43:17,963 --> 00:43:20,231
The Catalan buys oysters
on the black market.

675
00:43:20,265 --> 00:43:22,768
When was the last time
you had oysters?

676
00:43:22,801 --> 00:43:24,836
And champagne?

677
00:43:27,873 --> 00:43:29,274
GENEVIEVE:
She's his mistress?

678
00:43:29,307 --> 00:43:30,642
CUNY:
One of them.

679
00:43:30,676 --> 00:43:32,711
How many does he have?

680
00:43:32,744 --> 00:43:35,113
How many women has he painted?

681
00:43:35,146 --> 00:43:36,948
(laughs)

682
00:43:36,982 --> 00:43:38,984
(chuckles)

683
00:43:39,017 --> 00:43:40,618
CASAGEMAS:
To art!

684
00:43:40,652 --> 00:43:42,620
-PALLARES: To art.
-And to love.

685
00:43:42,654 --> 00:43:44,756
Two endeavors

686
00:43:44,790 --> 00:43:47,392
at which I have failed
miserably.

687
00:43:47,425 --> 00:43:49,560
-Carles, don't say that.
-(Casagemas laughs)

688
00:43:49,594 --> 00:43:50,696
(overlapping chatter)

689
00:43:51,629 --> 00:43:54,565
Here, Germaine.

690
00:43:54,599 --> 00:43:56,267
Please.

691
00:43:56,301 --> 00:43:58,469
Would you read these for me?

692
00:43:58,503 --> 00:43:59,504
Please?

693
00:44:01,572 --> 00:44:03,108
The chief of police.

694
00:44:04,776 --> 00:44:06,644
And your mother?

695
00:44:06,678 --> 00:44:08,914
Why would you... (screams)

696
00:44:10,115 --> 00:44:11,783
-One for you...
-What the hell are you doing?

697
00:44:15,620 --> 00:44:17,956
And one...

698
00:44:17,989 --> 00:44:19,424
-for me.
-PALLARES: Carles, no!

699
00:44:21,259 --> 00:44:23,762
-(screams)
-Carles!

700
00:44:23,795 --> 00:44:24,863
(gasps)

701
00:44:26,798 --> 00:44:28,333
PALLARES:
It was horrible.

702
00:44:28,366 --> 00:44:30,235
The blood.

703
00:44:30,268 --> 00:44:32,938
The brains everywhere.

704
00:44:32,971 --> 00:44:35,941
It is my fault.

705
00:44:35,974 --> 00:44:38,810
What are you talking about?

706
00:44:38,844 --> 00:44:40,946
I never should have
believed him.

707
00:44:40,979 --> 00:44:43,648
I shouldn't have let him leave,
or I should've gone with him.

708
00:44:43,681 --> 00:44:45,683
How were you supposed to know?

709
00:44:49,054 --> 00:44:52,457
God. God punished me again.

710
00:44:52,490 --> 00:44:55,861
Because I wasn't painting.

711
00:44:55,894 --> 00:44:57,963
Jesus Christ.

712
00:44:57,996 --> 00:45:00,165
Pablo.

713
00:45:00,198 --> 00:45:03,301
Do you really believe
that God is killing people

714
00:45:03,334 --> 00:45:05,403
because the great Picasso

715
00:45:05,436 --> 00:45:09,074
didn't paint another one
of his masterpieces today?

716
00:45:34,099 --> 00:45:36,101
*

717
00:46:01,860 --> 00:46:03,862
*

718
00:46:25,250 --> 00:46:26,551
Where are you going?

719
00:46:32,390 --> 00:46:35,626
GENEVIEVE (whispering):
He's coming over.

720
00:46:35,660 --> 00:46:37,528
-(clears throat)
-Ah.

721
00:46:37,562 --> 00:46:39,130
Do you like cherries?

722
00:46:39,164 --> 00:46:41,366
CUNY: Well, that's very kind,
Monsieur Picasso.

723
00:46:41,399 --> 00:46:42,700
Won't you join us?

724
00:46:42,733 --> 00:46:45,136
Oh, I-I'm afraid I can't.

725
00:46:45,170 --> 00:46:47,238
But I would very much like
to meet

726
00:46:47,272 --> 00:46:49,240
your dinner companions.

727
00:46:49,274 --> 00:46:51,309
CUNY:
Ah, well, Françoise

728
00:46:51,342 --> 00:46:53,411
is the intellectual,
and Geneviève

729
00:46:53,444 --> 00:46:54,779
is the great beauty.

730
00:46:54,812 --> 00:46:55,914
Doesn't she resemble
a Caravaggio?

731
00:46:55,947 --> 00:46:59,684
Tell me about
the intellectual one here.

732
00:46:59,717 --> 00:47:02,587
Françoise is a virtuous woman,
I'm afraid.

733
00:47:02,620 --> 00:47:04,589
CUNY: Ah, but not
for religious reasons.

734
00:47:04,622 --> 00:47:06,491
Her objections to lovemaking

735
00:47:06,524 --> 00:47:10,328
are based entirely
on Platonic ideals.

736
00:47:10,361 --> 00:47:12,931
And how do they pass the time,

737
00:47:12,964 --> 00:47:15,066
your Caravaggio
and your Platonic philosopher?

738
00:47:15,100 --> 00:47:17,568
We're artists, actually.

739
00:47:17,602 --> 00:47:21,406
Oh. Uh, you certainly don't look

740
00:47:21,439 --> 00:47:23,074
like any artists
I have ever met.

741
00:47:23,108 --> 00:47:25,676
FRANCOISE: Well, for your
information, Monsieur,

742
00:47:25,710 --> 00:47:28,980
we're having a joint exhibition
of drawings and paintings

743
00:47:29,014 --> 00:47:30,281
at a very well-respected
gallery.

744
00:47:30,315 --> 00:47:32,017
Rue Boissy d'Anglas.

745
00:47:34,485 --> 00:47:36,621
Well, I am...

746
00:47:36,654 --> 00:47:37,989
I am also an artist.

747
00:47:38,023 --> 00:47:40,791
Oh, are you really? (laughs)

748
00:47:40,825 --> 00:47:42,994
You must come
and visit me sometime.

749
00:47:44,495 --> 00:47:46,898
To see some of my work.

750
00:48:16,861 --> 00:48:18,863
*

751
00:48:34,345 --> 00:48:38,916
You're going to paint her,
aren't you?

752
00:49:26,564 --> 00:49:28,466
Captioned by
Media Access Group at WGBH