Are you coming?
ANNE: We got a DNA match on those bloodstains.
Your girl, Cora. She's all over that blanket.
REPORTER: The questions surrounding murder defendant Cora Tannetti
have only intensified.
Cora, you can see how this doesn't look very good for you?
I didn't kill anybody. ANNE: Else.
You didn't kill anybody else.
FAYE: I don't want to do this anymore.
I need you to move out.
My lawyer thinks I should take the deal they're offering.
No. Don't make any moves right now.
I might have a lead.
What's this I hear about you poking around the Beverwyck?
(SCREAMS)
(THEME MUSIC PLAYING)
(THUNDER RUMBLING)
(DOOR OPENING)
(DOOR CLOSES)
(CAR ENGINE STARTS)
(MACHINE WHIRRING)
(WHIRRING STOPS)
(BABY CRYING)
OPERATOR: 911, what is your emergency?
Hi. I need help. Someone's been shot.
4245 Heron Road.
OPERATOR: Sir? Are you still there?
You know, I bought these things for us to go in the water with them.
You do know that, right?
Yeah. This is... This is my kind of tubing right here.
(CAN POPS OPEN) Hmm.
(WOMAN PANTING) (MAN GRUNTING)
Are you okay?
(STRAINING) More.
(CHOKING)
Harry?
God damn it. Harry!
Harry! (GRUNTS)
(PANTING)
You're supposed to tell me to stop.
I'm fine. Hey. It's nothing.
What the hell is wrong with you?
Nothing.
'Cause what just happened, you passing out like that?
That's a whole different game.
You could at least talk to me.
This isn't just...
You didn't always pay me, you know?
(SCOFFS)
Okay.
Hey.
I don't want to do this anymore.
I'm serious. That's it. We're done.
ANNE: No, you should've taped off the whole road.
So, start from the corner.
And you gotta tell the camera guys to park over at the gas station, okay?
You look weary. There's coffee in the van.
HARRY: I told you not to bring them in.
One day after you interview them,
he gets shot at close range?
Somebody's getting nervous about Cora Tannetti.
Like a spider in your brain, that woman.
And the worst part is, you feed it.
Seriously, get a cup of coffee. Hmm?
MISS HUTCHINS: With your DNA on that blanket,
they'll be gunning for a second murder charge.
You still have the DA's offer.
I'm not confessing to something I don't remember.
Look, the DA's not working with me without a confession.
And unless we've got some significant new evidence,
we can't reverse your plea and go to trial.
I think we gotta be realistic and work with what we got.
I wanna speak to Detective Ambrose.
You really think he has your best interests in mind?
At least he's doing something.
Cora, I wanna help you, but there's only so much I can do.
I don't know what his angle is,
but I am trying to offer you real options.
(SIGHS) Look, if you need anything,
something to read, somebody to talk to, call.
ANNE: We found a natural gas tank with a security camera
right down the block from the victim's house.
HARRY: Mason Tannetti?
An air conditioning serviceman offs a guy
because his wife dated him before they got married?
It doesn't add up.
Maybe your math is better than mine.
July 3rd, 2012, Cora goes out
to meet J.D. Lambert
who she's seeing at the time,
and she doesn't come home that night.
In fact, she isn't seen again until two months later,
September 5th, when she shows up
at the Riverside Wellness Clinic.
Then, working with a therapist in the medical unit,
she remembers meeting a young woman,
Madeline Beecham, J.D.'s ex-girlfriend.
And now she's been missing for five years
and then Cora remembers some landmarks in the woods,
which leads us to a body that's found near the Beverwyck Club,
a club that has a history of sexual allegations
and huge settlements.
But whatever happened to her there,
it's kept secret by the Beverwyck lawyer.
Which is the same guy that repped J.D. Lambert,
and now shortly after, J.D. Lambert is dead.
That's the math on this.
All I heard was missing women, drug addicts, sexual allegation,
and a private club.
Nothing about the one question that matters,
which is, "Why did Cora Tannetti kill Frankie Belmont?"
I don't know.
(BREATHING DEEPLY)
(CLASSICAL MUSIC PLAYING)
PHOEBE: I wish I could just live in your body for one night.
Drive it all over town.
I wish you could, too.
Though I don't think I would make it back in one piece.
But it would be a night to remember.
Do you even wanna go to Florida anymore?
Of course I do.
You never talk about it.
We're not saving any more money. I've just been busy.
Yeah.
With J.D. and his micropenis.
It's not micro.
It's not like I would know.
Well, maybe I don't wanna share every detail of my sex life.
So you have a sex life now.
My head's killing me.
I don't have to go if you don't want me to, I can stay.
Yes.
(SIGHS) No.
God, I hate Schubert.
(CORA MOANING)
J.D.: You like that?
You want it?
Yeah.
(MOANS)
Don't stop.
You have to ask for it.
Please.
Please. Please.
(MOANING)
(DOOR OPENS)
Where are my shoes? I swear I left them here last night.
Maddie.
What are you doing?
I'm looking for my shoes. I can't exactly go home without them.
Come here.
I thought we talked about this.
Jealousy keeps you from your potential.
You're better than this.
We're all in this together, right?
And that's what you said.
Right?
Yeah.
Can you give me and Cora a minute, please?
(DOOR OPENS AND CLOSES)
MASON: I saw two guys leaving in a black Pontiac.
And then I went inside.
I found him dead there at the table saw.
The machine was still going.
ANNE: You just walked right in?
I know that I shouldn't have, but
this guy attacked my father.
So...
You went for revenge? No.
I just went there to tell him to back off, and that's all.
Were you armed?
Yes.
Harry, what are you doing?
I'm fertilizing the dogwoods.
It's raining.
Well, they needed it, and nobody was getting to it, so,
I'll be gone in five minutes.
You can't just show up whenever you want.
I planted these trees, I'm not gonna let them die.
Then put 'em in your car and take them.
They're rooted already, they can't be moved.
Well, then that's too bad.
You decided to do this now. It's not their fault.
So I'm fertilizing them.
You need to leave. Right now.
It's not fair. You don't get to just decide.
I do.
For the first time, I do.
I've been trying.
This whole time.
You think I haven't been trying, but that's all I do.
I'm always trying.
I know.
And I hope it gets easier for you.
I really do.
(GRUNTING)
(YELLS IN FRUSTRATION)
Yeah, they just left it here.
Black Pontiac Grand Am. '04. Jersey plates.
So we just got the car that Mason Tannetti saw at the crime scene.
Reported stolen last week in Trenton.
Matches the tracks found at the crime scene.
Two passengers, probably Oxy users, maybe dealers.
Detective Leroy's gonna handle this.
Looks like a local thing. Thanks.
CORA: You saw J.D. lying there?
Yeah.
Do they know who did it?
I think the police are looking for 'em now. I don't know.
I don't know what I was trying to do.
But I think not knowing what was happening with you
just made me want to fix it somehow.
I don't know.
I should never have lied to you.
No.
It was me, too.
For a long time,
I felt like something was wrong.
And I was afraid to, to find out the answer, you know?
It wasn't just you.
Were you ever really happy?
With me?
Yes.
Yeah? I was.
I don't know what to do.
(CELL PHONE VIBRATING)
Hello.
CORA: You have to get me out of here.
We really shouldn't be talking.
Take me to where you think it happened.
The club, the basement.
Maybe if I could just go, then I can remember the rest.
But it's a state police matter now.
They won't let me take you out. Why not?
Because they think I'm getting too close to you.
You've given up.
No, I haven't.
I can hear it in your voice.
I just...
I hit a wall, is all.
With the case? Or with yourself?
Harry.
You have done more for me than anyone I know.
And you are all I've got.
Please.
PHOEBE: Just leave me alone. ELIZABETH: Honey, please.
You're just making it worse. We'll pray together and...
PHOEBE: Get out! Get out of my room! Just leave me alone!
What's going on?
She passed out this morning.
The doctor says her T-cell count is elevated.
ELIZABETH: It can't end like this.
(CRYING) It just can't.
(INDISTINCT ANNOUNCEMENTS ON PA)
(MONITOR BEEPING)
She's got some idea that by going back to the scene of the crime,
she's gonna get some kind of release, a catharsis.
Is this some weird game you two are playing?
Look, I think if I took her back to the Beverwyck,
she'll tell me what she did.
You have to convince Judge Baird.
No. Come on, I got work to do.
Well, I really hate to do this,
but I remember back in my patrol days,
when I pulled over a young assistant district attorney
with at least half a drink too many in her.
Are you really gonna play that for this?
Yeah.
Sorry.
You can't get through an hour without checking in with her.
You realize that?
She depends on me.
Cora, if Phoebe really cared about you, she'd let you go.
She'd tell you to go live your life.
Has she ever said anything like that?
You know why?
She wants your life for herself.
She's a vampire.
And as long as you stay with her,
you'll be a shell.
This Saturday, tell Phoebe and your parents you're going out.
Pack a change of clothes in your purse.
Meet me at the Taproom.
When we're done celebrating, just come home with me.
You don't go back.
Give me the phone.
FEMALE OFFICER: No touching the inmate unless she needs to be subdued,
recovered, or medically revived.
Understand? HARRY: Yes.
FEMALE OFFICER: No unscheduled stops.
Fast food, casinos, movie theaters, motels.
Got it.
FEMALE OFFICER: Judge Baird has given you two hours.
If you are not back in the allotted time,
we automatically issue a warrant for both of you.
You have a taser?
No.
You want a taser?
HARRY: No. FEMALE OFFICER: Suit yourself.
Two hours. See you at 6:00.
Ah. Let me get this.
Is that all right?
Put your hands outside. Mmm-hmm.
How's that? Good.
Okay.
Did you move?
Yeah, kinda.
So once we get to the club,
we only got a half hour and then we gotta head back.
That's all we got.
What if I don't remember anything?
Yeah.
Cora, what is it?
HARRY: Miss Grayston, I have a...
ABBI: Detective, it has all been arranged by the Board.
We are an open book to you, Detective.
Oh. Really? Well, I appreciate that.
Be sure to thank the Board for me.
I've been here before.
Yeah, this is it.
We need to do this part on our own. Thank you.
Of course.
You ready?
Are you all right?
This isn't the place.
This is the basement.
You're not getting anything?
No. I'm trying. But I just can't make it happen.
I'm sorry.
PHOEBE: You could've called.
I lost track of time. Sorry.
PHOEBE: You're gonna leave me.
Stop.
You're in love.
It doesn't matter.
It'll be easier when I'm gone.
Don't say that. You're not going anywhere.
And neither am I.
(CRYING)
(SHUSHING)
Come on.
Tell me what he does to you when you're alone.
No.
Cora.
We touch.
(SCOFFS) Great. You touch.
There's...
There's, I don't know, rubbing.
Where?
The usual places.
Show me.
No.
Show me how he kisses you at least.
Cora.
Where does he touch you?
Please.
(PHOEBE EXHALES)
What does he say?
(SIGHS)
He says, "Do you want it?"
(PHOEBE MOANING)
Can you turn right up here?
We don't have the time, Cora.
Just a minute.
They're not home.
Me and my sister's room is right there in the front.
We made a lot of plans in that room.
And our move to Naples, Florida, mapped it all out.
I was in Cape Coral once.
I remember the air there. It was thick.
Felt like silk.
I wish I was there now.
Me, too.
We could go.
(CHUCKLES SOFTLY)
Did your wife ask you to move out?
Yeah.
Why?
Uh...
I'm just, um...
I'm not easy.
I'm not good at
talking.
Yeah.
Me neither.
Everyone assumes we start out in the same place.
But we don't.
Take me back to the club.
We can't. We're late already. Come on.
I can't go back there. I can't.
Not shut in like that.
Maybe we missed something.
You think we did?
I don't know.
But I have to try. Please.
Hey.
This is gonna make this easier.
Okay, turn.
Thank you. (CELL PHONE VIBRATING)
Oh, shit. I've been expecting this.
I gotta take this. Don't go far. Okay.
Yeah?
Detective Ambrose, it's Dean from the Medical Examiner's Office.
HARRY: Uh-huh. What have you got?
ABBI: Hello?
Is the detective with you?
He's coming.
(WIND CHIMES TINKLING)
Okay.
Look, I gotta go.
She went through the library.
Cora?
(PANTING)
That's it.
It happened down there.
I feel sick.
Cora, you don't have to do this.
It's up to you.
I remember now.
(THEME MUSIC PLAYING)