1
00:00:04,533 --> 00:00:06,467
and may contain
mature subject matter.

2
00:00:06,467 --> 00:00:14,533
Viewer discretion
is advised.

3
00:00:14,667 --> 00:00:15,934
and[Jasmyn]tain
What are we going to do?

4
00:00:16,066 --> 00:00:19,100
Close your eyes.
Three, two, one!

5
00:00:19,233 --> 00:00:20,700
[man grunting]

6
00:00:20,834 --> 00:00:21,867
Run!

7
00:00:22,000 --> 00:00:23,734
[suspenseful music]

8
00:00:26,667 --> 00:00:27,667
Get back here!

9
00:00:27,800 --> 00:00:29,767
♪

10
00:00:29,900 --> 00:00:31,367
Where did they go?

11
00:00:31,500 --> 00:00:34,233
♪

12
00:00:34,367 --> 00:00:36,900
One of us must be
wearing a tracking device.

13
00:00:40,900 --> 00:00:42,834
Florian must've
put it in there.

14
00:00:42,967 --> 00:00:43,967
♪

15
00:00:44,100 --> 00:00:46,333
What do we do now?

16
00:00:46,467 --> 00:00:50,500
♪

17
00:00:50,633 --> 00:00:53,934
♪

18
00:00:54,066 --> 00:00:58,934
♪

19
00:00:59,066 --> 00:01:05,066
♪

20
00:01:05,200 --> 00:01:06,800
[beeping]

21
00:01:06,934 --> 00:01:08,467
They've moved.

22
00:01:10,166 --> 00:01:12,433
But how could they
get through these bars?

23
00:01:14,300 --> 00:01:18,834
Hurry, I know how we
can find then. Come on!

24
00:01:18,967 --> 00:01:22,033
Come on, go, go, go!

25
00:01:22,166 --> 00:01:26,533
♪

26
00:01:26,667 --> 00:01:27,934
What are you doing?

27
00:01:28,066 --> 00:01:30,200
Ms. Lucas' henchmen
were there waiting for us.

28
00:01:30,333 --> 00:01:31,734
What?
Are you okay?

29
00:01:31,867 --> 00:01:34,233
Just about. They waited until
we found the thingamajig,

30
00:01:34,367 --> 00:01:35,800
and then they pounced.

31
00:01:37,400 --> 00:01:38,800
Typical Ms. Lucas.

32
00:01:38,934 --> 00:01:40,333
Gets you to do the work,

33
00:01:40,467 --> 00:01:41,633
and then
snatches it from you.

34
00:01:41,767 --> 00:01:43,834
What is it exactly?

35
00:01:43,967 --> 00:01:46,533
It's the final piece of
Ms. Spookis' amber oscillator.

36
00:01:48,700 --> 00:01:50,433
But she's not getting it.

37
00:01:50,567 --> 00:01:55,467
There, now it's
safely out of her reach.

38
00:01:55,600 --> 00:01:57,200
What?

39
00:01:57,333 --> 00:02:03,367
How can anyone
be outsmarted by Anika Hunter?

40
00:02:03,500 --> 00:02:05,333
Is it me?
Am I the problem?

41
00:02:05,467 --> 00:02:07,266
Am I just bad
at managing people?

42
00:02:07,400 --> 00:02:08,834
No, you're great.

43
00:02:08,967 --> 00:02:10,200
Oh, zip it, Simmons!

44
00:02:10,333 --> 00:02:13,266
I know I'm not the problem,
everyone else is.

45
00:02:13,400 --> 00:02:15,433
I'll fix it for you, mom.

46
00:02:15,567 --> 00:02:19,867
You? You couldn't even
pull off a basic infiltration.

47
00:02:20,000 --> 00:02:21,600
Now, we have
a new problem.

48
00:02:21,734 --> 00:02:24,100
The Jacksons have
officially been reported missing

49
00:02:24,233 --> 00:02:25,433
by their nosy neighbour!

50
00:02:25,567 --> 00:02:29,333
Investigative lead,
Daniel Hunter.

51
00:02:29,467 --> 00:02:31,300
Yeah,
he is rather inconvenient.

52
00:02:31,433 --> 00:02:35,700
So, turn inconvenient
into incarcerated.

53
00:02:35,834 --> 00:02:37,066
Make it happen Simmons,

54
00:02:37,200 --> 00:02:40,667
or everyone is fired,
including you.

55
00:02:40,800 --> 00:02:43,000
Florian,
you do what you do best.

56
00:02:43,133 --> 00:02:44,100
What's that?

57
00:02:44,233 --> 00:02:45,166
[Ms. Lucas] Nothing.

58
00:02:45,300 --> 00:02:47,100
Where are you going?

59
00:02:47,233 --> 00:02:49,200
On a clean up mission.

60
00:02:51,900 --> 00:02:54,967
[dramatic music]

61
00:02:57,800 --> 00:03:00,266
We need to call Daniel,
we're in over our heads.

62
00:03:00,400 --> 00:03:02,066
Agreed.

63
00:03:02,200 --> 00:03:04,633
Guys, I really gotta go.
Got a call from Josh earlier,

64
00:03:04,767 --> 00:03:06,700
he found the orphanage
where Ms. Lucas grew up

65
00:03:06,834 --> 00:03:08,133
and I wanna check it out.

66
00:03:08,266 --> 00:03:09,500
Go dig some dirt, Jenny.

67
00:03:09,633 --> 00:03:11,266
Yeah, find her weakness.

68
00:03:11,400 --> 00:03:12,834
Huh?

69
00:03:12,967 --> 00:03:15,633
Aren't you staying for
my birthday party, Jenny dear?

70
00:03:15,767 --> 00:03:18,000
I'm sorry,
Dottie, I can't.

71
00:03:18,133 --> 00:03:19,367
There's somewhere
I need to be.

72
00:03:19,500 --> 00:03:20,700
But happy birthday!

73
00:03:23,367 --> 00:03:26,767
So, what time is it
starting because I, for one,

74
00:03:26,900 --> 00:03:28,667
am getting really excited!

75
00:03:28,800 --> 00:03:32,467
Uh, we're still working
on something for you upstairs.

76
00:03:32,600 --> 00:03:33,900
Nika?

77
00:03:34,033 --> 00:03:36,400
Yeah,
it's really, really cool.

78
00:03:36,533 --> 00:03:38,166
Mm-hm.

79
00:03:38,300 --> 00:03:42,600
Uh, I need to go out
and get one last thing.

80
00:03:42,734 --> 00:03:44,400
Alright,
see you soon.

81
00:03:44,533 --> 00:03:47,934
Well, they do say
the best thing about a surprise

82
00:03:48,066 --> 00:03:49,600
is the anticipation!

83
00:03:49,734 --> 00:03:53,166
[doors closing]

84
00:03:53,300 --> 00:03:55,166
Well, I guess
I'll be anticipating

85
00:03:55,300 --> 00:03:58,200
a little
while longer.

86
00:03:58,333 --> 00:03:59,567
We need to call Daniel.

87
00:03:59,700 --> 00:04:01,934
This is too serious
for him not to pick up.

88
00:04:02,066 --> 00:04:06,300
[dramatic music]

89
00:04:06,433 --> 00:04:09,734
Hey, Nika. Sorry it took me
so long to get back to you.

90
00:04:09,867 --> 00:04:11,867
Work's just
been absolutely...

91
00:04:12,000 --> 00:04:15,133
♪

92
00:04:15,266 --> 00:04:17,600
Hold on. One sec.

93
00:04:17,734 --> 00:04:20,800
Uh, Daniel? Hello?

94
00:04:20,934 --> 00:04:23,533
[Daniel] Hey, what's
going on here?

95
00:04:23,667 --> 00:04:25,567
Who hit who?

96
00:04:25,700 --> 00:04:29,300
♪

97
00:04:29,433 --> 00:04:30,367
Oh no!

98
00:04:30,500 --> 00:04:31,333
Get him!

99
00:04:31,467 --> 00:04:32,834
[Daniel grunting]

100
00:04:32,967 --> 00:04:34,400
Get in!

101
00:04:34,533 --> 00:04:35,533
♪

102
00:04:35,667 --> 00:04:38,467
Let me out!
Let me out!

103
00:04:38,600 --> 00:04:40,066
♪

104
00:04:40,200 --> 00:04:42,500
Go, go, go!

105
00:04:42,633 --> 00:04:46,934
[upbeat mystical music]

106
00:04:47,066 --> 00:04:52,900
♪

107
00:04:53,033 --> 00:04:57,000
♪

108
00:04:57,133 --> 00:05:06,700
♪

109
00:05:06,834 --> 00:05:08,233
Hello, Oliver!

110
00:05:10,433 --> 00:05:13,500
I know where your
biological father is.

111
00:05:13,633 --> 00:05:15,633
What did you just say?

112
00:05:15,767 --> 00:05:17,900
[Ms. Lucas] I know
where your biological father is.

113
00:05:18,033 --> 00:05:19,033
How do you know
about that?

114
00:05:19,166 --> 00:05:20,567
Florian told me.

115
00:05:20,700 --> 00:05:22,900
Or are you forgetting that
you had my son as a roommate?

116
00:05:24,367 --> 00:05:27,533
Alex Jackson,
the one I captured,

117
00:05:27,667 --> 00:05:29,467
he's your
biological father.

118
00:05:29,600 --> 00:05:31,500
[Ms. Lucas gasping]

119
00:05:31,633 --> 00:05:34,467
Not much of a surprise
to any of us, I'm sure.

120
00:05:34,600 --> 00:05:37,700
If you ever want to meet him,
you'll bring me this.

121
00:05:39,633 --> 00:05:41,533
I know Anika found it.

122
00:05:41,667 --> 00:05:44,734
Oh, and if you
still need to be persuaded,

123
00:05:44,867 --> 00:05:48,166
he's currently
staying with me too.

124
00:05:48,300 --> 00:05:50,033
I'm sure Anika
would never forgive you

125
00:05:50,166 --> 00:05:53,433
if you let me restrain him
and your biological daddy.

126
00:05:53,567 --> 00:05:55,000
You have one hour.

127
00:05:55,133 --> 00:05:56,133
You get me what I want,

128
00:05:56,266 --> 00:05:58,734
and I'll let
your family go free.

129
00:06:00,233 --> 00:06:03,133
Oh, and if you
talk to anybody,

130
00:06:03,266 --> 00:06:08,266
this is what will happen
to everyone you care about.

131
00:06:08,400 --> 00:06:10,600
Meet me at
the academy in one hour

132
00:06:10,734 --> 00:06:12,333
with the device, or else.

133
00:06:17,400 --> 00:06:18,934
-[singing through phone]
-This doesn't sound good.

134
00:06:19,066 --> 00:06:21,934
I know.
The singing is the worst.

135
00:06:22,066 --> 00:06:23,734
I meant Daniel.

136
00:06:23,867 --> 00:06:26,266
Right, but let's
not jump to conclusions,

137
00:06:26,400 --> 00:06:28,100
he could've just
helped those people,

138
00:06:28,233 --> 00:06:30,467
got back in his car,
turned on the radio,

139
00:06:30,600 --> 00:06:33,233
listened to some
really bad opera music,

140
00:06:33,367 --> 00:06:36,166
had a sandwich,
talked with his mouth full,

141
00:06:36,300 --> 00:06:38,567
and dropped his phone
and forgot we were on a call.

142
00:06:40,734 --> 00:06:43,300
Right. Daniel!

143
00:06:43,433 --> 00:06:45,200
[muffled shouting]

144
00:06:45,333 --> 00:06:48,000
Okay, that's
definitely not the radio.

145
00:06:48,133 --> 00:06:50,100
-Daniel!
-Danny! Can you hear us?

146
00:06:50,233 --> 00:06:52,133
-Daniel!
-Danny!

147
00:06:52,266 --> 00:06:56,834
[muffled opera singing]

148
00:06:56,967 --> 00:06:58,867
Wait!

149
00:07:00,400 --> 00:07:01,600
[Jasmyn]
What are you doing?

150
00:07:01,734 --> 00:07:03,500
I'm putting
Daniel's cell number

151
00:07:03,633 --> 00:07:05,467
into the academy's
tracking trap app.

152
00:07:05,600 --> 00:07:07,734
[muffled singing]

153
00:07:07,867 --> 00:07:11,967
There!
I have a trace!

154
00:07:12,100 --> 00:07:15,033
Would you stop
with the singing?

155
00:07:18,834 --> 00:07:20,300
Mom?

156
00:07:22,433 --> 00:07:26,266
Nika? Jasmyn?
Anyone home?

157
00:07:26,400 --> 00:07:29,266
[slow piano music]

158
00:07:29,400 --> 00:07:34,900
♪

159
00:07:35,033 --> 00:07:41,667
♪

160
00:07:41,800 --> 00:07:47,934
♪

161
00:07:48,066 --> 00:07:54,934
♪

162
00:07:55,066 --> 00:07:57,633
♪

163
00:07:57,767 --> 00:07:59,600
[dramatic music]

164
00:07:59,734 --> 00:08:03,867
♪

165
00:08:04,000 --> 00:08:07,000
♪

166
00:08:07,133 --> 00:08:13,800
♪

167
00:08:13,934 --> 00:08:19,367
♪

168
00:08:19,500 --> 00:08:25,066
♪

169
00:08:25,200 --> 00:08:30,367
♪

170
00:08:30,500 --> 00:08:31,867
[muffled singing]

171
00:08:32,000 --> 00:08:35,066
Enough, please!
You sound like a squealing pig.

172
00:08:35,200 --> 00:08:36,567
Where are they going?

173
00:08:36,700 --> 00:08:38,934
There's no way to
know until they stop.

174
00:08:39,066 --> 00:08:40,800
But,
once they do,

175
00:08:40,934 --> 00:08:42,800
I can zoom in
and find the exact location.

176
00:08:42,934 --> 00:08:44,533
'Kay.

177
00:08:45,567 --> 00:08:47,800
Finally.

178
00:08:47,934 --> 00:08:49,800
[man]
[muffled]  Get him out of here.

179
00:08:49,934 --> 00:08:53,700
Come on, get out.
Get him out.

180
00:08:53,834 --> 00:08:56,500
[suspenseful music]

181
00:08:56,633 --> 00:09:00,400
So, where in
the city is this?

182
00:09:00,533 --> 00:09:04,000
That's close
to Orphans Inc., isn't it?

183
00:09:04,133 --> 00:09:07,033
That must be where
they've taken him. Come on!

184
00:09:07,166 --> 00:09:09,700
[dramatic music]

185
00:09:09,834 --> 00:09:15,600
♪

186
00:09:15,734 --> 00:09:22,433
♪

187
00:09:22,567 --> 00:09:25,300
Punctual.
Aren't you the good boy.

188
00:09:25,433 --> 00:09:31,800
♪

189
00:09:31,934 --> 00:09:33,934
♪

190
00:09:34,066 --> 00:09:36,200
Well, you've
got what you wanted,

191
00:09:36,333 --> 00:09:37,800
now give me my dad.

192
00:09:37,934 --> 00:09:41,433
Wow! You're just
like the city of Amsterdam.

193
00:09:41,567 --> 00:09:45,400
Extremely dense.
I still need the Jacksons.

194
00:09:45,533 --> 00:09:48,000
So, I'll release
them on my terms.

195
00:09:48,133 --> 00:09:50,166
What about Daniel?

196
00:09:50,300 --> 00:09:51,367
What about it?

197
00:09:51,500 --> 00:09:52,633
We agreed--

198
00:09:52,767 --> 00:09:56,233
Now, go home,
and eat cake. Security!

199
00:09:56,367 --> 00:10:01,233
What? No!
No, you can't do this!

200
00:10:01,367 --> 00:10:03,300
I think I just did.

201
00:10:03,433 --> 00:10:06,600
♪

202
00:10:06,734 --> 00:10:11,767
♪

203
00:10:17,900 --> 00:10:23,066
Get out
of my chair. Get out!

204
00:10:23,200 --> 00:10:26,600
[dramatic music]

205
00:10:26,734 --> 00:10:31,934
Mom? Do you think
maybe we could dial down

206
00:10:32,066 --> 00:10:33,700
the plan a bit?

207
00:10:33,834 --> 00:10:40,667
I mean,
Dottie, Oliver, Jasmyn, Evie,

208
00:10:40,800 --> 00:10:42,333
they were
all kind of good to me

209
00:10:42,467 --> 00:10:43,900
when I stayed with them.

210
00:10:44,033 --> 00:10:45,533
Do you really think
they deserve to be brought

211
00:10:45,667 --> 00:10:47,000
into all of this?

212
00:10:47,133 --> 00:10:50,867
Oh my gosh,
Florian. You're right.

213
00:10:51,000 --> 00:10:54,934
I wasn't
considering how they felt.

214
00:10:55,066 --> 00:10:56,333
Why don't we all stay in

215
00:10:56,467 --> 00:10:57,700
and watch
kitten videos together?

216
00:10:57,834 --> 00:11:00,500
How dare you
question my decisions?

217
00:11:00,633 --> 00:11:02,800
The courage gene has
clearly skipped a generation.

218
00:11:02,934 --> 00:11:04,500
What a disappointment
that you're my son.

219
00:11:07,533 --> 00:11:11,467
Mr. Simmons,
well done on finally solving

220
00:11:11,600 --> 00:11:13,700
the Daniel Hunter problem.

221
00:11:13,834 --> 00:11:18,166
Meet me at the lab,
I'm ready to go to stage two.

222
00:11:32,166 --> 00:11:34,700
Well, come on.

223
00:11:37,400 --> 00:11:39,834
Chop chop!

224
00:11:43,000 --> 00:11:45,734
[dramatic music]

225
00:11:45,867 --> 00:11:48,567
♪

226
00:11:48,700 --> 00:11:53,867
♪

227
00:11:54,000 --> 00:11:56,400
Looks like the right place.

228
00:11:56,533 --> 00:12:00,300
♪

229
00:12:00,433 --> 00:12:06,266
♪

230
00:12:06,400 --> 00:12:07,700
Can I help you?

231
00:12:07,834 --> 00:12:09,667
Hi, I'm Jenny.

232
00:12:09,800 --> 00:12:11,900
I was hoping
I could get some information

233
00:12:12,033 --> 00:12:13,767
on someone that
used to live here?

234
00:12:13,900 --> 00:12:17,367
Oh, then you're at
the right place, almost.

235
00:12:17,500 --> 00:12:22,300
The orphanage relocated to
a new building a few years ago.

236
00:12:22,433 --> 00:12:24,433
Sorry for bothering you.

237
00:12:24,567 --> 00:12:27,700
No, wait! I was
the housemistress here

238
00:12:27,834 --> 00:12:29,367
when it was an orphanage.

239
00:12:29,500 --> 00:12:31,600
Now, I just
look after the place.

240
00:12:31,734 --> 00:12:33,200
Sounds like
you're exactly the person

241
00:12:33,333 --> 00:12:34,533
I should be speaking to.

242
00:12:34,667 --> 00:12:37,800
I'm looking for
information about a Maria Lucas.

243
00:12:37,934 --> 00:12:41,734
Lucas. No, I don't
know anyone by that name.

244
00:12:43,400 --> 00:12:45,133
This help?

245
00:12:50,033 --> 00:12:55,300
Oh, that Maria. I knew
her as Maria Martinez.

246
00:12:55,433 --> 00:12:58,133
You better come in.

247
00:13:01,433 --> 00:13:04,000
[suspenseful music]

248
00:13:04,133 --> 00:13:07,900
♪

249
00:13:08,033 --> 00:13:14,567
♪

250
00:13:14,700 --> 00:13:20,700
♪

251
00:13:20,834 --> 00:13:25,900
♪

252
00:13:26,033 --> 00:13:31,734
♪

253
00:13:31,867 --> 00:13:36,700
♪

254
00:13:36,834 --> 00:13:38,567
What is it?

255
00:13:41,800 --> 00:13:43,467
My revenge.

256
00:13:43,600 --> 00:13:53,567
♪

257
00:13:55,066 --> 00:13:56,367
[somber music]

258
00:13:56,500 --> 00:13:59,300
[phone beeping]

259
00:13:59,433 --> 00:14:03,333
[phone buzzing]

260
00:14:03,467 --> 00:14:04,934
♪

261
00:14:05,066 --> 00:14:09,667
[phone buzzing]

262
00:14:09,800 --> 00:14:14,066
[phone beeping]

263
00:14:14,200 --> 00:14:19,834
I'm sorry.
I'm so, so sorry.

264
00:14:19,967 --> 00:14:25,767
♪

265
00:14:25,900 --> 00:14:29,300
Maria was just three-years-old
when she arrived here.

266
00:14:29,433 --> 00:14:31,467
Such a sweet child.

267
00:14:31,600 --> 00:14:35,467
She formed such
intense attachments.

268
00:14:35,600 --> 00:14:38,166
There was another
child who arrived here

269
00:14:38,300 --> 00:14:40,400
around
the same time. A boy.

270
00:14:40,533 --> 00:14:43,600
They became inseparable.

271
00:14:43,734 --> 00:14:46,367
There was a boy in
the photograph with her.

272
00:14:46,500 --> 00:14:47,867
Is that him?

273
00:14:48,000 --> 00:14:50,000
Yes. That's him.

274
00:14:50,133 --> 00:14:52,734
What was his name,
sensitive soul.

275
00:14:52,867 --> 00:14:54,533
Do you remember
what happened to him?

276
00:14:54,667 --> 00:14:58,233
He was adopted
by a lovely couple.

277
00:14:58,367 --> 00:14:59,800
I remember that.

278
00:14:59,934 --> 00:15:03,633
We were so happy to see him
go to such a good home.

279
00:15:03,767 --> 00:15:07,433
But Maria,
she took it very hard.

280
00:15:07,567 --> 00:15:08,900
Oh?

281
00:15:09,033 --> 00:15:13,033
When he left,
he promised to return to her.

282
00:15:13,166 --> 00:15:17,467
Maria would spend
hours sitting in the window,

283
00:15:17,600 --> 00:15:20,767
watching and waiting
for him to come back.

284
00:15:20,900 --> 00:15:22,667
He never did.

285
00:15:22,800 --> 00:15:26,834
Oh! That's really sad.

286
00:15:26,967 --> 00:15:32,533
And then one day, something
inside Maria just broke.

287
00:15:32,667 --> 00:15:34,967
She gave up waiting.

288
00:15:35,100 --> 00:15:37,300
She destroyed
all the pictures

289
00:15:37,433 --> 00:15:40,066
and the little
presents he'd given her.

290
00:15:40,200 --> 00:15:42,033
She's never
been the same again.

291
00:15:42,166 --> 00:15:44,433
Do you know
where the boy is now?

292
00:15:44,567 --> 00:15:46,033
I have no idea.

293
00:15:47,967 --> 00:15:52,333
What was the name
of the family who...who...

294
00:15:52,467 --> 00:15:53,667
Hunter!

295
00:15:53,800 --> 00:15:55,767
Hunter?

296
00:15:55,900 --> 00:16:02,333
Wait, the boy's name,
it isn't Eric, is it?

297
00:16:02,467 --> 00:16:05,533
Yes. That's it,
you're right. It was Eric.

298
00:16:05,667 --> 00:16:09,467
Whoa.
But, I know Eric Hunter,

299
00:16:09,600 --> 00:16:11,433
and there's no way
he would've abandoned her

300
00:16:11,567 --> 00:16:13,967
unless he had no choice.

301
00:16:14,100 --> 00:16:17,266
I always
wondered if Mrs. Bethos,

302
00:16:17,400 --> 00:16:18,934
the owner of the orphanage,

303
00:16:19,066 --> 00:16:20,867
had something
to do with it.

304
00:16:21,000 --> 00:16:24,467
She believed that once
a child was adopted out,

305
00:16:24,600 --> 00:16:26,633
they should
erase their time here,

306
00:16:26,767 --> 00:16:29,734
and only ever look forward.

307
00:16:29,867 --> 00:16:31,600
Do you think
she blocked contact?

308
00:16:31,734 --> 00:16:34,967
Possibly, who knows.

309
00:16:36,500 --> 00:16:39,066
[upbeat music]

310
00:16:40,567 --> 00:16:46,300
Evie? Come and play
Grandmother's Footsteps.

311
00:16:46,433 --> 00:16:52,033
Anika? Jasmyn!
Wanna play?

312
00:16:52,166 --> 00:16:53,567
Anyone?

313
00:16:53,700 --> 00:16:55,266
[doorbell ringing]

314
00:16:55,400 --> 00:16:56,867
Finally!

315
00:16:57,000 --> 00:17:01,300
Oh, my surprise better
be something amazing, Oliver!

316
00:17:01,433 --> 00:17:07,500
Hi! Love the party hat,
but who are you?

317
00:17:13,300 --> 00:17:18,266
[funky♪music]

318
00:17:20,133 --> 00:17:22,967
Dottie, we're back!

319
00:17:23,100 --> 00:17:24,767
Where is she?

320
00:17:24,900 --> 00:17:27,500
I hope the kids are okay.

321
00:17:28,700 --> 00:17:31,333
Yay!
You're back! I missed you.

322
00:17:31,467 --> 00:17:33,300
We missed you, honey.

323
00:17:33,433 --> 00:17:35,734
Oh, I love the hat!

324
00:17:35,867 --> 00:17:39,300
Thanks. It's Dottie's birthday,
so I made this.

325
00:17:39,433 --> 00:17:40,867
Thank goodness you're here!

326
00:17:41,000 --> 00:17:42,667
Dottie, we got your text.
It sounded urgent.

327
00:17:42,800 --> 00:17:44,000
What's wrong?

328
00:17:44,133 --> 00:17:45,700
Oh, I didn't
send you a text.

329
00:17:45,834 --> 00:17:47,200
But I'm glad you're back.

330
00:17:47,333 --> 00:17:50,400
There's someone very
odd and very insistent

331
00:17:50,533 --> 00:17:52,300
waiting for you
in the living room,

332
00:17:52,433 --> 00:17:55,633
and refusing to leave until
they've spoken to you, Eric.

333
00:17:58,333 --> 00:18:00,233
Wow.

334
00:18:00,367 --> 00:18:04,834
Evie, honey. Would you
please take Harry's things

335
00:18:04,967 --> 00:18:06,734
up to your room?

336
00:18:06,867 --> 00:18:08,934
Sure.

337
00:18:09,066 --> 00:18:12,133
And maybe it's best to
stay there until I call you.

338
00:18:12,266 --> 00:18:13,700
Okay?

339
00:18:13,834 --> 00:18:15,500
Okay.

340
00:18:17,200 --> 00:18:18,867
Alright.

341
00:18:23,400 --> 00:18:24,934
[baby cooing]

342
00:18:25,066 --> 00:18:26,467
Hello?

343
00:18:28,667 --> 00:18:31,400
Hello, Eric.

344
00:18:31,533 --> 00:18:34,367
Florian?
I thought she was part

345
00:18:34,500 --> 00:18:37,133
of my birthday surprise but now,
I'm not so sure.

346
00:18:37,266 --> 00:18:39,533
[Ms. Lucas]
I see you got my text.

347
00:18:39,667 --> 00:18:41,800
Do you remember me?

348
00:18:41,934 --> 00:18:45,266
Maria Martinez.
How long has it been?

349
00:18:45,400 --> 00:18:48,133
Right, a lifetime.

350
00:18:48,266 --> 00:18:54,734
Mari! Wow! I wondered how--
where you were,

351
00:18:54,867 --> 00:18:57,066
and how you've been
doing all these years.

352
00:18:57,200 --> 00:18:59,333
[mocking]
Maria! I wondered how you were,

353
00:18:59,467 --> 00:19:01,300
and where you've
been all these years!

354
00:19:01,433 --> 00:19:04,100
Well, you didn't try
very hard to find out, did you?

355
00:19:04,233 --> 00:19:05,567
What do you mean?

356
00:19:05,700 --> 00:19:10,100
Shut up! Enough with
the lies and empty promises.

357
00:19:10,233 --> 00:19:14,367
I'm done strolling down
a cobblestone memory lane.

358
00:19:14,500 --> 00:19:17,333
Doesn't
just break your heels,

359
00:19:17,467 --> 00:19:20,834
it breaks your heart.

360
00:19:20,967 --> 00:19:22,400
Now!

361
00:19:22,533 --> 00:19:23,567
Stop!

362
00:19:23,700 --> 00:19:25,800
Hey!
Right there.

363
00:19:25,934 --> 00:19:28,000
Florian,
what are you doing?

364
00:19:28,133 --> 00:19:30,467
He's with me.

365
00:19:30,600 --> 00:19:32,066
I guess
you should've taken him

366
00:19:32,200 --> 00:19:33,667
off the face
recognition system.

367
00:19:36,500 --> 00:19:42,233
Florian,
give the baby to me please.

368
00:19:42,367 --> 00:19:44,300
He won't be hurt.

369
00:19:44,433 --> 00:19:46,633
Maria. I'm sure--

370
00:19:46,767 --> 00:19:49,500
I'm talking!

371
00:19:49,633 --> 00:19:52,767
Florian, it's time.

372
00:19:54,233 --> 00:19:57,734
[suspenseful music]

373
00:19:57,867 --> 00:20:01,734
♪

374
00:20:01,867 --> 00:20:03,367
What is that?

375
00:20:05,467 --> 00:20:07,200
You were wondering
what I've been doing

376
00:20:07,333 --> 00:20:10,300
all these years,
searching for this.

377
00:20:10,433 --> 00:20:12,667
Maria, please!

378
00:20:12,800 --> 00:20:15,567
Shush. I've been
working on technology

379
00:20:15,700 --> 00:20:18,867
that at first could
only smulderize small brains.

380
00:20:19,000 --> 00:20:22,000
But with
this amber oscillator,

381
00:20:22,133 --> 00:20:24,333
I can target
a much wider area.

382
00:20:24,467 --> 00:20:27,200
A household, a city,

383
00:20:27,333 --> 00:20:30,800
maybe eventually
an entire country.

384
00:20:30,934 --> 00:20:33,367
Florian,
are you filming this?

385
00:20:33,500 --> 00:20:34,834
Yeah.

386
00:20:34,967 --> 00:20:37,600
[phone dinging]

387
00:20:37,734 --> 00:20:41,400
[machine whirring]

388
00:20:41,533 --> 00:20:46,300
Stage one, was the Academy
students' tiny brains.

389
00:20:46,433 --> 00:20:49,433
Stage two,
is an entire household.

390
00:20:49,567 --> 00:20:51,567
Oh, and in case
you're wondering,

391
00:20:51,700 --> 00:20:54,667
yes, we are at stage two.

392
00:20:54,800 --> 00:20:58,000
And my test is on you,
Eric Hunter.

393
00:20:58,133 --> 00:21:01,633
You and your
perfect little family.

394
00:21:01,767 --> 00:21:04,734
Now, where are the brats?

395
00:21:04,867 --> 00:21:06,734
If you mean the children,

396
00:21:06,867 --> 00:21:11,200
they've all gone out
planning my birthday surprise.

397
00:21:11,333 --> 00:21:14,467
Oliver,
why aren't you picking up?

398
00:21:14,600 --> 00:21:16,367
Ms. Spookis took
Daniel to Orphan's Inc.

399
00:21:16,500 --> 00:21:18,233
Jasmyn and I are
on our way there now,

400
00:21:18,367 --> 00:21:20,633
but if you don't
hear from us in an hour,

401
00:21:20,767 --> 00:21:22,000
please get help.

402
00:21:22,133 --> 00:21:24,000
So, what's our
plan when we get there?

403
00:21:24,133 --> 00:21:25,300
Oliver?

404
00:21:25,433 --> 00:21:27,400
No, unknown number.

405
00:21:27,533 --> 00:21:29,867
"Hunter house now,
family in danger. "

406
00:21:30,000 --> 00:21:31,333
What?! Who do
you think it's from?

407
00:21:31,467 --> 00:21:32,934
I don't know,
but we have to go!

408
00:21:33,066 --> 00:21:34,367
But what about Daniel?

409
00:21:34,500 --> 00:21:36,467
-He'll just have to wait.
-But, what if it's a trap?

410
00:21:36,600 --> 00:21:38,300
It's not,
it's about Ms. Lucas targeting

411
00:21:38,433 --> 00:21:40,367
the Hunter House,
I'm sure of it, come on!

412
00:21:40,500 --> 00:21:42,767
[Jasmyn] Okay!

413
00:21:42,900 --> 00:21:45,100
Maria,
let's talk about this.

414
00:21:45,233 --> 00:21:46,633
There's nothing to say!

415
00:21:48,800 --> 00:21:51,834
I guess the three of you then,
will have to do.

416
00:21:53,333 --> 00:21:56,867
How's this for
a birthday surprise?

417
00:21:57,000 --> 00:22:00,100
This is for abandoning me.

418
00:22:00,233 --> 00:22:03,266
[suspenseful music]

419
00:22:03,400 --> 00:22:04,867
[machine whirring]

420
00:22:05,000 --> 00:22:07,133
[blasting]

421
00:22:07,266 --> 00:22:13,533
♪

422
00:22:14,867 --> 00:22:18,467
[dramatic music]

423
00:22:18,600 --> 00:22:25,400
♪

424
00:22:25,533 --> 00:22:32,000
♪

425
00:22:32,133 --> 00:22:37,033
♪

426
00:22:37,166 --> 00:22:39,867
♪

427
00:22:40,000 --> 00:22:45,700
[upbeat music]