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There is, I think, in his works
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an element of high tragedy,
and I am sure that tonight,
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he will be willing
to share with us
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00:00:31,197 --> 00:00:34,334
the movements and gestures
of his dance macabre.
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I present to you, Stephen King.
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Thank you.
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You come to experiences in your
own life that are frightening,
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and you try to make sense
of them in what you write.
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And I can remember
living in Colorado
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and we had an old
American Motors car
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that just simply vomited
up it s transmission one day
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in the middle of the road.
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And a tow truck came along
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and took it away
to wherever they take
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transmissionless Matadors,
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and they called around after
it had started to get dark
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and said, "Your car's ready
if you want to come and get it."
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And my wife said,
"Are you going to take a cab?"
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And I said, "No, I'll walk."
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And I walked and it got
darker and darker,
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and this was really on
the edge of town, you know.
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There's nothing there and
you could see the dealership,
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but it was a ways away.
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And the path went across
this bridge, you know,
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a little arched humpback wooden bridge.
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And I'm walking across it,
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and I can hear my heels
clacking on the bridge
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and I flashed to this
story when I was a kid
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about these goats that were
going across a bridge
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and there's this troll
underneath and he said...
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-"Who's that
trip-trapping on my bridge?"
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And I thought, "Wouldn't it be a scream
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if something just reached
up now and grabbed me,
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-and pulled me down there,
and that was the last
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anybody heard of
old Stevie King?"
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So.
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But the incident
stayed in my mind,
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and over a period of five years,
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I would come back to that
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and come back to that,
and little by little,
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I began to evolve a story
until now it's developed into
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a novel that's about
1,300 pages long.
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It's called IT,
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and it all came from that
one little moment of fear.
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And I think that a moment
of fear is worth having
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if you can get something good
out of it.
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This is Tim
Reid, Richard, in Virginia.
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It's back.
I found a picture of Georgie.
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IT's enduring power
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may come from the chords
it strikes among all of us.
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We're all human beings
and we were all children once.
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It's amazing
to me all these years later
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how people are still coming up
and talking about
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that it has this lasting
effect and impact.
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You never think
that something you've created
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will, you know,
this will live on forever.
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As an actor,
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I didn't really
pay much attention
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to the impact that I was having.
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I was just something
I was doing as a kid.
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-This is battery acid,
you slime!
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I've done
shows in Mexico or in Europe
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where the crew
that I've worked with there,
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they're like,
"Oh, my god. You did IT!"
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I think the story itself
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is kind of timeless...
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People going through issues
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and having to come together
to overcome them.
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-We do it.
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-Oh yeah. We.
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-You know,
it's a coming-of-age story.
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It always surprises me when people say,
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"Oh, my god, I always
wanted to be you in IT.
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I always wished I was Bev."
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And I think,
"Oh, you poor thing.
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What was your childhood like?"
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It's
talking some pretty serious talk
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about what it's like
for each of us to be a child.
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- The fun.
- Yeah! Yeah!
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-And the scary parts.
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You know, most TV movies
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disappear into oblivion.
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I think the fact that IT
is consistently played on cable
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has opened it to.
A much wider audience.
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It was one of the first
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terrifying mini-series.
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People were invested in it.
It became an event.
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-Something is coming.
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And because it was made for TV,
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it allowed a younger audience
to view it as well.
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Little kids, who saw
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IT on television,
it's still in their minds
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as the scariest thing
they've ever seen.
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Ah!
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-That movie scared
the beep out of me, like,
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I couldn't sleep,
I hate clowns, I hate spiders.
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Like, couldn't even go
near a drain.
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People
tend to gravitate towards things
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that struck them as a kid.
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00:04:07,847 --> 00:04:09,992
And I think probably
a lot of the people who saw IT
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00:04:10,016 --> 00:04:12,728
as teenagers or younger,
it just, it burned themselves.
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So as an adult, it
becomes a fun memory,
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then it takes on
this whole other cult level.
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-It scared the hell
out of millions of people.
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-One of the comments is...
Is typically
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"Tim Curry is the reason
why I'm terrified of clowns."
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The portrayal of
Pennywise probably went from
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"Yeah, we're gonna
have some clowns over
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for little Johnny's
birthday party" to,
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"Uh, probably not."
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Well, a character
that manifests itself
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in the shape of your fears
is terrifying
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at any age, in any era.
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And so, I think that's why
that concept is so indelible.
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A lot of people tell me
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that IT poisoned their childhood
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when they saw it on television.
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-And I would always think,
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"You shouldn't have been
watching it."
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I had written Carrie,
121
00:05:23,923 --> 00:05:26,969
and that had put Steve
King, Brian de Palma,
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the actors and me on the map
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in a way that I became a
go-to for horror adaptations.
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I got a call one day.
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.from my agent
in Los Angeles who said
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00:05:40,873 --> 00:05:43,385
he'd been approached
by a pair of producers
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00:05:43,409 --> 00:05:46,789
who'd set up a new
Stephen King project at ABC
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as a novel for television
and was I interested in that?
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The next day the doorbell rang,
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Federal Express at the door,
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and the guy is carrying
the most humongous
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FedEx package I've ever seen.
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I took this unwieldy,
bulky piece from him
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00:06:03,429 --> 00:06:05,941
and was about to close the door
and he said, "Hang on a minute."
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And he went back to the elevator
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00:06:07,433 --> 00:06:10,479
and came back with
these two giant containers
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containing the typed manuscript
of IT in its earliest stages.
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I sat down and read the opening
with young Stuttering Bill.
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-Well, we have to
seal it first with paraffin.
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And baby brother Georgie,
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and what turns out to be
a horrible demise
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at the hands of Pennywise.
In the sewer.
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I went, "I'll do it."
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We went in for a first
meeting with the network
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and the executive vice
president of movies for television
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and she looked at me
and she said,
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"So tell me, what is IT?"
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And I said, "Well it's
an inter-terrestrial beast...
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-"that has come down eons ago
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and has the power to screw
with kids' minds.
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00:06:57,583 --> 00:06:59,661
-Beep-beep, Richie.
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"And attack their worst fears."
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00:07:01,754 --> 00:07:03,932
And she looked at me
and she nodded, and she said,
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"Yes, but what is IT?"
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So, I went, "Okay."
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00:07:07,660 --> 00:07:10,005
And I answered another answer
and she asked me,
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I don't know, five more times.
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And I looked over
at the producers and went,
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"I'm in hell."
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I was coming back home
to New York,
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and I'm sitting on the plane,
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and I see a guy
with his back to me
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reading what is clearly
the cover of my script.
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It's Bob Iger,
who was the head of
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all of the programming at ABC.
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And he whipped
through night one,
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went through his briefcase,
pulled out night two,
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whipped through night two,
stood up, stretched,
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sort of smiled,
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and it said to me
IT had his support,
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and I think he
decided in that reading,
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"Yeah, let's do it."
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The producers had a brainstorm
and they picked up the phone
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and they made an overture
toward George Romero.
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He loved the book;
he was as nuts for it as I was.
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He saw the possibilities
of what IT could be.
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00:08:03,216 --> 00:08:08,697
I pitched it to the network
as a long novel for television.
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I said, "I think it should be
eight and ideally ten hours."
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We exchanged maybe five times
in the course of the process.
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I would do what was needed,
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which was called a bible
in television terms,
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which was just
a really detailed outline.
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And I'd send it to George.
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He'd look at the
outline, and a week later
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I would get a 45-page
typed version of mine
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00:08:33,613 --> 00:08:37,893
interspersed with his thoughts,
his notes, and his suggestions.
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There was never a
question that he thought
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it was going to be a gross-out,
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lots of blood,
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kind of picture.
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He understood what television offered
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was the chance for
you to go right up to the line.
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But his radar was out for
what would the network allow.
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I think the dream
of what we had in mind
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00:09:01,240 --> 00:09:03,085
was absolutely amazing.
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00:09:03,109 --> 00:09:05,988
I think we were just about
20 years early in having it.
197
00:09:06,012 --> 00:09:07,890
We would have been Game of Thrones.
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00:09:07,914 --> 00:09:10,325
That would have been the way
to do this piece of material
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00:09:10,349 --> 00:09:11,951
in its fullest possible way.
200
00:09:13,252 --> 00:09:16,932
-The network started to get very
nervous.
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00:09:16,956 --> 00:09:19,201
Nobody had ever gone
where this piece had gone,
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00:09:19,225 --> 00:09:23,272
and they sort of went
from it being eight hours,
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00:09:23,296 --> 00:09:26,141
which became the official
running time bible,
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00:09:26,165 --> 00:09:28,610
to maybe it should be four,
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00:09:28,634 --> 00:09:30,903
at which point
George said, goodbye.
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00:09:35,708 --> 00:09:37,819
We were looking for a director.
207
00:09:37,843 --> 00:09:38,921
We had an air date.
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00:09:40,212 --> 00:09:43,392
Stephen
King's IT starting tomorrow.
209
00:09:43,416 --> 00:09:46,061
Tommy Lee Wallace came to mind.
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00:09:46,085 --> 00:09:47,996
Tommy was also a writer.
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00:09:48,020 --> 00:09:51,900
Part two needed the help and
I felt that a director-writer
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00:09:51,924 --> 00:09:54,069
would probably be
the person to do that.
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00:09:54,093 --> 00:09:56,338
-And action!
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00:09:56,362 --> 00:10:01,109
I cut my teeth on synopsizing
manuscripts for agents
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00:10:01,133 --> 00:10:04,346
and developed a knack
for condensing novels
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00:10:04,370 --> 00:10:07,683
into a couple of pages
of synopsis,
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00:10:07,707 --> 00:10:11,386
So I just made an attempt
to do that with the book.
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00:10:11,410 --> 00:10:14,289
Larry Cohen wrote
this wonderful script,
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00:10:14,313 --> 00:10:16,224
and I'm referring to
night number one
220
00:10:16,248 --> 00:10:18,760
because that's what got me
truly excited.
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00:10:18,784 --> 00:10:21,063
The trick in IT was
222
00:10:21,087 --> 00:10:23,732
in putting on the King hat
223
00:10:23,756 --> 00:10:26,702
and going, "Okay,
I've now read this 400 times,
224
00:10:26,726 --> 00:10:29,838
I breathe it with
every pore of my body,
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00:10:29,862 --> 00:10:32,774
and I'm gonna pretend
I'm Stephen King
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00:10:32,798 --> 00:10:35,677
for as long as it takes for me
to get this done."
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00:10:35,701 --> 00:10:37,913
I did three-by-five cards
on the wall,
228
00:10:37,937 --> 00:10:41,683
and I went, "Okay, we're missing
how you get from here to here.
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00:10:41,707 --> 00:10:44,019
It's not in what he wrote."
230
00:10:44,043 --> 00:10:48,290
I retained a part of Steve's
back-and-forth juggling...
231
00:10:48,314 --> 00:10:50,292
I brought this old
photo album from home.
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00:10:50,316 --> 00:10:51,860
Of the two time periods.
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00:10:51,884 --> 00:10:55,163
I thought it had a lot
of emotional resonance.
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00:10:55,187 --> 00:10:57,432
That's
the only time I've ever seen
235
00:10:57,456 --> 00:11:01,136
the absurdity of
a seven-act TV movie structure
236
00:11:01,160 --> 00:11:04,940
actually work because of the
seven characters involved.
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00:11:04,964 --> 00:11:06,475
So, for the first night,
238
00:11:06,499 --> 00:11:09,211
the structural job
became really clear
239
00:11:09,235 --> 00:11:13,348
and weirdly the limitation
became a tremendous asset.
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00:11:13,372 --> 00:11:15,350
Each act focused on
241
00:11:15,374 --> 00:11:16,618
one of the characters
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00:11:16,642 --> 00:11:19,388
and told the story
of what happened in childhood
243
00:11:19,412 --> 00:11:22,324
and the alarm being
sounded for them.
244
00:11:22,348 --> 00:11:23,825
- Hello?
- Beverly,
245
00:11:23,849 --> 00:11:25,160
it's Mike Hanlon.
246
00:11:25,184 --> 00:11:28,096
-I was less enamored
with the second night
247
00:11:28,120 --> 00:11:33,101
because it deviated so far away
from the novel itself.
248
00:11:33,125 --> 00:11:34,870
I didn't know that
in the beginning
249
00:11:34,894 --> 00:11:37,739
because I hadn't read the novel,
but I knew something was amiss.
250
00:11:37,763 --> 00:11:40,075
It just didn't
deliver the goods.
251
00:11:40,099 --> 00:11:42,044
The husband of Bevy...
252
00:11:42,068 --> 00:11:43,845
-No, I'm not married.
253
00:11:43,869 --> 00:11:45,414
Re-entered the picture
254
00:11:45,438 --> 00:11:49,017
and became kind of
the villain of the piece.
255
00:11:49,041 --> 00:11:50,318
-
- Being more or less
256
00:11:50,342 --> 00:11:53,088
animated by Pennywise.
257
00:11:53,112 --> 00:11:55,157
In dramatic terms,
258
00:11:55,181 --> 00:11:59,161
it did what it needed to do
to bring the movie to an end,
259
00:11:59,185 --> 00:12:02,064
but it had little to do
with the book
260
00:12:02,088 --> 00:12:05,033
and I felt like it
kind of gypped the viewer.
261
00:12:05,057 --> 00:12:09,771
It was a much more prosaic
TV-style climax.
262
00:12:09,795 --> 00:12:12,007
[
263
00:12:12,031 --> 00:12:14,476
-I was candid with Larry
about that.
264
00:12:14,500 --> 00:12:18,880
And by this point, the impetus
is moving to Vancouver
265
00:12:18,904 --> 00:12:22,951
and Larry couldn't come
to Vancouver to work with me
266
00:12:22,975 --> 00:12:26,321
to bring the second night
up to the first.
267
00:12:26,345 --> 00:12:28,056
By this time,
I'd been working on the project
268
00:12:28,080 --> 00:12:29,991
for about two-and-a-half,
three years.
269
00:12:30,015 --> 00:12:31,560
Not quite as long as
it took Steve to write it
270
00:12:31,584 --> 00:12:34,029
but the runner-up prize.
271
00:12:34,053 --> 00:12:35,964
We were about to start Carrie
272
00:12:35,988 --> 00:12:38,266
with the Royal Shakespeare
Company over in England
273
00:12:38,290 --> 00:12:41,303
and I was owing a draft
on something else, and I went,
274
00:12:41,327 --> 00:12:45,364
"I think this is my cue to say,
'Go with God. I'm done.'"
275
00:12:46,932 --> 00:12:49,377
So, the job fell to the best guy
276
00:12:49,401 --> 00:12:52,981
I could find for free, me.
277
00:12:53,005 --> 00:12:55,350
And so,
I did the rewrite myself.
278
00:12:55,374 --> 00:12:58,220
And in this case,
we simply were up against
279
00:12:58,244 --> 00:13:00,922
a production schedule
that was hurtling toward us
280
00:13:00,946 --> 00:13:03,125
and was not going to be
pushed back.
281
00:13:03,149 --> 00:13:05,460
So I just went back to
the book again and again
282
00:13:05,484 --> 00:13:09,598
until I could find a way
to bring the adult story around
283
00:13:09,622 --> 00:13:13,135
to something
resembling the book.
284
00:13:13,159 --> 00:13:17,839
It really is a deep challenge
to condense a novel
285
00:13:17,863 --> 00:13:20,408
that rich, that deep,
that dense,
286
00:13:20,432 --> 00:13:24,012
into just a few hours
of television.
287
00:13:24,036 --> 00:13:26,948
I used Mike
as a narrative device.
288
00:13:26,972 --> 00:13:28,984
-I'm sure by now
you all remember
289
00:13:29,008 --> 00:13:31,219
what was going on
in Derry 30 years ago.
290
00:13:31,243 --> 00:13:34,456
There was a rash of killings,
maimings, disappearances.
291
00:13:34,480 --> 00:13:36,958
Because
you can save a lot of frames of film
292
00:13:36,982 --> 00:13:39,895
if somebody's summing up
the story.
293
00:13:39,919 --> 00:13:41,496
-Henry Bowers confessed to everything,
294
00:13:41,520 --> 00:13:42,831
and the killing stopped.
295
00:13:42,855 --> 00:13:44,399
I thought
it was poignant for him
296
00:13:44,423 --> 00:13:46,935
and helped his character
actually.
297
00:13:46,959 --> 00:13:51,072
But it was going so fast
that at night in the hotel
298
00:13:51,096 --> 00:13:52,096
I would just...
299
00:13:54,500 --> 00:13:56,411
as fast as I could go.
300
00:13:56,435 --> 00:13:58,647
I don't think Night Two
is the masterpiece
301
00:13:58,671 --> 00:14:00,182
that Night One is,
302
00:14:00,206 --> 00:14:04,486
because I do respect
Larry Cohen's script
303
00:14:04,510 --> 00:14:06,922
and didn't feel all that great
304
00:14:06,946 --> 00:14:09,624
about changing
it so drastically.
305
00:14:09,648 --> 00:14:11,593
-Tommy Lee
did what he needed to do
306
00:14:11,617 --> 00:14:13,586
given what the circumstances
were.
307
00:14:29,501 --> 00:14:31,112
This reminds you
very much of your childhood,
308
00:14:31,136 --> 00:14:32,180
this neighborhood?
309
00:14:32,204 --> 00:14:33,515
Yes, it does.
310
00:14:33,539 --> 00:14:35,951
It does. Same dirt road.
311
00:14:35,975 --> 00:14:39,087
Same old Grange Hall
at the end of the road.
312
00:14:39,111 --> 00:14:40,388
That's you.
313
00:14:40,412 --> 00:14:41,723
That's me
when I sold my first story.
314
00:14:41,747 --> 00:14:44,659
I look a little bit surprised
about the whole thing.
315
00:14:44,683 --> 00:14:47,629
-Stephen King
is such great drama and mystery.
316
00:14:47,653 --> 00:14:50,932
And for as much as his books are
about horrific things,
317
00:14:50,956 --> 00:14:54,269
they are mostly about
deeply human
318
00:14:54,293 --> 00:14:56,238
psychological thought processes,
319
00:14:56,262 --> 00:14:59,407
so you get a lot of
deep character study.
320
00:14:59,431 --> 00:15:01,309
Well, I'd read most of the books
321
00:15:01,333 --> 00:15:03,712
because he's a master of
narrative.
322
00:15:03,736 --> 00:15:06,314
He tells a whacking good story.
323
00:15:06,338 --> 00:15:09,417
-People would say you ought to
write about what you know.
324
00:15:09,441 --> 00:15:12,954
I grew up in a small town.
We had no running water.
325
00:15:12,978 --> 00:15:14,589
I went to a one-room school
326
00:15:14,613 --> 00:15:17,525
with all the grades
together and.
327
00:15:17,549 --> 00:15:20,362
Somebody had to go up
to a house and bring back water.
328
00:15:20,386 --> 00:15:22,130
And to me, the whole existence
329
00:15:22,154 --> 00:15:25,333
was not pastoral
or beautiful or anything.
330
00:15:25,357 --> 00:15:26,368
It was just boring.
331
00:15:26,392 --> 00:15:27,736
I wanted to be in outer space.
332
00:15:27,760 --> 00:15:32,040
I wanted to fight monsters
in the swamps of the Amazon.
333
00:15:32,064 --> 00:15:34,042
So those were the things
that I wrote about.
334
00:15:34,066 --> 00:15:37,245
And later I found a way to.
335
00:15:37,269 --> 00:15:39,514
Blend those two interests:
336
00:15:39,538 --> 00:15:43,251
My interest in what was
strange and... and alien
337
00:15:43,275 --> 00:15:46,554
and the places where I lived
and where I grew up.
338
00:15:46,578 --> 00:15:47,756
Most of his works are
339
00:15:47,780 --> 00:15:50,091
difficult to turn into films.
340
00:15:50,115 --> 00:15:52,160
Because if you try to.
341
00:15:52,184 --> 00:15:54,663
Visually show an audience
what this.
342
00:15:54,687 --> 00:15:56,631
Incredibly talented writer
343
00:15:56,655 --> 00:16:01,369
that uses the English language
in order to have the reader
344
00:16:01,393 --> 00:16:06,174
conjure up their worst fears,
it doesn't always work.
345
00:16:06,198 --> 00:16:08,710
-The movie has to capture
346
00:16:08,734 --> 00:16:12,781
some of the spirit of
the writer's heart and-and mind.
347
00:16:12,805 --> 00:16:14,749
And if it doesn't,
generally speaking,
348
00:16:14,773 --> 00:16:17,218
what the reader went to the book
and found and loved,
349
00:16:17,242 --> 00:16:18,787
the movie audience won't.
350
00:16:18,811 --> 00:16:20,655
-It's hard to capture
all the little nuances
351
00:16:20,679 --> 00:16:22,290
that he puts in his books.
352
00:16:22,314 --> 00:16:24,192
His stuff was such an influence
353
00:16:24,216 --> 00:16:26,761
on so many filmmakers as well,
as far as storytelling.
354
00:16:26,785 --> 00:16:29,464
Steve's
got a very particular genius
355
00:16:29,488 --> 00:16:31,599
in creating villains.
356
00:16:31,623 --> 00:16:34,536
They become iconic
and come into a level
357
00:16:34,560 --> 00:16:37,072
of the public's consciousness
and the viewer's conscious
358
00:16:37,096 --> 00:16:38,540
that's forever.
359
00:16:38,564 --> 00:16:40,141
-You were one
of the first people
360
00:16:40,165 --> 00:16:42,410
to have the idea that a clown
361
00:16:42,434 --> 00:16:45,513
could be a scary figure.
362
00:16:45,537 --> 00:16:48,049
Did you find clowns scary
when you were a kid?
363
00:16:48,073 --> 00:16:50,752
-Well, you know, as a kid
going to the circus,
364
00:16:50,776 --> 00:16:53,355
there would be like,
12 full-grown people
365
00:16:53,379 --> 00:16:55,824
that would all pile out
of a little tiny car.
366
00:16:55,848 --> 00:16:58,226
Their faces were dead white.
367
00:16:58,250 --> 00:17:01,196
Their mouths were red as
though they were full of blood.
368
00:17:01,220 --> 00:17:03,431
They're all screaming.
Their eyes are huge.
369
00:17:03,455 --> 00:17:04,615
What's not to like, you know?
370
00:17:07,493 --> 00:17:11,139
The circus is
still the greatest show on earth,
371
00:17:11,163 --> 00:17:15,543
and to have a circus,
you have to have clowns.
372
00:17:18,537 --> 00:17:21,249
Well, there's
a long tradition of clowns.
373
00:17:21,273 --> 00:17:24,452
When I was a kid and used to go
to pantomimes in England,
374
00:17:24,476 --> 00:17:27,288
they used to have a guy
whose name I think
375
00:17:27,312 --> 00:17:30,492
was Charlie Cairoli,
who wore the classic
376
00:17:30,516 --> 00:17:34,462
kind of pointed hat
and was rather a gentleman.
377
00:17:34,486 --> 00:17:36,564
He wasn't threatening at all.
378
00:17:36,588 --> 00:17:38,133
Growing up,
my brother was into clowns
379
00:17:38,157 --> 00:17:40,135
and ran away
and joined the circus.
380
00:17:40,159 --> 00:17:43,505
If you've ever been
backstage at a circus,
381
00:17:43,529 --> 00:17:46,174
it changes your perceptions
of clowns.
382
00:17:46,198 --> 00:17:49,778
-Often there's sort of mayhem
involved with being a clown.
383
00:17:49,802 --> 00:17:54,449
-They're usually, both
silly and scary or playful,
384
00:17:54,473 --> 00:17:56,451
which can all be frightening
to a kid.
385
00:17:56,475 --> 00:17:58,787
-I went to the circus in 1974,
386
00:17:58,811 --> 00:18:01,289
when I was a little kid,
and I have a photo of me
387
00:18:01,313 --> 00:18:02,724
where the clown's putting
his arm around me,
388
00:18:02,748 --> 00:18:03,758
and I'm only about this tall.
389
00:18:03,782 --> 00:18:06,461
And I have this
paralyzed look like, you know,
390
00:18:06,485 --> 00:18:07,695
I'm not happy.
391
00:18:07,719 --> 00:18:08,431
I think it's almost archetypal
392
00:18:08,455 --> 00:18:10,231
in the sense that clowns,
393
00:18:10,255 --> 00:18:12,267
like Pagliacci, the opera...
394
00:18:12,291 --> 00:18:14,569
There's always something
behind that smile.
395
00:18:14,593 --> 00:18:18,273
-I think prima facie,
clowns are fucking scary.
396
00:18:18,297 --> 00:18:20,175
Even when you're enjoying them,
397
00:18:20,199 --> 00:18:23,845
there's something in there
in the grotesquery of it all,
398
00:18:23,869 --> 00:18:26,548
and it's really in
the eyes, I think.
399
00:18:26,572 --> 00:18:28,883
You know, you can have
this very funny thing.
400
00:18:28,907 --> 00:18:31,252
Even if the mouth
isn't overtly scary,
401
00:18:31,276 --> 00:18:33,221
which sometimes
clown mouths are,
402
00:18:33,245 --> 00:18:36,157
but the minute
the eyes get hard,
403
00:18:36,181 --> 00:18:39,227
the minute the eyes aren't,
you know...
404
00:18:41,954 --> 00:18:43,555
You know, aren't that,
and they go.
405
00:18:47,759 --> 00:18:49,204
Wow!
406
00:18:49,228 --> 00:18:51,372
-I would go to McDonald's
when I was a little kid.
407
00:18:51,396 --> 00:18:54,409
I would not go hang out with
the Ronald McDonald cutout.
408
00:18:54,433 --> 00:18:55,510
-The fry guy!
409
00:18:55,534 --> 00:18:57,378
-There's something
weird about it.
410
00:18:57,402 --> 00:18:59,714
I didn't think he was going to
grow teeth and eat my face.
411
00:18:59,738 --> 00:19:01,716
-Not every single clown you see
412
00:19:01,740 --> 00:19:04,519
makes you want to
instantly turn around
413
00:19:04,543 --> 00:19:05,488
and run away in horror.
414
00:19:05,512 --> 00:19:07,555
I think adults and kids
415
00:19:07,579 --> 00:19:09,824
understand clowns
very differently.
416
00:19:09,848 --> 00:19:11,726
I can't go to circuses.
417
00:19:11,750 --> 00:19:14,295
I can't go somewhere
where there's clowns,
418
00:19:14,319 --> 00:19:15,930
even a picture of it.
419
00:19:15,954 --> 00:19:17,554
What's going
to happen if you look at it?
420
00:19:19,324 --> 00:19:21,803
It is a phobia,
and it is called coulrophobia.
421
00:19:21,827 --> 00:19:24,806
The majority of people that are
afraid of clowns are adults.
422
00:19:31,236 --> 00:19:32,847
I think for kids,
423
00:19:32,871 --> 00:19:34,282
clowns are great fun.
424
00:19:34,306 --> 00:19:37,418
There's just not any menace
or danger at all.
425
00:19:37,442 --> 00:19:39,988
And Steve's particular spin
was to take something
426
00:19:40,012 --> 00:19:41,990
that's much loved and familiar
427
00:19:42,014 --> 00:19:45,493
and ratchet it up
as far as it could possibly go.
428
00:19:45,517 --> 00:19:46,761
-Somebody who's got problems
429
00:19:46,785 --> 00:19:50,465
and fears and phobias,
they go to a psychiatrist,
430
00:19:50,489 --> 00:19:52,800
and it costs maybe
150 dollars an hour.
431
00:19:52,824 --> 00:19:53,968
And they don't even get
a full hour,
432
00:19:53,992 --> 00:19:55,603
they get 50 minutes.
433
00:19:55,627 --> 00:19:57,805
I do what people pay me.
434
00:19:57,829 --> 00:19:59,374
There's lots of things
435
00:19:59,398 --> 00:20:01,910
that feed into what
King was doing
436
00:20:01,934 --> 00:20:04,946
with creating a clown
as the main antagonist.
437
00:20:04,970 --> 00:20:07,448
At the time, John Wayne Gacy
had just happened,
438
00:20:07,472 --> 00:20:09,784
so we're dealing with
people being afraid of clowns,
439
00:20:09,808 --> 00:20:12,253
and the guy next door
is a threat.
440
00:20:12,277 --> 00:20:13,955
-At one point,
I saw a painting of Pennywise
441
00:20:13,979 --> 00:20:15,857
that Gacy had done.
442
00:20:15,881 --> 00:20:17,325
A dark landscape,
443
00:20:17,349 --> 00:20:18,626
a portrait of Elvis,
444
00:20:18,650 --> 00:20:20,528
and a scene with seven dwarfs.
445
00:20:20,552 --> 00:20:23,431
But this is the work
of John Wayne Gacy,
446
00:20:23,455 --> 00:20:26,935
an evil man who buried
more than 25 of his victims
447
00:20:26,959 --> 00:20:29,604
in the crawl space
of his own house.
448
00:20:29,628 --> 00:20:32,540
Arts Factory owner
showed us five pieces,
449
00:20:32,564 --> 00:20:34,609
including this
Pennywise the Clown
450
00:20:34,633 --> 00:20:36,411
from Stephen King's IT.
451
00:20:36,435 --> 00:20:39,447
-I was like, should
I be flattered or offended?
452
00:20:39,471 --> 00:20:40,748
I don't know
how I feel about this.
453
00:20:40,772 --> 00:20:43,851
The scary
clown is that realization
454
00:20:43,875 --> 00:20:46,588
deep within the child that
they can't express, that no,
455
00:20:46,612 --> 00:20:48,389
something's not quite
right in the world, you know.
456
00:20:48,413 --> 00:20:50,692
Like, I've seen the homeless guy
in the street.
457
00:20:50,716 --> 00:20:52,827
-Any spare change, mister?
458
00:20:52,851 --> 00:20:55,029
-Or, you know, I've seen
really sick people,
459
00:20:55,053 --> 00:20:57,899
or I myself have experienced
some kind of abuse
460
00:20:57,923 --> 00:20:59,701
or discrimination, right?
461
00:20:59,725 --> 00:21:01,803
But you're not supposed
to talk about it as a child.
462
00:21:01,827 --> 00:21:04,305
You feel like you have to
smile and be happy.
463
00:21:06,031 --> 00:21:07,308
That's
what the evil clown is about.
464
00:21:07,332 --> 00:21:09,744
It's about the fact
that there's something rotten.
465
00:21:10,836 --> 00:21:12,213
-at the heart of society.
466
00:21:12,237 --> 00:21:15,350
This whole town
is IT in some way. All of them.
467
00:21:15,374 --> 00:21:17,719
-And as a kid, you're
not allowed to express it.
468
00:21:17,743 --> 00:21:18,987
Pennywise is really important
469
00:21:19,011 --> 00:21:22,824
because the '50s were
considered safe and sweet
470
00:21:22,848 --> 00:21:25,560
and nostalgic and fun.
471
00:21:25,584 --> 00:21:28,763
And at the heart of it,
they're not.
472
00:21:28,787 --> 00:21:31,733
So, the clown works
on that metaphorical level
473
00:21:31,757 --> 00:21:34,402
that it's saying this is
what the decade was like.
474
00:21:34,426 --> 00:21:35,637
On the outside, it's one thing.
475
00:21:35,661 --> 00:21:38,406
Inside, it's something
completely different.
476
00:21:38,430 --> 00:21:40,608
The mythology
of clowns being scary
477
00:21:40,632 --> 00:21:44,579
has exponentially grown
over the last 20 years.
478
00:21:44,603 --> 00:21:45,813
Fuck you!
479
00:21:45,837 --> 00:21:48,916
-I do feel as though this book
480
00:21:48,940 --> 00:21:51,386
and this movie
had some influence on that.
481
00:21:51,410 --> 00:21:53,488
-I was about five or six
482
00:21:53,512 --> 00:21:55,657
and I was in
a video rental store,
483
00:21:55,681 --> 00:21:57,558
and then all of a sudden,
there's this face
484
00:21:57,582 --> 00:21:59,627
just staring back at me,
and I just froze.
485
00:21:59,651 --> 00:22:00,928
Like, if you see a spider,
you freeze with fear,
486
00:22:00,952 --> 00:22:02,196
and I just froze.
487
00:22:02,220 --> 00:22:05,466
People,
I think, perceptions change
488
00:22:05,490 --> 00:22:07,602
because that's what
they're being sold.
489
00:22:07,626 --> 00:22:10,438
They're being sold
that clowns are scary.
490
00:22:10,462 --> 00:22:11,706
Sightings of a mysterious clown
491
00:22:11,730 --> 00:22:12,874
have been creeping out
492
00:22:12,898 --> 00:22:14,008
some people in Staten Island.
493
00:22:14,032 --> 00:22:15,810
-Media sites have been abuzz
with stories
494
00:22:15,834 --> 00:22:18,146
of a mysterious
and creepy clown.
495
00:22:18,170 --> 00:22:20,548
-And you know,
I'm sure that Pennywise
496
00:22:20,572 --> 00:22:22,850
and John Wayne Gacy
didn't do the best job
497
00:22:22,874 --> 00:22:25,486
in creating a positive image
of clowns.
498
00:22:25,510 --> 00:22:28,022
And I'm sure it wasn't
Tim Curry's goal
499
00:22:28,046 --> 00:22:30,825
to have people hate clowns
for the rest of their lives.
500
00:22:30,849 --> 00:22:32,493
But I think it is
kind of a hallmark
501
00:22:32,517 --> 00:22:33,895
of a good performance.
502
00:22:33,919 --> 00:22:36,164
He had a tremendous impact on
503
00:22:36,188 --> 00:22:38,599
growing people's fears
about clowns.
504
00:22:38,623 --> 00:22:40,601
I can't say
that I ever saw clowns
505
00:22:40,625 --> 00:22:42,136
as being threatening,
506
00:22:42,160 --> 00:22:44,672
although I loved
being threatening.
507
00:22:44,696 --> 00:22:46,974
That's it! Let go!
508
00:22:46,998 --> 00:22:48,743
Be afraid!
509
00:22:48,767 --> 00:22:50,511
-It was a lot of fun.
510
00:22:50,535 --> 00:22:51,713
There's enough room
511
00:22:51,737 --> 00:22:54,549
in our understanding of clowns
512
00:22:54,573 --> 00:22:57,151
to have some of them
be not so scary,
513
00:22:57,175 --> 00:22:58,953
to be sweet and nice,
514
00:22:58,977 --> 00:23:01,189
and maybe some of them
just downright awesome.
515
00:23:01,213 --> 00:23:03,157
Beep-beep.
516
00:23:16,128 --> 00:23:18,072
Push this closer
to the monster, please.
517
00:23:21,032 --> 00:23:22,643
A little farther,
Tim. Find the light.
518
00:23:22,667 --> 00:23:24,212
All right, here
we go. Yeah. Thank you.
519
00:23:24,236 --> 00:23:25,114
And clear, please.
520
00:23:25,138 --> 00:23:26,981
And action!
521
00:23:27,005 --> 00:23:29,217
I believe casting has been
522
00:23:29,241 --> 00:23:31,519
as much a contributing factor
523
00:23:31,543 --> 00:23:34,222
to the success
of my version of IT
524
00:23:34,246 --> 00:23:36,190
as any other factor at all.
525
00:23:36,214 --> 00:23:39,193
It was beautifully cast. Period.
526
00:23:39,217 --> 00:23:42,130
-They brought me the script
and they said,
527
00:23:42,154 --> 00:23:44,198
"You want to do it?"
And I'm like, "Well, yeah."
528
00:23:44,222 --> 00:23:45,967
This is an amazing piece.
529
00:23:45,991 --> 00:23:48,669
We knew what we had
when we were working on it.
530
00:23:48,693 --> 00:23:52,006
Pennywise was
such a brilliant character.
531
00:23:52,030 --> 00:23:54,108
-We were looking
for television leads
532
00:23:54,132 --> 00:23:57,678
to promote the picture
in our marketing campaign.
533
00:23:57,702 --> 00:23:59,680
Victoria turned her list in,
534
00:23:59,704 --> 00:24:02,941
and we began going after
the network-approved actors.
535
00:24:04,142 --> 00:24:07,522
We had approval
of Harvey Fierstein
536
00:24:07,546 --> 00:24:12,560
to star as Pennywise.
And we were saying,
537
00:24:12,584 --> 00:24:14,695
"We need to continue to
look on the list here.
538
00:24:14,719 --> 00:24:16,831
We don't know whether
the network will approve him."
539
00:24:16,855 --> 00:24:17,999
I think they'd
mentioned it was going to be
540
00:24:18,023 --> 00:24:20,067
either Roddy McDowell
or Malcolm McDowell.
541
00:24:20,091 --> 00:24:23,638
-And they explored Alice Cooper
at one juncture.
542
00:24:23,662 --> 00:24:25,640
-So, who else have we got?
543
00:24:27,699 --> 00:24:30,111
-I do remember
that we had brought up
544
00:24:30,135 --> 00:24:32,847
Rocky Horror Show
and said, "Look at that."
545
00:24:32,871 --> 00:24:35,616
-I had to buy the Rocky Horror
Picture Show album,
546
00:24:35,640 --> 00:24:38,643
I had to buy the books,
I had to buy the scripts.
547
00:24:40,011 --> 00:24:41,889
You're a very expensive date.
548
00:24:41,913 --> 00:24:42,990
-I know.
549
00:24:43,014 --> 00:24:44,625
-Just the freedom
of the character,
550
00:24:44,649 --> 00:24:47,562
the intensity
that he gave to it,
551
00:24:47,586 --> 00:24:50,031
was so wonderful
and you could see
552
00:24:50,055 --> 00:24:52,266
that this would
translate brilliantly
553
00:24:52,290 --> 00:24:53,901
into a horror character.
554
00:24:53,925 --> 00:24:55,069
-How 'bout that?!
555
00:24:55,093 --> 00:24:58,906
-We were focused on Tim Curry.
556
00:24:58,930 --> 00:25:00,141
-Me?
557
00:25:00,165 --> 00:25:01,909
I think he's
one of the best actors
558
00:25:01,933 --> 00:25:03,211
that's ever come out of England,
559
00:25:03,235 --> 00:25:05,112
and I don't think
he gets his due.
560
00:25:05,136 --> 00:25:06,180
Was there any time in your life
561
00:25:06,204 --> 00:25:07,715
when you said, "I
want to be an actor"?
562
00:25:07,739 --> 00:25:09,050
Yes, I did, actually.
563
00:25:09,074 --> 00:25:09,785
What is there in it
564
00:25:09,809 --> 00:25:10,876
which appeals to you most?
565
00:25:12,711 --> 00:25:15,590
-A sort of voluntary
schizophrenia, really.
566
00:25:15,614 --> 00:25:19,794
It's a high-risk profession
and I enjoy risks.
567
00:25:19,818 --> 00:25:21,796
He's created
so many iconic characters
568
00:25:21,820 --> 00:25:22,930
that we've known through time,
569
00:25:22,954 --> 00:25:25,132
and they've been
so uniquely different.
570
00:25:25,156 --> 00:25:27,602
You said that
being British in Hollywood means
571
00:25:27,626 --> 00:25:29,770
that you're usually stuck
playing a butler or a villain,
572
00:25:29,794 --> 00:25:30,805
but that's okay with you.
573
00:25:30,829 --> 00:25:32,073
-I think that they probably feel
574
00:25:32,097 --> 00:25:35,343
that we bring some kind of
style to the... the job
575
00:25:35,367 --> 00:25:36,477
that... that we might not
576
00:25:36,501 --> 00:25:38,813
necessarily have acquired
in the States.
577
00:25:38,837 --> 00:25:39,947
Yeah, but you
know what I think it is about you?
578
00:25:39,971 --> 00:25:41,148
I think it's that
you're very seductive
579
00:25:41,172 --> 00:25:43,851
and, you know, I thought
if you were the devil,
580
00:25:43,875 --> 00:25:44,952
I would pay to go to hell.
581
00:25:46,278 --> 00:25:47,722
His Darkness character has
582
00:25:47,746 --> 00:25:50,291
stood out from any other
devil I've ever seen.
583
00:25:50,315 --> 00:25:52,660
Looking at
his body of work, I feel like,
584
00:25:52,684 --> 00:25:54,262
there's nothing
that he can't do.
585
00:25:55,620 --> 00:25:57,899
Is he available?
586
00:25:57,923 --> 00:25:59,066
-I will kill you all.
587
00:25:59,090 --> 00:26:01,202
-Is he interested?
588
00:26:01,226 --> 00:26:02,637
Can we make a deal?
589
00:26:02,661 --> 00:26:03,671
-I'll kill you all.
590
00:26:03,695 --> 00:26:05,106
-Will the network
be okay with it?
591
00:26:05,130 --> 00:26:06,974
-You are priceless!
592
00:26:06,998 --> 00:26:09,043
-Of course, everyone was.
593
00:26:09,067 --> 00:26:11,979
I didn't audition
or even do a meeting.
594
00:26:12,003 --> 00:26:13,948
They just asked me
if I wanted to do it,
595
00:26:13,972 --> 00:26:15,850
and I said, yes, I did.
596
00:26:15,874 --> 00:26:17,852
Tim Curry
just had all those elements
597
00:26:17,876 --> 00:26:20,245
that he would be fearless
in the role.
598
00:26:21,713 --> 00:26:24,125
-Kiss me, fat boy!
599
00:26:25,884 --> 00:26:28,296
-He brought
more to the character
600
00:26:28,320 --> 00:26:30,197
than what was
written on the page.
601
00:26:30,221 --> 00:26:32,667
So, he was
approved at the network
602
00:26:32,691 --> 00:26:34,268
and the rest is history.
603
00:26:34,292 --> 00:26:36,170
-You all taste so much better
604
00:26:36,194 --> 00:26:40,408
when you're afraid,
really afraid!
605
00:26:40,432 --> 00:26:42,810
Tim
brings his considerable intellect
606
00:26:42,834 --> 00:26:44,636
when he does a part.
607
00:26:46,338 --> 00:26:48,249
I sometimes
ask myself that question
608
00:26:48,273 --> 00:26:49,550
after I've done a take.
609
00:26:49,574 --> 00:26:51,886
One of the great advantages
is that you can whisper.
610
00:26:51,910 --> 00:26:54,789
I mean, that you can do things
that are very small
611
00:26:54,813 --> 00:26:57,291
which you couldn't do
on... on a stage
612
00:26:57,315 --> 00:26:59,794
and then that's what
I'm discovering about that.
613
00:26:59,818 --> 00:27:01,062
We didn't talk at great length
614
00:27:01,086 --> 00:27:04,265
intellectually about it
because it was clear to me
615
00:27:04,289 --> 00:27:06,734
that he had the correct
instincts.
616
00:27:06,758 --> 00:27:09,003
-It's got to be true,
617
00:27:09,027 --> 00:27:11,906
whatever you're doing,
and the camera picks that up
618
00:27:11,930 --> 00:27:17,244
much more cruelly than
anything else.
619
00:27:17,268 --> 00:27:20,748
Tim Curry
managed to capture the humor
620
00:27:20,772 --> 00:27:22,083
that a clown can bring.
621
00:27:24,442 --> 00:27:26,120
-And then
just managed to switch it.
622
00:27:27,445 --> 00:27:30,191
And be
this magnificent evil villain
623
00:27:30,215 --> 00:27:32,293
that would kill you and eat you.
624
00:27:32,317 --> 00:27:33,294
Like that.
625
00:27:33,318 --> 00:27:34,895
-I'll kill you all!
626
00:27:34,919 --> 00:27:38,065
-In a funny way,
it's a very simple performance.
627
00:27:38,089 --> 00:27:43,070
-Take your pick,
B-B-B-Billy boy!
628
00:27:43,094 --> 00:27:44,905
Whenever you
see fearlessness in a colleague,
629
00:27:44,929 --> 00:27:46,774
it's always an inspiration.
630
00:27:46,798 --> 00:27:49,210
Some
wise person in the movie business
631
00:27:49,234 --> 00:27:53,014
said for directors the key is...
632
00:27:53,038 --> 00:27:55,816
90 percent of it is
casting the right actor
633
00:27:55,840 --> 00:27:57,852
and then
getting out of their way.
634
00:27:57,876 --> 00:28:00,187
Tim was a director's dream.
635
00:28:00,211 --> 00:28:01,322
A little further, Tim.
636
00:28:01,346 --> 00:28:03,791
Find the light, uh,
somewhere in there.
637
00:28:03,815 --> 00:28:04,992
There's not much there.
638
00:28:05,016 --> 00:28:07,161
Okay. There! There's some.
639
00:28:08,120 --> 00:28:10,264
I liked Tommy Lee a lot.
640
00:28:10,288 --> 00:28:13,191
He was very direct,
which was nice.
641
00:28:16,394 --> 00:28:21,075
-Tommy Lee Wallace was a
brilliantly minimalist director.
642
00:28:21,099 --> 00:28:22,743
Remember in-in the script,
643
00:28:22,767 --> 00:28:24,345
where I talked about,
644
00:28:24,369 --> 00:28:27,014
and I hope we still have it
standing by.
645
00:28:27,038 --> 00:28:29,383
-He basically trusts his casting
646
00:28:29,407 --> 00:28:33,821
and just gives the actors
their head and lets them do
647
00:28:33,845 --> 00:28:35,156
what they do well.
648
00:28:35,180 --> 00:28:37,058
He was very
clear about what he wanted.
649
00:28:37,082 --> 00:28:39,060
Now, his hands come up first,
650
00:28:39,084 --> 00:28:41,896
and then pulls himself up.
There. That's it.
651
00:28:41,920 --> 00:28:44,965
Which was
great. I really liked that.
652
00:28:44,989 --> 00:28:46,834
Okay, your chin's a little low.
653
00:28:46,858 --> 00:28:48,903
Ah, that's perfect.
654
00:28:48,927 --> 00:28:51,505
-Because then it
becomes a pleasure to deliver.
655
00:28:51,529 --> 00:28:54,942
I'll drive you crazy
and I'll kill you all!
656
00:28:54,966 --> 00:28:57,111
I'm every nightmare
you've ever had.
657
00:28:57,135 --> 00:29:00,014
I am your worst dream come true.
658
00:29:00,038 --> 00:29:03,984
I'm everything you
were ever afraid of.
659
00:29:04,008 --> 00:29:06,520
-He did give me a lot of room.
660
00:29:06,544 --> 00:29:11,058
Pennywise
was a very dangerous invention.
661
00:29:11,082 --> 00:29:14,028
And I use dangerous
in the best sense of the word.
662
00:29:15,453 --> 00:29:19,200
-What I mean by it is that
they're pitched at a level
663
00:29:19,224 --> 00:29:23,037
that totally can go very wrong
very quickly,
664
00:29:23,061 --> 00:29:24,538
with the wrong casting,
665
00:29:24,562 --> 00:29:26,107
with the wrong direction,
666
00:29:26,131 --> 00:29:27,908
with any number of
fill-in-the-blank
667
00:29:27,932 --> 00:29:29,477
mistake possibilities.
668
00:29:29,501 --> 00:29:35,316
Tim was the genius choice
that radiated perfection
669
00:29:35,340 --> 00:29:37,075
everywhere every time
he appeared.
670
00:29:49,387 --> 00:29:50,664
You guys don't have to do this.
671
00:29:50,688 --> 00:29:53,024
My dad says you have to know
when to take a stand.
672
00:29:55,093 --> 00:29:56,170
Let's get out of here!
673
00:29:56,194 --> 00:29:57,505
Yeah, let's go.
674
00:29:57,529 --> 00:30:00,040
We live in
dangerous times, boys and girls.
675
00:30:00,064 --> 00:30:03,511
I want you to be careful.
676
00:30:03,535 --> 00:30:07,014
Not just any
car. It 's a bicycle.
677
00:30:07,038 --> 00:30:09,884
They always made the best noise.
678
00:30:09,908 --> 00:30:11,152
Come on, Laurie Anne.
679
00:30:11,176 --> 00:30:12,987
It's gonna storm.
680
00:30:21,986 --> 00:30:23,230
No one even thought of
681
00:30:23,254 --> 00:30:25,199
going to Vancouver
in those days.
682
00:30:25,223 --> 00:30:27,401
I wish this
summer would never end.
683
00:30:27,425 --> 00:30:29,136
It's the best summer
of my whole life.
684
00:30:29,160 --> 00:30:31,138
Your hair is winter fire,
685
00:30:31,162 --> 00:30:33,898
January embers.
My heart burns there too.
686
00:30:35,366 --> 00:30:37,111
This was poor town.
687
00:30:37,135 --> 00:30:39,180
Yeah, still is.
688
00:30:39,204 --> 00:30:40,481
It's all I need.
689
00:30:40,505 --> 00:30:42,883
The wave
of filmmaking in Vancouver
690
00:30:42,907 --> 00:30:44,418
started in 1984.
691
00:30:44,442 --> 00:30:46,120
I think the dollar dropped.
692
00:30:46,144 --> 00:30:47,988
And so more shows started to go,
693
00:30:48,012 --> 00:30:50,524
"Oh, you can get a bigger bang
for your buck in Vancouver,
694
00:30:50,548 --> 00:30:52,593
and we're only
two hours away from LA."
695
00:30:52,617 --> 00:30:55,062
Hey!
696
00:30:55,086 --> 00:30:56,487
I'm back!
697
00:30:57,856 --> 00:31:01,168
When the time
came for us to start producing,
698
00:31:01,192 --> 00:31:05,406
I had Vancouver implanted in
my head as a place to go.
699
00:31:05,430 --> 00:31:06,208
You think
we're gonna let you have
700
00:31:06,232 --> 00:31:07,599
all the fun there, Billy boy?
701
00:31:10,602 --> 00:31:13,547
-Having such a big production
over such a long period of time
702
00:31:13,571 --> 00:31:15,082
created a huge buzz.
703
00:31:15,106 --> 00:31:19,520
-In '89,
it was really busy in town.
704
00:31:19,544 --> 00:31:23,014
Okay, here
we go. And roll, please.
705
00:31:26,017 --> 00:31:28,562
-The studio that we used
was called The Bridges
706
00:31:28,586 --> 00:31:33,601
and it was an abandoned shipyard
building that was converted.
707
00:31:33,625 --> 00:31:34,835
I was
working at Thomas Special Effects,
708
00:31:34,859 --> 00:31:37,671
which is a local special effects
house here in Vancouver,
709
00:31:37,695 --> 00:31:39,440
owned by John Thomas.
710
00:31:39,464 --> 00:31:41,375
He had a great
stable of crew people.
711
00:31:41,399 --> 00:31:43,210
He had all these
people that he nurtured
712
00:31:43,234 --> 00:31:45,679
and had what we call
"real-world" abilities...
713
00:31:45,703 --> 00:31:48,549
Welders, woodworkers, people
that work with fiberglass.
714
00:31:48,573 --> 00:31:51,385
They are all the veterans
of the film industry
715
00:31:51,409 --> 00:31:53,354
that Vancouver has created.
716
00:31:53,378 --> 00:31:54,955
It put a lot of people to work.
717
00:31:54,979 --> 00:31:56,457
It used a lot of locations
718
00:31:56,481 --> 00:31:58,492
and it also put Vancouver
on the map.
719
00:31:58,516 --> 00:32:00,418
- Cut!
- Cut! Very nice.
720
00:32:13,364 --> 00:32:15,209
What are you guys anyway?
721
00:32:15,233 --> 00:32:17,211
-We're sort of a club.
722
00:32:17,235 --> 00:32:19,046
I can
remember going to the movies
723
00:32:19,070 --> 00:32:21,749
and they used to have
Saturday matinees.
724
00:32:21,773 --> 00:32:24,251
We'd all line up,
usually with our money
725
00:32:24,275 --> 00:32:26,220
tied in a handkerchief
or something
726
00:32:26,244 --> 00:32:27,621
so we wouldn't lose it,
727
00:32:27,645 --> 00:32:28,856
and then we'd
get in the theater,
728
00:32:28,880 --> 00:32:32,026
and everybody would turn
their popcorn boxes into bugles
729
00:32:32,050 --> 00:32:34,228
and then the giant grasshoppers
would come on
730
00:32:34,252 --> 00:32:36,397
and destroy Chicago and London.
731
00:32:36,421 --> 00:32:39,500
I wrote about some of this stuff
in a book called IT.
732
00:32:39,524 --> 00:32:41,468
It's funny, I think a lot of us
733
00:32:41,492 --> 00:32:44,571
have only the haziest memories
of our childhood.
734
00:32:44,595 --> 00:32:46,573
-I don't remember much of it
at all, what we did.
735
00:32:46,597 --> 00:32:49,310
We can access
some of the good memories,
736
00:32:49,334 --> 00:32:51,612
and maybe we can access
some of the really bad memories
737
00:32:51,636 --> 00:32:54,214
if a bully beat us up
on the school yard.
738
00:32:54,238 --> 00:32:55,416
-You're dead!
739
00:32:55,440 --> 00:32:57,284
-But what I discovered
in writing IT was that
740
00:32:57,308 --> 00:33:00,020
the more I thought
about my childhood,
741
00:33:00,044 --> 00:33:02,222
the more
those memories came back.
742
00:33:02,246 --> 00:33:04,024
There's symbolism everywhere
743
00:33:04,048 --> 00:33:06,727
in the writing
that Stephen King created
744
00:33:06,751 --> 00:33:09,163
to express the fears
of all children
745
00:33:09,187 --> 00:33:11,131
that go through feeling
like a loser.
746
00:33:13,124 --> 00:33:14,401
Feeling like an outsider.
747
00:33:14,425 --> 00:33:15,436
You're only here because
748
00:33:15,460 --> 00:33:16,737
Mom says it's
our Christian duty.
749
00:33:16,761 --> 00:33:18,605
-That's what
the Losers Club was about
750
00:33:18,629 --> 00:33:22,142
and that's the bond that kept
these people together,
751
00:33:22,166 --> 00:33:24,778
because they didn't find
sanity, peace,
752
00:33:24,802 --> 00:33:28,549
or even really a loving family
except with each other.
753
00:33:28,573 --> 00:33:30,150
Their chosen family.
754
00:33:30,174 --> 00:33:32,252
We're seven now.
755
00:33:32,276 --> 00:33:33,277
Lucky seven.
756
00:33:34,779 --> 00:33:36,390
The gold
of the book were the kids.
757
00:33:36,414 --> 00:33:37,524
That's where I responded;
758
00:33:37,548 --> 00:33:39,626
I think it's where the
audience responded.
759
00:33:39,650 --> 00:33:42,629
That horror was
the icing on the cake,
760
00:33:42,653 --> 00:33:45,766
and very particular icing
in this case.
761
00:33:47,091 --> 00:33:50,437
We had
a casting director in Canada
762
00:33:50,461 --> 00:33:52,172
by the name of Sid Kozak,
and Mark and I
763
00:33:52,196 --> 00:33:53,207
did the U.S. casting.
764
00:33:53,231 --> 00:33:55,275
We were looking for three
765
00:33:55,299 --> 00:33:57,177
major things with the kids.
766
00:33:57,201 --> 00:33:59,279
One was a sense of humor.
767
00:33:59,303 --> 00:34:00,303
-Richie Tozier's my name.
768
00:34:01,539 --> 00:34:02,217
One was they always
had to do a scene
769
00:34:02,241 --> 00:34:05,753
that was painful and heartfelt.
770
00:34:05,777 --> 00:34:08,255
-You killed
my brother George, you bastard.
771
00:34:08,279 --> 00:34:10,691
-And then
they also had to be scared.
772
00:34:13,451 --> 00:34:14,795
A lot of times,
when you see them right off,
773
00:34:14,819 --> 00:34:17,865
you go, "They're not prepared
emotionally to handle this yet."
774
00:34:17,889 --> 00:34:19,266
You're looking for an old soul.
775
00:34:19,290 --> 00:34:21,568
You're looking for people
that have a pain
776
00:34:21,592 --> 00:34:25,172
and kids that could
truly, truly feel depth,
777
00:34:25,196 --> 00:34:26,607
truly feel the fear.
778
00:34:26,631 --> 00:34:29,209
Without projecting it,
779
00:34:29,233 --> 00:34:32,437
truly feel the camaraderie
of the humor of the group.
780
00:34:34,739 --> 00:34:36,383
And when you're coming in alone,
781
00:34:36,407 --> 00:34:38,252
that's hard for those kids.
782
00:34:38,276 --> 00:34:39,787
All these different characters
783
00:34:39,811 --> 00:34:42,122
that seem to come
from different backgrounds
784
00:34:42,146 --> 00:34:43,791
all had the same thing
in common...
785
00:34:43,815 --> 00:34:46,160
They're misfits,
they're outcasts,
786
00:34:46,184 --> 00:34:48,595
they have an undesirable
home life.
787
00:34:48,619 --> 00:34:49,997
-What you got there?
788
00:34:50,021 --> 00:34:51,498
They don't feel
like they're worth anything.
789
00:34:51,522 --> 00:34:52,699
-It's the Losers Club.
790
00:34:53,825 --> 00:34:55,903
-And yet,
when they all work together,
791
00:34:55,927 --> 00:34:58,172
they are literally unstoppable.
792
00:34:58,196 --> 00:35:02,176
-I think the six of us
could put you in the hospital.
793
00:35:02,200 --> 00:35:03,510
-Seven.
794
00:35:03,534 --> 00:35:04,845
-We went to the producers
to do a mix and match.
795
00:35:04,869 --> 00:35:08,449
We wanted to have three
in each roll for the first one
796
00:35:08,473 --> 00:35:10,651
and see how the
kids worked together.
797
00:35:10,675 --> 00:35:13,253
-It was
challenging having kids...
798
00:35:13,277 --> 00:35:14,888
-Eddie, which way is Derry?
799
00:35:14,912 --> 00:35:16,723
-and adults...
800
00:35:16,747 --> 00:35:17,825
-That way.
801
00:35:17,849 --> 00:35:20,518
-and you had to cast
both in the like.
802
00:35:22,887 --> 00:35:23,931
Like Stand by Me,
803
00:35:23,955 --> 00:35:25,833
the challenge was
in finding adults
804
00:35:25,857 --> 00:35:27,835
that would both physically
match up with them.
805
00:35:27,859 --> 00:35:29,570
This was a case
where I think the network
806
00:35:29,594 --> 00:35:31,905
was completely
right in its choices.
807
00:35:31,929 --> 00:35:34,174
-You really needed to believe
808
00:35:34,198 --> 00:35:37,644
Seth Green grows up to be Harry.
809
00:35:37,668 --> 00:35:39,646
I feel like
every one of those parts,
810
00:35:39,670 --> 00:35:42,783
there's a poignancy involved,
because those kids,
811
00:35:42,807 --> 00:35:45,919
I believed that they grew up
to be those people.
812
00:35:45,943 --> 00:35:47,821
At that
time, what was really popular
813
00:35:47,845 --> 00:35:50,824
was to find the iconic TV actors
814
00:35:50,848 --> 00:35:53,427
that would be ensemble players.
815
00:35:53,451 --> 00:35:54,962
-The ideas kept coming.
816
00:35:54,986 --> 00:35:57,898
Richard Thomas for Bill.
817
00:35:57,922 --> 00:36:00,901
Those were quick decisions
in an office.
818
00:36:00,925 --> 00:36:02,603
John Ritter, Harry Anderson,
819
00:36:02,627 --> 00:36:05,372
Annette O'Toole, Richard Masur,
820
00:36:05,396 --> 00:36:07,365
Dennis Christopher, Tim Reid..
821
00:36:08,599 --> 00:36:11,445
Stephen King's IT.
822
00:36:11,469 --> 00:36:12,579
I mean, those were like
823
00:36:12,603 --> 00:36:14,314
a gold mine of actors.
824
00:36:14,338 --> 00:36:16,850
-We were getting TV's best
825
00:36:16,874 --> 00:36:19,853
and then piled
Tim Curry on top of that.
826
00:36:19,877 --> 00:36:22,256
Well, we knew we had something.
827
00:36:22,280 --> 00:36:24,958
-They all
came together wonderfully.
828
00:36:24,982 --> 00:36:26,226
That's lightning in a bottle.
829
00:36:26,250 --> 00:36:28,262
You just don't always get that.
830
00:36:28,286 --> 00:36:29,763
The adult actors wanted to
831
00:36:29,787 --> 00:36:30,964
spend time with the kids,
832
00:36:30,988 --> 00:36:32,799
wanted to get to know them.
833
00:36:32,823 --> 00:36:34,968
We had a Lucky Seven camp
834
00:36:34,992 --> 00:36:37,504
for the express purpose
835
00:36:37,528 --> 00:36:40,307
of having the children
and the adults interact
836
00:36:40,331 --> 00:36:42,709
and work out business.
837
00:36:42,733 --> 00:36:45,612
Bill Denbrough goes like this.
838
00:36:45,636 --> 00:36:46,980
It's no accident.
839
00:36:47,004 --> 00:36:50,717
We brought the group that
wasn't being shot right then
840
00:36:50,741 --> 00:36:54,555
in for three days
simply to have them develop
841
00:36:54,579 --> 00:36:57,357
little tricks of that sort
so that it really would feel
842
00:36:57,381 --> 00:36:59,826
a veracity to the whole thing.
843
00:36:59,850 --> 00:37:01,461
When you see that first part
844
00:37:01,485 --> 00:37:04,398
and those kids who then later
become those adults,
845
00:37:04,422 --> 00:37:06,800
the end result was, I
think, very successful
846
00:37:06,824 --> 00:37:08,902
because the characters
were more in synch.
847
00:37:08,926 --> 00:37:12,272
-I think
that paid just untold dividends.
848
00:37:12,296 --> 00:37:13,041
It was really important
849
00:37:13,065 --> 00:37:14,174
for Tommy Lee Wallace
850
00:37:14,198 --> 00:37:17,411
that all the kids
were bonded in reality
851
00:37:17,435 --> 00:37:19,046
so that that would come across
on screen.
852
00:37:19,070 --> 00:37:21,348
-I mean,
are we men or are we mice?
853
00:37:21,372 --> 00:37:22,816
We're mice!
854
00:37:22,840 --> 00:37:25,586
-You feel this trust
that he has for you.
855
00:37:25,610 --> 00:37:28,922
And as much as he knows
about all the characters
856
00:37:28,946 --> 00:37:31,325
and how all the puzzle pieces
fit together,
857
00:37:31,349 --> 00:37:34,461
he knew how much
our characters meant to us.
858
00:37:34,485 --> 00:37:35,562
-To the Losers Club!
859
00:37:35,586 --> 00:37:37,598
- All right.
- To the Losers Club!
860
00:37:41,025 --> 00:37:43,470
The first kid that was cast
861
00:37:43,494 --> 00:37:44,471
was Jonathan Brandis,
862
00:37:44,495 --> 00:37:45,806
because he just was rich.
863
00:37:45,830 --> 00:37:48,508
And when you look at it,
oh, my god.
864
00:37:48,532 --> 00:37:52,379
He can reach points of pain
and depth, very simply,
865
00:37:52,403 --> 00:37:54,514
deeply, very quickly.
866
00:37:54,538 --> 00:37:58,652
-It's some kind of monster.
And it's right here in Derry.
867
00:37:58,676 --> 00:38:01,455
I had a crush
on Jonathan Brandis for sure.
868
00:38:01,479 --> 00:38:03,390
I thought he was pretty cute.
869
00:38:03,414 --> 00:38:04,891
My heart burns there too.
870
00:38:04,915 --> 00:38:07,527
-I remember he was on the cover
of every, like,
871
00:38:07,551 --> 00:38:08,996
Teen Beat magazine.
872
00:38:09,020 --> 00:38:12,523
-Brought an awful lot
of gravity to that role...
873
00:38:14,959 --> 00:38:15,837
-George.
874
00:38:15,861 --> 00:38:19,640
-that somehow was a good
emotional match
875
00:38:19,664 --> 00:38:22,676
for his adult counterpart,
Richard Thomas.
876
00:38:22,700 --> 00:38:23,944
-George.
877
00:38:23,968 --> 00:38:25,946
I remember
Jonathan because we met,
878
00:38:25,970 --> 00:38:29,816
we talked, you know, to get
a feeling of the same person,
879
00:38:29,840 --> 00:38:33,387
but that felt like it was
an essential meeting to have.
880
00:38:33,411 --> 00:38:36,990
I don't know if he had to
put a mole on his cheek. He did!
881
00:38:37,014 --> 00:38:38,525
They made him put a mole
on his cheek.
882
00:38:38,549 --> 00:38:41,395
Oh, the poor kid.
That's terrible.
883
00:38:41,419 --> 00:38:43,764
That's right,
he had to wear a mole.
884
00:38:43,788 --> 00:38:45,732
Oh god.
885
00:38:45,756 --> 00:38:46,668
They both had something
886
00:38:46,692 --> 00:38:47,801
in their personalities
887
00:38:47,825 --> 00:38:51,605
that's serious,
that takes the cruel world
888
00:38:51,629 --> 00:38:55,008
and the hurts and the
angers and the angst of it all
889
00:38:55,032 --> 00:39:01,014
and takes it personally and
wants to do something about it.
890
00:39:01,038 --> 00:39:02,983
I'm going back in.
891
00:39:03,007 --> 00:39:04,818
This time I'm gonna kill It.
892
00:39:04,842 --> 00:39:08,555
-There's a sense of nobleness
about both of those people
893
00:39:08,579 --> 00:39:11,558
and Jonathan had that
as a child.
894
00:39:11,582 --> 00:39:13,026
Now, listen.
895
00:39:13,050 --> 00:39:15,062
You guys don't have to do this.
896
00:39:15,086 --> 00:39:16,396
And he was the natural
897
00:39:16,420 --> 00:39:18,765
leader of the kid actors, too.
898
00:39:18,789 --> 00:39:20,934
He didn't do it
by making a lot of noise.
899
00:39:20,958 --> 00:39:23,804
He just did it
by being who he was.
900
00:39:23,828 --> 00:39:25,539
I felt
very close to that character
901
00:39:25,563 --> 00:39:27,074
when I read it.
902
00:39:27,098 --> 00:39:30,444
When a script comes to you
or a play text and you read it,
903
00:39:30,468 --> 00:39:34,881
you can feel the proximity
of the character,
904
00:39:34,905 --> 00:39:37,984
the affinity that you have,
and you can feel the distance.
905
00:39:38,008 --> 00:39:41,188
But with Bill, I just thought,
"Oh, no, I know how this feels.
906
00:39:41,212 --> 00:39:42,923
I know who this guy is."
907
00:39:42,947 --> 00:39:45,125
It was the
Bill-Georgie-Pennywise sequence
908
00:39:45,149 --> 00:39:48,028
with the observation
of what siblings were,
909
00:39:48,052 --> 00:39:51,198
but emotionally I believed in
the truth of those brothers
910
00:39:51,222 --> 00:39:53,667
loud and clear,
and I thought the scene
911
00:39:53,691 --> 00:39:55,902
was one of Steve's best.
912
00:39:55,926 --> 00:39:58,138
-You made it for me?
913
00:39:58,162 --> 00:39:59,639
Can I go sail it?
914
00:39:59,663 --> 00:40:01,608
-I remember
the scene assembling the boat
915
00:40:01,632 --> 00:40:02,876
with Jonathan Brandis,
916
00:40:02,900 --> 00:40:04,878
and giving him the kiss
and how awkward that was.
917
00:40:04,902 --> 00:40:05,912
-Yuck!
918
00:40:05,936 --> 00:40:07,037
-But he was a great guy.
919
00:40:09,707 --> 00:40:12,853
I was completely stunned.
920
00:40:12,877 --> 00:40:17,057
I had no idea
that he had been suffering
921
00:40:17,081 --> 00:40:19,659
any kind of depression
or any other issues.
922
00:40:19,683 --> 00:40:21,962
All I knew is he was working.
923
00:40:21,986 --> 00:40:24,498
I think he had just finished
a movie with Bruce Willis,
924
00:40:24,522 --> 00:40:25,732
Hart's War.
925
00:40:25,756 --> 00:40:29,069
He had an incredible
run on Sea Quest.
926
00:40:33,597 --> 00:40:35,108
-Hello.
927
00:40:36,600 --> 00:40:38,645
-He'd learned
the craft of directing..
928
00:40:38,669 --> 00:40:41,915
-What you do is sit at it
and watch '70s television...
929
00:40:41,939 --> 00:40:42,717
- Yeah.
- On a channel and...
930
00:40:42,741 --> 00:40:43,817
Just to find out all the ways
931
00:40:43,841 --> 00:40:44,985
you shouldn't direct
a television show.
932
00:40:45,009 --> 00:40:47,854
-Um, it's just
they're shot kind of cheesy
933
00:40:47,878 --> 00:40:49,756
and I just kind of want to learn
how to do something different
934
00:40:49,780 --> 00:40:50,757
with television.
935
00:40:50,781 --> 00:40:52,025
He was doing everything
936
00:40:52,049 --> 00:40:55,662
a resourceful actor could do.
937
00:40:55,686 --> 00:40:57,931
I think he had everything
in front of him
938
00:40:57,955 --> 00:41:01,835
and I was excited
to see him moving forward.
939
00:41:01,859 --> 00:41:04,171
I was blown away
because he's my age.
940
00:41:04,195 --> 00:41:06,072
That was probably
one of the first times
941
00:41:06,096 --> 00:41:10,100
I ever even considered
my own mortality.
942
00:41:20,044 --> 00:41:21,044
Swear to me.
943
00:41:23,047 --> 00:41:27,027
Swear to me that
if It isn't dead,
944
00:41:27,051 --> 00:41:28,595
we'll all come back.
945
00:41:28,619 --> 00:41:31,565
-The kids moved me enormously,
946
00:41:31,589 --> 00:41:33,867
and I think about
the scene at the end
947
00:41:33,891 --> 00:41:36,603
when they come together
having won the battle
948
00:41:36,627 --> 00:41:41,098
but not the war and hold hands
and swear that they'll return.
949
00:41:42,733 --> 00:41:45,011
Swear.
950
00:41:45,035 --> 00:41:49,916
-When you have a project
that is such a good story
951
00:41:49,940 --> 00:41:52,652
and has such a good lead actor,
952
00:41:52,676 --> 00:41:56,056
it's really hard to
screw it up. musically.
953
00:41:57,882 --> 00:41:59,893
Finding a focus
was the first thing.
954
00:41:59,917 --> 00:42:01,628
What's the music going to do?
955
00:42:01,652 --> 00:42:04,865
It could have been the most
horrific alien ever
956
00:42:04,889 --> 00:42:07,834
to visit our planet
in the form of a clown.
957
00:42:09,226 --> 00:42:12,672
-.but to me, it was
kids in jeopardy.
958
00:42:12,696 --> 00:42:14,241
-Hands squeeze.
959
00:42:14,265 --> 00:42:16,076
I focused on the kids.
960
00:42:16,100 --> 00:42:19,946
To a large extent that's
because Stephen King and I
961
00:42:19,970 --> 00:42:21,248
are about the same age,
962
00:42:21,272 --> 00:42:24,885
so when he writes about kids,
that's my childhood.
963
00:42:24,909 --> 00:42:28,922
In the '50s when we would play
outside and build dams
964
00:42:28,946 --> 00:42:34,661
and all of that stuff, we would
score our activities ourselves.
965
00:42:34,685 --> 00:42:36,363
If it was an action scene,
we would do:
966
00:42:36,387 --> 00:42:40,267
"Nah nah nah nah nah."
967
00:42:40,291 --> 00:42:43,937
When they jump on Silver
to get away...
968
00:42:43,961 --> 00:42:46,940
- Go!
- Hi-ho Silver, away!
969
00:42:46,964 --> 00:42:49,142
The
reference of hi-ho Silver means
970
00:42:49,166 --> 00:42:51,278
that through their minds
was going:
971
00:42:51,302 --> 00:42:54,247
badump badump badump
badump badump badump.
972
00:42:54,271 --> 00:42:56,182
Now I couldn't do
the William Tell
973
00:42:56,206 --> 00:42:58,652
and get away with it
with a straight face,
974
00:42:58,676 --> 00:43:01,187
but that was the focus.
975
00:43:01,211 --> 00:43:03,957
We would
put the pictures of the adults
976
00:43:03,981 --> 00:43:06,092
up first and as they were cast,
977
00:43:06,116 --> 00:43:09,229
we put the kids that were
possible matches for them.
978
00:43:09,253 --> 00:43:15,135
And very early on Sid sent us
a tape and photos of Emily,
979
00:43:15,159 --> 00:43:18,371
who was the young
Annette O'Toole...
980
00:43:18,395 --> 00:43:20,173
-Daddy, breakfast is ready.
981
00:43:20,197 --> 00:43:22,809
And she set a very high bar.
982
00:43:22,833 --> 00:43:27,047
We kept looking for that role,
but she was really an old soul
983
00:43:27,071 --> 00:43:29,950
that just matched
what we were looking for.
984
00:43:29,974 --> 00:43:33,019
-The character of Bev
was like my mom's childhood.
985
00:43:33,043 --> 00:43:36,423
She grew up in the '50s,
her name was Bev, she was poor.
986
00:43:36,447 --> 00:43:38,725
I just felt like
I was playing her.
987
00:43:38,749 --> 00:43:42,028
She said, "Those are the exact
clothes that I used to wear,"
988
00:43:42,052 --> 00:43:44,864
so it was this
really unique opportunity
989
00:43:44,888 --> 00:43:47,367
to express my mother's story.
990
00:43:47,391 --> 00:43:53,073
-Emily was a singularly
professional young actress.
991
00:43:53,097 --> 00:43:55,976
She was very mature
for her years.
992
00:43:56,000 --> 00:43:58,445
She understood
that the relationship
993
00:43:58,469 --> 00:44:02,282
between her film
father and herself
994
00:44:02,306 --> 00:44:06,853
was not the relationship
between her and me
995
00:44:06,877 --> 00:44:10,991
and that makes life
a whole lot easier.
996
00:44:11,015 --> 00:44:17,063
-For me, Beverly Marsh
was the 1950s female child
997
00:44:17,087 --> 00:44:20,300
who was oppressed
based on her gender.
998
00:44:20,324 --> 00:44:21,434
-Bev wants to help.
999
00:44:21,458 --> 00:44:24,204
I hope it's okay.
I mean, she's a girl.
1000
00:44:24,228 --> 00:44:29,175
-.and very stringent ideals
of how women should behave.
1001
00:44:29,199 --> 00:44:30,243
-Let me see that.
1002
00:44:30,267 --> 00:44:33,346
-Bev's father is
extremely critical
1003
00:44:33,370 --> 00:44:35,949
of her developing sexuality.
1004
00:44:35,973 --> 00:44:37,450
-Poetry from some boy?
1005
00:44:37,474 --> 00:44:40,286
-That's a big theme
in the novel.
1006
00:44:40,310 --> 00:44:44,457
The domestic and sexual violence
against Bev is a major theme.
1007
00:44:44,481 --> 00:44:46,426
It's not as much I don't think
in the mini-series,
1008
00:44:46,450 --> 00:44:48,762
but it's there a little bit.
1009
00:44:48,786 --> 00:44:51,364
My agent
suggested me for Al Marsh
1010
00:44:51,388 --> 00:44:54,467
and the casting
director said, "Oh, no.
1011
00:44:54,491 --> 00:44:58,371
Frank's too much of a nice guy
to play that character. No."
1012
00:44:58,395 --> 00:45:01,341
They did three rounds
of auditions.
1013
00:45:01,365 --> 00:45:04,744
Finally, on the fourth round,
1014
00:45:04,768 --> 00:45:07,414
the casting director
let me go in and audition.
1015
00:45:07,438 --> 00:45:09,215
Casting against type when
1016
00:45:09,239 --> 00:45:12,419
you're in that kind of project,
1017
00:45:12,443 --> 00:45:15,922
that's part of our
being creative
1018
00:45:15,946 --> 00:45:18,858
and the agents and managers
submitting them and saying,
1019
00:45:18,882 --> 00:45:20,527
"Hey, what about this?"
1020
00:45:20,551 --> 00:45:24,230
-In the room, the director says,
1021
00:45:24,254 --> 00:45:25,765
"Would you shave your beard?"
1022
00:45:25,789 --> 00:45:28,368
I said, "You hire me,
my beard's gone."
1023
00:45:28,392 --> 00:45:29,469
-Daddy, please!
1024
00:45:30,361 --> 00:45:34,140
-He felt so guilty
having to smack me
1025
00:45:34,164 --> 00:45:39,345
and be this intimidating,
domineering, abusive father.
1026
00:45:39,369 --> 00:45:41,047
-Let me alone,
you just let me alone!
1027
00:45:41,071 --> 00:45:42,549
-Come here!
1028
00:45:42,573 --> 00:45:43,917
-And sometimes
you went a little over
1029
00:45:43,941 --> 00:45:46,310
the limits
in terms of discipline.
1030
00:45:48,078 --> 00:45:50,890
-He always apologized
at the end of the day
1031
00:45:50,914 --> 00:45:52,459
but while he was in the moment...
1032
00:45:52,483 --> 00:45:55,028
-You get right the
hell back here, Bevvy!
1033
00:45:55,052 --> 00:45:57,063
He was just really scary,
1034
00:45:57,087 --> 00:45:59,089
so I didn't have to do
a lot of acting.
1035
00:46:00,991 --> 00:46:02,993
The blood coming out
of the sink...
1036
00:46:05,596 --> 00:46:07,407
stayed
with me because for a while
1037
00:46:07,431 --> 00:46:10,410
I was like afraid to take
showers,
1038
00:46:10,434 --> 00:46:14,981
and there's that sewage,
subterranean element to IT.
1039
00:46:15,005 --> 00:46:17,417
-Good afternoon, gentlemen.
I'm Beverly Marsh.
1040
00:46:17,441 --> 00:46:19,018
Annette O'Toole I had worked
1041
00:46:19,042 --> 00:46:20,286
with several times,
1042
00:46:20,310 --> 00:46:22,322
and I loved Annette
and the person that she was
1043
00:46:22,346 --> 00:46:23,690
and the actress that she was.
1044
00:46:23,714 --> 00:46:26,426
There
wasn't a lot that I needed to do
1045
00:46:26,450 --> 00:46:29,129
to become the young Annette.
1046
00:46:29,153 --> 00:46:31,397
They said that our mannerisms
were similar.
1047
00:46:31,421 --> 00:46:33,533
Well, I was thinking,
being Saturday now,
1048
00:46:33,557 --> 00:46:35,568
you could come down
with me to the Barrens.
1049
00:46:35,592 --> 00:46:37,070
-My grandfather was an actor.
1050
00:46:37,094 --> 00:46:38,872
He was in Gone with the Wind.
1051
00:46:38,896 --> 00:46:41,141
I think they were having
a 40th anniversary party
1052
00:46:41,165 --> 00:46:43,476
and there was a lady there
who thought I was kind of
1053
00:46:43,500 --> 00:46:45,211
precocious and cute,
1054
00:46:45,235 --> 00:46:47,547
and put me to work
almost right away.
1055
00:46:47,571 --> 00:46:49,215
I was four.
1056
00:46:49,239 --> 00:46:51,317
The Jonathan Ritter match,
1057
00:46:51,341 --> 00:46:53,019
little guy, Brandon,
1058
00:46:53,043 --> 00:46:55,421
unbelievable from the moment
he came in.
1059
00:46:55,445 --> 00:46:56,623
-Ten out of ten.
1060
00:46:56,647 --> 00:46:57,724
I remember getting a callback
1061
00:46:57,748 --> 00:47:00,994
and it being an audition
that I really wanted to get.
1062
00:47:01,018 --> 00:47:03,563
And there were probably
20 kids in the room.
1063
00:47:03,587 --> 00:47:06,065
-There was a lot
of competition in that role.
1064
00:47:06,089 --> 00:47:08,067
I looked
around and I remember noticing
1065
00:47:08,091 --> 00:47:10,303
there weren't any other Bens.
1066
00:47:10,327 --> 00:47:15,275
So, I asked the AD,
"Where are the other Bens?"
1067
00:47:15,299 --> 00:47:17,310
They said,
"It's pretty much just you.
1068
00:47:17,334 --> 00:47:19,045
We're looking at
a kid in Vancouver
1069
00:47:19,069 --> 00:47:22,248
and I think one in Texas,
but I think it's gonna be you."
1070
00:47:22,272 --> 00:47:23,383
Nobody does that, right?
1071
00:47:23,407 --> 00:47:26,286
Nobody tells you
during the casting process
1072
00:47:26,310 --> 00:47:28,354
that it's probably gonna be you.
1073
00:47:28,378 --> 00:47:31,524
I had never been asked to read
anything like this before.
1074
00:47:31,548 --> 00:47:32,625
They wouldn't treat us like this
1075
00:47:32,649 --> 00:47:34,260
if Daddy were still alive.
1076
00:47:34,284 --> 00:47:35,528
Being a fat kid,
1077
00:47:35,552 --> 00:47:38,598
you literally don't have
a whole lot of roles that,
1078
00:47:38,622 --> 00:47:40,500
I don't want to say
have any meaning,
1079
00:47:40,524 --> 00:47:42,502
but... but certainly don't have
a lot of depth.
1080
00:47:42,526 --> 00:47:46,005
A lot of times, they're just
about food jokes or fat jokes.
1081
00:47:46,029 --> 00:47:48,341
What a porker.
1082
00:47:48,365 --> 00:47:50,376
They're
crazy of f-the-cuff one-liners.
1083
00:47:50,400 --> 00:47:52,111
They're the crazy characters.
1084
00:47:52,135 --> 00:47:55,181
Obviously,
body image is a real key issue
1085
00:47:55,205 --> 00:47:56,950
that a lot of kids
are dealing with,
1086
00:47:56,974 --> 00:47:59,252
probably more than
you even imagine.
1087
00:47:59,276 --> 00:48:03,056
-I'd never been given anything
to read that wasn't that.
1088
00:48:03,080 --> 00:48:04,560
There was a lot of gravitas
with this.
1089
00:48:06,016 --> 00:48:08,428
I remember, "Wow, I'm gonna have
to be a real actor now."
1090
00:48:08,452 --> 00:48:11,097
There's a moment where
I pull some Sugar Daddies
1091
00:48:11,121 --> 00:48:13,633
out of my pocket and eat them
because I'm nervous.
1092
00:48:13,657 --> 00:48:15,935
It was explained to me
that there was some importance
1093
00:48:15,959 --> 00:48:17,503
behind that because
I protested a little bit.
1094
00:48:17,527 --> 00:48:20,506
I was like, "Ah, really?
1095
00:48:20,530 --> 00:48:22,075
Do we have to do this right now?
1096
00:48:22,099 --> 00:48:24,043
And... and the way
Tommy articulated it,
1097
00:48:24,067 --> 00:48:26,179
it made perfect sense,
so I went along with the ride.
1098
00:48:26,203 --> 00:48:27,547
I was willing to do those things
1099
00:48:27,571 --> 00:48:30,984
because there was so much
more meat with the character
1100
00:48:31,008 --> 00:48:32,151
and so many situations
1101
00:48:32,175 --> 00:48:34,053
that I'd never been
able to portray before.
1102
00:48:34,077 --> 00:48:35,188
I did those things willingly,
1103
00:48:35,212 --> 00:48:37,614
knowing that there would be
a huge payoff in the end.
1104
00:48:39,182 --> 00:48:41,160
Knowing
that you were going to be
1105
00:48:41,184 --> 00:48:44,497
in the same movie with
John Ritter and Harry Anderson
1106
00:48:44,521 --> 00:48:47,000
and all these other
actors who I'd already
1107
00:48:47,024 --> 00:48:50,703
seen on TV at this young age
was a phenomenal experience.
1108
00:48:50,727 --> 00:48:52,405
I was a huge fan of John Ritter.
1109
00:48:52,429 --> 00:48:54,240
He was a massive
influence of mine.
1110
00:48:54,264 --> 00:48:57,110
Not just as the kind of
actor that he was
1111
00:48:57,134 --> 00:48:58,578
but the kind of comedian
that he was.
1112
00:48:58,602 --> 00:49:01,214
The type of physical comedian
that he was and
1113
00:49:01,238 --> 00:49:06,019
how deeply sincere he was
in all of his performances
1114
00:49:06,043 --> 00:49:07,487
regardless of the character
that he was playing.
1115
00:49:07,511 --> 00:49:09,289
-How important is being a star?
1116
00:49:09,313 --> 00:49:11,024
-Uh, it's not important.
1117
00:49:11,048 --> 00:49:13,626
Being thought of as a...
As a good actor is.
1118
00:49:13,650 --> 00:49:15,495
You have
one of the most gifted comedians
1119
00:49:15,519 --> 00:49:16,496
of his generation too,
1120
00:49:16,520 --> 00:49:18,531
so obviously it's going
to be crazy, right?
1121
00:49:18,555 --> 00:49:21,634
-He was always full of mischief.
1122
00:49:21,658 --> 00:49:24,337
Always up to something.
1123
00:49:24,361 --> 00:49:25,538
Here, boy!
1124
00:49:25,562 --> 00:49:29,375
That's it.
Oh, I can't stand it.
1125
00:49:29,399 --> 00:49:30,634
I can't stand it.
1126
00:49:32,602 --> 00:49:34,347
I had my two
kids come up and visit.
1127
00:49:34,371 --> 00:49:37,083
They were big fans
of John Ritter
1128
00:49:37,107 --> 00:49:38,484
because they watched
Three's Company,
1129
00:49:38,508 --> 00:49:40,520
so when I told them I
was working with him,
1130
00:49:40,544 --> 00:49:42,522
my stature went way up.
1131
00:49:42,546 --> 00:49:44,057
They have never forgotten it.
1132
00:49:45,382 --> 00:49:46,459
Cut!
1133
00:49:46,483 --> 00:49:48,728
-We were all stirring up
our own fear.
1134
00:49:48,752 --> 00:49:51,264
That's what we did at work
all day internally,
1135
00:49:51,288 --> 00:49:53,733
to be ready to jump
into these scenes,
1136
00:49:53,757 --> 00:49:57,170
which were kind of hard
and kind of dark.
1137
00:49:57,194 --> 00:49:59,105
John would always lift us
up with humor.
1138
00:49:59,129 --> 00:50:02,442
He's always got humor
in his back pocket and
1139
00:50:02,466 --> 00:50:04,477
I know it served us really well.
1140
00:50:04,501 --> 00:50:06,412
Here's a comic actor asked
1141
00:50:06,436 --> 00:50:08,614
to play the dramatic role,
1142
00:50:08,638 --> 00:50:13,052
and I never doubted
for a minute that he could.
1143
00:50:13,076 --> 00:50:14,287
-Mike?
1144
00:50:14,311 --> 00:50:17,657
Yeah, buddy.
Listen, It. It's come back.
1145
00:50:20,384 --> 00:50:25,064
-He walked in and made
everyone around him better,
1146
00:50:25,088 --> 00:50:27,500
like a good team player
in a sport,
1147
00:50:27,524 --> 00:50:31,471
just by his professionalism,
his sense of preparedness,
1148
00:50:31,495 --> 00:50:34,507
and his ability to
get down to business
1149
00:50:34,531 --> 00:50:37,477
while still cracking wise
and having fun.
1150
00:50:37,501 --> 00:50:40,079
-John had a presence
about himself
1151
00:50:40,103 --> 00:50:43,116
that interestingly related
more to young people.
1152
00:50:43,140 --> 00:50:44,584
-Hang tough, champ.
You're gonna make it.
1153
00:50:44,608 --> 00:50:46,486
-He was adored by young people.
1154
00:50:46,510 --> 00:50:48,221
He really appreciated
1155
00:50:48,245 --> 00:50:51,190
that we were just kids and
1156
00:50:51,214 --> 00:50:54,193
sets should be
an enjoyable place to be.
1157
00:50:54,217 --> 00:50:55,661
Maybe he was a
little bit responsible
1158
00:50:55,685 --> 00:50:57,163
for all the boys' antics.
1159
00:50:57,187 --> 00:50:59,098
I wouldn't be surprised.
1160
00:50:59,122 --> 00:50:59,867
He was, you know,
1161
00:50:59,891 --> 00:51:01,367
really interested in meeting me.
1162
00:51:01,391 --> 00:51:04,604
I was him. He was... he was
one of my idols.
1163
00:51:04,628 --> 00:51:07,740
But there was always a running
joke that of all the kids,
1164
00:51:07,764 --> 00:51:11,677
I looked the least like my
counterpart,
1165
00:51:11,701 --> 00:51:13,646
and he was quick to sort of
notice that as well.
1166
00:51:13,670 --> 00:51:15,448
So he pulled me aside and said,
1167
00:51:15,472 --> 00:51:17,483
"Hey, let's spend
some time together
1168
00:51:17,507 --> 00:51:19,585
and think of some things
that we can do
1169
00:51:19,609 --> 00:51:21,521
that will sort of
bridge that gap."
1170
00:51:21,545 --> 00:51:23,156
There's that reveal
where I'm standing there
1171
00:51:23,180 --> 00:51:25,358
in the classroom
and then we cut to him
1172
00:51:25,382 --> 00:51:27,193
and he's biting
his nail as well.
1173
00:51:27,217 --> 00:51:28,494
That was what we came up with.
1174
00:51:28,518 --> 00:51:30,830
We tossed the
football around on set with him
1175
00:51:30,854 --> 00:51:34,500
because he was open to coming in
and playing with the kids.
1176
00:51:34,524 --> 00:51:36,202
And I still
remember him saying, you know,
1177
00:51:36,226 --> 00:51:37,837
when he was,
"Okay, okay, I've had enough,"
1178
00:51:37,861 --> 00:51:40,239
and we're like "Oh come on,
just a couple more,"
1179
00:51:40,263 --> 00:51:41,208
he was like,
"When I had no hair on my balls,
1180
00:51:41,232 --> 00:51:44,143
I could throw the ball
for hours."
1181
00:51:44,167 --> 00:51:45,278
Everybody had a Game Boy,
1182
00:51:45,302 --> 00:51:47,613
so I was playing my Game Boy.
I was playing Tetris,
1183
00:51:47,637 --> 00:51:48,515
and he walked up to me
and he said,
1184
00:51:48,539 --> 00:51:51,484
"What is this?"
I said, "It's Tetris."
1185
00:51:51,508 --> 00:51:53,252
"Tetris?"
I said, "Yeah, Tetris.
1186
00:51:53,276 --> 00:51:54,720
It's a game. Everybody knows Tetris.
1187
00:51:54,744 --> 00:51:56,823
You live under a rock?"
1188
00:51:56,847 --> 00:51:58,825
He grabs it out of my hand
and he starts playing.
1189
00:51:58,849 --> 00:52:00,726
And... and from then on
I realized,
1190
00:52:00,750 --> 00:52:02,161
"Okay, well, he's cool.
1191
00:52:02,185 --> 00:52:03,429
He's not just John Ritter
the actor.
1192
00:52:03,453 --> 00:52:05,398
He's John Ritter, my peer.
1193
00:52:05,422 --> 00:52:07,491
And maybe if I'm lucky,
my buddy."
1194
00:52:10,861 --> 00:52:12,939
I got a call to come in
1195
00:52:12,963 --> 00:52:15,408
and speak with the
directors for this mini-series.
1196
00:52:15,432 --> 00:52:16,776
I had not read the book,
1197
00:52:16,800 --> 00:52:20,780
so of course I rushed out and
spent all night
1198
00:52:20,804 --> 00:52:23,483
and part of the day,
because Stephen King writes
1199
00:52:23,507 --> 00:52:25,442
so many long books.
1200
00:52:26,743 --> 00:52:28,287
I took on the role
for two reasons.
1201
00:52:28,311 --> 00:52:29,889
One, it was a nice gig,
1202
00:52:29,913 --> 00:52:32,792
and it was going to be
for a long time up in Vancouver.
1203
00:52:32,816 --> 00:52:35,194
The other reason was working
with some of these actors
1204
00:52:35,218 --> 00:52:37,763
that I had admired,
worked with one or two of them,
1205
00:52:37,787 --> 00:52:39,823
so that was really
the... the two main reasons.
1206
00:52:41,791 --> 00:52:43,669
I brought this whole
photo album from home.
1207
00:52:43,693 --> 00:52:46,439
-Marlon was really wonderful
1208
00:52:46,463 --> 00:52:50,743
and he did this little monologue
at the beginning of the audition
1209
00:52:50,767 --> 00:52:54,447
that was simple, deep, and
had a lot of thought in it.
1210
00:52:54,471 --> 00:52:56,816
-There was an
Easter egg hunt here,
1211
00:52:56,840 --> 00:52:59,819
but the ironworks exploded
and all these people got killed.
1212
00:52:59,843 --> 00:53:01,087
The lines
that they had me reading
1213
00:53:01,111 --> 00:53:05,458
were pretty much the lines from
the actual classroom scene.
1214
00:53:05,482 --> 00:53:07,693
That role
was so hard to audition for.
1215
00:53:07,717 --> 00:53:12,532
It has very little material
in the group scenes
1216
00:53:12,556 --> 00:53:15,401
and takes a lot of
negative language.
1217
00:53:15,425 --> 00:53:17,537
When you're casting
and you're being a bully
1218
00:53:17,561 --> 00:53:21,741
to all these kids. wow,
it takes a lot out of the day.
1219
00:53:21,765 --> 00:53:24,644
Thank god, he looked physically
1220
00:53:24,668 --> 00:53:26,612
a lot like what I looked like
at his age.
1221
00:53:26,636 --> 00:53:27,747
You know, you always wonder,
"Oh my god,
1222
00:53:27,771 --> 00:53:30,850
he'll get somebody here
who looks nothing like me."
1223
00:53:30,874 --> 00:53:32,351
You know, like they bring
a white guy to play me.
1224
00:53:32,375 --> 00:53:34,620
No, it didn't happen!
1225
00:53:34,644 --> 00:53:37,623
Mike represents to
me a few souls that I have met
1226
00:53:37,647 --> 00:53:39,258
in my journey in life,
1227
00:53:39,282 --> 00:53:42,028
and they're people who,
for whatever reason,
1228
00:53:42,052 --> 00:53:46,532
something happened in their
childhood or young adulthood
1229
00:53:46,556 --> 00:53:48,834
that has affected them
for the rest of their life.
1230
00:53:50,961 --> 00:53:52,972
I knew of a few people like him,
1231
00:53:52,996 --> 00:53:55,942
and some ended
in very tragic situations,
1232
00:53:55,966 --> 00:53:58,844
some fate just never seemed
to bless them
1233
00:53:58,868 --> 00:54:00,680
with a good hand, you know?
1234
00:54:00,704 --> 00:54:02,715
It's like always
throwing snake eyes.
1235
00:54:02,739 --> 00:54:04,417
And I think Mike
was that kind of guy.
1236
00:54:04,441 --> 00:54:06,285
I think that all of them
had a sense of that,
1237
00:54:06,309 --> 00:54:07,653
that they were on their way,
1238
00:54:07,677 --> 00:54:10,623
they were young people
full of life, full of wonder,
1239
00:54:10,647 --> 00:54:13,426
and all of a sudden, this
horrible thing happened to them
1240
00:54:13,450 --> 00:54:14,894
for the rest of their life.
1241
00:54:14,918 --> 00:54:18,998
They have been hiding
in psychological fear of life.
1242
00:54:19,022 --> 00:54:21,968
And to me, Mike
is the center spoke
1243
00:54:21,992 --> 00:54:23,393
that brought it
all back together.
1244
00:54:25,061 --> 00:54:26,539
-Lucky seven.
1245
00:54:26,563 --> 00:54:27,673
-That's how in the series
1246
00:54:27,697 --> 00:54:29,842
when they got a phone call
from him,
1247
00:54:29,866 --> 00:54:31,386
didn't take a whole lot
of explanation.
1248
00:54:32,769 --> 00:54:34,981
- Yeah?
- This is Mike Hanlon, Bill.
1249
00:54:35,005 --> 00:54:36,782
-Immediately
they know what this is about.
1250
00:54:36,806 --> 00:54:38,985
-Bill, It's back.
1251
00:54:39,009 --> 00:54:41,887
-Now they have to decide,
do they want to participate.
1252
00:54:41,911 --> 00:54:43,155
On my honor I will do my best
1253
00:54:43,179 --> 00:54:45,658
to do my duty to God
and my country.
1254
00:54:45,682 --> 00:54:47,360
Stephen King's big secret
1255
00:54:47,384 --> 00:54:50,396
is about the wonders and
horrors of childhood...
1256
00:54:50,420 --> 00:54:52,431
Stanley boy.
1257
00:54:53,623 --> 00:54:55,635
And how you get through it
1258
00:54:55,659 --> 00:54:57,770
and how important friends are
1259
00:54:57,794 --> 00:55:02,041
and bonding with special
people, like-minded youngsters.
1260
00:55:02,065 --> 00:55:05,611
Those bonds can be
as strong as steel
1261
00:55:05,635 --> 00:55:09,849
and his story is a demonstration
of just how strong,
1262
00:55:09,873 --> 00:55:11,584
when they made a promise
to each other
1263
00:55:11,608 --> 00:55:13,777
to return if It came back.
1264
00:55:15,078 --> 00:55:17,623
-I swear it.
1265
00:55:17,647 --> 00:55:19,425
They were very solemn about it
1266
00:55:19,449 --> 00:55:21,427
and they meant it.
1267
00:55:21,451 --> 00:55:24,964
And you see what happens when
they have to keep that promise,
1268
00:55:24,988 --> 00:55:26,899
especially in the case of Stan,
1269
00:55:26,923 --> 00:55:28,868
who couldn't face
keeping the promise.
1270
00:55:28,892 --> 00:55:32,672
It was that horrible for
him, and so he didn't bother
1271
00:55:32,696 --> 00:55:36,642
to go back. but he did
something else instead.
1272
00:55:36,666 --> 00:55:39,045
-I think I'll take a bath.
1273
00:55:39,069 --> 00:55:41,013
Stan was
most affected by Pennywise
1274
00:55:41,037 --> 00:55:43,783
and I suspect that
even as an adult,
1275
00:55:43,807 --> 00:55:47,119
that memory never was
very far from his mind.
1276
00:55:47,143 --> 00:55:51,857
-Stan saw It face to face.
1277
00:55:51,881 --> 00:55:53,659
Not the clown,
1278
00:55:53,683 --> 00:55:56,495
but he saw
what was behind the clown.
1279
00:55:56,519 --> 00:55:58,731
-When he got the call
from Mike Hanlon...
1280
00:55:58,755 --> 00:55:59,732
-Who did you say?
1281
00:55:59,756 --> 00:56:01,067
Mike Hanlon.
1282
00:56:01,091 --> 00:56:02,134
To come back to Derry,
1283
00:56:02,158 --> 00:56:04,570
it brought back
so much trauma to him
1284
00:56:04,594 --> 00:56:07,139
that he just couldn't
go on anymore.
1285
00:56:07,163 --> 00:56:12,445
He couldn't even fathom the idea
of possibly facing It again.
1286
00:56:12,469 --> 00:56:13,679
-Goodbye.
1287
00:56:13,703 --> 00:56:15,781
Bye, Stan.
1288
00:56:15,805 --> 00:56:17,974
-And he chose an easy way out.
1289
00:56:26,583 --> 00:56:27,693
-For somebody like me who
grew up in the '70s,
1290
00:56:27,717 --> 00:56:29,795
It's a Who's Who.
1291
00:56:29,819 --> 00:56:33,432
Richard Masur, who I'd literally
grown up watching.
1292
00:56:33,456 --> 00:56:36,001
He was the classic
character actor.
1293
00:56:36,025 --> 00:56:38,437
So him coming in, even though
it was just for a day
1294
00:56:38,461 --> 00:56:40,873
and he had a small part in IT,
I was like, "Wow."
1295
00:56:40,897 --> 00:56:42,842
I got a call from Jim Green
1296
00:56:42,866 --> 00:56:46,512
and he told me they were doing
this miniseries.
1297
00:56:46,536 --> 00:56:50,649
-We talked about what we could
do to tie the character together
1298
00:56:50,673 --> 00:56:52,885
between the adult and the child.
1299
00:56:52,909 --> 00:56:55,020
He asked what I thought
we should do.
1300
00:56:55,044 --> 00:56:56,255
And for whatever reason,
1301
00:56:56,279 --> 00:56:59,225
I immediately thought
of this thing where I was gonna
1302
00:56:59,249 --> 00:57:01,694
grab my ear, and he liked it.
1303
00:57:01,718 --> 00:57:04,096
I remember just thinking,
"I have no idea what I'm doing
1304
00:57:04,120 --> 00:57:07,800
and this well-respected actor
just said he likes my idea."
1305
00:57:07,824 --> 00:57:10,569
I was like, you know,
over the moon about it.
1306
00:57:10,593 --> 00:57:12,838
My favorite
part of the time I was there
1307
00:57:12,862 --> 00:57:14,974
was when we set
up that beauty shot
1308
00:57:14,998 --> 00:57:16,976
of all of us on the staircase.
1309
00:57:17,000 --> 00:57:19,044
I thought that was
a wonderful shot.
1310
00:57:19,068 --> 00:57:21,847
It was a lot of people
who were really well known
1311
00:57:21,871 --> 00:57:24,784
at that time
all standing up there.
1312
00:57:24,808 --> 00:57:27,153
To me, Stan Uris was an outsider
1313
00:57:27,177 --> 00:57:28,921
like the rest
of the Losers Club.
1314
00:57:28,945 --> 00:57:30,689
He was very by the book
1315
00:57:30,713 --> 00:57:33,526
in that he didn't deviate
from his school lessons
1316
00:57:33,550 --> 00:57:35,928
or what his parents
may have told him,
1317
00:57:35,952 --> 00:57:38,564
but he was able to connect
with these kids...
1318
00:57:38,588 --> 00:57:40,599
Lucky seven, Stanny.
1319
00:57:40,623 --> 00:57:41,600
-I said I was in.
1320
00:57:41,624 --> 00:57:45,638
-and then explore
a different part of himself.
1321
00:57:45,662 --> 00:57:47,106
One of the last casts
1322
00:57:47,130 --> 00:57:48,274
was a little kid named Adam.
1323
00:57:48,298 --> 00:57:50,009
-Some guy killed George.
1324
00:57:50,033 --> 00:57:51,110
Pulled one of his arms
right off,
1325
00:57:51,134 --> 00:57:52,878
just like a wing off a fly.
1326
00:57:52,902 --> 00:57:55,815
-He was smaller
than most of the other kids
1327
00:57:55,839 --> 00:57:58,884
and they were worried about the
size match-up and everything.
1328
00:57:58,908 --> 00:58:01,086
-My character Eddie Kaspbrak,
1329
00:58:01,110 --> 00:58:04,990
I would say that he was kind of
the runt of the bunch...
1330
00:58:05,014 --> 00:58:06,294
-How you doin', Eddie Spaghetti?
1331
00:58:07,151 --> 00:58:09,795
-which was
already a fairly runty bunch.
1332
00:58:09,819 --> 00:58:10,930
He was the quiet, shy kid
1333
00:58:10,954 --> 00:58:12,698
who was also the youngest
of the bunch,
1334
00:58:12,722 --> 00:58:14,834
which I believe was true
in reality.
1335
00:58:14,858 --> 00:58:17,603
I think I was the only one
who wasn't a teenager yet.
1336
00:58:17,627 --> 00:58:20,840
I was still 12 and I think
everyone else was 13 or above.
1337
00:58:20,864 --> 00:58:22,041
I went
in and met with the producers
1338
00:58:22,065 --> 00:58:23,943
and we talked with Tommy Lee
1339
00:58:23,967 --> 00:58:25,678
and I guess they
got the feeling from
1340
00:58:25,702 --> 00:58:27,079
the work of mine
that they had seen
1341
00:58:27,103 --> 00:58:29,148
that I was right to play Eddie.
1342
00:58:29,172 --> 00:58:32,084
And of course, after that,
I devoured the book
1343
00:58:32,108 --> 00:58:34,153
and was wondering
how in the hell
1344
00:58:34,177 --> 00:58:37,957
they were going to fit
all of this beautiful writing
1345
00:58:37,981 --> 00:58:40,025
and all of these amazing
background stories
1346
00:58:40,049 --> 00:58:44,296
of these characters into
two nights of television.
1347
00:58:44,320 --> 00:58:46,699
On the last mix and match,
1348
00:58:46,723 --> 00:58:48,701
Seth Green wasn't going
to be able to make it.
1349
00:58:48,725 --> 00:58:51,203
And Victoria was like,
"Oh, my god,
1350
00:58:51,227 --> 00:58:52,738
we have to get him here."
1351
00:58:52,762 --> 00:58:54,874
Everybody was confirmed
except Seth,
1352
00:58:54,898 --> 00:58:56,842
and we were a little nervous
about that.
1353
00:58:56,866 --> 00:59:00,813
So I actually drove to his house
and picked him up.
1354
00:59:00,837 --> 00:59:02,114
It was exciting to know
1355
00:59:02,138 --> 00:59:04,116
that I was getting close to it.
1356
00:59:04,140 --> 00:59:07,686
When you audition,
you mostly don't get jobs.
1357
00:59:07,710 --> 00:59:10,155
You... you don't get 90 percent
of the things you audition for,
1358
00:59:10,179 --> 00:59:12,791
so to even get a callback
and be in the chemistry
1359
00:59:12,815 --> 00:59:14,793
part of it, I was very excited.
1360
00:59:14,817 --> 00:59:17,263
Seth
was full of piss and vinegar.
1361
00:59:17,287 --> 00:59:21,300
A great kid, clever and
cracking jokes all the time.
1362
00:59:21,324 --> 00:59:23,736
I was a very curious kid,
1363
00:59:23,760 --> 00:59:26,272
and then I was also interested
in filmmaking very young.
1364
00:59:26,296 --> 00:59:28,841
Seth was the most precocious,
1365
00:59:28,865 --> 00:59:31,911
but he had this intelligence
about him and he would say,
1366
00:59:31,935 --> 00:59:33,779
"I'm going to be a filmmaker
one day."
1367
00:59:33,803 --> 00:59:35,981
Part of what they liked about me
1368
00:59:36,005 --> 00:59:38,083
was me doing voices.
1369
00:59:38,107 --> 00:59:39,952
-Your voices
all sound the same, Richie.
1370
00:59:39,976 --> 00:59:41,153
-Thanks a bunch, professor.
1371
00:59:41,177 --> 00:59:42,288
-or impressions.
1372
00:59:42,312 --> 00:59:44,757
-By George, Martha,
it's the river Nile.
1373
00:59:44,781 --> 00:59:47,192
-.or being
fast-witted or funny.
1374
00:59:47,216 --> 00:59:50,095
-Well, hey.
Larry, Curly, and Mo.
1375
00:59:50,119 --> 00:59:51,397
-Beep-beep, Richie.
1376
00:59:51,421 --> 00:59:53,222
-That was the thing
that got me that part.
1377
00:59:55,191 --> 00:59:58,270
Richie, to me,
always seemed both fearless
1378
00:59:58,294 --> 00:59:59,896
and also terrified.
1379
01:00:01,097 --> 01:00:03,309
Tozier!
1380
01:00:03,333 --> 01:00:05,277
-He was willing
to keep going forward
1381
01:00:05,301 --> 01:00:06,679
even though he was scared.
1382
01:00:06,703 --> 01:00:08,247
Richie!
1383
01:00:08,271 --> 01:00:10,683
- but he was the first guy
to make a joke about it.
1384
01:00:14,677 --> 01:00:15,988
And then Harry Anderson,
1385
01:00:16,012 --> 01:00:19,191
whom I didn't know,
we had an instant rapport.
1386
01:00:21,784 --> 01:00:22,795
Harry and I chatted a lot.
1387
01:00:22,819 --> 01:00:25,297
And I'd watched him
on Cheers and Night Court.
1388
01:00:25,321 --> 01:00:27,066
I'd seen him do stand-up
and magic.
1389
01:00:27,090 --> 01:00:28,930
This is one you probably know.
1390
01:00:33,730 --> 01:00:37,710
-So, I was into that guy and
excited to get to play him.
1391
01:00:37,734 --> 01:00:39,345
Directing kids,
1392
01:00:39,369 --> 01:00:41,180
in general, is challenging.
1393
01:00:41,204 --> 01:00:44,450
And he takes a powder and jumps.
Boom!
1394
01:00:44,474 --> 01:00:49,088
Jumps right over you and
suddenly you guys see him go,
1395
01:00:49,112 --> 01:00:51,123
and that'll be the end
of this first piece.
1396
01:00:51,147 --> 01:00:54,126
And directing seven,
sometimes ten,
1397
01:00:54,150 --> 01:00:57,229
12 kids all in one scene...
1398
01:00:59,822 --> 01:01:01,467
Don't go way over there.
1399
01:01:01,491 --> 01:01:03,769
Is hugely challenging
1400
01:01:03,793 --> 01:01:05,137
because they have
so much energy.
1401
01:01:05,161 --> 01:01:06,138
-Whoa!
1402
01:01:06,162 --> 01:01:09,308
-I think Seth was more or
less the ringleader.
1403
01:01:09,332 --> 01:01:10,276
We got in a lot of trouble.
1404
01:01:10,300 --> 01:01:11,443
-Let's get out of here!
1405
01:01:11,467 --> 01:01:14,313
-We were kids.
Both on set and off.
1406
01:01:16,205 --> 01:01:17,249
But I think
us getting in trouble together
1407
01:01:17,273 --> 01:01:19,184
also made us a lot closer.
1408
01:01:19,208 --> 01:01:20,986
-Yeah.
1409
01:01:21,010 --> 01:01:23,422
-We also had our little spats,
like we got tired of each other.
1410
01:01:23,446 --> 01:01:26,425
Jonathan Brandis and I
often took out our stresses
1411
01:01:26,449 --> 01:01:29,895
by bagging on each other
pretty intensely, actually.
1412
01:01:29,919 --> 01:01:32,331
But at the end of the day,
we were all pretty close.
1413
01:01:32,355 --> 01:01:35,200
-If it were filmed now with
that same group of kids,
1414
01:01:35,224 --> 01:01:37,503
there would be a lot of them
who had diagnoses.
1415
01:01:37,527 --> 01:01:41,373
Maybe ADHD,
oppositional defiance.
1416
01:01:41,397 --> 01:01:43,509
Some of them just
would not shut up.
1417
01:01:43,533 --> 01:01:44,977
We were
dropping water balloons off
1418
01:01:45,001 --> 01:01:48,047
of our balcony onto
people's convertibles.
1419
01:01:48,071 --> 01:01:50,282
I think one time we managed
to do it with Kool-aid
1420
01:01:50,306 --> 01:01:52,885
and the person was fairly upset.
1421
01:01:52,909 --> 01:01:55,154
The police came and told us it
wasn't a good idea to do that,
1422
01:01:55,178 --> 01:01:57,389
especially since
we weren't citizens.
1423
01:01:57,413 --> 01:01:59,324
We thought we were
going to get deported.
1424
01:01:59,348 --> 01:02:02,995
-I honestly did
not get a lot of their jokes.
1425
01:02:03,019 --> 01:02:06,265
All the other boys had read
the book, and in the book,
1426
01:02:06,289 --> 01:02:10,069
the kids all have sex with Bev.
1427
01:02:10,093 --> 01:02:12,204
The boys knew this,
but I didn't know,
1428
01:02:12,228 --> 01:02:15,174
and so they kept making
references to this fact
1429
01:02:15,198 --> 01:02:16,475
and they were just going
above my head.
1430
01:02:16,499 --> 01:02:17,509
So finally, my mom said,
1431
01:02:17,533 --> 01:02:19,211
"Why don't you
just read the book?"
1432
01:02:19,235 --> 01:02:22,381
And so I read it
and I was kind of horrified
1433
01:02:22,405 --> 01:02:25,517
but in a way it was
kind of liberating too.
1434
01:02:25,541 --> 01:02:28,287
Because when I was 13, you know,
you're going through puberty
1435
01:02:28,311 --> 01:02:30,222
and your things
are changing and stuff.
1436
01:02:30,246 --> 01:02:32,958
So it was just this
very sort of odd entry
1437
01:02:32,982 --> 01:02:35,060
into adolescence for me.
1438
01:02:35,084 --> 01:02:36,929
There were scenes that I
1439
01:02:36,953 --> 01:02:38,330
never thought twice about,
1440
01:02:38,354 --> 01:02:41,100
meaning the orgy scene
with the kids with Bev.
1441
01:02:41,124 --> 01:02:43,235
Pennywise and It are the things
1442
01:02:43,259 --> 01:02:46,371
that drive the
losers to, in the novel,
1443
01:02:46,395 --> 01:02:52,277
have this very,
very obscure and weird orgy
1444
01:02:52,301 --> 01:02:54,179
in the middle of the narrative
1445
01:02:54,203 --> 01:02:55,905
where they're all
having sex with Beverly.
1446
01:02:57,106 --> 01:03:00,986
It's to ward off It,
to keep It at bay,
1447
01:03:01,010 --> 01:03:03,889
because childhood
is what It loves.
1448
01:03:03,913 --> 01:03:08,093
I am an eater
of worlds and of children.
1449
01:03:08,117 --> 01:03:10,262
-And if you want to push away
from the thing
1450
01:03:10,286 --> 01:03:13,432
that's scary to you,
you push into the thing
1451
01:03:13,456 --> 01:03:16,235
that it can't feed on,
and you do that through sex.
1452
01:03:16,259 --> 01:03:18,203
I just thought it was one of
1453
01:03:18,227 --> 01:03:21,607
Steve's digressions
down a lane that didn't work.
1454
01:03:21,631 --> 01:03:22,574
I remember the guy
1455
01:03:22,598 --> 01:03:23,409
who played Officer Nell.
1456
01:03:23,433 --> 01:03:26,011
He completely lost
his shit one day.
1457
01:03:26,035 --> 01:03:27,379
There's a scene where we're all
1458
01:03:27,403 --> 01:03:29,148
in the Barrens,
building the dam.
1459
01:03:29,172 --> 01:03:30,516
The policeman comes along
and says,
1460
01:03:30,540 --> 01:03:32,284
"Hey, what are you kids
doing down there?"
1461
01:03:32,308 --> 01:03:36,088
and one of the kids
said, "Masturbating."
1462
01:03:36,112 --> 01:03:38,090
We all started laughing
and then also it carried on.
1463
01:03:38,114 --> 01:03:39,424
We couldn't get the next
1464
01:03:39,448 --> 01:03:41,293
like three or four takes.
1465
01:03:41,317 --> 01:03:43,195
We weren't focusing
1466
01:03:43,219 --> 01:03:47,065
and I remember getting the "this
isn't professional" lecture.
1467
01:03:47,089 --> 01:03:49,935
There were
times that Jim pulled them aside
1468
01:03:49,959 --> 01:03:51,970
and gave them the lecture.
1469
01:03:51,994 --> 01:03:56,074
And I sometimes would sort of
lose it a little bit on set
1470
01:03:56,098 --> 01:03:58,010
and say,
"Look, you're actors here.
1471
01:03:58,034 --> 01:04:01,113
I know you're having fun.
I love you're having fun.
1472
01:04:01,137 --> 01:04:03,148
You have to do your job."
1473
01:04:03,172 --> 01:04:05,651
Our director
came to me and he said,
1474
01:04:05,675 --> 01:04:08,020
"Jim, I'm losing it
with these kids."
1475
01:04:08,044 --> 01:04:10,656
So I said, "I need a meeting
with the kids
1476
01:04:10,680 --> 01:04:12,457
before we break for lunch
1477
01:04:12,481 --> 01:04:15,093
and I don't want
their parents there."
1478
01:04:15,117 --> 01:04:19,064
They rallied around and I said,
"You are making a picture.
1479
01:04:19,088 --> 01:04:21,934
If you came here because
you want to be an actor,
1480
01:04:21,958 --> 01:04:24,603
then I can tell you right now
whatever you're doing on the set
1481
01:04:24,627 --> 01:04:27,072
will reflect on whether
you work again.
1482
01:04:27,096 --> 01:04:30,275
I do recommend that you pay
attention to your director.
1483
01:04:30,299 --> 01:04:32,110
Shape up, guys."
1484
01:04:32,134 --> 01:04:33,679
And walked away.
1485
01:04:33,703 --> 01:04:37,549
The adults were...
1486
01:04:37,573 --> 01:04:39,051
When they got the...
All the adults together,
1487
01:04:39,075 --> 01:04:40,152
'cause some of them
knew each other
1488
01:04:40,176 --> 01:04:41,353
and they were all buddies,
1489
01:04:41,377 --> 01:04:43,155
they were actually more noisy
than the kids.
1490
01:04:43,179 --> 01:04:45,424
-We used to try
to make each other throw up,
1491
01:04:45,448 --> 01:04:48,260
okay, by being as gross
as we possibly could, right,
1492
01:04:48,284 --> 01:04:50,062
to make the other person gag.
1493
01:04:50,086 --> 01:04:52,164
We're adults, you know, sort of.
1494
01:04:52,188 --> 01:04:55,234
It just got louder
and louder and louder
1495
01:04:55,258 --> 01:04:57,569
until the assistant director
finally came in and said,
1496
01:04:57,593 --> 01:04:59,171
"You guys have to leave.
1497
01:04:59,195 --> 01:05:01,240
You have to go outside
on the street.
1498
01:05:01,264 --> 01:05:03,508
You can't be in here because
we can't get any work done."
1499
01:05:19,448 --> 01:05:21,526
-I want to make sure
you remember my name.
1500
01:05:21,550 --> 01:05:23,119
-Oh god, Henry Bowers.
1501
01:05:28,057 --> 01:05:29,101
My agent called and said,
1502
01:05:29,125 --> 01:05:30,636
"Guess what?
We've got an audition for you,"
1503
01:05:30,660 --> 01:05:31,437
and I said,
"Oh really, for what?"
1504
01:05:31,461 --> 01:05:32,704
She said, "Stephen King's IT."
1505
01:05:32,728 --> 01:05:33,972
She said,
"It's a big production,
1506
01:05:33,996 --> 01:05:36,341
it's a miniseries,
it's incredible."
1507
01:05:36,365 --> 01:05:40,245
She said, "Please work your ass
off for this audition."
1508
01:05:40,269 --> 01:05:41,989
'Cause, she said,
"It's once in a lifetime."
1509
01:05:43,105 --> 01:05:44,316
I knew.
1510
01:05:44,340 --> 01:05:46,251
Hundreds of kids
had probably gone in there.
1511
01:05:46,275 --> 01:05:49,988
Big guys were gonna go in
there and be the traditional bully...
1512
01:05:50,012 --> 01:05:50,757
Which I don't find
very threatening,
1513
01:05:50,781 --> 01:05:51,890
to be honest with you.
1514
01:05:51,914 --> 01:05:53,258
And so I thought, okay, who can I channel?
1515
01:05:53,282 --> 01:05:57,029
I always refer to Dennis Hopper
because he's a very small man,
1516
01:05:57,053 --> 01:06:00,632
but he conveys an
intensity that's menacing.
1517
01:06:00,656 --> 01:06:02,734
Jarred was an exceptional actor.
1518
01:06:02,758 --> 01:06:04,269
You're dead, fat boy.
1519
01:06:04,293 --> 01:06:06,138
For someone who was his age.
1520
01:06:06,162 --> 01:06:09,107
The level of commitment
that he had was frightening.
1521
01:06:09,131 --> 01:06:10,142
I went in for the audition
1522
01:06:10,166 --> 01:06:11,443
and the casting director
grabbed me and he said,
1523
01:06:11,467 --> 01:06:12,744
"I've got to get you
to the producers right away."
1524
01:06:12,768 --> 01:06:15,047
He said, "You're exactly
what they're looking for.'"
1525
01:06:15,071 --> 01:06:16,181
And I said "Me?"
1526
01:06:16,205 --> 01:06:18,383
And again, here I was,
this scrawny kid,
1527
01:06:18,407 --> 01:06:21,086
and I was being
plucked out of that group.
1528
01:06:21,110 --> 01:06:23,088
He just had...
Something about that guy,
1529
01:06:23,112 --> 01:06:27,059
he had some sort of
menacing appeal about him.
1530
01:06:27,083 --> 01:06:29,061
Ta-ta, girls.
1531
01:06:29,085 --> 01:06:31,563
-I could be wrong, but I believe
I auditioned for it three times,
1532
01:06:31,587 --> 01:06:35,167
and the first one
was for Henry Bowers
1533
01:06:35,191 --> 01:06:38,437
and I wanted that part
very badly.
1534
01:06:38,461 --> 01:06:40,372
-I want you to think
about that before you die.
1535
01:06:40,396 --> 01:06:41,373
As we know,
1536
01:06:41,397 --> 01:06:43,175
Jarred Blancard
got Henry Bowers.
1537
01:06:43,199 --> 01:06:45,043
And what character
I played on IT
1538
01:06:45,067 --> 01:06:46,411
is actually
a little contentious,
1539
01:06:46,435 --> 01:06:49,114
because in the script
I was Patrick,
1540
01:06:49,138 --> 01:06:51,416
and I notice that IMDb,
1541
01:06:51,440 --> 01:06:55,554
and depending where you
look online I played Victor,
1542
01:06:55,578 --> 01:06:56,655
which always confused me
1543
01:06:56,679 --> 01:06:58,323
when the fans were like,
1544
01:06:58,347 --> 01:07:00,459
"Hey, we loved you playing
Victor in Stephen King's IT,"
1545
01:07:00,483 --> 01:07:01,693
and I was like,
"You mean Patrick,"
1546
01:07:01,717 --> 01:07:02,562
and they'd be like,
"No, Victor,"
1547
01:07:02,586 --> 01:07:04,086
and I'm like,
"No, it was Patrick."
1548
01:07:06,222 --> 01:07:07,332
The very first thing that I did
1549
01:07:07,356 --> 01:07:09,634
was another iconic film called
NeverEnding Story
1550
01:07:09,658 --> 01:07:11,761
where, ironically,
I played a bully.
1551
01:07:13,829 --> 01:07:15,807
I managed to get typecast
in kind of that bully role...
1552
01:07:15,831 --> 01:07:17,142
Not because I was big,
1553
01:07:17,166 --> 01:07:19,478
just because I was intense
and could beat people up.
1554
01:07:19,502 --> 01:07:21,179
Let me show you.
1555
01:07:21,203 --> 01:07:23,205
And I could really
burp on command.
1556
01:07:24,840 --> 01:07:26,575
-Without throwing up,
as well, I might add.
1557
01:07:28,577 --> 01:07:29,721
In the book, it's-it's obvious
1558
01:07:29,745 --> 01:07:31,356
that Henry is badly...
1559
01:07:31,380 --> 01:07:33,859
I mean, abuse doesn't
begin to cover
1560
01:07:33,883 --> 01:07:35,527
what he suffers
at the hands of his father
1561
01:07:35,551 --> 01:07:37,562
and he has this true fear
of his father.
1562
01:07:37,586 --> 01:07:38,597
I'm not a method actor
1563
01:07:38,621 --> 01:07:41,400
but I did keep that
a bit in mind
1564
01:07:41,424 --> 01:07:44,369
when I was attempting to
torture and ultimately kill
1565
01:07:44,393 --> 01:07:46,138
these poor children, right?
1566
01:07:46,162 --> 01:07:49,374
He needed to transfer
those feelings of helplessness.
1567
01:07:49,398 --> 01:07:51,676
He wanted to impose
that same fear on other people
1568
01:07:51,700 --> 01:07:53,478
that he suffered
when he went home at night.
1569
01:07:53,502 --> 01:07:54,679
There's one scene in the film,
1570
01:07:54,703 --> 01:07:57,716
it's the only scene
where my character is vulnerable
1571
01:07:57,740 --> 01:07:58,784
and that's in the classroom
1572
01:07:58,808 --> 01:07:59,818
and that's when
he's being threatened
1573
01:07:59,842 --> 01:08:02,454
to be kicked out
after a disturbance.
1574
01:08:02,478 --> 01:08:03,755
There's a crack in my voice
when he says,
1575
01:08:03,779 --> 01:08:06,124
"But my father
will tan my hide."
1576
01:08:06,148 --> 01:08:08,493
and that sort of
typifies the fear
1577
01:08:08,517 --> 01:08:11,163
that he has of-of his father.
1578
01:08:11,187 --> 01:08:12,731
I actually get emotional
about this because
1579
01:08:12,755 --> 01:08:13,755
my dad's passed.
1580
01:08:15,257 --> 01:08:17,869
He, uh, wasn't
supportive at all.
1581
01:08:17,893 --> 01:08:19,237
He never went to
any of my plays,
1582
01:08:19,261 --> 01:08:22,307
he sort of scoffed at all of
my dreams and aspirations.
1583
01:08:22,331 --> 01:08:23,909
But I remember
that he came home from work
1584
01:08:23,933 --> 01:08:26,711
and I said, "Dad, I got it!"
1585
01:08:26,735 --> 01:08:30,715
and his shock and the pride
and the sadness
1586
01:08:30,739 --> 01:08:33,218
that he hadn't embraced
this dream earlier.
1587
01:08:33,242 --> 01:08:35,821
And from that point on, though,
it was nothing but-but pride
1588
01:08:35,845 --> 01:08:37,456
and-and-and
it was a wonderful thing.
1589
01:08:37,480 --> 01:08:39,825
I apologize
for getting emotional.
1590
01:08:39,849 --> 01:08:42,727
I wanted to be as
sensitive off camera
1591
01:08:42,751 --> 01:08:44,162
as I possibly could.
1592
01:08:44,186 --> 01:08:47,232
Yelling these racial slurs and
these obscenities, you know,
1593
01:08:47,256 --> 01:08:49,701
calling him, you know, fat boy
and all of that kind of thing,
1594
01:08:49,725 --> 01:08:52,604
I wanted to make sure
after the take that
1595
01:08:52,628 --> 01:08:54,573
he knew that
that's not the way I felt.
1596
01:08:54,597 --> 01:08:56,875
Or what, boy? Or what?
1597
01:08:56,899 --> 01:08:58,009
You know, he always told me
1598
01:08:58,033 --> 01:08:59,111
how uncomfortable he was
with having to say
1599
01:08:59,135 --> 01:09:01,680
some of the things
he had to say to me,
1600
01:09:01,704 --> 01:09:04,416
which was great.
1601
01:09:04,440 --> 01:09:05,650
'Cause it was
some harsh words, man!
1602
01:09:05,674 --> 01:09:07,419
It was some harsh words said.
1603
01:09:07,443 --> 01:09:08,653
I'd always apologize afterwards.
1604
01:09:08,677 --> 01:09:10,388
And the Americans were quite
1605
01:09:10,412 --> 01:09:12,624
astounded by that; they thought,
"Well, you're playing a part."
1606
01:09:12,648 --> 01:09:14,860
There's a
scene where I get confronted
1607
01:09:14,884 --> 01:09:17,496
by Henry Bowers,
where he's supposed to carve
1608
01:09:17,520 --> 01:09:19,498
the "H" in my belly.
1609
01:09:19,522 --> 01:09:21,566
Hey look, it's the fat boy.
1610
01:09:21,590 --> 01:09:23,368
Top of the day, fat boy!
1611
01:09:23,392 --> 01:09:27,906
-And it was probably the scene
that I feared the most.
1612
01:09:36,605 --> 01:09:37,550
I thought for a moment
1613
01:09:37,574 --> 01:09:40,218
that he could very well lose it
1614
01:09:40,242 --> 01:09:41,653
and go ahead and just, you know,
1615
01:09:41,677 --> 01:09:43,922
start the artwork on my stomach
right then and there.
1616
01:09:43,946 --> 01:09:45,423
- Come on.
Don't really cut him.
1617
01:09:45,447 --> 01:09:47,459
Cut him? Huh?
1618
01:09:47,483 --> 01:09:48,727
Cut him?
1619
01:09:48,751 --> 01:09:51,663
He made
it very easy to be afraid.
1620
01:09:51,687 --> 01:09:53,665
But I remember
that being probably
1621
01:09:53,689 --> 01:09:56,859
the most difficult scene
for me to film.
1622
01:09:58,894 --> 01:10:00,472
The only
source of disappointment for me
1623
01:10:00,496 --> 01:10:02,874
was the fact
that we couldn't go as raw
1624
01:10:02,898 --> 01:10:05,877
and as bold
as they did in the book.
1625
01:10:05,901 --> 01:10:07,746
The violence
is something that I just...
1626
01:10:07,770 --> 01:10:09,414
I wanted to go further with it.
1627
01:10:09,438 --> 01:10:10,715
I just felt it would have been
more effective
1628
01:10:10,739 --> 01:10:12,284
if we were able to do that,
1629
01:10:12,308 --> 01:10:14,452
knowing fully well
that we weren't able to.
1630
01:10:14,476 --> 01:10:16,588
Henry Bowers.
1631
01:10:16,612 --> 01:10:20,559
There were
two adults that were cast later
1632
01:10:20,583 --> 01:10:22,827
and Green/Epstein
were very sweet
1633
01:10:22,851 --> 01:10:27,432
about allowing us to look at
so me people that were friends.
1634
01:10:27,456 --> 01:10:31,036
-Henry. Hen.
1635
01:10:31,060 --> 01:10:33,872
This is scaring me already!
1636
01:10:33,896 --> 01:10:37,042
It
Needed a special quality person.
1637
01:10:37,066 --> 01:10:41,746
And in this case,
he was being cast after the boy
1638
01:10:41,770 --> 01:10:45,350
who played Henry Bowers, who
was also a very special person
1639
01:10:45,374 --> 01:10:47,819
and had a strangeness about him.
1640
01:10:47,843 --> 01:10:52,457
-I tell you, people will
always remember Henry Bowers.
1641
01:10:52,481 --> 01:10:54,526
Michael Cole, he was from a show
1642
01:10:54,550 --> 01:10:56,695
called Mod Squad
that I grew up on.
1643
01:10:56,719 --> 01:10:59,397
He wasn't traditionally a badass
1644
01:10:59,421 --> 01:11:02,500
but he just showed that side
and so he was just kind of
1645
01:11:02,524 --> 01:11:04,736
one of these little gem finds,
1646
01:11:04,760 --> 01:11:07,706
somebody that had some gravitas.
1647
01:11:07,730 --> 01:11:10,909
-After all those years,
Michael had attained
1648
01:11:10,933 --> 01:11:14,813
a patina of strangeness,
which some of us do.
1649
01:11:14,837 --> 01:11:16,881
And so when he came in
to talk about it,
1650
01:11:16,905 --> 01:11:20,952
I felt very positive
right there and then
1651
01:11:20,976 --> 01:11:23,021
that he could pull
that roll off as.
1652
01:11:23,045 --> 01:11:25,790
, okay, that strange little boy
1653
01:11:25,814 --> 01:11:27,659
grew up to be this strange man.
1654
01:11:27,683 --> 01:11:29,394
I'll pay you back,
1655
01:11:29,418 --> 01:11:31,096
I'll pay you all back!
1656
01:11:31,120 --> 01:11:33,632
-Not many casting
directors will do this.
1657
01:11:33,656 --> 01:11:36,568
I got down on the
floor crawling around,
1658
01:11:36,592 --> 01:11:41,606
and I was so shook up and sweat
was starting to run down,
1659
01:11:41,630 --> 01:11:47,445
and Victoria got down
on the floor with me,
1660
01:11:47,469 --> 01:11:50,115
sliding sheets of paper
in front of me
1661
01:11:50,139 --> 01:11:53,518
so I could get the cue.
1662
01:11:53,542 --> 01:11:56,021
Boy, what a champion.
1663
01:11:56,045 --> 01:11:57,088
I met Michael Cole
1664
01:11:57,112 --> 01:11:58,156
and he was perfectly polite
1665
01:11:58,180 --> 01:12:01,660
but not very effusive
or -or friendly,
1666
01:12:01,684 --> 01:12:04,596
and I-I actually backed out
of his trailer and I thought,
1667
01:12:04,620 --> 01:12:07,032
"I'm just gonna leave you alone
to your business."
1668
01:12:07,056 --> 01:12:08,967
So, he did a great job
obviously.
1669
01:12:26,075 --> 01:12:27,852
Pennywise is wonderful.
1670
01:12:27,876 --> 01:12:29,421
I mean, he's charming and scary
1671
01:12:29,445 --> 01:12:32,157
and both elusive
and enthralling, you know.
1672
01:12:32,181 --> 01:12:33,525
He's like any good drug.
1673
01:12:33,549 --> 01:12:34,826
Like you just want to go to it,
1674
01:12:34,850 --> 01:12:36,161
but then you regret it
immediately.
1675
01:12:36,185 --> 01:12:39,531
Pennywise
is much more overtly comic...
1676
01:12:39,555 --> 01:12:42,667
Won't do
any good to run, girly boy.
1677
01:12:42,691 --> 01:12:44,603
-
- As a lure for the kids
1678
01:12:44,629 --> 01:12:46,538
And as a sort of perverse
1679
01:12:46,562 --> 01:12:48,530
set of jokes for the audience.
1680
01:12:50,132 --> 01:12:53,578
But when he scares,
he scares the crap out of you.
1681
01:12:53,602 --> 01:12:57,682
He found the way
to really lure you in
1682
01:12:57,706 --> 01:12:59,184
like Georgie in the sewer.
1683
01:12:59,208 --> 01:13:00,518
My boat!
1684
01:13:00,542 --> 01:13:02,787
Exactly!
1685
01:13:02,811 --> 01:13:05,557
When Georgie
is first taken by Pennywise,
1686
01:13:05,581 --> 01:13:07,759
which is a great scene
when he follows the boat
1687
01:13:07,783 --> 01:13:09,661
down the street in the rain.
1688
01:13:09,685 --> 01:13:11,162
S.S. Georgie.
1689
01:13:13,922 --> 01:13:15,300
The effects guys had done this
1690
01:13:15,324 --> 01:13:18,169
brilliant job to figure out
how to get the boat to flow
1691
01:13:18,193 --> 01:13:19,461
all in one take.
1692
01:13:20,696 --> 01:13:22,474
No, please no.
1693
01:13:22,498 --> 01:13:24,175
Tommy Lee
Wallace opened the sewer grate,
1694
01:13:24,199 --> 01:13:25,210
which was just a manhole cover
1695
01:13:25,234 --> 01:13:27,212
which was about four feet away
from the sewer,
1696
01:13:27,236 --> 01:13:29,814
and had Tim crouch down
and speak...
1697
01:13:29,838 --> 01:13:31,649
Hiya, Georgie!
1698
01:13:31,673 --> 01:13:32,984
Into the sewer.
1699
01:13:33,008 --> 01:13:35,854
We
Had a strange day to shoot it.
1700
01:13:35,878 --> 01:13:37,489
You can almost always count on
1701
01:13:37,513 --> 01:13:39,457
overcast in Vancouver,
1702
01:13:39,481 --> 01:13:41,659
but this day
was sunny and bright,
1703
01:13:41,683 --> 01:13:44,529
but "We better go ahead
and do it because
1704
01:13:44,553 --> 01:13:46,798
here we are
and the set is built."
1705
01:13:46,822 --> 01:13:48,099
You can see the rays of sunshine
1706
01:13:48,123 --> 01:13:50,168
coming through the scaffolding
1707
01:13:50,192 --> 01:13:52,070
that they built to
create the rain.
1708
01:13:52,094 --> 01:13:54,105
I had trepidation about that
1709
01:13:54,129 --> 01:13:57,108
but the effect
was kind of wonderful.
1710
01:13:57,132 --> 01:13:59,911
The light was doing weird things
and of course you could see
1711
01:13:59,935 --> 01:14:03,014
the rain really well because
it was backlit by the sun.
1712
01:14:03,038 --> 01:14:05,850
Then you get
to the actual sewer.
1713
01:14:05,874 --> 01:14:09,053
That was a set.
It was done outdoors.
1714
01:14:09,077 --> 01:14:11,856
The set was up high
and Tim was just standing
1715
01:14:11,880 --> 01:14:14,592
with his face
up against the opening,
1716
01:14:14,616 --> 01:14:16,027
so we were on a riser,
1717
01:14:16,051 --> 01:14:19,097
looking down as if
we were on the street.
1718
01:14:19,121 --> 01:14:21,566
Little Georgie
at the beginning of the film
1719
01:14:21,590 --> 01:14:25,069
when he's chasing his
paper boat and I grab him,
1720
01:14:25,093 --> 01:14:27,272
he stopped and said...
1721
01:14:27,296 --> 01:14:28,773
-"Tim, you're scaring me,
you're scaring me."
1722
01:14:28,797 --> 01:14:31,676
-"It'll save you
a little acting, won't it?"
1723
01:14:31,700 --> 01:14:33,244
That wonderful little boy.
1724
01:14:33,268 --> 01:14:34,446
Do they float?
1725
01:14:34,470 --> 01:14:36,247
And Tim Curry's performance.
1726
01:14:36,271 --> 01:14:39,284
They float, Georgie.
1727
01:14:39,308 --> 01:14:41,719
-to me,
that's what that scene is.
1728
01:14:41,743 --> 01:14:45,156
Not much in the way
of special effects.
1729
01:14:45,180 --> 01:14:47,559
You'll float too!
1730
01:14:50,819 --> 01:14:53,231
-One of the scenes
that was left out
1731
01:14:53,255 --> 01:14:57,836
of the final showing of IT
was that scene where
1732
01:14:57,860 --> 01:15:01,105
Sharon comes to the door
and is presented with
1733
01:15:01,129 --> 01:15:04,008
a fireman holding
the body of her son.
1734
01:15:04,032 --> 01:15:06,611
Holding me
with my arm in my sleeve
1735
01:15:06,635 --> 01:15:08,546
and the blood dripping
out of the sleeve.
1736
01:15:08,570 --> 01:15:09,614
It's pouring rain
1737
01:15:09,638 --> 01:15:12,283
and she opens the
door and there he is,
1738
01:15:12,307 --> 01:15:14,586
and I spent all day screaming
1739
01:15:14,610 --> 01:15:15,787
as we did take after take.
1740
01:15:15,811 --> 01:15:18,056
I guess since it was made for TV
1741
01:15:18,080 --> 01:15:20,658
that that was pushing
the envelope a little bit.
1742
01:15:20,682 --> 01:15:22,060
We were certainly
aware that we were doing
1743
01:15:22,084 --> 01:15:23,828
a horror movie for television.
1744
01:15:23,852 --> 01:15:26,598
George.
1745
01:15:26,622 --> 01:15:28,800
And back
then, we were very limited
1746
01:15:28,824 --> 01:15:30,168
to what you could show.
1747
01:15:30,192 --> 01:15:31,669
We were breaking new ground,
1748
01:15:31,693 --> 01:15:33,137
because I don't remember
1749
01:15:33,161 --> 01:15:35,740
before any kind of material
like this
1750
01:15:35,764 --> 01:15:37,709
that I saw on television.
1751
01:15:37,733 --> 01:15:40,178
Sci-fi, horror.
1752
01:15:40,202 --> 01:15:41,046
Float.
1753
01:15:41,070 --> 01:15:43,014
-.blood, and there was
a lot of that.
1754
01:15:47,175 --> 01:15:48,253
-And we had to work with
1755
01:15:48,277 --> 01:15:51,289
the program practice department
at all times.
1756
01:15:51,313 --> 01:15:55,760
There was a scene where
the kids become
1757
01:15:55,784 --> 01:15:59,297
blood brothers and sisters
and they cut their hand
1758
01:15:59,321 --> 01:16:02,634
and they place
their palms on palms.
1759
01:16:02,658 --> 01:16:05,270
We had to change that
1760
01:16:05,294 --> 01:16:07,038
because it was in the early '90s
1761
01:16:07,062 --> 01:16:08,806
and it was during
the time of AIDS.
1762
01:16:08,830 --> 01:16:11,276
So, we wrote the scene
to spit in their hand.
1763
01:16:11,300 --> 01:16:14,913
-The advertisers
were very nervous.
1764
01:16:14,937 --> 01:16:17,715
This was a children
in jeopardy story
1765
01:16:17,739 --> 01:16:19,951
and we had to focus it on
1766
01:16:19,975 --> 01:16:22,186
the fact that it was
a Stephen King novel,
1767
01:16:22,210 --> 01:16:23,888
that it was very popular.
1768
01:16:23,912 --> 01:16:25,823
Executives, creatives knew it,
1769
01:16:25,847 --> 01:16:28,259
but program practices still
had to follow their guidelines
1770
01:16:28,283 --> 01:16:31,195
and we were constantly
up against them,
1771
01:16:31,219 --> 01:16:33,398
pushing it, and fighting
1772
01:16:33,422 --> 01:16:35,800
for the creative integrity
of the piece.
1773
01:16:35,824 --> 01:16:38,903
Broadcast
Standards rejected the picture,
1774
01:16:38,927 --> 01:16:42,407
and the head of Broadcast
Standards at the time
1775
01:16:42,431 --> 01:16:45,310
happened to be someone I knew,
so it was easy for me
1776
01:16:45,334 --> 01:16:47,078
to get on the phone to New York
1777
01:16:47,102 --> 01:16:49,013
and ask for help.
1778
01:16:49,037 --> 01:16:51,282
The gentleman that was
in charge of
1779
01:16:51,306 --> 01:16:53,418
censorship at ABC
1780
01:16:53,442 --> 01:16:56,254
agreed to come out and
look at the picture with me.
1781
01:16:56,278 --> 01:16:59,691
His staff had rejected
the picture on so many levels
1782
01:16:59,715 --> 01:17:03,161
that every note that they had
meant re-cutting the picture
1783
01:17:03,185 --> 01:17:04,862
and I just simply said,
1784
01:17:04,886 --> 01:17:06,431
"We're not cutting
a piece of it."
1785
01:17:06,455 --> 01:17:07,432
"This is what you bought.
1786
01:17:07,456 --> 01:17:08,900
You bought
a Stephen King horror.
1787
01:17:08,924 --> 01:17:10,034
We'll be able to show it
1788
01:17:10,058 --> 01:17:12,303
in a very respectable,
responsible way...
1789
01:17:12,327 --> 01:17:14,405
is based on subject material
1790
01:17:14,429 --> 01:17:17,442
that may be unsuitable for,
and unsettling to
1791
01:17:17,466 --> 01:17:19,811
younger and
impressionable viewers.
1792
01:17:19,835 --> 01:17:21,312
-"but we can't deny the audience
1793
01:17:21,336 --> 01:17:23,314
what they come to expect."
1794
01:17:23,338 --> 01:17:25,216
I had made my argument
1795
01:17:25,240 --> 01:17:28,286
that these were recollections of adults.
1796
01:17:28,310 --> 01:17:29,821
The blood.
1797
01:17:29,845 --> 01:17:31,856
I cleaned the whole thing up
that very same night.
1798
01:17:31,880 --> 01:17:33,758
And so therefore,
we could get away with
1799
01:17:33,782 --> 01:17:35,193
children in jeopardy.
1800
01:17:39,154 --> 01:17:40,198
The next day we were told,
1801
01:17:40,222 --> 01:17:43,125
"No changes. Move forward."
1802
01:18:11,853 --> 01:18:12,930
Cue background!
1803
01:18:12,954 --> 01:18:14,899
Background!
1804
01:18:16,091 --> 01:18:18,069
Eric, go.
1805
01:18:18,093 --> 01:18:20,471
The idea of the carnival scene
1806
01:18:20,495 --> 01:18:22,473
is straight out of the book...
1807
01:18:22,497 --> 01:18:25,410
The hand that reaches
right out of the photo album
1808
01:18:25,434 --> 01:18:27,245
and grabs at them.
1809
01:18:27,269 --> 01:18:29,347
-Come on, it's just a drawing!
1810
01:18:29,371 --> 01:18:31,282
The photo
book was built by two people,
1811
01:18:31,306 --> 01:18:33,217
Mike Steffy, and Bob Comer.
1812
01:18:33,241 --> 01:18:35,887
Both of them had this
amazing mechanical ability
1813
01:18:35,911 --> 01:18:37,855
to build what we call
tabletop gags,
1814
01:18:37,879 --> 01:18:39,123
really intricate things.
1815
01:18:39,147 --> 01:18:41,192
-That was my favorite thing,
1816
01:18:41,216 --> 01:18:43,928
that you see a photograph
and I come alive.
1817
01:18:43,952 --> 01:18:45,329
Such a great idea.
1818
01:18:53,095 --> 01:18:55,773
-I have never seen so many
cables attached to something
1819
01:18:55,797 --> 01:18:58,076
that operated those pages
to turn.
1820
01:18:58,100 --> 01:19:00,978
It was a complex
push me-pull me cable system.
1821
01:19:01,002 --> 01:19:02,447
They had to hit their marks,
1822
01:19:02,471 --> 01:19:04,282
so they had to have individual
cables for individual pages.
1823
01:19:04,306 --> 01:19:05,817
It took them weeks to build it.
1824
01:19:05,841 --> 01:19:07,285
When they operated it,
1825
01:19:07,309 --> 01:19:09,887
it was one of those "How do you
hide all that stuff?"
1826
01:19:09,911 --> 01:19:11,856
Visual effects
just didn't have the money.
1827
01:19:11,880 --> 01:19:12,791
All right, here we go. Yeah.
1828
01:19:12,815 --> 01:19:14,516
Thank you and clear, please.
1829
01:19:17,552 --> 01:19:18,830
What I really, really
1830
01:19:18,854 --> 01:19:22,233
wanted to emphasize was
that "I think I see Pennywise
1831
01:19:22,257 --> 01:19:24,469
back there in the background
somewhere
1832
01:19:24,493 --> 01:19:27,071
but he's just not
bothering anybody."
1833
01:19:27,095 --> 01:19:28,206
And I picked up the book
1834
01:19:28,230 --> 01:19:29,474
and the first thing we saw
was just a big hole in it.
1835
01:19:29,498 --> 01:19:32,076
And he's like, "All right,
I want you guys to act
1836
01:19:32,100 --> 01:19:33,211
like you guys
are reading this book,
1837
01:19:33,235 --> 01:19:36,581
like Pennywise is
dancing down the street.
1838
01:19:36,605 --> 01:19:38,349
He jumps on the pole."
1839
01:19:38,373 --> 01:19:39,318
Uh, remember the uh,
1840
01:19:39,342 --> 01:19:40,918
remember the pull-up.
1841
01:19:40,942 --> 01:19:41,587
Don't watch
the clown, background.
1842
01:19:41,611 --> 01:19:43,087
Keep doing your own stuff.
1843
01:19:43,111 --> 01:19:43,689
Remember that, uh,
1844
01:19:43,713 --> 01:19:45,389
little lower, and.yeah.
1845
01:19:45,413 --> 01:19:46,924
- "And then, here it comes..."
1846
01:19:46,948 --> 01:19:48,226
Aah!
1847
01:19:48,250 --> 01:19:49,460
-Oh, shit,
he's right in your face,
1848
01:19:49,484 --> 01:19:50,528
just like that.
1849
01:19:50,552 --> 01:19:52,263
-"and I need you
guys to react."
1850
01:19:52,287 --> 01:19:54,298
It was Tommy's hand that kind of
1851
01:19:54,322 --> 01:19:55,433
came up through there.
1852
01:19:55,457 --> 01:19:58,202
I remember later
seeing the completed scene
1853
01:19:58,226 --> 01:20:00,171
and being blown away.
1854
01:20:00,195 --> 01:20:02,940
-I thought that was
a good powerful moment.
1855
01:20:02,964 --> 01:20:04,942
Makeup
effects were booming at that time.
1856
01:20:04,966 --> 01:20:07,378
Garage shops
were popping up everywhere,
1857
01:20:07,402 --> 01:20:09,914
and Fantasy II was
like an all-encompassing
1858
01:20:09,938 --> 01:20:11,516
movie effects house.
1859
01:20:11,540 --> 01:20:13,618
We had a makeup effects wing
1860
01:20:13,642 --> 01:20:16,954
and Bart Mixon
was the lead person in it.
1861
01:20:16,978 --> 01:20:18,256
Tommy Lee Wallace
1862
01:20:18,280 --> 01:20:21,859
knew him from Fright Night 2
1863
01:20:21,883 --> 01:20:23,294
I had set up their creature shop
1864
01:20:23,318 --> 01:20:25,096
for Fright Night 2,
1865
01:20:25,120 --> 01:20:27,965
so it was just natural
for Gene to bring me back in.
1866
01:20:27,989 --> 01:20:30,134
I had a crew of about a half
a dozen artists on the show,
1867
01:20:30,158 --> 01:20:31,869
but I... probably selfishly,
1868
01:20:31,893 --> 01:20:33,571
I wanted to do Pennywise myself.
1869
01:20:33,595 --> 01:20:34,772
-That was Bart's baby.
1870
01:20:34,796 --> 01:20:37,875
Bart sculpted it and did
the whole application.
1871
01:20:37,899 --> 01:20:39,177
Fozzie Bear does the twist?
1872
01:20:39,201 --> 01:20:41,245
Early on, I
was doing a fair amount of
1873
01:20:41,269 --> 01:20:44,081
clown research and sketching.
1874
01:20:44,105 --> 01:20:46,584
-The idea, first of all,
was to do a lot of research
1875
01:20:46,608 --> 01:20:49,353
on representation of clowns
over time
1876
01:20:49,377 --> 01:20:51,589
to have a historical
perspective.
1877
01:20:51,613 --> 01:20:54,992
We have to think of
the size of the actor
1878
01:20:55,016 --> 01:20:57,295
and how big we want him to be,
1879
01:20:57,319 --> 01:20:59,497
how nimble we want him to be.
1880
01:20:59,521 --> 01:21:01,199
What we're doing
with the costume is
1881
01:21:01,223 --> 01:21:03,201
we're serving his face;
1882
01:21:03,225 --> 01:21:05,937
everything has to serve
the expression.
1883
01:21:05,961 --> 01:21:07,939
-The first time
I did prosthetics
1884
01:21:07,963 --> 01:21:10,174
I was doing Legend
for Ridley Scott,
1885
01:21:10,198 --> 01:21:12,043
where I played the devil.
1886
01:21:12,067 --> 01:21:14,445
-He had mentioned
that Rob Botin had literally
1887
01:21:14,469 --> 01:21:17,548
casted every inch of his body,
so I think he wasn't anxious
1888
01:21:17,572 --> 01:21:19,350
to have his life cast
done again.
1889
01:21:19,374 --> 01:21:21,485
That's all right, I can bear it.
1890
01:21:21,509 --> 01:21:24,222
He was absolutely weighted down
1891
01:21:24,246 --> 01:21:27,992
with special effects makeup
to the point at which he was...
1892
01:21:28,016 --> 01:21:31,362
To most people was no longer
recognizable as Tim Curry.
1893
01:21:31,386 --> 01:21:33,664
I was
prosthetic down to my waist
1894
01:21:33,688 --> 01:21:36,033
and it was all glued on,
1895
01:21:36,057 --> 01:21:38,402
and to get it off
they used to sit me in a bath,
1896
01:21:38,426 --> 01:21:40,271
tear a hole in my head
1897
01:21:40,295 --> 01:21:42,373
and pour in solvent.
1898
01:21:42,397 --> 01:21:45,109
And the two guys
who were doing it were insane,
1899
01:21:45,133 --> 01:21:49,080
probably because they were
around solvents so much.
1900
01:21:49,104 --> 01:21:51,215
You do get horribly
claustrophobic,
1901
01:21:51,239 --> 01:21:54,285
particularly
if your whole face is covered.
1902
01:21:54,309 --> 01:21:56,053
So, his only reservation
1903
01:21:56,077 --> 01:21:57,955
was too much makeup.
1904
01:21:57,979 --> 01:22:01,125
He wanted to be
able to use his face.
1905
01:22:01,149 --> 01:22:05,329
We pushed and pulled about
how much makeup to do.
1906
01:22:05,353 --> 01:22:07,365
I met with him
and we had a few conversations
1907
01:22:07,389 --> 01:22:09,734
about what he did
or didn't want to wear.
1908
01:22:09,758 --> 01:22:13,170
He did want to go as light
as possible with the prosthetic.
1909
01:22:13,194 --> 01:22:14,663
So there was some evolution.
1910
01:22:37,085 --> 01:22:39,363
I'll kill you all.
1911
01:22:39,387 --> 01:22:40,531
I'll kill you all.
1912
01:22:40,555 --> 01:22:41,966
I saw it as a fantasy character.
1913
01:22:41,990 --> 01:22:45,536
It was an illusion that It's
presenting to these children.
1914
01:22:45,560 --> 01:22:48,239
I wanted it to almost
be like a living cartoon,
1915
01:22:48,263 --> 01:22:50,308
just as harmless and as pleasant looking
1916
01:22:50,332 --> 01:22:51,342
as it could be,
1917
01:22:51,366 --> 01:22:52,277
and that's why the colors
1918
01:22:52,301 --> 01:22:54,512
are pure white and red and blue
1919
01:22:54,536 --> 01:22:56,647
and very primary and very clean.
1920
01:22:56,671 --> 01:22:58,449
I didn't want
there to be cracks.
1921
01:22:58,473 --> 01:23:00,484
And at least when he's
presenting himself to the kids,
1922
01:23:00,508 --> 01:23:02,286
he's casting this illusion,
1923
01:23:02,310 --> 01:23:05,389
so why would he
have flaws in it?
1924
01:23:05,413 --> 01:23:08,125
The usual
accoutrement of clownmanship,
1925
01:23:08,149 --> 01:23:10,328
it was definitely
going to be whiteface.
1926
01:23:10,352 --> 01:23:11,395
It was really the classic
1927
01:23:11,419 --> 01:23:14,465
Bozo the Clown approach,
to begin with.
1928
01:23:14,489 --> 01:23:16,434
-He came over to the shop,
we took a life cast,
1929
01:23:16,458 --> 01:23:19,603
and then we produced
copies of busts of his head.
1930
01:23:19,627 --> 01:23:22,306
I believe I had three of those
that I did clay sketches on
1931
01:23:22,330 --> 01:23:24,375
where we did
three different concepts.
1932
01:23:24,399 --> 01:23:26,510
There was a hobo clown
1933
01:23:26,534 --> 01:23:28,813
with jowls and droopy face,
1934
01:23:28,837 --> 01:23:29,914
and then there was
one in between
1935
01:23:29,938 --> 01:23:31,782
that had more prosthetics
on his face
1936
01:23:31,806 --> 01:23:34,685
but made him a little more
angular and meaner.
1937
01:23:34,709 --> 01:23:36,487
Once we-we produced the makeup,
1938
01:23:36,511 --> 01:23:38,356
then we went up
to Canada to test it.
1939
01:23:38,380 --> 01:23:40,591
And we did two makeup tests.
1940
01:23:40,615 --> 01:23:41,826
When we got to Vancouver,
1941
01:23:41,850 --> 01:23:45,162
and were doing our test
makeup, I was so looking forward
1942
01:23:45,186 --> 01:23:46,630
to that day and that moment
1943
01:23:46,654 --> 01:23:49,300
when we would be able to sit
with Tim with the makeup on
1944
01:23:49,324 --> 01:23:51,168
and see this clown with
1945
01:23:51,192 --> 01:23:53,738
bloodshot eyes and fangs
and a scary face.
1946
01:23:53,762 --> 01:23:56,440
The first test
was just the head and the nose
1947
01:23:56,464 --> 01:23:59,076
with a paint scheme
that was what Tim had wanted.
1948
01:23:59,100 --> 01:24:01,512
He dictated the patterns
on the face.
1949
01:24:01,536 --> 01:24:04,181
The second test, we added
the cheeks and the chin
1950
01:24:04,205 --> 01:24:06,450
and then I painted something
closer to what I had
1951
01:24:06,474 --> 01:24:08,119
on my original design,
1952
01:24:08,143 --> 01:24:10,721
where he's got like a bigger
red mouth and the blue eyes.
1953
01:24:10,745 --> 01:24:11,922
They photographed both of those.
1954
01:24:11,946 --> 01:24:13,824
The decision was made
that he didn't really
1955
01:24:13,848 --> 01:24:15,393
need the cheeks and chin,
1956
01:24:15,417 --> 01:24:17,161
which at the time
I was kind of like,
1957
01:24:17,185 --> 01:24:18,262
"Hey, wait a minute!"
1958
01:24:18,286 --> 01:24:20,264
But I think he looks great
like he is.
1959
01:24:20,288 --> 01:24:22,600
The paint scheme evolved
a little bit further.
1960
01:24:22,624 --> 01:24:24,268
We did at least one more test
1961
01:24:24,292 --> 01:24:26,303
where we just painted
Tim's face white
1962
01:24:26,327 --> 01:24:28,806
and then refined the patterns.
1963
01:24:28,830 --> 01:24:32,843
-It's always kind of tough
having that stuff stuck on you.
1964
01:24:32,867 --> 01:24:34,211
There was a certain line
1965
01:24:34,235 --> 01:24:36,247
that I was going past,
1966
01:24:36,271 --> 01:24:38,816
and Bart Mixon was in
on that conversation,
1967
01:24:38,840 --> 01:24:41,786
as was Doug Higgins,
the art director.
1968
01:24:41,810 --> 01:24:45,456
We were all having discussions
about Pennywise's look.
1969
01:24:45,480 --> 01:24:49,326
I was excited about adding
certain appliance makeup
1970
01:24:49,350 --> 01:24:51,228
like a bulbous forehead,
1971
01:24:51,252 --> 01:24:56,901
perhaps exaggerated cheekbones,
big extended chin,
1972
01:24:56,925 --> 01:24:59,837
things to cartoonize his face.
1973
01:24:59,861 --> 01:25:03,240
Tim took a stand about that
and said he really didn't want
1974
01:25:03,264 --> 01:25:04,742
to wear these things.
1975
01:25:04,766 --> 01:25:06,911
He agreed to try them on.
1976
01:25:06,935 --> 01:25:09,613
-And he said, "If you want me
to wear this scary makeup,
1977
01:25:09,637 --> 01:25:11,348
then I think you have
the wrong actor."
1978
01:25:11,372 --> 01:25:13,150
And I thought, "What?"
1979
01:25:13,174 --> 01:25:16,487
He had great
patience and great forbearance,
1980
01:25:16,511 --> 01:25:19,490
because I think that job
was a purgatory for him,
1981
01:25:19,514 --> 01:25:20,558
I really do.
1982
01:25:20,582 --> 01:25:22,927
One more, Tim.
1983
01:25:22,951 --> 01:25:24,462
And God love him,
1984
01:25:24,486 --> 01:25:25,729
he created a character
1985
01:25:25,753 --> 01:25:29,834
that has scared
the pants off of generations.
1986
01:25:29,858 --> 01:25:31,902
He said, "Look, just make me
1987
01:25:31,926 --> 01:25:35,573
as a straight clown
and I will scare the audience."
1988
01:25:35,597 --> 01:25:38,709
I thought, "Of course.
That's why we have Tim Curry."
1989
01:25:38,733 --> 01:25:40,211
Go!
1990
01:25:40,235 --> 01:25:41,912
Now.
1991
01:25:41,936 --> 01:25:44,215
"He will scare
us. We don't need all of that."
1992
01:25:44,239 --> 01:25:46,750
-In the end,
we removed all of them
1993
01:25:46,774 --> 01:25:49,720
except the bulbous head,
and I'm glad we stuck with that,
1994
01:25:49,744 --> 01:25:54,558
but he was totally right that
his face is so expressive...
1995
01:25:54,582 --> 01:25:55,902
Give us a profile, Tim.
1996
01:25:57,952 --> 01:25:59,029
That it was good
1997
01:25:59,053 --> 01:26:02,500
to not see it too done up
with rubber.
1998
01:26:02,524 --> 01:26:04,368
But Tim
could act through a manhole cover
1999
01:26:04,392 --> 01:26:05,736
if he wanted to,
2000
01:26:05,760 --> 01:26:08,363
because he has that kind of
charisma and presence.
2001
01:26:29,384 --> 01:26:31,729
The look that we ended up with
2002
01:26:31,753 --> 01:26:34,265
was based in a large part
2003
01:26:34,289 --> 01:26:35,966
on the Lon Chaney Phantom
of the Opera.
2004
01:26:35,990 --> 01:26:37,601
That's why it's got
the upturned nose
2005
01:26:37,625 --> 01:26:39,403
and the bulbous head.
2006
01:26:48,436 --> 01:26:50,514
I didn't film
any of my scenes with Tim Curry
2007
01:26:50,538 --> 01:26:51,782
'cause they didn't
want to scare me.
2008
01:26:51,806 --> 01:26:55,686
I was walking back to go
to my trailer to go change
2009
01:26:55,710 --> 01:26:59,823
and Tim Curry is in full gear,
his clown makeup, everything,
2010
01:26:59,847 --> 01:27:02,326
and he walks by me
and he goes, "Hi!"
2011
01:27:02,350 --> 01:27:05,563
And it scared me so much.
2012
01:27:05,587 --> 01:27:07,865
To be honest that's the
reason why I...
2013
01:27:07,889 --> 01:27:09,533
I still haven't seen the movie,
2014
01:27:09,557 --> 01:27:11,035
because I'm terrified of clowns.
2015
01:27:12,727 --> 01:27:15,372
-There was quite a good
photograph in a magazine of me
2016
01:27:15,396 --> 01:27:17,708
heading for the makeup trailer
2017
01:27:17,732 --> 01:27:22,513
in a bathrobe with a Marlboro
dangling from my face.
2018
01:27:22,537 --> 01:27:24,848
Tim kept
himself quite aloof from us.
2019
01:27:24,872 --> 01:27:28,686
He would basically just
hang out in his cast chair,
2020
01:27:28,710 --> 01:27:30,988
chain-smoking in full makeup
2021
01:27:31,012 --> 01:27:33,324
and whenever he saw
us, he would just go
2022
01:27:33,348 --> 01:27:35,059
"Grrrrr!"
2023
01:27:35,083 --> 01:27:36,293
Those kind of people
2024
01:27:36,317 --> 01:27:38,362
always make your job easier.
2025
01:27:38,386 --> 01:27:40,764
The kids were
actually quite scared of me.
2026
01:27:40,788 --> 01:27:42,366
-I'd been playing it really cool
2027
01:27:42,390 --> 01:27:44,001
and then we wound up in a van
2028
01:27:44,025 --> 01:27:45,569
going back to the hotel together
2029
01:27:45,593 --> 01:27:47,571
and I was wearing
a Rocky Horror shirt
2030
01:27:47,595 --> 01:27:50,641
and I was like trying
to cover it up,
2031
01:27:50,665 --> 01:27:53,644
and he saw it and he was like,
"Oh, you like the movie?"
2032
01:27:53,668 --> 01:27:56,880
And I go, "Yeah, I'm...
I'm into you, dude!"
2033
01:27:56,904 --> 01:27:59,917
I have a picture of him
in half a clown costume
2034
01:27:59,941 --> 01:28:02,920
with me standing next to
him looking slightly scared
2035
01:28:02,944 --> 01:28:04,555
that was taken off the set
2036
01:28:04,579 --> 01:28:07,625
after shooting this shower scene
2037
01:28:07,649 --> 01:28:09,026
and I was too scared to
ask him for that picture.
2038
01:28:09,050 --> 01:28:10,894
My mom, however, was not.
2039
01:28:10,918 --> 01:28:13,464
I
Encouraged him to be really big,
2040
01:28:13,488 --> 01:28:15,566
because it's almost like
a character
2041
01:28:15,590 --> 01:28:17,835
who's satirizing himself
constantly.
2042
01:28:17,859 --> 01:28:19,570
He's being self-referential
2043
01:28:19,594 --> 01:28:22,373
when he tells these
awful, stupid jokes.
2044
01:28:22,397 --> 01:28:24,541
Do you have
Prince Albert in a can?
2045
01:28:24,565 --> 01:28:26,076
-Then, urrah, urrah, urrah.
2046
01:28:26,100 --> 01:28:27,478
Urrah, urrah, urrah,
2047
01:28:27,502 --> 01:28:28,446
urrah, urrah,
2048
01:28:28,470 --> 01:28:30,881
you know, it's like, "Wait,
2049
01:28:30,905 --> 01:28:34,418
he's just demented;
that's all there is to that.
2050
01:28:34,442 --> 01:28:37,588
But wait, he's not even a clown,
he's some other kind of monster,
2051
01:28:37,612 --> 01:28:39,556
so, oh, I'm uneasy."
2052
01:28:39,580 --> 01:28:43,460
Pennywise
is this really strange, queer...
2053
01:28:43,484 --> 01:28:45,362
Not in LGBTQ sense,
2054
01:28:45,386 --> 01:28:49,600
but like queer as in strange,
as in aberrant.
2055
01:28:49,624 --> 01:28:51,702
I think that the novel,
more so than the miniseries,
2056
01:28:51,726 --> 01:28:53,470
is very much grounded
in the fact
2057
01:28:53,494 --> 01:28:57,141
that Pennywise
is on three different levels:
2058
01:28:57,165 --> 01:28:59,143
It is in disguise
2059
01:28:59,167 --> 01:29:01,145
as Pennywise; Pennywise then
2060
01:29:01,169 --> 01:29:03,714
disguises himself as, say,
2061
01:29:03,738 --> 01:29:04,815
the Creature
from the Black Lagoon,
2062
01:29:04,839 --> 01:29:06,374
the mummy, the leper.
2063
01:29:07,675 --> 01:29:11,055
Get out of Derry
while you still can!
2064
01:29:11,079 --> 01:29:13,557
Beverly's dad in a dress,
2065
01:29:13,581 --> 01:29:16,093
so it's drag on drag
on drag on drag.
2066
01:29:16,117 --> 01:29:18,062
It's all about these
very queer elements,
2067
01:29:18,086 --> 01:29:20,397
which is what horror
fiction is always about.
2068
01:29:20,421 --> 01:29:22,399
It's always about the
thing on the outside.
2069
01:29:22,423 --> 01:29:25,469
So, King is really preying on those fears,
2070
01:29:25,493 --> 01:29:26,737
those fears of the outsider.
2071
01:29:29,030 --> 01:29:30,140
Stan?
2072
01:29:30,164 --> 01:29:31,875
My first day of
2073
01:29:31,899 --> 01:29:34,912
shooting on the set
was with Jonathan Brandis,
2074
01:29:34,936 --> 01:29:38,482
where Stan goes to do some
bird watching and ends up in
2075
01:29:38,506 --> 01:29:39,683
a house...
2076
01:29:39,707 --> 01:29:40,718
Hello?
2077
01:29:40,742 --> 01:29:42,019
Stanley.
2078
01:29:42,043 --> 01:29:43,053
Yeah?
2079
01:29:43,077 --> 01:29:43,888
And of course,
2080
01:29:43,912 --> 01:29:46,090
It manifests itself
as that mummy.
2081
01:29:49,684 --> 01:29:51,628
Jim McLaughlin
sculpted the mummy for me,
2082
01:29:51,652 --> 01:29:53,931
which was basically a makeup
that Jim had done
2083
01:29:53,955 --> 01:29:55,132
a year or so earlier
and I was like,
2084
01:29:55,156 --> 01:29:57,468
"That looks cool, you mind
if we use that in the movie?"
2085
01:29:57,492 --> 01:29:59,252
So he just, you know,
made me a copy of that.
2086
01:30:00,795 --> 01:30:02,506
There's a
werewolf which was really cool
2087
01:30:02,530 --> 01:30:04,208
that was done by Norman Cabrera.
2088
01:30:04,232 --> 01:30:05,743
- This.
This isn't happening.
2089
01:30:09,370 --> 01:30:10,781
He's
like, "We're doing an homage
2090
01:30:10,805 --> 01:30:14,518
to I Was a Teenage Werewolf,
the Michael Landon creature,"
2091
01:30:14,542 --> 01:30:15,753
and I was like,
2092
01:30:15,777 --> 01:30:17,221
"Uh, yeah.
This is a no-brainer, man.
2093
01:30:17,245 --> 01:30:18,155
I want to do this."
2094
01:30:18,179 --> 01:30:18,923
When I saw the stunt guy
2095
01:30:18,947 --> 01:30:20,724
in the suit the first time,
2096
01:30:20,748 --> 01:30:22,126
all I wanted to do was touch it.
2097
01:30:22,150 --> 01:30:24,194
Werewolves
was always my favorite monster
2098
01:30:24,218 --> 01:30:27,064
in every movie, and I loved
I Was a Teenage Werewolf
2099
01:30:27,088 --> 01:30:28,732
'cause he had these
really cool streaks
2100
01:30:28,756 --> 01:30:30,601
and he wore like
the school jacket
2101
01:30:30,625 --> 01:30:32,069
and he was... kind of
was like a greaser.
2102
01:30:32,093 --> 01:30:34,705
I basically got
my old monster magazines out
2103
01:30:34,729 --> 01:30:36,573
so I had the references
all there.
2104
01:30:36,597 --> 01:30:38,542
I knew exactly
what they were going for,
2105
01:30:38,566 --> 01:30:40,744
and I liked giving it
a slightly updated twist.
2106
01:30:41,936 --> 01:30:43,747
-I look at night two
2107
01:30:43,771 --> 01:30:47,084
and I think it suffers
in part from the problems
2108
01:30:47,108 --> 01:30:50,521
of being only a night two.
2109
01:30:50,545 --> 01:30:53,757
Steve's narrative
as it accelerates
2110
01:30:53,781 --> 01:30:56,160
benefits from more time
rather than less.
2111
01:30:56,184 --> 01:30:57,294
That said,
2112
01:30:57,318 --> 01:30:58,996
the fortune cookie scene
in the restaurant
2113
01:30:59,020 --> 01:31:00,597
and the scene
2114
01:31:00,621 --> 01:31:02,666
when Bev goes to her old house
2115
01:31:02,690 --> 01:31:03,867
and another
woman is living there
2116
01:31:03,891 --> 01:31:05,269
who is by no means
2117
01:31:05,293 --> 01:31:06,804
what she appears...
2118
01:31:06,828 --> 01:31:09,573
If you're wise,
you'll run dear, run,
2119
01:31:09,597 --> 01:31:11,575
because to stay will mean
worse than your death.
2120
01:31:11,599 --> 01:31:13,239
Were as good
as anything in night one.
2121
01:31:15,703 --> 01:31:17,548
I worry about you, Bevvy.
2122
01:31:17,572 --> 01:31:19,550
I worry a lot.
2123
01:31:19,574 --> 01:31:22,152
Norman Cabrera
did the Al Marsh corpse
2124
01:31:22,176 --> 01:31:24,087
when Beverly goes back
to her home
2125
01:31:24,111 --> 01:31:26,957
and the old woman turns into
the corpse of her father.
2126
01:31:26,981 --> 01:31:29,660
I had to do
the whole upper-body cast,
2127
01:31:29,684 --> 01:31:31,695
which is one of the
most grueling things
2128
01:31:31,719 --> 01:31:33,864
that an actor can do.
2129
01:31:33,888 --> 01:31:39,036
They tried to Krazy Glue
mealy worms to my face,
2130
01:31:39,060 --> 01:31:42,239
actually live worms
jiggling on my face.
2131
01:31:42,263 --> 01:31:43,707
But we
couldn't get them to stick.
2132
01:31:44,765 --> 01:31:46,667
So, we had to lose
the mealy worms.
2133
01:31:51,205 --> 01:31:52,216
When you get on some sets,
2134
01:31:52,240 --> 01:31:55,018
you can tell that
it's done in a way
2135
01:31:55,042 --> 01:31:56,286
that's going to make it
look good on camera
2136
01:31:56,310 --> 01:31:57,955
but it doesn't really look
that great up close...
2137
01:31:57,979 --> 01:31:59,656
Not the case with this set.
2138
01:31:59,680 --> 01:32:00,958
Standby for picture.
2139
01:32:00,982 --> 01:32:03,727
Inside
that set, you really felt like
2140
01:32:03,751 --> 01:32:06,821
you were underground and
in some sort of sewer system.
2141
01:32:08,890 --> 01:32:10,770
Okay. We're there.
2142
01:32:11,692 --> 01:32:13,337
-The set was awesome.
2143
01:32:13,361 --> 01:32:16,673
It just kind of transformed you
and took you to another place.
2144
01:32:16,697 --> 01:32:17,774
Who's missing?
2145
01:32:17,798 --> 01:32:19,776
- Stan!
- Oh no!
2146
01:32:19,800 --> 01:32:22,880
There was a scene
where Stan got pulled aside
2147
01:32:22,904 --> 01:32:24,815
from the group
with Henry and Belch.
2148
01:32:26,674 --> 01:32:30,754
- Hi, kid.
I uh, guess you're the first.
2149
01:32:30,778 --> 01:32:31,689
I got a chance to confront
2150
01:32:31,713 --> 01:32:33,357
Ben Heller and you felt like,
2151
01:32:33,381 --> 01:32:35,826
"Oh, this is it now.
He's a dead man."
2152
01:32:35,850 --> 01:32:38,862
I felt that little segment
came closest to encapsulating
2153
01:32:38,886 --> 01:32:40,063
what Henry Bowers
was capable of.
2154
01:32:40,087 --> 01:32:42,933
I want you to think
about that before you die.
2155
01:32:42,957 --> 01:32:44,735
Belch, the guy that
gets pulled in the pipe,
2156
01:32:44,759 --> 01:32:46,937
the lower half of him
is a dummy so that
2157
01:32:46,961 --> 01:32:49,206
they can fold, because it's kind
of hard to fold yourself over
2158
01:32:49,230 --> 01:32:50,641
like he does.
2159
01:32:50,665 --> 01:32:52,175
-When they told me
how I was going to die
2160
01:32:52,199 --> 01:32:54,311
and the dimensions of the pipe,
I started stretching,
2161
01:32:54,335 --> 01:32:55,712
so I'm just in there
2162
01:32:55,736 --> 01:32:57,014
trying to get my head
to my knees
2163
01:32:57,038 --> 01:32:58,248
so that I could fit in there,
2164
01:32:58,272 --> 01:32:59,583
and one of the stunt
coordinators said,
2165
01:32:59,607 --> 01:33:01,785
"You're not going to be
able to do it. I can't do it."
2166
01:33:01,809 --> 01:33:03,220
I wanted to do my own stunts
but they were like,
2167
01:33:03,244 --> 01:33:04,404
"No, no, it's an explosion...
2168
01:33:06,347 --> 01:33:07,424
"and you can't do that."
2169
01:33:07,448 --> 01:33:09,393
You know, I was
17 years old and being like,
2170
01:33:09,417 --> 01:33:11,828
"Yeah, yeah,
I did my own stunts!"
2171
01:33:11,852 --> 01:33:13,030
As a young effects person,
2172
01:33:13,054 --> 01:33:14,631
I got a lot of the crappy jobs.
2173
01:33:14,655 --> 01:33:16,333
We're down in the sewer,
and there's that pipe
2174
01:33:16,357 --> 01:33:17,534
that light goes through,
2175
01:33:17,558 --> 01:33:19,970
and there's a bazillion holes
in that pipe.
2176
01:33:19,994 --> 01:33:21,271
Well, my job was, first,
2177
01:33:21,295 --> 01:33:22,706
drill all the holes.
2178
01:33:22,730 --> 01:33:24,074
You got to make them
look perfect
2179
01:33:24,098 --> 01:33:25,809
and then you had to go
inside it,
2180
01:33:25,833 --> 01:33:27,077
because with the
camera sliding in there
2181
01:33:27,101 --> 01:33:29,012
and also we had the
actor that got sucked into it,
2182
01:33:29,036 --> 01:33:30,080
all the holes had to have
2183
01:33:30,104 --> 01:33:31,648
all the little sharp edges
taken off.
2184
01:33:31,672 --> 01:33:34,117
I just spent 12 hours a day
2185
01:33:34,141 --> 01:33:35,752
doing that.
2186
01:33:35,776 --> 01:33:38,155
Hey, Henry?
2187
01:33:38,179 --> 01:33:39,723
-I was lifted off the ground.
2188
01:33:39,747 --> 01:33:41,858
I was told to just have,
they described it as
2189
01:33:41,882 --> 01:33:42,760
dead eyes, right,
2190
01:33:42,784 --> 01:33:45,162
so there's no real
reaction to the fact
2191
01:33:45,186 --> 01:33:48,432
that you're being pulled in
by some mysterious force.
2192
01:33:48,456 --> 01:33:50,701
Belch!
2193
01:33:50,725 --> 01:33:52,836
I love dying on film.
2194
01:33:52,860 --> 01:33:53,971
There's a finality to it.
2195
01:33:53,995 --> 01:33:56,773
Just the ability to. let go.
2196
01:33:56,797 --> 01:33:59,076
This is battery acid, you slime!
2197
01:33:59,100 --> 01:34:01,378
My character, Eddie Kaspbrak.
2198
01:34:01,402 --> 01:34:03,113
I don't know, I like to
think in kind of a way
2199
01:34:03,137 --> 01:34:05,749
he was the one who did
the most damage to It.
2200
01:34:05,773 --> 01:34:07,184
Like, the most protective with,
you know,
2201
01:34:07,208 --> 01:34:08,208
the battery acid scene.
2202
01:34:10,111 --> 01:34:13,690
-He was a warrior on the inside.
2203
01:34:13,714 --> 01:34:14,825
When the kids saw him,
2204
01:34:14,849 --> 01:34:17,227
I wanted him to be like this cartoon clown,
2205
01:34:17,251 --> 01:34:19,429
and when the adults saw him,
I wanted him to be
2206
01:34:19,453 --> 01:34:23,433
this like a horrific caricature
of that previous clown.
2207
01:34:23,457 --> 01:34:26,169
The adults know
that this isn't really a clown.
2208
01:34:26,193 --> 01:34:27,804
They know that it's a monster,
2209
01:34:27,828 --> 01:34:30,207
and so there's no reason for It
2210
01:34:30,231 --> 01:34:32,809
to necessarily
maintain this illusion
2211
01:34:32,833 --> 01:34:35,212
other than
just to screw with them.
2212
01:34:35,236 --> 01:34:40,150
And my original concept art
for it had blue eye sockets
2213
01:34:40,174 --> 01:34:42,252
which would become
eye sockets of the skull;
2214
01:34:42,276 --> 01:34:43,920
just the way
the mouth was painted
2215
01:34:43,944 --> 01:34:46,023
would suggest
more of a skullish mouth.
2216
01:34:46,047 --> 01:34:49,026
And for various reasons,
we didn't go that route.
2217
01:34:49,050 --> 01:34:51,495
But when we ended up
doing the battery acid look,
2218
01:34:51,519 --> 01:34:56,199
the disfigured part is what
that makeup would have been,
2219
01:34:56,223 --> 01:34:58,135
only on his entire head.
2220
01:34:58,159 --> 01:34:59,836
When we shot that
sequence in Canada
2221
01:34:59,860 --> 01:35:01,271
with the battery acid,
2222
01:35:01,295 --> 01:35:02,539
we didn't have time
to switch him over
2223
01:35:02,563 --> 01:35:05,842
so we just shot the whole thing
with the regular clown face.
2224
01:35:05,866 --> 01:35:07,210
At that point,
2225
01:35:07,234 --> 01:35:10,347
the intention was to not use
the disfigured prosthetics
2226
01:35:10,371 --> 01:35:12,082
and I went back to LA
2227
01:35:12,106 --> 01:35:13,250
kind of a little heartbroken.
2228
01:35:13,274 --> 01:35:15,285
And we were building
the miniature Pennywise
2229
01:35:15,309 --> 01:35:16,486
for when he goes down the drain
2230
01:35:16,510 --> 01:35:19,756
and I had it sculpted
with the normal face,
2231
01:35:19,780 --> 01:35:20,757
and literally
2232
01:35:20,781 --> 01:35:22,993
the day I got the front half
of the mold done,
2233
01:35:23,017 --> 01:35:24,494
Gene Warren comes back and goes,
2234
01:35:24,518 --> 01:35:25,762
"Hey, we're doing some reshoots
2235
01:35:25,786 --> 01:35:28,265
and we're going to use
the disfigured Pennywise."
2236
01:35:28,289 --> 01:35:32,002
Now I had to take a life cast
of his quarter-scale head
2237
01:35:32,026 --> 01:35:34,304
and do like a tiny prosthetic
to make it look like
2238
01:35:34,328 --> 01:35:35,572
the disfigured Pennywise.
2239
01:35:35,596 --> 01:35:38,909
To Tim's credit, the only
reason that that makeup,
2240
01:35:38,933 --> 01:35:40,277
even though it's
a heavier makeup,
2241
01:35:40,301 --> 01:35:43,547
is in the movie is because
he had seen the prosthetics
2242
01:35:43,571 --> 01:35:46,516
and he volunteered to wear it
for the day that we shot it.
2243
01:35:46,540 --> 01:35:48,285
-I loved the fact
that we really got to work
2244
01:35:48,309 --> 01:35:49,820
with Tim in that scene.
2245
01:35:49,844 --> 01:35:50,821
Stan, no!
2246
01:35:50,845 --> 01:35:51,855
Bev, the stones!
2247
01:35:51,879 --> 01:35:52,956
Hurry, Bev. Kill It!
2248
01:35:52,980 --> 01:35:54,524
Kill me?
2249
01:35:54,548 --> 01:35:56,226
Oh, brat!
2250
01:35:56,250 --> 01:35:58,195
You are priceless!
2251
01:35:58,219 --> 01:36:00,230
-When Pennywise gets hit
in the head with
2252
01:36:00,254 --> 01:36:02,265
the silver stone and knocks
the chunk out of his head.
2253
01:36:02,289 --> 01:36:04,568
Bam! He nails him!
2254
01:36:04,592 --> 01:36:06,369
Initially,
we shot that in Vancouver
2255
01:36:06,393 --> 01:36:08,939
with just the regular
Pennywise makeup.
2256
01:36:08,963 --> 01:36:11,308
Kill it, Bev! Kill it!
2257
01:36:11,332 --> 01:36:12,342
Make that happen fast.
2258
01:36:12,366 --> 01:36:15,078
As soon as this... as soon as
he gets hit. Okay?
2259
01:36:15,102 --> 01:36:16,913
So, bam!
He gets hit in the head.
2260
01:36:16,937 --> 01:36:18,815
-I think it was
an interesting choice
2261
01:36:18,839 --> 01:36:22,085
by Stephen King
to have Bev, the only girl,
2262
01:36:22,109 --> 01:36:24,821
be the one who actually
has mastered this weapon
2263
01:36:24,845 --> 01:36:28,125
and can use the weapon
against It.
2264
01:36:28,149 --> 01:36:30,460
It's like
it's supposed to be Bev.
2265
01:36:30,484 --> 01:36:33,163
In the movie,
it's a little silver earring
2266
01:36:33,187 --> 01:36:34,431
about so big,
2267
01:36:34,455 --> 01:36:35,599
but for the shot of it
2268
01:36:35,623 --> 01:36:38,535
flying out of the
slingshot and hitting him,
2269
01:36:38,559 --> 01:36:42,372
Bart sculpted at least twice
a duplicate of the earring.
2270
01:36:42,396 --> 01:36:44,508
It's flat on the back with...
With a little hole
2271
01:36:44,532 --> 01:36:48,311
so they could mount it
on a... on a rig
2272
01:36:48,335 --> 01:36:50,380
and I think it probably rotated.
2273
01:36:50,404 --> 01:36:52,282
I remember practicing
2274
01:36:52,306 --> 01:36:55,585
with a slingshot at
home. Once I fired it
2275
01:36:55,609 --> 01:36:57,521
right into the camera
2276
01:36:57,545 --> 01:37:00,390
and it ricocheted
around the map box.
2277
01:37:00,414 --> 01:37:02,459
Took me a while to live
that one down with the boys.
2278
01:37:02,483 --> 01:37:03,560
They were like, "I'll do it!
2279
01:37:03,584 --> 01:37:05,562
I'll do it!
She's incompetent!"
2280
01:37:05,586 --> 01:37:07,597
I was just like, "Oh, men."
2281
01:37:07,621 --> 01:37:09,900
Kill It, Bev!
2282
01:37:13,127 --> 01:37:14,471
Filming those scenes
2283
01:37:14,495 --> 01:37:16,873
in the sewer
and working with Pennywise.
2284
01:37:17,898 --> 01:37:22,379
And you. are next.
2285
01:37:22,403 --> 01:37:24,481
- Definitely some of
the more memorable times.
2286
01:37:24,505 --> 01:37:25,506
Action!
2287
01:37:30,277 --> 01:37:33,089
It really put you in the mood
2288
01:37:33,113 --> 01:37:34,057
and it really
gave you the feeling
2289
01:37:34,081 --> 01:37:34,826
that you were actually
doing these things.
2290
01:37:34,850 --> 01:37:37,027
Similar to the shower scene.
2291
01:37:37,051 --> 01:37:39,095
It's okay, Eddie.
2292
01:37:39,119 --> 01:37:42,933
Hi. I just wanted to say hello.
2293
01:37:42,957 --> 01:37:44,334
-The entire thing
is built on a sound stage
2294
01:37:44,358 --> 01:37:49,906
so you have a bathroom
that is seven-eighths complete.
2295
01:37:49,930 --> 01:37:53,076
This is a little
inconvenient, Eddie.
2296
01:37:53,100 --> 01:37:56,079
Just hold on while I make
a few adjustments.
2297
01:37:56,103 --> 01:37:59,082
-It was a combination
of stop-motion
2298
01:37:59,106 --> 01:38:01,251
replacement animation.
2299
01:38:01,275 --> 01:38:05,488
We sculpted the stretching
of the drain in the tiles
2300
01:38:05,512 --> 01:38:09,359
and it's sculpted
frame by frame and then cast
2301
01:38:09,383 --> 01:38:12,019
and then replacement,
one frame at a time.
2302
01:38:13,487 --> 01:38:15,031
You have all this noise.
2303
01:38:15,055 --> 01:38:17,100
The poles blowing
the compressed air,
2304
01:38:17,124 --> 01:38:20,303
which are loud bursts from
12 to 14 different poles.
2305
01:38:20,327 --> 01:38:22,339
The director yelling cues at me.
2306
01:38:22,363 --> 01:38:23,406
Have Tim Curry
2307
01:38:23,430 --> 01:38:24,774
reciting his lines for me
2308
01:38:24,798 --> 01:38:28,211
in Tim Curry Pennywise voice
over a loudspeaker system.
2309
01:38:28,235 --> 01:38:31,014
So, when you add
all those factors together,
2310
01:38:31,038 --> 01:38:33,583
me having an asthma attack
at the very end of the scene...
2311
01:38:35,476 --> 01:38:38,188
it's not really
too much acting going on there
2312
01:38:38,212 --> 01:38:39,389
because there was
a lot of adrenaline,
2313
01:38:39,413 --> 01:38:40,624
there was a lot of pressure.
2314
01:38:40,648 --> 01:38:42,259
Well, sports fans,
2315
01:38:42,283 --> 01:38:44,361
this has been a real hoot.
2316
01:38:44,385 --> 01:38:45,729
The Chinese restaurant scene
2317
01:38:45,753 --> 01:38:48,999
was sort of our scene
out of Alien in that
2318
01:38:49,023 --> 01:38:52,736
the director did not let us see
what was going to happen.
2319
01:38:59,733 --> 01:39:00,611
First of
all, you have to remember
2320
01:39:00,635 --> 01:39:01,945
you have all these actors
2321
01:39:01,969 --> 01:39:04,314
sitting around who have known
each other for years.
2322
01:39:04,338 --> 01:39:07,217
Ritter and I were very naughty.
2323
01:39:07,241 --> 01:39:08,152
Poor Tommy, the director,
2324
01:39:08,176 --> 01:39:10,120
I think wanted to
really kill both of us.
2325
01:39:10,144 --> 01:39:12,022
We were back in that time
2326
01:39:12,046 --> 01:39:14,224
so we were always relating
to each other in character
2327
01:39:14,248 --> 01:39:16,326
as childhood friends.
2328
01:39:16,350 --> 01:39:18,028
And Annette, who is so sweet
2329
01:39:18,052 --> 01:39:19,229
and such a dear heart
2330
01:39:19,253 --> 01:39:20,397
and such a "nice girl,"
2331
01:39:20,421 --> 01:39:23,333
has got such a raucous
sense of humor.
2332
01:39:23,357 --> 01:39:25,302
I mean, we were just outrageous.
2333
01:39:25,326 --> 01:39:29,072
You put a bunch of actors
around a table for hours,
2334
01:39:29,096 --> 01:39:32,008
it's crowd control at
a whole other level.
2335
01:39:32,032 --> 01:39:34,277
I think it was very hard
and I want to apologize
2336
01:39:34,301 --> 01:39:36,613
right now to the director
and everybody.
2337
01:39:36,637 --> 01:39:39,716
And then after
that, staying in character
2338
01:39:39,740 --> 01:39:43,119
knowing what this meant,
that this was again an omen.
2339
01:39:43,143 --> 01:39:44,688
This thing is never
going to leave us.
2340
01:39:44,712 --> 01:39:46,089
The little thing with the eye,
2341
01:39:46,113 --> 01:39:47,090
the fortune cookie,
2342
01:39:47,114 --> 01:39:48,425
that was my favorite.
2343
01:39:48,449 --> 01:39:49,659
Back then, you had to do
2344
01:39:49,683 --> 01:39:51,394
everything practically.
2345
01:39:51,418 --> 01:39:54,164
And if they had to fix it,
it was a lot of work and money.
2346
01:39:54,188 --> 01:39:56,266
So, the challenges
that IT brought
2347
01:39:56,290 --> 01:39:57,500
to the effects department
2348
01:39:57,524 --> 01:39:59,202
as a mechanical,
practical thing,
2349
01:39:59,226 --> 01:40:00,437
was amazing.
2350
01:40:00,461 --> 01:40:01,438
I loved that scene
2351
01:40:01,462 --> 01:40:04,307
and that's...
In my fading memory,
2352
01:40:04,331 --> 01:40:07,444
making that scene is one
that's always stood out for me.
2353
01:40:07,468 --> 01:40:08,712
That and where
I'm telling them all
2354
01:40:08,736 --> 01:40:11,781
we have to be strong
and we have to stay together
2355
01:40:11,805 --> 01:40:12,849
and we're going to do this.
2356
01:40:12,873 --> 01:40:13,684
And the reason
I remember that scene
2357
01:40:13,708 --> 01:40:16,353
is that I just wonder
how terrible
2358
01:40:16,377 --> 01:40:18,154
my performance was
at that moment.
2359
01:40:18,178 --> 01:40:22,058
I've been afraid to revisit it
because I don't want to know.
2360
01:40:22,082 --> 01:40:23,093
For years,
I've been getting paid
2361
01:40:23,117 --> 01:40:24,418
to scare people,
2362
01:40:26,320 --> 01:40:28,465
but I'm the one
who's been scared.
2363
01:40:28,489 --> 01:40:29,733
I was
just always afraid, oh god,
2364
01:40:29,757 --> 01:40:32,102
was I as hokey
as I thought I was?
2365
01:40:32,126 --> 01:40:34,237
There was so much love
and fun at the table
2366
01:40:34,261 --> 01:40:35,472
in the Chinese restaurant.
2367
01:40:35,496 --> 01:40:39,376
As difficult as it may have
been for them to get it quiet
2368
01:40:39,400 --> 01:40:42,512
and do the work, that chemistry
and that craziness
2369
01:40:42,536 --> 01:40:46,750
is one of the things
that makes the picture work.
2370
01:40:46,774 --> 01:40:49,419
I was responsible
for Stan's head in the fridge.
2371
01:40:49,443 --> 01:40:51,187
Sorry I'm late!
2372
01:40:51,211 --> 01:40:52,622
We were
building the stuff in Burbank
2373
01:40:52,646 --> 01:40:54,457
and then flying up to Vancouver.
2374
01:40:54,481 --> 01:40:55,326
And so I had a big trunk
2375
01:40:55,350 --> 01:40:57,260
that I would carry
the Pennywise wigs
2376
01:40:57,284 --> 01:40:59,462
and the various prosthetics.
You'd go through customs
2377
01:40:59,486 --> 01:41:01,097
and typically
they would open it up
2378
01:41:01,121 --> 01:41:02,665
and uh, you know,
"What's all this stuff?"
2379
01:41:02,689 --> 01:41:05,268
So, I'm going through this time
with the severed head in it,
2380
01:41:05,292 --> 01:41:08,104
so I'm like, you know, "Oh, well
this ought to be funny!"
2381
01:41:08,128 --> 01:41:12,242
-From here to here
he built a kind of a false neck,
2382
01:41:12,266 --> 01:41:15,812
so it looked like my head
was sitting flat on the rack.
2383
01:41:15,836 --> 01:41:18,114
Stan's head in
the fridge was a combination
2384
01:41:18,138 --> 01:41:19,883
of a prosthetic on the actor
2385
01:41:19,907 --> 01:41:21,418
to simulate the cut neck.
2386
01:41:21,442 --> 01:41:24,521
I'd already
slid into this refrigerator,
2387
01:41:24,545 --> 01:41:26,289
and you have to picture
it's a rack,
2388
01:41:26,313 --> 01:41:28,324
and the rack goes into
a little notch
2389
01:41:28,348 --> 01:41:29,626
on either side of it.
2390
01:41:29,650 --> 01:41:31,528
So you have to
get it just right,
2391
01:41:31,552 --> 01:41:33,430
and it has to go in
at just the right angle,
2392
01:41:33,454 --> 01:41:36,366
and I'm part of the rack.
2393
01:41:36,390 --> 01:41:38,368
They had
a shelf with a cutout in it
2394
01:41:38,392 --> 01:41:40,637
that slid up against his neck
2395
01:41:40,661 --> 01:41:42,372
and then, all that
was rodoed out
2396
01:41:42,396 --> 01:41:43,606
by my brother Brett.
2397
01:41:43,630 --> 01:41:45,408
So it was just a neck prosthetic
2398
01:41:45,432 --> 01:41:48,311
and then a death makeup
on Richard.
2399
01:41:48,335 --> 01:41:49,846
-I slide into this thing...
2400
01:41:49,870 --> 01:41:52,382
I just hate everybody
and I just want this over with.
2401
01:41:52,406 --> 01:41:53,683
So I'm lying there like this.
2402
01:41:53,707 --> 01:41:57,420
Then they start putting
these little cans and stuff
2403
01:41:57,444 --> 01:41:59,589
around my head
and I'm just going,
2404
01:41:59,613 --> 01:42:02,192
"Can we just shoot this?
Can we please just shoot this?"
2405
01:42:02,216 --> 01:42:03,460
"Yeah, well,
we've gotta just."
2406
01:42:03,484 --> 01:42:05,628
I said, "Come on,
let's shoot the fucking thing.
2407
01:42:05,652 --> 01:42:08,465
I need to get this off,"
and then it's like,
2408
01:42:08,489 --> 01:42:13,903
"Hi, kids! How you doing?
Yeah, we all float down here."
2409
01:42:13,927 --> 01:42:16,697
You know, and I just...
I just wanted to kill somebody.
2410
01:42:29,977 --> 01:42:31,788
When I read the novel,
2411
01:42:31,812 --> 01:42:35,925
all thousand pages of it,
I remember going,
2412
01:42:35,949 --> 01:42:40,730
"Wha...? All this,
and it's a fuckin' spider?"
2413
01:42:40,754 --> 01:42:41,922
Damn me to hell.
2414
01:42:43,790 --> 01:42:47,370
-Oh man, come on. You can do
better than that rubber spider.
2415
01:42:47,394 --> 01:42:48,705
-Aww.
2416
01:42:48,729 --> 01:42:51,441
I was a little let down,
to be frank,
2417
01:42:51,465 --> 01:42:55,712
and you're talking to someone
who really loves that novel.
2418
01:42:55,736 --> 01:42:58,381
If I'd had one
scene that I would have put in
2419
01:42:58,405 --> 01:43:00,917
that I think is one of
Steve's great sequences,
2420
01:43:00,941 --> 01:43:04,287
it was where they build
the underground clubhouse
2421
01:43:04,311 --> 01:43:07,423
and use it as a smoke hole
and hallucinate IT
2422
01:43:07,447 --> 01:43:10,560
as this extraterrestrial
arrival eons ago,
2423
01:43:10,584 --> 01:43:12,495
and I think it would have
added to the narrative
2424
01:43:12,519 --> 01:43:14,631
and just straight-out
storytelling,
2425
01:43:14,655 --> 01:43:17,291
and maybe directed the spider.
2426
01:43:19,393 --> 01:43:20,673
Into the junk pile.
2427
01:43:21,962 --> 01:43:23,740
-The one thing I loathed
2428
01:43:23,764 --> 01:43:25,909
was what they did with him
at the end.
2429
01:43:25,933 --> 01:43:29,646
They made him into
this awful plastic spider.
2430
01:43:29,670 --> 01:43:31,714
I believe in the Tooth Fairy.
2431
01:43:31,738 --> 01:43:33,850
But I don't believe in you!
2432
01:43:33,874 --> 01:43:35,885
-Which wasn't scary at all.
2433
01:43:35,909 --> 01:43:38,454
Then
I got over that and thought,
2434
01:43:38,478 --> 01:43:40,557
"Okay, it's a spider.
2435
01:43:40,581 --> 01:43:41,658
Why not?"
2436
01:43:41,682 --> 01:43:42,926
All right, here we go.
2437
01:43:42,950 --> 01:43:45,628
Because it's so much more
than that in the end.
2438
01:43:45,652 --> 01:43:50,800
And there's this cosmic struggle
in space or space-time,
2439
01:43:50,824 --> 01:43:55,605
or Bill's mind or somebody's
mind, you know?
2440
01:43:55,629 --> 01:43:59,842
Come on. Can we have
the deadlights out on a cue?
2441
01:43:59,866 --> 01:44:00,910
- Yep.
- Yes.
2442
01:44:00,934 --> 01:44:01,812
It gets into territory
2443
01:44:01,836 --> 01:44:04,380
that to me it was unfilmable.
2444
01:44:04,404 --> 01:44:06,015
Okay, and the entire creature
2445
01:44:06,039 --> 01:44:07,850
is going to breathe
a little for me, right?
2446
01:44:07,874 --> 01:44:08,874
Here we go.
2447
01:44:10,611 --> 01:44:12,789
I think it has to breathe
a little heavier than that.
2448
01:44:12,813 --> 01:44:16,059
John Thomas, sharper moves!
2449
01:44:16,083 --> 01:44:17,961
So, I
think we were all a little bit like,
2450
01:44:17,985 --> 01:44:19,562
"Okay, now we're
in a monster movie.
2451
01:44:19,586 --> 01:44:22,256
Now we're going to be
fighting this big toy."
2452
01:44:25,025 --> 01:44:25,970
Somebody rear back
2453
01:44:25,994 --> 01:44:29,772
with their fist.
John! That's it!
2454
01:44:29,796 --> 01:44:31,507
More of that!
2455
01:44:31,531 --> 01:44:33,333
It culminates in a struggle.
2456
01:44:36,970 --> 01:44:39,882
Between
humans and a giant spider.
2457
01:44:39,906 --> 01:44:41,217
All right, fine.
2458
01:44:41,241 --> 01:44:44,420
Our challenge of course
was to come up with a creature
2459
01:44:44,444 --> 01:44:46,889
that looks incredible.
2460
01:44:46,913 --> 01:44:50,893
Only we had champagne ideas
and a beer budget.
2461
01:44:50,917 --> 01:44:51,894
Look at this masterful piece.
2462
01:44:51,918 --> 01:44:53,096
Yeah. Look at it, look at it.
2463
01:44:53,120 --> 01:44:55,632
- Look at this.
Aaron Sims. Aaron Sims.
2464
01:44:55,656 --> 01:44:56,633
Joey.
2465
01:44:56,657 --> 01:44:58,668
That's a bad
sculpture, very bad.
2466
01:44:58,692 --> 01:44:59,702
Oh, no it's not.
2467
01:44:59,726 --> 01:45:00,571
It's a very cool sculpture.
2468
01:45:00,595 --> 01:45:02,105
Aaron's doing his magic.
2469
01:45:02,129 --> 01:45:03,273
-It was me
and a colleague and friend,
2470
01:45:03,297 --> 01:45:05,708
Joey Orosco,
which was creating the spider
2471
01:45:05,732 --> 01:45:07,710
that would be in the climax
of the show.
2472
01:45:07,734 --> 01:45:08,945
Look what he's doing.
2473
01:45:08,969 --> 01:45:10,780
- It sucks.
I'm fucking it up. Look at it.
2474
01:45:10,804 --> 01:45:11,981
Hey, this is
for family television.
2475
01:45:12,005 --> 01:45:14,584
- Hey!
No, we got the edit coming now.
2476
01:45:14,608 --> 01:45:17,387
-Going into it,
I guess subconsciously,
2477
01:45:17,411 --> 01:45:19,780
I didn't want people to just go,
"Oh, it's just a spider."
2478
01:45:22,816 --> 01:45:24,060
-This is like...
2479
01:45:24,084 --> 01:45:25,084
I know, but.
2480
01:45:32,092 --> 01:45:34,637
I didn't want it
to be just a big black widow
2481
01:45:34,661 --> 01:45:35,972
or a tarantula.
2482
01:45:37,164 --> 01:45:43,713
Yeah, well I got...
2483
01:45:43,737 --> 01:45:45,481
-It's spider-like,
2484
01:45:45,505 --> 01:45:48,051
but it was never intended to be a spider.
2485
01:45:48,075 --> 01:45:49,686
The design evolved,
2486
01:45:49,710 --> 01:45:51,991
so there was a lot of different
designs that were created.
2487
01:45:52,145 --> 01:45:54,624
Some were more spider-like
2488
01:45:54,648 --> 01:45:55,858
that felt they
were very grounded
2489
01:45:55,882 --> 01:45:57,627
to an earthbound spider.
2490
01:45:57,651 --> 01:45:58,961
What we ended up going with is
2491
01:45:58,985 --> 01:46:00,587
something that felt
otherworldly.
2492
01:46:03,790 --> 01:46:06,469
If you actually delivered
a giant spider...
2493
01:46:06,493 --> 01:46:08,137
The two effects guys
on the picture,
2494
01:46:08,161 --> 01:46:10,073
John and Gene.
2495
01:46:10,097 --> 01:46:11,908
Living in a cave.
2496
01:46:11,932 --> 01:46:16,012
It took the film
from this frightening,
2497
01:46:16,036 --> 01:46:17,814
heady picture,
2498
01:46:17,838 --> 01:46:19,473
to a Ray Harryhausen
action adventure.
2499
01:46:21,575 --> 01:46:23,152
But that's what the script
called for,
2500
01:46:23,176 --> 01:46:26,989
so we did whatever
we thought we could do
2501
01:46:27,013 --> 01:46:28,458
for the time and money,
2502
01:46:28,482 --> 01:46:31,461
and we built
a stop-motion spider.
2503
01:46:31,485 --> 01:46:33,696
It was
Bart who created the model.
2504
01:46:33,720 --> 01:46:36,132
Did a masterful job
and it was beautiful.
2505
01:46:36,156 --> 01:46:38,634
And I'd signed off on that.
2506
01:46:38,658 --> 01:46:40,970
-Well, I don't want to
point too many fingers.
2507
01:46:40,994 --> 01:46:42,171
For some reason,
I think the spider
2508
01:46:42,195 --> 01:46:46,142
gets a lot of grief
that I don't think it deserves.
2509
01:46:46,166 --> 01:46:49,045
When the
crew came up from Los Angeles
2510
01:46:49,069 --> 01:46:52,548
and they got it out to
assemble the spider,
2511
01:46:52,572 --> 01:46:55,518
there was this kind
of, "Oh, by the way,
2512
01:46:55,542 --> 01:46:58,721
the spider, as planned,
2513
01:46:58,745 --> 01:47:00,123
was unwieldy.
2514
01:47:00,147 --> 01:47:02,058
The physics of it
were just such that
2515
01:47:02,082 --> 01:47:03,893
we couldn't make that happen.
2516
01:47:03,917 --> 01:47:05,228
It was just too heavy.
2517
01:47:05,252 --> 01:47:08,064
It was collapsing
under its own weight."
2518
01:47:08,088 --> 01:47:10,566
You're assembling something
that doesn't look anything
2519
01:47:10,590 --> 01:47:12,702
like we agreed upon.
2520
01:47:17,030 --> 01:47:18,708
And
now I'm just supposed to shoot it?
2521
01:47:18,732 --> 01:47:19,909
Well, the answer was:
2522
01:47:19,933 --> 01:47:22,145
"Yeah, that's show business.
2523
01:47:22,169 --> 01:47:25,181
You don't have any more time.
You've got to do this."
2524
01:47:25,205 --> 01:47:28,851
Hold them up there,
hold them up. right arm in.
2525
01:47:28,875 --> 01:47:30,787
So make it look
the best you can.
2526
01:47:30,811 --> 01:47:31,811
Drop!
2527
01:47:33,513 --> 01:47:34,624
God!
2528
01:47:34,648 --> 01:47:36,526
Cut. Aces.
2529
01:47:36,550 --> 01:47:37,693
-So I tell people,
"Hey, it could have been
2530
01:47:37,717 --> 01:47:39,162
fighting a turtle
in outer space.
2531
01:47:39,186 --> 01:47:40,730
Would you have liked
that better?"
2532
01:47:40,754 --> 01:47:41,998
-I thought the spider
was fantastic,
2533
01:47:42,022 --> 01:47:43,199
to tell you the truth.
2534
01:47:43,223 --> 01:47:46,169
The way it looked in
the shop was really cool.
2535
01:47:46,193 --> 01:47:47,870
We had 12 weeks to build it.
2536
01:47:47,894 --> 01:47:49,839
Unfortunately,
the shooting of the spider
2537
01:47:49,863 --> 01:47:53,543
was literally
the last two days of filming.
2538
01:47:53,567 --> 01:47:54,944
All right, take it up to,
2539
01:47:54,968 --> 01:47:56,203
uh, a hundred.
2540
01:47:58,238 --> 01:47:59,882
Okay!
2541
01:47:59,906 --> 01:48:00,818
I think a lot of times,
2542
01:48:00,842 --> 01:48:02,985
for time constraints on set,
2543
01:48:03,009 --> 01:48:04,687
or for whatever reason...
2544
01:48:04,711 --> 01:48:07,690
Put the hands out slowly!
2545
01:48:07,714 --> 01:48:08,791
Cut!
2546
01:48:08,815 --> 01:48:10,660
-The director
can't get the shots
2547
01:48:10,684 --> 01:48:12,795
or doesn't shoot it
to its full potential.
2548
01:48:12,819 --> 01:48:14,931
-What we built and delivered
was capable of
2549
01:48:14,955 --> 01:48:18,267
a lot more than what's seen in the film.
2550
01:48:18,291 --> 01:48:20,269
And positions, please.
2551
01:48:20,293 --> 01:48:22,104
There we go.
2552
01:48:22,128 --> 01:48:23,040
The big
problem with a lot of these movies
2553
01:48:23,064 --> 01:48:25,708
is that you get the set
and they're like,
2554
01:48:25,732 --> 01:48:27,009
"Okay, put it
in front of the camera.
2555
01:48:27,033 --> 01:48:28,711
Okay, make it move."
2556
01:48:28,735 --> 01:48:30,246
wiggle, wiggle, wiggle. "Okay."
2557
01:48:30,270 --> 01:48:31,881
- Cut.
- Cut.
2558
01:48:31,905 --> 01:48:33,149
Nicely done.
2559
01:48:33,173 --> 01:48:34,383
And
you're like, "Hold on a second,
2560
01:48:34,407 --> 01:48:34,852
this could do much more..."
"No, no. We got it. We got it.
2561
01:48:34,876 --> 01:48:36,076
We're moving on."
2562
01:48:37,110 --> 01:48:38,287
The head had
a full range of movement.
2563
01:48:38,311 --> 01:48:39,655
The fangs could move,
2564
01:48:39,679 --> 01:48:41,724
the mouth, the mandibles.
2565
01:48:41,748 --> 01:48:44,594
Get the hands around
and then just pinch around.
2566
01:48:46,152 --> 01:48:47,563
The fangs dripped poison.
2567
01:48:49,089 --> 01:48:50,099
The eyes moved.
2568
01:48:50,123 --> 01:48:51,901
- Who's got the eyes?
- Mike.
2569
01:48:51,925 --> 01:48:53,165
There you go.
2570
01:48:54,728 --> 01:48:56,138
Go to town, Brent.
2571
01:48:56,162 --> 01:48:58,307
Brent Baker
was my main mold maker
2572
01:48:58,331 --> 01:49:01,277
and then he also performed
inside the spider.
2573
01:49:01,301 --> 01:49:02,861
Move the butt, Brent.
2574
01:49:04,137 --> 01:49:05,882
Yeah.-.
2575
01:49:05,906 --> 01:49:07,984
Move it
like a bug would move it, Brent.
2576
01:49:08,008 --> 01:49:11,921
He is! That's it!
It's a frightening bug.
2577
01:49:11,945 --> 01:49:13,356
It's always
a challenge when you're
2578
01:49:13,380 --> 01:49:15,291
playing inside a creature suit.
2579
01:49:15,315 --> 01:49:16,226
How is it in there, Brent?
2580
01:49:16,250 --> 01:49:17,326
You gotta speak up, Tommy.
2581
01:49:17,350 --> 01:49:18,618
You okay, Brent?
2582
01:49:21,755 --> 01:49:24,867
They would insert me through
the rear of the spider
2583
01:49:24,891 --> 01:49:28,371
and pull off the abdomen,
and slide me up into it.
2584
01:49:28,395 --> 01:49:29,206
He was also inside the spider
2585
01:49:29,230 --> 01:49:30,973
when they flipped it over,
2586
01:49:30,997 --> 01:49:32,909
but it had these metal ribs
around it
2587
01:49:32,933 --> 01:49:35,077
and those we hadn't
thought to pad.
2588
01:49:35,101 --> 01:49:37,847
When I say, "Action,"
2589
01:49:37,871 --> 01:49:40,049
IT will overlap, that is to say,
2590
01:49:40,073 --> 01:49:41,317
a few steps back,
you'll come in,
2591
01:49:41,341 --> 01:49:43,119
Rambo on the creature,
2592
01:49:43,143 --> 01:49:45,621
it will do its roll and go down.
2593
01:49:45,645 --> 01:49:46,923
It's all fun and games
2594
01:49:46,947 --> 01:49:50,626
until they go to push
the spider over on its side
2595
01:49:50,650 --> 01:49:51,994
and like a fool I was like,
"I'll do it.
2596
01:49:52,018 --> 01:49:54,058
Yeah, I'll be in it, you know.
How bad could it be?"
2597
01:49:55,255 --> 01:49:57,633
And, action!
2598
01:49:57,657 --> 01:49:59,068
So, yeah,
he goes like 90 degrees
2599
01:49:59,092 --> 01:50:03,005
and then just slams
into these aluminum.
2600
01:50:03,029 --> 01:50:05,007
Square stocks.
2601
01:50:05,031 --> 01:50:07,810
- Cut!
- Cut!
2602
01:50:07,834 --> 01:50:09,245
Brent, you all right?
2603
01:50:09,269 --> 01:50:11,314
-He had some nice bruises,
but he was a trouper.
2604
01:50:11,338 --> 01:50:12,348
Show your bruises.
2605
01:50:12,372 --> 01:50:13,216
Let's see the bruises.
2606
01:50:13,240 --> 01:50:14,217
You're going to be a star.
2607
01:50:14,241 --> 01:50:15,218
They're starting to turn
2608
01:50:15,242 --> 01:50:17,253
kind of greenish now.
There's the other one.
2609
01:50:17,277 --> 01:50:20,189
It's turning all kinds of
interesting colors.
2610
01:50:20,213 --> 01:50:22,224
I was effectively
blind inside of there.
2611
01:50:22,248 --> 01:50:23,659
Not to complain,
2612
01:50:23,683 --> 01:50:27,363
because it's still great fun,
you know, playing a monster.
2613
01:50:27,387 --> 01:50:29,398
It's like, "Hey, I'm almost
like part of the cast."
2614
01:50:29,422 --> 01:50:30,533
-It was his idea.
2615
01:50:30,557 --> 01:50:32,859
He wanted to be an
actor, so there you go.
2616
01:50:38,064 --> 01:50:40,343
There's a couple
of close-ups of the spider
2617
01:50:40,367 --> 01:50:42,845
that for some reason
they shot it at like 50,
2618
01:50:42,869 --> 01:50:45,214
60 frames a second,
maybe even slower,
2619
01:50:45,238 --> 01:50:48,818
to where it's barely perceived
that it's moving.
2620
01:50:48,842 --> 01:50:51,687
I think if we delivered a spider
that did as little
2621
01:50:51,711 --> 01:50:53,789
as what you see in the show,
2622
01:50:53,813 --> 01:50:55,373
I think they would have been
pissed off.
2623
01:50:59,285 --> 01:51:04,233
-Unfortunately, the timing
session after the fact...
2624
01:51:04,257 --> 01:51:06,969
After all the photography
is done
2625
01:51:06,993 --> 01:51:09,372
and you've got your movie
and now you're in a session
2626
01:51:09,396 --> 01:51:11,374
where you're looking at a scene
2627
01:51:11,398 --> 01:51:13,843
and you're making it
lighter or darker;
2628
01:51:13,867 --> 01:51:16,812
at that point, I was in Tahiti
2629
01:51:16,836 --> 01:51:18,381
on this other picture.
2630
01:51:18,405 --> 01:51:22,318
And so, the timing session
went on without us,
2631
01:51:22,342 --> 01:51:25,988
with another member
of the organization who...
2632
01:51:26,012 --> 01:51:29,358
He and I had not
communicated successfully.
2633
01:51:29,382 --> 01:51:31,827
So, it was lit up
pretty brightly.
2634
01:51:31,851 --> 01:51:35,131
You saw everything,
and I was dismayed.
2635
01:51:35,155 --> 01:51:39,035
And it was out there
before I could correct it.
2636
01:51:39,059 --> 01:51:41,837
I would go back and
correct it now if I could.
2637
01:51:41,861 --> 01:51:43,973
Okay and roll.
2638
01:51:45,865 --> 01:51:48,277
Five fifty-five, George.
2639
01:51:48,301 --> 01:51:50,146
Five fifty-five, Baker.
2640
01:51:50,170 --> 01:51:51,947
I kept saying there has to be
2641
01:51:51,971 --> 01:51:54,483
a weakness based in fear,
2642
01:51:54,507 --> 01:51:57,853
not in physical strength,
that's inside Eddie.
2643
01:51:57,877 --> 01:52:01,323
What is the secret that he has
not been able to tell anyone,
2644
01:52:01,347 --> 01:52:02,858
including these people?
2645
01:52:02,882 --> 01:52:05,961
We're now crawling
through the tunnel
2646
01:52:05,985 --> 01:52:08,931
towards what will be the spider,
2647
01:52:08,955 --> 01:52:12,334
and that day
I'm saying to Tommy,
2648
01:52:12,358 --> 01:52:15,171
"What are we going to do
about Eddie,
2649
01:52:15,195 --> 01:52:18,240
and Eddie's fatal flaw,
his big fear?
2650
01:52:18,264 --> 01:52:20,142
He hasn't confessed.
2651
01:52:20,166 --> 01:52:22,344
We know what's
going to happen to him
2652
01:52:22,368 --> 01:52:23,512
moments after this."
2653
01:52:23,536 --> 01:52:26,072
Push Dennis closer
to the monster, please.
2654
01:52:28,041 --> 01:52:30,453
Ready? Uh, Dennis' face
is blocked.
2655
01:52:30,477 --> 01:52:33,022
Yeah, go back up into that.
2656
01:52:33,046 --> 01:52:34,423
And then.
2657
01:52:34,447 --> 01:52:35,491
Action!
2658
01:52:44,157 --> 01:52:45,468
Cut!
2659
01:52:45,492 --> 01:52:47,436
Eddie deserves to be completed.
2660
01:52:47,460 --> 01:52:50,539
So, I said to him at lunch
before we shot the scene,
2661
01:52:50,563 --> 01:52:56,178
"What if he's just a virgin?
That's it. Finished."
2662
01:52:56,202 --> 01:52:57,147
Well,
I can't help you with that, pal,
2663
01:52:57,171 --> 01:52:58,414
but thanks for sharing.
2664
01:52:58,438 --> 01:52:59,815
Richie! Let him talk.
2665
01:52:59,839 --> 01:53:02,017
-We all saw how
uncomfortable, awkward
2666
01:53:02,041 --> 01:53:04,954
and really strange it is to...
It's not really strange,
2667
01:53:04,978 --> 01:53:06,889
it's not really strange at all,
it's a choice.
2668
01:53:06,913 --> 01:53:11,293
But how society reacts to people
that aren't sexual,
2669
01:53:11,317 --> 01:53:13,295
and Eddie was not.
2670
01:53:13,319 --> 01:53:14,463
I could
never sleep with somebody
2671
01:53:14,487 --> 01:53:16,899
that I didn't love.
2672
01:53:16,923 --> 01:53:19,058
And I've never
really loved anyone.
2673
01:53:21,161 --> 01:53:23,506
Except you guys.
2674
01:53:23,530 --> 01:53:24,474
And.
2675
01:53:24,498 --> 01:53:27,000
One, two, three, go!
2676
01:53:29,035 --> 01:53:31,280
There are
things I wouldn't have done,
2677
01:53:31,304 --> 01:53:33,415
had I had the ability
to see in retrospect,
2678
01:53:33,439 --> 01:53:36,352
was the revelation of IT
as the spider.
2679
01:53:36,376 --> 01:53:39,021
Had I been around, I would have
come up with something
2680
01:53:39,045 --> 01:53:40,180
involving Pennywise.
2681
01:53:42,916 --> 01:53:45,194
-Some things you can't
know until after the fact.
2682
01:53:45,218 --> 01:53:48,597
Who knew that Tim Curry was just
going to be such a home run?
2683
01:53:48,621 --> 01:53:53,068
It was like, okay, the book says
he disappears at this point
2684
01:53:53,092 --> 01:53:54,436
and never to return.
2685
01:53:54,460 --> 01:53:57,306
But like probably
most of the audience
2686
01:53:57,330 --> 01:54:01,043
when I watch it, I go,
"Oh! There goes Tim."
2687
01:54:05,572 --> 01:54:08,050
-Oh, I wish we could have
one more scene with him.
2688
01:54:08,074 --> 01:54:11,020
Some kind of goodbye scene,
some way of.
2689
01:54:11,044 --> 01:54:12,888
Well, maybe we should kill him,
you know?
2690
01:54:12,912 --> 01:54:17,092
Or maybe his face should be
the spider's face.
2691
01:54:17,116 --> 01:54:18,227
Or... I don't know.
2692
01:54:18,251 --> 01:54:19,962
That's a problem
we never solved.
2693
01:54:23,556 --> 01:54:25,100
You're ducking way down.
2694
01:54:25,124 --> 01:54:27,203
You got to look for the rock
standing straight up.
2695
01:54:27,227 --> 01:54:28,337
- Okay.
- It may look...
2696
01:54:28,361 --> 01:54:32,208
It may feel a little goofy, but.
- I... I didn't realize.
2697
01:54:32,232 --> 01:54:34,310
I guess after
Beverly wounds the spider
2698
01:54:34,334 --> 01:54:37,279
with the slingshot and the rock
and it walks away,
2699
01:54:37,303 --> 01:54:40,015
when they came upon him
in that last bit,
2700
01:54:40,039 --> 01:54:43,519
had that been Tim Curry again,
mortally wounded,
2701
01:54:43,543 --> 01:54:45,554
I think that might have been
a more satisfying ending,
2702
01:54:45,578 --> 01:54:48,457
because you were just
so invested in Tim
2703
01:54:48,481 --> 01:54:50,359
as that villain at that point.
2704
01:54:50,383 --> 01:54:52,595
-It would have been nice
had we been able to solve it,
2705
01:54:52,619 --> 01:54:56,232
because I agree
that the story drops Pennywise,
2706
01:54:56,256 --> 01:54:58,200
and he's such
an endearing character,
2707
01:54:58,224 --> 01:55:00,402
he deserved a better exit.
2708
01:55:00,426 --> 01:55:02,705
All right,
bring it to a climax now.
2709
01:55:02,729 --> 01:55:04,306
Everybody all at once.
2710
01:55:08,368 --> 01:55:09,378
And, cut!
2711
01:55:13,106 --> 01:55:15,150
I suppose
people will revisit this
2712
01:55:15,174 --> 01:55:16,652
and know that it's a puppet,
2713
01:55:16,676 --> 01:55:18,520
but it doesn't matter.
2714
01:55:18,544 --> 01:55:21,257
The story returns
to the world of the psyche
2715
01:55:21,281 --> 01:55:24,026
and goes back into
very good territory, I think.
2716
01:55:24,050 --> 01:55:25,995
It goes back to the
heart of what the deep
2717
01:55:26,019 --> 01:55:28,364
thematic structure
of the piece is.
2718
01:55:28,388 --> 01:55:30,199
The hardest part about that
for me really
2719
01:55:30,223 --> 01:55:32,167
was the fucking bicycle.
2720
01:55:32,191 --> 01:55:34,236
Forget the horror and the drama,
2721
01:55:34,260 --> 01:55:36,572
it was the bicycle
that was the problem, okay?
2722
01:55:36,596 --> 01:55:38,474
That's where the fear
and the terror was.
2723
01:55:38,498 --> 01:55:40,542
I loved Olivia.
Great sense of humor,
2724
01:55:40,566 --> 01:55:43,279
but a fragility
which I thought was wonderful.
2725
01:55:43,303 --> 01:55:46,148
And she was terrified
that I was going to kill her.
2726
01:55:46,172 --> 01:55:48,350
I know she was.
I think she said she was.
2727
01:55:48,374 --> 01:55:49,485
I just said, "Please god,
2728
01:55:49,509 --> 01:55:51,987
let me not kill
this actress and myself."
2729
01:55:52,011 --> 01:55:53,289
Hold on.
2730
01:55:53,313 --> 01:55:54,990
You
can see the terror on my face
2731
01:55:55,014 --> 01:55:56,458
if you look very carefully.
2732
01:55:56,482 --> 01:55:58,327
Behind the veneer
of performance,
2733
01:55:58,351 --> 01:55:59,361
it's there.
2734
01:55:59,385 --> 01:56:01,096
I will forever associate Olivia
2735
01:56:01,120 --> 01:56:04,223
with going downhill
at speed on a bike.
2736
01:56:21,107 --> 01:56:24,353
Alan and I
went down to the agency
2737
01:56:24,377 --> 01:56:27,656
to meet with Stephen
and show him the picture.
2738
01:56:27,680 --> 01:56:29,358
They had a screening room
all set up.
2739
01:56:29,382 --> 01:56:31,293
And I remember he came up to us
2740
01:56:31,317 --> 01:56:34,129
and I put my hand out to shake
Stephen's hand
2741
01:56:34,153 --> 01:56:37,766
and he had a rat in it,
2742
01:56:37,790 --> 01:56:40,502
a rubber rat.
2743
01:56:40,526 --> 01:56:44,073
It was kind of like
a shocking thing, you know,
2744
01:56:44,097 --> 01:56:45,774
and it was, I don't know,
maybe to break the ice.
2745
01:56:45,798 --> 01:56:48,377
We had a few exchanged words
2746
01:56:48,401 --> 01:56:51,080
and then he saw it privately.
2747
01:56:51,104 --> 01:56:53,549
He didn't want us to be
there, but, um, we later heard
2748
01:56:53,573 --> 01:56:55,250
that he liked it
and he was happy.
2749
01:56:55,274 --> 01:56:59,655
I was
certain when we got a final cut
2750
01:56:59,679 --> 01:57:01,657
that we had a good movie.
2751
01:57:01,681 --> 01:57:04,226
At the premiere,
I was really just thinking
2752
01:57:04,250 --> 01:57:07,720
that I can't believe I'm
actually a part of this film.
2753
01:57:09,122 --> 01:57:10,299
The results were,
2754
01:57:10,323 --> 01:57:13,268
that we got a viewership
of 30 million people.
2755
01:57:13,292 --> 01:57:15,304
It was huge in the ratings.
2756
01:57:15,328 --> 01:57:18,073
It was viewed as a big success.
2757
01:57:18,097 --> 01:57:21,677
And the press on it
was very positive.
2758
01:57:21,701 --> 01:57:24,246
I think
the legacy of the original IT
2759
01:57:24,270 --> 01:57:26,582
was this brilliant performance
2760
01:57:26,606 --> 01:57:29,551
on TV, which you would
usually see in film,
2761
01:57:29,575 --> 01:57:31,353
in your living rooms.
2762
01:57:31,377 --> 01:57:35,824
-It was just
an extraordinary event to.
2763
01:57:35,848 --> 01:57:40,396
Have this King first piece for
TV as a mini-series
2764
01:57:40,420 --> 01:57:42,865
come out and stake
that kind of territory
2765
01:57:42,889 --> 01:57:45,234
and resonate so strongly
with people.
2766
01:57:45,258 --> 01:57:49,104
It became the proverbial
water cooler mini-series.
2767
01:57:49,128 --> 01:57:51,573
And I think it then
went on to have
2768
01:57:51,597 --> 01:57:54,877
the most unexpected afterlife.
2769
01:57:54,901 --> 01:57:55,812
I think the reason
2770
01:57:55,836 --> 01:57:59,548
that IT was so successful
at scaring people
2771
01:57:59,572 --> 01:58:02,584
is because these characters
don't have the ability
2772
01:58:02,608 --> 01:58:06,688
to name what scares them
or the forces that oppress them.
2773
01:58:06,712 --> 01:58:08,424
The high point was going up
2774
01:58:08,448 --> 01:58:09,782
and receiving the Emmy.
2775
01:58:11,217 --> 01:58:13,595
I'm told that when they
announced my name.
2776
01:58:13,619 --> 01:58:15,564
Bam! I was gone.
2777
01:58:15,588 --> 01:58:17,633
You know, as if I thought
they were going to take it back
2778
01:58:17,657 --> 01:58:20,269
if I didn't get up to
the podium quickly enough.
2779
01:58:20,293 --> 01:58:24,807
-He just made magic
with that score.
2780
01:58:29,335 --> 01:58:33,916
- Meep, meep.
S.S. Georgie underway.
2781
01:58:33,940 --> 01:58:35,617
Rocks! Rocks?
2782
01:58:35,641 --> 01:58:36,776
Rocks!
2783
01:58:40,880 --> 01:58:42,224
It 's a very lonely Emmy
2784
01:58:42,248 --> 01:58:44,359
sitting in my house,
2785
01:58:44,383 --> 01:58:46,628
but that's all right.
2786
01:58:46,652 --> 01:58:50,833
I credit Tim and Stephen King
for my Emmy.
2787
01:58:50,857 --> 01:58:53,302
It's very difficult
to write music
2788
01:58:53,326 --> 01:58:57,473
when the story is flawed
or when the acting is poor.
2789
01:58:57,497 --> 01:59:01,243
When the story is.
I mean, that great,
2790
01:59:01,267 --> 01:59:03,645
and the performances
are that good,
2791
01:59:03,669 --> 01:59:08,617
that all adds up
to any department's Emmy.
2792
01:59:08,641 --> 01:59:12,278
You're elevated by those
performances in that story.
2793
01:59:17,416 --> 01:59:20,195
-One of the reasons that I think
it's a cult favorite
2794
01:59:20,219 --> 01:59:23,465
is because
of Tim Curry and the clown.
2795
01:59:23,489 --> 01:59:24,733
He 's everything.
2796
01:59:24,757 --> 01:59:26,502
He is the poster,
2797
01:59:26,526 --> 01:59:27,769
he's on T-shirts.
2798
01:59:27,793 --> 01:59:29,204
Pop culture has taken
2799
01:59:29,228 --> 01:59:31,673
ownership of this miniseries.
2800
01:59:31,697 --> 01:59:34,400
-Without the benefit of any CGI,
2801
01:59:36,269 --> 01:59:41,783
just balls to the walls talent,
Tim nailed it in a way that.
2802
01:59:41,807 --> 01:59:44,520
You say "IT"
and people say "Tim Curry."
2803
01:59:44,544 --> 01:59:47,389
Me?
2804
01:59:47,413 --> 01:59:49,291
-I think it's really
interesting how
2805
01:59:49,315 --> 01:59:53,328
the Pennywise character
continues to gain that fan base.
2806
01:59:53,352 --> 01:59:55,230
As the internet grew,
2807
01:59:55,254 --> 01:59:56,465
I started to really realize
2808
01:59:56,489 --> 01:59:58,433
how much of an impact he had,
2809
01:59:58,457 --> 02:00:00,569
and the film had
on a lot of people.
2810
02:00:03,529 --> 02:00:05,541
Now we're in an age where
2811
02:00:05,565 --> 02:00:07,676
nostalgic things
are being passed down.
2812
02:00:07,700 --> 02:00:10,546
We generationally are choosing
what icons to perpetuate
2813
02:00:10,570 --> 02:00:11,947
to future generations.
2814
02:00:11,971 --> 02:00:15,317
Pennywise
as an ultimate horror icon,
2815
02:00:15,341 --> 02:00:18,921
a demonic infinite that has
access to your deepest fears,
2816
02:00:18,945 --> 02:00:22,925
I don't think that's gonna
dull anytime soon.
2817
02:00:22,949 --> 02:00:25,594
I'm just so happy to be part
2818
02:00:25,618 --> 02:00:30,799
of what Stephen King created
and part of what Tommy Lee
2819
02:00:30,823 --> 02:00:32,601
gave to America.
2820
02:00:32,625 --> 02:00:34,570
Being familiar
with Stephen King's work
2821
02:00:34,594 --> 02:00:36,572
and actually being able to
help realize this
2822
02:00:36,596 --> 02:00:38,740
on any capacity
was a thrill for me.
2823
02:00:38,764 --> 02:00:40,484
We did it! Yeah!
2824
02:00:42,802 --> 02:00:44,604
-I enjoyed the tension.
2825
02:00:46,572 --> 02:00:48,717
I mean, not as a person
but as an actor.
2826
02:00:48,741 --> 02:00:50,919
Throughout the whole
process of shooting IT,
2827
02:00:50,943 --> 02:00:54,456
I was learning at
such an exponential rate.
2828
02:00:54,480 --> 02:00:57,292
I was discovering
that there was more to acting
2829
02:00:57,316 --> 02:00:58,994
than standing on your mark.
2830
02:00:59,018 --> 02:00:59,729
Take the outside
2831
02:00:59,753 --> 02:01:01,797
instead of the inside, Brandon.
2832
02:01:01,821 --> 02:01:02,699
There's a lot of room
right there.
2833
02:01:02,723 --> 02:01:04,933
Not too far out,
squeeze in behind Bill.
2834
02:01:04,957 --> 02:01:07,369
-I was loving it.
2835
02:01:07,393 --> 02:01:08,604
I think it fits well
2836
02:01:08,628 --> 02:01:12,074
amongst some of the great
icons of the genre.
2837
02:01:12,098 --> 02:01:15,410
There's even a comedic aspect
to it that was never intended.
2838
02:01:15,434 --> 02:01:16,712
Beep-beep!
2839
02:01:16,736 --> 02:01:17,846
I never
would have known or thought
2840
02:01:17,870 --> 02:01:19,715
that it would have
become a cult classic.
2841
02:01:19,739 --> 02:01:21,516
I always thought
that it was a great story.
2842
02:01:21,540 --> 02:01:23,485
But I never realized
2843
02:01:23,509 --> 02:01:25,587
that it would go
as far as it's gotten.
2844
02:01:25,611 --> 02:01:27,456
I'm very proud of it
2845
02:01:27,480 --> 02:01:30,692
and I'm used to the
idea of cult movies,
2846
02:01:30,716 --> 02:01:32,894
so I'm glad that
it's having a life.
2847
02:01:32,918 --> 02:01:34,763
It's a cracking story.
2848
02:01:34,787 --> 02:01:36,331
The popularity of IT
2849
02:01:36,355 --> 02:01:38,900
down through the years
is multi-layered.
2850
02:01:38,924 --> 02:01:43,405
I think first it speaks
to really fine performances.
2851
02:01:43,429 --> 02:01:45,107
That's first and foremost.
2852
02:01:45,131 --> 02:01:48,510
A good story as the foundation.
2853
02:01:48,534 --> 02:01:49,811
A great script,
2854
02:01:49,835 --> 02:01:51,513
at least in Night One.
2855
02:01:51,537 --> 02:01:53,115
Competent directing.
2856
02:01:53,139 --> 02:01:56,785
That's a formula for something
that will be viewed
2857
02:01:56,809 --> 02:02:00,555
more than once among those
who consider it a favorite.
2858
02:02:00,579 --> 02:02:01,690
They'll watch it again.
2859
02:02:01,714 --> 02:02:05,727
-Down here we all float!