1 00:00:02,375 --> 00:00:04,800 This is not happening. 2 00:00:04,801 --> 00:00:07,303 Come on! 3 00:00:07,304 --> 00:00:09,772 This better work. 4 00:00:13,443 --> 00:00:15,844 (JAZZ MUSIC PLAYING) 5 00:00:15,845 --> 00:00:17,880 (GIGGLING) 6 00:00:17,881 --> 00:00:21,150 What a flirt! 7 00:00:23,987 --> 00:00:27,656 (LAUGHING) What is he... 8 00:00:31,161 --> 00:00:33,262 (TRUDY): Oh, my. 9 00:00:36,399 --> 00:00:39,335 (GIGGLING) 10 00:00:39,336 --> 00:00:41,303 What's she gonna do with that? 11 00:00:41,304 --> 00:00:43,839 (FRANKIE): She's gonna get him. 12 00:00:43,840 --> 00:00:45,841 - Oh, yes, she is. - Wind up, 13 00:00:45,842 --> 00:00:48,377 and... oh! 14 00:00:48,378 --> 00:00:49,678 - (LAUGHING) - (MACK): See that? 15 00:00:49,679 --> 00:00:52,214 - That was so funny! - Of course it was, 16 00:00:52,215 --> 00:00:54,183 but look up at the background. 17 00:00:54,184 --> 00:00:56,552 Watch. 18 00:00:56,553 --> 00:00:59,722 Here it comes. 19 00:00:59,723 --> 00:01:01,657 Now, watch the upper level 20 00:01:01,658 --> 00:01:03,892 - of the pavilion. - Those two blurs? 21 00:01:03,893 --> 00:01:06,662 They're arguing. And now, see... 22 00:01:06,663 --> 00:01:08,764 A gunshot. 23 00:01:08,765 --> 00:01:10,599 - That's not part of the movie? - Mm-mm. 24 00:01:10,600 --> 00:01:14,003 If Mack Sennett scripted a murder, 25 00:01:14,004 --> 00:01:15,838 it would be lit, 26 00:01:15,839 --> 00:01:18,273 and it would be hilarious. 27 00:01:18,274 --> 00:01:20,242 How did you spot that? 28 00:01:20,243 --> 00:01:22,845 I've watched miles of film. 29 00:01:22,846 --> 00:01:24,847 My eyes catch things 30 00:01:24,848 --> 00:01:26,782 - that most people miss. - And you're telling me 31 00:01:26,783 --> 00:01:29,184 that no one on the crew saw or heard anything? 32 00:01:29,185 --> 00:01:30,953 - Nothing. - That's impossible. 33 00:01:30,954 --> 00:01:33,255 It was our last shot of the day. We were losing 34 00:01:33,256 --> 00:01:35,758 our light so we decided to pack it in after and go home. 35 00:01:35,759 --> 00:01:37,793 No one went near the pavilion. 36 00:01:37,794 --> 00:01:40,562 - Well, did you call the police? - Two days ago, as soon as I 37 00:01:40,563 --> 00:01:43,365 spotted it. They sent a copper, he poked around, 38 00:01:43,366 --> 00:01:46,035 didn't find anything. No body. Nothing. 39 00:01:46,036 --> 00:01:48,037 So that's when I 40 00:01:48,038 --> 00:01:50,806 decided to take matters into my own hands. 41 00:01:50,807 --> 00:01:52,741 And that's when you decided to contact us. 42 00:01:52,742 --> 00:01:55,411 No, I contacted a lot of agencies before you, 43 00:01:55,412 --> 00:01:58,080 but none of them felt as eager as you. 44 00:01:58,081 --> 00:02:00,716 Well, thank you. 45 00:02:00,717 --> 00:02:03,052 - I think. - OK. 46 00:02:03,053 --> 00:02:05,821 So we have a murder that nobody witnessed 47 00:02:05,822 --> 00:02:08,290 and a victim who just up and vanished? 48 00:02:08,291 --> 00:02:10,592 Hmm! A real baffler, isn't it? 49 00:02:10,593 --> 00:02:13,762 - Well, we like a challenge. - That's what I like to hear. 50 00:02:13,763 --> 00:02:17,466 You know, I myself have played Sherlock Holmes 51 00:02:17,467 --> 00:02:19,334 a number of times. 52 00:02:19,335 --> 00:02:21,336 - You don't say. - So, I decided to do some 53 00:02:21,337 --> 00:02:23,872 detective work on my own and I discovered 54 00:02:23,873 --> 00:02:26,542 that a local hire hasn't shown up for work for couple of days. 55 00:02:26,543 --> 00:02:31,046 A props runner. Name is Dan Channing. 56 00:02:33,450 --> 00:02:35,984 He might be our elusive murder victim. 57 00:02:35,985 --> 00:02:38,620 Don't write the script before you have the plot, Mr. Sennett. 58 00:02:38,621 --> 00:02:41,457 He also could be the killer. 59 00:02:41,458 --> 00:02:44,093 The game's afoot. I'm gonna 60 00:02:44,094 --> 00:02:46,395 enjoy watching the two of you work. 61 00:02:47,931 --> 00:02:52,435 Subtitle sync and corrections by awaqeded for www.addic7ed.com. 62 00:02:52,936 --> 00:02:56,505 (TRUDY): Strange how no one heard a gunshot. 63 00:02:56,506 --> 00:02:58,740 Maybe the killer used a silencer. 64 00:02:58,741 --> 00:03:01,376 I suppose, but aren't those very rare? 65 00:03:03,379 --> 00:03:06,148 I remember the first film I watched. 66 00:03:06,149 --> 00:03:08,150 It was called 67 00:03:08,151 --> 00:03:10,285 The Red Girl's Sacrifice. It was playing 68 00:03:10,286 --> 00:03:13,055 at the Red Mill on Yonge Street. 69 00:03:13,056 --> 00:03:15,290 It was thrilling. 70 00:03:15,291 --> 00:03:17,493 I'd love to be in a movie. 71 00:03:17,494 --> 00:03:19,495 You want to be an actress too? 72 00:03:19,496 --> 00:03:21,930 No, no, it's just... 73 00:03:21,931 --> 00:03:24,800 there's just something about being in the spotlight. 74 00:03:24,801 --> 00:03:26,802 Well, you certainly have the looks for it. 75 00:03:26,803 --> 00:03:28,904 Why, thank you! 76 00:03:28,905 --> 00:03:30,873 Is that encouragement? 77 00:03:30,874 --> 00:03:34,476 Not really. I never understood the allure. 78 00:03:34,477 --> 00:03:36,745 Got enough excitement in real life to keep you amused? 79 00:03:36,746 --> 00:03:38,780 Something like that. 80 00:03:38,781 --> 00:03:40,983 Trudy... 81 00:03:40,984 --> 00:03:42,818 look at this. Blood. 82 00:03:42,819 --> 00:03:45,687 The floor has been cleaned. 83 00:03:45,688 --> 00:03:48,023 Something was missed. 84 00:03:50,093 --> 00:03:51,727 A shell casing. 85 00:03:51,728 --> 00:03:54,696 32. 86 00:03:54,697 --> 00:03:57,366 - A gun was fired here recently. - So the murder happened 87 00:03:57,367 --> 00:03:59,368 in plain sight. The killer cleaned up 88 00:03:59,369 --> 00:04:01,603 the crime scene, then moved the body and no one saw a thing? 89 00:04:01,604 --> 00:04:03,905 - It's unbelievable. - So there's two options. 90 00:04:05,642 --> 00:04:07,676 The killer didn't know that they were being filmed... 91 00:04:07,677 --> 00:04:10,612 Or they did and they wanted the whole thing on film. 92 00:04:10,613 --> 00:04:12,614 And why would they do that? 93 00:04:12,615 --> 00:04:15,918 ♪ 94 00:04:15,919 --> 00:04:18,887 Dan Channing traveled light. 95 00:04:18,888 --> 00:04:22,424 Well, he didn't pack before he left. 96 00:04:22,425 --> 00:04:25,394 Take a look at this. 97 00:04:27,263 --> 00:04:29,965 ♪ 98 00:04:31,868 --> 00:04:35,070 And this Sofia Devoe, 99 00:04:35,071 --> 00:04:38,207 - whoever she is. - You never heard of her? 100 00:04:38,208 --> 00:04:41,376 She's one of film's biggest stars. 101 00:04:41,377 --> 00:04:45,480 Goldrush Gloria, Love's Sweet Revenge? 102 00:04:45,481 --> 00:04:47,883 If you say so. 103 00:04:47,884 --> 00:04:49,751 Well, Dan Channing was an avid fan. 104 00:04:49,752 --> 00:04:51,787 Or he's just obsessed. 105 00:04:51,788 --> 00:04:53,789 Wait. The landlady 106 00:04:53,790 --> 00:04:55,757 told me Channing arrived in Toronto two weeks ago. 107 00:04:55,758 --> 00:04:57,993 That's right when Mack started filming. 108 00:04:57,994 --> 00:05:00,529 Maybe it's not a coincidence. 109 00:05:02,632 --> 00:05:06,101 ♪ 110 00:05:06,102 --> 00:05:09,371 You know, ever since I moved from Quebec to Hollywood 111 00:05:09,372 --> 00:05:11,607 15 years ago, I've always dreamed to come back 112 00:05:11,608 --> 00:05:14,810 - to film in Canada. - How very patriotic of you. 113 00:05:14,811 --> 00:05:16,712 - Thanks. - Mr. Sennett, if you don't mind 114 00:05:16,713 --> 00:05:18,580 me asking, what's this film about? 115 00:05:18,581 --> 00:05:20,842 Oh, my Keystone Cops movies are so popular, 116 00:05:20,843 --> 00:05:24,212 I decided to branch out. Keystone Spies. 117 00:05:24,213 --> 00:05:27,215 Don't tell me. One of your... 118 00:05:27,216 --> 00:05:29,751 bathing beauties is actually a trained spy. 119 00:05:29,752 --> 00:05:32,420 Brilliant, isn't it? 120 00:05:32,421 --> 00:05:34,622 Top secret plans, spies... 121 00:05:34,623 --> 00:05:37,725 Hi, ladies! So what did you two come up with? 122 00:05:37,726 --> 00:05:39,894 It turns out that there was a murder at the Pavilion. 123 00:05:39,895 --> 00:05:41,896 I knew it. Did you find the body? 124 00:05:41,897 --> 00:05:44,198 No, but we found blood and a bullet. 125 00:05:44,199 --> 00:05:46,968 - Close enough. - Dan Channing, your missing 126 00:05:46,969 --> 00:05:49,771 props runner, we believe he came to Toronto specifically to work 127 00:05:49,772 --> 00:05:51,773 - on your film. - Everyone wants to work on 128 00:05:51,774 --> 00:05:54,675 - a Mack Sennett picture. - That's true, but this guy 129 00:05:54,676 --> 00:05:57,145 was really fascinated with your leading lady, Sofia Devoe. 130 00:05:57,146 --> 00:06:00,648 Some maniac is after Sofia? 131 00:06:00,649 --> 00:06:02,917 - It's a possibility. - Come. 132 00:06:04,053 --> 00:06:06,487 Clear the room. 133 00:06:08,223 --> 00:06:10,992 If my backers hear that there's a stalker, I'll be ruined. 134 00:06:10,993 --> 00:06:14,262 It's bad enough dealing with this Fatty Arbuckle scandal. 135 00:06:14,263 --> 00:06:17,732 Miss Drake, Keystone Spies cannot tank. 136 00:06:17,733 --> 00:06:20,635 I need you to figure this out. 137 00:06:20,636 --> 00:06:23,504 We're gonna need access to your crew, your set. 138 00:06:23,505 --> 00:06:25,339 And I think Trudy should to go undercover. 139 00:06:25,340 --> 00:06:28,176 Perfect. Exactly what Holmes would do. 140 00:06:28,177 --> 00:06:30,878 Can I be one of your bathing beauties? 141 00:06:32,614 --> 00:06:35,149 You know, sweetheart, I'm not sure 142 00:06:35,150 --> 00:06:37,318 that being on camera is such a good idea. 143 00:06:37,319 --> 00:06:39,353 I mean, you'd be stuck on set 144 00:06:39,354 --> 00:06:42,757 all day. How about you pose as my assistant? 145 00:06:42,758 --> 00:06:45,493 You can get in anywhere, no questions asked. 146 00:06:45,494 --> 00:06:47,962 Hmm? I'll arrange it. 147 00:06:49,298 --> 00:06:51,999 I'm also gonna need to speak to the lovely Miss Sofia Devoe. 148 00:06:52,000 --> 00:06:55,203 Mmm! You're in for a treat. 149 00:06:55,204 --> 00:06:58,139 (INHALING DEEPLY) Ah. Welcome, Miss Drake. 150 00:06:58,140 --> 00:07:00,141 Come on, come on, come on, come on, come on. 151 00:07:00,142 --> 00:07:02,710 - Manfrellotti, are we ready? - We're ready, Mack. 152 00:07:02,711 --> 00:07:04,545 - (MAN): Here we go! - Good. Miss Drake, 153 00:07:04,546 --> 00:07:06,581 - stand over here. - OK. 154 00:07:06,582 --> 00:07:10,585 - Thank you. Roll Camera! - Camera rolling. 155 00:07:10,586 --> 00:07:12,720 And... action! 156 00:07:12,721 --> 00:07:14,722 (JAZZ MUSIC PLAYING) 157 00:07:14,723 --> 00:07:18,159 Pick up the pace. Lots of energy! 158 00:07:18,160 --> 00:07:20,795 Ooh! 159 00:07:20,796 --> 00:07:23,698 Fantastic! That's it! 160 00:07:23,699 --> 00:07:25,566 Keep it up! 161 00:07:25,567 --> 00:07:27,468 Duck! Oh! Huh! 162 00:07:27,469 --> 00:07:30,204 (CLATTERING) Cut! 163 00:07:30,205 --> 00:07:33,674 Perfect! Print that. 164 00:07:33,675 --> 00:07:36,744 Everybody take five. 165 00:07:36,745 --> 00:07:38,713 Sofia Devoe is one tough broad. 166 00:07:38,714 --> 00:07:41,449 Sofia? No. Sofia couldn't handle 167 00:07:41,450 --> 00:07:45,153 a modest breeze. Lillian Gish, now she's tough. 168 00:07:45,154 --> 00:07:48,189 That's Ruth Adkins, Sofia's stunt woman. 169 00:07:48,190 --> 00:07:50,391 (UTTERANCE OF APPRECIATION) Great job, Ruth. 170 00:07:50,392 --> 00:07:52,493 Thank you. 171 00:07:52,494 --> 00:07:54,562 - Ah, Sofia. - What is it? 172 00:07:54,563 --> 00:07:56,397 Sofia Devoe, 173 00:07:56,398 --> 00:07:58,266 Frankie Drake, private detective. 174 00:07:58,267 --> 00:08:02,170 - She has a few questions for you. - About? 175 00:08:02,171 --> 00:08:05,106 Miss Drake? Ahem. 176 00:08:05,107 --> 00:08:07,408 We have a missing crew member. 177 00:08:07,409 --> 00:08:10,111 What has that got to do with me? 178 00:08:10,112 --> 00:08:13,247 Do you know Dan Channing? He works in the props department. 179 00:08:13,248 --> 00:08:15,249 - Should I? - We found clippings of you 180 00:08:15,250 --> 00:08:17,418 in his room. 181 00:08:17,419 --> 00:08:19,554 Another adoring fan. 182 00:08:19,555 --> 00:08:22,123 - It was a lot of clippings. - Is this something 183 00:08:22,124 --> 00:08:24,592 - I should worry about? - Have you received 184 00:08:24,593 --> 00:08:27,094 any unwanted advances? Any threats? 185 00:08:27,095 --> 00:08:29,263 Miss Drake, I've worked very hard 186 00:08:29,264 --> 00:08:31,232 to get to where I am 187 00:08:31,233 --> 00:08:34,569 and I pride myself on having done so without making enemies. 188 00:08:34,570 --> 00:08:37,572 Have you noticed any strangers hanging around? 189 00:08:37,573 --> 00:08:40,041 Am I in any danger? 190 00:08:40,042 --> 00:08:42,076 No, no, no. Of course not, 191 00:08:42,077 --> 00:08:44,378 my darling. 192 00:08:44,379 --> 00:08:46,414 Don't worry, Miss Devoe. 193 00:08:46,415 --> 00:08:50,017 We have everything under control. 194 00:08:51,920 --> 00:08:55,156 - Oh my G... are you OK? But the glass?! - What? Of course. 195 00:08:55,157 --> 00:08:58,159 What, this? 196 00:08:58,160 --> 00:09:00,161 It's candy glass. Made from sugar. 197 00:09:00,162 --> 00:09:03,064 We can't have people falling through real glass, can we? 198 00:09:03,065 --> 00:09:06,567 Oh! That's how it's done. Ah. 199 00:09:06,568 --> 00:09:09,537 - Who are you anyway? - Trudy, Mr. Sennett's 200 00:09:09,538 --> 00:09:12,306 new assistant. He sent me down here to ask about Dan Channing. 201 00:09:12,307 --> 00:09:15,009 Well, you tell Mr. Sennett if Channing's not back tomorrow, 202 00:09:15,010 --> 00:09:17,011 he's going to have to find me a new runner. 203 00:09:17,012 --> 00:09:18,813 Do you think he's gone for good? 204 00:09:18,814 --> 00:09:20,881 Oh, I don't know. I couldn't get a read on the guy. 205 00:09:20,882 --> 00:09:24,318 He said that he'd worked props before, 206 00:09:24,319 --> 00:09:27,121 but he didn't know protocol to save his life. 207 00:09:27,122 --> 00:09:30,124 - What do you mean? - I saw him hanging around, 208 00:09:30,125 --> 00:09:32,560 waiting to talk to Victor Manfrellotti, 209 00:09:32,561 --> 00:09:34,762 the cinematographer. A total breach in etiquette. 210 00:09:34,763 --> 00:09:37,498 If you asked me, he'd never been on a film set before. 211 00:09:37,499 --> 00:09:39,900 No great loss losing him. 212 00:09:43,972 --> 00:09:46,741 Seems like that's not the only thing missing. 213 00:09:48,644 --> 00:09:51,112 You keep quiet about that or Mack'll have my job. 214 00:09:51,113 --> 00:09:53,214 When did the gun and the silencer disappear? 215 00:09:53,215 --> 00:09:55,383 Before we went to the pavilion location. 216 00:09:55,384 --> 00:09:58,286 Hey, isn't it a bit dangerous, having guns lying around? 217 00:09:58,287 --> 00:10:00,454 Oh, honey, you're new to all of this, 218 00:10:00,455 --> 00:10:04,191 aren't you? We don't use real bullets. 219 00:10:04,192 --> 00:10:06,827 These are blanks. 220 00:10:06,828 --> 00:10:08,729 Oh. 221 00:10:08,730 --> 00:10:10,898 So you don't say a word about this gun thing, understand? 222 00:10:10,899 --> 00:10:13,167 No problem. 223 00:10:13,168 --> 00:10:15,636 (FAST-PACED JAZZ MUSIC) 224 00:10:15,637 --> 00:10:17,838 ♪ 225 00:10:23,111 --> 00:10:25,746 I'm famished. Is this just for anyone? 226 00:10:25,747 --> 00:10:27,648 - Don't you have to pay someone? - Well, I guess not. 227 00:10:27,649 --> 00:10:31,552 Missing props runner, missing props gun. 228 00:10:31,553 --> 00:10:34,689 Maybe someone stole the prop gun and loaded it 229 00:10:34,690 --> 00:10:36,557 with a real bullet. 230 00:10:36,558 --> 00:10:38,392 Yeah, and that would explain where the silencer came from. 231 00:10:38,393 --> 00:10:41,429 - But who did Channing kill? - Why don't you talk to Flo? 232 00:10:41,430 --> 00:10:43,731 See if a John Doe showed up with any bullet wounds. 233 00:10:43,732 --> 00:10:46,067 And ask Mary if she 234 00:10:46,068 --> 00:10:48,903 can look into Channing, maybe he a record. 235 00:10:48,904 --> 00:10:50,738 Oh! Benny, the Props Master, 236 00:10:50,739 --> 00:10:52,573 said he saw Channing hanging around Manfrellotti. 237 00:10:52,574 --> 00:10:55,309 - Maybe there's something there. - I think it's time I had a chat 238 00:10:55,310 --> 00:10:57,545 with Signor Manfrellotti. 239 00:10:57,546 --> 00:11:00,948 How many pastries do you think I can take? 240 00:11:00,949 --> 00:11:03,684 I wish I'd brought my purse. Mm-mm! 241 00:11:05,554 --> 00:11:07,755 Oh! 242 00:11:07,756 --> 00:11:09,590 I'm looking for a body. 243 00:11:09,591 --> 00:11:12,026 - Anything specific? - One with a bullet hole, 244 00:11:12,027 --> 00:11:14,462 - shot at close range. - Might see some powder burns 245 00:11:14,463 --> 00:11:17,098 - then. Anything else? - The murder happened on a beach 246 00:11:17,099 --> 00:11:19,400 so there may be traces of sand, possible water. 247 00:11:19,401 --> 00:11:21,902 Sounds interesting. I wish I could help you 248 00:11:21,903 --> 00:11:24,605 but it's been a slow week. Dead slow. Ha. 249 00:11:24,606 --> 00:11:26,807 - Well, you seem busy enough. - Sorting through 250 00:11:26,808 --> 00:11:29,110 unclaimed personal effects. 10 years' worth of bodies. 251 00:11:29,111 --> 00:11:31,278 You don't want to know where they found this monocle. 252 00:11:31,279 --> 00:11:33,414 Well, I'm sure you don't mind the break. 253 00:11:33,415 --> 00:11:35,282 I'm the kind of gal that likes to keep busy. 254 00:11:35,283 --> 00:11:37,985 I'll let you know if a gentleman caller with some 255 00:11:37,986 --> 00:11:40,721 - lead in him drops by. - Could be a "her." 256 00:11:40,722 --> 00:11:42,723 Sure. I'm not fussy. 257 00:11:42,724 --> 00:11:44,658 (CHUCKLING) 258 00:11:44,659 --> 00:11:47,294 How dare you? How dare you?! My lighting is exquisite. 259 00:11:47,295 --> 00:11:49,897 Mary Pickford herself adored it. 260 00:11:49,898 --> 00:11:51,899 I've seen better on a birthday cake. 261 00:11:51,900 --> 00:11:54,335 Lighting this woman is like putting lipstick on a pig! 262 00:11:54,336 --> 00:11:58,072 That doesn't make any sense! Mack, I want him fired. Now. 263 00:11:58,073 --> 00:12:00,674 Victor Manfrellotti is the best. He makes you 264 00:12:00,675 --> 00:12:03,344 - look gorgeous, Sofia. - And 10 years younger. 265 00:12:03,345 --> 00:12:05,846 Oh, that's it! I'm leaving this film 266 00:12:05,847 --> 00:12:09,650 - and going back to LA. - Sofia, please! 267 00:12:09,651 --> 00:12:12,186 It's either him 268 00:12:12,187 --> 00:12:14,088 or me, Mack. 269 00:12:14,089 --> 00:12:17,625 Victor, I'm... so sorry. 270 00:12:17,626 --> 00:12:20,294 How many films have we done together? 271 00:12:20,295 --> 00:12:22,329 - She's my star, Victor. - Porca miseria! 272 00:12:22,330 --> 00:12:24,331 Both of you will regret this one day! 273 00:12:24,332 --> 00:12:28,135 - Get out of my way! - Signor Manfrellotti, I just want to... 274 00:12:28,136 --> 00:12:30,337 Lipstick... on a pig? 275 00:12:30,338 --> 00:12:34,208 - A pig?! - It was a metaphor, Sofia. 276 00:12:34,209 --> 00:12:36,477 ♪ 277 00:12:36,478 --> 00:12:38,412 I diligently searched for a Dan, 278 00:12:38,413 --> 00:12:40,681 a Daniel and Danny Channing 279 00:12:40,682 --> 00:12:43,851 but I couldn't find a criminal record anywhere which I 280 00:12:43,852 --> 00:12:47,021 find unusual, given that killers often have earlier encounters 281 00:12:47,022 --> 00:12:49,390 with the law. Maybe he's 282 00:12:49,391 --> 00:12:51,392 - using an alias. - Maybe. 283 00:12:51,393 --> 00:12:53,994 And Flo says no John Does with a bullet wound have turned up. 284 00:12:53,995 --> 00:12:56,564 Are you sure about this one, Trudy? 285 00:12:56,565 --> 00:12:59,133 There was definitely a murder at Sunnyside pavilion. 286 00:12:59,134 --> 00:13:01,535 It was on film, and film never lies. 287 00:13:01,536 --> 00:13:03,904 Look. 288 00:13:03,905 --> 00:13:05,806 Mack made a print of the exact moment the killer struck. 289 00:13:05,807 --> 00:13:07,641 You could even see the muzzle flash. 290 00:13:07,642 --> 00:13:10,211 What's it like, being on a movie set? 291 00:13:10,212 --> 00:13:12,413 Is it glamourous? 292 00:13:12,414 --> 00:13:14,748 It's not what you expect. One minute it's boring, 293 00:13:14,749 --> 00:13:16,750 the next minute, chaos. 294 00:13:16,751 --> 00:13:18,752 I don't know how they get anything done. 295 00:13:18,753 --> 00:13:20,588 Sounds like being a police officer. 296 00:13:20,589 --> 00:13:23,257 I gotta get back to the studio. 297 00:13:23,258 --> 00:13:25,359 You know, that body didn't vanish into thin air. 298 00:13:25,360 --> 00:13:28,395 - I could look into it for you. - You'd do that? 299 00:13:28,396 --> 00:13:30,831 I have plenty of boring in my life. 300 00:13:30,832 --> 00:13:33,534 - I could use a little more chaos. - Really? 301 00:13:33,535 --> 00:13:35,636 Because I could use a lot less. 302 00:13:38,406 --> 00:13:42,042 No one apart from Benny in props 303 00:13:42,043 --> 00:13:44,245 seems to remember Dan Channing. Any luck with Manfrellotti? 304 00:13:44,246 --> 00:13:46,280 Well, I wasn't able to talk with him before he was fired. 305 00:13:46,281 --> 00:13:48,649 It's pretty obvious he and Sofia don't get along. 306 00:13:48,650 --> 00:13:50,684 - Mack sided with Sofia? - Well, he'd do anything 307 00:13:50,685 --> 00:13:52,686 to save his film. I mean, if Sofia left, 308 00:13:52,687 --> 00:13:55,589 - he would lose everything. - Maybe the murder is unrelated 309 00:13:55,590 --> 00:13:57,591 to the film and the camera did catch it by accident. 310 00:13:57,592 --> 00:13:59,593 That still doesn't explain the missing props gun, 311 00:13:59,594 --> 00:14:01,762 and where is Dan Channing? 312 00:14:01,763 --> 00:14:05,032 Speaking of Channing, there's the object of his affection now. 313 00:14:08,136 --> 00:14:09,970 Sofia! Look out! 314 00:14:09,971 --> 00:14:12,640 (EXCLAMATIONS OF ALARM) 315 00:14:12,641 --> 00:14:14,542 - Are you OK? - (MAN): Get the medic! 316 00:14:14,543 --> 00:14:16,810 Ruth! 317 00:14:16,811 --> 00:14:19,613 My arm... damn it! 318 00:14:19,614 --> 00:14:22,016 Ah! 319 00:14:26,163 --> 00:14:28,666 Someone deliberately cut this rope 320 00:14:28,667 --> 00:14:30,868 - causing the light to fall. - Maybe Channing 321 00:14:30,869 --> 00:14:33,704 - was trying to hurt Sofia. - Well, we need to consider 322 00:14:33,705 --> 00:14:36,707 that there are two possible targets here: Sofia and Ruth. 323 00:14:36,708 --> 00:14:39,210 You're right. We both mistook the stunt double 324 00:14:39,211 --> 00:14:41,045 - for the actress. - Yeah. 325 00:14:41,046 --> 00:14:43,047 - Maybe the killer did too. - Why don't you have a chat 326 00:14:43,048 --> 00:14:45,650 with Ruth. I'll talk to the lovely Sofia. 327 00:14:45,651 --> 00:14:48,119 Have you heard anything about the body yet? 328 00:14:48,120 --> 00:14:50,054 No, but Mary seems 329 00:14:50,055 --> 00:14:52,089 - keen to pursue it. - Mary? What's she doing? 330 00:14:52,090 --> 00:14:54,458 She says she has a plan. 331 00:14:54,459 --> 00:14:56,861 (BIRDS CHIRPING) 332 00:14:56,862 --> 00:14:58,696 (LOW-KEY JAZZ MUSIC) 333 00:14:58,697 --> 00:15:01,699 ♪ 334 00:15:01,700 --> 00:15:04,802 Whoa... 335 00:15:26,191 --> 00:15:29,326 Pow! (GROAN) 336 00:15:38,136 --> 00:15:40,104 (SIGHING) 337 00:15:40,105 --> 00:15:42,707 Miss Adkins, Mack would like you to supervise the next stunt. 338 00:15:42,708 --> 00:15:44,542 - Of course. - I could tell him you're 339 00:15:44,543 --> 00:15:46,377 - not feeling up to it. - I'm fine. I'm just waiting 340 00:15:46,378 --> 00:15:48,212 - for the pills to kick in. - Wouldn't you much rather 341 00:15:48,213 --> 00:15:50,147 - be resting at home? - What am I going to do there 342 00:15:50,148 --> 00:15:52,516 that I can't do here? Moan? Just take one out 343 00:15:52,517 --> 00:15:54,485 for me, would you? 344 00:15:54,486 --> 00:15:56,787 I thought the most dangerous part of your job was on camera. 345 00:15:56,788 --> 00:15:59,323 Strange how the light just fell like that. 346 00:15:59,324 --> 00:16:01,659 All I saw was a glint of silver 347 00:16:01,660 --> 00:16:03,661 - as it came crashing down. - There's been a spate 348 00:16:03,662 --> 00:16:05,663 - of bad luck on this picture. - What do you mean? 349 00:16:05,664 --> 00:16:08,799 You haven't heard? One of the props runners has gone missing. 350 00:16:08,800 --> 00:16:11,002 Some guy named Dan Channing. 351 00:16:11,003 --> 00:16:13,004 I didn't even know Benny had an assistant. 352 00:16:13,005 --> 00:16:15,640 - (SHARP INTAKE OF BREATH) - Is it that bad? 353 00:16:15,641 --> 00:16:18,609 I'm used to it. Pain's a fact of life in my line of work. 354 00:16:18,610 --> 00:16:21,712 - How'd you get started? - Same as every other girl. 355 00:16:21,713 --> 00:16:23,714 I just hung out around film sets, looking to get 356 00:16:23,715 --> 00:16:25,816 my foot in the door. Then one day, they needed 357 00:16:25,817 --> 00:16:28,519 a woman to ride a horse, so I stepped in. 358 00:16:28,520 --> 00:16:31,856 I'd love to be an actress. 359 00:16:31,857 --> 00:16:33,991 I wouldn't hold my breath if I were you. 360 00:16:33,992 --> 00:16:36,360 Because I'm coloured? 361 00:16:36,361 --> 00:16:38,663 - No offence intended. - None taken. 362 00:16:38,664 --> 00:16:41,399 Hasn't slowed me down so far. 363 00:16:41,400 --> 00:16:43,567 ♪ 364 00:16:46,705 --> 00:16:49,907 I'd like to know what happens to a body 365 00:16:49,908 --> 00:16:52,410 that's been deposited rather carelessly 366 00:16:52,411 --> 00:16:54,445 into a large body of water. 367 00:16:54,446 --> 00:16:56,414 It depends on a number of things: 368 00:16:56,415 --> 00:16:58,716 the temperature of the body, the temperature of the water, 369 00:16:58,717 --> 00:17:00,818 height, weight, stomach contents. 370 00:17:00,819 --> 00:17:02,853 Any interest in a used monocle? 371 00:17:02,854 --> 00:17:05,089 Uh... no, thank you. 372 00:17:05,090 --> 00:17:07,091 That's a lot of factors to consider. 373 00:17:07,092 --> 00:17:09,093 Well, it's hard to be precise If I don't know 374 00:17:09,094 --> 00:17:11,662 - the particular circumstances. - Well, that's the thing. 375 00:17:11,663 --> 00:17:13,497 This body is missing 376 00:17:13,498 --> 00:17:15,833 and I'm trying to find it for Frankie and Trudy. 377 00:17:15,834 --> 00:17:18,669 Oh! That body. Why didn't you say so? 378 00:17:18,670 --> 00:17:21,539 - I didn't want to overstep. - Overstep all you want. 379 00:17:21,540 --> 00:17:23,641 Where was the deceased last seen? 380 00:17:23,642 --> 00:17:26,010 Sunnyside Pavilion. Murdered, allegedly. 381 00:17:26,011 --> 00:17:28,112 And it seems to me the most obvious place to dispose 382 00:17:28,113 --> 00:17:31,916 of the victim would be the lake which is right next door. 383 00:17:31,917 --> 00:17:33,784 I'm keen to find that body. 384 00:17:33,785 --> 00:17:36,287 Well, it's hard to help you stuck in here. 385 00:17:36,288 --> 00:17:39,690 You'd come? I don't want to get you in trouble. 386 00:17:39,691 --> 00:17:42,193 What's wrong with a couple of gals going on a trip down 387 00:17:42,194 --> 00:17:44,575 to the lake? I've been dying to get my hands on a floater. 388 00:17:46,364 --> 00:17:50,000 An attempt on my life... why? 389 00:17:50,001 --> 00:17:51,936 I'm beloved. 390 00:17:51,937 --> 00:17:53,938 Of course you are, Sofia darling. 391 00:17:53,939 --> 00:17:57,308 There's no need to panic. Miss Drake isn't even sure 392 00:17:57,309 --> 00:18:00,211 - that it was meant for you. - Of course it was meant 393 00:18:00,212 --> 00:18:03,881 for me. Who would bother going after a stunt woman? 394 00:18:03,882 --> 00:18:05,783 Well... 395 00:18:05,784 --> 00:18:07,918 Ruth will live, by the way. 396 00:18:07,919 --> 00:18:11,655 Miss Devoe, do you have any idea who might have done this? 397 00:18:11,656 --> 00:18:14,358 Manfrellotti, that's who. 398 00:18:14,359 --> 00:18:16,594 He hates me. 399 00:18:16,595 --> 00:18:18,963 Sofia, you can't mistake a Mediterranean temperament 400 00:18:18,964 --> 00:18:21,832 - for a personal vendetta. - (SIGHING) 401 00:18:21,833 --> 00:18:23,634 We can't rule out anyone at this point. 402 00:18:23,635 --> 00:18:27,138 Mack... we have to shut down the film. 403 00:18:27,139 --> 00:18:29,273 I must go into hiding. 404 00:18:29,274 --> 00:18:31,575 I'll need a disguise. 405 00:18:31,576 --> 00:18:33,744 There's no need for that. 406 00:18:33,745 --> 00:18:35,579 I'll get you a bodyguard. 407 00:18:35,580 --> 00:18:38,949 Someone who'll be close to you... a new stunt woman. 408 00:18:38,950 --> 00:18:41,118 Hmm? And I have 409 00:18:41,119 --> 00:18:44,622 the perfect person in mind. 410 00:18:46,992 --> 00:18:49,693 No. No, no, no, no, no. 411 00:18:49,694 --> 00:18:52,763 Yes. Perfect. You are perfect. 412 00:18:52,764 --> 00:18:54,832 I am only doing this for Sofia. 413 00:18:54,833 --> 00:18:56,534 Ruth will walk you through this. 414 00:18:56,535 --> 00:18:59,236 (MAN): Right there, that's fine. Lock it up. 415 00:18:59,237 --> 00:19:02,173 Nothing to this. Just roll with it. 416 00:19:02,174 --> 00:19:05,276 - Clear the set. - Just... roll with what? 417 00:19:05,277 --> 00:19:07,611 OK. Frankie, you're undercover. 418 00:19:07,612 --> 00:19:09,613 And the spy that you've been following has sent someone 419 00:19:09,614 --> 00:19:12,516 to kill you. OK? And... roll camera! 420 00:19:12,517 --> 00:19:14,518 Rolling. 421 00:19:14,519 --> 00:19:16,220 And... action! 422 00:19:16,221 --> 00:19:18,389 Cut! 423 00:19:18,390 --> 00:19:20,457 - Um... - What's the problem? 424 00:19:20,458 --> 00:19:22,693 OK. You were just hit with a stool. 425 00:19:22,694 --> 00:19:24,467 - Yeah? - Right. So, when you're hit 426 00:19:24,468 --> 00:19:25,664 with a stool it hurts. 427 00:19:25,665 --> 00:19:28,232 OK, but that didn't hurt. It's a fake stool. 428 00:19:28,233 --> 00:19:30,000 But if it were, 429 00:19:30,001 --> 00:19:32,870 you wouldn't just stand there. It's called acting. 430 00:19:32,871 --> 00:19:36,073 - OK? - Fine. 431 00:19:36,074 --> 00:19:38,075 Great. Let's try this again. 432 00:19:38,076 --> 00:19:40,077 Roll camera. 433 00:19:40,078 --> 00:19:43,747 - Rolling. - Action! 434 00:19:45,717 --> 00:19:47,818 Ahh... ahh... 435 00:19:47,819 --> 00:19:50,855 Cut. Cut. Action! 436 00:19:50,856 --> 00:19:52,857 Um... 437 00:19:52,858 --> 00:19:55,593 Oh, my God. It's gonna be a long day. 438 00:19:55,594 --> 00:19:58,896 I thought that one was pretty good, wasn't it? 439 00:19:58,897 --> 00:20:01,198 - Don't make me answer that. - Sofia, would you 440 00:20:01,199 --> 00:20:03,868 show her how to move like you, how to be graceful? 441 00:20:03,869 --> 00:20:05,836 We don't want your audience thinking you're part Sasquatch. 442 00:20:05,837 --> 00:20:09,173 Oh, yeah. OK. Don't sugar-coat anything on my account. 443 00:20:09,174 --> 00:20:11,175 (MARY): Now, picture this. 444 00:20:11,176 --> 00:20:13,878 The sun is about to set. 445 00:20:13,879 --> 00:20:15,713 The crew is shooting the last scene of the day. 446 00:20:15,714 --> 00:20:18,048 In the pavilion, the killer strikes, 447 00:20:18,049 --> 00:20:21,385 - and his victim falls dead. - Very dramatically set. 448 00:20:21,386 --> 00:20:23,921 - Thank you. - Now the killer has to dispose 449 00:20:23,922 --> 00:20:25,756 - of the body. - He waits until nightfall, 450 00:20:25,757 --> 00:20:28,292 and then he drags the body across the sand 451 00:20:28,293 --> 00:20:30,227 and puts it into the water. 452 00:20:30,228 --> 00:20:32,229 Then corpse slowly floats away, 453 00:20:32,230 --> 00:20:35,132 gradually sinking into the watery depths. 454 00:20:35,133 --> 00:20:38,035 Wouldn't dragging the body leave tracks? 455 00:20:38,036 --> 00:20:40,004 He swept them away. 456 00:20:40,005 --> 00:20:42,606 Yeah. Yes, it all fits. 457 00:20:42,607 --> 00:20:44,642 Now how do we find it? 458 00:20:44,643 --> 00:20:46,644 Well, it would have sunk almost right away. 459 00:20:46,645 --> 00:20:49,313 But as a body decays, gas forms in the tissues. 460 00:20:49,314 --> 00:20:51,749 Air is lighter than water so sooner or later, 461 00:20:51,750 --> 00:20:53,951 it pops up. Like a cork. 462 00:20:53,952 --> 00:20:56,287 Oh. That is so interesting. So where would it pop up? 463 00:20:56,288 --> 00:20:58,455 Not here. The current would carry it away. 464 00:20:58,456 --> 00:21:00,891 Well, we need to know where it would've been taken. 465 00:21:00,892 --> 00:21:03,027 We'll need something that floats. 466 00:21:03,028 --> 00:21:05,829 Uh... like this? 467 00:21:05,830 --> 00:21:08,198 Oh. 468 00:21:08,199 --> 00:21:10,734 It's a little light. We'll need to weight it. Here. 469 00:21:10,735 --> 00:21:13,804 (GRUNTING) 470 00:21:13,805 --> 00:21:17,308 Tie this to the life preserver. 471 00:21:17,309 --> 00:21:19,276 It should still float 472 00:21:19,277 --> 00:21:21,111 but there will be some resistance. 473 00:21:21,112 --> 00:21:22,880 Oh, behaving somewhat like a corpse. 474 00:21:22,881 --> 00:21:24,948 Once it pops up, that is. 475 00:21:27,018 --> 00:21:29,954 Now we put it in the water... 476 00:21:29,955 --> 00:21:32,823 (BOTH GRUNTING) 477 00:21:32,824 --> 00:21:34,992 ...and we follow it. 478 00:21:34,993 --> 00:21:38,529 Just... two gals 479 00:21:38,530 --> 00:21:41,565 strolling by the water. 480 00:21:44,202 --> 00:21:46,136 Mack wants you to start planning the final scene. 481 00:21:46,137 --> 00:21:48,706 Something about going through the window? He wants to know 482 00:21:48,707 --> 00:21:51,208 - if you're up to it. - I've worked through 483 00:21:51,209 --> 00:21:53,711 broken ribs, sprained ankles and everything in between 484 00:21:53,712 --> 00:21:56,180 doubling for Sofia, so sure I am. 485 00:21:56,181 --> 00:21:58,449 Why do this to yourself? 486 00:21:58,450 --> 00:22:01,185 Because I can. 487 00:22:01,186 --> 00:22:03,787 I can ride a horse 488 00:22:03,788 --> 00:22:06,657 just as good any man. I can drive a car. 489 00:22:06,658 --> 00:22:09,460 Heights don't scare me one crumb. 490 00:22:09,461 --> 00:22:12,129 I love to fall. For a few 491 00:22:12,130 --> 00:22:15,099 magical seconds, it's like... 492 00:22:15,100 --> 00:22:17,201 not even gravity can hold me down. 493 00:22:17,202 --> 00:22:20,671 Miss Devoe must really appreciate your talent. 494 00:22:20,672 --> 00:22:24,041 Sofia needs me. 495 00:22:24,042 --> 00:22:26,510 But I need her more. 496 00:22:26,511 --> 00:22:29,646 She could find a younger, healthier replacement 497 00:22:29,647 --> 00:22:31,582 if she wanted to. 498 00:22:31,583 --> 00:22:35,185 One word from her... I'm gone. 499 00:22:37,756 --> 00:22:40,024 How do you do it all day? 500 00:22:40,025 --> 00:22:42,459 Being around dead people, Isn't it depressing? 501 00:22:42,460 --> 00:22:44,762 Not really. I mean, don't get me wrong, 502 00:22:44,763 --> 00:22:47,064 I like a warm body as much as the next gal, 503 00:22:47,065 --> 00:22:50,300 but the science of death is endlessly intriguing. 504 00:22:50,301 --> 00:22:53,203 A chance to shed some light on the darkness, I suppose. 505 00:22:53,204 --> 00:22:55,406 That's kind of poetic. 506 00:22:55,407 --> 00:22:58,042 Truth is, a mystery drives me crazy. 507 00:22:58,043 --> 00:23:01,011 A 30-year-old drops dead for no apparent reason, I wanna 508 00:23:01,012 --> 00:23:03,547 cut them open, dig around in there and find out why. 509 00:23:03,548 --> 00:23:05,582 Your enthusiasm is admirable. 510 00:23:05,583 --> 00:23:08,218 I think we both like getting to the bottom of things. 511 00:23:08,219 --> 00:23:10,354 That's why you want to be a cop, isn't it? 512 00:23:10,355 --> 00:23:13,290 It's more that I like the order. 513 00:23:13,291 --> 00:23:15,492 I've got my dad to thank for that. 514 00:23:15,493 --> 00:23:17,795 And that's why you want to find this missing guy. 515 00:23:17,796 --> 00:23:20,264 Right. 516 00:23:20,265 --> 00:23:22,266 Do you think I would make a good cop? 517 00:23:22,267 --> 00:23:24,401 You do good work. 518 00:23:24,402 --> 00:23:26,570 But can I give you one piece of advice? 519 00:23:26,571 --> 00:23:29,873 - Yes, please. - Don't talk so much. 520 00:23:29,874 --> 00:23:32,276 Oh. 521 00:23:32,277 --> 00:23:34,111 That is a really good tip, Flo. 522 00:23:34,112 --> 00:23:37,247 I've made a note of it. Less talking. 523 00:23:37,248 --> 00:23:39,216 And you know, you're not the first person to have 524 00:23:39,217 --> 00:23:42,719 mentioned that because my father, he used to always say... 525 00:23:44,456 --> 00:23:46,323 You're wooden. 526 00:23:46,324 --> 00:23:48,158 Your hands look like hooks and you're 527 00:23:48,159 --> 00:23:49,993 not naturally feminine. 528 00:23:49,994 --> 00:23:52,763 - Thanks. - No point in beating around 529 00:23:52,764 --> 00:23:54,865 the bush, honey. Sit. 530 00:23:57,802 --> 00:23:59,670 Try again. 531 00:23:59,671 --> 00:24:02,072 This time, keep your knees together, hm? 532 00:24:02,073 --> 00:24:05,075 Don't drop down like a sack of onions. 533 00:24:12,984 --> 00:24:15,586 Can't you make your shoulders less... 534 00:24:15,587 --> 00:24:17,421 square? 535 00:24:17,422 --> 00:24:20,190 Have you and Manfrellotti always been oil and water? 536 00:24:20,191 --> 00:24:23,093 You could say that. 537 00:24:24,829 --> 00:24:27,131 Victor can't stand the slightest bit of criticism. 538 00:24:27,132 --> 00:24:29,099 He flies off the handle. 539 00:24:29,100 --> 00:24:31,034 If anyone sabotaged that light, 540 00:24:31,035 --> 00:24:33,937 - he did. - Well, that is a very big leap 541 00:24:33,938 --> 00:24:36,039 from vanity to attempted murder. 542 00:24:40,345 --> 00:24:43,147 You know, he hit a director with a golf club once. 543 00:24:43,148 --> 00:24:45,048 Cracked his skull. 544 00:24:45,049 --> 00:24:48,318 - He was hounded out of Italy. - Did you ever see him with 545 00:24:48,319 --> 00:24:50,754 the missing props guy, Dan Channing? 546 00:24:50,755 --> 00:24:54,324 You know, now that you mention it, I did see a man 547 00:24:54,325 --> 00:24:56,994 that must have been this Dan Channing. 548 00:24:56,995 --> 00:24:58,996 They were arguing. 549 00:24:58,997 --> 00:25:00,998 Victor was waving his arms around 550 00:25:00,999 --> 00:25:03,000 in that irritating Italian way of his. 551 00:25:03,001 --> 00:25:06,203 - When was this? - A couple of days ago. 552 00:25:06,204 --> 00:25:08,539 Now... 553 00:25:08,540 --> 00:25:10,741 I'm going to let you in on something. 554 00:25:10,742 --> 00:25:13,443 A little secret between us girls. 555 00:25:15,346 --> 00:25:17,915 This is how Sofia Devoe always 556 00:25:17,916 --> 00:25:20,050 gets out of a chair. 557 00:25:20,051 --> 00:25:22,386 Now, you can't use this trick 558 00:25:22,387 --> 00:25:24,388 unless you're being me. Do you understand? 559 00:25:24,389 --> 00:25:26,356 OK. 560 00:25:26,357 --> 00:25:28,525 Good. 561 00:25:28,526 --> 00:25:31,695 It starts with the knees. 562 00:25:31,696 --> 00:25:34,698 I squeeze them together, 563 00:25:34,699 --> 00:25:37,868 give my skirt a little tug, 564 00:25:37,869 --> 00:25:40,804 and then my body follows. 565 00:25:40,805 --> 00:25:43,540 Knees are sexy. 566 00:25:43,541 --> 00:25:45,075 That's what keeps the fellas watching. 567 00:25:45,076 --> 00:25:47,311 Do you have any idea 568 00:25:47,312 --> 00:25:49,346 what Channing and Manfrellotti were talking about? 569 00:25:49,347 --> 00:25:51,415 No. The props fella 570 00:25:51,416 --> 00:25:53,517 clammed up when he saw that I was watching. 571 00:26:01,292 --> 00:26:03,260 Not bad. 572 00:26:03,261 --> 00:26:05,295 And remember... 573 00:26:05,296 --> 00:26:07,264 it's all about the knees. 574 00:26:09,033 --> 00:26:12,236 - Half a sandwich? - Oh, no thank you. 575 00:26:12,237 --> 00:26:15,272 - I'm watching my figure. - Trust me, a little meat 576 00:26:15,273 --> 00:26:17,708 - on your bones wouldn't hurt. - You think? 577 00:26:20,245 --> 00:26:22,246 - Maybe that's the problem. - What problem? 578 00:26:22,247 --> 00:26:24,481 Do you think I'm too skinny? 579 00:26:24,482 --> 00:26:27,784 No. 580 00:26:27,785 --> 00:26:29,753 It's just that... 581 00:26:29,754 --> 00:26:31,755 I'd like to have a more 582 00:26:31,756 --> 00:26:33,757 active social life, if you know what I mean. 583 00:26:33,758 --> 00:26:36,393 And you think that because you're too thin... 584 00:26:36,394 --> 00:26:38,328 - Precisely. - How active 585 00:26:38,329 --> 00:26:41,632 - is your social life? - Not very. Nil. None. 586 00:26:41,633 --> 00:26:44,368 Well, if there's one thing I know about, it's figures, 587 00:26:44,369 --> 00:26:47,070 and it's not about that. You know what your problem is? 588 00:26:47,071 --> 00:26:49,039 - What? - No one good enough 589 00:26:49,040 --> 00:26:51,942 - has come along. - Hmm. 590 00:26:51,943 --> 00:26:54,611 Oh, Flo. We have a problem. 591 00:26:54,612 --> 00:26:57,214 Looks like our little experiment didn't work. 592 00:27:00,151 --> 00:27:02,519 Or maybe it did! 593 00:27:02,520 --> 00:27:05,022 Bingo! 594 00:27:05,023 --> 00:27:06,990 Oh, my. 595 00:27:06,991 --> 00:27:09,092 My very own bloated body. 596 00:27:12,263 --> 00:27:14,364 ♪ 597 00:27:19,103 --> 00:27:22,306 You two make quite the pair. 598 00:27:22,307 --> 00:27:24,174 Good detective instincts. 599 00:27:24,175 --> 00:27:26,677 The pathologist is gonna be ready for this body 600 00:27:26,678 --> 00:27:29,646 - in a couple of minutes, so... - I need to find out who this is. 601 00:27:29,647 --> 00:27:32,049 - I could take finger prints. - Why don't we try 602 00:27:32,050 --> 00:27:34,951 the easy way first? 603 00:27:34,952 --> 00:27:36,887 - Ow... - Are you all right? 604 00:27:36,888 --> 00:27:39,556 Yeah. My shoulder's just a little stiff. 605 00:27:39,557 --> 00:27:41,024 I can give you something for that. 606 00:27:41,025 --> 00:27:42,693 - It's OK. I'll tough it out. - By the way, don't be alarmed 607 00:27:42,694 --> 00:27:45,228 if he makes a noise. It's just gas escaping. 608 00:27:45,229 --> 00:27:47,964 Oh... 609 00:27:47,965 --> 00:27:50,500 - What's that? - It's a pay envelope 610 00:27:50,501 --> 00:27:53,236 from Sennett Films. 611 00:27:55,006 --> 00:27:57,974 Dan Channing can't be our shooter. 612 00:27:59,165 --> 00:28:00,888 He's our victim. 613 00:28:06,799 --> 00:28:09,605 Those stools really wear you down after a while. 614 00:28:09,606 --> 00:28:11,874 - You want another pain killer? - No. 615 00:28:11,875 --> 00:28:14,677 Ladies... 616 00:28:14,678 --> 00:28:17,313 I've seen the coroner's report. 617 00:28:17,314 --> 00:28:20,316 Dan Channing was shot 618 00:28:20,317 --> 00:28:22,818 with a .32 calibre pistol. 619 00:28:22,819 --> 00:28:25,554 That's the same as the missing props gun. 620 00:28:25,555 --> 00:28:28,023 Flo, given her keen interest in waterlogged bodies, 621 00:28:28,024 --> 00:28:30,993 specifically wanted me to point out that Mr. Channing had been 622 00:28:30,994 --> 00:28:32,828 in the water a good 48 hours. 623 00:28:32,829 --> 00:28:35,130 Well, that time frame is consistent with the shooting 624 00:28:35,131 --> 00:28:37,199 - at the pavilion. - But that would mean Channing 625 00:28:37,200 --> 00:28:39,668 couldn't have rigged the light to fall. So who did? 626 00:28:39,669 --> 00:28:42,104 OK. Let's go back to the day of the murder. 627 00:28:42,105 --> 00:28:44,473 It couldn't have been anyone involved in filming that scene. 628 00:28:44,474 --> 00:28:46,575 So that rules out Sofia, 629 00:28:46,576 --> 00:28:48,777 the bathing beauties, the man in the suit, 630 00:28:48,778 --> 00:28:51,347 Manfrellotti, the cinematographer, and... 631 00:28:51,348 --> 00:28:53,349 Mack, who was directing the scene. 632 00:28:53,350 --> 00:28:55,885 Who did Channing know on the crew? Anyone? 633 00:28:55,886 --> 00:28:57,887 He worked with Benny, but Benny didn't 634 00:28:57,888 --> 00:29:00,222 - have much time for him. - Sofia saw Channing 635 00:29:00,223 --> 00:29:02,224 arguing with Manfrellotti. 636 00:29:02,225 --> 00:29:04,827 Manfrellotti obviously dislikes Sofia, 637 00:29:04,828 --> 00:29:06,829 but he was busy filming a scene, 638 00:29:06,830 --> 00:29:08,864 so he couldn't be the murderer. 639 00:29:08,865 --> 00:29:10,866 He could have hired someone to pull the trigger. 640 00:29:10,867 --> 00:29:12,768 Which means Sofia's still in danger. 641 00:29:12,769 --> 00:29:16,138 We'll find the answer back at the studio. 642 00:29:18,041 --> 00:29:20,042 - (TRUDY): You'll be fine. - (MAN): Clear the set. 643 00:29:20,043 --> 00:29:22,011 - (MAN): All right. Standing by. - If you hear a loud crack, 644 00:29:22,012 --> 00:29:24,079 it might not be my big Hollywood break. 645 00:29:24,080 --> 00:29:27,249 You'll be great, Frankie. 646 00:29:27,250 --> 00:29:29,285 - (BELL RINGING REPEATEDLY) - OK. Watch the top of the frame 647 00:29:29,286 --> 00:29:31,287 - as she steps up. - I should be up there. 648 00:29:31,288 --> 00:29:34,223 You can't. You're hurt. 649 00:29:34,224 --> 00:29:36,458 The doc could give me something. 650 00:29:36,459 --> 00:29:39,328 Fix me up so I could do it. Even with the arm. 651 00:29:39,329 --> 00:29:41,730 (TRUDY): The pills... that's how you keep working? 652 00:29:41,731 --> 00:29:44,366 I can't lose this job. 653 00:29:44,367 --> 00:29:46,402 OK. Here we go. 654 00:29:46,403 --> 00:29:49,104 Miss Drake, the enemy spy has left you behind to die. 655 00:29:49,105 --> 00:29:51,507 - And roll camera. - Rolling! 656 00:29:51,508 --> 00:29:54,143 Action! You struggle to free your hands. 657 00:29:54,144 --> 00:29:56,145 Come on. Come on. 658 00:29:56,146 --> 00:29:59,081 Oh... but you can't, no matter how hard you try. 659 00:29:59,082 --> 00:30:01,283 You keep struggling. 660 00:30:01,284 --> 00:30:03,953 Come on! Act like your life depends on it! 661 00:30:03,954 --> 00:30:07,523 - I said, "you keep struggling." - (WHISPERED): Manfrellotti. 662 00:30:07,524 --> 00:30:11,093 - I need you focused! - Oh... this better work. 663 00:30:13,997 --> 00:30:15,831 - CUT! - Hey! Nobody yells 664 00:30:15,832 --> 00:30:18,167 - cut but Mack Sennett! - CUT MY HANDS FREE! 665 00:30:18,168 --> 00:30:20,703 - What is happening?! - Come on! 666 00:30:20,704 --> 00:30:23,205 MANFRELLOTTI! 667 00:30:23,206 --> 00:30:25,774 Stop! Stop! 668 00:30:25,775 --> 00:30:28,210 - Miss Drake! - Stop! 669 00:30:28,211 --> 00:30:31,680 How dare you chase me like a dog! 670 00:30:31,681 --> 00:30:34,717 You are in a lot of trouble, Victor. Did you kill Dan Channing? 671 00:30:34,718 --> 00:30:37,386 - Who is Dan Channing? - The missing crew member. 672 00:30:37,387 --> 00:30:39,388 Why would I kill a crew member? 673 00:30:39,389 --> 00:30:41,690 I'm passionate, I get angry, 674 00:30:41,691 --> 00:30:44,026 but I am not a violent man. 675 00:30:44,027 --> 00:30:46,662 So smashing someone's skull in isn't violent? 676 00:30:46,663 --> 00:30:48,697 What are you talking about? Who's spreading such lies? 677 00:30:48,698 --> 00:30:51,133 It was Sofia, wasn't it? 678 00:30:51,134 --> 00:30:53,335 I never hit him. 679 00:30:53,336 --> 00:30:56,238 I slept with his wife. Many times. 680 00:30:56,239 --> 00:30:58,874 So that's why you can't go back to Italy? 681 00:30:58,875 --> 00:30:59,701 Yes! 682 00:30:59,702 --> 00:31:01,844 You were seen having a discussion with Dan Channing, 683 00:31:01,845 --> 00:31:04,346 - the props runner. - He is the props runner? 684 00:31:04,347 --> 00:31:08,484 Why didn't you say? He approached me 685 00:31:08,485 --> 00:31:11,353 and I reported him. You are not allowed 686 00:31:11,354 --> 00:31:13,856 to walk up to the cameraman 687 00:31:13,857 --> 00:31:16,825 that worked with Caserini and Falena. 688 00:31:16,826 --> 00:31:19,028 What did you discuss? 689 00:31:19,029 --> 00:31:21,597 He wanted to know when we were filming at Sunnyside Pavilion. 690 00:31:21,598 --> 00:31:24,700 - And you told him. - Yes. Then I invited him 691 00:31:24,701 --> 00:31:26,702 to come that afternoon. He wanted to learn 692 00:31:26,703 --> 00:31:28,704 about the true art of film making. 693 00:31:28,705 --> 00:31:31,040 - What do you mean? - I directed the scene 694 00:31:31,041 --> 00:31:33,375 - at the pavilion. - You directed that scene? 695 00:31:33,376 --> 00:31:36,445 Yes. Mack, he asks me to step in from time to time. 696 00:31:36,446 --> 00:31:39,882 He says I capture the emotional heartbeat 697 00:31:39,883 --> 00:31:42,384 of the scene. 698 00:31:46,122 --> 00:31:49,391 Frankie, you look terrible. 699 00:31:49,392 --> 00:31:52,327 I am so tired and sore from being hung. 700 00:31:52,328 --> 00:31:55,531 And being hit with stools. And generally just breathing. 701 00:31:55,532 --> 00:31:58,167 Well, I might be able to perk you up. 702 00:31:58,168 --> 00:32:00,702 Your dead man has quite the story to tell. 703 00:32:00,703 --> 00:32:02,838 - We're all ears. - Well, 704 00:32:02,839 --> 00:32:06,475 first of all, his real name is Lucien Tremblay. 705 00:32:06,476 --> 00:32:08,744 - He was using an alias. - With good reason. 706 00:32:08,745 --> 00:32:11,380 He's a convict. The Quebec Provincial Police 707 00:32:11,381 --> 00:32:13,108 identified him as soon as they saw his face. 708 00:32:13,109 --> 00:32:14,107 What was he in for? 709 00:32:14,108 --> 00:32:16,852 Armed robbery. He stole the payroll 710 00:32:16,853 --> 00:32:20,089 of a mining company, over $20 000, 711 00:32:20,090 --> 00:32:22,691 - which was never recovered. - That's a hell of a job 712 00:32:22,692 --> 00:32:24,860 - to pull off. - The Quebec detectives 713 00:32:24,861 --> 00:32:26,862 were convinced he worked with a partner who then ran off 714 00:32:26,863 --> 00:32:29,731 with the cash, but Tremblay never spilled the beans. 715 00:32:29,732 --> 00:32:32,367 And it's interesting, don't you think? 716 00:32:32,368 --> 00:32:34,837 Tremblay was in jail for 15 years, 717 00:32:34,838 --> 00:32:37,306 and then three weeks ago, he's finally released. 718 00:32:37,307 --> 00:32:39,374 And he immediately comes to Toronto 719 00:32:39,375 --> 00:32:41,710 to work on a film set? Why would he do that? 720 00:32:41,711 --> 00:32:45,047 - Maybe to look for his idol, Sofia? - Maybe Lucien came here 721 00:32:45,048 --> 00:32:47,082 to hunt down his old partner to get his share of the money. 722 00:32:47,083 --> 00:32:50,319 - Maybe someone working on the film. - Mack is from Quebec. 723 00:32:50,320 --> 00:32:53,422 He left Montreal 15 years ago, the same time 724 00:32:53,423 --> 00:32:56,091 - as the robbery. - So he could be your man. 725 00:32:56,092 --> 00:32:58,160 Yeah, but he went to Hollywood to make his career. 726 00:32:58,161 --> 00:33:00,696 It takes an awful lot of money to start up a film company. 727 00:33:00,697 --> 00:33:02,631 20 000 would go a long way. 728 00:33:02,632 --> 00:33:04,633 OK, wait. But Mack can't be the killer. 729 00:33:04,634 --> 00:33:06,635 He was directing the scene when Tremblay got shot. 730 00:33:06,636 --> 00:33:09,004 No, he wasn't. 731 00:33:09,005 --> 00:33:11,006 Manfrellotti directed that scene. 732 00:33:11,007 --> 00:33:13,609 So where was Mack? 733 00:33:15,845 --> 00:33:19,448 What's so important, hmm? 734 00:33:19,449 --> 00:33:22,718 - Crack the case? - Not entirely, but we have 735 00:33:22,719 --> 00:33:25,020 - an interesting scenario. - Well, I like 736 00:33:25,021 --> 00:33:27,055 the dramatic introduction. Has real promise. 737 00:33:27,056 --> 00:33:29,658 Give me the rest of the story. 738 00:33:29,659 --> 00:33:31,693 15 years ago, 739 00:33:31,694 --> 00:33:35,230 Lucien Tremblay steals $20 000 in a Quebec robbery. 740 00:33:35,231 --> 00:33:37,699 Now he gets caught, but his partner 741 00:33:37,700 --> 00:33:40,702 gets away with the money. Cut to 15 years later. 742 00:33:40,703 --> 00:33:43,705 He finds out that that same partner is now a big Hollywood director 743 00:33:43,706 --> 00:33:45,674 shooting a film right here in Toronto. 744 00:33:45,675 --> 00:33:48,810 - That's you. - Interesting premise 745 00:33:48,811 --> 00:33:51,246 - but not a laugh a minute. - No, it gets funnier. 746 00:33:51,247 --> 00:33:54,650 Tremblay shows up on set demanding his money. 747 00:33:54,651 --> 00:33:56,652 You set up a meet at the pavilion. 748 00:33:56,653 --> 00:33:58,687 But instead of getting his money, he gets a bullet. 749 00:33:58,688 --> 00:34:01,823 - (SCOFFS) - Pretty pedestrian plotting. 750 00:34:01,824 --> 00:34:04,826 - Oh. Well, there's a twist. - Great. 751 00:34:04,827 --> 00:34:07,729 You timed the murder to happen on camera. 752 00:34:07,730 --> 00:34:10,566 That way, everyone would assume that you would be busy directing. 753 00:34:10,567 --> 00:34:13,235 - It's the perfect alibi. - Ooh! 754 00:34:13,236 --> 00:34:15,837 Well, I would say I did it, 755 00:34:15,838 --> 00:34:19,074 - but for one thing. - What's that? 756 00:34:19,075 --> 00:34:21,343 I have a rather fetching alibi in a bathing suit. 757 00:34:21,344 --> 00:34:23,946 You were with one of your bathing beauties. 758 00:34:23,947 --> 00:34:25,914 That's why Manfrellotti was directing 759 00:34:25,915 --> 00:34:27,883 - that scene. - Yes. 760 00:34:27,884 --> 00:34:31,520 Flatter the man and he'll do anything. 761 00:34:31,521 --> 00:34:34,356 - So who's the killer? - I don't know. 762 00:34:34,357 --> 00:34:36,391 But that scenario would make a brilliant film. 763 00:34:36,392 --> 00:34:38,594 - What you do you mean? - Think about it. 764 00:34:38,595 --> 00:34:41,863 Commit the murder on film, and then use the footage 765 00:34:41,864 --> 00:34:43,865 to prove that you're not the killer. 766 00:34:43,866 --> 00:34:46,635 It'd be a case worthy of Holmes. 767 00:34:46,636 --> 00:34:50,173 You know what? You might be onto something, Sherlock. 768 00:34:52,610 --> 00:34:55,678 (PROJECTOR WHIRRING) 769 00:34:56,038 --> 00:34:58,706 So, what are we looking for? 770 00:34:58,707 --> 00:35:02,443 Anything that could help us identify the killer. 771 00:35:08,766 --> 00:35:12,569 Wait! Stop. Roll that back. 772 00:35:12,570 --> 00:35:16,506 - Did you see something? - It's what you don't see. 773 00:35:19,911 --> 00:35:22,612 There! OK, stop the projector. 774 00:35:22,613 --> 00:35:26,450 - You don't see them. - Don't see what? 775 00:35:26,451 --> 00:35:30,087 Sofia's knees. She's breaking her own rule. 776 00:35:30,088 --> 00:35:32,189 - What are you talking about? - Sofia always shows 777 00:35:32,190 --> 00:35:34,991 her knees when she stands up. That's her big secret. 778 00:35:34,992 --> 00:35:36,960 That was clearly Sofia. I just saw her. 779 00:35:36,961 --> 00:35:39,863 In the close up. When it switched over to the wide shot, 780 00:35:39,864 --> 00:35:42,132 it was whoever was doubling her. 781 00:35:42,133 --> 00:35:44,701 What are you saying? 782 00:35:44,702 --> 00:35:48,038 Sofia wasn't in this shot when the murder occurred. 783 00:35:48,039 --> 00:35:50,841 It was her stunt double, Ruth Adkins. 784 00:35:50,842 --> 00:35:53,143 But why didn't Ruth say something? 785 00:35:53,144 --> 00:35:56,046 Ruth would do anything Sofia asks. 786 00:35:56,047 --> 00:35:58,048 She was terrified Sofia would fire her. 787 00:35:58,049 --> 00:36:00,650 I think it's time we find out a little bit more 788 00:36:00,651 --> 00:36:03,186 about Sofia Devoe. 789 00:36:03,187 --> 00:36:05,489 She told me to do the scene. I didn't ask questions. 790 00:36:05,490 --> 00:36:08,158 That's how I keep my job. 791 00:36:08,159 --> 00:36:10,694 Do you often step in when you don't have any stunts to do? 792 00:36:10,695 --> 00:36:14,831 Sometimes, I block scenes for her when she's indisposed. 793 00:36:14,832 --> 00:36:17,167 Also the wardrobe tests, 794 00:36:17,168 --> 00:36:19,169 the lighting set ups... 795 00:36:19,170 --> 00:36:21,972 Big wide shots where the audience can't see her face. 796 00:36:21,973 --> 00:36:24,174 Basically anything Sofia finds too boring. 797 00:36:24,175 --> 00:36:26,510 Was that you in the wide shot at the pavilion? 798 00:36:26,511 --> 00:36:29,846 - (CLEARING THROAT) - Two minutes! Two minutes! 799 00:36:29,847 --> 00:36:31,848 Excuse me, I have a scene to prepare. 800 00:36:31,849 --> 00:36:34,102 We have reason to believe that it was Sofia who tried 801 00:36:34,103 --> 00:36:35,475 to kill you with that light. 802 00:36:35,476 --> 00:36:37,888 No. She's mean but she's not that mean. 803 00:36:37,889 --> 00:36:39,890 - She may try again. - I don't think so. 804 00:36:39,891 --> 00:36:41,892 Look... You're the only one who knows the truth 805 00:36:41,893 --> 00:36:44,761 and the only one who can confirm that she was not on that set. 806 00:36:44,762 --> 00:36:47,364 Ruth, we have a plan but we need your help. 807 00:36:47,365 --> 00:36:50,133 Alright, everyone! We're almost ready! 808 00:36:50,134 --> 00:36:52,169 - Stand by! - They're waiting for me. 809 00:36:52,170 --> 00:36:54,571 Well, then Sofia Devoe might get away with murder. 810 00:36:54,572 --> 00:36:56,706 Excuse me. 811 00:37:08,553 --> 00:37:10,921 - What are you doing here? - Miss Devoe, 812 00:37:10,922 --> 00:37:13,857 does the name Lucien Tremblay ring any bells? 813 00:37:13,858 --> 00:37:16,193 No. 814 00:37:16,194 --> 00:37:18,662 - Why would it? - Turns out 815 00:37:18,663 --> 00:37:20,764 "Dan Channing" was an alias for Lucien Tremblay, 816 00:37:20,765 --> 00:37:24,768 - a convicted bank robber. - So he's the killer. 817 00:37:24,769 --> 00:37:27,838 He's the victim. But I think we're close 818 00:37:27,839 --> 00:37:31,608 to finding out who murdered him. (SIGHTS) 819 00:37:31,609 --> 00:37:33,844 What a relief! 820 00:37:33,845 --> 00:37:35,846 Ever since that lighting incident, 821 00:37:35,847 --> 00:37:39,883 - my performance has suffered. - The lighting incident... 822 00:37:39,884 --> 00:37:42,419 See, I still don't know how to figure out that one out. 823 00:37:42,420 --> 00:37:45,121 Why would the killer have it in for you as well? 824 00:37:45,122 --> 00:37:48,425 I don't know. 825 00:37:48,426 --> 00:37:51,127 Unless off course Ruth was the target after all. 826 00:37:51,128 --> 00:37:52,218 Why Ruth? 827 00:37:52,219 --> 00:37:54,231 Maybe because she would be able to identify 828 00:37:54,232 --> 00:37:57,133 - the killer. - Ruth doesn't know anything. 829 00:37:57,134 --> 00:37:59,169 Either way... 830 00:37:59,170 --> 00:38:01,304 I don't want you to worry, Miss Devoe. 831 00:38:01,305 --> 00:38:03,573 - I have it under control. - Thank you. 832 00:38:11,649 --> 00:38:13,917 Let her stew for a minute. 833 00:38:18,656 --> 00:38:22,125 (KNOCKING) (DOOR OPENS) 834 00:38:22,126 --> 00:38:24,594 - What do you want? - Sorry to interrupt. 835 00:38:24,595 --> 00:38:26,930 Ruth Adkins asked me to give this to you. 836 00:38:32,803 --> 00:38:34,385 Where is she? 837 00:38:34,386 --> 00:38:36,439 She's on set. She's working on the next stunt. 838 00:38:36,440 --> 00:38:39,743 Thank you. 839 00:38:45,283 --> 00:38:49,252 (DRAMATIC MUSIC) 840 00:38:54,158 --> 00:38:58,128 I got your note, Ruth. 841 00:38:58,129 --> 00:39:01,565 Do you really think that the police will care 842 00:39:01,566 --> 00:39:04,868 what a broken down stunt woman has to say 843 00:39:04,869 --> 00:39:07,937 about a Hollywood star? 844 00:39:10,141 --> 00:39:13,810 Everybody thinks that I was in that scene. 845 00:39:13,811 --> 00:39:16,479 And that's the way it's going to stay. 846 00:39:16,480 --> 00:39:19,015 (GUNSHOT) 847 00:39:19,016 --> 00:39:21,284 (GLASS BREAKING) 848 00:39:25,523 --> 00:39:28,592 - Hold it right there. - And... CUT! 849 00:39:28,593 --> 00:39:31,695 (CLAPPING) Magnificent! 850 00:39:31,696 --> 00:39:35,565 - What an ending! - You never looked better. 851 00:39:35,566 --> 00:39:38,401 Everybody stay back. 852 00:39:38,402 --> 00:39:41,671 All of you! I'm getting out of here. 853 00:39:41,672 --> 00:39:44,174 There's no bullets in there, Sofia. 854 00:39:44,175 --> 00:39:47,277 Just blanks. Frankie switched them 855 00:39:47,278 --> 00:39:50,280 when she was in your dressing room. 856 00:40:00,791 --> 00:40:04,027 - Shoot, shoot! - (GRUNTING) 857 00:40:08,633 --> 00:40:11,201 - Excellent! - (GRUNTING) 858 00:40:11,202 --> 00:40:14,738 I think I'm getting the hang of this. 859 00:40:14,739 --> 00:40:17,774 So... Where's the money, Miss Leduc? 860 00:40:17,775 --> 00:40:20,210 That was your name when you partnered 861 00:40:20,211 --> 00:40:23,213 with Lucien Tremblay, right? I'm guessing it's all gone. 862 00:40:23,214 --> 00:40:26,049 It's expensive business buying a new look 863 00:40:26,050 --> 00:40:29,219 and a whole new life. You never expected 864 00:40:29,220 --> 00:40:31,287 your past to catch up with you, did you? 865 00:40:31,288 --> 00:40:34,224 Mack, darling, you don't believe any of this, 866 00:40:34,225 --> 00:40:37,661 - do you? - Sofia... 867 00:40:37,662 --> 00:40:39,896 A leading lady always knows 868 00:40:39,897 --> 00:40:41,998 when the final curtain has fallen. 869 00:40:52,053 --> 00:40:54,254 - Here we go. - Thank you. 870 00:40:54,255 --> 00:40:58,291 A private screening. Now, this is a thrill. 871 00:40:58,292 --> 00:41:00,226 Poor Lucien Tremblay. 872 00:41:00,227 --> 00:41:02,729 - You feel sorry for him, Trudy? - He was a bank robber. 873 00:41:02,730 --> 00:41:05,665 But you didn't meet Sofia. Fifteen years ago, 874 00:41:05,666 --> 00:41:07,967 a woman like that would have charmed the pants right off him. 875 00:41:07,968 --> 00:41:10,336 - It was her knees. - No man 876 00:41:10,337 --> 00:41:13,339 - could resist those knees. - (GIGGLING) 877 00:41:13,340 --> 00:41:16,009 Well... Here it is. The big finish 878 00:41:16,010 --> 00:41:19,546 to my new smash hit. This movie is going to make me a mint. 879 00:41:22,349 --> 00:41:25,085 - Ready? - Yes! 880 00:41:25,086 --> 00:41:29,189 Here we go. 881 00:41:29,190 --> 00:41:33,126 (ALL EXCLAIMING) 882 00:41:33,127 --> 00:41:36,296 (LAUGHING) 883 00:41:36,297 --> 00:41:39,199 Oh, regarde! 884 00:41:41,869 --> 00:41:44,370 Oh, my gosh! 885 00:41:49,043 --> 00:41:53,012 - (ALL GASPING) - Oh! Bang! Bang! No! 886 00:41:53,013 --> 00:41:56,416 - Oh, my God! - Ouh! 887 00:41:59,353 --> 00:42:01,488 (ALL GASPING) 888 00:42:01,489 --> 00:42:03,556 (SQUEALING) 889 00:42:03,557 --> 00:42:05,959 (LAUGHING) 890 00:42:09,530 --> 00:42:12,232 Oh-oh! 891 00:42:17,638 --> 00:42:20,840 - Oh! - Come on, Trudy! 892 00:42:20,841 --> 00:42:24,844 - Yeah. - Oh! 893 00:42:26,814 --> 00:42:29,582 - (LAUGHING) - Yes! 894 00:42:29,583 --> 00:42:32,519 That's right! Yes! 895 00:42:32,520 --> 00:42:36,489 (LAUGHING) 896 00:42:36,490 --> 00:42:39,492 Yes! Nice work! (APPLAUSE) 897 00:42:42,763 --> 00:42:45,398 Trudy, that was fabulous. 898 00:42:45,399 --> 00:42:48,768 - You positively glowed. - Your face lights up the screen. 899 00:42:48,769 --> 00:42:51,204 - What about me? - Terrible. 900 00:42:51,205 --> 00:42:53,273 - Oh! - But off-screen, 901 00:42:53,274 --> 00:42:56,309 - you're not a half bad detective. - High praise, Sherlock. 902 00:42:56,310 --> 00:42:58,378 - (LAUGHING) - Oh... 903 00:42:58,379 --> 00:43:01,681 Trudy, are you sure I can't persuade you to come to Hollywood? 904 00:43:01,682 --> 00:43:03,850 You're a trailblazer. 905 00:43:03,851 --> 00:43:06,085 Maybe one day, Mr. Sennett. 906 00:43:06,086 --> 00:43:08,421 When I'm finished blazing here. 907 00:43:12,826 --> 00:43:14,678 (LAUGHING) 908 00:43:14,882 --> 00:43:21,982 Subtitle sync and corrections by awaqeded for www.addic7ed.com.