- Previously on "Love & Hip Hop: Miami"...
both: We're the Hollywood twins.
- They gonna move to Miami.
They trying to pursue a career in rapping.
They're gonna have to move with Uncle Trick.
- We plan on taking over Miami.
- Are y'all gonna do the music thing and take
that serious, for real? - Yes.
- Y'all ready to see what's going on?
- Let's go, man.
- The twins.
- Bro, what you talking 'bout? You first.
- He want to hear your verse. - Stop playing with me.
- Oh, God.
- Claudia, that's your girl.
- Yeah. - She's a hungry bitch.
So you don't think she's using you?
- I need you to mind your business.
- I go to Bobby's performance.
Zoey walks over.
- Don't know if I'm coming up to the mean girls--
- What? - I was talking to Trina.
- I don't know if I can work with her.
- Right now, you're not gonna be on the project.
- Y'all want to pick Trina's side?
When I get as big as her or bigger than her,
keep that same energy.
Y'all gonna wish y'all picked the right side.
Everybody taking her side, coming
for me because of her cousin.
[bleep] her cousin.
- I already been hearing rumors talking about he got six kids.
He got an ex-wife.
- She better not marry you.
- [bleep]. Me tell her this already.
Don't play with me.
- I want him to go away.
- So if I was to marry him?
- That would be the worst mistake.
Don't do it.
Security had to come and pull him off of me.
- That man is no longer disrespecting my mother again.
- I don't know if y'all been watching the blogs,
but y'all see this whole GoFundMe situation.
You're supposed to be my friend, Amara.
You ain't call me one time.
So I hope you a better friend to her than you are to me.
[all shouting]
- What the [bleep] you wanna do though?
- Get off that bitch.
- I don't know what the [bleep] is wrong with this bitch!
- ♪♪ Bienvenido a Miami, baby ♪♪
♪♪ Mi gente ♪♪
[singers vocalizing]
♪♪ ♪♪
- ♪♪ 305 ♪♪
- ♪♪ It's time to get it ♪♪
- Let's take it from the top.
♪♪ Bounce that ass, sekwe boudaw ♪♪
♪♪ Bounce that ass, sekwe boudaw, shake it ♪♪
♪♪ Bounce that ass, sekwe boudaw ♪♪
♪♪ Shake it ♪♪
♪♪ Sekwe boudaw, shake it ♪♪
♪♪ Sekwe boudaw ♪♪
♪♪ Bounce that ass, sekwe boudaw, yeah ♪♪
♪♪ Bounce that ass, sekwe boudaw, ah ♪♪
♪♪ Bounce that ass, sekwe boudaw ♪♪
♪♪ Shake it, sekwe boudaw, sekwe boudaw ♪♪
♪♪ Now, watch me shake it like a salt shaker ♪♪
- Today I'm rehearsing for Sumfest.
It's the biggest festival in the Haitian community.
This year is going to be my biggest performance ever,
and I'm bringing out Trina.
♪♪ Bounce that ass, sekwe boudaw ♪♪
- You're doing a good job.
Bounce it.
Come on. Bounce it.
Yes.
Sekwe boudaw.
Where's your mic?
That's your mic?
- That's my mic, right here.
- You beating eggs.
- Claudia and I have been seeing each other
for a while now.
She's been very supportive of me and my career.
But right now, we're taking it slow.
- So what's up?
Talk to me.
- We just had to change the whole choreography
for "Bounce Dat," so I'm still trying to get a hang of it.
And then the last festival in Orlando, I had
to deal with a lot of drama.
I got booed on stage.
- Last year, Marlon and I were performing together,
but we kept getting bumped.
And then finally, they told us that we
wouldn't be able to perform.
So I went on stage to appeal to the audience to let us play,
and they booed me.
[crowd booing]
It was traumatic.
Although I performed all year long,
this is my first time back at a major
Caribbean festival in Miami.
I have to redeem myself.
This time, I think everything is gonna go smooth.
And you know, Trina is performing with me,
so bringing her on stage means a lot to me
because it's my first crossover song with an American artist.
And I want my Flo Nations to be there--
- They are gonna be there.
- --to support me.
- Is your sister gonna be there?
- Yeah. Gaelle is coming.
I had a conversation with her.
- OK.
- So we made up.
I'm trying to rebuild the relationship with Gaelle.
At the end of the day, she's still my sister.
But Gaelle and Claudia knew each other back in the day
and have some long-standing issue.
- Is she gonna behave, though?
- Of course.
And I need you to be on your best behavior.
- Why are you worried about me?
I'm not gonna act stupid.
- No, but sometimes you say you're not
gonna do something, and then when you get to the location,
you do totally the opposite.
- I don't do nothing.
- You trying to make a scene right now.
- [bleep] you.
- Suck my [bleep] [bleep].
I've had enough.
- You get what I'm saying?
- If somebody gonna come for me, I ain't going for them.
So my question for you.
I'm going as, like, your girl tomorrow?
- Why does it matter?
- It does matter.
That's why I be feeling left out
because you'll be making me feel
like I'm just a mannequin.
- The real issue is my sister Joyce is gonna be there,
and I'm not out to my sister yet.
Once Joyce find out, it's only a matter of time
before my mom find out.
And I'm not ready for that yet.
This is not the right time.
- It's never the right time.
- The time is coming.
It's just not yet.
- I feel like I'm pressing you about the same thing
over and over and over.
- I can understand your feelings,
but at the same time--
- Do you care about my feelings?
- I do. You know I care about your feelings.
- I don't want to be in the dark no more.
- Don't forget my mom.
I don't know how she's gonna feel.
- Your mom loves you, right?
- I know she does.
But I don't know how she's gonna take this.
She's not gonna turn her back on you.
- I don't know.
My mom is so used to Marlon.
And now that I'm going through a divorce,
she don't want me to do that.
And now I'm gonna tell her that I'm with a girl?
[laughs]
[upbeat music]
- Go ahead.
Go to the next one.
Whee!
All right.
- Hi.
- Whee! That is fun.
- God, I live for this.
- I've been dealing with so much right now between work,
you know, Safaree, my father and my mother's health,
not to mention Vonshae and Shay.
It just feels like I haven't had any time to have fun
and just do mom [bleep].
How do you manage, girl?
- It's not easy.
But guess what.
If I don't do it, who else will?
- Let me tell you something.
Just getting out the car is a mission.
And leaving the house is another one.
I just came from DR.
- How was it?
- My father is not doing well.
So long story short, I'm telling Safaree,
my dad is going through a health situation.
I have to leave to DR.
- Right.
- I was expecting him to be more supportive,
and he really wasn't.
He was more like, "You got a lot going on.
You deal with it.
I'm gonna be out" type of energy.
- Oh, wow.
- Then I come back from DR.
I decide to have a conversation with him.
Like, yo, let's just meet up, and let's talk.
And when we started talking, long story short,
he made it seem as if he didn't believe that I was
really in DR with my father
going through any health situations.
- Your pictures and the things you putting out,
it's looking like you're having a grand old time.
You looking like you're on dinner dates.
It looked like you was just thirst trapping
for your baby daddy.
- I was like, don't disrespect me by bringing up that
situation because I would never do that
to you about your ex-wife.
So he started talking real slick out of his mouth.
And I couldn't help it, and I threw
a [bleep] drink in his face.
[both shouting indistinctly]
You ain't never seen this type of promo in your--
- Shut the [bleep] up!
- You don't feel like you're going through
enough [bleep] in life to deal with that?
- I am, and Safaree and I were having
such a good time at one point, like--
- Girl, the trash took itself out.
Leave it in the garbage can.
- As much as I want to see the good in Safaree,
I don't know exactly how I feel right now
about where this is gonna go.
Maybe we should just break up and call it a day
and just be friends like we were before--
or maybe not even be friends anymore.
- I didn't even end up gonna his birthday party.
- Did you know that Shay was at Safaree's party?
- No.
- Did you see the pictures?
- What pictures?
- Girl, look.
- Oh, yeah.
I definitely know that house.
- Safaree just had a birthday party,
and of course I didn't go.
But Shay did, and Shay knows exactly
what happened with Safaree.
Shay was one of the first people I told.
My thing is that she went over there.
She never even called me.
- I want to give Shay the benefit of the doubt.
Because we really had a great conversation at poker night.
But I'm concerned that Shay doesn't have
Amara's best interest at heart.
Especially how she rides for Vonshae, it's crazy to me.
Well, I'm gonna be honest.
I think it's very weird that Shay hangs with Vonshae.
- She really went zero to 1,000 out of nowhere.
I don't even know what the hell happened at the poker game.
- And you're supposed to be my friend, Amara, right?
We building a relationship, right?
You ain't call me one time.
So I hope you a better friend to her than you are to me.
- I'm going through my own personal [bleep]--
[all shouting]
- But the [bleep] you want to do though?
But what the [bleep] you wanna--
[all shouting]
- Bitch, you ain't trying to jump around, bitch.
- If we're friends, and you hang with my op
or hang with someone that threw a drink in my face--
- Hell, yeah.
- --we're no longer friends.
Because I don't need you going to tell my business.
- Shay is out here supporting Vonshae,
someone who hurt me.
We've known each other for years.
She just met this girl the other day.
And even with Vonshae, I was trying
to build a rapport with her.
I met her when her tummy was small.
I understood, you know, first time mom.
So I was trying to build it.
But the way that she reacted was unacceptable.
Sometimes I'll be thinking, is it Shay?
Did Shay get into Vonshae?
Do they be talking behind my back?
What is going on?
- Absolutely, they talk about you behind your back.
For sure.
Listen, let me tell you something.
She's miserable.
Did you not see that on the blog?
She took that girl man.
She stole that girl man, fiancé, at that.
- That is Shay Johnson's baby daddy,
fiancée of almost seven years.
He has a family already that's still living with the fiancée
that he got down there in Milwaukee.
- After Shay posted pictures from her daughter's
birthday party, some woman from Milwaukee,
where Fabo is from,
popped up claiming that she was engaged to him.
- Is that her Tesla?
- See you there.
That you there. For sure--
- Oh, respect.
- For sure.
For sure it's that.
- Yeah, he gave it to her at the baby's birthday party.
- [snorts] Girl.
The Tesla that Fabo actually bought Shay
belongs to this woman.
- I think that everybody saw, obviously,
what was said on the blogs.
I don't want to get myself caught up in that mess.
But I don't think she would be publicly with him
and have a whole baby with him and everything
if they weren't in a relationship.
♪♪ ♪♪
- She has a lot of evil ways
that she don't want people to know.
- What happened at poker night to where it went off so
quick when with you and Amara?
I thought it supposed to be like a conversation.
And then it was just like, bam, bam, drinks.
- It shouldn't have went that far.
I'm woman enough to say that.
You know when, like, I'm in a situation,
and I feel like a bitch is playing with me,
I like to pop off.
That's one of my flaws.
- They both think they're perfect.
They both think they're right.
So I have to be the person in the middle
to let them both know, look, it's not just you.
It's not just her.
So if I can get them to understand that,
maybe I can fix this.
She got some ways that I don't like to deal with,
but she's not an evil person.
- I find it very weird for someone to be in my life,
and you talk to me every day.
And then all of a sudden, all this [bleep] going on
in the media with DJ Envy and all
that [bleep] and you disappear.
It's like, well, damn.
That ain't my friend.
I'm struggling.
This is by far the hardest year of my life.
Getting my PhD, also those medical issues
and Richard's insobriety ruining my graduation--
I can't deal.
And naively, I thought my friend would be there for me.
- I think there needs to be some type of conversation,
intervention, something with her on some,
"This is what you do as a friend, and this is wrong."
- I'm open to sitting down with her.
- Your feelings are valid, but I
want you to talk to figure out what's going on because I
don't want this to continue.
- OK, when we finally talk again,
I'm just gonna be my normal self.
But, bitch, I do gotta ask you a question.
We've all been on the blogs in a negative light, right?
I saw that dusty ass bitch
acting like she was Fabo's fiancée.
Who is this weirdo?
- Nope.
I'm not talking about that.
I don't even know why they still filming.
I guess they must expecting something
that ain't gonna happen. - Hey, guys.
So we're not gonna talk about that here?
- No. They know that.
So they sent you into the lion's den.
Hell, no. Never gonna happen. Let it go.
- I don't know what they finna use,
and I'm not finna give them no ammo to do none of that.
All right.
OK.
Anything else?
Love you.
Y'all should stop wasting y'all time.
Ready to go.
Where's my Uber?
- Coming up on "Love & Hip Hop: Miami"...
- I don't have no problem with y'all.
I'm defending myself against Joy.
- No, everybody know me. I'm not doing that.
If I don't know you, I don't [bleep] with you.
I don't have to [bleep] with people I don't want to.
- I know we've had our conversations of baggage.
- Shay Johnson's baby daddy,
he has a family already with a fiancée.
- You were engaged to her?
- Why the [bleep] are you being weird right now?
- Because you're not gonna beat my ass.
- You don't got [bleep] to lose, bitch.
[indistinct chatter]
- You raggedy-ass bum bitch! [bleep] you!
- ♪♪ I turn into a killer, cutthroat mother ♪♪
♪♪ I go straight for the jugular ♪♪
♪♪ I'm gonna cut through with that cutter ♪♪
♪♪ Da-doot-doot-doot, did I stutter ♪♪
♪♪ Safe ♪♪
[sizzling]
- So the craziest thing I did
was I allowed my nieces, the Hollywood Twins,
to come and live with me
as I try to build their musical career.
But things kind of went left when I saw what they
actually had in the booth.
- Why you didn't come in? - You first.
Bro, what you talking about? You first.
- He want to hear your verse.
- So I booked another studio session
with my producer/engineer, Chronic,
to see if they can make it through another song,
but the twins did not show up.
Yeah, what's going on?
- They didn't come last night?
- Just like the thousands of boyfriends that done had,
they don't take me or their career serious.
So it's time for me to sit down and have a heart to heart
with them and let them know this [bleep] ain't a game.
♪♪ ♪♪
- Hey. - Hey.
Good afternoon.
Pull your dresses down.
- Oh.
- How the studio was?
- What studio?
- Y'all didn't go to the studio?
- You told us about the studio? - Oh.
- That was today?
- Actually, it was yesterday. - Oh.
- Y'all think y'all can go out and leave the club
when the sun up and have me spend all this
damn money in the studios?
The man ain't gonna want to work with y'all no more, man.
- Well, just tell them we sorry.
- Well, that was a honest mistake.
- I don't believe this.
Y'all [bleep] up.
- We apologize.
But right now, we here.
We networking, meeting new people,
doing everything we need to do
that can take us to the next level.
- Networking at the club is definitely important, OK?
- Like, how do you expect us to go outside, meet people,
get our music played in the club,
rub elbows with the rich people?
We can't do it in the house.
Trick need to lighten up.
- We ain't really feel like what we doing
is the right thing, and we don't feel like
we're moving janky at all, so...
- OK. So let me ask you this.
You want me to show you that you moving wrong?
OK.
- How can you show us something that we ain't doing?
- OK, I'm gonna show y'all.
So from now on, y'all get your [bleep]
to get y'all in the studio.
Y'all get them [bleep] to pay for y'all producers.
Y'all get them [bleep] to pay all your [bleep],
and then call me when you say, you know what?
You was right.
I can't take it no more.
Listen, I was born and raised in Miami.
We got the best nightlife in the world.
But if you're not strong here, and you ain't got it there,
this [bleep] will chew you up and throw you up.
You hear me?
This ain't no fake ass making the band [bleep].
You got to crawl before you walk.
You got to show me you really want it,
man, because I can give these opportunities
to anybody. - OK.
We can respect what you're saying right now.
- I got half a chance for you--
- I'm listening.
- --to you prove that this is what you really want.
I'm gonna tell you this.
You're either gonna do some fraud,
you gonna sell some dope, or you gonna sell some [bleep],
or you gonna listen to me.
[Noga Erez's "Bark Loud"]
- ♪♪ Bark loud, I'm an underdog kid ♪♪
♪♪ Bark loud, I'm an underdog kid ♪♪
♪♪ Dark games, but I'm not signed in ♪♪
- I've been out of town in London for the past week,
and I'm dazzling the Brits with my classy ways.
- I'm trying to get my [bleep] stretched
and eat a [bleep] ass.
Eating [bleep] ass.
We be eating [bleep] [bleep] ass today in London.
But now I'm out in Miami,
out on a Friday night with the baddest bitch.
- What's up? What's up? - Hug.
- Hell, yeah. - You look good.
- Thank you. You look good too.
You always look good.
You have fun in London?
- Yeah. It was a lot of work.
I made a lot of fans out there.
- I'm happy for you.
- I'm out, but I'm exhausted.
Been working on the Queens Don't Compete project,
and I'm performing at the Sumfest with Flo this week.
[phone ringing] - Hello?
OK.
I love you, my girl, but I have to go get my friends.
OK, I'm coming outside.
What's up, Zoey?
- I was really counting on the Queens Don't Compete project
to be my big look this year.
But since that dream is over, I'm out here
hustling up a new plan, releasing my own album.
If they won't give me a seat at the table,
I'm gonna build my own damn table.
Y'all look good. What's up?
- You look cute.
Zoey is a woman of many hustles.
I'm happy for you, Zoey.
Like, you're really doing your thing.
Like, when we first started, Zoey was doing my hair.
- I've known Suki for years.
I started off doing her hair for shows,
and since then, I've been a big supporter.
- I even have to do curls.
- She's a freaky girl.
- And then last year, me and Suki did a collab together
on a song called "Looks."
♪♪ She a boss bitch, and I'm a boss bitch too ♪♪
♪♪ We don't [bleep] around ♪♪
♪♪ This a boss bitch crew ♪♪
You know my album coming out.
We got a song together.
I'm trying to put it out.
You feel me?
I need you to be on that.
- Are we shooting a video? - I want to.
- Then we should talk.
You know I really do support you.
So if you ready, then we can go ahead.
Tell me the date and the time, and we just get it done.
It ain't nothing. We gonna do how we do.
We're gonna thug it out.
- I'm glad Suki is saying all of this.
I need someone of Suki's stature on my album,
and I need this video to come together so I can promote it.
But it's tough trying to pin Suki down.
With the Queens Don't Compete album off the table,
this video is my biggest priority.
I know you got a lot of [bleep]
going on, but when I text you, I need you to text back.
Don't ignore me.
- I'm not ignoring you.
You my sister, though.
You know I got your back anytime you need me.
I'm not no fake ass bitch.
You might have to worry about these.
You never gotta worry about me.
These the bitches that you got to worry about.
- Yeah. Mm-hmm. - Not me.
OK?
- [bleep] way different than before.
Like, when I was a nobody,
everybody was all happy and [bleep].
Now everybody being catty and weird.
All that [bleep] happened with Joy,
and now it's like Trina's telling Supa Cindy,
oh, I don't want her on the Queens Don't Compete album.
- If you're gonna get upset and not be able
to control your emotions and your feelings--
- Joy is not on the project. Trina is.
- Then the [bleep] can't happen.
Yeah. - I never disrespected Trina.
- But Trina and Joy are cousins.
- I'm still annoyed and hurt that I would
get cut from Queens Don't Compete like that
because of a misunderstanding with Joy.
I feel like my talent should outweigh any
repercussions from all this drama.
- My advice for you, if you have a problem
and you feel like people are not
putting respect on your name, you stand 10 toes,
and you say how you feel.
And don't you ever miss that moment to speak your truth.
Trina's inside.
Tell her how you feel.
And then if they don't want to put respect on your name,
you're gonna have to do what you got to do.
- Period. - I'll take it to the streets.
That's how I do.
- [laughs] Yeah.
- Come on, girl. Let's--
- Lace up the sneaks.
We're not having a repeat of last time
because I'm gonna pull Trina to the side
so her minions don't even have a way to insert
theirself in our conversation.
Trina, hi.
- What's up?
Nice to meet you, babe. Zoey.
I don't know you, but I'm just meeting you right now.
- We did meet each other.
And I want to talk to you one-on-one.
- Let's go. - Thank you.
- Let's talk it out.
I do not want to keep running into Zoey Brinxx
like this anymore.
I think she needs to get over it,
whatever it is that her problem is, and just move on.
- So I just want to clear things up.
You're a legend, and I'm an upcoming artist.
And I wanted to speak my piece with you.
When I went up to you and I said,
I don't know if it's gonna be mean girls vibe,
it was a joke.
I didn't come at you and I was like,
oh, you a [bleep] mean girl. You know that.
You feel me? - Everybody know me.
I'm not on that.
If I see you, it's hi. It's always gonna be love.
I don't know you. I don't [bleep] with you.
I don't have to [bleep] with people if I don't want to.
Like, it's not a war zone.
It's no reason for that.
- You--your name hold weight.
So I get into an argument with you,
everybody's going against me or stripping me off of projects.
With the Cindy situation, me and her,
we got into it because she heard that
I got into it with your cousin.
I told her straight up, I never got into it with you.
I was defending myself against Joy.
That's strictly what this was about.
And I apologize for it.
- You know, I do understand, as artists and as females,
we can be a little bit catty.
But as far as the project, this is Cindy's project.
Cindy is the one to say
if she should be on the project or not.
- I gotta talk with Cindy. - That was a big--
thank you, and I appreciate that.
And I just want to say that, like, I ain't gonna lie.
I was telling her how it's giving "all hail Trina."
It's giving "in Trina name, we pray, amen."
I appreciate you talking to me because I really thank you.
I appreciate that.
- Coming up on "Love & Hip Hop: Miami"...
- This is Sharod, the manager I was telling y'all about.
- Well, let me get them some aprons.
- What we need aprons for? I'm confused.
- We sell food here.
This ain't a strip club.
- Come here, mami. Come here.
- Security is stopping me.
If not, I will go.
Ain't nobody being a pussy.
- Bitch, you a whole pussy.
Your pussy a walking graveyard!
[upbeat music]
- ♪♪ When you wake up in the morning ♪♪
♪♪ You should feel good about yourself ♪♪
- ♪♪ Good morning, nature ♪♪
♪♪ I know sometimes it gets tough ♪♪
- Where is we going right now? Where we going?
- I'm going to introduce y'all to a manager.
- What type of manager?
- He's well-known and respected.
That's all I'm gonna tell you.
- OK.
That's how we doing what we need to be doing.
- And the twins, they think they know what work is.
But clearly, they don't.
They've been real lucky.
They got some good looks, so they've
been coasting through life.
But they've been in their own little world.
But in this world, you got to deal with us,
and it ain't gonna be that easy, Jack.
- ♪♪ Don't stop, just do it ♪♪
- We at Sunday's?
Wait, we finna get some food?
We're finna eat?
- Sharod is meeting us here.
- At Sunday's?
- Yes. Come on.
Now, let me tell you something about Sharod.
Smart, intelligent, but nobody gets away from him.
If you got thin skin, you better thicken it up
'cause it's gonna be rough.
Now, these are the twins.
- OK.
- This is Sharod, the manager I was telling y'all about.
- Hey. How you doing?
- How are you doing?
Hi.
- So Sharod will put you in more training
and get you more ready for what you
got to deal with out there.
- Let me get them some aprons.
- Why we need aprons? Now I'm confused.
- We sell food here.
This ain't a strip club.
- Follow Sharod. Hear him out.
- I brought the twins to Sunday's
because they need a reality check.
They gonna learn how to work
by doing actual [bleep] work.
That's right.
We finna get the milk out of the cow.
- Ladies, this is our kitchen.
Trick said that y'all wanted to come
and work at the restaurant.
- Trick said no such thing.
- I thought we was going to see the [bleep] producer.
This is not what I came to Miami for, the fried chicken.
Like, don't play with me, Trick.
Please. This is not the [bleep] time.
- Listen, all your irresponsible ways,
they end right here.
This is the time when you get responsible.
This is the time to show me.
- We came to make music, not cook.
- I'm leaving.
I'm going to the studio right now.
- You going to the studio?
- Why we can't-- we can't go with you?
- I'm the one that got to go explain why
you ain't show up the last time.
They're family.
- OK.
- I just need to take them from [bleep] to sugar.
- I have a lot of work to do, you know.
OK, boss.
I mean, I got you.
- This is your boot camp.
And then maybe you'll understand.
- So Asia to Hollywood.
I think I'll give you the bathroom.
So-- - The bathroom?
- You know, you can take the trash out.
Trash cans in the back.
Do you want to switch jobs?
- I would rather not do any of it.
- So come on.
Just, like, put a little more force.
- [gagging] Ugh, as if.
- I cannot. - What's the problem?
- My face can't be that close to the toilet.
I can't deal with it.
- So who cleans the toilet at home?
- The maid.
- Oh, my--
[hip-hop music]
♪♪ ♪♪
- I set up this meeting because I have mad love for Amara
and I have mad love for Vonshae.
I'm not sure if this friendship can be salvaged,
but I'm hoping that Amara and Vonshae can sit down,
communicate, and move forward.
- Not right now.
- Sister.
- Hola, girl.
- Girl, it is hot today.
- You look cute. - You look cute.
- I'm under a lot of stress right now.
Richard's drinking is getting out of control.
He keeps telling me he's gonna stop,
but it's only getting worse.
Shay is the only one who knows how bad
he's been getting at home.
The reason why she wants to get me out for the night.
And she's trying to convince me to clear the air with Amara.
- About what happened at the poker game.
I think it went left too quick.
I mean, how are you feeling about it?
- I'm annoyed with her. How are you gonna sit there
and act like you don't know what the [bleep]
I'm talking about, play victim,
be like, my babies, my issues, my girls.
- Oh, but we're all moms.
At least let's try to have a decent conversation.
- I'll try.
For you.
- Hi.
- Hi, girlfriend.
- How are you?
You look gorgeous.
- So do you.
- I have no interest in making up with Vonshae.
I'm only here because Shay persuaded me to come here
and try to talk things out.
I'm not looking for a fight because I'm a lady.
But just in case, I brought a friend along.
- There's a part of me that wants to go inside
and deal with this [bleep].
There's another part of me that's like, you know, [bleep].
- [bleep], get it over with.
You know, we're grown women,
you know, and let's just talk it out.
- Come on. - You just have to be careful--
- Don't want to deal with this [bleep].
- Company that you keep, and clearly that's not it.
- I have zero patience for petty drama
at this stage of my life.
Vonshae is like Miami Tip.
They both like to start [bleep] just because their life
is miserable.
And hopefully, Amara can see that.
- Hello.
- Hi, ladies.
How are you?
- How are y'all doing? - We're great.
How are you?
- I'm good.
- I set up this meeting to talk about
what happened at the poker game.
We're gonna have a great conversation with no hands.
- After the poker night, I didn't understand
where that energy was coming from.
I hate the fact that we got to the point of being
so disrespectful that we were throwing
things all over the place.
[all shouting]
I didn't understand.
At what point was it that [bleep] went
zero to a thousand.
- You sitting here acting like you don't know
who the [bleep] I am, for starters.
- I've only known you for a couple of months, Vonshae.
- Amara! - You and I--
- Amara, I haven't been to your house?
- I never-- - Been to your house?
- I never said that you didn't.
- But you acting like you haven't known me at all.
- You and I have known each other a few months.
That's what I said.
- This girl is crazy.
Somebody get this girl a drink.
- No, you already had enough of those for both of us.
- Keep playing with me. It's gonna end up on you.
- What?
Girl, at this point, I don't even be giving a [bleep]
about nothing you have to say.
- I came into the poker night.
- OK. - I was my nice self.
- So was I.
- Amara, you was a [bleep] until your friend came in.
Why are you talking to me like that?
- I thought that we were gonna be able to have
a civilized conversation.
- You was acting like a little bitch.
The moment your friend came in, bitch,
you acted like your balls was big.
But mines are bigger.
- When the [bleep] did I do all of that?
- It's laughable that Vonshae would think that
I had any ill intentions towards her.
Yes, my energy is weird,
but I don't want anything to do with her.
Vonshae is a deeply troubled person that needs help.
Why the [bleep] are you being weird right now?
- Because you're not gonna beat my ass.
Beat my ass.
- Who the [bleep] said I was gonna beat your ass?
- Because you can't. - I don't give a [bleep].
- You can't. - It's not that I can't.
It's that I have more to lose than you do.
You don't got [bleep] to lose, bitch.
- Wait a minute.
- Now beat my ass.
- OK, we came here to have a talk like ladies.
What's going on right now?
- This bitch is a [bleep] weirdo, my [bleep].
- I'll--[indistinct shouting] [bleep]!
- Amara--
- There goes the shade.
- You raggedy-ass bum bitch!
[bleep] you! - Come here.
Run me a fade.
- We came here to act like ladies.
Come on, now.
This is ridiculous. - Come here, mami.
Come here, mami.
Come here.
- Security is stopping me. If not, I will go.
Ain't nobody being a pussy.
- Bitch, you a whole pussy!
- I would have never thought
that a woman that has a PhD
would be acting this way publicly.
- Just like you're a lady, right?
You're a lady, but you're a whore.
- What you say?
- Amara, look at the people looking at us.
- Your pussy a walking graveyard.
- Bitch, good night. - Wow.
- What is this doing?
This is stupid.
I'm sitting here in the middle looking crazy
because this was not supposed to go this way.
They were not supposed to throw food and drinks
and whatever else at each other.
They couldn't even get the communication started.
Immediately, it just went left.
Vonshae was too heated.
She was too emotional.
And maybe it wasn't the right time.
But Shay being Shay, trying to be Captain Save A Ho,
I tried to fix something that wasn't ready to be fixed,
and this is the result.
This [bleep] is [bleep] stupid.
Then y'all gonna sit down then?
- I have [bleep] to lose. She don't.
- Oh, yeah?
I'm 24, married, happy.
- No, the [bleep] you're not,
'cause you're going through mad [bleep] in your marriage.
- You [bleep] your [bleep] best friend,
ended up as a single mama with two kids.
Look at your [bleep] life.
You [bleep] a [bleep]-- - The [bleep]?
- [bleep] out of Miami.
Be [bleep] for real.
- I'm [bleep] out of here, girl.
- Coming up on "Love & Hip Hop: Miami"...
- I can't be next.
My dancers are not here.
- Where is Trina? - I have no idea.
We're gonna improvise.
- Oh, my God.
[DJ shouting indistinctly]
[soft music]
- That extreme heat proving to be beyond brutal,
even for folks used to living in the Sunshine State like us.
- We got a call from Miami Fire.
They tell us they've seen an increase
in heat-related illness calls.
♪♪ ♪♪
- Today is Sumfest,
and it's the hottest day of the year in Miami.
I'm nervous, but this performance has to be perfect.
Last time I performed at a festival like this,
it was a near fatal career disaster,
and I have to redeem myself from that experience.
- My nerves are kicking right now.
- Why?
- My DJ just called.
He's already there.
He said he's been in traffic for two hours.
ED, if we don't leave now--
- Uh-huh.
We cannot get in?
- I might not be able to perform.
There's a huge issue with the venue.
It's in Virginia Key, an island location with one road in.
Me, Trina, and my dancers, we're all arriving separately.
I hear traffic is backed up.
The dancers are running behind,
and I can't even get ahold of Trina.
- Have you heard from Trina?
Where is she?
- I don't know.
She's supposed to be on her way.
The dancers, they're supposed to be on their way now too.
- It's tight right now.
- Thank you. Thank you.
- I'll be right back.
I'm gonna go the ladies room.
- Why?
- I have to go change.
- There's been bad blood between Gaelle and Claudia
for years, from back in the day when they partied together.
But I have zero patience for either of their [bleep].
- Hey, girl. - Hey.
Oh, my God.
You look so pretty.
- Did you tell Joyce about your trash?
- No, I did not tell Joyce about Claudia.
Joyce doesn't know anything about Claudia and I right now.
If Joyce find out that I'm dating Claudia,
she would definitely call my mom to tell her that.
And I'm not ready to come out to my mom.
And stop calling her my trash.
- It's your trash. - Yes.
- That's your trash. - That's my girlfriend,
and I need you to respect her
so everything can be smooth for me.
- OK.
- I need to have a great performance,
so please don't come in here and start [bleep] [bleep] up.
OK, I don't need this from you.
- OK. I understand.
- I need you to be on your best behavior.
- I understand. - OK?
Let's wrap it up. Let's go.
- Coming up on "Love & Hip Hop: Miami"...
- I'm pulling up.
- Oh, OK. - I'm here.
- You know I don't do the talk thing.
- It's about the disrespect.
- Let's make it happen, then.
- I want to get down.
[upbeat music]
♪♪ ♪♪
- What else you got downstairs?
- Um, some boxes in the kitchen.
Come down here.
This is a big day in our relationship.
We're moving to a big house.
This should be a special, exciting moment,
but it just seems like the drama never stops.
And I'm not just talking about Amara and Vonshae.
- Shay Johnson's baby daddy, he has a family already
that's still living with the fiancée
that he got down there in Milwaukee.
- Come help me with this box, man.
- Everyone comes into a relationship with baggage.
But Fabo's baggage just lingers.
There's one of these random bitter bitches
out here running around,
swearing that she was a fiancée.
These are the comments that's being said on social media.
Let's talk. Let's go. It's time.
OK, you know, we've had our conversations of baggage.
- Right.
I've seen that bull[bleep].
- First of all, the comments about our daughter.
- Shay called him to tell him that she was pregnant.
He said get an abortion 'cause I got a fiancée over here.
- Then she said she bought my Tesla.
- We still in the Tesla. Why she ain't come and get it?
- OK.
One thing that she is trying to run with
is you were engaged to her.
- According to the fiancée, he was just at his house
in Milwaukee with this woman two weeks ago
[bleep] her [bleep].
- [bleep]?
Hell nah.
It's like--it's almost like she's creating this world--
- The crazy thing, though, baby, is the ring she wears,
she bought it.
I ain't bought no ring.
- The bitch bought her own ring?
- Yeah.
- She bought her own ring
and went around Milwaukee telling everybody
she was engaged to you.
Were you supposed to marry this individual?
I got questions.
- You paying attention to it right now
is a joke, because she delusional.
Like, don't--don't--don't pay attention to that, man.
- What's the deal so we can--
- It ain't no deal.
- Move on with our lives.
- It ain't no deal.
- What I'm not gonna do is deal with the ignorance
of your baggage and your stupid whores that
can't get over the fact that--
- They got to move on. - --you're mine.
I really don't care what nobody has to say.
As long as he's good while he's with me,
right now, moving forward, that's kind of all
I really care about.
Your past is your past.
Fix your baggage.
- I ain't got no baggage.
- OK.
Fix it. - [laughs]
- Right now, it just seems like everybody
is against my relationship with Fabo.
But I love this man, so we need to figure this out
and move on.
[dramatic music]
♪♪ ♪♪
- The strikes against Fabo keep coming.
First, he started a fight at my niece's birthday party.
- I could give to the friend. - You tripping.
Not when I'm there, [bleep], you can't bring no dog.
- Whatever you want to do with it, do with it.
- Let's do that, then.
You know I do this [bleep] in real life.
- And now he making my mother cry.
- I love my daughter so much, and love my grandbaby.
- And on top of that, I'm hearing
all this internet gossip
making a fool out of my sister on the internet.
What's happening, Fab? What's good with it?
- What it do, man?
- What happening with it?
- What's going on?
- I just wanted to chop it up with you, man.
It's--you know since the party with my niece, your daughter,
it was a little hectic.
When I see another man sticking his chest out,
you know, to my mom,
it made me feel a certain type of way.
- I feel you on that.
- I know she's moving out here right now.
- Word, word, word. - You know what I'm saying?
To be closer to my sister, my niece,
to you, to build a relationship.
- This visit. This visit was for me,
or this visit-- - No, it's for you.
- Was for Shay, or this visit was to come help me?
- No, no. - To come help me?
'Cause I'm moving, and you ain't even
come give me a hand. - No, I ain't lifting a box.
But we here having-- - Then let's make it happen.
How we gonna make it happen? - We here having
a conversation as men. - Oh, we gonna make it happen.
- We having a conversation. - Yeah, we ain't gonna
have no more conversation
unless you lift up a box, and I see that--
- I'm not lifting no box because that's
not what I came here for. - I ain't gonna...
- I ain't come here to lift a box.
- Talk to you about [bleep]. - No, no.
That's what we talking about. - OK, talk.
- We talking about that that's what the issue is.
- About what? We ain't got to talk about--
- I told you, my mother.
It's about--it's about the disrespect.
You know what I'm saying?
- You know I don't do the talk thing.
Let's do this when it ain't none of this.
- What the [bleep] is this? - When nobody here.
- You know what I'm saying? - We can handle that.
- Let's make it happen, then.
- I want to get down. - Man, stop.
Listen, just don't touch me.
- You coming over here causing problems right now?
- Sis, you know how-- that ain't that--
- You on bull[bleep], my [bleep].
We gonna handle this another time.
Right now, you embarrassing the [bleep] out of me.
- All right, cool. - Yeah, go.
- I don't know what's going on inside this household,
but whatever he's doing,
my sister's not thinking straight.
It's time for her to wake up and see
what's really going on.
- You look hot.
Take them clothes off, 'cause they
[bleep] with your brain, bro. - Yeah, all right.
All right. - [bleep] out of here.
- I don't need Emjay coming
adding on top of the BS right now.
I love my brother.
I love my family.
But I will handle the disrespect
between Fabo and my mother.
Fall back, bro. Please.
- Come here, man.
- Man, y'all getting on my nerves.
- Hey.
- Y'all can't just be two grown-ass [bleep].
Y'all petty as [bleep], yo.
- So when are we leaving?
- We're leaving right now. Come on.
Let's go. Let's go. Let's go. Let's go.
Everybody, let's go.
I'm worried.
It's 90 minutes to show time.
We're barely gonna make it because of the traffic jam
at the event.
The dancers haven't left yet,
and I can't get ahold of Trina.
Getting real nervous right now.
- I don't understand this traffic.
It's so crazy.
- Are we going to make it?
- We're never gonna make it on time.
- Don't get upset, babe.
- Trina is not even answering the phone.
- I don't like that [bleep].
- Are you serious right now?
- Of course I am.
I'm dead serious
'cause this is a big event for my sister.
She is expecting Trina to be here.
And then guess what.
They not even answer the phone call.
So what does that mean?
I don't know how Trina gonna treat you like that.
- She's probably there waiting on her.
- So let's see, then.
- What about the dancers?
Are they already there?
- I need to call to find out.
[line ringing]
Hey, Betty.
Did you find out about the dancers?
- [bleep].
I'm nervous now.
- The song's choreography relies
on the dancers being there.
Plus, I've been hyping Trina's appearance
on social media so much.
If she doesn't show, I'm gonna look like a total idiot.
- Come on, mama. Go, go, go, go, go, go, go.
They're calling you.
Go. Go.
- Can we skip people?
Like, move to the side.
That's how we drive for the president in Haiti.
- Come on, mama. Next door.
- Go straight still.
Yeah.
So you saying I need to go in?
- Both of us.
- I finally made it to check in at my scheduled time,
but my dancers are still 30 minutes away
and Trina is still MIA.
Where is Trina?
Is Trina here yet?
- I don't know.
- Hello, ladies.
- Look who's here.
- Of course I'm here.
Despite all the drama between me and Flo,
I still want to be there for her music career.
I'm here.
I came here to say-- to support Flo.
You looking beautiful, girl.
- Thank you.
- Whenever Marlon's around, Flo gets weak.
She forget every [bleep] that Marlon put her through.
I don't like what Marlon did to Flo,
and I definitely don't like Marlon.
- I can't be next.
My dancers are not here.
- You got to go on in, like, two minutes.
- I can't perform without my dancers.
Come on.
That's gonna look real bad on us, Betty.
- No, I know.
- I have 10,000 things going through my head.
I don't even want to get on stage right now.
- Let's go.
- So where is Trina?
- I have no idea.
- Listen, you got this.
- This is [bleep] crazy.
- Listen, you're gonna improvise.
- Oh, my God.
- You know the [bleep] music already.
You're just gonna have to do what you got to do.
- Now I have to carry the whole show by myself.
This is crazy.
I can't afford another failure like last year.
It's all or nothing now.
- I want everybody to make some noise
for my girl! [speaking indistinctly]
[cheers and applause]
Make some noise for Florence El Luche!
[cheers and applause]
- Next time on "Love & Hip Hop: Miami"...
- So why y'all so not, like,
friendly with each other?
- I don't even know what happened.
- He's talking about that I'm probably
in the Dominican Republic with some [bleep].
You told him that I was with the father of my kids in DR.
♪♪ ♪♪
- This is Trina Day.
Trina Day is dedication to my little niece,
who I lost.
Gonna have a good time today.
♪♪ ♪♪
- When you see her, you know,
you can let her know we want to work with her.
- It's for family. Get 'em out.
- The things that happened between you and Momma Dee,
getting dogwalked,
your OnlyFan leaks.
- Let me see these notes that you have
that you done--
- I've been dating someone else,
and this is her.
♪♪ ♪♪
- The interview, I felt like she was using
a hard moment to exploit me.
[crying] I'm not just a celebrity.
I have a real life,
and I make mistakes like everybody.
Cut the [bleep] cameras. This is real [bleep].
[hip-hop music]
♪♪ ♪♪
- ♪♪ MTV ♪♪