1 00:00:01,044 --> 00:00:03,484 [dark music] 2 00:00:03,525 --> 00:00:06,085 - I like supernatural, I like monsters... 3 00:00:06,136 --> 00:00:08,876 [suspenseful music] 4 00:00:08,921 --> 00:00:10,451 - "Alien" was the first movie 5 00:00:10,488 --> 00:00:13,228 that I legitimately thought I had a disease afterward. 6 00:00:13,274 --> 00:00:16,024 - [screams] - [screams] 7 00:00:16,059 --> 00:00:17,839 - [moaning] 8 00:00:17,887 --> 00:00:21,107 - John Carpenter's "The Thing" is the greatest monster movie 9 00:00:21,151 --> 00:00:22,331 ever made. 10 00:00:23,545 --> 00:00:25,105 - [snarls] 11 00:00:25,155 --> 00:00:28,635 - The world of "A Quiet Place" felt very real. 12 00:00:28,680 --> 00:00:31,070 Even an audience member, what you're drawn in with 13 00:00:31,118 --> 00:00:32,378 is that you can't make a sound. 14 00:00:32,423 --> 00:00:34,693 ♪ 15 00:00:34,730 --> 00:00:36,300 - [roars] 16 00:00:38,212 --> 00:00:41,302 - I don't think of King Kong as a monster 17 00:00:41,345 --> 00:00:42,995 because you love him. 18 00:00:43,043 --> 00:00:44,743 The real monsters are those bastards shooting him. 19 00:00:44,783 --> 00:00:47,053 - [roars] 20 00:00:47,090 --> 00:00:50,270 - It's a complete metaphor for the tribulations 21 00:00:50,311 --> 00:00:54,491 of the black male in American white society. 22 00:00:54,532 --> 00:00:56,882 - [laughing] 23 00:00:56,926 --> 00:00:58,616 - Monsters are a different thing to different people. 24 00:00:58,667 --> 00:01:01,097 - [breathing heavily] 25 00:01:01,148 --> 00:01:04,668 - Some people are afraid of that huge ugly monster, 26 00:01:04,716 --> 00:01:06,806 and some people are afraid of the existential monster. 27 00:01:06,849 --> 00:01:08,499 - [laughs] - [screams] 28 00:01:08,546 --> 00:01:12,116 - But if you can't kill it, well, there's no real story. 29 00:01:12,159 --> 00:01:13,509 - [roars] 30 00:01:13,551 --> 00:01:14,771 - [screeches] - Oh! 31 00:01:14,813 --> 00:01:16,123 - [roars] 32 00:01:16,163 --> 00:01:18,433 ♪ 33 00:01:18,469 --> 00:01:20,299 - [screams] 34 00:01:20,341 --> 00:01:23,261 [scary music] 35 00:01:23,300 --> 00:01:30,220 ♪ 36 00:01:31,047 --> 00:01:33,747 - [screaming] 37 00:01:47,237 --> 00:01:49,367 ♪ 38 00:01:49,413 --> 00:01:50,983 narrator: Horror is a big tent 39 00:01:51,023 --> 00:01:53,033 with room for a circus full of attractions. 40 00:01:53,069 --> 00:01:54,769 - Aah! [gunshot] 41 00:01:54,810 --> 00:01:57,600 narrator: Outrageous slashers... 42 00:01:57,639 --> 00:01:59,339 Apocalyptic comedies... 43 00:01:59,380 --> 00:02:01,120 [roaring and gunshots] 44 00:02:01,164 --> 00:02:03,304 Cringe inducing body horror... 45 00:02:03,340 --> 00:02:04,470 ♪ 46 00:02:04,515 --> 00:02:07,165 - [roars] 47 00:02:07,214 --> 00:02:09,614 narrator: But many of us first came to the genre 48 00:02:09,651 --> 00:02:11,351 for the monsters. 49 00:02:11,392 --> 00:02:14,182 - Aah! [kids screaming] 50 00:02:14,221 --> 00:02:17,181 - When you're a kid, you want monsters, 51 00:02:17,224 --> 00:02:19,444 and the more monsters the better, 52 00:02:19,487 --> 00:02:21,097 and if they've got zippers up their back, 53 00:02:21,141 --> 00:02:22,711 that doesn't matter 54 00:02:22,751 --> 00:02:23,971 as long as they're-- as long as they're monsters. 55 00:02:24,013 --> 00:02:27,233 - [roaring] 56 00:02:27,277 --> 00:02:29,407 - Later you get a little bit more discerning, 57 00:02:29,453 --> 00:02:31,723 and you start to realize maybe the less you see the monster, 58 00:02:31,760 --> 00:02:32,980 the scarier he might be. 59 00:02:36,156 --> 00:02:39,196 narrator: There may be no better example 60 00:02:39,246 --> 00:02:41,896 of the power of slowly revealing a monster 61 00:02:41,944 --> 00:02:44,384 than Ridley Scott's "Alien." 62 00:02:44,425 --> 00:02:50,295 [dramatic music] 63 00:02:50,344 --> 00:02:53,484 - "Alien" was the first movie I saw 64 00:02:53,521 --> 00:02:57,091 that I legitimately thought I had a disease afterwards. 65 00:02:57,133 --> 00:03:01,493 It made me so incredibly anxious and uncomfortable. 66 00:03:01,529 --> 00:03:05,229 - [hissing] 67 00:03:05,272 --> 00:03:08,232 - It was all about the mouth inside the mouth. 68 00:03:08,275 --> 00:03:12,445 That shiny slick chrome dome 69 00:03:12,496 --> 00:03:16,236 with the mouth that comes out. 70 00:03:16,283 --> 00:03:18,723 Krikik! Chhhk! 71 00:03:18,763 --> 00:03:21,033 Pfft! Ugh. 72 00:03:22,376 --> 00:03:24,596 - Get out of the room! 73 00:03:24,639 --> 00:03:28,379 narrator: "Alien" grew out of a film called "Dark Star" 74 00:03:28,425 --> 00:03:32,115 made by two promising USC film students, 75 00:03:32,168 --> 00:03:34,388 John Carpenter and Dan O'Bannon. 76 00:03:34,431 --> 00:03:37,351 O'Bannon took his comedic premise, 77 00:03:37,391 --> 00:03:40,521 bedraggled astronauts doing battle with a monster 78 00:03:40,568 --> 00:03:42,788 in a beaten up spaceship, 79 00:03:42,831 --> 00:03:44,831 and turned it into one of the scariest screenplays 80 00:03:44,876 --> 00:03:46,136 of all time. 81 00:03:46,182 --> 00:03:48,752 - [screeching] 82 00:03:51,143 --> 00:03:52,843 narrator: "Alien" tells the story 83 00:03:52,884 --> 00:03:54,974 of a commercial starship crew 84 00:03:55,017 --> 00:03:57,017 diverted from their mission 85 00:03:57,062 --> 00:03:59,632 by a mysterious order from their employers 86 00:03:59,674 --> 00:04:01,944 known only as The Company. 87 00:04:01,980 --> 00:04:06,720 - Seems she has intercepted a transmission of unknown origin. 88 00:04:06,768 --> 00:04:08,028 She got us up to check it out. 89 00:04:08,073 --> 00:04:09,603 - A transmission? Out here? 90 00:04:09,640 --> 00:04:11,160 - Yeah. 91 00:04:11,207 --> 00:04:13,337 narrator: The film's main characters 92 00:04:13,383 --> 00:04:15,953 are beleaguered Captain Dallas, 93 00:04:15,994 --> 00:04:19,224 no nonsense Warrant Officer Ripley, 94 00:04:19,259 --> 00:04:23,309 and Ash, the science officer with a hidden agenda. 95 00:04:23,350 --> 00:04:26,180 - They come upon these eggs on a planet, 96 00:04:26,222 --> 00:04:31,142 and while exploring, one of them is infected. 97 00:04:31,183 --> 00:04:33,533 - [screaming] 98 00:04:33,577 --> 00:04:35,187 - The creature, 99 00:04:35,231 --> 00:04:37,021 which would come to be known as a facehugger, 100 00:04:37,059 --> 00:04:38,839 you know, has attached itself to his face, 101 00:04:38,887 --> 00:04:40,887 nobody knows what's going on, 102 00:04:40,932 --> 00:04:42,802 and then of course, all hell breaks loose. 103 00:04:42,847 --> 00:04:44,717 [high pitched tone] - Good God. 104 00:04:44,762 --> 00:04:47,682 [sizzling] 105 00:04:49,332 --> 00:04:52,512 - The crap's gonna eat through the hull. 106 00:04:52,553 --> 00:04:54,163 - The performances in that movie are phenomenal. 107 00:04:54,206 --> 00:04:57,856 I mean, the famous chestburster scene, 108 00:04:57,906 --> 00:05:01,996 it is--I think the reason it's so potent 109 00:05:02,040 --> 00:05:04,780 is because of the lead up to it feels so natural, 110 00:05:04,826 --> 00:05:07,436 making it feel so familiar to you. 111 00:05:07,481 --> 00:05:10,881 - The food ain't that bad, man.[laughs] 112 00:05:11,659 --> 00:05:13,919 - You've been in a restaurant, you've been in a diner, 113 00:05:13,965 --> 00:05:15,835 you've seen somebody, maybe someone started choking, 114 00:05:15,880 --> 00:05:18,540 or someone has a heart attack. 115 00:05:18,579 --> 00:05:21,889 That panic, it taps into that, and then it takes it into, 116 00:05:21,930 --> 00:05:23,240 "What if a thing burst out of the..." 117 00:05:23,279 --> 00:05:24,449 [laughs] 118 00:05:24,498 --> 00:05:27,758 - [screams] - [screams] 119 00:05:27,805 --> 00:05:29,975 - It takes it to this other level, 120 00:05:30,025 --> 00:05:31,805 which is, um, so brilliant. 121 00:05:33,420 --> 00:05:34,640 - [screeches] - Aah! 122 00:05:34,682 --> 00:05:36,812 Oh! [moans] 123 00:05:36,858 --> 00:05:39,688 Oh, God! 124 00:05:39,730 --> 00:05:42,170 - It's obviously this kind of perverse 125 00:05:42,211 --> 00:05:45,001 gender reversed birth scene, right? 126 00:05:45,040 --> 00:05:46,520 - [squeals] 127 00:05:46,563 --> 00:05:51,313 ♪ 128 00:05:51,351 --> 00:05:53,091 narrator: The crew learns the hard way that, 129 00:05:53,135 --> 00:05:55,305 an insect, the monster undergoes 130 00:05:55,355 --> 00:05:57,875 a dramatic metamorphosis, 131 00:05:57,922 --> 00:06:00,972 and to their bosses, it's a valuable commodity. 132 00:06:01,012 --> 00:06:04,892 - [screaming] 133 00:06:04,929 --> 00:06:07,409 - They have no way 134 00:06:07,454 --> 00:06:09,024 of understanding what they're up against. 135 00:06:09,064 --> 00:06:11,024 The corporation is hiding it from them. 136 00:06:11,066 --> 00:06:13,626 The only person on the crew who understands 137 00:06:13,677 --> 00:06:15,897 is the--the robot, the AI guy, you know, 138 00:06:15,940 --> 00:06:17,900 whose lying the whole time. 139 00:06:17,942 --> 00:06:21,902 - The company views its employees 140 00:06:21,946 --> 00:06:24,206 as expendable, but... 141 00:06:24,253 --> 00:06:28,133 the creature, which is not even a person 142 00:06:28,170 --> 00:06:29,690 or being of any kind, 143 00:06:29,737 --> 00:06:33,217 is more valuable than the people 144 00:06:33,262 --> 00:06:35,132 that they have employed. 145 00:06:35,177 --> 00:06:38,267 - There is an explanation for this, you know? 146 00:06:38,310 --> 00:06:40,310 - [mutters] 147 00:06:40,356 --> 00:06:42,916 narrator: "Alien's" dark view of labor relations 148 00:06:42,967 --> 00:06:45,357 was a challenge to the status quo, 149 00:06:45,405 --> 00:06:48,315 as was the film's disturbing production design 150 00:06:48,364 --> 00:06:52,594 which powerfully associated sex with death. 151 00:06:52,629 --> 00:06:55,459 H.R. Giger's biomechanical designs 152 00:06:55,502 --> 00:06:58,902 played on the audience's deepest sexual anxieties. 153 00:07:01,508 --> 00:07:03,548 - There's this Freudian term "Overdetermination." 154 00:07:03,597 --> 00:07:05,077 An object in a dream 155 00:07:05,120 --> 00:07:08,040 may have 15, 20, 1,000 different meanings. 156 00:07:08,079 --> 00:07:10,949 "Alien" is probably the--the greatest example 157 00:07:10,995 --> 00:07:12,425 of a movie that's overdetermined 158 00:07:12,475 --> 00:07:13,555 in every possible direction, 159 00:07:13,607 --> 00:07:15,567 because you have this space ship 160 00:07:15,609 --> 00:07:17,179 that is basically shaped like 161 00:07:17,219 --> 00:07:19,309 the lower half of a woman's body 162 00:07:19,351 --> 00:07:20,881 with this vast vaginal opening in it, 163 00:07:20,918 --> 00:07:24,228 and inside this vaginal opening are these eggs 164 00:07:24,269 --> 00:07:26,879 that pop open and reveal these marauding penises 165 00:07:26,924 --> 00:07:29,064 that impregnate people through their mouths 166 00:07:29,100 --> 00:07:31,150 and make them burst open 167 00:07:31,189 --> 00:07:33,629 and give birth to further marauding penises. 168 00:07:33,670 --> 00:07:35,930 This is the essence of overdetermination. 169 00:07:35,977 --> 00:07:38,497 There's-- How do you pick this apart? 170 00:07:38,545 --> 00:07:40,415 narrator: The film's sexual politics, 171 00:07:40,460 --> 00:07:42,330 subversive for its time, 172 00:07:42,374 --> 00:07:44,864 are embodied in the figure of Ripley, 173 00:07:44,899 --> 00:07:48,509 played by "Alien's" breakout star, Sigourney Weaver. 174 00:07:48,555 --> 00:07:50,985 - "Alien," 1979, 175 00:07:51,035 --> 00:07:54,385 had a female hero. An unexpected female hero. 176 00:07:54,430 --> 00:07:57,170 - Who gets to go into the vent? - I do. 177 00:07:57,215 --> 00:07:58,865 - No. 178 00:07:58,913 --> 00:08:01,053 - Ridley Scott sets up the movie 179 00:08:01,089 --> 00:08:04,529 where Dallas is the hero until Dallas is killed. 180 00:08:04,571 --> 00:08:07,271 - Wait, the other way! [beeping] 181 00:08:08,923 --> 00:08:11,143 [static] - Dallas? 182 00:08:11,186 --> 00:08:13,406 - So that movie completely flips 183 00:08:13,449 --> 00:08:16,889 in a way most movies couldn't even have imagined back then. 184 00:08:16,931 --> 00:08:20,941 Ripley becomes the iconic hero. 185 00:08:20,978 --> 00:08:23,978 [fan thumping] 186 00:08:24,025 --> 00:08:26,285 narrator: By the end, 187 00:08:26,331 --> 00:08:28,291 only Ripley is able to escape the doomed spaceship. 188 00:08:28,333 --> 00:08:30,123 [explosion] 189 00:08:30,161 --> 00:08:33,471 But the greatest test of her heroism is yet to come. 190 00:08:33,513 --> 00:08:36,123 - I think it is one of the most terrifying scenes 191 00:08:36,167 --> 00:08:39,387 in any movie is that last part of "Alien." 192 00:08:39,431 --> 00:08:41,131 ♪ 193 00:08:41,172 --> 00:08:44,702 - When she's alone in the--in the escape pod, 194 00:08:44,741 --> 00:08:47,271 she's gonna go to sleep, it's gonna be fine, 195 00:08:47,309 --> 00:08:49,009 and then she realizes the alien's in there, 196 00:08:49,050 --> 00:08:50,440 and that it's in the wall. 197 00:08:50,486 --> 00:08:52,486 - Aah! 198 00:08:52,532 --> 00:08:54,012 - It's like getting in your car 199 00:08:54,055 --> 00:08:57,095 and realizing there's a big python in the backseat, 200 00:08:57,145 --> 00:08:58,575 and you turn around, 201 00:08:58,625 --> 00:09:00,755 and the thing just starts to kinda uncoil, 202 00:09:00,801 --> 00:09:02,891 and at some point, it's gonna realize 203 00:09:02,933 --> 00:09:06,893 I'm in--in the car with it. [laughs] 204 00:09:06,937 --> 00:09:08,587 And this is not gonna be good. 205 00:09:08,635 --> 00:09:09,765 What do I do? 206 00:09:09,810 --> 00:09:13,990 - [heavy breathing] 207 00:09:14,031 --> 00:09:15,951 - You know, it's just one of those wonderful, like, 208 00:09:15,990 --> 00:09:20,430 so well-conceived moments of horrific suspense. 209 00:09:20,472 --> 00:09:22,652 - [screams] 210 00:09:27,654 --> 00:09:29,704 - And what a beautifully paced film. 211 00:09:29,743 --> 00:09:32,703 It was so slow and patient and quiet 212 00:09:32,746 --> 00:09:34,696 and still, 213 00:09:34,748 --> 00:09:38,968 and uh, always that-- that trembling horror 214 00:09:39,013 --> 00:09:41,023 beneath the surface. 215 00:09:41,058 --> 00:09:43,148 ♪ 216 00:09:43,191 --> 00:09:45,501 narrator: One alien trapped on one spaceship 217 00:09:45,541 --> 00:09:46,591 is frightening enough... 218 00:09:49,023 --> 00:09:51,203 - But what if a horde of alien monsters 219 00:09:51,242 --> 00:09:54,122 overran Earth? 220 00:09:59,076 --> 00:10:02,426 [humming] [zapping] 221 00:10:02,471 --> 00:10:04,391 - [screams] 222 00:10:04,429 --> 00:10:06,649 narrator: Monsters from outer space invading planet Earth. 223 00:10:06,693 --> 00:10:09,743 - [roars] 224 00:10:09,783 --> 00:10:11,523 narrator: They've been a staple of horror movies 225 00:10:11,567 --> 00:10:12,787 since the 1950s. 226 00:10:12,829 --> 00:10:15,749 - [screaming] 227 00:10:15,789 --> 00:10:18,839 narrator: And just when you think it's all been done... 228 00:10:18,879 --> 00:10:20,789 someone comes along 229 00:10:20,837 --> 00:10:23,617 and breathes new life into the genre. 230 00:10:26,364 --> 00:10:28,194 narrator: Someone like John Krasinski 231 00:10:28,236 --> 00:10:30,366 with his wildly successful film, 232 00:10:30,412 --> 00:10:32,332 "A Quiet Place." 233 00:10:32,370 --> 00:10:37,510 - [screaming] 234 00:10:37,549 --> 00:10:39,549 - The plot of "A Quiet Place" 235 00:10:39,595 --> 00:10:43,725 is that a new invasive predatory species 236 00:10:43,773 --> 00:10:46,083 has attacked the human race. 237 00:10:46,123 --> 00:10:47,783 [uneasy violin music] 238 00:10:47,821 --> 00:10:50,351 - [growls] 239 00:10:50,388 --> 00:10:53,608 - And these new creatures hunt us 240 00:10:53,653 --> 00:10:56,833 and have exterminated, probably most of us 241 00:10:56,873 --> 00:10:59,623 and they have done it through sound. 242 00:10:59,659 --> 00:11:01,359 [tense music] 243 00:11:01,399 --> 00:11:05,269 ♪ 244 00:11:05,316 --> 00:11:07,056 So the only way humans are going to survive 245 00:11:07,101 --> 00:11:09,671 is if they stay quiet, 246 00:11:09,712 --> 00:11:12,632 and we follow a family which is trying to survive 247 00:11:12,672 --> 00:11:15,412 on the fringes of the planet, 248 00:11:15,457 --> 00:11:18,767 trying to carve out an existence in a farmhouse 249 00:11:18,808 --> 00:11:21,458 in a world where we are no longer 250 00:11:21,506 --> 00:11:22,586 the top of the food chain. 251 00:11:24,640 --> 00:11:26,030 [beeping tune] 252 00:11:26,076 --> 00:11:28,636 - [snarls] 253 00:11:28,688 --> 00:11:30,988 - You're immediately thrown into this world 254 00:11:31,038 --> 00:11:33,208 where you got John Krasinski, Emily Blunt, and their family 255 00:11:33,257 --> 00:11:36,347 who are just-- They've got a ritual now. 256 00:11:36,391 --> 00:11:39,001 Like, they have a ritual to their day to day life, 257 00:11:39,046 --> 00:11:40,996 and I think the movie does it so brilliantly 258 00:11:41,048 --> 00:11:44,308 showing you they only have to step on 259 00:11:44,355 --> 00:11:47,445 these parts of the road, they can't step on that. 260 00:11:47,489 --> 00:11:49,059 ♪ 261 00:11:49,099 --> 00:11:50,839 - It's such an immersive film, 262 00:11:50,884 --> 00:11:52,844 that what-- even as an audience member, 263 00:11:52,886 --> 00:11:55,276 what you're drawn in with is that you can't make a sound. 264 00:11:55,323 --> 00:11:57,933 [tense music] 265 00:11:57,978 --> 00:11:59,368 - [grunts] 266 00:12:02,896 --> 00:12:04,846 - Even the people eating popcorn next to you 267 00:12:04,898 --> 00:12:07,508 are making you jump. 268 00:12:07,552 --> 00:12:12,342 ♪ 269 00:12:12,383 --> 00:12:15,263 - What I admire so much about "A Quiet Place" 270 00:12:15,299 --> 00:12:17,559 is that everything that happens 271 00:12:17,606 --> 00:12:20,996 and the whole--the whole setup of the movie is--is organic. 272 00:12:22,219 --> 00:12:23,309 - [screeches] 273 00:12:27,529 --> 00:12:29,529 - The idea of sound 274 00:12:29,574 --> 00:12:31,404 being the enemy really. 275 00:12:31,446 --> 00:12:34,966 So having a deaf character in the movie is genius 276 00:12:35,015 --> 00:12:38,015 because conflict is immediately established. 277 00:12:38,061 --> 00:12:42,461 [no sound] 278 00:12:42,500 --> 00:12:43,980 narrator: For much of the film, 279 00:12:44,024 --> 00:12:46,074 the monsters are only seen at a distance. 280 00:12:46,113 --> 00:12:47,813 - [roar] 281 00:12:50,204 --> 00:12:52,514 narrator: They're mysterious and unstoppable. 282 00:12:52,554 --> 00:12:53,994 ♪ 283 00:12:54,034 --> 00:12:57,214 - [snarling and roaring] 284 00:12:57,254 --> 00:12:59,174 - When you can't see them clearly, 285 00:12:59,213 --> 00:13:00,913 your imagination goes to work. 286 00:13:00,954 --> 00:13:02,394 What must they be like? 287 00:13:02,433 --> 00:13:04,003 How revolting are they? 288 00:13:05,872 --> 00:13:07,792 - [snarling] 289 00:13:07,830 --> 00:13:10,220 - "A Quiet Place" creature, at the end of the day, 290 00:13:10,267 --> 00:13:12,007 was an extremely fast, you know, 291 00:13:12,052 --> 00:13:15,972 a blur of-- of just limbs going by. 292 00:13:16,012 --> 00:13:19,362 So we looked at all sorts of creature forms, 293 00:13:19,407 --> 00:13:22,977 proportions, to try and find the right one for John. 294 00:13:23,019 --> 00:13:25,629 I saw those elements that he happened to like, 295 00:13:25,674 --> 00:13:28,634 these long attenuated front legs 296 00:13:28,677 --> 00:13:32,637 and kinda like that hyena low squat with the hind legs. 297 00:13:32,681 --> 00:13:34,731 - [snarls] 298 00:13:34,770 --> 00:13:36,900 narrator: To survive, the film's heroes 299 00:13:36,946 --> 00:13:39,726 have to find the monsters' hidden weakness. 300 00:13:39,775 --> 00:13:42,945 - There needs to be an Achilles' heel. 301 00:13:42,996 --> 00:13:47,166 If you can't kill it, then well, there's no real story. 302 00:13:47,217 --> 00:13:49,127 The Achilles' heel of this creature 303 00:13:49,176 --> 00:13:50,696 was the fact that it was a giant ear. 304 00:13:50,742 --> 00:13:53,752 [loud ticking] 305 00:13:53,789 --> 00:13:57,709 [timer ticking] 306 00:13:57,749 --> 00:13:59,399 [rings] 307 00:13:59,447 --> 00:14:01,927 - [snarls] 308 00:14:01,971 --> 00:14:05,891 - Having this Achilles' heel allowed there to be a way 309 00:14:05,932 --> 00:14:10,762 to have a narrative arc that we have this discovery, 310 00:14:10,806 --> 00:14:14,716 and we have a weapon now to hopefully take them down. 311 00:14:14,766 --> 00:14:17,026 [feedback tones] 312 00:14:17,073 --> 00:14:19,553 - [snarls] 313 00:14:25,908 --> 00:14:28,868 - And there's such an emotional charge at the end 314 00:14:28,911 --> 00:14:31,041 when Emily Blunt and her daughter 315 00:14:31,087 --> 00:14:33,087 discover how to take these things out. 316 00:14:33,133 --> 00:14:35,353 I saw the movie at South by Southwest 317 00:14:35,396 --> 00:14:38,826 and when she cocks that shotgun, 318 00:14:38,878 --> 00:14:42,488 the entire audience lost their minds 319 00:14:42,533 --> 00:14:46,673 because what Krasinski did so well 320 00:14:46,711 --> 00:14:49,671 is just take you on a very strong emotional journey 321 00:14:49,714 --> 00:14:51,934 and made it a great creature feature as well. 322 00:14:51,978 --> 00:14:55,718 narrator: "A Quiet Place" had a message about humanity 323 00:14:55,764 --> 00:14:58,074 that is now more relevant than ever. 324 00:14:58,114 --> 00:15:01,294 - What will save us in the end from destroying ourselves 325 00:15:01,335 --> 00:15:04,025 is our ability to adapt. 326 00:15:04,077 --> 00:15:08,557 Most species cannot do that. We can adapt to a new paradigm 327 00:15:08,603 --> 00:15:10,953 especially when survival is on the line. 328 00:15:10,997 --> 00:15:13,257 - [snarls] 329 00:15:13,303 --> 00:15:14,833 narrator: The aliens in "A Quiet Place" 330 00:15:14,870 --> 00:15:16,740 were forces of unstoppable evil. 331 00:15:18,961 --> 00:15:22,361 But one of the most famous monsters of all time 332 00:15:22,399 --> 00:15:26,269 is neither good nor evil-- he's simply Kong. 333 00:15:26,316 --> 00:15:27,536 - [roars] 334 00:15:31,582 --> 00:15:34,062 - He was a king in the world he knew, 335 00:15:34,107 --> 00:15:36,587 but he comes to you now a captive. 336 00:15:36,631 --> 00:15:38,371 Ladies and gentlemen, 337 00:15:38,415 --> 00:15:42,805 I give you, Kong, the eighth wonder of the world! 338 00:15:43,594 --> 00:15:44,254 - [roars] 339 00:15:44,291 --> 00:15:46,471 - [screams] 340 00:15:46,510 --> 00:15:49,470 narrator: From his star making first appearance in 1933... 341 00:15:52,299 --> 00:15:54,339 To his latest incarnation 342 00:15:54,388 --> 00:15:56,128 as an enormous hairy superhero... 343 00:15:56,172 --> 00:15:58,612 - [roars] 344 00:15:58,653 --> 00:16:00,523 King Kong has captured the imagination 345 00:16:00,568 --> 00:16:02,138 of every monster lover. 346 00:16:02,178 --> 00:16:05,048 [crowd screaming] 347 00:16:06,530 --> 00:16:08,660 What explains his enduring appeal, 348 00:16:08,706 --> 00:16:12,666 and why, despite its dated special effects, 349 00:16:12,710 --> 00:16:15,240 is the original "King Kong" 350 00:16:15,278 --> 00:16:17,538 still considered one of the greatest monster movies 351 00:16:17,585 --> 00:16:19,715 of all time? 352 00:16:19,761 --> 00:16:24,161 - The original 1933 Kong is-- it's the Beatles. 353 00:16:24,200 --> 00:16:26,200 You know? It's Elvis Presley, it's... 354 00:16:26,246 --> 00:16:27,896 This is what this is. 355 00:16:27,943 --> 00:16:30,473 This is the best version of this thing. 356 00:16:30,511 --> 00:16:32,121 narrator: The story is simple. 357 00:16:32,165 --> 00:16:34,245 A movie producer takes a film crew 358 00:16:34,297 --> 00:16:36,557 to an uncharted tropical island 359 00:16:36,604 --> 00:16:38,914 and discovers the ultimate special effect. 360 00:16:38,954 --> 00:16:40,874 [suspenseful music] 361 00:16:40,912 --> 00:16:42,522 - [screaming] 362 00:16:42,566 --> 00:16:44,606 The towering ape-like monster 363 00:16:44,655 --> 00:16:46,475 the natives call Kong. 364 00:16:46,527 --> 00:16:48,657 - [roars] 365 00:16:48,703 --> 00:16:50,363 - We came here to get a moving picture, 366 00:16:50,400 --> 00:16:51,580 and we found something worth more 367 00:16:51,619 --> 00:16:53,229 than all the movies in the world. 368 00:16:53,273 --> 00:16:55,543 narrator: He captures Kong and takes him to New York 369 00:16:55,579 --> 00:16:57,969 intending to exploit him for profit. 370 00:16:58,017 --> 00:17:01,057 Kong escapes but is undone 371 00:17:01,107 --> 00:17:04,327 by his affection for a dazzling starlet. 372 00:17:04,371 --> 00:17:08,681 In the early 1930s, no one had ever seen anything like it. 373 00:17:08,723 --> 00:17:11,473 "King Kong" was a smash. 374 00:17:13,249 --> 00:17:15,119 - Even though it was made in 1933, 375 00:17:15,164 --> 00:17:17,564 the effects, 376 00:17:17,601 --> 00:17:19,471 the stop-motion animation of the King Kong character 377 00:17:19,516 --> 00:17:22,686 by Willis O'Brien is just really incredibly entertaining. 378 00:17:23,520 --> 00:17:25,440 You know, he fights a giant snake. 379 00:17:25,479 --> 00:17:27,659 He fights an Allosaurus. 380 00:17:27,698 --> 00:17:30,048 He fights pterodactyl. 381 00:17:30,092 --> 00:17:31,662 There's all kinds of great shots 382 00:17:31,702 --> 00:17:33,492 of people being crushed by King Kong's foot. 383 00:17:33,530 --> 00:17:34,750 He's eating people. 384 00:17:34,792 --> 00:17:36,662 - Aah! 385 00:17:36,707 --> 00:17:38,927 - He's destroying things. 386 00:17:38,970 --> 00:17:41,020 So it's really a movie that really delivered. 387 00:17:47,849 --> 00:17:50,809 - There was something dark about it. 388 00:17:50,852 --> 00:17:53,642 The black and white just makes it otherworldly, 389 00:17:53,681 --> 00:17:56,951 and it's the weird sexual edge of it 390 00:17:56,988 --> 00:18:00,208 with Kong and, you know, Ann Darrow. 391 00:18:00,253 --> 00:18:02,263 None of the other movies ever came near it. 392 00:18:02,298 --> 00:18:04,778 - [screaming] 393 00:18:04,822 --> 00:18:07,352 - When you look at the white woman in peril, 394 00:18:07,390 --> 00:18:09,310 which was such a big deal 395 00:18:09,349 --> 00:18:12,089 back in the era when "King Kong" was made, 396 00:18:12,134 --> 00:18:16,144 this idea black male energy as a menace 397 00:18:16,182 --> 00:18:18,882 and as a menace specifically to white women, 398 00:18:18,923 --> 00:18:21,143 and "King Kong," 399 00:18:21,187 --> 00:18:25,147 it seems kind of obvious that there are racial undercurrents. 400 00:18:25,191 --> 00:18:26,631 - [screams] 401 00:18:26,670 --> 00:18:28,980 ♪ 402 00:18:29,020 --> 00:18:30,940 [crowd screaming] 403 00:18:30,979 --> 00:18:33,069 - It's complete metaphor 404 00:18:33,112 --> 00:18:35,552 for the tribulations of the black male 405 00:18:35,592 --> 00:18:38,032 in American white society. 406 00:18:38,073 --> 00:18:41,123 - [speaking German] 407 00:18:49,867 --> 00:18:51,127 - Ah! 408 00:18:51,173 --> 00:18:52,703 [laughs] 409 00:18:52,740 --> 00:18:55,050 - I know a lot of people watched "Inglourious Basterds" 410 00:18:55,090 --> 00:18:57,010 and after that card game, 411 00:18:57,048 --> 00:18:59,178 people went back, and they rewatched the film 412 00:18:59,225 --> 00:19:00,835 in a way that they never had before. 413 00:19:00,878 --> 00:19:02,488 - I'm sure there's quitea few subtextual writers 414 00:19:02,532 --> 00:19:04,582 who've written about itbefore "Basterds." 415 00:19:04,621 --> 00:19:05,621 - I'm not saying that you were the first one 416 00:19:05,666 --> 00:19:07,756 to write about it. - Yeah, yeah. 417 00:19:07,798 --> 00:19:09,408 - But you were the first one to put in a pop culture movie... 418 00:19:09,452 --> 00:19:10,672 - Put it in a pop culture... - That has nothing to do 419 00:19:10,714 --> 00:19:12,154 with King Kong or subtextual slavery. 420 00:19:12,194 --> 00:19:13,464 - Yeah, yeah. 421 00:19:13,500 --> 00:19:14,810 - You're just watching this war movie, 422 00:19:14,849 --> 00:19:16,019 and suddenly you get this nugget of information 423 00:19:16,067 --> 00:19:17,157 that really stuck with a lot of people. 424 00:19:17,199 --> 00:19:18,589 [horrific musical sting] 425 00:19:18,635 --> 00:19:20,545 narrator: Kong of 1933 426 00:19:20,594 --> 00:19:23,904 was created using stop-motion animation. 427 00:19:23,945 --> 00:19:26,295 Small figurines were fabricated, posed, 428 00:19:26,339 --> 00:19:28,559 and photographed one frame at a time, 429 00:19:28,602 --> 00:19:31,952 by cinematic pioneer Willis O'Brien. 430 00:19:31,996 --> 00:19:35,776 - The true auteur of "King Kong" 431 00:19:35,826 --> 00:19:37,476 is Willis O'Brien. 432 00:19:37,524 --> 00:19:39,534 Because if you look at 433 00:19:39,569 --> 00:19:41,919 the original posters of "King Kong," 434 00:19:41,963 --> 00:19:44,753 Kong is far more a monster 435 00:19:44,792 --> 00:19:46,492 and like, he has teeth, that like-- 436 00:19:46,533 --> 00:19:48,233 almost like a saber-toothed tiger. 437 00:19:48,274 --> 00:19:50,104 - Yeah, canine teeth, yeah. - The canine, rrr! 438 00:19:50,145 --> 00:19:53,925 Willis got rid of all of the monstrous touches, 439 00:19:53,975 --> 00:19:55,885 and the whole idea 440 00:19:55,933 --> 00:20:00,293 was to make him as human as possible, 441 00:20:00,329 --> 00:20:03,419 and so we respond to Kong, 442 00:20:03,463 --> 00:20:05,513 not as monster, but as a true character. 443 00:20:05,552 --> 00:20:08,252 That is why 444 00:20:08,294 --> 00:20:11,864 that movie not--not justa movie about a giant monkey. 445 00:20:11,906 --> 00:20:16,386 It's a character that hassurvived since the '30s 446 00:20:16,432 --> 00:20:18,912 as a pop cultural icon. 447 00:20:18,956 --> 00:20:21,866 - [roaring] 448 00:20:25,441 --> 00:20:28,141 - [screaming] 449 00:20:28,183 --> 00:20:30,273 narrator: "King Kong" was so iconic 450 00:20:30,316 --> 00:20:32,266 that no one dared to remake it 451 00:20:32,318 --> 00:20:34,758 until maverick producer Dino De Laurentiis 452 00:20:34,798 --> 00:20:37,108 mounted a production in the mid-1970s. 453 00:20:37,148 --> 00:20:38,978 [dark music] 454 00:20:39,020 --> 00:20:41,590 - My relationship with King Kong is-- 455 00:20:41,631 --> 00:20:45,461 started really with-- with the '70s "King Kong" 456 00:20:45,505 --> 00:20:49,115 with Jeff Bridges and Jessica Lange. 457 00:20:49,160 --> 00:20:51,690 That was amazing to me as a kid. 458 00:20:51,728 --> 00:20:54,078 - "King Kong" is mostly played by Rick Baker 459 00:20:54,122 --> 00:20:55,862 who is an incredible makeup artist. 460 00:20:55,906 --> 00:20:57,426 One of the great guys 461 00:20:57,473 --> 00:20:58,823 and built this incredible ape suit 462 00:20:58,866 --> 00:21:00,476 and really played the character of Kong. 463 00:21:00,520 --> 00:21:03,870 - He wore the mask, and of course, the eyes were his 464 00:21:03,914 --> 00:21:06,834 with contact lenses, and I think that was really key. 465 00:21:06,874 --> 00:21:09,364 You know, everything else, the facial movements, 466 00:21:09,398 --> 00:21:12,448 all of that was done via animatronics. 467 00:21:12,488 --> 00:21:15,138 [crowd screaming] 468 00:21:18,277 --> 00:21:21,757 narrator: In 2005, director Peter Jackson 469 00:21:21,802 --> 00:21:24,022 released a lavish remake of "King Kong" 470 00:21:24,065 --> 00:21:25,935 using photorealistic digital effects. 471 00:21:25,980 --> 00:21:28,030 - [growling] 472 00:21:28,069 --> 00:21:29,939 - I had the time of my life 473 00:21:29,984 --> 00:21:32,814 working on Peter Jackson's "King Kong." 474 00:21:32,856 --> 00:21:35,726 [grand music] 475 00:21:35,772 --> 00:21:39,472 It was his, like, love letter to this old masterpiece. 476 00:21:39,515 --> 00:21:41,685 narrator: Jackson's Kong was in a way 477 00:21:41,735 --> 00:21:43,905 played by another man in a suit-- 478 00:21:43,954 --> 00:21:47,924 a motion capture suit worn by actor Andy Serkis. 479 00:21:47,958 --> 00:21:51,528 Serkis's performance was painted over by a computer 480 00:21:51,571 --> 00:21:54,621 then placed in digital environments. 481 00:21:54,661 --> 00:21:56,581 The technology had changed, 482 00:21:56,619 --> 00:21:59,359 but the story followed the same tragic arc. 483 00:21:59,405 --> 00:22:01,355 - [roars] 484 00:22:01,407 --> 00:22:03,227 [dramatic music] 485 00:22:03,278 --> 00:22:05,718 - I don't think of King Kong as a monster 486 00:22:05,759 --> 00:22:07,719 because you love him. 487 00:22:07,761 --> 00:22:10,371 ♪ 488 00:22:10,416 --> 00:22:12,026 - [roars] 489 00:22:12,069 --> 00:22:14,549 - He's--he's got--he's got a sweetness to him. 490 00:22:14,594 --> 00:22:16,384 You kind of root for him, 491 00:22:16,422 --> 00:22:20,642 and the real monsters are those bastards shooting him. 492 00:22:20,687 --> 00:22:23,947 - Well, gentlemen, the airplanes got him. 493 00:22:23,994 --> 00:22:26,134 [somber music] 494 00:22:26,170 --> 00:22:28,650 - Oh, no.It wasn't the airplanes. 495 00:22:28,695 --> 00:22:31,865 It was beauty killed the beast. 496 00:22:31,915 --> 00:22:33,345 ♪ 497 00:22:33,395 --> 00:22:35,395 - Fly, fly! Three... 498 00:22:35,441 --> 00:22:38,101 - But no monster with good box office truly dies. 499 00:22:38,139 --> 00:22:42,099 - [roaring] 500 00:22:43,144 --> 00:22:44,754 [both screaming] 501 00:22:44,798 --> 00:22:47,708 - [roars] 502 00:22:47,757 --> 00:22:50,587 - "Kong on Skull Island." Like, I watched it, 503 00:22:50,630 --> 00:22:52,200 and I thought, "These fight scenes when he's fight-- 504 00:22:52,240 --> 00:22:53,890 are so spectacular..." 505 00:22:59,378 --> 00:23:01,858 "But I feel like I don't care 506 00:23:01,902 --> 00:23:02,952 that I'm watching it at the same time." 507 00:23:06,036 --> 00:23:08,036 Like, it looks incredible, 508 00:23:08,082 --> 00:23:10,742 but I think it just looks so incredible 509 00:23:10,780 --> 00:23:13,910 that it's, you know, it's kinda like... 510 00:23:13,957 --> 00:23:15,607 sometimes you see an old black and white photo 511 00:23:15,655 --> 00:23:17,085 that's out of focus, 512 00:23:17,134 --> 00:23:18,314 and there's just something about it. 513 00:23:18,353 --> 00:23:20,963 - Each remake of it comes out 514 00:23:21,008 --> 00:23:24,138 and within ten years it is made obsolete. 515 00:23:24,185 --> 00:23:26,225 [suspenseful music] 516 00:23:26,274 --> 00:23:28,584 Because all their special effects have moved on, 517 00:23:28,624 --> 00:23:30,374 and now it's a whole different thing. 518 00:23:30,409 --> 00:23:33,719 But the original "King Kong" always will be a go-to 519 00:23:33,760 --> 00:23:36,330 to both film fans, children seeing the movie, 520 00:23:36,371 --> 00:23:37,851 anything. 521 00:23:37,894 --> 00:23:42,254 - [roaring] 522 00:23:42,290 --> 00:23:44,900 narrator: It took decades for other giant creatures 523 00:23:44,945 --> 00:23:47,855 to challenge King Kong's place on the monster throne. 524 00:23:50,298 --> 00:23:52,818 When they came, they came in droves. 525 00:23:52,866 --> 00:23:56,296 - [roaring] 526 00:24:02,919 --> 00:24:05,269 narrator: The Japanese have a word for them... 527 00:24:05,313 --> 00:24:07,973 [crowd screaming] - [roars] 528 00:24:08,011 --> 00:24:10,231 narrator: Kaiju. 529 00:24:10,274 --> 00:24:11,974 Giant monsters. 530 00:24:12,015 --> 00:24:15,105 [dramatic music] 531 00:24:15,149 --> 00:24:18,939 Oversized and unstoppable, the spawn of the atomic age 532 00:24:18,979 --> 00:24:21,979 have rampaged across movie screens for nearly 70 years. 533 00:24:26,116 --> 00:24:30,686 - You know the atomic bomb brought World War II to an end, 534 00:24:30,730 --> 00:24:32,990 but on one level, it didn't. 535 00:24:36,736 --> 00:24:39,866 It was just the beginning of new anxieties 536 00:24:39,913 --> 00:24:42,183 and new fears 537 00:24:42,219 --> 00:24:44,789 and the prospect of an even more terrifying war to come. 538 00:24:44,831 --> 00:24:48,531 This was where the very new and original 539 00:24:48,574 --> 00:24:51,794 kinds of, uh, fright films of the 1950s 540 00:24:51,838 --> 00:24:54,228 came from--atomic anxieties. 541 00:24:55,755 --> 00:24:58,405 - Five, four, three, 542 00:24:58,453 --> 00:25:00,673 two, one. 543 00:25:00,716 --> 00:25:07,586 ♪ 544 00:25:09,116 --> 00:25:11,066 narrator: To Japanese audiences, 545 00:25:11,118 --> 00:25:14,508 the nightmarish imagery of Ishiro Honda's "Godzilla" 546 00:25:14,556 --> 00:25:16,906 was a jarring reminder of a national trauma. 547 00:25:19,300 --> 00:25:21,430 It was made just after nine years 548 00:25:21,476 --> 00:25:24,306 after atomic bombs leveled the cities of Hiroshima 549 00:25:24,348 --> 00:25:25,698 and Nagasaki. 550 00:25:25,741 --> 00:25:27,571 - [roars] 551 00:25:27,613 --> 00:25:30,573 ♪ 552 00:25:30,616 --> 00:25:32,266 [crowd screaming] 553 00:25:32,313 --> 00:25:33,713 narrator: The film begins 554 00:25:33,749 --> 00:25:35,319 when an H-bomb test rouses Godzilla... 555 00:25:35,359 --> 00:25:38,009 - [roars] - [screams] 556 00:25:38,058 --> 00:25:39,968 narrator: A radioactive monster 557 00:25:40,016 --> 00:25:42,576 addicted to mass destruction. 558 00:25:42,628 --> 00:25:45,278 Haunted scientist, Dr. Serizawa, 559 00:25:45,326 --> 00:25:48,016 has invented a device that could stop the monster 560 00:25:48,068 --> 00:25:49,938 but he's afraid his invention 561 00:25:49,983 --> 00:25:51,773 will be turned into another super weapon. 562 00:25:51,811 --> 00:25:53,941 - [speaking Japanese] 563 00:26:00,820 --> 00:26:02,210 - It was a very somber film, 564 00:26:02,256 --> 00:26:03,606 and there was nothing campy 565 00:26:03,649 --> 00:26:05,389 about that very first Godzilla film. 566 00:26:05,433 --> 00:26:08,523 It's a very disturbing film, even today. 567 00:26:08,567 --> 00:26:12,007 narrator: In the end, Serizawa kills the monster and himself 568 00:26:12,048 --> 00:26:14,698 taking his lethal invention to his grave. 569 00:26:14,747 --> 00:26:17,787 - [speaking Japanese] 570 00:26:18,968 --> 00:26:22,488 - This was a movie that really caught the zeitgeist of Japan, 571 00:26:22,537 --> 00:26:24,227 postwar Japan, 572 00:26:24,278 --> 00:26:27,058 and it's interesting that none of the other Godzilla pictures 573 00:26:27,107 --> 00:26:28,797 are as serious as the first one. 574 00:26:28,848 --> 00:26:31,888 - [roaring] 575 00:26:31,938 --> 00:26:35,588 - They're all kind of stepping on tanks, you know, basic. 576 00:26:37,508 --> 00:26:39,598 narrator: "Godzilla's" enormous popularity 577 00:26:39,641 --> 00:26:42,381 at the box office brought the monster back to life 578 00:26:42,426 --> 00:26:43,986 for a series of entertaining 579 00:26:44,037 --> 00:26:46,517 but increasingly outlandish sequels. 580 00:26:52,175 --> 00:26:54,045 - With sequel after sequel 581 00:26:54,090 --> 00:26:56,440 and reappearance after reappearance, 582 00:26:56,484 --> 00:26:58,664 uh, Godzilla ultimately became 583 00:26:58,704 --> 00:27:01,324 a kind of a creature of-- of fun. 584 00:27:01,358 --> 00:27:04,488 - [roaring] - [roaring] 585 00:27:04,884 --> 00:27:06,634 - Only then to be, uh, 586 00:27:06,668 --> 00:27:08,628 resurrected as a terrifying monster again. 587 00:27:15,068 --> 00:27:17,548 So it's like there's a pendulum swing 588 00:27:17,592 --> 00:27:19,772 with--with monsters. 589 00:27:19,812 --> 00:27:22,512 narrator: Godzilla used the figure of the monster 590 00:27:22,553 --> 00:27:25,083 as a stand-in for manmade disaster. 591 00:27:25,121 --> 00:27:26,731 ♪ 592 00:27:26,775 --> 00:27:30,515 [crowd screaming] 593 00:27:30,561 --> 00:27:32,781 The same can be said of "Cloverfield." 594 00:27:32,825 --> 00:27:36,125 - [roars] 595 00:27:36,176 --> 00:27:38,346 - "Cloverfield" is probably one of my favorite monster movies 596 00:27:38,395 --> 00:27:39,395 of recent memory. 597 00:27:39,440 --> 00:27:41,270 [group screaming] 598 00:27:41,311 --> 00:27:44,711 Take "Godzilla" but filter it through a found footage movie 599 00:27:44,750 --> 00:27:47,840 and make it feel very grounded and feel very real. 600 00:27:47,883 --> 00:27:49,713 [crowd screaming] 601 00:27:49,755 --> 00:27:51,705 narrator: "Cloverfield" tells the story 602 00:27:51,757 --> 00:27:53,577 of a group of friends trying to survive 603 00:27:53,628 --> 00:27:56,198 a giant monster attack on New York City. 604 00:27:56,239 --> 00:27:59,159 [crowd screaming] 605 00:28:02,115 --> 00:28:05,635 The shaky handheld footage is unmistakably similar 606 00:28:05,684 --> 00:28:08,254 to the videos shot during the terrorist attacks 607 00:28:08,295 --> 00:28:10,555 of September 11th, 2001. 608 00:28:10,601 --> 00:28:13,601 [crowd screaming] 609 00:28:13,648 --> 00:28:17,258 The Cloverfield monster was an all CGI creation 610 00:28:17,304 --> 00:28:19,744 conceived by producer J.J. Abrams 611 00:28:19,785 --> 00:28:22,135 and designed by producer Neville Page. 612 00:28:22,178 --> 00:28:25,048 - J.J. didn't really specify at the beginning anything 613 00:28:25,094 --> 00:28:28,624 other than he wanted it to be large and terrifying. 614 00:28:33,015 --> 00:28:38,235 It's a newborn, and this infant is horrified 615 00:28:38,281 --> 00:28:41,421 and afraid of this new world that's going on around him, 616 00:28:41,458 --> 00:28:44,418 and that gave us motivation to crash into buildings. 617 00:28:44,461 --> 00:28:46,161 As it's turning around, it's clumsy. 618 00:28:46,202 --> 00:28:49,342 It's just starting to develop its ability to walk. 619 00:28:49,379 --> 00:28:51,599 - They just hit! They hit it with-- 620 00:28:51,642 --> 00:28:54,172 Oh, my God! 621 00:28:54,210 --> 00:28:56,300 narrator: Tapping into the memories of the chaos 622 00:28:56,343 --> 00:28:58,003 of the 9/11 attacks 623 00:28:58,040 --> 00:29:00,390 grounded "Cloverfield" in real life horror. 624 00:29:00,434 --> 00:29:02,524 - Oh my God. 625 00:29:04,568 --> 00:29:06,608 narrator: And it gave audiences a safe way 626 00:29:06,657 --> 00:29:09,397 to deal with national trauma. 627 00:29:09,443 --> 00:29:10,713 - As a film maker, as a storyteller, 628 00:29:10,749 --> 00:29:12,399 writer, or whatever it is, 629 00:29:13,229 --> 00:29:15,929 you will be fed with the emotions 630 00:29:15,971 --> 00:29:18,501 of the world you live in at the time, 631 00:29:18,539 --> 00:29:20,799 and it will come out somehow creatively. 632 00:29:20,846 --> 00:29:22,406 Definitely the horror movies in general 633 00:29:22,456 --> 00:29:25,366 and possibly also monsters more specifically 634 00:29:25,415 --> 00:29:27,765 are a product of their world. 635 00:29:33,032 --> 00:29:34,292 narrator: In the paranoid world 636 00:29:34,337 --> 00:29:36,077 of John Carpenter's "The Thing," 637 00:29:36,122 --> 00:29:38,912 anyone can be a monster in disguise. 638 00:29:38,951 --> 00:29:40,601 - Aah! 639 00:29:40,648 --> 00:29:41,868 [horrific musical sting] 640 00:29:46,306 --> 00:29:49,176 narrator: In the early days of movies, 641 00:29:49,222 --> 00:29:52,702 monsters were distorted versions of humans, 642 00:29:52,747 --> 00:29:55,967 actors concealed under incredible makeup. 643 00:29:57,404 --> 00:29:59,364 narrator: By the 1950s, 644 00:29:59,406 --> 00:30:02,446 the state of the art was the full body monster suit 645 00:30:02,496 --> 00:30:05,666 as well as the giant creatures made out of papier-mâché. 646 00:30:05,716 --> 00:30:07,366 ♪ 647 00:30:07,414 --> 00:30:08,684 [horrific musical sting] 648 00:30:08,719 --> 00:30:10,589 [both screaming] 649 00:30:10,634 --> 00:30:15,204 In the 1980s, there was another seismic shift. 650 00:30:15,248 --> 00:30:17,768 New materials let special effects artists 651 00:30:17,816 --> 00:30:21,116 upgrade the rubber monster suits with robotic parts 652 00:30:21,167 --> 00:30:23,387 leading to amazing creations 653 00:30:23,430 --> 00:30:25,520 like Stan Winston's "Pumpkinhead." 654 00:30:29,610 --> 00:30:32,790 And the queen mother in James Cameron's "Aliens." 655 00:30:32,831 --> 00:30:36,181 ♪ 656 00:30:36,225 --> 00:30:37,785 The era's crowning achievement 657 00:30:37,836 --> 00:30:40,006 was John Carpenter's "The Thing"... 658 00:30:40,055 --> 00:30:43,575 - [snarling] 659 00:30:43,624 --> 00:30:45,194 narrator: What many consider 660 00:30:45,234 --> 00:30:48,114 the greatest monster movie of all time. 661 00:30:48,150 --> 00:30:51,550 12 men stationed in an Antarctica weather base 662 00:30:51,588 --> 00:30:54,068 find themselves under siege 663 00:30:54,113 --> 00:30:56,253 by a shapeshifting monster. 664 00:30:56,289 --> 00:31:00,209 It infiltrates the base disguised as a friendly Husky, 665 00:31:00,249 --> 00:31:02,899 but this is a very bad dog. 666 00:31:02,948 --> 00:31:05,908 [dogs barking] 667 00:31:05,951 --> 00:31:07,821 [scary music] 668 00:31:07,866 --> 00:31:10,736 - The creature effects were so mind blowing 669 00:31:10,781 --> 00:31:12,961 and so outrageous 670 00:31:13,001 --> 00:31:16,401 because there were no rules to the monster. 671 00:31:16,439 --> 00:31:19,229 [dogs barking] 672 00:31:19,790 --> 00:31:22,580 - So the first time that the dog goes into the kennel 673 00:31:22,619 --> 00:31:25,929 and splits open and just starts turning into the-- 674 00:31:25,971 --> 00:31:28,281 I didn't even know where to look or what to think. 675 00:31:28,321 --> 00:31:31,671 - [roars] 676 00:31:31,715 --> 00:31:34,625 narrator: Special effects wizard Rob Bottin 677 00:31:34,675 --> 00:31:37,065 created an ever-changing monster. 678 00:31:37,112 --> 00:31:38,902 [skeleton crackling] 679 00:31:38,940 --> 00:31:42,470 An alien shape-shifter that absorbed bits and pieces 680 00:31:42,509 --> 00:31:43,949 of life forms from around the galaxy 681 00:31:43,989 --> 00:31:46,859 and can imitate anything it touches. 682 00:31:46,905 --> 00:31:48,555 - [bellows] 683 00:31:48,602 --> 00:31:50,082 - What's great about that film 684 00:31:50,125 --> 00:31:51,255 and the creature designs in "The Thing" 685 00:31:51,300 --> 00:31:53,910 is the fact that 686 00:31:53,955 --> 00:31:56,215 it's trying to evolve in a very short period of time, 687 00:31:56,262 --> 00:31:58,832 and each version, it's a bit of a mess. 688 00:31:58,873 --> 00:32:01,793 - [roaring] 689 00:32:03,138 --> 00:32:05,008 [chirping] 690 00:32:06,011 --> 00:32:08,231 [screeching] 691 00:32:08,274 --> 00:32:11,324 - And that's also what lends itself to be so horrifying 692 00:32:11,364 --> 00:32:14,064 because if it came out as a fully resolved creature, 693 00:32:14,106 --> 00:32:16,666 I don't think that would've been anywhere near as scary 694 00:32:16,717 --> 00:32:19,457 as these mutations that you felt the pain of it, 695 00:32:19,502 --> 00:32:21,422 even an alien, 696 00:32:21,461 --> 00:32:23,031 that it's assimilating these people. 697 00:32:23,071 --> 00:32:25,901 You felt the pain that it's not quite figured out how to be, 698 00:32:25,944 --> 00:32:27,644 uh, fully resolved. 699 00:32:30,035 --> 00:32:32,115 - [gagging] 700 00:32:32,167 --> 00:32:33,907 narrator: Trapped in a nightmare, 701 00:32:33,952 --> 00:32:36,612 the men are consumed by fear and paranoia. 702 00:32:36,650 --> 00:32:39,350 [overlapping yelling] 703 00:32:39,392 --> 00:32:40,612 narrator: Any one of them 704 00:32:40,654 --> 00:32:42,534 could be the monster in disguise. 705 00:32:42,569 --> 00:32:45,439 - It all kinda deals with the fear of conformity 706 00:32:45,485 --> 00:32:47,525 but also trusting people. 707 00:32:47,574 --> 00:32:49,664 I think that's a thing that a lot of people fear, 708 00:32:49,706 --> 00:32:51,056 you know? 709 00:32:51,099 --> 00:32:53,059 - Trust is a tough thing to come by these days. 710 00:32:53,101 --> 00:32:56,241 - "The Thing," for a film 711 00:32:56,278 --> 00:32:59,058 that has some of the best monster effects of all time, 712 00:32:59,107 --> 00:33:00,797 even by today's standards, 713 00:33:00,848 --> 00:33:03,018 still the most tense scene 714 00:33:03,068 --> 00:33:04,718 revolves around them giving a blood test. 715 00:33:04,765 --> 00:33:08,415 - You see, when a man bleeds, 716 00:33:08,464 --> 00:33:10,774 it's just tissue. 717 00:33:10,814 --> 00:33:12,644 [tense music] 718 00:33:12,686 --> 00:33:14,166 But blood from one of you things 719 00:33:14,209 --> 00:33:16,039 won't obey when it's attacked. 720 00:33:16,081 --> 00:33:20,131 - Because you haven't seen, like, a massive, um, 721 00:33:20,172 --> 00:33:21,612 shapeshifting monster in your lifetime, 722 00:33:21,651 --> 00:33:23,571 but everybody's cut their thumb. 723 00:33:23,610 --> 00:33:25,180 Everybody knows what that feels like. 724 00:33:25,220 --> 00:33:30,230 ♪ 725 00:33:30,269 --> 00:33:33,269 - They're seeing who's the monster, 726 00:33:33,315 --> 00:33:37,015 and that's a beautiful analogy of, you know, life, 727 00:33:37,058 --> 00:33:38,968 like, you know, the banality of evil. 728 00:33:39,017 --> 00:33:41,277 You could--the monster could be sitting right here. 729 00:33:41,323 --> 00:33:43,933 Ted Bundy looked like a normal guy. 730 00:33:43,978 --> 00:33:46,068 - Palmer now. 731 00:33:46,111 --> 00:33:48,641 - The climax is in such a great shock 732 00:33:48,678 --> 00:33:50,898 where they're holding the Petri dish. 733 00:33:50,941 --> 00:33:52,421 It wasn't until I watched it for the third time 734 00:33:52,465 --> 00:33:54,075 that I realized, 735 00:33:54,119 --> 00:33:55,599 "Oh, this is like a fake hand that he's holding," 736 00:33:55,642 --> 00:33:58,432 and it's a fake hand because a monster is gonna go whaaaa 737 00:33:58,471 --> 00:33:59,731 out of the Petri dish. 738 00:33:59,776 --> 00:34:01,946 - We'll do you last. 739 00:34:01,996 --> 00:34:03,736 - [screeches] 740 00:34:03,780 --> 00:34:06,870 ♪ 741 00:34:06,914 --> 00:34:09,574 - I've always been a big proponent of special effects 742 00:34:09,612 --> 00:34:12,052 that are practical, that happen on the set. 743 00:34:15,923 --> 00:34:20,453 In "The Thing" the chest that splits open 744 00:34:20,493 --> 00:34:23,153 really sort of amazed everybody 745 00:34:23,191 --> 00:34:25,111 standing around. 746 00:34:25,150 --> 00:34:26,590 - Clear. - Clear. 747 00:34:26,629 --> 00:34:29,979 - [bellowing] - [screaming] 748 00:34:30,851 --> 00:34:33,901 - As a result, you get a reaction I think, 749 00:34:33,941 --> 00:34:36,071 from the--from the characters and the actors 750 00:34:36,117 --> 00:34:38,117 that is a lot more significant 751 00:34:38,163 --> 00:34:40,033 than if they were just looking at a green object. 752 00:34:40,078 --> 00:34:42,778 [dramatic music] 753 00:34:42,819 --> 00:34:44,649 narrator: For an aggressively violent film, 754 00:34:44,691 --> 00:34:47,561 "The Thing" ends on a note of quiet paranoia-- 755 00:34:47,607 --> 00:34:49,777 two men about to die, 756 00:34:49,826 --> 00:34:52,786 neither one sure if the other is the monster. 757 00:34:52,829 --> 00:34:55,179 - Won't last long though. 758 00:34:55,223 --> 00:34:57,923 - Neither will we. 759 00:34:57,965 --> 00:35:00,915 narrator: "The Thing" is now considered a classic, 760 00:35:00,968 --> 00:35:04,448 but the film's horrific imagery did not go over well 761 00:35:04,493 --> 00:35:06,233 in 1982. 762 00:35:06,278 --> 00:35:08,928 - Well, "The Thing" had the unfortunate bad luck 763 00:35:08,976 --> 00:35:11,936 to come right after "E.T.," 764 00:35:11,979 --> 00:35:14,329 and people were looking for lovable aliens, 765 00:35:14,373 --> 00:35:17,463 and they certainly didn't get any in "The Thing." 766 00:35:20,988 --> 00:35:23,988 I just remember how devastated everybody was 767 00:35:24,034 --> 00:35:26,474 that the picture didn't-- not only didn't it open, 768 00:35:26,515 --> 00:35:28,815 it got bad reviews. 769 00:35:28,865 --> 00:35:30,515 People were saying, you know, 770 00:35:30,563 --> 00:35:32,703 "This is--this is practically pornography, 771 00:35:32,739 --> 00:35:34,219 this is so violent." 772 00:35:34,262 --> 00:35:36,052 Honestly, it's stood the test of time 773 00:35:36,090 --> 00:35:38,010 and now, you know, people have a chance to appreciate it. 774 00:35:38,048 --> 00:35:40,878 - Aah! 775 00:35:40,921 --> 00:35:43,491 narrator: Today the ever-improving quality 776 00:35:43,532 --> 00:35:45,582 of digital effects makes it possible 777 00:35:45,621 --> 00:35:48,021 to bring even stranger monsters to the screen... 778 00:35:48,058 --> 00:35:49,758 - [cries] 779 00:35:49,799 --> 00:35:51,889 narrator: Drawn from the darkest parts of our psyches. 780 00:35:51,932 --> 00:35:53,192 - [roars] 781 00:35:57,242 --> 00:35:59,032 - Stop following me! 782 00:35:59,069 --> 00:36:01,459 - I'm gonna--I'm gonna get you outta here. 783 00:36:06,990 --> 00:36:10,340 narrator: Two recent films, "It Chapter Two..." 784 00:36:10,385 --> 00:36:13,385 - [screams] - [screams] 785 00:36:13,432 --> 00:36:17,522 narrator: And "Scary Stories to Tell in the Dark..." 786 00:36:17,566 --> 00:36:20,216 Are the state of the art of modern monster movies. 787 00:36:20,265 --> 00:36:22,215 - [screams] 788 00:36:22,267 --> 00:36:23,957 narrator: Both tell supernatural stories 789 00:36:24,007 --> 00:36:26,097 about human fear, 790 00:36:26,140 --> 00:36:29,230 and both blend practical effects with computer graphics 791 00:36:29,274 --> 00:36:31,014 to push creature design to the limit. 792 00:36:31,058 --> 00:36:34,238 - [shrieks] 793 00:36:34,279 --> 00:36:37,019 - I know it's kind of in vogue to sort of crap on CG 794 00:36:37,064 --> 00:36:38,594 and just go to practical, 795 00:36:38,631 --> 00:36:40,241 but not all practical effects look great, you know? 796 00:36:40,285 --> 00:36:42,545 So it is finding the balance between the two, 797 00:36:42,591 --> 00:36:44,331 but when you solely rely on one or the other, 798 00:36:44,376 --> 00:36:46,156 I do think they kind of need each other. 799 00:36:46,204 --> 00:36:48,904 narrator: Adapted from the popular children's books, 800 00:36:48,945 --> 00:36:51,815 "Scary Stories to Tell in the Dark" 801 00:36:51,861 --> 00:36:55,431 follows a group of teenagers who break into a haunted house 802 00:36:55,474 --> 00:36:57,654 and discover a book that seems to write itself. 803 00:36:57,693 --> 00:37:00,353 - Oh, my God. 804 00:37:00,392 --> 00:37:02,182 narrator: Over the next five days, 805 00:37:02,220 --> 00:37:04,270 the unlucky teens fall victim 806 00:37:04,309 --> 00:37:07,439 to a rogues' gallery of monsters. 807 00:37:07,486 --> 00:37:10,786 - It has all these amazing creatures 808 00:37:10,837 --> 00:37:14,277 that Stephen Gammell drew for the books, 809 00:37:14,319 --> 00:37:17,319 and we just really made sure 810 00:37:17,365 --> 00:37:20,235 that what we put in the movie was that. 811 00:37:20,281 --> 00:37:22,111 - [screams] - [screams] 812 00:37:22,152 --> 00:37:24,852 - We didn't want to reinvent the wheel here. 813 00:37:24,894 --> 00:37:26,904 narrator: One of the most innovative monsters 814 00:37:26,940 --> 00:37:30,550 in the film is the Jangly Man... 815 00:37:30,596 --> 00:37:34,296 a creature that assembles and reassembles itself. 816 00:37:34,339 --> 00:37:38,339 ♪ 817 00:37:38,386 --> 00:37:41,166 - The Jangly Man was really tough because we had to, like, 818 00:37:41,215 --> 00:37:43,645 he was gonna be so twisty and body parts 819 00:37:43,696 --> 00:37:45,606 and coming together and doing all this and that. 820 00:37:45,654 --> 00:37:48,574 So the combination of real effects, 821 00:37:48,614 --> 00:37:50,884 an amazing contortionist, 822 00:37:50,920 --> 00:37:53,270 and some digital enhancements. 823 00:37:53,314 --> 00:37:54,884 - [snarls] 824 00:37:54,924 --> 00:37:58,284 - To create what we were hoping for--an iconic face 825 00:37:58,319 --> 00:38:01,579 and design, then make that come alive, 826 00:38:01,627 --> 00:38:03,457 and there was a lot of challenges to that. 827 00:38:03,498 --> 00:38:05,018 - [screams] 828 00:38:05,065 --> 00:38:07,235 narrator: The monsters in "Scary Stories" 829 00:38:07,285 --> 00:38:10,765 are all grotesque embodiments of teenage anxiety. 830 00:38:10,810 --> 00:38:12,510 - Aah, aah! 831 00:38:12,551 --> 00:38:13,731 narrator: From being suffocated 832 00:38:13,769 --> 00:38:14,809 by a mother's love... 833 00:38:14,857 --> 00:38:17,117 - [heavy breathing] 834 00:38:17,164 --> 00:38:18,694 narrator: To being disfigured 835 00:38:18,731 --> 00:38:20,521 by the world's angriest pimple. 836 00:38:20,559 --> 00:38:22,339 - [moans] 837 00:38:24,302 --> 00:38:26,352 [screaming] 838 00:38:26,391 --> 00:38:28,571 narrator: Confronting the fears of youth 839 00:38:28,610 --> 00:38:31,790 is also the central theme of "It Chapter Two," 840 00:38:31,831 --> 00:38:35,531 the sequel to Andy Muschietti's 2017 adaptation 841 00:38:35,574 --> 00:38:37,274 of Stephen King's "It." 842 00:38:37,315 --> 00:38:38,925 - [screeches] 843 00:38:38,968 --> 00:38:40,878 - [screams] - Give me fat boy. 844 00:38:40,927 --> 00:38:43,357 [screams] 845 00:38:43,408 --> 00:38:46,498 narrator: The now adult members of the Losers Club 846 00:38:46,541 --> 00:38:48,671 return to the town of Derry, Maine 847 00:38:48,717 --> 00:38:51,457 to do final battle against their childhood nemesis. 848 00:38:51,503 --> 00:38:54,903 - Your dirty little secret... 849 00:38:54,941 --> 00:38:56,861 narrator: Pennywise the clown. 850 00:38:56,899 --> 00:38:59,859 - One-nuh... 851 00:38:59,902 --> 00:39:02,382 narrator: Bill Skarsgard once again 852 00:39:02,427 --> 00:39:04,647 plays the demonic shapeshifter Pennywise. 853 00:39:04,690 --> 00:39:06,910 - You're supposed to say three. 854 00:39:06,953 --> 00:39:09,093 narrator: With the help of CGI, 855 00:39:09,129 --> 00:39:12,179 his body constantly twists and morphs 856 00:39:12,219 --> 00:39:16,049 into terrible new shapes that match his victims' fears. 857 00:39:16,092 --> 00:39:17,492 - [screams] 858 00:39:17,529 --> 00:39:19,659 - I go practical as much as--as I can, 859 00:39:19,705 --> 00:39:21,355 but there's a limit, 860 00:39:21,750 --> 00:39:23,230 and like, a lot of people complain about CG, 861 00:39:23,273 --> 00:39:25,103 but CG can be great 862 00:39:25,145 --> 00:39:28,235 if you bring an original design 863 00:39:28,278 --> 00:39:30,758 and it's, like, executed properly. 864 00:39:30,803 --> 00:39:32,983 - [grunting] 865 00:39:33,022 --> 00:39:34,502 - I tend to draw a lot. 866 00:39:36,591 --> 00:39:40,071 All the creatures that appear in my movies, I sketch first. 867 00:39:40,116 --> 00:39:42,156 - [groaning] 868 00:39:42,205 --> 00:39:45,295 narrator: One creature effect calls back to a famous monster 869 00:39:45,339 --> 00:39:46,689 of the movies. 870 00:39:46,732 --> 00:39:48,042 - I love horror movies. 871 00:39:48,081 --> 00:39:50,081 I love--I grew up loving monster movies 872 00:39:50,126 --> 00:39:52,256 and loving those kind of-- those kind of films, 873 00:39:52,302 --> 00:39:54,222 and I was like, well, if you have a, you know, 874 00:39:54,261 --> 00:39:56,391 head that turns into a spider, 875 00:39:56,437 --> 00:39:57,437 I mean, that's from "The Thing." 876 00:39:57,482 --> 00:39:59,572 - [snarls] 877 00:39:59,614 --> 00:40:01,534 - And Andy was like, "Yeah, yeah, I know, yeah." 878 00:40:01,573 --> 00:40:02,923 And we talked about it, and I was like, 879 00:40:02,965 --> 00:40:06,265 I should say... - You gotta be [...] kidding. 880 00:40:06,316 --> 00:40:09,356 - And I remember we watched it on my phone, 881 00:40:09,407 --> 00:40:11,227 you know, to make sure we got the line right, 882 00:40:11,278 --> 00:40:13,278 and I said it in the right cadence. 883 00:40:13,323 --> 00:40:15,633 You gotta be [...] kidding. 884 00:40:15,674 --> 00:40:19,424 - [laughing] 885 00:40:20,505 --> 00:40:22,245 [screaming] - [roars] 886 00:40:22,289 --> 00:40:24,069 - You're a weak old woman. 887 00:40:24,117 --> 00:40:25,637 narrator: At the epic conclusion 888 00:40:25,684 --> 00:40:27,514 of "It Chapter Two," 889 00:40:27,555 --> 00:40:30,775 the Losers Club finds the monster's Achilles' heel, 890 00:40:30,819 --> 00:40:33,519 and they turn their own fears against him. 891 00:40:33,561 --> 00:40:36,001 [all chanting] 892 00:40:36,042 --> 00:40:37,912 - That's what both "It" movies are. 893 00:40:37,957 --> 00:40:41,087 It's about people living in fear 894 00:40:41,134 --> 00:40:45,314 and what the horrible things we do as--as human beings. 895 00:40:45,355 --> 00:40:47,965 Pennywise is 896 00:40:48,010 --> 00:40:50,190 the representation of fear. 897 00:40:50,230 --> 00:40:52,010 [horrific musical sting] 898 00:40:52,058 --> 00:40:54,018 - [cries] 899 00:40:54,060 --> 00:40:55,760 - [laughs] 900 00:40:55,801 --> 00:40:57,501 - That's why we make movies. 901 00:40:57,542 --> 00:40:59,502 We want to people to see these movies 902 00:40:59,544 --> 00:41:02,204 and try to understand 903 00:41:02,242 --> 00:41:05,642 that that's the worst thing we can do, live in fear. 904 00:41:05,680 --> 00:41:07,510 - [snarls] - [screams] 905 00:41:07,552 --> 00:41:08,992 - [snarls] 906 00:41:09,031 --> 00:41:10,081 - [screams] 907 00:41:10,119 --> 00:41:12,119 - [grunts] 908 00:41:12,165 --> 00:41:14,205 narrator: The monsters of the movies are from outer space... 909 00:41:14,254 --> 00:41:16,174 - [snarls] 910 00:41:16,212 --> 00:41:17,952 - [snarls] 911 00:41:17,997 --> 00:41:20,347 narrator: The creations of magic... 912 00:41:20,390 --> 00:41:22,650 or the products of science gone wrong... 913 00:41:22,697 --> 00:41:25,347 [thunder rolls] 914 00:41:25,395 --> 00:41:29,525 But whatever they look like and wherever they're from, 915 00:41:29,574 --> 00:41:32,584 at heart they are all walking, crawling, 916 00:41:32,620 --> 00:41:35,800 or slithering representations of our very human fears... 917 00:41:35,841 --> 00:41:37,711 - [roars] 918 00:41:37,756 --> 00:41:40,716 narrator: The fears we must face and defeat 919 00:41:40,759 --> 00:41:42,539 less they consume us all. 920 00:41:42,587 --> 00:41:44,107 - [roars] - [roars] 921 00:41:44,153 --> 00:41:45,463 - [snarls] - [screams] 922 00:41:45,503 --> 00:41:47,463 [horrific musical sting] 923 00:41:47,505 --> 00:41:50,415 [eerie music] 924 00:41:50,464 --> 00:41:57,384 ♪