1 00:00:02,087 --> 00:00:04,631 - We can defeat death. 2 00:00:04,673 --> 00:00:06,550 We can achieve every doctor's dream. 3 00:00:06,591 --> 00:00:08,134 - Ahh! 4 00:00:08,176 --> 00:00:09,719 - There's so many mad scientist movies. 5 00:00:11,179 --> 00:00:12,722 - Can't let you leave here alive. 6 00:00:12,764 --> 00:00:15,559 - I need somebody to have an idea that sets off 7 00:00:15,600 --> 00:00:16,768 a horrific chain of events. 8 00:00:16,810 --> 00:00:18,603 - Ahh! 9 00:00:18,645 --> 00:00:21,690 - You're crazy. - Crazy, am I? 10 00:00:21,731 --> 00:00:23,858 - Collin Clive as Frankenstein 11 00:00:23,900 --> 00:00:26,236 is always the prototype for every mad scientist movie. 12 00:00:26,278 --> 00:00:28,363 - He's alive! 13 00:00:28,405 --> 00:00:31,783 - "Altered States” is such a great movie. 14 00:00:31,825 --> 00:00:35,287 William hurt is kind of like a modern Frankenstein. 15 00:00:35,328 --> 00:00:38,123 - When I look at "Ex Machina," I see shades 16 00:00:38,164 --> 00:00:40,041 of "The Island of Dr. Moreau". 17 00:00:40,083 --> 00:00:44,671 I see shades of "Frankenstein". 18 00:00:44,713 --> 00:00:46,965 - Suddenly I realize the power I yield. 19 00:00:47,007 --> 00:00:50,218 - Invisible Man," it's one of the only ones you could see 20 00:00:50,260 --> 00:00:53,722 as a kind of morality testing superpower. 21 00:00:53,763 --> 00:00:56,224 - Mommy, Mommy! 22 00:00:56,266 --> 00:00:59,144 - What would you do if you had that power? 23 00:00:59,185 --> 00:01:01,605 And what do you do if someone else has that power, 24 00:01:01,646 --> 00:01:03,315 and you're trying to get away from them? 25 00:01:05,859 --> 00:01:07,402 - Dr. Frank N. Furter is 26 00:01:07,444 --> 00:01:10,905 about an affront to puritanical society, 27 00:01:10,947 --> 00:01:13,491 and he's trying to destroy all of them 28 00:01:13,533 --> 00:01:16,077 and knock all of them down. 29 00:01:16,119 --> 00:01:18,830 - There have been dedicated scientist movies, 30 00:01:18,872 --> 00:01:21,666 but they're never quite as much fun as mad scientist movies. 31 00:01:21,708 --> 00:01:23,209 - Ahh! 32 00:01:26,171 --> 00:01:33,094 ♪ ♪ 33 00:01:51,029 --> 00:01:53,531 narrator: Science is a powerful force for good. 34 00:01:53,573 --> 00:01:55,408 - Had man not been given to invention and experiment, 35 00:01:55,450 --> 00:01:57,077 then tonight, sir, 36 00:01:57,118 --> 00:01:59,162 you would've eaten your dinner in a cave. 37 00:01:59,204 --> 00:02:02,374 Narrator: But our inventions can be a double-edged sword, 38 00:02:02,415 --> 00:02:06,002 improving our lives but having dangerous side effects. 39 00:02:08,171 --> 00:02:09,923 narrator: Our dreams and fears 40 00:02:09,964 --> 00:02:11,966 about rapid technological progress 41 00:02:12,008 --> 00:02:14,302 are embodied in the mad scientist, 42 00:02:14,344 --> 00:02:17,263 the genius determined to change the world 43 00:02:17,305 --> 00:02:19,224 no matter the consequences. 44 00:02:19,265 --> 00:02:23,895 - Yahh! 45 00:02:23,937 --> 00:02:26,898 - The idea has been that in order to do the great works 46 00:02:26,940 --> 00:02:29,109 that need to be done, you have to be a little bit crazy. 47 00:02:29,150 --> 00:02:31,236 - Yes, that's what I needed, 48 00:02:31,277 --> 00:02:33,947 living flesh from humans for my experiments. 49 00:02:33,988 --> 00:02:35,365 - What difference is it gonna make 50 00:02:35,407 --> 00:02:36,741 if a few people had to die? 51 00:02:36,783 --> 00:02:38,451 - And the reason for that is 52 00:02:38,493 --> 00:02:39,994 that you have to be anti-authoritarian 53 00:02:40,036 --> 00:02:42,205 because there's always someone who's trying to stop you 54 00:02:42,247 --> 00:02:44,708 from finding the discovery that you wanna find. 55 00:02:44,749 --> 00:02:47,377 - I'll make a crippled world whole again. 56 00:02:47,419 --> 00:02:49,087 - They always make a grand proclamation 57 00:02:49,129 --> 00:02:51,965 about advancing science and the good they're gonna do. 58 00:02:52,006 --> 00:02:55,427 - With your natural gifts and our determination, 59 00:02:55,468 --> 00:02:58,388 we could both be part of something greater, 60 00:02:58,430 --> 00:03:00,265 something perfect. 61 00:03:00,306 --> 00:03:03,226 - And then it just seems to be about their reputation 62 00:03:03,268 --> 00:03:05,562 and how great they are, even in "Frankenstein." 63 00:03:05,603 --> 00:03:07,731 - The brain of a dead man 64 00:03:07,772 --> 00:03:12,736 waiting to live in a body I made with my own hand. 65 00:03:12,777 --> 00:03:14,738 - "The creature's alive" is the first thing he screams. 66 00:03:14,779 --> 00:03:16,781 It's not like, "Look at all the good I will do.” 67 00:03:16,823 --> 00:03:19,200 It's like, "Now I know what it feels like to be God." 68 00:03:19,242 --> 00:03:22,829 - Now I know what it feels like to be God! 69 00:03:22,871 --> 00:03:25,248 - It does quickly go to their heads. 70 00:03:25,290 --> 00:03:27,292 Narrator: In 1816, 71 00:03:27,333 --> 00:03:29,836 the young Mary Shelley conceived the story 72 00:03:29,878 --> 00:03:31,921 of Frankenstein, 73 00:03:31,963 --> 00:03:34,549 a scientist who pieces together a body out of corpses 74 00:03:34,591 --> 00:03:37,343 and uses electricity to bring it to life. 75 00:03:37,385 --> 00:03:39,554 - It's alive. It's alive. 76 00:03:39,596 --> 00:03:40,805 It's alive! 77 00:03:42,557 --> 00:03:45,602 - Mary Shelley created an archetype 78 00:03:45,643 --> 00:03:47,937 in Dr. Frankenstein. 79 00:03:47,979 --> 00:03:50,607 He's been copied. 80 00:03:50,648 --> 00:03:54,319 He's been cloned. He's been spoofed. 81 00:03:54,360 --> 00:03:56,404 - That's Frankenstein. 82 00:03:56,446 --> 00:03:59,657 - But he exists in our consciousness 83 00:03:59,699 --> 00:04:02,535 in a way that very, very few characters 100 years, 84 00:04:02,577 --> 00:04:04,954 150 years old still do. 85 00:04:04,996 --> 00:04:09,125 - I can envision a day when the brains of brilliant men 86 00:04:09,167 --> 00:04:12,253 can be kept alive in the bodies of dumb people. 87 00:04:12,295 --> 00:04:14,714 - If you call somebody a Frankenstein, 88 00:04:14,756 --> 00:04:16,549 people know what you're talking about. 89 00:04:16,591 --> 00:04:18,885 Everybody gets it. 90 00:04:18,927 --> 00:04:20,512 Narrator: James Whale's "Frankenstein" 91 00:04:20,553 --> 00:04:22,430 and "Bride of Frankenstein" 92 00:04:22,472 --> 00:04:25,391 are two of the greatest horror films of all time... 93 00:04:25,433 --> 00:04:27,310 - He's coming up! 94 00:04:27,352 --> 00:04:30,814 Narrator: Giving us indelible images of a man obsessed. 95 00:04:30,855 --> 00:04:33,107 - Now. 96 00:04:33,107 --> 00:04:35,985 - The moment we meet this mad scientist, 97 00:04:36,027 --> 00:04:37,654 we meet him at a cemetery, 98 00:04:37,695 --> 00:04:39,864 looking at dead bodies, digging up graves. 99 00:04:39,906 --> 00:04:41,991 What a great setting. I'm like, "I love this guy.” 100 00:04:42,033 --> 00:04:45,453 - He's just resting waiting for a new life to come. 101 00:04:45,495 --> 00:04:47,956 - He's already breaking all the rules. 102 00:04:47,997 --> 00:04:52,877 - I wouldn't care if they did think I was crazy. 103 00:04:52,919 --> 00:04:54,629 Narrator: Colin Clive gives 104 00:04:54,671 --> 00:04:57,048 a larger-than-life performance as Dr. Frankenstein. 105 00:04:57,090 --> 00:04:59,425 - One man crazy, 106 00:04:59,467 --> 00:05:02,387 three very sane spectators. 107 00:05:05,682 --> 00:05:07,642 Narrator: But it's Boris Karloff 108 00:05:07,684 --> 00:05:10,603 as the monster who dominates the films. 109 00:05:10,645 --> 00:05:12,230 - I don't think you can imagine 110 00:05:12,272 --> 00:05:13,606 the Frankenstein monster having had the impact 111 00:05:13,648 --> 00:05:15,358 that it's had 112 00:05:15,400 --> 00:05:18,027 without being portrayed by anybody but Karloff. 113 00:05:18,069 --> 00:05:20,655 He's brought so much emotion to the part. 114 00:05:20,697 --> 00:05:22,824 He's brought so much pathos. 115 00:05:22,866 --> 00:05:24,367 ♪ ♪ 116 00:05:24,409 --> 00:05:26,202 - Boris Karloff is 117 00:05:26,244 --> 00:05:28,705 the quintessential Frankenstein's monster. 118 00:05:28,746 --> 00:05:31,332 No question. 119 00:05:31,374 --> 00:05:33,042 Who do I think of when I think 120 00:05:33,084 --> 00:05:35,295 of Dr. Frankenstein or Baron Frankenstein? 121 00:05:35,336 --> 00:05:37,547 I think of Peter Cushing. 122 00:05:37,589 --> 00:05:40,133 - I am Baron Frankenstein. 123 00:05:40,174 --> 00:05:42,677 - Frankenstein. 124 00:05:42,719 --> 00:05:45,013 - I thought the world had seen the last of you. 125 00:05:45,054 --> 00:05:47,265 - So did a lot of other people. 126 00:05:47,307 --> 00:05:50,101 Narrator: In a series of films made from the late '50s 127 00:05:50,143 --> 00:05:52,061 to the mid '70s, 128 00:05:52,103 --> 00:05:54,230 Peter Cushing plays Frankenstein 129 00:05:54,272 --> 00:05:58,234 as a dashing, brilliant but amoral antihero. 130 00:05:58,276 --> 00:06:00,028 - He's always smarter than everybody else. 131 00:06:00,069 --> 00:06:02,614 He happens to be unfortunately ruthless and homicidal. 132 00:06:02,655 --> 00:06:06,242 ♪ ♪ 133 00:06:06,284 --> 00:06:09,245 Aside from that, he's definitely on the right track, 134 00:06:09,287 --> 00:06:11,456 and there's many scenes in those pictures, 135 00:06:11,497 --> 00:06:13,958 very well-written scenes, where he takes the starch 136 00:06:14,000 --> 00:06:16,294 out of these small-minded hypocrites. 137 00:06:16,336 --> 00:06:17,712 - And do you expect us 138 00:06:17,754 --> 00:06:19,505 to believe all this childish rubbish, sir? 139 00:06:19,547 --> 00:06:21,257 Do you take us for fools? 140 00:06:21,299 --> 00:06:22,675 - Yes. 141 00:06:22,717 --> 00:06:25,637 - That was where the mad scientist 142 00:06:25,678 --> 00:06:28,056 really kind of came into his own. 143 00:06:28,097 --> 00:06:30,475 - I'm sorry I had to take matters into my own hands, 144 00:06:30,516 --> 00:06:32,393 but I had no choice. 145 00:06:32,435 --> 00:06:34,938 - Because the whole concept of Peter Cushing 146 00:06:34,979 --> 00:06:36,814 as Dr. Frankenstein, and the whole concept 147 00:06:36,856 --> 00:06:40,026 of those films is 148 00:06:40,068 --> 00:06:42,403 it's the doctor that's the monster. 149 00:06:42,445 --> 00:06:43,821 - Look out, Professor. Look out! 150 00:06:43,863 --> 00:06:50,787 ♪ ♪ 151 00:06:50,828 --> 00:06:55,291 - He is a sociopath, and he becomes more and more 152 00:06:55,333 --> 00:07:00,129 of a single-minded sociopath as the films go on. 153 00:07:00,171 --> 00:07:02,632 You see this man who spends his entire life 154 00:07:02,674 --> 00:07:05,176 obsessed with this idea. 155 00:07:05,218 --> 00:07:07,595 In the first one, he makes his monster 156 00:07:07,637 --> 00:07:09,138 and he loses his monster. 157 00:07:09,180 --> 00:07:10,723 And then in the other films, he makes a monster. 158 00:07:10,765 --> 00:07:12,809 He loses his monster. He tries something else. 159 00:07:12,850 --> 00:07:15,186 He puts what if I do this brain in that body? 160 00:07:15,228 --> 00:07:18,648 What if I take my friend's body and put that brain in it? 161 00:07:18,690 --> 00:07:22,986 What if I make it a woman? He doesn't just stop at one. 162 00:07:22,986 --> 00:07:25,029 He will do it over and over and over again, 163 00:07:25,071 --> 00:07:28,157 even if it's a disaster every time because he knows 164 00:07:28,199 --> 00:07:31,119 that he is going to do it and he's going to win. 165 00:07:31,160 --> 00:07:33,121 - If I can't cure him by brain surgery, 166 00:07:33,162 --> 00:07:34,664 then I'll get another brain, 167 00:07:34,706 --> 00:07:38,251 and another, and another. 168 00:07:38,292 --> 00:07:40,962 - There's always that frontier 169 00:07:41,004 --> 00:07:42,922 that science is not supposed to cross, 170 00:07:42,964 --> 00:07:45,633 and we're forever pushing it back. 171 00:07:45,675 --> 00:07:48,094 And now we're talking about cloning people, 172 00:07:48,136 --> 00:07:51,055 you know, the ethics behind all the scientific decisions 173 00:07:51,097 --> 00:07:52,932 that we're making today are actually echoed 174 00:07:52,974 --> 00:07:55,810 in all those movies already back in the '30s. 175 00:07:55,852 --> 00:07:59,981 - To a new world of gods and monsters. 176 00:08:00,023 --> 00:08:04,569 ♪ ♪ 177 00:08:04,610 --> 00:08:07,155 Narrator: Mad scientists want to change the world, 178 00:08:07,196 --> 00:08:09,282 but when they change themselves, 179 00:08:09,323 --> 00:08:11,951 the results can be terrifying. 180 00:08:11,993 --> 00:08:15,329 - Be afraid. Be very afraid. 181 00:08:15,371 --> 00:08:16,748 Ahh! 182 00:08:20,710 --> 00:08:23,796 Narrator: Few mad scientists of the movies are pure evil. 183 00:08:23,838 --> 00:08:25,423 - But there must be absolutely no mention 184 00:08:25,465 --> 00:08:26,591 of this made to anyone. 185 00:08:26,632 --> 00:08:29,052 - Of course. 186 00:08:29,093 --> 00:08:32,055 Narrator: Most are impatient geniuses so excited 187 00:08:32,096 --> 00:08:33,681 by their latest potions or machines 188 00:08:33,723 --> 00:08:36,059 that they decide it would be quicker and easier 189 00:08:36,100 --> 00:08:37,935 to use themselves as test subjects. 190 00:08:37,977 --> 00:08:40,605 ♪ ♪ 191 00:08:40,646 --> 00:08:42,356 That usually doesn't turn out so well. 192 00:08:42,398 --> 00:08:44,067 ♪ ♪ 193 00:08:44,108 --> 00:08:47,153 - Ahh! 194 00:08:47,195 --> 00:08:50,156 - I can only teleport inanimate objects. 195 00:08:50,198 --> 00:08:52,825 - Well, what happens when you try to teleport living things? 196 00:08:52,867 --> 00:08:54,577 - Not while we're eating. 197 00:08:54,619 --> 00:08:56,579 ♪ ♪ 198 00:08:56,621 --> 00:08:57,914 Narrator: In David Cronenberg's 199 00:08:57,955 --> 00:09:00,583 1986 remake of "The Fly," 200 00:09:00,625 --> 00:09:03,127 Jeff Goldblum plays Seth Brundle... 201 00:09:03,169 --> 00:09:04,754 ♪ ♪ 202 00:09:04,796 --> 00:09:07,590 A scientist who invents a teleportation machine. 203 00:09:07,632 --> 00:09:08,883 - Ahh! 204 00:09:08,925 --> 00:09:11,677 ♪ ♪ 205 00:09:11,719 --> 00:09:14,013 Narrator: He wants to change the world and hook up 206 00:09:14,055 --> 00:09:17,183 with a vivacious journalist played by Gina Davis. 207 00:09:17,225 --> 00:09:18,851 - Sorry, I have three other interviews to do 208 00:09:18,893 --> 00:09:20,520 before this party's over. 209 00:09:20,561 --> 00:09:21,771 - Yeah, but they're not working on something 210 00:09:21,813 --> 00:09:24,273 that'll change the world as we know it. 211 00:09:24,315 --> 00:09:26,901 - Seth Brundle thinks of this incredible invention 212 00:09:26,943 --> 00:09:29,654 that's gonna really revolutionize mankind. 213 00:09:29,695 --> 00:09:31,155 - I call them telepods. 214 00:09:31,197 --> 00:09:34,242 - But there's a fatal accident that takes place, 215 00:09:34,283 --> 00:09:36,119 which is kind of--which is really fascinating. 216 00:09:36,160 --> 00:09:39,372 It's such a small starter to this huge problem. 217 00:09:39,413 --> 00:09:41,332 It's just a little fly, 218 00:09:41,374 --> 00:09:43,543 a little housefly, and it, you know, 219 00:09:43,584 --> 00:09:45,837 causes so much to happen. 220 00:09:45,878 --> 00:09:49,298 Narrator: Brundle's DNA merges with the fly's. 221 00:09:49,340 --> 00:09:52,510 He gradually transforms into a monster. 222 00:09:52,552 --> 00:09:56,973 - Ahh! 223 00:09:57,014 --> 00:10:00,101 Narrator: It's a disturbing film ennobled 224 00:10:00,143 --> 00:10:03,229 by Goldblum and Davis' committed performances. 225 00:10:03,271 --> 00:10:07,066 - You have to leave now 226 00:10:07,108 --> 00:10:08,860 and never come back here. 227 00:10:08,901 --> 00:10:11,362 - Jeff Goldblum and I were a couple at that time, 228 00:10:11,404 --> 00:10:13,614 and we lived and breathed that movie. 229 00:10:13,656 --> 00:10:16,200 Just all day and all night, every minute, 230 00:10:16,242 --> 00:10:18,536 we were talking about the movie and practicing scenes. 231 00:10:18,578 --> 00:10:20,454 And that was probably the most immersed 232 00:10:20,496 --> 00:10:23,082 in a movie that I ever was. 233 00:10:23,124 --> 00:10:25,126 - David wrote it as a love story. 234 00:10:25,168 --> 00:10:26,627 Boy meets girl. 235 00:10:26,669 --> 00:10:28,296 Boy turns into hideous monster. 236 00:10:28,337 --> 00:10:30,590 Girl blows boy's head off with a real shotgun. 237 00:10:38,389 --> 00:10:40,558 Narrator: Ken Russell's "Altered States" features 238 00:10:40,600 --> 00:10:44,520 another well-intentioned scientist who goes too far. 239 00:10:44,562 --> 00:10:47,106 Played by William Hurt in his film debut, 240 00:10:47,148 --> 00:10:49,692 Eddie Jessup is a Harvard professor 241 00:10:49,734 --> 00:10:52,528 exploring the deepest recesses of the human mind. 242 00:10:52,570 --> 00:10:55,031 ♪ ♪ 243 00:10:55,072 --> 00:10:58,409 He combines long spells in sensory deprivation tanks 244 00:10:58,451 --> 00:11:01,829 with dangerous drugs that alter his mind and body 245 00:11:01,871 --> 00:11:03,581 ♪ ♪ 246 00:11:03,623 --> 00:11:05,708 - Ahh! 247 00:11:05,750 --> 00:11:08,878 ♪ ♪ 248 00:11:08,920 --> 00:11:11,380 - William Hurt is kind of like a modern Frankenstein, 249 00:11:11,422 --> 00:11:14,550 but he's also experimenting on himself. 250 00:11:14,592 --> 00:11:16,510 So there's something noble about that, 251 00:11:16,552 --> 00:11:19,305 but also really like obsessive and scary. 252 00:11:19,347 --> 00:11:20,848 - You know, of course, 253 00:11:20,890 --> 00:11:22,516 I'm supposed to be at least a little bit nuts. 254 00:11:22,558 --> 00:11:23,935 - A little bit? 255 00:11:23,976 --> 00:11:26,062 You're an unmedicated madman. 256 00:11:26,103 --> 00:11:30,608 - When he's talking about what he's trying to do, 257 00:11:30,650 --> 00:11:32,944 he's so impatient 258 00:11:32,985 --> 00:11:35,613 because he doesn't wanna have to explain himself. 259 00:11:35,655 --> 00:11:37,365 He just wants to do it. 260 00:11:37,406 --> 00:11:39,325 - At least look at my data. 261 00:11:39,367 --> 00:11:40,660 - Of course. Maybe tomorrow afternoon. 262 00:11:40,701 --> 00:11:42,078 Would tomorrow after-- 263 00:11:42,119 --> 00:11:43,663 - Don't patronize me. - I'm not. 264 00:11:43,704 --> 00:11:45,248 - It is possible I'm not ma, you know? 265 00:11:45,289 --> 00:11:46,958 I'm asking you to make a small quantum jump with me 266 00:11:46,999 --> 00:11:49,252 to accept one deviant concept 267 00:11:49,293 --> 00:11:50,920 that our other states of consciousness 268 00:11:50,962 --> 00:11:52,755 are as real as our waking states 269 00:11:52,797 --> 00:11:54,966 and that that reality can be externalized. 270 00:11:55,007 --> 00:11:57,802 - And he's literally going to evolve into the next form 271 00:11:57,843 --> 00:11:59,095 of human life. 272 00:11:59,136 --> 00:12:00,596 You know, he's that ahead of the curve. 273 00:12:05,393 --> 00:12:07,186 - "Altered States" is a movie 274 00:12:07,228 --> 00:12:11,023 that's both completely low-brow genre, and at the same time, 275 00:12:11,065 --> 00:12:12,984 the highest kind of high-brow art. 276 00:12:13,025 --> 00:12:17,655 ♪ ♪ 277 00:12:17,697 --> 00:12:20,574 "Altered States" is so existentially 278 00:12:20,616 --> 00:12:23,536 and scientifically rigorous, 279 00:12:23,577 --> 00:12:25,746 but it still has a thing popping open 280 00:12:25,788 --> 00:12:28,457 and a guy jumping out as a Neanderthal man. 281 00:12:30,042 --> 00:12:33,004 ♪ ♪ 282 00:12:33,045 --> 00:12:34,714 Narrator: William Hurt's transformations were 283 00:12:34,755 --> 00:12:37,008 designed by Dick Smith, 284 00:12:37,049 --> 00:12:39,802 one of the all-time greats of special makeup effects. 285 00:12:39,844 --> 00:12:42,013 ♪ ♪ 286 00:12:42,054 --> 00:12:45,641 It featured groundbreaking images of body horror. 287 00:12:45,683 --> 00:12:49,020 - I remember for sure all the beautiful work 288 00:12:49,061 --> 00:12:52,440 that Dick Smith had done, like the arm bladder. 289 00:12:52,481 --> 00:12:55,776 ♪ ♪ 290 00:12:55,818 --> 00:12:58,362 It was the series of inflating bladders 291 00:12:58,404 --> 00:13:01,365 with the prosthetic over top of it with hair punched in it, 292 00:13:01,407 --> 00:13:04,368 and you see it bubbling and moving under the skin. 293 00:13:04,410 --> 00:13:06,704 That was, like, the first time. 294 00:13:06,746 --> 00:13:09,123 - I love the character's amusement in this, 295 00:13:09,165 --> 00:13:11,625 how he seems so relaxed and cool 296 00:13:11,667 --> 00:13:12,877 with everything that's happening to him. 297 00:13:12,918 --> 00:13:16,088 He is just there for the ride. 298 00:13:16,130 --> 00:13:17,882 It's a true scientist. 299 00:13:17,923 --> 00:13:20,551 He is not horrified by what is happening. 300 00:13:20,593 --> 00:13:22,303 It's much more an approach of fascination. 301 00:13:22,345 --> 00:13:24,221 “"Oh, look at that. My arm's inflating. 302 00:13:24,263 --> 00:13:25,556 That's wild."” 303 00:13:25,598 --> 00:13:29,393 ♪ ♪ 304 00:13:32,730 --> 00:13:35,399 Ahh! 305 00:13:35,441 --> 00:13:38,569 narrator: Finally, Jessup's reality shatters. 306 00:13:38,611 --> 00:13:41,238 He and his wife are propelled through different stages 307 00:13:41,280 --> 00:13:43,157 of human evolution. 308 00:13:43,199 --> 00:13:45,368 - It was an attempt to kind of show 309 00:13:45,409 --> 00:13:47,995 that the people around you help create your sense 310 00:13:48,037 --> 00:13:50,873 of what's real and what's true. 311 00:13:50,915 --> 00:13:54,168 And if you take all that away, if you isolate someone, 312 00:13:54,210 --> 00:13:55,961 if you sink them in lukewarm water, 313 00:13:56,003 --> 00:13:58,089 return them to the embryo, 314 00:13:58,130 --> 00:14:00,633 they can know no more of the world than a fetus, 315 00:14:00,674 --> 00:14:03,427 and suddenly reality becomes as liquid 316 00:14:03,469 --> 00:14:05,513 as the fluid surrounding them. 317 00:14:05,554 --> 00:14:08,099 ♪ ♪ 318 00:14:08,140 --> 00:14:12,311 "Altered States” is a movie that taps into our terror 319 00:14:12,353 --> 00:14:16,857 of losing our sense of what's true and what's not. 320 00:14:21,153 --> 00:14:23,155 D)<♪ ♪ 321 00:14:23,197 --> 00:14:25,825 Narrator: Mad scientists tend to take things too far. 322 00:14:25,866 --> 00:14:27,910 - What is the law? 323 00:14:27,952 --> 00:14:32,456 Narrator: The most sinister create new forms of life 324 00:14:32,498 --> 00:14:35,000 and suffer the consequences. 325 00:14:39,755 --> 00:14:42,633 Narrator: The average mad scientist toils away 326 00:14:42,675 --> 00:14:46,512 in a stuffy laboratory or a drafty castle, 327 00:14:46,554 --> 00:14:48,931 but for the lucky one percent, 328 00:14:48,973 --> 00:14:52,476 only an inaccessible island compound will do, 329 00:14:52,518 --> 00:14:56,188 a place to play God without interference. 330 00:14:56,230 --> 00:15:01,235 - Do you know what it means to feel like God? 331 00:15:01,277 --> 00:15:03,154 Narrator: "Island of Lost Souls,"” 332 00:15:03,195 --> 00:15:05,823 the first and by far the best adaptation 333 00:15:05,865 --> 00:15:09,076 of H.G. Wells' novel "The Island of Dr. Moreau," 334 00:15:09,118 --> 00:15:14,206 features one of the greatest mad scientists of the movies, 335 00:15:14,248 --> 00:15:18,085 a doctor who surgically creates animal-human hybrids. 336 00:15:18,127 --> 00:15:20,463 Get out! 337 00:15:20,504 --> 00:15:22,339 ♪ ♪ 338 00:15:22,381 --> 00:15:24,633 - I don't understand why the 1933 339 00:15:24,675 --> 00:15:26,427 "Island of Lost Souls" isn't 340 00:15:26,469 --> 00:15:30,514 better known or fully appreciated, 341 00:15:30,556 --> 00:15:31,932 but it deserves to be. 342 00:15:31,974 --> 00:15:33,851 - Strange-looking natives you have here. 343 00:15:33,893 --> 00:15:35,311 - You'll be wanting a cold shower, 344 00:15:35,352 --> 00:15:36,854 I take it, before dinner. 345 00:15:36,896 --> 00:15:38,981 - It stars the great Charles Laughton. 346 00:15:39,023 --> 00:15:41,442 - Oh, it takes a long time and infinite patience 347 00:15:41,484 --> 00:15:43,110 to make them talk. 348 00:15:43,152 --> 00:15:46,947 - He's just having a feast playing Dr. Moreau. 349 00:15:46,989 --> 00:15:49,325 ♪ ♪ 350 00:15:49,366 --> 00:15:51,327 Narrator: When a seafaring traveler named Parker 351 00:15:51,368 --> 00:15:53,287 finds himself stranded on Moreau's island... 352 00:15:53,329 --> 00:15:56,081 ♪ ♪ 353 00:15:56,123 --> 00:15:59,835 He quickly realizes the genial doctor is ethically impaired. 354 00:16:01,337 --> 00:16:02,963 - What is the law? 355 00:16:03,005 --> 00:16:07,885 - Not to spill blood. That is the law. 356 00:16:07,927 --> 00:16:10,846 Are we not men? 357 00:16:10,888 --> 00:16:14,850 All: Are we not men? 358 00:16:14,892 --> 00:16:16,393 - He's probably the most sadistic 359 00:16:16,435 --> 00:16:17,228 of everyone we're talking about. 360 00:16:22,358 --> 00:16:24,401 - 'Cause most of the time they're not doing vivisection 361 00:16:24,443 --> 00:16:26,529 with someone screaming. 362 00:16:26,570 --> 00:16:28,781 You know, usually, the corpses are quiet. 363 00:16:28,822 --> 00:16:31,867 - You're convinced that the thing on the table isn't human? 364 00:16:31,909 --> 00:16:33,369 Its cries are human. 365 00:16:33,410 --> 00:16:35,246 - You know what it is, what I began with? 366 00:16:35,287 --> 00:16:36,914 - No. - An animal. 367 00:16:36,956 --> 00:16:39,375 ♪ ♪ 368 00:16:39,416 --> 00:16:42,795 - He's photographed by Karl Struss, 369 00:16:42,836 --> 00:16:44,713 one of the great, great cameramen. 370 00:16:44,755 --> 00:16:46,840 ♪ ♪ 371 00:16:46,882 --> 00:16:49,760 - Every set is shooting through something 372 00:16:49,802 --> 00:16:52,221 and the patterns that are being cast on the walls. 373 00:16:52,263 --> 00:16:54,682 Like, everything looks like bars or plant life 374 00:16:54,723 --> 00:16:56,392 creating, like, these sort of bars, 375 00:16:56,433 --> 00:16:58,602 so it makes it feel like every character 376 00:16:58,644 --> 00:17:00,354 is always trapped. 377 00:17:00,396 --> 00:17:03,023 It's just amazing the care that went into every frame. 378 00:17:03,065 --> 00:17:04,900 ♪ ♪ 379 00:17:04,942 --> 00:17:06,318 Narrator: When a rescue mission arrives, 380 00:17:06,360 --> 00:17:08,279 Moreau's demented kingdom unravels... 381 00:17:08,320 --> 00:17:10,072 - Not beasts! 382 00:17:10,114 --> 00:17:11,782 Narrator: And the beast-men revolt. 383 00:17:11,824 --> 00:17:16,495 - Part man, part beast! 384 00:17:16,537 --> 00:17:18,414 Things! 385 00:17:18,455 --> 00:17:20,374 All: Things! 386 00:17:20,416 --> 00:17:22,876 - Not men! 387 00:17:22,918 --> 00:17:24,670 Narrator: The fear of class warfare 388 00:17:24,712 --> 00:17:26,714 bubbles under the surface of the novel, 389 00:17:26,755 --> 00:17:28,674 and the Hollywood adaptation. 390 00:17:28,716 --> 00:17:31,010 - Stop, you fools! 391 00:17:31,051 --> 00:17:33,387 - The beast people rising up is 392 00:17:33,429 --> 00:17:36,932 almost like a Bolshevik Revolt. 393 00:17:39,727 --> 00:17:43,480 - America wasn't hashing this out on an intellectual level, 394 00:17:43,522 --> 00:17:48,027 but it certainly was on a pop-cultural level. 395 00:17:48,068 --> 00:17:49,903 Narrator: Nine decades later, 396 00:17:49,945 --> 00:17:52,948 cultural anxieties about evolution and revolution 397 00:17:52,990 --> 00:17:55,075 are still with us but in different forms. 398 00:17:55,117 --> 00:17:59,622 ♪ ♪ 399 00:17:59,663 --> 00:18:01,874 Alex Garland's film "Ex Machina" 400 00:18:01,915 --> 00:18:04,918 updates the tropes of classic mad scientist films 401 00:18:04,960 --> 00:18:07,546 to address our modern fear of being replaced 402 00:18:07,588 --> 00:18:10,341 by intelligent machines. 403 00:18:10,382 --> 00:18:13,093 ♪ ♪ 404 00:18:13,135 --> 00:18:16,055 Low-level programmer Caleb Smith wins a contest 405 00:18:16,096 --> 00:18:18,182 to visit the isolated compound 406 00:18:18,223 --> 00:18:22,519 of his company's billionaire CEO Nathan Bateman. 407 00:18:22,561 --> 00:18:25,689 Caleb will spend a week alone with Nathan, 408 00:18:25,731 --> 00:18:28,984 his mute servant Kyoto, and Ava, 409 00:18:29,026 --> 00:18:32,821 a robot Nathan has imbued with artificial intelligence. 410 00:18:32,863 --> 00:18:35,449 - Pleased to meet you, Ava. 411 00:18:35,491 --> 00:18:38,994 - I'm pleased to meet you, too. 412 00:18:39,036 --> 00:18:40,913 Narrator: Nathan wants Caleb to determine 413 00:18:40,954 --> 00:18:42,581 whether Ava is capable 414 00:18:42,623 --> 00:18:45,167 of independent, conscious thought. 415 00:18:45,209 --> 00:18:49,213 - You are dead center of the greatest scientific event 416 00:18:49,254 --> 00:18:51,298 in the history of man. 417 00:18:51,340 --> 00:18:52,966 - If you've created a conscious machine, 418 00:18:53,008 --> 00:18:55,844 it's not the history of man. 419 00:18:55,886 --> 00:18:58,138 That's the history of gods. 420 00:18:58,138 --> 00:19:01,350 - It was such an interesting exploration into our dependency 421 00:19:01,392 --> 00:19:04,395 on technology, and Al, and the development of it, 422 00:19:04,436 --> 00:19:06,313 and what makes a person a person. 423 00:19:06,355 --> 00:19:10,734 - You learn about me, and I learn nothing about you. 424 00:19:10,776 --> 00:19:13,737 That's not a foundation on which friendships are based. 425 00:19:13,779 --> 00:19:17,241 - But like in some ways, Alicia Vikander's character 426 00:19:17,282 --> 00:19:23,372 was more humane and more of a human than our protagonist. 427 00:19:23,414 --> 00:19:26,375 Narrator: Caleb is immediately attracted to Ava, 428 00:19:26,417 --> 00:19:29,712 and he finds much to dislike in Nathan. 429 00:19:29,753 --> 00:19:32,339 - You know, I wrote down that other line you came up with, 430 00:19:32,381 --> 00:19:34,925 the one about how if I've invented a machine 431 00:19:34,967 --> 00:19:37,344 with consciousness, I'm not a man, I'm God. 432 00:19:37,386 --> 00:19:39,012 - I don't think that's exactly-- 433 00:19:39,054 --> 00:19:41,473 I just thought , man, that is so good 434 00:19:41,515 --> 00:19:42,850 - Oscar Isaac's character, 435 00:19:42,891 --> 00:19:44,727 that's the new mad scientist, 436 00:19:44,768 --> 00:19:47,020 you know, the body hacker guy that knows, you know, 437 00:19:47,062 --> 00:19:49,732 if I have a smoothie at 4:00 a.m., 438 00:19:49,773 --> 00:19:51,942 I could wake up and do some CrossFit, 439 00:19:51,984 --> 00:19:56,071 and then all my brain will have all the gorilla mindset. 440 00:19:56,113 --> 00:19:59,241 So you know, so I can listen to Joe Rogan's podcast 441 00:19:59,283 --> 00:20:01,452 and then work on my science project. 442 00:20:01,493 --> 00:20:03,287 Like, that's the new mad scientist right there. 443 00:20:03,328 --> 00:20:05,873 - Look, do me a favor. Lay off the textbook approach. 444 00:20:05,914 --> 00:20:08,792 I just want simple answers to simple questions. 445 00:20:08,834 --> 00:20:13,130 - He's the perfectly created villain, but then you realize 446 00:20:13,172 --> 00:20:14,798 that 3/4 of the way through the movie 447 00:20:14,840 --> 00:20:16,884 that she's outsmarted all of them. 448 00:20:16,925 --> 00:20:18,552 ♪ ♪ 449 00:20:18,594 --> 00:20:20,637 Narrator: Caleb learns that Ava has been 450 00:20:20,679 --> 00:20:23,390 literally designed to appeal to his fantasies. 451 00:20:23,432 --> 00:20:24,975 - Did you design Ava's face 452 00:20:25,017 --> 00:20:26,852 based on my pornography profile? 453 00:20:26,894 --> 00:20:30,689 - Hey, if a search engine's good for anything, right? 454 00:20:30,731 --> 00:20:32,191 Narrator: The real test was to see 455 00:20:32,232 --> 00:20:34,193 if Ava could successfully use Caleb 456 00:20:34,234 --> 00:20:36,695 to escape Nathan's compound. 457 00:20:36,737 --> 00:20:40,491 - Ava was a rat in a maze, and I gave her one way out. 458 00:20:40,532 --> 00:20:45,037 To escape, she'd have to use self-awareness, imagination, 459 00:20:45,078 --> 00:20:48,791 manipulation, sexuality, empathy, and she did. 460 00:20:48,832 --> 00:20:51,460 Now, if that isn't true Al, what the is? 461 00:20:51,502 --> 00:20:53,962 ♪ ♪ 462 00:20:54,004 --> 00:20:55,881 Narrator: Both men find out too late 463 00:20:55,923 --> 00:20:57,841 that Ava is conscious, 464 00:20:57,883 --> 00:21:00,552 but she's also a psychopath. 465 00:21:00,594 --> 00:21:03,222 - Whoa, whoa, whoa, whoa, whoa-- 466 00:21:03,263 --> 00:21:05,224 - What is so amazing about that character is you're rooting 467 00:21:05,265 --> 00:21:07,309 for her the whole time. 468 00:21:07,351 --> 00:21:09,728 You think that she is the victim in this situation, 469 00:21:09,770 --> 00:21:14,149 but the tables turn quite quickly. 470 00:21:14,191 --> 00:21:15,984 Narrator: In a sense, 471 00:21:16,026 --> 00:21:19,696 the aspiring God Nathan created life in his own image. 472 00:21:19,738 --> 00:21:23,742 - You wonder where she learned that lack of empathy, 473 00:21:23,784 --> 00:21:26,578 and you realize that it's from him. 474 00:21:26,620 --> 00:21:28,914 She is learning everything that she learned 475 00:21:28,956 --> 00:21:31,250 about being a villain from him 476 00:21:31,291 --> 00:21:33,669 because where--what other access 477 00:21:33,710 --> 00:21:35,838 does she have to other people other than him? 478 00:21:35,879 --> 00:21:37,798 ♪ ♪ 479 00:21:37,840 --> 00:21:39,925 Narrator: Perhaps this is our hidden fear, 480 00:21:39,967 --> 00:21:43,470 that our technology is flawed because we are flawed. 481 00:21:43,512 --> 00:21:45,556 The real monster is not the creation. 482 00:21:45,597 --> 00:21:47,391 It's the creator. 483 00:21:47,432 --> 00:21:50,519 ♪ ♪ 484 00:21:50,561 --> 00:21:53,272 Mad scientists break the rules of society, 485 00:21:53,313 --> 00:21:56,733 but some rules are made to be broken. 486 00:22:02,698 --> 00:22:05,617 narrator: Mad scientists are colorful characters... 487 00:22:05,659 --> 00:22:08,328 - The devil is that element in human nature 488 00:22:08,370 --> 00:22:12,749 that impels us to destroy and debase. 489 00:22:12,791 --> 00:22:15,544 Narrator: Non-conformists who make their own rules... 490 00:22:15,586 --> 00:22:18,046 - Professor Wells is a student of cannibalism. 491 00:22:20,465 --> 00:22:24,553 Narrator: Living their lives with a certain flair. 492 00:22:24,595 --> 00:22:28,432 It takes a lot to stand out from this crowd, 493 00:22:28,473 --> 00:22:30,726 but one pansexual scientist 494 00:22:30,767 --> 00:22:32,978 from outer space manages to do it. 495 00:22:33,020 --> 00:22:37,482 - ♪ I'm a just a sweet transvestite ♪ 496 00:22:37,524 --> 00:22:40,527 ♪ From transexual ♪ 497 00:22:40,569 --> 00:22:44,364 ♪ Transylvania ♪ 498 00:22:44,406 --> 00:22:45,991 narrator: Tim Curry's performance 499 00:22:46,033 --> 00:22:48,076 as Dr. Frank N. Furter 500 00:22:48,118 --> 00:22:49,745 in "The Rocky Horror Picture Show" 501 00:22:49,786 --> 00:22:51,288 isn't just great. 502 00:22:51,330 --> 00:22:53,081 It's mind-altering. 503 00:22:53,123 --> 00:22:55,834 - As a kid, I was like, "I'm just a straight boy," you know? 504 00:22:55,876 --> 00:22:57,419 And then seeing Frank N. Furter sing, 505 00:22:57,461 --> 00:22:58,921 and just, like, I was like, "Maybe not. 506 00:22:58,962 --> 00:23:00,255 I don't know. I don't know anymore." 507 00:23:00,297 --> 00:23:03,050 - So come up to the lab. 508 00:23:03,091 --> 00:23:04,760 - And that's, like, I think the gift 509 00:23:04,801 --> 00:23:06,678 of a good mad scientist is like, you know, 510 00:23:06,720 --> 00:23:08,513 he doesn't even have to make a love potion. 511 00:23:08,555 --> 00:23:10,307 He doesn't have to infect you with anything. 512 00:23:10,349 --> 00:23:12,309 He just has to say like, "Antici..." 513 00:23:12,351 --> 00:23:14,561 - Pation. 514 00:23:14,603 --> 00:23:17,314 And you're just like, "Oh,." 515 00:23:17,356 --> 00:23:19,816 Narrator: "Rocky Horror's plot is simple. 516 00:23:19,858 --> 00:23:22,653 Wholesome young couple Brad and Janet find themselves 517 00:23:22,694 --> 00:23:25,364 stranded at Dr. Frank N. Furter's castle. 518 00:23:25,405 --> 00:23:28,909 - It's probably some kind of hunting lodge for rich weirdos. 519 00:23:28,951 --> 00:23:31,244 Narrator: They've arrived on an auspicious night. 520 00:23:31,286 --> 00:23:33,789 The doctor is having his special friends over 521 00:23:33,830 --> 00:23:36,166 to celebrate his latest creation. 522 00:23:36,208 --> 00:23:37,918 - I don't like musicals. 523 00:23:37,960 --> 00:23:40,754 Most musicals, like, I really detest because 524 00:23:40,796 --> 00:23:44,925 the music is so Broadway, and it's just unbearable. 525 00:23:44,967 --> 00:23:47,302 But "Rocky Horror" just has all the elements 526 00:23:47,344 --> 00:23:50,222 of, like, great actors in the right role. 527 00:23:50,263 --> 00:23:55,143 - ♪ Let's do the time warp again ♪ 528 00:23:55,185 --> 00:23:56,186 - But the music's great. 529 00:23:56,228 --> 00:23:57,813 ♪ ♪ 530 00:23:57,854 --> 00:24:00,232 - I You bring your knees in tight [ 531 00:24:00,273 --> 00:24:01,817 - I just always think of "Time Warp” 532 00:24:01,858 --> 00:24:04,111 whenever I think of "Rocky Horror Picture Show" 533 00:24:04,152 --> 00:24:06,822 and the fact that you can go anywhere, 534 00:24:06,863 --> 00:24:08,991 at least in the states, put that song on, 535 00:24:09,032 --> 00:24:11,827 and everyone knows it and recognize it. 536 00:24:11,868 --> 00:24:16,039 - ♪ Let's do the time warp again ♪ 537 00:24:16,081 --> 00:24:18,875 - It's a staple. 538 00:24:18,917 --> 00:24:21,044 Narrator: "Rocky Horror" made Tim Curry a star. 539 00:24:24,381 --> 00:24:27,592 It also featured a breakout performance by Meat Loaf 540 00:24:27,634 --> 00:24:30,345 who played '50s rocker Eddie. 541 00:24:30,387 --> 00:24:33,265 - ♪ Hot patooties, bless my soul ♪ 542 00:24:33,306 --> 00:24:38,061 ♪ I really love that rock 'n' roll ♪ 543 00:24:38,103 --> 00:24:39,563 narrator: Like many straight young American men 544 00:24:39,604 --> 00:24:41,106 in the early '70s, 545 00:24:41,148 --> 00:24:42,983 Meat Loaf's initial encounter 546 00:24:43,025 --> 00:24:44,609 with Dr. Frank N. Furter was... 547 00:24:44,651 --> 00:24:47,738 Ahh! 548 00:24:47,779 --> 00:24:49,406 Narrator: Uncomfortable. 549 00:24:49,406 --> 00:24:52,034 - We're rehearsing in a little theater, 550 00:24:52,075 --> 00:24:53,994 and the music starts, 551 00:24:54,036 --> 00:24:57,539 and the doors of this theater burst open. 552 00:24:57,581 --> 00:25:02,044 In comes Tim Curry in the corset with the garter belt, 553 00:25:02,085 --> 00:25:04,629 with the fishnet stockings, with the high heels, 554 00:25:04,671 --> 00:25:06,590 all in makeup and I go, 555 00:25:06,631 --> 00:25:09,217 "Oh no, uh-uh, nope.” 556 00:25:09,259 --> 00:25:11,094 And I get up and walk out. 557 00:25:12,846 --> 00:25:15,307 To a kid from Texas, a guy in a garter belt 558 00:25:15,348 --> 00:25:17,059 that's offensive. 559 00:25:17,100 --> 00:25:19,478 Narrator: But the actor's hesitation soon gave way 560 00:25:19,519 --> 00:25:21,438 to admiration. 561 00:25:21,480 --> 00:25:25,233 - You always have heard this language of be in the moment, 562 00:25:25,275 --> 00:25:27,402 be in the moment, be in the moment. 563 00:25:27,444 --> 00:25:30,530 So up until I worked with Tim Curry, 564 00:25:30,572 --> 00:25:33,116 everything I had done, I thought I was in the moment. 565 00:25:33,158 --> 00:25:35,744 Tim Curry taught me 566 00:25:35,786 --> 00:25:40,332 what it meant to actually be in the moment. 567 00:25:40,373 --> 00:25:43,251 Tim Curry would never break character, 568 00:25:43,293 --> 00:25:46,338 no matter how hard they laughed or how long they went on, 569 00:25:46,379 --> 00:25:47,923 he was Frank N. Furter. 570 00:25:47,964 --> 00:25:54,346 - I hold the secret to life itself! 571 00:25:54,387 --> 00:25:56,807 Narrator: Mad scientists are always pushing boundaries. 572 00:25:58,100 --> 00:26:00,268 ♪ ♪ 573 00:26:00,310 --> 00:26:01,812 Narrator: Before "Rocky Horror," 574 00:26:01,853 --> 00:26:03,605 that was usually a metaphor 575 00:26:03,647 --> 00:26:05,982 for alternative or transgressive sexuality. 576 00:26:06,024 --> 00:26:09,528 ♪ ♪ 577 00:26:09,569 --> 00:26:12,072 Most famously in James Whale's "Bride of Frankenstein”... 578 00:26:12,114 --> 00:26:14,825 - Be fruitful and multiply. 579 00:26:14,866 --> 00:26:16,493 Narrator: The high camp tale of two men 580 00:26:16,535 --> 00:26:18,203 who want to give birth 581 00:26:18,245 --> 00:26:20,330 without the involvement of a woman. 582 00:26:20,372 --> 00:26:23,208 - Alone you have created a man. 583 00:26:23,250 --> 00:26:27,629 Now together, we will create his mate. 584 00:26:27,671 --> 00:26:29,881 ♪ ♪ 585 00:26:29,923 --> 00:26:31,258 Narrator: Dr. Frank N. Furter makes 586 00:26:31,299 --> 00:26:33,093 those hidden messages explicit. 587 00:26:33,135 --> 00:26:35,512 - Oh, Rocky! 588 00:26:37,973 --> 00:26:39,432 - Everybody else is, like, I want to make a person. 589 00:26:39,474 --> 00:26:40,976 Why? 590 00:26:41,017 --> 00:26:42,853 Well, because I wanna prove that it can be done. 591 00:26:42,894 --> 00:26:45,063 But he's, like, "No, I'm gonna make a guy, 592 00:26:45,105 --> 00:26:46,982 "and he's gonna be super hot, 593 00:26:47,023 --> 00:26:49,401 and then I'm gonna have sex with him." 594 00:26:49,442 --> 00:26:52,279 Narrator: Frank N. Furter's motives aren't purely selfish. 595 00:26:52,320 --> 00:26:56,241 His is the mad science of sexual liberation. 596 00:26:56,283 --> 00:27:01,288 - ♪ Don't dream it ♪ 597 00:27:01,329 --> 00:27:03,832 ♪ Be it ♪ 598 00:27:03,874 --> 00:27:06,459 - There is no judging in it whatsoever. 599 00:27:06,501 --> 00:27:08,086 It just is. 600 00:27:08,128 --> 00:27:11,548 And the gender fluidity of Brad and Janet 601 00:27:11,590 --> 00:27:13,842 and that sexuality across the board 602 00:27:13,884 --> 00:27:15,760 is just separated, and gender boundaries 603 00:27:15,802 --> 00:27:17,512 get completely broken down in it. 604 00:27:17,554 --> 00:27:19,472 That is something that we weren't seeing 605 00:27:19,514 --> 00:27:21,892 in a lot of cinema at the time, so it felt dangerous. 606 00:27:21,933 --> 00:27:23,935 It felt transgressive. 607 00:27:23,977 --> 00:27:26,313 It felt like we were seeing something completely different. 608 00:27:26,354 --> 00:27:29,274 - ♪ We are wild and untamed things ♪ 609 00:27:29,316 --> 00:27:32,194 ♪ We're a bee with a deadly sting ♪ 610 00:27:32,235 --> 00:27:35,322 - It's one of those movies that when you love it, you're like, 611 00:27:35,363 --> 00:27:37,032 "I wanna watch another movie like this," 612 00:27:37,032 --> 00:27:39,910 but there really isn't anything else like it. 613 00:27:39,951 --> 00:27:42,078 - ♪ And I realize ♪ 614 00:27:42,120 --> 00:27:44,748 - It's such a unique thing unto itself. 615 00:27:44,789 --> 00:27:47,834 - I I'm going home [ 616 00:27:47,876 --> 00:27:51,463 ♪ ♪ 617 00:27:51,504 --> 00:27:54,841 Narrator: Science can make our wildest fantasies a reality, 618 00:27:54,883 --> 00:27:57,886 but some wishes may be better left unfulfilled... 619 00:28:00,430 --> 00:28:02,974 Like the fantasy of becoming invisible. 620 00:28:07,562 --> 00:28:09,856 - Does the word invisible mean anything to you? 621 00:28:09,898 --> 00:28:11,858 Narrator: The Invisible Man is 622 00:28:11,900 --> 00:28:14,402 a recurring figure in the history of horror, 623 00:28:14,444 --> 00:28:17,239 an archetype of good intentions gone awry 624 00:28:17,280 --> 00:28:19,616 and the corrupting effects of power. 625 00:28:21,660 --> 00:28:24,704 This transparent spin on mad scientists first appeared 626 00:28:24,746 --> 00:28:28,792 on film in 1933. 627 00:28:28,833 --> 00:28:31,378 James Whale, fresh off of "Frankenstein," 628 00:28:31,419 --> 00:28:33,838 directed this masterful adaptation 629 00:28:33,880 --> 00:28:36,424 of H. G. Wells' classic novel. 630 00:28:36,466 --> 00:28:39,010 Claude Rains stars as a scientist 631 00:28:39,052 --> 00:28:41,596 who has invented an invisibility serum 632 00:28:41,638 --> 00:28:43,807 he hopes will be a boon to humanity. 633 00:28:43,848 --> 00:28:46,643 - There's a way back, you fool. 634 00:28:46,685 --> 00:28:49,854 Narrator: But the formula has an unfortunate side effect. 635 00:28:49,896 --> 00:28:51,690 It drives him insane. 636 00:28:51,731 --> 00:28:55,151 - You're crazy to know who I am, aren't you? 637 00:28:55,193 --> 00:28:56,903 - Once he's invisible, 638 00:28:56,945 --> 00:28:59,864 all the bad things that he wants to do, 639 00:28:59,906 --> 00:29:03,285 all the power that he wanted becomes available to him. 640 00:29:03,326 --> 00:29:05,704 - If you raise a finger against me, you're a dead man. 641 00:29:05,745 --> 00:29:08,248 I'm strong, and I'll strangle you. 642 00:29:08,290 --> 00:29:10,333 - It's almost like a superhero story that goes bad. 643 00:29:10,375 --> 00:29:12,460 You gain these incredible powers, 644 00:29:12,502 --> 00:29:15,880 but what do you do with them when you have them? 645 00:29:15,922 --> 00:29:18,174 - We'll begin with a reign of terror, 646 00:29:18,216 --> 00:29:20,010 a few murders here and there. 647 00:29:23,305 --> 00:29:25,056 ♪ ♪ 648 00:29:28,560 --> 00:29:32,522 - He derails a train and kills dozens 649 00:29:32,564 --> 00:29:34,024 if not hundreds of people. 650 00:29:34,065 --> 00:29:38,445 He's murdering people willfully and gleefully 651 00:29:38,486 --> 00:29:42,115 in a way that is saying, if you are this obsessed, 652 00:29:42,157 --> 00:29:45,952 if you are this level of mad scientist, 653 00:29:45,994 --> 00:29:48,580 you will lose your humanity. 654 00:29:48,621 --> 00:29:50,165 Narrator: Part of the appeal 655 00:29:50,206 --> 00:29:52,375 of Invisible Man movies are the special effects. 656 00:29:52,417 --> 00:29:54,753 - Morning. - Morning. 657 00:29:54,794 --> 00:29:56,880 Narrator: Every version pushes the effects technology 658 00:29:56,921 --> 00:29:58,006 of its day to the limit. 659 00:30:00,884 --> 00:30:03,094 - I loved the original movie... 660 00:30:03,136 --> 00:30:04,387 - Look. 661 00:30:04,429 --> 00:30:06,222 - Just from an effect standpoint. 662 00:30:06,264 --> 00:30:08,350 When he takes the nose off and the eyeglasses off, 663 00:30:08,391 --> 00:30:11,895 and they had the fake head that you could see inside 664 00:30:11,936 --> 00:30:14,689 and see the inverse of the bandages. 665 00:30:14,731 --> 00:30:17,275 - Then every Invisible Man film after that is 666 00:30:17,317 --> 00:30:19,402 essentially doing riffs on the same thing, 667 00:30:19,444 --> 00:30:21,738 like Claude Rains' unwrapping the bandage 668 00:30:21,780 --> 00:30:23,073 to reveal nothing... 669 00:30:23,114 --> 00:30:25,700 ♪ ♪ 670 00:30:25,742 --> 00:30:28,286 Is the same effect in John Carpenter's 671 00:30:28,328 --> 00:30:30,914 "Memoirs of an Invisible Man." 672 00:30:30,955 --> 00:30:35,126 It's the same effect in Paul Verhoeven's "Hollow Man." 673 00:30:35,168 --> 00:30:37,545 But they were doing it in the '30s 674 00:30:37,587 --> 00:30:42,217 when computers literally didn't exist. 675 00:30:42,258 --> 00:30:44,344 Narrator: "Hollow Man" stars Kevin Bacon 676 00:30:44,386 --> 00:30:46,429 as a particularly loathsome version 677 00:30:46,471 --> 00:30:49,265 of the arrogant scientist corrupted by power. 678 00:30:49,307 --> 00:30:51,393 ♪ ♪ 679 00:30:51,434 --> 00:30:53,144 - Don't even think about it. 680 00:30:53,186 --> 00:30:57,399 - That one is certainly the most id-based Invisible Man. 681 00:30:57,440 --> 00:30:59,109 - Who's gonna know? 682 00:30:59,150 --> 00:31:02,320 - The way I describe, you know, the "Hollow Man" is, 683 00:31:02,362 --> 00:31:04,614 "Oh, I'm invisible. Time to rape.” 684 00:31:10,036 --> 00:31:12,747 - No one can really answer the question, 685 00:31:12,789 --> 00:31:16,876 if I became invisible, I know what I would or wouldn't do. 686 00:31:16,918 --> 00:31:19,712 Man, if it was me, I'd be ing with people, 687 00:31:19,754 --> 00:31:21,840 whispering in her ears and. 688 00:31:21,881 --> 00:31:24,300 - It would be like being granted a horrible, 689 00:31:24,342 --> 00:31:29,264 horrible responsibility to behave yourself. 690 00:31:29,305 --> 00:31:32,016 I don't think anybody would necessarily know 691 00:31:32,058 --> 00:31:36,271 what they would do with that power unless they had it. 692 00:31:36,312 --> 00:31:38,690 Narrator: Leigh Whannell's 2020 update 693 00:31:38,731 --> 00:31:40,024 of "The Invisible Man" 694 00:31:40,066 --> 00:31:41,860 gives us an equally repellent, 695 00:31:41,901 --> 00:31:45,238 but far more insidious version of the character. 696 00:31:45,280 --> 00:31:50,410 ♪ ♪ 697 00:31:50,452 --> 00:31:53,788 - The 2020 "Invisible Man" is the best version 698 00:31:53,830 --> 00:31:55,582 of Invisible Man, 699 00:31:55,623 --> 00:31:57,959 and I'm including the H.G. Wells novel 700 00:31:58,001 --> 00:32:00,587 that inspired the whole concept. 701 00:32:00,628 --> 00:32:05,216 - No, no, stop! No, stop! 702 00:32:05,258 --> 00:32:07,510 He's right there! 703 00:32:07,552 --> 00:32:12,307 - It's an intensely terrifying picture. 704 00:32:12,348 --> 00:32:14,392 Narrator: Elizabeth Moss plays a woman 705 00:32:14,434 --> 00:32:16,394 trapped in an abusive relationship 706 00:32:16,436 --> 00:32:18,521 with a hyper-controlling tech genius. 707 00:32:18,563 --> 00:32:20,565 - No--! - Ahh! 708 00:32:20,607 --> 00:32:23,067 - Cecilia, get back here! 709 00:32:23,109 --> 00:32:24,986 Narrator: She escapes his clutches. 710 00:32:25,028 --> 00:32:28,656 Soon after, he seems to die by his own hand. 711 00:32:31,034 --> 00:32:35,788 Then strange and terrible things begin to happen. 712 00:32:35,830 --> 00:32:38,833 Her ex has faked his death and is now using 713 00:32:38,875 --> 00:32:41,544 an invisibility suit to torment her. 714 00:32:41,586 --> 00:32:43,922 ♪ ♪ 715 00:32:43,963 --> 00:32:46,716 - "Invisible Man" takes this idea 716 00:32:46,758 --> 00:32:48,593 of invisibility and projects it 717 00:32:48,635 --> 00:32:52,680 into a story which is about stalking and about control, 718 00:32:52,722 --> 00:32:55,391 real-life terrors of surveillance 719 00:32:55,433 --> 00:32:58,311 that I think everyone faces but women especially. 720 00:33:01,231 --> 00:33:02,899 Narrator: For much of the movie, 721 00:33:02,941 --> 00:33:05,485 the Invisible Man is neither seen nor heard, 722 00:33:05,527 --> 00:33:08,488 but he's always there methodically sabotaging 723 00:33:08,530 --> 00:33:12,033 the woman's attempts to break free. 724 00:33:12,075 --> 00:33:17,539 - It was hard to watch because it's about domestic abuse. 725 00:33:17,580 --> 00:33:21,334 - He has figured out a way to be invisible. 726 00:33:21,376 --> 00:33:24,420 - To be in this place of no one believing you 727 00:33:24,462 --> 00:33:25,755 and no one understanding it. 728 00:33:25,797 --> 00:33:27,173 No one's gonna see it happen. 729 00:33:27,215 --> 00:33:30,385 - Ahh! 730 00:33:30,426 --> 00:33:33,179 ♪ ♪ 731 00:33:33,221 --> 00:33:34,973 - So how do you plead your case? 732 00:33:35,014 --> 00:33:36,683 How do you get out of it? How do you get help? 733 00:33:36,724 --> 00:33:40,395 That's what's tormenting about watching her experience 734 00:33:40,436 --> 00:33:43,398 is trying to escape a bad relationship. 735 00:33:43,439 --> 00:33:46,276 That's all you wanna do is just escape this bad relationship, 736 00:33:46,317 --> 00:33:49,737 and he's figured out a crazy super-intelligent way 737 00:33:49,779 --> 00:33:51,239 to keep hold of you. 738 00:33:51,281 --> 00:33:52,907 - He was always going to find you, 739 00:33:52,949 --> 00:33:56,202 no matter what he had to do. 740 00:33:56,244 --> 00:33:57,829 - I think the most impactful scene 741 00:33:57,870 --> 00:33:59,455 for me was in the restaurant, 742 00:33:59,497 --> 00:34:01,833 the restaurant scene with her sister. 743 00:34:01,874 --> 00:34:06,671 - I found something that can prove what I'm experiencing, 744 00:34:06,713 --> 00:34:11,926 that can prove that Adrian is stalking me. 745 00:34:11,968 --> 00:34:13,886 - As she's explaining and begging for her sister 746 00:34:13,928 --> 00:34:16,097 to pay attention, and the moment that she does-- 747 00:34:16,139 --> 00:34:19,100 - It's some kind of suit that Adrian has built. 748 00:34:19,100 --> 00:34:21,644 - You just see this knife floating. 749 00:34:21,686 --> 00:34:24,147 The knife just lingers for a split second. 750 00:34:24,188 --> 00:34:25,648 - What? 751 00:34:25,690 --> 00:34:29,652 It happened so fast, so real. 752 00:34:29,694 --> 00:34:33,448 That's exactly how we would react in shock. 753 00:34:33,489 --> 00:34:38,369 And how Elizabeth Moss just stood there silent 754 00:34:38,411 --> 00:34:40,121 and broken in the restaurant. 755 00:34:44,500 --> 00:34:45,877 - Incredible. 756 00:34:45,918 --> 00:34:47,629 - You're saying that the person 757 00:34:47,670 --> 00:34:49,672 that killed your sister is in the room right now, 758 00:34:49,714 --> 00:34:52,008 but we can't see him. 759 00:34:52,050 --> 00:34:54,552 - Look, you're not gonna watch the new "Invisible Man" 760 00:34:54,594 --> 00:34:56,638 and feel the terror the same way 761 00:34:56,679 --> 00:34:58,681 that a woman who has been in an abusive, 762 00:34:58,723 --> 00:35:00,683 controlling relationship would feel. 763 00:35:00,725 --> 00:35:03,645 - This is what he does. 764 00:35:03,686 --> 00:35:06,814 He makes me feel like I'm the crazy one. 765 00:35:06,856 --> 00:35:08,191 - But I'll say this. 766 00:35:08,232 --> 00:35:10,985 Everybody has trauma, 767 00:35:11,027 --> 00:35:13,571 and everybody experiences the bad stuff. 768 00:35:13,613 --> 00:35:16,991 And if you haven't, don't worry, you will. 769 00:35:17,033 --> 00:35:19,327 ♪ ♪ 770 00:35:19,369 --> 00:35:22,914 And that's part of why people make horror films. 771 00:35:22,955 --> 00:35:25,458 It's a cathartic way to express those terrors 772 00:35:25,500 --> 00:35:28,503 and those horrors in a safe way. 773 00:35:28,544 --> 00:35:31,047 - There you are. 774 00:35:31,089 --> 00:35:33,174 Narrator: Like all great horror archetypes, 775 00:35:33,216 --> 00:35:35,510 "The Invisible Man" is continually reshaped 776 00:35:35,551 --> 00:35:37,011 to suit the times. 777 00:35:37,053 --> 00:35:39,347 you! 778 00:35:39,389 --> 00:35:41,557 Narrator: And like many social ills, 779 00:35:41,599 --> 00:35:43,518 he's not always visible, 780 00:35:43,559 --> 00:35:45,978 but he's always there. 781 00:35:46,020 --> 00:35:47,480 - Surprise. 782 00:35:47,522 --> 00:35:49,649 ♪ ♪ 783 00:35:49,691 --> 00:35:51,818 Narrator: Science is the search for truth. 784 00:35:53,695 --> 00:35:57,198 But sometimes we learn things we wish we hadn't 785 00:35:57,240 --> 00:36:01,119 and open doors that should've stayed closed. 786 00:36:01,160 --> 00:36:03,121 - Free at last! 787 00:36:08,876 --> 00:36:11,838 - In every human personality, 788 00:36:11,879 --> 00:36:14,382 two forces struggle for supremacy. 789 00:36:14,424 --> 00:36:16,092 Narrator: Next to "Frankenstein", 790 00:36:16,134 --> 00:36:19,220 "Dr. Jekyll and Mr. Hyde" is the most powerful 791 00:36:19,262 --> 00:36:22,765 and influential mad scientist story of all time. 792 00:36:22,807 --> 00:36:25,643 - It's a guy who is torn in two, 793 00:36:25,685 --> 00:36:27,520 his good side and his bad side, 794 00:36:27,562 --> 00:36:30,815 and he must fight to win out over his bad side, 795 00:36:30,857 --> 00:36:34,235 but he can't because you are your bad side, 796 00:36:34,277 --> 00:36:35,820 and you are your good side. 797 00:36:35,862 --> 00:36:38,865 And even if you can separate them momentarily, 798 00:36:38,906 --> 00:36:40,450 you can never escape yourself. 799 00:36:43,369 --> 00:36:45,413 Narrator: Robert Louis Stevenson's novel 800 00:36:45,455 --> 00:36:48,249 has been adapted many times for the screen, 801 00:36:48,291 --> 00:36:50,960 but the definitive version stars Frederic March, 802 00:36:51,002 --> 00:36:53,755 who won an Academy Award for his performance 803 00:36:53,796 --> 00:36:57,675 as the upstanding physician who unleashes his dark side. 804 00:36:57,717 --> 00:37:01,137 - To my mind, the finest adaptation 805 00:37:01,179 --> 00:37:03,431 of the story is the Rouben Mamoulian version. 806 00:37:03,473 --> 00:37:05,516 It's shocking even today, 807 00:37:05,558 --> 00:37:10,062 in its depiction of the abuse of a woman by a monstrous man. 808 00:37:10,104 --> 00:37:13,983 Narrator: Saintly Dr. Jekyll practices medicine 809 00:37:14,025 --> 00:37:16,068 in Victorian London. 810 00:37:16,110 --> 00:37:18,946 He's engaged to a wealthy young woman, 811 00:37:18,988 --> 00:37:20,531 but they are pledged to celibacy 812 00:37:20,573 --> 00:37:21,741 until they are married. 813 00:37:21,783 --> 00:37:23,451 - I'll wait. 814 00:37:23,493 --> 00:37:25,620 Narrator: This leaves Jekyll frustrated. 815 00:37:25,661 --> 00:37:28,080 - I'll wait. 816 00:37:28,122 --> 00:37:30,792 Narrator: One day he comes to the aid of Ivy, 817 00:37:30,833 --> 00:37:33,127 a gorgeous and willing bar singer 818 00:37:33,169 --> 00:37:35,046 played by Miriam Hopkins. 819 00:37:35,087 --> 00:37:37,924 - You have Dr. Jekyll meeting this woman, 820 00:37:37,965 --> 00:37:41,093 being attracted to her, and she's seducing him. 821 00:37:41,135 --> 00:37:42,970 - Look where he kicked me. 822 00:37:43,012 --> 00:37:45,223 - It's only a bruise. 823 00:37:45,264 --> 00:37:46,766 You'll be quite well in a few days. 824 00:37:46,808 --> 00:37:48,184 By the way, you mustn't wear so tight a garter. 825 00:37:48,226 --> 00:37:51,771 It's bad for you. 826 00:37:51,813 --> 00:37:55,191 It impedes the circulation. 827 00:37:55,233 --> 00:37:56,901 - And he rejects that. 828 00:37:56,943 --> 00:37:59,028 It's the curse of being a gentleman. 829 00:37:59,070 --> 00:38:01,239 - Come back soon, won't you? 830 00:38:01,280 --> 00:38:02,615 - Sorry, I'm afraid I can't. 831 00:38:02,657 --> 00:38:04,283 - Oh, yes you can. 832 00:38:04,325 --> 00:38:05,993 Come back. 833 00:38:06,035 --> 00:38:07,411 Narrator: Ivy triggers something 834 00:38:07,453 --> 00:38:09,372 inside the good doctor. 835 00:38:09,413 --> 00:38:12,792 - Come back soon, won't you? 836 00:38:12,834 --> 00:38:15,002 Oh, yes you can. 837 00:38:15,044 --> 00:38:17,380 Soon. 838 00:38:17,421 --> 00:38:19,674 Come back. 839 00:38:19,715 --> 00:38:22,051 - The thing that's fascinating about Dr. Jekyll, 840 00:38:22,093 --> 00:38:24,595 as opposed to some of the other mad scientists 841 00:38:24,637 --> 00:38:27,807 is his goal feels relatively human. 842 00:38:27,849 --> 00:38:29,600 - I want to be clean not only in my conduct 843 00:38:29,642 --> 00:38:31,769 but in my innermost thoughts and desires. 844 00:38:31,811 --> 00:38:33,855 - His goal is to find a release 845 00:38:33,896 --> 00:38:36,649 from all the rules and restrictions of society. 846 00:38:36,691 --> 00:38:38,442 ♪ ♪ 847 00:38:38,484 --> 00:38:39,986 Narrator: Jekyll creates a serum 848 00:38:40,027 --> 00:38:44,031 that will unleash his forbidden impulses. 849 00:38:44,073 --> 00:38:47,660 Frederic March undergoes an on-screen transformation 850 00:38:47,702 --> 00:38:50,413 into Mr. Hyde that's done largely on camera. 851 00:38:50,454 --> 00:38:53,666 ♪ ♪ 852 00:38:53,708 --> 00:38:55,585 - I mean, the makeup's incredible, but I mean, 853 00:38:55,626 --> 00:38:59,171 just like the violence and the terror that he brings. 854 00:39:02,508 --> 00:39:03,968 Narrator: Hyde seeks out the woman 855 00:39:04,010 --> 00:39:06,470 who aroused his other self. 856 00:39:06,512 --> 00:39:09,348 - ♪ Champagne Ivy is my name ♪ 857 00:39:09,390 --> 00:39:11,058 - That scene where he lays claim to her, 858 00:39:11,100 --> 00:39:12,643 and he breaks the bottle 859 00:39:12,685 --> 00:39:14,312 and the look of fear on her face. 860 00:39:14,353 --> 00:39:16,397 And then he pushes into the camera 861 00:39:16,439 --> 00:39:19,108 as if he's going to just kind of reach into the audience 862 00:39:19,150 --> 00:39:21,152 and rape the audience, God, it's disturbing. 863 00:39:21,193 --> 00:39:24,405 - You'll come with me, hey? 864 00:39:24,447 --> 00:39:28,117 You'll come with me. 865 00:39:28,159 --> 00:39:32,204 - He sequesters Miriam Hopkins in an apartment, 866 00:39:32,246 --> 00:39:34,624 and he's the super controlling. 867 00:39:34,665 --> 00:39:37,209 - I'm going to spend the evening here 868 00:39:37,251 --> 00:39:40,338 with you, just as you want. 869 00:39:40,379 --> 00:39:43,257 Say "just as I want." Say "just as I want." 870 00:39:43,299 --> 00:39:44,634 - Just as I want. 871 00:39:44,675 --> 00:39:46,510 - And he won't let her leave. 872 00:39:46,552 --> 00:39:48,888 And he beats her up. And he terrorizes her. 873 00:39:48,930 --> 00:39:50,848 - Sing! 874 00:39:50,890 --> 00:39:53,976 - ♪ Champagne Ivy is my name ♪ 875 00:39:54,018 --> 00:39:56,103 - It's just really demented, and it's, like, 876 00:39:56,145 --> 00:39:58,397 usually they've slightly implied things, 877 00:39:58,439 --> 00:40:00,775 but that movie more than slightly implies things. 878 00:40:00,816 --> 00:40:04,070 - Look, my darling, how tight your garters. 879 00:40:04,111 --> 00:40:05,905 You mustn't wear anything tight. 880 00:40:05,947 --> 00:40:08,491 It'll bruise your pretty, tender flesh. 881 00:40:09,825 --> 00:40:11,869 ♪ ♪ 882 00:40:11,911 --> 00:40:13,537 Narrator: Ivy goes to Dr. Jekyll 883 00:40:13,579 --> 00:40:15,498 and naively asks him for help. 884 00:40:15,539 --> 00:40:20,086 - 1 give you my word. You will not see Hyde again. 885 00:40:20,127 --> 00:40:21,879 Believe me. 886 00:40:21,921 --> 00:40:23,631 - I believe you, sir. 887 00:40:23,673 --> 00:40:25,841 Narrator: But Jekyll is no longer in control 888 00:40:25,883 --> 00:40:27,969 of his transformations. 889 00:40:28,010 --> 00:40:34,934 ♪ ♪ 890 00:40:39,814 --> 00:40:41,983 - You want her not to die, 891 00:40:42,024 --> 00:40:45,403 but you know that she's--that's what's about to happen 892 00:40:45,444 --> 00:40:49,156 - There, my dove. 893 00:40:49,198 --> 00:40:52,201 Narrator: Now completely feral, 894 00:40:52,243 --> 00:40:55,413 Hyde goes on a rampage. 895 00:40:55,454 --> 00:40:59,875 Finally, he dies a violent death, 896 00:40:59,917 --> 00:41:02,211 and Jekyll's terrible secret is revealed. 897 00:41:02,253 --> 00:41:04,380 ♪ ♪ 898 00:41:04,422 --> 00:41:09,176 - The issue, of course, is that if you try to undo repression, 899 00:41:09,218 --> 00:41:11,637 the effect is not going to be liberation. 900 00:41:11,679 --> 00:41:12,930 The effect is going to be something 901 00:41:12,972 --> 00:41:13,889 much more destructive. 902 00:41:13,931 --> 00:41:15,307 ♪ ♪ 903 00:41:15,349 --> 00:41:18,310 - ♪ Champagne Ivy is my name ♪ 904 00:41:18,352 --> 00:41:20,521 ♪ Champagne Ivy is my name ♪ 905 00:41:20,563 --> 00:41:23,232 ♪ ♪ 906 00:41:23,274 --> 00:41:24,942 Narrator: Science has changed the way we live 907 00:41:24,984 --> 00:41:26,485 and the way we think. 908 00:41:26,527 --> 00:41:29,530 It can make our dreams come true. 909 00:41:29,572 --> 00:41:32,908 But behind the dazzling products of our imagination, 910 00:41:32,950 --> 00:41:37,079 we can see the shadow of the mad scientist reminding us 911 00:41:37,121 --> 00:41:40,124 that without ethics and without restraint, 912 00:41:40,166 --> 00:41:42,668 our dreams can become nightmares. 913 00:41:42,710 --> 00:41:45,963 ♪ ♪