1 00:00:03,443 --> 00:00:05,064 FEMALE SINGER: ♪ FOLLOW MY LEAD ♪ 2 00:00:05,164 --> 00:00:08,388 ♪ MOVE YOUR FEET, 1, 2, 3, DON'T SKIP A BEAT ♪ 3 00:00:08,488 --> 00:00:12,111 ♪ I WANT TO SEE YOU LIVE OUT LOUD ♪ 4 00:00:12,211 --> 00:00:13,553 ♪ WHOA, WHOA... ♪ 5 00:00:13,653 --> 00:00:15,715 [CLEARS THROAT] WHAT'RE YOU DOING? 6 00:00:15,815 --> 00:00:17,237 TAKING CARE OF JAYMEE'S FIRST LOVE. 7 00:00:17,337 --> 00:00:19,239 JAYMEE'S FIRST LOVE IS AN ORCHID? 8 00:00:19,339 --> 00:00:20,720 LOOK AT YOU. 9 00:00:20,820 --> 00:00:22,402 A MAN THAT KNOWS HIS FLOWERS. 10 00:00:22,502 --> 00:00:25,004 AND YES, THIS ORCHID AND THE REST OF HER PLANTS 11 00:00:25,104 --> 00:00:27,167 ARE THE BONUS KIDS I GAINED WHEN JAYMEE MOVED IN. 12 00:00:27,267 --> 00:00:28,968 DID YOU JUST CALL THOSE PLANTS YOUR KIDS, MAN? 13 00:00:29,068 --> 00:00:30,530 - I DID. - MM-HMM. 14 00:00:30,630 --> 00:00:32,252 - TOO MUCH? - HEH HEH! NO. 15 00:00:32,352 --> 00:00:34,254 IT'S ACTUALLY PRETTY DAMN IMPRESSIVE. 16 00:00:34,354 --> 00:00:35,855 KNOWING YOUR ROLE IS KEY. 17 00:00:35,955 --> 00:00:38,498 HAPPY BOO, HAPPY YOU. ASHER: HEY, FACTS. 18 00:00:38,598 --> 00:00:41,501 SPEAKING OF WHICH, IS SINGLE YOU A HAPPY YOU? 19 00:00:41,601 --> 00:00:44,304 ALICIA AND I ONLY BROKE UP A COUPLE WEEKS BACK. 20 00:00:44,404 --> 00:00:46,105 - THAT'S NOT AN ANSWER. - OK. 21 00:00:46,205 --> 00:00:48,107 THEN I'M HAPPY I'M NOT HURTING SOMEBODY 22 00:00:48,207 --> 00:00:50,430 I CARE ABOUT NO MORE. THERE WAS A LOT 23 00:00:50,530 --> 00:00:52,432 IN THAT RELATIONSHIP I COULDA HANDLED BETTER. 24 00:00:52,532 --> 00:00:55,034 YEAH, WELL, I'D SAY TAKE THIS TIME TO REALLY FOCUS 25 00:00:55,134 --> 00:00:57,637 ON YOURSELF, BUT KNOWING YOU, YOU'LL HAVE YOUR EYE 26 00:00:57,737 --> 00:00:59,479 ON SOMEONE NEW IN ALL OF, LIKE, TWO SECONDS. 27 00:00:59,579 --> 00:01:01,401 AH, HA HA! 28 00:01:01,501 --> 00:01:03,323 GOOD POINT. WHERE'S JAYMEE AT? 29 00:01:03,423 --> 00:01:05,885 - OK, TOO SOON. - HA HA HA! 30 00:01:05,985 --> 00:01:07,807 HEY, MAN, HAVE YOU HEARD FROM JJ? 31 00:01:07,907 --> 00:01:09,649 I'VE BEEN TRYING TO GIVE HIM THE SPACE THAT HE ASKED FOR, 32 00:01:09,749 --> 00:01:11,771 BUT MANDATORY PRACTICES START NEXT WEEK. 33 00:01:11,871 --> 00:01:13,773 WELL, I KNOW HE'S STILL AT HIS PARENTS' HOUSE. 34 00:01:13,873 --> 00:01:16,576 KEITH'S O.D. SHOOK HIM UP, MAN. ASHER: YEAH. 35 00:01:16,676 --> 00:01:19,739 THAT NIGHT, HE KEPT SAYING HE DIDN'T RECOGNISE HIMSELF IN THE MIRROR ANYMORE. 36 00:01:19,839 --> 00:01:21,781 WELL, MAYBE THIS TIME AT HIS PARENTS' IS 37 00:01:21,881 --> 00:01:23,823 THE PEACE HE NEEDS TO GET HIS HEAD RIGHT, YOU KNOW? 38 00:01:23,923 --> 00:01:27,527 IT'S BEEN A MONTH, SPENCE. WHAT IF IT'S NOT? 39 00:01:30,209 --> 00:01:32,031 [OLIVIA AND GRANDMA WENDY LAUGH] 40 00:01:32,131 --> 00:01:34,594 WENDY: HMM, WELL, SPENCER'S ATTRACTIVE 41 00:01:34,694 --> 00:01:37,717 AND HANDSOME, BUT, OH, MY GOD, 42 00:01:37,817 --> 00:01:40,800 YOU'RE A TOTAL SMOKE SHOW, OLIVIA. [OLIVIA LAUGHS] 43 00:01:40,900 --> 00:01:42,802 OOH, WAIT. GRANDMA WENDY, DID YOU JUST SAY-- 44 00:01:42,902 --> 00:01:44,884 SMOKE SHOW? ABSOLUTELY. 45 00:01:44,984 --> 00:01:47,126 I MEAN, I'M REALLY CURRENT WITH THE TIMES, YOU TWO. 46 00:01:47,226 --> 00:01:49,208 I EVEN HAVE AN ONLYFANS ACCOUNT. 47 00:01:49,308 --> 00:01:50,890 OLIVIA: OK. DIDN'T NEED TO KNOW THAT. 48 00:01:50,990 --> 00:01:53,253 HEH! IT'S JUST FOR LEGAL CONSULTATION. 49 00:01:53,353 --> 00:01:54,974 JORDAN: AH, MAKES SENSE. OLIVIA: AH, THAT'S A SMART MOVE. 50 00:01:55,074 --> 00:01:56,135 YEAH. WENDY: OK. 51 00:01:56,235 --> 00:01:57,537 [OLIVIA AND JORDAN CHUCKLE] 52 00:01:57,637 --> 00:01:59,539 IT'S GOOD TO SEE THE TWO OF YOU LAUGHING. 53 00:01:59,639 --> 00:02:01,781 I KNOW THE LAST FEW MONTHS HAVE BEEN A CHALLENGE 54 00:02:01,881 --> 00:02:03,983 FOR ALL OF YOU, AND THAT'S WHY I WANTED 55 00:02:04,083 --> 00:02:06,546 TO COME BACK AND SPEND SOME TIME WITH YOU. 56 00:02:06,646 --> 00:02:08,468 WENDY: HOW ARE YOU BOTH DOING? 57 00:02:08,568 --> 00:02:10,630 UH, WE'RE TAKING IT A DAY AT A TIME. 58 00:02:10,730 --> 00:02:13,393 JORDAN'S REALLY STEPPED INTO HIS OWN AS MAN OF THE HOUSE. 59 00:02:13,493 --> 00:02:15,395 AND LIV IS WINNING AWARDS, 60 00:02:15,495 --> 00:02:17,397 SHE'S REALLY EMBRACING HER FRESHMAN YEAR, 61 00:02:17,497 --> 00:02:20,800 AND ALSO, UH, APPLIED FOR A CULTURAL EXCHANGE PROGRAM. 62 00:02:20,900 --> 00:02:23,803 WENDY: I'M SO PROUD OF BOTH OF YOU. [CELLPHONE VIBRATES] 63 00:02:23,903 --> 00:02:26,566 OH, I HAVE TO TAKE THIS. SORRY. 64 00:02:26,666 --> 00:02:28,568 WENDY: SO HOW IS FOOTBALL GOING? OLIVIA: HELLO. 65 00:02:28,668 --> 00:02:30,530 IT'S GOOD. BRICK BY BRICK. 66 00:02:30,630 --> 00:02:31,891 AND THE LADIES IN YOUR LIFE? 67 00:02:31,991 --> 00:02:33,853 AHA. LADY, ACTUALLY. 68 00:02:33,953 --> 00:02:35,855 LAYLA AND I ARE OFFICIALLY TOGETHER. 69 00:02:35,955 --> 00:02:38,298 LAYLA, WHO USED TO WEAR THE HEADSET? 70 00:02:38,398 --> 00:02:40,019 I FORGOT ABOUT THE HEADSET. 71 00:02:40,119 --> 00:02:42,562 THANK YOU SO MUCH FOR THE AMMO. WENDY: HEH! OK. 72 00:02:44,283 --> 00:02:46,225 HEY. YOU GOOD? 73 00:02:46,325 --> 00:02:49,429 THAT WAS A REP FROM THE CULTURAL EXCHANGE PROGRAM. 74 00:02:49,529 --> 00:02:51,110 AND? 75 00:02:51,210 --> 00:02:52,872 I'VE BEEN ACCEPTED. JORDAN: YES! 76 00:02:52,972 --> 00:02:55,074 WENDY: WOW. CONGRATULATIONS, SWEETHEART. 77 00:02:55,174 --> 00:02:56,996 THAT'S WONDERFUL. JORDAN: THAT'S AMAZING. 78 00:02:57,096 --> 00:02:59,038 NOW, WHERE ARE THEY SENDING YOU, HUH? NEW YORK? 79 00:02:59,138 --> 00:03:00,640 [SOUTHERN ACCENT] TEXAS? 80 00:03:00,740 --> 00:03:02,982 WENDY: HA HA! OLIVIA: LONDON. 81 00:03:11,911 --> 00:03:14,053 JORDAN: LONDON? OLIVIA: YEAH. 82 00:03:14,153 --> 00:03:15,575 WOW, FOR-- FOR HOW LONG? 83 00:03:15,675 --> 00:03:17,016 THE WHOLE SUMMER. 84 00:03:17,116 --> 00:03:18,458 I HAVE A TON OF FRIENDS THERE. 85 00:03:18,558 --> 00:03:21,100 I'LL GET YOU THEIR INFO. OLIVIA: OK. 86 00:03:21,200 --> 00:03:24,824 SO... [SIGHS] HOW DO I LOOK? 87 00:03:24,924 --> 00:03:27,827 LIKE A BOSS. MM. HAPPY FIRST DAY BACK AT WORK, MUM. 88 00:03:27,927 --> 00:03:30,750 NOW, COME HERE 'CAUSE LIV AND I HAVE MADE YOU 89 00:03:30,850 --> 00:03:33,032 FRESH BERRIES AND YOGURT FOR BREAKFAST. 90 00:03:33,132 --> 00:03:34,354 JUST LIKE DAD USED TO MAKE FOR YOU. 91 00:03:34,454 --> 00:03:36,756 THANK YOU, MY LOVES. 92 00:03:36,856 --> 00:03:39,038 DO THESE PANTS GO WITH THESE SHOES? 93 00:03:39,138 --> 00:03:41,681 WENDY: EVERYTHING LOOKS GOOD WITH PRADA. [JORDAN CHUCKLES] 94 00:03:41,781 --> 00:03:45,845 ARE YOU OK, MUM? I MEAN, I'M NOT USED TO YOU ASKING FOR WARDROBE APPROVAL. 95 00:03:45,945 --> 00:03:48,808 UM, I GUESS I'M A LITTLE BIT NERVOUS ABOUT GOING BACK TO WORK. 96 00:03:48,908 --> 00:03:52,011 ANYWAY, ONCE I GET THERE, I'LL BE FINE. AND BESIDES, 97 00:03:52,111 --> 00:03:54,814 I'M ONLY DOING A HALF DAY, SO... JORDAN: MM. 98 00:03:54,914 --> 00:03:56,776 OOH, UH, MUM, 99 00:03:56,876 --> 00:03:58,778 BEFORE YOU LEAVE, LIV HAS SOMETHING 100 00:03:58,878 --> 00:04:02,141 THAT SHE WOULD ACTUALLY LOVE TO SHARE. 101 00:04:02,241 --> 00:04:03,983 HAVE A GREAT FIRST DAY, MUM. 102 00:04:04,083 --> 00:04:05,745 WE LOVE YOU. 103 00:04:05,845 --> 00:04:07,747 LAURA: I LOVE YOU, TOO. AH. JORDAN: HERE YOU ARE. 104 00:04:07,847 --> 00:04:09,749 LAURA: THANK YOU. 105 00:04:09,849 --> 00:04:11,310 OK. BYE, MUM! 106 00:04:11,410 --> 00:04:13,072 BYE. HAVE A GOOD DAY. 107 00:04:13,172 --> 00:04:15,074 UH, WHAT THE HECK WAS THAT ABOUT, DUDE? 108 00:04:15,174 --> 00:04:17,076 WHY DIDN'T YOU TELL MUM ABOUT YOUR NEWS? 109 00:04:17,176 --> 00:04:19,999 I, YOU KNOW, JUST WANTED HER TO HAVE HER MOMENT. 110 00:04:20,099 --> 00:04:22,922 YOU KNOW, HER FIRST DAY BACK AT WORK IS A REALLY BIG DEAL. 111 00:04:23,022 --> 00:04:24,564 AND SO'S GOING TO LONDON. 112 00:04:24,664 --> 00:04:26,325 YEAH, BUT DID YOU GUYS NOT SEE WHAT I JUST SAW? 113 00:04:26,425 --> 00:04:28,888 SHE'S NOT READY FOR ALL OF THESE BIG CHANGES. 114 00:04:28,988 --> 00:04:31,451 I CAN'T BAIL ON HER. JORDAN: HELLO! 115 00:04:31,551 --> 00:04:34,373 MUM HAS ANOTHER KID, WHO IS SLIGHTLY BETTER-LOOKING, BY THE WAY, 116 00:04:34,473 --> 00:04:36,976 AND TOTALLY CAPABLE. I GOT THIS. 117 00:04:37,076 --> 00:04:39,539 WENDY: I AGREE. YOU NEED TO CONCENTRATE ON BEING A STUDENT, 118 00:04:39,639 --> 00:04:43,222 AND TO DO THAT IN LONDON WOULD BE AN ABSOLUTE DREAM. 119 00:04:43,322 --> 00:04:45,384 JORDAN: YEAH, AND YOU CAN'T DO THAT UNTIL YOU TALK TO MUM, 120 00:04:45,484 --> 00:04:47,486 SO WOMAN UP. 121 00:04:48,808 --> 00:04:51,230 [TV PROGRAM RUNNING, FRONT DOOR OPENS] 122 00:04:51,330 --> 00:04:52,872 SPENCER: HEY, WHAT UP, Y'ALL? CARTER: HEY. 123 00:04:52,972 --> 00:04:54,514 GRACE: HEY, BABY. DILLON: HEY, DUDE. 124 00:04:54,614 --> 00:04:56,115 YOU WANT SOMETHING TO EAT? 125 00:04:56,215 --> 00:04:57,677 YEAH, YEAH, YEAH. THAT'D BE GREAT. 126 00:04:57,777 --> 00:04:58,958 AH! 127 00:04:59,058 --> 00:05:01,080 OK, AM I IN THE JAMES HOUSE? 128 00:05:01,180 --> 00:05:03,603 BECAUSE SINCE WHEN CAN WE EAT BREAKFAST IN FRONT OF THE TV? 129 00:05:03,703 --> 00:05:06,405 OH, IT'S ME AND D'ANGELO'S NEW TRADITION. 130 00:05:06,505 --> 00:05:08,528 GRACE: THEY KNOW THE RULES. 131 00:05:08,628 --> 00:05:10,570 COASTERS, NAPKINS, 132 00:05:10,670 --> 00:05:12,411 AND NOT A SINGLE CRUMB. CARTER: NO CRUMBS. 133 00:05:12,511 --> 00:05:14,934 SPENCER: OH. SO YOU SIGNED OFF ON ALL THIS? 134 00:05:15,034 --> 00:05:16,896 'CAUSE WHEN I TRIED TO DO IT WHEN I WAS A KID, 135 00:05:16,996 --> 00:05:20,139 I GOT A WHOOPING...AND I WAS 13. CARTER: DAMN. 136 00:05:20,239 --> 00:05:21,741 WAS WHOOPINGS EVEN LEGAL AT THAT AGE? 137 00:05:21,841 --> 00:05:23,382 AH, HA HA. EVERYBODY GOT JOKES. 138 00:05:23,482 --> 00:05:25,024 KNOW YOU WOULD GET A WHOOPING. 139 00:05:25,124 --> 00:05:26,506 MAN, I WAS CHILLING. 140 00:05:26,606 --> 00:05:28,147 YOU CAN'T TAKE THESE TWO NOWHERE. 141 00:05:28,247 --> 00:05:29,909 I CAN SEE THAT. 142 00:05:30,009 --> 00:05:31,911 YOU STILL NEED ME TO TAKE YOU TO GET A HAIRCUT LATER? 143 00:05:32,011 --> 00:05:33,913 UH, YEAH, YEAH, YEAH. GOT TO LOOK FRESH. 144 00:05:34,013 --> 00:05:37,156 SUPPOSED TO LINK UP WITH MY GIRL NIKKI TONIGHT. 145 00:05:37,256 --> 00:05:39,358 GIRL AS IN GIRLFRIEND? 146 00:05:39,458 --> 00:05:41,320 DID YOU KNOW ABOUT THIS? 147 00:05:41,420 --> 00:05:44,363 GRACE: I DID NOT. DILLON: I THOUGHT YOU TOLD HER. 148 00:05:44,463 --> 00:05:46,846 THAT'S YOUR MUM. 149 00:05:46,946 --> 00:05:49,609 BESIDES, I DIDN'T KNOW IF I'D BE VIOLATING BRO CODE. 150 00:05:49,709 --> 00:05:51,370 DILLON: UM, I'M SORRY, MUM. 151 00:05:51,470 --> 00:05:53,332 IT'S ALL GOOD. 152 00:05:53,432 --> 00:05:55,014 LOOK, YOU DON'T HAVE TO TELL ME EVERYTHING 153 00:05:55,114 --> 00:05:57,016 THAT YOU'RE DOING, DILLON. AS LONG AS YOU 154 00:05:57,116 --> 00:05:59,879 AND YOUR LITTLE FRIEND ARE HAPPY, I AM, TOO. 155 00:06:05,484 --> 00:06:07,947 [FRONT DOOR OPENS, COOP SIGHS] 156 00:06:08,047 --> 00:06:09,909 PATIENCE: COOP? 157 00:06:10,009 --> 00:06:12,191 NOT NOW, PATIENCE. I GOT TO GRAB SOME STUFF FOR WORK. 158 00:06:12,291 --> 00:06:13,833 I'VE BEEN CALLING AND TEXTING YOU FOR ALMOST TWO WEEKS NOW. 159 00:06:13,933 --> 00:06:15,474 I'VE BEEN STAYING WITH MY PARENTS. 160 00:06:15,574 --> 00:06:16,916 LOOK, I JUST--I WANT YOU TO KNOW I HAD NOTHING TO DO 161 00:06:17,016 --> 00:06:18,277 WITH THAT VIDEO OF ME AND SKYE KISSING. 162 00:06:18,377 --> 00:06:19,559 IT DON'T CHANGE WHAT HAPPENED. 163 00:06:19,659 --> 00:06:21,280 COME ON. THAT VIDEO WAS DOCTORED. 164 00:06:21,380 --> 00:06:24,483 I SWEAR, I--I PULLED AWAY THE MOMENT IT WENT DOWN. 165 00:06:24,583 --> 00:06:26,726 SO IF--IF YOU PULLED AWAY, THAT MEANS 166 00:06:26,826 --> 00:06:28,688 SKYE'S THE ONE WHO KISSED YOU. 167 00:06:28,788 --> 00:06:31,450 [SIGHS] 168 00:06:31,550 --> 00:06:33,533 I'M SORRY, COOP. 169 00:06:33,633 --> 00:06:37,256 IF IT'S ANY CONSOLATION, SHE FELT TERRIBLE RIGHT AFTER IT HAPPENED. 170 00:06:37,356 --> 00:06:38,978 I DON'T CARE HOW SHE FELT. 171 00:06:39,078 --> 00:06:40,780 DOES LAYLA KNOW THAT THERE'S SOME WEIRDO 172 00:06:40,880 --> 00:06:42,622 SPYING ON FOLKS AT HER STUDIO? 173 00:06:42,722 --> 00:06:44,824 NOPE, NOT YET. 174 00:06:44,924 --> 00:06:47,226 MY ONLY CONCERN HAS BEEN YOU. 175 00:06:47,326 --> 00:06:49,228 IF YOU WERE SO CONCERNED ABOUT ME, 176 00:06:49,328 --> 00:06:51,230 YOU WOULD HAVE TOLD ME THAT MY GIRLFRIEND BETRAYED ME 177 00:06:51,330 --> 00:06:53,873 INSTEAD OF LETTING ME GET BLINDSIDED BY THAT VIDEO. 178 00:06:53,973 --> 00:06:56,676 I'M SORRY. IT... 179 00:06:56,776 --> 00:06:58,718 [FOOTSTEPS ASCEND STAIRS] 180 00:06:58,818 --> 00:07:00,279 [INDISTINCT CHATTER] 181 00:07:00,379 --> 00:07:02,682 HEY, COACH, I WAS THINKING... 182 00:07:02,782 --> 00:07:04,724 OH, MY BAD, SHANE. I WAS LOOKING FOR COACH MONTES. 183 00:07:04,824 --> 00:07:06,726 OH, HE'S TALKING TO OUR GROUNDS CREW 184 00:07:06,826 --> 00:07:08,888 ABOUT TOMORROW'S FIRST DAY OF MANDATORY PRACTICE. 185 00:07:08,988 --> 00:07:12,451 WAIT, TOMORROW? WHAT HAPPENED TO STARTING PRACTICE NEXT WEEK? 186 00:07:12,551 --> 00:07:14,814 NAH, COACH COULDN'T WAIT ANOTHER WEEK, SO WE MOVED THINGS UP. 187 00:07:14,914 --> 00:07:16,976 KNOW WHO WE CAN THANK FOR THIS, RIGHT? 188 00:07:17,076 --> 00:07:19,178 ASHER: ME? SHANE: BOOM! 189 00:07:19,278 --> 00:07:21,420 THE WAY YOU'VE BEEN PUSHING THE BOYS THIS OFF SEASON, 190 00:07:21,520 --> 00:07:24,103 I MEAN, YOU EVEN GOT JJ's HEAD BACK IN THE GAME. 191 00:07:24,203 --> 00:07:25,464 BET HE'S CHOMPING AT THE BIT, TOO. 192 00:07:25,564 --> 00:07:26,706 YEAH. 193 00:07:26,806 --> 00:07:28,748 YEAH, HE IS, 100 PERCENT. 194 00:07:28,848 --> 00:07:31,230 WELL, CAN'T WAIT TO SEE HIM ON THE FIELD TOMORROW, BRIGHT AND EARLY. 195 00:07:31,330 --> 00:07:32,712 LET'S GET TO WORK. 196 00:07:32,812 --> 00:07:34,814 YES, SIR. 197 00:07:45,664 --> 00:07:48,047 HEY, UH, UH, UH, LISTEN, I DON'T--I DON'T MEAN 198 00:07:48,147 --> 00:07:50,089 TO BE THAT GUY, BUT-- GRACE: WHAT? 199 00:07:50,189 --> 00:07:52,131 I FOUND CRUMBS ON THE COUCH. 200 00:07:52,231 --> 00:07:53,693 GRACE: OH, LORD. HA HA! SPENCER: I'M JUST SAYIN'. 201 00:07:53,793 --> 00:07:56,295 YOU HAVE VERY SPECIFIC RULES WHEN IT COMES TO THAT COUCH. 202 00:07:56,395 --> 00:07:58,297 THERE'S ONLY ONE PUNISHMENT THAT FITS THE CRIME, 203 00:07:58,397 --> 00:08:00,499 AND DILLON IS 13, SO... GRACE: WHAT? 204 00:08:00,599 --> 00:08:02,541 I'MMA GO AHEAD AND HOLD HIM DOWN, AND YOU CAN COME IN 205 00:08:02,641 --> 00:08:04,423 AND DO WHAT YOU DO BEST, OK? GRACE: WHAT? HA HA! 206 00:08:04,523 --> 00:08:05,785 WOULD YOU STOP? 207 00:08:05,885 --> 00:08:08,788 HA HA HA! OH. 208 00:08:08,888 --> 00:08:11,590 IT'S GOOD TO SEE YOU ON THE OTHER SIDE OF YOUR MOUNTAIN, SON. 209 00:08:11,690 --> 00:08:13,633 I DON'T KNOW IF I'M ON THE OTHER SIDE OF IT YET, 210 00:08:13,733 --> 00:08:15,434 BUT I'M MAKING PROGRESS, 211 00:08:15,534 --> 00:08:18,077 EMBRACING CHANGE, YOU KNOW? GRACE: MM-HMM. 212 00:08:18,177 --> 00:08:21,040 IS THAT WHAT YOU DOING? EMBRACING CHANGE? 213 00:08:21,140 --> 00:08:22,521 YOU TALKING 'BOUT THAT DAMN COUCH AGAIN? 214 00:08:22,621 --> 00:08:24,043 - NO. NO... - HA HA HA! 215 00:08:24,143 --> 00:08:25,685 I'M TALKIN' BOUT DILLON TELLING CARTER 216 00:08:25,785 --> 00:08:27,486 ABOUT HIS NEW GIRLFRIEND FIRST. 217 00:08:27,586 --> 00:08:28,968 YOU SURE YOU'RE COOL WITH THAT? 218 00:08:29,068 --> 00:08:30,930 IT WOULD'VE BEEN NICE TO KNOW, 219 00:08:31,030 --> 00:08:32,531 BUT I'M FINE. 220 00:08:32,631 --> 00:08:34,533 RIGHT. THAT'S WHY YOU HAD THAT LOOK 221 00:08:34,633 --> 00:08:36,535 ON YOUR FACE WHEN YOU FOUND OUT, AND YOU EVEN 222 00:08:36,635 --> 00:08:39,018 HIT DILLON WITH THE "LITTLE FRIEND" COMMENT. 223 00:08:39,118 --> 00:08:41,460 WE ALL KNOW THAT'S BLACK MAMA SHADE 101. 224 00:08:41,560 --> 00:08:43,062 OK, FINE. 225 00:08:43,162 --> 00:08:45,304 MAYBE IT DID STING A LITTLE. 226 00:08:45,404 --> 00:08:47,506 BUT D'ANGELO AND DILLON, 227 00:08:47,606 --> 00:08:49,508 THEY'VE GOTTEN A CHANCE TO 228 00:08:49,608 --> 00:08:51,751 CREATE A BOND, AND THAT'S IMPORTANT 229 00:08:51,851 --> 00:08:53,392 AND I DON'T WANT TO STEP ON THAT. 230 00:08:53,492 --> 00:08:55,494 [CELLPHONE VIBRATES] 231 00:08:58,737 --> 00:09:01,801 I'M SORRY. YOU MIND IF WE TABLE THIS FOR ANOTHER TIME? 232 00:09:01,901 --> 00:09:03,402 THERE IS NOTHING TO TABLE, SON. 233 00:09:03,502 --> 00:09:05,364 I AM PERFECTLY FINE WITH YOUR BROTHER FORMING 234 00:09:05,464 --> 00:09:07,827 A RELATIONSHIP WITH HIS STEPFATHER. 235 00:09:13,512 --> 00:09:15,254 WAIT. YOU AND SKYE? 236 00:09:15,354 --> 00:09:17,376 IT'S NOT WHAT IT LOOKS LIKE, OK? 237 00:09:17,476 --> 00:09:19,819 YOU HAD JUST SIGNED OFF ON MY ACOUSTIC TOUR 238 00:09:19,919 --> 00:09:21,821 AND EMOTIONS WERE RUNNING HIGH, 239 00:09:21,921 --> 00:09:23,462 AND THEN SKYE, SHE JUST KISSED ME. 240 00:09:23,562 --> 00:09:25,424 - OK, WHY WOULD YOU RECORD IT? - I DIDN'T. 241 00:09:25,524 --> 00:09:27,426 WAIT, YOU THINK SOMEBODY HACKED YOUR PHONE? 242 00:09:27,526 --> 00:09:29,428 [SIGHS] I DON'T KNOW. MAYBE THEY PUT, 243 00:09:29,528 --> 00:09:31,751 LIKE, SPYWARE ON IT OR SOMETHING. 244 00:09:31,851 --> 00:09:35,935 RIGHT, BUT IN ORDER TO USE SPYWARE, WOULDN'T HE OR SHE NEED ACCESS TO YOUR PHONE? 245 00:09:37,456 --> 00:09:38,838 SHE. 246 00:09:38,938 --> 00:09:40,920 OH, MY GOD. MIKO? 247 00:09:41,020 --> 00:09:43,402 DAMN IT. PATIENCE, YOU WENT BACK TO MIKO 248 00:09:43,502 --> 00:09:46,365 AFTER I REPEATEDLY TOLD YOU TO CUT HER OFF! 249 00:09:46,465 --> 00:09:48,447 I WENT TO GO HAVE A BOUNDARIES CONVERSATION WITH HER. 250 00:09:48,547 --> 00:09:50,609 - OH, OK. - I OWED HER AT LEAST THAT 251 00:09:50,709 --> 00:09:53,092 AFTER SHE HELPED MAKE THE "FIRE AND ICE" VIDEO VIRAL. 252 00:09:53,192 --> 00:09:55,094 WELL, NOW YOU HAVE A BLACKMAIL VIDEO, SO CONGRATS. 253 00:09:55,194 --> 00:09:57,136 I'M SURE THE CONVERSATION MUST HAVE GONE GREAT. 254 00:09:57,236 --> 00:09:59,298 - I CAN TALK TO HER AGAIN, OK? - NO, YOU'VE DONE ENOUGH, 255 00:09:59,398 --> 00:10:02,701 OK, AND CLEARLY I CAN'T TRUST YOU, SO AS YOUR PRODUCER, 256 00:10:02,801 --> 00:10:04,924 I WILL DEAL WITH ALL THINGS MIKO FROM NOW ON. 257 00:10:08,848 --> 00:10:12,071 UH, HERE ARE THE DEPOSITIONS YOU ASKED FOR. 258 00:10:12,171 --> 00:10:14,914 OH, THANK YOU. 259 00:10:15,014 --> 00:10:16,515 [SIGHS] YOU GOOD, MS. BAKER? 260 00:10:16,615 --> 00:10:18,517 'CAUSE YOU HAVEN'T MOVED ALL MORNING. 261 00:10:18,617 --> 00:10:21,160 THAT'S NOT TRUE. I ATE MY BREAKFAST 262 00:10:21,260 --> 00:10:23,722 AND READ SOME EMAILS AND ANSWERED MY PHONE, 263 00:10:23,822 --> 00:10:26,725 ALL FROM THIS RIDICULOUSLY COMFY CHAIR. 264 00:10:26,825 --> 00:10:28,407 MM-HMM. 265 00:10:28,507 --> 00:10:30,369 WHATEVER, COOP. WHAT ABOUT YOU? 266 00:10:30,469 --> 00:10:32,651 [CHUCKLING] WHAT ABOUT ME? 267 00:10:32,751 --> 00:10:35,494 WELL, YOU HAVEN'T BEEN HOME IN A FEW WEEKS. YOU WANT TO FILL ME IN? 268 00:10:35,594 --> 00:10:37,456 [SIGHS] 269 00:10:37,556 --> 00:10:41,660 SCHOOL HAS BEEN... A CHALLENGE. 270 00:10:41,760 --> 00:10:43,983 MY PROFESSOR KEEPS COMING FOR ME. 271 00:10:44,083 --> 00:10:46,946 FIRST HE TRIED TO CHECK ME FOR USING TOO MUCH SLANG, 272 00:10:47,046 --> 00:10:50,990 WHICH I WASN'T, AND THEN HE CLAIMED I SLOUCH TOO MUCH. 273 00:10:51,090 --> 00:10:53,152 LAURA: EXCUSE ME? COOP: YEAH, 274 00:10:53,252 --> 00:10:55,314 AND WHEN I CONFRONTED HIM ABOUT IT, HE TOOK ME OFF 275 00:10:55,414 --> 00:10:58,197 AS LEAD SPEAKER OF MY GROUP AND HAS BEEN IGNORING ME EVER SINCE. 276 00:10:58,297 --> 00:10:59,718 THAT'S RETALIATION. 277 00:10:59,818 --> 00:11:01,240 HE CAN'T DO THAT. 278 00:11:01,340 --> 00:11:03,242 SKYE SAID THE SAME THING. 279 00:11:03,342 --> 00:11:05,444 I MEAN, I DON'T KNOW, MAYBE I'M NOT CUT OUT 280 00:11:05,544 --> 00:11:07,706 FOR THIS LAW STUFF AFTER ALL. 281 00:11:11,110 --> 00:11:12,651 SPENCER: YOU REACH OUT TO JJ? 282 00:11:12,751 --> 00:11:14,894 YEAH, I'VE BEEN TEXTING HIM THE PAST HOUR. NOTHING. 283 00:11:14,994 --> 00:11:16,856 WELL, I FINALLY HEARD BACK FROM HIS DAD. 284 00:11:16,956 --> 00:11:19,578 THEY ARE IN LAKE ARROWHEAD, BUT JJ STAYED BEHIND, 285 00:11:19,678 --> 00:11:21,660 INSISTED HE NEEDED SOME TIME ALONE. 286 00:11:21,760 --> 00:11:23,782 SPENCER: AND HIS SOCIALS ARE NO HELP; THEY'VE ALL BEEN SCRUBBED CLEAN. 287 00:11:23,882 --> 00:11:26,425 WELL, I MEAN, UH, HIM GETTING SOME ALONE TIME ISN'T CRAZY, 288 00:11:26,525 --> 00:11:28,307 CONSIDERING EVERYTHING HE'S BEEN DEALING WITH. 289 00:11:28,407 --> 00:11:30,629 WELL, TIME'S UP. LOOK, IF JJ DOESN'T 290 00:11:30,729 --> 00:11:32,631 SHOW UP FOR PRACTICE TOMORROW, HE'S OFF THE TEAM FOR GOOD. 291 00:11:32,731 --> 00:11:34,593 MONTES MADE THAT CLEAR A FEW WEEKS AGO. 292 00:11:34,693 --> 00:11:37,316 OK, I THINK IT'S TIME WE PULL UP AND DO A MENTAL HEALTH CHECK. 293 00:11:37,416 --> 00:11:39,398 WHAT IF HE'S FINE AND IT'S JUST HIS CHOICE? 294 00:11:39,498 --> 00:11:42,201 ONLY ONE WAY TO FIND OUT. 295 00:11:42,301 --> 00:11:44,523 JJ: MI COMPADRES. 296 00:11:44,623 --> 00:11:47,286 JORDAN: MI COMPADRE. MMM. AH! JJ: HA HA HA! 297 00:11:47,386 --> 00:11:49,368 JORDAN: YOU ARE LOOKING BETTER THAN EVER, JJ. 298 00:11:49,468 --> 00:11:51,330 YOU LOOK HAPPY AND BRONZED 299 00:11:51,430 --> 00:11:53,212 AND ARE COMPLETELY ROCKING THE HELL OUT 300 00:11:53,312 --> 00:11:55,454 OF THAT SMEDIUM-SIZED SHIRT. JJ: WELL, THANK YOU, BRO. 301 00:11:55,554 --> 00:11:57,656 YOU KNOW, TIME AWAY HAS DONE WONDERS FOR MY TEMPLE. 302 00:11:57,756 --> 00:11:59,418 DUDE, I'VE BEEN TEXTING YOU FOR WEEKS. 303 00:11:59,518 --> 00:12:01,260 MY BAD, BRO. YOU KNOW, RECEPTION 304 00:12:01,360 --> 00:12:03,222 OUT HERE IN THE HILLS IS A LITTLE SUS. 305 00:12:03,322 --> 00:12:05,624 ASHER: YOU LEFT ME ON "READ." JJ: UH, 306 00:12:05,724 --> 00:12:08,267 UH, RECEPTION FOR ME, I MEAN, YOU KNOW? 307 00:12:08,367 --> 00:12:10,709 HEH! UH, COME IN, 308 00:12:10,809 --> 00:12:12,931 HUH? HEH! 309 00:12:17,136 --> 00:12:18,677 YOU GOOD? 310 00:12:18,777 --> 00:12:21,240 JJ: EVERYTHING IS ACES, BRO. 311 00:12:21,340 --> 00:12:23,322 SPENCER: YEAH? SO DID YOU GET SOME HELP? 312 00:12:23,422 --> 00:12:24,643 UH, YOU--YOU MEAN, LIKE THERAPY? 313 00:12:24,743 --> 00:12:26,045 SPENCER: YEAH. JJ: HEH HEH! 314 00:12:26,145 --> 00:12:27,526 NO, I DIDN'T NEED TO. I'M FINE. 315 00:12:27,626 --> 00:12:29,248 YOU KNOW, I JUST NEEDED A MINUTE. 316 00:12:29,348 --> 00:12:30,689 GLAD TO HEAR YOU SOUND LIKE YOUR OLD SELF, JJ. 317 00:12:30,789 --> 00:12:33,812 JJ: FEELS GOOD. FUN JJ IS BACK. 318 00:12:33,912 --> 00:12:35,614 UH, NOT SURE IF YOU HEARD, 319 00:12:35,714 --> 00:12:38,217 BUT MANDATORY PRACTICES HAVE BEEN MOVED UP TO TOMORROW. 320 00:12:38,317 --> 00:12:40,819 YEAH, YEAH, ABOUT THAT. 321 00:12:40,919 --> 00:12:45,184 UH, TURNS OUT FOOTBALL ISN'T THE ONLY THING I GOT BEHIND ON THIS OFF SEASON. 322 00:12:45,284 --> 00:12:47,546 I HAVE SOME MAKE-UP WORK FOR MY PSYCHOLOGY CLASS. 323 00:12:47,646 --> 00:12:50,990 IF I DON'T DO IT, IT'S, UH, ACADEMIC PROBATION FOR ME. 324 00:12:51,090 --> 00:12:52,511 OUCH. WHAT'S THE PROJECT ABOUT? 325 00:12:52,611 --> 00:12:54,433 JJ: GET THIS. 326 00:12:54,533 --> 00:12:56,515 THEY WANT ME TO DO A VIDEO THAT SPEAKS TO WHO I AM, 327 00:12:56,615 --> 00:12:59,078 LIKE I DON'T KNOW THAT ALREADY. HEH! 328 00:12:59,178 --> 00:13:01,200 WHAT YOU PLANNING ON DOING ABOUT IT? 329 00:13:01,300 --> 00:13:04,803 I--I'M CIRCLING A FEW THINGS, JUST NOTHING HAS SPOKEN TO ME. 330 00:13:04,903 --> 00:13:07,046 MAYBE YOU SHOULD DO SOMETHING THAT RECAPS 331 00:13:07,146 --> 00:13:09,168 YOUR FRESHMAN YEAR AT COASTAL. 332 00:13:09,268 --> 00:13:11,770 THE HIGHS, THE LOWS. SPENCER: WE COULD RECORD YOU 333 00:13:11,870 --> 00:13:13,692 TALKING ABOUT YOUR EXPERIENCES ON CAMERA. 334 00:13:13,792 --> 00:13:15,334 GIVE YOU A CHANCE TO SPEAK YOUR TRUTH, 335 00:13:15,434 --> 00:13:18,137 NO CAP. LIKE, UH, "I AM ATHLETE." 336 00:13:18,237 --> 00:13:20,059 JJ: YEAH, THAT'S DOPE. HEH! ASHER: YEAH. 337 00:13:20,159 --> 00:13:22,861 BUT HOW ABOUT WE MAKE IT ALL OF US, 338 00:13:22,961 --> 00:13:24,703 YOU KNOW? ASHER: I MEAN, WE'RE DOWN. 339 00:13:24,803 --> 00:13:26,145 JORDAN: HMM. ASHER: RIGHT? 340 00:13:26,245 --> 00:13:27,906 OK, WELL, I NEED TO FIND A ROOM 341 00:13:28,006 --> 00:13:29,908 THAT IS AESTHETICALLY EPIC. 342 00:13:30,008 --> 00:13:32,471 HEH HEH! LET'S GO, BABY! 343 00:13:32,571 --> 00:13:34,153 HEE HEE! JORDAN: THERE HE IS. 344 00:13:34,253 --> 00:13:36,155 JJ: WHOO! JORDAN: NOW, THAT, 345 00:13:36,255 --> 00:13:38,637 THAT IS THE HAPPIEST I'VE SEEN JJ IN A LONG TIME. 346 00:13:38,737 --> 00:13:40,799 YEAH, MAYBE A LITTLE TOO HAPPY. 347 00:13:40,899 --> 00:13:43,442 THAT DUDE COULDN'T EVEN LOOK US IN THE EYE, J. 348 00:13:43,542 --> 00:13:46,485 HE IS PRETENDING. TRUST ME, AS SOMEBODY WHO SPENT 349 00:13:46,585 --> 00:13:49,728 A LONG, LONG TIME FAKING IT LIKE EVERYTHING WAS OK, 350 00:13:49,828 --> 00:13:52,611 THAT DUDE IS IN A FREEFALL. 351 00:13:52,711 --> 00:13:54,974 WE JUST GOTTA FIGURE OUT A WAY TO MAKE HIM SEE IT. 352 00:13:55,074 --> 00:13:57,076 [SIGHS] 353 00:14:03,842 --> 00:14:06,125 [DOOR OPENS, CLOSES] 354 00:14:07,566 --> 00:14:10,069 LAURA: LIVVY, WHAT'RE YOU DOING HERE? 355 00:14:10,169 --> 00:14:13,112 OLIVIA: I BROUGHT YOU LUNCH. LAURA: EXCEPT THAT YOU KNEW 356 00:14:13,212 --> 00:14:15,594 I WAS ONLY DOING A HALF DAY, SO TRY AGAIN. 357 00:14:15,694 --> 00:14:17,596 JORDAN RAN HIS MOUTH ALREADY, DIDN'T HE? 358 00:14:17,696 --> 00:14:19,999 HE MIGHT HAVE MENTIONED THAT YOU HAD SOMETHING TO TELL ME 359 00:14:20,099 --> 00:14:22,721 BEFORE YOU RUSHED ME OUT THE DOOR THIS MORNING. 360 00:14:22,821 --> 00:14:24,723 SO SIT. 361 00:14:24,823 --> 00:14:27,126 I WANT ALL THE TEA. 362 00:14:27,226 --> 00:14:29,528 WELL, IT'S--HEH!--FUNNY THAT YOU MENTION TEA 363 00:14:29,628 --> 00:14:31,890 BECAUSE THE PLACE THAT I WANT TO TALK 364 00:14:31,990 --> 00:14:34,253 TO YOU ABOUT IS KIND OF OBSESSED WITH IT. 365 00:14:34,353 --> 00:14:36,535 [GASPS] ARE YOU GOING TO LONDON? 366 00:14:36,635 --> 00:14:39,058 IS THAT WHERE THE CULTURAL EXCHANGE PROGRAM PLACED YOU? 367 00:14:39,158 --> 00:14:41,020 OLIVIA: IT IS. LAURA: OH, MY GOD! 368 00:14:41,120 --> 00:14:42,261 THAT'S SO AMAZING! 369 00:14:42,361 --> 00:14:44,583 SO PROUD OF YOU. 370 00:14:44,683 --> 00:14:46,785 WHEN DO YOU LEAVE? 371 00:14:46,885 --> 00:14:49,148 WELL, THAT'S THE THING. 372 00:14:49,248 --> 00:14:52,911 UH, NO. MM-MM. DON'T EVEN TRY IT. YOU'RE GOING, KIDDO. 373 00:14:53,011 --> 00:14:55,594 MUM, YOU WANT ME TO LEAVE AND BE OK, 374 00:14:55,694 --> 00:14:58,477 BUT HOW--HOW CAN I DO THAT WHEN I KNOW YOU'RE NOT? 375 00:14:58,577 --> 00:15:01,400 LAURA: LIV, I'M FINE. OLIVIA: REALLY? 376 00:15:01,500 --> 00:15:03,602 SO YOU DIDN'T SPEND ALL DAY TODAY THINKING 377 00:15:03,702 --> 00:15:05,764 THAT YOU CAME BACK TO WORK TOO SOON? 378 00:15:05,864 --> 00:15:07,566 OK, 379 00:15:07,666 --> 00:15:09,848 YOU MIGHT BE RIGHT ABOUT THAT, 380 00:15:09,948 --> 00:15:12,051 BUT I NEED THE TIME OUT OF THE HOUSE. 381 00:15:12,151 --> 00:15:14,573 IT'S THE ONLY WAY I'M GOING TO FIND MY LIFE AGAIN. 382 00:15:14,673 --> 00:15:17,416 FINDING YOUR LIFE AGAIN I GET, 383 00:15:17,516 --> 00:15:19,818 BUT I DON'T THINK THAT COMING BACK TO WORK 384 00:15:19,918 --> 00:15:21,860 IS THE BEST WAY FOR YOU TO DO THAT. 385 00:15:21,960 --> 00:15:24,423 AND YOU THINK YOU BEING HERE INSTEAD OF LONDON 386 00:15:24,523 --> 00:15:26,905 IS THE BEST WAY FOR YOU TO FIND YOU? 387 00:15:27,005 --> 00:15:29,308 MAYBE IT'S TIME WE BOTH TAKE AN HONEST LOOK 388 00:15:29,408 --> 00:15:32,050 AT WHAT'S BEST FOR BOTH OF US. 389 00:15:36,695 --> 00:15:39,238 OK, SO HOW ARE WE GONNA CONVINCE JJ TO OPEN UP? 390 00:15:39,338 --> 00:15:41,200 WE LEAD BY EXAMPLE. 391 00:15:41,300 --> 00:15:43,202 WE ALL SPEAK THE TRUTH ABOUT OUR FRESHMAN YEAR, 392 00:15:43,302 --> 00:15:46,085 WE HOLD NOTHING BACK, AND THEN, FINGERS CROSSED, 393 00:15:46,185 --> 00:15:47,646 BY HIS TURN, HE'LL DO THE SAME. 394 00:15:47,746 --> 00:15:49,168 HMM. 395 00:15:49,268 --> 00:15:51,490 ALL RIGHT, HUH? 396 00:15:51,590 --> 00:15:53,132 WHO'S UP FIRST? 397 00:15:53,232 --> 00:15:55,274 I'LL TAKE ONE FOR THE TEAM. 398 00:15:59,037 --> 00:16:00,939 PROFESSOR HILL: SO, TODAY, WE'LL DISCUSS 399 00:16:01,039 --> 00:16:03,702 THE "KERN VS. TARZANA" SCHOOL CASE. 400 00:16:03,802 --> 00:16:06,905 AN 18-YEAR-OLD BY THE NAME OF TERI KERN WAS ARRESTED 401 00:16:07,005 --> 00:16:10,109 FOR POSSESSION OF MARIJUANA WITH INTENT TO DISTRIBUTE. 402 00:16:10,209 --> 00:16:13,792 SHE CLAIMED THAT THE ILLEGAL SEARCH OF HER PURSE 403 00:16:13,892 --> 00:16:17,316 WAS A DIRECT VIOLATION OF WHICH AMENDMENT... 404 00:16:17,416 --> 00:16:19,418 KURT? 405 00:16:20,779 --> 00:16:22,361 [QUIETLY] THE FOURTH AMENDMENT. 406 00:16:22,461 --> 00:16:23,842 WHAT'S THAT, KURT? 407 00:16:23,942 --> 00:16:26,245 LAURA: UH, THE FOURTH AMENDMENT. 408 00:16:26,345 --> 00:16:29,768 SORRY. I WAS SUPPOSED TO BE OBSERVING QUIETLY, 409 00:16:29,868 --> 00:16:32,010 BUT BEING IN THIS SETTING, I WAS 410 00:16:32,110 --> 00:16:34,253 GETTING FLASHBACKS OF BEING A LAW STUDENT. 411 00:16:34,353 --> 00:16:37,536 FORMER, UH, D.A. BAKER, TO WHAT DO WE OWE THE PLEASURE? 412 00:16:37,636 --> 00:16:39,578 LAURA: PROFESSOR JACOBS WAS KIND ENOUGH TO GIVE ME A TOUR 413 00:16:39,678 --> 00:16:41,580 OF THE BUILDING, AND I HEARD YOU FROM THE HALLWAY. 414 00:16:41,680 --> 00:16:43,822 DO YOU MIND IF I SIT IN? 415 00:16:43,922 --> 00:16:46,024 [CHUCKLING] OH, NOT AT ALL. PLEASE, UH, BE MY GUEST. 416 00:16:46,124 --> 00:16:48,227 LAURA: THANK YOU. 417 00:16:48,327 --> 00:16:51,109 [DOOR OPENS, CLOSES] DO YOU MIND IF I TAKE YOUR SEAT? 418 00:16:51,209 --> 00:16:53,852 STUDENT: SURE. LAURA: THANK YOU. 419 00:16:59,298 --> 00:17:03,242 GIVE ME ONE WORD TO SUM UP YOUR FRESHMAN YEAR. 420 00:17:03,342 --> 00:17:04,883 GROWTH. 421 00:17:04,983 --> 00:17:07,125 I STARTED THIS SEASON ON THE BENCH, 422 00:17:07,225 --> 00:17:10,169 AND THEN I MADE A GAME-SAVING PLAY ON SPECIAL TEAMS, 423 00:17:10,269 --> 00:17:12,171 AND THEN I WENT FIRST-TEAM ALL-FRESHMAN. 424 00:17:12,271 --> 00:17:14,213 WOW. WHOLE SEASON WAS A MOVIE. 425 00:17:14,313 --> 00:17:17,055 IF THAT WAS A MOVIE, THEN THE OFF SEASON WAS A BAD SEQUEL. 426 00:17:17,155 --> 00:17:18,777 I BROKE UP WITH TWO GIRLFRIENDS. 427 00:17:18,877 --> 00:17:20,299 JORDAN: EH, TECHNICALLY ONE, 428 00:17:20,399 --> 00:17:21,900 OK? THE OTHER ONE BEAT YOU TO IT. 429 00:17:22,000 --> 00:17:24,783 THANKS FOR KEEPING ME HUMBLE, J. UH, HEH! 430 00:17:24,883 --> 00:17:27,626 MAKING DECISIONS FOR OTHER PEOPLE 431 00:17:27,726 --> 00:17:30,028 INSTEAD OF LETTING THEM MAKE IT THEMSELVES 432 00:17:30,128 --> 00:17:32,231 IS SOMETHING THAT ALWAYS HAUNTED ME. 433 00:17:32,331 --> 00:17:35,033 AND THEN I LOST THE GREATEST MAN I EVER KNEW... 434 00:17:35,133 --> 00:17:38,277 BUT, IN SPITE OF ALL THAT PAIN AND REGRET, 435 00:17:38,377 --> 00:17:40,279 I LEARNED HOW TO ASK FOR HELP, 436 00:17:40,379 --> 00:17:42,881 HOW TO LEAN ON MY VILLAGE. 437 00:17:42,981 --> 00:17:46,765 I LEARNED THAT IT'S OK FOR THE STRONG FRIEND TO BE VULNERABLE. 438 00:17:46,865 --> 00:17:49,448 OR IN YOUR CASE, THE FUN FRIEND. 439 00:17:49,548 --> 00:17:52,731 THOSE WALLS AIN'T ALWAYS GOT TO BE UP, JJ. 440 00:17:52,831 --> 00:17:56,535 UH, UH, APPRECIATE THAT, BUT WE'RE FOCUSED ON YOU, SPENCE. 441 00:17:56,635 --> 00:17:58,857 AND PLUS, THAT DOESN'T REALLY APPLY TO ME. 442 00:17:58,957 --> 00:18:00,899 NOW, C'MON, BRUH, 443 00:18:00,999 --> 00:18:03,542 ALL THE BIG ENERGY, ALL THE JOKES, 444 00:18:03,642 --> 00:18:05,544 IT'S BECOME A CRUTCH FOR YOU, MAN, 445 00:18:05,644 --> 00:18:07,706 A MASK FOR YOU TO HIDE BEHIND. 446 00:18:07,806 --> 00:18:10,429 LOOK, REAL TALK, THIS YEAR'S BEEN TOUGH FOR YOU, TOO. 447 00:18:10,529 --> 00:18:12,311 NOW, I FOUND SAFETY IN MY VILLAGE. 448 00:18:12,411 --> 00:18:13,952 YOU CAN FIND SAFETY IN US, TOO, 449 00:18:14,052 --> 00:18:15,674 BUT YOU GOT TO TALK TO US. 450 00:18:15,774 --> 00:18:18,317 LOOK, I KNOW IT SOUNDS CORNY, 451 00:18:18,417 --> 00:18:20,359 BUT DR. SPEARS ALWAYS SAYS, MAN, 452 00:18:20,459 --> 00:18:22,361 YOU CANNOT HEAL 453 00:18:22,461 --> 00:18:24,363 UNTIL YOU FEEL. JJ: YEAH, WELL, 454 00:18:24,463 --> 00:18:27,366 DOC McSTUFFINS WOULD DIAGNOSE WHAT YOU JUST SAID 455 00:18:27,466 --> 00:18:29,968 AS OVER-REACT-ITIS. HEH HEH! 456 00:18:30,068 --> 00:18:32,811 YO, REALLY, JJ? AFTER EVERYTHING SPENCE JUST SAID, 457 00:18:32,911 --> 00:18:35,213 THAT'S ALL YOU GOT? JJ: CHILL. IT WAS A JOKE. 458 00:18:35,313 --> 00:18:38,016 YEAH, BUT THIS AIN'T, OK? 459 00:18:38,116 --> 00:18:40,138 [SIGHS] 460 00:18:40,238 --> 00:18:43,181 WE TRYING TO BE HERE FOR YOU. [CELLPHONE VIBRATES] 461 00:18:43,281 --> 00:18:44,783 YEAH, GO AHEAD AND TAKE THAT. 462 00:18:44,883 --> 00:18:47,145 SPENCER: IT'S ALL GOOD. IT'S JUST DILLON. 463 00:18:47,245 --> 00:18:48,987 I WAS SUPPOSED TO TAKE HIM TO GET A HAIRCUT, BUT I CAN PUSH THAT BACK. 464 00:18:49,087 --> 00:18:51,990 NO, YOU SHOULD GO NOW. 465 00:18:52,090 --> 00:18:54,032 YEAH, I MEAN--HEH!-- 466 00:18:54,132 --> 00:18:56,214 DONE WITH YOUR PART ANYWAY. 467 00:19:05,183 --> 00:19:07,085 [QUIETLY] WHAT'RE YOU DOING HERE? 468 00:19:07,185 --> 00:19:09,648 [QUIETLY] I FELT THE NEED TO BE NOSTALGIC. 469 00:19:09,748 --> 00:19:12,130 HOW'S IT GOING WITH YOUR PROFESSOR? 470 00:19:12,230 --> 00:19:16,174 I'M GOOD, ALL RIGHT? I DON'T NEED YOUR HELP FIGHTING THIS. 471 00:19:16,274 --> 00:19:18,817 OK, BUT HOW DO I FIGHT THIS? 472 00:19:18,917 --> 00:19:20,819 I THINK YOU KNOW WHAT TO DO, COOP. 473 00:19:20,919 --> 00:19:22,821 IF I AIR HIM OUT FOR IGNORING ME, 474 00:19:22,921 --> 00:19:24,863 HE'S GONNA KICK ME OUT OF CLASS FOR GOOD. 475 00:19:24,963 --> 00:19:26,865 SO MAYBE IT'S TIME YOU EXPLAIN TO HIM 476 00:19:26,965 --> 00:19:29,388 WHY RETALIATION IS JUST ANOTHER FORM OF BULLYING. 477 00:19:29,488 --> 00:19:31,550 OH, WE GOT IT. 478 00:19:31,650 --> 00:19:33,712 OK, ANYBODY CARE TO WEIGH IN ON THE MERIT 479 00:19:33,812 --> 00:19:35,914 OF TERI KERN'S DEFENCE? 480 00:19:36,014 --> 00:19:38,116 [SIGHS] 481 00:19:38,216 --> 00:19:39,718 [SIGHS] 482 00:19:39,818 --> 00:19:42,561 YOU'VE SHARED PLENTY IN THE PAST, MS. COOPER. 483 00:19:42,661 --> 00:19:43,822 JUST TRYING TO GIVE SOMEBODY ELSE A CHANCE. 484 00:19:43,822 --> 00:19:45,484 COOP: OF COURSE. 485 00:19:45,584 --> 00:19:48,607 BECAUSE ANY OTHER REASON COULD BE CONSIDERED RETALIATION, 486 00:19:48,707 --> 00:19:51,169 WHICH, UNDER TITLE 9, GOES AGAINST THE SCHOOL POLICY. 487 00:19:51,269 --> 00:19:53,972 A PROFESSOR CANNOT PREVENT A STUDENT FROM PARTICIPATING 488 00:19:54,072 --> 00:19:57,035 IN AN ACTIVITY OR EXERCISING THEIR RIGHTS IN CLASS. 489 00:20:00,358 --> 00:20:02,501 [CHUCKLING] WELL, SINCE, UH, 490 00:20:02,601 --> 00:20:04,703 NO ONE ELSE IS INCLINED TO WEIGH IN 491 00:20:04,803 --> 00:20:08,406 ON THE KERN DEFENCE, YOU MAY ANSWER, MS. COOPER. 492 00:20:12,010 --> 00:20:13,912 FEMALE SINGER: ♪ BE QUIET, GOT IT CAPPING ♪ 493 00:20:14,012 --> 00:20:17,356 ♪ OUT THE MOUTH, STAY LYING, TRY AND WATCH HOW I... ♪ 494 00:20:17,456 --> 00:20:20,098 [SINGING CONTINUES INDISTINCTLY] 495 00:20:23,261 --> 00:20:25,764 UM... WHERE'S PATIENCE? 496 00:20:25,864 --> 00:20:28,046 HEH! I WAS SUPPOSED TO MEET WITH BOTH OF YOU. 497 00:20:28,146 --> 00:20:31,049 AND DISCUSS WHAT? HOW YOU'RE A TOTAL CREEP WHO PUT SPYWARE 498 00:20:31,149 --> 00:20:33,211 ON HER PHONE TO TRACK HER EVERY MOVE? 499 00:20:33,311 --> 00:20:36,375 OH, SO I'M THE REASON SHE GOT SLOPPY WITH SKYE? 500 00:20:36,475 --> 00:20:39,217 THE GIRL YOU HIRED, WHO WAS CLEARLY CRUSHING 501 00:20:39,317 --> 00:20:41,259 ON PATIENCE, BUT YOU WERE TOO PREOCCUPIED TO NOTICE? 502 00:20:41,359 --> 00:20:43,261 AND YOU KNOW THAT HOW? OH, RIGHT, 503 00:20:43,361 --> 00:20:45,704 BECAUSE YOU'VE BEEN STALKING HER. 504 00:20:45,804 --> 00:20:48,266 [MIKO SIGHS] WOMAN: KAMIKO SCOTT? 505 00:20:48,366 --> 00:20:49,668 YEAH? 506 00:20:49,768 --> 00:20:51,810 YOU'VE BEEN SERVED. 507 00:20:53,251 --> 00:20:55,073 MIKO: A RESTRAINING ORDER? LAYLA: YOU ARE NO LONGER 508 00:20:55,173 --> 00:20:57,075 TO COME WITHIN 50 FEET OF PATIENCE. 509 00:20:57,175 --> 00:20:59,558 DOESN'T MATTER IF THAT'S HERE, HER CONCERT, MY HOME. 510 00:20:59,658 --> 00:21:03,081 EVERYTHING IS OFF LIMITS, AND I STRONGLY ADVISE YOU NOT TO TRY ME. 511 00:21:03,181 --> 00:21:06,004 SO, WAIT, YOU'RE PUNISHING ME FOR LOOKING OUT FOR MY GIRL? 512 00:21:06,104 --> 00:21:08,727 - SHE'S NOT YOUR GIRL, MIKO. - 'COURSE SHE IS! 513 00:21:08,827 --> 00:21:11,410 I'M THE ONE LEADING HER MOST POPULAR FAN PAGE, THE REASON 514 00:21:11,510 --> 00:21:14,252 HER "FIRE AND ICE" VIDEO JUST HIT 8 MILLION VIEWS, THE REASON HER FANS LOVE 515 00:21:14,352 --> 00:21:16,935 PATIENCE NO MATTER WHAT SHE DOES. ME, LAYLA. 516 00:21:17,035 --> 00:21:18,537 NOT SKYE. 517 00:21:18,637 --> 00:21:20,178 NOT GIA, 518 00:21:20,278 --> 00:21:22,340 ME. 519 00:21:22,440 --> 00:21:25,063 AND THE BEST PART IS I DO IT FOR FREE. 520 00:21:25,163 --> 00:21:27,846 BECAUSE I LOVE HER. 521 00:21:29,447 --> 00:21:31,950 FOR THE LAST TIME, 522 00:21:32,050 --> 00:21:35,213 IF YOU COME NEAR PATIENCE AGAIN, YOU WILL BE ARRESTED. 523 00:21:43,501 --> 00:21:46,645 I WAS 6 YEARS OLD WHEN I KNEW I WAS DESTINED TO BE A QUARTERBACK. 524 00:21:46,745 --> 00:21:48,366 JJ: YEAH? HOW? 525 00:21:48,466 --> 00:21:50,569 I THREW A PASS THAT BROKE 526 00:21:50,669 --> 00:21:52,971 THE FRONT WINDOW OF OUR HOUSE, SO... 527 00:21:53,071 --> 00:21:55,774 WAIT. I REMEMBER THAT. YOU BLAMED LIV. 528 00:21:55,874 --> 00:21:57,896 JORDAN: I DID. OH, AND IT WASN'T UNTIL 529 00:21:57,996 --> 00:22:00,859 MY DAD PRAISED LIV FOR HAVING SUCH A GREAT ARM 530 00:22:00,959 --> 00:22:03,421 THAT I ADMITTED IT WAS ME. 531 00:22:03,521 --> 00:22:05,904 MY DAD'S REACTION TO THAT WAS EVERYTHING. 532 00:22:06,004 --> 00:22:08,547 YOU KNOW, FOR THE NEXT HOUR, HE WOULD JUST SCRATCH HIS NECK 533 00:22:08,647 --> 00:22:11,830 AND SAY, "OK, OK, OK." 534 00:22:11,930 --> 00:22:15,313 I SPENT THE NEXT 12 YEARS CHASING THAT REACTION. 535 00:22:15,413 --> 00:22:17,956 AND IT WASN'T UNTIL I-- I LANDED AT GAU 536 00:22:18,056 --> 00:22:20,799 AS A PREFERRED WALK-ON THAT I-- I REALIZED I COULD THRIVE 537 00:22:20,899 --> 00:22:25,403 WITHOUT HIM AS MY COACH, WHICH WAS...BITTERSWEET. 538 00:22:25,503 --> 00:22:27,325 AND THEN YOU BECAME QB1. 539 00:22:27,425 --> 00:22:30,008 I DID, WHICH WAS AWESOME. 540 00:22:30,108 --> 00:22:33,652 AND THEN MY WORLD CAME CRASHING DOWN. 541 00:22:33,752 --> 00:22:37,135 AND IT SUCKS THAT--THAT IT TOOK LOSING MY DAD 542 00:22:37,235 --> 00:22:40,939 TO FIND MY OWN IDENTITY, MY OWN VERSION OF A BAKER MAN. 543 00:22:41,039 --> 00:22:44,583 BUT IT'S THE BLESSING THAT CAME OUT OF THE WORST TIME OF MY LIFE. 544 00:22:44,683 --> 00:22:46,585 AND I GOT THERE 545 00:22:46,685 --> 00:22:48,587 WITH THE HELP OF MY FAMILY, 546 00:22:48,687 --> 00:22:50,509 OUR VORTEX, 547 00:22:50,609 --> 00:22:53,752 AND THE BEST GIRLFRIEND A GUY COULD ASK FOR. 548 00:22:53,852 --> 00:22:56,715 ONE WORD TO DESCRIBE YOUR FRESHMAN YEAR. 549 00:22:56,815 --> 00:22:58,957 MATURITY. 550 00:22:59,057 --> 00:23:01,840 YEAH, I AM PROOF THAT GROWTH IS POSSIBLE, 551 00:23:01,940 --> 00:23:04,382 NO MATTER HOW MESSY YOUR LIFE CAN GET. 552 00:23:08,386 --> 00:23:10,889 WHAT ABOUT YOU, JJ? WHAT IS YOUR WORD? 553 00:23:10,989 --> 00:23:13,852 C'MON, MAN. FIRST SPENCE, NOW YOU? 554 00:23:13,952 --> 00:23:16,294 LOOK, I'M JUST SAYIN', THINGS GOT REALLY REAL FOR YOU THIS YEAR. 555 00:23:16,394 --> 00:23:18,016 I MEAN, THAT HAD TO MESS WITH YOUR HEAD A LITTLE BIT, NO? 556 00:23:18,116 --> 00:23:19,257 JJ: YEAH. JORDAN: J-- 557 00:23:19,357 --> 00:23:21,820 ASHER: DUDE. 558 00:23:21,920 --> 00:23:23,862 YO, I APPRECIATE YOU FOR TAKING ME TO THE BARBER SHOP. 559 00:23:23,962 --> 00:23:25,544 OH, MAN, YOU KNOW I GOT YOU, JUST LIKE 560 00:23:25,644 --> 00:23:27,105 I WOULD HAVE HAD YOU IF YOU CAME TO ME FOR ADVICE 561 00:23:27,205 --> 00:23:28,627 ABOUT YOUR NEW GIRL. 562 00:23:28,727 --> 00:23:30,869 - YOU KNOW I LOVE YOU, RIGHT? - I DO. 563 00:23:30,969 --> 00:23:32,831 BUT THERE'S NO WAY I'M ASKING YOU FOR GIRL ADVICE. 564 00:23:32,931 --> 00:23:34,993 THAT VORTEX YOU GOT GOING ON IS MESSY, BRUH. 565 00:23:35,093 --> 00:23:36,715 WHAT? M-- 566 00:23:36,815 --> 00:23:38,717 - EXACTLY. SUPER MESSY. [SCOFFS] - IT IS KIND OF MESSY. 567 00:23:38,817 --> 00:23:40,318 BUT I GOT TO GET READY, THOUGH. 568 00:23:40,418 --> 00:23:42,080 D'ANGELO IS TAKING US TO THE ARCADE TONIGHT. 569 00:23:42,180 --> 00:23:43,441 YOU KNOW I LOVE YOU, RIGHT? 570 00:23:43,541 --> 00:23:45,523 - I DO. - AND I'M REALLY DIGGING 571 00:23:45,623 --> 00:23:47,125 WHAT YOU AND CARTER ARE BUILDING. 572 00:23:47,225 --> 00:23:48,767 I AIN'T HAVE NOTHING LIKE THAT WHEN I WAS 573 00:23:48,867 --> 00:23:50,528 YOUR AGE, BUT BETWEEN YOU AND ME, 574 00:23:50,628 --> 00:23:52,250 MUMS IS FEELING KINDA LEFT OUT. 575 00:23:52,350 --> 00:23:54,653 - FOR REAL? - SHE'LL NEVER SAY ANYTHING, 576 00:23:54,753 --> 00:23:56,214 BUT...YEAH. 577 00:23:56,314 --> 00:23:58,216 LOOK, I KNOW IT'S NOT INTENTIONAL, 578 00:23:58,316 --> 00:24:00,018 BUT YOU GOT TO TRY TO KEEP IN MIND, MAN, 579 00:24:00,118 --> 00:24:02,020 YOU AND ME, FOR THE LONGEST TIME, 580 00:24:02,120 --> 00:24:04,342 WE WERE THE CENTRE OF EVERYTHING FOR HER. 581 00:24:04,442 --> 00:24:07,025 SO WHEN IT COMES TO BEING A PART OF ALL THE IMPORTANT STUFF, 582 00:24:07,125 --> 00:24:09,247 LIKE A FIRST GIRLFRIEND... 583 00:24:11,129 --> 00:24:13,111 THAT MEANS SOMETHING TO HER, 584 00:24:13,211 --> 00:24:16,675 AND IT MEANS SOMETHING TO ME, TOO. 585 00:24:16,775 --> 00:24:19,197 NAH, YOU RIGHT. I FEEL YOU. 586 00:24:19,297 --> 00:24:21,299 [CELLPHONE VIBRATES] 587 00:24:23,621 --> 00:24:25,684 YOU GOOD? 588 00:24:25,784 --> 00:24:29,287 YEAH. LOOKS LIKE THE GUYS WEREN'T ABLE TO GET THROUGH TO JJ. 589 00:24:29,387 --> 00:24:31,289 HE STILL AIN'T TALKING TO THEM. 590 00:24:31,389 --> 00:24:34,532 THEN MAYBE FIND SOMEONE HE WILL TALK TO, 591 00:24:34,632 --> 00:24:37,936 LIKE SOMEONE HE OWES EXPLANATION TO 592 00:24:38,036 --> 00:24:41,019 OR SOMEONE THAT IT'LL MEAN SOMETHING TO IN A BIGGER WAY. 593 00:24:41,119 --> 00:24:43,581 HMM. 594 00:24:43,681 --> 00:24:46,104 PROFESSOR HILL: SO YOU'RE SAYING TERI KERN WAS WITHIN HER RIGHTS TO SUE HER HIGH SCHOOL, 595 00:24:46,204 --> 00:24:47,986 EVEN THOUGH SHE WAS THE ONE ARRESTED FOR NARCOTICS. 596 00:24:48,086 --> 00:24:50,068 COOP: YES. 597 00:24:50,168 --> 00:24:52,190 JUST BECAUSE SHE HAD IT IN HER PURSE DOESN'T MEAN SHE WAS GONNA SELL IT. 598 00:24:52,290 --> 00:24:53,992 - WHY EVEN HAVE IT, THEN? - BECAUSE SHE WAS HOLDING IT 599 00:24:54,092 --> 00:24:55,994 FOR HER GRANDFATHER, WHO SMOKED MARIJUANA 600 00:24:56,094 --> 00:24:58,797 TO HELP WITH HIS GLAUCOMA. BUT AT THE TIME, WEED WAS 601 00:24:58,897 --> 00:25:01,640 ILLEGAL IN CALIFORNIA, SO SHE HAD TO TAKE THE FALL. 602 00:25:01,740 --> 00:25:04,482 NOBODY EVER TOOK THE TIME TO ASK HER WHY SHE HAD IT. 603 00:25:04,582 --> 00:25:07,325 THEY JUST THREW HER IN THE COUNTY JAIL, WHERE SHE STAYED FOR TWO YEARS. 604 00:25:07,425 --> 00:25:08,967 [STUDENTS GROAN] PROFESSOR HILL: MRS. BAKER, 605 00:25:09,067 --> 00:25:11,209 YOU WERE A D.A. TOUGH ON DRUGS. THOUGHTS? 606 00:25:11,309 --> 00:25:13,812 I ACTUALLY WORKED ON THIS CASE AS A YOUNG ATTORNEY, 607 00:25:13,912 --> 00:25:17,175 AND WE PUSHED FOR AN APPEAL AND GOT TERI RELEASED. 608 00:25:17,275 --> 00:25:19,297 HAD HER PREVIOUS ATTORNEYS DONE WHAT 609 00:25:19,397 --> 00:25:21,820 TAMIA JUST RECOMMENDED, SHE NEVER WOULD HAVE BEEN JAILED. 610 00:25:21,920 --> 00:25:23,541 SO WHO'S TO BLAME FOR THIS? 611 00:25:23,641 --> 00:25:25,303 COOP: A SYSTEM THAT THRIVES ON UNCONSCIOUS BIAS. 612 00:25:25,403 --> 00:25:26,745 PROFESSOR HILL: YEAH, BUT THAT ARGUMENT 613 00:25:26,845 --> 00:25:28,667 WILL NEVER HOLD UP IN A COURT OF LAW. 614 00:25:28,767 --> 00:25:30,709 YES, IT WILL, THE MORE WE NORMALISE IT 615 00:25:30,809 --> 00:25:32,831 AND MAKE IT A PART OF THE BIGGER CONVERSATION. 616 00:25:32,931 --> 00:25:36,194 LAURA: TAMIA'S RIGHT. TIMES ARE CHANGING, PROFESSOR HILL. 617 00:25:36,294 --> 00:25:40,038 ATTORNEYS WHO LOOK AND SOUND LIKE TAMIA GOT NEXT. 618 00:25:40,138 --> 00:25:42,640 SHE'S THE DISRUPTOR THAT THIS SYSTEM NEEDS, 619 00:25:42,740 --> 00:25:46,664 SO YOU EITHER GET ON BOARD OR GET RUN OVER. 620 00:25:51,469 --> 00:25:53,411 WENDY: HERE YOU GO, SWEETIE. 621 00:25:53,511 --> 00:25:55,373 OH. WHAT'S THIS? 622 00:25:55,473 --> 00:25:57,816 CONTACT INFO FOR MY FRIENDS IN LONDON. 623 00:25:57,916 --> 00:26:00,979 AND BEFORE YOU SAY ANYTHING, THEY KNOW KIDS YOUR AGE. 624 00:26:01,079 --> 00:26:02,781 THAT IS VERY SWEET, GRANDMA. THANK YOU. 625 00:26:02,881 --> 00:26:04,983 OF COURSE. SO WHEN'RE YOU LEAVING? 626 00:26:05,083 --> 00:26:06,584 I'M STILL SORTING THAT OUT. 627 00:26:06,684 --> 00:26:09,027 WHAT ELSE IS THERE TO SORT OUT? 628 00:26:09,127 --> 00:26:12,070 UH, Y'KNOW, JUST MAKING SURE THEIR SOCIAL JUSTICE PROGRAM IS THE RIGHT FIT FOR ME. 629 00:26:12,170 --> 00:26:14,272 IF IT WASN'T THE RIGHT FIT, YOU WOULDN'T HAVE APPLIED. 630 00:26:14,372 --> 00:26:16,434 SO WHAT'S THE REAL HOLD UP? 631 00:26:16,534 --> 00:26:18,316 IS IT SPENCER? 632 00:26:18,416 --> 00:26:20,678 I SAW THE WAY THE TWO OF YOU LOOKED AT EACH OTHER 633 00:26:20,778 --> 00:26:23,321 IN THAT PHOTOGRAPH FROM THE FASHION SHOW. 634 00:26:23,421 --> 00:26:26,204 YEAH, OUR THING IS, UM... 635 00:26:26,304 --> 00:26:28,166 COMPLICATED. 636 00:26:28,266 --> 00:26:30,608 ARE YOU WAITING FOR HIM TO COME BACK TO YOU? 637 00:26:30,708 --> 00:26:33,131 NOT WAITING, JUST... 638 00:26:33,231 --> 00:26:35,093 WONDERING. 639 00:26:35,193 --> 00:26:37,095 THAT'S KIND OF THE SAME THING. 640 00:26:37,195 --> 00:26:39,097 AND THE LAST TIME I CHECKED, US FINE WOMEN 641 00:26:39,197 --> 00:26:41,059 DON'T WAIT OR WONDER. 642 00:26:41,159 --> 00:26:43,461 LISTEN, IT'S OK 643 00:26:43,561 --> 00:26:45,904 TO BE A LITTLE SELFISH AND FOCUS ON YOURSELF, 644 00:26:46,004 --> 00:26:49,507 WHICH IS WHAT FATE IS TELLING YOU TO DO, LIV. 645 00:26:49,607 --> 00:26:51,709 OLIVIA: HMM. WENDY: AND IF I WERE YOU, 646 00:26:51,809 --> 00:26:53,231 I WOULD LISTEN TO FATE. 647 00:26:53,331 --> 00:26:54,833 SHE CAN BE A PUSHY BITCH. 648 00:26:54,933 --> 00:26:56,935 OLIVIA: HEH! [CELLPHONE VIBRATES] 649 00:26:59,097 --> 00:27:00,999 WENDY: IN ALL SERIOUSNESS, 650 00:27:01,099 --> 00:27:04,002 YOU NEED TO BE WHOLE BEFORE YOU CAN GIVE ALL OF YOURSELF 651 00:27:04,102 --> 00:27:07,345 TO SPENCER, AND I'M NOT SURE YOU'RE THERE YET, SWEETIE. 652 00:27:11,549 --> 00:27:13,772 [ASHER SIGHS] 653 00:27:13,872 --> 00:27:16,134 [SCOFFS] YOU GUYS ARE STILL HERE? 654 00:27:16,234 --> 00:27:19,737 LOOK, IT'S CLEAR THAT YOU DON'T WANT TO OPEN UP TO US, AND THAT'S COOL. 655 00:27:19,837 --> 00:27:24,382 WE PROMISED TO HELP YOU WITH YOUR PSYCH PROJECT, SO I STAYED TO DO JUST THAT. 656 00:27:24,482 --> 00:27:26,384 I'M UP, RIGHT? JJ: YEAH, BUT... 657 00:27:26,484 --> 00:27:29,267 I DON'T NEED YOU AMBUSHING ME WITH FAKE THERAPY WHATEVER. 658 00:27:29,367 --> 00:27:31,549 NO AMBUSH. GONNA SHOOT STRAIGHT. 659 00:27:31,649 --> 00:27:33,731 AHEM. 660 00:27:39,257 --> 00:27:41,199 YOU'RE UP, ASH. 661 00:27:41,299 --> 00:27:43,121 OK. 662 00:27:43,221 --> 00:27:45,844 MY FRESHMAN YEAR WAS... 663 00:27:45,944 --> 00:27:47,445 DIFFERENT. 664 00:27:47,545 --> 00:27:50,768 IT'S BEEN EXCITING AND UNPREDICTABLE, 665 00:27:50,868 --> 00:27:53,211 BUT I'M NOT HERE TO TALK ABOUT MY FRESHMAN YEAR. 666 00:27:53,311 --> 00:27:55,253 I'M HERE TO TALK ABOUT YOURS, SINCE YOU WON'T. 667 00:27:55,353 --> 00:27:56,895 WHAT THE HELL ARE YOU DOING, MAN? 668 00:27:56,995 --> 00:27:58,656 BEING STRAIGHT UP LIKE I SAID I WOULD. 669 00:27:58,756 --> 00:28:00,698 FRESHMAN YEAR FOR JJ PARKER. LET'S SEE. 670 00:28:00,798 --> 00:28:03,221 YOU WERE ARRESTED FOR SCOOTERING WHILE DRUNK, 671 00:28:03,321 --> 00:28:05,703 BUT THAT'S LIGHT IN COMPARISON TO THE BLACKOUTS 672 00:28:05,803 --> 00:28:07,305 AND THE DAY PARTIES AND, OH, 673 00:28:07,405 --> 00:28:08,947 THE WHISKEY RAGER, WHERE I'M NOT SURE YOU 674 00:28:09,047 --> 00:28:11,109 EVER APOLOGIZED TO JORDAN FOR ALL 675 00:28:11,209 --> 00:28:13,231 THE DISRESPECTFUL CRAP YOU SAID ABOUT LAYLA. 676 00:28:13,331 --> 00:28:15,713 BUT THE PIÈCE DE RÉSISTANCE 677 00:28:15,813 --> 00:28:19,237 IS WHEN YOU SHOWED UP TO COACH BAKER'S REPAST HAMMERED. 678 00:28:19,337 --> 00:28:21,599 HAMMERED, JJ! 679 00:28:21,699 --> 00:28:23,521 FOR A MAN WHO WENT ABOVE AND BEYOND FOR YOU, 680 00:28:23,621 --> 00:28:26,124 SPITTING IN THE FACE OF LIV'S PAIN AND SOBRIETY! 681 00:28:26,224 --> 00:28:27,725 ASH. 682 00:28:27,825 --> 00:28:29,727 CHILL. 683 00:28:29,827 --> 00:28:32,370 BUT WHEN WE NEEDED HELP TO RAISE MONEY FOR JAYMEE'S MEDICAL BILLS, 684 00:28:32,470 --> 00:28:34,732 YOU--YOU SHOWED UP IN THE CLUTCH, 685 00:28:34,832 --> 00:28:36,975 PLUS THE MANY OTHER TIMES YOU'VE HAD OUR BACKS. 686 00:28:37,075 --> 00:28:39,177 WE JUST WANNA HELP YOU, DUDE, THAT'S IT. 687 00:28:39,277 --> 00:28:41,659 - I DON'T NEED YOUR HELP! - THERE IT IS! 688 00:28:41,759 --> 00:28:44,062 THAT IS THE FIRST HONEST EMOTION THAT WE'VE SEEN, JJ! 689 00:28:44,162 --> 00:28:46,264 YOU KNOW WHAT, SCREW YOU, ASH. 690 00:28:46,364 --> 00:28:48,666 AND SCREW THIS PROJECT. I'M DONE. 691 00:28:48,766 --> 00:28:50,909 I'M ALSO DONE WITH YOU GUYS TRYING TO PLAY SHRINK LIKE I OWE YOU THAT. 692 00:28:51,009 --> 00:28:53,111 I DON'T OWE YOU ANYTHING! 693 00:28:53,211 --> 00:28:56,254 BUT YOU OWE ME, DON'T YOU? 694 00:28:59,297 --> 00:29:02,440 YOU OWE ME AN APOLOGY, AT THE VERY LEAST. 695 00:29:02,540 --> 00:29:05,003 BUT, AS YOUR FRIEND, 696 00:29:05,103 --> 00:29:09,287 I'M STANDING HERE OFFERING YOU A CHANCE TO DO MORE. 697 00:29:09,387 --> 00:29:12,430 A CHANCE TO MAKE THINGS RIGHT. 698 00:29:20,278 --> 00:29:22,140 [KNOCK ON DOOR] 699 00:29:22,240 --> 00:29:23,781 GOT YOU A NEW PHONE. 700 00:29:23,881 --> 00:29:26,784 OH, THANK YOU. [CHUCKLES] 701 00:29:26,884 --> 00:29:29,347 - OH. - UH, HOW WAS MIKO? 702 00:29:29,447 --> 00:29:31,950 I, UH, FILED A RESTRAINING ORDER 703 00:29:32,050 --> 00:29:34,392 AGAINST HER; SHE CAN'T COME WITHIN 50 FEET OF YOU, 704 00:29:34,492 --> 00:29:36,354 NO MATTER WHERE YOU ARE. PATIENCE: OH, OK. 705 00:29:36,454 --> 00:29:38,756 THANK YOU FOR THAT, TOO. LAYLA: YEAH. 706 00:29:38,856 --> 00:29:41,719 - LOOK, I KNOW I MESSED UP. - YES, YOU DID. 707 00:29:41,819 --> 00:29:44,482 BUT I SHOULDN'T HAVE COME DOWN ON YOU SO HARD. 708 00:29:44,582 --> 00:29:46,484 I JUST WANT YOU TO BE SAFE. 709 00:29:46,584 --> 00:29:48,486 AND I WILL. I--I GET IT NOW. 710 00:29:48,586 --> 00:29:51,409 SHE TOTALLY REMINDS YOU OF CARRIE, SO... 711 00:29:51,509 --> 00:29:53,651 NO. 712 00:29:53,751 --> 00:29:56,134 WITH CARRIE, 713 00:29:56,234 --> 00:29:58,136 EVEN IN THE MIDDLE OF HER BREAKDOWN, 714 00:29:58,236 --> 00:30:00,778 THERE WAS STILL HUMANITY IN HER EYES. 715 00:30:00,878 --> 00:30:03,381 THAT'S WHY I KNEW I COULD GET THROUGH TO HER. 716 00:30:03,481 --> 00:30:06,344 I DID NOT SEE THAT TODAY WITH MIKO. 717 00:30:06,444 --> 00:30:09,948 PATIENCE, SHE'S SERIOUSLY UNWELL. 718 00:30:10,048 --> 00:30:11,950 HMM. 719 00:30:12,050 --> 00:30:13,952 LOOK, WE'RE STILL, UH, 720 00:30:14,052 --> 00:30:17,155 WE'LL STILL DO YOUR LIVE IN A FEW TO PROMOTE THE ACOUSTIC TOUR. 721 00:30:17,255 --> 00:30:19,677 I THINK IT'LL BE GOOD TO GET YOUR MIND OFF THINGS. 722 00:30:19,777 --> 00:30:23,041 UM...TSK. YEAH, I'M GONNA GET READY. 723 00:30:23,141 --> 00:30:25,283 OK. 724 00:30:25,383 --> 00:30:27,205 OK. 725 00:30:27,305 --> 00:30:29,347 [FOOTSTEPS RETREATING] 726 00:30:32,430 --> 00:30:34,212 THANK YOU FOR TODAY, OK? 727 00:30:34,312 --> 00:30:36,174 YOU DIDN'T HAVE TO SHOW UP. 728 00:30:36,274 --> 00:30:38,136 I AM A QUEER BLACK WOMAN, AND I DEAL 729 00:30:38,236 --> 00:30:40,058 WITH THIS KINDA NONSENSE EVERY DAY. 730 00:30:40,158 --> 00:30:41,779 DOESN'T MAKE IT RIGHT. 731 00:30:41,879 --> 00:30:44,062 BESIDES, I SHOULD BE THANKING YOU. 732 00:30:44,162 --> 00:30:45,984 BEING IN THAT CLASSROOM 733 00:30:46,084 --> 00:30:48,666 FED MY SOUL IN A WAY I DID NOT EXPECT. 734 00:30:48,766 --> 00:30:52,110 I COULD TELL. I MEAN, IT FELT LIKE YOU WERE AT HOME. 735 00:30:52,210 --> 00:30:54,192 YEAH, I WAS. 736 00:30:54,292 --> 00:30:56,514 I'M NOT TALKING ABOUT AS A STUDENT. 737 00:30:56,614 --> 00:30:58,476 OH, COME ON, COOP. 738 00:30:58,576 --> 00:31:00,478 THERE'S NO ROOM FOR ME TO BE A PROFESSOR. 739 00:31:00,578 --> 00:31:03,401 I HAVE A DAY JOB. WE HAVE A DAY JOB. 740 00:31:03,501 --> 00:31:05,403 HEY, I'M JUST SAYING, IT'S JUST--IT'S BEEN 741 00:31:05,503 --> 00:31:07,605 A WHILE SINCE I'VE SEEN YOU THAT HAPPY, 742 00:31:07,705 --> 00:31:09,927 AND IF I'M BEING COMPLETELY HONEST, 743 00:31:10,027 --> 00:31:11,889 IT'S THE PROFESSORS WHO LOOK, LISTEN, 744 00:31:11,989 --> 00:31:14,212 AND SOUND LIKE YOU WHO SHOULD HAVE NEXT. 745 00:31:14,312 --> 00:31:16,374 [CELLPHONE VIBRATES] 746 00:31:16,474 --> 00:31:18,416 BUT JUST THINK ABOUT IT. 747 00:31:18,516 --> 00:31:20,518 OK, EXCUSE ME. 748 00:31:23,161 --> 00:31:25,263 I'M SORRY, LIV. 749 00:31:25,363 --> 00:31:28,426 I WISH I COULD MAKE UP FOR WHAT HAPPENED AT COACH BAKER'S REPAST, 750 00:31:28,526 --> 00:31:31,069 AND ALL THE OTHER TIMES I FUMBLED MY CHOICES. 751 00:31:31,169 --> 00:31:34,832 YOU CAN. YOU START BY BEING HONEST. 752 00:31:34,932 --> 00:31:37,595 I JUST WANT TO HAVE A CONVERSATION WITH THE REAL YOU. 753 00:31:37,695 --> 00:31:40,558 YOU WANT HONEST? 754 00:31:40,658 --> 00:31:43,561 I DON'T EVEN KNOW WHO THE REAL ME IS. 755 00:31:43,661 --> 00:31:45,523 [BREATH TREMBLING] 756 00:31:45,623 --> 00:31:47,605 YOU CAN TURN ON THE CAMERA. 757 00:31:47,705 --> 00:31:50,088 I WANT TO RECORD IT. 758 00:31:50,188 --> 00:31:53,391 WHO KNOWS IF I'LL EVER BE ABLE TO SAY IT ALL AGAIN. 759 00:31:54,872 --> 00:31:57,375 YES, PAYBAE1250, UM, 760 00:31:57,475 --> 00:32:00,298 THE ACOUSTIC TOUR IS STILL HAPPENING. 761 00:32:00,398 --> 00:32:03,501 BUT BEFORE I GET INTO ALL THE DETAILS ABOUT THAT, 762 00:32:03,601 --> 00:32:05,503 UH, I WANTED TO TALK ABOUT SOMETHING 763 00:32:05,603 --> 00:32:08,186 THAT'S BEEN REALLY HEAVY ON MY HEART. 764 00:32:08,286 --> 00:32:10,788 FIRST OF ALL, I LOVE YOU GUYS. 765 00:32:10,888 --> 00:32:14,432 I MEAN, THERE'S NO ME WITHOUT MY PATIENCE-ZEROES. 766 00:32:14,532 --> 00:32:18,436 BUT...IF I TAKE A SELFIE WITH YOU, 767 00:32:18,536 --> 00:32:21,119 OR I SIGN AN AUTOGRAPH, 768 00:32:21,219 --> 00:32:23,501 THAT DOESN'T MAKE ME YOUR PERSONAL PROPERTY. 769 00:32:26,824 --> 00:32:30,248 TSK. UM... 770 00:32:30,348 --> 00:32:32,810 SO SOMEBODY THAT I LOVE, 771 00:32:32,910 --> 00:32:35,813 THAT, LIKE, MEANS THE WORLD TO ME, 772 00:32:35,913 --> 00:32:39,257 WAS REALLY HURT BY SOMETHING THAT ONE OF MY FANS DID. 773 00:32:39,357 --> 00:32:42,400 AND I--I WON'T LET THAT HAPPEN AGAIN. 774 00:32:46,764 --> 00:32:48,386 TSK. 775 00:32:48,486 --> 00:32:50,488 THIS BITCH. 776 00:32:51,969 --> 00:32:54,112 OH, MY GOD! CAN YOU STOP ALREADY? 777 00:32:54,212 --> 00:32:56,154 OK, YOU KNOW WHAT? 778 00:32:56,254 --> 00:32:58,796 Y'ALL WANT TO LOOK FOR SOMEBODY TO TROLL, 779 00:32:58,896 --> 00:33:01,519 WHY DON'T Y'ALL LOOK UP 780 00:33:01,619 --> 00:33:06,043 MIKOó_AZERO4EVA. 781 00:33:06,143 --> 00:33:09,687 SHE'S THE FAN WHO VIOLATED MY PRIVACY IN A WAY THAT-- 782 00:33:09,787 --> 00:33:13,171 THAT I WILL NEVER FORGET. OR FORGIVE. 783 00:33:13,271 --> 00:33:17,335 SO, YEAH, DRAG HER WITH AS MANY NEGATIVE COMMENTS AS POSSIBLE, 784 00:33:17,435 --> 00:33:20,898 AND THEN UNFOLLOW HER, AND THEN BLOCK HER ASS IMMEDIATELY. 785 00:33:20,998 --> 00:33:23,601 HOW'S THAT FOR BOUNDARIES, MIKO? 786 00:33:27,445 --> 00:33:30,948 IT'S LIKE MY LIFE IS LIKE A COIN. 787 00:33:31,048 --> 00:33:34,552 FUN JJ ON ONE SIDE AND... 788 00:33:34,652 --> 00:33:37,675 I HAVE NO IDEA WHAT'S ON THE OTHER. 789 00:33:37,775 --> 00:33:40,678 GUESS I WAS TOO AFRAID TO REALLY LOOK. 790 00:33:40,778 --> 00:33:44,322 WHEN DID YOU START BEING FUN? 791 00:33:44,422 --> 00:33:46,284 YOU KNOW HOW MY PARENTS ARE REALTORS 792 00:33:46,384 --> 00:33:49,207 FOR SOME OF THE MOST BALLER CLIENTS? [SCOFFS] 793 00:33:49,307 --> 00:33:51,729 THEY USED TO THROW THESE EPIC PARTIES AT OUR HOUSE 794 00:33:51,829 --> 00:33:55,733 FOR THEIR CLIENTS, AND I'D BE THE ONLY KID THERE. HEH! 795 00:33:55,833 --> 00:33:59,417 AND I--I WAS A CHUBBY KID WHO LOOKED LIKE CHUNK. 796 00:33:59,517 --> 00:34:01,619 WAIT, LIKE CHUNK FROM "THE GOONIES"? 797 00:34:01,719 --> 00:34:04,822 HEH! AND IN CASE YOU'RE WONDERING, MY VERSION OF CHUNK'S 798 00:34:04,922 --> 00:34:07,945 "TRUFFLE SHUFFLE" DANCE WAS KILLER. HEH! 799 00:34:08,045 --> 00:34:10,948 I DID IT FOR ONE OF MY PARENTS' CLIENTS. 800 00:34:11,048 --> 00:34:14,151 HE LAUGHED FOR AN HOUR STRAIGHT. HEH! 801 00:34:14,251 --> 00:34:18,956 THAT WAS THE FIRST TIME I EVER REALISED MY FUNNY HAD VALUE. 802 00:34:19,056 --> 00:34:22,960 MY PARENTS LOVED IT, SO IT BECAME A THING I DID--[SNIFFLES]-- 803 00:34:23,060 --> 00:34:25,723 TO GET LAUGHS FROM THE RENTS, THE CLIENTS, EVERYONE. 804 00:34:25,823 --> 00:34:28,526 BEING FUN JJ GOT YOU THEIR ATTENTION. 805 00:34:28,626 --> 00:34:30,888 AND THEN ATTENTION IN MIDDLE SCHOOL 806 00:34:30,988 --> 00:34:32,850 AND HIGH SCHOOL. 807 00:34:32,950 --> 00:34:35,853 IT BECAME THE THING THAT DEFINED ME. 808 00:34:35,953 --> 00:34:38,496 IT WAS ALL I KNEW. BUT SOMEWHERE, 809 00:34:38,596 --> 00:34:41,779 DURING MY FRESHMAN YEAR, IT GOT OUT OF HAND. 810 00:34:41,879 --> 00:34:46,564 YOU KNOW, ESPECIALLY TRYING TO BE THAT EVERY DAY... 811 00:34:48,165 --> 00:34:50,428 AND THEN COACH BAKER PASSED, 812 00:34:50,528 --> 00:34:52,350 AND THEN KEITH ALMOST OD'D. 813 00:34:52,450 --> 00:34:55,493 THE FUN WAS NO LONGER FUN. [BREATH CATCHES] 814 00:34:57,575 --> 00:35:00,438 AND ONCE I LOST THAT... 815 00:35:00,538 --> 00:35:02,960 YOU THOUGHT YOU LOST YOU. 816 00:35:03,060 --> 00:35:05,803 JJ: YEAH. OLIVIA: BUT THE TRUTH IS, 817 00:35:05,903 --> 00:35:08,646 IS YOU HAD JUST FINALLY GOT A GLIMPSE AT THE OTHER SIDE 818 00:35:08,746 --> 00:35:11,449 OF THE COIN, THE REAL YOU. 819 00:35:11,549 --> 00:35:14,212 THE ONE THAT WE'VE KNOWN ALL ALONG. 820 00:35:14,312 --> 00:35:17,214 HOW, IF I DIDN'T EVEN KNOW HIM? 821 00:35:17,314 --> 00:35:19,457 'CAUSE HE WAS THERE THE WHOLE TIME. 822 00:35:19,557 --> 00:35:22,660 FUN JJ WAS JUST A PART. LIKE, IT WASN'T FUN JJ 823 00:35:22,760 --> 00:35:25,703 THAT CONVINCED HIS 3 BEST FRIENDS TO RENT A BEACH HOUSE 824 00:35:25,803 --> 00:35:28,506 JUST SO HE COULD KEEP THIS VORTEX FAMILY TOGETHER. 825 00:35:28,606 --> 00:35:31,148 MM-MM. THAT WAS THE REAL ONE. 826 00:35:31,248 --> 00:35:33,190 JORDAN: THE WAY THAT YOU SHOWED UP FOR ME AFTER 827 00:35:33,290 --> 00:35:36,233 MY CONCUSSION... REAL JJ. 828 00:35:36,333 --> 00:35:38,596 ASHER, CHUCKLING: THE GUY THAT THREW THE HALLOWEEN MURDER MYSTERY PARTY... 829 00:35:38,696 --> 00:35:40,237 SPENCER: MM. 830 00:35:40,337 --> 00:35:41,839 ASHER: TO REMIND US THE IMPORTANCE 831 00:35:41,939 --> 00:35:45,042 OF WHAT WE BUILT AS FRIENDS...REAL JJ. 832 00:35:45,142 --> 00:35:47,204 OLIVIA: AND YES, THEY WERE FUN 833 00:35:47,304 --> 00:35:50,207 AND SOMETIMES MESSY, BUT... [JJ CHUCKLES] 834 00:35:50,307 --> 00:35:54,011 THESE EPIC MOMENTS OF THE VORTEX'S HISTORY, 835 00:35:54,111 --> 00:35:56,454 THEY WERE INSPIRED BY A GUY WHO DOES 836 00:35:56,554 --> 00:35:59,577 WHAT HE DOES AS AN EXPRESSION OF LOVE. 837 00:35:59,677 --> 00:36:01,819 I MEAN, THE VORTEX WOULDN'T BE WHAT IT IS 838 00:36:01,919 --> 00:36:04,822 WITHOUT THE LOVE THAT YOU POURED INTO IT, JJ. 839 00:36:04,922 --> 00:36:06,664 INTO EACH ONE OF US. 840 00:36:06,764 --> 00:36:08,906 ASHER: THAT'S WHO THE REAL JJ IS. 841 00:36:09,006 --> 00:36:11,789 HE'S LOVE, AND I THINK IT'S PRETTY GREAT 842 00:36:11,889 --> 00:36:14,031 YOU'RE FINALLY GETTING A CHANCE TO MEET HIM. 843 00:36:14,131 --> 00:36:16,153 OLIVIA: ACCEPTING HIM 844 00:36:16,253 --> 00:36:18,876 AND UNPACKING ALL THE SIDES OF JJ, 845 00:36:18,976 --> 00:36:22,400 IT'S NOT GONNA ALWAYS BE EASY AND COMFORTABLE. 846 00:36:22,500 --> 00:36:24,842 THAT'S WHY YOU HAVE US. 847 00:36:24,942 --> 00:36:27,605 MALE SINGER: ♪ KEEP HOLDING ON, HOLDING ON ♪ 848 00:36:27,705 --> 00:36:30,448 JJ, SOBBING: WOW. THANK YOU, GUYS. 849 00:36:30,548 --> 00:36:33,331 SPENCER: AND WHENEVER YOU'RE READY, THERE'S ALWAYS GONNA BE 850 00:36:33,431 --> 00:36:35,733 A SAFE SPACE FOR YOU BACK AT THE BEACH HOUSE, BRO. 851 00:36:35,833 --> 00:36:37,735 YOUR ROOM IS WAITING, A'IGHT? 852 00:36:37,835 --> 00:36:39,737 SINGER: ♪ KEEP HOLDING ON, HOLDING ON... ♪ 853 00:36:39,837 --> 00:36:41,819 SPENCER: HEY, GET YOURSELF TOGETHER. [JJ LAUGHING] 854 00:36:41,919 --> 00:36:44,342 [ALL LAUGHING] SINGER: ♪ KEEP HOLDING ON ♪ 855 00:36:44,442 --> 00:36:47,385 ♪ HOLDING ON FOR BRIGHTER DAYS ♪ 856 00:36:47,485 --> 00:36:49,487 JORDAN: OH! JJ: HA HA! 857 00:36:53,691 --> 00:36:56,273 CARTER: GOT YOU 2 PIECES? DILLON: YES, SIR. 858 00:36:56,373 --> 00:36:59,717 MAN, YOU GOT ALL THE BIG ONES. GRACE: HEY, IS THIS FROM HAL'S? 859 00:36:59,817 --> 00:37:01,879 DILLON: YES, MA'AM, YOUR FAVOURITE BREAKFAST SPOT. 860 00:37:01,979 --> 00:37:04,281 SPENCER: OH, YOU JUST-- GRACE: WAIT! OH, WHOA, WHOA, WHOA! 861 00:37:04,381 --> 00:37:07,204 WE CAN SIT ON THE COUCH. SPENCER: EVEN ME? 862 00:37:07,304 --> 00:37:09,487 HA HA HA! GRACE: BOY, IF YOU DON'T GET YOUR BUTT OVER THERE. 863 00:37:09,587 --> 00:37:12,410 [GRACE AND SPENCER LAUGH] 864 00:37:12,510 --> 00:37:15,653 SO, HOW DID YOUR DATE GO WITH YOUR LITTLE FRIEND-- 865 00:37:15,753 --> 00:37:17,855 I MEAN...NIKKI? 866 00:37:17,955 --> 00:37:20,217 DILLON: YEAH, UH, SHE STOOD ME UP LAST NIGHT. 867 00:37:20,317 --> 00:37:22,460 SHE WHAT? 868 00:37:22,560 --> 00:37:24,742 I WANTED TO GO TO THE ARCADE, SHE DIDN'T WANT TO DO THAT AGAIN, SO... 869 00:37:24,842 --> 00:37:26,904 SPENCER: YOU KNOW THERE'S OTHER THINGS TO DO THERE, RIGHT? 870 00:37:27,004 --> 00:37:28,866 CARTER: MINIATURE GOLF. SPENCER: BATTING CAGES. 871 00:37:28,966 --> 00:37:30,548 CARTER: OR YOU COULD WIN HER ONE OF THOSE STUFFED ANIMALS. 872 00:37:30,648 --> 00:37:32,710 GRACE: OR, OR YOU COULD'VE JUST ASKED 873 00:37:32,810 --> 00:37:35,052 NIKKI WHAT DOES SHE WANT TO DO. 874 00:37:37,334 --> 00:37:40,478 DILLON: OK, UH, I MEAN, SHE LIKES MOVIES. 875 00:37:40,578 --> 00:37:42,279 WELL, THEN TAKE HER TO SEE ONE THEN. 876 00:37:42,379 --> 00:37:43,921 BUT THE MOVIES AIN'T REALLY IT, LIKE, 877 00:37:44,021 --> 00:37:45,603 WE CAN'T EVEN TALK IN THERE. 878 00:37:45,703 --> 00:37:47,244 SOMETIMES IT'S NOT ABOUT TALKING. 879 00:37:47,344 --> 00:37:49,567 IT'S ABOUT THE EXPERIENCE TOGETHER, 880 00:37:49,667 --> 00:37:51,569 TIME TOGETHER, 881 00:37:51,669 --> 00:37:54,171 AND GROWTH TOGETHER. 882 00:37:54,271 --> 00:37:57,214 IT TAKES TWO TO MAKE A RELATIONSHIP WORK, BABY. 883 00:37:57,314 --> 00:37:59,537 DON'T FORGET THAT. 884 00:37:59,637 --> 00:38:01,819 DILLON: WOULD YOU MIND 885 00:38:01,919 --> 00:38:04,141 CHAPERONING ON OUR MOVIE DATE? 886 00:38:04,241 --> 00:38:06,944 [CARTER AND SPENCER CHUCKLE] GRACE: HA HA HA! 887 00:38:07,044 --> 00:38:08,746 I WOULD LOVE TO. DILLON: THANKS, 888 00:38:08,846 --> 00:38:10,468 'CAUSE IT SEEMS LIKE I CAN'T LEARN ANYTHING 889 00:38:10,568 --> 00:38:12,189 ABOUT THE LADIES FROM THESE TWO. 890 00:38:12,289 --> 00:38:14,311 [GRACE LAUGHS] 891 00:38:14,411 --> 00:38:16,754 SPENCER: MAN, IF I WASN'T SO SCARED OF SPILLING ANYTHING, 892 00:38:16,854 --> 00:38:19,196 I'D WHUP YOU. [CARTER AND GRACE LAUGH] 893 00:38:19,296 --> 00:38:20,838 JJ: HEY. 894 00:38:20,938 --> 00:38:23,841 YO, WELCOME BACK, MAN. YOU GOOD? 895 00:38:23,941 --> 00:38:26,203 I WAS ACTUALLY LOOKING FOR COACH MONTES, 896 00:38:26,303 --> 00:38:28,766 UH, BUT YOU SHOULD PROBABLY HEAR FIRST. 897 00:38:28,866 --> 00:38:31,769 UM, AFTER TALKING TO YOU GUYS LAST NIGHT, I REALISED 898 00:38:31,869 --> 00:38:34,431 I NEED TO STEP AWAY FROM THE TEAM. 899 00:38:36,674 --> 00:38:39,657 NOW, IF YOU DO THIS, JJ... 900 00:38:39,757 --> 00:38:42,660 YOU KNOW THAT MEANS YOU'RE OFF THE ROSTER, RIGHT? 901 00:38:42,760 --> 00:38:45,062 I DO. BUT I NEED TIME TO GET THINGS RIGHT WITH ME 902 00:38:45,162 --> 00:38:47,104 AND MY MENTAL HEALTH, YOU KNOW, 903 00:38:47,204 --> 00:38:49,226 DO MORE WORK ON THE REAL JJ. 904 00:38:49,326 --> 00:38:52,029 ONCE I'M IN A BETTER PLACE, I'D LOVE A CHANCE TO EARN MY SPOT BACK, 905 00:38:52,129 --> 00:38:55,272 BUT, UH, UNTIL THEN... SORRY, ASH. 906 00:38:55,372 --> 00:38:57,475 NO, NO. DON'T BE, DUDE. 907 00:38:57,575 --> 00:39:00,157 I'M JUST PROUD THAT YOU'RE DOING THE WORK. AND LISTEN, 908 00:39:00,257 --> 00:39:02,600 I CAN'T PROMISE ANYTHING ABOUT YOUR SPOT ON THE TEAM 909 00:39:02,700 --> 00:39:04,922 IN THE FUTURE, BUT I CAN PROMISE YOU 910 00:39:05,022 --> 00:39:07,284 THAT WE GOT YOUR BACK EVERY STEP OF THE WAY, 911 00:39:07,384 --> 00:39:09,046 ALL RIGHT? 912 00:39:09,146 --> 00:39:11,869 ASHER: I'M PROUD OF YOU, BRO. 913 00:39:25,923 --> 00:39:27,945 YOU DID THE RIGHT THING LAST NIGHT. 914 00:39:28,045 --> 00:39:29,907 I DUNNO. 915 00:39:30,007 --> 00:39:31,789 LIKE, I REALLY WENT IN ON MIKO. 916 00:39:31,889 --> 00:39:33,791 [SIGHS] WELL, 917 00:39:33,891 --> 00:39:36,153 I APPRECIATE THAT YOU DID IT FOR ME. 918 00:39:36,253 --> 00:39:38,075 TSK. WHATEVER. I DIDN'T DO IT FOR YOU. 919 00:39:38,175 --> 00:39:39,597 - HA HA! YES, YOU DID. - NO, I DIDN'T. 920 00:39:39,697 --> 00:39:40,758 I GOT THE RECEIPTS IF YOU WANNA SEE IT. 921 00:39:40,858 --> 00:39:43,841 - SHUT UP. - SHOOT. 922 00:39:43,941 --> 00:39:45,963 I REALLY AM SORRY 923 00:39:46,063 --> 00:39:48,485 THAT MIKO MESSED WITH YOUR LIFE. 924 00:39:48,585 --> 00:39:51,769 - [SIGHS] - HOW'RE YOU AND SKYE? 925 00:39:51,869 --> 00:39:53,771 [SIGHS] WHO KNOWS? 926 00:39:53,871 --> 00:39:56,774 BUT THANK YOU FOR HAVING MY BACK, 927 00:39:56,874 --> 00:39:59,176 MY SIDE, MY EVERYTHING. 928 00:39:59,276 --> 00:40:01,258 C'MON, GIRL. YOU KNOW I GOT YOU. 929 00:40:01,358 --> 00:40:03,801 [BOTH CHUCKLE] 930 00:40:06,203 --> 00:40:08,105 JORDAN: THERE HE IS. JJ: HEH HEH HEH! 931 00:40:08,205 --> 00:40:09,827 JORDAN: WHAT TOOK YOU SO LONG? 932 00:40:09,927 --> 00:40:12,349 I, UH, I HAD TO MAKE A STOP AT COASTAL. 933 00:40:12,449 --> 00:40:15,352 LIV OFFERED TO COME ALONG FOR EMOTIONAL SUPPORT. 934 00:40:15,452 --> 00:40:17,595 SPENCER: YOU TURN IN YOUR VIDEO? JJ: YUP. 935 00:40:17,695 --> 00:40:21,158 AND IF IT'S COOL WITH Y'ALL, UH, I WANT TO POST IT TO MY SOCIALS, TOO. 936 00:40:21,258 --> 00:40:23,320 OH, INTRODUCING THE WORLD TO THE REAL YOU, HUH? 937 00:40:23,420 --> 00:40:26,523 I JUST FIGURED IT'D BE GOOD FOR THE FUN FRIEND OR STRONG FRIEND 938 00:40:26,623 --> 00:40:29,607 OR ANY OTHER FRIEND WHO'S AFRAID TO FLIP THAT COIN TO HEAR OUR STORIES. 939 00:40:29,707 --> 00:40:31,569 THAT IS AWESOME. YOU KNOW WHAT, 940 00:40:31,669 --> 00:40:33,611 LET ME HELP YOU OUT WITH YOUR BAGS UP TO YOUR ROOM. COME ON. 941 00:40:33,711 --> 00:40:35,252 TAKE THEM UPSTAIRS. JJ: HEH HEH! 942 00:40:35,352 --> 00:40:38,175 OH, IGNORE THE GIRAFFES ON THE WALL. JUST... 943 00:40:38,275 --> 00:40:40,377 WAIT, YOU GUYS TURNED MY ROOM INTO A NURSERY? 944 00:40:40,477 --> 00:40:42,419 UH, TECHNICALLY, ASHER AND JAYMEE DID, 945 00:40:42,519 --> 00:40:44,181 BUT DON'T YOU WORRY, ALL RIGHT? 946 00:40:44,281 --> 00:40:46,183 THERE IS NOTHING 3 COATS OF PAINT CAN'T FIX, RIGHT? 947 00:40:46,283 --> 00:40:48,225 JJ: HEH HEH! [JORDAN MAKES BRUSHING SOUNDS] 948 00:40:48,325 --> 00:40:50,327 [CHUCKLES] 949 00:40:51,448 --> 00:40:53,390 THANK YOU FOR SHOWING UP YESTERDAY. 950 00:40:53,490 --> 00:40:55,432 JJ WOULDN'T BE HERE WITHOUT YOU. 951 00:40:55,532 --> 00:40:57,995 AND I WOULDN'T BE HERE WITHOUT HIM. 952 00:40:58,095 --> 00:41:00,037 HEARING HIM SPEAK HIS TRUTH TO ASHER, 953 00:41:00,137 --> 00:41:02,119 IT--IT REALLY HIT HOME FOR ME. 954 00:41:02,219 --> 00:41:04,602 GOOD. OK. 955 00:41:04,702 --> 00:41:06,684 SO... 956 00:41:06,784 --> 00:41:08,726 TSK. 957 00:41:08,826 --> 00:41:11,128 I, UH, 958 00:41:11,228 --> 00:41:13,771 GOT INTO THIS CULTURAL EXCHANGE PROGRAM. 959 00:41:13,871 --> 00:41:15,532 FOR REAL? 960 00:41:15,632 --> 00:41:17,214 YEAH. 961 00:41:17,314 --> 00:41:20,377 IT'S, UH...IT'S A THREE-MONTH INTERNSHIP... 962 00:41:20,477 --> 00:41:23,020 AND IT'S IN LONDON. 963 00:41:23,120 --> 00:41:25,242 AND I'M GOING. 964 00:41:26,804 --> 00:41:29,386 THAT IS DOPE. [CHUCKLES] 965 00:41:29,486 --> 00:41:31,388 THAT'S SO DOPE. [OLIVIA CHUCKLES] 966 00:41:31,488 --> 00:41:33,791 AND WELL-DESERVED. HEY, I'M PROUD OF YOU, GIRL. 967 00:41:33,891 --> 00:41:36,153 - THANK YOU. - HA HA! 968 00:41:36,253 --> 00:41:38,936 I'M SO PROUD OF YOU. OLIVIA: THANK YOU. 969 00:42:16,133 --> 00:42:18,135 GREG, MOVE YOUR HEAD.