1 00:00:00,090 --> 00:00:01,760 PREVIOUSLY ON "ALL AMERICAN"... 2 00:00:01,760 --> 00:00:03,050 WHAT’S IT GONNA TAKE FOR YOU TO FINALLY LET HIM GO? 3 00:00:03,050 --> 00:00:04,050 ’CAUSE WHATEVER’S COMING FOR HIM 4 00:00:04,050 --> 00:00:05,340 IS COMING FOR YOU, TOO, 5 00:00:05,340 --> 00:00:06,340 AND IT’S JUST A MATTER OF TIME BEFORE 6 00:00:06,340 --> 00:00:07,350 THEY SHOW UP ON MY HOUSE, 7 00:00:07,350 --> 00:00:08,350 PUTTING MY FAMILY IN DANGER, 8 00:00:08,350 --> 00:00:09,350 AND THAT CAN’T HAPPEN. 9 00:00:09,350 --> 00:00:10,970 I’LL BE GONE TONIGHT. 10 00:00:10,970 --> 00:00:13,000 YOU BEEN RUNNING THINGS AROUND HERE SINCE WE WAS KIDS. 11 00:00:13,080 --> 00:00:14,120 GOTTA BE SOMETHING ELSE OUT HERE YOU CAN DO. 12 00:00:14,120 --> 00:00:16,000 GOT THE BIG DOG’S CARD. 13 00:00:17,000 --> 00:00:18,500 SAID HE MIGHT HAVE A JOB FOR YOU. 14 00:00:18,500 --> 00:00:19,710 I’M CHRIS, BY THE WAY. 15 00:00:19,710 --> 00:00:20,790 OLIVIA. 16 00:00:20,790 --> 00:00:22,630 WHEN YOU LIE AND I KNOW ABOUT IT, 17 00:00:22,630 --> 00:00:24,420 IT MAKES ME COMPLICIT IN THE LIE 18 00:00:24,420 --> 00:00:27,010 AND IT’S EMBARRASSING TO WATCH. 19 00:00:27,010 --> 00:00:28,590 SORRY THAT MY LIFE EMBARRASSES YOU. 20 00:00:28,590 --> 00:00:29,670 THAT’S NOT WHAT I SAID. 21 00:00:29,670 --> 00:00:30,970 YOU CAN DO WHAT YOU WANT. 22 00:00:32,220 --> 00:00:34,760 I SLEPT WITH ASHER. 23 00:00:34,760 --> 00:00:35,760 THAT PIECE-- 24 00:00:35,760 --> 00:00:37,100 NO, JORDAN. 25 00:00:37,100 --> 00:00:38,640 PROMISE ME THAT YOU WON’T SAY ANYTHING. 26 00:00:38,640 --> 00:00:40,980 LEILA DOESN’T KNOW AND IF SHE EVER FOUND OUT... 27 00:00:40,980 --> 00:00:42,770 PLEASE PROMISE ME. 28 00:00:42,770 --> 00:00:43,770 SPENCER WENT HOME ALREADY. 29 00:00:43,770 --> 00:00:44,980 OK, SO GO GET HIM. 30 00:00:44,980 --> 00:00:46,860 OLIVIA, I SEE THE WAY YOU LOOK AT HIM. 31 00:00:46,860 --> 00:00:49,320 YEAH, KIND OF LIKE THE WAY HE LOOKS AT YOU? 32 00:00:49,320 --> 00:00:52,160 I’M REALLY HAPPY I HAVE YOU, SPENCER. 33 00:00:52,160 --> 00:00:54,660 I’M HAPPY I HAVE YOU, TOO. 34 00:00:54,660 --> 00:00:56,330 COME ON. 35 00:01:03,630 --> 00:01:07,630 MAN: ♪ LET’S GET SOMETHING STARTED ♪ 36 00:01:07,630 --> 00:01:10,010 ♪ STARTED IN HERE ♪ 37 00:01:12,970 --> 00:01:14,300 LEILA ON P.A.: MORNING, EAGLES. 38 00:01:14,300 --> 00:01:17,010 THIS IS LEILA KEATING, YOUR STU CO PRESIDENT. 39 00:01:17,010 --> 00:01:18,930 IT’S OFFICIALLY HOMECOMING WEEKEND, 40 00:01:18,930 --> 00:01:21,020 OUR FAVORITE TIME OF YEAR, 41 00:01:21,020 --> 00:01:24,060 NOT JUST BECAUSE IT KICKS OFF WITH AN AWESOME DANCE TOMORROW. 42 00:01:24,060 --> 00:01:27,570 B.T. DUBS, BUY YOUR TICKETS NOW IF YOU HAVEN’T ALREADY. 43 00:01:27,570 --> 00:01:29,980 MAN: ♪ ...LET’S GET SOMETHING STARTED ♪ 44 00:01:29,980 --> 00:01:31,860 LEILA: AND ENDS WITH OUR BIG FOOTBALL GAME, 45 00:01:31,860 --> 00:01:34,360 WHERE WE’RE HAPPILY GONNA KICK MALIBU’S BUTT. 46 00:01:36,160 --> 00:01:37,490 MAN: ♪ LET’S GET SOMETHING STARTED ♪ 47 00:01:37,490 --> 00:01:39,120 LEILA: BUT MOSTLY BECAUSE IT’S THE TIME 48 00:01:39,120 --> 00:01:40,750 WHEN WE COME TOGETHER TO CELEBRATE 49 00:01:40,750 --> 00:01:43,580 EVERY STUDENT’S COMMITMENT TO THE BEVERLY FAMILY. 50 00:01:46,040 --> 00:01:47,170 DO YOU WANT SOME? 51 00:01:47,170 --> 00:01:48,960 NO, I’M GOOD, THANK YOU. 52 00:01:48,960 --> 00:01:50,960 I’M AN ATHLETE, YOU KNOW. 53 00:01:50,960 --> 00:01:52,090 CAN’T HAVE THAT STUFF IN MY SYSTEM. 54 00:01:52,090 --> 00:01:54,220 RIGHT. HEH. 55 00:01:54,220 --> 00:01:55,890 OH, JEEZ. WE GOTTA GO. 56 00:01:55,890 --> 00:01:57,640 DO YOU KNOW WHAT TIME IT IS? 57 00:01:57,640 --> 00:01:58,680 WAIT. 58 00:01:58,680 --> 00:02:00,060 SO WHAT IF WE’RE LATE? 59 00:02:05,730 --> 00:02:08,610 LEILA: SO I HOPE TO SEE YOU ALL AT THE FESTIVITIES. 60 00:02:08,610 --> 00:02:11,360 AND REMEMBER, GO, EAGLES! 61 00:02:11,360 --> 00:02:13,280 MAN: ♪ ...OOH OOH OOH ♪ 62 00:02:13,280 --> 00:02:15,950 ♪ OOH OOH OOH OOH ♪ 63 00:02:18,950 --> 00:02:22,200 COACH BAKER: ALL RIGHT, ALL RIGHT, LISTEN UP, LISTEN UP. 64 00:02:22,200 --> 00:02:25,170 NOW, I KNOW I’VE BEEN RIDING Y’ALL HARD THIS PAST WEEK. 65 00:02:25,170 --> 00:02:27,330 I’M PROUD OF YOU ALL STEPPING UP. 66 00:02:27,330 --> 00:02:30,710 MALIBU’S BEEN TALKING A LOT OF SMACK. 67 00:02:30,710 --> 00:02:32,880 BUT IF YOU PLAY LIKE THIS, 68 00:02:32,880 --> 00:02:34,050 THEY AIN’T GONNA KNOW WHAT HIT THEM. 69 00:02:36,180 --> 00:02:37,680 Y’ALL GET OUT OF HERE. 70 00:02:37,680 --> 00:02:39,680 HAVE FUN AT THE DANCE TOMORROW NIGHT. 71 00:02:39,680 --> 00:02:41,600 OH, WAIT, ONE MORE THING. 72 00:02:41,600 --> 00:02:43,310 KEEP IT CLASSY. 73 00:02:43,310 --> 00:02:45,890 NO DRINKING. NO STAYING UP ALL NIGHT. 74 00:02:45,890 --> 00:02:48,230 I NEED EVERYONE FIRING ON ALL CYLINDERS. 75 00:02:48,230 --> 00:02:50,110 WE GOT A BIG GAME THIS WEEKEND. 76 00:02:50,110 --> 00:02:51,690 Y’ALL HEARD? ALL: YES, SIR. 77 00:02:51,690 --> 00:02:53,150 ALL RIGHT. HAVE FUN TOMORROW. 78 00:03:00,830 --> 00:03:02,240 HEY. OH, MY BAD. HEY. 79 00:03:02,240 --> 00:03:03,540 I DIDN’T MEAN TO SCARE YOU. 80 00:03:03,540 --> 00:03:06,500 NO, IT’S ALL GOOD. I WAS DISTRACTED. 81 00:03:06,500 --> 00:03:07,540 SO YOU PLANNING ON AVOIDING ME 82 00:03:07,540 --> 00:03:08,960 TILL WE GRADUATE? 83 00:03:08,960 --> 00:03:10,170 I’M NOT AVOIDING YOU. 84 00:03:10,170 --> 00:03:11,340 I’VE JUST BEEN CRAZY BUSY 85 00:03:11,340 --> 00:03:14,050 WITH THE HOMECOMING DANCE AND SCHOOL 86 00:03:14,050 --> 00:03:17,680 AND STUDENT COUNCIL STUFF AND... 87 00:03:17,680 --> 00:03:20,970 FINE. YES, MAYBE A LITTLE AVOIDING. 88 00:03:20,970 --> 00:03:23,100 IT’S OK. I GET IT. 89 00:03:23,100 --> 00:03:24,100 LOOK, I’M JUST GONNA COME RIGHT OUT 90 00:03:24,100 --> 00:03:25,520 AND SAY IT. 91 00:03:25,520 --> 00:03:26,850 I LIKE YOU. 92 00:03:26,850 --> 00:03:28,810 IN CASE THAT WASN’T OBVIOUS. 93 00:03:28,810 --> 00:03:30,190 AND BASED ON THAT KISS, I’M GUESSING 94 00:03:30,190 --> 00:03:32,070 YOU DON’T FIND ME COMPLETELY INTOLERABLE. 95 00:03:32,070 --> 00:03:33,480 IT’S A LITTLE MORE COMPLICATED THAN 96 00:03:33,480 --> 00:03:35,070 US JUST LIKING EACH OTHER. 97 00:03:35,070 --> 00:03:36,400 I KNOW. ASHER’S MY TEAMMATE. 98 00:03:36,400 --> 00:03:37,900 YEAH, AND MY BOYFRIEND. 99 00:03:37,900 --> 00:03:40,280 RIGHT, BUT, HERE’S THE THING. 100 00:03:40,280 --> 00:03:42,280 I DON’T DO THE WHOLE SNEAKING AROUND THING. 101 00:03:42,280 --> 00:03:43,740 SO I GUESS I’M JUST TRYING TO FIGURE OUT 102 00:03:43,740 --> 00:03:46,580 WHAT HAPPENS NEXT, FOR ALL OF US. 103 00:03:46,580 --> 00:03:47,870 BUT WHATEVER THAT IS, I KNOW I DON’T 104 00:03:47,870 --> 00:03:49,210 WANT TO LOSE YOUR FRIENDSHIP, ALL RIGHT? 105 00:03:49,210 --> 00:03:50,460 THAT’S IMPORTANT TO ME. 106 00:03:50,460 --> 00:03:51,670 I CAN’T TALK ABOUT THIS RIGHT NOW. 107 00:03:51,670 --> 00:03:53,090 OK, OK, SO WHEN? 108 00:03:53,090 --> 00:03:55,210 I DON’T KNOW. 109 00:03:55,210 --> 00:03:56,800 HOW ABOUT TONIGHT? 110 00:03:56,800 --> 00:03:59,130 10 P.M. AFTER MY SHIFT. 111 00:03:59,130 --> 00:04:01,090 THE VISTA AT HERMOSA PARK. JUST TO TALK. 112 00:04:01,090 --> 00:04:02,510 I DON’T THINK THAT-- 113 00:04:02,510 --> 00:04:03,970 LOOK, I’M GETTING REAL GOOD AT THAT 114 00:04:03,970 --> 00:04:05,310 WHOLE NOT TAKING NO FOR AN ANSWER THING 115 00:04:05,310 --> 00:04:06,930 Y’ALL DO HERE IN BEVERLY HILLS. 116 00:04:08,940 --> 00:04:10,140 TONIGHT. 117 00:04:20,200 --> 00:04:23,160 WOMEN: ♪ I GOT A FEELING THINGS IS TURNING UP FOR ME NOW ♪ 118 00:04:23,160 --> 00:04:26,160 ♪ STACKS OF THE SPENDING MONEY TALLER THAN A TREE NOW ♪ 119 00:04:26,160 --> 00:04:29,290 ♪ MAN, I’VE BEEN WAITING ON WINNING, VICTORY WITH A SMILE ♪ 120 00:04:29,290 --> 00:04:32,040 ♪ I SEE THE DOUBLE-DIGIT COMING, IT’S GONNA TAKE A WHILE ♪ 121 00:04:32,040 --> 00:04:34,540 ♪ OH, THIS TIME I WANT IT ALL ♪ 122 00:04:38,090 --> 00:04:40,380 YO. WHERE YOU BEEN? 123 00:04:43,550 --> 00:04:44,970 DUDE, THAT AIN’T FOR YOU. 124 00:04:44,970 --> 00:04:46,600 IT IS NOW. 125 00:04:46,600 --> 00:04:48,810 MAYA’S NAPPING. 126 00:04:48,810 --> 00:04:50,350 SO? 127 00:04:50,350 --> 00:04:51,980 I’VE BEEN AT SCHOOL, WHERE YOU SHOULD’VE BEEN. 128 00:04:51,980 --> 00:04:53,270 GRADUATING SCHOOL AIN’T REALLY IN 129 00:04:53,270 --> 00:04:55,480 MY CARDS RIGHT NOW. 130 00:04:55,480 --> 00:04:57,030 WHAT HAPPENED TO TURNING YOUR LIFE AROUND, MAN, 131 00:04:57,030 --> 00:04:58,150 AND GETTING OUT THE GAME? 132 00:04:58,150 --> 00:04:59,360 IT AIN’T GONNA BE THAT EASY. 133 00:04:59,360 --> 00:05:01,200 AIN’T NOBODY SAY IT’D BE EASY. 134 00:05:01,200 --> 00:05:03,030 THAT DON’T MEAN WE GIVE UP, THOUGH. 135 00:05:03,030 --> 00:05:04,820 YOU PROBABLY AIN’T EVEN CALLED J.P.’s HOMEBOY 136 00:05:04,820 --> 00:05:07,540 OVER AT THE RECORD LABEL ABOUT THE POSSIBLE INTERNSHIP, DID YOU? 137 00:05:07,540 --> 00:05:08,660 AND YOU AIN’T CALLED SPENCER 138 00:05:08,660 --> 00:05:10,000 SINCE YOU MOVED OUT OF HIS HOUSE. 139 00:05:10,000 --> 00:05:11,580 WELL, I’LL CALL SPENCER 140 00:05:11,580 --> 00:05:13,790 WHEN YOU CALL THE BOY FROM THE RECORD LABEL. 141 00:05:13,790 --> 00:05:17,170 WELL, YOU BETTER GET TO DIALING. 142 00:05:17,170 --> 00:05:18,840 I ALREADY CALLED. 143 00:05:18,840 --> 00:05:20,880 GOT AN INTERVIEW TOMORROW. 144 00:05:21,970 --> 00:05:22,970 WHY DIDN’T YOU SAY NOTHING? 145 00:05:30,100 --> 00:05:31,770 WE’VE BEEN SUMMONED. 146 00:05:31,770 --> 00:05:33,730 SUMMONED BY WHO? 147 00:05:36,520 --> 00:05:41,690 SINGERS: ♪ ON THE START OF A BREAKING NEW DAY ♪ 148 00:05:41,690 --> 00:05:43,570 SPENCER, DUDE, TAKE A BREAK, MAN. 149 00:05:43,570 --> 00:05:44,820 YOU’VE BEEN WORKING SINCE WE GOT HERE. 150 00:05:44,820 --> 00:05:46,700 I CAN’T, MAN. WE EXTRA BUSY TODAY. 151 00:05:46,700 --> 00:05:48,700 HMM. 152 00:05:48,700 --> 00:05:50,120 YOU GOT ONE PEPPERONI. 153 00:05:51,830 --> 00:05:53,870 GIRL: "YOU HAVE A PIZZA MY HEART, GABBY. 154 00:05:53,870 --> 00:05:56,500 BE MY DATE TO HOCO?" EEE! 155 00:06:02,260 --> 00:06:04,220 WHAT, TOO CORNY FOR YOU? 156 00:06:04,220 --> 00:06:06,510 NO. NO, Y’ALL JUST TAKE THIS HOMECOMING THING 157 00:06:06,510 --> 00:06:08,390 REAL SERIOUSLY, THAT’S ALL. 158 00:06:08,390 --> 00:06:09,890 IT’S JUST A DANCE. 159 00:06:09,890 --> 00:06:11,810 WHAT, YOU DON’T HAVE DANCES IN CRENSHAW? 160 00:06:11,810 --> 00:06:13,890 NO, WE DO. IT’S JUST NOT THAT DEEP. 161 00:06:13,890 --> 00:06:17,020 SO WHO ARE YOU TAKING TO HOMECOMING? 162 00:06:17,020 --> 00:06:18,820 NOBODY, MAN. I’M ROLLING SOLO. 163 00:06:18,820 --> 00:06:20,610 AWW. TOO MANY, OPTIONS, HUH? 164 00:06:20,610 --> 00:06:21,650 DON’T WANT TO BREAK ANY HEARTS? 165 00:06:21,650 --> 00:06:22,990 YEAH, SOMETHING LIKE THAT. 166 00:06:24,650 --> 00:06:26,320 I GOTTA GET BACK. 167 00:06:26,320 --> 00:06:27,950 ALL RIGHT. PEACE. 168 00:06:27,950 --> 00:06:29,490 YOU KNOW, I CAN RESPECT GOING SOLO. 169 00:06:29,490 --> 00:06:31,490 -IT’S BETTER THAN ROLLING WITH A RIVAL. 170 00:06:31,490 --> 00:06:33,710 HMM. HERE WE GO AGAIN. 171 00:06:33,710 --> 00:06:35,290 LISTEN, RIPLEY’S JUST A GIRL. 172 00:06:35,290 --> 00:06:36,620 OK? I LIKE HER. 173 00:06:36,620 --> 00:06:38,040 WHO CARES WHERE SHE GOES TO SCHOOL? 174 00:06:38,040 --> 00:06:40,040 HMM. 175 00:06:40,040 --> 00:06:41,210 TRAITOR. 176 00:06:49,050 --> 00:06:51,560 YOU GOING IN? 177 00:06:51,560 --> 00:06:52,890 I REALLY WISH PEOPLE 178 00:06:52,890 --> 00:06:55,180 WOULD STOP SNEAKING UP ON ME TODAY. 179 00:06:55,180 --> 00:06:56,270 THAT’S NOT REALLY SNEAKING IF I 180 00:06:56,270 --> 00:06:57,850 CALL YOUR NAME 3 TIMES. 181 00:06:57,850 --> 00:06:58,860 I WAS JUST LEAVING. 182 00:06:58,860 --> 00:07:00,310 UH, LEILA... 183 00:07:01,860 --> 00:07:04,320 I SWUNG BY HERE AFTER CHINA’S CONCERT. 184 00:07:05,780 --> 00:07:08,490 I SAW YOU AND SPENCER. 185 00:07:08,490 --> 00:07:10,320 OLIVIA, I’M-- 186 00:07:10,320 --> 00:07:11,620 I’M SO, SO SORRY. 187 00:07:11,620 --> 00:07:16,370 IT’S FINE. REALLY. REALLY. LOOK, I-- 188 00:07:16,370 --> 00:07:17,580 I LIKED HIM... 189 00:07:19,170 --> 00:07:21,960 BUT HE LIKES YOU. 190 00:07:21,960 --> 00:07:23,920 I’D SAY ONE OF US DESERVES TO GET THE HAPPY ENDING 191 00:07:23,920 --> 00:07:25,800 EXCEPT YOU DON’T LOOK SO HAPPY. 192 00:07:27,970 --> 00:07:30,050 I FEEL LIKE I SHOULD TELL ASHER THE TRUTH. 193 00:07:30,050 --> 00:07:31,720 BUT I ALSO KNOW WHEN THAT HAPPENS, 194 00:07:31,720 --> 00:07:36,350 EVERYTHING GOES TO HELL. 195 00:07:36,350 --> 00:07:37,690 WHAT SHOULD I DO? 196 00:07:37,690 --> 00:07:39,100 I’M--I’M NOT REALLY THE RIGHT PERSON 197 00:07:39,100 --> 00:07:41,270 TO GIVE ANYONE ADVICE ON ANYTHING, 198 00:07:41,270 --> 00:07:42,360 ESPECIALLY THIS. 199 00:07:42,360 --> 00:07:44,480 OLIVIA, PLEASE. 200 00:07:44,480 --> 00:07:45,990 UM... 201 00:07:49,070 --> 00:07:50,360 PEOPLE KEEP A SECRET LIKE THAT 202 00:07:50,360 --> 00:07:52,580 FOR ONE OF TWO REASONS. 203 00:07:52,580 --> 00:07:54,370 EITHER BECAUSE THE CHEATING 204 00:07:54,370 --> 00:07:56,700 WAS A BIG MISTAKE 205 00:07:56,700 --> 00:07:58,250 AND THEY JUST WANT TO PROTECT THE PERSON 206 00:07:58,250 --> 00:08:00,420 THEY LOVE FROM BEING HURT... 207 00:08:00,420 --> 00:08:01,830 OR? 208 00:08:01,830 --> 00:08:05,380 OR THEY’RE JUST TRYING TO PROTECT THEMSELVES. 209 00:08:05,380 --> 00:08:07,470 YOU HAVE TO DECIDE WHICH ONE’S TRUE FOR YOU 210 00:08:07,470 --> 00:08:09,220 AND WHAT YOU PLAN TO DO ABOUT IT. 211 00:08:21,810 --> 00:08:26,610 HEY. CAN WE TALK? 212 00:08:26,610 --> 00:08:27,820 YEAH. 213 00:08:27,820 --> 00:08:30,200 OK. 214 00:08:30,200 --> 00:08:32,370 -THAT DIDN’T LOOK GOOD. -NO, IT DID NOT. 215 00:08:39,210 --> 00:08:41,330 I FORGIVE YOU. 216 00:08:41,330 --> 00:08:42,500 WAIT, WHAT? 217 00:08:42,500 --> 00:08:44,630 LIKE YOU SAID, YOU KNOW? 218 00:08:44,630 --> 00:08:46,300 YOU WERE UPSET OVER YOUR DAD 219 00:08:46,300 --> 00:08:47,550 A-AND YOU GOT CAUGHT UP. 220 00:08:47,550 --> 00:08:50,090 I-I GET IT. 221 00:08:50,090 --> 00:08:52,090 THINGS HAVE BEEN A LITTLE ROUGH FOR ME LATELY, 222 00:08:52,090 --> 00:08:54,720 WITH--WITH MY DAD A-AND FOOTBALL. 223 00:08:54,720 --> 00:08:56,600 I HAVEN’T BEEN PAYING ENOUGH ATTENTION TO YOU. 224 00:08:56,600 --> 00:08:58,310 YEAH, ASHER, I JUST-- 225 00:08:58,310 --> 00:08:59,770 HEY. 226 00:09:01,440 --> 00:09:02,900 I LOVE YOU. 227 00:09:06,150 --> 00:09:10,860 MAN: ♪ MAYBE YOU WEREN’T THE ONE FOR ME ♪ 228 00:09:10,860 --> 00:09:16,200 ♪ BUT DEEP DOWN, I WANTED YOU TO BE ♪ 229 00:09:16,200 --> 00:09:19,450 ♪ I’LL STILL SEE YOU IN MY DREAMS ♪ 230 00:09:19,450 --> 00:09:22,920 ♪ ALL THE THINGS THAT I DID FOR YOU ♪ 231 00:09:22,920 --> 00:09:25,420 ♪ JUST WASN’T HERE FOR YOU ♪ 232 00:09:25,420 --> 00:09:29,010 ♪ SO I’LL BE COASTING, ROLLER-COASTING...♪ 233 00:09:29,010 --> 00:09:31,130 SPENCER: HEY, LEILA. 234 00:09:31,130 --> 00:09:33,550 LOOK, I UNDERSTAND WHY YOU DIDN’T COME, 235 00:09:33,550 --> 00:09:35,720 BUT I NEED YOU TO KNOW SOMETHING. 236 00:09:35,720 --> 00:09:39,520 YOU’RE THE ONE PERSON THAT MAKES BEVERLY FEEL LIKE HOME. 237 00:09:39,520 --> 00:09:44,020 I CAN’T EXPLAIN IT. IT JUST IS. 238 00:09:44,020 --> 00:09:46,650 LOOK, YOU DON’T NEED TO CALL ME BACK. 239 00:09:46,650 --> 00:09:48,230 I JUST HAD TO LET YOU KNOW. 240 00:09:54,990 --> 00:09:56,530 THE WHOLE NEIGHBORHOOD COMING TO BREAKFAST? 241 00:09:56,530 --> 00:09:58,910 ♪ IT’S HOMECOMING WEEKEND ♪ 242 00:09:58,910 --> 00:10:00,290 MAN, YOU CRAZY. 243 00:10:00,290 --> 00:10:02,370 THEY SAY YOU SHOULD LOAD UP FOR... 244 00:10:02,370 --> 00:10:04,120 ENERGY OR WHATEVER. 245 00:10:04,120 --> 00:10:05,710 OK. 246 00:10:05,710 --> 00:10:07,420 PLUS, I FIGURE ALL THIS 247 00:10:07,420 --> 00:10:08,630 WILL KEEP YOU PUT LONG ENOUGH 248 00:10:08,630 --> 00:10:10,420 TO TELL ME EVERYTHING. 249 00:10:10,420 --> 00:10:11,420 LIKE WHAT? 250 00:10:11,420 --> 00:10:12,550 LIKE MAYBE WHO 251 00:10:12,550 --> 00:10:14,300 YOU’RE TAKING TO THE DANCE? 252 00:10:14,300 --> 00:10:15,930 IT’S COMPLICATED. 253 00:10:15,930 --> 00:10:19,810 BABY...IF HIGH SCHOOL ISN’T COMPLICATED, 254 00:10:19,810 --> 00:10:21,060 YOU AIN’T DOING IT RIGHT. 255 00:10:21,060 --> 00:10:23,430 LOOK, IT DOESN’T MATTER. 256 00:10:23,430 --> 00:10:25,730 AND I AIN’T GOING TO THAT DANCE TONIGHT. 257 00:10:25,730 --> 00:10:27,480 SINCE WHEN? 258 00:10:27,480 --> 00:10:29,440 LOOK, I CAME TO BEVERLY TO PLAY FOOTBALL. 259 00:10:29,440 --> 00:10:31,030 ALL RIGHT? I SHOULD BE FOCUSED ON TOMORROW’S GAME, 260 00:10:31,030 --> 00:10:35,280 NOT...NOT SOME STUPID DANCE. 261 00:10:35,280 --> 00:10:38,410 LIFE IS NOT JUST ABOUT FOOTBALL, SPENCER. 262 00:10:38,410 --> 00:10:40,910 WHAT’S REALLY GOING ON? 263 00:10:40,910 --> 00:10:42,120 YOU TALKED TO COOP? 264 00:10:43,370 --> 00:10:44,370 NO. 265 00:10:44,370 --> 00:10:45,500 CALL HER. 266 00:10:45,500 --> 00:10:47,500 SHE’S ALWAYS BEEN YOUR GO-TO. 267 00:10:47,500 --> 00:10:49,920 JUST BECAUSE COOP DOESN’T LIVE HERE ANYMORE 268 00:10:49,920 --> 00:10:52,170 DOESN’T MEAN SHE’S NOT STILL FAMILY. 269 00:10:55,510 --> 00:10:57,180 MAN: ♪ GREW UP ON THE CORNER AS A YOUNG ’UN ♪ 270 00:10:57,180 --> 00:10:59,010 ♪ STRAIGHT FROM THE BLOCK I BEEN HUSTLIN’ ♪ 271 00:10:59,010 --> 00:11:00,550 ♪ HAD TO LEARN THE GAME, IT WAS NOTHIN’ ♪ 272 00:11:00,550 --> 00:11:02,470 ♪ LOTTA MONEY, LOTTA WORK, I WAS TOUCHIN’ ♪ 273 00:11:02,470 --> 00:11:04,310 ♪ LIVED THE LIFE, BUT I AIN’T GETTIN’ BUSTED ♪ 274 00:11:04,310 --> 00:11:05,810 ♪ OPERATION SELL IT ALL, GET IT ALL... ♪ 275 00:11:05,810 --> 00:11:06,810 WHAT’S UP, SHAWN? 276 00:11:06,810 --> 00:11:08,230 NOTHIN’. CHILLIN’. 277 00:11:08,230 --> 00:11:09,230 NICE TO KNOW YOU CHILLIN’ WHILE WE OUT HERE 278 00:11:09,230 --> 00:11:10,440 CLEANING UP YOUR MESS. 279 00:11:10,440 --> 00:11:11,570 TY, THAT’S YOU, NOT ALVIN. 280 00:11:11,570 --> 00:11:14,360 AIN’T NOBODY ASK YOU TO SPEAK. 281 00:11:14,360 --> 00:11:15,780 THERE’S A LOT OF HEAT ON US RIGHT NOW 282 00:11:15,780 --> 00:11:17,280 ’CAUSE THAT MESS YOU MADE AT ALVIN’S. 283 00:11:17,280 --> 00:11:19,160 MY SHOW’S GOTTA LAY LOW. 284 00:11:19,160 --> 00:11:20,320 SO NOW YOU GONNA TAKE OVER 285 00:11:20,320 --> 00:11:21,830 AND SELL OUR DOPE ON HIS BLOCK. 286 00:11:24,500 --> 00:11:26,160 NO PROBLEM. 287 00:11:26,160 --> 00:11:28,710 GOOD. SWIZZ IS BRINGING IN MORE PRODUCT. 288 00:11:28,710 --> 00:11:30,130 YOU PICK IT UP TONIGHT. 289 00:11:30,130 --> 00:11:31,840 -YOU HARD OF HEARING OR SOMETHING? 290 00:11:31,840 --> 00:11:34,460 HEY, I COULD GO MEET SWIZZ IF YOU WANT. 291 00:11:34,460 --> 00:11:36,840 AIN’T NOBODY ASK YOU NOTHING, SIS. 292 00:11:36,840 --> 00:11:38,760 IT IS SIS, RIGHT? 293 00:11:38,760 --> 00:11:39,930 OR IS IT BROTHER? 294 00:11:41,300 --> 00:11:42,640 WHICH ONE IS IT? 295 00:11:44,850 --> 00:11:46,850 COOP: SUPPOSED TO BE GETTING OUT, NOT DEEPER IN. 296 00:11:46,850 --> 00:11:48,440 IF TYRONE TELLS YOU TO DO SOMETHING, 297 00:11:48,440 --> 00:11:50,020 YOU DO IT, PERIOD. 298 00:11:50,020 --> 00:11:51,190 SHAWN. 299 00:11:51,190 --> 00:11:52,440 I CAN MAKE THE INTERVIEW DOWNTOWN 300 00:11:52,440 --> 00:11:54,280 AND GET BACK IN TIME TO MEET SWIZZ. 301 00:11:56,030 --> 00:11:57,700 JUST ANSWER THE FOOL. 302 00:11:57,700 --> 00:11:59,320 YOU KNOW YOU WANT TO. 303 00:11:59,320 --> 00:12:01,320 GOT THIS HANDLED. 304 00:12:01,320 --> 00:12:02,330 HELLO. 305 00:12:08,250 --> 00:12:10,290 I’M GLAD YOU CALLED. 306 00:12:10,290 --> 00:12:12,080 YOU GOOD? 307 00:12:12,080 --> 00:12:15,840 ME? I’M OK, I GUESS. 308 00:12:15,840 --> 00:12:17,470 WHERE YOU BEEN STAYING? 309 00:12:17,470 --> 00:12:20,630 HE WHO SHALL NOT BE NAMED 310 00:12:20,630 --> 00:12:23,510 IS LETTING ME CRASH AT HIS CRIB. 311 00:12:23,510 --> 00:12:25,510 I MEAN, I FIGURED IF I SAID THE NAME "SHAWN," 312 00:12:25,510 --> 00:12:27,980 YOUR HEAD WOULD EXPLODE. 313 00:12:27,980 --> 00:12:29,520 COME ON, MAN. THIS IS STUPID. 314 00:12:29,520 --> 00:12:30,600 I’M NOT MAD AT YOU FOR WANTING 315 00:12:30,600 --> 00:12:31,980 TO KEEP YOUR FAMILY SAFE. 316 00:12:31,980 --> 00:12:34,110 COME ON, COOP. YOU FAMILY. 317 00:12:34,110 --> 00:12:35,440 ALL RIGHT? DON’T EVER THINK YOU NOT. 318 00:12:35,440 --> 00:12:36,570 I KNOW. SO CAN WE 319 00:12:36,570 --> 00:12:38,740 PARK ALL THAT OVER THERE SOMEWHERE 320 00:12:38,740 --> 00:12:40,200 AND TALK ABOUT WHAT’S GOT THIS VEIN 321 00:12:40,200 --> 00:12:41,700 ON THE SIDE OF YOUR BIG-ASS HEAD 322 00:12:41,700 --> 00:12:43,740 ABOUT TO POP OUT? 323 00:12:45,700 --> 00:12:47,830 LEILA? AIN’T THAT THE GIRL 324 00:12:47,830 --> 00:12:49,210 THAT DATE THE DUDE ASHER ON YOUR TEAM? 325 00:12:49,210 --> 00:12:50,370 YEAH, I KNOW. 326 00:12:50,370 --> 00:12:51,580 HEY, LOOK, I KNOW IT AIN’T GOT 327 00:12:51,580 --> 00:12:52,670 NOTHING TO DO WITH ME, BUT DON’T 328 00:12:52,670 --> 00:12:54,210 TEAMMATES GOT, LIKE, 329 00:12:54,210 --> 00:12:55,340 A BRO CODE OR SOMETHING? 330 00:12:55,340 --> 00:12:56,500 LOOK, I WASN’T THINKING ABOUT 331 00:12:56,500 --> 00:12:57,630 ALL THAT WHEN IT HAPPENED, ALL RIGHT? 332 00:12:57,630 --> 00:13:00,050 OH, I KNOW WHAT YOU WAS THINKING. 333 00:13:00,050 --> 00:13:02,800 MAN, SHUT UP. UGH. 334 00:13:02,800 --> 00:13:04,300 I DON’T KNOW, COOP. 335 00:13:04,300 --> 00:13:05,300 I MEAN, MAYBE IT’S A GOOD THING 336 00:13:05,300 --> 00:13:06,760 SHE STOOD ME UP. 337 00:13:06,760 --> 00:13:08,810 WHY ROCK THE BOAT WITH THE REST OF THE TEAM, RIGHT? 338 00:13:08,810 --> 00:13:09,930 I MEAN, ’CAUSE SOME GIRLS IS JUST 339 00:13:09,930 --> 00:13:11,730 WORTH ROCKING THE BOAT FOR. 340 00:13:13,270 --> 00:13:16,610 HOW MUCH DO YOU REALLY LIKE THIS GIRL? 341 00:13:16,610 --> 00:13:20,030 A LOT, MAN. SHE’S SPECIAL. 342 00:13:21,740 --> 00:13:23,070 THEN THERE’S PROBABLY A MILLION REASONS WHY 343 00:13:23,070 --> 00:13:24,990 SHE DIDN’T SHOW UP. 344 00:13:24,990 --> 00:13:27,080 BUT THE SPENCER JAMES I KNOW DON’T GIVE UP, 345 00:13:27,080 --> 00:13:28,620 SO IT SOUND TO ME 346 00:13:28,620 --> 00:13:32,620 LIKE YOU NEED TO GO AND GET YOUR GIRL. 347 00:13:32,620 --> 00:13:34,920 I BET. 348 00:13:34,920 --> 00:13:36,460 I’MMA GO TO THE DANCE. 349 00:13:37,670 --> 00:13:39,000 BUT I’MMA NEED A DATE. 350 00:13:49,890 --> 00:13:51,270 MAMA, PLEASE. COME ON. 351 00:13:51,270 --> 00:13:52,890 WOULD YOU JUST RELAX 352 00:13:52,890 --> 00:13:56,810 AND LET ME HAVE MY MOMENT? HA! 353 00:13:56,810 --> 00:13:58,480 COOP: HELLO. 354 00:13:58,480 --> 00:13:59,570 I KNOW YOU SEE ME. 355 00:13:59,570 --> 00:14:01,360 YEAH, I DO SEE YOU. 356 00:14:01,360 --> 00:14:02,610 WHERE’S COOP? 357 00:14:02,610 --> 00:14:06,950 I’M RIGHT HERE, BABY. FINE. 358 00:14:06,950 --> 00:14:08,870 LAURA: COOP, YOU GUYS READY? 359 00:14:08,870 --> 00:14:10,450 THE LIMOS ARE WAITING. 360 00:14:10,450 --> 00:14:13,540 YES, MA’AM. I’LL SEE YOU LATER. 361 00:14:13,540 --> 00:14:14,870 SPENCER: COME ON. LET’S GO. 362 00:14:17,880 --> 00:14:19,210 YOU OK? 363 00:14:19,210 --> 00:14:21,550 YEAH. I’M FINE. 364 00:14:21,550 --> 00:14:23,760 IT JUST ALL GOES BY SO FAST. 365 00:14:23,760 --> 00:14:25,550 -IT REALLY DOES. -HA! 366 00:14:25,550 --> 00:14:26,840 I KNOW YOU’RE GONNA HAVE YOUR HANDS FULL 367 00:14:26,840 --> 00:14:28,850 CHAPERONING TONIGHT, 368 00:14:28,850 --> 00:14:31,310 BUT CAN YOU PLEASE TAKE A COUPLE PICTURES OF SPENCER? 369 00:14:31,310 --> 00:14:32,430 OF COURSE. 370 00:14:32,430 --> 00:14:33,520 THE MORE EMBARRASSING, THE BETTER. 371 00:14:33,520 --> 00:14:34,640 HA! 372 00:14:37,190 --> 00:14:39,230 YOU KNOW WHAT? 373 00:14:39,230 --> 00:14:41,360 YOU SHOULD GO INSTEAD OF ME. 374 00:14:41,360 --> 00:14:42,570 CHAPERONE WITH BILLY. 375 00:14:42,570 --> 00:14:44,650 NO, AH...THANK YOU. 376 00:14:44,650 --> 00:14:46,360 NONSENSE. IT’S--IT’S THE WEEKEND. 377 00:14:46,360 --> 00:14:48,160 IT’S REALLY YOUR TIME WITH SPENCER ANYWAY. 378 00:14:48,160 --> 00:14:50,450 BESIDES, YOU’D BE DOING ME A BIG FAVOR. 379 00:14:50,450 --> 00:14:52,910 I CAN FINALLY HAVE A NIGHT TO MYSELF. 380 00:14:52,910 --> 00:14:55,750 OK? YES. 381 00:14:55,750 --> 00:14:57,290 LET’S GET YOU DRESSED. 382 00:14:57,290 --> 00:14:58,540 THANK YOU. 383 00:15:00,210 --> 00:15:03,800 MAN: ♪ YEAH, IF YOU WANT ME, GIRL, YOU BETTER GET ME ♪ 384 00:15:03,800 --> 00:15:05,090 LAURA: BILLY? BILLY: YES. 385 00:15:05,090 --> 00:15:07,680 GRACE IS GONNA GO WITH YOU INSTEAD. 386 00:15:07,680 --> 00:15:09,800 -OH. -JUST GIVE US 5 MINUTES. 387 00:15:09,800 --> 00:15:12,640 OH, OK. WOW. GREAT. 388 00:15:12,640 --> 00:15:15,100 WOW. OK. 389 00:15:15,100 --> 00:15:16,850 -ALL RIGHT, SMILE, Y’ALL. 390 00:15:16,850 --> 00:15:18,230 SOMEBODY GET THAT. MAN: YEAH. 391 00:15:20,900 --> 00:15:22,230 WHAT’S UP, SPENCE? 392 00:15:45,010 --> 00:15:46,260 OLIVIA, ARE YOU SERIOUS? 393 00:15:46,260 --> 00:15:47,260 LAST TIME I CHECKED, I DON’T NEED 394 00:15:47,260 --> 00:15:48,630 TO RUN MY DATES BY YOU. 395 00:15:48,630 --> 00:15:50,390 BILLY: OK, EVERYBODY, LET’S GET TOGETHER. 396 00:15:50,390 --> 00:15:52,810 LET’S TAKE THIS PHOTO. QUICK, QUICK, QUICK, QUICK, QUICK. 397 00:15:57,140 --> 00:15:58,560 WAIT, WHERE’S ASHER? 398 00:15:58,560 --> 00:15:59,560 YO, WHO’S READY TO TURN UP? 399 00:15:59,560 --> 00:16:00,940 BOY: THERE HE IS. 400 00:16:00,940 --> 00:16:02,730 BILLY: PERFECT TIMING. GET HER IN HERE. 401 00:16:02,730 --> 00:16:05,650 OH, AND YOU LOOK WONDERFUL. LET ME GET... 402 00:16:05,650 --> 00:16:06,900 UH-OH. 403 00:16:08,110 --> 00:16:09,110 IT’S ALL GOOD. 404 00:16:09,110 --> 00:16:10,530 BILLY: OH, YOU ALL LOOK AMAZING. 405 00:16:10,530 --> 00:16:12,320 GET IN THERE, SPENCER, EVERYBODY. ALL RIGHT. 406 00:16:12,320 --> 00:16:13,330 GET TIGHT, GET TIGHT. 407 00:16:13,330 --> 00:16:15,790 HUMOR ME. 1, 2... 408 00:16:15,790 --> 00:16:19,920 DON’T DO THAT WITH YOUR FACE, J.P. AND...BOOM. 409 00:16:19,920 --> 00:16:22,000 OK. ONE MORE FOR SAFETY. 410 00:16:29,300 --> 00:16:33,470 MAN: ♪ WHOA-OH, MM ♪ 411 00:16:33,470 --> 00:16:35,140 ♪ YOU’VE BEEN RUNNIN’ ROUND, RUNNIN’ ROUND, RUNNIN’ ROUND ♪ 412 00:16:35,140 --> 00:16:37,520 ♪ THROWIN’ THAT DIRT ALL ON MY NAME ♪ 413 00:16:37,520 --> 00:16:39,180 ♪ ’CAUSE YOU KNEW THAT I, KNEW THAT I, KNEW THAT I’D ♪ 414 00:16:39,180 --> 00:16:41,850 ♪ CALL YOU UP ♪ 415 00:16:41,850 --> 00:16:45,690 ♪ I KNOW THAT DRESS IS KARMA, PERFUME REGRET ♪ 416 00:16:45,690 --> 00:16:48,570 ♪ YOU GOT ME THINKING ’BOUT WHEN YOU WERE MINE ♪ 417 00:16:48,570 --> 00:16:50,200 ♪ THINKING ’BOUT WHEN YOU WERE MINE ♪ 418 00:16:50,200 --> 00:16:53,740 ♪ AND NOW I’M ALL UP ON YA, WHAT YOU EXPECT? ♪ 419 00:16:53,740 --> 00:16:56,620 ♪ BUT YOU’RE NOT COMING HOME WITH ME TONIGHT ♪ 420 00:16:56,620 --> 00:16:59,080 ♪ YOU JUST WANT ATTENTION ♪ 421 00:16:59,080 --> 00:17:01,080 ♪ WHAT ARE YOU DOING? ♪ 422 00:17:01,080 --> 00:17:03,790 ♪ WHAT ARE YOU DOING? ♪ 423 00:17:03,790 --> 00:17:04,920 HEY, LISTEN, 424 00:17:04,920 --> 00:17:06,340 IF A WHITE GIRL END UP ONSTAGE 425 00:17:06,340 --> 00:17:08,590 GETTING DOUSED IN PIG BLOOD, I’M OUT. 426 00:17:08,590 --> 00:17:10,380 MAN, YOU’RE CRAZY. 427 00:17:10,380 --> 00:17:11,630 DEAD SERIOUS. 428 00:17:15,640 --> 00:17:17,100 OH, HELL, NO, BRO. 429 00:17:17,100 --> 00:17:18,470 -I AIN’T GET ALL DRESSED UP 430 00:17:18,470 --> 00:17:19,980 AND DRAG MY ASS TO BEVERLY HILLS 431 00:17:19,980 --> 00:17:21,390 TO SIT HERE AND WATCH YOU SULK. 432 00:17:21,390 --> 00:17:22,940 HEY, EASY. I-I DON’T SULK. 433 00:17:22,940 --> 00:17:24,150 TELL THAT TO YOUR FACE. 434 00:17:24,150 --> 00:17:26,440 SHUT UP, MAN. 435 00:17:26,440 --> 00:17:28,280 BUDGET FOR THESE DANCES HAVE DEFINITELY 436 00:17:28,280 --> 00:17:29,990 GONE UP SINCE WE WERE IN SCHOOL. 437 00:17:29,990 --> 00:17:33,280 THAT WAS SUCH A LONG TIME AGO. 438 00:17:33,280 --> 00:17:35,660 UH, SPEAK FOR YOURSELF. 439 00:17:35,660 --> 00:17:37,910 DON’T AGE ME. 440 00:17:37,910 --> 00:17:39,700 YOU LOOK AMAZING. 441 00:17:43,040 --> 00:17:44,880 YEAH, WELL, 442 00:17:44,880 --> 00:17:46,090 YOUR WIFE IS A MIRACLE WORKER 443 00:17:46,090 --> 00:17:47,500 WITH SOME EYE SHADOW AND A CLOSET 444 00:17:47,500 --> 00:17:48,590 FULL OF DESIGNER DRESSES. 445 00:17:51,300 --> 00:17:52,550 THERE’S NO FOOTBALL BANNER. 446 00:17:52,550 --> 00:17:54,010 IT’S SUPPOSED TO BE ABOVE THE STAGE 447 00:17:54,010 --> 00:17:55,890 AND THAT ONE’S SUPPOSED TO BE ON THE SIDE. 448 00:17:55,890 --> 00:17:57,100 OK, SO? 449 00:17:57,100 --> 00:17:58,930 BABE, IT’S JUST A STUPID BANNER. 450 00:17:58,930 --> 00:17:59,930 THIS ONE’S FINE. 451 00:17:59,930 --> 00:18:00,930 NO, ASHER, I WORKED 452 00:18:00,930 --> 00:18:02,270 REALLY HARD ON THIS DANCE 453 00:18:02,270 --> 00:18:03,690 AND THAT STUPID BANNER IS HOW 454 00:18:03,690 --> 00:18:06,980 WE’RE ACKNOWLEDGING YOUR TEAM. 455 00:18:06,980 --> 00:18:08,690 I’M SORRY. 456 00:18:08,690 --> 00:18:09,900 HEY, YOU HAVEN’T HAD A CHANCE 457 00:18:09,900 --> 00:18:11,440 TO ENJOY YOUR OWN HOMECOMING. 458 00:18:12,650 --> 00:18:13,900 LET’S JUST DANCE. COME ON. 459 00:18:13,900 --> 00:18:17,200 NO. NO, I CAN’T. I HAVE TO FIX THIS. 460 00:18:17,200 --> 00:18:19,410 I’LL BE RIGHT BACK. 461 00:18:19,410 --> 00:18:21,950 YOU SURE THIS IS REALLY JUST ABOUT THE BANNER? 462 00:18:22,960 --> 00:18:24,000 YOU HAVE A LOT OF NERVE 463 00:18:24,000 --> 00:18:25,500 STEPPING TO MY GIRL RIGHT NOW. 464 00:18:25,500 --> 00:18:27,000 LOOK, I AIN’T TRYING TO FIGHT WITH YOU, BOY. 465 00:18:27,000 --> 00:18:28,090 WELL, MAYBE YOU SHOULD’VE THOUGHT ABOUT THAT 466 00:18:28,090 --> 00:18:29,630 BEFORE YOU MADE A PASS AT LEILA. 467 00:18:29,630 --> 00:18:30,880 I DIDN’T MEAN FOR IT ALL TO GO DOWN LIKE THAT. 468 00:18:30,880 --> 00:18:32,420 WELL, IT DID. 469 00:18:32,420 --> 00:18:34,130 BUT THAT KISS DIDN’T MEAN ANYTHING TO LEILA, 470 00:18:34,130 --> 00:18:35,840 SO HOW ABOUT YOU STOP STALKING HER, 471 00:18:35,840 --> 00:18:37,430 BECAUSE YOU WERE JUST A MISTAKE. 472 00:18:39,810 --> 00:18:40,890 -YOU REALLY WANT TO-- -LISTEN, LISTEN, 473 00:18:40,890 --> 00:18:42,100 I’M THIRSTIER THAN A MUG, MAN. 474 00:18:42,100 --> 00:18:43,980 I NEED A DRINK, LIKE, NOW. 475 00:18:48,560 --> 00:18:50,650 DO YOU HAVE TO BE SUCH AN ASS? 476 00:18:50,650 --> 00:18:53,490 I’M HERE WITH YOU, AREN’T I? 477 00:18:53,490 --> 00:18:54,740 ISN’T THAT ENOUGH? 478 00:19:10,960 --> 00:19:12,880 I’M SORRY ABOUT WHAT ASHER SAID. 479 00:19:14,130 --> 00:19:16,930 KISSING YOU WASN’T A MISTAKE. 480 00:19:16,930 --> 00:19:19,430 YOU’RE STILL WITH ASHER, THOUGH. 481 00:19:19,430 --> 00:19:21,600 HE’S GOING THROUGH A LOT RIGHT NOW 482 00:19:21,600 --> 00:19:23,350 AND I DIDN’T WANT IT TO FEEL LIKE 483 00:19:23,350 --> 00:19:26,440 I’M KICKING HIM WHEN HE’S ALREADY DOWN, AND-- 484 00:19:26,440 --> 00:19:28,270 CHANGE IS SCARY. I GET IT. 485 00:19:30,610 --> 00:19:32,270 YOU KNOW WHAT I ADMIRE ABOUT YOU? 486 00:19:33,860 --> 00:19:35,530 YOU’RE A GIVER. 487 00:19:35,530 --> 00:19:37,030 YOU’RE ALWAYS PUTTING EVERYBODY ELSE’S FEELINGS 488 00:19:37,030 --> 00:19:39,160 BEFORE YOUR OWN. 489 00:19:39,160 --> 00:19:40,780 MY MOMS IS LIKE THAT. 490 00:19:43,700 --> 00:19:45,450 WHEN IS IT GONNA BE YOUR TURN? 491 00:19:45,450 --> 00:19:46,960 YOU DESERVE TO HAVE PEOPLE IN YOUR LIFE 492 00:19:46,960 --> 00:19:49,500 THAT’S GONNA TAKE CARE OF YOU FOR A CHANGE. 493 00:19:49,500 --> 00:19:51,080 YOU DESERVE TO BE HAPPY. 494 00:20:04,010 --> 00:20:07,060 OK. WHERE IS THIS BANNER? 495 00:20:07,060 --> 00:20:08,480 THANKS. I WOULDN’T HAVE HAD 496 00:20:08,480 --> 00:20:10,730 ANY IDEA WHERE TO LOOK. 497 00:20:10,730 --> 00:20:13,400 OH, HAPPY TO HELP. HAPPY TO HELP. 498 00:20:13,400 --> 00:20:15,030 -SO... -HMM. 499 00:20:15,030 --> 00:20:17,900 SPENCER, ASHER, AND LEILA. 500 00:20:17,900 --> 00:20:19,030 THERE’S SOMETHING THERE, RIGHT? 501 00:20:19,030 --> 00:20:20,660 HA HA! I MEAN, I DON’T KNOW 502 00:20:20,660 --> 00:20:23,030 THE SPECIFICS, BUT... 503 00:20:23,030 --> 00:20:26,080 PRETTY GIRL IN THE MIDDLE OF THE TWO ARGUING BOYS. 504 00:20:26,080 --> 00:20:27,620 SOUNDS FAMILIAR, DON’T IT? 505 00:20:27,620 --> 00:20:29,210 I GUESS SO. 506 00:20:29,210 --> 00:20:31,500 OK. VOILA. 507 00:20:31,500 --> 00:20:32,880 GREAT. 508 00:20:36,630 --> 00:20:37,800 -BILLY. -HMM. 509 00:20:37,800 --> 00:20:39,470 I THINK THIS IS LOCKED. 510 00:20:39,470 --> 00:20:41,180 I GOT MY KEYS HERE. 511 00:20:42,850 --> 00:20:44,810 YOU MEAN THOSE KEYS? 512 00:20:52,350 --> 00:20:54,940 -HUH. 513 00:20:54,940 --> 00:20:58,320 MAN: ♪ SEE A VISION SO BEAUTIFUL... ♪ 514 00:20:58,320 --> 00:20:59,950 JORDAN: YOU KNOW, 515 00:20:59,950 --> 00:21:01,860 I’M GONNA START TAKING THAT LOOK PERSONALLY. 516 00:21:01,860 --> 00:21:03,450 -THAT "I’D RATHER BE 517 00:21:03,450 --> 00:21:06,080 ANYWHERE ELSE BUT HERE" LOOK. 518 00:21:06,080 --> 00:21:07,540 I’M JUST KEEPING YOU HUMBLE. 519 00:21:12,290 --> 00:21:14,250 OK. PROPOSITION TIME. 520 00:21:14,250 --> 00:21:15,420 OK. 521 00:21:15,420 --> 00:21:17,170 WE CAN STAY HERE AND HANG OUT 522 00:21:17,170 --> 00:21:19,460 WITH YOUR BROS AND BECOME 523 00:21:19,460 --> 00:21:22,970 A TOTAL HIGH SCHOOL CLICHE OR 524 00:21:22,970 --> 00:21:25,970 YOU CAN TAKE MY HAND, 525 00:21:25,970 --> 00:21:28,220 LEAVE WITH ME NOW, 526 00:21:28,220 --> 00:21:30,060 AND EXPERIENCE A NIGHT 527 00:21:30,060 --> 00:21:31,890 FULL OF SURPRISES. 528 00:21:35,110 --> 00:21:36,650 I LOVE SURPRISES. 529 00:21:36,650 --> 00:21:38,360 YEAH. YOU WOULD. 530 00:21:39,650 --> 00:21:41,070 JORDAN: EXCUSE ME. 531 00:21:46,370 --> 00:21:50,080 ALL RIGHT. ENOUGH. THIS IS STUPID. 532 00:21:50,080 --> 00:21:52,750 OK? WE 3 KIDS FROM CRENSHAW. 533 00:21:52,750 --> 00:21:54,830 WE IN THIS CRAZY-ASS ROOM 534 00:21:54,830 --> 00:21:56,540 WITH THESE CRAZY-ASS RICH PEOPLE 535 00:21:56,540 --> 00:21:58,420 DANCING TO SOME DAMN DIPLO OR WHATEVER. 536 00:21:58,420 --> 00:21:59,800 I DON’T KNOW. I CAN’T ENJOY MYSELF 537 00:21:59,800 --> 00:22:01,550 BECAUSE Y’ALL FOOLS KEEP SHOOTING 538 00:22:01,550 --> 00:22:03,970 THEM KOBE AND SHAQ DEATH STARES 539 00:22:03,970 --> 00:22:06,640 INSTEAD OF TALKING. 540 00:22:06,640 --> 00:22:09,100 Y’ALL GOTTA GET IT TOGETHER. NOW. 541 00:22:10,270 --> 00:22:11,520 HELLO. 542 00:22:12,850 --> 00:22:14,940 STOP LOOKING AT ME LIKE I’M STUPID. 543 00:22:14,940 --> 00:22:16,400 FIGURE IT OUT. 544 00:22:20,610 --> 00:22:21,860 MAN. 545 00:22:21,860 --> 00:22:23,150 OY, SHE BEEN BOSSING US AROUND LIKE THAT 546 00:22:23,150 --> 00:22:24,320 SINCE THE FOURTH GRADE. 547 00:22:24,320 --> 00:22:25,530 THAT AIN’T NEVER GONNA CHANGE. 548 00:22:25,530 --> 00:22:26,990 I KNOW, BUT... 549 00:22:28,740 --> 00:22:30,740 SO HOW DOES IT FEEL TO BE A PART OF ALL THIS? 550 00:22:30,740 --> 00:22:31,870 I DON’T KNOW IF I EVER REALLY FEEL 551 00:22:31,870 --> 00:22:33,500 PART OF BEVERLY HILLS, MAN. 552 00:22:33,500 --> 00:22:35,250 I DON’T KNOW, DAWG. FROM WHERE I’M STANDING, 553 00:22:35,250 --> 00:22:36,790 -IT FEEL LIKE... 554 00:22:36,790 --> 00:22:38,540 I’M JUST SAYING IT FEEL LIKE 555 00:22:38,540 --> 00:22:40,170 THIS LIFE FITS YOU LIKE A GLOVE. 556 00:22:40,170 --> 00:22:41,550 COME ON, MAN. 557 00:22:46,050 --> 00:22:47,430 LOOK, MAN, OLIVIA’S LIKE A SISTER 558 00:22:47,430 --> 00:22:48,760 TO ME, ALL RIGHT? 559 00:22:48,760 --> 00:22:50,350 IF YOU’RE JUST MESSING WITH HER HEAD 560 00:22:50,350 --> 00:22:52,270 TO MESS WITH MINE, I AIN’T GONNA LET THAT HAPPEN. 561 00:22:52,270 --> 00:22:54,520 OH, NO, I DEAL WITH YOU. 562 00:22:56,190 --> 00:22:58,560 PROBLEM IS, 563 00:22:58,560 --> 00:23:00,820 HER NOT-SO-SISTERLY FEELINGS FOR YOU. 564 00:23:02,110 --> 00:23:03,400 MAN, WHATEVER. 565 00:23:03,400 --> 00:23:04,820 -ALL RIGHT. -ALL RIGHT, LOOK, 566 00:23:04,820 --> 00:23:06,740 MAYBE FOR LIKE A SECOND WHEN I FIRST MOVED HERE, 567 00:23:06,740 --> 00:23:08,570 I THOUGHT SHE MIGHT’VE BEEN FEELING ME, BUT 568 00:23:08,570 --> 00:23:09,620 TURNS OUT IT WAS NOTHING. 569 00:23:09,620 --> 00:23:10,830 OH, IT WAS SOMETHING. 570 00:23:12,830 --> 00:23:14,200 IT STILL IS. 571 00:23:24,210 --> 00:23:25,880 BABE. 572 00:23:25,880 --> 00:23:27,430 WHAT DO YOU WANT TO TALK ABOUT? 573 00:23:29,430 --> 00:23:31,890 LOOK, I’M SO SORRY. 574 00:23:31,890 --> 00:23:34,560 YOU AND ME, IT’S-- 575 00:23:34,560 --> 00:23:36,640 IT’S NOT GONNA WORK ANYMORE. 576 00:23:36,640 --> 00:23:38,270 YOU’RE CHOOSING MY TEAMMATE OVER ME? 577 00:23:38,270 --> 00:23:40,980 I’M NOT CHOOSING SPENCER. 578 00:23:40,980 --> 00:23:43,230 I’M CHOOSING MYSELF. THAT’S THE POINT. 579 00:23:43,230 --> 00:23:44,650 LOOK, ASH, IF WE’RE BEING HONEST, 580 00:23:44,650 --> 00:23:47,450 WE PROBABLY SHOULD HAVE DONE THIS A WHILE AGO. 581 00:23:47,450 --> 00:23:49,240 WE’VE BOTH BEEN THROUGH SO MUCH 582 00:23:49,240 --> 00:23:53,450 WITH MY MOM PASSING AND YOUR MOM LEAVING 583 00:23:53,450 --> 00:23:55,660 AND THE WHOLE MONEY THING. 584 00:23:55,660 --> 00:23:57,250 MAYBE WE’VE JUST BEEN HOLDING ONTO EACH OTHER 585 00:23:57,250 --> 00:23:58,330 FOR THE WRONG REASONS. 586 00:23:58,330 --> 00:23:59,420 WOW. 587 00:24:02,500 --> 00:24:04,960 SO YOU’RE JUST GONNA DO WHATEVER YOU PLEASE, HUH? 588 00:24:04,960 --> 00:24:07,970 EVERYONE ELSE’S FEELINGS BE DAMNED? 589 00:24:07,970 --> 00:24:09,970 THERE’S MORE OF YOUR FATHER IN YOU THAN I THOUGHT. 590 00:24:12,350 --> 00:24:15,850 HEY, UM, YOU’VE BEEN DRINKING AND YOU’RE HURT. 591 00:24:15,850 --> 00:24:17,020 MAYBE YOU SHOULD JUST GO HOME. 592 00:24:17,020 --> 00:24:19,690 WHY WOULD I LEAVE, LEILA? 593 00:24:19,690 --> 00:24:21,350 THE PARTY’S JUST GETTING STARTED. 594 00:24:33,450 --> 00:24:35,370 J.J. 595 00:24:35,370 --> 00:24:36,620 WHERE’S THAT FLASK, BABY? 596 00:24:36,620 --> 00:24:38,580 OH. KEEP YOUR VOICE DOWN, BRO. 597 00:24:40,830 --> 00:24:42,000 NOW WE’RE TALKING. 598 00:24:43,170 --> 00:24:46,170 HEY. IT’S PARTY TIME. DRINK UP. 599 00:24:57,270 --> 00:25:01,480 MAN: ♪ I THINK I LIKE HER, I THINK I LIKE HER... ♪ 600 00:25:01,480 --> 00:25:03,110 MAYBE YOU SHOULD CHILL ON THE DRINKING. 601 00:25:03,110 --> 00:25:04,690 I’M JUST GETTING STARTED. WHAT ARE YOU TALKING ABOUT? 602 00:25:04,690 --> 00:25:06,860 LOOK, I RECOGNIZE A DOWNWARD SPIRAL WHEN I SEE ONE. 603 00:25:06,860 --> 00:25:09,110 NO, NO, NO. SEE, YOU DON’T UNDERSTAND. 604 00:25:09,110 --> 00:25:10,820 I’M CELEBRATING. 605 00:25:10,820 --> 00:25:13,530 TURNS OUT LEILA CHEATED WITH SPENCER. 606 00:25:13,530 --> 00:25:14,950 WE DON’T HAVE ANYTHING TO FEEL GUILTY ABOUT ANYMORE, 607 00:25:14,950 --> 00:25:16,700 SO CHEERS. 608 00:25:21,790 --> 00:25:23,210 YOU ALREADY KNEW, DIDN’T YOU? 609 00:25:24,330 --> 00:25:25,790 OLIVIA. 610 00:25:28,460 --> 00:25:30,340 I THOUGHT THAT YOU WERE DIFFERENT. 611 00:25:30,340 --> 00:25:32,720 I THOUGHT YOU AND I HAD EACH OTHER’S BACK. 612 00:25:32,720 --> 00:25:34,430 BUT YOU’RE JUST LIKE EVERYONE ELSE. 613 00:25:39,310 --> 00:25:42,140 MAN, IT’S LIKE "DYNASTY" HERE. 614 00:25:43,230 --> 00:25:44,940 YEAH. 615 00:25:44,940 --> 00:25:48,820 BRO, WHAT’S GOOD? HOW WAS THE INTERVIEW? 616 00:25:48,820 --> 00:25:50,320 THEY LOVED THE KID SO MUCH, 617 00:25:50,320 --> 00:25:51,700 THEY PUT ME RIGHT TO WORK. 618 00:25:51,700 --> 00:25:55,030 SEE, I TOLD YOU. WHAT THEY GOT YOU DOING? 619 00:25:55,030 --> 00:25:57,700 YOU KNOW, ASSISTING OR WHATEVER. 620 00:25:59,660 --> 00:26:02,660 YO. NOW THAT IT’S MY FIRST DAY, 621 00:26:02,660 --> 00:26:04,000 I CAN’T REALLY LEAVE. 622 00:26:04,000 --> 00:26:05,750 THAT MEAN YOU CAN’T MEET SWIZZ. 623 00:26:05,750 --> 00:26:07,290 ALL RIGHT, LOOK, DON’T WORRY. 624 00:26:07,290 --> 00:26:11,130 I GOT YOU, ALL RIGHT? TYRONE, HE’LL NEVER KNOW. 625 00:26:11,130 --> 00:26:13,470 THANKS. I WON’T FORGET THIS. 626 00:26:13,470 --> 00:26:15,050 I GOT YOU, MAN. SAY NO MORE. 627 00:26:15,050 --> 00:26:16,260 ALL RIGHT. 628 00:26:16,260 --> 00:26:17,470 SO WHAT’S UP? 629 00:26:17,470 --> 00:26:20,310 I GOTTA GO TAKE CARE OF SOMETHING. 630 00:26:20,310 --> 00:26:22,350 IT’S GONNA HELP SHAWN GET OUT 631 00:26:22,350 --> 00:26:23,890 AND ME, TOO. 632 00:26:23,890 --> 00:26:26,060 I BETTER COME WITH YOU. 633 00:26:26,060 --> 00:26:28,110 NO. YOU CAN’T. 634 00:26:28,110 --> 00:26:30,570 ALL RIGHT? I JUST NEED YOU TO TRUST ME. 635 00:26:30,570 --> 00:26:32,490 BE CAREFUL. 636 00:26:32,490 --> 00:26:33,700 ALL RIGHT. 637 00:26:36,620 --> 00:26:38,330 BESIDES, MAN, YOU GOT YOUR OWN PROBLEMS 638 00:26:38,330 --> 00:26:40,990 TO WORRY ABOUT. 639 00:26:40,990 --> 00:26:42,290 DON’T WAIT. 640 00:26:42,290 --> 00:26:43,910 -SHUT UP. -HA HA HA! 641 00:26:46,330 --> 00:26:48,420 HEY. 642 00:26:48,420 --> 00:26:51,670 I AM TIRED OF DOING THE RIGHT THINGS. 643 00:26:51,670 --> 00:26:53,300 SO WHAT YOU SAYING? 644 00:26:53,300 --> 00:26:55,840 I’M SAYING I THINK I WANT TO DANCE. 645 00:27:04,100 --> 00:27:05,980 OK. 646 00:27:05,980 --> 00:27:09,110 WOMAN: ♪ BABY, WHILE WE’RE YOUNG ♪ 647 00:27:11,690 --> 00:27:16,700 ♪ I THINK WE SHOULD DO SOMETHING CRAZY ♪ 648 00:27:16,700 --> 00:27:20,740 ♪ TELLING EVERYBODY YOU’RE MINE AND I LIKE IT ♪ 649 00:27:20,740 --> 00:27:23,660 ♪ AND I REALLY HOPE YOU DON’T MIND, I CAN’T FIGHT IT... ♪ 650 00:27:23,660 --> 00:27:25,410 I’M SO SORRY, BUT, LEILA, 651 00:27:25,410 --> 00:27:27,170 WE HAVE A MINOR DRINK EMERGENCY. 652 00:27:27,170 --> 00:27:28,750 AS IN, WE’VE RUN OUT. 653 00:27:28,750 --> 00:27:30,590 I’M SO SORRY. I’LL BE RIGHT BACK. 654 00:27:30,590 --> 00:27:32,420 OK. 655 00:27:32,420 --> 00:27:35,010 WOMAN: ♪ SPEND ANOTHER PERFECT DAY WITH YA ♪ 656 00:27:35,010 --> 00:27:38,590 ♪ WANNA LAY WITH YA, SPEND THE NIGHT WITH YA ♪ 657 00:27:42,930 --> 00:27:44,980 I’M SERIOUS. HA HA! 658 00:27:44,980 --> 00:27:46,480 IF YOU WANT TO LOSE WEIGHT, 659 00:27:46,480 --> 00:27:48,060 DO JURY SERVICE AT OUR COURTHOUSE. 660 00:27:49,480 --> 00:27:51,820 THE CAFE IS SO BAD. 661 00:27:51,820 --> 00:27:54,570 UM...ALL RIGHT. YOUR TURN. 662 00:27:54,570 --> 00:27:56,570 YOUR TURN. ASK ME A QUESTION. 663 00:27:56,570 --> 00:27:57,990 MM. 664 00:28:00,280 --> 00:28:02,620 WHY LAURA? 665 00:28:02,620 --> 00:28:05,540 OOH. WOW. OK. YOU WENT IN. 666 00:28:05,540 --> 00:28:09,040 WAS LEAVING CRENSHAW AND MARRYING OUTSIDE THE CULTURE 667 00:28:09,040 --> 00:28:11,210 A REBOUND THING AFTER WE BROKE UP? 668 00:28:11,210 --> 00:28:13,710 HOW DID THIS NOT MAKE THE "DO NOT DISCUSS" LIST? 669 00:28:13,710 --> 00:28:15,420 I GUESS I ALWAYS WONDERED. 670 00:28:15,420 --> 00:28:19,510 I JUST...PROMISED MYSELF NEVER TO ASK. 671 00:28:23,640 --> 00:28:24,850 -FORGET I ASKED. -NO, NO, NO. 672 00:28:24,850 --> 00:28:27,020 IT’S A FAIR QUESTION. 673 00:28:27,020 --> 00:28:29,810 UH, WELL, WELL, I MARRIED LAURA 674 00:28:29,810 --> 00:28:32,730 BECAUSE I LOVE HER, SO... 675 00:28:32,730 --> 00:28:35,570 BUT IF I’M BEING HONEST, 676 00:28:35,570 --> 00:28:39,280 WHEN YOU CHOSE COREY OVER ME BACK IN THE DAY, 677 00:28:39,280 --> 00:28:40,950 THAT BROKE THE LAST TETHER 678 00:28:40,950 --> 00:28:44,410 THAT WAS--WAS HOLDING ME TO CRENSHAW. 679 00:28:44,410 --> 00:28:45,580 YOU ALWAYS HAD A LOVE-HATE 680 00:28:45,580 --> 00:28:47,000 RELATIONSHIP WITH CRENSHAW. 681 00:28:47,000 --> 00:28:49,870 NOT THE PLACE. NOT THE PLACE. 682 00:28:49,870 --> 00:28:51,420 I WAS JUST TIRED OF THE RESPONSIBILITY 683 00:28:51,420 --> 00:28:53,710 THAT CAME WITH BEING A BLACK MAN 684 00:28:53,710 --> 00:28:55,590 FROM THE ’HOOD. 685 00:28:55,590 --> 00:28:59,800 YOU KNOW, I ALWAYS HAD TO BE BETTER THAN GREAT, 686 00:28:59,800 --> 00:29:02,840 AND IT FELT LIKE IF I MESSED UP, 687 00:29:02,840 --> 00:29:05,310 THEN THE WHOLE ’HOOD MESSED UP, AND THAT-- 688 00:29:07,600 --> 00:29:10,270 THAT WAS A LOT TO CARRY. 689 00:29:10,270 --> 00:29:11,270 YEAH. 690 00:29:12,270 --> 00:29:13,900 OH. HEY. 691 00:29:13,900 --> 00:29:15,900 YOU GUYS, I’M SO SORRY. 692 00:29:15,900 --> 00:29:17,230 OH, NO, THANK YOU. 693 00:29:17,230 --> 00:29:19,150 I CAME AS SOON AS I GOT YOUR MESSAGES. 694 00:29:19,150 --> 00:29:20,700 I HAVE TO GET THIS BANNER TO THE GYM. 695 00:29:20,700 --> 00:29:22,570 HOPEFULLY, IT’S NOT TOO LATE. 696 00:29:22,570 --> 00:29:23,870 ALL RIGHT. 697 00:29:29,790 --> 00:29:31,210 CAN I GET THAT MIC REAL QUICK? 698 00:29:31,210 --> 00:29:33,630 YEAH. 699 00:29:33,630 --> 00:29:36,460 WHAT’S UP, BEVERLY? 700 00:29:39,880 --> 00:29:42,630 ALLOW ME TO INTRODUCE YOU ALL 701 00:29:42,630 --> 00:29:45,430 TO THE BEST DAMN FOOTBALL TEAM IN SOUTHERN CALIFORNIA. 702 00:29:47,600 --> 00:29:51,350 AARON MILLER, MR. STRONG SAFETY HIMSELF, GET UP HERE. 703 00:29:51,350 --> 00:29:53,270 MAKE SOME NOISE, EVERYBODY. 704 00:29:55,730 --> 00:29:58,070 AND THAT BEAST? 705 00:29:58,070 --> 00:30:00,110 THAT BEAST, J.J., MY BOY. 706 00:30:00,110 --> 00:30:01,780 BEST DAMN LINEBACKER 707 00:30:01,780 --> 00:30:03,450 I’VE EVER PLAYED WITH. 708 00:30:06,030 --> 00:30:07,950 SORRY. CRISIS AVERTED. 709 00:30:12,410 --> 00:30:14,830 AND OF COURSE... 710 00:30:14,830 --> 00:30:17,710 THE REAL MVP. 711 00:30:17,710 --> 00:30:20,210 BEVERLY’S LATEST TRANSFER SPENCER JAMES. 712 00:30:22,220 --> 00:30:23,340 YEAH. HEH HEH. 713 00:30:23,340 --> 00:30:24,970 HE’S THE BEST THERE IS. 714 00:30:26,180 --> 00:30:27,970 ISN’T THAT RIGHT, LEILA? 715 00:30:30,520 --> 00:30:32,060 I MEAN, YOU DID CHEAT ON ME WITH HIM, 716 00:30:32,060 --> 00:30:33,310 SO YOU WOULD KNOW. 717 00:30:35,270 --> 00:30:38,110 NO, NO, IT-IT’S OK, REALLY, IT’S OK. 718 00:30:38,110 --> 00:30:41,360 BECAUSE TECHNICALLY, I CHEATED FIRST. 719 00:30:41,360 --> 00:30:43,030 TELL HER, OLIVIA. 720 00:30:44,200 --> 00:30:45,360 TELL HER. GO ON. 721 00:30:45,360 --> 00:30:46,820 TELL YOUR BEST FRIEND HOW WE HAD SEX 722 00:30:46,820 --> 00:30:48,870 WAY BEFORE SPENCER SHOWED UP ON THE SCENE. 723 00:30:48,870 --> 00:30:50,030 TELL HER. GO AHEAD. 724 00:30:50,030 --> 00:30:51,950 -COME WITH ME. 725 00:31:07,390 --> 00:31:08,850 LEILA. 726 00:31:08,850 --> 00:31:10,600 LEILA, WAIT. PLEASE, I-- 727 00:31:10,600 --> 00:31:12,680 I DON’T WANT TO HEAR IT. 728 00:31:12,680 --> 00:31:14,140 HOW COULD YOU DO THIS TO ME? 729 00:31:14,140 --> 00:31:16,140 IT DIDN’T MEAN ANYTHING. 730 00:31:16,140 --> 00:31:17,600 I SWEAR, OK? 731 00:31:17,600 --> 00:31:19,270 THAT’S WHY I DIDN’T WANT TO TELL YOU. 732 00:31:19,270 --> 00:31:21,570 I DIDN’T WANT TO HURT YOU OVER A MISTAKE. 733 00:31:21,570 --> 00:31:24,740 YOU LET ME POUR MY HEART OUT TO YOU. 734 00:31:24,740 --> 00:31:27,160 YOU GAVE ME ADVICE KNOWING YOU’D BETRAYED ME. 735 00:31:27,160 --> 00:31:30,070 I DIDN’T WANT TO GIVE YOU ADVICE. YOU BEGGED ME. 736 00:31:30,070 --> 00:31:32,990 BECAUSE I THOUGHT I WAS TALKING TO MY BEST FRIEND, 737 00:31:32,990 --> 00:31:35,040 NOT A TREACHEROUS BITCH. 738 00:31:37,290 --> 00:31:38,540 WOW. 739 00:31:42,170 --> 00:31:44,920 YOU ARE SUCH A HYPOCRITE. 740 00:31:44,920 --> 00:31:46,340 CORRECT ME IF I’M WRONG, BUT 741 00:31:46,340 --> 00:31:47,680 YOU MESSED AROUND WITH SPENCER 742 00:31:47,680 --> 00:31:49,140 KNOWING HOW I FELT ABOUT HIM, 743 00:31:49,140 --> 00:31:50,510 KNOWING THAT YOU HAD A BOYFRIEND. 744 00:31:50,510 --> 00:31:51,680 IT’S NOT THE SAME. 745 00:31:51,680 --> 00:31:53,770 NO, YOU’RE RIGHT. IT’S NOT. 746 00:31:53,770 --> 00:31:54,890 I WAS MESSED UP ON DRUGS 747 00:31:54,890 --> 00:31:56,100 WHEN I SLEPT WITH ASHER. 748 00:31:56,100 --> 00:31:58,480 WHAT’S YOUR EXCUSE? 749 00:31:58,480 --> 00:32:00,190 MAYBE NOW YOU CAN FINALLY ADMIT 750 00:32:00,190 --> 00:32:01,940 THAT YOU’RE NOT MISS PERFECT AFTER ALL 751 00:32:01,940 --> 00:32:03,440 BUT YOU’RE A MESSY HUMAN 752 00:32:03,440 --> 00:32:05,570 WHO SCREWS UP LIKE THE REST OF US. 753 00:32:08,360 --> 00:32:11,820 THANK YOU FOR ENLIGHTENING ME. 754 00:32:11,820 --> 00:32:14,870 LEILA. WAIT! PLEASE! 755 00:32:17,120 --> 00:32:18,250 OF COURSE. 756 00:32:18,250 --> 00:32:19,290 -LOOK, OLIVIA. -I KNOW. 757 00:32:19,290 --> 00:32:22,170 I’M A HORRIBLE PERSON. 758 00:32:22,170 --> 00:32:24,340 I CAN’T HEAR THAT FROM YOU RIGHT NOW. 759 00:32:35,600 --> 00:32:36,850 LEILA! 760 00:32:42,110 --> 00:32:44,360 DAMN. 761 00:32:44,360 --> 00:32:46,900 -COACH, I’M SORRY. -I DON’T WANT TO HEAR IT. 762 00:32:46,900 --> 00:32:49,490 YOU DRANK ALCOHOL ON SCHOOL PROPERTY. 763 00:32:49,490 --> 00:32:50,910 -YEAH, BUT-- -QUIET! 764 00:32:53,280 --> 00:32:55,990 WAS ANYBODY ELSE FROM THE TEAM DRINKING WITH YOU? 765 00:32:55,990 --> 00:32:59,540 NO. IT--IT WAS JUST ME. 766 00:33:05,250 --> 00:33:08,050 YOU LEAVE ME NO CHOICE. 767 00:33:08,050 --> 00:33:10,220 I’M SUSPENDING YOU FOR THE NEXT TWO GAMES. 768 00:33:11,430 --> 00:33:13,390 NO. COACH, PLEASE. 769 00:33:13,390 --> 00:33:15,260 T-TOMORROW’S HOMECOMING. 770 00:33:15,260 --> 00:33:16,680 SCOUTS ARE GONNA BE AT THAT GAME. 771 00:33:16,680 --> 00:33:18,810 I HAVE TO PLAY. PLEASE DO NOT DO THIS TO ME. 772 00:33:18,810 --> 00:33:21,310 UNFORTUNATELY, SON, 773 00:33:21,310 --> 00:33:22,980 YOU DID THIS TO YOURSELF. 774 00:33:28,190 --> 00:33:29,490 COACH. 775 00:33:39,580 --> 00:33:42,870 YO. YOU LATE. 776 00:33:42,870 --> 00:33:44,540 ALREADY TOOK CARE OF IT. 777 00:33:44,540 --> 00:33:46,460 SWIZZ CALLED ME WHEN SHAWN DIDN’T SHOW. 778 00:33:46,460 --> 00:33:47,920 I TOLD HIM I WANTED HIM HERE. 779 00:33:47,920 --> 00:33:49,380 I TOLD SHAWN THAT I WOULD HANDLE THIS, 780 00:33:49,380 --> 00:33:51,220 SO THIS IS ON ME. 781 00:33:51,220 --> 00:33:53,220 THERE’S BEEN A LOT ON YOU LATELY. 782 00:33:53,220 --> 00:33:54,300 HAVING A GAY CHICK ROLL WITH US 783 00:33:54,300 --> 00:33:55,640 IS MAKING US LOOK SOFT. 784 00:33:55,640 --> 00:33:56,850 I COULD BE A ASSET. TRUST ME. 785 00:33:56,850 --> 00:33:58,850 HOW? BECAUSE AT THIS POINT, 786 00:33:58,850 --> 00:34:01,140 YOU JUST A LIABILITY. 787 00:34:01,140 --> 00:34:03,310 UNLESS YOU READY TO PROVE OTHERWISE. 788 00:34:03,310 --> 00:34:05,150 PROVE HOW? 789 00:34:05,150 --> 00:34:06,440 TAKE A WALK WITH ME. 790 00:34:16,200 --> 00:34:18,830 THE HELL I’M SUPPOSED TO DO WITH THIS? 791 00:34:18,830 --> 00:34:21,410 SOME CRIPS HANG OUT ON THE CORNER ON THAT HOUSE. 792 00:34:21,410 --> 00:34:23,750 TAKE YOUR PICK. 793 00:34:23,750 --> 00:34:26,880 TY, I CAN’T DO THIS. THAT’S--THAT’S NOT ME. 794 00:34:26,880 --> 00:34:28,210 CHICKS SURVIVE IN THIS GANG BY BEING 795 00:34:28,210 --> 00:34:29,880 THE BADDEST BITCHES IN THE STREETS, 796 00:34:29,880 --> 00:34:31,840 AND YOU THINK I’M JUST GONNA CARRY YOUR ASS 797 00:34:31,840 --> 00:34:33,880 AND YOU AIN’T WILLING TO RIDE FOR ME? 798 00:34:33,880 --> 00:34:36,800 I DON’T CARRY NOBODY. 799 00:34:36,800 --> 00:34:38,550 SO YOU AND YOUR BOY SHAWN, 800 00:34:38,550 --> 00:34:40,060 WATCH YOUR BACK. 801 00:34:48,820 --> 00:34:49,980 I SWEAR I’M NOT NORMALLY THIS BIG A MESS. 802 00:34:49,980 --> 00:34:51,400 THAT’S OK, THOUGH. 803 00:34:51,400 --> 00:34:53,490 WHEN YOU GONNA STOP APOLOGIZING? 804 00:34:53,490 --> 00:34:55,570 PROBABLY SOMETIME IN 2020. 805 00:34:55,570 --> 00:34:57,120 HEH. 806 00:34:59,240 --> 00:35:02,000 THIS IS SO NOT HOW I SAW THIS NIGHT GOING. 807 00:35:02,000 --> 00:35:03,290 I DON’T KNOW. 808 00:35:03,290 --> 00:35:05,540 I MEAN, EXCITEMENT SEEM TO BE OUR THING. 809 00:35:05,540 --> 00:35:07,250 FIRST IT WAS BULLETS FLYING, 810 00:35:07,250 --> 00:35:09,000 NOW THIS. 811 00:35:09,000 --> 00:35:10,800 WHO KNOWS WHAT HAPPENS ON OUR THIRD DATE? 812 00:35:13,590 --> 00:35:15,130 WHY ARE YOU SO NICE? 813 00:35:15,130 --> 00:35:16,550 I’M NOT USUALLY. 814 00:35:18,010 --> 00:35:21,930 I GUESS... I’M JUST MOTIVATED. 815 00:35:29,360 --> 00:35:30,770 I CAN’T LEAVE HIM THERE ALONE. 816 00:35:30,770 --> 00:35:32,150 EVEN AFTER EVERYTHING? 817 00:35:32,150 --> 00:35:34,360 I KNOW WHAT IT’S LIKE TO HIT ROCK BOTTOM. 818 00:35:36,200 --> 00:35:37,860 HE NEEDS A FRIEND. 819 00:35:41,120 --> 00:35:44,160 I’M SORRY TO DO THIS. 820 00:35:44,160 --> 00:35:45,460 IT’S ALL GOOD. 821 00:35:46,790 --> 00:35:49,830 SO WHEN THE DUST SETTLES, HOLLA AT ME. 822 00:35:49,830 --> 00:35:51,710 DOESN’T MATTER HOW LONG. 823 00:35:53,460 --> 00:35:55,340 YOU’RE KIND OF WORTH WAITING FOR. 824 00:36:51,810 --> 00:36:53,230 COOP: WHAT’S UP WITH YOU? 825 00:36:53,230 --> 00:36:54,230 I THOUGHT YOU’D BE FLYING HIGH 826 00:36:54,230 --> 00:36:55,400 FROM YOUR NEW GIG. 827 00:36:55,400 --> 00:36:57,240 HOW I GO FROM RUNNING MY OWN BLOCK, 828 00:36:57,240 --> 00:37:00,320 MAKING MAD PAPER, TO A MINIMUM-WAGE JOB, 829 00:37:00,320 --> 00:37:02,160 CLEANING UP AFTER BOOZY-ASS 830 00:37:02,160 --> 00:37:05,240 FAILED MUSICIANS TURNED PRODUCERS. 831 00:37:05,240 --> 00:37:07,750 BUT YOU STAYED. 832 00:37:07,750 --> 00:37:09,250 YEAH, I DID. 833 00:37:09,250 --> 00:37:11,420 IT’S A LEGIT JOB, RIGHT? 834 00:37:11,420 --> 00:37:13,420 J.P.’s BOY EVEN SHOWED UP. 835 00:37:13,420 --> 00:37:16,050 SAID HE RESPECTED MY HUSTLE. 836 00:37:16,050 --> 00:37:17,630 SO I’MMA TRY TO STICK IT OUT. 837 00:37:18,920 --> 00:37:20,840 SO EVERYTHING’S COOL WITH SWIZZ? 838 00:37:20,840 --> 00:37:22,390 YEAH, YEAH, YEAH. 839 00:37:22,390 --> 00:37:23,550 TYRONE WAS THERE, TOO. 840 00:37:23,550 --> 00:37:25,100 I MEAN, HE WAS COOL WITH EVERYTHING. 841 00:37:25,100 --> 00:37:26,760 ALL RIGHT, THEN, LET’S CELEBRATE. 842 00:37:26,760 --> 00:37:28,560 I’M GONNA GO GET SOME PO’BOYS. 843 00:37:36,190 --> 00:37:37,440 WAIT. 844 00:37:40,440 --> 00:37:43,570 TY NEVER PICKS UP HIS OWN PRODUCT UNLESS-- 845 00:37:45,200 --> 00:37:47,830 THERE WAS A PROBLEM, WASN’T THERE, COOP? 846 00:37:47,830 --> 00:37:49,660 TYRONE, MAN, HE-- HE NOT FEELING ME 847 00:37:49,660 --> 00:37:52,790 OR YOU RIGHT NOW. 848 00:37:52,790 --> 00:37:55,790 AND TO BE HONEST, I’M A LITTLE SCARED, SHAWN. 849 00:38:05,600 --> 00:38:07,850 SHAWN! 850 00:38:07,850 --> 00:38:08,890 IT’S ALL GOOD. 851 00:38:08,890 --> 00:38:10,220 DON’T EVEN SWEAT TYRONE. 852 00:38:10,220 --> 00:38:12,230 I’M--I’M GONNA BACK HIM OFF OF YOU. 853 00:38:13,770 --> 00:38:15,610 WHO AM I KIDDING, COOP? 854 00:38:17,270 --> 00:38:19,360 LEGIT JOB AIN’T MY LIFE. 855 00:38:26,910 --> 00:38:28,580 ARE YOU SERIOUS RIGHT NOW? 856 00:38:28,580 --> 00:38:30,750 THAT’S HOW YOU BECAME A CHEERLEADER? 857 00:38:30,750 --> 00:38:32,540 HEY, A BET’S A BET. 858 00:38:32,540 --> 00:38:34,080 MY MEATHEAD JOCK OF A BROTHER 859 00:38:34,080 --> 00:38:35,790 DIDN’T THINK I COULD DO IT, 860 00:38:35,790 --> 00:38:37,880 SO I SHOWED HIM. 861 00:38:37,880 --> 00:38:40,130 AND I GOT HIS ALLOWANCE FOR 6 MONTHS 862 00:38:40,130 --> 00:38:42,130 AND HIS SURFBOARD. 863 00:38:42,130 --> 00:38:44,630 -OH, MY GOD. 864 00:38:44,630 --> 00:38:46,890 YOU’RE AMAZING. YOU KNOW THAT? 865 00:38:46,890 --> 00:38:48,890 WHY, THANK YOU, MR. BAKER. 866 00:38:50,850 --> 00:38:53,020 LISTEN, I-- 867 00:38:53,020 --> 00:38:54,940 I’D LIKE TO KEEP DOING THIS. 868 00:38:54,940 --> 00:38:57,310 GOING OUT, I MEAN, TOGETHER. 869 00:38:57,310 --> 00:38:58,860 YEAH, I’D LIKE THAT, TOO. 870 00:39:02,400 --> 00:39:04,820 OH, DAMN. JEEZ. 871 00:39:04,820 --> 00:39:06,700 DO YOU REALIZE WHAT TIME IT IS RIGHT NOW? 872 00:39:06,700 --> 00:39:08,450 YEAH, I SURE DO. IT’S TIME FOR A SWIM. 873 00:39:08,450 --> 00:39:09,450 ARE YOU SERIOUS RIGHT NOW? 874 00:39:09,450 --> 00:39:10,910 IT’S ALMOST MIDNIGHT. 875 00:39:10,910 --> 00:39:12,290 DO YOU NOT REALIZE WE HAVE HOMECOMING TOMORROW? 876 00:39:12,290 --> 00:39:15,000 I DIDN’T FORGET. I JUST DON’T CARE. 877 00:39:15,000 --> 00:39:17,960 NOT TONIGHT, NOT WHEN I’M HERE WITH YOU. 878 00:39:17,960 --> 00:39:20,540 WHAT DO YOU SAY? 879 00:39:20,540 --> 00:39:22,590 I SAY I NEED TO BOOK IT HOME 880 00:39:22,590 --> 00:39:24,090 OR MY DAD’S GONNA KILL ME. 881 00:39:24,090 --> 00:39:27,090 YEAH, AND I SAY THAT YOU JUST NEED TO LOOSEN UP. 882 00:39:27,090 --> 00:39:30,550 AREN’T YOU ALWAYS TIRED OF DOING WHAT’S RIGHT? 883 00:39:30,550 --> 00:39:32,560 WHAT IS IT THAT YOU WANT RIGHT NOW? 884 00:39:36,020 --> 00:39:39,310 WHAT IS IT THAT YOU WANT? 885 00:39:57,920 --> 00:39:59,500 IT’S A HELL OF A VIEW, RIGHT? 886 00:39:59,500 --> 00:40:01,090 MAN: ♪ I DON’T SAY WHAT’S ON MY MIND ♪ 887 00:40:01,090 --> 00:40:03,090 ♪ QUITE AS MUCH AS YOU LIKE ME TO ♪ 888 00:40:03,090 --> 00:40:04,710 I WAS KIND OF HOPING YOU’D BE HERE. 889 00:40:04,710 --> 00:40:06,470 I WAS KIND OF HOPING YOU’D COME. 890 00:40:06,470 --> 00:40:08,430 MAN: ♪ I’VE BEEN HEARING THAT MY WHOLE LIFE ♪ 891 00:40:08,430 --> 00:40:11,010 ♪ I PROMISE IT’S NOT JUST YOU ♪ 892 00:40:12,350 --> 00:40:14,930 ♪ BUT I SO CONFIDENTLY WANT YOU ♪ 893 00:40:14,930 --> 00:40:18,140 ♪ THAT WHEN YOU SAY YOU’RE INSECURE ABOUT MY FEELINGS ♪ 894 00:40:18,140 --> 00:40:22,230 ♪ I DON’T TAKE IT SERIOUS, BUT IF YOU... ♪ 895 00:40:22,230 --> 00:40:23,520 I’M SORRY. I-- 896 00:40:23,520 --> 00:40:26,400 NO. HEAR ME OUT. 897 00:40:26,400 --> 00:40:28,240 YOU’VE BEEN THROUGH A LOT TONIGHT. 898 00:40:28,240 --> 00:40:29,910 THAT’S AN UNDERSTATEMENT. 899 00:40:29,910 --> 00:40:31,780 AND YOU’RE STILL HURTING. 900 00:40:31,780 --> 00:40:33,410 LISTEN, I KNOW YOUR FEELINGS FOR ASHER 901 00:40:33,410 --> 00:40:36,660 WON’T JUST GO AWAY BECAUSE YOU GOT FEELINGS FOR ME. 902 00:40:36,660 --> 00:40:38,830 SO AS MUCH I WANT TO BE WITH YOU RIGHT NOW-- 903 00:40:38,830 --> 00:40:43,130 AND BELIEVE ME, I DO-- 904 00:40:43,130 --> 00:40:46,170 LAST THING YOU NEED IS ANYTHING COMPLICATED. 905 00:40:46,170 --> 00:40:48,470 MAN: ♪ AND I WANT YOU TO UNRAVEL ME ♪ 906 00:40:48,470 --> 00:40:51,010 ♪ COME CLOSER, COME CLOSER ♪ 907 00:40:51,010 --> 00:40:52,970 I HATE IT WHEN YOU’RE RIGHT. 908 00:40:55,810 --> 00:40:57,480 YEAH, ME, TOO. 909 00:40:57,480 --> 00:40:59,850 MAN: ♪ COME CLOSER, COME CLOSER ♪ 910 00:40:59,850 --> 00:41:01,770 ♪ QUIET, YOU WORRY... ♪ 911 00:41:01,770 --> 00:41:02,980 I MADE FUN OF Y’ALL FOR TAKING 912 00:41:02,980 --> 00:41:05,650 ALL THIS HOMECOMING STUFF SO SERIOUS. 913 00:41:05,650 --> 00:41:06,980 TURNS OUT JUST BECAUSE IT AIN’T LIFE OR DEATH OUT HERE 914 00:41:06,980 --> 00:41:08,530 DON’T MEAN THE PAIN AIN’T REAL. 915 00:41:08,530 --> 00:41:10,240 MAN: ♪ BUT STILL YOU’RE MORE A PART OF ME ♪ 916 00:41:10,240 --> 00:41:12,570 ♪ THAN ANYBODY ELSE ♪ 917 00:41:12,570 --> 00:41:14,280 CAN I ASK YOU A FAVOR? 918 00:41:14,280 --> 00:41:16,330 ANYTHING. 919 00:41:16,330 --> 00:41:18,200 CAN WE FINISH OUR DANCE? 920 00:41:18,200 --> 00:41:22,040 MAN: ♪ YOU’RE ONE OF THE FEW THINGS THAT I’M SURE OF ♪ 921 00:41:25,040 --> 00:41:29,630 ♪ YOU’RE ONE OF THE FEW THINGS THAT I KNOW ALREADY ♪ 922 00:41:29,630 --> 00:41:32,380 ♪ I COULD BUILD MY WORLD OF ♪ 923 00:41:32,380 --> 00:41:36,220 ♪ ONE OF THE FEW THINGS THAT I’M SURE OF ♪ 924 00:41:38,270 --> 00:41:40,680 ♪ AND I WANT YOU TO UNRAVEL ME ♪ 925 00:41:40,680 --> 00:41:44,650 ♪ COME CLOSER, COME CLOSER ♪ 926 00:41:47,610 --> 00:41:51,570 ♪ COME CLOSER, COME CLOSER ♪ 927 00:42:19,890 --> 00:42:21,060 MAN: GREG, MOVE YOUR HEAD.