1 00:00:00,626 --> 00:00:01,919 PREVIOUSLY ON "ALL AMERICAN"... 2 00:00:01,919 --> 00:00:05,339 MOM, LOOK AT ME. I AM GAY. 3 00:00:05,339 --> 00:00:06,340 AND THERE IS NO AMOUNT OF PRAYER 4 00:00:06,340 --> 00:00:07,382 THAT'S GONNA CHANGE THAT. 5 00:00:07,382 --> 00:00:09,092 MRS. COOPER: I LOVE YOU, TAMIA. 6 00:00:09,092 --> 00:00:10,510 YOUR FATHER AND I WORKED HARD TO RAISE YOU RIGHT. 7 00:00:10,510 --> 00:00:13,263 BUT I'M SORRY, I--I CAN'T CONDONE THIS. 8 00:00:13,263 --> 00:00:14,640 OLIVIA: I JUST WENT DOWN A BAD PATH 9 00:00:14,640 --> 00:00:16,308 AND TRIED TO DROWN IT OUT WITH PILLS. 10 00:00:16,308 --> 00:00:19,811 PARENTS FREAKED, AND HERE I AM. 11 00:00:19,811 --> 00:00:22,481 YOU ALSO HAVE A DAUGHTER JUST OUT OF REHAB, 12 00:00:22,481 --> 00:00:23,982 AND THE ONE PERSON YOU'RE FOCUSED ON, 13 00:00:23,982 --> 00:00:26,485 THE ONE PERSON YOU'RE TRYING TO SAVE, IS SPENCER. 14 00:00:26,485 --> 00:00:28,946 JORDAN: WE'RE GONNA HAVE TO COME UP WITH A WHOLE NEW PLAYBOOK, 15 00:00:28,946 --> 00:00:30,489 SINCE SOMEONE GAVE MALIBU OURS. 16 00:00:30,489 --> 00:00:31,949 MY LIFE WAS FALLING APART, 17 00:00:31,949 --> 00:00:33,325 AND IN A MOMENT OF WEAKNESS-- 18 00:00:33,325 --> 00:00:34,743 ANOTHER MOMENT OF WEAKNESS. 19 00:00:34,743 --> 00:00:36,495 HOW MANY TIMES ARE YOU GONNA USE THAT 20 00:00:36,495 --> 00:00:39,373 SORRY-ASS EXCUSE TO COVER YOURSELF? 21 00:00:39,373 --> 00:00:41,166 WAIT A MINUTE. YOU WANT ME TO DO WHAT? 22 00:00:41,166 --> 00:00:42,501 OLIVIA: ASHER'S HOMELESS, 23 00:00:42,501 --> 00:00:44,336 AND YOU HAVE A BIG, EMPTY HOUSE 24 00:00:44,336 --> 00:00:45,462 JUST SITTING HERE. 25 00:00:45,462 --> 00:00:46,880 HIS DAD KICKED HIM OUT. 26 00:00:46,880 --> 00:00:48,674 HE'S LIVING IN HIS CAR. 27 00:00:48,674 --> 00:00:51,260 IT'S YOUR HOUSE, AND I TRUST YOU. 28 00:00:59,101 --> 00:01:00,519 SPENCER: ATOMS WITHIN AN ELEMENT 29 00:01:00,519 --> 00:01:02,354 HAVE FULL VALENCE SHELLS THAT ARE... 30 00:01:02,354 --> 00:01:05,524 UM, UN--UNLIKELY TO BOND. 31 00:01:05,524 --> 00:01:09,194 UNSTABLE NUCLEI DECAY IN A STABLE ATOM'S... 32 00:01:09,194 --> 00:01:10,237 -RADIOISOTOPE. -BOOM. 33 00:01:10,237 --> 00:01:11,571 ALL RIGHT, LAST ONE. 34 00:01:11,571 --> 00:01:14,199 -MM-HMM. -CORRECT FORMULA FOR BARIUM CHLORIDE. 35 00:01:14,199 --> 00:01:19,162 OOH. UH, UH, B--B-A-C-L 2. 36 00:01:19,162 --> 00:01:20,414 -YES. -YES! OK. 37 00:01:20,414 --> 00:01:21,456 I TOLD YOU WE READY TO KICK 38 00:01:21,456 --> 00:01:23,166 THIS TEST'S ASS TOMORROW. 39 00:01:23,166 --> 00:01:24,543 WHICH IS A MIRACLE CONSIDERING HOW HARD 40 00:01:24,543 --> 00:01:26,295 IT'S BEEN TO FIND A QUIET PLACE TO STUDY. 41 00:01:26,295 --> 00:01:29,506 AT SCHOOL, SOMEONE'S ALWAYS PULLING ME INTO SOMETHING, 42 00:01:29,506 --> 00:01:32,467 AND NOW ASHER'S STAYING AT MY PLACE. 43 00:01:35,512 --> 00:01:37,514 SO, HOW LONG IS HE STAYING? 44 00:01:37,514 --> 00:01:39,474 SPENCER, HE JUST GOT THERE. 45 00:01:39,474 --> 00:01:41,393 [CHUCKLES] YEAH, WELL, THANKFULLY, 46 00:01:41,393 --> 00:01:42,561 MY MOM AND DILLON HAD THAT 47 00:01:42,561 --> 00:01:44,313 PARENT-TEACHER THING TONIGHT. 48 00:01:44,313 --> 00:01:46,982 MM-HMM. AMEN TO A QUIET PLACE TO STUDY. 49 00:01:46,982 --> 00:01:50,902 YEAH. AND DO OTHER THINGS. 50 00:01:50,902 --> 00:01:52,738 [LAUGHS] 51 00:01:52,738 --> 00:01:55,449 COME HERE, GIRL. 52 00:01:55,449 --> 00:01:58,660 MM. WE'RE SUPPOSED TO BE STUDYING CHEMISTRY. 53 00:01:58,660 --> 00:02:01,455 WE ARE. STUDYING OUR CHEMISTRY. 54 00:02:01,455 --> 00:02:03,665 OH! THAT WAS CORNY AS HELL. 55 00:02:03,665 --> 00:02:05,792 -YEAH? MADE YOU LAUGH, THOUGH. -THAT'S YOUR LINE? 56 00:02:05,792 --> 00:02:07,085 [BOOKS HIT FLOOR] 57 00:02:07,085 --> 00:02:09,463 MAN: ♪ CAN I BE NEAR YOU ♪ 58 00:02:09,463 --> 00:02:11,423 ♪ I NEED A CLEAR VIEW ♪ 59 00:02:11,423 --> 00:02:13,467 ♪ JUST OF THIS MOMENT ♪ 60 00:02:13,467 --> 00:02:15,469 ♪ WE CAN ADHERE TO ♪ 61 00:02:15,469 --> 00:02:17,471 ♪ I DON'T WANT TO WASTE YOUR TIME ♪ 62 00:02:17,471 --> 00:02:18,680 [DOOR LOCK CLICKS] 63 00:02:18,680 --> 00:02:20,724 ♪ WE AIN'T GOTTA TALK, THAT'S FINE ♪ 64 00:02:23,352 --> 00:02:25,062 GRACE: HEY. LEILA: HI. 65 00:02:25,062 --> 00:02:26,271 HEY, MOM. 66 00:02:26,271 --> 00:02:27,564 GRACE: HOW'S THE STUDYING COMING? 67 00:02:27,564 --> 00:02:29,149 BOTH: GREAT. SPENCER: GOOD, GOOD. 68 00:02:29,149 --> 00:02:31,401 LEILA: YEAH. IT'S REALLY GOOD. SPENCER: YEAH. MM-HMM. 69 00:02:31,401 --> 00:02:33,153 GOOD. 70 00:02:34,863 --> 00:02:38,617 ♪ BUSTED ♪ 71 00:02:38,617 --> 00:02:44,373 WOMAN: ♪ GO ABOUT MY DAY THROUGH YOUR EYES ♪ 72 00:02:44,373 --> 00:02:45,332 ♪ I FEEL YOU THINKING... ♪ 73 00:02:45,332 --> 00:02:46,583 WOMAN: JORDAN, ARE YOU DONE? 74 00:02:46,583 --> 00:02:48,418 JORDAN: YEAH... OLIVIA: MORNING. 75 00:02:48,418 --> 00:02:50,170 JORDAN: YEAH, OK, BUT WE HAVE DEETS ON THEIR OFFENSE. 76 00:02:50,170 --> 00:02:51,338 BILLY: WE GOTTA BE PREPARED TO GIVE THEM 77 00:02:51,338 --> 00:02:53,298 SOMETHING NEW THAT'S DIFFERENT. 78 00:02:53,298 --> 00:02:54,758 TAKE A LOOK. 79 00:02:56,259 --> 00:02:57,260 JORDAN: BUT THAT RIGHT THERE... 80 00:02:57,260 --> 00:02:58,470 HEY, MOM. 81 00:03:00,055 --> 00:03:01,181 MOM? 82 00:03:01,181 --> 00:03:02,682 CAN YOU--SWEETIE, HOLD ON ONE SECOND. 83 00:03:02,682 --> 00:03:04,184 I HAVE TO--I HAVE TO GET THIS PHONE CALL. 84 00:03:04,184 --> 00:03:05,769 MAN ON PHONE: HEY, WHAT'S UP? LAURA: HEY, FINN. 85 00:03:05,769 --> 00:03:08,438 UH, THAT NEW AD CAMPAIGN IS SERIOUSLY BORING. 86 00:03:08,438 --> 00:03:09,898 BILLY: YOU SEE HOW FAST HE COMES CRASHING 87 00:03:09,898 --> 00:03:11,566 OFF THE EDGE? THAT LINEBACKER? 88 00:03:11,566 --> 00:03:14,277 JORDAN: YEAH, OK, SO HOW WE CHANGE IT UP? 89 00:03:14,277 --> 00:03:15,987 PLAYOFFS AND CAMPAIGNS. 90 00:03:15,987 --> 00:03:17,489 MY FAVORITE TIME OF YEAR. 91 00:03:17,489 --> 00:03:19,116 LAURA: ...GET IT DONE BEFORE I GET INTO THE OFFICE. 92 00:03:19,116 --> 00:03:21,201 [JORDAN SPEAKING INDISTINCTLY] 93 00:03:23,745 --> 00:03:25,664 HEY. 94 00:03:25,664 --> 00:03:26,998 YOU GOOD? 95 00:03:26,998 --> 00:03:28,291 YEAH. ALL GOOD. 96 00:03:28,291 --> 00:03:32,129 WOMAN: ♪ YOU'RE MINE, ALL MINE, ALL MINE ♪ 97 00:03:32,129 --> 00:03:34,214 ♪ I LIKE YOU ... ♪ 98 00:03:37,509 --> 00:03:39,219 WHAT THE-- 99 00:03:43,390 --> 00:03:47,936 [VIDEO GAME SOUND EFFECTS] 100 00:03:47,936 --> 00:03:49,688 HOW THE HELL YOU GET IN HERE? 101 00:03:49,688 --> 00:03:52,441 -I GOT A KEY. -YEAH, WELL, I WANT IT BACK. 102 00:03:52,441 --> 00:03:53,525 YOU CAN'T JUST BE ROLLING UP 103 00:03:53,525 --> 00:03:55,861 AT FOLKS' CRIB LIKE THAT. 104 00:03:55,861 --> 00:03:57,362 THE HELL I CAN'T. 105 00:03:57,362 --> 00:03:58,363 EVERYTHING YOU GOT IS MINE, 106 00:03:58,363 --> 00:03:59,573 INCLUDING THIS PLACE. 107 00:03:59,573 --> 00:04:01,032 ALTHOUGH IT LOOK LIKE YOU MIGHT 108 00:04:01,032 --> 00:04:02,409 NOT BE HERE THAT MUCH LONGER. 109 00:04:04,202 --> 00:04:06,580 WELL, ADD IT TO THE PILE OF OTHERS. 110 00:04:06,580 --> 00:04:08,290 THE DAMN LANDLORD KICKING ME OUT. 111 00:04:08,290 --> 00:04:09,291 YOU SHORT ON PAPER OR WHAT? 112 00:04:09,291 --> 00:04:11,460 NO, I'M SHORT ON YEARS. 113 00:04:11,460 --> 00:04:12,836 THEY WON'T LET ME TAKE OVER SHAWN'S LEASE 114 00:04:12,836 --> 00:04:14,337 BECAUSE I'M UNDER 18. 115 00:04:14,337 --> 00:04:16,131 SOME B.S. ABOUT NOT RENTING TO A MINOR 116 00:04:16,131 --> 00:04:17,757 UNLESS I'M EMANCIPATED OR SOMETHING. 117 00:04:17,757 --> 00:04:19,092 I DON'T KNOW. 118 00:04:19,092 --> 00:04:20,677 FORGET THAT EMANCIPATION STUFF. 119 00:04:20,677 --> 00:04:23,472 TAKE YOUR ASS BACK HOME TO YOUR FOLKS. MAKE THINGS RIGHT. 120 00:04:23,472 --> 00:04:25,056 YOU GET EMANCIPATED, YOU GET POPPED, 121 00:04:25,056 --> 00:04:26,433 YOU GO DOWN AS AN ADULT. 122 00:04:26,433 --> 00:04:29,311 YOU AIN'T NO GOOD TO ME DOING 20 TO LIFE. 123 00:04:29,311 --> 00:04:31,521 I GUESS I BETTER NOT GET POPPED THEN. 124 00:04:43,366 --> 00:04:44,826 [SIGH] 125 00:04:54,461 --> 00:04:56,296 [PILLS RATTLING] 126 00:05:02,761 --> 00:05:04,596 PORTUGAL, MAN: ♪ CAN'T KEEP MY HANDS TO MYSELF ♪ 127 00:05:04,596 --> 00:05:07,015 [INDISTINCT ARGUING IN DISTANCE] 128 00:05:07,015 --> 00:05:11,520 ♪ THINK I'LL DUST 'EM OFF, PUT 'EM BACK UP ON THE SHELF ♪ 129 00:05:11,520 --> 00:05:14,481 ♪ IN CASE MY LITTLE BABY GIRL IS IN NEED ♪ 130 00:05:14,481 --> 00:05:16,733 ♪ AM I COMING OUT OF LEFT FIELD? ♪ 131 00:05:16,733 --> 00:05:19,569 ♪ OOH WOO, I'M A REBEL JUST FOR KICKS, NOW ♪ 132 00:05:19,569 --> 00:05:22,739 ♪ LET ME KICK IT LIKE IT'S 1986, NOW ♪ 133 00:05:22,739 --> 00:05:25,575 ♪ MIGHT BE OVER NOW, BUT I FEEL IT STILL ♪ 134 00:05:25,575 --> 00:05:29,287 ♪ MIGHT'VE HAD YOUR FILL, BUT YOU FEEL IT STILL ♪ 135 00:05:31,540 --> 00:05:35,001 WOMAN: OLIVIA! YOU'RE GOING TO BE LATE! 136 00:05:36,545 --> 00:05:37,796 [PILLS RATTLE] 137 00:05:44,511 --> 00:05:45,804 YOU SERIOUSLY KEEP WATCHING THAT 138 00:05:45,804 --> 00:05:47,013 OVER AND OVER AGAIN? 139 00:05:47,013 --> 00:05:49,140 JJ: UH, HELL YEAH. JORDAN: YES. 140 00:05:49,140 --> 00:05:50,559 THIS IS EPIC. 141 00:05:50,559 --> 00:05:52,519 ARE YOU KIDDING ME? WHO DOES THAT? 142 00:05:52,519 --> 00:05:53,562 I WAS THERE, BRO. 143 00:05:53,562 --> 00:05:54,854 I MEAN, I'MA GIVE YOU THAT. 144 00:05:54,854 --> 00:05:56,356 -IT'S--IT'S PRETTY DOPE. -BEAUTIFUL CATCH. 145 00:05:56,356 --> 00:05:58,024 WELL, DON'T ACT LIKE I HAVEN'T CAUGHT YOU. 146 00:05:58,024 --> 00:05:59,526 REWATCHING IT AT HOME, EITHER. 147 00:05:59,526 --> 00:06:01,403 NO. YOU TALKING ABOUT ANOTHER SPENCER JAMES. 148 00:06:01,403 --> 00:06:02,529 -YEAH, OK. -JUST MAKE SURE 149 00:06:02,529 --> 00:06:04,447 THAT OTHER SPENCER JAMES SHOWS UP 150 00:06:04,447 --> 00:06:05,574 FOR NEXT WEEK'S PLAYOFF GAME, ALL RIGHT? 151 00:06:05,574 --> 00:06:06,658 WE'RE GONNA NEED HIM. 152 00:06:06,658 --> 00:06:08,326 SPENCER: I GOT YOU. JORDAN: OK! 153 00:06:08,326 --> 00:06:09,744 GIRL: NICE CATCH AT THE COMBINE, SPENCER. 154 00:06:09,744 --> 00:06:11,371 IMPRESSIVE HANDS. 155 00:06:13,331 --> 00:06:14,791 LEILA BETTER WATCH OUT. 156 00:06:14,791 --> 00:06:16,293 LEILA AIN'T GOT NOTHING TO WORRY ABOUT, ALL RIGHT? 157 00:06:16,293 --> 00:06:17,544 JJ: YOU'RE REALLY OK WITH 158 00:06:17,544 --> 00:06:19,129 ASHER MOVING INTO HER PLACE? 159 00:06:19,129 --> 00:06:20,755 I DIDN'T HAVE A CHOICE, ALL RIGHT? 160 00:06:20,755 --> 00:06:22,257 AS LONG AS HE STICKS TO HIS ROOM 161 00:06:22,257 --> 00:06:24,551 AND OUT OF OUR WAY, WE STRAIGHT. 162 00:06:24,551 --> 00:06:26,720 BESIDES, I TRUST LEILA. 163 00:06:26,720 --> 00:06:28,597 YOU'RE A BETTER MAN THAN ME. 164 00:06:35,729 --> 00:06:38,481 SPENCE, JUST, UM, MAKE SURE YOU 165 00:06:38,481 --> 00:06:41,151 WATCH YOUR BACK WITH HIM, ALL RIGHT? 166 00:06:41,151 --> 00:06:43,069 YOU KNOW IT'S BAD WHEN EVEN JJ'S 167 00:06:43,069 --> 00:06:44,613 STILL PISSED AT ME. 168 00:06:44,613 --> 00:06:45,905 YOU WERE FRIENDS BEFORE YOU WERE TEAMMATES. 169 00:06:45,905 --> 00:06:47,115 HE'LL COME AROUND. 170 00:06:47,115 --> 00:06:48,617 I BETRAYED MY TEAM. 171 00:06:48,617 --> 00:06:50,160 ALMOST COST THEM THE HOMECOMING GAME. 172 00:06:50,160 --> 00:06:51,244 I GOT A LOT TO MAKE UP FOR. 173 00:06:51,244 --> 00:06:54,539 AND YOU WILL. HEY. 174 00:06:58,710 --> 00:07:00,170 YOU ALL RIDE IN TOGETHER? 175 00:07:00,170 --> 00:07:01,421 UH, YEAH, I HAD TO DROP MY CAR 176 00:07:01,421 --> 00:07:04,841 AT THE DEALERSHIP, SO, ASHER GAVE ME A RIDE. 177 00:07:04,841 --> 00:07:05,842 IS THAT A PROBLEM? 178 00:07:05,842 --> 00:07:07,844 NO. IT'S ALL GOOD. 179 00:07:07,844 --> 00:07:10,472 COME ON. WE GONNA BE LATE FOR CLASS. 180 00:07:10,472 --> 00:07:12,140 LEILA: HEY, YOU'RE UNUSUALLY QUIET. 181 00:07:12,140 --> 00:07:14,517 ARE YOU SURE EVERYTHING'S OK? 182 00:07:14,517 --> 00:07:18,438 YES. NEED FOCUS FOR THE TEST, YOU KNOW. 183 00:07:20,315 --> 00:07:22,525 SHOULDN'T OLIVIA BE HERE BY NOW? 184 00:07:28,948 --> 00:07:31,034 [RATTLING GATES] 185 00:07:47,550 --> 00:07:49,552 I NEED TO TALK TO YOU. 186 00:07:55,892 --> 00:07:57,102 I'M SORRY. 187 00:07:57,102 --> 00:08:01,314 HEY. I'M YOUR SPONSOR. 188 00:08:01,314 --> 00:08:02,607 THIS IS WHAT I'M HERE FOR. 189 00:08:02,607 --> 00:08:05,276 I DON'T UNDERSTAND. I'VE BEEN FINE. 190 00:08:05,276 --> 00:08:07,654 THAT'S THE NATURE OF THE BEAST, YOU KNOW? 191 00:08:07,654 --> 00:08:10,740 YOU'RE IN CONTROL, EVERYTHING'S GOING GREAT, 192 00:08:10,740 --> 00:08:13,076 AND ALL OF A SUDDEN, SOMETHING COMES OUT OF NOWHERE 193 00:08:13,076 --> 00:08:14,327 AND BAM. 194 00:08:14,327 --> 00:08:16,246 BUT WHY NOW? 195 00:08:16,246 --> 00:08:17,914 I'VE BEEN TO PARTIES, 196 00:08:17,914 --> 00:08:19,833 I'VE BEEN AROUND DRUGS AND ALCOHOL, 197 00:08:19,833 --> 00:08:21,918 AND THEN TODAY, I LITERALLY FIND 198 00:08:21,918 --> 00:08:23,169 ONE BOTTLE OF PILLS, AND IT'S LIKE 199 00:08:23,169 --> 00:08:28,258 I'M BACK TO 2017 ME AGAIN, JUST LIKE THAT. 200 00:08:28,258 --> 00:08:31,302 THIS IS THE PART WHERE YOU GOTTA DIG DEEP, 201 00:08:31,302 --> 00:08:33,012 FIGURE OUT WHAT DEMONS GOT STIRRED UP 202 00:08:33,012 --> 00:08:34,639 FOR YOU TODAY AND WHY. 203 00:08:46,276 --> 00:08:48,361 OLIVIA: SO, MOM AND DAD ARE ON A STAYCATION WEEKEND 204 00:08:48,361 --> 00:08:49,946 OR WHATEVER, WHICH MEANS PARTY TIME 205 00:08:49,946 --> 00:08:51,322 FOR US AT THE HOUSE. 206 00:08:51,322 --> 00:08:53,074 NO, LIV, THAT'S NOT A GOOD IDEA. 207 00:08:53,074 --> 00:08:54,242 YOU ALWAYS SAY THAT, AND THEN 208 00:08:54,242 --> 00:08:55,827 YOU ALWAYS HAVE A GOOD TIME. 209 00:08:55,827 --> 00:08:58,204 JJ! PARTY CHEZ BAKER TONIGHT. SPREAD THE WORD. 210 00:08:58,204 --> 00:08:59,914 HEY! CONSIDER IT SPREAD. 211 00:08:59,914 --> 00:09:01,374 JJ, NO. DON'T YOU DARE. 212 00:09:01,374 --> 00:09:04,335 HEY, SORRY, BRO, THE QUEEN HAS SPOKEN. 213 00:09:04,335 --> 00:09:06,504 GET A ROOM. 214 00:09:06,504 --> 00:09:09,632 [LEILA GIGGLES] ASHER: JEALOUS MUCH? BYE, BABY. 215 00:09:09,632 --> 00:09:12,510 LET'S GO FIND US SOME TROUBLE. [GIGGLES] 216 00:09:12,510 --> 00:09:14,596 [LAUGHS] 217 00:09:16,848 --> 00:09:19,142 [KNOCKING] 218 00:09:21,895 --> 00:09:23,229 [DOOR UNLOCKS] 219 00:09:24,981 --> 00:09:26,274 I LEFT YOU, LIKE, 3 MESSAGES. 220 00:09:26,274 --> 00:09:29,402 YEAH. UH, AHEM. I'M FINE. 221 00:09:29,402 --> 00:09:31,696 I JUST, UH, HAD A ROUGH MORNING IS ALL, SO. 222 00:09:31,696 --> 00:09:33,448 DEFINE ROUGH. 223 00:09:33,448 --> 00:09:36,242 I FOUND SOME PILLS IN MY ROOM. 224 00:09:36,242 --> 00:09:37,368 -WHAT? -I WAS TEMPTED 225 00:09:37,368 --> 00:09:38,745 BUT IT'S--IT'S FINE. 226 00:09:38,745 --> 00:09:40,038 I--I THREW THEM AWAY 227 00:09:40,038 --> 00:09:42,248 AND MET WITH MY SPONSOR, SO. 228 00:09:42,248 --> 00:09:44,000 OK, SO, HOW CAN I HELP? 229 00:09:44,000 --> 00:09:45,752 YOU CAN TALK ABOUT SOMETHING ELSE. 230 00:09:45,752 --> 00:09:47,045 ANYTHING ELSE. 231 00:09:47,045 --> 00:09:49,964 -NO, MAN, COME ON. -PLEASE? PLEASE? 232 00:09:49,964 --> 00:09:52,342 [SIGH] PLEASE? 233 00:09:52,342 --> 00:09:55,220 UM, HOW--HOW ARE YOU AND LEILA? 234 00:09:58,014 --> 00:09:59,641 LOOK, I'M SORRY IF 235 00:09:59,641 --> 00:10:01,226 THE WHOLE ASHER THING IS CAUSING PROBLEMS. 236 00:10:01,226 --> 00:10:03,228 I REALLY DIDN'T MEAN TO START ANYTHING. 237 00:10:03,228 --> 00:10:04,395 I KNOW. I KNOW. 238 00:10:04,395 --> 00:10:05,730 IT'S JUST 239 00:10:05,730 --> 00:10:09,359 WE JUST JUMPED INTO EVERYTHING SO FAST, MAN. 240 00:10:11,152 --> 00:10:12,320 I JUST DON'T WANT IT TO END 241 00:10:12,320 --> 00:10:16,032 BEFORE IT'S EVEN GOTTEN STARTED, THAT'S ALL. 242 00:10:16,032 --> 00:10:17,867 THEN DON'T LET IT. 243 00:10:20,912 --> 00:10:23,248 [SCHOOL BELL RINGS] 244 00:10:26,000 --> 00:10:28,294 SCRIMMAGE TIME. 245 00:10:28,294 --> 00:10:30,463 HEY, YOU GONNA WANT TO KEEP THAT HELMET ON TIGHT. 246 00:10:30,463 --> 00:10:31,714 I WOULD HATE TO KNOCK YOU OUT 247 00:10:31,714 --> 00:10:33,091 IN FRONT OF KIA. 248 00:10:33,091 --> 00:10:34,467 WHY DON'T YOU FOCUS ON HOLDING ON TO THE DAMN BALL 249 00:10:34,467 --> 00:10:36,261 AND KEEP MY GIRL'S NAME OUT YOUR MOUTH? 250 00:10:36,261 --> 00:10:37,762 I CAN KEEP HER NAME OUT OF MY MOUTH 251 00:10:37,762 --> 00:10:39,848 BUT I CAN'T PROMISE ABOUT ANYTHING ELSE. 252 00:10:39,848 --> 00:10:41,182 WHAT YOU SAY? 253 00:10:43,852 --> 00:10:45,937 [INDISTINCT SHOUTING] 254 00:10:50,400 --> 00:10:51,985 PRINCIPAL'S OFFICE. NOW. 255 00:10:51,985 --> 00:10:53,444 WHERE YOU GOING, BRO? 256 00:10:53,444 --> 00:10:54,654 MY CLASSROOM! 257 00:10:54,654 --> 00:10:56,364 I'M TELLING YOU DON'T MOVE. 258 00:10:56,364 --> 00:10:57,490 BRINGING A STUDENT UP TO 259 00:10:57,490 --> 00:10:58,491 THE PRINCIPAL'S OFFICE NOW. 260 00:10:58,491 --> 00:11:00,493 EVERYBODY BACK TO CLASS! 261 00:11:00,493 --> 00:11:02,203 BACK TO CLASS! 262 00:11:02,203 --> 00:11:03,329 WHAT THE HELL IS WRONG WITH YOU? 263 00:11:03,329 --> 00:11:04,330 HE GONNA SAY SOME CRAP LIKE 264 00:11:04,330 --> 00:11:05,498 Y'ALL TWO BEEN TOGETHER 265 00:11:05,498 --> 00:11:06,666 AND I'M JUST SUPPOSED TO LET THAT SLIDE? 266 00:11:06,666 --> 00:11:08,042 YOU'RE SUPPOSED TO TRUST ME 267 00:11:08,042 --> 00:11:09,335 AND NOT TAKE THE BAIT! 268 00:11:09,335 --> 00:11:10,420 SOMETHING'S GOING ON WITH YOU, SPENCER. 269 00:11:10,420 --> 00:11:11,921 YEAH, YOU'VE BEEN IN FIGHTS BEFORE, 270 00:11:11,921 --> 00:11:14,465 BUT THAT, WHAT JUST HAPPENED, WAS CRAZY. 271 00:11:14,465 --> 00:11:16,259 IT'S LIKE ALL OF A SUDDEN, 272 00:11:16,259 --> 00:11:17,427 YOU'RE TRYING TO PUSH ME AWAY, 273 00:11:17,427 --> 00:11:18,636 AND I DON'T UNDERSTAND WHY. 274 00:11:18,636 --> 00:11:20,889 -I GOTTA GO TO THE PRINCIPAL'S-- -SPENCER. 275 00:11:20,889 --> 00:11:22,765 EITHER WE HAVE THIS CONVERSATION NOW 276 00:11:22,765 --> 00:11:25,018 OR WE AIN'T HAVING NO MORE CONVERSATIONS. 277 00:11:43,494 --> 00:11:45,496 [KEY RATTLING IN LOCK] 278 00:11:46,623 --> 00:11:48,541 SO, WHERE'S YOUR ROOMMATE? 279 00:11:48,541 --> 00:11:51,044 ASHER IS PROBABLY STILL AT SCHOOL. 280 00:11:58,635 --> 00:12:00,178 YES? 281 00:12:00,178 --> 00:12:03,806 SO, I'M SORRY I'VE BEEN A LITTLE 282 00:12:03,806 --> 00:12:05,475 DISTRACTED LATELY. 283 00:12:05,475 --> 00:12:07,143 I ACTUALLY THINK "DISTANT" 284 00:12:07,143 --> 00:12:08,561 IS THE WORD YOU'RE LOOKING FOR. 285 00:12:08,561 --> 00:12:10,563 OUCH. OK. 286 00:12:12,607 --> 00:12:14,484 SO, ASHER GOT A GAME PLAN, RIGHT, 287 00:12:14,484 --> 00:12:16,486 FOR WHEN HE MOVING OUT? 288 00:12:16,486 --> 00:12:18,863 YOU SAID YOU WERE OK WITH HIM STAYING HERE. 289 00:12:18,863 --> 00:12:20,365 I AM. I'M JUST SAYING 290 00:12:20,365 --> 00:12:21,866 WITH EVERYTHING THAT'S BEEN GOING ON, 291 00:12:21,866 --> 00:12:23,743 YOU AND ME, WE'VE REALLY HAD 292 00:12:23,743 --> 00:12:25,078 NO ALONE TIME. 293 00:12:25,078 --> 00:12:27,205 OR SPACE TO JUST FOCUS ON US. 294 00:12:27,205 --> 00:12:29,332 AND I WANT TO CHANGE THAT. 295 00:12:29,332 --> 00:12:30,375 YOU KNOW WHAT? 296 00:12:30,375 --> 00:12:32,543 I'MA TAKE YOU OUT ON A DATE. 297 00:12:32,543 --> 00:12:33,962 A REAL DATE. 298 00:12:33,962 --> 00:12:35,755 I LIKE THE SOUND OF THAT. 299 00:12:35,755 --> 00:12:37,173 HOW ABOUT TONIGHT? 300 00:12:37,173 --> 00:12:38,466 YEAH, WE COULD GO SEE A MOVIE OR-- 301 00:12:38,466 --> 00:12:39,842 OH, NO, NO, NO. 302 00:12:39,842 --> 00:12:42,053 I HAD SOMETHING A LITTLE MORE SPECIAL IN MIND. 303 00:12:42,053 --> 00:12:43,972 I'MA FIGURE IT OUT. GIVE ME A COUPLE HOURS 304 00:12:43,972 --> 00:12:45,098 AND I'MA SURPRISE YOU. 305 00:12:45,098 --> 00:12:47,475 -OK. -MM-HMM. 306 00:12:47,475 --> 00:12:48,726 THAT SOUNDS AMAZING. 307 00:12:48,726 --> 00:12:51,104 [DOOR OPENS] 308 00:12:51,104 --> 00:12:52,730 AHEM. 309 00:12:54,774 --> 00:12:56,526 LEILA: HEY. ASHER: HEY. 310 00:13:03,616 --> 00:13:05,201 [CLATTERING] 311 00:13:05,201 --> 00:13:07,704 OLIVIA: DO YOU HAVE A SECOND? LAURA: WHICH ONE DO YOU THINK? 312 00:13:07,704 --> 00:13:09,288 THE BLUE OR THE CREAM? 313 00:13:09,288 --> 00:13:10,707 ARE YOU GOING SOMEWHERE? 314 00:13:10,707 --> 00:13:11,708 UH, IF YOUR FATHER 315 00:13:11,708 --> 00:13:13,292 EVER MAKES IT HOME, YES. 316 00:13:13,292 --> 00:13:15,211 BILLY: BABY! LAURA: IN HERE! 317 00:13:15,211 --> 00:13:17,422 WHY IS THERE A DATE IN MY CALENDAR 318 00:13:17,422 --> 00:13:20,091 FOR LAURA'S OCEAN CLUB FOR TONIGHT 319 00:13:20,091 --> 00:13:21,467 AND I DON'T REMEMBER PUTTING IT IN THERE? 320 00:13:21,467 --> 00:13:23,428 BECAUSE YOU DIDN'T PUT IT IN THERE, I DID, 321 00:13:23,428 --> 00:13:25,304 AND OUR DATE IS NON-NEGOTIABLE, 322 00:13:25,304 --> 00:13:26,431 SO, YOU BETTER GO GET DRESSED. 323 00:13:26,431 --> 00:13:29,183 -OH... -PLUS, I'M LEAVING TOWN TOMORROW. 324 00:13:29,183 --> 00:13:31,310 BILLY: SAY WHAT? OLIVIA: WAIT, SERIOUSLY? 325 00:13:31,310 --> 00:13:32,270 YEAH, JUST A FEW DAYS. 326 00:13:32,270 --> 00:13:33,354 I GOTTA GO MEET A NEW CLIENT. 327 00:13:33,354 --> 00:13:34,772 BILLY: OH. OH, AND I GOT 328 00:13:34,772 --> 00:13:35,857 THE BOOSTER KICKOFF EVENT 329 00:13:35,857 --> 00:13:36,941 TOMORROW, TOO. OK. 330 00:13:36,941 --> 00:13:38,192 HENCE TONIGHT. 331 00:13:38,192 --> 00:13:39,193 SURPRISE DATE. 332 00:13:39,193 --> 00:13:40,570 RIGHT. OK. 333 00:13:40,570 --> 00:13:42,739 OH, THAT ACTUALLY SOUNDS KINDA SEXY. 334 00:13:42,739 --> 00:13:44,198 COME HERE. MM. 335 00:13:44,198 --> 00:13:46,242 ALL RIGHT. COOL. I'LL BE DOWN IN 20. 336 00:13:46,242 --> 00:13:48,703 HEY, GIRL. 20 MINUTES. 337 00:13:48,703 --> 00:13:50,121 OK. OH, UH, 338 00:13:50,121 --> 00:13:51,372 SORRY, OLIVIA, HONEY, DID-- 339 00:13:51,372 --> 00:13:52,874 DID YOU NEED TO TALK TO US ABOUT SOMETHING? 340 00:13:52,874 --> 00:13:54,542 YEAH, NO. I'M GOOD. 341 00:13:54,542 --> 00:13:55,835 OK. 342 00:13:55,835 --> 00:13:58,046 YOU GUYS HAVE FUN TONIGHT, AND 343 00:13:58,046 --> 00:14:00,339 WEAR THE CREAM. 344 00:14:00,339 --> 00:14:01,424 COOP: OH, YOU REALLY GOOD WITH 345 00:14:01,424 --> 00:14:03,176 OLD BOY BEING ALL UP IN HER CRIB? 346 00:14:03,176 --> 00:14:05,094 SHARING HER SPACE? 347 00:14:05,094 --> 00:14:06,429 I MEAN, THEY EAT BREAKFAST CEREAL TOGETHER. 348 00:14:06,429 --> 00:14:08,306 I'M TRYING TO BE THE BIGGER PERSON, ALL RIGHT? 349 00:14:08,306 --> 00:14:09,432 BY WHAT? NOT BEING HONEST WITH HER? 350 00:14:09,432 --> 00:14:11,434 BY NOT ACTING CRAZY LIKE THE OLD ME, 351 00:14:11,434 --> 00:14:13,728 AND INSTEAD, PLANNING A SPECIAL DAY 352 00:14:13,728 --> 00:14:15,313 FOR ME AND LEILA. 353 00:14:15,313 --> 00:14:16,731 YOUR BOY GOT "HELLO, DOLLY!" TICKETS TONIGHT. 354 00:14:16,731 --> 00:14:19,108 HOW IN THE HELL YOU GET "HELLO, DOLLY!" TICKETS? 355 00:14:19,108 --> 00:14:20,276 AND WHY WOULD YOU WANT TO? 356 00:14:20,276 --> 00:14:21,819 JJ'S DAD HOOKED IT UP, ALL RIGHT? 357 00:14:21,819 --> 00:14:22,904 LEILA LIKES MUSICALS, SO, 358 00:14:22,904 --> 00:14:24,113 IT'S THE PERFECT DATE. WHAT? 359 00:14:24,113 --> 00:14:25,406 YEAH, IF YOU 60 AND WHITE. 360 00:14:25,406 --> 00:14:26,407 MAN, SHUT UP. 361 00:14:26,407 --> 00:14:28,034 -BUT YOU A BLACK MAN. -HA HA HA! 362 00:14:28,034 --> 00:14:30,286 LISTEN, I'M OUT HERE TRYING TO FIND A PLACE TO LIVE, 363 00:14:30,286 --> 00:14:31,412 AND YOU BUSY GOING 364 00:14:31,412 --> 00:14:32,789 ALL KEITH NELSON ON ME. 365 00:14:32,789 --> 00:14:34,165 WHO? 366 00:14:34,165 --> 00:14:36,292 MAN, KEITH? WATTS, AMANDA? 367 00:14:36,292 --> 00:14:37,668 YOU AIN'T NEVER SEEN "SOME KIND OF WONDERFUL"? 368 00:14:37,668 --> 00:14:39,879 -NAH. -LOOK, MAN, LEILA DON'T NEED 369 00:14:39,879 --> 00:14:41,255 NO HOLLYWOOD BOWL. 370 00:14:41,255 --> 00:14:42,465 I THINK THE PERFECT DATE 371 00:14:42,465 --> 00:14:43,800 SHOULD BE SOMETHING THAT'S SPECIAL 372 00:14:43,800 --> 00:14:46,219 TO THE BOTH OF Y'ALL. 373 00:14:46,219 --> 00:14:47,595 "SOME KIND OF WONDERFUL," HUH? 374 00:14:47,595 --> 00:14:49,514 DO NOT SLEEP ON THEM TEEN MOVIES, MAN. 375 00:14:49,514 --> 00:14:50,515 THEY WAS GOOD. 376 00:14:50,515 --> 00:14:52,850 MAN: COOP! 377 00:14:52,850 --> 00:14:55,436 OH, SNAP. 378 00:14:55,436 --> 00:14:57,313 SPENCER: DAMN. COOP: DAD! 379 00:15:03,694 --> 00:15:05,571 HA! 380 00:15:10,284 --> 00:15:12,328 [GIGGLES] MAN. SO, WHEN DID YOU GET BACK? 381 00:15:12,328 --> 00:15:14,539 A FEW DAYS AGO. 382 00:15:14,539 --> 00:15:16,874 BABY GIRL, LOOK. I'M--I'M SORRY 383 00:15:16,874 --> 00:15:18,376 I DIDN'T GET BACK TO YOU SOONER. 384 00:15:18,376 --> 00:15:20,294 NO. I GET IT. 385 00:15:20,294 --> 00:15:22,380 I AIN'T TRIPPIN'. I JUST-- 386 00:15:22,380 --> 00:15:23,881 I DID KIND OF HOPE YOU'D CALL. 387 00:15:23,881 --> 00:15:25,842 I DIDN'T KNOW WHAT TO SAY. 388 00:15:25,842 --> 00:15:28,261 I DIDN'T AGREE WITH WHAT YOUR MOM DID, BUT 389 00:15:28,261 --> 00:15:29,679 AS SHE HAPPILY POINTED OUT, 390 00:15:29,679 --> 00:15:30,847 I'M NOT THE ONE ON THE GROUND 391 00:15:30,847 --> 00:15:33,432 RAISING YOU DAY TO DAY. 392 00:15:33,432 --> 00:15:35,893 BUT I'M HERE NOW. 393 00:15:35,893 --> 00:15:37,770 I'MA CHANGE THAT. 394 00:15:40,022 --> 00:15:42,692 WHAT'S THIS? 395 00:15:42,692 --> 00:15:45,778 EMANCIPATION PAPERS. WHAT IS THIS ABOUT? 396 00:15:45,778 --> 00:15:47,613 I NEED TO GET THEM SIGNED, 397 00:15:47,613 --> 00:15:49,407 IF I WANT TO LIVE HERE. 398 00:15:49,407 --> 00:15:52,034 YOU KNOW, TAKE CARE OF MYSELF. 399 00:15:52,034 --> 00:15:53,703 OR DO YOU AND MA WANT ME HOME? 400 00:15:53,703 --> 00:15:57,456 NO, WE WANT YOU TO COME HOME. TO US. 401 00:15:57,456 --> 00:15:59,876 HAVE YOU NOT MET YOUR WIFE, DAD? 402 00:15:59,876 --> 00:16:03,337 YOU AIN'T GONNA BELIEVE THIS, BUT YOUR MOM, 403 00:16:03,337 --> 00:16:05,047 SHE HAD A CHANGE OF HEART. 404 00:16:05,047 --> 00:16:06,674 SHE MISSES YOU, 405 00:16:06,674 --> 00:16:08,384 AND SHE'S READY TO ACCEPT YOU. 406 00:16:08,384 --> 00:16:09,927 ALL OF YOU. 407 00:16:09,927 --> 00:16:11,637 YOU TALKING ABOUT THE SAME JANELLE COOPER? 408 00:16:11,637 --> 00:16:14,432 WHY DON'T YOU COME SEE FOR YOURSELF, HMM? 409 00:16:14,432 --> 00:16:17,185 BREAKFAST. TOMORROW. 410 00:16:19,228 --> 00:16:27,945 MAN: ♪ BREATHING IN AND I SWEAR I'VE ♪ 411 00:16:27,945 --> 00:16:29,947 I'M GLAD YOU'RE HOME, DAD. 412 00:16:29,947 --> 00:16:32,283 MAN: ♪ SEEN YOUR FACE BEFORE ♪ 413 00:16:36,120 --> 00:16:37,830 LEILA: HEY. 414 00:16:37,830 --> 00:16:40,917 I'VE BEEN CALLING AND TEXTING. 415 00:16:40,917 --> 00:16:42,793 YEAH. UH, SOMETHING CAME UP. 416 00:16:42,793 --> 00:16:45,588 IT'S OK. UM, I ACTUALLY 417 00:16:45,588 --> 00:16:48,257 HAVE SOMETHING FOR YOU. 418 00:16:48,257 --> 00:16:50,509 I KNOW HOW MUCH YOU LOVED THE REMAKE. 419 00:16:50,509 --> 00:16:52,511 I WAS GONNA WAIT TILL TOMORROW, BUT 420 00:16:52,511 --> 00:16:53,971 IT'S TO CELEBRATE YOUR COURAGE. 421 00:16:53,971 --> 00:16:56,265 -LEILA-- -NO. LET ME FINISH. 422 00:16:56,265 --> 00:17:00,937 TOMORROW IS YOUR ONE-YEAR SOBRIETY MARK. 423 00:17:00,937 --> 00:17:03,981 OF COURSE I REMEMBER. I AM SO PROUD OF YOU 424 00:17:03,981 --> 00:17:05,149 AND HOW HARD YOU FOUGHT 425 00:17:05,149 --> 00:17:08,361 TO GET YOUR LIFE AND ALL THAT-- 426 00:17:08,361 --> 00:17:10,738 [PILLS RATTLE] 427 00:17:10,738 --> 00:17:13,449 MAN: ♪ MOMENTS PALE ♪ 428 00:17:13,449 --> 00:17:15,201 I FOUND THEM THIS MORNING. 429 00:17:16,869 --> 00:17:18,621 HAVE YOU TAKEN ANY? 430 00:17:18,621 --> 00:17:21,415 NO. NOT YET. 431 00:17:21,415 --> 00:17:26,796 BUT IT'S BEEN, UM... IT'S BEEN REALLY HARD. 432 00:17:26,796 --> 00:17:28,631 YOU KNOW, EVERY DAY 433 00:17:28,631 --> 00:17:32,385 I MAKE AN ACTIVE CHOICE TO STAY SOBER. 434 00:17:32,385 --> 00:17:33,886 ONE DAY AT A TIME. 435 00:17:33,886 --> 00:17:38,849 AND TODAY, IT'S... IT'S JUST NOT WORKING. 436 00:17:38,849 --> 00:17:42,436 LIV, YOU DON'T HAVE TO GO THROUGH THIS ALONE. 437 00:17:42,436 --> 00:17:45,064 I AM HERE FOR YOU. 438 00:17:45,064 --> 00:17:46,566 YEAH. YEAH. 439 00:17:46,566 --> 00:17:50,361 I WISH I COULD SAY THE SAME FOR MY FAMILY, YOU KNOW? 440 00:17:50,361 --> 00:17:52,863 YOU'RE THE ONLY ONE WHO EVEN REMEMBERED 441 00:17:52,863 --> 00:17:54,699 IT WAS MY ONE-YEAR SOBRIETY COMING UP. 442 00:17:54,699 --> 00:17:55,908 I'M SURE THEY REMEMBERED. 443 00:17:55,908 --> 00:18:00,121 NO. BUT I--I GET IT. LIKE, THEY'RE BUSY. 444 00:18:00,121 --> 00:18:02,039 AND THIS TIME OF YEAR'S ALWAYS BAD 445 00:18:02,039 --> 00:18:03,833 BECAUSE OF PLAYOFFS AND... 446 00:18:03,833 --> 00:18:05,960 MY MOM HAS HER D.A. CAMPAIGNS. 447 00:18:05,960 --> 00:18:07,503 YOU NEED TO TELL YOUR PARENTS AND JORDAN 448 00:18:07,503 --> 00:18:08,713 HOW YOU'RE REALLY FEELING. 449 00:18:08,713 --> 00:18:09,964 NO, IT'LL JUST HURT THEM. 450 00:18:09,964 --> 00:18:12,049 IT'S HURTING YOU. 451 00:18:12,049 --> 00:18:15,261 THEY CAN'T FIX IT UNLESS THEY KNOW. 452 00:18:15,261 --> 00:18:17,722 AND YOU CAN'T HEAL UNLESS YOU'RE 453 00:18:17,722 --> 00:18:20,766 HONEST WITH THEM. 454 00:18:20,766 --> 00:18:23,978 NO MORE STRUGGLING IN SILENCE. 455 00:18:28,149 --> 00:18:29,817 [PHONE CHIMING] 456 00:18:29,817 --> 00:18:31,694 AHEM. 457 00:18:31,694 --> 00:18:33,362 HEY, BABY. YOU CLOSE? 458 00:18:33,362 --> 00:18:34,363 ABOUT TONIGHT. 459 00:18:34,363 --> 00:18:35,906 NO. COME ON. DON'T SAY. 460 00:18:35,906 --> 00:18:37,158 I'M SO SORRY. 461 00:18:37,158 --> 00:18:39,160 LET ME GUESS. WHAT DOES ASHER NEED NOW? 462 00:18:39,160 --> 00:18:42,038 SERIOUSLY? I RAN INTO OLIVIA, 463 00:18:42,038 --> 00:18:43,039 AND SHE'S HAVING A ROUGH TIME, 464 00:18:43,039 --> 00:18:45,082 SO, I'M STAYING WITH HER. 465 00:18:46,500 --> 00:18:48,711 LOOK, I'M SORRY, ALL RIGHT? 466 00:18:48,711 --> 00:18:49,920 OF COURSE. IT'S COOL. 467 00:18:49,920 --> 00:18:51,380 NO, I HAVE TO GO. 468 00:19:11,942 --> 00:19:15,029 OH, NO, YOU DON'T. 469 00:19:15,029 --> 00:19:17,198 I HAVE A FEW WORDS FOR YOU. 470 00:19:17,198 --> 00:19:19,408 SUSPENDED FROM SCHOOL? SERIOUSLY? 471 00:19:19,408 --> 00:19:21,035 LOOK, MA, IT WASN'T MY FAULT, ALL RIGHT? 472 00:19:21,035 --> 00:19:22,953 LAST YEAR IT WAS CUTTING CLASS. 473 00:19:22,953 --> 00:19:24,789 THIS YEAR IT'S ALL THESE FIGHTS. 474 00:19:24,789 --> 00:19:26,582 IT'S DAMN WELL YOUR FAULT. 475 00:19:26,582 --> 00:19:28,084 YOU CONTROL YOUR ACTIONS. 476 00:19:28,084 --> 00:19:29,502 NO MATTER WHO SAYS OR DOES WHAT, 477 00:19:29,502 --> 00:19:33,172 YOU ARE RESPONSIBLE FOR WHAT HAPPENS NEXT. 478 00:19:33,172 --> 00:19:35,966 THIS CANNOT KEEP HAPPENING. 479 00:19:35,966 --> 00:19:37,760 -YEAH. -EXCUSE ME? 480 00:19:37,760 --> 00:19:39,011 COME HERE. 481 00:19:39,011 --> 00:19:41,013 YOU HAVE SOMETHING YOU WANT TO SAY? 482 00:19:41,013 --> 00:19:43,891 EVERYTHING ABOUT MY LIFE IS A FIGHT, MA. 483 00:19:43,891 --> 00:19:45,351 AND IT'S ALL BECAUSE OF ONE GUY 484 00:19:45,351 --> 00:19:47,144 WHO NEVER CARED ENOUGH TO STAY WITH HIS FAMILY. 485 00:19:47,144 --> 00:19:49,188 I GET THAT YOU'RE ANGRY THAT YOUR FATHER LEFT, 486 00:19:49,188 --> 00:19:50,815 BUT THAT DOES NOT MEAN YOU GET TO 487 00:19:50,815 --> 00:19:51,982 THROW AWAY YOUR FUTURE. 488 00:19:51,982 --> 00:19:54,026 YOU THINK I LIKE BEING MAD ALL THE TIME? 489 00:19:57,071 --> 00:19:58,781 AIN'T NOTHING I CAN DO ABOUT IT NOW. 490 00:19:58,781 --> 00:20:00,783 -WAIT, BABY. -NO, MA! 491 00:20:00,783 --> 00:20:02,952 YOU CAN'T FIX THIS! 492 00:20:05,037 --> 00:20:07,164 THIS IS IT. 493 00:20:07,164 --> 00:20:09,750 WHERE ARE YOU GOING? SPENCER. 494 00:20:09,750 --> 00:20:10,960 NO. I GIVE UP. 495 00:20:10,960 --> 00:20:13,337 [DOOR SLAMS] 496 00:20:17,675 --> 00:20:20,052 [PHONE CHIMING] 497 00:20:20,052 --> 00:20:23,180 THANK YOU. GRACIE. 498 00:20:23,180 --> 00:20:25,850 I NEED YOUR HELP. 499 00:20:25,850 --> 00:20:28,853 OK. [SIGH] 500 00:20:39,738 --> 00:20:42,324 THAT'S FUNNY. HE DON'T LOOK LIKE OLIVIA TO ME. 501 00:20:42,324 --> 00:20:44,285 LEILA: EXCUSE ME? ASHER: DUDE, IT'S NOT WHAT IT LOOKS LIKE. 502 00:20:44,285 --> 00:20:45,661 I DON'T REMEMBER ASKING YOU, DAWG. 503 00:20:45,661 --> 00:20:47,455 LEILA: HEY, SPENCER. 504 00:20:47,455 --> 00:20:49,623 HERE, SO YOU CAN GET IN THE HOUSE. 505 00:20:51,208 --> 00:20:54,128 WAY TO GO. 506 00:20:54,128 --> 00:20:55,921 HE LOCKED HIMSELF OUT, FYI. 507 00:20:55,921 --> 00:20:57,631 HEY, JEALOUSY IS NOT A GOOD LOOK ON YOU. 508 00:20:57,631 --> 00:20:58,674 YEAH, MY GIRL LYING TO ME 509 00:20:58,674 --> 00:20:59,967 AIN'T A GOOD LOOK, EITHER. 510 00:20:59,967 --> 00:21:01,051 I HAVE NEVER LIED TO YOU. 511 00:21:01,051 --> 00:21:03,179 I WOULD NEVER DO THAT. 512 00:21:03,179 --> 00:21:04,346 AND THE FACT THAT YOU ASSUME 513 00:21:04,346 --> 00:21:06,432 INSTEAD OF ASKING ME WHAT HAPPENED HURTS. 514 00:21:06,432 --> 00:21:09,226 WHAT AM I SUPPOSED TO THINK? HUH? 515 00:21:09,226 --> 00:21:10,853 YOU MOVED HOMEBOY INTO YOUR HOUSE. 516 00:21:10,853 --> 00:21:12,146 FIRST QUALITY TIME WAS THE ISSUE. 517 00:21:12,146 --> 00:21:13,606 NOW IT'S ASHER LIVING WITH ME. 518 00:21:13,606 --> 00:21:15,065 WHICH ONE IS IT, BECAUSE IT SEEMS LIKE 519 00:21:15,065 --> 00:21:17,067 YOU'RE JUST LOOKING FOR PROBLEMS. 520 00:21:17,067 --> 00:21:18,777 AND NO, FOR THE RECORD, 521 00:21:18,777 --> 00:21:20,571 I ASKED YOU, LIKE, 100 TIMES 522 00:21:20,571 --> 00:21:23,282 IF YOU WERE OK WITH ASHER MOVING IN WITH ME, 523 00:21:23,282 --> 00:21:24,742 AND INSTEAD OF YOU TELLING ME THE TRUTH, 524 00:21:24,742 --> 00:21:25,826 YOU LIED TO ME. 525 00:21:25,826 --> 00:21:26,911 COME ON. OPEN YOUR EYES. 526 00:21:26,911 --> 00:21:28,037 WHAT DID YOU EXPECT? 527 00:21:28,037 --> 00:21:31,290 I EXPECTED YOU TO TRUST ME. 528 00:21:31,290 --> 00:21:35,461 -LOOK, I DO TRUST YOU. -NO, YOU DON'T TRUST ME. 529 00:21:35,461 --> 00:21:37,254 YOU WANT TO BELIEVE THOSE WORDS WHEN YOU SAY THEM, 530 00:21:37,254 --> 00:21:39,381 BUT THE TRUTH IS YOU DON'T. 531 00:21:39,381 --> 00:21:40,966 AND WHAT HURTS IS I HAVE NEVER GIVEN YOU 532 00:21:40,966 --> 00:21:41,967 A REASON NOT TO. 533 00:21:41,967 --> 00:21:44,094 LEILA. L-- 534 00:21:44,094 --> 00:21:47,139 GRACE: IT'S SPENCER. HE'S BEEN 535 00:21:47,139 --> 00:21:50,893 GETTING INTO A LOT OF TROUBLE AT SCHOOL LATELY. 536 00:21:50,893 --> 00:21:52,353 IN AND OUT OF FIGHTS. 537 00:21:52,353 --> 00:21:54,605 HE WAS JUST SUSPENDED AGAIN. 538 00:21:58,025 --> 00:22:00,861 YOU'RE A COACH AT BEVERLY. 539 00:22:00,861 --> 00:22:03,489 I THINK A CHANGE OF ENVIRONMENT, 540 00:22:03,489 --> 00:22:05,074 GOING TO A SCHOOL THAT CAN OFFER HIM 541 00:22:05,074 --> 00:22:07,117 MORE THAN JUST FOOTBALL, 542 00:22:07,117 --> 00:22:09,203 A SCHOOL THAT DOESN'T REMIND HIM OF COREY 543 00:22:09,203 --> 00:22:11,288 EVERY SINGLE DAY 544 00:22:11,288 --> 00:22:13,165 MAY BE THE ONLY WAY TO SAVE HIM. 545 00:22:13,165 --> 00:22:14,208 JUST COME WATCH HIM PLAY 546 00:22:14,208 --> 00:22:15,751 ONCE HE'S BACK IN SCHOOL. 547 00:22:15,751 --> 00:22:18,212 GRACE: MAYBE THAT'LL-- BILLY: THERE ARE RULES. 548 00:22:18,212 --> 00:22:20,089 THERE ARE RULES AND--AND I, 549 00:22:20,089 --> 00:22:22,883 I'M JUST NOT IN THE POSITION TO-- 550 00:22:22,883 --> 00:22:24,260 TO BEND THEM. 551 00:22:26,220 --> 00:22:27,596 WHAT? 552 00:22:29,431 --> 00:22:31,433 IT TOOK A LOT FOR ME TO CALL YOU, 553 00:22:31,433 --> 00:22:33,561 AND I KNOW THAT YOU HAVE YOUR OWN FAMILY 554 00:22:33,561 --> 00:22:35,980 AND YOUR OWN PROBLEMS TO WORRY ABOUT, 555 00:22:35,980 --> 00:22:38,107 BUT WE OWE SPENCER THIS SHOT. 556 00:22:55,249 --> 00:22:58,335 MAN: ♪ LIGHT IT UP, LET 'EM ALL KNOW WHAT THE BUSINESS IS ♪ 557 00:22:58,335 --> 00:23:00,879 ♪ LIGHT IT UP, LET 'EM ALL KNOW WHAT THE... ♪ 558 00:23:00,879 --> 00:23:02,923 ♪ LI-LI-LI-LIGHT IT UP, LET 'EM ALL KNOW ♪ 559 00:23:02,923 --> 00:23:04,592 ♪ WHAT THE BUSINESS IS ♪ 560 00:23:04,592 --> 00:23:08,220 ♪ LIGHT IT UP, LET 'EM ALL KNOW WHAT THE BUSINESS IS ♪ 561 00:23:08,220 --> 00:23:10,306 ♪ HOW MANY FINGERS AM I HOLDING UP? ♪ 562 00:23:10,306 --> 00:23:12,308 ♪ HOLDING UP? ♪ 563 00:23:12,308 --> 00:23:14,059 ♪ YOU IN THE BUILDING WHEN WE THROW IT UP ♪ 564 00:23:14,059 --> 00:23:15,352 ♪ THROW IT UP ♪ 565 00:23:15,352 --> 00:23:16,604 ♪ I'M GETTING IN, LOCK THE DOOR ♪ 566 00:23:16,604 --> 00:23:18,439 ♪ SMOKE A NUMBER, THIS AND THOUGH ♪ 567 00:23:18,439 --> 00:23:20,274 ♪ WHAT THE YOU SIPPIN' ON, THIS CUP JUST GOT ME ♪ 568 00:23:20,274 --> 00:23:21,609 [DEEP VOICE] ♪ SLIP AND SLIDE ♪ 569 00:23:21,609 --> 00:23:23,611 ♪ YEAH, I'M DOPE, GOT THOSE FEELINGS ♪ 570 00:23:23,611 --> 00:23:26,363 ♪ EVERYBODY WANT TO KNOW WHAT'S GOT ME FEELING... ♪ 571 00:23:26,363 --> 00:23:30,242 YES! YEAH, DUDE. 572 00:23:30,242 --> 00:23:32,036 YES! 573 00:23:32,036 --> 00:23:34,079 THE QB ONE HAS ARRIVED! 574 00:23:34,079 --> 00:23:36,707 IT'S TIME TO PARTY, BITCH! 575 00:23:36,707 --> 00:23:38,334 [CROWD CHEERING] 576 00:23:38,334 --> 00:23:41,211 ♪ I FEEL I WANNA, BUT YOU'RE SO SICK FOR ME ♪ 577 00:23:41,211 --> 00:23:42,546 - ♪ HOW YOU FEELING? ♪ - ♪ I FEEL I WANNA ♪ 578 00:23:42,546 --> 00:23:44,506 ♪ BUT YOU'RE SO SICK FOR ME ♪ 579 00:23:44,506 --> 00:23:46,133 - ♪ HOW YOU FEELING? ♪ - ♪ I FEEL I WANNA ♪ 580 00:23:46,133 --> 00:23:48,052 ♪ BUT YOU'RE SO SICK FOR ME ♪ 581 00:23:48,052 --> 00:23:50,387 ♪ LIGHT ANOTHER FLAME BECAUSE THE FLAME MAKE THE PARTY GO ♪ 582 00:23:50,387 --> 00:23:53,015 ♪ LIGHT IT UP, LET 'EM ALL KNOW WHAT THE BUSINESS IS ♪ 583 00:23:53,015 --> 00:23:55,267 ♪ LIGHT IT UP, LET 'EM ALL KNOW WHAT THE...♪ 584 00:23:55,267 --> 00:23:58,729 ♪ LI-LI-LI-LIGHT IT UP, LET 'EM ALL KNOW WHAT THE BUSINESS IS ♪ 585 00:23:58,729 --> 00:24:00,689 ♪ LIGHT IT UP, LET 'EM ALL KNOW... ♪ 586 00:24:00,689 --> 00:24:02,483 OLIVIA: HE DIDN'T EVEN WANT TO HAVE PEOPLE OVER 587 00:24:02,483 --> 00:24:06,195 AND SOMEHOW, HE'S STILL THE LIFE OF THE PARTY. 588 00:24:06,195 --> 00:24:08,364 YOU'RE NOT GONNA RUN OVER AND KISS THE RING 589 00:24:08,364 --> 00:24:10,407 LIKE EVERYONE ELSE? 590 00:24:10,407 --> 00:24:11,867 NAH. 591 00:24:13,452 --> 00:24:15,579 WHAT BUG CRAWLED UP YOUR ASS? 592 00:24:15,579 --> 00:24:20,042 [SNIFFS] JUST GOT SOME FAMILY STUFF GOING ON. 593 00:24:20,042 --> 00:24:23,337 POOR BABY. JOIN THE CLUB. 594 00:24:27,174 --> 00:24:28,342 WAIT. WHERE ARE YOU GOING? 595 00:24:28,342 --> 00:24:30,469 WAIT, WAIT, NO, DON'T GO, DON'T GO. 596 00:24:30,469 --> 00:24:33,472 I'M SORRY. FAMILY SUCKS. 597 00:24:35,974 --> 00:24:37,601 WE CAN TOAST TO THAT. 598 00:24:40,521 --> 00:24:45,359 HERE'S TO OUR SUCKY FAMILIES. 599 00:24:45,359 --> 00:24:47,027 CHEERS. 600 00:24:47,027 --> 00:24:48,487 CHEERS. 601 00:24:53,450 --> 00:24:54,827 AHH. 602 00:24:54,827 --> 00:24:56,495 [GIGGLES] 603 00:24:56,495 --> 00:24:58,247 AHH. 604 00:24:58,247 --> 00:25:01,500 [LAUGHS] 605 00:25:01,500 --> 00:25:03,252 SHOULD YOU BE MIXING THAT 606 00:25:03,252 --> 00:25:05,587 WITH WHATEVER ELSE YOU'RE ON? 607 00:25:05,587 --> 00:25:08,173 OHH. 608 00:25:08,173 --> 00:25:10,300 YOU WORRIED ABOUT ME? 609 00:25:14,763 --> 00:25:19,977 WOMAN: ♪ DRIPS ON YOUR LIPS, ON YOUR SHOULDERS ♪ 610 00:25:19,977 --> 00:25:23,230 ♪ WHEN YOU FOLLOW THE CURVE OF MY BODY ♪ 611 00:25:23,230 --> 00:25:24,982 ♪ I FORGET TO BREATHE ♪ 612 00:25:24,982 --> 00:25:27,901 ♪ WHEN YOU MOVE ME JUST LIKE THAT... ♪ 613 00:25:27,901 --> 00:25:30,446 -HEY, MAYBE WE-- -WHY ARE YOU STILL TALKING? 614 00:25:30,446 --> 00:25:34,366 WOMAN: ♪ IF YOU KNEW ME, YOU'D KNOW THAT I CAN KEEP GOING ♪ 615 00:25:34,366 --> 00:25:36,368 ♪ I CAN KEEP GOING ♪ 616 00:25:36,368 --> 00:25:42,332 ♪ YOU AIN'T NEVER MET SOMEONE LIKE ME BEFORE ♪ 617 00:25:42,332 --> 00:25:48,005 ♪ AND YOU AIN'T NEVER SEEN SOMEBODY DO WHAT I CAN DO ♪ 618 00:25:48,005 --> 00:25:51,800 ♪ DO, DO, DO ♪ 619 00:25:51,800 --> 00:25:53,886 [INDISTINCT CHATTER] 620 00:25:56,930 --> 00:25:58,474 LAURA: WHAT'S, UH... 621 00:25:58,474 --> 00:26:00,893 BILLY: JORDAN. LAURA: WHAT'S GOING ON, HONEY? 622 00:26:05,481 --> 00:26:07,357 DO YOU KNOW HOW SAD IT IS 623 00:26:07,357 --> 00:26:09,526 THAT I HAVE TO SEND 911 TEXTS 624 00:26:09,526 --> 00:26:12,154 JUST TO GET YOU ALL HERE TO TALK TO ME? 625 00:26:12,154 --> 00:26:13,197 OK, WHAT ARE YOU TALKING ABOUT? 626 00:26:13,197 --> 00:26:15,199 I'M TALKING ABOUT THE FACT 627 00:26:15,199 --> 00:26:16,366 THAT I FEEL INVISIBLE 628 00:26:16,366 --> 00:26:18,410 IN MY OWN FAMILY. 629 00:26:18,410 --> 00:26:21,830 LAURA: OLIVIA... OLIVIA: JUST LET ME FINISH. 630 00:26:21,830 --> 00:26:24,541 AHEM. 631 00:26:24,541 --> 00:26:28,378 YOU GUYS ARE ALL SO GOAL-ORIENTED. 632 00:26:28,378 --> 00:26:30,130 YOU LIVE IN THE FUTURE, 633 00:26:30,130 --> 00:26:32,341 ALWAYS FOCUSED ON THE NEXT GAME, 634 00:26:32,341 --> 00:26:33,467 THE NEXT WIN, THE NEXT CAMPAIGN. 635 00:26:33,467 --> 00:26:35,677 IT'S LIKE YOU DON'T SEE THE DETAILS 636 00:26:35,677 --> 00:26:38,055 IN THE PRESENT. 637 00:26:38,055 --> 00:26:40,140 EXCEPT I LIVE IN THE PRESENT. 638 00:26:40,140 --> 00:26:41,558 BABY GIRL, OBVIOUSLY, WE SEE YOU. 639 00:26:41,558 --> 00:26:44,311 DO YOU? I MEAN, WHY DO YOU THINK 640 00:26:44,311 --> 00:26:47,481 I STARTED USING DRUGS IN THE FIRST PLACE? 641 00:26:47,481 --> 00:26:49,483 BEING THE PARTY GIRL AT LEAST GAVE ME SOMETHING, 642 00:26:49,483 --> 00:26:51,401 AND THEN STILL, YOU DIDN'T NOTICE 643 00:26:51,401 --> 00:26:53,779 UNTIL I ALMOST O.D.'D. 644 00:26:53,779 --> 00:26:56,323 AND THEN YOU JUST THREW MONEY AT THE PROBLEM. 645 00:26:56,323 --> 00:26:58,450 SHIPPED ME OFF TO REHAB, AND POOF, 646 00:26:58,450 --> 00:26:59,409 I WAS MAGICALLY FIXED. 647 00:26:59,409 --> 00:27:01,161 IT WAS NOT A MAGICAL FIX. 648 00:27:01,161 --> 00:27:02,454 NOBODY THOUGHT THAT. 649 00:27:02,454 --> 00:27:04,706 HONEY, IT'S--IT'S-- IT'S WHAT YOU NEEDED. 650 00:27:04,706 --> 00:27:09,461 YEAH, BUT IT'S NOT ALL THAT I NEEDED. 651 00:27:09,461 --> 00:27:13,340 POST-REHAB, SPENCER IS THE ONLY PERSON 652 00:27:13,340 --> 00:27:16,802 WHO ASKED IF I'M REALLY OK. 653 00:27:16,802 --> 00:27:21,557 ALL OF YOU JUST ASSUMED I WAS AND MOVED ON. 654 00:27:21,557 --> 00:27:23,392 WE'RE SO, SO, SORRY, 655 00:27:23,392 --> 00:27:27,062 BUT YOU'VE BEEN SO STRONG. 656 00:27:27,062 --> 00:27:29,147 YOU'RE RIGHT. 657 00:27:29,147 --> 00:27:31,149 WE SHOULD HAVE BEEN PAYING CLOSER ATTENTION. 658 00:27:31,149 --> 00:27:35,612 I JUST DON'T WANT US TO KEEP MAKING THE SAME MISTAKE. 659 00:27:35,612 --> 00:27:37,489 I MEAN, LOOK WHAT HAPPENED WITH JORDAN. 660 00:27:37,489 --> 00:27:38,532 JORDAN: LIV... OLIVIA: HE SMOKED WEED, 661 00:27:38,532 --> 00:27:40,075 STAYED OUT ALL NIGHT, 662 00:27:40,075 --> 00:27:41,451 AND THERE WAS NO CONSEQUENCE FROM YOU GUYS. 663 00:27:41,451 --> 00:27:42,661 ALL YOU CARED ABOUT WAS IF HE WAS 664 00:27:42,661 --> 00:27:44,580 READY FOR THE BIG GAME OR NOT. 665 00:27:44,580 --> 00:27:48,709 BILLY: RIGHT. UM-- LAURA: I'M SORRY. WHAT? 666 00:27:48,709 --> 00:27:51,336 WHAT IS SHE TALKING ABOUT, BILLY? 667 00:27:51,336 --> 00:27:52,504 I'M SORRY. I--I-- 668 00:27:52,504 --> 00:27:53,922 I THOUGHT SHE KNEW. 669 00:27:53,922 --> 00:27:56,466 NO. I DON'T KNOW. 670 00:27:56,466 --> 00:28:00,429 SO, SOMEBODY BETTER START TALKING. NOW. 671 00:28:07,811 --> 00:28:08,395 [SNIFFS] AHH. 672 00:28:08,395 --> 00:28:09,396 THANKS FOR COMING WITH ME 673 00:28:09,396 --> 00:28:10,480 TO SEE MY FOLKS. 674 00:28:10,480 --> 00:28:12,524 FOR SURE. WHERE ELSE WOULD I BE? 675 00:28:12,524 --> 00:28:13,984 I DON'T KNOW. PROBABLY SOMEWHERE 676 00:28:13,984 --> 00:28:17,529 PICKING UP THE SHATTERED PIECES OF YOUR LOVE LIFE. 677 00:28:17,529 --> 00:28:18,906 TRIED TO CALL OLD GIRL YET? 678 00:28:18,906 --> 00:28:20,532 I DOUBT LEILA TRYING TO HEAR FROM ME RIGHT NOW. 679 00:28:20,532 --> 00:28:22,242 SO, MAKE HER HEAR FROM YOU. 680 00:28:22,242 --> 00:28:23,702 FIGHT FOR YOUR RELATIONSHIP. 681 00:28:23,702 --> 00:28:25,370 YOU KNOW THIS IS KIA ALL OVER AGAIN. 682 00:28:25,370 --> 00:28:26,538 KIA BROKE UP WITH ME BECAUSE I WAS-- 683 00:28:26,538 --> 00:28:29,374 BECAUSE SHE THOUGHT YOU DIDN'T TRUST HER. 684 00:28:29,374 --> 00:28:31,418 AND NOW IT'S HAPPENING AGAIN WITH LEILA. 685 00:28:31,418 --> 00:28:33,629 AND THE SAD PART IS, IT AIN'T EVEN ABOUT THEM. 686 00:28:33,629 --> 00:28:34,421 SO, WHAT, YOU PSYCHIC NOW? 687 00:28:34,421 --> 00:28:35,714 NO, I AIN'T NO PSYCHIC, 688 00:28:35,714 --> 00:28:37,215 AND I AIN'T GOTTA BE TO FIGURE OUT 689 00:28:37,215 --> 00:28:39,176 WHO THIS REALLY ABOUT. 690 00:28:39,176 --> 00:28:40,427 LOOK, YOUR POPS LEFT, 691 00:28:40,427 --> 00:28:42,387 SO, ANYTHING APPROACHING LOVE, 692 00:28:42,387 --> 00:28:43,472 YEAH, I SAID "LOVE," 693 00:28:43,472 --> 00:28:44,765 YOU PUSH THAT PERSON AWAY BECAUSE 694 00:28:44,765 --> 00:28:46,516 YOU EXPECT THEM TO LEAVE YOU, TOO, 695 00:28:46,516 --> 00:28:48,393 AND NOW YOU USING THIS ASHER THING 696 00:28:48,393 --> 00:28:50,604 TO DO IT ALL OVER AGAIN WITH LEILA. 697 00:28:50,604 --> 00:28:52,022 LOOK, JUST BECAUSE YOU LEFT CRENSHAW 698 00:28:52,022 --> 00:28:53,607 AND GOT YOUR ANGER IN CHECK 699 00:28:53,607 --> 00:28:56,318 DON'T MEAN YOU AIN'T TAKE YOUR DEMONS WITH YOU. 700 00:28:56,318 --> 00:28:58,862 ALL RIGHT, WELL, WHAT, I LOVE YOU. 701 00:28:58,862 --> 00:29:00,656 HOW COME I AIN'T NEVER TRY TO PUSH YOU AWAY? 702 00:29:00,656 --> 00:29:02,574 THE HELL YOU DIDN'T. HEH. 703 00:29:02,574 --> 00:29:04,451 EVERY DAY IN FOURTH GRADE. 704 00:29:04,451 --> 00:29:06,453 YOU JUST LUCKY I AIN'T BUDGE. 705 00:29:06,453 --> 00:29:07,996 COOP: YOU KNOW WHY? SPENCER: WHY? 706 00:29:07,996 --> 00:29:09,206 'CAUSE I LOVE YOU. 707 00:29:09,206 --> 00:29:10,540 I LOVE YOU, TOO, COOP. 708 00:29:10,540 --> 00:29:12,292 -I LOVE YOU MORE. -YOU BETTER GET YOUR ASS DOWN. 709 00:29:12,292 --> 00:29:13,460 OR WHAT? 710 00:29:13,460 --> 00:29:16,797 LOOK, THAT'S NOT SAFE, MAN. COOP. 711 00:29:21,051 --> 00:29:22,552 HEY, LIV. 712 00:29:24,471 --> 00:29:26,515 JORDAN, UM... 713 00:29:26,515 --> 00:29:28,767 I'M SO SORRY I RATTED YOU OUT LAST NIGHT. 714 00:29:28,767 --> 00:29:31,603 ACTUALLY, I CAME TO APOLOGIZE. 715 00:29:33,689 --> 00:29:36,817 FOR NOT RATTING YOU OUT. 716 00:29:36,817 --> 00:29:39,903 LOOK, LIV, I KNEW YOU WERE USING, OK, A LOT, 717 00:29:39,903 --> 00:29:43,323 AND I DIDN'T SAY ANYTHING ABOUT IT. 718 00:29:43,323 --> 00:29:45,617 I GUESS I THOUGHT I WAS BEING 719 00:29:45,617 --> 00:29:47,536 A GOOD BROTHER BY COVERING FOR YOU. 720 00:29:47,536 --> 00:29:49,162 MAYBE IF I WOULD'VE SAID SOMETHING SOONER, 721 00:29:49,162 --> 00:29:50,455 YOU WOULDN'T HAVE... 722 00:29:50,455 --> 00:29:52,249 YOU'D PROBABLY STILL HAVE FOUND ME 723 00:29:52,249 --> 00:29:53,542 PASSED OUT AFTER THE PARTY. 724 00:29:53,542 --> 00:29:56,586 I WAS SO FAR GONE. 725 00:29:56,586 --> 00:29:58,672 YOU SCARED ME TO DEATH THAT DAY, LIV. 726 00:29:58,672 --> 00:30:01,591 OK, AND MAYBE THAT'S WHY 727 00:30:01,591 --> 00:30:03,760 I TRIED TO FORGET IT EVER HAPPENED, 728 00:30:03,760 --> 00:30:05,429 BUT IT DID. 729 00:30:05,429 --> 00:30:07,597 AND NONE OF US SHOULD FORGET THAT. 730 00:30:20,027 --> 00:30:23,530 CONGRATULATIONS FOR MAKING IT ONE YEAR SOBER, BY THE WAY. 731 00:30:23,530 --> 00:30:24,656 [CHUCKLES] 732 00:30:24,656 --> 00:30:28,910 YOU DID...YOU DID MAKE IT, RIGHT? 733 00:30:28,910 --> 00:30:30,454 HA HA! 734 00:30:32,998 --> 00:30:34,666 YOU BUSY TONIGHT? 735 00:30:36,460 --> 00:30:38,045 NOT ANYMORE. 736 00:30:39,921 --> 00:30:41,757 [LAUGHTER] 737 00:30:41,757 --> 00:30:43,675 SERIOUS. SHE DIDN'T CARE 738 00:30:43,675 --> 00:30:45,552 IF SHE SPLIT HER PANTS DOWN THE MIDDLE. 739 00:30:45,552 --> 00:30:47,429 TAMIA-- SHE JUST KEPT DANCING. 740 00:30:47,429 --> 00:30:48,722 SPENCER: OH. I REMEMBER THAT. 741 00:30:48,722 --> 00:30:50,223 THAT'S WHAT YOU GET FOR TRYING TO DO THE SPLIT. 742 00:30:50,223 --> 00:30:51,683 HEY, MAN, LISTEN. 743 00:30:51,683 --> 00:30:53,810 US COOPERS TAKE OUR DANCE-OFFS VERY SERIOUSLY. 744 00:30:53,810 --> 00:30:57,397 HEH. AIN'T THAT RIGHT, MA? 745 00:30:57,397 --> 00:30:59,524 SO, HOW'S YOUR MOTHER, SPENCER? 746 00:30:59,524 --> 00:31:00,692 SPENCER: YEAH, SHE'S GOOD. 747 00:31:00,692 --> 00:31:02,569 BUSY, YOU KNOW. WORK AND DILLON 748 00:31:02,569 --> 00:31:03,862 AND NIGHT SCHOOL NOW. 749 00:31:03,862 --> 00:31:05,280 WELL, YOU TELL HER IF SHE NEEDS 750 00:31:05,280 --> 00:31:06,656 ANY HELP WITH DILLON, I'M HERE. 751 00:31:06,656 --> 00:31:09,534 I'M DOWN TO HELP, TOO. 752 00:31:09,534 --> 00:31:10,619 SPENCER: YEAH, I KNOW. COOP: OH. 753 00:31:10,619 --> 00:31:12,913 [PHONE CHIMING] 754 00:31:21,296 --> 00:31:23,799 [SILVERWARE CLATTERING ON PLATE] 755 00:31:23,799 --> 00:31:25,050 SPENCER: YOU ALL RIGHT, MISS JANELLE? 756 00:31:25,050 --> 00:31:28,637 I CAN'T DO THIS. I-I CAN'T DO THIS. 757 00:31:28,637 --> 00:31:30,222 IT'S NOT THE DAUGHTER I RAISED. 758 00:31:30,222 --> 00:31:32,140 SPENCER: YES, SHE IS. 759 00:31:32,140 --> 00:31:33,725 WHAT'S WRONG WITH Y'ALL? 760 00:31:33,725 --> 00:31:35,602 COOP IS STILL COOP. 761 00:31:38,772 --> 00:31:40,482 SO, IT WASN'T ENOUGH TO BREAK MY HEART 762 00:31:40,482 --> 00:31:42,025 THE FIRST TIME? 763 00:31:42,025 --> 00:31:43,777 YOU HAD TO BRING ME BACK TO DO IT AGAIN? 764 00:31:43,777 --> 00:31:45,529 BABY GIRL, THAT'S NOT WHAT'S HAPPENING HERE. 765 00:31:45,529 --> 00:31:47,614 LOOK, I'M SORRY, TAMIA, 766 00:31:47,614 --> 00:31:49,741 BUT I BELIEVE WHAT I BELIEVE, 767 00:31:49,741 --> 00:31:52,035 AND NOBODY, NOT YOUR FATHER OR YOUR FRIEND TYRONE, 768 00:31:52,035 --> 00:31:53,745 IS GONNA MAKE ME FEEL ANY DIFFERENT. 769 00:31:53,745 --> 00:31:55,705 TYRONE? WHAT'S HE GOT TO DO WITH IT? 770 00:31:55,705 --> 00:31:57,749 -JANELLE, DON'T DO THIS. -NO, I'M NOT GONNA LIVE 771 00:31:57,749 --> 00:31:59,543 A LIE IN MY OWN HOME, REGGIE. 772 00:32:02,671 --> 00:32:05,382 THE ONLY REASON THAT YOU ARE HERE TODAY 773 00:32:05,382 --> 00:32:06,591 IS BECAUSE TYRONE'S GOT THE HOOKUP 774 00:32:06,591 --> 00:32:08,593 AT YOUR FATHER'S TRUCK COMPANY, 775 00:32:08,593 --> 00:32:09,845 AND IF YOUR FATHER DIDN'T BRING YOU HOME, 776 00:32:09,845 --> 00:32:12,722 HE'D LOSE HIS JOB. 777 00:32:12,722 --> 00:32:14,182 YOU WORSE THAN MA. 778 00:32:15,851 --> 00:32:18,270 YOU LET ME HOPE THINGS WOULD BE DIFFERENT. 779 00:32:21,857 --> 00:32:24,651 YOU KNOW WHAT? I'M DOPE AS HELL, 780 00:32:24,651 --> 00:32:26,987 AND Y'ALL GONNA REALIZE THAT ONE DAY. 781 00:32:29,573 --> 00:32:31,074 THE MESSED-UP PART? 782 00:32:31,074 --> 00:32:33,952 IT'S PROBABLY GONNA BE TOO LATE. 783 00:32:33,952 --> 00:32:35,954 MAN: ♪ I'M STRESSED OUT, SIPPIN' THIS ♪ 784 00:32:35,954 --> 00:32:37,956 ♪ I SUSSED OUT LIVING, NOW I'M CHILLING WITH MY TEAM ♪ 785 00:32:37,956 --> 00:32:39,875 ♪ AND THE DREAM, TO BE SURE, IS WINNING ♪ 786 00:32:39,875 --> 00:32:42,627 ♪ I'M NOT SKIDDING IN THE BEAMER BUT BELIEVE IT'S THE BEGINNING ♪ 787 00:32:42,627 --> 00:32:46,006 ♪ LIFE WILL TURN AROUND ON YOU SO FAST YOUR HEAD IS SPINNING ♪ 788 00:32:51,970 --> 00:32:53,138 HEY, MY BAD. 789 00:32:53,138 --> 00:32:54,764 THOUGHT I'D HAVE THE PLACE TO MYSELF. 790 00:32:54,764 --> 00:32:55,974 SPENCER: NO, I'M DONE. 791 00:32:55,974 --> 00:32:57,684 IT'S ALL YOU. 792 00:32:59,811 --> 00:33:02,355 HEY, SPENCER, YOU WERE A FRIEND TO ME 793 00:33:02,355 --> 00:33:03,899 WHEN YOU HAD NO REASON TO BE. 794 00:33:03,899 --> 00:33:05,734 YOU HELPED ME WITH THAT CRAZY SITUATION WITH THE PORSCHE 795 00:33:05,734 --> 00:33:08,737 AND YOU DIDN'T BLOW MY COVER. 796 00:33:08,737 --> 00:33:11,615 I'D LIKE TO RETURN THE FAVOR WITH SOME ADVICE. 797 00:33:11,615 --> 00:33:12,991 I'M LISTENING. 798 00:33:12,991 --> 00:33:14,743 DON'T MAKE THE SAME MISTAKE AS I DID 799 00:33:14,743 --> 00:33:17,579 AND LOSE THE BEST THING THAT'S EVER HAPPENED TO YOU. 800 00:33:17,579 --> 00:33:20,707 I KNOW THIS IS GONNA SOUND CRAZY COMING FROM ME... 801 00:33:22,792 --> 00:33:25,045 BUT YOU CAN TRUST LEILA. 802 00:33:25,045 --> 00:33:28,757 THAT DON'T SOUND CRAZY AT ALL, MAN. 803 00:33:28,757 --> 00:33:31,843 I KNOW I CAN TRUST LEILA. 804 00:33:31,843 --> 00:33:35,096 THE PERSON I WASN'T TRUSTING WAS MYSELF. 805 00:33:43,939 --> 00:33:46,733 YOU KNOW, YOU AND ME AIN'T ALL THAT DIFFERENT. 806 00:33:48,068 --> 00:33:50,862 AND I THINK I CAN HELP YOU GET BACK IN WITH THE TEAM. 807 00:33:52,280 --> 00:33:54,532 PRETTY SURE THAT SHIP HAS ALREADY SAILED, BRO. 808 00:33:54,532 --> 00:33:55,700 WE GONNA NEED SOME NEW PLAYS TO GO UP 809 00:33:55,700 --> 00:33:57,160 AGAINST LOGAN, ALL RIGHT? 810 00:33:57,160 --> 00:33:58,161 COACH SAID SO HIMSELF. 811 00:33:58,161 --> 00:34:00,747 SO, IF YOU GOT TIME, I DON'T KNOW. 812 00:34:00,747 --> 00:34:01,873 MAYBE WE CAN GO OUT ON THE FIELD. 813 00:34:01,873 --> 00:34:03,708 SEE WHAT WE COME UP WITH. 814 00:34:03,708 --> 00:34:07,712 MAYBE BRING SOMETHING BACK THAT ACTUALLY HELPS THE TEAM. 815 00:34:07,712 --> 00:34:09,881 YEAH. 816 00:34:09,881 --> 00:34:13,385 WOMAN: ♪ LA-DA-DA, DA-DA, DA-DA-DA-DA ♪ 817 00:34:13,385 --> 00:34:16,763 ASHER: I GOT THE TIME. 818 00:34:16,763 --> 00:34:18,848 [CLATTERING] 819 00:34:21,559 --> 00:34:25,730 WOMAN: ♪ I SWEAR TO GOD IT'S ALMOST EVERY NIGHT ♪ 820 00:34:25,730 --> 00:34:27,941 ♪ YOU AND I, WE BEGIN TO FLY ♪ 821 00:34:27,941 --> 00:34:30,860 I'M NOT LETTING YOU IN. 822 00:34:30,860 --> 00:34:32,153 LOOK, I NEED YOU TO UNDERSTAND. 823 00:34:32,153 --> 00:34:34,406 TYRONE AIN'T THE REASON I BROUGHT YOU BACK HOME. 824 00:34:34,406 --> 00:34:35,865 THAT WAS ALWAYS THE PLAN. 825 00:34:35,865 --> 00:34:38,868 BUT I KNEW YOUR MOM NEEDED MORE TIME. 826 00:34:38,868 --> 00:34:39,953 TYRONE THREATENING MY JOB, 827 00:34:39,953 --> 00:34:40,954 THAT JUST MADE IT EASIER FOR ME 828 00:34:40,954 --> 00:34:42,497 TO FORCE YOUR MOM'S HAND. 829 00:34:42,497 --> 00:34:44,374 THAT'S THE ONLY REASON I WENT ALONG WITH IT. 830 00:34:44,374 --> 00:34:45,834 YOU REALLY EXPECT ME TO BELIEVE YOU WEREN'T 831 00:34:45,834 --> 00:34:47,043 JUST TRYING TO KEEP YOUR JOB? 832 00:34:47,043 --> 00:34:48,878 I QUIT MY JOB THIS MORNING. 833 00:34:51,881 --> 00:34:53,300 BUT YOU LOVE THAT JOB. 834 00:34:53,300 --> 00:34:56,469 I'D RATHER LOSE A JOB THAN LOSE MY DAUGHTER. 835 00:35:05,895 --> 00:35:07,897 MY EMANCIPATION PAPERS? 836 00:35:07,897 --> 00:35:09,024 PRINTED OUT NEW ONES. 837 00:35:09,024 --> 00:35:10,191 YOUR MOM AND I SIGNED THEM. 838 00:35:10,191 --> 00:35:11,901 WE'RE GIVING YOU WHAT YOU WANT 839 00:35:11,901 --> 00:35:14,738 SO YOU CAN KEEP A ROOF OVER YOUR HEAD. 840 00:35:14,738 --> 00:35:16,448 NOW, THOSE ARE JUST PAPERS. 841 00:35:18,742 --> 00:35:20,410 YOU'RE STILL MY DAUGHTER. 842 00:35:22,704 --> 00:35:24,372 AND I AIN'T GONNA STOP FIGHTING 843 00:35:24,372 --> 00:35:27,125 TILL I REUNITE MY FAMILY. 844 00:35:27,125 --> 00:35:29,127 WOMAN: ♪ IS IT OVER? ♪ 845 00:35:33,256 --> 00:35:35,050 ♪ IS IT OVER? ♪ 846 00:35:39,929 --> 00:35:41,348 SPENCER: I SHOULD'VE BEEN HONEST WITH YOU, 847 00:35:41,348 --> 00:35:43,767 THAT ASHER MOVING IN WAS TRIGGERING STUFF FOR ME. 848 00:35:43,767 --> 00:35:45,143 TRIGGERING? 849 00:35:45,143 --> 00:35:47,854 THERE'S A THERAPY WORD FOR YOU. 850 00:35:49,105 --> 00:35:52,400 YEAH, WELL, I AIN'T GOT A THERAPIST, 851 00:35:52,400 --> 00:35:54,361 BUT I GOT COOP, 852 00:35:54,361 --> 00:35:57,989 AND...INSTEAD OF TELLING YOU THE TRUTH, 853 00:35:57,989 --> 00:36:00,200 THAT I DON'T WANT ASHER LIVING HERE, 854 00:36:00,200 --> 00:36:02,077 AND TRUSTING THAT WE CAN HAVE THAT CONVERSATION 855 00:36:02,077 --> 00:36:04,788 AND IT NOT END WITH YOU LEAVING ME, 856 00:36:04,788 --> 00:36:06,665 I LIED. 857 00:36:06,665 --> 00:36:07,874 I MADE IT ABOUT EVERYTHING ELSE 858 00:36:07,874 --> 00:36:10,752 AND LET IT BUILD UP UNTIL I SNAPPED, 859 00:36:10,752 --> 00:36:11,961 AND THAT WASN'T FAIR ON YOU. 860 00:36:11,961 --> 00:36:13,755 WHY WOULD YOU THINK YOU COULDN'T BE HONEST 861 00:36:13,755 --> 00:36:16,091 WITH ME ABOUT YOUR FEELINGS? 862 00:36:16,091 --> 00:36:18,218 THAT I'D LEAVE JUST BECAUSE 863 00:36:18,218 --> 00:36:20,887 WE HAD A DIFFERENCE IN OPINION? 864 00:36:22,972 --> 00:36:25,975 -LOOK. -YOUR--YOUR DAD. 865 00:36:25,975 --> 00:36:27,727 IT'S BECAUSE HE LEFT. 866 00:36:27,727 --> 00:36:30,897 IT'S CRAZY. AFTER ALL THESE YEARS, 867 00:36:30,897 --> 00:36:32,857 HE'S STILL GOT THAT KIND OF HOLD ON ME. 868 00:36:32,857 --> 00:36:35,735 HEY, I'M NOT GOING ANYWHERE. 869 00:36:35,735 --> 00:36:39,906 THERE ARE A LOT OF US WHO AREN'T GOING ANYWHERE. 870 00:36:39,906 --> 00:36:41,449 THE FACT THAT YOUR DAD LEFT 871 00:36:41,449 --> 00:36:42,784 DOESN'T HAVE ANYTHING 872 00:36:42,784 --> 00:36:44,119 TO DO WITH WHO YOU ARE 873 00:36:44,119 --> 00:36:46,121 AND EVERYTHING TO DO WITH WHO HE IS. 874 00:36:46,121 --> 00:36:54,087 YOU'RE AMAZING AND KIND AND FRUSTRATING. 875 00:36:54,087 --> 00:36:57,465 YOU'RE A GOOD PERSON, SPENCER, 876 00:36:57,465 --> 00:37:03,054 AND AN INCREDIBLY EASY PERSON TO LOVE. 877 00:37:06,015 --> 00:37:08,810 TRUST THAT. 878 00:37:08,810 --> 00:37:10,145 I'M WORKING ON IT. 879 00:37:10,145 --> 00:37:12,856 WE'LL WORK ON IT TOGETHER. 880 00:37:12,856 --> 00:37:14,983 YEAH. 881 00:37:14,983 --> 00:37:17,652 WOMAN: ♪ OHH ♪ 882 00:37:17,652 --> 00:37:20,530 ♪ OHH ♪ 883 00:37:20,530 --> 00:37:22,365 ♪ OOH ♪ 884 00:37:22,365 --> 00:37:23,992 I LOVE YOU, TOO. 885 00:37:23,992 --> 00:37:27,036 WOMAN: ♪ OOH, OOH, OOH, OOH ♪ 886 00:37:27,036 --> 00:37:31,082 ♪ OOH, OOH, OOH, OOH ♪ 887 00:37:46,306 --> 00:37:50,602 KODALINE: ♪ IT'S HARDER TO SEE THROUGH THE EYES OF A STRANGER ♪ 888 00:37:53,062 --> 00:37:57,442 ♪ IT'S EASY TO LOVE WHEN THE WORLD DOESN'T HATE YA ♪ 889 00:37:59,527 --> 00:38:04,949 ♪ WHEN YOU TRYING TO SEND OUT BUT NOBODY HEARS A WORD ♪ 890 00:38:06,409 --> 00:38:10,997 ♪ IT'S SAFER TO SWIM WHEN THE TIDE'S NOT AGAINST YA ♪ 891 00:38:10,997 --> 00:38:12,499 LIV, HEY, HEY, HEY, HEY, HEY. 892 00:38:12,499 --> 00:38:15,210 HEY, COME ON, COME ON, HEY, COME ON. 893 00:38:15,210 --> 00:38:18,213 SOMEBODY, MOM, SOMEBODY, HEY, HEY, HEY, 894 00:38:18,213 --> 00:38:20,131 COME HERE, COME HERE, MOM, DAD. 895 00:38:20,131 --> 00:38:21,966 LAURA: WHAT'S GOING ON? WHAT HAPPENED? 896 00:38:21,966 --> 00:38:23,218 WHAT HAPPENED? WHAT HAPPENED? 897 00:38:23,218 --> 00:38:24,761 JORDAN: WOKE UP AND SHE WAS LIKE THIS... 898 00:38:24,761 --> 00:38:25,762 LAURA: WHAT WERE YOU DOING? 899 00:38:25,762 --> 00:38:27,096 JORDAN: WE-- 900 00:38:27,096 --> 00:38:30,016 KODALINE: ♪ I'LL SHED A TEAR FOR YOU ♪ 901 00:38:30,016 --> 00:38:31,309 GET THE WATER. 902 00:38:31,309 --> 00:38:33,061 ♪ OPEN YOUR EYES, I'M BY YOUR SIDE ♪ 903 00:38:33,061 --> 00:38:36,814 ♪ I'M NEVER LEAVING YOU ♪ 904 00:38:36,814 --> 00:38:40,068 ♪ DARKNESS TO LIGHT, STAY THROUGH THE NIGHT ♪ 905 00:38:40,068 --> 00:38:44,239 ♪ I'M WALKING IN YOUR SHOES ♪ 906 00:38:44,239 --> 00:38:46,991 ♪ SO YOU KNOW THAT IT'S THE TRUTH ♪ 907 00:38:46,991 --> 00:38:50,787 ♪ WHEN NOBODY'S HERE FOR YOU ♪ 908 00:38:50,787 --> 00:38:52,372 ♪ LET ME MAKE IT CLEAR... ♪ 909 00:38:52,372 --> 00:38:54,791 OLIVIA. 910 00:38:54,791 --> 00:38:59,921 ♪ SHED A TEAR, SHED A TEAR, SHED A TEAR, SHED A TEAR ♪ 911 00:38:59,921 --> 00:39:01,047 WE CELEBRATE YOUR HONESTY 912 00:39:01,047 --> 00:39:03,550 AND YOUR COMMITMENT TO YOURSELF 913 00:39:03,550 --> 00:39:05,134 AND THE ONES YOU LOVE, 914 00:39:05,134 --> 00:39:07,220 AND WE COMMEMORATE THIS DAY 915 00:39:07,220 --> 00:39:09,138 WITH YOUR ONE-YEAR SOBRIETY MEDALLION. 916 00:39:09,138 --> 00:39:10,932 KODALINE: ♪ I'LL TAKE THE BLAME ♪ 917 00:39:10,932 --> 00:39:12,850 YOU DID IT. 918 00:39:12,850 --> 00:39:15,061 [APPLAUSE] 919 00:39:15,061 --> 00:39:18,273 KODALINE: ♪ OPEN YOUR EYES, I'M BY YOUR SIDE ♪ 920 00:39:18,273 --> 00:39:19,315 [CROWD CHEERING] 921 00:39:19,315 --> 00:39:21,818 ♪ I'M NEVER LEAVING YOU ♪ 922 00:39:21,818 --> 00:39:25,238 ♪ DARKNESS OR LIGHT, STAY THROUGH THE NIGHT ♪ 923 00:39:25,238 --> 00:39:29,075 ♪ I'M WALKING IN YOUR SHOES ♪ 924 00:39:29,075 --> 00:39:30,076 ♪ SO YOU KNOW THAT IT'S... ♪ 925 00:39:30,076 --> 00:39:32,787 I THOUGHT YOU GUYS HAD PLANS. 926 00:39:32,787 --> 00:39:35,290 SOMEONE MORE IMPORTANT CAME UP. 927 00:39:35,290 --> 00:39:37,959 KODALINE: ♪ LET ME MAKE IT CLEAR ♪ 928 00:39:37,959 --> 00:39:40,086 ♪ I'LL SHED A, I'LL SHED A TEAR ♪ 929 00:39:40,086 --> 00:39:41,337 ♪ SHED A TEAR, SHED A TEAR ♪ 930 00:39:41,337 --> 00:39:43,798 ♪ I'LL SHED A, I'LL SHED A TEAR ♪ 931 00:39:43,798 --> 00:39:45,258 ♪ SHED A TEAR ♪ 932 00:39:45,258 --> 00:39:47,176 ♪ I'LL SHED A, I'LL SHED A TEAR ♪ 933 00:39:47,176 --> 00:39:48,177 ♪ SHED A TEAR, SHED A TEAR ♪ 934 00:39:48,177 --> 00:39:50,597 ♪ I'LL SHED A, I'LL SHED A TEAR ♪ 935 00:39:50,597 --> 00:39:52,056 ♪ SHED A TEAR ♪ 936 00:39:52,056 --> 00:39:55,143 ♪ I'LL SHED A, I'LL SHED A TEAR ♪ 937 00:39:56,477 --> 00:39:59,188 I'M SORRY I DIDN'T TELL YOU ABOUT JORDAN, BABY. 938 00:39:59,188 --> 00:40:03,026 YOU KNOW, WE ALREADY WENT THROUGH THIS WITH OLIVIA. 939 00:40:03,026 --> 00:40:06,321 AND HANDLED IT... POORLY. 940 00:40:06,321 --> 00:40:07,822 YEAH, I KNOW, BUT THIS IS-- 941 00:40:07,822 --> 00:40:09,324 THIS ISN'T THE SAME THINGS. 942 00:40:09,324 --> 00:40:12,035 WE ALREADY KNOW OLIVIA HAS AN ADDICTIVE PERSONALITY. 943 00:40:12,035 --> 00:40:13,786 HOW DO WE KNOW THAT THAT'S NOT THE CASE 944 00:40:13,786 --> 00:40:15,288 FOR JORDAN, TOO? 945 00:40:15,288 --> 00:40:16,289 MY POINT IS, IS THAT 946 00:40:16,289 --> 00:40:18,541 WE'RE SUPPOSED TO BE TOGETHER. 947 00:40:18,541 --> 00:40:22,253 WE'RE SUPPOSED TO BE PARTNERS. 948 00:40:22,253 --> 00:40:26,215 YOU'RE RIGHT. YOU'RE RIGHT. 949 00:40:26,215 --> 00:40:29,218 WE NEED TO BE HONEST WITH EACH OTHER, 950 00:40:29,218 --> 00:40:30,261 NO MATTER THE COST. 951 00:40:30,261 --> 00:40:33,097 YEAH. NO MATTER THE COST. 952 00:40:33,097 --> 00:40:35,433 THERE'S A LITTLE BIT MORE TO THE STORY. 953 00:40:39,562 --> 00:40:42,190 I, UH... 954 00:40:42,190 --> 00:40:44,317 I-I DID SOMETHING THAT, UH, 955 00:40:44,317 --> 00:40:46,778 THAT I CAN'T TAKE BACK, 956 00:40:46,778 --> 00:40:49,572 AND IF IT GETS OUT, 957 00:40:49,572 --> 00:40:53,368 NOT ONLY COULD IT COST ME MY JOB, 958 00:40:53,368 --> 00:40:56,079 IT COULD COMPROMISE YOUR--YOUR CAMPAIGN 959 00:40:56,079 --> 00:40:59,832 AND JORDAN'S ELIGIBILITY. 960 00:40:59,832 --> 00:41:01,084 WHAT DID YOU DO, BILLY? 961 00:41:01,084 --> 00:41:03,586 I SWAPPED OUT JORDAN'S URINE SAMPLE 962 00:41:03,586 --> 00:41:05,254 AT A DRUG TEST. 963 00:41:05,254 --> 00:41:06,839 HE WAS GONNA FAIL, 964 00:41:06,839 --> 00:41:08,216 AND I JUST WANTED TO 965 00:41:08,216 --> 00:41:09,759 PROTECT OUR SON. 966 00:41:11,386 --> 00:41:13,346 [EXHALES] 967 00:41:13,346 --> 00:41:14,472 I KNOW. 968 00:41:14,472 --> 00:41:19,185 OK. OK. 969 00:41:25,983 --> 00:41:29,487 WE'LL FIGURE THIS OUT TOGETHER. 970 00:42:08,109 --> 00:42:09,235 MAN: GREG, MOVE YOUR HEAD.