1 00:00:01,001 --> 00:00:03,587 PREVIOUSLY ON "ALL AMERICAN"... 2 00:00:03,587 --> 00:00:05,589 BILLY: I HOPE Y'ALL GOT LOSING OUT YOUR SYSTEMS. 3 00:00:05,589 --> 00:00:07,841 COMING FROM THE COACH WHO WALKED OUT ON US. 4 00:00:07,841 --> 00:00:09,218 KID: HEY, SNITCH. 5 00:00:09,218 --> 00:00:10,802 I KNEW SOME PEOPLE WOULD HAVE A BEEF WITH YOU 6 00:00:10,802 --> 00:00:12,638 HELPING THE COPS TAKE DOWN TYRONE, BUT COME ON. 7 00:00:12,638 --> 00:00:15,057 SPENCER: WHO'S THIS? GRACE: THIS IS MICAH. 8 00:00:15,057 --> 00:00:17,768 MICAH: I'M A TEACHING ASSISTANT. YOUR MOM IS ONE OF OUR BEST STUDENTS. 9 00:00:17,768 --> 00:00:19,061 YOU DATE ALL YOUR STUDENTS? 10 00:00:19,061 --> 00:00:20,437 COREY: I'VE ASKED SPENCER TO COME PLAY 11 00:00:20,437 --> 00:00:22,856 FOR ME AT SOUTH CRENSHAW. GRACE: YOU WHAT? 12 00:00:22,856 --> 00:00:25,567 THIS NEW KID COACH COREY BROUGHT IN FROM NEVADA AIN'T NO JOKE. 13 00:00:25,567 --> 00:00:28,612 MAYBE CHRIS AIN'T THE ONLY ONE ABOUT TO BE REPLACED. 14 00:00:28,612 --> 00:00:31,031 COREY: YOU MY SON. THAT AIN'T CHANGED. 15 00:00:31,031 --> 00:00:34,326 I ALWAYS WONDERED WHY YOU NEVER CAME HOME. NOW I KNOW. 16 00:00:36,203 --> 00:00:38,872 SPENCER, VOICE-OVER: I ALWAYS WONDERED WHY YOU NEVER CAME HOME, 17 00:00:38,872 --> 00:00:41,583 WHY YOU AIN'T MISSED YOUR FAMILY. 18 00:00:41,583 --> 00:00:43,085 NOW I KNOW. 19 00:00:43,085 --> 00:00:45,170 YOU DIDN'T MISS US... BILLY: SPENCE. 20 00:00:45,170 --> 00:00:48,840 SPENCER, VOICE-OVER: 'CAUSE YOU REPLACED US. BILLY: EARTH TO SPENCER. 21 00:00:48,840 --> 00:00:50,634 COME ON, NOW. YOU WITH US? 22 00:00:50,634 --> 00:00:52,302 SPENCER: YES, SIR. BILLY: ALL RIGHT. 23 00:00:52,302 --> 00:00:54,888 CHECK THIS OUT, Y'ALL. AS FAR AS I'M CONCERNED, 24 00:00:54,888 --> 00:00:56,890 WHATEVER HAPPENED THE OTHER DAY IN THAT 25 00:00:56,890 --> 00:00:58,892 7-ON-7 OPENER NEVER HAPPENED. 26 00:00:58,892 --> 00:01:00,602 ALL RIGHT, FORGET ABOUT THAT. 27 00:01:00,602 --> 00:01:02,604 FLUSH IT. MATTER OF FACT, 28 00:01:02,604 --> 00:01:05,107 FLUSH THE MEMORY OF Y'ALL BEING STATE CHAMPIONS 29 00:01:05,107 --> 00:01:07,818 BECAUSE TODAY WE START OVER. 30 00:01:07,818 --> 00:01:11,238 TODAY WE START ANEW. TODAY WE HAVE A CLEAN SLATE. 31 00:01:11,238 --> 00:01:12,739 COREY: NO CLEAN SLATE! 32 00:01:12,739 --> 00:01:15,242 I DON'T WANT YOU TO EVER FORGET 33 00:01:15,242 --> 00:01:18,578 THE WAY YOU FELT THE DAY YOU LOST THAT STATE TITLE, 34 00:01:18,578 --> 00:01:21,456 WATCHING BEVERLY CELEBRATE ON YOUR FIELD! 35 00:01:21,456 --> 00:01:25,002 NOW YOU TAKE ALL THOSE MOMENTS AND LET THAT BE THE FUEL 36 00:01:25,002 --> 00:01:28,839 TO STEER YOU BACK TO RECLAIMING THAT STATE TITLE! 37 00:01:28,839 --> 00:01:30,549 ASHER: COACH. BILLY: SURE? 38 00:01:30,549 --> 00:01:31,758 WHAT ABOUT CAPTAINS? 39 00:01:31,758 --> 00:01:33,385 IT'S ALWAYS BEEN TRADITION 40 00:01:33,385 --> 00:01:34,803 TO NAME THEM BEFORE SPRING LEAGUE. 41 00:01:34,803 --> 00:01:36,305 NOT THIS YEAR. 42 00:01:36,305 --> 00:01:39,308 NOT UNTIL I SEE A FEW OF Y'ALL STEP UP 43 00:01:39,308 --> 00:01:42,728 AND HOLD YOUR TEAMMATES ACCOUNTABLE FOR MISSING PRACTICES. 44 00:01:42,728 --> 00:01:44,771 NOW BRING IT IN SO WE CAN GET BACK TO WORK. 45 00:01:44,771 --> 00:01:47,566 NEW CHANT ON 3. 1, 2, 3. 46 00:01:47,566 --> 00:01:49,276 COREY: NEVER LOSE, NEVER AGAIN! TEAM: NEVER LOSE, NEVER AGAIN! 47 00:01:49,276 --> 00:01:51,028 COREY: FROM HERE ON OUT! TEAM: FROM HERE ON OUT! 48 00:01:51,028 --> 00:01:52,863 COREY: LET'S GET THAT WIN! TEAM: LET'S GET THAT WIN! 49 00:01:52,863 --> 00:01:55,073 COREY: WHOSE HOUSE? TEAM: SOUTH CRENSHAW! 50 00:01:55,073 --> 00:01:57,909 COREY: LET'S GO, BABY. 51 00:01:57,909 --> 00:02:00,287 BILLY: FASTER. FASTER. 52 00:02:00,287 --> 00:02:01,788 COREY: COME ON NOW! 53 00:02:01,788 --> 00:02:04,124 BRING IT TO ME. GO! GO NOW. GOOD WORK. 54 00:02:04,124 --> 00:02:07,169 BILLY: THAT'S BAD. FASTER, FASTER. 55 00:02:07,169 --> 00:02:08,837 COREY: COME ON NOW. BILLY: GET IT, GET IT, GET IT. 56 00:02:08,837 --> 00:02:10,714 FASTER! COREY: COME ON NOW. 57 00:02:10,714 --> 00:02:12,299 SLOW AND STEADY GETS YOU READY! 58 00:02:12,299 --> 00:02:14,051 JORDAN: DAMN IT. 59 00:02:14,051 --> 00:02:15,552 BEAU YOUNG PRINCE: ♪ TWO CHAINS ON MY NECK ♪ 60 00:02:15,552 --> 00:02:17,137 ♪ ONE FOR NOW AND ONE FOR LATER ♪ 61 00:02:17,137 --> 00:02:18,889 ♪ IF WE DON'T PLAY FAIR, BABY, WE PLAY FOR KEEPS ♪ 62 00:02:18,889 --> 00:02:20,849 ♪ HOW YOU PASS ME UP? THIS IS NOT A BYE WEEK ♪ 63 00:02:20,849 --> 00:02:22,267 ♪ I'M LOOKING FOR A TROPHY, COMPETITION ♪ 64 00:02:22,267 --> 00:02:23,644 ♪ LOOKING STEEP, YEAH, I'M TRAINING ♪ 65 00:02:23,644 --> 00:02:24,895 ♪ I BEEN FOCUSED... ♪ 66 00:02:24,895 --> 00:02:26,355 MAN: THAT WAS A GREAT CATCH, SPENCE! 67 00:02:26,355 --> 00:02:27,898 THAT WAS GOOD. 68 00:02:27,898 --> 00:02:29,941 ♪ PULL THE CHAIN, TRY TO GET 'EM OUT THE WAY ♪ 69 00:02:29,941 --> 00:02:32,277 ♪ PULL THE CHAIN, I'M ABOUT TO WIN THE GAME... ♪ 70 00:02:32,277 --> 00:02:36,073 BILLY: OH, THAT'S ON YOU, ASH. COME ON NOW. 71 00:02:36,073 --> 00:02:37,491 ♪ ...CHAMPIONSHIPS, ALL MY RECORDS GO... ♪ 72 00:02:37,491 --> 00:02:38,742 THAT BALL WAS LOW, COACH. 73 00:02:38,742 --> 00:02:40,410 COME ON, MAN. YOU KNOW THE RULES. 74 00:02:40,410 --> 00:02:43,163 IF THE BALL TOUCHES YOUR HANDS, YOU CAN MAKE THE CATCH. 75 00:02:43,163 --> 00:02:44,456 DARNELL: HIKE! 76 00:02:44,456 --> 00:02:45,916 ♪ ...ANYBODY, TAKE 'EM, I CAN SHAKE 'EM ♪ 77 00:02:45,916 --> 00:02:47,334 ♪ I INVITE 'EM TO THE FIRE ♪ 78 00:02:47,334 --> 00:02:48,752 ♪ THEN I BAKE 'EM, I'MA BREAK 'EM ♪ 79 00:02:48,752 --> 00:02:50,170 ♪ I'M A HALL OF FAME LEGEND ♪ 80 00:02:50,170 --> 00:02:51,421 ♪ THEY SHOULD GO AND HANG MY JERSEY ♪ 81 00:02:51,421 --> 00:02:53,173 HA HA! YEAH! 82 00:02:53,173 --> 00:02:55,175 THAT'S ALL I NEED TO SEE FROM Y'ALL TODAY! 83 00:02:55,175 --> 00:02:57,344 HA HA! GREAT WORK, GENTS! 84 00:02:57,344 --> 00:02:59,471 DARNELL: YOU KNOW, ACTUALLY, COACH, IF YOU'RE COOL WITH IT, 85 00:02:59,471 --> 00:03:01,473 ME AND A COUPLE OF RECEIVERS, WE'RE GONNA HANG BACK, 86 00:03:01,473 --> 00:03:04,184 PUT IN SOME EXTRA WORK, GET OUR TIMING DOWN, FOOTWORK. 87 00:03:04,184 --> 00:03:06,395 ♪ MOVE THE CHAINS, I'M ABOUT TO WIN THE GAME ♪ 88 00:03:06,395 --> 00:03:08,605 ♪ MOVE THE CHAINS, BABY, TRYIN' TO MOVE THE CHAINS ♪ 89 00:03:08,605 --> 00:03:10,107 ♪ YEAH ♪ 90 00:03:12,818 --> 00:03:15,529 RUN THAT BACK, BABY BOY. 91 00:03:15,529 --> 00:03:16,863 THAT'S THE LAST PLAY. 92 00:03:16,863 --> 00:03:18,657 OFFENSE NEEDS TO FINISH STRONG. 93 00:03:18,657 --> 00:03:20,033 I THREW 4 TOUCHDOWNS TODAY. 94 00:03:20,033 --> 00:03:21,493 THAT'S PRETTY STRONG IN MY BOOK, ALL RIGHT? 95 00:03:21,493 --> 00:03:22,702 PLUS, MY TEAM IS WIPED. 96 00:03:22,702 --> 00:03:24,788 I SAY WE CALL IT FOR THE DAY. 97 00:03:27,040 --> 00:03:29,000 ALL RIGHT. 98 00:03:31,002 --> 00:03:34,714 BILLY: GOOD JOB, Y'ALL. WRAP IT UP. GOOD JOB. 99 00:03:34,714 --> 00:03:36,633 WHAT? COACH. 100 00:03:36,633 --> 00:03:39,344 ROCHELLE: NUMBER 11, GOT SOME TIME TO TALK? 101 00:03:39,344 --> 00:03:41,138 HEY, WHAT UP, ROCHELLE? 102 00:03:41,138 --> 00:03:43,390 THIS IS MY DAD, CLIFF MOSELY-- 103 00:03:43,390 --> 00:03:44,891 LEAD BOOSTER AND LEAD MEMBER 104 00:03:44,891 --> 00:03:47,060 OF YOUR EVER-EXPANDING FAN CLUB. 105 00:03:47,060 --> 00:03:48,812 IT'S A PLEASURE TO MEET YOU, SIR. 106 00:03:48,812 --> 00:03:50,313 MOSELY CAPITAL, RIGHT? 107 00:03:50,313 --> 00:03:52,232 OH, SO YOU'RE FAMILIAR WITH MY WORK. 108 00:03:52,232 --> 00:03:54,568 MY MOM'S TAKING A COURSE ON URBAN PLANNING. 109 00:03:54,568 --> 00:03:56,486 SHE LISTENS TO ALL YOUR PODCASTS. 110 00:03:56,486 --> 00:03:58,989 "FIND OUT WHERE PEOPLE ARE GOING AND BUY THE LAND BEFORE THEY GET THERE"-- 111 00:03:58,989 --> 00:04:00,740 ONE OF HER FAVORITE QUOTES. 112 00:04:00,740 --> 00:04:03,910 YEAH, MINE, TOO. NICE JOB OUT THERE TODAY, SPENCER. 113 00:04:03,910 --> 00:04:05,662 SPENCER: THANK YOU. CLIFF: WE GOT TO GET THAT DINNER 114 00:04:05,662 --> 00:04:07,539 ON THE BOOKS ONE OF THESE NIGHTS. 115 00:04:07,539 --> 00:04:09,541 CLIFF: UM, EXCUSE ME. 116 00:04:09,541 --> 00:04:10,917 YES, SIR. 117 00:04:10,917 --> 00:04:13,336 AS IF MY DAD COULD NOT BE MORE IMPRESSED. 118 00:04:13,336 --> 00:04:15,714 ALL HE TALKS ABOUT IS HOW YOU SINGLEHANDEDLY 119 00:04:15,714 --> 00:04:17,424 CHANGED THE CULTURE AT BEVERLY. 120 00:04:17,424 --> 00:04:19,134 NO. WE ALL DID. 121 00:04:19,134 --> 00:04:21,094 JUST A SMALL PART OF THE WAVE. 122 00:04:21,094 --> 00:04:23,346 SURE ABOUT THAT? 'CAUSE AFTER WHAT I JUST SAW TODAY 123 00:04:23,346 --> 00:04:25,932 AT PRACTICE, BEVERLY SHOULD BE THANKING THEIR LUCKY STARS 124 00:04:25,932 --> 00:04:29,102 YOU'RE NOT AT SOUTH CRENSHAW ANYMORE. 125 00:04:42,032 --> 00:04:43,825 COACH BAKER. 126 00:04:43,825 --> 00:04:45,619 CLIFF. MY MAN. 127 00:04:45,619 --> 00:04:46,828 WHAT'S HAPPENING? 128 00:04:46,828 --> 00:04:48,830 OOH. SPENCER JAMES. 129 00:04:48,830 --> 00:04:50,624 WHOO! HE'S BETTER THAN ADVERTISED. 130 00:04:50,624 --> 00:04:53,293 I HATE THAT I WAS AWAY ON BUSINESS MOST OF THE SEASON. 131 00:04:53,293 --> 00:04:56,671 WATCHING A STREAMED FEED OF THE GAME DOES HIS TALENT NO JUSTICE. 132 00:04:56,671 --> 00:04:58,465 YEAH. EVERY DAY, I'M AMAZED. 133 00:04:58,465 --> 00:05:01,676 SO, UH, HOW LONG ARE YOU HERE FOR THIS TIME? 134 00:05:01,676 --> 00:05:03,470 A WHILE. YOU KNOW, IT GIVES ME A CHANCE 135 00:05:03,470 --> 00:05:05,639 TO GET MORE INVOLVED IN OUR FOOTBALL PROGRAM. 136 00:05:05,639 --> 00:05:08,183 BILLY: OH, OK. CLIFF: I'M STILL IN THE SHADOWS, FOR THE MOST PART, 137 00:05:08,183 --> 00:05:11,186 BUT I THINK IT'S TIME THAT I WAS SEEN 138 00:05:11,186 --> 00:05:13,939 AS SOMETHING MORE THAN JUST A CHECKBOOK. 139 00:05:13,939 --> 00:05:16,024 BILLY: OK. CLIFF: HEY, UH, 140 00:05:16,024 --> 00:05:17,943 YOU EXCITED ABOUT 7-ON-7? 141 00:05:17,943 --> 00:05:19,819 YEAH, MAN, YEAH. I AM. 142 00:05:19,819 --> 00:05:21,112 WE NEED A LITTLE BIT MORE WORK, 143 00:05:21,112 --> 00:05:22,822 BUT I THINK OUR BOYS ARE GONNA BE OK. 144 00:05:22,822 --> 00:05:24,324 THERE'S NOTHING TO WORRY ABOUT. 145 00:05:24,324 --> 00:05:26,326 OFFENSE WILL BE FINE, RUNNING ON ALL CYLINDERS 146 00:05:26,326 --> 00:05:27,994 AS SOON AS JORDAN KNOCKS OFF THE RUST. 147 00:05:27,994 --> 00:05:30,080 SURE, YEAH, AND, UH, AS SOON AS HE GETS 148 00:05:30,080 --> 00:05:31,873 THE EXTRA HELP HE NEEDS FROM THOSE OTHER RECEIVERS. 149 00:05:31,873 --> 00:05:34,334 WELL, IT'S A GOOD THING YOU GOT A FEW WEEKS TILL THE NEXT GAME. 150 00:05:34,334 --> 00:05:36,002 BILLY: YES. CLIFF: MORE THAN ENOUGH TIME 151 00:05:36,002 --> 00:05:38,338 TO GET THINGS CLEANED UP WITH THOSE RECEIVERS. 152 00:05:38,338 --> 00:05:39,506 YUP. 153 00:05:39,506 --> 00:05:40,715 YOU KNOW, WE'LL BE IN TOUCH. 154 00:05:40,715 --> 00:05:42,384 OK. GOOD TO SEE YOU, MAN. 155 00:05:42,384 --> 00:05:43,677 CLIFF: ALL RIGHT, YOU, TOO. BILLY: GOOD TO SEE YOU. 156 00:05:43,677 --> 00:05:45,804 HA HA! COACH BAKER! 157 00:05:51,184 --> 00:05:53,853 OLIVIA: WAIT, JORDAN ENDED PRACTICE? 158 00:05:53,853 --> 00:05:57,732 YEP. THE VIBE BETWEEN HIM AND YOUR POPS ON THAT FIELD RIGHT NOW IS BANANAS. 159 00:05:57,732 --> 00:06:00,068 OBVIOUSLY, COACH BAKER GOING EASY ON HIM OUT OF GUILT. 160 00:06:00,068 --> 00:06:03,613 AND JORDAN'S TESTING THE BOUNDARIES, SEEING HOW MUCH HE CAN GET AWAY WITH. 161 00:06:03,613 --> 00:06:05,156 SURPRISE, SURPRISE. 162 00:06:05,156 --> 00:06:07,117 THE MORE HE ALLOWS JORDAN TO QUESTION HIS AUTHORITY, 163 00:06:07,117 --> 00:06:08,910 THE MORE EVERYBODY ELSE GONNA DO THE SAME. 164 00:06:08,910 --> 00:06:11,913 AND ONCE THAT HAPPENS, IT'S OVER. OUR TEAM IS AS GOOD AS DONE. 165 00:06:11,913 --> 00:06:15,834 GREAT. YET ANOTHER REASON PUSHING YOU TOWARDS CHOOSING SOUTH CRENSHAW. 166 00:06:15,834 --> 00:06:18,795 I AIN'T EXACTLY FEELIN' THEM, EITHER. 167 00:06:18,795 --> 00:06:21,131 OH, YEAH, 'CAUSE OF DARNELL. 168 00:06:21,131 --> 00:06:23,717 ARE YOU READY TO TALK TO YOUR DAD YET? 169 00:06:23,717 --> 00:06:25,719 AND SAY WHAT? 170 00:06:25,719 --> 00:06:28,221 I'M SORRY. I JUST-- 171 00:06:28,221 --> 00:06:30,390 I KNOW THE WHOLE DARNELL THING SUCKS. 172 00:06:30,390 --> 00:06:33,560 LOOK, 7 YEARS RAISING ANOTHER MAN'S CHILD IS A LONG TIME. 173 00:06:36,521 --> 00:06:39,232 OLIVIA: WHAT IS IT? SPENCER: IT'S CHRIS. 174 00:06:39,232 --> 00:06:41,735 HIS DOCTOR CLEARED HIM TO RUN AGAIN. 175 00:06:41,735 --> 00:06:44,988 BARRING ANY SETBACKS, HE SHOULD BE GOOD FOR THE SEASON OPENER THIS FALL. 176 00:06:44,988 --> 00:06:47,991 I MEAN, THAT'S AMAZING. GOOD FOR HIM. 177 00:06:47,991 --> 00:06:50,076 AND BEFORE YOU SAY ANYTHING, HIM BREAKING UP WITH YOU 178 00:06:50,076 --> 00:06:52,412 HAD NOTHING TO DO WITH HIS PROGRESS, A'IGHT? 179 00:06:52,412 --> 00:06:55,206 WAIT. BUT WITH DARNELL ON THE TEAM, WILL CHRIS 180 00:06:55,206 --> 00:06:58,001 EVEN HAVE A QB1 SPOT TO GO BACK TO? 181 00:06:58,001 --> 00:07:01,421 LET ME WORRY ABOUT THAT. 182 00:07:01,421 --> 00:07:03,923 DISTANT BOY: HEY, YO! 183 00:07:09,262 --> 00:07:12,182 GUESS WHO I JUST EXCHANGED NUMBERS WITH. 184 00:07:12,182 --> 00:07:13,683 WHO? 185 00:07:13,683 --> 00:07:15,268 MRS. JANELLE COOPER. 186 00:07:15,268 --> 00:07:17,437 COOP: MOMS HIT YOU UP? PATIENCE: YUP. 187 00:07:17,437 --> 00:07:19,147 COOP: WOW. PATIENCE: I KNOW. 188 00:07:19,147 --> 00:07:22,442 GOT THROUGH TO YOUR MOM, SO...AT LEAST SHE'S TRYING. 189 00:07:22,442 --> 00:07:24,778 GOOD TO SEE ONE OF US STILL MAKING FRIENDS. 190 00:07:24,778 --> 00:07:26,988 EVER SINCE THAT WHOLE SNITCH THI-- 191 00:07:26,988 --> 00:07:29,240 MY CIRCLE DONE GOT SMALLER AND SMALLER. 192 00:07:29,240 --> 00:07:31,242 WHO CARES? YOU GOT ME, 193 00:07:31,242 --> 00:07:33,119 YOU GOT SPENCE, YOUR PARENTS. 194 00:07:33,119 --> 00:07:34,788 I THINK THAT'S A PRETTY GOOD CIRCLE. 195 00:07:34,788 --> 00:07:36,289 MMM. OK? 196 00:07:36,289 --> 00:07:37,999 MM-HMM. 197 00:07:37,999 --> 00:07:40,210 BOY, RAPPING: ♪ ...HE GOT ON HIS "I DO ALL MY HOMEWORK, TOO"s ♪ 198 00:07:40,210 --> 00:07:42,796 ♪ YOU REALLY ASKIN' FOR IT, I GOT TO LYRICALLY INJURE YOU ♪ 199 00:07:42,796 --> 00:07:45,298 ♪ WHY YOU STILL WEARIN' THIS BOOK BAG FROM MIDDLE SCHOOL? ♪ 200 00:07:45,298 --> 00:07:47,133 ♪ I'M A PRINCE, BUT MY RAIN AIN'T PURPLE ♪ 201 00:07:47,133 --> 00:07:50,637 YO, SINCE WHEN DID ERIK WEAK ASS START BULLYING CATS? 202 00:07:50,637 --> 00:07:53,181 I AIN'T BEEN M.I.A. FROM SCHOOL THAT LONG. 203 00:07:53,181 --> 00:07:55,517 ♪ ALL YOU'RE REALLY MISSIN' IS A FLAG WITH A RAINBOW ♪ 204 00:07:55,517 --> 00:07:57,477 ♪ WHY YOU QUIET? YOU AIN'T MAKIN' NO NOISE ♪ 205 00:07:57,477 --> 00:08:00,647 COOP: NAW, THIS IS NONSENSE. I GOT TO DEAD THIS. 206 00:08:00,647 --> 00:08:02,565 ERIK: ♪ I GUESS THAT MEAN I'M RIGHT, HE REALLY DO LIKE BOYS ♪ 207 00:08:02,565 --> 00:08:04,567 COOP: HEY, YO, MAN, WHAT THE HELL IS YOUR PROBLEM? 208 00:08:04,567 --> 00:08:07,570 OH, SO NOW THE SNITCH WANT TO TAKE UP FOR ALL THE FOOLS. 209 00:08:07,570 --> 00:08:10,323 BOY: HA HA! ERIK: MAN, WHATEVER. MISS ME WITH THAT. 210 00:08:10,323 --> 00:08:12,992 THE ONLY THING FUNNY IS THEM WACK-ASS BARS YOU SPITTIN'. 211 00:08:12,992 --> 00:08:14,994 BITCH, WHAT YOU SAY? 212 00:08:14,994 --> 00:08:16,996 "BITCH"? 213 00:08:16,996 --> 00:08:18,998 HEY, LISTEN, FIRST OF ALL, 214 00:08:18,998 --> 00:08:21,209 TELL YOUR BARBER TO GO BACK TO SCHOOL. 215 00:08:21,209 --> 00:08:22,711 ♪ THAT FADE WACK, YOU PUSH BACK ♪ 216 00:08:22,711 --> 00:08:24,754 ♪ AND STEPPED ON LIKE THEM DAMN SHOES ♪ 217 00:08:24,754 --> 00:08:27,507 ♪ PICK ON SOMEBODY YOUR OWN SIZE, YOUR OWN KIND ♪ 218 00:08:27,507 --> 00:08:29,843 ♪ BROKE, UGLY, WITH A "I JUST NEED SOME BREAD" SIGN ♪ 219 00:08:29,843 --> 00:08:33,179 ♪ YOU'RE NOT TOUGH, YOU CAN STOP IT 'FORE I RUN ALL IN YOUR POCKETS ♪ 220 00:08:33,179 --> 00:08:36,099 ♪ MAKE YOU REALLY SHOW ME GANGSTA, DO IT RIGHT HERE WHILE THEY WATCHIN' ♪ 221 00:08:36,099 --> 00:08:37,976 BOY: WHAT? COOP: YEAH, I THOUGHT SO, BOY. 222 00:08:37,976 --> 00:08:40,687 ♪ NOW GO TO CLASS, GO AND LEARN SOMETHIN', BOY ♪ 223 00:08:40,687 --> 00:08:42,939 ♪ AND WATCH YOUR MOUTH 'CAUSE YOU AIN'T GROWN, LI'L BOY ♪ 224 00:08:42,939 --> 00:08:46,151 ♪ NOW RUN AND TELL 'EM COOP DID IT. WHO ARE YOU KIDDIN'? ♪ 225 00:08:46,151 --> 00:08:48,653 ♪ YOU KNOW I DO THIS FOR A LIVIN' ♪ 226 00:08:48,653 --> 00:08:50,864 PATIENCE: DAMN. I'M SORRY, 227 00:08:50,864 --> 00:08:52,866 BUT YOU--YOU JUST GOT COOPED. 228 00:08:54,659 --> 00:08:57,203 STUDENTS, CHANTING: COOPED! YOU GOT COOPED! 229 00:08:57,203 --> 00:08:59,748 YOU GOT COOPED! YOU GOT COOPED... 230 00:08:59,748 --> 00:09:01,750 PATIENCE: YOU SEE THIS? 231 00:09:05,670 --> 00:09:07,338 YOU STILL HERE. 232 00:09:07,338 --> 00:09:09,883 7 DAYS OF SILENCE. NOW YOU WANT TO TALK? 233 00:09:09,883 --> 00:09:12,886 WHAT, I CAN'T GET A FEW DAYS TO MYSELF, SOME TIME TO PROCESS 234 00:09:12,886 --> 00:09:15,680 THE REAL REASON YOU ABANDONED YOUR FAMILY AFTER 8 YEARS? 235 00:09:15,680 --> 00:09:18,683 ONE THING I CAN COUNT ON IS YOU WILL ALWAYS SPEAK YOUR MIND, SON. 236 00:09:18,683 --> 00:09:20,393 HEY, WHATEVER, MAN. YOU STILL WANT ME 237 00:09:20,393 --> 00:09:22,270 TO COME PLAY FOR YOU AT SOUTH CRENSHAW OR WHAT? 238 00:09:22,270 --> 00:09:24,773 OF COURSE I DO, BUT MORE IMPORTANTLY, 239 00:09:24,773 --> 00:09:28,067 I WANT TO MAKE THINGS RIGHT BETWEEN ME AND YOU. 240 00:09:28,067 --> 00:09:29,903 I CAN GIVE YOU BOTH, 241 00:09:29,903 --> 00:09:32,071 UNDER ONE CONDITION. 242 00:09:32,071 --> 00:09:33,865 SEND DARNELL BACK TO NEVADA. 243 00:09:33,865 --> 00:09:37,076 WAIT A MINUTE, SON. ARE YOU GIVING ME AN ULTIMATUM? 244 00:09:37,076 --> 00:09:42,040 EVER SINCE YOU GOT BACK, ALL YOU'VE DONE IS GIVEN ME ULTIMATUMS, SO YEAH. 245 00:09:43,792 --> 00:09:46,503 EITHER ME 246 00:09:46,503 --> 00:09:49,130 OR DARNELL. 247 00:10:00,350 --> 00:10:02,310 SO HOW WAS PRACTICE WITH DAD? 248 00:10:02,310 --> 00:10:05,021 GREAT. YOU KNOW, JUST CALLING MORE AUDIBLES, 249 00:10:05,021 --> 00:10:08,233 BEING MORE VOCAL, YOU KNOW, BASIC STUFF. 250 00:10:08,233 --> 00:10:11,194 EMOTIONALLY SHAKING DAD DOWN? 251 00:10:11,194 --> 00:10:13,238 ADMIT IT. YOU ARE PREYING 252 00:10:13,238 --> 00:10:15,448 ON HIS GUILT, USING YOUR POWERS FOR EVIL. 253 00:10:15,448 --> 00:10:16,658 WHAT? 254 00:10:16,658 --> 00:10:18,451 LAURA: HEY, LIV, 255 00:10:18,451 --> 00:10:21,746 I HAVE SOMETHING I THINK WOULD BE REALLY GOOD FOR YOU. 256 00:10:21,746 --> 00:10:24,165 IN FACT, IT HAS YOU WRITTEN ALL OVER IT. 257 00:10:24,165 --> 00:10:26,209 OLIVIA: "SOLA MUSE"? LAURA: YEAH, 258 00:10:26,209 --> 00:10:27,961 THEY HELP YOU DEVELOP YOUR LEADERSHIP SKILLS 259 00:10:27,961 --> 00:10:30,129 AND THEY DO PHILANTHROPIC WORK IN THE COMMUNITY, 260 00:10:30,129 --> 00:10:33,883 AND IT WOULD LOOK REALLY GOOD ON YOUR COLLEGE APPLICATIONS. 261 00:10:33,883 --> 00:10:35,218 OK. 262 00:10:35,218 --> 00:10:38,680 AND THE BEST PART IS THERE IS A COTILLION 263 00:10:38,680 --> 00:10:41,516 AT THE END OF THE YEAR TO CELEBRATE YOUR EFFORTS. 264 00:10:41,516 --> 00:10:44,227 JORDAN, CHUCKLING: WAIT, WAIT, WAIT. OH, WAIT. 265 00:10:44,227 --> 00:10:46,020 OLIVIA AT A COTILLION? 266 00:10:46,020 --> 00:10:49,858 YOU MEAN, LIKE DEBUTANTES AND GOWNS AND THE LITTLE WHITE GLOVES? 267 00:10:49,858 --> 00:10:51,359 OH, MAN! 268 00:10:51,359 --> 00:10:53,486 THIS IS GONNA BE TOO GOOD, LIV. 269 00:10:54,696 --> 00:10:56,656 YEAH, I DON'T-- I DON'T KNOW, MOM. 270 00:10:56,656 --> 00:10:59,534 I'M STILL NOT SEEING THE PART THAT HAS ME WRITTEN ALL OVER IT. 271 00:10:59,534 --> 00:11:01,536 COME ON. COMMUNITY OUTREACH, 272 00:11:01,536 --> 00:11:05,373 A STRONG DESIRE TO HELP OTHERS IN NEED? THAT IS SO YOU. 273 00:11:05,373 --> 00:11:07,417 COME ON, HONEY, JUST GIVE IT A SHOT, 274 00:11:07,417 --> 00:11:10,545 AND IF YOU DON'T LIKE IT, YOU CAN AT LEAST SAY YOU TRIED. 275 00:11:15,091 --> 00:11:17,093 GRACE: MICAH? 276 00:11:17,093 --> 00:11:19,012 I THOUGHT THAT WAS YOU. 277 00:11:19,012 --> 00:11:20,513 HEY. 278 00:11:20,513 --> 00:11:22,515 HEY. I-- 279 00:11:22,515 --> 00:11:24,934 I HAVEN'T SEEN YOU AROUND SINCE WINTER BREAK. 280 00:11:24,934 --> 00:11:26,853 I'M NO LONGER DOING THE TEACHING ASSISTANT THING. 281 00:11:26,853 --> 00:11:29,564 GRACE: GOOD FOR YOU. MICAH: YOU KNOW, I TRIED CALLING 282 00:11:29,564 --> 00:11:32,150 AND TEXTING, I MEAN, A FEW TIMES, 283 00:11:32,150 --> 00:11:33,860 BUT I NEVER HEARD BACK. 284 00:11:33,860 --> 00:11:35,361 SORRY ABOUT THAT. 285 00:11:35,361 --> 00:11:37,488 MY LIFE GOT A LITTLE COMPLICATED. 286 00:11:37,488 --> 00:11:39,490 YOU KNOW, YOU COULD HAVE JUST TOLD ME THAT 287 00:11:39,490 --> 00:11:41,284 INSTEAD OF GHOSTING ME, RIGHT? 288 00:11:41,284 --> 00:11:43,536 GRACE: YEAH. MICAH: SO, OK, LOOK, UM, 289 00:11:43,536 --> 00:11:45,830 I'M GLAD TO SEE YOU'RE DOING WELL. 290 00:11:47,582 --> 00:11:49,542 TAKE CARE. 291 00:11:52,462 --> 00:11:55,465 CHIEF WAKIL: ♪ WHAT YOU KNOW ABOUT THIS GOOD LIFE? ♪ 292 00:11:55,465 --> 00:11:58,176 ♪ IF IT AIN'T THIS, IT DON'T LOOK RIGHT ♪ 293 00:11:58,176 --> 00:12:00,678 OH. OH, WE'RE DOING IT LIKE THAT. OK. 294 00:12:00,678 --> 00:12:02,555 LAYLA: MM-HMM. SPENCER: LET ME SEE. 295 00:12:02,555 --> 00:12:04,557 I HEAR WHAT SOUNDS LIKE EARRINGS 296 00:12:04,557 --> 00:12:06,726 BOUNCING OFF YOUR SUNGLASSES, SO 297 00:12:06,726 --> 00:12:09,854 THIS MUST BE MY NEW BAE. H.E.R.? 298 00:12:09,854 --> 00:12:11,648 UH, FLATTERING, BUT NO. 299 00:12:11,648 --> 00:12:13,858 OK. ALL RIGHT. CHECK THIS OUT. 300 00:12:13,858 --> 00:12:15,860 I SMELL FLOWERS. 301 00:12:15,860 --> 00:12:17,654 PEONIES? 302 00:12:17,654 --> 00:12:19,656 WAIT. YOU KNOW WHAT PEONIES SMELL LIKE? 303 00:12:19,656 --> 00:12:22,992 HEY, LOW KEY, BOY KNOWS HIS WAY AROUND A GARDEN. 304 00:12:22,992 --> 00:12:27,080 ALL RIGHT, I TOOK HORTICULTURE LAST SEMESTER. IT WAS THE ONLY ELECTIVE. 305 00:12:29,457 --> 00:12:31,125 LAYLA: WHAT? SPENCER: NOTHING. 306 00:12:31,125 --> 00:12:32,335 YOU'VE JUST BEEN KIND OF DISTANT 307 00:12:32,335 --> 00:12:34,170 THE LAST FEW DAYS. 308 00:12:34,170 --> 00:12:37,215 I FIGURED YOU WERE STILL MAD OVER ALL THE QUESTIONS ABOUT YOUR POPS. 309 00:12:37,215 --> 00:12:38,716 NO, WE'RE GOOD. 310 00:12:38,716 --> 00:12:41,427 OK, SO WHEN'D YOU BUY THE NEW PERFUME? 311 00:12:41,427 --> 00:12:43,096 UH, NOT ME. MY DAD. 312 00:12:43,096 --> 00:12:44,973 THE PERFUME, THE EARRINGS, 313 00:12:44,973 --> 00:12:46,641 GOT A NEW WALLET FULL OF CASH. 314 00:12:46,641 --> 00:12:48,226 ALL VERY EXPENSIVE BRIBES. 315 00:12:48,226 --> 00:12:49,435 OK. OK. 316 00:12:49,435 --> 00:12:51,437 THOSE BRACELETS A BRIBE, TOO? 317 00:12:51,437 --> 00:12:54,691 UH, NO, I JUST-- SOMETHING I GOT FOR MYSELF. 318 00:12:54,691 --> 00:12:56,693 WHAT'S THE POINT OF HAVING CASH IF YOU CAN'T SPEND IT, RIGHT? 319 00:12:56,693 --> 00:12:58,778 DAMN. IT'S LIKE THAT, KYLIE JENNER? 320 00:12:58,778 --> 00:13:01,781 HEH! LOOK, IF THERE'S ONE THING I LEARNED FROM QUITTING STU-CO... 321 00:13:01,781 --> 00:13:03,449 SPENCER: MM-HMM? LAYLA: IT'S, LIKE, YOU GOT 322 00:13:03,449 --> 00:13:05,660 TO LIVE, SPENCER, YOU GOT TO BE SELFISH, 323 00:13:05,660 --> 00:13:08,371 YOU GOT TO DO WHAT MAKES YOU HAPPY, 324 00:13:08,371 --> 00:13:10,748 LIKE YOU THINKING ABOUT GETTING RID OF DARNELL. 325 00:13:13,251 --> 00:13:16,462 SPEAKING OF THINGS THAT MAKE US HAPPY... 326 00:13:16,462 --> 00:13:20,216 KALI UCHIS: ♪ DIMELO, DIMELO, DIMELO ♪ 327 00:13:21,718 --> 00:13:25,096 ♪ ALL I HEAR IS SIRENS... ♪ 328 00:13:25,096 --> 00:13:27,890 WAIT, WAIT. CLASS ABOUT TO START. 329 00:13:27,890 --> 00:13:29,892 ♪ WOULD YOU BE A TYRANT? ♪ 330 00:13:29,892 --> 00:13:31,936 ♪ IF I GAVE YOU POWER... ♪ SPENCER: LAYLA, 331 00:13:31,936 --> 00:13:34,147 I CAN'T BELIEVE I'M SAYING THIS, BUT WE'VE GOT TO SLOW DOWN. 332 00:13:34,147 --> 00:13:35,815 I MISSED YOU. 333 00:13:35,815 --> 00:13:37,817 BABY, I MISSED YOU, TOO, I MISSED YOU, TOO, 334 00:13:37,817 --> 00:13:39,193 BUT WE AIN'T GOT TIME FOR THIS. 335 00:13:39,193 --> 00:13:40,987 OF COURSE WE DO. 336 00:13:40,987 --> 00:13:43,197 ♪ YOUR LOVIN' IS LIKE A KALEIDOSCOPE ♪ 337 00:13:44,907 --> 00:13:46,701 OOPS. GUESS WE DON'T. 338 00:13:46,701 --> 00:13:49,412 SPENCER: OH, SH... 339 00:13:49,412 --> 00:13:52,415 ♪ ROUND AND ROUND AND ROUND AND ROUND AND... ♪ 340 00:13:52,415 --> 00:13:55,543 ♪ OOH... ♪ 341 00:14:00,214 --> 00:14:04,469 ♪ I'M GOING ROUND AND AROUND AND AROUND, GOING DOWN, DOWN ♪ 342 00:14:04,469 --> 00:14:06,804 OH, DUDE, THEY'RE HAVING A DAY PARTY 343 00:14:06,804 --> 00:14:09,390 AT MAX'S ON MONDAY. STARTS AROUND 4:00. 344 00:14:09,390 --> 00:14:11,184 OK, YEAH. WE'RE THERE. 345 00:14:11,184 --> 00:14:13,686 ASHER: NOT TO BE THAT GUY AGAIN, BUT WE'LL STILL BE AT PRACTICE. 346 00:14:13,686 --> 00:14:15,813 YEAH, OK, AND I'LL JUST CALL IT EARLY AGAIN. 347 00:14:15,813 --> 00:14:19,942 ROCHELLE: YOU SURE CALLING PRACTICE AGAIN EARLY IS A GOOD IDEA, JORDAN? 348 00:14:19,942 --> 00:14:21,861 QUESTION. 349 00:14:21,861 --> 00:14:23,780 JORDAN: HMM? ROCHELLE: WHAT HAPPENED TO THE JORDAN BAKER WHO THREW 350 00:14:23,780 --> 00:14:27,950 FOR 292 YARDS AND 3 TOUCHDOWNS AT STATE CHAMPIONSHIP? 351 00:14:27,950 --> 00:14:32,371 WHAT, IS HE STILL TOO BUSY CHASING THOT POCKETS FROM WINTER BREAK? 352 00:14:32,371 --> 00:14:34,499 YEAH, WORD GETS AROUND FAST. 353 00:14:34,499 --> 00:14:37,001 LOOK, WHAT DOES IT MATTER TO YOU, ROCHELLE, ALL RIGHT? 354 00:14:37,001 --> 00:14:39,712 SHOULDN'T YOU BE FOCUSED ON YOUR INTERN JOB AT THAT AGENCY? 355 00:14:39,712 --> 00:14:41,714 LOOK, I'M STILL BEVERLY FOR LIFE, 356 00:14:41,714 --> 00:14:44,550 AND MORE IMPORTANTLY, I HAVE PRIDE. 357 00:14:44,550 --> 00:14:48,221 MAYBE YOU GUYS SHOULD PLAY WITH THAT A LITTLE MORE. 358 00:14:48,221 --> 00:14:50,223 BYE. 359 00:14:50,223 --> 00:14:52,308 SHE'S NOT WRONG. 360 00:14:52,308 --> 00:14:54,227 OH, GOD. YOU, TOO? 361 00:14:54,227 --> 00:14:57,188 I FIGURED, WITH YOUR DAD BEING BACK, YOU'D BE MORE COMMITTED TO THE TEAM. 362 00:14:57,188 --> 00:15:00,900 HONESTLY, YOU'VE BECOME KIND OF A DISTRACTION, MAN. 363 00:15:00,900 --> 00:15:03,111 JORDAN: YOU'RE CALLING ME A DISTRACTION AFTER EVERYTHING 364 00:15:03,111 --> 00:15:05,029 YOU PUT OUR TEAM THROUGH LAST SEASON, REALLY? 365 00:15:05,029 --> 00:15:07,740 JJ: HEY, JORDAN, COME ON. EASY. ASHER: NO, HE'S RIGHT, 366 00:15:07,740 --> 00:15:10,910 AND I HAVE TO LIVE WITH THOSE MISTAKES EVERY DAMN DAY, 367 00:15:10,910 --> 00:15:13,412 BUT THAT WAS THEN, OK? 368 00:15:13,412 --> 00:15:15,581 RIGHT NOW, I'M WORKING LIKE CRAZY TO BE 369 00:15:15,581 --> 00:15:18,209 THE BEST TEAMMATE AND LEADER THAT I CAN BE. 370 00:15:18,209 --> 00:15:21,129 THAT'S WHY I'M ON THE FIELD EVERY DAY AFTER PRACTICE, GRINDING. 371 00:15:21,129 --> 00:15:23,923 SAME WAY YOU AND I USED TO GET AFTER IT WHEN WE WERE FRESHMEN. 372 00:15:23,923 --> 00:15:26,092 NO ONE'S GONNA BE ABLE TO QUESTION MY DEDICATION. 373 00:15:26,092 --> 00:15:29,679 WILL THEY BE ABLE TO SAY THE SAME ABOUT YOU? 374 00:15:30,805 --> 00:15:32,682 COOP: ♪ THAT FADE WACK, YOU PUSH BACK ♪ 375 00:15:32,682 --> 00:15:34,517 ♪ AND STEPPED ON LIKE THEM DAMN SHOES ♪ 376 00:15:34,517 --> 00:15:37,270 ♪ PICK ON SOMEBODY YOUR OWN KIND, YOUR OWN SIZE ♪ 377 00:15:37,270 --> 00:15:39,605 ♪ BROKE, UGLY, WITH A "I JUST NEED SOME BREAD" SIGN ♪ 378 00:15:39,605 --> 00:15:41,315 COOP: MMM! MMM! SPENCER: WHOO! HA HA HA! 379 00:15:41,315 --> 00:15:43,234 KID, YOUR GIRL'S A VIRAL LEGEND. 380 00:15:43,234 --> 00:15:46,571 I DON'T KNOW IF 200 LIKES QUALIFIES AS A VIRAL LEGEND. 381 00:15:46,571 --> 00:15:48,197 COOP: MAN, WHATEVER. I TAKE THIS KIND OF LOVE 382 00:15:48,197 --> 00:15:50,116 OVER BEING CALLED A SNITCH ANY DAY. SPENCE: FACT. 383 00:15:50,116 --> 00:15:52,994 YOU TELL SPENCE THAT YOU'RE DOING "OFF THE DOME"? 384 00:15:52,994 --> 00:15:54,996 YOU'RE JOINING THE FREESTYLE BATTLE HERE SATURDAY NIGHT? 385 00:15:54,996 --> 00:15:57,999 YES, SIR. HEY, THE GRAND PRIZE IS $500, BRO. 386 00:15:57,999 --> 00:16:00,376 THAT COULD GO A LONG WAY TOWARDS STUDIO TIME. 387 00:16:00,376 --> 00:16:02,044 SPENCER: YOU SURE? COOP: DEFINITELY. 388 00:16:02,044 --> 00:16:04,505 I MEAN, CHECKING SOME BULLY IN SCHOOL IS ONE THING, 389 00:16:04,505 --> 00:16:06,716 BUT GOING UP AGAINST SOME LEGITIMATE RAPPERS WHO'VE BEEN BATTLING 390 00:16:06,716 --> 00:16:09,051 FOR A MINUTE NOW, THAT'S COMPLETELY DIFFERENT. 391 00:16:09,051 --> 00:16:12,138 YO, I'LL BE GOOD. IT'S LEGIT, LIKE AMATEUR NIGHT. 392 00:16:12,138 --> 00:16:15,641 OK, I MIGHT AS WELL GO IN THERE, SHOOT MY SHOT, AND SEE WHAT HAPPENS. 393 00:16:15,641 --> 00:16:17,643 OK, UH, YOU GUYS WANT SOME REFILLS? 394 00:16:17,643 --> 00:16:20,146 COOP: PLEASE. THANK YOU, BABY. SPENCER: I'M GOOD. 395 00:16:22,773 --> 00:16:24,901 ♪ HERE I GO, HERE I GO, HERE I GO... ♪ 396 00:16:24,901 --> 00:16:26,611 SPENCER: WHAT? COOP: WHAT? 397 00:16:26,611 --> 00:16:28,404 YOUR LEG BEEN SHAKING SINCE WE GOT HERE, 398 00:16:28,404 --> 00:16:30,615 AND YOU ONLY DO THAT WHEN YOU GOT TO TELL ME SOMETHING, 399 00:16:30,615 --> 00:16:33,659 BUT YOU DON'T KNOW HOW TO SAY IT, SO WHAT'S UP? 400 00:16:33,659 --> 00:16:35,995 LOOK, I TOLD MY POPS THAT IF HE WANTS ME 401 00:16:35,995 --> 00:16:37,997 TO COME PLAY FOR HIM AT SOUTH CRENSHAW, 402 00:16:37,997 --> 00:16:40,166 HE GOT TO SEND DARNELL'S ASS BACK TO NEVADA. 403 00:16:40,166 --> 00:16:41,667 HOLD UP. YOU DID WHAT? 404 00:16:41,667 --> 00:16:43,336 CHRIS IS GONNA BE BACK SOON, A'IGHT? 405 00:16:43,336 --> 00:16:45,296 HE'S THE QB1, NOT DARNELL. 406 00:16:45,296 --> 00:16:48,049 HOW WILL I LOOK, NOT HAVING CHRIS' BACK AFTER EVERYTHING I PUT HIM THROUGH? 407 00:16:48,049 --> 00:16:50,051 MAN, SHUT UP. THIS IS NOT ABOUT CHRIS. 408 00:16:50,051 --> 00:16:52,970 THIS IS ABOUT YOU MAKING YOUR DADDY CHOOSE BETWEEN HIS TWO SONS. 409 00:16:52,970 --> 00:16:55,473 SPENCER: DARNELL IS NOT HIS SON. COOP: AND YOU'RE NOT BILLY BAKER'S SON, 410 00:16:55,473 --> 00:16:57,975 BUT YOU STILL CONSIDER HIM FAMILY, DON'T YOU? 411 00:16:57,975 --> 00:17:02,688 WHAT DID MISS GRACE SAY ABOUT ALL THIS, OR DID YOU NOT TELL HER? 412 00:17:03,981 --> 00:17:05,983 OF COURSE YOU DIDN'T 'CAUSE YOU AND I BOTH 413 00:17:05,983 --> 00:17:09,070 KNOW THAT WHOLE ULTIMATUM JUNK WAS SOME STRAIGHT-UP NONSENSE. 414 00:17:09,070 --> 00:17:11,072 LOOK, BRO, THAT'S NOT YOU. 415 00:17:11,072 --> 00:17:13,157 I DON'T CARE HOW MAD YOU ARE. THAT'S NOT YOU. 416 00:17:13,157 --> 00:17:15,326 I'M TIRED OF BEING A RUNNER-UP IN MY FATHER'S LIFE, COOP. 417 00:17:15,326 --> 00:17:18,537 I GET IT, I DO, BUT LET ME ASK YOU SOMETHING. 418 00:17:18,537 --> 00:17:20,539 SAY YOUR DAD DOES CHOOSE YOU. 419 00:17:20,539 --> 00:17:22,875 WHAT'S WAITING BACK HOME FOR DARNELL? 420 00:17:22,875 --> 00:17:26,754 HOW DO WE KNOW IT AIN'T SOME OLD CRAZY SITUATION? 421 00:17:35,638 --> 00:17:37,557 MY POPS HOME? 422 00:17:37,557 --> 00:17:39,392 NAH, HE STEPPED OUT FOR A LITTLE, 423 00:17:39,392 --> 00:17:41,269 BUT YOU CAN WAIT IN HERE IF YOU WANT. 424 00:17:41,269 --> 00:17:43,062 NO, I'M GOOD. 425 00:17:44,522 --> 00:17:46,148 YOU LEAVING? 426 00:17:46,148 --> 00:17:48,276 YEAH, WELL, LOOK, MAN, THE ONLY REASON 427 00:17:48,276 --> 00:17:50,403 WHY I CAME OUT HERE WAS TO PLAY BALL FOR COREY. 428 00:17:50,403 --> 00:17:53,614 THE LAST THING I WANTED TO DO WAS DRIVE Y'ALL APART. 429 00:17:53,614 --> 00:17:57,743 CATCHING THE BUS BACK TO NEVADA TOMORROW. 430 00:17:57,743 --> 00:18:00,037 WHAT? YOU AIN'T GOT NOTHING TO SAY? 431 00:18:00,037 --> 00:18:02,999 I MEAN, 'CAUSE THIS IS WHAT YOU WANTED, RIGHT? 432 00:18:17,263 --> 00:18:20,599 HEY, YOU REMEMBER THAT RECEIVER FROM PORTER RANCH 433 00:18:20,599 --> 00:18:23,269 WHO SHREDDED US FOR 3 TOUCHDOWNS LAST SEASON? 434 00:18:23,269 --> 00:18:25,980 BILLY: UH, TONY WRIGHT? CLIFF: YEAH. 435 00:18:25,980 --> 00:18:29,191 A.D. HART JUST PUT IN A REQUEST FOR HIS TRANSFER. 436 00:18:29,191 --> 00:18:31,694 HEY, HOLD UP. 437 00:18:31,694 --> 00:18:33,946 MY ATHLETIC DIRECTOR PUT IN A REQUEST? 438 00:18:33,946 --> 00:18:35,948 AT MY STRONG SUGGESTION, YEAH. 439 00:18:35,948 --> 00:18:38,159 WRIGHT WILL BE HERE ON MONDAY. 440 00:18:38,159 --> 00:18:40,411 AND NOBODY THOUGHT TO CHECK WITH ME ABOUT THIS? 441 00:18:40,411 --> 00:18:42,455 WE THOUGHT YOU'D BE ECSTATIC; YOU WERE THE ONE THROWING 442 00:18:42,455 --> 00:18:45,541 EVERY RECEIVER NOT NAMED SPENCER JAMES UNDER THE BUS THE OTHER DAY. 443 00:18:45,541 --> 00:18:48,044 NO, THAT WAS ME COMMENTING ON PRACTICE. 444 00:18:48,044 --> 00:18:50,046 LOOK, LOOK, THIS IS MY TEAM. 445 00:18:50,046 --> 00:18:51,797 YOU KNOW, IF THERE'S A LEAK IN THE SHIP, 446 00:18:51,797 --> 00:18:53,841 THEN I'MA BE THE ONE TO PATCH IT UP. 447 00:18:53,841 --> 00:18:56,844 LOOK, HERE'S THE HARD REALITY, BILLY. 448 00:18:56,844 --> 00:19:00,014 COACHES COME AND GO, OK? THIS ISN'T YOUR TEAM. 449 00:19:00,014 --> 00:19:03,184 THIS IS BEVERLY'S TEAM, WHICH EFFECTIVELY MAKES IT MY TEAM, 450 00:19:03,184 --> 00:19:05,227 GIVEN MY POSITION AS LEAD BOOSTER. 451 00:19:05,227 --> 00:19:09,148 NOW I WARNED YOU, MORE THAN A CHECKBOOK, REMEMBER? 452 00:19:09,148 --> 00:19:12,818 UH, DO YOU STAB ALL YOUR FRIENDS IN THE BACK LIKE THIS? 453 00:19:12,818 --> 00:19:15,821 BECAUSE YOU WERE ON THE HIRING COMMITTEE. 454 00:19:15,821 --> 00:19:18,824 YOU PICKED ME TO LEAD THIS TEAM, 455 00:19:18,824 --> 00:19:21,160 SO WHEN--WHEN DID I LOSE YOUR CONFIDENCE? 456 00:19:21,160 --> 00:19:23,371 YOU HAVEN'T, AND AS LONG AS YOU'RE OK 457 00:19:23,371 --> 00:19:25,873 WITH THIS BUDDING PARTNERSHIP, 458 00:19:25,873 --> 00:19:28,084 YOU'RE STILL IN GOOD STANDING. 459 00:19:28,084 --> 00:19:29,919 MONDAY. 460 00:19:29,919 --> 00:19:33,964 CLIFF: IT'S GONNA BE A REALLY GOOD DAY ON MONDAY. 461 00:19:36,217 --> 00:19:38,010 I THOUGHT YOU SAID YOU NEEDED TO TALK. 462 00:19:38,010 --> 00:19:40,513 SPENCER: HEY, MY BAD, MAN. JORDAN: YO, FOR WHAT? 463 00:19:40,513 --> 00:19:43,224 FOR TURNING YOUR WORLD UPSIDE DOWN WHEN I MOVED HERE. 464 00:19:43,224 --> 00:19:45,226 I DON'T THINK I EVER REALLY APOLOGIZED FOR THAT. 465 00:19:45,226 --> 00:19:47,561 WHAT? WHO CARES? THAT WAS MONTHS AGO. 466 00:19:47,561 --> 00:19:49,772 I MEAN, YEAH, WE HAD SOME DRAMA IN THE BEGINNING, 467 00:19:49,772 --> 00:19:51,774 BUT WE FOUND A WAY PAST IT. 468 00:19:51,774 --> 00:19:54,610 LOOK, YOU'RE--YOU'RE FAMILY NOW, SPENCE. 469 00:19:55,986 --> 00:19:57,988 HOW EXACTLY DID YOU GET PAST IT? 470 00:19:57,988 --> 00:19:59,490 DUDE, SERIOUSLY? WHY YOU ALL UP IN 471 00:19:59,490 --> 00:20:01,367 YOUR FEELINGS RIGHT NOW? WE'RE IN THE MIDDLE OF-- 472 00:20:01,367 --> 00:20:03,035 JORDAN. 473 00:20:04,870 --> 00:20:07,206 MY--MY BAD. OK. UM, 474 00:20:07,206 --> 00:20:10,209 LOOK, I GUESS I JUST GOT TO KNOW YOU 475 00:20:10,209 --> 00:20:12,920 FOR WHO YOU REALLY ARE, YOU KNOW, AND EVENTUALLY 476 00:20:12,920 --> 00:20:15,923 IT CLICKED THAT MY BEEF WAS NEVER REALLY WITH YOU. 477 00:20:15,923 --> 00:20:18,467 IT WAS ABOUT ME AND MY DAD AND OUR ISSUES. 478 00:20:18,467 --> 00:20:21,303 WELL, PLUS--HEH!-- EVERY SINGLE TIME ASH AND I 479 00:20:21,303 --> 00:20:23,889 TRIED TO BLOW UP YOUR SPOT AND GET YOU SENT BACK TO CRENSHAW, 480 00:20:23,889 --> 00:20:25,891 IT JUST KEPT BITING US IN THE ASS. 481 00:20:25,891 --> 00:20:27,518 YEAH. YEAH, Y'ALL REALLY GOT ME DRUNK 482 00:20:27,518 --> 00:20:29,562 BEFORE I HAD TO SHOW OFF FOR THOSE BOOSTERS. 483 00:20:29,562 --> 00:20:31,397 WE DID, DIDN'T WE? YEAH. 484 00:20:31,397 --> 00:20:32,773 Y'ALL CRAZY, MAN. 485 00:20:32,773 --> 00:20:34,984 FUN TIMES. 486 00:20:36,569 --> 00:20:38,571 HEY, WHAT--YOU OUT OF HERE ALREADY? 487 00:20:38,571 --> 00:20:40,239 YEAH, MAN. I'LL BE BACK. 488 00:20:40,239 --> 00:20:42,283 I GOT TO HANDLE SOMETHING THAT AIN'T SITTIN' RIGHT. 489 00:20:42,283 --> 00:20:46,245 OK. HEY, REAL QUICK, DO YOU THINK I'M BEING A DISTRACTION TO THE TEAM? 490 00:20:46,245 --> 00:20:47,538 100%, 491 00:20:47,538 --> 00:20:49,081 BUT I GET IT. 492 00:20:49,081 --> 00:20:50,624 YOU AND COACH STILL WORKING THROUGH YOUR ISSUES. 493 00:20:50,624 --> 00:20:52,543 NO DIFFERENT THAN ME AND MY POPS. 494 00:20:58,591 --> 00:21:01,886 IT'S KIND OF CUTE IN HERE. OK. 495 00:21:01,886 --> 00:21:03,554 WE'RE OFF TO A DECENT START. 496 00:21:03,554 --> 00:21:04,972 NICE. 497 00:21:08,142 --> 00:21:12,229 OK. I TAKE THAT BACK. THEY ARE ALL DRESSED IN WHITE. 498 00:21:12,229 --> 00:21:15,858 WHAT IN "THE STEPFORD WIVES" IS GOING ON? 499 00:21:15,858 --> 00:21:18,652 PLEASE GIVE ME A REASON TO BACK OUT. 500 00:21:18,652 --> 00:21:22,865 I WILL SWING BY AND HELP YOU WITH SOMETHING, ANYTHING. 501 00:21:22,865 --> 00:21:24,283 NICE TRY. 502 00:21:24,283 --> 00:21:26,202 NOW'S NOT REALLY A GOOD TIME. 503 00:21:26,202 --> 00:21:28,329 I'VE ACTUALLY GOT SOME ERRANDS TO RUN. 504 00:21:28,329 --> 00:21:29,955 WELL, IF YOU DON'T HEAR FROM ME IN A FEW HOURS, 505 00:21:29,955 --> 00:21:31,832 SEND A SEARCH PARTY. 506 00:21:38,756 --> 00:21:40,466 WE JUST GO RIGHT IN THERE. 507 00:21:40,466 --> 00:21:41,634 OH. SORRY. 508 00:21:41,634 --> 00:21:42,885 -HEY. -OH. 509 00:21:42,885 --> 00:21:44,470 YOU OUT ALREADY? 510 00:21:44,470 --> 00:21:47,431 YEAH. WAIT. I KNOW YOU. YOU'RE SPENCER'S EX. 511 00:21:47,431 --> 00:21:49,767 I WOULD LOVE TO BE KNOWN AS SOMETHING OTHER THAN THAT. 512 00:21:49,767 --> 00:21:51,894 I'M SORRY. UM, OLIVIA. 513 00:21:51,894 --> 00:21:53,729 WE MET AT THE PARK CLEANUP. 514 00:21:53,729 --> 00:21:55,773 YEAH, I REMEMBER. YOU GOING IN? 515 00:21:55,773 --> 00:22:01,111 UH, NOT ANYMORE. KIND OF NOT DRESSED FOR THE OCCASION. 516 00:22:01,111 --> 00:22:03,155 THAT'S WHAT I GET FOR NOT READING THE BROCHURE. 517 00:22:03,155 --> 00:22:06,075 NOT HAVING DRESSED APPROPRIATELY THESE WOMEN CAN FORGIVE. 518 00:22:06,075 --> 00:22:10,246 STANDING THEM UP? NOT SO MUCH. COME ON. YOU'LL BE FINE. 519 00:22:10,246 --> 00:22:14,458 FULL DISCLOSURE: I'M ONLY DOING THIS FOR MY MOM. 520 00:22:14,458 --> 00:22:17,503 I GET THE SENSE THAT THIS IS HER WAY OF PROVING 521 00:22:17,503 --> 00:22:19,964 SHE CAN RAISE ME ANCHORED TO MY BLACK CULTURE 522 00:22:19,964 --> 00:22:21,632 WITHOUT MY DAD AROUND. 523 00:22:21,632 --> 00:22:23,884 OK. MRS. BAKER. I HEAR THAT. 524 00:22:23,884 --> 00:22:27,805 ME, ON THE OTHER HAND, I HAD NO CHOICE. I'M THIRD GENERATION. 525 00:22:27,805 --> 00:22:30,724 BOTH MY MOM AND GRANNY WERE COTILLIONAIRES. 526 00:22:30,724 --> 00:22:32,101 OUR FAMILY'S BIG ON TRADITION. 527 00:22:32,101 --> 00:22:34,186 THAT'S AWESOME. 528 00:22:34,186 --> 00:22:36,355 GOOD EVENING, COTILLIONAIRES. WELCOME TO SOLA MUSE. 529 00:22:36,355 --> 00:22:39,108 JUST STOPPING BY TO GIVE YOU YOUR QUESTIONNAIRE PACKETS. 530 00:22:39,108 --> 00:22:43,362 SO FEEL FREE TO FILL IT OUT HERE OR WHEN YOU GET HOME. 531 00:22:43,362 --> 00:22:45,823 THANK YOU. 532 00:22:47,366 --> 00:22:49,743 THANKS. 533 00:22:49,743 --> 00:22:55,291 FIRST QUESTION UP, WHO ARE YOU? 534 00:22:55,291 --> 00:22:57,710 YEAH, I'M PRETTY SURE I ANSWERED THIS 535 00:22:57,710 --> 00:22:59,712 SHORT ESSAY QUESTION IN THIRD GRADE. 536 00:22:59,712 --> 00:23:03,382 HA HA! AND WHAT DO YOU SEE AS YOUR CONTRIBUTION TO THE WORLD? 537 00:23:03,382 --> 00:23:06,385 THAT'S EASY. PROGRESS FOR OUR PEOPLE. 538 00:23:21,358 --> 00:23:23,444 -DARNELL JUST LEFT? -YUP. 539 00:23:23,444 --> 00:23:26,280 INSISTED ON GETTING HISSELF TO THE BUS STATION. 540 00:23:26,280 --> 00:23:30,659 FOR THE RECORD, I DIDN'T CHOOSE BETWEEN EITHER OF YOU. 541 00:23:30,659 --> 00:23:34,330 IT WAS DARNELL'S DECISION TO GO BACK HOME. 542 00:23:34,330 --> 00:23:35,664 WHY? 543 00:23:35,664 --> 00:23:38,500 SEEING THE STRAIN HIM BEING HERE WAS CAUSING 544 00:23:38,500 --> 00:23:42,755 OUR RELATIONSHIP, HE FELT HE SHOULD LEAVE. 545 00:23:42,755 --> 00:23:44,965 I COULDN'T TALK HIM OUT OF IT. 546 00:23:44,965 --> 00:23:47,384 SO HE JUST BACK WITH HIS MOM? 547 00:23:47,384 --> 00:23:48,927 YOU REALLY CARE? 548 00:23:48,927 --> 00:23:50,763 YEAH, ACTUALLY, I DO. 549 00:23:50,763 --> 00:23:56,101 HIS MOTHER, RENEE, SHE DOING A TOUR OVERSEAS. 550 00:23:56,101 --> 00:23:59,938 GOOD WOMAN. MEANS WELL. 551 00:23:59,938 --> 00:24:01,523 BUT SHE JUST LOVES BEING A SOLDIER 552 00:24:01,523 --> 00:24:03,651 MORE THAN SHE LOVES BEING A MOTHER-- 553 00:24:03,651 --> 00:24:05,861 HER WORDS. 554 00:24:05,861 --> 00:24:08,781 SO DARNELL GOES BACK HOME 555 00:24:08,781 --> 00:24:11,075 TO HIS MOTHER'S HOUSE ALONE. 556 00:24:11,075 --> 00:24:13,452 GETTING BY THE BEST WAY HE KNOWS HOW. 557 00:24:13,452 --> 00:24:15,204 I'M SORRY, DAD. 558 00:24:17,456 --> 00:24:21,960 I WAS HURT, AND I WAS ANGRY, AND... 559 00:24:21,960 --> 00:24:24,880 IT WAS JUST EASIER TO BLAME DARNELL. 560 00:24:24,880 --> 00:24:26,590 I KNOW, SON. 561 00:24:41,105 --> 00:24:44,108 I HAD A FEELING YOU'D COME HERE FIRST. 562 00:24:45,943 --> 00:24:47,903 I DID THE SAME THING THE NIGHT BEFORE 563 00:24:47,903 --> 00:24:49,279 I ENROLLED AT BEVERLY. 564 00:24:49,279 --> 00:24:50,864 AT LEAST YOU GOT A CHANCE TO PLAY. 565 00:24:50,864 --> 00:24:52,783 I WAS JUST GETTING WARMED UP. 566 00:24:52,783 --> 00:24:58,038 HEY, LOOK, BRO, I WASN'T TRYING TO MESS UP Y'ALL's LIFE. 567 00:24:58,038 --> 00:25:00,165 YOU GOT TO UNDERSTAND THAT. 568 00:25:00,165 --> 00:25:03,919 YOUR POPS, MAN. HE CHANGED THE GAME FOR ME. 569 00:25:03,919 --> 00:25:07,756 NOT HAVING A FATHER AROUND FOR THE FIRST 9 YEARS OF MY LIFE 570 00:25:07,756 --> 00:25:09,258 FORCED ME TO GROW UP. 571 00:25:09,258 --> 00:25:11,385 IT WASN'T UNTIL I MET COREY THAT I LEARNED 572 00:25:11,385 --> 00:25:13,303 HOW TO BE A SON FOR THE FIRST TIME. 573 00:25:13,303 --> 00:25:15,264 HE GAVE ME SOMEONE I COULD COUNT ON. 574 00:25:15,264 --> 00:25:18,142 KIND OF LIKE MY COACH AT BEVERLY DID FOR ME. 575 00:25:18,142 --> 00:25:22,062 LOOK, MAN, YOUR HOME IS CLEARLY WITH COREY, 576 00:25:22,062 --> 00:25:25,482 WHICH MAKES CRENSHAW YOUR HOME NOW, TOO. 577 00:25:25,482 --> 00:25:27,568 YOU SHOULD STAY. 578 00:25:27,568 --> 00:25:30,320 HEH. NOW, YOU-- YOU SURE? 579 00:25:30,320 --> 00:25:34,116 MY BEEF AIN'T WITH YOU. 580 00:25:41,999 --> 00:25:44,042 RAPPER: ♪ MONEY, MONEY, MONEY ON THE FLOOR ♪ 581 00:25:44,042 --> 00:25:45,544 ♪ ON THE FLOOR ♪ 582 00:25:45,544 --> 00:25:47,713 ♪ BABY, CAN I TELL YOU SOMETHING? ♪ 583 00:25:47,713 --> 00:25:49,256 ♪ YOU'S A PRO ♪ 584 00:25:49,256 --> 00:25:50,382 ♪ I'MA, I'MA THROW IT UP AND LET IT FLOAT ♪ 585 00:25:50,382 --> 00:25:51,967 ♪ LET IT FLOAT... ♪ 586 00:25:51,967 --> 00:25:53,886 ♪ I'MA, I'MA THROW IT UP AND LET IT FLOAT... ♪ 587 00:25:53,886 --> 00:25:56,180 HEY, PREACH, WHAT'S UP? I DIDN'T KNOW YOU DID SECURITY HERE. 588 00:25:56,180 --> 00:25:57,598 WHY WOULD YOU? 589 00:25:57,598 --> 00:25:59,057 FORGET IT. 590 00:25:59,057 --> 00:26:01,059 LOOK, IT'S A LEGIT JOB. 591 00:26:01,059 --> 00:26:03,437 KEEPS MY PAROLE OFFICER OFF MY ASS, 592 00:26:03,437 --> 00:26:05,314 NOT THAT THAT'S ANY OF YOUR BUSINESS. 593 00:26:05,314 --> 00:26:06,899 HEY, WE SHOULD PROBABLY GET ONE OF THOSE TABLES 594 00:26:06,899 --> 00:26:09,067 BECAUSE YOU'RE, LIKE, THE FIRST ONE HITTING THE STAGE. 595 00:26:09,067 --> 00:26:10,652 COOP: YEAH. PREACH: HA HA! 596 00:26:10,652 --> 00:26:12,070 YOU BATTLING TONIGHT? 597 00:26:12,070 --> 00:26:13,739 SINCE WHEN DID YOU BECOME A RAPPER? 598 00:26:13,739 --> 00:26:15,240 WHY YOU LAUGHING? 599 00:26:15,240 --> 00:26:16,867 MUSIC'S ALWAYS BEEN MY THING, BRO. 600 00:26:16,867 --> 00:26:18,827 YOU DON'T BELIEVE ME? LOOK UP "YOU GOT COOP'D." 601 00:26:18,827 --> 00:26:20,245 I WENT VIRAL. 602 00:26:20,245 --> 00:26:21,246 YEAH, WHATEVER. 603 00:26:21,246 --> 00:26:24,082 THE GIRL'S GOOD, SO... 604 00:26:24,082 --> 00:26:26,001 M.C.: YO, YO, YO. WHAT'S GOOD, L.A.? 605 00:26:27,711 --> 00:26:30,422 I'M YOUR HOST FOR THE MOST LIT FREESTYLE BATTLE 606 00:26:30,422 --> 00:26:32,424 IN THE CITY, AND WE ABOUT TO GO UP TONIGHT. 607 00:26:32,424 --> 00:26:35,844 ALL RIGHT. LOOK, FIRST RULE OF OFF THE DOME SATURDAY-- 608 00:26:35,844 --> 00:26:37,304 THERE ARE NO RULES. 609 00:26:37,304 --> 00:26:38,889 EVERYBODY'S FAIR GAME. 610 00:26:38,889 --> 00:26:41,892 TALKING MAMAS, GRANDMAMAS, EVEN BABY MAMAS. 611 00:26:43,268 --> 00:26:44,770 LOOK, THIS IS HOW IT'S GONNA GO. 612 00:26:44,770 --> 00:26:46,730 I'M GONNA LINE UP TWO RAPPERS AT A TIME. 613 00:26:46,730 --> 00:26:49,107 EACH RAPPER GETS 20 SECONDS TO SPIT THEY BARS, 614 00:26:49,107 --> 00:26:51,109 AND WHEN THEY DONE, Y'ALL DECIDE THE WINNER 615 00:26:51,109 --> 00:26:52,528 BY CHEERING LOUD AS HELL. 616 00:26:52,528 --> 00:26:53,570 YOU FEEL ME? 617 00:26:55,239 --> 00:26:56,865 LET'S HIT IT. 618 00:26:56,865 --> 00:26:58,784 FIRST TWO RAPPERS UP IS COOP AND PROFESSOR KOO KOO! 619 00:26:58,784 --> 00:27:02,454 ALL RIGHT, COOP. GO, GO, GO, GO, GO! 620 00:27:02,454 --> 00:27:04,414 -HERE YOU GO. -WHOO! 621 00:27:04,414 --> 00:27:05,958 PATIENCE: ALL RIGHT, COOP. SPENCER: GO, COOP. 622 00:27:05,958 --> 00:27:07,251 COOP: DJ, LET'S GET IT. 623 00:27:09,878 --> 00:27:11,630 YO. 624 00:27:11,630 --> 00:27:13,674 ♪ YO, YOU TRIED TO TAKE IT, NO, YOU DIDN'T DO IT ♪ 625 00:27:13,674 --> 00:27:15,634 ♪ AND WORD AROUND TOWN, THE KOOK ALREADY BLEW IT ♪ 626 00:27:15,634 --> 00:27:17,469 ♪ KOO KOO WASHED UP, I'M SAYING YOUR TIME'S UP ♪ 627 00:27:17,469 --> 00:27:19,263 ♪ I'M SAYIN' THE BEST STUFF, I'M MAKING MY MIND UP ♪ 628 00:27:19,263 --> 00:27:20,931 ♪ I WENT AND GOT ME A PEN, I PUT IT OVER ON THE PAD ♪ 629 00:27:20,931 --> 00:27:22,891 ♪ IF I DON'T PROMISE YOU NOTHING ♪ 630 00:27:22,891 --> 00:27:24,935 ♪ I PROMISE I'M UPPIN' MY BET, SO TAKIN' MY SPOT? ♪ 631 00:27:24,935 --> 00:27:26,562 ♪ NO, YOU WILL NOT DENY, GO, LIKE PRESSURE BUSTS PIPES ♪ 632 00:27:26,562 --> 00:27:28,480 ♪ FOR CERTAIN, I'M GONNA BLOW NOW ♪ 633 00:27:31,525 --> 00:27:35,404 JUGS MACHINE? REALLY? 634 00:27:35,404 --> 00:27:39,199 IT'S RELIABLE. IT DOESN'T MAKE EXCUSES. 635 00:27:39,199 --> 00:27:41,076 IT'S ALWAYS WILLING TO WORK. 636 00:27:41,076 --> 00:27:42,870 WHAT'S NOT TO LOVE? 637 00:27:42,870 --> 00:27:45,372 YEAH. BUT... 638 00:27:45,372 --> 00:27:47,332 I MEAN, THERE'S NOTHING ABOUT IT 639 00:27:47,332 --> 00:27:51,295 THAT REALLY SAYS "JUGS," YOU KNOW? 640 00:27:54,006 --> 00:27:56,341 YO, LET ME SEE THAT ROCK. 641 00:27:58,343 --> 00:28:00,470 IT'S TIME TO WORK. 642 00:28:05,183 --> 00:28:07,144 SET. GO! 643 00:28:13,066 --> 00:28:15,235 JORDAN: WHOO-HOO! HA HA! 644 00:28:15,235 --> 00:28:17,029 JUST LIKE OLD TIMES, BABY! 645 00:28:17,029 --> 00:28:18,655 RAPPER: ♪ YO, YEAH ♪ 646 00:28:18,655 --> 00:28:21,033 ♪ THE LOOK ON YOUR FACE IS A SCARED ONE ♪ 647 00:28:21,033 --> 00:28:22,784 ♪ 'CAUSE I'M ON THAT ASS, I AIN'T LETTIN' UP ♪ 648 00:28:22,784 --> 00:28:24,620 ♪ IT'S FEELING LIKE SOMEBODY SET YOU UP ♪ 649 00:28:24,620 --> 00:28:26,413 ♪ JUST TAP OUT WHEN YOU THINK YOU'VE HAD ENOUGH ♪ 650 00:28:26,413 --> 00:28:28,290 ♪ LOOK, I AIN'T COME HERE TO MAKE FRIENDS ♪ 651 00:28:28,290 --> 00:28:29,917 ♪ SO WE DO NOT HAVE TO PRETEND ♪ 652 00:28:29,917 --> 00:28:31,710 ♪ I KNOW ALL YOU ALL WILL REMEM-BER ♪ 653 00:28:31,710 --> 00:28:33,879 ♪ THE DAY KIM NITTY WENT IN ♪ 654 00:28:37,841 --> 00:28:39,760 M.C. YEAH, YEAH, YEAH. YOU ALL KNOW THE DEAL. 655 00:28:39,760 --> 00:28:41,762 WHOSE BARS WAS YOU FEELING THE MOST? 656 00:28:41,762 --> 00:28:42,888 KIM NITTY? 657 00:28:44,723 --> 00:28:48,060 OR THE WINNER OF THE FIRST TWO ROUNDS, COOP? 658 00:28:50,395 --> 00:28:52,272 COOP AGAIN. HEY, BIG UPS TO YOU FOR MAKING IT 659 00:28:52,272 --> 00:28:54,149 TO THE FINAL ROUND. 660 00:28:57,778 --> 00:28:59,696 LAYLA: WHOO! SPENCER: KEEP IT GOING. 661 00:28:59,696 --> 00:29:01,156 DO YOU HEAR THAT? THEY'RE LOVING YOU! 662 00:29:01,156 --> 00:29:02,532 YO, I GOT TO BE HONEST, 663 00:29:02,532 --> 00:29:04,117 I DID NOT THINK IT WOULD BE THAT EASY. 664 00:29:04,117 --> 00:29:06,078 IT AIN'T NOBODY HERE ON MY LEVEL. 665 00:29:06,078 --> 00:29:07,579 NOPE. WE NOT DOING THAT. YOU GOT A WHOLE NOTHER ROUND TO GO. 666 00:29:07,579 --> 00:29:09,665 YEAH, I'M WITH SPENCE. SECURE THAT BAG. 667 00:29:09,665 --> 00:29:11,875 LISTEN, I'M JUST SAYING, THE BETTER THE COMPETITION, 668 00:29:11,875 --> 00:29:13,585 THE MORE THAT MONEY FEELS EARNED. 669 00:29:13,585 --> 00:29:15,045 I'M TRYING TO GET MY NAME OUT THERE, OK? 670 00:29:15,045 --> 00:29:17,381 DON'T NOBODY WANT TO HEAR ABOUT NO GIRL THAT WON 671 00:29:17,381 --> 00:29:19,549 FIRST PRIZE AT A WEAK-ASS RAP BATTLE. 672 00:29:19,549 --> 00:29:21,093 SPENCER: WILL YOU CHILL? LAYLA: HERE. 673 00:29:21,093 --> 00:29:22,511 COOP: I'M CHILLING. SPENCER: WHAT ARE YOU DOING? 674 00:29:22,511 --> 00:29:24,429 I'M ADDING TO THE GRAND PRIZE. 675 00:29:24,429 --> 00:29:26,515 MAYBE SOMEONE HERE CAN ACTUALLY GIVE THE COOP THE COMPETITION SHE NEEDS. 676 00:29:26,515 --> 00:29:28,266 IT'S NOT THAT DEEP, ALL RIGHT? PUT YOUR MONEY AWAY. 677 00:29:28,266 --> 00:29:30,435 OK. EASY THERE. IT'S MY MONEY. I'LL DO WHAT I WANT. 678 00:29:30,435 --> 00:29:35,399 HOW MUCH DO YOU WANT ME TO ADD? 500? 1,000? 679 00:29:36,650 --> 00:29:39,736 LAYLA: OK. 1,500 FOR AN EVEN 2,000. 680 00:29:39,736 --> 00:29:41,279 -YOU SERIOUS? -YEAH. 681 00:29:41,279 --> 00:29:42,948 TWO STACKS FOR THE GRAND PRIZE? 682 00:29:42,948 --> 00:29:44,616 YOU CAN'T WALK UP THERE WITH ALL THAT MONEY. 683 00:29:44,616 --> 00:29:46,326 YOU DON'T KNOW WHO'S WATCHING. 684 00:29:46,326 --> 00:29:48,245 OK. UM, YOU'RE RIGHT. 685 00:29:48,245 --> 00:29:49,830 MONEY'S NOT ENOUGH OF A SWEETENER. 686 00:29:49,830 --> 00:29:52,624 OH! I'LL ADD IN STUDIO TIME WITH MY DAD. 687 00:29:52,624 --> 00:29:54,292 -LAYLA-- -I'LL BE RIGHT BACK. 688 00:29:54,292 --> 00:29:55,794 L--LAYLA? 689 00:29:55,794 --> 00:29:59,131 WHAT? 690 00:29:59,131 --> 00:30:00,298 YO, TWO RACKS 691 00:30:00,298 --> 00:30:01,341 AND STUDIO TIME WITH HER DADDY? 692 00:30:01,341 --> 00:30:02,843 SHE GOT IT LIKE THAT? 693 00:30:02,843 --> 00:30:04,386 I GUESS SO. 694 00:30:04,386 --> 00:30:05,554 LOOK, IF YOU WIN, YOU GOT TO GIVE HER 695 00:30:05,554 --> 00:30:07,139 ALL THAT MONEY BACK, ALL RIGHT? 696 00:30:07,139 --> 00:30:09,349 WHY? 697 00:30:09,349 --> 00:30:12,811 OK. WHATEVER. I'M KEEPING THE STUDIO TIME, THOUGH. 698 00:30:13,937 --> 00:30:15,897 M.C.: YO, YO, QUICK ANNOUNCEMENT. 699 00:30:15,897 --> 00:30:18,650 BIG UPS TO HOMEGIRL OVER THERE, LAYLA KEATING. 700 00:30:18,650 --> 00:30:21,028 BECAUSE OF HER, GRAND PRIZE TONIGHT HAS GONE 701 00:30:21,028 --> 00:30:23,321 FROM 500 TO 2,000! 702 00:30:24,865 --> 00:30:26,867 HOLD UP. HOLD UP. AND AS A BONUS, 703 00:30:26,867 --> 00:30:29,453 THE WINNER ALSO GETS FREE STUDIO TIME 704 00:30:29,453 --> 00:30:33,206 WITH LEGENDARY PRODUCER J.P. KEATING. 705 00:30:35,292 --> 00:30:38,003 AND WE GONNA SWITCH THINGS UP. 706 00:30:38,003 --> 00:30:40,088 COOP, IT'S ME AGAINST YOU. COOP, LET'S GO. 707 00:30:40,088 --> 00:30:41,673 YOU GOT IT, COOP. 708 00:30:41,673 --> 00:30:43,425 COME ON, COOP. COME ON! YOU GOT THIS. 709 00:30:43,425 --> 00:30:45,385 COME ON, COOP. 710 00:30:45,385 --> 00:30:47,220 YOU GOT THIS. GO, COOP. 711 00:30:47,220 --> 00:30:48,680 LAYLA: WHOO! 712 00:30:50,098 --> 00:30:51,808 PATIENCE: YOU GOT THIS. SPENCER: YOU GOT IT. 713 00:30:51,808 --> 00:30:53,018 FIRST OR SECOND? 714 00:30:53,018 --> 00:30:55,020 I'VE BEEN FIRST ALL NIGHT, BROTHER. GO AHEAD. 715 00:30:55,020 --> 00:30:58,190 OK. ONE CHANCE TO STUDY THE COMPETITION. ALL GOOD. 716 00:31:01,234 --> 00:31:03,361 ♪ YEAH, RIGHT OFF THE BAT ♪ 717 00:31:03,361 --> 00:31:05,489 ♪ HANGIN' OUT WITH THE CAT ♪ 718 00:31:05,489 --> 00:31:06,907 ♪ LINING YOUR RAPS ♪ 719 00:31:06,907 --> 00:31:09,076 ♪ NO, YOU TYIN' ON THEM STRAPS ♪ 720 00:31:09,076 --> 00:31:11,870 ♪ GAY AS THE RAINBOW, BUT YOU SUPPOSED TO BE BLACK ♪ 721 00:31:11,870 --> 00:31:13,872 ♪ AND YOUR FAMILY DON'T WANT YOU ♪ 722 00:31:13,872 --> 00:31:15,499 ♪ THEY DENY YOU, IN FACT ♪ 723 00:31:15,499 --> 00:31:17,876 ♪ LOOK, WORD ON THE TOWN NOW ♪ 724 00:31:17,876 --> 00:31:19,795 ♪ YOU SNITCHIN' TO THEM PEOPLES, TOO ♪ 725 00:31:19,795 --> 00:31:21,880 ♪ GOT PREACH SHOT 4 TIMES ♪ 726 00:31:21,880 --> 00:31:23,548 ♪ AND YOU'RE THE REASON, COOP ♪ 727 00:31:23,548 --> 00:31:25,550 ♪ WE DON'T BELIEVE IN YOU ♪ 728 00:31:25,550 --> 00:31:27,344 ♪ DECEIVIN', AND YOU THINK IT'S CUTE ♪ 729 00:31:27,344 --> 00:31:28,970 ♪ I SHOULD BEAT YOUR, UH! ♪ 730 00:31:28,970 --> 00:31:31,223 ♪ JUST FOR SELLING ALL THEM DREAMS YOU DO ♪ 731 00:31:31,223 --> 00:31:32,891 ♪ YOU GAVE SHAWN UP ♪ 732 00:31:32,891 --> 00:31:34,643 ♪ THEY KILLED HIM JUST BECAUSE OF THAT ♪ 733 00:31:34,643 --> 00:31:36,812 ♪ NOW SOMEBODY GOT TO TELL HIS MOMMY ♪ 734 00:31:36,812 --> 00:31:38,563 ♪ THAT HIS SON IS DEAD ♪ 735 00:31:38,563 --> 00:31:40,649 ♪ AND THAT'S MORE THAN SAD ♪ 736 00:31:40,649 --> 00:31:42,400 ♪ YOU FEELING DUMB?, MY BAD ♪ 737 00:31:42,400 --> 00:31:43,860 ♪ 'CAUSE NOW HIS DAUGHTER LIKE ♪ 738 00:31:43,860 --> 00:31:45,946 ♪ "WHEN MY DADDY COMIN' BACK?" ♪ 739 00:31:45,946 --> 00:31:47,948 ♪ AND YOUR BEST FRIEND ROLLIN' WITH YOU ♪ 740 00:31:47,948 --> 00:31:49,741 ♪ SHOULD WATCH HIS ASS ♪ 741 00:31:49,741 --> 00:31:51,159 ♪ AND YOUR GIRLFRIEND PATIENCE ♪ 742 00:31:51,159 --> 00:31:53,161 ♪ WAY OUT OF YOUR WEIGHT CLASS ♪ 743 00:31:53,161 --> 00:31:56,039 ♪ STILL THE DRAMA'S NOT TO BE MISUNDERSTOOD ♪ 744 00:31:56,039 --> 00:32:00,377 ♪ THAT YOU'RE THE GRIM REAPER OF THE HOOD ♪ 745 00:32:00,377 --> 00:32:02,003 CROWD: OOH! 746 00:32:04,714 --> 00:32:06,424 IT'S OK. COME ON, BABE. YOU GOT THIS. 747 00:32:06,424 --> 00:32:08,593 SPENCER: GOT THIS, COOP. AIN'T NONE OF THAT TRUE. 748 00:32:28,697 --> 00:32:31,616 "THE GRIM REAPER." DAMN. 749 00:32:31,616 --> 00:32:35,453 JUST KEEP IT MOVING, PREACH. 750 00:32:35,453 --> 00:32:38,039 HEY, HIP HOP'S A DIRTY GAME. 751 00:32:38,039 --> 00:32:41,626 I SAW A LOT OF HOMIES GET LOST IN THE SAUCE CHASING THAT FAME. 752 00:32:41,626 --> 00:32:43,461 THERE WAS ONE HOMIE IN PARTICULAR 753 00:32:43,461 --> 00:32:44,921 WHO HAD WHAT IT TOOK, 754 00:32:44,921 --> 00:32:47,424 BUT WHEN IT WAS TIME FOR HIM TO GET ON THAT STAGE 755 00:32:47,424 --> 00:32:50,802 AND PERFORM FOR THE FIRST TIME, HE FROZE. 756 00:32:50,802 --> 00:32:54,306 I SAW THAT SAME LOOK ON YOUR FACE TONIGHT 757 00:32:54,306 --> 00:32:56,016 WHEN HOMEBOY WENT IN ON YOU. 758 00:32:56,016 --> 00:32:58,476 SO WHAT YOU TRYING TO SAY? 759 00:32:58,476 --> 00:33:00,312 MAYBE THIS MUSIC THING AIN'T FOR YOU. 760 00:33:00,312 --> 00:33:02,814 LET ME ASK YOU SOMETHING, PREACH, WHY YOU EVEN CARE? 761 00:33:02,814 --> 00:33:04,566 I THOUGHT WE WASN'T FAMILY NO MORE. 762 00:33:04,566 --> 00:33:06,026 WE AIN'T. 763 00:33:06,026 --> 00:33:08,528 I JUST THOUGHT YOU MAYBE NEEDED A LITTLE GAME. 764 00:33:08,528 --> 00:33:09,863 BY TELLING ME TO QUIT? 765 00:33:09,863 --> 00:33:11,698 BY TELLING YOU TO KEEP YOUR OPTIONS OPEN. 766 00:33:11,698 --> 00:33:14,326 YOU'RE A LITTLE BIT LIKE ME, COOP. 767 00:33:14,326 --> 00:33:15,869 YOU GOT SOME HUSTLE IN YOUR BLOOD. 768 00:33:15,869 --> 00:33:17,495 JUST SEE WHAT ELSE IS OUT THERE. 769 00:33:17,495 --> 00:33:19,664 READY TO BOUNCE? 770 00:33:23,668 --> 00:33:25,128 YOU KNOW WHAT? YOU RIGHT. 771 00:33:25,128 --> 00:33:27,464 I DO GOT A LOT OF HUSTLE IN MY BLOOD, 772 00:33:27,464 --> 00:33:29,507 AND I AIN'T NEVER GONNA GIVE UP ON MY DREAM. 773 00:33:29,507 --> 00:33:31,718 IT'S GONNA TAKE MORE THAN TONIGHT TO BREAK ME. 774 00:33:31,718 --> 00:33:34,930 AND YOU, OF ALL PEOPLE, SHOULD KNOW THAT. 775 00:33:38,558 --> 00:33:40,894 SPENCER: HEY. 776 00:33:40,894 --> 00:33:42,812 YOU'RE JUST IN TIME. I HAVE MIDTERMS NEXT WEEK. 777 00:33:42,812 --> 00:33:44,564 WOULD YOU MIND BEING MY STUDY BUDDY AGAIN TONIGHT? 778 00:33:44,564 --> 00:33:46,650 YOU KNOW I GOT YOU, MOM. 779 00:33:48,151 --> 00:33:49,945 HERE YOU GO. 780 00:33:52,197 --> 00:33:55,951 UH, YEAH. THIS--THIS IS LIKE JAPANESE TO ME. 781 00:33:55,951 --> 00:33:58,536 YOU SURE YOU WOULDN'T BE BETTER OFF WITH SOMEBODY ELSE 782 00:33:58,536 --> 00:34:01,331 LIKE--I DON'T KNOW-- MICAH? 783 00:34:01,331 --> 00:34:04,542 MM-HMM. NOT SUBTLE. 784 00:34:04,542 --> 00:34:06,127 I JUST AIN'T SEEN HIM IN A MINUTE. 785 00:34:06,127 --> 00:34:07,379 WHY'D HE DISAPPEAR? 786 00:34:07,379 --> 00:34:08,880 OH, THINGS GOT COMPLICATED 787 00:34:08,880 --> 00:34:10,590 THE MINUTE HURRICANE COREY BLEW INTO TOWN. 788 00:34:10,590 --> 00:34:12,550 SO YOU AND MICAH BROKE UP. 789 00:34:12,550 --> 00:34:15,762 NOT FOR SURE WE WERE EVER AT THAT POINT. 790 00:34:15,762 --> 00:34:17,681 LOOK, I KNOW WHEN DAD LEFT, 791 00:34:17,681 --> 00:34:19,933 YOU MADE A CHOICE TO PUT ME AND DILLON FIRST, AND WE LOVE YOU FOR THAT. 792 00:34:19,933 --> 00:34:22,060 BUT IT'S TIME TO PUT YOURSELF FIRST FOR A CHANGE. 793 00:34:22,060 --> 00:34:23,770 I'VE DONE IT. DILLON'S DONE IT. 794 00:34:23,770 --> 00:34:25,730 EVEN DAD HAS DONE IT. IT'S YOUR TURN, MA. 795 00:34:32,070 --> 00:34:33,488 HEY, MAN. 796 00:34:33,488 --> 00:34:34,739 HEY, WHAT'S UP, COACH? 797 00:34:34,739 --> 00:34:36,658 MY BAD FOR SHOWING UP UNANNOUNCED. 798 00:34:36,658 --> 00:34:38,660 YOU GOT A FEW SECONDS? 799 00:34:38,660 --> 00:34:40,078 YEAH. 800 00:34:40,078 --> 00:34:41,204 HEY, GRACIE. 801 00:34:41,204 --> 00:34:42,914 HEY, BILLY. 802 00:34:44,666 --> 00:34:46,543 UH, LOOK, I DON'T WANT TO PUT ANY MORE PRESSURE, 803 00:34:46,543 --> 00:34:48,461 PUT ANY MORE-- 804 00:34:48,461 --> 00:34:50,463 YOU NEED TO KNOW IF I'M TRANSFERRING BACK TO SOUTH CRENSHAW. 805 00:34:50,463 --> 00:34:52,924 YEAH. I MEAN, I'M JUST PUTTING MY TEAM BACK TOGETHER. 806 00:34:52,924 --> 00:34:55,051 SO I NEED TO KNOW WHAT PIECES I'M GONNA USE. 807 00:34:55,051 --> 00:34:57,887 LOOK, NO OFFENSE, BUT YOU GOT BIGGER PROBLEMS THAN ME, MAN. 808 00:34:57,887 --> 00:35:00,348 YOU CANNOT KEEP LETTING JORDAN SLIDE. 809 00:35:00,348 --> 00:35:02,434 OH. RIGHT. WELL, THAT'S-- THAT'S COMPLICATED. 810 00:35:02,434 --> 00:35:04,227 NOT REALLY. 811 00:35:04,227 --> 00:35:06,021 YOU WANT YOUR SON BACK, SO YOU'RE GOING EASY ON HIM. 812 00:35:06,021 --> 00:35:07,731 I GET IT, BUT I KNOW FOR A FACT 813 00:35:07,731 --> 00:35:09,607 THAT JORDAN MISSES HIS COACH, 814 00:35:09,607 --> 00:35:12,110 THE TOUGH, DEMANDING COACH THAT PUSHED HIM TO BECOME A STATE CHAMPION. 815 00:35:12,110 --> 00:35:14,487 HE NEEDS THAT GUY ON THE FIELD. 816 00:35:14,487 --> 00:35:17,699 ONCE YOU GET THAT BACK, YOU CAN FOCUS ON BECOMING FATHER AND SON AGAIN 817 00:35:17,699 --> 00:35:20,285 BUT OFF THE FIELD, ON YOUR OWN TERMS. 818 00:35:20,285 --> 00:35:22,662 OK. BUT I, UH-- 819 00:35:22,662 --> 00:35:24,497 YOU STILL HAVEN'T ANSWERED MY QUESTION. 820 00:35:24,497 --> 00:35:26,750 HAVE YOU MADE A DECISION? 821 00:35:30,712 --> 00:35:32,422 ACTUALLY, I HAVE. 822 00:35:32,422 --> 00:35:34,799 OK. 823 00:35:37,844 --> 00:35:39,638 GOOD MORNING, SWEETIE. 824 00:35:39,638 --> 00:35:42,599 HOW WAS THE SOCIAL? 825 00:35:42,599 --> 00:35:44,893 AND, LISTEN, IF YOU HATE IT, 826 00:35:44,893 --> 00:35:46,561 YOU DO NOT HAVE TO GO BACK. 827 00:35:46,561 --> 00:35:49,397 I JUST REALLY APPRECIATE YOU TRYING. 828 00:35:49,397 --> 00:35:51,316 NO. ACTUALLY, IT WASN'T THAT BAD. 829 00:35:51,316 --> 00:35:52,859 OH! 830 00:35:52,859 --> 00:35:56,196 IT ACTUALLY MADE ME REALIZE SOMETHING. 831 00:35:56,196 --> 00:35:57,989 WHAT? 832 00:35:57,989 --> 00:36:01,451 THE OTHER DAY I WAS ASKED A VERY SIMPLE QUESTION: 833 00:36:01,451 --> 00:36:03,161 WHO AM I, 834 00:36:03,161 --> 00:36:07,665 AND WHAT HAS BEEN MY CONTRIBUTION TO THE WORLD? 835 00:36:07,665 --> 00:36:09,167 AND I REALIZED I HAD NO CLUE. 836 00:36:09,167 --> 00:36:10,835 MY WHOLE LIFE HAS BEEN DEFINED 837 00:36:10,835 --> 00:36:12,170 BY BEING TETHERED 838 00:36:12,170 --> 00:36:15,423 TO SOMETHING OR SOMEONE ELSE-- 839 00:36:15,423 --> 00:36:17,342 ADDICTION, 840 00:36:17,342 --> 00:36:21,012 BEING EX-NFL STAR BILLY BAKER'S DAUGHTER, 841 00:36:21,012 --> 00:36:22,472 BEING ONE-HALF OF A TWIN. 842 00:36:22,472 --> 00:36:27,185 WELL, SWEETIE, THAT'S NOT ALL THAT DEFINES YOU. 843 00:36:27,185 --> 00:36:28,895 IT FEELS THAT WAY. 844 00:36:28,895 --> 00:36:30,772 I HAVE SPENT SO MUCH TIME CONSUMED 845 00:36:30,772 --> 00:36:32,857 IN OTHER PEOPLE'S IDENTITIES THAT I'VE 846 00:36:32,857 --> 00:36:35,527 NEVER TAKEN THE TIME TO CARVE OUT MY OWN. 847 00:36:35,527 --> 00:36:38,863 WELL, THEN START TODAY. 848 00:36:38,863 --> 00:36:41,241 FIGURE OUT WHO YOU ARE 849 00:36:41,241 --> 00:36:44,702 AND JUST KNOW THAT WHATEVER YOU DISCOVER, 850 00:36:44,702 --> 00:36:48,206 I WILL BE EQUALLY AS PROUD OF THAT OLIVIA 851 00:36:48,206 --> 00:36:54,212 AS I AM OF THE ONE SITTING IN FRONT OF ME RIGHT NOW. 852 00:36:56,548 --> 00:36:58,925 HEY. JUST IN TIME FOR BREAKFAST. 853 00:36:58,925 --> 00:37:00,260 LET ME FIX YOU A PLATE. 854 00:37:00,260 --> 00:37:01,886 NAH, I'M GOOD. I'M GOOD. 855 00:37:03,888 --> 00:37:06,558 I CAN'T EAT RIGHT NOW. 856 00:37:06,558 --> 00:37:08,059 YOU OK? 857 00:37:08,059 --> 00:37:10,812 UH, I'VE FINALLY DECIDED 858 00:37:10,812 --> 00:37:12,772 WHERE I'M GONNA PLAY THIS FALL. 859 00:37:14,274 --> 00:37:20,405 I'M CHOOSING YOU TO BE MY FATHER, NOT MY COACH. 860 00:37:20,405 --> 00:37:24,909 OUR RELATIONSHIP IS THE MOST IMPORTANT THING TO ME RIGHT NOW. 861 00:37:24,909 --> 00:37:28,413 I--I JUST WANT TO BE YOUR SON. 862 00:37:28,413 --> 00:37:31,207 AND I DON'T WANT FOOTBALL GETTING IN THE WAY OF THAT. 863 00:37:31,207 --> 00:37:33,501 SO I'M GONNA STAY AT BEVERLY. 864 00:37:33,501 --> 00:37:36,796 LOOK, I SEEN WHAT THIS HAS DONE 865 00:37:36,796 --> 00:37:39,090 TO COACH BAKER AND JORDAN, AND I DON'T WANT-- 866 00:37:57,358 --> 00:37:58,818 YOU NEEDED TO SEE ME? 867 00:37:58,818 --> 00:38:02,781 YEAH. I, UH, I JUST BLOCKED TONY WRIGHT 868 00:38:02,781 --> 00:38:04,282 FROM COMING TO BEVERLY. 869 00:38:04,282 --> 00:38:06,534 I JUST WANTED TO GIVE YOU A HEADS-UP 870 00:38:06,534 --> 00:38:08,453 FACE TO FACE. 871 00:38:08,453 --> 00:38:11,623 YOU KNOW, ABOVE BOARD, PROFESSIONAL WAY OF HANDLING THINGS. 872 00:38:11,623 --> 00:38:13,958 WELL, 5-STAR RECEIVERS ARE IN ABUNDANCE AROUND HERE. 873 00:38:13,958 --> 00:38:15,794 I'LL JUST SHAKE A TREE AND FIND ANOTHER ONE. 874 00:38:15,794 --> 00:38:17,754 -OK, I'LL BLOCK THEM, TOO. -OH. 875 00:38:17,754 --> 00:38:20,715 CONTRARY TO WHAT YOU MAY BELIEVE, THIS IS STILL MY TEAM, CLIFF. 876 00:38:20,715 --> 00:38:22,342 AND LAST TIME THAT I CHECKED, 877 00:38:22,342 --> 00:38:25,053 I GOT US ALL A STATE CHAMPIONSHIP. 878 00:38:25,053 --> 00:38:27,180 SPENCER JAMES LED THEM TO A CHAMPIONSHIP. 879 00:38:27,180 --> 00:38:29,766 WHO DO YOU THINK BROUGHT HIM HERE? 880 00:38:29,766 --> 00:38:32,143 ME. I DID THAT. 881 00:38:32,143 --> 00:38:34,687 BUT AT THE END OF THE DAY, 882 00:38:34,687 --> 00:38:37,565 YOUR FELLOW BOOSTERS, ALL OF WHOM HAVE VOICED THEIR SUPPORT IN ME, 883 00:38:37,565 --> 00:38:40,527 THEY KNOW WHAT IT TAKES TO RUN THIS TEAM, 884 00:38:40,527 --> 00:38:43,154 AND IT AIN'T A CHECKBOOK. 885 00:38:43,154 --> 00:38:45,907 SO YOU CAN SEE YOUR WAY OUT. 886 00:38:49,911 --> 00:38:55,250 FOR THE RECORD, BILLY, YOU WERE NEVER MY CHOICE TO BE HEAD COACH. 887 00:39:00,171 --> 00:39:03,550 SINGER: ♪ WEST SIDE, GET MONEY, MAKE MONEY ♪ 888 00:39:03,550 --> 00:39:04,926 ♪ MAKE MONEY... ♪ 889 00:39:04,926 --> 00:39:07,512 YO, I'VE BEEN THINKING. 890 00:39:07,512 --> 00:39:10,014 DON'T YOU SEE ME EATING? 891 00:39:10,014 --> 00:39:12,350 LISTEN, YOU NEED LEGIT SOURCES FOR MONEY, 892 00:39:12,350 --> 00:39:14,352 AND I COULD REALLY USE SOME HELP. 893 00:39:14,352 --> 00:39:16,271 SO I'M THINKING MAYBE WE SHOULD JUST WORK TOGETHER. 894 00:39:16,271 --> 00:39:18,398 -DOING WHAT? -SELLING MY MUSIC. 895 00:39:18,398 --> 00:39:20,024 I WANT TO DO IT INDIE-STYLE. 896 00:39:20,024 --> 00:39:21,234 YOU KNOW, MIXTAPES, 897 00:39:21,234 --> 00:39:23,069 JUST LIKE NEIGHBORHOOD NIP DID IT. 898 00:39:23,069 --> 00:39:25,029 I DON'T KNOW NOTHING ABOUT THE MUSIC INDUSTRY. 899 00:39:25,029 --> 00:39:27,532 MAYBE NOT, BUT YOU DAMN SURE KNOW HOW TO MOVE SOME PRODUCT, 900 00:39:27,532 --> 00:39:30,368 ONE THAT AIN'T GONNA LAND YOUR ASS BACK IN JAIL EITHER. 901 00:39:30,368 --> 00:39:32,704 WHERE'S YOUR MUSIC? 902 00:39:32,704 --> 00:39:33,913 I'M WORKING ON IT. 903 00:39:33,913 --> 00:39:35,707 SHOOT IT TO ME WHEN YOU'RE READY. 904 00:39:35,707 --> 00:39:38,376 IF I LIKE WHAT I HEAR, THEN MAYBE I'LL ROCK WITH YOU. 905 00:39:38,376 --> 00:39:40,211 OK. 906 00:39:40,211 --> 00:39:43,214 BILLY: ALL RIGHT, Y'ALL. GATHER ROUND REAL QUICK. 907 00:39:43,214 --> 00:39:48,177 I'VE HAD A CHANGE OF HEART. RARE OCCURRENCE. YES, I KNOW. 908 00:39:48,177 --> 00:39:50,972 BUT I'VE MADE A DECISION ON WHO I WANT TO LEAD AS CAPTAINS 909 00:39:50,972 --> 00:39:53,558 FOR THIS SPRING'S 7-ON-7 LEAGUE, 910 00:39:53,558 --> 00:39:57,186 SPENCER AND ASHER. 911 00:39:57,186 --> 00:39:58,855 I'LL GO OVER WITH YOU TWO WHAT I EXPECT 912 00:39:58,855 --> 00:40:00,607 FROM THE FIELD OF 30. 913 00:40:00,607 --> 00:40:04,027 YOU'RE EXCUSED. CONGRATULATIONS, BOYS. 914 00:40:07,530 --> 00:40:08,740 WELL DONE. 915 00:40:10,116 --> 00:40:12,577 JORDAN, CAN I TALK WITH YOU FOR A SECOND? 916 00:40:12,577 --> 00:40:14,912 YEAH. 917 00:40:14,912 --> 00:40:18,374 SO, LOOK, I HOPE YOU KNOW 918 00:40:18,374 --> 00:40:21,169 THAT I WENT IN A DIFFERENT DIRECTION BECAUSE-- 919 00:40:21,169 --> 00:40:22,754 YOU DON'T NEED TO EXPLAIN, ALL RIGHT? 920 00:40:22,754 --> 00:40:25,506 I HAVEN'T BEEN ACTING VERY CAPTAIN-LIKE LATELY. 921 00:40:25,506 --> 00:40:26,883 SO I GET IT. 922 00:40:26,883 --> 00:40:30,053 JUST KNOW I'M GONNA EARN IT BACK. 923 00:40:36,059 --> 00:40:40,980 SO I WANTED YOU TO HEAR THIS FROM ME FIRST. 924 00:40:40,980 --> 00:40:42,982 I AIN'T GOING NOWHERE. 925 00:40:42,982 --> 00:40:44,192 YOU'RE STUCK WITH ME AT BEVERLY 926 00:40:44,192 --> 00:40:45,985 FOR AT LEAST ANOTHER YEAR. 927 00:40:45,985 --> 00:40:48,029 NICE. 928 00:40:48,029 --> 00:40:52,617 "NICE." YOU MIGHT WANT TO TURN YOUR EXCITEMENT DOWN A LITTLE BIT. 929 00:40:52,617 --> 00:40:56,454 I MEAN, YEAH, I'M THRILLED YOU'RE STAYING, 930 00:40:56,454 --> 00:41:00,124 BUT I HONESTLY WOULD'VE BEEN THRILLED EITHER WAY. 931 00:41:00,124 --> 00:41:03,127 AS LONG AS YOU'RE HAPPY, I'M HAPPY. 932 00:41:03,127 --> 00:41:05,630 THERE SOMETHING YOU WANT TO TALK ABOUT? 933 00:41:05,630 --> 00:41:07,674 NOT REALLY. 934 00:41:07,674 --> 00:41:10,218 OK. LAYLA, THINGS HAVE BEEN 935 00:41:10,218 --> 00:41:13,012 KIND OF DIFFERENT WITH YOU LATELY. 936 00:41:13,012 --> 00:41:14,806 AND, MY BAD, I'VE BEEN CAUGHT UP WITH MY OWN STUFF, 937 00:41:14,806 --> 00:41:16,599 BUT I'M FOCUSED NOW. 938 00:41:16,599 --> 00:41:18,810 YOU KNOW, I'M TRYING TO HELP YOU. JUST TALK TO ME. 939 00:41:18,810 --> 00:41:21,771 I DON'T OWE YOU EVERY THOUGHT IN MY HEAD, SPENCER. 940 00:41:21,771 --> 00:41:24,065 I'M NOT SAYING YOU DO, BUT I'M CONCERNED, THAT'S ALL. 941 00:41:24,065 --> 00:41:25,400 OK, I'M FINE. 942 00:41:25,400 --> 00:41:28,444 I JUST--LOOK, I NEED TO GO. 943 00:41:28,444 --> 00:41:30,905 I WANT TO BE ALONE TONIGHT, OK? GOOD NIGHT. 944 00:41:30,905 --> 00:41:32,156 LAYLA-- 945 00:41:32,156 --> 00:41:33,574 DAMN IT, SPENCER. 946 00:41:33,574 --> 00:41:36,202 JUST GET OUT OF MY CAR, PLEASE. 947 00:41:36,202 --> 00:41:38,413 GET OUT. I'M SERIOUS. GET OUT. 948 00:41:38,413 --> 00:41:41,207 WOMAN: ♪ OH OH OH ♪ 949 00:41:41,207 --> 00:41:44,210 ♪ THIS IS MY CONFESSION ♪ 950 00:41:44,210 --> 00:41:47,922 ♪ OH OH OH ♪ 951 00:41:47,922 --> 00:41:51,092 ♪ I'M COMING OUT OF HIDING ♪ 952 00:41:51,092 --> 00:41:52,844 ♪ OH OH OH ♪ 953 00:41:52,844 --> 00:41:55,638 ♪ CAN'T KEEP...LIKE THIS ♪ 954 00:42:20,997 --> 00:42:22,331 MAN: GREG, MOVE YOUR HEAD.