1 00:00:01,201 --> 00:00:02,436 PREVIOUSLY ON "ALL AMERICAN"... 2 00:00:02,436 --> 00:00:05,372 I HAD AN AFFAIR WITH GRACE JAMES. 3 00:00:05,372 --> 00:00:07,374 GRACE, VOICE-OVER: I'M GONNA GET A PATERNITY TEST DONE. 4 00:00:07,374 --> 00:00:09,743 YOU DESERVE TO KNOW IF DILLON IS YOUR SON OR NOT. 5 00:00:09,743 --> 00:00:11,612 I THINK WE SHOULD LEAVE WELL ENOUGH ALONE. 6 00:00:11,612 --> 00:00:14,281 CARA: WHO KEEPS BLOWING YOU UP? 7 00:00:14,281 --> 00:00:16,149 WHO THE HELL IS SIMONE? 8 00:00:16,149 --> 00:00:17,451 N-NOBODY. GIVE ME MY PHONE. 9 00:00:17,451 --> 00:00:20,187 - OH, MY GOD! AAH! - OH, NO! NO, NO, NO! 10 00:00:20,187 --> 00:00:21,555 LAURA: YOU ARE GROUNDED 11 00:00:21,555 --> 00:00:24,191 FOR AS LONG AS I CAN LEGALLY GROUND YOU, 12 00:00:24,191 --> 00:00:26,226 AND YOUR BIRTHDAY PARTY IS CANCELED. 13 00:00:26,226 --> 00:00:28,629 THIS IS MY DAD, CLIFF MOSLEY, LEAD BOOSTER 14 00:00:28,629 --> 00:00:30,764 AND LEAD MEMBER OF YOUR EVER-EXPANDING FAN CLUB. 15 00:00:30,764 --> 00:00:32,766 CLIFF: WE GOT TO GET THAT DINNER ON THE BOOKS ONE OF THESE NIGHTS. 16 00:00:32,766 --> 00:00:36,236 - WHAT ARE THESE? - LETTERS TO MY BOYS, SAYING GOOD-BYE. 17 00:00:36,236 --> 00:00:39,206 BILLY: COREY, DON'T DO THIS TO YOUR FAMILY. COREY! 18 00:00:39,206 --> 00:00:42,276 SPENCER: LAYLA, THINGS HAVE BEEN KINDA DIFFERENT WITH YOU LATELY. 19 00:00:42,276 --> 00:00:45,512 OLIVIA: I'VE SEEN DEPRESSION, AND THERE ARE DEFINITELY SIGNS THERE. 20 00:00:45,512 --> 00:00:47,514 - WHAT SHOULD I DO? - I'VE GOT TO CALL HER POPS. 21 00:00:47,514 --> 00:00:49,349 LAYLA: I DON'T REALLY WANT TO HEAR IT. YOU CAN JUST GET OUT. 22 00:00:49,349 --> 00:00:51,285 - LAYLA-- - GET OUT! 23 00:00:53,654 --> 00:00:56,123 WE WERE JUST WORRIED ABOUT YOU. 24 00:00:56,123 --> 00:01:00,794 I GET THAT, ESPECIALLY AFTER WHATEVER SPENCER WAS TELLING YOU, BUT I'M FINE. 25 00:01:00,794 --> 00:01:04,598 WELL, JUST REMEMBER, THIS IS BECAUSE WE CARE ABOUT YOU. 26 00:01:04,598 --> 00:01:07,534 WHAT IS? 27 00:01:17,210 --> 00:01:19,146 HI, HONEY. 28 00:01:23,183 --> 00:01:24,685 DAD? 29 00:01:24,685 --> 00:01:26,620 WHAT IS THIS? 30 00:01:26,620 --> 00:01:28,822 WHY DON'T YOU HAVE A SEAT, HONEY? 31 00:01:28,822 --> 00:01:31,558 DR. GURMAN WILL EXPLAIN. 32 00:01:35,896 --> 00:01:39,800 EVERYONE GATHERED HERE TODAY LOVES YOU, LAYLA... 33 00:01:41,301 --> 00:01:44,237 [VOICE ECHOING] BUT THEY'RE SCARED. 34 00:01:44,237 --> 00:01:48,909 MAJOR DEPRESSIVE DISORDER AFFECTS MILLIONS OF PEOPLE ACROSS THE COUNTRY. 35 00:01:48,909 --> 00:01:52,245 TEENS TODAY ARE FACED WITH SO MUCH PRESSURE 36 00:01:52,245 --> 00:01:54,481 TO BE PERFECT. 37 00:01:55,749 --> 00:01:57,651 WE'RE GATHERED HERE TODAY BECAUSE YOUR FRIENDS 38 00:01:57,651 --> 00:02:00,320 AND FAMILY ARE CONCERNED [CELL PHONE VIBRATING] 39 00:02:00,320 --> 00:02:02,689 ABOUT YOUR ERRATIC BEHAVIOR 40 00:02:02,689 --> 00:02:05,359 AND LOSS OF INTEREST IN DAILY ACTIVITIES. 41 00:02:07,561 --> 00:02:09,696 DOCTOR: WE'RE HERE TO GIVE YOU HELP. 42 00:02:09,696 --> 00:02:12,966 YOUR FATHER AND I HAVE AGREED THAT AN INPATIENT TREA-- 43 00:02:12,966 --> 00:02:14,768 [GASPS] WAIT. 44 00:02:14,768 --> 00:02:16,903 I MEAN, YOU WANT TO HAVE ME COMMITTED? 45 00:02:16,903 --> 00:02:20,340 - NO ONE WANTS YOU COMMITTED. - I KNOW WHAT "INPATIENT TREATMENT" MEANS. 46 00:02:20,340 --> 00:02:22,909 THIS IS RIDICULOUS. NO. 47 00:02:22,909 --> 00:02:25,612 I KNOW THAT THIS IS DIFFICULT, BUT YOUR BEHAVIOR HAS RAISED QUES-- 48 00:02:25,612 --> 00:02:29,750 ACCORDING TO THEM, TO MY EX-BOYFRIEND AND PRINCESS REHAB HERE, 49 00:02:29,750 --> 00:02:31,818 THEY SAY I'VE BEEN ACTING DIFFERENTLY, SO ALL OF A SUDDEN, 50 00:02:31,818 --> 00:02:33,987 YOU ALL AGREE I NEED PROFESSIONAL HELP. 51 00:02:33,987 --> 00:02:35,922 OLIVIA: COME ON. THE LIES? 52 00:02:35,922 --> 00:02:38,725 I MEAN, YOU TRASHED YOUR OWN HOUSE. WE SAW YOUR HOTEL ROOM. 53 00:02:38,725 --> 00:02:41,728 SPENCER: PLEASE DON'T ACT LIKE WE'RE JUST MAKING THIS UP, LAYLA. 54 00:02:41,728 --> 00:02:44,264 I SEEN THE CUTS ON YOUR ARM. 55 00:02:44,264 --> 00:02:46,867 [SNIFFS] STOPPED WEARING THE BRACELETS 56 00:02:46,867 --> 00:02:49,569 THAT WERE CAUSING THE CUTS, SEE? HEALED. 57 00:02:49,569 --> 00:02:51,271 AND I AM NOT THE ONLY TEENAGER 58 00:02:51,271 --> 00:02:54,274 WHO SKIPPED CLASS OR HAS A MESSY ROOM. 59 00:02:56,943 --> 00:03:00,981 LOOK, I AGREE I COULD HAVE...HANDLED THE BREAK-IN BETTER, 60 00:03:00,981 --> 00:03:04,351 BUT...I WAS SCARED. 61 00:03:04,351 --> 00:03:05,619 W-W-WHY DIDN'T YOU TELL ME? 62 00:03:05,619 --> 00:03:07,020 BECAUSE I SHOULDN'T HAVE HAD TO TELL YOU. 63 00:03:07,020 --> 00:03:08,655 YOU SHOULD HAVE COME HOME. 64 00:03:08,655 --> 00:03:11,024 YOU SHOULD HAVE KNOWN WHAT WAS GOING ON. 65 00:03:11,024 --> 00:03:14,294 YOU SHOULD HAVE... BEEN MY DAD. 66 00:03:14,294 --> 00:03:15,629 [SIGHS] 67 00:03:15,629 --> 00:03:17,664 COULDN'T WE JUST TALK, JUST YOU AND ME? 68 00:03:17,664 --> 00:03:19,933 PLEASE, JUST YOU AND ME? - S-SURE, SURE, OK. 69 00:03:19,933 --> 00:03:24,571 MR. KEATING, IT'S NORMAL TO FEEL GUILTY, BUT-- 70 00:03:24,571 --> 00:03:27,507 YOU DID SAY THERE WERE OTHER OUTPATIENT OPTIONS, RIGHT? 71 00:03:37,317 --> 00:03:39,386 [DOOR CLOSES] 72 00:03:39,386 --> 00:03:42,022 [CELL PHONE VIBRATING] 73 00:03:42,022 --> 00:03:43,523 [SIGHS] SORRY. 74 00:03:43,523 --> 00:03:45,425 MY MOM'S BEEN CALLING NONSTOP. 75 00:03:45,425 --> 00:03:47,861 HEY, HEY, WHAT'S UP? 76 00:03:51,565 --> 00:03:53,567 DILLON: "I WANT YOU TO KNOW 77 00:03:53,567 --> 00:03:55,569 "THAT I'M PROUD OF YOU 78 00:03:55,569 --> 00:03:57,671 "AND THE LITTLE MAN THAT YOU'RE BECOMING. 79 00:03:57,671 --> 00:04:00,373 "I COULDN'T HAVE ASKED FOR A BETTER SON, 80 00:04:00,373 --> 00:04:02,776 "AND I'M SO SORRY I COULDN'T BE A BETTER FATHER. 81 00:04:02,776 --> 00:04:06,480 "I WANT YOU TO KNOW THAT I'LL ALWAYS LOVE YOU. 82 00:04:06,480 --> 00:04:08,448 DAD." 83 00:04:10,350 --> 00:04:14,054 DILLON: HE BOUGHT US TICKETS TO THE COMIC EXPO THIS WEEKEND. 84 00:04:14,054 --> 00:04:16,857 I MEAN, WHY WOULD HE DO THAT IF HE WAS JUST GONNA LEAVE? 85 00:04:16,857 --> 00:04:20,861 BILLY: [SIGHS] I WISH I HAD MORE ANSWERS FOR YOU, MAN. 86 00:04:20,861 --> 00:04:23,663 COREY JUST ASKED ME TO DROP THE LETTERS OFF. 87 00:04:23,663 --> 00:04:25,899 HE DIDN'T SAY NOTHING TO YOU AT THE REUNION? 88 00:04:25,899 --> 00:04:29,503 NOTHING THAT WOULD EXPLAIN WHY HE'D DO THIS, 89 00:04:29,503 --> 00:04:30,804 AGAIN. 90 00:04:30,804 --> 00:04:32,472 DILLON: IF HE DIDN'T WANT TO GO TO THE EXPO, 91 00:04:32,472 --> 00:04:33,974 HE COULD HAVE JUST SAID THAT. 92 00:04:33,974 --> 00:04:35,842 I MEAN, WE COULD HAVE PRACTICED FOOTBALL 93 00:04:35,842 --> 00:04:37,477 IF THAT'S WHAT HE WANTED. I COULD-- 94 00:04:37,477 --> 00:04:40,347 HEY! THIS AIN'T ON YOU, A'IGHT? 95 00:04:40,347 --> 00:04:43,350 NOTHING YOU DID OR DIDN'T DO MADE COREY LEAVE. 96 00:04:43,350 --> 00:04:46,419 AIN'T NOBODY TO BLAME FOR THIS BUT COREY, YOU HEAR ME, DILLON? 97 00:04:46,419 --> 00:04:48,021 SPENCER, PLEASE. 98 00:04:48,021 --> 00:04:50,023 SPENCER: I'M SORRY, MA, BUT IT'S THE TRUTH, 99 00:04:50,023 --> 00:04:52,659 AND THE SOONER WE ALL ACCEPT THAT, THE BETTER. 100 00:04:52,659 --> 00:04:54,094 WE'VE ALL GOT A LOT TO PROCESS-- 101 00:04:54,094 --> 00:04:55,862 COME ON! WHAT'S THE PROCESS? 102 00:04:55,862 --> 00:04:58,632 I REMEMBER ALL THIS FROM WHEN COREY LEFT THE FIRST TIME. 103 00:04:58,632 --> 00:05:02,002 I SPENT YEARS ASKING MYSELF WHAT I DID TO MAKE HIM LEAVE, 104 00:05:02,002 --> 00:05:05,138 WHAT I COULD HAVE DONE TO MAKE HIM STAY, HOW COULD I BRING HIM BACK. 105 00:05:05,138 --> 00:05:07,073 I'M NOT DOING THAT AGAIN! 106 00:05:12,579 --> 00:05:15,081 I'M SORRY, LITTLE MAN. I KNOW THIS SUCKS, 107 00:05:15,081 --> 00:05:18,819 BUT I'MA TELL YOU WHAT I WISH SOMEBODY HAD TOLD ME BACK THEN. 108 00:05:20,487 --> 00:05:22,689 COREY LEFT 'CAUSE THAT'S WHO HE IS-- 109 00:05:22,689 --> 00:05:25,525 NOT A HUSBAND, NOT A FATHER, 110 00:05:25,525 --> 00:05:27,460 JUST A DISAPPOINTMENT. 111 00:05:28,895 --> 00:05:32,732 AND THE SOONER WE PUT HIM BEHIND US THE BETTER. 112 00:05:48,448 --> 00:05:50,584 PACKED YOU A LUNCH. 113 00:05:50,584 --> 00:05:52,919 YOU BETTER HURRY IF YOU DON'T CATCH THE EXPRESS. 114 00:05:52,919 --> 00:05:54,921 I'M GONNA WALK DILLON TO SCHOOL. 115 00:05:54,921 --> 00:05:56,890 AND MISS YOUR FIRST PERIOD? 116 00:05:56,890 --> 00:05:58,692 LETTING HIM KNOW I'M HERE FOR HIM IS MORE IMPORTANT RIGHT NOW. 117 00:05:58,692 --> 00:06:00,627 IS THAT WHAT YOU WERE DOING LAST NIGHT? 118 00:06:00,627 --> 00:06:02,762 I SHOULDN'T HAVE RAISED MY VOICE, A'IGHT? I'M SORRY. 119 00:06:02,762 --> 00:06:05,565 SPENCER, HONEY, IT'S OK TO HURT. 120 00:06:05,565 --> 00:06:09,069 BUT DON'T BOTTLE IT UP. TALK TO ME. 121 00:06:09,069 --> 00:06:12,973 AIN'T GOT TO WORRY ABOUT ME, MA. I'M FINE. DILLON, LET'S BOUNCE. 122 00:06:12,973 --> 00:06:14,975 [SIGHS] 123 00:06:14,975 --> 00:06:16,443 HEY. 124 00:06:16,443 --> 00:06:18,511 GRACE: PACKED YOU TWO DESSERTS TODAY. 125 00:06:18,511 --> 00:06:20,513 THANK YOU. 126 00:06:20,513 --> 00:06:24,017 LOOK, YOU DON'T HAVE TO WALK ME TO SCHOOL. I GOT IT. 127 00:06:26,219 --> 00:06:27,721 - YOU SURE? - LIKE YOU SAID, 128 00:06:27,721 --> 00:06:30,857 THE SOONER WE PUT HIM BEHIND US THE BETTER. 129 00:06:36,096 --> 00:06:38,531 ["SUNNY DAZE" BY KNIGHT RYDER AND JERMAIN BROWN PLAYING] 130 00:06:38,531 --> 00:06:41,167 ♪ YEAH, I REMEMBER THOSE SUNNY DAZE ♪ 131 00:06:41,167 --> 00:06:43,169 ♪ BACK WHEN WE WERE YOUNG, WE WERE ALL JUST... ♪ 132 00:06:43,169 --> 00:06:45,872 OK, I'M STILL NOT TALKING TO YOU FOR CRASHING MY CAR, 133 00:06:45,872 --> 00:06:47,707 GETTING OUR PHONES TAKEN, AND BIRTHDAY CANCELED-- 134 00:06:47,707 --> 00:06:49,876 AND YET HERE YOU ARE, TALKING TO ME. 135 00:06:49,876 --> 00:06:52,212 DON'T BE AN ASS, OK? THIS IS SERIOUS. 136 00:06:52,212 --> 00:06:54,981 HAVE YOU HEARD FROM SPENCER? HE MISSED FIRST PERIOD. 137 00:06:54,981 --> 00:06:58,551 NO, AND I STILL CAN'T BELIEVE COREY GHOSTED AGAIN. 138 00:06:58,551 --> 00:07:00,887 WELL, YEAH, AND WITH HIS DAD GONE AND THE WHOLE BREAK-UP 139 00:07:00,887 --> 00:07:03,523 WITH LAYLA, I MEAN, HE'S GONNA NEED US TO TALK TO. 140 00:07:03,523 --> 00:07:07,027 LOOK, LIV, IF HE WANTS TO TALK TO US, HE'LL TALK, OK? 141 00:07:07,027 --> 00:07:09,029 IF HE WANTS TO COME TO CLASS, HE'LL COME. 142 00:07:09,029 --> 00:07:11,031 IT DOESN'T ALWAYS HELP TO BUTT YOUR NOSE IN. 143 00:07:11,031 --> 00:07:13,566 YEAH, I KINDA LEARNED THAT LESSON YESTERDAY 144 00:07:13,566 --> 00:07:15,502 WITH LAYLA'S FAILED INTERVENTION. 145 00:07:15,502 --> 00:07:18,104 OH, MY GOD. THERE SHE IS. THERE SHE IS. WHAT DO I DO? 146 00:07:18,104 --> 00:07:20,640 JORDAN: WELL, YOU'RE ASKING ME NOW? [BOTH ARGUING] 147 00:07:20,640 --> 00:07:23,243 LAYLA: HAPPY BIRTHDAY, BAKERS! 148 00:07:23,243 --> 00:07:26,146 I STILL CAN'T BELIEVE YOUR MOM CANCELED YOUR PARTY. 149 00:07:26,146 --> 00:07:28,648 JORDAN: YEAH, ME, EITHER. IT'S A BUMMER. 150 00:07:28,648 --> 00:07:32,052 IT'S OK. WE'LL MAKE UP FOR IT NEXT YEAR. 151 00:07:32,052 --> 00:07:33,887 FOR SURE. 152 00:07:35,188 --> 00:07:37,824 OK. [GIGGLES] 153 00:07:39,826 --> 00:07:42,162 - SHE SEEMS FINE. - FINE? 154 00:07:42,162 --> 00:07:44,531 JORDAN, I TRIED TO HAVE HER COMMITTED, 155 00:07:44,531 --> 00:07:47,067 LIKE, YESTERDAY, AND SHE JUST GAVE ME A HUG. THAT IS NOT FINE. 156 00:07:47,067 --> 00:07:49,736 YOU SHOULD REALLY TRY TO HAVE A MORE POSITIVE OUTLOOK IN LIFE, SIS. 157 00:07:49,736 --> 00:07:52,472 [SCHOOL BELL RINGS] 158 00:07:54,708 --> 00:07:57,077 ["LONELY" BY TAQUIRAH PLAYING] 159 00:07:57,077 --> 00:07:59,779 ♪ WHAT CAN I DO TO MAKE YOU GO ♪ 160 00:07:59,779 --> 00:08:02,782 ♪ AND LEAVE ME LONELY? ♪ 161 00:08:02,782 --> 00:08:06,686 ♪ WHO COULD I BE TO MAKE YOU UNDERSTAND? ♪ 162 00:08:06,686 --> 00:08:08,288 GRACE: TAMIA. 163 00:08:08,288 --> 00:08:10,123 I'M SORRY TO BOTHER YOU. 164 00:08:10,123 --> 00:08:11,825 YOU AIN'T BOTHERING ME, MISS GRACE. 165 00:08:11,825 --> 00:08:14,561 MORE LIKE SAVING ME FROM THESE LINEAR EQUATIONS 166 00:08:14,561 --> 00:08:16,663 AND THE REST OF THIS CRAZINESS. 167 00:08:16,663 --> 00:08:19,299 YOUR MOTHER MENTIONED I'D FIND YOU HERE. 168 00:08:19,299 --> 00:08:21,801 HAVE YOU HEARD FROM SPENCER? 169 00:08:21,801 --> 00:08:25,205 I'M SORRY ABOUT MR. JAMES. 170 00:08:25,205 --> 00:08:27,707 SO SPENCER TALKED TO YOU. 171 00:08:27,707 --> 00:08:29,008 I MEAN, "TALKING" IS A STRETCH. 172 00:08:29,008 --> 00:08:30,844 IT WAS LITERALLY JUST ONE TEXT. 173 00:08:30,844 --> 00:08:33,580 BUT DON'T WORRY, I'LL WEAR HIM DOWN EVENTUALLY. 174 00:08:33,580 --> 00:08:36,016 THANK YOU. 175 00:08:40,820 --> 00:08:43,723 NOW, YOU OK, MS. GRACE? 176 00:08:43,723 --> 00:08:45,725 YEAH. 177 00:08:45,725 --> 00:08:49,028 YEAH, IT'S JUST... 178 00:08:49,028 --> 00:08:51,631 SPENCER'S ALWAYS TRYING TO PROTECT ME, YOU KNOW? 179 00:08:51,631 --> 00:08:53,633 HEY, THAT'S SPENCER. 180 00:08:53,633 --> 00:08:55,235 AS A MOTHER, 181 00:08:55,235 --> 00:08:58,071 YOU'RE SUPPOSED TO BE STRONG FOR YOUR KIDS. 182 00:09:00,774 --> 00:09:04,110 WHY DOES IT ALWAYS SEEM LIKE IT'S THE OTHER WAY AROUND WITH HIM? 183 00:09:06,146 --> 00:09:08,782 SOMETIMES I JUST WONDER IF I'VE DONE MY JOB AS HIS MOM. 184 00:09:08,782 --> 00:09:10,650 COME ON, MS. GRACE. THAT'S CRAZY. 185 00:09:10,650 --> 00:09:12,652 EVERYBODY KNOWS SPENCER AND DILLON ARE 186 00:09:12,652 --> 00:09:14,621 LUCKY AS HELL TO HAVE YOU AS THEIR MOMS. 187 00:09:14,621 --> 00:09:16,990 ALL RIGHT, SPENCER DOESN'T PUT HIS PROBLEMS ON OTHER PEOPLE 188 00:09:16,990 --> 00:09:20,160 BECAUSE HE CARES ABOUT 'EM; I MEAN, HE GOES ABOUT IT STUPID, 189 00:09:20,160 --> 00:09:24,330 BUT IT'S ONLY BECAUSE HE CARES, AND THAT'S FROM YOU. 190 00:09:24,330 --> 00:09:26,966 ALL RIGHT? 191 00:09:31,704 --> 00:09:34,007 [OVERLAPPING CHATTER] 192 00:09:34,007 --> 00:09:36,709 HEY, STRANGER, GOT A MINUTE? 193 00:09:36,709 --> 00:09:38,711 - GOT TO GET HOME. - OK, WELL, 194 00:09:38,711 --> 00:09:42,182 I CAN TAKE YOU HOME AFTER YOU GO TO DINNER WITH ME AND MY DAD. 195 00:09:42,182 --> 00:09:44,651 WE HAVE A PRIVATE ROOM AT THE LOBSTER TAIL, 7 P.M. 196 00:09:44,651 --> 00:09:47,854 - CAN'T TONIGHT. SORRY. - MY DAD'S GONNA START TAKING THIS PERSONALLY. 197 00:09:47,854 --> 00:09:49,355 DARNELL: YO, SPENCER. 198 00:09:49,355 --> 00:09:51,257 WHAT THE HELL ARE YOU DOING HERE? 199 00:09:51,257 --> 00:09:52,959 YOU AND I GOT TO TALK. 200 00:09:52,959 --> 00:09:54,994 COACH BAKER SAID YOU WERE ON A BUS BACK TO NEVADA. 201 00:09:54,994 --> 00:09:57,297 NAH, I AIN'T GOING NOWHERE TILL I FIGURE OUT WHY COREY LEFT. 202 00:09:57,297 --> 00:09:59,199 I AIN'T GOT NOTHIN' FOR YOU, MAN. 203 00:09:59,199 --> 00:10:00,700 NAH, I THINK YOU DO. 204 00:10:00,700 --> 00:10:02,769 IN FACT, I THINK YOU GOT SOMETHING TO DO WITH IT. 205 00:10:02,769 --> 00:10:05,271 YOU GOT TWO SECONDS TO GET YOUR HANDS OFF ME, HOMIE. 206 00:10:05,271 --> 00:10:07,807 I TOLD YOU, I AIN'T GOT NO ANSWERS FOR YOU, A'IGHT? 207 00:10:07,807 --> 00:10:09,676 YOU EXPECT ME TO BELIEVE HE JUST LEFT? 208 00:10:09,676 --> 00:10:11,377 NO REASON, NO EXPLANATION? 209 00:10:11,377 --> 00:10:13,313 I DON'T GIVE A DAMN WHAT YOU BELIEVE. 210 00:10:13,313 --> 00:10:15,281 BOTH OF Y'ALL CAN GO TO HELL FOR ALL I CARE. 211 00:10:15,281 --> 00:10:17,117 YOU MUST HAVE DID SOMETHING TO RUN HIM OFF. 212 00:10:17,117 --> 00:10:19,419 ADMIT IT. YOUR LITTLE BITCH ASS MUST HAVE DID OR SAID 213 00:10:19,419 --> 00:10:21,721 SOMETHING 'CAUSE YOU COULDN'T STAND THE FACT THAT I'M MORE OF A SON 214 00:10:21,721 --> 00:10:23,223 TO HIM THAN YOU WILL EVER BE. 215 00:10:23,223 --> 00:10:24,958 [SCOFFS] 216 00:10:29,829 --> 00:10:31,898 SPENCER: YO, WHAT DO YOU THINK OF ME NOW, DAWG? 217 00:10:31,898 --> 00:10:34,200 HUH? [SHOUTING] 218 00:10:34,200 --> 00:10:36,336 HEY, HEY! GET HIM OUT OF HERE! GET HIM OUT OF HERE! 219 00:10:36,336 --> 00:10:39,873 SPENCER: GET OFF! GET OFF! COME ON, DAWG! 220 00:10:39,873 --> 00:10:41,941 WHAT'S UP? GET OFF ME! 221 00:10:41,941 --> 00:10:45,078 WHAT'S UP, MAN?! WHAT'S UP?! 222 00:10:53,820 --> 00:10:55,822 [KNOCK ON DOOR] 223 00:10:55,822 --> 00:10:57,757 [DOOR OPENS] 224 00:10:58,958 --> 00:11:00,727 SPENCER: YOU CALLED YOUR DAD? 225 00:11:00,727 --> 00:11:02,195 BE DAMN GRATEFUL I DID. 226 00:11:02,195 --> 00:11:04,364 [SIGHS] YOU'RE FREE TO GO. 227 00:11:05,732 --> 00:11:07,734 CLIFF: NO, NO, NO. NOT YOU, SPENCER. 228 00:11:07,734 --> 00:11:09,836 TAKE A SEAT. 229 00:11:11,437 --> 00:11:13,406 [DOOR CLOSES] 230 00:11:13,406 --> 00:11:15,074 [SIGHS, CLEARS THROAT] 231 00:11:15,074 --> 00:11:17,176 TALKED PRINCIPAL LONDON DOWN. 232 00:11:17,176 --> 00:11:18,945 WASN'T EASY, 233 00:11:18,945 --> 00:11:23,082 SO NOW, YOU'RE GONNA RETURN THE FAVOR. 234 00:11:26,019 --> 00:11:29,155 LAURA: YEAH, I'M ALREADY ON MY WAY. I'LL SEE YOU SOON. 235 00:11:30,757 --> 00:11:32,258 OH. HEY. 236 00:11:32,258 --> 00:11:34,227 UH, SORRY. I WON'T KEEP YOU. 237 00:11:34,227 --> 00:11:36,930 I JUST WANTED TO DROP OFF THESE GIFTS FOR THE, UH, 238 00:11:36,930 --> 00:11:39,132 FOR THE KIDS FOR THE PARTY. 239 00:11:39,132 --> 00:11:41,534 THE PARTY WAS CANCELED, BILLY. 240 00:11:41,534 --> 00:11:43,836 CANCELED? WHY? 241 00:11:43,836 --> 00:11:48,207 YOU DO REMEMBER THE WHOLE JORDAN CRASHING OLIVIA'S CAR THING, 242 00:11:48,207 --> 00:11:50,910 CAR THAT YOU LET HIM DRIVE, EVEN THOUGH YOU KNEW HE WAS GROUNDED? 243 00:11:50,910 --> 00:11:53,079 YEAH, I KNOW THAT THAT WAS MY MISTAKE, 244 00:11:53,079 --> 00:11:55,882 BUT DON'T YOU THINK YOU'RE BEING A LITTLE EXTREME? 245 00:11:55,882 --> 00:11:58,885 HEY, AND I--WHAT I MEAN TO SAY IS THAT, 246 00:11:58,885 --> 00:12:01,387 WITH EVERYTHING THAT'S GOING ON BETWEEN US, YOU KNOW, I JUST THINK 247 00:12:01,387 --> 00:12:05,058 IT WOULD BE GOOD IF THE KIDS FELT, UH, I DON'T KNOW, CELEBRATED. 248 00:12:05,058 --> 00:12:08,161 THE KIDS NEED STRUCTURE AND DISCIPLINE 249 00:12:08,161 --> 00:12:11,264 AND DEPENDABLE RULES, NOT A PARTY. 250 00:12:11,264 --> 00:12:13,266 I'M NOT SAYING THEY DON'T NEED DISCIPLINE-- 251 00:12:13,266 --> 00:12:16,803 YOU KNOW WHAT? I--I DON'T HAVE TIME TO ARGUE RIGHT NOW, OK? 252 00:12:16,803 --> 00:12:20,173 I JUST NEED YOU TO BACK ME UP THIS TIME. 253 00:12:20,173 --> 00:12:22,108 YEAH. OK. 254 00:12:24,844 --> 00:12:27,981 [CELL PHONE VIBRATING, DOOR CLOSES] 255 00:12:32,218 --> 00:12:34,153 HELLO? 256 00:12:39,993 --> 00:12:41,527 HEY. 257 00:12:41,527 --> 00:12:45,999 I TOLD YOU, DAY ONE, FIGHTING ON CAMPUS-- COULD GET EXPELLED. 258 00:12:45,999 --> 00:12:47,567 IT WAS NOTHING. IT'S TAKEN CARE OF-- 259 00:12:47,567 --> 00:12:50,403 SPENCER, THERE IS NOTHING CLIFF MOSLEY DOES FOR FREE. 260 00:12:50,403 --> 00:12:52,405 LOOK, THE PRICE IS JUST DINNER, A'IGHT? 261 00:12:52,405 --> 00:12:54,974 WHICH I GOT TO GET DRESSED FOR. EXCUSE ME. 262 00:12:54,974 --> 00:12:56,342 WELL, THEN YOU AIN'T GOING. 263 00:12:56,342 --> 00:12:58,511 I'VE SEEN THIS CAT MANIPULATE YOUNG MEN 264 00:12:58,511 --> 00:13:01,347 WITH HIS LITTLE FATHER FIGURE ACT TOO MANY TIMES TO LET YOU-- 265 00:13:01,347 --> 00:13:03,449 I'M ONLY GOING 'CAUSE I DON'T HAVE A CHOICE, 266 00:13:03,449 --> 00:13:05,952 BUT I'M NOT ABOUT TO WALK IN THERE ALL DOE-EYED 267 00:13:05,952 --> 00:13:09,322 AND DO WHAT HE WANTS JUST 'CAUSE HE ACT LIKE MY DADDY, A'IGHT? 268 00:13:11,924 --> 00:13:13,359 HEY. 269 00:13:14,927 --> 00:13:16,863 ARE WE DONE? 270 00:13:28,608 --> 00:13:31,110 THAT'S HOW YOU BREAK. 271 00:13:31,110 --> 00:13:34,113 - OOH. - THANK YOU. 272 00:13:34,113 --> 00:13:36,115 I'M GLAD YOU'RE HERE, BUT YOU REALLY DIDN'T NEED 273 00:13:36,115 --> 00:13:39,052 TO RUSH ALL THE WAY FROM TOKYO. I'M FINE. 274 00:13:39,052 --> 00:13:41,054 DIDN'T SOUND LIKE IT, 275 00:13:41,054 --> 00:13:43,222 AND YOU'RE GOING TO TALK TO A THERAPIST 276 00:13:43,222 --> 00:13:45,992 ONCE WE FIND THE RIGHT ONE. THAT'S THE DEAL. 277 00:13:45,992 --> 00:13:48,561 FINE... [BILLIARD BALLS CLACK] 278 00:13:48,561 --> 00:13:52,198 UM, BUT I ACTUALLY CAN'T TONIGHT. I HAVE A SCHOOL PROJECT. 279 00:13:52,198 --> 00:13:54,233 YOU'RE NOT PUTTING THIS OFF, LAYLA. 280 00:13:54,233 --> 00:13:56,169 NO, I'M NOT. IT'S JUST IT'S THE ONLY NIGHT THAT WORKED 281 00:13:56,169 --> 00:13:59,038 FOR JJ AND, YOU KNOW, IF YOU'D TOLD ME YOU 282 00:13:59,038 --> 00:14:02,442 WERE COMING BACK INTO TOWN, I COULD HAVE CLEARED MY SCHEDULE. 283 00:14:02,442 --> 00:14:04,377 - [SIGHS] - JJ. 284 00:14:06,245 --> 00:14:08,381 WHAT'S UP? WELCOME HOME, MR. KEATING. 285 00:14:08,381 --> 00:14:10,016 - HEY. - JJ, WE SHOULD REALLY 286 00:14:10,016 --> 00:14:12,652 START WORKING ON OUR SOCIOLOGY PROJECT, 287 00:14:12,652 --> 00:14:14,353 IF THAT'S OK WITH YOU? 288 00:14:14,353 --> 00:14:16,022 OH, HELL YEAH. 289 00:14:16,022 --> 00:14:18,391 YEAH. OK, BYE, DAD. LOVE YOU. 290 00:14:18,391 --> 00:14:20,193 LOVE YOU. 291 00:14:20,193 --> 00:14:23,496 JJ: UM, WE DON'T REALLY HAVE A PROJECT, 292 00:14:23,496 --> 00:14:25,498 DO WE? 'CAUSE I DO NOT REMEMBER THAT. 293 00:14:25,498 --> 00:14:29,502 NO, NOT A SCHOOL ONE, ANYWAY, BUT HOW DO YOU FEEL ABOUT HOSTING 294 00:14:29,502 --> 00:14:32,205 THE BAKER TWINS A SURPRISE PARTY AT YOUR HOUSE? 295 00:14:32,205 --> 00:14:34,207 - HELL YEAH. - OK, TONIGHT, 296 00:14:34,207 --> 00:14:36,209 UH, YOU MAKE SURE JORDAN AND OLIVIA ARE THERE. 297 00:14:36,209 --> 00:14:37,710 I'LL TAKE CARE OF EVERYTHING ELSE. 298 00:14:37,710 --> 00:14:40,346 - I WON'T TAKE NO FOR AN ANSWER. - [CHUCKLES] 299 00:14:44,183 --> 00:14:47,086 SO, DO YOU WANT TO PLAY A GAME OR SOMETHING? 300 00:14:47,086 --> 00:14:49,388 WHAT? I GET BORED WALKING HOME, LIV. 301 00:14:49,388 --> 00:14:51,224 OH, AND WHOSE FAULT IS IT THAT WE'RE WALKING? 302 00:14:51,224 --> 00:14:53,126 OK, LOOK, I ALREADY LOST MY CAR, PHONE, AND BIRTHDAY. 303 00:14:53,126 --> 00:14:55,061 I DON'T NEED THE ATTITUDE AS WELL. 304 00:14:55,061 --> 00:14:57,497 WELL, CONSIDERING I LOST MY CAR, PHONE, AND BIRTHDAY BECAUSE 305 00:14:57,497 --> 00:15:01,200 OF YOUR ATTITUDE, YOU'RE JUST GONNA HAVE TO LIVE WITH WHAT--WHOA! 306 00:15:01,200 --> 00:15:05,304 WHOA, WHOA, WHOA! WHAT--JJ? 307 00:15:05,304 --> 00:15:07,273 - WHAT THE HELL? - WHO'S JJ? 308 00:15:07,273 --> 00:15:09,008 WHAT? WHAT ARE YOU-- AAH! AAH! 309 00:15:09,008 --> 00:15:10,143 GET THIS THING OFF MY HEAD, DUDE! 310 00:15:10,143 --> 00:15:11,611 WHAT'S GOING ON? SO NOT FUNNY, OK? 311 00:15:11,611 --> 00:15:13,112 AAH! WHERE THE HELL ARE YOU TAKING US?! 312 00:15:13,112 --> 00:15:15,915 IT'S A SURPRISE! HA HA! 313 00:15:20,650 --> 00:15:22,550 OLIVIA: JJ, TAKE THIS BLINDFOLD OFF 314 00:15:22,550 --> 00:15:23,850 BEFORE I WHIP THE BLOND OUT OF YOUR HAIR. 315 00:15:23,850 --> 00:15:25,550 DUDE, FOR REAL, OK? MY MOM'S GONNA KILL US 316 00:15:25,550 --> 00:15:26,690 IF SHE FINDS THAT WE'RE NOT HOME. 317 00:15:26,690 --> 00:15:28,690 WHICH IS WHY I KIDNAPPED YOU. 318 00:15:28,690 --> 00:15:30,990 INTENT IS 90% OF THE LAW. 319 00:15:30,990 --> 00:15:33,630 THERE'S NO PUNISHMENT IF THERE'S NO INTENT TO PARTY. 320 00:15:33,630 --> 00:15:35,530 NOT YOUR WORST IDEA. 321 00:15:35,530 --> 00:15:37,130 PARTY? 322 00:15:37,130 --> 00:15:39,600 ALL: SURPRISE! 323 00:15:41,540 --> 00:15:43,710 HEY, SHE WAS RIGHT. WE COULDN'T LET THE BAKER TWINS' 324 00:15:43,710 --> 00:15:45,410 B-DAY GO UN-CELEBRATED. 325 00:15:45,410 --> 00:15:46,410 SHE WHO? 326 00:15:46,410 --> 00:15:49,180 LAYLA: HAPPY BIRTHDAY, BAKERS! 327 00:15:49,180 --> 00:15:51,580 GRAB A SHOT! 328 00:15:51,580 --> 00:15:54,850 AND SELTZER FOR LIV, OF COURSE. 329 00:15:54,850 --> 00:15:56,550 COME ON. 330 00:15:56,550 --> 00:15:57,950 CHEERS. 331 00:15:57,950 --> 00:15:59,790 WHOO! 332 00:15:59,790 --> 00:16:03,560 [MUSIC PLAYING, INDISTINCT RAPPING] 333 00:16:06,600 --> 00:16:09,600 [DINNER MUSIC PLAYING SOFTLY] 334 00:16:09,600 --> 00:16:12,830 CLIFF: OH, WELL, YOU CLEAN UP NICE, SON. 335 00:16:16,540 --> 00:16:19,210 BILLY, I DIDN'T KNOW YOU WERE COMING. 336 00:16:19,210 --> 00:16:21,010 WHAT'S HAPPENING, CLIFFY? 337 00:16:21,010 --> 00:16:22,880 FIGURED IT SHOULDN'T BE A PROBLEM SINCE THERE'S NOTHING 338 00:16:22,880 --> 00:16:24,850 YOU'D BE TALKING TO MY STAR PLAYER ABOUT 339 00:16:24,850 --> 00:16:26,550 THAT YOU COULDN'T SAY IN FRONT OF ME. 340 00:16:26,550 --> 00:16:28,620 I MEAN, RIGHT? 341 00:16:28,620 --> 00:16:30,620 PLUS, I LOVE ME SOME LOBSTER TAIL 342 00:16:30,620 --> 00:16:32,850 IN THERMIDOR SAUCE, OK? HA HA HA! 343 00:16:32,850 --> 00:16:36,190 WELL, I HOPE YOU BROUGHT YOUR APPETITE 344 00:16:36,190 --> 00:16:39,490 'CAUSE THIS PLACE HAS THE BEST LOBSTER IN L.A. 345 00:16:39,490 --> 00:16:42,460 MY GRAMPS TOLD ME LOBSTERS WERE THE COCKROACHES OF THE SEA. 346 00:16:42,460 --> 00:16:45,470 I DON'T EAT BOTTOM FEEDERS. 347 00:16:45,470 --> 00:16:47,170 [BILLY CHUCKLES] 348 00:16:47,170 --> 00:16:49,600 OH, THIS IS GONNA BE FUN. 349 00:16:49,600 --> 00:16:50,910 OLIVIA: OK, YOU DON'T ACTUALLY BELIEVE 350 00:16:50,910 --> 00:16:53,070 JJ's "INTENT TO PARTY" CRAP, RIGHT? 351 00:16:53,070 --> 00:16:55,080 NO, 'COURSE NOT, OK, BUT MOM'S GOT 352 00:16:55,080 --> 00:16:57,780 THAT CAMPAIGN THING UNTIL LATE TONIGHT, SO WE'RE GOOD. 353 00:16:57,780 --> 00:17:00,550 YOU KNOW, FEEL FREE TO BOUNCE IF YOU'RE SO WORRIED. 354 00:17:00,550 --> 00:17:02,880 HOW HAVE YOU MISSED THE PART WHERE I'M CONSTANTLY BEING 355 00:17:02,880 --> 00:17:05,650 PUNISHED EVERY TIME YOU BREAK THE RULES? 356 00:17:05,650 --> 00:17:09,090 JORDAN. JORDAN? 357 00:17:09,090 --> 00:17:12,230 UH, IT--IT LOOKS LIKE THEY'RE TALKING ABOUT ME. 358 00:17:12,230 --> 00:17:17,130 IT'S JUST I KINDA SORTA HOOKED UP WITH ALL 3 OF THEM... 359 00:17:17,130 --> 00:17:19,030 SEPARATELY. 360 00:17:19,030 --> 00:17:21,900 IT'S JUST, NOW THEY'RE TOGETHER, IT'S FREAKING ME OUT. 361 00:17:21,900 --> 00:17:25,640 OLIVIA: WOW, YOU'VE REALLY LEANED INTO THIS ... SITUATION, HAVEN'T YOU? 362 00:17:25,640 --> 00:17:27,510 IT'S NOT LIKE I'M CHEATING, ALL RIGHT? 363 00:17:27,510 --> 00:17:30,110 I'VE BEEN TOTALLY HONEST WITH ALL OF THEM. IT'S JUST SIMONE, 364 00:17:30,110 --> 00:17:33,520 THE ONE IN THE MIDDLE, SHE'S BEEN ACTING A LITTLE CLINGY LATELY. 365 00:17:33,520 --> 00:17:34,880 HEY, LISTEN UP, BITCHES! 366 00:17:34,880 --> 00:17:37,290 IT'S TIME FOR HIDE AND GO GET IT! 367 00:17:37,290 --> 00:17:38,720 ALL: WHOO! 368 00:17:38,720 --> 00:17:40,720 JJ: OK, THE RULES ARE SIMPLE. 369 00:17:40,720 --> 00:17:42,720 GUYS, HIDE ANYWHERE IN THE HOUSE. 370 00:17:42,720 --> 00:17:44,830 GIRLS, TRY AND FIND US. 371 00:17:44,830 --> 00:17:46,660 SO IT'S LIKE HIDE AND GO SEEK? 372 00:17:46,660 --> 00:17:49,200 WELL, EXCEPT IF YOU GET FOUND, YOU HAVE TO, YOU KNOW, 373 00:17:49,200 --> 00:17:50,700 [WHISPERS] get it on. 374 00:17:50,700 --> 00:17:51,630 JJ: HA HA HA! 375 00:17:51,630 --> 00:17:54,100 ALL: WHOO! 376 00:17:55,100 --> 00:17:56,810 OH, CRAP, CRAP, CRAP. INCOMING. 377 00:17:56,810 --> 00:17:58,840 WHERE ARE YOU GOING? 378 00:17:58,840 --> 00:18:01,810 HE DOES KNOW HE'S NOT INVISIBLE, RIGHT? 379 00:18:06,280 --> 00:18:07,980 LAURA: JORDAN? 380 00:18:07,980 --> 00:18:10,790 OLIVIA... 381 00:18:10,790 --> 00:18:13,790 I KNOW I SAID YOUR BIRTHDAY WAS CANCELED, 382 00:18:13,790 --> 00:18:18,990 BUT...EVEN I CAN ADMIT WHEN I'M BEING HARSH, 383 00:18:18,990 --> 00:18:20,930 SORT OF. 384 00:18:22,300 --> 00:18:24,300 JORDAN. 385 00:18:24,300 --> 00:18:27,240 LIV? [CELL PHONE VIBRATES] 386 00:18:30,740 --> 00:18:32,910 ["HOW WE PARTY" BY AVERY PLAYING] 387 00:18:36,580 --> 00:18:38,680 ♪ OH, YEAH ♪ 388 00:18:38,680 --> 00:18:40,650 HEY, SORRY I'M LATE. 389 00:18:40,650 --> 00:18:43,250 [SIGHS] YOU DOING ALL RIGHT, BIRTHDAY GIRL? 390 00:18:43,250 --> 00:18:45,050 NOT EVEN CLOSE. 391 00:18:45,050 --> 00:18:47,590 JJ: ALL RIGHT, EVERYONE. RAISE YOUR DRINKS. 392 00:18:47,590 --> 00:18:50,660 ALL OF YOU KIDS CAME FOR HIDE AND GO GET IT, 393 00:18:50,660 --> 00:18:52,760 SAY, "HELL YEAH!" 394 00:18:52,760 --> 00:18:54,900 ALL: HELL YEAH! WHOO! 395 00:18:55,960 --> 00:18:58,370 ALL RIGHT, GUYS, LET'S GO. 396 00:18:58,370 --> 00:19:01,240 CLIFF: I'M TALKING ABOUT BUILDING THE BEVERLY EAGLES 397 00:19:01,240 --> 00:19:04,310 INTO THE NEXT POWERHOUSE IN HIGH SCHOOL FOOTBALL, 398 00:19:04,310 --> 00:19:07,640 AND IT ALL BEGINS WITH OUR FRANCHISE STAR. THAT'S YOU, SON. 399 00:19:07,640 --> 00:19:09,280 YOU'RE GONNA BE THE MOST TALKED-ABOUT 400 00:19:09,280 --> 00:19:12,180 HIGH SCHOOL FOOTBALL RECRUIT IN THE COUNTRY. 401 00:19:12,180 --> 00:19:14,720 I WANT YOU ON THE COVER OF "SPORTS ILLUSTRATED," 402 00:19:14,720 --> 00:19:16,790 AND I GOT THE CONNECTIONS TO MAKE IT HAPPEN. 403 00:19:16,790 --> 00:19:19,750 DEPENDS ON HOW MANY OF THESE DINNERS I GOT TO SIT THROUGH. 404 00:19:19,750 --> 00:19:21,390 - AHEM. - THE BEST WAY TO BUILD 405 00:19:21,390 --> 00:19:23,960 BEVERLY'S REP IS BY RAISING SPENCER'S PROFILE, 406 00:19:23,960 --> 00:19:26,690 SHOWING THAT THE EAGLES DON'T JUST WIN TITLES. 407 00:19:26,690 --> 00:19:29,660 WE KNOW HOW TO PUT OUR PLAYERS ON THE PATH TO STARDOM. 408 00:19:29,660 --> 00:19:31,700 SO YOU WANT TO RUN BEVERLY FOOTBALL 409 00:19:31,700 --> 00:19:33,300 LIKE A DIVISION 1 COLLEGE PROGRAM? 410 00:19:33,300 --> 00:19:35,000 THAT'S THE FUTURE. 411 00:19:35,000 --> 00:19:36,070 RIGHT. 412 00:19:36,070 --> 00:19:39,010 SO WHAT DO YOU SAY, SUPERSTAR? 413 00:19:39,010 --> 00:19:41,380 - SOUNDS LIKE A LOT OF WORK. - IT IS. 414 00:19:41,380 --> 00:19:43,910 THERE'LL BE PRESS, OFF-SEASON EXHIBITIONS. 415 00:19:43,910 --> 00:19:46,820 AND I GOT TO KEEP WINNING CHAMPIONSHIPS, OF COURSE, 416 00:19:46,820 --> 00:19:49,250 IN ADDITION TO ALL THAT OTHER STUFF, 417 00:19:49,250 --> 00:19:52,750 SO YOU AND THE EAGLES KEEP WINNING EVEN AFTER I'M GONE. 418 00:19:52,750 --> 00:19:53,990 THAT'S RIGHT. 419 00:19:53,990 --> 00:19:57,730 AND YOU'RE NOT OFFERING ME ANY MONEY? 420 00:19:57,730 --> 00:19:59,730 'COURSE NOT. 421 00:19:59,730 --> 00:20:02,800 SOUNDS LIKE THAT PLANTATION LIFE, MR. MOSLEY. 422 00:20:02,800 --> 00:20:04,730 EXCUSE ME? 423 00:20:04,730 --> 00:20:07,040 SPENCER: I SAID... 424 00:20:07,040 --> 00:20:10,670 IT SOUNDS LIKE YOU WANT ME TO BE YOUR SLAVE, 425 00:20:10,670 --> 00:20:12,440 AND MY ANSWER IS HELL NO. 426 00:20:12,440 --> 00:20:15,740 CLIFF: THE HELL DO YOU THINK YOU TALKING TO, HUH? 427 00:20:15,740 --> 00:20:17,250 YOU GONNA WALK OUT ON ME? 428 00:20:17,250 --> 00:20:18,950 BILLY: EASY, CLIFF. 429 00:20:28,790 --> 00:20:30,490 HEY, YOU WANT A DRINK? 430 00:20:30,490 --> 00:20:32,030 MORE FOR ME. 431 00:20:36,200 --> 00:20:37,470 SORRY. 432 00:20:42,040 --> 00:20:43,910 LOOKING FOR THE BATHROOM, NOT-- 433 00:20:43,910 --> 00:20:45,540 HEY THERE, BIRTHDAY GIRL. 434 00:20:45,540 --> 00:20:46,940 - OH, HELL NO. - OH, WAIT! 435 00:20:48,510 --> 00:20:50,250 I'D SKIP THAT ONE. 436 00:20:50,250 --> 00:20:51,480 BOY: COME ON, LIV! 437 00:21:00,090 --> 00:21:02,630 JORDAN: SORRY. ALREADY GETTING GOT. 438 00:21:02,630 --> 00:21:03,960 GOOD FOR YOU, 439 00:21:03,960 --> 00:21:06,660 BUT I NEED TO TALK TO YOU, JORDAN BAKER. 440 00:21:06,660 --> 00:21:10,100 OHH. HI, SIMONE. 441 00:21:10,100 --> 00:21:11,800 YEAH, IF YOU JUST GIVE ME A SECOND, 442 00:21:11,800 --> 00:21:13,540 I CAN FIND YOU LATER. 443 00:21:13,540 --> 00:21:15,570 NO, IT'S COOL. I'LL WAIT. 444 00:21:40,300 --> 00:21:42,100 NOT LIKING YOUR PARTY, LIV? 445 00:21:44,670 --> 00:21:45,670 WELL, I CAN'T LEAVE THE KITCHEN 446 00:21:45,670 --> 00:21:47,040 BECAUSE IT'S THE ONLY PLACE 447 00:21:47,040 --> 00:21:49,340 NO ONE'S TRYING TO MAKE OUT WITH ME. 448 00:21:49,340 --> 00:21:50,940 IT'S PURGATORY. 449 00:21:50,940 --> 00:21:53,640 TOO BAD SPENCER HASN'T SHOWN UP. 450 00:21:53,640 --> 00:21:54,980 WHAT? 451 00:21:54,980 --> 00:21:56,950 WELL, HE'S SINGLE NOW, 452 00:21:56,950 --> 00:21:59,010 AND HIDE AND GO GET IT WOULD BE THE PERFECT CHANCE 453 00:21:59,010 --> 00:22:00,650 FOR YOU TO MAKE YOUR MOVE. 454 00:22:00,650 --> 00:22:02,590 ALTHOUGH IF HE CAME IN AND SAW YOU 455 00:22:02,590 --> 00:22:04,820 ALONE WITH ALL THIS BOOZE, HE MIGHT TRY TO 456 00:22:04,820 --> 00:22:06,890 SEND YOU BACK TO REHAB. 457 00:22:06,890 --> 00:22:09,630 WHAT IS WRONG WITH YOU? 458 00:22:09,630 --> 00:22:11,290 I DON'T KNOW, LIV. 459 00:22:11,290 --> 00:22:14,060 MAYBE I'M PISSED THAT MY SO-CALLED BEST FRIEND 460 00:22:14,060 --> 00:22:16,600 AND EX TRIED TO AMBUSH ME 461 00:22:16,600 --> 00:22:18,200 WITH A FAKE FAMILY REUNION 462 00:22:18,200 --> 00:22:19,670 AND A CRAZY DOCTOR. 463 00:22:19,670 --> 00:22:22,040 AND SO WHAT? THIS PARTY'S WHAT? PAYBACK? 464 00:22:22,040 --> 00:22:23,910 WHAT'S THE PLAN? YOU GONNA POISON MY SELTZER 465 00:22:23,910 --> 00:22:25,840 OR DANCE ME TO DEATH? 466 00:22:25,840 --> 00:22:27,080 WE WERE JUST TRYING TO HELP 467 00:22:27,080 --> 00:22:28,740 BECAUSE WE CARE ABOUT YOU, LAYLA. 468 00:22:28,740 --> 00:22:30,250 IS THAT WHY SPENCER GHOSTED 469 00:22:30,250 --> 00:22:31,810 AFTER THE INTERVENTION DIDN'T GO HIS WAY, 470 00:22:31,810 --> 00:22:33,250 'CAUSE HE CARES? 471 00:22:33,250 --> 00:22:35,150 WOW! HIS DAD LEFT AGAIN 472 00:22:35,150 --> 00:22:37,590 AND YOU'RE PISSED THAT HE DIDN'T TEXT YOU. 473 00:22:39,620 --> 00:22:41,690 WHAT? COREY LEFT TOWN AGAIN? 474 00:22:41,690 --> 00:22:42,830 YEAH. HE LOST BOTH OF YOU 475 00:22:42,830 --> 00:22:46,030 IN LESS THAN 24 HOURS. 476 00:22:46,030 --> 00:22:48,030 BUT HEY, WHAT DO YOU CARE? 477 00:22:48,030 --> 00:22:49,800 'CAUSE HE DESERVES THE PAIN FOR 478 00:22:49,800 --> 00:22:52,230 ACTUALLY DARING TO CARE ABOUT YOU, RIGHT? 479 00:22:54,700 --> 00:22:56,040 I CAN'T DO THIS RIGHT NOW. 480 00:23:00,010 --> 00:23:02,140 [HIP-HOP MUSIC PLAYING] 481 00:23:09,750 --> 00:23:11,590 SPENCER, LET ME TAKE YOU HOME. 482 00:23:12,760 --> 00:23:14,790 I DON'T FEEL LIKE GOING HOME. 483 00:23:14,790 --> 00:23:15,890 PARTYING WITH YOUR EX 484 00:23:15,890 --> 00:23:17,290 WHILE YOU'RE IN SELF-DESTRUCT MODE 485 00:23:17,290 --> 00:23:19,090 IS NOT GONNA END WELL. 486 00:23:19,090 --> 00:23:20,760 LOOK, IF YOU'RE NOT READY TO FACE 487 00:23:20,760 --> 00:23:21,800 WHATEVER'S AT HOME, WE CAN 488 00:23:21,800 --> 00:23:23,800 GO SOMEWHERE AND TALK. 489 00:23:23,800 --> 00:23:25,840 I HAPPEN TO BE WELL-VERSED ON 490 00:23:25,840 --> 00:23:27,940 THE TOPIC OF COMPLEX FATHER FIGURES. 491 00:23:34,440 --> 00:23:35,680 [SIGH] 492 00:23:40,120 --> 00:23:41,780 FIRST TIME MY POPS LEFT, 493 00:23:41,780 --> 00:23:43,390 I STAYED UP ALL NIGHT WONDERING WHY. 494 00:23:46,290 --> 00:23:48,660 THAT HURT BURNED A HOLE THROUGH ME FOR YEARS. 495 00:23:51,230 --> 00:23:53,130 I CAN'T GO THROUGH THAT AGAIN. 496 00:23:53,130 --> 00:23:55,330 I JUST WANT TO ACCEPT THAT HE'S A BASTARD 497 00:23:55,330 --> 00:23:56,370 AND MOVE ON. 498 00:23:59,300 --> 00:24:00,340 WHY IS THAT SO HARD? 499 00:24:02,270 --> 00:24:05,980 THE REASON PEOPLE CLING TO THEIR HATE SO STUBBORNLY 500 00:24:05,980 --> 00:24:08,710 IS BECAUSE THEY SENSE ONCE THE HATE IS GONE, 501 00:24:08,710 --> 00:24:10,750 THEY'LL BE FORCED TO DEAL WITH THE PAIN. 502 00:24:10,750 --> 00:24:12,720 WHAT, ARE YOU A SHRINK NOW? 503 00:24:12,720 --> 00:24:15,320 I'M SOMEONE WHO READ A JAMES BALDWIN QUOTE ON TWITTER. 504 00:24:17,990 --> 00:24:20,220 LOOK, YOU GOTTA FACE IT, SPENCER. 505 00:24:20,220 --> 00:24:23,360 THE QUESTIONS ABOUT WHY HE LEFT, 506 00:24:23,360 --> 00:24:26,900 THE PAIN, THE HURT. 507 00:24:26,900 --> 00:24:29,000 THAT'S THE ONLY WAY YOU'LL HEAL AND MOVE ON. 508 00:24:31,230 --> 00:24:33,470 AND IF YOU CAN FACE YOUR DEMONS, 509 00:24:33,470 --> 00:24:34,700 I CAN, TOO. 510 00:24:35,770 --> 00:24:37,010 WHAT YOU GOTTA FACE? 511 00:24:38,240 --> 00:24:39,980 I LIED TO YOU WHEN I TOLD YOU 512 00:24:39,980 --> 00:24:41,210 SOMEONE TIPPED OFF THE SCHOOL 513 00:24:41,210 --> 00:24:43,910 ABOUT YOU LIVING IN CRENSHAW. 514 00:24:43,910 --> 00:24:47,380 THE CHAMPIONSHIP WAS NEVER IN JEOPARDY. 515 00:24:47,380 --> 00:24:49,450 I JUST WANTED YOU FOCUSED ON BEVERLY. 516 00:24:51,120 --> 00:24:52,020 I'M SORRY. 517 00:24:52,020 --> 00:24:53,860 WELL, WHY'D YOU DO IT? 518 00:24:53,860 --> 00:24:55,760 WAS IT CLIFF? 519 00:24:55,760 --> 00:24:57,790 NO, I JUST KNEW THAT'S WHAT 520 00:24:57,790 --> 00:24:58,860 HE WOULD WANT. 521 00:24:58,860 --> 00:25:00,830 WHAT HE WOULD WANT. 522 00:25:00,830 --> 00:25:02,200 WHAT ABOUT ME, ROCHELLE? 523 00:25:02,200 --> 00:25:04,270 MY DAD LOOMS SO LARGE OVER MY LIFE 524 00:25:04,270 --> 00:25:07,870 THAT I DO THINGS I'M ASHAMED OF. 525 00:25:07,870 --> 00:25:10,770 I LOSE SIGHT OF MYSELF. 526 00:25:10,770 --> 00:25:12,910 DON'T LET YOUR DAD LOOM SO LARGE 527 00:25:12,910 --> 00:25:15,780 THAT YOU LOSE YOUR POWER 528 00:25:15,780 --> 00:25:17,010 AND YOUR FUTURE. 529 00:25:17,010 --> 00:25:18,280 YEAH, WELL, IT'S A LITTLE LATE FOR THAT, 530 00:25:18,280 --> 00:25:19,950 GIVEN WHAT JUST HAPPENED AT DINNER. 531 00:25:19,950 --> 00:25:24,320 YOU FACE YOUR DEMONS, I'LL HANDLE MY DAD. 532 00:25:24,320 --> 00:25:25,960 I OWE YOU THAT. 533 00:25:25,960 --> 00:25:30,090 MAN: ♪ LAY MY SWEET CARESS... ♪ 534 00:25:32,430 --> 00:25:33,860 COME ON. 535 00:25:33,860 --> 00:25:40,370 MAN: ♪ ... ABOVE MY HEAD ... ♪ 536 00:25:40,370 --> 00:25:47,380 ♪ JUST LEAVE ME HERE, JUST LEAVE ME HERE ♪ 537 00:25:47,980 --> 00:25:54,920 ♪ JUST LEAVE ME, JUST LEAVE ME HERE ♪ 538 00:25:54,920 --> 00:25:57,050 [CROWD CHEERING] 539 00:26:04,630 --> 00:26:05,660 JORDAN? JORDAN, I'M LEAVING. 540 00:26:05,660 --> 00:26:07,400 YOU BETTER BE IN HERE. 541 00:26:08,800 --> 00:26:10,730 HEY, LIV. 542 00:26:10,730 --> 00:26:12,570 YOU OK? YOU KINDA JUST TOOK OFF. 543 00:26:12,570 --> 00:26:14,570 YEAH, I JUST NEED TO FIND JORDAN 544 00:26:14,570 --> 00:26:15,440 'CAUSE WE HAVE TO GO. 545 00:26:15,440 --> 00:26:18,510 HEY, LOOK, THAT KISS? 546 00:26:18,510 --> 00:26:21,080 YOU KNOW SHE JUST DID THAT, RIGHT? 547 00:26:21,080 --> 00:26:22,680 YEAH. YEAH, NO. 548 00:26:22,680 --> 00:26:24,580 SHE WAS JUST USING YOU TO GET BACK AT SPENCER 549 00:26:24,580 --> 00:26:26,150 OR ME OR BOTH OF US. 550 00:26:26,150 --> 00:26:27,550 I-I DON'T EVEN KNOW. 551 00:26:27,550 --> 00:26:30,990 I MEAN, NOT THAT YOU, YOU KNOW, KISSING HER, 552 00:26:30,990 --> 00:26:34,390 REALLY, ANYONE WOULD BE GETTING BACK AT ME OR WHATEVER. 553 00:26:36,190 --> 00:26:37,760 I NEED TO GO GET A RIDE, 554 00:26:37,760 --> 00:26:39,630 'CAUSE I THINK JORDAN LEFT WITHOUT ME, SO... 555 00:26:39,630 --> 00:26:41,500 BEFORE YOU GO, 556 00:26:41,500 --> 00:26:42,500 I HAVEN'T REALLY HAD THE CHANCE 557 00:26:42,500 --> 00:26:44,430 TO GIVE THIS TO YOU. 558 00:26:46,500 --> 00:26:47,540 HAPPY BIRTHDAY. 559 00:26:53,510 --> 00:26:55,250 A BURNER PHONE? 560 00:26:55,250 --> 00:26:57,680 LIKE, FOR DRUG DEALERS? 561 00:26:57,680 --> 00:26:59,880 A PREPAID CELL, 562 00:26:59,880 --> 00:27:01,220 LIKE, FOR FRIENDS WHO HAVE 563 00:27:01,220 --> 00:27:03,120 LOST THEIR PHONE PRIVILEGES. 564 00:27:03,120 --> 00:27:04,620 [CHUCKLES] 565 00:27:04,620 --> 00:27:08,630 I PROGRAMMED IN YOUR SPONSOR AND ME. 566 00:27:08,630 --> 00:27:10,560 AVAILABLE FOR ICE CREAM DELIVERIES. 567 00:27:10,560 --> 00:27:11,660 [BOTH CHUCKLE] 568 00:27:15,130 --> 00:27:18,970 I LOVE IT. THANK YOU. 569 00:27:18,970 --> 00:27:20,970 - IT'S NO BIG THING. - YEAH, IT IS. 570 00:27:22,640 --> 00:27:24,540 IT'S MY ONLY GIFT. 571 00:27:33,280 --> 00:27:35,590 LAURA: PARTY'S OVER! 572 00:27:35,590 --> 00:27:37,620 OH, MY GOD. THAT'S MY MOM. 573 00:27:37,620 --> 00:27:38,790 [DOOR OPENS] 574 00:27:52,640 --> 00:27:54,100 COOP: YO, BOY. SPENCER: OH! 575 00:27:54,100 --> 00:27:55,640 COOP: AIN'T EASY TO SHAKE ME. SPENCER: DAMN! 576 00:27:55,640 --> 00:27:56,870 [LAUGHS] YO, SHUT UP. 577 00:27:56,870 --> 00:27:58,210 YOU GONNA WAKE THE WHOLE HOUSE UP. 578 00:27:58,210 --> 00:28:00,010 WHAT THE HELL ARE YOU DOING HERE, COOP? 579 00:28:00,010 --> 00:28:01,780 OH, YOU AIN'T ANSWERED NO TEXTS OR CALLED BACK. 580 00:28:01,780 --> 00:28:03,010 I WAS ABOUT TO LEAVE A VOICEMAIL. 581 00:28:03,010 --> 00:28:04,720 YOU KNOW I HATE LEAVING VOICEMAIL. 582 00:28:04,720 --> 00:28:06,120 MY BAD, ALL RIGHT? 583 00:28:06,120 --> 00:28:08,250 I CAN'T LIE TO YOU, AND I WASN'T READY 584 00:28:08,250 --> 00:28:10,220 TO FACE THE TRUTH. 585 00:28:10,220 --> 00:28:11,250 OK, AND NOW? 586 00:28:17,660 --> 00:28:19,200 CAN YOU? 587 00:28:19,200 --> 00:28:20,230 IT'S FROM MY POPS. 588 00:28:24,130 --> 00:28:25,640 [EXHALES] "SPENCER, I'M SORRY FOR 589 00:28:25,640 --> 00:28:27,100 "DOING THIS TO YOU AGAIN. 590 00:28:27,100 --> 00:28:30,610 "I KNOW WHAT YOU MUST BE THINKING, BUT YOU'RE WRONG. 591 00:28:30,610 --> 00:28:32,080 "I LOVE YOU, SON. 592 00:28:32,080 --> 00:28:33,680 "I WISH IT DIDN'T HAVE TO BE THIS WAY 593 00:28:33,680 --> 00:28:35,750 "BUT ONE DAY, I HOPE YOU UNDERSTAND 594 00:28:35,750 --> 00:28:37,880 "WHY I LEFT THE WAY I DID, 595 00:28:37,880 --> 00:28:41,050 AND MAYBE THAT DAY, YOU'LL FORGIVE ME. DAD." 596 00:28:42,620 --> 00:28:43,650 HOLD UP. LET ME SEE THAT. 597 00:28:46,090 --> 00:28:48,660 "ONE DAY, I HOPE YOU'LL UNDERSTAND 598 00:28:48,660 --> 00:28:49,990 WHY I LEFT THE WAY I DID." 599 00:28:49,990 --> 00:28:52,730 WHY NOT TELL ME NOW? WHAT'S HE HIDING? 600 00:28:52,730 --> 00:28:53,760 I DON'T KNOW. 601 00:28:53,760 --> 00:28:54,900 I SHOULD'VE TALKED TO DARNELL 602 00:28:54,900 --> 00:28:57,130 WHEN HE CAME LOOKING FOR ME. 603 00:28:57,130 --> 00:28:58,840 HE SAID COREY HAD TO HAVE A REASON. 604 00:28:58,840 --> 00:29:00,300 WE PROBABLY COULD'VE FIGURED THAT OUT TOGETHER. 605 00:29:00,300 --> 00:29:02,270 OK, COOL, SO, LET'S GO TALK TO DARNELL. 606 00:29:02,270 --> 00:29:03,740 IT'S MAD LATE, COOP. 607 00:29:03,740 --> 00:29:05,640 HE'D BE HOME. 608 00:29:05,640 --> 00:29:07,780 WE THREW A COUPLE PUNCHES LAST TIME. 609 00:29:07,780 --> 00:29:09,150 BRO, REALLY? 610 00:29:09,150 --> 00:29:10,650 I'M OUT YOUR ORBIT FOR ONE DAY 611 00:29:10,650 --> 00:29:12,350 AND YOU BACK FIGHTING AGAIN? 612 00:29:12,350 --> 00:29:14,580 COME ON, MAN. I'LL KEEP Y'ALL IN CHECK. 613 00:29:21,730 --> 00:29:23,630 UH. THE DRIVER WILL TAKE YOU HOME. 614 00:29:23,630 --> 00:29:26,230 YOU'LL GET YOUR KEYS BACK IN THE MORNING. 615 00:29:26,230 --> 00:29:28,770 JJ, WHERE IS JORDAN? 616 00:29:28,770 --> 00:29:30,630 UH, HONEST, 617 00:29:30,630 --> 00:29:32,140 I REALLY DON'T KNOW, MRS. B. 618 00:29:32,140 --> 00:29:34,340 UH, I THINK HE MIGHT'VE LEFT. 619 00:29:34,340 --> 00:29:35,770 YOU THINK? 620 00:29:35,770 --> 00:29:38,180 I'M GONNA GO CHECK ALL THE ROOMS. AGAIN. 621 00:29:40,740 --> 00:29:42,980 DID MR. KEATING TELL YOU ABOUT THE PARTY? 622 00:29:42,980 --> 00:29:44,680 NO. I TOLD HIM ABOUT IT 623 00:29:44,680 --> 00:29:46,650 AFTER LAYLA TEXTED ME A PICTURE 624 00:29:46,650 --> 00:29:48,890 OF YOU AND JORDAN PARTYING. 625 00:29:48,890 --> 00:29:50,820 LAYLA. OF COURSE SHE DID. 626 00:29:50,820 --> 00:29:52,790 MR. KEATING: YOU'RE COMING NOW! LAYLA: LET GO OF ME! 627 00:29:52,790 --> 00:29:53,960 I'M NOT LEAVING! 628 00:29:53,960 --> 00:29:54,990 MR. KEATING: THIS IS NOT A DISCUSSION, OK? 629 00:29:54,990 --> 00:29:56,230 YOU LIED TO ME, LAYLA. 630 00:29:56,230 --> 00:29:57,730 LOOK WHO DECIDED TO PLAY DADDY NOW. 631 00:29:57,730 --> 00:29:59,160 IT'S A LITTLE LATE FOR THAT. 632 00:29:59,160 --> 00:30:00,830 ENOUGH, ALL RIGHT? 633 00:30:00,830 --> 00:30:01,800 YOU'RE COMING HOME WITH ME NOW. 634 00:30:01,800 --> 00:30:03,730 WHAT HOME? THE GLASS CASTLE 635 00:30:03,730 --> 00:30:04,770 THAT WAS BROKEN INTO 636 00:30:04,770 --> 00:30:05,940 OR THE HOTEL ROOM 637 00:30:05,940 --> 00:30:07,140 YOU DIDN'T KNOW ABOUT 638 00:30:07,140 --> 00:30:08,210 UNTIL YESTERDAY? 639 00:30:08,210 --> 00:30:09,710 WE CAN TALK ABOUT THIS LATER, OK? 640 00:30:09,710 --> 00:30:11,710 NO, DON'T YOU GET IT? 641 00:30:11,710 --> 00:30:13,710 I DON'T HAVE A HOME. 642 00:30:13,710 --> 00:30:16,980 I DON'T HAVE SOMEWHERE WHERE I FEEL SAFE. 643 00:30:16,980 --> 00:30:19,850 ALL I HAVE ARE MEMORIES OF A MOM I LOST 644 00:30:19,850 --> 00:30:21,380 AND EVEN LESS MEMORIES OF A FATHER 645 00:30:21,380 --> 00:30:23,150 WHO ABANDONED ME. 646 00:30:23,150 --> 00:30:24,790 SWEETHEART, I DON'T THINK THAT THIS IS THE TIME-- 647 00:30:24,790 --> 00:30:26,960 I'M SORRY. WHO ASKED YOU TO GET INVOLVED? 648 00:30:26,960 --> 00:30:29,230 MAYBE GO FIX YOUR OWN BROKEN FAMILY. 649 00:30:29,230 --> 00:30:30,860 HONEY. 650 00:30:36,270 --> 00:30:38,070 YOU'RE SUPPOSED TO BE MY FRIEND. 651 00:30:40,340 --> 00:30:41,640 MY REAL FAMILY. 652 00:30:43,770 --> 00:30:46,110 AND YOU BETRAYED ME. 653 00:30:46,110 --> 00:30:47,910 YOU WANT TO BRING MY DAD BACK 654 00:30:47,910 --> 00:30:51,250 SO YOU CAN TELL HIM I'M BROKEN? [SNIFFLES] 655 00:30:51,250 --> 00:30:53,020 MAYBE I AM. 656 00:30:53,020 --> 00:30:55,350 GUESS WHO BROKE ME. 657 00:30:55,350 --> 00:30:56,490 YOU DON'T MEAN IT. 658 00:30:56,490 --> 00:30:57,790 LAYLA... 659 00:30:57,790 --> 00:31:00,120 DON'T EVER, 660 00:31:00,120 --> 00:31:03,760 EVER SPEAK TO ME AGAIN. 661 00:31:03,760 --> 00:31:05,060 [CRYING] I'M SORRY. 662 00:31:08,870 --> 00:31:09,900 MR. KEATING: LAYLA. 663 00:31:24,920 --> 00:31:27,220 [DOG BARKING IN DISTANCE] 664 00:31:27,220 --> 00:31:30,020 HEY, MAN, AIN'T NO SIGN OF DARNELL ANYMORE. 665 00:31:30,020 --> 00:31:32,820 HE MUST'VE WENT TO HIS AUNT'S IN NEVADA AFTER ALL. 666 00:31:32,820 --> 00:31:34,320 HE LEFT SOME MAIL BEHIND. 667 00:31:34,320 --> 00:31:35,960 THAT'S IT. 668 00:31:41,800 --> 00:31:43,330 [PUTS MAIL DOWN] 669 00:31:45,470 --> 00:31:48,870 HEY, YOU DO KNOW THAT'S A FEDERAL OFFENSE, RIGHT? 670 00:31:48,870 --> 00:31:51,410 WHATEVER. I'M JUST PUTTING IT OUT THERE. 671 00:31:51,410 --> 00:31:54,810 AMR GENETIC TESTING AND DIAGNOSTICS LAB. 672 00:31:54,810 --> 00:31:56,110 THAT SOUND LIKE THAT 23 AND ME. 673 00:31:56,110 --> 00:31:58,350 A COMPLETE WASTE OF MONEY, BY THE WAY. 674 00:32:00,550 --> 00:32:02,420 ARE YOU GOOD, BRO? 675 00:32:02,420 --> 00:32:04,120 WHAT? YOU THINK THIS GOT SOMETHING TO DO WITH DARNELL? 676 00:32:07,920 --> 00:32:09,290 NO. 677 00:32:10,430 --> 00:32:12,260 I THINK IT'S GOT TO DO WITH SOMEBODY ELSE. 678 00:32:19,800 --> 00:32:21,300 [KNOCKING ON DOOR] 679 00:32:22,510 --> 00:32:23,910 JORDAN. 680 00:32:23,910 --> 00:32:25,940 WHAT ARE YOU DOING HERE? IT'S LATE. 681 00:32:25,940 --> 00:32:29,450 I KNOW. JUST, UH... 682 00:32:29,450 --> 00:32:31,010 I JUST NEEDED, UH... 683 00:32:32,920 --> 00:32:35,420 I REALLY MESSED UP, DAD. 684 00:32:35,420 --> 00:32:36,990 WHAT'S GOING ON? 685 00:32:41,560 --> 00:32:44,160 YOU BEEN DRINKING. 686 00:32:44,160 --> 00:32:46,530 YEAH. BUT I'M-I'M NOT DRUNK. 687 00:32:46,530 --> 00:32:48,000 OK? I PROMISE. 688 00:32:48,000 --> 00:32:49,030 YOUR MOTHER HAS NO IDEA 689 00:32:49,030 --> 00:32:51,130 WHERE YOU ARE, DOES SHE? 690 00:32:51,130 --> 00:32:53,070 OF COURSE NOT. COME ON. 691 00:32:53,070 --> 00:32:54,370 WAIT, WAIT, WAIT, PLEASE, PLEASE, NO. 692 00:32:54,370 --> 00:32:55,370 CAN WE TALK FIRST? 693 00:32:55,370 --> 00:32:56,540 NO, WE CAN'T TALK. 694 00:32:56,540 --> 00:32:57,910 YOUR MOTHER'S RIGHT. 695 00:32:57,910 --> 00:32:59,210 YOU ARE OUT OF CONTROL AND I CAN'T KEEP 696 00:32:59,210 --> 00:33:01,140 LETTING YOU TAKE ADVANTAGE OF ME 697 00:33:01,140 --> 00:33:02,610 BECAUSE I FEEL GUILTY. 698 00:33:02,610 --> 00:33:04,250 DAD, I GOT A GIRL PREGNANT. 699 00:33:06,020 --> 00:33:07,480 I'M SO SORRY. 700 00:33:08,620 --> 00:33:11,220 I WAS AT THIS PARTY TODAY AND THIS GIRL SIMONE, SHE TOLD ME. 701 00:33:11,220 --> 00:33:13,390 I-I DIDN'T EVEN KNOW WHAT TO SAY TO HER. 702 00:33:14,960 --> 00:33:18,060 I'M...I'M SORRY. 703 00:33:18,060 --> 00:33:20,300 - OK. - I REALLY, REALLY MESSED UP. 704 00:33:20,300 --> 00:33:21,130 IT'S OK. 705 00:33:21,130 --> 00:33:22,500 ALL RIGHT? LOOK AT ME. 706 00:33:22,500 --> 00:33:24,270 WE'RE GONNA FIGURE THIS OUT TOGETHER. 707 00:33:24,270 --> 00:33:26,070 - I DON'T KNOW WHAT TO DO. - THAT'S ALL RIGHT. 708 00:33:26,070 --> 00:33:27,370 - I DON'T KNOW. - WE'RE GONNA FIGURE THIS 709 00:33:27,370 --> 00:33:29,210 OUT TOGETHER, OK? 710 00:33:29,210 --> 00:33:30,870 WE'RE GONNA FIGURE THIS OUT TOGETHER. 711 00:33:32,940 --> 00:33:33,980 IT'S ALL RIGHT. 712 00:33:39,350 --> 00:33:41,290 [DOOR OPENS] 713 00:33:41,290 --> 00:33:43,420 [FOOTSTEPS] 714 00:33:46,290 --> 00:33:48,330 NO, JORDAN. 715 00:33:48,330 --> 00:33:50,360 I'VE BEEN WAITING ALL NIGHT. 716 00:33:52,860 --> 00:33:54,630 WHAT IS GOING ON? 717 00:33:54,630 --> 00:33:56,730 BILLY: WHY DON'T YOU GO UPSTAIRS, JORDAN. 718 00:33:56,730 --> 00:33:58,200 YOUR MOTHER AND I NEED TO TALK. 719 00:34:03,310 --> 00:34:05,640 WHY ARE YOUR SUITCASES IN MY HOUSE, BILLY? 720 00:34:05,640 --> 00:34:07,340 YOU'RE RIGHT. MY CHILDREN 721 00:34:07,340 --> 00:34:10,210 DO NEED STRUCTURE AND DISCIPLINE, 722 00:34:10,210 --> 00:34:11,980 BUT THEY NEED THE BEST OUT OF BOTH OF US, 723 00:34:11,980 --> 00:34:13,350 AND I DON'T KNOW HOW TO DO THAT 724 00:34:13,350 --> 00:34:15,390 WHEN I'M SLEEPING ACROSS THE 10. 725 00:34:15,390 --> 00:34:16,690 YOU'RE NOT SERIOUS. 726 00:34:18,390 --> 00:34:19,360 NO, BILLY, YOU ARE NOT 727 00:34:19,360 --> 00:34:20,960 MOVING BACK INTO THE HOUSE. 728 00:34:20,960 --> 00:34:22,360 I'VE GOT IT HANDLED. 729 00:34:22,360 --> 00:34:23,290 OH, DO YOU? YOU HAVE IT HANDLED? 730 00:34:23,290 --> 00:34:24,860 -YES. -BECAUSE JORDAN HAS 731 00:34:24,860 --> 00:34:25,930 GOT A GIRL PREGNANT. 732 00:34:27,260 --> 00:34:29,270 WHAT? 733 00:34:29,270 --> 00:34:31,440 MM-HMM. PREGNANT. 734 00:34:47,420 --> 00:34:49,250 [DOOR CLOSES] 735 00:34:50,850 --> 00:34:52,590 SO...WHO'S WAITING 736 00:34:52,590 --> 00:34:55,830 FOR THE NEWEST "OORT SENTRY"? 737 00:34:55,830 --> 00:34:57,460 I'M GOOD. 738 00:34:57,460 --> 00:35:00,530 A'IGHT. I'LL READ IT BY MYSELF. 739 00:35:08,610 --> 00:35:10,270 HEY, WHAT'S A JAYSTONIAN? 740 00:35:10,270 --> 00:35:11,540 A PERSON FROM JAYSTONE. 741 00:35:11,540 --> 00:35:13,580 NAH. OK. AND IS IT BAD 742 00:35:13,580 --> 00:35:14,650 THAT HEROES ARE LYING... 743 00:35:14,650 --> 00:35:16,380 - AAH! - WHAT? WHAT? 744 00:35:16,380 --> 00:35:17,610 SPOILERS, SPENCER! 745 00:35:17,610 --> 00:35:19,280 BUT I NEED YOU TO HELP ME REMEMBER 746 00:35:19,280 --> 00:35:20,520 WHAT'S GOING ON, LITTLE MAN. 747 00:35:21,820 --> 00:35:23,250 [SIGH] 748 00:35:26,460 --> 00:35:30,430 ALL RIGHT. ARIELENA AND HARROW. 749 00:35:30,430 --> 00:35:32,800 ALL RIGHT...AHEM. 750 00:35:32,800 --> 00:35:34,800 SO, THEY'RE BOTH JAYSTONIANS. 751 00:35:34,800 --> 00:35:36,770 - MM-HMM. - BUT THEY HAVEN'T RETURNED 752 00:35:36,770 --> 00:35:40,440 TO THEIR HOME WORLD SINCE THEY 753 00:35:40,440 --> 00:35:43,370 BROKE THE OATH FROM THE Q? 754 00:35:43,370 --> 00:35:47,680 NO WAY. THAT'S, LIKE, A BIG ... 755 00:36:07,500 --> 00:36:08,970 WHAT IS THIS PLACE? 756 00:36:10,370 --> 00:36:12,500 IT'S DR. GURMAN'S OFFICE. 757 00:36:12,500 --> 00:36:15,040 YOUR APPOINTMENT STARTS IN 5. 758 00:36:15,040 --> 00:36:17,540 DAD, I WAS DRUNK 759 00:36:17,540 --> 00:36:19,110 AT A PARTY AND MADE A SCENE. 760 00:36:19,110 --> 00:36:22,450 - IT DOESN'T MEAN-- - BUT YOU NEED HELP, LAYLA. 761 00:36:24,750 --> 00:36:26,120 I SHOULD'VE SEEN THIS COMING 762 00:36:26,120 --> 00:36:28,050 AND DONE SOMETHING SOONER. 763 00:36:28,050 --> 00:36:29,350 WHAT ARE YOU TALKING ABOUT? 764 00:36:32,860 --> 00:36:34,760 YOUR MOM. 765 00:36:34,760 --> 00:36:36,490 SHE SUFFERED FROM DEPRESSION. 766 00:36:41,830 --> 00:36:44,330 WHY HAVE YOU NEVER TOLD ME THAT? 767 00:36:46,740 --> 00:36:48,610 WHAT DOES THAT HAVE TO DO WITH ME? 768 00:36:51,510 --> 00:36:53,340 DEPRESSION CAN BE HEREDITARY, SWEETIE. 769 00:36:55,410 --> 00:36:58,450 YOU ALWAYS SEEMED SO STRONG. 770 00:36:58,450 --> 00:36:59,950 I NEVER SAW ANY SIGNS. 771 00:37:01,450 --> 00:37:02,720 I SHOULD'VE BEEN THERE. 772 00:37:08,460 --> 00:37:09,490 BUT I AM NOW. 773 00:37:11,830 --> 00:37:13,760 AND I'M GONNA HELP YOU FACE THIS. 774 00:37:15,830 --> 00:37:17,600 AND IT STARTS WITH GOING IN THERE. 775 00:37:20,900 --> 00:37:22,370 TOGETHER. 776 00:37:26,440 --> 00:37:29,410 MAN: ♪ GIRL ♪ 777 00:37:29,410 --> 00:37:33,750 ♪ PERFECTLY HER ♪ 778 00:37:33,750 --> 00:37:39,060 ♪ BROKEN AND HURT ♪ 779 00:37:39,060 --> 00:37:43,190 ♪ SOFT AND ASLEEP IN THE MORNING GRAY ♪ 780 00:37:43,190 --> 00:37:47,000 ♪ SHAKE OFF THE NIGHT AND DON'T HIDE YOUR FACE ♪ 781 00:37:47,000 --> 00:37:48,870 DIDN'T KNOW THIS THING GOT TEXTS. 782 00:37:48,870 --> 00:37:51,440 GOT YOU THAT FANCY FLIP PHONE. 783 00:37:51,440 --> 00:37:52,500 AND THIS. 784 00:37:52,500 --> 00:37:54,200 [GASP] 785 00:37:54,200 --> 00:37:55,440 HA HA! 786 00:37:55,440 --> 00:37:59,110 OOH. CAN NEVER TURN DOWN ICE CREAM. 787 00:37:59,110 --> 00:38:01,010 BUT YOU DO KNOW MOST DELIVERY SERVICES 788 00:38:01,010 --> 00:38:04,550 WAIT FOR THE PERSON TO ORDER FIRST, RIGHT? 789 00:38:04,550 --> 00:38:06,880 IT'S A BIT UNORTHODOX, I KNOW. 790 00:38:06,880 --> 00:38:10,750 BUT...I WAS TIRED OF WAITING. 791 00:38:13,660 --> 00:38:18,600 I REALLY HOPE THIS ISN'T JUST IN MY HEAD, 792 00:38:18,600 --> 00:38:22,500 BUT AFTER LAST NIGHT AT THE PARTY, 793 00:38:22,500 --> 00:38:23,770 I'M THINKING IT'S NOT. 794 00:38:34,010 --> 00:38:35,550 MAN: ♪ GIRL ♪ 795 00:38:35,550 --> 00:38:37,010 DO YOU WANT ME TO KISS YOU? 796 00:38:37,010 --> 00:38:38,920 MAN: ♪ YOU'LL SEE THE WORLD ♪ 797 00:38:38,920 --> 00:38:41,620 PLEASE SAY SOMETHING NOW. 798 00:38:41,620 --> 00:38:46,620 MAN: ♪ AND YOU'LL COME TO LEARN ♪ 799 00:38:46,620 --> 00:38:51,030 ♪ THAT FALLING IN LOVE IS A STRANGE WORK OF ART ♪ 800 00:38:51,030 --> 00:38:55,270 ♪ ALL OF YOUR BATTLES WILL SHAPE WHO YOU ARE ♪ 801 00:38:55,270 --> 00:39:01,770 ♪ AND KNOW THAT YOUR SCARS ARE MY FAVORITE PART ♪ 802 00:39:01,770 --> 00:39:04,510 ♪ I WANT YOU TO KNOW THIS ♪ 803 00:39:14,550 --> 00:39:16,750 HE'S ASLEEP. FINALLY. HEH. 804 00:39:16,750 --> 00:39:18,190 THAT WAS SWEET OF YOU TO TUCK HIM IN. 805 00:39:21,830 --> 00:39:23,160 MA, I NEED TO ASK YOU SOMETHING. 806 00:39:25,630 --> 00:39:26,900 OK. 807 00:39:29,570 --> 00:39:30,830 WHAT ABOUT? 808 00:39:32,170 --> 00:39:33,500 UH... 809 00:39:41,610 --> 00:39:44,680 IT'S A COPAY FOR A GENETICS TESTING LAB. 810 00:39:47,020 --> 00:39:48,590 I DON'T KNOW WHAT IT'S FOR, BUT I 811 00:39:48,590 --> 00:39:50,020 FOUND IT AT COREY'S HOUSE. 812 00:39:56,960 --> 00:39:58,500 IS DILLON COACH BAKER'S SON? 813 00:40:02,070 --> 00:40:04,000 I'M SORRY, MAMA, BUT THE MATH MAKES SENSE, 814 00:40:04,000 --> 00:40:06,170 AND IT WOULD EXPLAIN WHY DAD GOT MAD AND LEFT. 815 00:40:11,640 --> 00:40:13,110 I JUST NEED THE TRUTH, PLEASE. 816 00:40:16,150 --> 00:40:17,780 OK. 817 00:40:20,320 --> 00:40:21,590 THE TRUTH IS... 818 00:40:23,650 --> 00:40:24,650 I DON'T KNOW IF DILLON IS 819 00:40:24,650 --> 00:40:26,760 BILLY OR COREY'S. 820 00:40:26,760 --> 00:40:29,330 BUT THAT'S NOT WHY YOUR FATHER LEFT. 821 00:40:29,330 --> 00:40:30,630 HE MADE PEACE WITH IT. 822 00:40:30,630 --> 00:40:31,830 HOW DO YOU KNOW? 823 00:40:31,830 --> 00:40:33,000 HE'S THE ONE WHO DECIDED 824 00:40:33,000 --> 00:40:34,630 NOT TO DO THE PATERNITY TEST. 825 00:40:39,800 --> 00:40:41,610 THEN IT WAS ME. 826 00:40:43,910 --> 00:40:47,610 IF COREY AIN'T LEAVE BECAUSE OF DILLON, IT WAS ME. 827 00:40:47,610 --> 00:40:49,050 - OH, HONEY, NO. - NO, NO. 828 00:40:49,050 --> 00:40:50,780 IF I'D AGREED TO PLAY FOR HIM, 829 00:40:50,780 --> 00:40:52,620 HE'D STILL BE HERE. 830 00:40:52,620 --> 00:40:53,720 HE SAID HE WAS COOL 831 00:40:53,720 --> 00:40:54,890 WITH ME STAYING AT BEVERLY, 832 00:40:54,890 --> 00:40:56,650 BUT MAYBE HE WASN'T RIGHT? 833 00:40:56,650 --> 00:40:57,890 MAYBE HE WASN'T. 834 00:40:57,890 --> 00:40:59,620 WAS IT ALWAYS JUST ABOUT FOOTBALL? 835 00:41:01,790 --> 00:41:02,830 IS THAT WHY HE CAME BACK? 836 00:41:02,830 --> 00:41:04,290 WHAT, IT WASN'T ENOUGH FOR ME 837 00:41:04,290 --> 00:41:05,800 JUST TO BE HIS SON? 838 00:41:07,960 --> 00:41:09,730 WHY AM I NEVER ENOUGH, MOM? 839 00:41:09,730 --> 00:41:10,800 NO, HONEY, YES, YOU ARE. 840 00:41:10,800 --> 00:41:12,700 LISTEN. NO, NO, NO, NO, NO, NO, NO. 841 00:41:12,700 --> 00:41:13,970 LISTEN TO ME. LOOK AT ME. 842 00:41:15,870 --> 00:41:17,670 I CAN'T TELL YOU WHY YOUR FATHER 843 00:41:17,670 --> 00:41:19,740 DID WHAT HE DID. 844 00:41:19,740 --> 00:41:21,780 BUT WHAT I ABSOLUTELY KNOW FOR SURE 845 00:41:21,780 --> 00:41:23,710 IS THAT YOU ALWAYS HAVE BEEN 846 00:41:23,710 --> 00:41:25,720 AND ALWAYS WILL BE MORE THAN ENOUGH. 847 00:41:25,720 --> 00:41:27,080 - NO. - YES. 848 00:41:27,080 --> 00:41:29,750 DO YOU HEAR ME, SPENCER JAMES? 849 00:41:29,750 --> 00:41:32,890 ALWAYS! ALWAYS. 850 00:41:35,230 --> 00:41:36,260 COME HERE. 851 00:41:38,230 --> 00:41:39,760 IT'S OK. 852 00:41:39,760 --> 00:41:41,330 - MAMA. - IT'S OK. 853 00:42:14,970 --> 00:42:16,670 MAN: GREG, MOVE YOUR HEAD.