1 00:00:00,792 --> 00:00:02,336 PREVIOUSLY ON "ALL AMERICAN"... 2 00:00:02,336 --> 00:00:04,046 LAYLA: YOU WANT TO HAVE ME COMMITTED? 3 00:00:04,046 --> 00:00:05,297 YOUR MOM. SHE SUFFERED FROM DEPRESSION. 4 00:00:05,297 --> 00:00:07,341 DEPRESSION CAN BE HEREDITARY, SWEETIE. 5 00:00:07,341 --> 00:00:08,634 BILLY: YOU WANT TO RUN BEVERLY FOOTBALL 6 00:00:08,634 --> 00:00:10,802 LIKE A DIVISION I COLLEGE PROGRAM. 7 00:00:10,802 --> 00:00:12,346 AND YOU'RE NOT OFFERING ME ANY MONEY? 8 00:00:12,346 --> 00:00:14,473 SOUNDS LIKE YOU WANT ME TO BE YOUR SLAVE. 9 00:00:14,473 --> 00:00:16,475 -BEEN A YEAR, MOM. -WE'RE GETTING MARRIED. 10 00:00:16,475 --> 00:00:20,312 I'M HOPING THAT YOU'LL SERVE YOUR FATHER DIVORCE PAPERS. 11 00:00:20,312 --> 00:00:21,772 BILLY: WHAT ARE THESE? 12 00:00:21,772 --> 00:00:23,482 LETTERS TO MY BOYS SAYING GOOD-BYE. 13 00:00:23,482 --> 00:00:25,275 DARNELL: YOU MUST'VE DID SOMETHING TO RUN HIM OFF. 14 00:00:25,275 --> 00:00:27,277 YOU COULDN'T STAND THE FACT THAT I'M MORE OF A SON 15 00:00:27,277 --> 00:00:28,737 TO HIM THAN YOU WILL EVER BE. 16 00:00:28,737 --> 00:00:30,489 SPENCE, CHILL, MAN! 17 00:00:30,489 --> 00:00:32,699 I REMEMBER ALL THIS FROM WHEN COREY LEFT THE FIRST TIME. 18 00:00:32,699 --> 00:00:36,245 I SPENT YEARS ASKING MYSELF WHAT I DID TO MAKE HIM LEAVE, 19 00:00:36,245 --> 00:00:37,704 HOW COULD I BRING HIM BACK. 20 00:00:37,704 --> 00:00:39,581 I'M NOT DOING THAT AGAIN! 21 00:00:39,581 --> 00:00:41,708 YOU ARE NOT MOVING BACK INTO THE HOUSE. I'VE GOT IT HANDLED. 22 00:00:41,708 --> 00:00:43,710 JORDAN HAS GOT A GIRL PREGNANT. 23 00:00:45,910 --> 00:00:47,740 ROCHELLE: SET? 24 00:00:47,740 --> 00:00:49,620 LITTLE TIGHTER, LITTLE TIGHTER. REMEMBER... 25 00:00:49,620 --> 00:00:51,290 JORDAN: THIS GONNA BE...? ROCHELLE: THIS IS TO CREATE... 26 00:00:51,290 --> 00:00:52,870 BUZZ AND EXCITEMENT. JORDAN, YOU READY? 27 00:00:52,870 --> 00:00:55,920 READY. SO YEAH. UH, TO CAMERA? TO YOU? TO YOU. GOT IT. 28 00:00:55,920 --> 00:00:57,380 ROCHELLE: SO, JORDAN BAKER, 29 00:00:57,380 --> 00:00:59,500 BEVERLY FOOTBALL STAR QUARTERBACK, 30 00:00:59,500 --> 00:01:01,090 WHAT DOES FOOTBALL MEAN TO YOU? 31 00:01:01,090 --> 00:01:03,760 UH, GIRLS. FOOTBALL IS ALL ABOUT THE GIRLS. 32 00:01:03,760 --> 00:01:06,890 [LAUGHING] WOULD YOU GET OUT OF HERE, OK? 33 00:01:06,890 --> 00:01:11,430 J.J.'s ALL RIGHT. UM, LEADERSHIP. 34 00:01:11,430 --> 00:01:13,020 IT'S ALL ABOUT THE 3 Rs. 35 00:01:13,020 --> 00:01:16,060 YOU KNOW, RESPONSIBILITY, RESPECT, 36 00:01:16,060 --> 00:01:18,900 AND, UM, ACCOUNTABILITY. 37 00:01:18,900 --> 00:01:22,860 I KNOW--I KNOW THAT'S ONLY 2 Rs, BUT YOU CAN EDIT THIS, RIGHT? 38 00:01:22,860 --> 00:01:24,950 ROCHELLE: TELL US, SPENCER, WHY DID YOU CHOOSE 39 00:01:24,950 --> 00:01:28,530 TO PLAY FOR BEVERLY INSTEAD OF STAYING IN SOUTH CRENSHAW? 40 00:01:28,530 --> 00:01:30,950 I CAME TO BEVERLY TO PLAY CHAMPIONSHIP FOOTBALL. 41 00:01:30,950 --> 00:01:33,660 WELL, CLEARLY, YOU MADE THE RIGHT DECISION. 42 00:01:33,660 --> 00:01:35,750 STATE CHAMPS. GO, EAGLES. 43 00:01:35,750 --> 00:01:38,710 SO WHAT DOES FOOTBALL MEAN TO YOU? 44 00:01:38,710 --> 00:01:41,460 FOOTBALL MEANS A LOT OF THINGS TO ME. 45 00:01:41,460 --> 00:01:43,470 BUT I GUESS IT'S THE LESSONS IT TAUGHT ME 46 00:01:43,470 --> 00:01:45,930 ABOUT FACING ADVERSITY THAT MADE ME WHO I AM, 47 00:01:45,930 --> 00:01:47,640 SO IT'S THOSE LESSONS THAT MEAN THE MOST. 48 00:01:47,640 --> 00:01:49,550 CARE TO SHARE SOME OF THOSE LESSONS? 49 00:01:49,550 --> 00:01:53,810 WHEN I WAS A KID, I WAS TAUGHT TO TACKLE MY PROBLEMS, 50 00:01:53,810 --> 00:01:59,060 BLOCK OUT MY FEARS, AND ALWAYS FINISH STRONG NO MATTER WHAT. 51 00:01:59,060 --> 00:02:00,980 THAT'S HOW I TRY TO LIVE MY LIFE. 52 00:02:00,980 --> 00:02:02,650 WHO TAUGHT YOU THAT? 53 00:02:02,650 --> 00:02:04,690 SPENCER? 54 00:02:11,900 --> 00:02:14,030 [APPLAUSE] 55 00:02:14,030 --> 00:02:17,200 NOW, NOW, WHO DOESN'T LOVE A REMATCH? AM I RIGHT? 56 00:02:17,200 --> 00:02:18,320 -YEAH! -YEAH! 57 00:02:18,320 --> 00:02:20,120 BOY: WHOO! 58 00:02:20,120 --> 00:02:21,870 CLIFF: I KNOW YOU'VE HEARD THE WHISPERS, 59 00:02:21,870 --> 00:02:24,750 AND NOW I CAN CONFIRM THE RUMORS ARE TRUE. 60 00:02:24,750 --> 00:02:27,130 COACH BAKER HAS AGREED TO HOST 61 00:02:27,130 --> 00:02:31,800 OUR SOUTH CRENSHAW RIVALS IN A FRIENDLY 7-ON-7 REMATCH 62 00:02:31,800 --> 00:02:34,880 OF LAST YEAR'S STATE CHAMPIONSHIP. 63 00:02:34,880 --> 00:02:38,140 THAT'S RIGHT. THE BEVERLY WAY WILL BE ON FULL DISPLAY 64 00:02:38,140 --> 00:02:41,810 THIS WEEKEND IN OUR HOUSE. 65 00:02:41,810 --> 00:02:44,680 [CHEERING AND APPLAUSE] 66 00:02:44,680 --> 00:02:47,100 SPENCER: I'M SURPRISED YOU'RE COOL WITH ALL THIS. 67 00:02:47,100 --> 00:02:50,940 NOT MY IDEA. THIS REMATCH IS A LOSE/LOSE GAME FOR US, 68 00:02:50,940 --> 00:02:53,860 BUT I WAS OUTVOTED BY ATHLETIC DIRECTOR HART. 69 00:02:53,860 --> 00:02:55,240 CLIFF: IT'S AN EXHIBITION GAME, 70 00:02:55,240 --> 00:02:56,740 SO WE SET IT UP TO FEEL 71 00:02:56,740 --> 00:02:58,240 A LITTLE MORE LIKE THE REAL THING. 72 00:02:58,240 --> 00:02:59,990 SO BE PREPARED. 73 00:02:59,990 --> 00:03:02,120 THIS ONE HERE IS GOING TO BE EXCITING TO WATCH. 74 00:03:02,120 --> 00:03:04,910 SO TELL YOUR FRIENDS, HAVE THEM TELL SOME FRIENDS, 75 00:03:04,910 --> 00:03:07,750 AND THEN TELL SOME MORE FRIENDS. HA HA! 76 00:03:07,750 --> 00:03:09,670 THAT'S ENOUGH. CLIFF, A WORD? 77 00:03:09,670 --> 00:03:12,670 ALL RIGHT. ENJOY YOURSELVES. HERE WE GO. 78 00:03:12,670 --> 00:03:14,210 [APPLAUSE] 79 00:03:14,210 --> 00:03:15,920 ARE YOU GOOD? 80 00:03:15,920 --> 00:03:18,800 YEAH. UM, JUST COVER FOR ME, WOULD YOU? 81 00:03:18,800 --> 00:03:20,600 YEAH. 82 00:03:23,010 --> 00:03:26,100 HEY, MY LOCKER ROOM IS A SIDESHOW UP IN THERE. 83 00:03:26,100 --> 00:03:28,390 THERE'S NOTHING WRONG WITH A LITTLE BIT OF SHOWMANSHIP, 84 00:03:28,390 --> 00:03:30,900 SOMETHING WE BOTH KNOW YOU DON'T POSSESS. 85 00:03:30,900 --> 00:03:33,650 SO WHY DON'T YOU DO YOUR JOB AND LET ME DO MINE? 86 00:03:33,650 --> 00:03:36,950 OH, I DID MY JOB. I WON THE STATE CHAMPIONSHIP. 87 00:03:36,950 --> 00:03:38,950 TELL ME, CLIFF, WHAT IS YOUR JOB? 88 00:03:38,950 --> 00:03:40,280 -MY JOB? -MM-HMM. 89 00:03:40,280 --> 00:03:42,370 -I CREATE BUZZ. -BUZZ? 90 00:03:42,370 --> 00:03:44,290 -EXCITEMENT. -MAN! 91 00:03:44,290 --> 00:03:46,000 LOOK, THAT STATE CHAMPIONSHIP IS ALREADY YESTERDAY'S NEWS. 92 00:03:46,000 --> 00:03:48,750 I'M TRYING TO BUILD SOMETHING, 93 00:03:48,750 --> 00:03:50,000 A LEGACY THAT WILL OUTLIVE BOTH OF US. 94 00:03:50,000 --> 00:03:51,960 WE'RE ON THE SAME SIDE, BILLY. 95 00:03:51,960 --> 00:03:53,880 ARE WE? 96 00:03:53,880 --> 00:03:56,260 THIS REMATCH OF YOURS, IT'S A BAD IDEA. 97 00:03:56,260 --> 00:03:57,420 WE HAVE ZERO INCENTIVE TO PLAY. 98 00:03:57,420 --> 00:03:58,840 WE BEAT 'EM ALREADY. 99 00:03:58,840 --> 00:04:01,760 NOW, IF WE LOSE, WE TARNISH OUR TITLE. 100 00:04:01,760 --> 00:04:04,220 THEN DON'T LOSE. 101 00:04:04,220 --> 00:04:06,020 [SCOFFS] 102 00:04:11,060 --> 00:04:14,820 HEY. SORRY. I DIDN'T MEAN TO FREAK YOU OUT. 103 00:04:14,820 --> 00:04:18,440 NO, NO. IT'S, UM, ALL GOOD. YOU OK? 104 00:04:18,440 --> 00:04:21,740 SO MY DOCTOR WAS ABLE TO SQUEEZE ME IN 105 00:04:21,740 --> 00:04:23,780 FOR AN ULTRASOUND THIS WEEKEND. 106 00:04:23,780 --> 00:04:25,700 THAT'S GREAT. 107 00:04:25,700 --> 00:04:27,830 IT'S JUST MY PARENTS DON'T KNOW ABOUT THE BABY, 108 00:04:27,830 --> 00:04:31,920 SO I CAN'T, LIKE, ASK MY MOM TO COME WITH. 109 00:04:31,920 --> 00:04:33,000 SO... 110 00:04:33,000 --> 00:04:35,000 SO YOU WANT ME TO-- YEAH. OK. 111 00:04:35,000 --> 00:04:36,920 YEAH. UM, YEAH. I-- CAN BE THERE. 112 00:04:36,920 --> 00:04:38,210 UM, WHEN--WHEN IS IT? 113 00:04:38,210 --> 00:04:39,840 SATURDAY AT 3 P.M. 114 00:04:39,840 --> 00:04:43,470 SATURDAY. OK. SATURDAY? 115 00:04:43,470 --> 00:04:45,430 OK. SATURDAY. 116 00:04:45,430 --> 00:04:50,060 WELL, UM, I'LL JUST TEXT YOU THE INFO. UM... 117 00:04:50,060 --> 00:04:51,350 YEAH. 118 00:04:54,020 --> 00:04:56,900 RUEL: ♪ I'M WAKIN' UP MY MIND ♪ 119 00:04:56,900 --> 00:05:00,740 ♪ I'M JUST TRYIN' TO KILL THE SILENCE ♪ 120 00:05:02,030 --> 00:05:04,240 HI. 121 00:05:04,240 --> 00:05:06,200 RUEL: ♪ I'M RIPPIN' OFF THE BLINDS... ♪ 122 00:05:06,200 --> 00:05:07,870 WHAT'S ALL THIS? 123 00:05:07,870 --> 00:05:09,370 WHAT'S IT LOOK LIKE? 124 00:05:09,370 --> 00:05:11,790 DON'T YOU USUALLY PAY SOMEONE TO DO THIS PART FOR YOU? 125 00:05:11,790 --> 00:05:13,080 I'M NOT GONNA PAY A STRANGER 126 00:05:13,080 --> 00:05:15,080 TO GO THROUGH ALL MY PERSONAL STUFF. 127 00:05:15,080 --> 00:05:16,460 INTERESTING. 128 00:05:16,460 --> 00:05:18,050 ISN'T THAT EXACTLY WHAT YOU'RE DOING WITH ME, 129 00:05:18,050 --> 00:05:21,050 PAYING A STRANGER TO GO THROUGH MY PERSONAL STUFF? 130 00:05:21,050 --> 00:05:23,220 HONEY, THIS AIN'T THE SAME AS THERAPY. 131 00:05:23,220 --> 00:05:25,010 WHAT'S DIFFERENT? 132 00:05:25,010 --> 00:05:27,010 LOOKS LIKE YOU'RE WASTING YOUR TIME, 133 00:05:27,010 --> 00:05:29,560 WHICH IS EXACTLY WHAT I DID TODAY IN THERAPY. 134 00:05:29,560 --> 00:05:32,020 SWEETHEART, THERAPY ONLY WORKS 135 00:05:32,020 --> 00:05:33,980 IF YOU'RE WILLING TO GIVE IT A CHANCE. 136 00:05:33,980 --> 00:05:37,730 OK? YOU'VE GOT TO ACTIVELY PARTICIPATE. 137 00:05:38,980 --> 00:05:41,440 WHAT DO YOU THINK OF OUR NEW PLACE? 138 00:05:43,240 --> 00:05:44,910 PRETTY GREAT, HUH? 139 00:05:44,910 --> 00:05:47,910 UM, IT'S JUST ANOTHER HOUSE, DAD. 140 00:05:47,910 --> 00:05:51,410 WHAT IF IT WAS MORE THAN JUST A HOUSE, LAYLA? 141 00:05:51,410 --> 00:05:53,830 WHAT IF THIS ONE, 142 00:05:53,830 --> 00:05:57,420 WE BOTH WORK REALLY HARD TO MAKE IT A HOME 143 00:05:57,420 --> 00:05:59,420 TOGETHER? 144 00:05:59,420 --> 00:06:02,220 I'M PRETTY TIRED. 145 00:06:02,220 --> 00:06:05,010 SO I'M JUST GONNA GO UPSTAIRS AND HEAD TO BED EARLY. 146 00:06:05,010 --> 00:06:08,470 RUEL: ♪ ...I JUST WANT THAT BACK AGAIN ♪ 147 00:06:08,470 --> 00:06:11,980 ♪ OH, I ♪ 148 00:06:11,980 --> 00:06:17,440 ♪ TRY TO BE HAPPY, BUT IT'S HARD SOMETIMES ♪ 149 00:06:17,440 --> 00:06:20,900 ♪ IT'S HARD SOMETIMES... ♪ 150 00:06:20,900 --> 00:06:22,860 NOT COOL, JORDAN. 151 00:06:22,860 --> 00:06:24,570 YEAH, WELL, IT WAS SIMONE. 152 00:06:24,570 --> 00:06:27,320 OH, GOOD. I WAS HOPING IT WAS THE MOTHER OF YOUR UNBORN CHILD 153 00:06:27,320 --> 00:06:28,950 THAT YOU WERE IGNORING. 154 00:06:28,950 --> 00:06:30,540 LOOK, HER ULTRASOUND IS AT THE SAME TIME 155 00:06:30,540 --> 00:06:32,410 AS THE SOUTH CRENSHAW REMATCH, OK? 156 00:06:32,410 --> 00:06:35,160 I CAN'T GO. I DON'T WANT HER TO FEEL LIKE I'M BAILING. 157 00:06:35,160 --> 00:06:39,790 RIGHT. SO GHOSTING HER FELT LIKE THE BETTER SOLUTION. 158 00:06:41,300 --> 00:06:43,880 [RINGTONE] 159 00:06:48,640 --> 00:06:50,300 NOT COOL, OLIVIA. 160 00:06:50,300 --> 00:06:51,930 THIS IS DIFFERENT. 161 00:06:51,930 --> 00:06:55,230 HMM. SINCE WHEN DO YOU IGNORE ASHER? 162 00:06:55,230 --> 00:06:57,940 SINCE WE SORT OF... 163 00:06:57,940 --> 00:07:00,610 OK. YEAH. DON'T NEED TO HEAR DETAILS, THANK YOU. 164 00:07:00,610 --> 00:07:04,150 UH, NO. WE JUST KISSED, AND WE WERE FULLY SOBER. 165 00:07:04,150 --> 00:07:09,410 I DON'T KNOW. I-- I REALLY DO LIKE HIM. 166 00:07:09,410 --> 00:07:10,990 SO WHAT'S THE PROBLEM? 167 00:07:10,990 --> 00:07:13,870 I GUESS I'M JUST HESITANT TO GO THERE WITH HIM. 168 00:07:13,870 --> 00:07:15,540 I DON'T KNOW WHY. 169 00:07:15,540 --> 00:07:18,210 ONLY, LIV, UH, THE LAST TIME YOU GUYS GOT TOGETHER, 170 00:07:18,210 --> 00:07:20,170 YOU WERE IN A BAD PLACE. 171 00:07:20,170 --> 00:07:23,130 MAYBE YOU JUST DON'T WANT TO BE REMINDED OF YOUR ADDICTION. 172 00:07:23,130 --> 00:07:26,170 YEAH. IT'S NOT EXACTLY SOMETHING YOU FORGET. 173 00:07:26,170 --> 00:07:29,010 EVERY DAY, I MAKE AN ACTIVE CHOICE TO STAY SOBER. 174 00:07:29,010 --> 00:07:32,220 OK. BUT DO YOU NEED YET ANOTHER REMINDER? 175 00:07:32,220 --> 00:07:33,390 REMINDER OF WHAT? 176 00:07:33,390 --> 00:07:35,980 -HI, MOM. -HI, MOM. 177 00:07:35,980 --> 00:07:38,100 -OK. SON... -HMM? 178 00:07:38,100 --> 00:07:39,980 [SNAPS FINGERS] GROCERY DUTY. 179 00:07:39,980 --> 00:07:42,020 YOU GOT IT. 180 00:07:44,110 --> 00:07:46,240 I DEFINITELY FELT THAT CHILL. 181 00:07:46,240 --> 00:07:50,070 YEAH. I THINK SHE'S STILL UPSET I WENT TO DAD ABOUT THE PREGNANCY FIRST. 182 00:07:50,070 --> 00:07:52,280 HENCE THE FREEZING OUT. 183 00:07:52,280 --> 00:07:54,540 WELL, NOW YOU KNOW HOW SIMONE FEELS. 184 00:07:54,540 --> 00:07:56,660 KNOW-MADIK: ♪ MM MM-HMM MM MM ♪ 185 00:07:56,660 --> 00:07:58,210 WOMEN: ♪ OH, YEAH ♪ 186 00:07:58,210 --> 00:07:59,540 ♪ I WAS MADE FOR THIS ♪ 187 00:07:59,540 --> 00:08:01,330 ♪ YEAH, YEAH ♪ 188 00:08:01,330 --> 00:08:03,250 -♪ YEAH ♪ -♪ WHOA, YEAH ♪ 189 00:08:03,250 --> 00:08:06,050 KNOW-MADIK: ♪ FACE IT, GREATNESS IS IN MY GENETICS ♪ 190 00:08:06,050 --> 00:08:08,630 ♪ RELY ON ME, YOU'D NEVER REGRET IT, UH! ♪ 191 00:08:08,630 --> 00:08:10,130 ♪ VICTORY'S MINE, YEAH... ♪ 192 00:08:10,130 --> 00:08:13,260 THERE HE IS. NEED A SPOT? 193 00:08:13,260 --> 00:08:16,140 OH! OH. GO EASY ON ME. 194 00:08:16,140 --> 00:08:18,390 I SEE YOU'VE BEEN SPENDING A LOT OF TIME IN HERE LATELY. 195 00:08:18,390 --> 00:08:20,390 JUST WANTED TO CHECK UP ON YOU, 196 00:08:20,390 --> 00:08:23,270 SEE WHERE YOUR HEAD'S AT WITH SOUTH CRENSHAW ON THE SCHEDULE THIS WEEK. 197 00:08:24,520 --> 00:08:26,150 I'M GOOD. 198 00:08:27,530 --> 00:08:31,070 YOU DON'T THINK PLAYING CRENSHAW RIGHT AFTER YOUR POPS LEFT 199 00:08:31,070 --> 00:08:34,030 MIGHT OPEN UP SOME OLD WOUNDS? 200 00:08:37,580 --> 00:08:39,410 I APPRECIATE YOU, COACH, 201 00:08:39,410 --> 00:08:42,040 BUT I MADE MY PEACE WITH MY POPS LEAVING. HONESTLY. 202 00:08:42,040 --> 00:08:43,540 HE DID WHAT HE DOES BEST. 203 00:08:43,540 --> 00:08:45,090 I'M TRYING TO DO WHAT I DO BEST. 204 00:08:45,090 --> 00:08:47,090 AND YOU KNOW I'M WITH YOU ON ALL THAT, BUT... 205 00:08:47,090 --> 00:08:48,670 YOU DON'T GOT TO PLAY IN THIS GAME. 206 00:08:48,670 --> 00:08:50,550 WHATEVER CLIFF IS UP TO-- 207 00:08:50,550 --> 00:08:52,300 I AIN'T WORRIED ABOUT CLIFF. 208 00:08:52,300 --> 00:08:54,180 DO NOT UNDERESTIMATE HIM, ALL RIGHT? 209 00:08:54,180 --> 00:08:56,510 I DON'T WANT YOU GETTING CAUGHT UP IN HIS GAME. 210 00:08:56,510 --> 00:08:58,310 HE PUTS ON A REAL GOOD SHOW, 211 00:08:58,310 --> 00:09:01,140 BUT HE DOES NOT CARE WHO HE HURTS AS LONG AS HE LOOKS GOOD. 212 00:09:01,140 --> 00:09:04,230 I JUST WANT YOU TO STAY TRUE TO WHO YOU ARE. 213 00:09:06,110 --> 00:09:09,110 LOOK, YOU AIN'T GOT TO WORRY ABOUT ME, ALL RIGHT? 214 00:09:09,110 --> 00:09:10,740 AIN'T NOBODY FORGETTING WHO THEY ARE. 215 00:09:10,740 --> 00:09:14,160 I'M JUST TRYING TO PLAY BALL AND WIN, ALL RIGHT? 216 00:09:14,160 --> 00:09:16,160 WOMEN: ♪ WHOA, YEAH, OH OH OH OH... ♪ 217 00:09:16,160 --> 00:09:17,660 KNOW-MADIK: ♪ I WAS MADE FOR THIS ♪ 218 00:09:17,660 --> 00:09:19,950 ♪ I WAS MADE FOR THIS ♪ 219 00:09:28,210 --> 00:09:30,130 COOP: YO, YOUR MOMS IS GONNA FLIP. 220 00:09:30,130 --> 00:09:31,630 WE NEED BEHIND-THE-SCENES SHOTS OF ME 221 00:09:31,630 --> 00:09:33,630 TO BOOST PUBLICITY FOR THE GAME AGAINST SOUTH CRENSHAW. 222 00:09:33,630 --> 00:09:35,390 IT'S COOL. 223 00:09:35,390 --> 00:09:37,220 COULD WE LOSE THIS RUG? 224 00:09:37,220 --> 00:09:39,560 NO. SHE DID NOT JUST DISRESPECT YOUR GRANNY'S RUG. 225 00:09:39,560 --> 00:09:41,640 NOT ONLY IS YOUR MOM GONNA FLIP. SHE GONNA END YOU, TOO. 226 00:09:41,640 --> 00:09:42,770 ALL RIGHT, COOP. COME ON. GET OUT. 227 00:09:42,770 --> 00:09:44,770 COOP: I'M JUST SAYIN'. 228 00:09:44,770 --> 00:09:46,150 [SPENCER SIGHS] 229 00:09:46,150 --> 00:09:47,730 LOOK, ARE YOU HERE FOR A FAVOR, 230 00:09:47,730 --> 00:09:49,110 OR YOU JUST TRYING TO STRESS ME OUT? 231 00:09:49,110 --> 00:09:50,570 A FAVOR. THE STRESS IS ON YOU. 232 00:09:50,570 --> 00:09:53,150 BUT, YO, CAN YOU HOLLA AT LAYLA'S POPS FOR ME? 233 00:09:53,150 --> 00:09:55,070 I WANT HIM TO HEAR MY NEW TRACK. 234 00:09:55,070 --> 00:09:57,370 IT'S FIRE, BUT I THINK J.P. KEATING COULD TURN UP THE HEAT. 235 00:09:57,370 --> 00:09:59,160 WHY NOT JUST DM JAY Z? 236 00:09:59,160 --> 00:10:02,040 I GOT A BETTER CHANCE OF GETTING HIM ON THE LINE THAN J.P. 237 00:10:02,040 --> 00:10:03,790 I TRIED TO HAVE HIS DAUGHTER COMMITTED, COOP. 238 00:10:03,790 --> 00:10:06,500 -TRUE. -LOOK, YOU AND LAYLA GOOD. 239 00:10:06,500 --> 00:10:08,500 JUST CALL HER. SHE COULD PROBABLY USE THE DISTRACTION. 240 00:10:08,500 --> 00:10:10,500 BUT WHAT IF SHE DON'T THINK I'M READY? 241 00:10:10,500 --> 00:10:12,090 WHY ARE YOU DOWN ON YOURSELF? 242 00:10:12,090 --> 00:10:14,090 I AIN'T NEVER SEEN YOU LIKE THIS. 243 00:10:14,090 --> 00:10:16,340 MAN, LOOK, I DON'T KNOW THE MUSIC GAME LIKE I KNOW THE STREETS. 244 00:10:16,340 --> 00:10:18,050 IT'S STILL ALL NEW TO ME. 245 00:10:18,050 --> 00:10:19,760 CLOSED MOUTHS DON'T GET FED, RIGHT? 246 00:10:26,400 --> 00:10:27,770 LAURA. 247 00:10:27,770 --> 00:10:29,860 WHAT DO YOU WANT, BILLY? 248 00:10:29,860 --> 00:10:32,280 LOOK, I, UH, I KNOW THAT WE PROMISED JORDAN 249 00:10:32,280 --> 00:10:34,820 THAT WE'D GIVE SIMONE AND HIM SOME TIME TO PROCESS, 250 00:10:34,820 --> 00:10:37,530 BUT I THINK THAT MAYBE WE SHOULD GET TOGETHER AND DISCUSS 251 00:10:37,530 --> 00:10:40,620 THE FACT THAT, YOU KNOW, JORDAN'S GONNA BECOME A DAD. 252 00:10:40,620 --> 00:10:42,500 THOUGHT YOU HAD THAT HANDLED. 253 00:10:42,500 --> 00:10:44,370 AH, COME ON-- 254 00:10:44,370 --> 00:10:46,460 LOOK, BILLY, OBVIOUSLY JORDAN TRUSTS YOU MORE THAN HE TRUSTS ME. 255 00:10:46,460 --> 00:10:47,460 THAT'S NOT TRUE. 256 00:10:47,460 --> 00:10:49,130 DOESN'T EVEN MATTER. 257 00:10:49,130 --> 00:10:51,710 YOU CLEARLY THINK I CAN'T HANDLE THE KIDS ALONE. 258 00:10:51,710 --> 00:10:53,840 GREAT. SO HAVE AT IT. 259 00:10:53,840 --> 00:10:58,550 TAKE THE REINS, BILLY. THEY'RE ALL YOURS. 260 00:10:58,550 --> 00:11:00,600 [MAN SPEAKING INDISTINCTLY] 261 00:11:00,600 --> 00:11:03,310 ROCHELLE: I THOUGHT SOUTH CRENSHAW WOULD BE STARTING 262 00:11:03,310 --> 00:11:05,430 THEIR BIG-TIME RECRUIT FROM NEVADA. 263 00:11:05,430 --> 00:11:07,850 NAH. DARNELL WENT BACK HOME 264 00:11:07,850 --> 00:11:10,440 AFTER THAT SITUATION YOUR DAD MADE GO AWAY. 265 00:11:13,570 --> 00:11:16,450 SPENCER: HEY, HEY, HEY. YOU CAN'T USE THAT FOOTAGE, MAN. 266 00:11:16,450 --> 00:11:18,280 SPENCER! 267 00:11:18,280 --> 00:11:19,820 NO, I'M SERIOUS. YOU CAN'T FILM CRENSHAW'S PRACTICE. 268 00:11:19,820 --> 00:11:21,740 IT'S A CODE VIOLATION. 269 00:11:21,740 --> 00:11:23,790 AND WE STEPPING ON THEIR RIGHT TO PRIVACY BEFORE THE BIG GAME. 270 00:11:23,790 --> 00:11:25,120 WE CAN'T DO IT. STOP, MAN. 271 00:11:25,120 --> 00:11:26,710 WE'RE NOT FILMING THEM. 272 00:11:26,710 --> 00:11:29,710 WE'RE FILMING YOU WATCHING THEM. 273 00:11:29,710 --> 00:11:31,840 THIS FIELD IS YOUR ORIGIN STORY. 274 00:11:31,840 --> 00:11:34,130 WELL, I GOT TO GET BACK TO MY FIELD, ALL RIGHT, AND FOCUS ON MY GAME. 275 00:11:34,130 --> 00:11:36,300 CAM: HEY, YO, SPENCE, 276 00:11:36,300 --> 00:11:38,760 WHAT'S UP WITH ALL THESE CAMERAS, DAWG? 277 00:11:38,760 --> 00:11:40,260 LOOK, IT'S NOT WHAT YOU THINK. 278 00:11:40,260 --> 00:11:41,720 MAD DISRESPECTFUL, DAWG. 279 00:11:41,720 --> 00:11:44,640 AND I AIN'T EVEN SURPRISED. YOU JUST A DIRTY PLAYER. 280 00:11:44,640 --> 00:11:47,180 FIRST YOU TAKE OUT OUR QB, THEN YOU CONVINCED DARNELL TO LEAVE. 281 00:11:47,180 --> 00:11:48,480 THAT'S NOT WHAT HAPPENED. 282 00:11:48,480 --> 00:11:50,310 AND NOW Y'ALL OUT HERE FILMING OUR PLAYS, 283 00:11:50,310 --> 00:11:52,230 TRYING TO PUT OUR TEAM'S STRUGGLES ON BLAST. 284 00:11:52,230 --> 00:11:53,820 YOU ALL NEED TO LEAVE NOW 285 00:11:53,820 --> 00:11:56,490 BEFORE I HAVE SECURITY PUT YOUR ASSES OUT. 286 00:12:02,200 --> 00:12:03,530 ROCHELLE, VOICE-OVER: TWO SEASONS AGO, 287 00:12:03,530 --> 00:12:06,750 YOU HAD 1,100 YARDS RECEIVING 288 00:12:06,750 --> 00:12:08,580 AND 23 TOUCHDOWNS, 289 00:12:08,580 --> 00:12:10,620 BOTH BEVERLY RECORDS. 290 00:12:10,620 --> 00:12:12,290 IT WAS A GOOD YEAR. 291 00:12:12,290 --> 00:12:14,630 ROCHELLE: LAST YEAR, YOUR NUMBERS WERE CUT IN HALF. 292 00:12:14,630 --> 00:12:17,630 500 YARDS, 11 TDs. 293 00:12:17,630 --> 00:12:19,930 SPENCER JAMES TOOK MY SPOT, 294 00:12:19,930 --> 00:12:22,800 BUT WE STILL WON A STATE CHAMPIONSHIP, SO... 295 00:12:22,800 --> 00:12:26,810 WOULD YOU HAVE WON THAT STATE CHAMPIONSHIP WITHOUT SPENCER JAMES? 296 00:12:26,810 --> 00:12:31,730 I THINK IT WOULD HAVE BEEN TOUGH WITHOUT HIM, FOR SURE. 297 00:12:31,730 --> 00:12:37,190 BUT I THINK SOMETIMES WE CONVINCE OURSELVES WE NEED SOMEONE. 298 00:12:37,190 --> 00:12:40,950 AND WHEN THEY'RE GONE, LIFE GOES ON. 299 00:12:40,950 --> 00:12:42,950 [KISSING] 300 00:12:42,950 --> 00:12:45,530 HOW DID THE INTERVIEW THING GO? 301 00:12:45,530 --> 00:12:46,990 IT WAS FINE. 302 00:12:46,990 --> 00:12:49,660 WHAT'D THEY ASK YOU ABOUT? 303 00:12:49,660 --> 00:12:52,540 MOSTLY SPENCER JAMES. 304 00:12:52,540 --> 00:12:53,710 WHAT ABOUT HIM? 305 00:12:53,710 --> 00:12:55,210 [CHUCKLES] 306 00:12:55,210 --> 00:12:56,380 I, UH, WOULD RATHER NOT TALK ABOUT 307 00:12:56,380 --> 00:12:57,670 SPENCER JAMES RIGHT NOW. 308 00:12:57,670 --> 00:13:01,180 [CHUCKLES] 309 00:13:05,300 --> 00:13:07,850 HAS YOUR MOM REACHED OUT AGAIN? 310 00:13:07,850 --> 00:13:09,560 [CHUCKLING] 311 00:13:11,350 --> 00:13:13,520 WHAT? 312 00:13:13,520 --> 00:13:15,520 AS IF TALKING ABOUT SPENCER WASN'T ENOUGH OF A MOOD KILLER, 313 00:13:15,520 --> 00:13:16,520 MY MOM? 314 00:13:16,520 --> 00:13:19,360 -AH, I'M SORRY. -HA HA! 315 00:13:19,360 --> 00:13:23,030 I JUST--WE DIDN'T REALLY CATCH UP. I DON'T KNOW. 316 00:13:23,030 --> 00:13:24,910 I DIDN'T REALLY SEE YOU AT SCHOOL TODAY. 317 00:13:24,910 --> 00:13:27,370 YEAH. FOR A MINUTE, 318 00:13:27,370 --> 00:13:29,950 I THOUGHT YOU WERE MAYBE GHOSTING ME. 319 00:13:29,950 --> 00:13:32,250 WELL, I'M HERE NOW. SO LET'S TALK. 320 00:13:32,250 --> 00:13:34,540 ABOUT MY MOM? 321 00:13:34,540 --> 00:13:35,710 SHE TEXTED ME. 322 00:13:35,710 --> 00:13:37,960 AND WHAT'D SHE WANT? 323 00:13:37,960 --> 00:13:39,920 LIV, IS EVERYTHING OK? 324 00:13:41,470 --> 00:13:43,550 YOU'RE ACTING WEIRD AROUND ME. 325 00:13:43,550 --> 00:13:47,010 YOU THINK THIS WAS A MISTAKE? 326 00:13:47,010 --> 00:13:49,010 I DON'T--I DON'T KNOW. 327 00:13:49,010 --> 00:13:50,980 IT SEEMS LIKE MAYBE YOU DO KNOW. 328 00:13:50,980 --> 00:13:52,560 ASHER-- 329 00:13:52,560 --> 00:13:54,770 WHEN DID YOU STOP BEING HONEST WITH ME? 330 00:13:54,770 --> 00:13:58,070 I'M JUST PROCESSING. 331 00:13:58,070 --> 00:14:00,280 RIGHT. 332 00:14:04,530 --> 00:14:06,820 ASHER, I'M JUST TRYING TO FIGURE OUT 333 00:14:06,820 --> 00:14:08,530 WHAT'S GOING ON IN MY HEAD. 334 00:14:08,530 --> 00:14:09,950 THAT'S ALL. 335 00:14:09,950 --> 00:14:12,410 YOU DON'T NEED TO APOLOGIZE. I GET IT. 336 00:14:12,410 --> 00:14:14,580 I'LL SEE YOU AROUND. 337 00:14:23,380 --> 00:14:25,300 CAM: NO, BUT WHAT I'M SAYING IS, LIKE, 338 00:14:25,300 --> 00:14:27,050 IF YOU TAKE THAT LIKE THAT, THEN EVERYBODY ELSE WILL-- 339 00:14:27,050 --> 00:14:29,640 CAM. 340 00:14:29,640 --> 00:14:32,060 HEY, WHERE YOUR CAMERA CREW AT? 341 00:14:32,060 --> 00:14:33,810 THEY GONE. 342 00:14:33,810 --> 00:14:35,640 LOOK, I SHOULD'VE NEVER BROUGHT THEM TO THE PRACTICE, MAN. 343 00:14:35,640 --> 00:14:37,440 THAT'S ALL ON ME, AND I'M SORRY. 344 00:14:37,440 --> 00:14:39,060 SORRY YOU GOT CAUGHT? 345 00:14:39,060 --> 00:14:40,610 I AIN'T NO DIRTY PLAYER. 346 00:14:40,610 --> 00:14:42,530 I'M SORRY YOU ALL AIN'T GOT CHRIS. 347 00:14:42,530 --> 00:14:43,940 AND AS FOR DARNELL LEAVING, 348 00:14:43,940 --> 00:14:45,360 AIN'T MUCH I CAN DO ABOUT THAT. 349 00:14:45,360 --> 00:14:46,910 I PREFER TO PLAY YOU ALL AT YOUR BEST. 350 00:14:46,910 --> 00:14:48,620 BUT, HEY, THAT'S FOOTBALL, RIGHT? 351 00:14:48,620 --> 00:14:50,030 THE GAME DON'T STOP. 352 00:14:50,030 --> 00:14:51,540 OH, SO YOUR POPS BOUNCES, 353 00:14:51,540 --> 00:14:53,620 AND YOU ALL WIN AT ANY COSTS, HUH? 354 00:15:01,960 --> 00:15:03,460 THOUGHT YOU WAS IN NEVADA. 355 00:15:03,460 --> 00:15:06,630 I WAS. I HAD TO COME BACK 356 00:15:06,630 --> 00:15:08,140 AT LEAST UNTIL I GET SOME ANSWERS. 357 00:15:08,140 --> 00:15:09,970 -ABOUT WHAT? -WHY COREY LEFT. 358 00:15:09,970 --> 00:15:11,970 -DARNELL, STOP, MAN. -YO, LOOK... 359 00:15:11,970 --> 00:15:13,810 HE WAS DOING FINE THAT MORNING. 360 00:15:13,810 --> 00:15:17,100 HE WAS EXCITED ABOUT COACHING, HIS REUNION, 361 00:15:17,100 --> 00:15:18,730 YOU, DILLON. 362 00:15:18,730 --> 00:15:20,560 I AIN'T GOT NO ANSWERS FOR YOU, MAN. 363 00:15:20,560 --> 00:15:22,480 OK, BUT MAYBE IF WE JUST PUT OUR-- 364 00:15:22,480 --> 00:15:24,030 I AIN'T TRYING TO BE MEAN, ALL RIGHT? I'VE JUST MOVED ON. 365 00:15:24,030 --> 00:15:25,440 YOU SHOULD, TOO. 366 00:15:25,440 --> 00:15:27,780 NAH. I CAN'T JUST MOVE ON. 367 00:15:27,780 --> 00:15:31,490 YOU SOUND JUST LIKE ME 8 YEARS AGO. 368 00:15:31,490 --> 00:15:33,160 YOU GONNA DRIVE YOURSELF CRAZY 369 00:15:33,160 --> 00:15:35,410 LOOKING FOR ANSWERS YOU AIN'T NEVER GONNA FIND, MAN. 370 00:15:35,410 --> 00:15:37,710 COREY IS GONE, ALL RIGHT? JUST FORGET ABOUT HIM. 371 00:15:37,710 --> 00:15:41,170 FOCUS ON WHAT YOU GOT LEFT, LIKE YOUR FUTURE, FOOTBALL. 372 00:15:41,170 --> 00:15:43,710 THERE'S ONE THING I KNOW ABOUT COREY. 373 00:15:43,710 --> 00:15:47,010 IT'S THAT HE NEVER BREAKS A PROMISE. 374 00:15:47,010 --> 00:15:48,590 YEAH, AND IF THERE'S ONE THING I KNOW, 375 00:15:48,590 --> 00:15:50,510 IT'S THAT HE ALWAYS DOES. 376 00:15:50,510 --> 00:15:52,180 I HOPE YOU FIND YOUR ANSWERS, MAN. I REALLY DO. 377 00:15:52,180 --> 00:15:55,770 BUT I'M DONE BLAMING MYSELF FOR HIM LEAVING. 378 00:15:55,770 --> 00:15:57,600 DONE. 379 00:16:01,020 --> 00:16:03,110 SINGER: ♪ EH EH AH AH ♪ 380 00:16:03,110 --> 00:16:05,190 ♪ I-I-- ♪ 381 00:16:05,190 --> 00:16:09,150 ♪ I DON'T WANNA SEE YOU ROLL... ♪ 382 00:16:09,150 --> 00:16:13,870 AHEM. IS THIS SEAT TAKEN? 383 00:16:13,870 --> 00:16:16,950 WHAT ARE YOU DOING HERE? 384 00:16:16,950 --> 00:16:18,750 WELL, I WAS HOPING TO FIND YOU. 385 00:16:18,750 --> 00:16:20,790 HEY, NOW IS NOT A GOOD TIME, MOM. 386 00:16:20,790 --> 00:16:23,540 WELL, CAN YOU TELL ME WHEN IS A GOOD TIME, 387 00:16:23,540 --> 00:16:25,420 BECAUSE I'VE BEEN CALLING YOU AND TEXTING YOU-- 388 00:16:25,420 --> 00:16:28,050 AND I HAVE BEEN BUSY. 389 00:16:28,050 --> 00:16:29,760 I GOT A BIG GAME COMING UP. 390 00:16:29,760 --> 00:16:31,930 -CAN I AT LEAST BUY YOU DINNER? -DINNER? 391 00:16:31,930 --> 00:16:34,680 OUR LAST MEAL, YOU ASKED ME TO SERVE DAD WITH DIVORCE PAPERS, 392 00:16:34,680 --> 00:16:36,470 WHICH SUCKED, BY THE WAY. 393 00:16:36,470 --> 00:16:38,230 WHAT MESSED-UP FAVOR DO YOU WANT NOW? 394 00:16:38,230 --> 00:16:45,070 I JUST WANTED TO SEE YOU, TALK, A CHANCE TO EXPLAIN WHY WE HAVEN'T-- 395 00:16:45,070 --> 00:16:46,780 THIS REALLY ISN'T FAIR TO ME. 396 00:16:46,780 --> 00:16:50,650 MY ENTIRE FUTURE IS ON THE LINE THIS SEASON. 397 00:16:50,650 --> 00:16:53,200 MAYBE MY FUTURE MEANS NOTHING TO YOU. 398 00:16:53,200 --> 00:16:54,740 I DON'T KNOW. 399 00:16:54,740 --> 00:16:56,160 -OF COURSE IT DOES! -I DON'T CARE, MOM. 400 00:16:56,160 --> 00:16:58,540 BUT IT MEANS EVERYTHING TO ME. 401 00:17:00,910 --> 00:17:02,670 I GOT TO GO. 402 00:17:10,510 --> 00:17:11,630 COOP: ♪ YEAH, YOU KNOW IT'S NOT MY STYLE ♪ 403 00:17:11,630 --> 00:17:13,930 ♪ IT'S NOT MY STYLE ♪ 404 00:17:13,930 --> 00:17:17,220 ♪ YEAH, YOU KNOW IT'S NOT MY STYLE ♪ 405 00:17:17,220 --> 00:17:20,680 ♪ NOT MY STYLE ♪ 406 00:17:22,190 --> 00:17:23,770 COOP: UH-OH. SHE HATED IT. 407 00:17:23,770 --> 00:17:25,230 NO. NO. SHE DIDN'T HATE IT. 408 00:17:25,230 --> 00:17:27,570 -NO, NO. I DIDN'T HATE IT. -SEE? 409 00:17:27,570 --> 00:17:29,110 COOP, IT'S REALLY GOOD. 410 00:17:29,110 --> 00:17:31,820 BUT NOT GREAT. NO, IT'S ALL GOOD. 411 00:17:31,820 --> 00:17:33,950 I GOT SO MANY OTHER TRACKS YOU MIGHT LIKE. 412 00:17:33,950 --> 00:17:36,780 NO. THE LYRICS ARE PERFECT. THE SONG COULD BE GREAT. 413 00:17:36,780 --> 00:17:40,120 IT'S JUST MISSING SOMETHING. 414 00:17:40,120 --> 00:17:42,210 BUT I HAVE AN IDEA. DO YOU MIND? 415 00:17:42,210 --> 00:17:46,630 -NO. DO YOUR THING. -OK. 416 00:17:46,630 --> 00:17:50,550 OK. I JUST WANT MY DAD TO LOVE IT. 417 00:17:50,550 --> 00:17:51,920 [TURNING PAGES] 418 00:17:51,920 --> 00:17:54,640 OH, OK. SO THE HOOK YOU HAVE NOW IS 419 00:17:54,640 --> 00:17:56,140 MORE OF LIKE A PRE-CHORUS. 420 00:17:56,140 --> 00:17:58,260 I JUST THINK THE SONG NEEDS A NEW HOOK, SO... 421 00:17:58,260 --> 00:18:00,770 HERE. MAYBE TRY THESE LYRICS. 422 00:18:03,520 --> 00:18:07,270 OH, THIS IS PRETTY. LET ME SEE. AHEM. 423 00:18:07,270 --> 00:18:10,780 OK, LIKE SOMETHING LIKE THIS PART RIGHT HERE. 424 00:18:10,780 --> 00:18:11,860 LIKE... 425 00:18:11,860 --> 00:18:14,570 ♪ YOU CAN STAY, OR YOU CAN LEAVE ♪ 426 00:18:14,570 --> 00:18:17,320 ♪ BUT THIS IS ME, THIS IS ME ♪ 427 00:18:17,320 --> 00:18:18,700 THERE IT IS. 428 00:18:18,700 --> 00:18:20,160 I DON'T KNOW. SOMETHING LIKE THAT. 429 00:18:20,160 --> 00:18:21,620 YOU CAN CHANGE IT. 430 00:18:21,620 --> 00:18:23,540 YO, DID YOU WRITE THESE WORDS? 431 00:18:23,540 --> 00:18:25,000 LAYLA: OH, NO. MY MOM DID. 432 00:18:25,000 --> 00:18:26,880 WITH EVERYTHING THAT'S BEEN GOING ON, 433 00:18:26,880 --> 00:18:28,790 I ACTUALLY FORGOT HOW GOOD OF A SONGWRITER SHE WAS. 434 00:18:28,790 --> 00:18:32,300 SO WHY DON'T WE RE-RECORD THE DEMO, 435 00:18:32,300 --> 00:18:34,760 AND THEN WE CAN SEND IT TO MY DAD? 436 00:18:34,760 --> 00:18:37,220 YO, HOW CAN I THANK YOU FOR THIS? 437 00:18:37,220 --> 00:18:39,260 OH, YOU ALREADY HAVE. 438 00:18:39,260 --> 00:18:41,060 YOU ARE THE ONLY ONE THAT DOESN'T TREAT ME LIKE I'M 439 00:18:41,060 --> 00:18:43,310 A GLASS EGG THAT COULD SHATTER AT ANY TIME. 440 00:18:43,310 --> 00:18:46,940 SO LET'S PLAY IT BACK AND FIGURE IT OUT. 441 00:18:50,860 --> 00:18:52,940 ROCHELLE: SO WHAT'S IT MEAN TO BE A LEADER? 442 00:18:52,940 --> 00:18:54,700 YOUR TEAM HAS TO LOOK UP TO YOU, YOU KNOW. 443 00:18:54,700 --> 00:18:57,870 WHEN YOU'RE QB1, YOU LEAD BY EXAMPLE. 444 00:18:57,870 --> 00:18:59,830 IT'S ABOUT EARNING THE RESPECT OF EACH PLAYER ON THE TEAM. 445 00:18:59,830 --> 00:19:05,750 BOYS: JORDAN! JORDAN! JORDAN! WHOO! 446 00:19:05,750 --> 00:19:07,830 JORDAN: 10 SECONDS, GUYS. WHO'S GONNA BEAT THAT, HUH? 447 00:19:07,830 --> 00:19:11,880 J.J.: OK, OK. STEP ASIDE. I'M HERE FOR THE CROWN. 448 00:19:11,880 --> 00:19:13,340 BEAST MODE. 449 00:19:13,340 --> 00:19:14,800 [CHEERING] 450 00:19:14,800 --> 00:19:16,720 OH, MY GOD. 451 00:19:16,720 --> 00:19:18,720 SINCE WHEN DID THE PREGAME RITUAL 452 00:19:18,720 --> 00:19:20,390 TURN INTO AN EATING CONTEST? 453 00:19:20,390 --> 00:19:23,220 YOU CAN THANK YOUR POPS. THEY JUST SHOWING OUT FOR THE CAMERAS. 454 00:19:23,220 --> 00:19:25,980 -YEAH! -LET'S GO! LET'S GO! 455 00:19:29,940 --> 00:19:34,610 HI. IT'S OLIVIA. UM... 456 00:19:34,610 --> 00:19:37,610 I KIND OF REALLY NEED YOU TO CALL ME BACK 457 00:19:37,610 --> 00:19:40,870 BECAUSE I REALLY WANT A DRINK, 458 00:19:40,870 --> 00:19:42,790 AND I'M KIND OF EMBARRASSED TO ADMIT THAT, 459 00:19:42,790 --> 00:19:44,830 BUT THERE'S A LOT GOING ON WITH MY PARENTS 460 00:19:44,830 --> 00:19:46,830 AND MY BROTHER. AND WHATEVER. 461 00:19:46,830 --> 00:19:49,830 I JUST--I NEED YOU TO WORK YOUR SPONSOR SUPERPOWERS. 462 00:19:49,830 --> 00:19:52,630 IT'S BEEN A REALLY ROUGH WEEK. 463 00:19:52,630 --> 00:19:55,050 SIMONE, HI. 464 00:19:55,050 --> 00:19:56,720 -HI. -HI. 465 00:19:56,720 --> 00:19:58,760 I KNOW WHAT YOU'RE DOING. 466 00:19:58,760 --> 00:20:00,340 I REALLY NEED YOU TO MOVE. 467 00:20:00,340 --> 00:20:02,390 YOUR BROTHER'S NOT GOING TO GET AWAY WITH GHOSTING ME, OLIVIA. 468 00:20:02,390 --> 00:20:04,890 I KNOW. HE'S A JERK. NO ARGUMENT THERE. 469 00:20:04,890 --> 00:20:08,230 I JUST THINK YOU SHOULD TAKE A BREATH 470 00:20:08,230 --> 00:20:11,270 AND THINK IT OVER BEFORE CAUSING A SCENE IN THERE. 471 00:20:11,270 --> 00:20:12,770 I'M JUST GONNA GO TALK TO HIM. 472 00:20:12,770 --> 00:20:15,280 I KNOW, BUT YOU SEEM REALLY UPSET. 473 00:20:15,280 --> 00:20:16,940 I AM UPSET. 474 00:20:16,940 --> 00:20:19,820 WHICH YOU HAVE EVERY RIGHT TO BE, OK? 475 00:20:19,820 --> 00:20:21,950 BUT HE'S IN THERE WITH HIS TEAM AND CAMERAS. 476 00:20:21,950 --> 00:20:24,790 DO YOU REALLY WANT EVERYONE IN YOUR BUSINESS? 477 00:20:27,450 --> 00:20:29,460 HOW DID I BECOME THIS GIRL, OLIVIA? 478 00:20:29,460 --> 00:20:32,880 YOU MEAN THIS DOPE-ASS, WON'T-LET-ANYONE- WALK-ALL-OVER-HER CHICK? 479 00:20:32,880 --> 00:20:35,000 THANKS. 480 00:20:35,000 --> 00:20:40,050 HE'S GONNA CALL YOU, SIMONE, OK? I PROMISE. 481 00:20:40,050 --> 00:20:42,010 [SIGHS] 482 00:20:42,010 --> 00:20:44,050 I WAS REALLY ABOUT TO GO IN THERE AND MAKE A FOOL OUT OF MYSELF, WASN'T I? 483 00:20:44,050 --> 00:20:47,140 NO. YOU WERE ABOUT TO MAKE A FOOL OF JORDAN, 484 00:20:47,140 --> 00:20:51,940 WHICH WOULD HAVE BEEN FUN TO WATCH, BUT THIS WAY'S EASIER. 485 00:21:00,990 --> 00:21:03,780 ASHER: WHY NOT? 486 00:21:03,780 --> 00:21:05,120 JORDAN: SHH. ONE SEC. 487 00:21:05,120 --> 00:21:06,950 [MUSIC PLAYING ON RADIO] 488 00:21:09,040 --> 00:21:10,210 IS SHE OK? 489 00:21:10,210 --> 00:21:12,040 SHE'S PREGNANT AND ALONE. 490 00:21:12,040 --> 00:21:14,330 YEAH. UM, WHAT DO YOU WANT ME TO DO? 491 00:21:14,330 --> 00:21:17,840 BE A MAN, JORDAN. HOW CAN YOU EVEN LOOK IN A MIRROR? 492 00:21:17,840 --> 00:21:19,460 I KNOW THIS WASN'T PLANNED, JORDAN, 493 00:21:19,460 --> 00:21:22,010 BUT THIS IS A REALITY THAT YOU HAVE TO DEAL WITH. 494 00:21:22,010 --> 00:21:23,840 TAKE SOME DAMN RESPONSIBILITY. 495 00:21:23,840 --> 00:21:25,470 RESPECT THE MOTHERS IN YOUR LIFE. 496 00:21:25,470 --> 00:21:28,060 SHE'S ABOUT TO HAVE YOUR CHILD. 497 00:21:28,060 --> 00:21:30,180 MAKE HER FEEL SUPPORTED THROUGH THIS. 498 00:21:30,180 --> 00:21:31,350 RIGHT, RIGHT, RIGHT. 499 00:21:31,350 --> 00:21:33,230 UM, OK. [EXHALES] 500 00:21:33,230 --> 00:21:34,480 I'LL CALL HER. 501 00:21:34,480 --> 00:21:36,020 GOOD IDEA. 502 00:21:39,320 --> 00:21:41,860 OH, MAN. WHAT YOU DOING HERE, MAN? 503 00:21:41,860 --> 00:21:43,280 THE GAME AIN'T TILL TOMORROW. 504 00:21:43,280 --> 00:21:46,490 NAH, DAWG. WE RIGHT ON TIME. READY FOR OUR CLOSE-UPS. 505 00:21:46,490 --> 00:21:48,490 LET'S SEE IF YOU'RE STILL TALKING AFTER THE GAME. 506 00:21:48,490 --> 00:21:50,830 -SETTLE DOWN, WHITE BOY. -WHAT? 507 00:21:50,830 --> 00:21:52,080 -CHILL, CHILL, CHILL. -HEY, YO, CHILL, ALL RIGHT? 508 00:21:52,080 --> 00:21:53,370 LOOK, WE AIN'T HERE FOR TROUBLE. 509 00:21:53,370 --> 00:21:55,830 MAN, WE GOOD. 510 00:21:55,830 --> 00:21:57,380 DARNELL: PLAYING A WEAK CRENSHAW TEAM TOMORROW 511 00:21:57,380 --> 00:21:58,840 WILL JUST MAKE Y'ALL LOOK LIKE BULLIES. 512 00:21:58,840 --> 00:22:00,260 WHAT'S THIS GOT TO DO WITH YOU? 513 00:22:00,260 --> 00:22:02,050 WHAT IF I CAN MAKE SURE YOU'RE PLAYING THE BEST? 514 00:22:02,050 --> 00:22:03,470 GIVE THIS GAME SOME REAL BUZZ FOR Y'ALL's CAMERAS. 515 00:22:03,470 --> 00:22:05,050 YOU GONNA SUIT UP? 516 00:22:05,050 --> 00:22:06,550 NOW, LOOK, I'M NOT GIVING UP ON FINDING OUT 517 00:22:06,550 --> 00:22:08,260 WHAT HAPPENED TO COREY, 518 00:22:08,260 --> 00:22:10,020 BUT SINCE YOU ONLY CARE ABOUT WHAT HAPPENS ON THE FIELD, 519 00:22:10,020 --> 00:22:12,310 I'LL PLAY FOR CRENSHAW TOMORROW. 520 00:22:12,310 --> 00:22:15,310 IF YOU BEAT US, I'LL WALK AWAY. 521 00:22:15,310 --> 00:22:19,270 BUT IF WE WIN, YOU GOT TO HELP ME FIND OUT WHY COREY LEFT. 522 00:22:19,270 --> 00:22:21,070 CAM: CAMERA'S ON YOU, DAWG. 523 00:22:21,070 --> 00:22:24,360 YOU'RE NOT GONNA BACK DOWN FROM A CHALLENGE, HUH? 524 00:22:24,360 --> 00:22:27,030 ALL RIGHT. BET. 525 00:22:27,030 --> 00:22:29,910 AIN'T NO WAY Y'ALL GONNA WIN. 526 00:22:35,290 --> 00:22:36,420 ANNOUNCER: LADIES AND GENTLEMEN, 527 00:22:36,420 --> 00:22:40,460 WELCOME TO THE BEVERLY HIGH CROSSTOWN 7-ON-7 SCRIMMAGE 528 00:22:40,460 --> 00:22:43,260 WITH SOUTH CRENSHAW. 529 00:22:43,260 --> 00:22:44,420 [DRUMMERS AND PERCUSSIONISTS PLAYING] 530 00:22:44,420 --> 00:22:45,880 [CHEERING] 531 00:22:51,970 --> 00:22:55,940 [WHISTLE BLOWS] 532 00:22:55,940 --> 00:22:57,900 JORDAN, COME ON. FIRST TEAM'S UP, BOY. COME ON. 533 00:22:57,900 --> 00:22:59,110 YEAH. 534 00:23:00,940 --> 00:23:02,530 BILLY: LOOK ALIVE. 535 00:23:02,530 --> 00:23:07,820 SIMONE, HEY. UM, I KNOW YOU'RE PROBABLY 536 00:23:07,820 --> 00:23:10,490 ALREADY ON YOUR WAY TO THE APPOINTMENT, AND... 537 00:23:10,490 --> 00:23:14,830 [EXHALES] LISTEN, I'M SORRY, OK, FOR A LOT OF THINGS. 538 00:23:14,830 --> 00:23:17,040 YOU'RE ABOUT TO BE A MOM... 539 00:23:19,580 --> 00:23:22,460 AND THAT'S THE MOST IMPORTANT PERSON IN OUR BABY'S LIFE. 540 00:23:22,460 --> 00:23:24,300 AND I NEED YOU TO KNOW THAT I PROMISE 541 00:23:24,300 --> 00:23:25,880 I'M GONNA BE BY YOUR SIDE, OK? 542 00:23:25,880 --> 00:23:27,130 YOU'RE NOT ALONE IN THIS. 543 00:23:27,130 --> 00:23:28,970 LOOK, CAN WE MEET UP LATER AND TALK? 544 00:23:28,970 --> 00:23:30,470 WE'RE GONNA GET THROUGH THIS. 545 00:23:30,470 --> 00:23:32,180 BILLY: JORDAN, LET'S GO. 546 00:23:32,180 --> 00:23:34,890 UM, LOOK, I GOT TO GO, BUT JUST HIT ME UP, OK? 547 00:23:34,890 --> 00:23:36,480 PLEASE. 548 00:23:38,060 --> 00:23:41,150 YOU KNOW JORDAN WASN'T PICKING DAD OVER YOU, RIGHT? 549 00:23:41,150 --> 00:23:44,480 I THINK HE WAS JUST MORE SCARED OF DISAPPOINTING YOU. 550 00:23:44,480 --> 00:23:47,240 MAYBE HE WAS RIGHT TO GO TO HIS DAD. 551 00:23:47,240 --> 00:23:50,490 UNDER MY WATCH, HE CRASHED YOUR CAR, 552 00:23:50,490 --> 00:23:53,040 ALMOST GOT ARRESTED FOR FIGHTING, 553 00:23:53,040 --> 00:23:55,200 AND GOT A GIRL PREGNANT. 554 00:23:55,200 --> 00:23:58,330 NONE OF WHICH IS YOUR FAULT. 555 00:23:58,330 --> 00:24:01,080 I MEAN, YOU'VE BEEN OUR ROCK, MOM. 556 00:24:01,080 --> 00:24:03,340 AND JORDAN'S GONNA NEED YOU, 557 00:24:03,340 --> 00:24:06,170 EVEN IF HE'S TOO DUMB TO SEE IT YET. 558 00:24:08,090 --> 00:24:09,340 [EXHALES] 559 00:24:24,690 --> 00:24:28,240 HEY, HEY, BEVERLY HILLS MOMS ACTUALLY TAKE TIME AWAY FROM THEY POOL BOYS 560 00:24:28,240 --> 00:24:29,990 TO SHOW UP FOR THEY SONS, HUH? 561 00:24:29,990 --> 00:24:32,030 WHAT DID YOU SAY? 562 00:24:32,030 --> 00:24:33,910 HEY, HEY, HEY, HEY. SAVE IT FOR THE GAME, ASH. CHILL, CHILL, CHILL. 563 00:24:33,910 --> 00:24:36,080 FORGET IT, BRO. COME ON. 564 00:24:36,080 --> 00:24:38,330 ANY WORD FROM J.P. YET? 565 00:24:38,330 --> 00:24:42,210 NAH, BRO. BUT RIGHT NOW, YOU NEED TO BE FOCUSING ON THIS GAME. 566 00:24:42,210 --> 00:24:44,130 I'M LOCKED IN. TRUST. 567 00:24:44,130 --> 00:24:46,420 IT'S MY CHANCE TO FINALLY PUT DARNELL AND COREY BEHIND ME FOR GOOD. 568 00:24:46,420 --> 00:24:48,470 SO YOU REALLY THINK IT'S GONNA BE THAT EASY, SPENCE? 569 00:24:48,470 --> 00:24:51,130 COME ON. THAT FIELD AIN'T GOT MAGICAL POWERS. 570 00:24:51,130 --> 00:24:53,010 SO WHATEVER HAPPENS IN THIS GAME IS 571 00:24:53,010 --> 00:24:54,680 NOT GONNA MAKE YOUR MEMORIES OF COREY JUST DISAPPEAR. 572 00:24:54,680 --> 00:24:57,470 DARNELL: 42, BLUE 42. SET. HUT. 573 00:24:59,270 --> 00:25:01,140 WE'LL SEE ABOUT THAT. 574 00:25:02,270 --> 00:25:03,690 I'MA HOLLA AT YOU. 575 00:25:03,690 --> 00:25:05,020 [AIR HORN BLOWS] 576 00:25:05,020 --> 00:25:06,610 SET! GO! 577 00:25:06,610 --> 00:25:08,320 ESTERLY AND VO WILLIAMS: ♪ YES, EVERYBODY SQUAD UP ♪ 578 00:25:08,320 --> 00:25:10,030 ♪ 'CAUSE IT'S TIME TO RIDE ♪ 579 00:25:10,030 --> 00:25:12,360 ♪ EVERYTHING WE EVER DREAMED ON THE OTHER SIDE... ♪ 580 00:25:12,360 --> 00:25:15,160 ANNOUNCER: CRENSHAW HAS JUST MADE A TOUCHDOWN. 581 00:25:15,160 --> 00:25:17,080 THE SCORE IS TIED, 7-7. 582 00:25:17,080 --> 00:25:19,250 WILLIAMS, ESTERLY: ♪ ...CAME TO TAKE IT OVER, WE ON THE RISE-- ♪ 583 00:25:19,250 --> 00:25:21,290 ANNOUNCER: BEVERLY UNDER PRESSURE. 584 00:25:21,290 --> 00:25:23,000 JUST THREW THE BALL AWAY. 585 00:25:23,000 --> 00:25:24,710 WILLIAMS AND ESTERLY: ♪ IT'S ABOUT TO GO ♪ 586 00:25:24,710 --> 00:25:27,340 ♪ IT'S A--IT'S ABOUT TO GO DOWN... ♪ 587 00:25:27,340 --> 00:25:28,590 [DARNELL CALLING SIGNALS] 588 00:25:33,720 --> 00:25:36,050 ANNOUNCER: WHOA! THAT WAS A HARD HIT BY BEVERLY 589 00:25:36,050 --> 00:25:38,270 ON CRENSHAW'S NUMBER 14. 590 00:25:38,270 --> 00:25:39,720 I THOUGHT IT WAS JUST SUPPOSED TO BE 591 00:25:39,720 --> 00:25:41,390 LIGHT CONTACT IN 7-ON-7 GAMES. 592 00:25:41,390 --> 00:25:43,600 HONEY, RELAX, OK? CONTACT MAKES FOR A BETTER GAME. 593 00:25:43,600 --> 00:25:46,980 LOOK. THE CROWD, THEY'RE LOVING IT. COME ON. 594 00:25:46,980 --> 00:25:49,190 LET'S GO, BEVERLY! 595 00:25:49,190 --> 00:25:50,530 [JORDAN CALLING SIGNALS] 596 00:25:52,450 --> 00:25:54,530 WILLIAMS AND ESTERLY: ♪ WE PUSHIN' BACK... ♪ 597 00:25:54,530 --> 00:25:57,240 ANNOUNCER: OH, CRENSHAW HAS JUST RETALIATED ON BEVERLY 598 00:25:57,240 --> 00:25:58,620 WITH A HARD HIT TO NUMBER 11. 599 00:25:58,620 --> 00:26:00,330 ROCHELLE: WHERE'S THE FLAG? 600 00:26:00,330 --> 00:26:02,290 IT'S AN OUT-OF-LEAGUE GAME. 601 00:26:02,290 --> 00:26:05,250 SOMETIMES THE GUYS JUST GET A LITTLE MORE LEEWAY FROM THE ZEBRAS. HA HA. 602 00:26:05,250 --> 00:26:07,630 ANNOUNCER: LOOKS LIKE NUMBER 11 IS SLOW TO GET UP. 603 00:26:07,630 --> 00:26:09,500 YOU DIDN'T ENCOURAGE THAT LEEWAY, DID YOU? 604 00:26:09,500 --> 00:26:11,260 HEH! 605 00:26:11,260 --> 00:26:14,180 ALL RIGHT. LET'S GO, BEVERLY. LET'S GO! 606 00:26:19,100 --> 00:26:20,640 ALL RIGHT, D. GET IT DONE. 607 00:26:20,640 --> 00:26:23,640 [DARNELL CALLING SIGNALS] 608 00:26:23,640 --> 00:26:26,150 WILLIAMS AND ESTERLY: ♪ ...TO GO DOWN... ♪ 609 00:26:26,150 --> 00:26:27,810 BILLY: OH! THERE YOU GO. 610 00:26:27,810 --> 00:26:31,030 WILLIAMS AND ESTERLY: ♪ IT'S ABOUT TO GO DOWN, DOWN, GO... ♪ 611 00:26:31,030 --> 00:26:32,650 ♪ DOWN, IT'S ABOUT TO GO ♪ 612 00:26:32,650 --> 00:26:35,450 ♪ IT'S A--IT'S ABOUT TO GO DOWN ♪ 613 00:26:35,450 --> 00:26:37,120 ♪ WE PUSHIN' BACK ♪ 614 00:26:37,120 --> 00:26:38,620 [WHISTLE BLOWS] 615 00:26:38,620 --> 00:26:40,620 ANNOUNCER: AND BEVERLY HAS JUST SCORED A TOUCHDOWN. 616 00:26:40,620 --> 00:26:42,500 WILLIAMS AND ESTERLY: ♪ WE P--WE P--WE PUSHIN' BACK... ♪ 617 00:26:42,500 --> 00:26:44,410 ♪ THEY-EY-EY-EY PUSHIN'... ♪ 618 00:26:44,410 --> 00:26:46,170 ANNOUNCER: AND THAT'S THE HALF. 619 00:26:46,170 --> 00:26:47,790 BEVERLY IS UP 14 TO CRENSHAW'S 7. 620 00:26:47,790 --> 00:26:49,630 WILLIAMS AND ESTERLY: ♪ WE PUSHIN' BACK ♪ 621 00:26:49,630 --> 00:26:51,170 ♪ THIS THE-- THIS THE--THIS THE MOMENT ♪ 622 00:26:51,170 --> 00:26:53,510 ♪ O-OMENT, O-O-OMENT ♪ 623 00:26:53,510 --> 00:26:55,800 ♪ WE P--WE PUSHIN' BACK ♪ 624 00:26:55,800 --> 00:26:58,760 [ECHOING] ♪ BACK ♪ 625 00:26:58,760 --> 00:27:01,600 JORDAN: HEY, DAD, UM, LOOK, I'M SORRY I HAVE TO DO THIS, 626 00:27:01,600 --> 00:27:03,770 BUT I NEE-- 627 00:27:03,770 --> 00:27:05,270 HEY, HOW DID YOU KNOW? 628 00:27:05,270 --> 00:27:07,270 WELL, IT'S TOUGH TO BE A LEADER ON THE FIELD 629 00:27:07,270 --> 00:27:08,810 WHEN YOU DON'T TAKE CARE OF YOUR RESPONSIBILITIES 630 00:27:08,810 --> 00:27:10,570 WHEN YOU'RE OFF OF IT. 631 00:27:10,570 --> 00:27:12,730 I KNEW IT WOULD EVENTUALLY CLICK FOR YOU. 632 00:27:12,730 --> 00:27:16,150 YOU BETTER TAKE THE KEYS, SON. GET OUT OF HERE. 633 00:27:16,150 --> 00:27:17,820 WOW. THANKS, DAD. 634 00:27:17,820 --> 00:27:19,700 BUT, UM, I THINK I KNOW SOMEONE WHO'LL GIVE ME A RIDE. 635 00:27:25,290 --> 00:27:27,540 WHERE THE HELL'S MY QUARTERBACK GOING? 636 00:27:27,540 --> 00:27:29,630 RIGHT WHERE HE NEEDS TO BE GOING. 637 00:27:29,630 --> 00:27:31,420 NOW, IF YOU'LL EXCUSE ME, 638 00:27:31,420 --> 00:27:33,130 I GOT A TEAM I NEED TO TEND TO. 639 00:27:33,130 --> 00:27:35,760 HEY, YOU SEE THOSE FANCY UNIFORMS? ALL THAT NEW GEAR? 640 00:27:35,760 --> 00:27:38,430 IT SHOULD BE CLEAR BY NOW WHOSE TEAM THIS IS. 641 00:27:38,430 --> 00:27:41,550 BOY, IF YOU DON'T GET YOUR HAND OFF MY ARM. 642 00:27:41,550 --> 00:27:43,640 NOW, I WARNED YOU, THERE WAS TOO MUCH BAD BLOOD 643 00:27:43,640 --> 00:27:45,730 BETWEEN THESE BOYS TO PLAY THIS GAME. 644 00:27:45,730 --> 00:27:48,270 NOW YOU GOT EVERYBODY ALL BATTERED AND BRUISED ON BOTH SIDES 645 00:27:48,270 --> 00:27:49,690 FOR NOTHING. 646 00:27:49,690 --> 00:27:51,360 THAT IS JUST A PART OF THE GAME, COACH. 647 00:27:51,360 --> 00:27:53,190 SINCE WHEN IS PAYING OFF THE REFS 648 00:27:53,190 --> 00:27:56,240 TO LET UNNECESSARY CONTACT SLIDE PART OF THE GAME? 649 00:27:56,240 --> 00:27:59,610 EXACTLY. SO PLEASE GET THE HELL OUT OF MY LOCKER ROOM 650 00:27:59,610 --> 00:28:01,870 BEFORE I REPORT YOU TO THE COMMISSION FOR BRIBERY. 651 00:28:01,870 --> 00:28:03,790 HUH! YOU WOULDN'T. 652 00:28:03,790 --> 00:28:06,200 SOMETHING LIKE THAT COULD BRING THE WHOLE PROGRAM DOWN. 653 00:28:06,200 --> 00:28:09,370 CLIFF, TRY ME, BECAUSE I WILL LET THIS ENTIRE PROGRAM 654 00:28:09,370 --> 00:28:12,750 BURN DOWN TO THE GROUND BEFORE I LET YOU CORRUPT MY BOYS. 655 00:28:15,550 --> 00:28:18,220 [PERCUSSIONISTS PLAYING, WHISTLE BLOWS] 656 00:28:19,630 --> 00:28:22,930 RAPPER: ♪ RISIN' WAY UP, RISIN' WAY UP ♪ 657 00:28:22,930 --> 00:28:26,430 ♪ RISIN' WAY UP, NEVER GONNA BACK DOWN ♪ 658 00:28:26,430 --> 00:28:29,770 ♪ ELEVATE, ELEVATE, ELEVATE... ♪ 659 00:28:29,770 --> 00:28:31,480 [BOOING] 660 00:28:31,480 --> 00:28:33,320 ANNOUNCER: LOOKS LIKE THINGS ARE GETTING A LITTLE HEATED 661 00:28:33,320 --> 00:28:34,440 ON THE FIELD, FOLKS. 662 00:28:34,440 --> 00:28:36,190 COACH: HEY, HEY, HEY, HEY, HEY. 663 00:28:36,190 --> 00:28:37,190 MAN: HEY, HEY! 664 00:28:37,190 --> 00:28:38,820 CLIFF: HA HA HA HA. 665 00:28:38,820 --> 00:28:42,280 BOYS BEING BOYS. IT'S ALL RIGHT. EVERYBODY'S OK. 666 00:28:45,450 --> 00:28:48,330 TURN THE CAMERAS OFF. TURN IT OFF. 667 00:28:48,330 --> 00:28:50,830 BILLY: RELAX. I KNOW THINGS GOT A LITTLE BIT 668 00:28:50,830 --> 00:28:53,420 OUT OF OUR CONTROL OUT THERE, BUT NOW MORE THAN EVER, 669 00:28:53,420 --> 00:28:54,920 WE NEED TO RISE ABOVE. 670 00:28:54,920 --> 00:28:57,920 NOW, WE ALL BEEN HEARING THIS MESS ABOUT THE BEVERLY WAY. 671 00:28:57,920 --> 00:29:00,680 WELL, THE BEVERLY WAY IS HOW WE WON THAT CHAMPIONSHIP. 672 00:29:00,680 --> 00:29:05,510 THE BEVERLY WAY MEANS WE PLAY WITH CLASS, HEART, PASSION. 673 00:29:05,510 --> 00:29:08,850 THE BEVERLY WAY IS GOOD SPORTSMANSHIP. 674 00:29:08,850 --> 00:29:10,980 SO I WANT YOU ALL TO TAKE THAT BACK OUT THERE WITH YOU 675 00:29:10,980 --> 00:29:12,310 ON THE FIELD. 676 00:29:12,310 --> 00:29:13,520 DO YOU FEEL ME? 677 00:29:13,520 --> 00:29:14,690 -YES, SIR. -I SAID, DO YOU FEEL ME? 678 00:29:14,690 --> 00:29:16,360 -YES, SIR! -BRING IT IN. 679 00:29:16,360 --> 00:29:17,480 -ALL RIGHT. LET'S GET IT. "BEVERLY" ON ME. 680 00:29:17,480 --> 00:29:18,780 "BEVERLY" ON 3. 1, 2, 3! 681 00:29:18,780 --> 00:29:20,650 ALL: BEVERLY! J.J.: LET'S GO, "D." 682 00:29:20,650 --> 00:29:22,320 PUT ME BACK ON "D," COACH. 683 00:29:22,320 --> 00:29:24,320 NO. I'M NOT GONNA HAVE MY STAR PLAYER 684 00:29:24,320 --> 00:29:25,700 GET HURT OUT THERE ON A BAD PLAY. 685 00:29:25,700 --> 00:29:27,330 LOOK, I'M A BALLPLAYER, ALL RIGHT? 686 00:29:27,330 --> 00:29:29,290 YOU FORGET WHO I AM? LET ME BACK ON "D." 687 00:29:29,290 --> 00:29:31,250 I GOT THIS, I PROMISE. 688 00:29:31,250 --> 00:29:32,460 -GET YOUR ASS OUT THERE. -LET'S GO. 689 00:29:32,460 --> 00:29:33,750 [DARNELL CALLING SIGNALS] 690 00:29:33,750 --> 00:29:35,670 PLAYER: COME ON! 691 00:29:35,670 --> 00:29:37,670 RIGHT, RIGHT, RIGHT, RIGHT. 692 00:29:42,800 --> 00:29:44,930 ANNOUNCER: CRENSHAW JUST THREW AN INTERCEPTION. 693 00:29:44,930 --> 00:29:48,350 NUMBER 11 IS GOING TO TAKE IT ALL THE WAY TO THE END ZONE. 694 00:29:48,350 --> 00:29:50,480 BLOCK 'EM OUT. GET NUMBER 11. 695 00:29:50,480 --> 00:29:51,940 THERE YOU GO. LET'S GO. 696 00:29:51,940 --> 00:29:54,650 RUN HIM OVER! RUN HIM OVER. LET'S GO. 697 00:29:54,650 --> 00:29:56,820 RUN HIM OVER. RUN HIM OVER. LET'S GO. 698 00:29:56,820 --> 00:29:59,230 ANNOUNCER: WAIT. NUMBER 11 IS SLOWING DOWN. 699 00:29:59,230 --> 00:30:00,530 [CLIFF STAMMERS] 700 00:30:04,570 --> 00:30:07,660 ANNOUNCER: AND NUMBER 11 HAS JUST TAKEN A KNEE. 701 00:30:07,660 --> 00:30:11,700 IF HE DOESN'T GET UP, IT MEANS BEVERLY FORFEITS. 702 00:30:14,790 --> 00:30:18,380 THAT'S IT? YOU JUST GONNA FORFEIT? 703 00:30:18,380 --> 00:30:20,710 THIS AIN'T HOW I WAS TAUGHT TO PLAY THE GAME. 704 00:30:20,710 --> 00:30:22,720 THIS WHOLE REMATCH WAS WRONG FROM THE JUMP. 705 00:30:22,720 --> 00:30:24,880 I AIN'T TRYING TO WIN LIKE THIS. 706 00:30:24,880 --> 00:30:27,350 [CLIFF CHUCKLES] 707 00:30:27,350 --> 00:30:29,430 OK. 708 00:30:53,580 --> 00:30:55,500 SOUTH CRENSHAW DIDN'T WIN. 709 00:30:55,500 --> 00:30:57,000 SO I'LL STAY OUT YOUR WAY AS PROMISED. 710 00:30:57,000 --> 00:30:59,340 WHY DID YOU TAKE THE KNEE WITH ME, MAN? 711 00:30:59,340 --> 00:31:00,670 YOU AIN'T HAD TO FORFEIT, TOO. 712 00:31:00,670 --> 00:31:02,050 I MEAN, IT'S LIKE YOU SAID. 713 00:31:02,050 --> 00:31:04,670 THAT'S NOT HOW WE WAS TAUGHT TO PLAY THE GAME. 714 00:31:04,670 --> 00:31:07,840 DARNELL, HOLD UP. 715 00:31:08,850 --> 00:31:11,310 YOUR THEORIES ABOUT MY POPS, 716 00:31:11,310 --> 00:31:12,930 YOU GONNA SHARE THEM WITH ME OR WHAT? 717 00:31:12,930 --> 00:31:14,770 I THOUGHT YOU MOVED ON. 718 00:31:14,770 --> 00:31:16,770 A LONG TIME AGO, I WAS TAUGHT TO TACKLE MY PROBLEMS, 719 00:31:16,770 --> 00:31:19,610 BLOCK OUT MY FEARS, AND--AND ALWAYS-- 720 00:31:19,610 --> 00:31:20,940 FINISH STRONG... 721 00:31:20,940 --> 00:31:22,570 BOTH: NO MATTER WHAT. 722 00:31:22,570 --> 00:31:26,070 HA HA! YO, YOUR POPS, HE SAID THAT ONE A LOT. 723 00:31:26,070 --> 00:31:28,950 I KNOW I TOLD YOU TO FORGET ABOUT HIM AND FOCUS ON FOOTBALL, 724 00:31:28,950 --> 00:31:31,660 BUT I REALIZED STANDING IN THE MIDDLE OF THAT MESS OF A GAME TODAY 725 00:31:31,660 --> 00:31:35,000 THAT DOING THAT IS EXACTLY WHAT GOT ME HERE. 726 00:31:35,000 --> 00:31:37,540 I'M DONE RUNNING, MAN. 727 00:31:37,540 --> 00:31:38,960 WE BOTH NEED ANSWERS ABOUT COREY, 728 00:31:38,960 --> 00:31:41,420 SO LET'S FIND THEM... 729 00:31:41,420 --> 00:31:42,960 TOGETHER. 730 00:31:42,960 --> 00:31:45,420 FINISH STRONG. 731 00:31:48,970 --> 00:31:51,720 COOP: ♪ YOU KNOW IT'S NOT MY STYLE ♪ 732 00:31:51,720 --> 00:31:54,100 ♪ IT'S NOT MY STYLE ♪ 733 00:31:54,100 --> 00:31:57,100 ♪ YEAH, YOU KNOW IT'S NOT MY STYLE ♪ 734 00:31:57,100 --> 00:32:00,360 ♪ IT'S NOT MY STYLE ♪ 735 00:32:00,360 --> 00:32:03,980 PATIENCE: ♪ I'M NEVER CHANGING WHO I AM ♪ 736 00:32:03,980 --> 00:32:06,860 ♪ FOR ANYONE OR ANYTHING ♪ 737 00:32:06,860 --> 00:32:09,860 ♪ YOU CAN STAY OR YOU CAN LEAVE, BUT... ♪ 738 00:32:09,860 --> 00:32:12,490 I'VE MISSED THAT-- 739 00:32:12,490 --> 00:32:14,830 YOU SMILING. 740 00:32:14,830 --> 00:32:18,920 WELL, WORKING WITH COOP AND PATIENCE ON THAT TRACK, 741 00:32:18,920 --> 00:32:21,750 HELPING PRODUCE IT, IT REALLY FELT GOOD. 742 00:32:21,750 --> 00:32:24,000 AND YOU'LL BE HAPPY TO HEAR THAT I INVITED THEM OVER. 743 00:32:24,000 --> 00:32:26,550 YEAH. YOUR INSTINCTS WAS RIGHT ABOUT THE TRACK. 744 00:32:26,550 --> 00:32:28,170 THERE'S SOMETHING SPECIAL THERE. 745 00:32:28,170 --> 00:32:29,510 [DOORBELL RINGS] 746 00:32:29,510 --> 00:32:32,600 AH. AND THEY'RE PUNCTUAL, TOO. 747 00:32:32,600 --> 00:32:33,930 I LIKE THAT. 748 00:32:33,930 --> 00:32:36,390 [LAYLA CHUCKLES] 749 00:32:36,390 --> 00:32:38,060 HEY. 750 00:32:38,060 --> 00:32:39,440 [CHUCKLES] 751 00:32:39,440 --> 00:32:40,690 COOP: LAYLA, I OWE YOU. 752 00:32:42,610 --> 00:32:45,400 MAN, THANK YOU FOR TAKING THE TIME TO MEET WITH ME, MR. KEATING. 753 00:32:45,400 --> 00:32:46,860 IT MEANS EVERYTHING. 754 00:32:46,860 --> 00:32:48,860 AH, THE TRACK WAS GOOD. YOU SHOULD BE PROUD. 755 00:32:48,860 --> 00:32:50,740 SO WHERE'S YOUR OTHER HALF? 756 00:32:50,740 --> 00:32:53,070 WHAT'S HER NAME, PATIENCE? YEAH, YEAH. 757 00:32:53,070 --> 00:32:55,080 AREN'T YOU GUYS, LIKE, A DUO OR SOMETHING? 758 00:32:55,080 --> 00:32:57,000 OH, NAH, I'M A SOLO ACT. PATIENCE JUST DID ME A FAVOR. 759 00:32:57,000 --> 00:32:59,160 LAYLA: YEAH, COOP IS SUPER TALENTED. 760 00:32:59,160 --> 00:33:00,870 I AGREE. I AGREE. 761 00:33:00,870 --> 00:33:03,170 BUT I GOT MAD ARTISTS LIKE COOP ALREADY ON MY LABEL. 762 00:33:03,170 --> 00:33:05,670 WHAT I DON'T HAVE IS SOMEONE LIKE PATIENCE. 763 00:33:05,670 --> 00:33:08,880 WHEW! HAVEN'T HEARD THAT HAUNTING SOUND SINCE YOUR MOTHER. 764 00:33:08,880 --> 00:33:11,510 ARE YOU SURE YOU GUYS AIN'T THOUGHT ABOUT BEING A DUO? 765 00:33:11,510 --> 00:33:13,640 NAH. LIKE I SAID, I'M A SOLO ACT. 766 00:33:13,640 --> 00:33:15,430 ALL RIGHT. I RESPECT THAT. 767 00:33:15,430 --> 00:33:16,890 HEY, LISTEN, YOU KEEP ON HUSTLING, ALL RIGHT, COOP? 768 00:33:16,890 --> 00:33:18,980 YOU DEFINITELY GOT SOMETHING SPECIAL. 769 00:33:18,980 --> 00:33:21,100 IF YOUR GIRL'S EVER INTERESTED, PLEASE TELL HER TO GIVE ME A HOLLER. 770 00:33:21,100 --> 00:33:22,480 [CLICKS TONGUE] 771 00:33:22,480 --> 00:33:25,190 YEAH. SURE. THANKS. 772 00:33:25,190 --> 00:33:27,570 I'M SO SORRY, COOP. 773 00:33:27,570 --> 00:33:29,900 IT'S ALL GOOD. 774 00:33:29,900 --> 00:33:31,900 COOPER & GATLIN: ♪ ALL I WANT IS TO KEEP IT SIMPLE ♪ 775 00:33:31,900 --> 00:33:38,580 ♪ BUT I CAN TELL YOU'RE STILL UNIMPRESSED... ♪ 776 00:33:38,580 --> 00:33:41,870 I WAS STARTING TO THINK YOU MIGHT SLEEP IN THERE. 777 00:33:41,870 --> 00:33:43,960 I NEEDED TO CLEAR MY HEAD. 778 00:33:43,960 --> 00:33:48,090 COOPER & GATLIN: ♪ BUT ALL YOU SEE IS MY BROKEN MESS... ♪ 779 00:33:48,090 --> 00:33:51,590 UH, YOUR MOM LEFT RIGHT AFTER THE GAME. 780 00:33:51,590 --> 00:33:53,930 SHE FELT BAD THAT-- 781 00:33:53,930 --> 00:33:56,100 LIV, I DON'T WANT TO TALK ABOUT MY MOM. 782 00:33:56,100 --> 00:33:57,930 BUT I DO. 783 00:33:57,930 --> 00:34:01,100 I WANT TO TALK ABOUT YOUR MOM AND THAT GAME 784 00:34:01,100 --> 00:34:04,020 AND ME NEEDING TO MEET MY SPONSOR THIS MORNING 785 00:34:04,020 --> 00:34:06,520 BECAUSE THAT'S HOW BADLY I WANTED A DRINK. 786 00:34:06,520 --> 00:34:08,110 WHAT? LIV, I--I DIDN'T KNOW. 787 00:34:08,110 --> 00:34:10,530 WILL YOU JUST LET ME FINISH? PLEASE? 788 00:34:10,530 --> 00:34:13,950 I WANT TO TALK ABOUT ALL THE STUFF WE'D NORMALLY TALK ABOUT 789 00:34:13,950 --> 00:34:16,240 BEFORE WE MESSED EVERYTHING UP WITH A KISS. 790 00:34:16,240 --> 00:34:18,950 I MEAN, HOOKING UP MADE THINGS WEIRD BETWEEN US, 791 00:34:18,950 --> 00:34:20,950 AND I HATE THAT. 792 00:34:20,950 --> 00:34:24,830 HEY. DOESN'T MATTER IF WE'RE FIGHTING. YOU CAN ALWAYS CALL ME. 793 00:34:24,830 --> 00:34:27,290 I KNOW, 'CAUSE YOU'RE MY BEST FRIEND. 794 00:34:27,290 --> 00:34:32,670 AND I REALIZE NOW THAT I NEED THAT MORE THAN I NEED A BOYFRIEND. 795 00:34:32,670 --> 00:34:35,840 I JUST DON'T WANT TO RISK LOSING YOU. 796 00:34:35,840 --> 00:34:39,060 AND I DON'T WANT TO LOSE MY BEST FRIEND EITHER, SO... 797 00:34:43,810 --> 00:34:47,860 IF THAT MEANS NOT BEING WITH YOU, I'M OK WITH IT. 798 00:34:47,860 --> 00:34:49,980 COOPER & GATLIN: ♪ I'VE LEARNED IT'S SAFER ♪ 799 00:34:49,980 --> 00:34:53,950 ♪ TO KEEP MY DISTANCE ♪ 800 00:34:53,950 --> 00:34:58,120 ♪ SO FAR AWAY, YOU CAN'T SEE THE CRACKS... ♪ 801 00:34:58,120 --> 00:34:59,870 MOM, WHAT IF SIMONE DOESN'T WANT ME HERE? 802 00:34:59,870 --> 00:35:02,000 EVERYTHING'S GONNA BE FINE. 803 00:35:02,000 --> 00:35:05,620 THANK YOU FOR GIVING ME A RIDE. 804 00:35:09,340 --> 00:35:14,170 WOULD YOU--DO YOU MIND WAITING UNTIL WE'RE DONE? 805 00:35:14,170 --> 00:35:16,050 OF COURSE I WILL. 806 00:35:16,050 --> 00:35:17,680 [EXHALES] OK. 807 00:35:17,680 --> 00:35:22,180 AND, JORDAN, I'M PROUD OF YOU. 808 00:35:22,180 --> 00:35:24,180 THANKS, MOM. 809 00:35:37,860 --> 00:35:39,200 -HEY. -HEY. 810 00:35:39,200 --> 00:35:40,240 [JORDAN CHUCKLES] 811 00:35:44,200 --> 00:35:47,170 COREY WAS ACTING STRANGE AFTER THE PICNIC. 812 00:35:47,170 --> 00:35:49,710 WHEN I ASKED HIM ABOUT IT, HE DEFLECTED. 813 00:35:49,710 --> 00:35:52,250 MAYBE IT WAS ALL THE ATTENTION THEY WERE GIVING COACH BAKER. 814 00:35:52,250 --> 00:35:54,130 I MEAN, THAT HAD TO HURT, BEING REMINDED 815 00:35:54,130 --> 00:35:55,920 HE WASN'T GOOD ENOUGH TO MAKE IT TO THE NFL. 816 00:35:55,920 --> 00:35:57,800 BILLY: NO, BUT HE WAS GOOD ENOUGH. 817 00:35:57,800 --> 00:35:59,680 HE DIDN'T MAKE IT TO THE LEAGUE BECAUSE HE WAS SICK. 818 00:35:59,680 --> 00:36:01,010 YEAH, BILLY'S RIGHT. 819 00:36:01,010 --> 00:36:03,680 COREY HAD MULTIPLE MYELOMA IN COLLEGE, 820 00:36:03,680 --> 00:36:05,180 BUT HE BEAT IT. 821 00:36:05,180 --> 00:36:10,730 HOLD ON. MULTIPLE MYELOMA? AIN'T THAT CANCER? 822 00:36:10,730 --> 00:36:12,060 WELL, DOES IT COME BACK? 823 00:36:12,060 --> 00:36:13,400 DARNELL: OH. 824 00:36:13,400 --> 00:36:14,940 WHAT? 825 00:36:14,940 --> 00:36:16,820 NAH, LAST YEAR, UM, 826 00:36:16,820 --> 00:36:18,700 COREY WENT TO PHOENIX FOR A MONTH. 827 00:36:18,700 --> 00:36:20,700 MOM SAID HE HAD TO GET A PROCEDURE DONE 828 00:36:20,700 --> 00:36:22,160 BUT WOULDN'T GIVE ME ANY DETAILS. 829 00:36:22,160 --> 00:36:24,370 COME ON, MAN. AIN'T NO WAY POPS IS SICK. 830 00:36:24,370 --> 00:36:27,290 AND EVEN IF THE CANCER DID COME BACK LAST YEAR, HE BEAT IT AGAIN. 831 00:36:27,290 --> 00:36:30,250 DUDE WAS PLANNING A FUTURE HERE WITH ME, DILLON, DARNELL. 832 00:36:30,250 --> 00:36:32,380 BILLY: UNLESS HE FOUND OUT AT THE REUNION 833 00:36:32,380 --> 00:36:35,920 THAT IT HAD COME BACK FOR A THIRD TIME. 834 00:36:35,920 --> 00:36:37,090 SPENCER: WE REALLY JUST GONNA KEEP MAKING UP 835 00:36:37,090 --> 00:36:39,130 CRAZY THEORIES WE CAN'T PROVE? 836 00:36:39,130 --> 00:36:40,890 DILLON: I CAN. 837 00:36:42,720 --> 00:36:44,810 DILLON, BABY, WHAT IS THAT? 838 00:36:44,810 --> 00:36:46,850 I FOUND IT IN SPENCER'S ROOM. 839 00:36:46,850 --> 00:36:48,980 IT WAS ADDRESSED TO DAD. 840 00:36:48,980 --> 00:36:51,270 AND I WANTED ANSWERS, TOO. 841 00:36:51,270 --> 00:36:52,860 SPENCER: IT'S OK. 842 00:36:55,110 --> 00:36:56,780 DILLON: I GOOGLED THE LAB, 843 00:36:56,780 --> 00:36:58,950 AND THEY'RE HERE IN LOS ANGELES. 844 00:36:58,950 --> 00:37:00,950 AND ONE OF THE THINGS THEY TEST FOR 845 00:37:00,950 --> 00:37:03,120 IS MULTIPLE MYELOMA. 846 00:37:04,870 --> 00:37:07,870 IS DAD REALLY SICK? 847 00:37:07,870 --> 00:37:11,080 DARNELL: IF COREY IS SICK, THEN WHY LEAVE? 848 00:37:11,080 --> 00:37:13,420 WHY NOT JUST TELL US? 849 00:37:13,420 --> 00:37:17,050 BILLY: BECAUSE WHEN THIS KIND OF CANCER COMES BACK, 850 00:37:17,050 --> 00:37:20,800 IT'S AGGRESSIVE AND LIKELY TERMINAL. 851 00:37:20,800 --> 00:37:22,970 HE PROBABLY DIDN'T WANT YOU BOYS TO SEE WHAT HE WAS GOING-- 852 00:37:22,970 --> 00:37:25,970 HOLD UP. HOLD UP. IS THIS REALLY HAPPENING? 853 00:37:25,970 --> 00:37:29,100 YOU'RE TELLING ME OUR POPS IS DYING? 854 00:37:31,850 --> 00:37:34,400 WOMAN ON RECORDING: ♪ CONSTANT CHANGES ♪ 855 00:37:34,400 --> 00:37:37,730 ♪ CONSTANT CHANGES ♪ 856 00:37:37,730 --> 00:37:40,900 ♪ UP ALL NIGHT ♪ 857 00:37:40,900 --> 00:37:43,780 ♪ THINKING ABOUT HOW I WENT WRONG ♪ 858 00:37:43,780 --> 00:37:47,120 ♪ JUST DON'T FEEL RIGHT ♪ 859 00:37:47,120 --> 00:37:49,870 ♪ I DON'T WANT TO BE HERE ANYMORE ♪ 860 00:37:49,870 --> 00:37:52,420 ♪ THE PAIN HAS TO END ♪ 861 00:37:52,420 --> 00:37:56,170 ♪ THE PAIN'S GOT TO STOP ♪ 862 00:37:56,170 --> 00:37:59,880 ♪ THE PAIN HAS TO END ♪ 863 00:37:59,880 --> 00:38:02,170 ♪ WHEN WILL IT STOP? ♪ 864 00:38:02,170 --> 00:38:03,930 JUST STOP. 865 00:38:03,930 --> 00:38:07,430 KILL THE MUSIC. WE'RE DONE. I NEED TO BE ALONE. 866 00:38:07,430 --> 00:38:09,180 MAN ON RECORDING: MONICA, THAT WAS GREAT. 867 00:38:09,180 --> 00:38:13,810 I JUST WANT TO BE ALONE, PLEASE. JUST GO. 868 00:38:13,810 --> 00:38:15,350 [TAPE PLAYER SHUTS OFF] 869 00:38:15,350 --> 00:38:19,070 J.P.: PRINCESS, DINNER IN 10? 870 00:38:21,240 --> 00:38:25,070 BABY, WHAT'S GOING ON? 871 00:38:25,070 --> 00:38:28,370 I KNOW MOM WAS SUFFERING FROM DEPRESSION, 872 00:38:28,370 --> 00:38:29,990 BUT HOW BAD WAS IT? 873 00:38:29,990 --> 00:38:32,370 BECAUSE ON THIS TAPE, SHE'S SINGING ABOUT 874 00:38:32,370 --> 00:38:34,920 GIVING UP AND ENDING PAIN. 875 00:38:34,920 --> 00:38:36,880 YES. SHE WAS FIGHTING DEPRESSION, 876 00:38:36,880 --> 00:38:39,960 BUT I HAD NO IDEA THINGS WERE THAT BAD. 877 00:38:39,960 --> 00:38:42,380 DAD, I NEED TO ASK YOU SOMETHING, 878 00:38:42,380 --> 00:38:44,010 AND I NEED THE TRUTH. 879 00:38:44,010 --> 00:38:45,510 SURE. 880 00:38:45,510 --> 00:38:48,890 WAS MOM'S CAR ACCIDENT AN ACCIDENT? 881 00:38:48,890 --> 00:38:51,220 KEVIN GARRETT: ♪ DON'T LET THE RAIN IN... ♪ 882 00:38:51,220 --> 00:38:52,930 OR DID SHE GIVE UP? 883 00:38:52,930 --> 00:38:56,060 ROCHELLE: SPENCER, YOUR MOTTO. 884 00:38:56,060 --> 00:38:58,520 CAN YOU TELL US WHO TAUGHT YOU THAT? 885 00:38:58,520 --> 00:39:01,360 [SOFTLY] MY FATHER. 886 00:39:04,150 --> 00:39:06,570 I ALWAYS THOUGHT HE WAS JUST TALKING ABOUT FOOTBALL. 887 00:39:06,570 --> 00:39:09,330 HE WAS ACTUALLY TEACHING ME THE GAME OF LIFE. 888 00:39:09,330 --> 00:39:11,080 BILLY: PLEASE DON'T-- DON'T GET UP. 889 00:39:11,080 --> 00:39:13,910 JUST HEAR ME OUT. 890 00:39:13,910 --> 00:39:17,500 THIS CAN'T BE IT FOR US, LAURA. 891 00:39:17,500 --> 00:39:23,880 YOU ARE THE ABSOLUTE LOVE OF MY LIFE. 892 00:39:23,880 --> 00:39:27,340 WHAT WE HAD WAS ONE OF A KIND. 893 00:39:27,340 --> 00:39:29,010 I WAS REMINDED OF THAT TONIGHT. 894 00:39:29,010 --> 00:39:33,140 NOT EVERY FAMILY IS LUCKY ENOUGH TO HAVE WHAT WE HAD. 895 00:39:33,140 --> 00:39:37,440 NOW, I KNOW THAT I-- I HAVE NOT BEEN THE HUSBAND THAT YOU DESERVE. 896 00:39:37,440 --> 00:39:41,480 AND I KNOW THERE'S A LOT I HAVE TO WORK ON, 897 00:39:41,480 --> 00:39:43,150 BUT I'MA DO IT. 898 00:39:43,150 --> 00:39:48,160 I WILL DO WHATEVER IT TAKES. YOU NAME IT. 899 00:39:48,160 --> 00:39:51,080 THERAPY... 900 00:39:51,080 --> 00:39:52,540 WHATEVER IT TAKES. 901 00:39:52,540 --> 00:39:59,460 BUT I'M BEGGING YOU, PLEASE DO NOT GIVE UP ON US. 902 00:39:59,460 --> 00:40:02,500 I DON'T WANT TO GIVE UP ON US, 903 00:40:02,500 --> 00:40:04,920 BUT YOU BROKE SOMETHING. 904 00:40:06,300 --> 00:40:10,090 AND I DON'T KNOW IF WE CAN GET BACK WHAT WE HAD. 905 00:40:12,390 --> 00:40:14,890 ISN'T IT WORTH A TRY? 906 00:40:14,890 --> 00:40:18,640 SPENCER: TACKLING YOUR PROBLEMS AND BLOCKING OUT YOUR FEARS 907 00:40:18,640 --> 00:40:21,480 MEANS FINDING THE COURAGE TO DO WHAT'S RIGHT. 908 00:40:21,480 --> 00:40:23,940 BABY GIRL. 909 00:40:23,940 --> 00:40:25,360 SORRY I'M LATE, GIRL. 910 00:40:25,360 --> 00:40:27,860 SUSPENSE HAS BEEN KILLING ME. WHAT'S UP WITH J.P.? 911 00:40:27,860 --> 00:40:29,490 I DON'T THINK IT'S GONNA HAPPEN. 912 00:40:29,490 --> 00:40:32,450 HE SAID HE ALREADY GOT TOO MANY ARTISTS LIKE ME ON HIS SQUAD. 913 00:40:32,450 --> 00:40:33,990 IS HE CRAZY? 914 00:40:33,990 --> 00:40:35,540 DON'T KNOW. I AIN'T GONNA STOP, THOUGH. 915 00:40:35,540 --> 00:40:36,950 I'M GONNA FIND THE RIGHT PRODUCER, 916 00:40:36,950 --> 00:40:38,580 AND I'MA DROP NOTHING BUT HEAT. 917 00:40:38,580 --> 00:40:40,210 WELL, I'M PROUD OF YOU, BABY. 918 00:40:40,210 --> 00:40:42,330 AND WE DON'T NEED NO J.P. TO MAKE IT. 919 00:40:42,330 --> 00:40:45,050 ALL I NEED IS US. 920 00:40:45,050 --> 00:40:47,920 SPENCER: AND IF YOU DON'T, YOU CAN BE SURE 921 00:40:47,920 --> 00:40:49,970 YOU'LL DO SOMETHING YOU'RE NOT PROUD OF. 922 00:40:52,140 --> 00:40:54,010 WHAT ARE WE GONNA DO? 923 00:40:56,060 --> 00:41:01,650 YOU KNOW, BLACK MEN DON'T GET THE LUXURY OF GROWING OLD 924 00:41:01,650 --> 00:41:06,360 AND LEAVING THIS EARTH PEACEFULLY SURROUNDED BY LOVED ONES. 925 00:41:06,360 --> 00:41:08,110 [SNIFFLES] 926 00:41:08,110 --> 00:41:11,910 WE CAN'T DO ANYTHING ABOUT THE FACT THAT COREY IS DYING. 927 00:41:11,910 --> 00:41:15,280 THAT'S IN GOD'S HANDS. 928 00:41:15,280 --> 00:41:20,210 WHAT WE CAN DO IS MAKE DAMN SURE THAT HE DOESN'T DIE ALONE. 929 00:41:20,210 --> 00:41:23,170 SPENCER, VOICE-OVER: AND WHEN YOU DO DISCOVER THE RIGHT THING TO DO, 930 00:41:23,170 --> 00:41:25,420 FINISHING STRONG MEANS FOLLOWING THROUGH. 931 00:41:25,420 --> 00:41:29,550 YOU SEE, IN FOOTBALL, YOU NEVER FORGET YOUR LAST PLAY. 932 00:41:29,550 --> 00:41:32,470 BUT IN THE REAL WORLD, 933 00:41:32,470 --> 00:41:36,390 NOBODY WANTS TO LIVE A LIFE FILLED WITH REGRETS. 934 00:41:36,390 --> 00:41:40,230 OK. COME HERE. IT'S OK. 935 00:41:40,230 --> 00:41:44,400 IT'S OK. 936 00:41:44,400 --> 00:41:51,030 GARRETT: ♪ MM MM MM ♪ 937 00:42:13,300 --> 00:42:14,590 MAN: GREG, MOVE YOUR HEAD.