1 00:00:13,240 --> 00:00:15,180 ALL RIGHT, Y'ALL. ROUND UP. 2 00:00:15,180 --> 00:00:18,250 ROUND UP RIGHT QUICK. 3 00:00:18,250 --> 00:00:22,790 OK. I'M REALLY PROUD OF Y'ALL. 4 00:00:22,790 --> 00:00:24,250 IF Y'ALL PLAY THIS WEEKEND 5 00:00:24,250 --> 00:00:25,790 THE WAY YOU'VE BEEN PRACTICING, 6 00:00:25,790 --> 00:00:27,320 I HAVE NO DOUBT WE'RE GONNA WIN 7 00:00:27,320 --> 00:00:29,790 THIS JAMBOREE AND BRING HOME ANOTHER CHAMPIONSHIP. 8 00:00:29,790 --> 00:00:30,790 THAT'S RIGHT. YES, SIR. 9 00:00:30,790 --> 00:00:32,260 YES, SIR. ALL RIGHT. 10 00:00:32,260 --> 00:00:35,330 UNFORTUNATELY, YOU'LL HAVE TO DO THAT WITHOUT ME. 11 00:00:35,330 --> 00:00:38,100 UH, YEAH, WITHOUT ME, TOO, DAD, BUT-- 12 00:00:38,100 --> 00:00:40,070 NO. I'M ACTUALLY SERIOUS, SON. 13 00:00:40,070 --> 00:00:42,970 I HAVE BEEN SUSPENDED. 14 00:00:42,970 --> 00:00:45,840 IT'S TEMPORARY, BUT UNTIL THINGS GET RESOLVED, 15 00:00:45,840 --> 00:00:47,380 YOU'RE GONNA BE IN REALLY GOOD HANDS 16 00:00:47,380 --> 00:00:49,680 HERE WITH COACH DAVIS. 17 00:00:50,710 --> 00:00:51,950 WHAT HAPPENED? 18 00:00:51,950 --> 00:00:53,350 THERE'S BEEN A PERSONAL MATTER 19 00:00:53,350 --> 00:00:54,720 BETWEEN ME AND THE ADMINISTRATION, 20 00:00:54,720 --> 00:00:56,290 BUT I NEED YOU TO STAY FOCUSED, 21 00:00:56,290 --> 00:00:57,950 SO GET YOUR BEHINDS OUT THERE ON THAT FIELD. 22 00:00:57,950 --> 00:01:00,220 IT'S YOUR LAST PRACTICE. MAKE IT COUNT. 23 00:01:00,220 --> 00:01:02,120 COME ON. HEADS UP. 24 00:01:05,360 --> 00:01:07,400 YO, LAST TIME WE PLAYED WITHOUT COACH BAKER, 25 00:01:07,400 --> 00:01:09,630 WE GOT OUR ASSES HANDED TO US. 26 00:01:09,630 --> 00:01:11,830 Y'ALL MIGHT HAVE TO PLAY WITHOUT ME, TOO. 27 00:01:11,830 --> 00:01:14,100 HE STILL DIDN'T CLEAR ME SINCE MY ARM WENT OUT. 28 00:01:14,100 --> 00:01:16,710 YOU HEARD THE MAN. LET'S GO. 29 00:01:26,120 --> 00:01:27,650 YOU SHOULD BE OUT ON THE FIELD. 30 00:01:27,650 --> 00:01:29,390 NO. YOU SHOULD. 31 00:01:29,390 --> 00:01:30,850 COACH, LIV TOLD ME WHAT YOU DID. 32 00:01:30,850 --> 00:01:32,250 I CAN'T LET YOU TAKE THE BLAME. 33 00:01:32,250 --> 00:01:33,290 I'M GONNA TELL PRINCIPAL LONDON 34 00:01:33,290 --> 00:01:34,720 THE STEROIDS WERE MINE. 35 00:01:34,720 --> 00:01:36,390 NO, YOU WILL NOT. LOOK. 36 00:01:36,390 --> 00:01:38,890 I MADE A DECISION, AND I EXPECT YOU TO RESPECT IT. 37 00:01:38,890 --> 00:01:41,930 YOU DON'T DESERVE TO HAVE YOUR FUTURE RUINED BY THIS. 38 00:01:41,930 --> 00:01:43,300 AND YOU DO? 39 00:01:43,300 --> 00:01:45,670 I'LL JUST GET A SLAP ON THE WRIST. 40 00:01:45,670 --> 00:01:48,200 I'LL BE BACK BEFORE YOU KNOW IT. 41 00:01:48,200 --> 00:01:51,810 I'M SO SORRY, COACH. I NEVER MEANT FOR-- 42 00:01:51,810 --> 00:01:53,880 I JUST WANTED TO BE BETTER. 43 00:01:53,880 --> 00:01:56,310 I KNOW. I WANT THAT FOR YOU, TOO, 44 00:01:56,310 --> 00:01:59,150 TO BE BETTER BY GETTING YOUR MIND 45 00:01:59,150 --> 00:02:00,920 AND YOUR BODY RIGHT AGAIN. 46 00:02:00,920 --> 00:02:02,280 I'M TRYING, SIR. 47 00:02:02,280 --> 00:02:04,050 IT TOOK ME ALMOST LOSING OLIVIA TO REALIZE 48 00:02:04,050 --> 00:02:06,360 HOW MUCH PRESSURE Y'ALL PUT YOURSELVES UNDER, 49 00:02:06,360 --> 00:02:08,960 AND I KNOW RECOVERY IS HARD WORK, 50 00:02:08,960 --> 00:02:11,930 SO JUST PROMISE ME YOU'LL KEEP IT UP. 51 00:02:11,930 --> 00:02:14,330 MAKE THIS SUSPENSION WORTH IT. 52 00:02:14,330 --> 00:02:16,100 YES, SIR. 53 00:02:16,100 --> 00:02:19,240 NICK JORDAN: ♪ NA NA NA NA NA NA NA NA NA ♪ 54 00:02:19,240 --> 00:02:22,040 ♪ NA NA NA NA NA NA NA NA NA ♪ 55 00:02:22,040 --> 00:02:25,310 ♪ CAN'T KEEP ME DOWN, I'LL STAND MY GROUND... ♪ 56 00:02:26,910 --> 00:02:30,050 COACH WILSON, HEY. 57 00:02:30,050 --> 00:02:31,780 YOUR MOM SAID YOU'D BE HERE. 58 00:02:31,780 --> 00:02:32,950 HOW'S THE SHOULDER? GOOD. 59 00:02:32,950 --> 00:02:34,720 SHOULDER'S GOOD, GREAT, ACTUALLY. 60 00:02:34,720 --> 00:02:36,190 YOU EXCITED FOR THE JAMBOREE? 61 00:02:36,190 --> 00:02:38,820 OH, YEAH. WHAT ARE YOU DOING HERE COACH? 62 00:02:38,820 --> 00:02:40,320 NO DISRESPECT, I JUST THOUGHT 63 00:02:40,320 --> 00:02:42,220 MY SCHOLARSHIP WAS OFF THE TABLE. 64 00:02:42,220 --> 00:02:44,060 NOTHING'S SET IN STONE, SPENCER. 65 00:02:44,060 --> 00:02:45,960 I'M HERE OFF THE RECORD BECAUSE I LIKE YOU, 66 00:02:45,960 --> 00:02:47,460 AND I STILL LIKE YOU FOR OUR PROGRAM. 67 00:02:47,460 --> 00:02:48,930 BUT COACH KELLY DOESN'T AGREE. 68 00:02:48,930 --> 00:02:50,070 I WOULDN'T SAY THAT. 69 00:02:50,070 --> 00:02:51,330 HE DOES HAVE SOME CONCERNS, 70 00:02:51,330 --> 00:02:53,340 SO HE'S EYEING A FEW OTHER RECRUITS. 71 00:02:53,340 --> 00:02:54,870 I CONVINCED HIM TO HOLD OFF FOR NOW, 72 00:02:54,870 --> 00:02:56,810 BUT I NEED TO KNOW YOU'RE BACK ON TRACK. 73 00:02:56,810 --> 00:02:58,070 AND WHAT DO I GOT TO DO TO PROVE IT? 74 00:02:58,070 --> 00:02:59,340 GO OUT THERE THIS WEEKEND AND SHOW ME 75 00:02:59,340 --> 00:03:01,280 THE OLD SPENCER JAMES IS BACK. 76 00:03:01,280 --> 00:03:02,950 CAN YOU DO THAT FOR ME? 77 00:03:02,950 --> 00:03:04,750 NO DOUBT. 78 00:03:04,750 --> 00:03:06,480 AFTER YOU SEE ME BALL, THERE WON'T BE NO QUESTION, 79 00:03:06,480 --> 00:03:09,490 NOT FROM YOU, COACH KELLY, OR ANYBODY ELSE. 80 00:03:09,490 --> 00:03:10,950 I PROMISE YOU THAT. 81 00:03:10,950 --> 00:03:12,220 IT'S ALL I NEEDED TO HEAR. 82 00:03:12,220 --> 00:03:13,360 ALL RIGHT. 83 00:03:23,500 --> 00:03:25,530 IF I CAN'T PLAY THIS WEEKEND, 84 00:03:25,530 --> 00:03:28,170 IT'S NOT GONNA MATTER IF I'M IN GAME SHAPE OR NOT. 85 00:03:28,170 --> 00:03:30,040 ALL THE DOWNWARD DOG'S GONNA BE FOR NOTHING. 86 00:03:30,040 --> 00:03:31,370 OLIVIA: OH, NOT FOR NOTHING. 87 00:03:31,370 --> 00:03:32,980 I MEAN, YOGA'S GOOD FOR YOU, ANYWAY. 88 00:03:32,980 --> 00:03:34,540 IT HELPS WITH STRENGTH, FLEXIBILITY, 89 00:03:34,540 --> 00:03:36,980 BALANCE, EVEN STRESS. 90 00:03:36,980 --> 00:03:39,280 AND THE GOATS? 91 00:03:39,280 --> 00:03:42,050 LAYLA: WELL, THEY HELP YOUR HEART BY BEING CUTE. 92 00:03:42,050 --> 00:03:43,290 HMM. 93 00:03:43,290 --> 00:03:45,120 OLIVIA: THE GOATS WEREN'T MY IDEA. 94 00:03:45,120 --> 00:03:47,260 I THOUGHT "GOAT" STOOD FOR "GREATEST OF ALL TIME." 95 00:03:47,260 --> 00:03:48,890 SOMETIMES IT'S JUST GOAT, MAN. 96 00:03:48,890 --> 00:03:51,460 J.J.: I'M SORRY, OK? THIS WEEK SUCKS. 97 00:03:51,460 --> 00:03:53,530 GOATS ARE PEEING EVERYWHERE, 98 00:03:53,530 --> 00:03:55,800 COACH IS SUSPENDED, SPENCE MIGHT NOT PLAY, 99 00:03:55,800 --> 00:03:57,270 AND THE VENUE FOR THE JAMBOREE PARTY 100 00:03:57,270 --> 00:03:58,400 FELL THROUGH. WAIT. 101 00:03:58,400 --> 00:04:00,140 WHAT HAPPENED TO THE VENUE? 102 00:04:00,140 --> 00:04:02,200 SOMEONE FORGET TO SEND THE DEPOSIT ON TIME. 103 00:04:02,200 --> 00:04:05,010 IT'S NOT IMPORTANT WHO. 104 00:04:05,010 --> 00:04:08,140 I EVEN HAD THE PERFECT THEME-- 105 00:04:08,140 --> 00:04:10,580 PAJAMA JAMMY JAMBOREE. 106 00:04:10,580 --> 00:04:12,580 LAYLA: WELL, CAN'T LET THAT GO TO WASTE. 107 00:04:12,580 --> 00:04:15,580 WHY DON'T WE HAVE THE PARTY AT MY HOUSE? 108 00:04:15,580 --> 00:04:18,590 MAYBE THAT'S NOT THE BEST IDEA. 109 00:04:18,590 --> 00:04:20,560 SPENCER: YEAH. IT AIN'T JUST FOR BEVERLY. 110 00:04:20,560 --> 00:04:22,290 IT'S FOR ALL THE TEAMS IN THE JAMBOREE. 111 00:04:22,290 --> 00:04:24,930 WELL, IT'S A GOOD THING I HAVE A BIG HOUSE, THEN. 112 00:04:24,930 --> 00:04:26,500 PARTIES WEREN'T MY PROBLEM. 113 00:04:26,500 --> 00:04:28,900 IT WAS THE PARTY CRASHER IN MY HEAD, 114 00:04:28,900 --> 00:04:30,470 AND SHE'S BEEN QUIET LATELY. 115 00:04:30,470 --> 00:04:34,070 IT'LL BE FINE, I PROMISE. 116 00:04:34,070 --> 00:04:35,940 WHERE IS JORDAN? 117 00:04:35,940 --> 00:04:37,570 WHY ISN'T HE SUFFERING THROUGH THIS? 118 00:04:37,570 --> 00:04:39,580 HE STAYED BACK TO TALK TO HIS DAD. 119 00:04:39,580 --> 00:04:41,340 PROBABLY ABOUT THE SUSPENSION. 120 00:04:41,340 --> 00:04:43,250 YOU KNOW ANYTHING ABOUT IT? 121 00:04:43,250 --> 00:04:46,250 NO. I HAVEN'T HEARD ANYTHING. 122 00:04:47,520 --> 00:04:50,320 DIDDA JOE: ♪ YES ♪ 123 00:04:51,250 --> 00:04:52,620 ♪ UH ♪ 124 00:04:52,620 --> 00:04:55,120 ♪ TWO CUPS, ONE LOVE ♪ 125 00:04:55,120 --> 00:04:56,990 ♪ GIRLS DANCING WITH NO LIGHTS ON ♪ 126 00:04:56,990 --> 00:04:58,990 ♪ DRAPED UP, SCREWED UP... ♪ 127 00:04:58,990 --> 00:05:01,130 WHAT? 128 00:05:01,130 --> 00:05:02,930 YOU KNOW I LIKE TO SAVE MY PERFECT PIECE 129 00:05:02,930 --> 00:05:04,330 FOR MY LAST BITE. 130 00:05:04,330 --> 00:05:06,270 HEY, LOOK. I'MA JUST SAY IT. 131 00:05:06,270 --> 00:05:08,240 I CAN'T DO THIS NO MORE. 132 00:05:08,240 --> 00:05:10,540 IT'S TOO HARD TRYING TO BE YOUR DAMN FRIEND. 133 00:05:10,540 --> 00:05:13,340 YOU DITCHED A GUN FOR ME. WE LOVE EACH OTHER. 134 00:05:13,340 --> 00:05:15,940 I DON'T UNDERSTAND WHY WE'RE NOT TOGETHER. 135 00:05:15,940 --> 00:05:17,480 I MISS YOU, BABE. 136 00:05:17,480 --> 00:05:19,650 I MISS YOU, TOO, BUT WE ALREADY TALKED ABOUT THIS. 137 00:05:19,650 --> 00:05:21,480 I'M LEAVING SOON FOR J.P.'s SUMMER TOUR, 138 00:05:21,480 --> 00:05:24,120 AND, YOU KNOW, THINGS WEREN'T EXACTLY SMOOTH 139 00:05:24,120 --> 00:05:25,950 BETWEEN US LAST TIME HE WAS INVOLVED. 140 00:05:25,950 --> 00:05:27,890 NO. IT AIN'T GOING DOWN LIKE THAT AGAIN, 141 00:05:27,890 --> 00:05:29,990 ALL RIGHT, NO MORE JEALOUS COOP. 142 00:05:29,990 --> 00:05:31,990 I'M GONNA BE YOUR BIGGEST FAN. 143 00:05:31,990 --> 00:05:34,160 YOU'RE GONNA BE CALLING ME YOUR COOPY GROUPIE. 144 00:05:34,160 --> 00:05:37,230 HA HA! YEAH. I'M NEVER CALLING YOU THAT. 145 00:05:37,230 --> 00:05:39,100 LISTEN, BABY. 146 00:05:39,100 --> 00:05:41,100 WOULDN'T NOTHING MAKE ME HAPPIER 147 00:05:41,100 --> 00:05:43,410 THAN SEEING YOU BLOW UP. 148 00:05:43,410 --> 00:05:46,540 MAYBE ONE THING-- 149 00:05:48,040 --> 00:05:50,010 SEEING YOU BLOW UP WITH THIS. 150 00:05:54,380 --> 00:05:56,390 YOU WROTE A SONG FOR ME? 151 00:05:56,390 --> 00:05:57,650 I AIN'T NEVER LETTING MUSIC 152 00:05:57,650 --> 00:05:59,690 COME IN BETWEEN US AGAIN, OK? 153 00:05:59,690 --> 00:06:01,520 IT'S ONLY GONNA MAKE US CLOSER. 154 00:06:01,520 --> 00:06:03,190 GOD, I DON'T KNOW WHAT TO SAY. 155 00:06:03,190 --> 00:06:04,560 I DO BECAUSE I WASN'T GONNA GIVE IT TO YOU 156 00:06:04,560 --> 00:06:06,260 UNTIL YOU SAID YOU'D BE MY GIRL AGAIN, 157 00:06:06,260 --> 00:06:09,930 BUT YOU'RE TAKING WAY TOO LONG TO ANSWER. 158 00:06:12,600 --> 00:06:13,870 HMM. 159 00:06:16,540 --> 00:06:18,410 YOUR LAST PERFECT PIECE? 160 00:06:18,410 --> 00:06:20,010 MY LAST PERFECT PIECE. 161 00:06:20,010 --> 00:06:21,580 OH, I GUESS I GOT MY ANSWER, THEN. 162 00:06:21,580 --> 00:06:23,750 HA HA! 163 00:06:27,620 --> 00:06:29,150 WOW, UP CULVER STAIRS AGAIN? 164 00:06:29,150 --> 00:06:31,150 DON'T OVERDO IT, YOUNGBLOOD. 165 00:06:31,150 --> 00:06:32,960 THEM STEPS AIN'T GOING NOWHERE, 166 00:06:32,960 --> 00:06:34,960 EXCEPT UP AND DOWN, I GUESS. 167 00:06:34,960 --> 00:06:39,030 HA HA HA! THAT'S FUNNY. 168 00:06:39,030 --> 00:06:40,600 HOW YOU MAKING JOKES WHEN YOUR WHOLE CAREER'S 169 00:06:40,600 --> 00:06:42,230 UP IN THE AIR, MAN? 170 00:06:42,230 --> 00:06:44,170 OH, AIN'T NOTHING UP IN THE AIR, 171 00:06:44,170 --> 00:06:46,440 AND THAT'S ALL I'M GONNA SAY ABOUT THE SUSPENSION. 172 00:06:46,440 --> 00:06:50,170 ALL RIGHT. WHAT ABOUT MY SUSPENSION? 173 00:06:50,170 --> 00:06:51,640 WHEN YOU GONNA CLEAR ME TO PLAY? 174 00:06:51,640 --> 00:06:53,310 LOOK. I REHABBED THE WAY YOU TOLD ME TO. 175 00:06:53,310 --> 00:06:55,240 MY SHOULDER FEELS GREAT. I'M READY TO SUIT UP. 176 00:06:55,240 --> 00:06:56,710 I DON'T THINK SO. 177 00:06:56,710 --> 00:06:58,180 BESIDES, IT'S NOT MY CALL, ANYWAY. 178 00:06:58,180 --> 00:06:59,380 MAYBE TECHNICALLY, 179 00:06:59,380 --> 00:07:00,380 BUT YOU CAN TALK TO COACH DAVIS. 180 00:07:00,380 --> 00:07:01,720 HE'D LISTEN TO YOU. 181 00:07:01,720 --> 00:07:03,190 IT'S TOO RISKY. JUST HEAL UP. 182 00:07:03,190 --> 00:07:04,590 COME BACK STRONG NEXT SEASON. 183 00:07:04,590 --> 00:07:06,120 I AIN'T GOT THAT KIND OF TIME, COACH. LOOK. 184 00:07:06,120 --> 00:07:08,120 UCLA's GIVING ME ONE MORE SHOT, ALL RIGHT? 185 00:07:08,120 --> 00:07:09,460 I'M GONNA LOSE IT IF I DON'T PLAY. 186 00:07:09,460 --> 00:07:11,190 LOOK. IF UCLA REALLY WANTS YOU, 187 00:07:11,190 --> 00:07:12,660 THEN THEY'LL WAIT, BUT THEY DEFINITELY 188 00:07:12,660 --> 00:07:14,200 WON'T WANT YOU IF YOU REINJURE YOURSELF 189 00:07:14,200 --> 00:07:15,330 TRYING TO COME BACK TOO SOON. 190 00:07:15,330 --> 00:07:16,470 WE'VE HAD THIS DISCUSSION. 191 00:07:16,470 --> 00:07:17,600 THAT WAS BEFORE COACH WILSON 192 00:07:17,600 --> 00:07:19,070 CAME BACK AROUND, ALL RIGHT? 193 00:07:19,070 --> 00:07:21,070 I TOLD HIM I'M PLAYING THIS WEEKEND. 194 00:07:21,070 --> 00:07:22,770 SHOULDN'T HAVE DONE THAT. 195 00:07:22,770 --> 00:07:24,340 COME ON, COACH. 196 00:07:24,340 --> 00:07:26,070 MY NATIONAL RANKING TOOK A HUGE HIT. 197 00:07:26,070 --> 00:07:27,680 YOU KNOW THAT. 198 00:07:27,680 --> 00:07:29,610 IF I DON'T PLAY, AIN'T NOBODY CHECKING FOR ME NEXT SEASON. 199 00:07:29,610 --> 00:07:31,480 I'M SORRY, SPENCER. I CAN'T DO IT. 200 00:07:31,480 --> 00:07:33,120 YOU WANTED ME TO COME TO BEVERLY 201 00:07:33,120 --> 00:07:35,080 SO I COULD HAVE A SHOT AT SOMEWHERE LIKE UCLA, 202 00:07:35,080 --> 00:07:36,520 AND NOW I GOT IT, YOU THE ONLY ONE 203 00:07:36,520 --> 00:07:39,020 STANDING IN MY WAY. 204 00:07:54,240 --> 00:07:56,940 HEY. OH. UH, HEY. 205 00:07:56,940 --> 00:08:00,810 SO LISTEN. UH-- 206 00:08:00,810 --> 00:08:03,340 HEY, SO I TEXTED YOU A FEW TIMES 207 00:08:03,340 --> 00:08:05,280 BUT DIDN'T HEAR ANYTHING BACK, 208 00:08:05,280 --> 00:08:08,020 NOT EVEN A "NEW PHONE. WHO THIS?" 209 00:08:09,250 --> 00:08:10,890 HOW ARE YOU? 210 00:08:10,890 --> 00:08:12,290 EVERYTHING OK WITH DANE? 211 00:08:12,290 --> 00:08:14,820 HOW'S THE BABY, KICKING A LOT? 212 00:08:14,820 --> 00:08:16,890 THE BABY, I MEAN, SIMONE, NOT DANE. 213 00:08:16,890 --> 00:08:20,400 JORDAN, EVERYTHING'S FINE, OK? 214 00:08:20,400 --> 00:08:23,100 THANKS, BUT I GOT TO GO. 215 00:08:30,000 --> 00:08:31,540 WELL, THAT WAS AWKWARD. 216 00:08:31,540 --> 00:08:33,510 YEAH. I DON'T GET WOMEN. 217 00:08:33,510 --> 00:08:35,110 WELL, THAT'S BECAUSE YOU ONLY DATE GIRLS, SO-- 218 00:08:35,110 --> 00:08:36,910 MM. EVER SINCE SHE MOVED OUT, 219 00:08:36,910 --> 00:08:38,450 SHE--I DON'T KNOW-- HAS GONE 220 00:08:38,450 --> 00:08:40,320 OUT OF HER WAY TO AVOID ME. 221 00:08:40,320 --> 00:08:42,250 I'D LEAVE IT ALONE IF I WERE YOU. 222 00:08:42,250 --> 00:08:43,850 LITTLE MISS "ALL UP IN EVERYONE'S BUSINESS," 223 00:08:43,850 --> 00:08:45,150 ARE YOU SURE ABOUT THAT? 224 00:08:45,150 --> 00:08:47,990 WHICH IS WHY I KNOW IT'LL BACKFIRE. 225 00:08:47,990 --> 00:08:49,560 IF SHE WANTED YOU TO KNOW SOMETHING, 226 00:08:49,560 --> 00:08:51,390 SHE WOULD TELL YOU. OK. 227 00:08:51,390 --> 00:08:53,560 YEAH, BUT WHY IS EVERYONE KEEPING THINGS FROM ME? 228 00:08:53,560 --> 00:08:55,430 DAD WON'T TELL ME ANYTHING ABOUT HIS SUSPENSION. 229 00:08:55,430 --> 00:08:57,800 HAS HE SAID ANYTHING TO YOU? 230 00:08:57,800 --> 00:09:01,000 LOOK. DON'T WORRY ABOUT SIMONE, OK? 231 00:09:01,000 --> 00:09:03,000 I'M SURE IT'S NOTHING PERSONAL. 232 00:09:03,000 --> 00:09:07,280 JUST GIVE HER SOME SPACE AND STOP FOLLOWING HER. 233 00:09:07,280 --> 00:09:10,310 I MEAN, YOU DON'T WANT TO SEEM CRAZY. 234 00:09:18,590 --> 00:09:21,460 WELL, I DIDN'T KNOW DANE'S PARENTS LIVED IN A HOTEL. 235 00:09:21,460 --> 00:09:23,060 WHAT, ARE YOU STALKING ME NOW? 236 00:09:23,060 --> 00:09:24,430 I WAS JUST WORRIED ABOUT YOU. 237 00:09:24,430 --> 00:09:26,160 DID YOU ACTUALLY REACH OUT TO DANE, 238 00:09:26,160 --> 00:09:28,100 OR WAS THAT JUST ANOTHER LIE? 239 00:09:28,100 --> 00:09:30,160 YES, JORDAN. 240 00:09:30,160 --> 00:09:33,170 I REACHED OUT TO HIM, AND NOTHING'S CHANGED. 241 00:09:33,170 --> 00:09:35,370 HE SAID THE BABY ISN'T HIS, AND HE WON'T HELP ME. 242 00:09:35,370 --> 00:09:38,510 OK, SO WHY DID YOU MOVE OUT? 243 00:09:38,510 --> 00:09:42,240 BECAUSE I DIDN'T WANT TO GIVE YOU THE WRONG IDEA. 244 00:09:42,240 --> 00:09:44,050 SIMONE, YOU WEREN'T GIVING ME ANY IDEAS. 245 00:09:44,050 --> 00:09:46,080 I WAS JUST TRYING TO BE YOUR FRIEND. 246 00:09:46,080 --> 00:09:48,220 WE WERE NEVER REALLY FRIENDS, JORDAN. 247 00:09:48,220 --> 00:09:50,250 LOOK. I'M NOT YOUR PROBLEM ANYMORE, 248 00:09:50,250 --> 00:09:54,460 SO JUST GO LIVE YOUR LIFE, PLEASE. 249 00:10:05,500 --> 00:10:08,340 HEY. HI. 250 00:10:13,210 --> 00:10:15,610 THANK YOU FOR COMING. 251 00:10:15,610 --> 00:10:18,880 I KNOW I'VE PUT YOU THROUGH A LOT LATELY. 252 00:10:18,880 --> 00:10:23,350 YEAH? WELL, EVERYONE MAKES MISTAKES. 253 00:10:23,350 --> 00:10:25,890 IT'S WHAT WE DO AFTER THAT MATTERS. 254 00:10:25,890 --> 00:10:27,420 I REALLY HOPE THAT'S TRUE 255 00:10:27,420 --> 00:10:30,020 BECAUSE I WANT TO MAKE THINGS RIGHT. 256 00:10:30,020 --> 00:10:31,630 I HAD THIS MADE TO REPLACE THE ONE 257 00:10:31,630 --> 00:10:34,500 THAT GOT SHATTERED THE NIGHT SPENCER GOT SHOT. 258 00:10:36,030 --> 00:10:39,300 I KNOW HOW IMPORTANT IT WAS TO YOU. 259 00:10:39,300 --> 00:10:41,900 THANK YOU. 260 00:10:41,900 --> 00:10:43,970 YOU DIDN'T HAVE TO DO THAT. 261 00:10:43,970 --> 00:10:47,110 NO. I DID. I SHOULD'VE BEEN THERE. 262 00:10:47,110 --> 00:10:48,580 I'M SORRY ABOUT YOUR DAD, TOO. 263 00:10:48,580 --> 00:10:50,510 I WANTED TO COME CLEAN. HE WOULDN'T LET ME, SO-- 264 00:10:50,510 --> 00:10:53,010 I'M NOT MAD AT YOU. 265 00:10:53,010 --> 00:10:55,980 I GET WHY YOU AND MY DAD DID WHAT YOU DID. 266 00:10:55,980 --> 00:10:58,120 I'M MORE UPSET WITH MYSELF 267 00:10:58,120 --> 00:11:00,020 BECAUSE IF I HADN'T TOLD MY DAD ABOUT THE STEROIDS, 268 00:11:00,020 --> 00:11:01,660 HE WOULDN'T EVEN BE IN THIS SITUATION. 269 00:11:01,660 --> 00:11:03,320 NONE OF THIS IS YOUR FAULT, LIV. 270 00:11:03,320 --> 00:11:04,690 THEN WHY DOES IT FEEL THAT WAY? 271 00:11:04,690 --> 00:11:06,290 BECAUSE YOU'RE A GOOD PERSON. 272 00:11:06,290 --> 00:11:10,300 I'M LYING TO SPENCER. I'M LYING TO JORDAN. 273 00:11:10,300 --> 00:11:13,070 KEEPING EVERYTHING INSIDE JUST MAKES ME FEEL 274 00:11:13,070 --> 00:11:14,570 LIKE I'M GONNA EXPLODE. 275 00:11:14,570 --> 00:11:16,300 I DON'T WANT YOU TO LIE FOR ME. 276 00:11:16,300 --> 00:11:17,670 LIV, I WILL TELL THEM. I'LL TELL THEM-- 277 00:11:17,670 --> 00:11:20,140 WHY DOES THIS KEEP HAPPENING TO US? 278 00:11:20,140 --> 00:11:21,680 WE'VE ONLY BEEN DATING A FEW MONTHS. 279 00:11:21,680 --> 00:11:25,450 THIS IS SUPPOSED TO BE OUR HONEYMOON PHASE. 280 00:11:29,550 --> 00:11:32,420 I THINK WE NEED A BREAK. 281 00:11:32,420 --> 00:11:35,190 I NEED TO BE WITH MY FAMILY, 282 00:11:35,190 --> 00:11:40,430 AND YOU SHOULD FOCUS ON YOU AND YOUR FUTURE, 283 00:11:40,430 --> 00:11:43,970 GET BACK TO THE GUY YOU WERE BEFORE STEROIDS. 284 00:11:59,050 --> 00:12:01,080 HEY, THOSE GO OUT BY THE STAGE. 285 00:12:01,080 --> 00:12:02,120 YOU GOT IT. 286 00:12:05,450 --> 00:12:07,660 HEY, DAD. "HEY, DAD"? 287 00:12:07,660 --> 00:12:09,120 YOU WANT TO TELL ME WHY THERE ARE 288 00:12:09,120 --> 00:12:10,660 SO MANY TRUCKS IN MY DRIVEWAY 289 00:12:10,660 --> 00:12:12,190 AND SO MANY PEOPLE IN MY HOUSE? 290 00:12:12,190 --> 00:12:15,000 WELL, IT'S FOR THE PARTY TONIGHT. 291 00:12:15,000 --> 00:12:17,630 UM, SORRY. I FORGOT TO TELL YOU. 292 00:12:17,630 --> 00:12:21,340 YOU MEAN, YOU FORGOT TO ASK ME. 293 00:12:21,340 --> 00:12:23,070 YEAH. SORRY. 294 00:12:23,070 --> 00:12:25,210 I'M NOT USED TO HAVING TO ASK FOR PERMISSION. 295 00:12:25,210 --> 00:12:28,210 YOU HAVING PARTIES EVERY TIME I LEFT TOWN? 296 00:12:28,210 --> 00:12:30,750 WELL, NOT EVERY TIME. OK. 297 00:12:30,750 --> 00:12:34,750 THIS FATHER-DAUGHTER DYNAMIC, IT'S NEW. 298 00:12:34,750 --> 00:12:36,750 WE OBVIOUSLY NEED TO WORK ON IT, 299 00:12:36,750 --> 00:12:38,420 SET SOME BOUNDARIES. WAIT. 300 00:12:38,420 --> 00:12:41,790 DOES THIS MEAN I CAN'T HAVE THE PARTY? 301 00:12:41,790 --> 00:12:44,360 OH, GOD... 302 00:12:44,360 --> 00:12:46,260 OK. YOU CAN HAVE THE PARTY, 303 00:12:46,260 --> 00:12:49,300 BUT I'M GONNA STICK AROUND TO SUPERVISE. 304 00:12:49,300 --> 00:12:53,100 GREAT. THAT'LL BE FUN. 305 00:12:53,100 --> 00:12:55,100 I'M NOT GONNA HAVE NO FUN AT THIS PARTY, MAN. 306 00:12:55,100 --> 00:12:56,770 I'M NOT EVEN PLAYING IN THE JAMBOREE. 307 00:12:56,770 --> 00:12:58,710 I'M NOT, EITHER, BUT I AIN'T MISSING 308 00:12:58,710 --> 00:13:00,710 PRETTY CHICKS IN PJs. 309 00:13:00,710 --> 00:13:02,440 WHAT ARE YOU TALKING ABOUT? 310 00:13:02,440 --> 00:13:04,450 OH, THE NEWS HASN'T MADE IT TO BEVERLY YET. 311 00:13:04,450 --> 00:13:06,310 SOUTH CRENSHAW DROPPED OUT. 312 00:13:06,310 --> 00:13:08,120 OF THE JAMBOREE? 313 00:13:08,120 --> 00:13:09,720 THAT DON'T MAKE NO SENSE. WHY WOULD Y'ALL DO THAT? 314 00:13:09,720 --> 00:13:12,290 TEAM'S BEEN FALLING APART FOR A WHILE NOW, SPENCE. 315 00:13:12,290 --> 00:13:15,520 WE'VE LOST TWO HEAD COACHES IN LESS THAN 6 MONTHS. 316 00:13:15,520 --> 00:13:18,160 ALMOST EVERYBODY'S QUIT TO PLAY OTHER SPORTS. 317 00:13:18,160 --> 00:13:19,590 CAM'S EVEN LOOKING TO TRANSFER 318 00:13:19,590 --> 00:13:21,200 TO PLAY FOR WESTLAKE. 319 00:13:21,200 --> 00:13:23,530 DAMN. I MEAN, LOOK. IT'S ONLY THE JAMBOREE. 320 00:13:23,530 --> 00:13:25,270 Y'ALL'LL BE GOOD BY NEXT SEASON. 321 00:13:25,270 --> 00:13:28,140 I MEAN, THEY BETTER. I CAME HERE TO PLAY BALL. 322 00:13:28,140 --> 00:13:30,300 IF THEY DON'T PULL IT TOGETHER, 323 00:13:30,300 --> 00:13:31,810 YEAH, OUR PROGRAM GOES TO HELL, 324 00:13:31,810 --> 00:13:33,670 TAKING MY UCLA COMMITMENT WITH IT. 325 00:13:33,670 --> 00:13:35,480 MAN, I HOPE NOT. 326 00:13:35,480 --> 00:13:37,550 BE NICE IF AT LEAST ONE OF US WAS A BRUIN. 327 00:13:37,550 --> 00:13:39,810 MAN, WHY YOU GIVING UP SO EASY? 328 00:13:39,810 --> 00:13:41,420 JUST GO TO THE TOP AND GET 329 00:13:41,420 --> 00:13:43,450 THE ATHLETIC DIRECTOR TO CLEAR YOU. 330 00:13:43,450 --> 00:13:44,690 IT WOULDN'T FEEL RIGHT GOING OVER 331 00:13:44,690 --> 00:13:46,490 COACH BAKER'S HEAD LIKE THAT, MAN. 332 00:13:46,490 --> 00:13:49,090 OH, IF IT WAS ME, NOTHING WOULD STAND IN MY WAY. 333 00:13:49,090 --> 00:13:52,490 BESIDES, HE AIN'T EVEN YOUR COACH NO MORE. 334 00:13:59,700 --> 00:14:01,000 YUNG GRAVY: ♪ DROP IT ♪ 335 00:14:01,000 --> 00:14:02,740 ♪ HOP IN, WALK OUT ♪ 336 00:14:02,740 --> 00:14:04,140 ♪ PIPE UP, CLOCK OUT ♪ 337 00:14:04,140 --> 00:14:05,910 ♪ NEW WRIST, WATCH OUT... ♪ 338 00:14:05,910 --> 00:14:07,970 YOU AIN'T LOST YOUR TOUCH. 339 00:14:07,970 --> 00:14:10,040 I'M GLAD YOUR POPS DIDN'T SHUT IT DOWN. 340 00:14:10,040 --> 00:14:12,780 LAYLA: YEAH? WELL, WE KEATINGS LOVE A GOOD PARTY. 341 00:14:12,780 --> 00:14:15,110 HEY, THANKS FOR COMING. 342 00:14:15,110 --> 00:14:17,250 I KNOW IT CAN'T BE EASY TO COME TO THE JAMMY JAMBOREE 343 00:14:17,250 --> 00:14:19,250 WHEN YOU CAN'T PLAY IN THE ACTUAL JAMBOREE. 344 00:14:19,250 --> 00:14:21,650 YEAH. WELL, I SEEN THE BAT SIGNAL 345 00:14:21,650 --> 00:14:23,260 ABOVE YOUR HOUSE. 346 00:14:23,260 --> 00:14:25,660 DOES THAT MEAN YOU'RE HERE FOR ME? 347 00:14:25,660 --> 00:14:28,860 I'M ALWAYS HERE FOR YOU. YOU GOOD? 348 00:14:28,860 --> 00:14:32,000 YEAH. I'M GOOD. 349 00:14:32,000 --> 00:14:34,770 HA! IT'S NOT A CRY FOR HELP. 350 00:14:34,770 --> 00:14:36,540 IT'S JUST A PARTY, AH. 351 00:14:36,540 --> 00:14:39,640 NO BAT SIGNAL NECESSARY. 352 00:14:41,540 --> 00:14:43,280 WILDCATS: ♪ STATE CHAMPS! STATE CHAMPS! ♪ 353 00:14:43,280 --> 00:14:46,680 ♪ STATE CHAMPS! STATE CHAMPS! STATE CHAMPS! ♪ 354 00:14:46,680 --> 00:14:49,820 THE WESTLAKE WILDCATS, HOW ANNOYING ARE THEY? 355 00:14:49,820 --> 00:14:51,220 OH, YEAH. WELL, THEY MIGHT BE ANNOYING, 356 00:14:51,220 --> 00:14:52,950 BUT THEY HAVE SOMETHING WE DON'T. 357 00:14:52,950 --> 00:14:54,690 COOL SMOKING JACKETS? 358 00:14:54,690 --> 00:14:56,290 WHAT? NO. UNITY, ALL RIGHT? 359 00:14:56,290 --> 00:14:58,890 THEY EVEN CAME AS A TEAM. THEY'RE ALL DRESSED THE SAME. 360 00:14:58,890 --> 00:15:01,930 NOW LOOK AT US-- NO COACH, NO SPENCER. 361 00:15:01,930 --> 00:15:04,030 ASH DOESN'T EVEN BOTHER SHOWING UP. 362 00:15:04,030 --> 00:15:05,570 WE NEED TO GET IT TOGETHER, 363 00:15:05,570 --> 00:15:07,100 OR THERE'S NO WAY WE'RE IN THE JAMBOREE. 364 00:15:07,100 --> 00:15:08,770 YEAH. IT'S GONNA BE TOUGH WITHOUT YOUR DAD. 365 00:15:08,770 --> 00:15:10,640 DID HE TELL YOU WHY HE WAS SUSPENDED? 366 00:15:10,640 --> 00:15:14,670 NO. YOU HEAR ANYTHING? 367 00:15:14,670 --> 00:15:17,980 WHAT, J.J.? 368 00:15:17,980 --> 00:15:20,980 I HEARD IT HAD SOMETHING TO DO WITH DRUGS. 369 00:15:20,980 --> 00:15:23,920 WILDCATS: ♪ DANE! DANE! DANE! DANE! DANE! DANE! DANE! DANE! ♪ 370 00:15:23,920 --> 00:15:32,330 ♪ DANE! DANE! DANE! DANE! DANE! DANE! DANE! DANE! DANE! DANE! ♪ 371 00:15:32,330 --> 00:15:34,090 UH! 372 00:15:34,090 --> 00:15:37,660 HEY, YOU DANE KOHLER? 373 00:15:37,660 --> 00:15:39,730 I GUESS MY REPUTATION PRECEDES ME. 374 00:15:39,730 --> 00:15:42,000 STILL, NO AUTOGRAPHS TILL AFTER JAMBOREE, OK, BUDDY? 375 00:15:42,000 --> 00:15:44,100 SO YOU KNOW SIMONE HICKS, THEN. 376 00:15:44,100 --> 00:15:45,670 WHY YOU ASKING? 377 00:15:45,670 --> 00:15:47,610 YOU WANT A YELP REVIEW OR SOMETHING? 378 00:15:47,610 --> 00:15:50,240 3 STARS DURING, ONE AFTER. 379 00:15:50,240 --> 00:15:53,680 DUDE, SHE'S PREGNANT WITH YOUR KID. 380 00:15:53,680 --> 00:15:55,850 YOU GONNA MAN UP AND DO SOMETHING ABOUT IT? 381 00:15:55,850 --> 00:15:58,120 I'LL TELL YOU WHAT I TOLD HER-- 382 00:15:58,120 --> 00:15:59,950 KID'S NOT MINE. 383 00:15:59,950 --> 00:16:01,620 DON'T WORRY. 384 00:16:01,620 --> 00:16:02,990 I'M SURE SHE'LL FIND ANOTHER GUY TO PIN IT ON. 385 00:16:02,990 --> 00:16:04,860 LOOKS LIKE BEVERLY'S FULL OF RICH IDIOTS. 386 00:16:04,860 --> 00:16:06,090 YOU NEED TO HANDLE YOUR BUSINESS. 387 00:16:06,090 --> 00:16:07,690 AND YOU NEED TO MIND YOURS. 388 00:16:07,690 --> 00:16:10,100 HEY, DO YOU GUYS THINK YOU LOOK TOUGH? 389 00:16:10,100 --> 00:16:13,000 YOU'RE IN PAJAMAS. 390 00:16:13,000 --> 00:16:16,140 HA HA HA! COME ON, 391 00:16:16,140 --> 00:16:17,740 AND THE LAST THING DAD NEEDS RIGHT NOW 392 00:16:17,740 --> 00:16:18,970 IS YOU GETTING SUSPENDED, TOO. 393 00:16:18,970 --> 00:16:20,140 I WOULDN'T KNOW, OK? 394 00:16:20,140 --> 00:16:21,840 HE WON'T TELL ME WHAT HE NEEDS. 395 00:16:23,380 --> 00:16:25,010 AMINE: ♪ I JUST BOUGHT A NEW GRILL ♪ 396 00:16:25,010 --> 00:16:26,780 ♪ SHINING LIKE A NEW WHIP ♪ 397 00:16:26,780 --> 00:16:27,910 ♪ ADAM GOT A NEW DRIP... ♪ 398 00:16:27,910 --> 00:16:30,150 AH, THAT'S NICE. 399 00:16:30,150 --> 00:16:33,390 HEY, IT'S KID 'N PLAY IN THE HOUSE. 400 00:16:33,390 --> 00:16:35,120 OOH. HOO HOO! 401 00:16:35,120 --> 00:16:36,890 I DON'T EVEN KNOW WHICH ONE I AM. 402 00:16:36,890 --> 00:16:38,760 WELL, KID'S KNOWN FOR THE HIGH-TOP FADE. 403 00:16:38,760 --> 00:16:40,030 WELL, WHAT'S PLAY KNOWN FOR? 404 00:16:40,030 --> 00:16:42,130 STANDING NEXT TO KID. 405 00:16:43,400 --> 00:16:45,200 KID: AW, YEAH. MY GOSH. 406 00:16:45,200 --> 00:16:47,770 MAN: ALL RIGHT, KID 'N PLAY. SHOW US WHAT YOU GOT. 407 00:16:47,770 --> 00:16:49,270 YOU READY, KID? 408 00:16:49,270 --> 00:16:50,740 I GOT YOU, PLAY. 409 00:16:50,740 --> 00:16:51,740 ALL RIGHT. LET'S GET IT. 410 00:16:51,740 --> 00:16:52,810 LET'S GO. HA HA HA! 411 00:16:54,270 --> 00:16:55,680 AW, MAN. 412 00:16:55,680 --> 00:16:58,880 ♪ OOH, OOH, OH, OH ♪ 413 00:16:58,880 --> 00:17:01,010 KID AND COOP: ♪ THE TIME HAS COME TO ENJOY MYSELF ♪ 414 00:17:01,010 --> 00:17:03,150 ♪ I'VE LEFT MY PROBLEMS UP ON THE SHELF ♪ 415 00:17:03,150 --> 00:17:05,220 ♪ THE WORK DAY'S OVER, AND I GOT IT MADE ♪ 416 00:17:05,220 --> 00:17:07,350 ♪ LIKE JOHNNY KEMP SAID, I JUST GOT PAID ♪ 417 00:17:07,350 --> 00:17:10,290 ♪ AND I'M READY TO MINGLE, YOUNG MAN SINGLE AND FREE ♪ 418 00:17:10,290 --> 00:17:12,160 ♪ READY TO GET BUSY ♪ 419 00:17:12,160 --> 00:17:14,360 ♪ DOWN TO PARTY HARDY AND HAVE A GOOD TIME ♪ 420 00:17:14,360 --> 00:17:15,830 ♪ ALL I NEED IS... ♪ 421 00:17:15,830 --> 00:17:17,430 KID: ♪ A PARTNER IN CRIME ♪ 422 00:17:17,430 --> 00:17:19,300 ♪ CALL UP THE HOMIES AND HOPE THEY MIGHT ♪ 423 00:17:19,300 --> 00:17:21,200 ♪ SAY THEY DOWN TO PAINT THE TOWN RED TONIGHT ♪ 424 00:17:21,200 --> 00:17:23,040 ♪ LOOK IN THE CLOSET AND PULL OUT THE HYPE GEAR ♪ 425 00:17:23,040 --> 00:17:24,300 KID AND COOP: ♪ PULL UP THE HIGH-TOP FADE ♪ 426 00:17:24,300 --> 00:17:25,970 ♪ AND I'M OUTTA HERE... ♪ 427 00:17:25,970 --> 00:17:29,040 GOOD TO SEE YOU GOT SOMETHING FROM THE OLD MAN. 428 00:17:29,040 --> 00:17:31,710 YOU REALLY KNOW HOW TO PRODUCE A SHOW. 429 00:17:31,710 --> 00:17:33,910 YOU MEAN THROW A PARTY? 430 00:17:33,910 --> 00:17:35,820 HEY, CALL IT WHAT YOU WANT. 431 00:17:35,820 --> 00:17:37,820 YOU MAY HAVE A FUTURE IN IT. 432 00:17:37,820 --> 00:17:39,950 COOP: ♪ AIN'T GONNA HURT NOBODY... ♪ 433 00:17:39,950 --> 00:17:41,820 THEY ACT LIKE SHE'S A CELEBRITY. 434 00:17:41,820 --> 00:17:43,820 SHE IS. 435 00:17:43,820 --> 00:17:46,060 COOP: ♪ HANDS UP, HANDS UP, HANDS UP ♪ 436 00:17:46,060 --> 00:17:47,960 AUSTIN HELLER: ♪ UP RIGHT TO YOUR TOP ♪ 437 00:17:47,960 --> 00:17:49,860 ♪ SOMEWHERE THE CURRENT IS EXTRA HOT... ♪ 438 00:17:49,860 --> 00:17:53,470 J.P.: COOP, YOU PUT ON QUITE A SHOW. 439 00:17:53,470 --> 00:17:57,000 LISTEN. I WOULDN'T BE THE PRODUCER THAT I AM TODAY 440 00:17:57,000 --> 00:17:59,340 IF A COULDN'T ADMIT WHEN I WAS WRONG, 441 00:17:59,340 --> 00:18:01,340 AND I WAS CLEARLY WRONG ABOUT YOU. 442 00:18:01,340 --> 00:18:03,080 YOU'RE A STAR. 443 00:18:03,080 --> 00:18:04,940 HA! WHY DO YOU SAY THAT? 444 00:18:04,940 --> 00:18:06,810 IT TOOK ME UNTIL NOW TO SEE IT. 445 00:18:06,810 --> 00:18:09,350 I'VE ALWAYS SEEN IT IN YOU. 446 00:18:09,350 --> 00:18:12,220 AND I'M GLAD YOU DID. LISTEN. 447 00:18:12,220 --> 00:18:14,420 I WANT TO SIGN YOU, COOP. 448 00:18:14,420 --> 00:18:17,890 IT'S NOT TOO LATE TO ADD YOU TO MY TOUR THIS SUMMER. 449 00:18:17,890 --> 00:18:20,430 YOU KNOW THAT WAS A KID 'N PLAY SONG BACK THERE, RIGHT? 450 00:18:20,430 --> 00:18:23,400 IT WASN'T THE SONG THAT CONVINCED ME. 451 00:18:23,400 --> 00:18:28,170 IT WAS YOU, SO... WE DOING THIS? 452 00:18:33,240 --> 00:18:35,510 CAN I THINK ABOUT IT? 453 00:18:35,510 --> 00:18:37,140 I DON'T REMEMBER THE LAST TIME SOMEONE 454 00:18:37,140 --> 00:18:38,840 HAD TO THINK ABOUT SIGNING WITH ME. 455 00:18:38,840 --> 00:18:41,250 IT'S KIND OF A LOT TO TAKE IN, DAD. 456 00:18:41,250 --> 00:18:44,380 NO. IT'S FINE. IT'S FINE, BUT DON'T TAKE TOO LONG. 457 00:18:44,380 --> 00:18:47,050 YOU'LL HURT MY FEELINGS. 458 00:18:47,050 --> 00:18:50,920 YOU GIRLS SHOULD BE PROUD. 459 00:18:52,120 --> 00:18:53,560 MAN: WHOO! 460 00:18:53,560 --> 00:18:55,190 HELLER: ♪ SLIP, SLIDE, LOW GLIDE ♪ 461 00:18:55,190 --> 00:18:57,000 ♪ DON'T KNOW THE WORDS? JUST... ♪ 462 00:18:57,000 --> 00:18:59,300 ISN'T COOP SIGNING WITH YOUR DAD A GOOD THING? 463 00:18:59,300 --> 00:19:02,170 YEAH. IT IS, DEFINITELY. 464 00:19:02,170 --> 00:19:05,300 UH-OH. 3 YESES MEANS NO. 465 00:19:05,300 --> 00:19:08,810 NO. IT IS. I'M JUST NERVOUS. 466 00:19:08,810 --> 00:19:11,210 I WENT FROM ALL ALONE WITH NOTHING TO DO 467 00:19:11,210 --> 00:19:12,950 TO MY DAD COMING BACK 468 00:19:12,950 --> 00:19:15,210 AND WORKING ON MUSIC WITH COOP. 469 00:19:15,210 --> 00:19:18,080 WHAT HAPPENS WHEN BOTH OF THOSE THINGS ARE GONE? 470 00:19:18,080 --> 00:19:20,020 I MEAN, HAVE YOU TALKED TO THEM ABOUT IT? 471 00:19:20,020 --> 00:19:22,890 NO. I WOULD NEVER GET IN THE WAY OF COOP'S SUCCESS. 472 00:19:22,890 --> 00:19:26,930 BESIDES, I FEEL GUILTY THAT IT EVEN BOTHERS ME. 473 00:19:26,930 --> 00:19:28,290 I DON'T KNOW. 474 00:19:28,290 --> 00:19:29,930 MAYBE IT'S BETTER FOR EVERYONE IF I JUST 475 00:19:29,930 --> 00:19:31,900 GO BACK TO PRETENDING LIKE EVERYTHING'S FINE. 476 00:19:31,900 --> 00:19:33,470 WHAT? NO. NO WAY. 477 00:19:33,470 --> 00:19:36,070 I WON'T LET YOU AFTER YOU'VE COME THIS FAR. 478 00:19:36,070 --> 00:19:39,310 BESIDES, THERE'S ENOUGH PEOPLE LYING ALREADY. 479 00:19:39,310 --> 00:19:42,310 WHAT HAPPENED? 480 00:19:42,310 --> 00:19:44,040 IS THAT WHY ASHER ISN'T HERE? 481 00:19:45,580 --> 00:19:49,120 WE'RE TAKING A BREAK. DON'T WORRY. I'M FINE. 482 00:19:49,120 --> 00:19:54,450 OK. LIV, I AM THE QUEEN OF THE FAKE "I'M FINES." 483 00:19:54,450 --> 00:19:56,590 DO YOU WANT ME TO KICK HIS ASS? 484 00:19:56,590 --> 00:19:58,360 IT'S NOT JUST ASHER. 485 00:19:58,360 --> 00:19:59,990 YOU KNOW, WITH THE SHOOTING, 486 00:19:59,990 --> 00:20:01,990 MY DAD LOSING HIS JOB, I MEAN, 487 00:20:01,990 --> 00:20:04,400 IT'S ONE BAD THING AFTER ANOTHER. 488 00:20:04,400 --> 00:20:06,530 I DON'T KNOW. I JUST-- 489 00:20:06,530 --> 00:20:09,500 I NEED A BREAK FROM ALL OF IT. 490 00:20:13,240 --> 00:20:15,410 HAROLD: I HEARD THEY SUSPENDED HIM 491 00:20:15,410 --> 00:20:17,240 BECAUSE HE WAS CAUGHT WITH LONDON'S WIFE. 492 00:20:17,240 --> 00:20:18,340 WOULDN'T SURPRISE ME. 493 00:20:18,340 --> 00:20:19,980 ENOUGH, DAD. 494 00:20:19,980 --> 00:20:21,950 I'M SORRY YOU GOT IN A FIGHT WITH OLIVIA. 495 00:20:21,950 --> 00:20:23,080 YOU KNOW I LIKE HER, BUT-- 496 00:20:23,080 --> 00:20:24,220 WE DIDN'T GET INTO A FIGHT. 497 00:20:24,220 --> 00:20:25,620 SHE BROKE UP WITH ME. 498 00:20:25,620 --> 00:20:27,390 YOU FOCUSED ON THE WRONG BAKER, SON. 499 00:20:27,390 --> 00:20:28,990 HER DAD'S FINALLY GONE. 500 00:20:28,990 --> 00:20:30,220 MAYBE NOW BEVERLY CAN BRING IN A COACH 501 00:20:30,220 --> 00:20:31,490 WHO REALLY APPRECIATES YOU. 502 00:20:31,490 --> 00:20:33,490 COACH BAKER DOES APPRECIATE ME, DAD. 503 00:20:33,490 --> 00:20:35,560 I THINK YOU MEAN MR. BAKER. 504 00:20:35,560 --> 00:20:37,960 AT BEST, HE SAW YOU AS A BACKUP 505 00:20:37,960 --> 00:20:40,270 TO HIS GOLDEN BOY SPENCER. 506 00:20:40,270 --> 00:20:41,400 I TOLD YOU IT WAS ONLY A MATTER OF TIME 507 00:20:41,400 --> 00:20:42,670 BEFORE HE SCREWED UP. 508 00:20:42,670 --> 00:20:45,500 YOU KNOW, HE DIDN'T SCREW UP. I DID. 509 00:20:48,110 --> 00:20:50,240 BLAKE: WELL, IF IT AIN'T THE QUARTERBACK WITHOUT A TEAM. 510 00:20:50,240 --> 00:20:52,040 YO, WHAT DID YOU SAY TO ME? 511 00:20:52,040 --> 00:20:53,650 AND STOP TRYING TO STEAL OUR PLAYERS, DAWG. 512 00:20:53,650 --> 00:20:55,650 HEY, HEY, EASY, D., ALL RIGHT? EASY. 513 00:20:55,650 --> 00:20:57,250 YEAH, D. EASY. 514 00:20:57,250 --> 00:20:58,650 YO, WE DIDN'T STEAL ANYTHING. 515 00:20:58,650 --> 00:21:00,190 YOUR BOY CAM CAME BEGGING US 516 00:21:00,190 --> 00:21:01,650 TO GET HIM OUT OF CRENSHAW. 517 00:21:01,650 --> 00:21:04,390 HE CALLS IT PULLING A SPENCER. 518 00:21:04,390 --> 00:21:06,990 ARE YOU GONNA TAKE THAT? 519 00:21:06,990 --> 00:21:08,930 I GUESS YOU DON'T STAND UP TO NOBODY NO MORE. 520 00:21:08,930 --> 00:21:10,130 OH, YOU GOT TO CHILL, MAN. 521 00:21:10,130 --> 00:21:11,530 I AS. I WAS CHILLING IN NEVADA 522 00:21:11,530 --> 00:21:13,030 TILL COREY MADE ME LEAVE. 523 00:21:13,030 --> 00:21:14,400 THEN HE DIED AND LEFT ME. 524 00:21:14,400 --> 00:21:16,270 SHOULD'VE GONE WITH MY MOM. 525 00:21:16,270 --> 00:21:18,440 MY ASS COULD'VE BEEN IN GERMANY RIGHT NOW 526 00:21:18,440 --> 00:21:20,040 MOWING DOWN BRATWURST. 527 00:21:20,040 --> 00:21:21,570 IT'S NOT LIKE I GOT A TEAM TO PLAY FOR, EH? 528 00:21:21,570 --> 00:21:23,210 YOU DO GOT A TEAM, ALL RIGHT? 529 00:21:23,210 --> 00:21:25,040 I KNOW THOSE GUYS. THEY'RE JUST FRUSTRATED. 530 00:21:25,040 --> 00:21:26,950 TALK TO THEM. "TALK TO THEM"? 531 00:21:26,950 --> 00:21:29,280 AND SAY WHAT, "HEY, I KNOW I'M THE NEW KID 532 00:21:29,280 --> 00:21:31,180 IN TOWN, BUT YOU SHOULD LISTEN TO ME, ANYWAY"? 533 00:21:31,180 --> 00:21:32,690 I COULDN'T EVEN GET THEM TO COME TO THIS PARTY. 534 00:21:32,690 --> 00:21:34,220 I NEVER SAID THIS WAS GONNA BE EASY, 535 00:21:34,220 --> 00:21:36,020 ALL RIGHT, BUT WE'RE GONNA FIGURE IT OUT. 536 00:21:36,020 --> 00:21:38,090 RIGHT. WE. 537 00:21:38,090 --> 00:21:40,230 YO, YOU CAN'T EVEN FIX YOUR OWN PROBLEM. 538 00:21:40,230 --> 00:21:42,030 YOU CAN TAKE ANOTHER BULLET AND STILL BE 539 00:21:42,030 --> 00:21:43,700 THE BEST PLAYER ON THE FIELD, BUT YOU WON'T DO 540 00:21:43,700 --> 00:21:45,560 WHATEVER IT TAKES TO GET BACK OUT THERE. 541 00:21:45,560 --> 00:21:47,330 YOU NEED TO STOP WORRYING ABOUT YOUR COACH'S FEELINGS 542 00:21:47,330 --> 00:21:49,070 AND START WORRYING ABOUT YOURS. 543 00:21:49,070 --> 00:21:52,240 IT'S NOT LIKE ANYBODY ELSE IS LOOKING OUT FOR US. 544 00:22:07,320 --> 00:22:09,720 HEY, ATHLETIC DIRECTOR HART, 545 00:22:09,720 --> 00:22:13,490 IT'S SPENCER JAMES. 546 00:22:20,630 --> 00:22:23,470 SEE YOU AT THE GAME, SPENCE. 547 00:22:23,470 --> 00:22:26,000 ACTUALLY, YOU'RE GONNA SEE ME IN THE GAME, COACH. 548 00:22:26,000 --> 00:22:27,610 SAY WHAT? 549 00:22:27,610 --> 00:22:29,070 A.D. HART CLEARED ME TO PLAY, 550 00:22:29,070 --> 00:22:30,880 THOUGHT YOU SHOULD HEAR IT FROM ME FIRST. 551 00:22:30,880 --> 00:22:33,880 FOR REAL? WHEN DID HE CLEAR YOU? 552 00:22:33,880 --> 00:22:35,880 I TALKED TO HIM LAST NIGHT. LOOK. 553 00:22:35,880 --> 00:22:37,620 I DIDN'T MEAN TO GO OVER YOUR HEAD, 554 00:22:37,620 --> 00:22:39,080 BUT YOU DIDN'T GIVE ME MUCH CHOICE. 555 00:22:39,080 --> 00:22:41,750 LOOK. I THINK YOU'RE MAKING A MISTAKE HERE, SON. 556 00:22:41,750 --> 00:22:43,560 HE AIN'T THINKING ABOUT YOUR FUTURE. 557 00:22:43,560 --> 00:22:45,520 MAYBE NOT, BUT THAT'S ALL I'M THINKING ABOUT. 558 00:22:45,520 --> 00:22:47,490 LAST TIME YOU PLAYED, YOUR ARM WENT NUMB. 559 00:22:47,490 --> 00:22:48,790 WHAT IF SOMETHING WORSE HAPPENS? 560 00:22:48,790 --> 00:22:50,030 I NEED YOU TO TRUST ME ON THIS. 561 00:22:50,030 --> 00:22:51,900 WHY WERE YOU SUSPENDED? 562 00:22:51,900 --> 00:22:53,570 WE AIN'T TALKING ABOUT THAT RIGHT NOW. 563 00:22:53,570 --> 00:22:55,700 I'M SORRY, COACH, 564 00:22:55,700 --> 00:23:00,510 BUT TRUST'S SUPPOSED TO WORK BOTH WAYS, RIGHT? 565 00:23:00,510 --> 00:23:03,080 WISH ME LUCK. 566 00:23:11,050 --> 00:23:13,790 ♪ GET GONE, GET GONE, WHAT'S UP? ♪ 567 00:23:13,790 --> 00:23:16,660 MAN, ON P.A.: WELCOME TO THE DIAMOND 7-ON-7 568 00:23:16,660 --> 00:23:18,460 FOOTBALL LEAGUE JAMBOREE. 569 00:23:18,460 --> 00:23:20,660 THIS IS A DOUBLE-ELIMINATION TOURNAMENT 570 00:23:20,660 --> 00:23:23,000 WITH THE BEST TEAMS FROM SOUTHERN CALIFORNIA. 571 00:23:23,000 --> 00:23:25,730 HAVE YOU THOUGHT ANY MORE ABOUT MY DAD'S OFFER? 572 00:23:25,730 --> 00:23:28,200 WELL, WHAT'S UP, LAYLA? GOOD TO SEE YOU, TOO. 573 00:23:28,200 --> 00:23:29,970 SORRY. I JUST-- 574 00:23:29,970 --> 00:23:31,470 I KNOW YOU HATE SMALL TALK. 575 00:23:31,470 --> 00:23:32,740 VERY TRUE. 576 00:23:32,740 --> 00:23:33,940 IT'S CRAZY THAT I'M EVEN CONSIDERING 577 00:23:33,940 --> 00:23:35,210 SAYING NO, RIGHT? 578 00:23:35,210 --> 00:23:37,210 NOT NECESSARILY. WHY ARE YOU? 579 00:23:37,210 --> 00:23:41,080 LOT OF REASONS-- PATIENCE, FOR ONE-- 580 00:23:41,080 --> 00:23:43,720 AND WHAT IF ME AND YOUR DAD JUST DON'T MIX? 581 00:23:43,720 --> 00:23:45,220 LIKE, HE CAME AROUND EVENTUALLY, 582 00:23:45,220 --> 00:23:47,890 BUT HE WAS NOT EXACTLY FEELING ME AT FIRST. 583 00:23:47,890 --> 00:23:49,590 YEAH, AND THEN YOU SOLD HIM 584 00:23:49,590 --> 00:23:51,560 BECAUSE YOU'D SELL ANYONE. 585 00:23:51,560 --> 00:23:53,630 YOU'RE THE REAL DEAL, COOP. 586 00:23:53,630 --> 00:23:56,230 WHAT DO I KNOW ABOUT SIGNING A BIG CONTRACT? 587 00:23:56,230 --> 00:23:57,830 I MESS AROUND, CHECK THE WRONG BOX, 588 00:23:57,830 --> 00:23:59,600 I HAVE TO RAP NAKED OR SOMETHING. 589 00:23:59,600 --> 00:24:01,770 OK. I WILL LOOK AT THE CONTRACT FOR YOU 590 00:24:01,770 --> 00:24:03,240 AND MAKE SURE YOU GET 591 00:24:03,240 --> 00:24:05,600 THE BEST FULLY CLOTHED DEAL POSSIBLE. 592 00:24:05,600 --> 00:24:07,710 SO YOU THINK I SHOULD TAKE THE DEAL. 593 00:24:07,710 --> 00:24:10,280 I WANT WHAT'S BEST FOR YOU, 594 00:24:10,280 --> 00:24:12,510 AND, EVEN THOUGH I WOULD REALLY MISS 595 00:24:12,510 --> 00:24:15,280 WORKING WITH YOU, I THINK YOU SHOULD TAKE THE DEAL. 596 00:24:15,280 --> 00:24:17,580 YOU'RE TOO GOOD NOT TO. 597 00:24:17,580 --> 00:24:21,120 IT WOULD BE LIKE SPENCER NOT PLAYING FOOTBALL. 598 00:24:28,060 --> 00:24:30,600 BILLY, HOLD UP A SECOND. 599 00:24:32,730 --> 00:24:35,300 I WANTED TO THANK YOU FOR HELPING ASHER 600 00:24:35,300 --> 00:24:37,600 WITH HIS... LITTLE PROBLEM. 601 00:24:37,600 --> 00:24:39,000 OH. WELL, HE'S A GOOD KID. 602 00:24:39,000 --> 00:24:41,270 I--I JUST WISH I COULD HELP HIM OUT 603 00:24:41,270 --> 00:24:44,780 WITH HIS BIG PROBLEM. 604 00:24:44,780 --> 00:24:47,610 DON'T JUDGE ME, BAKER. 605 00:24:47,610 --> 00:24:49,310 MAYBE I SHOULD ASK YOUR WIFE 606 00:24:49,310 --> 00:24:51,920 HOW PERFECT YOU ARE. 607 00:24:55,020 --> 00:24:57,190 DO YOU KNOW WHY ASHER PUSHES HIMSELF SO HARD? 608 00:24:57,190 --> 00:24:58,660 BECAUSE HE LOVES FOOTBALL, 609 00:24:58,660 --> 00:24:59,890 WHEN YOU LET HIM PLAY, ANYWAY. 610 00:24:59,890 --> 00:25:01,760 NO. HE PLAYS BECAUSE HE LOVES IT. 611 00:25:01,760 --> 00:25:04,160 HE ALMOST KILLS HIMSELF BECAUSE YOU LOVE IT. 612 00:25:04,160 --> 00:25:06,100 WHY DO YOU THINK HIS LITTLE PROBLEM EVEN STARTED? 613 00:25:06,100 --> 00:25:07,630 SO IT'S MY FAULT NOW? 614 00:25:07,630 --> 00:25:09,840 ALL HE WANTS TO DO IS MAKE YOU PROUD, 615 00:25:09,840 --> 00:25:11,840 BUT NOTHING HE DOES IS GOOD ENOUGH. 616 00:25:11,840 --> 00:25:13,940 ASHER IS A GREAT PLAYER ON THE FIELD. 617 00:25:13,940 --> 00:25:15,910 HE'S AN EVEN BETTER MAN OFF OF IT. 618 00:25:15,910 --> 00:25:18,910 START PAYING ATTENTION. 619 00:25:20,650 --> 00:25:22,080 ALL RIGHT. LET'S GET IT, FELLAS. 620 00:25:22,080 --> 00:25:23,920 THEY AIN'T GOT NOTHING ON US, ALL RIGHT? 621 00:25:23,920 --> 00:25:25,320 AND DON'T THINK ABOUT HOW COOL THEY LOOKED 622 00:25:25,320 --> 00:25:27,190 IN THEIR SMOKING JACKETS OR HOW THAT HOT GIRL 623 00:25:27,190 --> 00:25:29,920 YOU TALKED TO ALL NIGHT WENT HOME WITH NUMBER 8. 624 00:25:29,920 --> 00:25:32,690 ASHER: WORST PEP TALK EVER, MAN. 625 00:25:32,690 --> 00:25:33,860 OH, YEAH? WHAT IF I SAID-- 626 00:25:33,860 --> 00:25:35,660 DON'T TRY TO TOP IT. 627 00:25:35,660 --> 00:25:37,200 JUST BECAUSE WE GOT KILLED LAST TIME COACH BAKER 628 00:25:37,200 --> 00:25:39,600 WASN'T HERE, DOESN'T MEAN IT HAS TO HAPPEN AGAIN. 629 00:25:39,600 --> 00:25:41,700 HE TOPPED IT. LET'S GO. 630 00:25:41,700 --> 00:25:43,340 PHILIP JACOBS: ♪ BETTER SOUND THE ALARM ♪ 631 00:25:43,340 --> 00:25:45,200 ♪ BETTER SOUND THE ALARM... ♪ 632 00:25:46,740 --> 00:25:48,940 HEY, SAW SIMONE IN THE STANDS. 633 00:25:48,940 --> 00:25:50,840 SHE HERE FOR ME OR YOU? 634 00:25:50,840 --> 00:25:52,140 HA! 635 00:25:52,140 --> 00:25:53,350 LET'S GO. 59 Z MITE. 636 00:25:53,350 --> 00:25:56,210 DOWN. SET. ARGH... HEY. HUT. HUT. 637 00:25:56,210 --> 00:25:58,350 JACOBS: ♪ GONNA GET OUT OF MY ZONE AND OUT MY WAY ♪ 638 00:25:58,350 --> 00:26:00,250 ♪ OUT MY WAY ♪ 639 00:26:00,250 --> 00:26:02,090 ♪ HEAD HARDER THAN SOME STONE, AND I WON'T BREAK ♪ 640 00:26:02,090 --> 00:26:03,720 ♪ I WON'T BREAK ♪ 641 00:26:03,720 --> 00:26:05,160 ♪ LOOKING AT A MAN WHO... ♪ 642 00:26:05,160 --> 00:26:07,130 DANE: YEAH. SHE ONLY LIKES GUYS WHO SCORE SO... 643 00:26:07,130 --> 00:26:08,230 HEY, MAN, WHAT DID YOU SAY? 644 00:26:08,230 --> 00:26:10,100 HEY, HEY, HEY, HEY, 645 00:26:10,100 --> 00:26:11,260 HE'S JUST TRYING TO GET UNDER YOUR SKIN, ALL RIGHT? 646 00:26:11,260 --> 00:26:13,270 DON'T LET HIM. COME ON. 647 00:26:13,270 --> 00:26:15,270 JACOBS: ♪ TAKING OFF HEADS, AND I THROW THEM FOR THE CEILING ♪ 648 00:26:15,270 --> 00:26:17,240 ♪ PIGGIES IN A BLANKET, DON'T FEAR, KEEP IT SWILLING ♪ 649 00:26:17,240 --> 00:26:19,240 ♪ PREPARED FOR THE SCARE, NOT MESS WITH THE VILLAINS ♪ 650 00:26:19,240 --> 00:26:21,010 ♪ THREAT TO BE THE BEST, I DON'T CARE ABOUT OPINIONS ♪ 651 00:26:21,010 --> 00:26:22,970 ♪ EXCEPT THAT THE LAST'S GONNA TEST LIKE ACRYLIC ♪ 652 00:26:22,970 --> 00:26:24,180 ♪ CALL SUDDEN DEATH, SMITH-WESSON WHEN I SPIT IT ♪ 653 00:26:24,180 --> 00:26:25,710 ♪ CLOSE IN A PINCH LIKE... ♪ 654 00:26:30,120 --> 00:26:32,580 HIKE, HIKE. 655 00:26:33,920 --> 00:26:34,990 AGH... 656 00:26:39,860 --> 00:26:42,790 DANE: HEY, YOU WANT TO MAKE THIS INTERESTING? 657 00:26:42,790 --> 00:26:46,130 LOSER DRIVES WINNER TO SIMONE'S HOTEL. 658 00:26:46,130 --> 00:26:48,070 ALL RIGHT. LET'S WIPE THE SMILE OFF THIS GUY'S FACE. 659 00:26:48,070 --> 00:26:50,000 ASH, HOW'S YOUR ARM? 660 00:26:50,000 --> 00:26:52,640 SET. 661 00:26:56,740 --> 00:26:58,340 THAT'S FOR SIMONE. 662 00:26:58,340 --> 00:26:59,610 AGH! 663 00:27:03,420 --> 00:27:05,950 WAAH HA HA HA! 664 00:27:05,950 --> 00:27:07,350 I GOT IT. I GOT IT. 665 00:27:08,690 --> 00:27:10,020 PERSONAL FOUL. 666 00:27:10,020 --> 00:27:12,360 UNSPORTSMANLIKE CONDUCT ON NUMBER ONE. 667 00:27:12,360 --> 00:27:14,190 THE TOUCHDOWN IS NO GOOD. 668 00:27:14,190 --> 00:27:17,160 WILDCATS WIN. GAME OVER. 669 00:27:17,160 --> 00:27:18,930 HEY... 670 00:27:18,930 --> 00:27:20,700 OOF! 671 00:27:40,550 --> 00:27:42,620 THANK YOU, JORDAN. 672 00:27:42,620 --> 00:27:45,520 AFTER YOUR FIGHT WITH DANE, 673 00:27:45,520 --> 00:27:47,560 HE'S ADMITTED TO BEING THE FATHER 674 00:27:47,560 --> 00:27:49,530 AND PROMISED TO TAKE CARE OF US FOREVER. 675 00:27:49,530 --> 00:27:51,030 WELL, I'M GLAD I COULD HELP, SIMONE. 676 00:27:51,030 --> 00:27:52,230 WHAT WERE YOU THINKING? 677 00:27:52,230 --> 00:27:53,530 I DON'T KNOW, OK? 678 00:27:53,530 --> 00:27:55,030 I GUESS I JUST WANTED HIM TO FEEL SOME 679 00:27:55,030 --> 00:27:56,570 OF THE PAIN HE WAS PUTTING YOU THROUGH. 680 00:27:56,570 --> 00:27:58,270 OH, AND I'M SUPPOSED TO BELIEVE YOU DID THAT 681 00:27:58,270 --> 00:28:00,500 AS A FRIEND? 682 00:28:00,500 --> 00:28:02,310 I LIKE YOU. 683 00:28:02,310 --> 00:28:05,380 IS THAT REALLY SUCH A BAD THING? 684 00:28:05,380 --> 00:28:07,410 YES. 685 00:28:07,410 --> 00:28:10,150 JORDAN, MY LIFE IS A MESS AS IT IS, 686 00:28:10,150 --> 00:28:12,420 AND I DON'T NEED YOU COMING TO MY RESCUE, 687 00:28:12,420 --> 00:28:15,450 SO JUST GO LIVE YOUR LIFE AND STAY OUT OF MINE. 688 00:28:21,430 --> 00:28:23,190 WHA-- YEAH. 689 00:28:23,190 --> 00:28:24,600 WELL, YOU WERE RIGHT, LIV. 690 00:28:24,600 --> 00:28:27,060 I SHOULD'VE JUST STAYED OUT OF IT. 691 00:28:27,060 --> 00:28:28,400 SIMONE DOESN'T CARE ABOUT ME. 692 00:28:28,400 --> 00:28:30,130 SHE DOESN'T EVEN LIKE ME. 693 00:28:30,130 --> 00:28:32,140 GO AHEAD AND CALL ME STUPID. 694 00:28:32,140 --> 00:28:35,140 WELL, I CAN NEVER PASS THAT CHANCE UP. 695 00:28:35,140 --> 00:28:37,410 SHE OBVIOUSLY LIKES YOU. YES. 696 00:28:37,410 --> 00:28:40,080 IF SHE DIDN'T, SHE WOULD'VE KEPT USING YOU, 697 00:28:40,080 --> 00:28:42,080 BUT INSTEAD, SHE'S TRYING TO HANDLE IT ALL ALONE 698 00:28:42,080 --> 00:28:45,320 SO THAT YOU DON'T GET HURT, STUPID. 699 00:28:47,480 --> 00:28:49,450 AND THERE IT IS. LISTEN. 700 00:28:49,450 --> 00:28:51,690 I KNOW YOU WANT TO HELP HER, 701 00:28:51,690 --> 00:28:54,090 BUT THERE'S REALLY NOTHING THAT YOU CAN DO. 702 00:28:54,090 --> 00:28:56,190 YOU'RE NOT HER FAMILY, AND RIGHT NOW, 703 00:28:56,190 --> 00:28:58,060 THAT'S WHO SHE NEEDS THE MOST... 704 00:28:59,560 --> 00:29:02,500 JUST LIKE YOU NEED ME. 705 00:29:02,500 --> 00:29:03,570 WHAT ARE YOU DOING? 706 00:29:03,570 --> 00:29:05,740 GIVE ME A HUG. NO. 707 00:29:05,740 --> 00:29:06,740 COME ON. GIVE ME A HUG. 708 00:29:06,740 --> 00:29:07,740 HA HA HA! COME ON. 709 00:29:07,740 --> 00:29:08,770 JUST LET IT HAPPEN. 710 00:29:08,770 --> 00:29:10,610 GET OFF OF ME. STOP IT. 711 00:29:14,710 --> 00:29:17,210 DAD, WHAT ARE YOU DOING HERE? 712 00:29:17,210 --> 00:29:18,720 I'M HERE BECAUSE OF ASHER. 713 00:29:21,520 --> 00:29:25,720 ACTUALLY, HE WAS SUSPENDED BECAUSE OF ME. 714 00:29:25,720 --> 00:29:28,190 COACH CAUGHT ME USING STEROIDS, 715 00:29:28,190 --> 00:29:30,330 AND HE COULD'VE TURNED ME IN, 716 00:29:30,330 --> 00:29:31,730 BUT HE HELPED ME GET CLEAN, 717 00:29:31,730 --> 00:29:33,200 AND HE TOOK THE BLAME INSTEAD. 718 00:29:33,200 --> 00:29:35,330 STEROIDS, ASH? REALLY? 719 00:29:35,330 --> 00:29:38,200 WISH I COULD SAY I WAS DOING IT FOR THE TEAM, MAN. 720 00:29:38,200 --> 00:29:40,270 I WANTED US TO WIN, NO MATTER THE COST, 721 00:29:40,270 --> 00:29:42,740 BUT THE TRUTH IS, I WAS ONLY LOOKING OUT FOR MYSELF. 722 00:29:42,740 --> 00:29:46,880 I WANTED TO BE BETTER THAN EVERYONE, 723 00:29:46,880 --> 00:29:49,480 NO MATTER WHAT THE COST. 724 00:29:51,480 --> 00:29:54,250 YO, SHUT UP, GUYS, ALL RIGHT? 725 00:29:54,250 --> 00:29:55,890 LOOK. WE ALL MAKE MISTAKES. 726 00:29:55,890 --> 00:29:58,360 SINCE WHEN DON'T WE HAVE EACH OTHER'S BACKS? 727 00:29:58,360 --> 00:30:00,620 NO. IT'S COOL, MAN. THEY SHOULD BE ANGRY. 728 00:30:00,620 --> 00:30:02,660 I WOULD BE. I'M TEAM CAPTAIN. 729 00:30:02,660 --> 00:30:04,900 I'M SUPPOSED TO LEAD BY EXAMPLE. 730 00:30:04,900 --> 00:30:08,370 I LET YOU ALL DOWN, AND I'M SORRY. 731 00:30:08,370 --> 00:30:10,500 I CONFESSED TO PRINCIPAL LONDON. 732 00:30:10,500 --> 00:30:12,170 SO YOU OFF THE TEAM? 733 00:30:12,170 --> 00:30:13,900 SUSPENDED INDEFINITELY. 734 00:30:13,900 --> 00:30:15,910 ALL THAT MATTERS IS, COACH IS BACK. 735 00:30:15,910 --> 00:30:17,570 YOU GUYS NEED SOMEONE WHO CARES MORE 736 00:30:17,570 --> 00:30:19,910 ABOUT YOU THAN HIMSELF, SO... 737 00:30:19,910 --> 00:30:22,380 THANKS, COACH. 738 00:30:27,180 --> 00:30:29,790 GIVE THEM HELL, BOYS. 739 00:30:33,720 --> 00:30:36,260 OK. BACK TO BUSINESS, 740 00:30:36,260 --> 00:30:40,260 WE ARE GOING TO FORGET THAT TOTALLY AVOIDABLE LOSS. 741 00:30:40,260 --> 00:30:41,700 WANT Y'ALL TO FINISH SUITING UP. 742 00:30:41,700 --> 00:30:43,870 I WILL BE BACK WITH A NEW GAME PLAN. 743 00:30:43,870 --> 00:30:47,340 SPOILER ALERT-- IT INVOLVES WINNING. 744 00:30:47,340 --> 00:30:49,410 SPENCE, CAN I GET A WORD? 745 00:30:53,840 --> 00:30:56,350 HAVE A SEAT. 746 00:30:57,950 --> 00:30:59,720 SO I'M GUESSING I'M BENCHED. 747 00:30:59,720 --> 00:31:01,320 NOW, WHY WOULD YOU THINK THAT, 748 00:31:01,320 --> 00:31:02,620 BECAUSE YOU REFUSED TO LISTEN TO ME 749 00:31:02,620 --> 00:31:03,950 AND THEN WENT BEHIND MY BACK 750 00:31:03,950 --> 00:31:05,560 TO GET YOUR OWN WAY? 751 00:31:05,560 --> 00:31:07,590 YEAH, PRETTY MUCH. LOOK. 752 00:31:07,590 --> 00:31:09,230 I REALLY DON'T WANT TO LOSE 753 00:31:09,230 --> 00:31:10,690 MY TWO BEST RECEIVERS IN THE SAME DAY, 754 00:31:10,690 --> 00:31:14,630 BUT I CAN'T HAVE YOU PLAYING THIS WAY, 755 00:31:14,630 --> 00:31:16,830 SO I'M GONNA HAVE YOU PUT THIS ON 756 00:31:16,830 --> 00:31:19,470 TO PROTECT YOUR SHOULDER. 757 00:31:22,240 --> 00:31:23,870 WON'T THIS LIMIT MY REACH? 758 00:31:23,870 --> 00:31:26,240 NOT AS MUCH AS SITTING ON THE BENCH WILL. 759 00:31:26,240 --> 00:31:27,740 I THINK THE BRACE IS GREAT. 760 00:31:27,740 --> 00:31:29,510 LOOK. WE'LL DESIGN PLAYS AROUND IT, 761 00:31:29,510 --> 00:31:31,980 AND, WELL, YOU'RE JUST GONNA HAVE TO TRUST ME. 762 00:31:31,980 --> 00:31:34,620 YES, SIR. 763 00:31:35,920 --> 00:31:37,790 WELCOME BACK, COACH. 764 00:31:42,490 --> 00:31:45,000 HEY. WHAT'S UP? 765 00:31:45,000 --> 00:31:47,600 SORRY I'M LATE. THIS PLACE IS LIKE A MAZE. 766 00:31:47,600 --> 00:31:48,800 WHAT'D I MISS? 767 00:31:48,800 --> 00:31:50,000 MAN, NOTHING MUCH. 768 00:31:50,000 --> 00:31:51,640 BEVERLY LOST THEIR FIRST GAME, 769 00:31:51,640 --> 00:31:54,370 AND J.P. WANTS TO SIGN ME. 770 00:31:54,370 --> 00:31:55,870 WAIT. FOR REAL? 771 00:31:55,870 --> 00:31:57,610 OH, THEY LOOKED BAD. 772 00:31:57,610 --> 00:31:58,880 LIKE, I'M HOPING THEY CAN TURN IT AROUND. 773 00:31:58,880 --> 00:32:00,480 COOP. 774 00:32:00,480 --> 00:32:02,010 HE TOLD ME LAST NIGHT AT THE PARTY. 775 00:32:02,010 --> 00:32:03,480 WHAT? THAT'S HUGE. 776 00:32:03,480 --> 00:32:05,020 OH, MY GOD, CONGRATULATIONS. 777 00:32:05,020 --> 00:32:06,480 LIKE, WHY ARE YOU JUST TELLING ME RIGHT NOW? 778 00:32:06,480 --> 00:32:07,650 LOOK. I PROMISED I WOULDN'T LET MUSIC 779 00:32:07,650 --> 00:32:09,390 COME BETWEEN US AGAIN, ALL RIGHT, 780 00:32:09,390 --> 00:32:10,690 AND IF I SAY YES, THAT MEANS WE GO ON TOUR TOGETHER, 781 00:32:10,690 --> 00:32:12,420 WHICH ALSO MEANS WE'LL BE COMPETING 782 00:32:12,420 --> 00:32:14,360 FOR J.P.'s ATTENTION EVERY NIGHT. 783 00:32:14,360 --> 00:32:16,030 WHY? YOU SAID NOTHING WOULD MAKE YOU HAPPIER 784 00:32:16,030 --> 00:32:17,560 THAN SEEING ME BLOW UP, RIGHT? 785 00:32:17,560 --> 00:32:18,930 YEAH. 786 00:32:18,930 --> 00:32:20,500 AND I FEEL THE SAME WAY ABOUT YOU, 787 00:32:20,500 --> 00:32:21,800 AND I'M SURE J.P. FEELS THAT WAY 788 00:32:21,800 --> 00:32:22,900 ABOUT EVERY ARTIST ON HIS LABEL. 789 00:32:22,900 --> 00:32:24,500 AND THAT'S ANOTHER THING. 790 00:32:24,500 --> 00:32:25,770 LAST TIME LAYLA BROUGHT ME INTO THE STUDIO, 791 00:32:25,770 --> 00:32:26,770 IT DIDN'T EXACTLY WORK OUT, ALL RIGHT, 792 00:32:26,770 --> 00:32:27,970 AND YOU KNOW ME. 793 00:32:27,970 --> 00:32:29,640 I'M MY BEST WHEN I CAN BE MYSELF, 794 00:32:29,640 --> 00:32:31,940 AND WHAT IF J.P. TRIES TO CHANGE ME? 795 00:32:31,940 --> 00:32:34,380 YOU KNOW, YOU JUST GOT TO BE UP FRONT WITH HIM, 796 00:32:34,380 --> 00:32:36,510 AND, AS MUCH AS I WOULD LOVE TO TRAVEL THE COUNTRY 797 00:32:36,510 --> 00:32:38,680 WITH YOU, I WOULDN'T WANT YOU TO SIGN 798 00:32:38,680 --> 00:32:41,080 WITH ANYBODY WHO DOESN'T LOVE YOU FOR YOU. 799 00:32:41,080 --> 00:32:43,520 IT WOULD BE COOL TO GO ON TOUR TOGETHER. 800 00:32:43,520 --> 00:32:45,960 YES. IT WOULD, BUT YOU ARE STILL 801 00:32:45,960 --> 00:32:47,520 NOT TAKING YOUR SONG BACK. 802 00:32:47,520 --> 00:32:48,690 GOOD STUFF. 803 00:32:56,530 --> 00:32:58,600 I NEVER GOT ALONG WITH MY FATHER. 804 00:32:58,600 --> 00:33:01,710 HE WAS TOO DEMANDING, DIDN'T LISTEN. 805 00:33:01,710 --> 00:33:05,610 PROMISED MYSELF I'D NEVER BE LIKE THAT. 806 00:33:05,610 --> 00:33:08,550 I GUESS I BROKE THAT PROMISE, HUH? 807 00:33:08,550 --> 00:33:10,550 I'VE BROKEN A FEW MYSELF LATELY. 808 00:33:10,550 --> 00:33:13,820 I NEVER WANT YOU FEELING LIKE YOU'RE NOT GOOD ENOUGH. 809 00:33:13,820 --> 00:33:16,420 YOU ARE. 810 00:33:16,420 --> 00:33:18,560 I KNOW I LET YOU DOWN. NO. 811 00:33:18,560 --> 00:33:23,090 WHAT YOU DID TODAY TOOK GUTS, 812 00:33:23,090 --> 00:33:25,360 MORE THAN I EVER HAD. 813 00:33:25,360 --> 00:33:27,360 I'M PROUD OF YOU. 814 00:33:39,980 --> 00:33:42,050 ALL RIGHT, GENTLEMEN. HERE WE GO. 815 00:33:42,050 --> 00:33:44,450 ALL WE GOT TO DO IS FOLLOW THIS GAME PLAN, 816 00:33:44,450 --> 00:33:46,120 WE'LL BE CELEBRATING TONIGHT. 817 00:33:46,120 --> 00:33:49,150 WE'LL USE MOTIONS AND SHIFTS TO KEEP THE DEFENSE OFF BALANCE. 818 00:33:49,150 --> 00:33:51,860 WIDE 35. HEY. 819 00:33:56,460 --> 00:33:58,500 BILLY, VOICE-OVER: WE'LL SLIDE SPENCER OFF THE SLOT, 820 00:33:58,500 --> 00:34:00,600 HIT QUICK SCREENS. 821 00:34:05,940 --> 00:34:07,900 OH. 822 00:34:07,900 --> 00:34:09,770 MAN: ♪ YOU'RE ABOUT TO FEEL THE POWER OF A PHENOM ♪ 823 00:34:09,770 --> 00:34:11,610 BILLY, VOICE-OVER: Y'ALL KNOW THE DEAL-- 824 00:34:11,610 --> 00:34:13,140 QUICK STOPS AT THE STICKS. 825 00:34:13,140 --> 00:34:15,480 BEND THEM TILL THEY BREAK. 826 00:34:17,880 --> 00:34:19,420 BILLY, VOICE-OVER: Y'ALL GOT SOMETHING RIGHT HERE 827 00:34:19,420 --> 00:34:21,080 NOT A LOT OF TEAMS EVER GET. 828 00:34:21,080 --> 00:34:24,620 IT'S CALLED A SECOND CHANCE. WESTLAKE DIDN'T BEAT US. 829 00:34:24,620 --> 00:34:26,890 WE BEAT OURSELVES, BUT Y'ALL KNOW THAT. 830 00:34:26,890 --> 00:34:30,190 THE QUESTION IS, ARE WE GONNA LET THAT HAPPEN AGAIN? 831 00:34:30,190 --> 00:34:31,330 N'UH-UH. I CAN HEAR YOU. 832 00:34:31,330 --> 00:34:33,660 THE QUESTION IS, ARE WE GONNA LET THAT HAPPEN AGAIN? 833 00:34:33,660 --> 00:34:34,200 NO, SIR. NO, SIR. 834 00:34:34,200 --> 00:34:34,660 ARE WE? 835 00:34:34,660 --> 00:34:35,000 NO, SIR. NO, SIR. 836 00:34:35,000 --> 00:34:35,470 ARE WE? 837 00:34:35,470 --> 00:34:36,530 NO, SIR. NO, SIR. 838 00:34:36,530 --> 00:34:37,230 GET IT DONE. 839 00:34:37,230 --> 00:34:37,830 YOU KNOW, "BEVERLY" ON 3. 840 00:34:37,830 --> 00:34:39,040 "BEVERLY" ON ME. 1, 2, 3. 841 00:34:39,040 --> 00:34:40,200 BEVERLY! BEVERLY! 842 00:34:40,200 --> 00:34:42,210 ASHER: WHOO! COME ON, BEVERLY! 843 00:34:42,210 --> 00:34:44,410 OH, YOU GOT THIS! 844 00:34:48,110 --> 00:34:51,210 HEY, LET'S SEE THAT TRICK CRAP AGAIN, HUH? 845 00:34:51,210 --> 00:34:54,450 NAH. WE'RE JUST GONNA BEAT YOU HEAD ON THIS TIME. 846 00:34:54,450 --> 00:34:58,790 HEY, WIDE 8. WIDE 8. SET. 847 00:35:02,930 --> 00:35:04,530 UHH! 848 00:35:07,530 --> 00:35:08,930 WIDE 9. 849 00:35:12,240 --> 00:35:13,800 UH! 850 00:35:17,710 --> 00:35:19,540 OK. 851 00:35:19,540 --> 00:35:22,580 JORDAN: OK. ONE TOUCHDOWN, THE GAME IS OURS, BOYS. 852 00:35:22,580 --> 00:35:23,810 AW, STATE CHAMPS. YEAH. 853 00:35:23,810 --> 00:35:24,980 NOT NOW, J.J. 854 00:35:24,980 --> 00:35:26,550 YO, WE GOT TO SWITCH THINGS UP. 855 00:35:26,550 --> 00:35:27,850 I'VE BEEN CATCHING SHORT PASSES ALL DAY. 856 00:35:27,850 --> 00:35:29,150 THEY ALREADY KNOW WHAT'S COMING. 857 00:35:29,150 --> 00:35:30,690 LET ME GO DEEP. I CAN BURN THEM. 858 00:35:30,690 --> 00:35:31,860 I JUST GOT TO LOOSEN MY BRACE. COME ON. 859 00:35:31,860 --> 00:35:33,560 NO. STICK TO THE PLAN, ALL RIGHT? 860 00:35:33,560 --> 00:35:34,960 IF YOU GET HURT, I'LL NEVER LIVE IT DOWN. 861 00:35:34,960 --> 00:35:36,760 I GOT A UCLA RECRUITER IN THE STANDS, MAN. 862 00:35:36,760 --> 00:35:39,100 YOU WANT TO WIN, RIGHT? LET ME LOOSEN MY BRACE. 863 00:35:39,100 --> 00:35:41,730 OK. FINE. FINE. 864 00:35:41,730 --> 00:35:43,900 I'LL GIVE YOU ONE, BUT I'M NOT GONNA RISK IT AGAIN. 865 00:35:43,900 --> 00:35:45,700 ONE'S ALL I NEED. 866 00:35:45,700 --> 00:35:47,170 ALL RIGHT. Z SPOT 725. 867 00:35:47,170 --> 00:35:49,140 STOP AND GO ON ONE ON ONE. 868 00:35:49,140 --> 00:35:50,710 READY? BREAK. 869 00:35:50,710 --> 00:35:51,910 HERE WE GO. 870 00:35:53,010 --> 00:35:56,650 SHIFTY SHIFTY. WIDE 8. WIDE 33. 871 00:35:56,650 --> 00:35:59,180 WIDE 30. SET. 872 00:36:05,720 --> 00:36:08,860 UH! AH! HUH... 873 00:36:08,860 --> 00:36:10,530 YEAH! 874 00:36:10,530 --> 00:36:12,000 YES! 875 00:36:38,020 --> 00:36:39,660 NOW YOU CAN SAY IT. 876 00:36:39,660 --> 00:36:43,090 YO, STATE CHAMPS, BABY! WHOO HOO HOO! 877 00:36:43,090 --> 00:36:45,660 WHOO HOO HOO HOO HOO! 878 00:36:53,740 --> 00:36:55,070 WILSON: WHAT A GAME. 879 00:36:55,070 --> 00:36:56,270 I'LL LET COACH KELLY KNOW 880 00:36:56,270 --> 00:36:58,270 THAT SPENCER JAMES IS BACK. 881 00:36:58,270 --> 00:36:59,910 DOES THAT MEAN MY SCHOLARSHIP'S BACK, TOO? 882 00:36:59,910 --> 00:37:01,180 IF I HAVE ANYTHING TO SAY ABOUT IT. 883 00:37:01,180 --> 00:37:02,950 YOU'RE DEFINITELY BRUIN MATERIAL. 884 00:37:02,950 --> 00:37:04,280 WE'LL BE IN TOUCH. 885 00:37:04,280 --> 00:37:06,780 I APPRECIATE YOU, COACH. THANK YOU. 886 00:37:06,780 --> 00:37:09,080 DARNELL: YO, I HAVEN'T SEEN YOU BALL LIKE THAT 887 00:37:09,080 --> 00:37:11,090 SINCE I MOVED HERE. 888 00:37:11,090 --> 00:37:13,890 UCLA's GOT TO BE A DONE DEAL NOW. 889 00:37:13,890 --> 00:37:16,230 MAN, I HOPE SO. 890 00:37:16,230 --> 00:37:18,690 MAN, I'M SORRY ABOUT LAST NIGHT. 891 00:37:18,690 --> 00:37:20,330 I DON'T KNOW WHAT I WAS THINKING. 892 00:37:20,330 --> 00:37:22,830 I DON'T EVEN LIKE BRATWURST. 893 00:37:22,830 --> 00:37:25,030 YOU GOT EVERY RIGHT TO BE MAD, MAN. 894 00:37:25,030 --> 00:37:27,470 BESIDES, YOU THE ONE THAT HELPED ME FIND 895 00:37:27,470 --> 00:37:29,200 MY WAY BACK ON THAT FIELD. 896 00:37:29,200 --> 00:37:31,770 YO, WATCHING YOU GRIND IT OUT MADE ME REALIZE 897 00:37:31,770 --> 00:37:33,940 I CAN'T GIVE UP ON SOUTH CRENSHAW. 898 00:37:33,940 --> 00:37:35,780 THAT WAS COREY'S HOME. 899 00:37:35,780 --> 00:37:39,180 HE WOULDN'T WANT IT GOING DOWN WITHOUT A FIGHT. 900 00:37:39,180 --> 00:37:40,780 LAYLA: OK. MY FATHER'S A BUSINESSMAN, 901 00:37:40,780 --> 00:37:42,120 SO DON'T TAKE HIS FIRST OFFER, 902 00:37:42,120 --> 00:37:44,050 AND HE'S TOUGH, BUT DON'T BE INTIMIDATED 903 00:37:44,050 --> 00:37:46,790 AND COMPLIMENT HIS TIE UNLESS HE ISN'T 904 00:37:46,790 --> 00:37:48,360 WEARING ONE BUT DON'T COMPLIMENT HIS SHIRT. 905 00:37:48,360 --> 00:37:49,830 HE HATES THAT FOR SOME REASON. 906 00:37:49,830 --> 00:37:51,930 LAYLA, WE ARE COOL, OK? 907 00:37:51,930 --> 00:37:53,800 HOW MANY MORE TIMES WE GOT TO GO OVER THIS? 908 00:37:53,800 --> 00:37:55,130 I TOLD YOU, I GOT YOU. 909 00:37:55,130 --> 00:37:56,930 J.P.: LADIES. 910 00:37:56,930 --> 00:37:58,970 HEY, PRINCESS. WHAT'S UP, COOP? 911 00:37:58,970 --> 00:38:00,400 WHAT'S UP? ALL RIGHT. 912 00:38:00,400 --> 00:38:02,740 HERE WE GO. 913 00:38:02,740 --> 00:38:04,870 IT'S PRETTY STANDARD. 914 00:38:04,870 --> 00:38:06,880 IF YOU HAVE ANY QUESTIONS, 915 00:38:06,880 --> 00:38:09,340 JUST ASK. 916 00:38:16,520 --> 00:38:18,090 THAT'S A NICE PEN. 917 00:38:18,090 --> 00:38:20,390 IT'S YOURS ONCE YOU SIGN. 918 00:38:20,390 --> 00:38:23,090 I'M GONNA HAVE TO PASS. 919 00:38:23,090 --> 00:38:25,130 ON THE PEN OR THE DEAL? 920 00:38:25,130 --> 00:38:27,160 UH, YOU NEED TO LET HIM MAKE THE OFFER FIRST 921 00:38:27,160 --> 00:38:28,960 BEFORE YOU REJECT IT. LOOK. 922 00:38:28,960 --> 00:38:30,830 I'M SORRY, MR. KEATING. 923 00:38:30,830 --> 00:38:32,830 I CAN'T SIGN WITH YOU. I GOT SOMEBODY ELSE IN MIND. 924 00:38:32,830 --> 00:38:34,170 DO YOU REALLY THINK THEY'LL DO MORE 925 00:38:34,170 --> 00:38:35,500 FOR YOU THAN I WILL? 926 00:38:35,500 --> 00:38:36,970 I DON'T KNOW, BUT WHAT I DO KNOW 927 00:38:36,970 --> 00:38:38,970 IS THAT SHE'LL LET ME DO ME. 928 00:38:38,970 --> 00:38:40,910 I KNOW THAT SHE'S BEEN THERE SINCE DAY ONE AND HAS MY BACK, 929 00:38:40,910 --> 00:38:44,450 AND I KNOW YOU LIKE HER BECAUSE HER LAST NAME'S KEATING. 930 00:38:46,980 --> 00:38:49,520 SO WHAT YOU THINK? WILL YOU SIGN ME? 931 00:38:49,520 --> 00:38:51,520 HEH. ME? YEAH. 932 00:38:51,520 --> 00:38:53,260 COOP, I'M IN HIGH SCHOOL. 933 00:38:53,260 --> 00:38:54,890 LAYLA, I'M IN HIGH SCHOOL, TOO. 934 00:38:54,890 --> 00:38:56,460 YEAH. WELL, I DON'T EVEN HAVE A LABEL. 935 00:38:56,460 --> 00:38:59,860 OK, SO START ONE, AND I SUGGEST YOU HURRY UP 936 00:38:59,860 --> 00:39:02,000 BECAUSE YOUR NEW CLIENT'S KIND OF A DIVA. 937 00:39:03,800 --> 00:39:07,140 HEY, I DID SAY YOU HAD A FUTURE IN PRODUCING. 938 00:39:07,140 --> 00:39:10,270 I GUESS THAT FUTURE STARTS TODAY. 939 00:39:10,270 --> 00:39:11,570 COOP: SEE? 940 00:39:11,570 --> 00:39:13,280 JUST DON'T STEAL ALL MY CLIENTS. 941 00:39:13,280 --> 00:39:14,580 TRUST ME, SHE AIN'T GONNA HAVE NO TIME FOR THAT. 942 00:39:14,580 --> 00:39:17,150 SHE GONNA BE WAY TOO BUSY WITH ME. 943 00:39:17,150 --> 00:39:19,010 I WARNED YOU. 944 00:39:19,010 --> 00:39:21,420 UM...HA HA! 945 00:39:27,020 --> 00:39:29,290 I DON'T APPRECIATE BEING SUMMONED. 946 00:39:29,290 --> 00:39:31,760 AREN'T YOU EVEN GONNA ASK HOW SIMONE IS? 947 00:39:42,470 --> 00:39:44,570 HOW'S SIMONE? 948 00:39:44,570 --> 00:39:46,840 SHE'S NOT GREAT, AND SHE'S GONNA BE 949 00:39:46,840 --> 00:39:49,440 PRETTY UPSET WITH ME WHEN SHE FINDS OUT I'M HERE. 950 00:39:49,440 --> 00:39:51,980 SHE TOLD ME TO STAY OUT OF IT. 951 00:39:51,980 --> 00:39:54,480 SHE'S ALWAYS BEEN INDEPENDENT, SO-- 952 00:39:57,050 --> 00:39:59,190 MRS. HICKS, THE LAST TIME WE WERE HERE, 953 00:39:59,190 --> 00:40:01,590 YOU DID ALL THE TALKING. 954 00:40:01,590 --> 00:40:03,630 OK. NOW I NEED YOU TO BE QUIET 955 00:40:03,630 --> 00:40:07,060 AND LISTEN, PLEASE. 956 00:40:12,130 --> 00:40:14,000 OK. YOUR DAUGHTER-- 957 00:40:14,000 --> 00:40:17,610 HEH. YOUR DAUGHTER IS A SMART, KIND, 958 00:40:17,610 --> 00:40:20,540 AMAZING WOMAN, OK, AND RIGHT NOW, 959 00:40:20,540 --> 00:40:23,080 SHE NEEDS HER FAMILY 960 00:40:23,080 --> 00:40:25,610 MORE THAN ANYTHING ELSE IN THE WORLD. 961 00:40:25,610 --> 00:40:27,980 I UNDERSTAND... 962 00:40:53,280 --> 00:40:54,510 SORRY TO INTERRUPT. 963 00:40:54,510 --> 00:40:56,380 CONGRATULATIONS ON THE BIG WIN. 964 00:40:56,380 --> 00:40:57,980 I'M GLAD TO SEE YOU'RE BACK TO FORM. 965 00:40:57,980 --> 00:41:00,520 MVP. THANKS. 966 00:41:00,520 --> 00:41:04,990 I JUST WANTED TO THANK COACH BAKER. 967 00:41:04,990 --> 00:41:07,290 WE WOULDN'T HAVE WON THAT JAMBOREE WITHOUT YOU, SIR. 968 00:41:07,290 --> 00:41:10,130 WE'RE NOT EVEN THE SAME TEAM WITHOUT YOU. 969 00:41:10,130 --> 00:41:13,130 THANKS FOR ALWAYS HAVING OUR BACKS. 970 00:41:13,130 --> 00:41:15,930 BILLY: WELL, YOU AIN'T SO BAD YOURSELF. 971 00:41:15,930 --> 00:41:17,330 NOW GO ON. GET OUT OF HERE. 972 00:41:17,330 --> 00:41:19,300 CELEBRATE. YOU DESERVE IT. 973 00:41:19,300 --> 00:41:22,340 OH, AND YOU MIGHT WANT TO CHECK YOUR BRACE. 974 00:41:22,340 --> 00:41:25,340 IT LOOKED A LITTLE LOOSE DURING THAT LAST PLAY. 975 00:41:28,680 --> 00:41:30,410 DOES HE KNOW YOUR REINSTATEMENT 976 00:41:30,410 --> 00:41:32,010 IS ONLY TEMPORARY? 977 00:41:32,010 --> 00:41:33,420 AW, THERE'S NOT POINT IN GETTING THE TEAM 978 00:41:33,420 --> 00:41:37,050 WORRIED FOR NOTHING, OR SHOULD I BE WORRIED? 979 00:41:37,050 --> 00:41:39,620 YOU LIED ABOUT A PLAYER'S STEROID USE, BILLY. 980 00:41:39,620 --> 00:41:41,560 IT OPENED UP A WHOLE CAN OF WORMS. 981 00:41:41,560 --> 00:41:43,290 NOW THE PRESSURE'S ON ME AND A.D. HART 982 00:41:43,290 --> 00:41:46,230 TO INVESTIGATE YOU AND YOUR WHOLE PROGRAM. 983 00:41:46,230 --> 00:41:49,460 THIS COULD GET A LOT WORSE BEFORE IT GETS BETTER. 984 00:42:20,060 --> 00:42:21,060 MAN: GREG, MOVE YOUR HEAD.