1 00:00:07,966 --> 00:00:10,260 SPENCER, DR. DAMEON SPEARS. 2 00:00:10,260 --> 00:00:12,679 THANK YOU FOR WAITING. YOU READY TO DO THIS? 3 00:00:12,679 --> 00:00:14,306 YES, SIR. 4 00:00:14,306 --> 00:00:17,976 OK. SO, TELL ME ABOUT YOURSELF. 5 00:00:20,270 --> 00:00:22,272 COOP, RAPPING: ♪ YEAH, YOU WAS MORE LIKE A BROTHER ♪ 6 00:00:22,272 --> 00:00:24,650 ♪ FROM ONE OTHER MOTHER, MMM, YEAH ♪ 7 00:00:24,650 --> 00:00:27,194 ♪ YOU RAP FOR ME, I RAP FOR YOU AND PUT NOTHING ABOVE US ♪ 8 00:00:27,194 --> 00:00:29,029 ♪ MMM, YEAH, WE LIKE BONNIE AND CLYDE ♪ 9 00:00:29,029 --> 00:00:31,156 ♪ WE NEVER SWITCH NO SIDES, YOU KNOW ♪ 10 00:00:31,156 --> 00:00:33,325 ♪ MORE LIKE NIP AND J STONE, 'CAUSE LIKE WHERE WE FROM ♪ 11 00:00:33,325 --> 00:00:34,868 ♪ THEY CALL IT THE WEST SIDE ♪ 12 00:00:34,868 --> 00:00:36,745 ♪ YOU ARE MY LEFT, RIGHT, LEFT ♪ 13 00:00:36,745 --> 00:00:38,413 ♪ AND IT WAS JUST LIKE THAT, AND WHEN I ♪ 14 00:00:38,413 --> 00:00:41,250 ♪ SAY SO, THEY KNOW ♪ [ECHOES] 15 00:00:41,250 --> 00:00:43,502 ♪ WHEN IT RAINS AND IT POURS ♪ 16 00:00:43,502 --> 00:00:45,796 ♪ AND THE SUN DON'T SEEM TO SHINE ANYMORE ♪ 17 00:00:45,796 --> 00:00:48,340 ♪ I KNOW YOU'LL BE THERE FOR ME ♪ 18 00:00:48,340 --> 00:00:50,342 ♪ IF THERE'S TROUBLE MY WAY ♪ 19 00:00:50,342 --> 00:00:53,053 ♪ I KNOW THAT YOU'LL BE THERE RIGHT AWAY ♪ 20 00:00:53,053 --> 00:00:55,555 ♪ I KNOW YOU'LL BE THERE FOR ME ♪ 21 00:00:55,555 --> 00:00:59,184 ♪ OH, YOU NEVER CHANGE, I CAN PUT THAT ON A GAME ♪ 22 00:00:59,184 --> 00:01:02,020 ♪ I KNOW YOU'LL BE THERE FOR ME ♪ 23 00:01:02,020 --> 00:01:04,982 ♪ OUR LOVE IS EVERYTHING, I WOULDN'T CHANGE A THING ♪ 24 00:01:04,982 --> 00:01:08,819 ♪ AND WHEN THEY ASK, I TELL 'EM FAMILY OVER EVERYTHING ♪ 25 00:01:08,819 --> 00:01:12,030 ♪ IF THEY ASK, I TELL 'EM FAMILY OVER EVERYTHING ♪ 26 00:01:12,030 --> 00:01:15,409 ♪ MY NEIGHBORHOOD GONNA HOLD IT DOWN IN EACH AND EVERY WAY ♪ 27 00:01:15,409 --> 00:01:18,829 ♪ I KNOW THAT IF I EVER NEED, THEY'LL BE HERE RIGHT AWAY ♪ 28 00:01:18,829 --> 00:01:22,249 ♪ SO MUCH LOVE, IT'S OVERFLOWIN' LIKE A TIDAL WAVE ♪ 29 00:01:22,249 --> 00:01:25,168 ♪ SUNSET IN CRENSHAW, 80 ON THE 110 ♪ 30 00:01:25,168 --> 00:01:27,462 ♪ PUT MY FAMILY FIRST ♪ [SCHOOL BELL RINGS] 31 00:01:27,462 --> 00:01:30,090 ♪ EVEN IF IT HURTS ♪ SPENCER: COOP. 32 00:01:30,090 --> 00:01:33,093 HEY, THAT SONG YOU DROPPED WITH PATIENCE GO CRAZY. 33 00:01:33,093 --> 00:01:35,095 WAIT. WHAT? HOW YOU HEAR IT ALREADY? 34 00:01:35,095 --> 00:01:37,014 WENT VIRAL THIS MORNING. LOOK. 35 00:01:37,014 --> 00:01:39,016 COOP ON VIDEO: ♪ SO WHEN I SAY SO ♪ 36 00:01:39,016 --> 00:01:41,435 ♪ THEY KNOW ♪ 37 00:01:41,435 --> 00:01:43,437 COOP AND PATIENCE: ♪ WHEN IT RAINS AND IT POURS ♪ 38 00:01:43,437 --> 00:01:46,064 ♪ AND THE SUN DON'T SEEM TO SHINE ANYMORE, I KNOW... ♪ 39 00:01:46,064 --> 00:01:47,858 DANG. 40 00:01:47,858 --> 00:01:50,068 AND THAT PART WHERE YOU SHOUT ME OUT, 41 00:01:50,068 --> 00:01:51,695 YOUR "BROTHER FROM ANOTHER MOTHER"-- 42 00:01:51,695 --> 00:01:53,322 I APPRECIATE THAT. COOP: ACTUALLY, BRO, 43 00:01:53,322 --> 00:01:54,948 THAT WASN'T ABOUT YOU. 44 00:01:54,948 --> 00:01:57,576 IT WAS A METAPHOR FOR THE COMMUNITY. 45 00:01:57,576 --> 00:01:59,411 COME ON, MAN. 46 00:01:59,411 --> 00:02:00,495 SPENCER: HA HA! COOP: I'M JUST PLAYING. 47 00:02:00,495 --> 00:02:02,122 YO, BUT ENOUGH ABOUT ME. 48 00:02:02,122 --> 00:02:04,624 WHAT'S UP WITH YOU AND THAT, UH, THERAPIST? 49 00:02:04,624 --> 00:02:06,293 IT WAS COOL, MORE OF A MEET-AND-GREET, 50 00:02:06,293 --> 00:02:07,919 BUT DR. SPEARS SEEM LIKE A SOLID DUDE, 51 00:02:07,919 --> 00:02:09,671 AND WHAT? WHY IS YOUR FACE LIKE THAT? 52 00:02:09,671 --> 00:02:11,214 I DON'T KNOW. I DON'T GET THE POINT 53 00:02:11,214 --> 00:02:13,216 OF PAYING SOMEBODY TO TALK ABOUT YOUR FEELINGS. 54 00:02:13,216 --> 00:02:14,968 YOU SHOULD HAVE JUST CAME TO ME. 55 00:02:14,968 --> 00:02:16,720 WE'VE BEEN EACH OTHER'S THERAPIST SINCE ELEMENTARY. 56 00:02:16,720 --> 00:02:18,513 AND WE STILL ARE, BUT CLEARLY WHATEVER'S CAUSING 57 00:02:18,513 --> 00:02:20,515 MY ARM TO GO NUMB, IT'S MORE MENTAL THAN PHYSICAL. 58 00:02:20,515 --> 00:02:23,352 I NEED A FOR-REAL THERAPIST TO FIX THAT. 59 00:02:25,145 --> 00:02:27,022 UH-OH. SOMEBODY MAMA HERE. 60 00:02:27,022 --> 00:02:29,107 HEY, THEY'RE ABOUT TO CATCH HELL. 61 00:02:29,107 --> 00:02:32,152 NO, FOOL, THAT'S MS. LAWSON, OUR NEW GUIDANCE COUNSELOR. 62 00:02:32,152 --> 00:02:33,779 SPENCER: WAIT, WAIT. SHE COMING. COOP: YEAH, FOR ME. 63 00:02:33,779 --> 00:02:36,990 HOW YOU DOING? MS. LAWSON, I'M SORRY 64 00:02:36,990 --> 00:02:39,618 I MISSED OUR MEETING THIS MORNING, BUT I GOT MY TIMES MIXED UP. 65 00:02:39,618 --> 00:02:42,245 MMM, LIKE YOU GOT YOUR TIMES MIXED UP LAST WEEK 66 00:02:42,245 --> 00:02:44,456 AND THE WEEK BEFORE THAT, TAMIA. 67 00:02:44,456 --> 00:02:46,792 LOOK, I'MMA CUT RIGHT TO IT. 68 00:02:46,792 --> 00:02:49,795 SCHOOL RECORDS SHOW THAT YOU HAVE MISSED MORE THAN HALF OF YOUR 69 00:02:49,795 --> 00:02:52,214 LAST TWO SEMESTERS, AND THAT MEANS YOU'RE A FEW CREDITS SHY OF 70 00:02:52,214 --> 00:02:55,675 BEING A SENIOR, SO MY ADVICE TO YOU, TAMIA, 71 00:02:55,675 --> 00:02:59,096 MEET WITH THOSE TEACHERS AND MAKE UP THOSE CLASSES, 72 00:02:59,096 --> 00:03:01,306 BECAUSE IF YOU DON'T, YOU WILL BE REPEATING 73 00:03:01,306 --> 00:03:03,558 YOUR JUNIOR YEAR. 74 00:03:05,227 --> 00:03:06,937 SPENCER: DAMN, COOP, 75 00:03:06,937 --> 00:03:08,730 THIS IS SERIOUS. IF YOU DON'T MAKE UP THOSE CLASSES, 76 00:03:08,730 --> 00:03:10,273 YOU AIN'T GRADUATING. COOP: WHOA, IT AIN'T LIKE 77 00:03:10,273 --> 00:03:12,234 I NEED A DEGREE TO BE THE NEXT KENDRICK LAMAR. 78 00:03:12,234 --> 00:03:14,027 YOU'RE NOT DROPPING OUT OF SCHOOL, NOT ON MY WATCH. 79 00:03:14,027 --> 00:03:15,654 LOOK, I'LL MAKE UP THE CLASSES AT SOME POINT, 80 00:03:15,654 --> 00:03:18,323 BUT RIGHT NOW, MUSIC IS MY FOCUS. 81 00:03:19,783 --> 00:03:21,827 THAT'S MY THERAPY. 82 00:03:28,625 --> 00:03:31,545 BILLY: HA HA! I'M BEING HONEST. 83 00:03:31,545 --> 00:03:33,964 BILLY: THAT'S FUNNY. LAURA: COME ON. 84 00:03:33,964 --> 00:03:35,590 OLIVIA: HEY, DAD. BILLY: HEY. 85 00:03:35,590 --> 00:03:36,842 WHEN'D YOU GET HERE? 86 00:03:36,842 --> 00:03:38,844 IT'S--IT'S PIZZA MONDAY. 87 00:03:38,844 --> 00:03:40,554 IS THAT A THING OR-- 88 00:03:40,554 --> 00:03:42,764 LAURA: NO, IT IS NOT A THING. BILLY: HEH HEH! 89 00:03:42,764 --> 00:03:45,183 I HAD A COACH'S MEETING ON THIS SIDE OF TOWN. 90 00:03:45,183 --> 00:03:47,352 I DECIDED I'D GRAB SOME PIZZA AND HANG OUT 91 00:03:47,352 --> 00:03:48,979 WITH SOME OF MY FAVORITE PEOPLE. [DOOR OPENS] 92 00:03:48,979 --> 00:03:51,648 SPEAKING OF MY FAVORITE PEOPLE... 93 00:03:53,483 --> 00:03:54,943 DAD. 94 00:03:54,943 --> 00:03:56,403 SON. 95 00:03:56,403 --> 00:03:58,738 LAURA: WILLIE. WILLIE: D.A. BAKER. 96 00:03:58,738 --> 00:04:00,657 CONGRATULATIONS, BY THE WAY. 97 00:04:00,657 --> 00:04:02,868 I HEARD GOOD THINGS WHILE I WAS IN FLORIDA, 98 00:04:02,868 --> 00:04:05,620 ESPECIALLY THE WORK YOU'RE DOING FOR BLACK FOLKS. 99 00:04:05,620 --> 00:04:07,539 [BILLY SCOFFS] WILLIE: NOT ENOUGH TO GET YOU AN INVITE 100 00:04:07,539 --> 00:04:11,042 TO THE COOKOUT JUST YET, BUT, YOU KNOW, ONE DAY. HEH HEH HEH! 101 00:04:11,042 --> 00:04:12,377 BILLY: WHAT ARE YOU DOING HERE, DAD? 102 00:04:12,377 --> 00:04:13,962 WHEN'D YOU GET BACK INTO TOWN? 103 00:04:13,962 --> 00:04:15,547 JORDAN: UH, A COUPLE DAYS AGO. 104 00:04:15,547 --> 00:04:17,591 HE--HE SURPRISED ME AT PRACTICE. 105 00:04:17,591 --> 00:04:20,886 BILLY: YOU KNOW, PHONES WORK, TOO. 106 00:04:20,886 --> 00:04:23,972 JORDAN: UM, SO, LOOK, WHILE I HAVE YOU BOTH HERE, 107 00:04:23,972 --> 00:04:25,974 IS IT COOL IF G.W. JOINS US FOR 108 00:04:25,974 --> 00:04:28,310 A FAMILY DINNER THIS WEEK OR... 109 00:04:28,310 --> 00:04:30,645 LAURA: YEAH, THAT--THAT'S FINE. WILLIE: GREAT. 110 00:04:30,645 --> 00:04:33,398 I CAN GET SOME QUALITY TIME WITH BOTH MY GRANDKIDS. 111 00:04:33,398 --> 00:04:35,025 QUALITY TIME WITH ME? 112 00:04:35,025 --> 00:04:36,735 ISN'T IT TIME I GET TO KNOW YOU BETTER, TOO? 113 00:04:36,735 --> 00:04:38,361 WELL, IN THAT CASE, WHY DON'T WE HAVE 114 00:04:38,361 --> 00:04:40,780 A COOKOUT, AND WE CAN INVITE MY MOM? 115 00:04:40,780 --> 00:04:44,075 BILLY: HA! [WILLIE CHUCKLING] 116 00:04:44,075 --> 00:04:45,827 I LIKE THIS ONE. [CHUCKLING] 117 00:04:45,827 --> 00:04:47,746 WELL, I SHOULD GO. 118 00:04:47,746 --> 00:04:49,581 LAURA: YEAH, I ACTUALLY HAVE A CONFERENCE CALL. 119 00:04:49,581 --> 00:04:51,500 DID YOU--YOU HAVE A CONFERENCE CALL. I KNOW. 120 00:04:51,500 --> 00:04:53,126 BILLY: 'CAUSE YOU MIGHT WANT TO GET--TELL YOU BEFORE. 121 00:04:53,126 --> 00:04:55,754 LAURA: SUPER IMPORTANT. WILLIE: SO... 122 00:04:55,754 --> 00:04:58,381 TELL ME ABOUT THIS NEW COACH. 123 00:04:58,381 --> 00:05:00,675 YEAH, JUST ONE SECOND, G.W., SORRY. 124 00:05:00,675 --> 00:05:02,928 HEY, BOY... 125 00:05:02,928 --> 00:05:04,846 DO I LOOK LIKE ONE OF YOUR LITTLE FRIENDS? 126 00:05:04,846 --> 00:05:06,473 I'M SORRY. JUST, UM... 127 00:05:06,473 --> 00:05:09,559 MY--MY GIRLFRIEND SIMONE... 128 00:05:09,559 --> 00:05:12,687 I DON'T KNOW. SOMETHING'S JUST BEEN OFF RECENTLY. 129 00:05:12,687 --> 00:05:14,731 YOUR HEAD'S IN THE WRONG PLACE, SON. 130 00:05:14,731 --> 00:05:16,942 WITH SPENCER GONE, YOU'RE THE LEADER NOW. 131 00:05:16,942 --> 00:05:18,652 YOU NEED TO BE FOCUSED ON THAT, 132 00:05:18,652 --> 00:05:20,987 NOT SOME GIRL. [PHONE VIBRATING] 133 00:05:20,987 --> 00:05:23,532 RIGHT, UH, I GOT TO TAKE THIS. 134 00:05:23,532 --> 00:05:25,951 MY BAD. HEY, BABE, YOU ALL RIGHT? 135 00:05:27,452 --> 00:05:30,622 SPENCER: I DID SOME RESEARCH ON, UH, PSYCHOSOMATIC DISORDERS. 136 00:05:30,622 --> 00:05:31,873 THAT'S A GOOD PLACE TO START. 137 00:05:31,873 --> 00:05:33,291 YEAH, IT GOT ME THINKING, 138 00:05:33,291 --> 00:05:36,253 IS THIS ISSUE WITH MY ARM STRESS-RELATED? 139 00:05:36,253 --> 00:05:37,420 WELL, WHAT ARE YOU STRESSED ABOUT? 140 00:05:37,420 --> 00:05:38,880 WELL, FOR STARTERS, MY HOMIE 141 00:05:38,880 --> 00:05:40,507 JORDAN'S STILL NOT TALKING TO ME, 142 00:05:40,507 --> 00:05:42,717 WHICH IS CRAZY, 'CAUSE...[SCOFFS] 143 00:05:42,717 --> 00:05:45,095 WE'RE LIKE BROTHERS, AND THEN DARNELL'S 144 00:05:45,095 --> 00:05:46,721 LEAVING TO GO BE THERE FOR HIS MOM. 145 00:05:46,721 --> 00:05:49,724 NOW, THE SON IN ME GETS IT. I'D DO THE SAME THING. 146 00:05:49,724 --> 00:05:53,728 I JUST FEEL LIKE I'M LOSING THE CLOSEST LINK TO MY DAD, YOU KNOW? 147 00:05:53,728 --> 00:05:56,523 AND THEN THERE'S THE PROMISE I MADE TO SOUTH CRENSHAW. 148 00:05:56,523 --> 00:05:59,526 I WAS SUPPOSED TO GET US THE STATE CHAMPIONSHIP TO HELP SAVE THE SCHOOL, 149 00:05:59,526 --> 00:06:02,028 AND THEN WHAT HAPPENS DURING OUR FIRST GAME? 150 00:06:02,028 --> 00:06:03,655 WE LOSE. 151 00:06:03,655 --> 00:06:06,283 YES, THAT IS A LOT TO UNPACK, BUT ALL THAT 152 00:06:06,283 --> 00:06:09,452 HAPPENED AFTER YOU STARTED TO EXPERIENCE NUMBNESS IN YOUR ARM. 153 00:06:09,452 --> 00:06:11,329 SO WHAT'S CAUSING IT, THEN? 154 00:06:11,329 --> 00:06:15,333 WHEN...ATHLETES GET HURT ON THE FIELD, 155 00:06:15,333 --> 00:06:18,253 I LIKE TO GO BACK OVER THE PLAY THAT CAUSED THE INJURY. 156 00:06:18,253 --> 00:06:20,880 THERE'S USUALLY SOMETHING THAT HAPPENED IN THE MOMENT 157 00:06:20,880 --> 00:06:24,134 THAT THE BRAIN HAS SKIPPED OVER OR IS NOT ADDRESSING. 158 00:06:24,134 --> 00:06:26,136 SPENCER: OK. SPEARS: THAT'S CALLED 159 00:06:26,136 --> 00:06:27,804 A STUCK POINT. 160 00:06:27,804 --> 00:06:29,431 IT'S A DEFINING MOMENT FROM OUR PAST THAT IS 161 00:06:29,431 --> 00:06:31,057 POWERFUL ENOUGH TO KEEP US 162 00:06:31,057 --> 00:06:33,059 FROM RECOVERING PSYCHOLOGICALLY. 163 00:06:33,059 --> 00:06:35,061 YOUR PLAY THAT CAUSED THE INJURY 164 00:06:35,061 --> 00:06:37,397 IS THE SHOOTING. 165 00:06:37,397 --> 00:06:39,608 AND THE THING THAT'S HOLDING ME BACK FROM UNDERSTANDING 166 00:06:39,608 --> 00:06:42,777 WHY MY ARM'S GOING NUMB IS--IS MY STUCK POINT? 167 00:06:42,777 --> 00:06:44,779 SPEARS: EXACTLY. SPENCER: AND IT CAN BE ANYTHING? 168 00:06:44,779 --> 00:06:47,198 YES, THIS CAN BE A THOUGHT, AN EVENT, 169 00:06:47,198 --> 00:06:49,200 A PERSON. WHATEVER IT IS, 170 00:06:49,200 --> 00:06:52,162 THE MIND CAN'T PROPERLY HEAL UNTIL WE FIND YOUR "IT." 171 00:06:52,162 --> 00:06:56,458 SO, YOU READY TO PUT THE WORK IN? 172 00:07:03,423 --> 00:07:04,674 DARNELL: ALL, RIGHT, AND THANK YOU. 173 00:07:04,674 --> 00:07:07,093 APPRECIATE IT. YEAH, YOU, TOO. 174 00:07:07,093 --> 00:07:10,722 MALE SINGER: ♪ ALTHOUGH YOU'RE NOT AROUND ♪ 175 00:07:10,722 --> 00:07:13,141 DARNELL: MY MOM'S OUT OF SURGERY. 176 00:07:13,141 --> 00:07:15,226 SHE'S STABLE, BUT THEY SAID IT'S 177 00:07:15,226 --> 00:07:17,646 GONNA BE A LONG ROAD TO RECOVERY. 178 00:07:17,646 --> 00:07:20,065 WHEN ARE YOU LEAVING? 179 00:07:20,065 --> 00:07:21,900 THIS FRIDAY. 180 00:07:21,900 --> 00:07:24,527 IS THERE ANYTHING WE CAN DO? 181 00:07:24,527 --> 00:07:28,323 NAH, I'M--I'M--I'M GOOD. [ZIPS BAG] 182 00:07:28,323 --> 00:07:30,325 UH, YOU WANT TO PLAY FORTNITE? 183 00:07:30,325 --> 00:07:33,620 YEAH, M-MAYBE LATER. WE'LL--WE'LL SEE. 184 00:07:33,620 --> 00:07:36,456 MALE SINGER: ♪ WELL, NOBODY KNOWS ♪ 185 00:07:36,456 --> 00:07:37,999 ♪ A HOUSE AIN'T... ♪ 186 00:07:37,999 --> 00:07:39,876 I GOT TO BOUNCE. 187 00:07:39,876 --> 00:07:44,339 ♪ IT'S THE MEMORIES WE HOLD ♪ 188 00:07:44,339 --> 00:07:47,926 ♪ UNTIL WE GROW OLD ♪ 189 00:07:47,926 --> 00:07:54,974 ♪ O-O-O-OLD ♪ 190 00:07:54,974 --> 00:07:57,560 [WHISTLE BLOWS ON VIDEO] MONTES: OK, SO THERE WERE 191 00:07:57,560 --> 00:08:00,563 TWO PLAYS THAT ALMOST COST US THE GAME LAST WEEK. 192 00:08:00,563 --> 00:08:03,983 IF, WHEN I POINT THEM OUT, YOU CAN TELL ME WHAT WENT WRONG 193 00:08:03,983 --> 00:08:08,822 AND HOW TO FIX IT, I WILL CANCEL YOUR WORKOUT TOMORROW MORNING. 194 00:08:08,822 --> 00:08:10,407 HEH HEH! 195 00:08:14,994 --> 00:08:17,205 [PLAYERS ON VIDEO GRUNT] 196 00:08:17,205 --> 00:08:18,707 JORDAN. 197 00:08:18,707 --> 00:08:20,500 JORDAN: CO--COACH. MONTES: YOU'RE UP. 198 00:08:20,500 --> 00:08:21,876 WHY DID YOU TAKE THIS SACK? 199 00:08:21,876 --> 00:08:23,628 UH, THIS, UM... 200 00:08:23,628 --> 00:08:25,422 I HELD THE BALL TOO LONG. 201 00:08:25,422 --> 00:08:27,465 I WAS TRYING TO MAKE A BIG PLAY, WHEN I-- 202 00:08:27,465 --> 00:08:29,676 I COULD HAVE JUST HIT JJ DOWN THE SEAM. 203 00:08:29,676 --> 00:08:32,303 NICE ANSWER, QB1. I HAD MY DOUBTS. 204 00:08:32,303 --> 00:08:36,349 MONTES: YOU'VE BEEN TEXTING NONSTOP SINCE WE STARTED. LADY TROUBLES? 205 00:08:36,349 --> 00:08:38,268 JORDAN: UH, ACTUALLY, IT'S-- MONTES: DON'T CARE. 206 00:08:38,268 --> 00:08:40,395 PUT YOUR PHONE AWAY. JORDAN: YOU BET. 207 00:08:40,395 --> 00:08:42,731 [PLAYERS CHUCKLING] BOY: YEAH. 208 00:08:42,731 --> 00:08:44,441 [PLAYERS GRUNT ON VIDEO] 209 00:08:44,441 --> 00:08:47,360 [WHISTLE BLOWS] 210 00:08:47,360 --> 00:08:50,739 ASHER, WHY DID OUR SAFETY ALLOW THIS TOUCHDOWN? 211 00:08:50,739 --> 00:08:53,324 UH... 212 00:08:54,993 --> 00:08:56,870 CAN YOU SHOW THE PLAY AGAIN? 213 00:08:56,870 --> 00:08:59,497 [SCOFFS] WELL, GUYS, 214 00:08:59,497 --> 00:09:02,208 SEE YOU ALL TOMORROW, ALONG WITH YOUR TEAMMATES, 215 00:09:02,208 --> 00:09:03,835 AT 7 A.M. 216 00:09:03,835 --> 00:09:06,004 [PLAYERS GROAN] 217 00:09:06,004 --> 00:09:08,506 MY BAD, COACH. I FIGURED YOU'D ASK KEITH. 218 00:09:08,506 --> 00:09:10,133 HE'S THE ONE WHO GAVE UP THE TOUCHDOWN. 219 00:09:10,133 --> 00:09:11,760 BEFORE YOU LEAVE, I'M GONNA NEED YOU TO PUT 220 00:09:11,760 --> 00:09:14,179 THE EQUIPMENT AWAY AND TIDY UP THE WEIGHT ROOM. 221 00:09:20,602 --> 00:09:23,229 GRACE: HEY, BABY. SPENCER: HEY, MA. 222 00:09:23,229 --> 00:09:24,773 HOW'D IT GO LAST NIGHT? 223 00:09:24,773 --> 00:09:27,776 [ZIPS BACKPACK] IT WAS ALL RIGHT. 224 00:09:27,776 --> 00:09:30,403 DR. SPEARS WANTS ME TO MEET HIM TOMORROW, 225 00:09:30,403 --> 00:09:32,489 WALK HIM THROUGH THE NIGHT I WAS SHOT. 226 00:09:32,489 --> 00:09:34,491 LISTEN... 227 00:09:34,491 --> 00:09:37,827 IF TALKING ABOUT IT BECOMES TOO HARD FOR YOU, 228 00:09:37,827 --> 00:09:39,829 JUST LET HIM KNOW. 229 00:09:39,829 --> 00:09:41,456 TALKING ABOUT IT AIN'T THE PROBLEM. 230 00:09:41,456 --> 00:09:43,082 I JUST DON'T SEE THE POINT. 231 00:09:43,082 --> 00:09:44,751 GUN VIOLENCE AIN'T NOTHING NEW AROUND HERE. 232 00:09:44,751 --> 00:09:46,795 GRACE: THAT DOESN'T MAKE IT OK. SPENCER: I KNOW. 233 00:09:46,795 --> 00:09:50,465 I KNOW. I'M JUST SAYING... IT DON'T TRIP ME UP. 234 00:09:50,465 --> 00:09:53,092 AND THAT IS A PART OF THE PROBLEM. 235 00:09:53,092 --> 00:09:55,094 YOU'RE DESENSITIZED TO IT, SON. 236 00:09:55,094 --> 00:09:57,138 SHOOT, WE PROBABLY ALL ARE. 237 00:09:57,138 --> 00:10:00,141 THAT'S WHY SO MANY OF OUR KIDS ARE RUNNING AROUND HERE 238 00:10:00,141 --> 00:10:03,561 WITH PTSD, AND THEY DON'T EVEN KNOW IT. 239 00:10:03,561 --> 00:10:06,564 THAT'S WHY YOU NEED TO TALK TO DR. SPEARS ABOUT IT, 240 00:10:06,564 --> 00:10:08,566 CONFRONT IT. 241 00:10:08,566 --> 00:10:11,194 PROMISE ME YOU'LL AT LEAST TRY. 242 00:10:11,194 --> 00:10:13,863 I PROMISE. 243 00:10:16,699 --> 00:10:19,619 MALE RAPPER: ♪ PULL UP TO THE CLUB IN A SPACESHIP ♪ 244 00:10:19,619 --> 00:10:22,455 ♪ [INDISTINCT] IN MY POCKET LIKE I MADE A FLIP ♪ 245 00:10:22,455 --> 00:10:26,459 ♪ AND KEEP THAT... ♪ [CONTINUES INDISTINCTLY] 246 00:10:26,459 --> 00:10:29,462 YOU KNOW YOUR NAME CAME UP WITH MRS. LAWSON TODAY? 247 00:10:29,462 --> 00:10:33,466 SHE SAID SOMETHING ABOUT YOU NOT OFFICIALLY BEING A SENIOR. 248 00:10:33,466 --> 00:10:36,177 DAMN. YOU, TOO? 249 00:10:36,177 --> 00:10:38,179 AIN'T THERE SOME KIND OF STUDENT/COUNSELOR 250 00:10:38,179 --> 00:10:39,806 CONFIDENTIALITY THING OR SOMETHING? 251 00:10:39,806 --> 00:10:42,016 NO, SHE JUST TOLD ME 'CAUSE SHE CARES, COOP. 252 00:10:42,016 --> 00:10:44,018 I MEAN, I SAID I WOULD HELP YOU. 253 00:10:44,018 --> 00:10:46,229 YOU JUST GOT TO FIGURE OUT A BALANCE 254 00:10:46,229 --> 00:10:48,857 BETWEEN MUSIC AND SCHOOL. 255 00:10:48,857 --> 00:10:52,318 I MEAN, I THINK THAT SHOULDN'T BE A PROBLEM, RIGHT? 256 00:10:53,820 --> 00:10:55,280 HELLO! RIGHT? 257 00:10:55,280 --> 00:10:57,323 RIGHT. 258 00:10:57,323 --> 00:11:00,535 YEAH 'CAUSE I'M NOT TRYING TO GO TO NO SENIOR PROM WITH NO JUNIOR. 259 00:11:00,535 --> 00:11:02,537 COOP: YOU AIN'T GOING NOWHERE. PATIENCE: SHUT UP. 260 00:11:02,537 --> 00:11:05,373 HEY, COOP, I GOT YOUR TEXT. WHAT'S THE EMERGENCY? 261 00:11:05,373 --> 00:11:08,543 DID YOU GET TO TALK TO YOUR POP ABOUT RELEASING PATIENCE FROM HER CONTRACT? 262 00:11:08,543 --> 00:11:12,046 UM, IT'S A LITTLE MORE COMPLICATED LEGALLY, 263 00:11:12,046 --> 00:11:14,048 BUT I'M WORKING ON IT. WHY? WHAT'S UP? 264 00:11:14,048 --> 00:11:16,342 WE GOT A NEW SONG, "FAMILY OVER EVERYTHING." 265 00:11:16,342 --> 00:11:19,095 YEAH, THE ONE THAT GOT LEAKED ALL OVER THE INTERNET? THAT SONG? 266 00:11:19,095 --> 00:11:20,763 [SCOFFS] I KNOW, I KNOW. OUR BAD. 267 00:11:20,763 --> 00:11:22,682 LOOK, I DIDN'T KNOW FOLKS WERE RECORDING. I DIDN'T. 268 00:11:22,682 --> 00:11:25,143 IT'S NO PROBLEM, AND YES, IT'S AMAZING. 269 00:11:25,143 --> 00:11:28,855 OK. WELL, YEAH. WE WERE HOPING TO SHOOT A MUSIC VIDEO SOON 270 00:11:28,855 --> 00:11:31,190 SO WE CAN JUST DROP THE SONG AND THE VIDEO AT THE SAME TIME. 271 00:11:31,190 --> 00:11:32,859 COOP: IT'S GOT A WHOLE DIFFERENT TYPE OF ENERGY. 272 00:11:32,859 --> 00:11:34,360 PATIENCE: YEAH. COOP: I MEAN, WE GOT TO KEEP 273 00:11:34,360 --> 00:11:35,820 RIDING THE WAVE OF OUR SUMMER TOUR. 274 00:11:35,820 --> 00:11:37,822 UM, I'M GONNA KEEP PUSHING FORWARD 275 00:11:37,822 --> 00:11:40,033 ON THE CONTRACT, BUT IN THE MEANTIME, 276 00:11:40,033 --> 00:11:41,826 I AM HAPPY TO PRODUCE A GAME-CHANGING 277 00:11:41,826 --> 00:11:43,745 MUSIC VIDEO FOR YOU GUYS. PATIENCE: YES! 278 00:11:43,745 --> 00:11:47,582 COOP: GAME-CHANGING. PATIENCE: HA HA HA! 279 00:11:49,709 --> 00:11:51,878 HI. PICKUP FOR OLIVIA? 280 00:11:51,878 --> 00:11:53,546 THANKS. 281 00:11:56,966 --> 00:11:58,593 HEY. 282 00:11:58,593 --> 00:12:00,178 WHAT'S UP? 283 00:12:00,178 --> 00:12:02,472 JUST POPPED BY TO GET SOME FOOD. 284 00:12:03,932 --> 00:12:05,266 DAMN. 285 00:12:05,266 --> 00:12:07,143 THOSE ARE SOME DOPE KICKS. THEY NEW? 286 00:12:07,143 --> 00:12:08,811 THESE OLD THINGS? 287 00:12:08,811 --> 00:12:11,856 NAH, I JUST, UH, MOSTLY WEAR 'EM FOR DANCE CLASS. 288 00:12:11,856 --> 00:12:13,524 YEAH, KIA MENTIONED SOMETHING ABOUT YOU ALL 289 00:12:13,524 --> 00:12:14,859 TEACHING THE KIDS AT THE REC CENTER. 290 00:12:14,859 --> 00:12:16,235 THAT'S WHAT'S UP. OLIVIA: YEAH. 291 00:12:16,235 --> 00:12:17,612 TODAY WE ACTUALLY SHOWED THEM 292 00:12:17,612 --> 00:12:19,072 THIS AMAZING DOCUMENTARY ABOUT 293 00:12:19,072 --> 00:12:20,865 L.A. STREET DANCERS AND KRUMPING. 294 00:12:20,865 --> 00:12:22,575 OH, HAVE YOU ALL WATCHED "RIZE, AS IN 295 00:12:22,575 --> 00:12:24,160 TOMMY THE CLOWN, "RIZE"? 296 00:12:24,160 --> 00:12:25,370 WAIT. HOW DO YOU KNOW ABOUT HIM? 297 00:12:25,370 --> 00:12:26,829 EXCUSE YOU. TOMMY THE CLOWN IS 298 00:12:26,829 --> 00:12:28,831 A L.A. ICON, AND IT'S POSSIBLE 299 00:12:28,831 --> 00:12:31,751 YOUR BOY HAD A LITTLE DANCE PHASE BACK IN THE DAY. 300 00:12:31,751 --> 00:12:33,503 SPENCER: WHAT? OLIVIA, CHUCKLING: STOP. 301 00:12:33,503 --> 00:12:35,421 SPENCER: NO? OLIVIA: DON'T DO THAT AGAIN. 302 00:12:35,421 --> 00:12:37,382 SPENCER: WHATEVER, OK? OLIVIA: UH-HUH. 303 00:12:37,382 --> 00:12:38,883 THEY USED TO CALL ME PROFESSOR KRUMP BACK IN THE DAY. 304 00:12:38,883 --> 00:12:40,510 SPENCER: PROFESSOR KRUMP! OLIVIA: OH, YEAH? 305 00:12:40,510 --> 00:12:42,136 SPENCER: YES, THEY DID. OLIVIA: WOW. 306 00:12:42,136 --> 00:12:44,138 [CLEARS THROAT] 307 00:12:44,138 --> 00:12:46,766 LIV, LISTEN... 308 00:12:46,766 --> 00:12:49,811 WE GOT REAL CLOSE THIS LAST YEAR, 309 00:12:49,811 --> 00:12:52,814 AND WE HELPED EACH OTHER THROUGH A LOT, 310 00:12:52,814 --> 00:12:57,318 AND I KNOW THIS SUMMER CHANGED SOME THINGS, BUT... 311 00:12:57,318 --> 00:13:00,321 I MISS MY FRIEND. 312 00:13:00,321 --> 00:13:02,907 I MISS MY FRIEND, TOO. 313 00:13:02,907 --> 00:13:05,618 [CHUCKLES] COME HERE. 314 00:13:05,618 --> 00:13:09,122 FEMALE SINGER: ♪ I'M REACHING OUT ♪ 315 00:13:09,122 --> 00:13:11,290 ♪ HOLD ON ♪ 316 00:13:11,290 --> 00:13:13,209 SO... 317 00:13:13,209 --> 00:13:15,086 OLIVIA: HOW HAVE YOU BEEN? [BOTH CHUCKLE] 318 00:13:15,086 --> 00:13:16,921 IS YOUR ARM FEELING BETTER? 319 00:13:16,921 --> 00:13:20,008 YEAH. I'M ACTUALLY SEEING A SPORTS PSYCHOLOGIST ABOUT IT. 320 00:13:20,008 --> 00:13:21,843 OLIVIA: YEAH? THAT'S AMAZING. SPENCER: YEAH. 321 00:13:21,843 --> 00:13:24,887 HE THINKS MY ISSUE'S CONNECTED TO THE NIGHT I WAS SHOT. 322 00:13:24,887 --> 00:13:26,806 I'M SORRY, SPENCER. 323 00:13:26,806 --> 00:13:29,058 I MEAN, YOU TOOK THAT BULLET FOR ME, 324 00:13:29,058 --> 00:13:30,685 AND NOW YOU HAVE TO DEAL WITH ALL THE FALLOUT. 325 00:13:30,685 --> 00:13:33,521 NO, NO, NO. JUST 'CAUSE I GOT SHOT DON'T MEAN 326 00:13:33,521 --> 00:13:35,523 YOU'RE THE ONE TO BLAME. 327 00:13:35,523 --> 00:13:37,942 AND I'D DO IT AGAIN. 328 00:13:41,779 --> 00:13:44,365 OLIVIA: THANKS. 329 00:13:45,950 --> 00:13:48,161 WELL, I SHOULD GET GOING. 330 00:13:48,161 --> 00:13:50,163 UNTIL NEXT TIME, 331 00:13:50,163 --> 00:13:52,165 PROFESSOR KRUMP? 332 00:13:52,165 --> 00:13:54,500 YOU BETTER RECOGNIZE. 333 00:13:54,500 --> 00:13:56,878 HA HA! 334 00:13:56,878 --> 00:13:59,172 [KNOCK ON DOOR] 335 00:14:02,133 --> 00:14:04,343 SHE LIVES. 336 00:14:04,343 --> 00:14:06,345 I'M SORRY, BABE. 337 00:14:06,345 --> 00:14:09,932 I KNOW THINGS HAVE BEEN A LITTLE MESSY LATELY. 338 00:14:09,932 --> 00:14:12,185 COME ON IN. 339 00:14:12,185 --> 00:14:14,812 SIMONE: I JUST... [DOOR CLOSES] 340 00:14:14,812 --> 00:14:16,981 HAVE A LOT ON MY MIND. 341 00:14:16,981 --> 00:14:20,985 LOOK, SIMONE, YOU SAID IT YOURSELF. 342 00:14:20,985 --> 00:14:24,072 WHAT WE HAVE ISN'T SOME "SITUATIONSHIP." WE MADE A COMMITMENT. 343 00:14:24,072 --> 00:14:26,282 YOU REMEMBER? YOU AND ME, BUT, HEY, 344 00:14:26,282 --> 00:14:29,077 I CAN'T BE THERE FOR YOU IF YOU DON'T TELL ME WHAT'S GOING ON. 345 00:14:29,077 --> 00:14:31,746 [SIGHS] 346 00:14:34,040 --> 00:14:36,793 CAN WE...TAKE A DRIVE? 347 00:14:38,503 --> 00:14:41,255 PLEASE? 348 00:14:41,255 --> 00:14:43,925 [BRAKES SQUEAK] 349 00:14:50,598 --> 00:14:53,643 YOU SEE THAT YELLOW HOUSE OVER THERE? 350 00:14:55,603 --> 00:14:58,356 THAT'S WHERE MY SON LIVES. 351 00:14:59,816 --> 00:15:02,235 [SIGHS] I KNOW IT'S CRAZY, 352 00:15:02,235 --> 00:15:04,278 BUT I'VE BEEN COMING HERE THE PAST FEW NIGHTS 353 00:15:04,278 --> 00:15:08,241 JUST...HOPING THAT I'D SEE HIM. 354 00:15:08,241 --> 00:15:09,742 SIMONE-- 355 00:15:09,742 --> 00:15:12,203 JORDAN, HOW DO I KNOW HE'S HAPPY, 356 00:15:12,203 --> 00:15:15,373 THAT THOSE PEOPLE ARE NICE PEOPLE? 357 00:15:16,958 --> 00:15:20,002 JORDAN, HE'S MY SON, AND I KNOW NOTHING. 358 00:15:22,338 --> 00:15:24,966 I'M SORRY, BABE. 359 00:15:24,966 --> 00:15:29,011 I--I KNOW HOW HARD IT WAS FOR YOU TO GIVE HIM UP. 360 00:15:32,974 --> 00:15:36,018 I DON'T THINK I MADE THE RIGHT DECISION. 361 00:15:37,979 --> 00:15:40,982 SWEETHEART... 362 00:15:40,982 --> 00:15:44,652 I MEAN, ISN'T IT TOO LATE? 363 00:15:46,404 --> 00:15:48,072 NO. 364 00:15:51,033 --> 00:15:55,079 I LEGALLY HAVE 3 MORE DAYS TO CHANGE MY MIND. 365 00:16:02,461 --> 00:16:04,088 [KNOCKS ON DOOR] 366 00:16:04,088 --> 00:16:07,383 "COACH BILLY BAKER." HEH HEH! 367 00:16:07,383 --> 00:16:09,510 THEY GOT YOUR NAME ALL OVER THIS PLACE, DON'T THEY? 368 00:16:09,510 --> 00:16:10,845 NOT NOW, DAD. 369 00:16:10,845 --> 00:16:13,389 WHEN I HEARD YOU ABANDONED YOUR OWN SON 370 00:16:13,389 --> 00:16:17,185 TO FOLLOW SPENCER JAMES TO CRENSHAW, I DIDN'T BELIEVE IT. 371 00:16:17,185 --> 00:16:18,811 GONNA FOLLOW HIM TO COLLEGE, TOO? 372 00:16:18,811 --> 00:16:21,814 WOW. OK. GOOD TO HAVE YOU BACK, DAD. 373 00:16:21,814 --> 00:16:23,774 I'M HERE ABOUT JORDAN. 374 00:16:23,774 --> 00:16:26,611 WHILE YOU'RE DOWN HERE PLAYING FATHER TO EVERYONE ELSE'S SON, 375 00:16:26,611 --> 00:16:30,948 YOUR OWN SON IS TOO BUSY CHASING BEHIND SOME FAST-TAIL LITTLE GAL. 376 00:16:30,948 --> 00:16:33,743 YEAH. SIMONE, UH, SHE'S NOT LIKE THAT. 377 00:16:33,743 --> 00:16:36,037 SOMETHING IS DIFFERENT ABOUT THIS ONE. 378 00:16:36,037 --> 00:16:38,748 JORDAN JUST CAN'T SEEM TO SEE PAST HER. 379 00:16:38,748 --> 00:16:42,919 IF I HAD TO GUESS, I'D SAY SHE'S THE REASON HE CANCELED ON ME TONIGHT. 380 00:16:42,919 --> 00:16:45,296 SO IS THAT IT? YOUR FEELINGS ARE HURT? 381 00:16:45,296 --> 00:16:47,924 ONE OF US NEEDS TO CARE. 382 00:16:47,924 --> 00:16:50,593 WE BOTH KNOW HOW EASILY JORDAN CAN LOSE FOCUS. 383 00:16:50,593 --> 00:16:52,470 JORDAN KNOWS WHAT'S AT STAKE THIS YEAR, ALL RIGHT? 384 00:16:52,470 --> 00:16:53,763 HE'S GONNA BE FINE. 385 00:16:53,763 --> 00:16:55,556 YOU'RE NOT SEEING WHAT I'M SEEING. 386 00:16:55,556 --> 00:16:57,058 I KNOW MY SON. I RAISED HIM. 387 00:16:57,058 --> 00:16:59,060 TO BE SOFT AND UNPREPARED 388 00:16:59,060 --> 00:17:01,187 FOR WHEN LIFE WILL KNOCK HIM ON THE ASS. 389 00:17:01,187 --> 00:17:03,189 LOOK, MAN, 390 00:17:03,189 --> 00:17:05,274 NO MATTER HOW DIFFICULT THINGS MAY GET, 391 00:17:05,274 --> 00:17:08,819 I KNOW FOR A FACT THAT JORDAN WILL NOT FOLD AND GIVE UP, 392 00:17:08,819 --> 00:17:10,821 UNLIKE YOU, 393 00:17:10,821 --> 00:17:13,407 WHO SHUTTLED MOM OFF TO THE NURSING HOME 394 00:17:13,407 --> 00:17:16,410 THE MINUTE SHE GOT TOO SICK! 395 00:17:16,410 --> 00:17:19,413 DON'T YOU DARE... 396 00:17:20,998 --> 00:17:23,626 SPEAK ON SOMETHING 397 00:17:23,626 --> 00:17:26,462 YOU KNOW NOTHING ABOUT. 398 00:17:26,462 --> 00:17:29,465 I ADVISE YOU DO THE SAME... 399 00:17:29,465 --> 00:17:31,467 POP. 400 00:17:31,467 --> 00:17:35,221 [DOOR OPENS] 401 00:17:35,221 --> 00:17:38,224 MAN: WE NEED THE RED-LINED CONTRACTS BY TOMORROW 402 00:17:38,224 --> 00:17:40,226 OR THERE IS NO DEAL. 403 00:17:40,226 --> 00:17:42,228 [DISTANT PHONE RINGING] 404 00:17:42,228 --> 00:17:46,857 CHRISTIAN, HEY, UM, SORRY. WHAT ARE YOU DOING HERE? 405 00:17:46,857 --> 00:17:48,943 CHRISTIAN: UM, I WORK HERE. LAYLA: NO, 406 00:17:48,943 --> 00:17:51,862 I MEAN I--I THOUGHT YOU WERE SUPPOSED TO BE BACK AT HOWARD THIS FALL. 407 00:17:51,862 --> 00:17:54,490 WELL, YOUR DAD OFFERED ME A FULL-TIME GIG AS A TALENT DIRECTOR, 408 00:17:54,490 --> 00:17:57,201 SO I'M TAKING A GAP YEAR. HE DIDN'T TELL YOU? 409 00:17:57,201 --> 00:18:00,663 I GUESS WE CAN ADD IT TO THE LONG LIST OF THINGS HE FAILED TO MENTION. 410 00:18:00,663 --> 00:18:03,040 I'M JUST LOOKING FOR GAYLE. 411 00:18:03,040 --> 00:18:05,459 UM, SHE'S NOT HERE YET. MAYBE I CAN HELP? 412 00:18:05,459 --> 00:18:08,087 YEAH, UM, I JUST HAD A QUESTION 413 00:18:08,087 --> 00:18:11,048 ABOUT LIL JEWEL'S NEW SINGLE. 414 00:18:12,550 --> 00:18:14,552 PATIENCE SIGNED AN NDA. 415 00:18:14,552 --> 00:18:16,554 I DIDN'T MENTION ANYTHING ABOUT PATIENCE, 416 00:18:16,554 --> 00:18:19,098 BUT THANK YOU FOR THE CONFIRMATION. 417 00:18:19,098 --> 00:18:21,100 HOW CAN MY DAD DO THAT TO HER? 418 00:18:21,100 --> 00:18:23,060 IT'S HIS LABEL, LAYLA. 419 00:18:23,060 --> 00:18:24,770 HE OWNS THE RIGHTS TO EVERY SONG, 420 00:18:24,770 --> 00:18:26,606 SO HE GETS TO CHOOSE WHO'S SINGING 'EM. 421 00:18:26,606 --> 00:18:28,691 PATIENCE SHOULD HAVE READ THE FINE PRINT IN HER CONTRACT. 422 00:18:28,691 --> 00:18:30,901 IT'S JUST THAT SIMPLE FOR YOU GUYS? 423 00:18:30,901 --> 00:18:33,738 PATIENCE IS A PERSON, WITH FEELINGS. 424 00:18:33,738 --> 00:18:35,948 LOOK, I GET THAT'S YOUR FRIEND, 425 00:18:35,948 --> 00:18:38,075 BUT THIS IS BUSINESS, 426 00:18:38,075 --> 00:18:39,869 AND THE SOONER YOU UNDERSTAND THE DIFFERENCE, 427 00:18:39,869 --> 00:18:42,204 THE SOONER YOUR LITTLE PRODUCING CAREER CAN TAKE OFF. 428 00:18:42,204 --> 00:18:43,831 "LITTLE"? 429 00:18:43,831 --> 00:18:45,833 OH, YOU MUST NOT READ THE TRADES BECAUSE 430 00:18:45,833 --> 00:18:48,210 MY "LITTLE" TOUR WITH COOP GAINED MORE BUZZ 431 00:18:48,210 --> 00:18:51,756 THAN THE OVERPRODUCED STADIUM CIRCUS THAT THIS LABEL PUT TOGETHER. 432 00:18:51,756 --> 00:18:53,924 THAT'S WHY PATIENCE WANTS TO SIGN WITH ME. 433 00:18:53,924 --> 00:18:56,552 YOU DAD WOULD NEVER RELEASE HER. 434 00:18:56,552 --> 00:19:01,349 IF HE DID, EVERY TWO-BIT ARTIST ON THIS LABEL WOULD BE COMING FOR US, 435 00:19:01,349 --> 00:19:04,560 THINKING THEY CAN LEAVE J.P. KEATING MUSIC WHENEVER THEY DAMN WELL FELT LIKE IT. 436 00:19:04,560 --> 00:19:06,854 WHY AM I ARGUING THIS WITH AN INTERN? 437 00:19:06,854 --> 00:19:08,856 CHRISTIAN: TALENT DIRECTOR. LAYLA: WHATEVER. 438 00:19:08,856 --> 00:19:10,816 I'M GONNA CALL MY DAD. 439 00:19:10,816 --> 00:19:14,362 GO FOR IT. HE'S NOT GONNA SAY ANYTHING DIFFERENT. 440 00:19:14,362 --> 00:19:16,238 WHO YOU THINK TRAINED ME? 441 00:19:19,325 --> 00:19:20,951 CAN'T LIE. 442 00:19:20,951 --> 00:19:22,787 I'VE MISSED THIS. 443 00:19:22,787 --> 00:19:24,789 YOU, ME, US. 444 00:19:24,789 --> 00:19:27,416 HEH! BABE, I SEE YOU EVERY DAY IN CLASS. 445 00:19:27,416 --> 00:19:30,252 I KNOW, BUT BETWEEN ME TRYING TO PROVE MYSELF TO MONTES, 446 00:19:30,252 --> 00:19:33,172 AND YOUR VOLUNTEER WORK, THERE'S BEEN, LIKE, ZERO "US" TIME. 447 00:19:33,172 --> 00:19:35,216 EVERYTHING GOOD? 448 00:19:35,216 --> 00:19:36,842 OF COURSE. 449 00:19:36,842 --> 00:19:38,511 THE WHOLE VANESSA SUMMER THING? 450 00:19:38,511 --> 00:19:40,930 ASH, I MEANT WHAT I SAID AFTER YOU TOLD ME, 451 00:19:40,930 --> 00:19:43,391 OK? WE'RE GOOD. SUMMER'S DONE. 452 00:19:45,643 --> 00:19:48,270 HEY, EITHER OF YOU SEEN SIMONE? 453 00:19:48,270 --> 00:19:51,148 GROSS. OLIVIA: I'M NOT HER KEEPER. 454 00:19:51,148 --> 00:19:53,567 YEAH, WELL, SHE MISSED OUR LAST CLASS, WHICH IS NOT LIKE HER. 455 00:19:53,567 --> 00:19:55,569 [SNAPS FINGERS] ASH, COVER FOR ME NEXT PERIOD, ALL RIGHT? 456 00:19:55,569 --> 00:19:57,196 I NEED TO DO SOMETHING REAL QUICK. 457 00:19:57,196 --> 00:20:00,199 SPEARS: OK, THE NIGHT YOU GOT SHOT. 458 00:20:00,199 --> 00:20:02,827 WALK ME THROUGH IT. 459 00:20:02,827 --> 00:20:05,037 UH, I WAS AT A COTILLION. 460 00:20:05,037 --> 00:20:06,789 SPEARS: OK. SPENCER: AND WE WERE CELEBRATING 461 00:20:06,789 --> 00:20:08,791 MY HOMIE OLIVIA AND ALL THE DOPE STUFF 462 00:20:08,791 --> 00:20:10,751 SHE BEEN DOING IN THE COMMUNITY. 463 00:20:10,751 --> 00:20:13,379 OLIVIA FEELS LIKE A INTERESTING FOCAL POINT. 464 00:20:13,379 --> 00:20:15,339 TELL ME ABOUT HER. 465 00:20:15,339 --> 00:20:17,591 SPENCER: WHY? SPEARS: AH, HUMOR ME. 466 00:20:17,591 --> 00:20:22,012 OK. UH, OLIVIA, UM... 467 00:20:22,012 --> 00:20:24,640 MAN, THAT'S MY DAY ONE. 468 00:20:24,640 --> 00:20:27,268 YOU KNOW, SHE THE FIRST PERSON I MET WHEN I GOT TO BEVERLY. 469 00:20:27,268 --> 00:20:28,894 SPEARS: MM-HMM. SPENCER: WE, UH, SHARED 470 00:20:28,894 --> 00:20:31,439 A LAPTOP AND BONDED OVER CHROMOSOMAL DNA. 471 00:20:31,439 --> 00:20:33,315 [SPEARS CHUCKLES] SPENCER: I DON'T KNOW, MAN. 472 00:20:33,315 --> 00:20:35,317 WE JUST... 473 00:20:35,317 --> 00:20:37,945 VIBE OVER EVERYTHING. 474 00:20:37,945 --> 00:20:41,615 IT'S HARD TO EXPLAIN, YOU KNOW. WE JUST... 475 00:20:43,200 --> 00:20:45,744 UH, WE JUST GET EACH OTHER. 476 00:20:45,744 --> 00:20:49,790 I GUESS THAT'S WHY IT WAS SO EASY TO JUMP IN FRONT OF HER WHEN I SAW THAT GUN. 477 00:20:49,790 --> 00:20:52,960 THAT TYPE OF TRAUMA CAN BOND TWO PEOPLE FOR LIFE. 478 00:20:52,960 --> 00:20:55,296 YOU THINK SHE'S MY STUCK POINT? 479 00:20:55,296 --> 00:20:58,924 NO. YOUR FEELINGS FOR OLIVIA AREN'T COMPLICATED. 480 00:20:58,924 --> 00:21:00,217 THEY'RE CLEAR. 481 00:21:00,217 --> 00:21:02,678 YOU'RE IN LOVE WITH HER. 482 00:21:02,678 --> 00:21:04,305 [SCOFFS] NAH. 483 00:21:04,305 --> 00:21:07,099 NO, NO. NO, LIV'S JUST MY FRIEND. 484 00:21:07,099 --> 00:21:11,020 NOW, LAYLA, LAYLA, THAT'S MY GIRL. I LOVE HER. 485 00:21:11,020 --> 00:21:14,315 LET'S TABLE THAT DISCUSSION FOR ANOTHER TIME. 486 00:21:14,315 --> 00:21:18,152 SO, WHO DO YOU HOLD RESPONSIBLE FOR THE SHOOTING THAT NIGHT? 487 00:21:18,152 --> 00:21:20,154 SPENCER: TYRONE. SPEARS: OK. 488 00:21:20,154 --> 00:21:21,655 YEAH, HE SET THE WHOLE THING UP. 489 00:21:21,655 --> 00:21:23,199 I MEAN, HE CAN'T BE MY STUCK POINT. 490 00:21:23,199 --> 00:21:24,742 I MEAN, MY FEELINGS ON HIM ARE CLEAR. 491 00:21:24,742 --> 00:21:26,368 SO WHO ELSE? 492 00:21:26,368 --> 00:21:28,245 WHO DO YOU REALLY BLAME, 493 00:21:28,245 --> 00:21:29,872 YOURSELF? 494 00:21:29,872 --> 00:21:32,500 IT DOESN'T EVEN HAVE TO BE A PERSON. 495 00:21:32,500 --> 00:21:35,002 MAYBE YOU BLAME YOUR CIRCUMSTANCES? 496 00:21:37,588 --> 00:21:42,218 I DON'T KNOW. I THINK I NEED SOME TIME TO THINK ON IT. 497 00:21:42,218 --> 00:21:44,303 OR YOU CAN WRITE IT DOWN. 498 00:21:44,303 --> 00:21:45,638 WRITE WHAT DOWN? 499 00:21:45,638 --> 00:21:47,056 EVERYTHING THAT HAPPENED THAT NIGHT. 500 00:21:47,056 --> 00:21:48,682 SOMETIMES MY PATIENTS FIND MORE CLARITY 501 00:21:48,682 --> 00:21:50,518 WHEN THEY WRITE THEIR THOUGHTS DOWN. 502 00:21:50,518 --> 00:21:52,520 IT'S A FORM OF NARRATIVE THERAPY. 503 00:21:52,520 --> 00:21:54,730 IT HELPS YOU UNLOCK STUFF THAT, FOR WHATEVER REASON, 504 00:21:54,730 --> 00:21:57,900 GETS BURIED IN THE DEEP RECESSES OF YOUR BRAIN. 505 00:21:57,900 --> 00:22:00,110 SO THAT'S YOUR HOMEWORK. 506 00:22:00,110 --> 00:22:02,780 YOUR SUBCONSCIOUS WILL HELP YOU FIND THE ANSWER. 507 00:22:14,166 --> 00:22:17,211 [DISTANT DOG BARKING] 508 00:22:20,297 --> 00:22:22,341 [TEXTING] 509 00:22:25,177 --> 00:22:27,221 [TRASH CAN LID SLAMS] 510 00:22:29,265 --> 00:22:31,141 DO I KNOW YOU? 511 00:22:31,141 --> 00:22:34,562 JORDAN: NOT OFFICIALLY, NO. MAN: WHAT DOES THAT MEAN? 512 00:22:34,562 --> 00:22:36,188 [SIGHS] 513 00:22:36,188 --> 00:22:38,899 UM... 514 00:22:38,899 --> 00:22:43,112 LOOK, LAST THING I WANT TO DO IS CALL THE COPS ON ANOTHER BLACK MAN, 515 00:22:43,112 --> 00:22:45,739 SO IF YOU HAVE SOMETHING YOU WANT TO TELL ME... 516 00:22:45,739 --> 00:22:48,367 LOOK, UM... 517 00:22:48,367 --> 00:22:51,370 MY, UH, MY--MY GIRLFRIEND SIMONE, 518 00:22:51,370 --> 00:22:53,414 SHE--SHE GAVE BIRTH TO YOUR SON, 519 00:22:53,414 --> 00:22:56,709 ALL RIGHT? SHE'S THE REASON I'M HERE. 520 00:23:00,170 --> 00:23:02,798 SHE'S HAVING SECOND THOUGHTS ABOUT THE ADOPTION. 521 00:23:02,798 --> 00:23:06,802 LOOK, MAN, I'M--I'M SORRY. I KNOW THIS IS CRAZY, MESSED UP. 522 00:23:06,802 --> 00:23:09,638 BUT YOU GOT TO UNDERSTAND SIMONE, ALL RIGHT? 523 00:23:09,638 --> 00:23:11,640 SHE'S ONLY 18, 524 00:23:11,640 --> 00:23:14,059 AND GIVING UP HER SON FELT LIKE THE RIGHT THING 525 00:23:14,059 --> 00:23:16,895 AT THE TIME, BUT--BUT NOW, NOW IT'S COMPLICATED-- 526 00:23:16,895 --> 00:23:20,232 GET OFF MY BLOCK! GO! 527 00:23:20,232 --> 00:23:22,693 DON'T COME BACK OVER HERE AGAIN. 528 00:23:22,693 --> 00:23:24,737 ALL RIGHT. 529 00:23:30,909 --> 00:23:35,497 [SIGHS] YO, D. 530 00:23:35,497 --> 00:23:38,334 [CLOSES DOOR] WHAT'S ALL THIS, MAN? 531 00:23:38,334 --> 00:23:39,585 OH, UH, THIS IS 532 00:23:39,585 --> 00:23:41,462 THE COMIC BOOK ME AND DARNELL WAS WORKING ON. 533 00:23:41,462 --> 00:23:43,464 DARNELL WAS SUPPOSED TO COME OVER AFTER SCHOOL 534 00:23:43,464 --> 00:23:45,799 AND HELP OUT, BUT NEVER SHOWED UP. 535 00:23:45,799 --> 00:23:49,595 DARNELL, HE JUST... HE DEALING WITH A LOT RIGHT NOW. 536 00:23:52,556 --> 00:23:55,559 HEY, I CAN HELP, RIGHT? 537 00:23:55,559 --> 00:23:58,062 "KING CRENSHAW." 538 00:23:58,062 --> 00:24:00,064 DILLON: YEAH. IT'S ABOUT A SUPERHERO 539 00:24:00,064 --> 00:24:02,733 WHO WAS RAISED ON THE CORNER AT KING AND CRENSHAW. 540 00:24:04,610 --> 00:24:07,029 THIS IS DAD. 541 00:24:07,029 --> 00:24:09,657 TOOK YOU LONG ENOUGH. 542 00:24:09,657 --> 00:24:12,826 HEY, UH, COULD YOU PROMISE ME SOMETHING? 543 00:24:12,826 --> 00:24:15,120 YEAH. YEAH, YEAH, YEAH. WHAT'S UP? 544 00:24:15,120 --> 00:24:17,748 PLEASE DON'T TELL HIM THAT I WAS UPSET. 545 00:24:17,748 --> 00:24:22,503 I JUST WANTED TO SPEND SOME EXTRA TIME WITH HIM BEFORE HE BOUNCED. 546 00:24:22,503 --> 00:24:24,546 I GOT YOU. 547 00:24:34,556 --> 00:24:37,768 YOU KNOW, THE BEST THING YOU CAN DO RIGHT NOW IS STAY PRAYED UP. 548 00:24:37,768 --> 00:24:40,771 I'M TRYING, BRO. 549 00:24:40,771 --> 00:24:43,774 YOU HAVE ANY IDEA WHEN YOU'RE COMING BACK? 550 00:24:43,774 --> 00:24:47,277 UH, IT DEPENDS ON MY MOM'S RECOVERY. 551 00:24:49,154 --> 00:24:51,156 MY BAD. 552 00:24:51,156 --> 00:24:53,158 COACH TOLD ME YOU WAS HERE ALONE. 553 00:24:53,158 --> 00:24:55,994 YEAH, WELL, I GOT TO ROLL, BRO. 554 00:24:55,994 --> 00:24:57,996 YOU AIN'T GOT TO LEAVE ON ACCOUNT OF ME, MAN. 555 00:24:57,996 --> 00:25:00,499 AIN'T NOBODY DOING NOTHING ON ACCOUNT OF YOU. 556 00:25:00,499 --> 00:25:02,459 HIT ME IF YOU NEED ANYTHING. 557 00:25:02,459 --> 00:25:04,962 ALL RIGHT, MAN. APPRECIATE YOU, CHAMP. 558 00:25:09,258 --> 00:25:11,301 YOU ALL RIGHT? 559 00:25:18,475 --> 00:25:20,477 HEY, BRO... 560 00:25:20,477 --> 00:25:22,980 I CAN'T IMAGINE WHAT YOU'RE GOING THROUGH RIGHT NOW. 561 00:25:22,980 --> 00:25:25,941 AIN'T NONE OF THIS EASY. 562 00:25:25,941 --> 00:25:28,569 I'MMA MISS YOU. 563 00:25:28,569 --> 00:25:32,322 DILLON'S GONNA MISS YOU, MOM'S GONNA MISS YOU, 564 00:25:32,322 --> 00:25:34,950 BUT YOU'RE ACTING LIKE NONE OF THAT MATTERS, MAN. 565 00:25:36,910 --> 00:25:39,371 WE DO SOMETHING WRONG? 566 00:25:40,956 --> 00:25:43,167 YOU KNOW... 567 00:25:43,167 --> 00:25:46,795 BY THE AGE OF 7, I MOVED 4 TIMES. 568 00:25:46,795 --> 00:25:48,797 4. 569 00:25:48,797 --> 00:25:50,799 LIFE IN THE MILITARY, 570 00:25:50,799 --> 00:25:53,427 IT TEACHES YOU TO NEVER GET SETTLED, 571 00:25:53,427 --> 00:25:56,096 AND I JUST... 572 00:25:56,096 --> 00:25:58,724 [SIGHS] 573 00:25:58,724 --> 00:26:01,727 Y'ALL DIDN'T DO ANYTHING WRONG. 574 00:26:01,727 --> 00:26:04,354 THAT'S ON ME. 575 00:26:04,354 --> 00:26:07,149 I GOT COMFORTABLE. 576 00:26:07,149 --> 00:26:08,901 I MADE A MISTAKE 577 00:26:08,901 --> 00:26:11,612 OF THINKING I'D FINALLY FIND A HOME. 578 00:26:11,612 --> 00:26:14,198 YO, I'M A MILITARY BRAT, SPENCE. 579 00:26:14,198 --> 00:26:16,867 I SHOULD HAVE KNOWN BETTER. 580 00:26:18,494 --> 00:26:20,913 HOME IS A MYTH. 581 00:26:20,913 --> 00:26:23,165 [CHUCKLES] 582 00:26:23,165 --> 00:26:25,834 HOME IS WHAT YOU MAKE IT, MAN. 583 00:26:30,964 --> 00:26:32,966 [SIGHS] 584 00:26:32,966 --> 00:26:34,968 MONTES: BACK AT IT AGAIN? 585 00:26:34,968 --> 00:26:39,014 JUST KEEPING MYSELF IN SHAPE FOR WHEN MY NUMBER'S CALLED. 586 00:26:45,229 --> 00:26:48,482 I MEAN, IT'S GONNA GET CALLED AT SOME POINT, RIGHT? 587 00:26:50,067 --> 00:26:52,694 I'M DOING EVERYTHING POSSIBLE TO GET BACK ON THE TEAM, COACH. 588 00:26:52,694 --> 00:26:54,822 WHAT ELSE CAN I DO TO EARN YOUR TRUST? 589 00:26:54,822 --> 00:26:58,450 STEP UP FOR YOUR TEAMMATES IN WHATEVER CAPACITY, 590 00:26:58,450 --> 00:27:00,786 THE SAME WAY JORDAN HAS ASSUMED HIS LEADERSHIP ROLE. 591 00:27:00,786 --> 00:27:03,163 DONE. IF YOU REINSTATE ME, 592 00:27:03,163 --> 00:27:04,915 I CAN PROVE THAT AT PRACTICE TOMORROW. 593 00:27:04,915 --> 00:27:07,793 MY ACTIONS SPEAK THE LOUDEST WITH A BALL IN MY HANDS. 594 00:27:09,253 --> 00:27:12,422 YOU KNOW, MY DAUGHTER VANESSA HAS BEEN RAVING 595 00:27:12,422 --> 00:27:16,844 ABOUT HOW SMART AND KIND AND SELFLESS YOU ARE. 596 00:27:16,844 --> 00:27:20,681 BUT ALL I SEE IS A KID WHO NOT ONLY GAVE AWAY HIS TEAM'S PLAYBOOK 597 00:27:20,681 --> 00:27:23,392 TO A RIVAL, BUT ALSO TOOK STEROIDS, AND NOW, 598 00:27:23,392 --> 00:27:25,394 ALL HE CARES ABOUT IS MAKING PLAYS AGAIN. 599 00:27:25,394 --> 00:27:28,188 YOU CAN'T GET MORE SELFISH THAN THAT. 600 00:27:32,192 --> 00:27:34,820 YOU DRAW THESE YOURSELF, LAYLA? 601 00:27:34,820 --> 00:27:36,822 OLIVIA: NOPE, THAT-- THAT WOULD BE ME. 602 00:27:36,822 --> 00:27:38,824 LAYLA: HEH! OLIVIA: UM, NO, THESE ARE 603 00:27:38,824 --> 00:27:41,451 THE KIDS IN KIA'S AND MY DANCE CLASS AT THE CENTER, 604 00:27:41,451 --> 00:27:44,454 AND THEY ARE SO HYPED OVER YOUR SONG, AND LAYLA THOUGHT IT 605 00:27:44,454 --> 00:27:47,082 WOULD BE COOL TO ADD THEM, YOU KNOW, KEEPING WITH THE WHOLE COMMUNITY THEME. 606 00:27:47,082 --> 00:27:50,294 MM-HMM, PLUS SPENCER TOLD ME THAT "FAMILY OVER EVERYTHING" HAS KIND OF 607 00:27:50,294 --> 00:27:54,298 BECOME A THEME FOR THE FOOTBALL TEAM, SO I THOUGHT, EMBRACE THAT. 608 00:27:54,298 --> 00:27:57,301 SO WE COULD SHOOT AT SOUTH CRENSHAW HIGH FOOTBALL FIELD-- 609 00:27:57,301 --> 00:28:00,929 THANK YOU, COACH BAKER-- YOU KNOW, HIRE FOLKS FROM THE COMMUNITY. 610 00:28:00,929 --> 00:28:03,181 IT'D BE LIKE YOUR LOVE LETTER TO SOUTH CRENSHAW. 611 00:28:03,181 --> 00:28:05,183 PATIENCE: DAMN, THESE ARE DOPE AS HELL. 612 00:28:05,183 --> 00:28:07,185 YEAH, I CAN'T WAIT TO SHOOT THIS. 613 00:28:07,185 --> 00:28:10,188 UM, THERE'S JUST ONE CHANGE. UM, 614 00:28:10,188 --> 00:28:12,983 IT'S--IT'S JUST GONNA BE COOP IN THE VIDEO. 615 00:28:12,983 --> 00:28:15,193 WHAT? NO. THE SONG IS BOTH OF OURS. 616 00:28:15,193 --> 00:28:17,070 WAIT, J.P. ISN'T RELEASING ME FROM MY CONTRACT? 617 00:28:17,070 --> 00:28:19,197 LAYLA: I'M SORRY. OLIVIA: WAIT, WAS YOUR DAD 618 00:28:19,197 --> 00:28:20,782 PISSED ABOUT THE WHOLE PATIENCE THING? 619 00:28:20,782 --> 00:28:23,660 WELL, I DEFINITELY HEARD A DIFFERENT SIDE OF HIM 620 00:28:23,660 --> 00:28:25,537 ON THE PHONE THIS AFTERNOON, 621 00:28:25,537 --> 00:28:27,789 A CUTTHROAT, "BUSINESS OVER FAMILY" SIDE. 622 00:28:27,789 --> 00:28:31,001 I COULD NEVER OPERATE LIKE THAT AND, YOU KNOW, MAYBE CHRISTIAN'S RIGHT. 623 00:28:31,001 --> 00:28:32,628 MAYBE I'M NOT WILLING TO DO WHAT IT TAKES. 624 00:28:32,628 --> 00:28:34,630 COOP: WHAT? STOP, ALL RIGHT? 625 00:28:34,630 --> 00:28:36,632 AND WHOEVER THIS CHRISTIAN IS NEEDS TO MIND HIS BUSINESS. 626 00:28:36,632 --> 00:28:38,634 YOU'VE BEEN READY. YOU JUST DO IT DIFFERENT-- 627 00:28:38,634 --> 00:28:40,385 RUNNING A LABEL WHERE THE BOSS 628 00:28:40,385 --> 00:28:42,179 ALLOWS YOU THE FREEDOM TO BE YOURSELF? 629 00:28:42,179 --> 00:28:43,513 WHILE STILL TREATING YOU LIKE FAMILY. 630 00:28:43,513 --> 00:28:45,140 EXACTLY. THAT'S WHY I SIGNED 631 00:28:45,140 --> 00:28:46,475 WITH YOU IN THE FIRST PLACE. 632 00:28:46,475 --> 00:28:47,726 I MEAN, LOOK AT WHAT YOU CAME UP WITH 633 00:28:47,726 --> 00:28:49,311 FOR THIS VIDEO OVERNIGHT. 634 00:28:49,311 --> 00:28:50,938 WE GOT FAITH IN YOU, SIS, AND EVERYTHING 635 00:28:50,938 --> 00:28:52,439 WE EARNED UP UNTIL THIS POINT WE HAD TO 636 00:28:52,439 --> 00:28:54,066 FIGHT FOR IT, AND WE KEEP WINNING. 637 00:28:54,066 --> 00:28:55,609 THAT AIN'T GONNA CHANGE AS LONG AS WE STAY 638 00:28:55,609 --> 00:28:57,235 TRUE TO WHO WE ARE. 639 00:28:57,235 --> 00:28:59,154 WE'RE FIGHTERS, RIGHT? 640 00:29:00,572 --> 00:29:02,032 [CHUCKLES] 641 00:29:02,032 --> 00:29:04,451 SIMONE: JORDAN, YOU SERIOUSLY WENT 642 00:29:04,451 --> 00:29:07,120 TO SEE MY ADOPTED SON'S PARENTS BEHIND MY BACK? 643 00:29:07,120 --> 00:29:10,874 UH, NO, NO. I COULDN'T FIND YOU AT SCHOOL, SO I WENT THERE INSTEAD. 644 00:29:10,874 --> 00:29:12,834 I DIDN'T PLAN ON TALKING TO TARIQ, OK? 645 00:29:12,834 --> 00:29:14,836 BELIEVE ME. 646 00:29:14,836 --> 00:29:17,172 [SIGHS] LOOK, SIMONE, 647 00:29:17,172 --> 00:29:19,675 I WAS JUST TRYING TO HELP. 648 00:29:19,675 --> 00:29:21,301 TALK TO ME. 649 00:29:21,301 --> 00:29:23,345 COME ON. 650 00:29:26,932 --> 00:29:29,559 [SIGHS] 651 00:29:29,559 --> 00:29:31,979 THE DAY I DECIDED ON ADOPTION, 652 00:29:31,979 --> 00:29:35,649 EVERYONE JUST KEPT TELLING ME HOW SELFLESS I WAS. 653 00:29:37,776 --> 00:29:40,904 BUT, TO ME... 654 00:29:40,904 --> 00:29:44,032 GIVING UP SHAY JUST FELT LIKE THE MOST 655 00:29:44,032 --> 00:29:46,576 SELFISH THING I'VE EVER DONE, JORDAN. 656 00:29:46,576 --> 00:29:48,787 WHAT IF MY SON ENDS UP WORSE OFF? 657 00:29:48,787 --> 00:29:51,832 I COULDN'T LIVE WITH MYSELF. 658 00:29:51,832 --> 00:29:54,710 WHAT ARE YOU SAYING? 659 00:29:56,169 --> 00:30:00,799 JORDAN, I KNOW THIS ISN'T WHAT YOU SIGNED UP FOR... 660 00:30:00,799 --> 00:30:04,845 BUT I AM DONE BEING SELFISH. 661 00:30:07,931 --> 00:30:10,600 I'M TAKING MY BABY BACK. 662 00:30:21,445 --> 00:30:23,405 WILLIE, CHUCKLING: SO, YOU'RE THE ONE 663 00:30:23,405 --> 00:30:26,033 WHO PUT CRENSHAW CATHY OUT OF BUSINESS. 664 00:30:26,033 --> 00:30:29,036 ME AND MY SMALL LEGION OF FANS. 665 00:30:29,036 --> 00:30:31,204 UM, NO, THEY'RE THE REAL HEROES. 666 00:30:31,204 --> 00:30:33,206 WILLIE: AND HERE I THOUGHT THE LONG TRADITION 667 00:30:33,206 --> 00:30:35,751 OF BAKER RADICALS WAS ENDING WITH ME. 668 00:30:35,751 --> 00:30:37,711 [WILLIE CHUCKLES] 669 00:30:37,711 --> 00:30:40,130 SO, I WAS THINKING WE SHOULD GET IN 670 00:30:40,130 --> 00:30:42,507 SOME WORK ON THE FIELD AFTER YOUR TEAM PHOTOS. 671 00:30:42,507 --> 00:30:44,551 UH, ACTUALLY, G.W., I DON'T THINK 672 00:30:44,551 --> 00:30:46,178 I'M GONNA BE AT THE TEAM PHOTO TOMORROW. 673 00:30:46,178 --> 00:30:48,430 BILLY: HOLD UP. WHY? JORDAN: UH, SIMONE NEEDS 674 00:30:48,430 --> 00:30:50,766 MY HELP WITH SOMETHING THAT'S REALLY IMPORTANT. 675 00:30:50,766 --> 00:30:53,351 SON, WHAT COULD BE MORE IMPORTANT THAN YOUR TEAMMATES? 676 00:30:53,351 --> 00:30:55,353 OLIVIA: WHO WANTS DESSERT? BILLY: I DO, RIGHT? 677 00:30:55,353 --> 00:30:57,939 YEAH, ME, TOO. UM, G.W., WILL YOU GIVE ME A HAND? 678 00:30:57,939 --> 00:30:59,775 WILLIE: IT'S JUST SOME FANCY LITTLE COOKIES. 679 00:30:59,775 --> 00:31:00,901 HOW HEAVY COULD THEY BE, HUH? 680 00:31:00,901 --> 00:31:02,944 AHEM! 681 00:31:10,786 --> 00:31:13,413 LOOK, HONEY, 682 00:31:13,413 --> 00:31:16,583 I'M SUPER PROUD OF HOW YOU'VE STUCK BY SIMONE, 683 00:31:16,583 --> 00:31:18,585 BUT MAYBE YOUR GRANDFATHER'S RIGHT. 684 00:31:18,585 --> 00:31:20,212 BILLY: LAURA. LAURA: BILLY, IT'S HIS 685 00:31:20,212 --> 00:31:21,838 SENIOR YEAR OF SCHOOL. 686 00:31:21,838 --> 00:31:23,465 HE'S GOT A LOT TO JUGGLE. 687 00:31:23,465 --> 00:31:25,467 I JUST THINK IT'S TIME MAYBE SIMONE 688 00:31:25,467 --> 00:31:27,177 LEARNED TO STAND ON HER OWN. 689 00:31:27,177 --> 00:31:29,096 BILLY: LOOK, OUR CONCERN IS COMING FROM A PLACE 690 00:31:29,096 --> 00:31:30,722 OF LOVE, ALL RIGHT? 691 00:31:30,722 --> 00:31:34,559 WE'RE JUST ASKING-- WE'RE...TRUSTING 692 00:31:34,559 --> 00:31:36,603 THAT WHILE YOU'RE HELPING YOUR FRIENDS, 693 00:31:36,603 --> 00:31:38,980 YOU DON'T LOSE SIGHT OF YOUR PRIORITIES. 694 00:31:38,980 --> 00:31:40,607 YOU GUYS JUST-- YOU DON'T UNDERSTAND. 695 00:31:40,607 --> 00:31:43,944 THEN HELP US UNDERSTAND, BABE. TALK TO US. 696 00:31:43,944 --> 00:31:47,030 IT'S FINE, BUT I'M ALL TALKED OUT FOR THE EVENING. 697 00:31:47,030 --> 00:31:49,658 BILLY: ALL RIGHT, IF YOU DON'T WANT TO TALK TO US, THAT'S FINE, 698 00:31:49,658 --> 00:31:51,952 BUT PLEASE TALK TO SOMEBODY, AND MAKE SURE 699 00:31:51,952 --> 00:31:55,789 THAT SOMEBODY HAS YOUR BEST INTERESTS AT HEART. 700 00:31:55,789 --> 00:31:57,332 COOKIES. 701 00:31:57,332 --> 00:31:58,667 HEY. 702 00:31:58,667 --> 00:32:00,836 BILLY: MACAROONS. LAURA: OOH. 703 00:32:00,836 --> 00:32:03,964 SPENCER: YO, D, HOW YOU PUT AWAY 3 BASKETS OF BREADSTICKS, BRO? 704 00:32:03,964 --> 00:32:06,591 DILLON: OK, GARLIC BREADSTICKS ARE LIFE. 705 00:32:06,591 --> 00:32:08,552 DARNELL: THANKS AGAIN FOR DINNER, MS. GRACE. I MEAN, I DIDN'T-- 706 00:32:08,552 --> 00:32:10,637 Y'ALL DIDN'T REALLY HAVE TO DO THAT. 707 00:32:10,637 --> 00:32:13,807 ALL: SURPRISE! 708 00:32:13,807 --> 00:32:16,393 WHOO! YOU REALLY DIDN'T THINK I WAS GONNA 709 00:32:16,393 --> 00:32:18,103 LET YOU LEAVE JUST LIKE THAT, DID YOU? 710 00:32:18,103 --> 00:32:20,397 WOW. YOU REALLY GOT ME. I APPRECIATE THAT. 711 00:32:20,397 --> 00:32:21,940 COME ON. BRING IT IN, BRO. 712 00:32:21,940 --> 00:32:23,608 DARNELL: HEY. HEH HEH! COOP: AH! 713 00:32:23,608 --> 00:32:25,944 YO, I'MMA PUT EVERYBODY IN GERMANY ONTO YOUR MUSIC. 714 00:32:25,944 --> 00:32:27,654 THAT PART, I APPRECIATE IT. 715 00:32:27,654 --> 00:32:29,239 [DOOR OPENS] 716 00:32:29,239 --> 00:32:30,866 DID I MI-- I MISSED THE SURPRISE. 717 00:32:30,866 --> 00:32:32,534 DAMN IT! SURPRISE. 718 00:32:32,534 --> 00:32:34,494 [CLOSES DOOR] MY BAD. 719 00:32:34,494 --> 00:32:36,997 SPENCER, WHAT'S UP? 720 00:32:36,997 --> 00:32:40,417 UM, I JUST WANTED TO SAY, AS A--AS A MAN 721 00:32:40,417 --> 00:32:43,044 WHO WAS VERY, VERY CLOSE TO HIS MOTHER, 722 00:32:43,044 --> 00:32:46,047 I FEEL LIKE I KNOW A LITTLE BIT ABOUT WHAT YOU'RE GOING THROUGH, YOU KNOW, 723 00:32:46,047 --> 00:32:49,676 AND YOU...BEING THERE BY YOUR MOTHER'S SIDE, 724 00:32:49,676 --> 00:32:52,679 THAT'S THE, UH, IT'S THE RIGHT WAY TO GO. 725 00:32:52,679 --> 00:32:55,932 ACTUALLY, THE ONLY-- THE ONLY WAY TO GO, BUT I'M PROUD OF YOU. 726 00:32:55,932 --> 00:32:58,977 DARNELL: THANK YOU. BILLY: YOU NEED ANYTHING, YOU KNOW WHERE I'M AT. 727 00:32:58,977 --> 00:33:01,021 DARNELL: APPRECIATE YOU. BILLY: YEAH, MAN. 728 00:33:01,021 --> 00:33:02,731 GOOD MAN. ALL RIGHT. 729 00:33:02,731 --> 00:33:04,566 YO, THE FACT THAT Y'ALL TWO IN THE SAME ROOM 730 00:33:04,566 --> 00:33:06,776 RIGHT NOW AND NOT COMING FOR EACH OTHER'S NECKS? 731 00:33:06,776 --> 00:33:09,571 [CAM CHUCKLES] DARNELL: IT MEANS A LOT, BRO. 732 00:33:09,571 --> 00:33:11,698 HEY, MAN, FAMILY OVER EVERYTHING, RIGHT? 733 00:33:11,698 --> 00:33:13,533 COOP: DAMN RIGHT. I HEARD THAT. 734 00:33:13,533 --> 00:33:16,328 HA HA HA! 735 00:33:17,871 --> 00:33:19,873 THANKS FOR SHOWING UP, MAN. 736 00:33:19,873 --> 00:33:22,584 I APPRECIATE THE INVITE. 737 00:33:22,584 --> 00:33:25,587 MALE SINGER: ♪ YEAH, WE JUMPIN' ON COUCHES ♪ 738 00:33:25,587 --> 00:33:29,382 ♪ GROOVE, WE DON'T DO A LOT OF FROWNIN', SCROOGE... ♪ 739 00:33:29,382 --> 00:33:31,885 YOU FINISH YOUR THERAPY HOMEWORK? 740 00:33:31,885 --> 00:33:34,054 HMM. TURNS OUT WRITING 741 00:33:34,054 --> 00:33:36,097 ABOUT THAT NIGHT'S EASIER SAID THAN DONE. 742 00:33:36,097 --> 00:33:38,683 WHEN THE MOMENT'S RIGHT, IT'LL COME TO YOU. 743 00:33:38,683 --> 00:33:41,102 [SIGHS] 744 00:33:41,102 --> 00:33:43,104 LOOKS LIKE Y'ALL PULLED IT OFF. 745 00:33:43,104 --> 00:33:44,981 SPENCER: MM-HMM. BILLY: WELL DONE. 746 00:33:44,981 --> 00:33:47,192 YEAH, YOU NEVER KNOW WITH SURPRISES, RIGHT? 747 00:33:47,192 --> 00:33:49,194 UH, SPEAKING OF SURPRISES, 748 00:33:49,194 --> 00:33:51,279 I BROUGHT ONE FOR YOU. 749 00:33:51,279 --> 00:33:53,281 IT'S OUT ON THE PORCH. 750 00:33:53,281 --> 00:33:54,574 WHAT YOU TALKING ABOUT? 751 00:33:54,574 --> 00:33:56,159 IT'S OUT ON THE PORCH. 752 00:33:56,159 --> 00:33:58,328 HA HA! OK. 753 00:33:58,328 --> 00:34:00,330 MALE SINGER: ♪ NO PLACE LIKE HOME ♪ 754 00:34:00,330 --> 00:34:02,374 [MUSIC STOPS] 755 00:34:11,132 --> 00:34:13,760 LOOK, MAN, ABOUT OUR BEEF-- 756 00:34:13,760 --> 00:34:15,387 WE'RE FAMILY. 757 00:34:15,387 --> 00:34:17,764 WE FIGHT. 758 00:34:17,764 --> 00:34:19,766 THAT'S IT? 759 00:34:19,766 --> 00:34:22,185 I MEAN, USUALLY YOU HAVE SOMETHING A LITTLE MORE 760 00:34:22,185 --> 00:34:24,479 COOL AND POETIC TO SAY RIGHT ABOUT NOW. 761 00:34:24,479 --> 00:34:28,692 MY BAD. I'M ACTUALLY SAVING THAT FOR DARNELL'S PARTY LATER. 762 00:34:30,110 --> 00:34:31,778 YOU ALL RIGHT? 763 00:34:34,364 --> 00:34:37,033 SIMONE IS TAKING HER SON BACK. 764 00:34:37,033 --> 00:34:40,120 SHE'S GOING OVER TO THE PARENTS' HOUSE TOMORROW. 765 00:34:40,120 --> 00:34:41,913 YOU GOING WITH HER? 766 00:34:41,913 --> 00:34:44,541 IT'S THE SAME TIME AS OUR TEAM PHOTO. 767 00:34:44,541 --> 00:34:48,169 I MEAN, COACH MONTES IS--IS JUST NOW STARTING TO TRUST ME. 768 00:34:48,169 --> 00:34:51,798 YOU KNOW, I MEAN, I FEEL LIKE I SHOULD BE THERE FOR HER AND MY GUYS, 769 00:34:51,798 --> 00:34:55,468 BUT AT THE SAME TIME, THIS IS A LIFE-CHANGING DECISION FOR ME AND SIMONE. 770 00:34:55,468 --> 00:34:56,720 SHE ASK YOU TO GO? 771 00:34:58,430 --> 00:35:01,766 J, YOU'VE BEEN THERE FOR SIMONE EVERY STEP OF THE WAY, MAN, BUT 772 00:35:01,766 --> 00:35:04,436 AT SOME POINT, YOU'VE BOTH GOT TO TRUST THAT SHE'S CAPABLE 773 00:35:04,436 --> 00:35:07,188 OF MAKING THE RIGHT DECISION ALL ON HER OWN. 774 00:35:07,188 --> 00:35:09,149 I MEAN, JUST 'CAUSE Y'ALL TOGETHER-TOGETHER 775 00:35:09,149 --> 00:35:11,776 DON'T MEAN YOU ALWAYS GOT TO STEP IN AND SAVE HER. 776 00:35:11,776 --> 00:35:14,988 THIS, COMING FROM OUR FRIENDLY NEIGHBORHOOD SUPERHERO? 777 00:35:14,988 --> 00:35:17,282 I GUESS IT'S A LESSON WE BOTH GOT TO LEARN. 778 00:35:17,282 --> 00:35:19,326 YEAH. 779 00:35:20,869 --> 00:35:22,871 BILLY: ALL RIGHT. 780 00:35:22,871 --> 00:35:25,498 HEY, GUYS, UM, I JUST WANT 781 00:35:25,498 --> 00:35:27,542 TO THANK YOU ALL FROM THE BOTTOM OF MY HEART. 782 00:35:27,542 --> 00:35:29,210 I DON'T EVEN KNOW WHAT TO SAY. 783 00:35:29,210 --> 00:35:31,546 WE ACTUALLY GOT ONE MORE SURPRISE FOR YOU, MAN. 784 00:35:33,506 --> 00:35:36,634 HEH! WHAT IS THIS? 785 00:35:36,634 --> 00:35:39,304 [DARNELL CHUCKLES] OH, WOW. 786 00:35:41,264 --> 00:35:44,142 WOW, MAN. THANKS. 787 00:35:44,142 --> 00:35:46,144 BILLY: OOH. SPENCER: CRENSHAW WILL 788 00:35:46,144 --> 00:35:48,563 ALWAYS BE YOUR HOME, SO TAKE AS LONG 789 00:35:48,563 --> 00:35:51,566 AS YOU NEED FOR MS. RENEE TO RECOVER... 790 00:35:51,566 --> 00:35:55,570 AND WHEN IT'S TIME TO COME BACK, WE, YOUR FAMILY, 791 00:35:55,570 --> 00:35:58,865 ARE GONNA BE RIGHT HERE, WAITING FOR YOU AND YOUR MOM. 792 00:35:58,865 --> 00:36:01,409 APPRECIATE THAT. 793 00:36:04,120 --> 00:36:06,206 OK, OK, LET'S DO THIS HERE. 794 00:36:06,206 --> 00:36:07,791 [LAUGHTER] 795 00:36:15,507 --> 00:36:17,967 HAMZAA: ♪ I PUT IT ALL IN THE SONG ♪ 796 00:36:17,967 --> 00:36:20,345 ♪ I HOPE YOU HEAR THIS ONE ♪ 797 00:36:20,345 --> 00:36:23,348 ♪ 'CAUSE WHEN IT'S ALL SAID AND DONE ♪ 798 00:36:23,348 --> 00:36:26,351 ♪ THERE'S NOTHING LEFT TO SAY ♪ 799 00:36:26,351 --> 00:36:29,562 ♪ I THOUGHT I'D ONLY BECOME ♪ 800 00:36:29,562 --> 00:36:32,357 ♪ THE LAST OF WHAT IS TO COME ♪ 801 00:36:32,357 --> 00:36:37,362 ♪ SO FORGIVE ME FOR MY INSECURITY ♪ 802 00:36:37,362 --> 00:36:40,365 SPENCER: "THE DAY OF THE COTILLION STARTED LIKE ANY OTHER DAY. 803 00:36:40,365 --> 00:36:43,576 "I HAD NO IDEA I'D END IT TAKING A BULLET FOR A FRIEND. 804 00:36:43,576 --> 00:36:47,580 "I MEAN, YEAH, THE MINUTE TYRONE SHOWED UP AT MY JOB, 805 00:36:47,580 --> 00:36:51,584 "I WAS WORRIED FOR COOP'S SAFETY, BUT IF I'M BEING HONEST, 806 00:36:51,584 --> 00:36:54,587 "BEING WORRIED ABOUT COOP IS NOTHING NEW. 807 00:36:54,587 --> 00:36:57,215 "I'VE BEEN TRYING TO SAVE HER FROM NOT JUST GANG VIOLENCE, 808 00:36:57,215 --> 00:37:00,218 BUT FROM HERSELF FOR AS LONG AS I CAN REMEMBER." 809 00:37:00,218 --> 00:37:02,053 PATIENCE: DUDE, LIV'S WORKING IN THE GYM 810 00:37:02,053 --> 00:37:04,055 WITH THOSE DANCE KIDS, AND THEY'RE DOPE. 811 00:37:04,055 --> 00:37:06,683 YEAH, THE ONLY THING MORE DOPE WOULD BE YOU ON THIS SONG WITH ME. 812 00:37:06,683 --> 00:37:09,936 PATIENCE: YEAH, I KNOW. LAYLA: WELL, UM, 813 00:37:09,936 --> 00:37:13,440 I MAY HAVE FIGURED OUT A WAY TO FREE PATIENCE FROM HER CONTRACT. 814 00:37:13,440 --> 00:37:16,067 SPENCER: "SEE, THAT'S THE THING ABOUT FAMILY. 815 00:37:16,067 --> 00:37:20,113 SOMETIMES YOU DO THE UNTHINKABLE TO SAVE THEM FROM THEMSELVES." 816 00:37:20,113 --> 00:37:22,031 WHAT'S WRONG, GAYLE? 817 00:37:22,031 --> 00:37:24,242 WAS PATIENCE A MINOR WHEN WE SIGNED HER? 818 00:37:24,242 --> 00:37:27,245 BECAUSE WE'RE BEING SUED, 819 00:37:27,245 --> 00:37:30,665 AND I'LL GIVE YOU ONE GUESS BY WHO. 820 00:37:30,665 --> 00:37:32,292 SO WHO'S CALLING J.P. TO TELL HIM 821 00:37:32,292 --> 00:37:34,961 THAT HIS DAUGHTER IS COMING FOR HIS NECK? 822 00:37:34,961 --> 00:37:37,255 SPENCER: "AND THAT'S WHAT I WAS TRYING TO DO FOR COOP THAT DAY. 823 00:37:37,255 --> 00:37:39,257 THAT'S WHY I CONFRONTED TYRONE." 824 00:37:39,257 --> 00:37:41,092 ASHER: HEY, GOOD WORK TODAY. 825 00:37:41,092 --> 00:37:43,219 I'M FREE TO HELP RUN THAT PLAY AGAIN ANYTIME. 826 00:37:43,219 --> 00:37:45,305 KEITH: ALL RIGHT. ASHER: JUST REMEMBER, TRUST YOUR TECHNIQUE. 827 00:37:45,305 --> 00:37:48,308 KEITH: OK, THANKS. MONTES: YOU A COACH NOW? 828 00:37:48,308 --> 00:37:50,018 JUST DOING MY PART. 829 00:37:50,018 --> 00:37:52,604 KEITH WANTED TO GET IN SOME EXTRA TIME ON THE FIELD. 830 00:37:52,604 --> 00:37:54,606 LAST GAME, HE TOOK A BAD ANGLE AND OVER-PURSUED, 831 00:37:54,606 --> 00:37:57,734 WHICH ALLOWED THE OTHER TEAM'S TAILBACK TO SCORE. 832 00:37:57,734 --> 00:38:00,278 THAT'S THE ANSWER TO YOUR QUESTION FROM OUR FILM STUDY. 833 00:38:00,278 --> 00:38:04,115 LOOK, COACH, I'VE MADE SOME MISTAKES, 834 00:38:04,115 --> 00:38:06,826 BUT I LOVE THESE GUYS MORE THAN ANYTHING. 835 00:38:06,826 --> 00:38:08,912 AND WHILE YOU MAY KEEP ME BENCHED FOREVER, 836 00:38:08,912 --> 00:38:11,372 YOU CAN'T STOP ME FROM HELPING MY TEAMMATES. 837 00:38:13,333 --> 00:38:14,501 I KNEW YOU'D GET IT. 838 00:38:14,501 --> 00:38:16,044 LOOK, I ONLY PUSHED YOU 839 00:38:16,044 --> 00:38:18,046 BECAUSE I KNEW YOU'D GET THERE. 840 00:38:18,046 --> 00:38:20,882 YOU ARE VALUABLE TO THIS TEAM IN MORE WAYS THAN ONE. 841 00:38:20,882 --> 00:38:23,968 I ALWAYS BELIEVED THAT, BUT I NEEDED YOU TO SEE IT FOR YOURSELF. 842 00:38:23,968 --> 00:38:25,970 HAMZAA: ♪ CAN I GET AWAY ♪ 843 00:38:25,970 --> 00:38:28,598 MONTES: COME ON. HAMZAA: ♪ FOR A MINUTE ♪ 844 00:38:28,598 --> 00:38:30,808 ♪ 'CAUSE I'M OUT OF PATIENCE ♪ 845 00:38:30,808 --> 00:38:32,810 SPENCER: "BUT WHAT I DIDN'T REALIZE AT THE TIME WAS THAT 846 00:38:32,810 --> 00:38:36,439 "IT'S NOT ALWAYS OUR JOB TO SAVE THOSE WE LOVE. 847 00:38:36,439 --> 00:38:39,442 "SOMETIMES WE HAVE TO LET THEM STAND OR FALL 848 00:38:39,442 --> 00:38:41,444 ON THEIR OWN." 849 00:38:41,444 --> 00:38:45,448 JORDAN: HEY, SIMONE, IT'S--IT'S ME. 850 00:38:45,448 --> 00:38:49,452 UM, LOOK, I JUST WANT TO LET YOU KNOW THAT I LOVE YOU. 851 00:38:49,452 --> 00:38:51,663 LOOK, I KNOW YOU'RE MORE THAN STRONG ENOUGH 852 00:38:51,663 --> 00:38:54,290 TO HANDLE THIS ON YOUR OWN, 853 00:38:54,290 --> 00:38:57,710 BUT IF YOU NEED ME, I'M JUST A PHONE CALL AWAY. 854 00:38:57,710 --> 00:39:02,382 HAMZAA: ♪ PUT IT ALL IN THE SONG ♪ 855 00:39:04,342 --> 00:39:07,512 ♪ YEAH, I'LL WRITE IT DOWN ♪ 856 00:39:07,512 --> 00:39:11,766 ♪ YEAH, I'LL WRITE IT DOWN AND PUT IT ALL IN THE ♪ 857 00:39:22,235 --> 00:39:23,778 HI. 858 00:39:23,778 --> 00:39:25,697 I'M SIMONE. UM... 859 00:39:27,282 --> 00:39:29,075 MAY I? 860 00:39:29,075 --> 00:39:31,619 M-MY WIFE AND SON ARE IN THERE. 861 00:39:31,619 --> 00:39:34,831 I KNOW. I'M REALLY SORRY. 862 00:39:34,831 --> 00:39:36,833 WOMAN: BABE, BABE. 863 00:39:36,833 --> 00:39:39,043 HE JUST LAUGHED, I SWEAR. 864 00:39:39,043 --> 00:39:41,629 SHAY FULL-ON LAUGHED, NOT GAS OR WHATEVER. 865 00:39:41,629 --> 00:39:45,133 REAL LAUGHTER. 866 00:39:45,133 --> 00:39:47,760 SIMONE: I'M SORRY. 867 00:39:47,760 --> 00:39:49,762 I SHOULDN'T HAVE COME. 868 00:39:49,762 --> 00:39:51,180 WAIT. 869 00:39:52,599 --> 00:39:54,017 WHY DON'T WE SIT DOWN? 870 00:39:58,521 --> 00:40:01,149 NO. UH... 871 00:40:01,149 --> 00:40:03,151 IT'S OK. 872 00:40:03,151 --> 00:40:04,777 HE LOOKS SO HAPPY, 873 00:40:04,777 --> 00:40:07,780 AND SHAY IS RIGHT WHERE HE'S SUPPOSED TO BE, 874 00:40:07,780 --> 00:40:12,410 AND IT'S CLEARLY HERE WITH YOU ALL AND NOT WITH ME, SO, UM, 875 00:40:12,410 --> 00:40:15,538 I'M REALLY SORRY THAT I SCARED YOU. 876 00:40:15,538 --> 00:40:16,831 HOLD UP. 877 00:40:20,752 --> 00:40:22,587 HAMZAA: ♪ CAN I GET... ♪ 878 00:40:22,587 --> 00:40:25,715 YOU DON'T HAVE TO APOLOGIZE FOR COMING TO SEE YOUR SON. 879 00:40:25,715 --> 00:40:28,384 HAMZAA: ♪ 'CAUSE I'M OUT OF PATIENCE ♪ TARIQ: MAYBE YOU COULD STOP BY 880 00:40:28,384 --> 00:40:30,011 AND CHECK--CHECK ON HIM FROM TIME TO TIME. 881 00:40:30,011 --> 00:40:32,347 WOMAN: YEAH, I MEAN, THERE IS 882 00:40:32,347 --> 00:40:34,682 NO REASON WHY WE CAN'T ALL BE IN HIS LIFE. 883 00:40:34,682 --> 00:40:36,893 HAMZAA: ♪ ...YOU'D HEAR ME WHEN I SAY... ♪ 884 00:40:36,893 --> 00:40:38,978 WOULD YOU LIKE TO HOLD HIM? 885 00:40:38,978 --> 00:40:41,189 HAMZAA: ♪ SO I'LL WRITE IT DOWN ♪ 886 00:40:41,189 --> 00:40:46,235 ♪ YEAH, I'LL WRITE IT DOWN AND PUT IT ALL IN THE SONG ♪ 887 00:40:46,235 --> 00:40:48,613 SHAY KOBE DOUGLAS... 888 00:40:48,613 --> 00:40:50,448 MEET YOUR OTHER MOM. 889 00:40:50,448 --> 00:40:54,118 HAMZAA: ♪ IN THE SONG ♪ WOMAN: AREN'T YOU LUCKY? 890 00:40:54,118 --> 00:40:56,663 YOU GET TWO. 891 00:40:56,663 --> 00:41:00,208 HAMZAA: ♪ IN THE SONG ♪ 892 00:41:00,208 --> 00:41:02,293 WOMAN: WHY DON'T WE COME INSIDE? 893 00:41:02,293 --> 00:41:04,212 HAMZAA: ♪ YEAH, I'LL WRITE IT DOWN ♪ 894 00:41:04,212 --> 00:41:06,214 ♪ YEAH, I'LL WRITE IT DOWN... ♪ 895 00:41:06,214 --> 00:41:08,216 SPENCER: "SOMETIMES, WHEN YOU GET IN THE WAY, 896 00:41:08,216 --> 00:41:10,093 "YOU END UP PAYING THE PRICE. 897 00:41:10,093 --> 00:41:12,512 "BUT I DIDN'T KNOW THAT THEN, SO I KEPT TRYING 898 00:41:12,512 --> 00:41:15,932 "TO GET COOP TO LISTEN, IF ONLY SHE WOULD HAVE. 899 00:41:15,932 --> 00:41:18,601 "WHEN I WARNED HER THAT TYRONE WAS UP TO SOMETHING, 900 00:41:18,601 --> 00:41:21,229 "WHEN I TOLD HER NOT TO GET JUMPED INTO THE GANG, 901 00:41:21,229 --> 00:41:23,231 "WHEN I WARNED HER ABOUT GETTING REVENGE FOR SHAWN, 902 00:41:23,231 --> 00:41:25,650 "OR WHEN I TOLD HER A YEAR AGO NOT TO GET INVOLVED 903 00:41:25,650 --> 00:41:27,860 "WITH SHAWN IN THE FIRST PLACE, 904 00:41:27,860 --> 00:41:31,489 "ALL THAT LED TO WHAT HAPPENED THE NIGHT I WAS SHOT. 905 00:41:31,489 --> 00:41:34,492 "IT'S TAKEN ME ALL THIS TIME TO REALIZE THAT YEAH, 906 00:41:34,492 --> 00:41:37,328 "I TOOK A BULLET FOR A FRIEND THAT DAY, 907 00:41:37,328 --> 00:41:39,747 "BUT THE BULLET I TOOK WASN'T FOR LIV. 908 00:41:39,747 --> 00:41:42,709 "IT WAS FOR COOP. 909 00:41:42,709 --> 00:41:46,713 "COOP IS WHO I BLAME FOR WHAT HAPPENED TO ME. 910 00:41:46,713 --> 00:41:49,340 "COOP... 911 00:41:49,340 --> 00:41:51,342 IS MY STUCK POINT." 912 00:41:51,342 --> 00:41:53,177 HAMZAA: ♪ YEAH, I'LL WRITE IT DOWN ♪ 913 00:41:53,177 --> 00:41:56,222 ♪ AND PUT IT ALL IN THE ♪ 914 00:42:19,871 --> 00:42:21,372 MAN: GREG, MOVE YOUR HEAD!