1 00:00:01,001 --> 00:00:02,460 PREVIOUSLY ON "ALL AMERICAN"... 2 00:00:02,502 --> 00:00:03,962 JORDAN: I GOT A GIRL PREGNANT. 3 00:00:04,004 --> 00:00:05,755 JORDAN: ♪ TA-DA ♪ SIMONE: JORDAN. 4 00:00:05,797 --> 00:00:06,756 JORDAN: ROOM FOR OUR BABY. SIMONE: IT'S NOT YOURS. 5 00:00:06,798 --> 00:00:08,383 I KNOW WHY YOU DID IT. 6 00:00:08,425 --> 00:00:09,634 AND I ALSO KNOW HOW ALONE YOU MUST FEEL RIGHT NOW. 7 00:00:09,676 --> 00:00:10,844 I'M GONNA BE THERE FOR THE BABY. 8 00:00:10,885 --> 00:00:12,721 I'M IN LOVE WITH YOU, SIMONE. 9 00:00:12,762 --> 00:00:15,181 J.P.: I GOT MAD ARTISTS LIKE COOP ALREADY ON MY LABEL. 10 00:00:15,223 --> 00:00:16,933 WHAT I DON'T HAVE IS SOMEONE LIKE PATIENCE. 11 00:00:16,975 --> 00:00:18,893 WHY'D YOU LEAVE ME BEHIND ON THE ROAD? 12 00:00:18,935 --> 00:00:20,979 AND DON'T GIVE ME NO B.S. ABOUT YOU JUST WANTING TO GET HOME. 13 00:00:21,021 --> 00:00:22,897 MAYBE SCREWING ARTISTS OVER RUNS IN YOUR FAMILY. 14 00:00:22,939 --> 00:00:24,399 WHAT IS THAT SUPPOSED TO MEAN? 15 00:00:24,441 --> 00:00:26,026 ASK YOUR POPS ABOUT WHAT HE DID TO PATIENCE. 16 00:00:26,067 --> 00:00:27,527 YOU KNOW HIS NEW SINGER LIL JEWEL? 17 00:00:27,569 --> 00:00:29,112 YEAH. 18 00:00:29,154 --> 00:00:30,613 WELL, YOU SHOULD CHECK OUT HER NEW SONG. 19 00:00:30,655 --> 00:00:32,699 YOU MIGHT FIND IT SUPER INTERESTING. 20 00:00:32,741 --> 00:00:34,451 IF YOU CAN HONESTLY SAY THAT YOU IN THE RIGHT HEAD SPACE 21 00:00:34,492 --> 00:00:36,077 TO MAKE THIS WORK, THEN I'M ALL IN. 22 00:00:36,119 --> 00:00:38,079 I SHOULD FOCUS ON MYSELF DURING RECOVERY. 23 00:00:38,121 --> 00:00:39,414 HOWEVER LONG IT IS, I'LL WAIT. 24 00:00:39,456 --> 00:00:40,790 WHEN SOMEBODY YOU LOVE IS HURTING, 25 00:00:40,832 --> 00:00:42,333 WE DO WHATEVER IT TAKES. 26 00:00:42,375 --> 00:00:44,044 ABOUT VEGAS, IT WASN'T A BIG DEAL. 27 00:00:44,085 --> 00:00:46,421 IT WAS A BIG DEAL TO ME. 28 00:00:46,463 --> 00:00:48,631 OLIVIA: I HAVEN'T BEEN ABLE TO SLEEP MUCH SINCE THE SHOOTING. 29 00:00:48,673 --> 00:00:51,009 SPENCER: TELL ME ABOUT IT. 30 00:00:51,051 --> 00:00:52,719 THERE'S ALWAYS A SPOT NEXT TO ME ON THIS COUCH, SAME TIME EVERY NIGHT. 31 00:00:52,761 --> 00:00:54,554 I'LL BE HERE. 32 00:00:54,596 --> 00:00:56,389 WE'RE JUST NOT GONNA TALK ABOUT WHAT HAPPENED THIS SUMMER? 33 00:00:57,891 --> 00:01:00,310 SPENCER, I'M ONLY GOING TO ASK YOU THIS ONE TIME, 34 00:01:00,351 --> 00:01:03,521 AND PLEASE RESPECT ME ENOUGH NOT TO LIE ABOUT IT. 35 00:01:03,563 --> 00:01:06,983 WHAT REALLY HAPPENED IN VEGAS THIS SUMMER? 36 00:01:09,235 --> 00:01:11,446 ♪ BOUNCE THAT--IN THE-- BOUNCE THAT ♪ 37 00:01:11,488 --> 00:01:14,157 ♪ IN THE--BOUNCE THAT-- IN THE AIR, AIR ♪ 38 00:01:14,199 --> 00:01:16,201 ♪ BOUNCE THAT--IN THE-- BOUNCE THAT-- ♪ 39 00:01:16,242 --> 00:01:18,536 ♪ IN THE--BOUNCE THAT EVERYWHERE-ERE... ♪ 40 00:01:18,578 --> 00:01:21,164 -WOW. -WHOA. 41 00:01:21,206 --> 00:01:22,916 SPENCER: YO, THIS REALLY OUR SPOT FOR THE WEEKEND? 42 00:01:22,957 --> 00:01:24,918 LAYLA: YEAH, YOU CAN THANK MY DAD. 43 00:01:24,959 --> 00:01:26,377 JORDAN: THANK YOU, MR. KEATING. 44 00:01:26,419 --> 00:01:28,922 J.J.: VEGAS, BABY. 45 00:01:28,963 --> 00:01:30,507 NEVER THOUGHT I'D MISS STATE CHAMPS. 46 00:01:30,548 --> 00:01:33,593 J.J.: STATE CHAMPS IN VEGAS, BABY! HA HA! 47 00:01:33,635 --> 00:01:35,428 SPENCER: BETTER LEAVE IT ALONE. PATIENCE: WOW. 48 00:01:35,470 --> 00:01:36,679 HE'S JUST EXCITED. 49 00:01:36,721 --> 00:01:38,223 WELL, SO AM I, ALL RIGHT, 50 00:01:38,264 --> 00:01:39,641 BUT THAT'S ALL HE'S SAID FOR THE LAST 4 HOURS. 51 00:01:39,682 --> 00:01:41,142 I'M VEGAS BABY'D OUT. 52 00:01:41,184 --> 00:01:42,560 WELL, WHAT IF I DO THIS? 53 00:01:42,602 --> 00:01:46,439 BABY, VEGAS. VEGAS, BABY. 54 00:01:46,481 --> 00:01:48,441 JORDAN: THEN I'D SAY THAT'S CUTE, 55 00:01:48,483 --> 00:01:50,693 BUT EVERYTHING YOU SAY IS CUTE. 56 00:01:54,239 --> 00:01:56,866 HEY, COME ON. LET'S GET YOU INTO BED 57 00:01:56,908 --> 00:01:59,119 BEFORE J.J. JUMPS ON IT LITERALLY. 58 00:01:59,160 --> 00:02:00,286 SEE YOU. 59 00:02:00,328 --> 00:02:01,496 [CHUCKLES SOFTLY] 60 00:02:01,538 --> 00:02:02,539 [PATIENCE CHUCKLING] 61 00:02:02,580 --> 00:02:04,457 UM, SO YOU LIKE THE ROOM? 62 00:02:04,499 --> 00:02:06,126 I MEAN, I KNEW VEGAS WAS FANCY, 63 00:02:06,167 --> 00:02:08,044 BUT I WASN'T EXPECTING ALL THIS. 64 00:02:08,086 --> 00:02:10,839 WELL, MY DAD INSISTED MY FRIENDS GET THE ROYAL TREATMENT. 65 00:02:10,880 --> 00:02:13,133 WELL, I'M YOUR FRIEND AND YOUR ARTIST. 66 00:02:13,174 --> 00:02:14,843 WHERE IS MY SUITE? 67 00:02:14,884 --> 00:02:16,803 WE'RE NOT LETTING HIM HELP US, REMEMBER? 68 00:02:16,845 --> 00:02:18,346 MAYBE I SIGNED TO THE WRONG KEATING. 69 00:02:18,388 --> 00:02:19,681 OH, MY GOD. YOU JUST CAME TO MY ROOM. 70 00:02:19,722 --> 00:02:20,932 IT'S FAR FROM A SUITE. 71 00:02:20,974 --> 00:02:22,600 YEAH. HELLO, BRUTUS. 72 00:02:22,642 --> 00:02:24,602 THE WRONG KEATING GOT YOU A SOLD-OUT SHOW IN VEGAS. 73 00:02:24,644 --> 00:02:26,896 AND MY DAD ARRANGED FOR US TO HAVE OUR OWN PRIVATE GAMING SUITE. 74 00:02:26,938 --> 00:02:28,815 DAMN. YOUR POPS REALLY BALLED OUT. 75 00:02:28,857 --> 00:02:31,943 WELL, HE KNEW HOW IMPORTANT IT WAS FOR ME TO HAVE YOU HERE. 76 00:02:31,985 --> 00:02:33,570 ALL OF YOU-- 77 00:02:33,611 --> 00:02:34,654 HOW IMPORTANT ALL OF YOU ARE. 78 00:02:34,696 --> 00:02:36,364 RIGHT. [CHUCKLES] 79 00:02:36,406 --> 00:02:37,991 COOP: DEFINITELY SIGNED TO THE WRONG KEATING. 80 00:02:38,032 --> 00:02:40,243 HA HA! TRUST ME. YOU DIDN'T. 81 00:02:40,285 --> 00:02:43,121 J.J.: HEY, UH, Y'ALL KNOW WHAT TIME IT IS? 82 00:02:45,290 --> 00:02:49,627 J.J.: HA HA HA! IT'S VEGAS TIME, BABY! 83 00:02:49,669 --> 00:02:51,629 ♪ SMILE FOR THE CAMERA ♪ 84 00:02:51,671 --> 00:02:53,381 ♪ I KNOW IT'S ON THE SPOT, BUT SHOW ME WHAT YOU GOT ♪ 85 00:02:53,423 --> 00:02:55,758 ♪ GET YOURSELF TOGETHER, WHAT IS YOUR BEST SIDE? ♪ 86 00:02:55,800 --> 00:02:58,094 ♪ IS IT YOUR RIGHT, OR IS YOUR LEFT SIDE? ♪ 87 00:02:58,136 --> 00:02:59,429 ♪ COME ON... ♪ 88 00:02:59,470 --> 00:03:01,055 BLACKJACK AIN'T REALLY MY GAME, MAN. 89 00:03:01,097 --> 00:03:03,641 MY DAD'S A WHALE, BRO. THAT MAKES ME A BABY WHALE, 90 00:03:03,683 --> 00:03:06,394 ALL RIGHT? I GOT A SYSTEM. IT NEVER FAILS. TRUST ME. 91 00:03:06,436 --> 00:03:07,687 OK. 92 00:03:09,397 --> 00:03:11,399 ♪ WOULD YOU EVER GIVE ME LOVE ♪ 93 00:03:11,441 --> 00:03:12,650 ♪ WOULD YOU EVER GIVE ME LOVE LIKE THAT? ♪ 94 00:03:12,692 --> 00:03:14,068 ♪ LOVE LIKE THAT... ♪ 95 00:03:14,110 --> 00:03:16,738 COOP: MAN. WHAT? HIGH ROLLER'S SUITE, 96 00:03:16,779 --> 00:03:19,449 A PRIVATE GAMING ROOM, MY OWN PERSONAL DEALER? 97 00:03:19,490 --> 00:03:22,160 MAN. J.P. IS FLEXING TONIGHT, BABY. 98 00:03:22,202 --> 00:03:25,163 MM-HMM. J.P. DOES LOVE A GOOD FLEX. 99 00:03:25,205 --> 00:03:26,581 WHAT, YOU ALL TWO BEEFING OR SOMETHING? 100 00:03:26,623 --> 00:03:28,708 MM-MM. NO BEEF. 101 00:03:28,750 --> 00:03:32,128 I AM PERFECTLY HAPPY PERFORMING BUBBLEGUM POP FOR 8 YEAR OLDS. 102 00:03:32,170 --> 00:03:33,880 HAVE YOU TOLD HIM YOU WANT TO PERFORM YOUR OWN MUSIC? 103 00:03:33,922 --> 00:03:35,590 OH, NO. YOU DON'T TELL J.P. KEATING. 104 00:03:35,632 --> 00:03:37,300 J.P. KEATING TELLS YOU. 105 00:03:37,342 --> 00:03:38,635 COME ON, BABE. HAVE YOU AT LEAST TRIED? 106 00:03:38,676 --> 00:03:40,637 CAN WE NOT TALK ABOUT THIS, PLEASE? 107 00:03:40,678 --> 00:03:42,639 I JUST WANT TO ENJOY THE NIGHT, OK? 108 00:03:42,680 --> 00:03:44,641 AH AH AH. DOES THAT WORK? 109 00:03:44,682 --> 00:03:48,937 OH, YES! THAT'S A START. OK. 110 00:03:56,778 --> 00:03:57,987 AND I CAN'T BELIEVE I GET TO WATCH YOU 111 00:03:58,029 --> 00:03:59,697 PERFORM IN VEGAS. 112 00:03:59,739 --> 00:04:01,866 I CAN'T BELIEVE IT TOOK ME PERFORMING IN VEGAS 113 00:04:01,908 --> 00:04:03,743 TO GET YOUR SORRY ASS OUT TO MY TOUR. 114 00:04:03,785 --> 00:04:05,286 WHAT, SPENCER JAMES IS TOO BIG-TIME 115 00:04:05,328 --> 00:04:07,205 TO JOIN THE COOP TROOP? 116 00:04:07,247 --> 00:04:08,706 -THE COOP TROOP? -YEAH. GIVE IT TIME. 117 00:04:08,748 --> 00:04:11,542 IT'LL GROW ON YOU. [LAUGHTER] 118 00:04:11,584 --> 00:04:13,628 FOR REAL, MAN, WHAT YOU BEEN DOING? 119 00:04:13,670 --> 00:04:15,964 WORKING. NOT ALL OF US GET TO SPEND OUR SUMMER 120 00:04:16,005 --> 00:04:17,757 JET-SETTING AROUND THE COUNTRY. 121 00:04:17,799 --> 00:04:19,175 NO. VAN-SETTING, OK? 122 00:04:19,217 --> 00:04:21,010 LAYLA GOT US ON A STRICT BUDGET. 123 00:04:21,052 --> 00:04:22,679 YOU ALL TWO GETTING PRETTY CLOSE? 124 00:04:22,720 --> 00:04:25,348 WHY? YOU WORRIED I'MMA MOVE IN ON YOUR GIRL? 125 00:04:25,390 --> 00:04:27,016 SHUT UP. 126 00:04:27,058 --> 00:04:28,768 I MEAN, ALL THAT TIME ON THE ROAD TOGETHER, 127 00:04:28,810 --> 00:04:30,353 JUST THE TWO OF US. 128 00:04:30,395 --> 00:04:31,771 SHE AIN'T MY GIRL. 129 00:04:31,813 --> 00:04:33,314 AND SHE GOT WAY BETTER TASTE THAN THAT. 130 00:04:33,356 --> 00:04:34,941 YEAH. OK. THAT SOUND LIKE A CHALLENGE. 131 00:04:34,983 --> 00:04:36,734 YOU LUCKY I GOT PATIENCE. 132 00:04:36,776 --> 00:04:38,653 YO, I MISS HANGING WITH YOU COOP. 133 00:04:38,695 --> 00:04:41,072 YOU KNOW WE AIN'T NEVER SPENT A WHOLE SUMMER APART? 134 00:04:41,114 --> 00:04:44,033 I KNOW. IT'S GOOD TO SEE YOU, TOO, FAM. 135 00:04:44,075 --> 00:04:45,660 [BALL SETTLES IN ROULETTE WHEEL SLOT] 136 00:04:48,496 --> 00:04:50,456 BUT YOU GOT TO GO, BRO. 137 00:04:50,498 --> 00:04:52,292 YOU BAD LUCK. COME ON, MAN. 138 00:04:52,333 --> 00:04:54,210 DAMN. 139 00:04:57,714 --> 00:04:59,966 OOH. NICE PURSE. DESIGNER? 140 00:05:00,008 --> 00:05:02,135 HEH. SIMONE DOESN'T LIKE 141 00:05:02,176 --> 00:05:03,720 TAKING IT TO THE RESTROOM WITH HER. 142 00:05:03,761 --> 00:05:06,180 AND NOW THAT SHE'S PEEING FOR TWO, 143 00:05:06,222 --> 00:05:08,474 SHE GOES A LOT. BUT IT'S ALL RIGHT. 144 00:05:08,516 --> 00:05:10,184 I MEAN, I'M COMFORTABLE ENOUGH 145 00:05:10,226 --> 00:05:12,770 WITH MY MASCULINITY TO HANDLE IT, SO... 146 00:05:12,812 --> 00:05:14,439 THAT'S TRUE LOVE. 147 00:05:14,480 --> 00:05:15,940 WELL, DON'T TELL ANYONE. 148 00:05:15,982 --> 00:05:18,067 ACTUALLY, TELL EVERYONE. 149 00:05:18,109 --> 00:05:19,986 I LOVE HER. 150 00:05:20,028 --> 00:05:22,196 I MEAN, I MISS HER WHENEVER SHE'S NOT AROUND. 151 00:05:22,238 --> 00:05:23,948 I EVEN MISS HER NOW. 152 00:05:23,990 --> 00:05:25,700 HOW WEIRD IS THAT? 153 00:05:25,742 --> 00:05:27,994 IT'S NOT WEIRD AT ALL. 154 00:05:31,998 --> 00:05:36,085 ♪ MMM, 5 A.M., ARE YOU OUT? ♪ 155 00:05:36,127 --> 00:05:37,795 ♪ WHERE YOU AT... ♪ 156 00:05:37,837 --> 00:05:39,047 [CHUCKLES] 157 00:05:39,088 --> 00:05:40,631 I DON'T THINK VEGAS LIKES ME. 158 00:05:40,673 --> 00:05:42,675 WHAT? NO. SHE JUST HAS TO WARM UP TO YOU. 159 00:05:42,717 --> 00:05:44,927 YOU SHOULD, YOU KNOW, WHISPER SOMETHING SWEET TO HER. 160 00:05:44,969 --> 00:05:46,929 -OK. -MM-HMM. 161 00:05:46,971 --> 00:05:48,389 COME ON, BABY. 162 00:05:48,431 --> 00:05:49,640 YEAH. 163 00:05:49,682 --> 00:05:51,601 DON'T BE LIKE THAT. 164 00:05:51,642 --> 00:05:54,270 I KNOW YOU THE FINEST SLOT MACHINE IN HERE. 165 00:05:54,312 --> 00:05:55,646 [CHUCKLES] 166 00:05:58,608 --> 00:06:00,943 THAT'S BETTER. HA HA! 167 00:06:00,985 --> 00:06:03,029 THERE'S THAT LAUGH. 168 00:06:04,238 --> 00:06:06,449 IT'S GOOD TO SEE YOU IN PERSON. 169 00:06:06,491 --> 00:06:09,952 FACETIME AND TEXTS HAVE NOTHING ON THE REAL THING. 170 00:06:09,994 --> 00:06:11,621 I CAN'T DO THE SHAQ SHUFFLE MEME IN PERSON. 171 00:06:11,662 --> 00:06:12,872 YOU DON'T WANT TO SEE THAT IN VEGAS? 172 00:06:12,914 --> 00:06:14,123 -NO. -NO? 173 00:06:14,165 --> 00:06:15,333 BABE, YOU DON'T NEED TO. 174 00:06:15,375 --> 00:06:17,794 [LAUGHTER] 175 00:06:17,835 --> 00:06:20,171 UM, I'M BUMMED OLIVIA COULDN'T COME. 176 00:06:20,213 --> 00:06:21,964 IS SHE DOING OK? 177 00:06:22,006 --> 00:06:24,592 YEAH. SHE BE KEEPING BUSY WITH HER PODCAST, 178 00:06:24,634 --> 00:06:26,219 BUT SHE SEEMS HAPPY. 179 00:06:26,260 --> 00:06:27,220 MM. 180 00:06:27,261 --> 00:06:28,763 SO DO YOU. 181 00:06:28,805 --> 00:06:31,307 UM, WELL, 182 00:06:31,349 --> 00:06:33,267 COOP'S BLOWING UP. 183 00:06:33,309 --> 00:06:35,895 MY FATHER IS BEING AN ACTUAL FATHER. 184 00:06:35,937 --> 00:06:38,815 SO THINGS ARE-- THINGS ARE GOOD. 185 00:06:40,316 --> 00:06:42,443 HOW ABOUT YOU? ARE YOU HAPPY? 186 00:06:42,485 --> 00:06:44,153 NOT RIGHT NOW. 187 00:06:44,195 --> 00:06:46,823 NIGHT ONE, AND I'M ALREADY BROKE AS HELL. 188 00:06:46,864 --> 00:06:49,951 WELL, I HAVE A FEELING YOUR LUCK'S ABOUT TO TURN AROUND. 189 00:06:49,992 --> 00:06:52,328 YOU JUST GOT TO BET ON THE RIGHT THING. 190 00:06:56,249 --> 00:06:58,960 PRETTY GOOD NIGHT, HUH, RIGHT? 191 00:06:59,001 --> 00:07:01,421 I CAN'T BELIEVE LAYLA'S POPS HOOKED THIS ALL UP FOR US. 192 00:07:01,462 --> 00:07:02,964 US? 193 00:07:03,005 --> 00:07:04,966 MY MAN, HE HOOKED THIS UP FOR YOU. 194 00:07:05,007 --> 00:07:06,551 ALL RIGHT. LOOK, I'VE KNOWN MR. KEATING MY WHOLE LIFE. 195 00:07:06,592 --> 00:07:08,136 HE'S NEVER EVEN LOOKED AT ME. 196 00:07:08,177 --> 00:07:10,096 BUT HIS BABY GIRL BATS HER EYES AND SAYS 197 00:07:10,138 --> 00:07:12,515 SPENCER'S COMING TO TOWN, AND, BOOM, ROLL OUT THE RED CARPET. 198 00:07:12,557 --> 00:07:15,101 SO WHEN ARE YOU GONNA MAKE YOUR MOVE? 199 00:07:15,143 --> 00:07:16,686 IT AIN'T LIKE THAT, MAN. 200 00:07:16,727 --> 00:07:18,354 I'M JUST HERE TO TURN UP WITH MY PEEPS, 201 00:07:18,396 --> 00:07:20,523 REP THE COOP TROOP. 202 00:07:20,565 --> 00:07:22,275 SHE'S RIGHT. IT DID GROW ON ME. 203 00:07:22,316 --> 00:07:24,110 OK. WELL, YOU CAN DO THAT WITH LAYLA, CAN'T YOU? 204 00:07:24,152 --> 00:07:25,778 OH, I GET IT. 205 00:07:25,820 --> 00:07:27,989 YOU WIFED UP NOW, SO EVERYBODY ELSE GOT TO BE. 206 00:07:28,030 --> 00:07:29,615 NO, NO. IT'S NOT LIKE THAT. 207 00:07:29,657 --> 00:07:32,243 LOOK, I KNOW YOU TWO ARE ENDGAME. 208 00:07:32,285 --> 00:07:34,036 ALL RIGHT? WHY FIGHT THE INEVITABLE? 209 00:07:34,078 --> 00:07:35,538 SIMONE: HEY. 210 00:07:35,580 --> 00:07:36,998 HEY. HOW ARE YOU? 211 00:07:39,167 --> 00:07:41,127 UNLESS YOU'RE HAPPY BEING SINGLE 212 00:07:41,169 --> 00:07:42,795 AND WATCHING DUMB MOVIES WITH MY SISTER. 213 00:07:42,837 --> 00:07:45,089 SIMONE: THIS WEEKEND IS GONNA BE INCREDIBLE. 214 00:07:45,131 --> 00:07:46,924 I'VE NEVER SEEN COOP, LIKE, DO HER THING. 215 00:07:46,966 --> 00:07:48,968 WELL, IF I HAVE IT MY WAY, 216 00:07:49,010 --> 00:07:50,470 YOU WON'T BE SEEING MUCH OF HER THIS WEEKEND, YOU KNOW? 217 00:07:50,511 --> 00:07:52,013 MM. REALLY? 218 00:07:52,054 --> 00:07:53,723 I'M FEELING LUCKY. 219 00:07:53,764 --> 00:07:55,600 SIMONE: OK. MM. HA HA! JORDAN: MMM MMM. 220 00:07:55,641 --> 00:07:58,019 HEY. PRE-PARTY'S OVER. LET'S HIT THE TOWN. 221 00:07:58,060 --> 00:07:59,479 DID YOUR DAD GET US OUR OWN CLUB? 222 00:07:59,520 --> 00:08:01,647 UH, NOT THAT I KNOW OF. 223 00:08:01,689 --> 00:08:03,149 LOOKS LIKE I'M THE CAPTAIN NOW. 224 00:08:03,191 --> 00:08:04,609 THINK IT'S TIME TO ABANDON SHIP. 225 00:08:04,650 --> 00:08:05,776 GOOD NIGHT, GOOD PEOPLE. 226 00:08:05,818 --> 00:08:06,861 PEACE. 227 00:08:06,903 --> 00:08:08,613 WHAT ABOUT YOU, SPENCE? 228 00:08:08,654 --> 00:08:10,323 NO. THIS IS THE PRE-PARTY, PARTY, AND POST-PARTY 229 00:08:10,364 --> 00:08:11,908 FOR ME, BRUH. 230 00:08:11,949 --> 00:08:13,868 I GUESS IT'S JUST ME AND YOU, LAYLA. 231 00:08:13,910 --> 00:08:16,537 MM, N--NO. 232 00:08:16,579 --> 00:08:18,372 J.J.: I NEED NEW FRIENDS. SPENCER: MM-HMM. 233 00:08:19,999 --> 00:08:21,959 HOLLA AT YOU. 234 00:08:22,001 --> 00:08:24,170 UM, WELL, I WAS GONNA GO CATCH UP WITH COOP 235 00:08:24,212 --> 00:08:26,339 UNLESS YOU WANT TO GO FOR ONE MORE DRINK? 236 00:08:26,380 --> 00:08:30,176 I'M BEAT. PLUS, I GOT TO CHECK IN WITH MY MOMS. 237 00:08:30,218 --> 00:08:32,386 I PRACTICALLY HAD TO BEG HER TO LET ME COME OUT HERE, 238 00:08:32,428 --> 00:08:34,138 SO SEE YOU TOMORROW? 239 00:08:34,180 --> 00:08:35,515 YEAH. 240 00:08:35,556 --> 00:08:36,891 ALL RIGHT. 241 00:08:44,065 --> 00:08:46,901 PLEASE TELL ME I'M YOUR ONE PHONE CALL FROM JAIL. 242 00:08:46,943 --> 00:08:48,444 [CHUCKLING] NO. 243 00:08:48,486 --> 00:08:49,862 BUT YOU MIGHT J.J.'S IN A FEW HOURS. 244 00:08:49,904 --> 00:08:51,531 OLIVIA: THANKS FOR THE HEADS-UP. 245 00:08:51,572 --> 00:08:53,699 TURNING MY PHONE OFF FOR THE REST OF THE NIGHT. 246 00:08:53,741 --> 00:08:55,701 SO YOU HAVING A GOOD TIME? 247 00:08:55,743 --> 00:08:57,787 UH, YEAH, IT'S ALL RIGHT. 248 00:08:57,828 --> 00:08:59,372 I STILL THINK YOU SHOULD'VE COME. 249 00:08:59,413 --> 00:09:01,666 SO I CAN DAY DRINK WITH J.J. 250 00:09:01,707 --> 00:09:03,793 AND WATCH JORDAN AND SIMONE PLAY KISSY FACE? 251 00:09:03,834 --> 00:09:05,461 HARD PASS. 252 00:09:05,503 --> 00:09:07,463 BESIDES, YOU DON'T WANT A THIRD WHEEL HANGING AROUND 253 00:09:07,505 --> 00:09:09,382 WHILE YOU PUT THE MOVES ON LAYLA. 254 00:09:09,423 --> 00:09:11,050 AIN'T NOBODY PUTTING ANY MOVES ON ANYONE. 255 00:09:11,092 --> 00:09:12,343 LAYLA AND I AREN'T TOGETHER. 256 00:09:12,385 --> 00:09:13,469 I KNOW, BUT COME ON. 257 00:09:13,511 --> 00:09:15,304 YOU BOTH WANT TO BE, RIGHT? 258 00:09:15,346 --> 00:09:16,722 IT WAS TOTALLY OBVIOUS 259 00:09:16,764 --> 00:09:17,848 BEFORE LAYLA LEFT FOR THE SUMMER. 260 00:09:17,890 --> 00:09:20,142 THIS WEEKEND'S YOUR CHANCE. 261 00:09:20,184 --> 00:09:22,395 DID I MISS THE PART WHEN Y'ALL BAKER TWINS BECAME PIMPS? 262 00:09:22,436 --> 00:09:24,355 YOU KNOW I'M RIGHT. 263 00:09:24,397 --> 00:09:26,232 MAYBE. I DON'T KNOW. 264 00:09:26,274 --> 00:09:27,984 SOMETHING FELT KIND OF OFF TONIGHT, THOUGH. 265 00:09:28,025 --> 00:09:31,070 YEAH. WELL, PROBABLY BECAUSE SHE'S BEEN GONE FOR SO LONG. 266 00:09:31,112 --> 00:09:32,822 I MEAN, EVERYTHING WILL GO BACK TO NORMAL 267 00:09:32,863 --> 00:09:34,365 WHEN YOU SEE HER TOMORROW. 268 00:09:34,407 --> 00:09:38,160 OR LATER TONIGHT. 269 00:09:38,202 --> 00:09:40,204 HEY, IT'S NOT HAPPENING TONIGHT. 270 00:09:40,246 --> 00:09:41,664 AND SHE BUSY WITH COOP ALL DAY TOMORROW 271 00:09:41,706 --> 00:09:43,624 UNTIL THE SHOW, SO... 272 00:09:43,666 --> 00:09:45,668 SO WHAT ARE YOU GONNA DO ALL DAY? 273 00:09:45,710 --> 00:09:47,587 I DON'T KNOW. PROBABLY CHILL IN THIS CRAZY-ASS SUITE, 274 00:09:47,628 --> 00:09:49,130 WATCH DUMB MOVIES. 275 00:09:49,171 --> 00:09:50,881 WITHOUT ME? 276 00:09:50,923 --> 00:09:52,633 [CLICKS TONGUE] NOT COOL. 277 00:09:52,675 --> 00:09:54,427 YEAH, WELL, I GUESS YOU SHOULD'VE COME THEN. 278 00:09:54,468 --> 00:09:57,388 I'LL HOLLA AT YOU. BYE. 279 00:10:14,280 --> 00:10:15,740 LIV? 280 00:10:15,781 --> 00:10:19,035 LET'S HAVE SOME FUN. IT'S VEGAS, BABY. 281 00:10:19,076 --> 00:10:20,995 [BOTH CHUCKLING] 282 00:10:26,542 --> 00:10:29,337 YOU KNOW, AS MUCH AS I LOVE ROOM SERVICE, 283 00:10:29,378 --> 00:10:32,006 I CAN'T JUSTIFY PAYING 20 BUCKS FOR TOAST. 284 00:10:32,048 --> 00:10:34,592 HA HA. YOU KNOW, I THINK MR. KEATING'S COVERING OUR ROOM EXPENSES. 285 00:10:34,634 --> 00:10:37,011 MAN. THIS PLACE WAS DESTROYED. 286 00:10:37,053 --> 00:10:39,347 IT WAS ALL J.J. I GUESS HE MET SOME NEW FRIENDS. 287 00:10:39,388 --> 00:10:42,058 OH. THAT EXPLAINS THE MANNEQUIN. 288 00:10:42,099 --> 00:10:43,726 NICE HAIR, BY THE WAY. 289 00:10:43,768 --> 00:10:46,312 NICE OF YOU TO NOTICE. 290 00:10:46,354 --> 00:10:49,357 BET. MY HEAD'S STILL IN A FOG AFTER LAST NIGHT. 291 00:10:49,398 --> 00:10:51,359 SIMONE: WHAT ARE YOU DOING HERE? 292 00:10:51,400 --> 00:10:53,444 WELL, GOOD MORNING TO YOU, TOO. 293 00:10:53,486 --> 00:10:55,446 SORRY. I JUST WASN'T EXPECTING TO SEE YOU. 294 00:10:55,488 --> 00:10:57,114 DOES JORDAN KNOW YOU'RE HERE? 295 00:10:57,156 --> 00:10:58,908 UM, PROBABLY NOT. 296 00:10:58,949 --> 00:11:01,577 SPENCER TALKED ME INTO FLYING OUT. 297 00:11:01,619 --> 00:11:03,621 OH, COOL. I SHOULD GO. 298 00:11:06,165 --> 00:11:08,376 JORDAN'S HOLDING A TABLE AT THE RESTAURANT. 299 00:11:08,417 --> 00:11:10,878 OLIVIA: REALLY? I WAS JUST DOWN THERE, AND I DIDN'T SEE HIM. 300 00:11:10,920 --> 00:11:13,923 SPENCER: YEAH. WHAT YOU ALL TWO DOING LATER? WE SHOULD MEET UP. 301 00:11:13,964 --> 00:11:16,008 YEAH. MAYBE, BUT WE KIND OF ALREADY MADE PLANS, THOUGH... 302 00:11:16,050 --> 00:11:17,593 WHAT KIND OF PLANS? 303 00:11:17,635 --> 00:11:19,220 PLANS THAT DON'T INCLUDE YOU TWO. 304 00:11:19,261 --> 00:11:20,971 BUT I'LL TALK TO JORDAN. 305 00:11:22,598 --> 00:11:25,976 YOU KNOW, THERE'S A NICER WAY TO SAY THAT. 306 00:11:26,018 --> 00:11:28,354 SHE WAS--SHE WAS ACTING WEIRD, RIGHT? 307 00:11:28,396 --> 00:11:30,773 EVERYBODY ACTS WEIRD WHEN THEY'RE IN LOVE. 308 00:11:30,815 --> 00:11:33,567 SPEAKING OF LOVE, GIVE ME THE REAL ON WHAT HAPPENED WITH YOU AND LAYLA. 309 00:11:33,609 --> 00:11:35,194 NOTHING'S HAPPENING. 310 00:11:35,236 --> 00:11:37,029 WHY NOT? DON'T YOU GUYS WANT TO GET BACK TOGETHER? 311 00:11:37,071 --> 00:11:39,031 LOOK, I DON'T EVEN KNOW IF SHE'S READY, LIV. 312 00:11:39,073 --> 00:11:40,783 WHAT IF THE TIMING AIN'T RIGHT? 313 00:11:40,825 --> 00:11:43,119 OR MAYBE SHE'S WAITING FOR YOUR DUMB ASS TO MAKE A MOVE. 314 00:11:43,160 --> 00:11:44,995 THERE'S A NICER WAY TO SAY THAT. 315 00:11:45,037 --> 00:11:47,206 YOU'RE A TAKE CHARGE KIND OF GUY, SPENCER. 316 00:11:47,248 --> 00:11:49,250 SO TAKE CHARGE, LET HER KNOW HOW YOU'RE FEELING. 317 00:11:49,291 --> 00:11:50,876 GET HER A GIFT OR SOMETHING. 318 00:11:50,918 --> 00:11:52,420 IT'S GONNA HAVE TO BE A PRETTY CHEAP GIFT. 319 00:11:52,461 --> 00:11:53,963 I BLEW ALMOST ALL MY MONEY LAST NIGHT. 320 00:11:54,004 --> 00:11:56,507 WELL, LUCKY FOR YOU, VEGAS HAS PLENTY OF SHOPS 321 00:11:56,549 --> 00:11:58,843 FOR PEOPLE WHO SPENT THEIR MONEY ON NIGHT ONE. 322 00:11:58,884 --> 00:12:01,679 BESIDES, LAYLA WILL LIKE WHATEVER YOU GET HER. 323 00:12:01,721 --> 00:12:03,889 COOP: WHENEVER I GOT A ISSUE, 324 00:12:03,931 --> 00:12:06,058 I JUST TELL LAYLA, LET HER DEAL WITH IT. 325 00:12:06,100 --> 00:12:08,602 YEAH, BUT IT'S DIFFERENT 'CAUSE YOU AND LAYLA ARE TIGHT. 326 00:12:08,644 --> 00:12:11,689 I CAN'T TELL MEGA PRODUCER J.P. KEATING THAT I'M 327 00:12:11,731 --> 00:12:13,524 NOT TRYING TO BE THE NEXT SPICE GIRL. 328 00:12:13,566 --> 00:12:15,276 WELL, HOW ELSE IS HE SUPPOSED TO KNOW WHAT YOU WANT? 329 00:12:15,317 --> 00:12:17,903 WHAT YOU REALLY, REALLY WANT. 330 00:12:17,945 --> 00:12:19,196 [CHUCKLING] OK. STOP! 331 00:12:19,238 --> 00:12:20,489 THAT'S NOT FUNNY. 332 00:12:20,531 --> 00:12:22,116 LOOK. LISTEN, BABE, 333 00:12:22,158 --> 00:12:24,118 I GOT YOUR BACK NO MATTER WHAT. 334 00:12:24,160 --> 00:12:26,537 ALL RIGHT? LOOK, PEOPLE LIKE THE SPICE GIRLS. 335 00:12:26,579 --> 00:12:28,164 NO. I MEAN, I LOVE THE SPICE GIRLS. 336 00:12:28,205 --> 00:12:29,999 I'M JUST--I'M NOT TRYING TO BE ONE. 337 00:12:30,040 --> 00:12:32,752 AND I DON'T KNOW. J.P. HAS DONE A LOT FOR ME, 338 00:12:32,793 --> 00:12:34,420 AND I DON'T WANT TO BE A PROBLEM. 339 00:12:34,462 --> 00:12:36,046 YOU'RE NOT A PROBLEM. 340 00:12:36,088 --> 00:12:38,299 YOU'RE A ARTIST, AND YOU DESERVE TO BE HAPPY, TOO. 341 00:12:38,340 --> 00:12:40,634 REMEMBER WHEN I WAS THINKING ABOUT SIGNING WITH J.P., 342 00:12:40,676 --> 00:12:42,470 AND I WAS ALL WORRIED HE WAS GONNA TRY TO CHANGE ME? 343 00:12:42,511 --> 00:12:44,346 YEAH. 344 00:12:44,388 --> 00:12:47,099 WHAT IS THIS, AN "I TOLD YOU" KIND OF THING? 345 00:12:47,141 --> 00:12:49,935 NO. IT'S ACTUALLY A BEAUTIFUL STORY IF YOU LET ME FINISH. 346 00:12:49,977 --> 00:12:51,562 OK. 347 00:12:51,604 --> 00:12:53,481 ANYWAYS, I WAS ALL CONCERNED THAT HE WAS GONNA TRY 348 00:12:53,522 --> 00:12:55,149 TO CHANGE ME, 349 00:12:55,191 --> 00:12:57,610 AND THEN THIS SEXY GIRL NAMED PATIENCE CAME ALONG 350 00:12:57,651 --> 00:13:00,196 AND TOLD ME THAT I SHOULD JUST BE UPFRONT WITH HIM 351 00:13:00,237 --> 00:13:02,531 AND THAT I NEEDED SOMEONE WHO LOVED ME FOR ME. 352 00:13:02,573 --> 00:13:04,825 THAT IS A BEAUTIFUL STORY. 353 00:13:04,867 --> 00:13:09,038 AND I DON'T KNOW. THIS PATIENCE SOUNDS WISE. 354 00:13:09,079 --> 00:13:11,373 THEN SHE SHOULD TAKE HER OWN ADVICE 355 00:13:11,415 --> 00:13:14,627 AND TAKE THAT FLY-ASS SONG YOU BEEN WORKING ON OVER TO J.P. 356 00:13:14,668 --> 00:13:16,337 HE NEEDS TO HEAR THAT 357 00:13:16,378 --> 00:13:17,755 AND HOW MUCH IT MEANS TO YOU. 358 00:13:17,797 --> 00:13:20,341 AND IF THAT DON'T WORK, THEN YOU JUST 359 00:13:20,382 --> 00:13:22,009 SEND IN THE BIG DOG. 360 00:13:22,051 --> 00:13:24,303 OH, ARE YOU--ARE YOU THE BIG DOG? 361 00:13:24,345 --> 00:13:27,306 -LOOK, I AM THE BIG DOG. -OK. HA HA. 362 00:13:27,348 --> 00:13:30,559 NO. BUT, FOR REAL, OR WE JUST SAVE OURSELVES SOME TIME 363 00:13:30,601 --> 00:13:32,228 AND SEND IN LAYLA. 364 00:13:32,269 --> 00:13:35,105 I MEAN, J.P. IS PUTTY IN HER HANDS. 365 00:13:36,440 --> 00:13:38,192 GOOD MORNING, SWEETHEART. 366 00:13:38,234 --> 00:13:39,610 HEY, DAD. 367 00:13:39,652 --> 00:13:40,861 OOH, AT LEAST IT WAS. 368 00:13:40,903 --> 00:13:42,238 DON'T BE SO DRAMATIC. 369 00:13:42,279 --> 00:13:43,823 I DO THIS BECAUSE I LOVE YOU. 370 00:13:43,864 --> 00:13:45,324 YOU KNOW, IF YOU SKIPPED A DAY OR EVEN A WEEK, 371 00:13:45,366 --> 00:13:46,909 I WOULD STILL KNOW THAT YOU LOVE ME. 372 00:13:46,951 --> 00:13:48,494 HI. SORRY. IF I KNEW YOU WERE HERE, 373 00:13:48,536 --> 00:13:49,745 I WOULD'VE BROUGHT YOU SOMETHING. 374 00:13:49,787 --> 00:13:50,746 SHE CAN HAVE MINE. 375 00:13:50,788 --> 00:13:52,206 OOH, BE QUIET. 376 00:13:52,248 --> 00:13:53,749 I'D GIVE ANYTHING IF MY HUSBAND SPOILED ME 377 00:13:53,791 --> 00:13:56,043 HALF THE WAY YOUR DAUGHTER SPOILS YOU. 378 00:13:56,085 --> 00:13:58,754 WE WERE JUST DISCUSSING LIL JEWEL'S ALBUM, 379 00:13:58,796 --> 00:14:00,339 TRYING TO FIND SOME NEW TRACKS. 380 00:14:00,381 --> 00:14:02,341 HEY. YOUR FRIENDS MADE IT OK LAST NIGHT? 381 00:14:02,383 --> 00:14:04,468 YEAH, THEY DID. THEY WERE BLOWN AWAY BY THE SUITE. 382 00:14:04,510 --> 00:14:06,595 I THINK THEY LIKE YOU MORE THAN ME NOW. 383 00:14:06,637 --> 00:14:08,973 OH. WELL, I'LL BET SPENCER STILL LIKES YOU MORE, THOUGH. 384 00:14:09,014 --> 00:14:11,684 MAYBE US GETTING CLOSE WAS A BAD IDEA. 385 00:14:11,725 --> 00:14:12,893 [CHUCKLING] 386 00:14:12,935 --> 00:14:14,353 GOOD LUCK WITH THE ALBUM. 387 00:14:14,395 --> 00:14:15,938 PLEASE MAKE SURE HE EATS. 388 00:14:15,980 --> 00:14:17,690 -SEE YOU, DAD. -BYE. 389 00:14:33,789 --> 00:14:36,041 THIS LOOKS LIKE THE WAND SHOP FROM "HARRY POTTER." 390 00:14:36,083 --> 00:14:38,836 OLLIVANDER'S. WHAT? 391 00:14:38,878 --> 00:14:40,713 YOU'RE NOT THE ONLY POTTERHEAD. 392 00:14:42,423 --> 00:14:44,008 AND THIS PLACE IS NOTHING LIKE IT. 393 00:14:44,049 --> 00:14:45,885 NO WANDS, ONLY CRYSTALS. 394 00:14:45,926 --> 00:14:49,096 I THINK LAYLA WOULD LOVE SOME OF THIS STUFF. 395 00:14:52,433 --> 00:14:55,686 MY GOSH. THIS NECKLACE IS BEAUTIFUL. 396 00:14:55,728 --> 00:14:58,314 YOU THINK SHE'D LIKE IT? 397 00:14:58,355 --> 00:15:01,317 HMM, NAH. IT'S TOO NEW AGEY FOR LAYLA. 398 00:15:01,358 --> 00:15:04,486 WOMAN: HE ISN'T LOOKING FOR A GIFT. 399 00:15:04,528 --> 00:15:06,697 HE'S LOOKING FOR CLARITY. 400 00:15:06,739 --> 00:15:08,574 CLARITY ABOUT WHAT? 401 00:15:08,616 --> 00:15:10,951 I DIDN'T SAY IT. SHE DID. 402 00:15:10,993 --> 00:15:13,787 CLARITY ABOUT WHAT? 403 00:15:16,081 --> 00:15:17,458 [SPENCER CHUCKLES] OK. 404 00:15:17,499 --> 00:15:19,919 I THINK IT'S TIME TO GO. 405 00:15:19,960 --> 00:15:21,253 MISS CLEO HERE IS A SCAM. 406 00:15:21,295 --> 00:15:22,338 YOU DON'T KNOW THAT. 407 00:15:22,379 --> 00:15:24,590 YES, I DO. 408 00:15:24,632 --> 00:15:27,426 LOOK, WHEN I WAS A KID, MY NANNA KEPT THIS CREEPY VOODOO DOLL ON HER SHELF. 409 00:15:27,468 --> 00:15:28,761 I HATED IT. 410 00:15:28,802 --> 00:15:31,263 SO ONE DAY, I HID IT. 411 00:15:31,305 --> 00:15:33,265 WHEN SHE ASKED WHERE IT WAS, I LIED. 412 00:15:33,307 --> 00:15:35,142 I TOLD HER I AIN'T KNOW. 413 00:15:35,184 --> 00:15:38,187 SHE TOLD ME SHE CURSED THE THIEF WITH A SPANKING FROM GOD 414 00:15:38,228 --> 00:15:41,190 THAT WOULD ONLY HEAL WHEN THAT PERSON TOLD THE TRUTH. 415 00:15:41,231 --> 00:15:43,859 THE NEXT DAY, I WOKE UP WITH A WEIRD RASH ON MY BACKSIDE, 416 00:15:43,901 --> 00:15:46,278 AND I CONFESSED. 417 00:15:46,320 --> 00:15:49,156 IT TURNS OUT SHE PUT ITCHING POWDER IN MY DRAWERS. 418 00:15:49,198 --> 00:15:50,616 YOUR NANNA'S A GENIUS. 419 00:15:50,658 --> 00:15:52,409 NO. MY NANNA'S A CON ARTIST. CAN WE GO NOW? 420 00:15:52,451 --> 00:15:54,286 NOT WITHOUT GETTING SOME CLARITY. 421 00:15:59,875 --> 00:16:03,379 THERE'S SO MUCH ENERGY HERE. 422 00:16:03,420 --> 00:16:06,048 I SEE A FOREVER LOVE. 423 00:16:08,384 --> 00:16:09,843 HE'S HERE FOR A GIRL. 424 00:16:09,885 --> 00:16:12,763 AND A GIRL IS HERE FOR HIM. 425 00:16:12,805 --> 00:16:14,723 SHE'S JUST DOING "GAME OF THRONES." 426 00:16:14,765 --> 00:16:17,977 SOMEBODY CLOSE TO YOU IS HIDING SOMETHING OF GREAT IMPORTANCE. 427 00:16:18,018 --> 00:16:19,395 SOMEBODY HE KNOWS OR I KNOW? 428 00:16:19,436 --> 00:16:20,980 THAT ISN'T CLEAR. 429 00:16:21,021 --> 00:16:24,858 BUT WHEN IT'S REVEALED, EVERYTHING WILL CHANGE. 430 00:16:24,900 --> 00:16:27,069 SPENCER: SO YOU CAN SEE SOMEBODY HIDING SOMETHING, 431 00:16:27,111 --> 00:16:28,904 BUT YOU CAN'T SEE WHO THEY ARE OR WHAT THEY'RE HIDING. 432 00:16:28,946 --> 00:16:31,031 THAT MAKES SENSE. 433 00:16:31,073 --> 00:16:32,950 I SEE WHAT I SEE. 434 00:16:32,992 --> 00:16:35,285 YOU'RE GONNA TAKE A CHANCE ON SOMETHING AND LOSE. 435 00:16:35,327 --> 00:16:37,204 YEAH, LIKE US GIVING YOU 10 BUCKS. 436 00:16:37,246 --> 00:16:39,206 COME ON, SPENCER. AT LEAST TRY TO TAKE IT SERIOUSLY. 437 00:16:39,248 --> 00:16:41,125 LIV, WE'RE IN VEGAS. 438 00:16:41,166 --> 00:16:44,086 EVERYBODY TAKES A CHANCE ON SOMETHING AND LOSES. 439 00:16:44,128 --> 00:16:45,921 YOU KNOW WHAT? I'LL BE OUTSIDE. 440 00:16:49,216 --> 00:16:50,509 [OLIVIA SIGHS] 441 00:16:53,178 --> 00:16:54,596 OLIVIA? 442 00:16:54,638 --> 00:16:56,765 YOU'LL NEVER FIND WHAT YOU'RE LOOKING FOR 443 00:16:56,807 --> 00:16:58,976 UNTIL YOU START BEING HONEST. 444 00:17:01,520 --> 00:17:03,939 [GUITAR MUSIC] 445 00:17:07,860 --> 00:17:10,571 ♪ I CAN'T HELP IF YOU STAY ON MY MIND ♪ 446 00:17:10,612 --> 00:17:14,199 ♪ IF I SAID I DIDN'T NEED YOU, I'D BE LYIN' ♪ 447 00:17:14,241 --> 00:17:17,745 ♪ THESE HARMONIES WERE MADE FOR LOVE ♪ 448 00:17:17,786 --> 00:17:21,749 ♪ THESE HARMONIES WERE MADE FOR US ♪ 449 00:17:21,790 --> 00:17:25,085 ♪ IF YOU'RE ALL ALONE ♪ 450 00:17:25,127 --> 00:17:28,464 ♪ REMEMBER THIS SONG ♪ 451 00:17:28,505 --> 00:17:31,091 ♪ A SWEET MELODY FOR YOU ♪ 452 00:17:31,133 --> 00:17:32,885 ♪ AND ME FOREVER ♪ 453 00:17:32,926 --> 00:17:36,597 ♪ IF MUSIC CAN BREAK US ♪ 454 00:17:36,638 --> 00:17:39,683 ♪ YEAH ♪ 455 00:17:39,725 --> 00:17:42,227 ♪ THEN WHY CAN'T IT SAVE US? ♪ 456 00:17:44,480 --> 00:17:48,358 ♪ OH, IF MUSIC CAN BREAK US ♪ 457 00:17:52,279 --> 00:17:54,448 ♪ THEN WHY CAN'T IT SAVE US? ♪ 458 00:17:59,495 --> 00:18:01,038 [J.P. CHUCKLES] 459 00:18:01,080 --> 00:18:04,166 IT'S QUITE A BIT DIFFERENT FROM YOUR USUAL STUFF. 460 00:18:04,208 --> 00:18:06,835 YEAH. BUT, UM, I DON'T KNOW. 461 00:18:06,877 --> 00:18:08,545 I THINK THAT COULD BE A GOOD THING. 462 00:18:08,587 --> 00:18:12,466 IT'S GOOD. IT COULD BE GREAT WITH A COUPLE OF CHANGES. 463 00:18:12,508 --> 00:18:14,009 NOW, YOUR HOOK IS STRONG. 464 00:18:14,051 --> 00:18:15,636 IT JUST TAKES TOO LONG TO GET THERE. 465 00:18:15,677 --> 00:18:17,221 I THINK YOU SHOULD REWORK THE VERSES 466 00:18:17,262 --> 00:18:18,680 AND BRING THE CHORUS IN EARLIER 467 00:18:18,722 --> 00:18:20,057 AND PUMP IT UP A FEW BPM. 468 00:18:20,099 --> 00:18:21,600 RADIO IS DIGGING ON TEMPO RIGHT NOW. 469 00:18:21,642 --> 00:18:23,477 YOU THINK YOU CAN SEND ME A COPY? 470 00:18:23,519 --> 00:18:25,604 YEAH, DEFINITELY. I CAN DO THAT. 471 00:18:25,646 --> 00:18:27,815 THANK YOU. 472 00:18:27,856 --> 00:18:29,316 YEAH. 473 00:18:32,861 --> 00:18:34,404 LIV, YOU GOT TO LET IT GO. 474 00:18:34,446 --> 00:18:36,115 YOU ACTING REAL CRAZY RIGHT NOW. 475 00:18:36,156 --> 00:18:38,200 NO, I'M NOT. 476 00:18:38,242 --> 00:18:41,203 I MEAN, HOW DID SHE KNOW SO MUCH? 477 00:18:41,245 --> 00:18:43,539 I MEAN, THAT FOREVER LOVE WITH YOU AND LAYLA? 478 00:18:43,580 --> 00:18:45,499 ALL SHE SAID WAS "FOREVER LOVE." 479 00:18:45,541 --> 00:18:47,668 AND YOU IMMEDIATELY ASSUMED SHE MEANT ME AND LAYLA 480 00:18:47,709 --> 00:18:49,545 BECAUSE THAT'S ALL YOU BEEN TALKING ABOUT SINCE YOU GOT HERE. 481 00:18:49,586 --> 00:18:50,671 SHE COULD'VE MEANT ANYONE. 482 00:18:50,712 --> 00:18:52,339 MAYBE YOU AND ASHER. 483 00:18:52,381 --> 00:18:53,966 NAH, I DON'T THINK SO. 484 00:18:54,007 --> 00:18:56,510 YEAH, ME NEITHER, 'CAUSE IT'S ALL A SCAM. 485 00:18:56,552 --> 00:18:58,053 OK, WELL, WHAT ABOUT EVERYTHING ELSE THAT SHE SAID? 486 00:18:58,095 --> 00:18:59,429 LIKE, WHAT, SOMEBODY HIDING SOMETHING? 487 00:18:59,471 --> 00:19:01,348 ARE YOU? 'CAUSE I'M NOT. 488 00:19:01,390 --> 00:19:04,184 NO. I DON'T KNOW. MAYBE JORDAN AND SIMONE ARE. 489 00:19:04,226 --> 00:19:06,353 [SIGHS] 490 00:19:10,774 --> 00:19:11,942 WHAT? 491 00:19:11,984 --> 00:19:14,736 DON'T DO IT. LIV. 492 00:19:16,572 --> 00:19:17,823 OLIVIA, DON'T. 493 00:19:17,865 --> 00:19:19,408 I MEAN, THAT WOULD EXPLAIN 494 00:19:19,449 --> 00:19:20,826 WHY SIMONE WAS ACTING SO WEIRD EARLIER. 495 00:19:20,868 --> 00:19:23,120 SO YOU REALLY THINK A $10 VEGAS PSYCHIC 496 00:19:23,162 --> 00:19:27,332 PREDICTED JORDAN'S HIDING SOMETHING IN HIS BACKPACK? 497 00:19:27,374 --> 00:19:30,085 LIV, COME ON. THAT'S CRAZY. 498 00:19:31,420 --> 00:19:33,130 WELL, NOT AS CRAZY AS THIS. 499 00:19:39,761 --> 00:19:41,847 [JORDAN SPEAKING INDISTINCTLY] 500 00:19:41,889 --> 00:19:45,642 -RIDICULOUS. -HEY. YOU'RE--I MEAN-- 501 00:19:45,684 --> 00:19:48,896 JORDAN: UH-- OLIVIA: UH... 502 00:19:48,937 --> 00:19:51,023 DO YOU WANT TO EXPLAIN THIS? 503 00:19:51,064 --> 00:19:52,608 [EXHALES] 504 00:19:52,649 --> 00:19:54,610 WHAT, YOU GUYS WENT THROUGH MY STUFF? 505 00:19:54,651 --> 00:19:56,695 OLIVIA: JORDAN, WHAT THE HELL IS THIS? 506 00:19:58,155 --> 00:20:00,616 IT'S A MARRIAGE LICENSE. 507 00:20:00,657 --> 00:20:03,493 SIMONE AND I ARE GETTING MARRIED TONIGHT. 508 00:20:10,459 --> 00:20:11,668 LISTEN, JUST HEAR ME OUT, ALL RIGHT? I KNOW IT SOUNDS CRAZY. 509 00:20:11,710 --> 00:20:13,462 OLIVIA: "SOUNDS" CRAZY? 510 00:20:13,503 --> 00:20:15,380 WHAT PART OF "JUST HEAR ME OUT" DIDN'T YOU UNDERSTAND? 511 00:20:15,422 --> 00:20:17,549 ALL RIGHT. SINCE WE WERE GONNA BE IN VEGAS 512 00:20:17,591 --> 00:20:20,010 FOR COOP'S SHOW ANYWAY, I SAID THAT WE SHOULD GET ELVIS TO MARRY US. 513 00:20:20,052 --> 00:20:23,472 I MEAN, THAT'S WHAT COUPLES DO IN VEGAS, RIGHT? THEY GET MARRIED. 514 00:20:23,513 --> 00:20:25,432 AND THEN SIMONE SAID THAT HER PARENTS WOULD BE PISSED. 515 00:20:25,474 --> 00:20:27,017 YOU THINK? 516 00:20:27,059 --> 00:20:28,727 SIMONE: I MEAN, MY DAD REALLY HATES ELVIS. HA HA. 517 00:20:28,769 --> 00:20:31,647 JORDAN: AND AFTER JOKING ABOUT IT FOR A WHILE, 518 00:20:31,688 --> 00:20:34,900 I DON'T KNOW. IT JUST-- IT DIDN'T FEEL LIKE A JOKE ANYMORE. 519 00:20:34,942 --> 00:20:36,401 WE BOTH KIND OF STARED AT EACH OTHER AND JUST SAID... 520 00:20:36,443 --> 00:20:37,778 BOTH: WHY NOT? 521 00:20:37,819 --> 00:20:39,279 WELL, I'LL GIVE YOU 3 REASONS-- 522 00:20:39,321 --> 00:20:41,281 TOO YOUNG, TOO FAST, TOO STUPID. 523 00:20:41,323 --> 00:20:43,116 TOO MUCH. 524 00:20:43,158 --> 00:20:45,118 JORDAN: BELIEVE ME, LIV, THERE'S NOTHING THAT YOU 525 00:20:45,160 --> 00:20:46,954 CAN SAY THAT WE HAVEN'T THOUGHT OF ALREADY. 526 00:20:46,995 --> 00:20:49,414 WELL, I'LL BET MOM AND DAD WILL HAVE PLENTY TO SAY. 527 00:20:49,456 --> 00:20:52,376 I MEAN, I DON'T KNOW HOW YOU PULLED OFF MOM'S SIGNATURE, 528 00:20:52,417 --> 00:20:54,086 BUT I BET IF WE CALLED HER, SHE-- 529 00:20:54,127 --> 00:20:56,505 SIMONE: YOU WOULD SERIOUSLY DO THAT? 530 00:20:56,546 --> 00:20:58,757 DO YOU WANT TO JUMP IN HERE OR...? 531 00:20:58,799 --> 00:21:01,718 SOUNDS LIKE A FAMILY MATTER TO ME. 532 00:21:01,760 --> 00:21:04,471 YOU ARE FAMILY, SPENCE. 533 00:21:04,513 --> 00:21:05,931 ALL RIGHT? AND, HONESTLY, 534 00:21:05,973 --> 00:21:07,266 I'M HAPPY YOU GUYS FOUND OUT. 535 00:21:07,307 --> 00:21:09,101 ME, TOO. 536 00:21:09,142 --> 00:21:11,561 I MEAN, WE REALLY HATED NOT TELLING ANYBODY. 537 00:21:11,603 --> 00:21:13,605 AND NOW WE DON'T HAVE TO GET MARRIED ALONE. 538 00:21:13,647 --> 00:21:16,817 I GET TO HAVE MY SISTER THERE 539 00:21:16,858 --> 00:21:18,443 AND MY BROTHER. 540 00:21:18,485 --> 00:21:21,071 WHAT DO YOU SAY, SPENCE? BEST MAN? 541 00:21:23,115 --> 00:21:24,908 NO. 542 00:21:26,451 --> 00:21:28,745 OF COURSE, J. 543 00:21:32,165 --> 00:21:35,127 JORDAN: LIV, YOU'VE BEEN THERE FOR ME 544 00:21:35,168 --> 00:21:37,671 LITERALLY SINCE DAY ZERO. 545 00:21:37,713 --> 00:21:40,215 WILL YOU BE THERE FOR ME TODAY? 546 00:21:43,969 --> 00:21:46,054 [SIGHS] OK. 547 00:21:46,096 --> 00:21:47,431 OK. 548 00:21:50,142 --> 00:21:54,104 ALL RIGHT. UH, BACKSTAGE PASSES. 549 00:21:54,146 --> 00:21:55,731 WHEN DO YOU WANT ME TO TELL EVERYONE TO BE HERE? 550 00:21:55,772 --> 00:21:57,733 UH, WHENEVER THEY WANT. 551 00:21:57,774 --> 00:22:00,027 OK. UM, I CAN TELL SPENCER TO COME EARLY IF YOU WANT 552 00:22:00,068 --> 00:22:01,570 TO, LIKE, SHOW HIM AROUND OR SOMETHING. 553 00:22:01,611 --> 00:22:03,196 GIRL, YOU AIN'T SUBTLE. 554 00:22:03,238 --> 00:22:04,698 CLEARLY, YOU WANT TO SHOW HIM SOMETHING. 555 00:22:04,740 --> 00:22:07,326 WHATEVER. I JUST THOUGHT IT'D BE NICE FOR YOU 556 00:22:07,367 --> 00:22:09,369 TO SPEND TIME WITH HIM SINCE HE CAME ALL THIS WAY TO SEE YOU. 557 00:22:09,411 --> 00:22:10,954 KEEP TELLING YOURSELF THAT. 558 00:22:10,996 --> 00:22:13,498 I MEAN, SPENCER TREKKED OVER 4 HOURS 559 00:22:13,540 --> 00:22:15,500 THROUGH THE HOT DESERT TO COME SEE ME? 560 00:22:15,542 --> 00:22:18,462 COME ON. I KNOW I'M PRETTY, BUT I AIN'T THAT PRETTY. 561 00:22:18,503 --> 00:22:19,963 WHY IS EVERYONE SO FOCUSED ON ME AND SPENCER? 562 00:22:20,005 --> 00:22:22,049 SHOOT. I DON'T KNOW. 563 00:22:22,090 --> 00:22:24,509 MAYBE IT'S BECAUSE YOU'RE CLEARLY STILL IN LOVE WITH HIM. 564 00:22:24,551 --> 00:22:26,428 AND YOU'VE BEEN ACTING WEIRD SINCE HE GOT HERE. 565 00:22:26,470 --> 00:22:28,096 THE REST OF US ARE TRYING TO UNDERSTAND 566 00:22:28,138 --> 00:22:30,640 WHY Y'ALL ASSES AIN'T BACK TOGETHER ALREADY. 567 00:22:30,682 --> 00:22:32,601 WELL, WHATEVER. 568 00:22:32,642 --> 00:22:33,977 IF YOU DON'T MIND, I'M GONNA GET BACK TO LISTENING 569 00:22:34,019 --> 00:22:36,897 TO MY NEW FAVORITE ARTIST--ME. 570 00:22:36,938 --> 00:22:39,107 [CHUCKLES] 571 00:22:39,149 --> 00:22:40,942 OLIVIA: OK, SO WHEN YOU SAID YOU NEEDED SHOES FOR THE WEDDING, 572 00:22:40,984 --> 00:22:42,444 I DIDN'T THINK WE'D BE SEARCHING FOR 573 00:22:42,486 --> 00:22:44,029 SOME UNDERGROUND SNEAKER SHOP. 574 00:22:44,071 --> 00:22:46,073 WELL, I'M LOW-KEY A SNEAKERHEAD. 575 00:22:46,114 --> 00:22:49,451 PLUS, JORDAN'S GONNA LOOK HOT IN THEM. 576 00:22:49,493 --> 00:22:52,037 SORRY. YOU PROBABLY DON'T WANT TO HEAR THAT. 577 00:22:52,079 --> 00:22:53,580 WELL, IT'S FINE. 578 00:22:53,622 --> 00:22:57,167 I'M JUST NEVER WEARING SNEAKERS AGAIN. 579 00:22:57,209 --> 00:22:59,836 I'VE ALWAYS DREAMED OF WEARING SNEAKERS AT MY WEDDING 580 00:22:59,878 --> 00:23:01,671 EVER SINCE I WAS A LITTLE GIRL, 581 00:23:01,713 --> 00:23:03,715 ONLY THE STYLES HAVE CHANGED. 582 00:23:03,757 --> 00:23:06,968 IN KINDERGARTEN, IT WAS THE ADIDAS SUPERSTAR. 583 00:23:07,010 --> 00:23:09,304 THEN IT WAS THE OLD-SCHOOL REEBOKS. 584 00:23:09,346 --> 00:23:10,597 PUMP OR NO PUMP? 585 00:23:10,639 --> 00:23:12,808 GIRL, NO PUMP. IT'S MORE ELEGANT. 586 00:23:12,849 --> 00:23:14,434 AGREED. 587 00:23:14,476 --> 00:23:16,228 BUT FOR JORDAN, I'M THINKING 588 00:23:16,269 --> 00:23:18,230 CLASSIC AIR JORDANS. 589 00:23:20,649 --> 00:23:22,442 SO... [SIGHS] 590 00:23:22,484 --> 00:23:24,069 I HAVE TO ASK... 591 00:23:24,111 --> 00:23:25,946 WHEN YOU DREAMED OF YOUR WEDDING, 592 00:23:25,987 --> 00:23:28,365 I MEAN, WERE YOU STILL IN HIGH SCHOOL? 593 00:23:28,407 --> 00:23:29,699 I MEAN, WAS IT IN VEGAS? 594 00:23:29,741 --> 00:23:30,826 OK. [CHUCKLES] 595 00:23:30,867 --> 00:23:33,620 THERE IT IS. 596 00:23:33,662 --> 00:23:35,247 OLIVIA, I KNEW YOU WEREN'T FINISHED, 597 00:23:35,288 --> 00:23:36,748 SO JUST COME WITH IT. 598 00:23:36,790 --> 00:23:39,793 IT'S JUST SO QUICK, SIMONE, OK? 599 00:23:39,835 --> 00:23:41,586 I MEAN, IS IT ABOUT THE BABY? 600 00:23:41,628 --> 00:23:43,046 I MEAN, DID YOU CHANGE YOUR MIND ABOUT 601 00:23:43,088 --> 00:23:44,047 GIVING HIM UP FOR ADOPTION? 602 00:23:44,089 --> 00:23:45,757 NOTHING HAS CHANGED. 603 00:23:45,799 --> 00:23:47,509 OK. SO THEN WHY ARE YOU RUSHING INTO MARRIAGE? 604 00:23:47,551 --> 00:23:48,760 I MEAN, CAN'T YOU AT LEAST WAIT 605 00:23:48,802 --> 00:23:50,512 UNTIL YOU FINISH HIGH SCHOOL? 606 00:23:50,554 --> 00:23:52,806 OLIVIA, WE LOVE EACH OTHER, AND TOMORROW ISN'T PROMISED. 607 00:23:52,848 --> 00:23:54,474 LOOK, I KNOW THIS ISN'T EASY FOR YOU, 608 00:23:54,516 --> 00:23:56,685 BUT THIS ISN'T ABOUT YOU. 609 00:23:56,726 --> 00:23:58,186 HE'S MY TWIN BROTHER. 610 00:23:58,228 --> 00:24:00,480 I KNOW HIM BETTER THAN ANYONE. 611 00:24:00,522 --> 00:24:03,233 HE'S IMPULSIVE, OK? HE DOES THINGS WITHOUT THINKING. 612 00:24:03,275 --> 00:24:05,485 SO WHAT ABOUT ME? AM I NOT THINKING, TOO? 613 00:24:05,527 --> 00:24:07,737 I DON'T KNOW. I BARELY KNOW YOU. 614 00:24:07,779 --> 00:24:09,698 AND NEITHER DOES JORDAN. 615 00:24:09,739 --> 00:24:11,783 I MEAN, YOU GUYS HAVE BEEN DATING, WHAT, 5 MONTHS, 616 00:24:11,825 --> 00:24:13,869 3 IF YOU DON'T COUNT THE ONES YOU WERE FIGHTING. 617 00:24:13,910 --> 00:24:15,745 AND WE GOT THROUGH IT JUST LIKE WE'LL GET THROUGH 618 00:24:15,787 --> 00:24:17,622 WHATEVER ELSE COMES AT US. 619 00:24:17,664 --> 00:24:20,834 IF YOU REALLY LOVE JORDAN, THEN YOU WOULD BE HAPPY FOR HIM. 620 00:24:20,876 --> 00:24:22,335 THIS IS WHAT HE WANTS. 621 00:24:22,377 --> 00:24:24,171 [CHUCKLING] WHAT HE WANTS? 622 00:24:24,212 --> 00:24:26,590 LAST YEAR, HE WANTED TO DRIVE HIS SEGWAY DOWN THE STAIRS. 623 00:24:26,631 --> 00:24:29,092 OK. YOU KNOW WHAT? YOU DON'T HAVE TO AGREE WITH ME. 624 00:24:29,134 --> 00:24:31,261 YOU DON'T EVEN HAVE TO SHOP WITH ME, 625 00:24:31,303 --> 00:24:32,596 BUT YOU'RE DEFINITELY GONNA STOP DISRESPECTING 626 00:24:32,637 --> 00:24:35,015 YOUR BROTHER'S AND MY DECISION. 627 00:24:35,056 --> 00:24:37,642 THE WEDDING'S HAPPENING...SIS. 628 00:24:38,977 --> 00:24:40,604 JORDAN: ALL RIGHT, BEST MAN. 629 00:24:40,645 --> 00:24:42,397 YOU WANT TO TELL ME WHY I SHOULDN'T GET MARRIED NOW, 630 00:24:42,439 --> 00:24:44,024 OR ARE WE GONNA WAIT TILL WE'VE HAD A FEW DRINKS? 631 00:24:44,065 --> 00:24:45,400 I DIDN'T KNOW THAT WAS PART OF THE BEST MAN DUTIES. 632 00:24:45,442 --> 00:24:47,110 WELL, IT IS WHEN THE BEST MAN IS YOU. 633 00:24:47,152 --> 00:24:48,528 LOOK, TELLING OTHER PEOPLE WHAT TO DO IS 634 00:24:48,570 --> 00:24:50,447 LIKE A SPORT FOR YOU AND OLIVIA. 635 00:24:50,489 --> 00:24:51,823 AND THERE'S NO WAY YOU'RE TOTALLY FINE WITH THIS. 636 00:24:51,865 --> 00:24:55,410 OK. COME ON. LAY IT ON ME. 637 00:24:55,452 --> 00:24:58,205 TELL ME I'M TOO YOUNG OR THAT I'M RUSHING THINGS 638 00:24:58,246 --> 00:25:00,081 OR THAT I DON'T KNOW WHAT THE HELL I'M DOING. 639 00:25:00,123 --> 00:25:01,583 J., IF YOU ALREADY KNOW ALL THIS, 640 00:25:01,625 --> 00:25:03,460 WHY THE HELL YOU GETTING MARRIED? 641 00:25:03,502 --> 00:25:04,711 BECAUSE NONE OF THOSE THINGS MATTER. ALL RIGHT? 642 00:25:04,753 --> 00:25:07,130 WHEN YOU KNOW, YOU KNOW. 643 00:25:07,172 --> 00:25:10,008 SO COULD WE JUST SQUASH IT AND HAVE A GREAT TIME? 644 00:25:10,050 --> 00:25:11,218 [KNOCK ON DOOR] 645 00:25:11,259 --> 00:25:13,553 WOMAN: HEY, GUYS. 646 00:25:13,595 --> 00:25:15,055 YOU READY TO PARTY? 647 00:25:15,096 --> 00:25:16,097 YEAH. 648 00:25:16,139 --> 00:25:18,183 UH... 649 00:25:18,225 --> 00:25:19,518 RIGHT. 650 00:25:19,559 --> 00:25:21,269 WE'RE THE DANCERS YOU HIRED. 651 00:25:21,311 --> 00:25:22,771 THE STRIPPERS. 652 00:25:22,812 --> 00:25:25,607 THAT'S COCO. I'M TIFANY WITH ONE "F." 653 00:25:25,649 --> 00:25:30,028 HEH. RIGHT. SO, SPENCE, WHEN I ASKED FOR A BACHELOR PARTY, 654 00:25:30,070 --> 00:25:33,406 I WAS THINKING SOMETHING MAYBE A LITTLE BIT MORE MELLOW. 655 00:25:33,448 --> 00:25:34,824 SPENCE? 656 00:25:34,866 --> 00:25:36,743 WHAT? NO. THIS WASN'T ME. UH... 657 00:25:36,785 --> 00:25:38,912 LOOK, I THINK Y'ALL GOT THE WRONG ROOM, TIFANY. 658 00:25:38,954 --> 00:25:39,996 ONE "F." 659 00:25:40,038 --> 00:25:41,248 ONE "F." 660 00:25:41,289 --> 00:25:42,374 WHICH ONE OF YOU IS J.J.? 661 00:25:42,415 --> 00:25:44,543 MM. OF COURSE IT WAS J.J. 662 00:25:44,584 --> 00:25:46,002 J.J. KNOWS YOU'RE GETTING MARRIED? 663 00:25:46,044 --> 00:25:47,796 NO, NO, NO, NO. HE JUST-- 664 00:25:47,837 --> 00:25:50,298 HE JUST LIKES STRIPPERS. [EXHALES SHARPLY] 665 00:25:50,340 --> 00:25:53,343 UH, LOOK, LADIES, WE HAVEN'T SEEN HIM SINCE LAST NIGHT, ACTUALLY. 666 00:25:53,385 --> 00:25:55,178 I'M--I'M SORRY. 667 00:25:55,220 --> 00:25:56,846 WELL, HE PAID US FOR THE HOUR. 668 00:25:56,888 --> 00:25:59,391 I MEAN, YOU MIGHT AS WELL GET SOMETHING FOR IT. 669 00:25:59,432 --> 00:26:03,270 WE DON'T JUST STRIP. THERE ARE OTHER THINGS WE COULD DO. 670 00:26:03,311 --> 00:26:05,397 [TIFANY CHUCKLES] 671 00:26:05,438 --> 00:26:07,983 OK. [CHUCKLES] 672 00:26:11,278 --> 00:26:13,238 TIFANY: I THINK THEY'RE TOO YOUNG. 673 00:26:13,280 --> 00:26:14,781 JORDAN BARELY KNOWS SIMONE. 674 00:26:14,823 --> 00:26:16,616 SPENCER: YOU AIN'T GOT TO TELL ME. 675 00:26:16,658 --> 00:26:18,577 JORDAN: THIS HAS TO BE THE WORST BACHELOR PARTY EVER. 676 00:26:18,618 --> 00:26:20,495 BILLY AND LAURA KNEW EACH OTHER FOR YEARS, 677 00:26:20,537 --> 00:26:22,372 AND LOOK HOW WELL THAT WORKED OUT FOR THEM. 678 00:26:22,414 --> 00:26:24,040 THANK YOU. EXACTLY. 679 00:26:24,082 --> 00:26:25,750 AND LIKE I WAS TELLING MY BUDDY OVER HERE, 680 00:26:25,792 --> 00:26:27,627 WHEN YOU KNOW, YOU KNOW. 681 00:26:27,669 --> 00:26:29,296 YOU GOT YOUR WHOLE LIFE AHEAD OF YOU, MAN. 682 00:26:29,337 --> 00:26:31,339 YOU AIN'T EVEN GOT TO COLLEGE YET. 683 00:26:31,381 --> 00:26:34,676 A HANDSOME COLLEGE QUARTERBACK. YUMMY. 684 00:26:34,718 --> 00:26:36,720 THE GIRLS ARE GONNA EAT YOU ALIVE. 685 00:26:36,761 --> 00:26:38,722 UH, WHAT I THINK SHE MEANS IS 686 00:26:38,763 --> 00:26:40,348 YOU DON'T KNOW ALL THE OPPORTUNITIES YOU GONNA BE MISSING OUT ON. 687 00:26:40,390 --> 00:26:41,725 TIFANY: NO. I WAS TALKING ABOUT WOMEN WANTING 688 00:26:41,766 --> 00:26:43,226 TO HAVE SEX WITH HIM. 689 00:26:43,268 --> 00:26:44,728 OK. UH, LOOK, 690 00:26:44,769 --> 00:26:46,605 I DON'T WANT ANY OF THAT, ALL RIGHT? 691 00:26:46,646 --> 00:26:48,565 I'VE DONE ENOUGH PARTYING TO LAST A LIFETIME. 692 00:26:48,607 --> 00:26:51,151 AND BESIDES, SIMONE'S THE ONLY GIRL FOR ME. 693 00:26:51,192 --> 00:26:53,153 MAYBE IT'S A GOOD THING THAT THEY'RE SO YOUNG. 694 00:26:53,194 --> 00:26:55,280 HE KNOWS FOR SURE THAT SHE ISN'T MARRYING HIM FOR HIS MONEY. 695 00:26:55,322 --> 00:26:56,656 IT'S PURE LOVE. 696 00:26:56,698 --> 00:26:57,657 THANK YOU, COCO. 697 00:26:57,699 --> 00:26:58,992 YOU GOT RICH PARENTS. 698 00:26:59,034 --> 00:27:01,077 [EXHALES] SCREW YOU, SPENCE. 699 00:27:01,119 --> 00:27:02,871 TIFANY: DO YOU THINK THEIR LOVE IS PURE? 700 00:27:02,912 --> 00:27:04,706 SIMONE LIED TO HIM FROM THE BEGINNING, 701 00:27:04,748 --> 00:27:07,292 TRIED TO TRAP HIM INTO BELIEVING HE WAS HER BABY DADDY. 702 00:27:07,334 --> 00:27:08,543 ARE YOU EVER GONNA LET THAT GO? 703 00:27:08,585 --> 00:27:10,670 SHE SAID SHE WAS SORRY. 704 00:27:10,712 --> 00:27:12,255 [SARCASTICALLY] OH, SHE'S SORRY. NOW I'M CONVINCED. 705 00:27:12,297 --> 00:27:13,757 JORDAN: OHH. WELL, I REALLY DON'T CARE 706 00:27:13,798 --> 00:27:15,300 IF YOU'RE CONVINCED OR NOT, TIFANY. 707 00:27:15,342 --> 00:27:16,760 ONE "F." 708 00:27:16,801 --> 00:27:18,136 HMM, I THINK I KNOW 709 00:27:18,178 --> 00:27:19,971 WHERE THE OTHER ONE SHOULD GO. 710 00:27:21,348 --> 00:27:22,557 [GUITAR MUSIC, KNOCK ON DOOR] 711 00:27:22,599 --> 00:27:24,225 [MUSIC STOPS] 712 00:27:27,979 --> 00:27:29,564 -HEY. -HEY. 713 00:27:29,606 --> 00:27:31,149 ARE YOU BUSY? 714 00:27:31,191 --> 00:27:32,984 UH, NO. I'M JUST WORKING ON A FEW NOTES 715 00:27:33,026 --> 00:27:34,653 J.P. GAVE ME. WHAT'S UP? 716 00:27:34,694 --> 00:27:36,363 I HOPE THEY AREN'T FOR "TOUGH LOVE." 717 00:27:36,404 --> 00:27:38,156 THAT SONG IS DOPE. IT DON'T NEED A DAMN THING. 718 00:27:38,198 --> 00:27:39,658 YOU'RE A GENIUS, GIRL. 719 00:27:39,699 --> 00:27:41,076 J.P. PLAYED YOU MY SONG? 720 00:27:41,117 --> 00:27:42,535 HE WANTS ME IN THE STUDIO ASAP 721 00:27:42,577 --> 00:27:44,287 SO WE CAN GET IT ON THE NEW ALBUM. 722 00:27:44,329 --> 00:27:46,164 I PROMISE I WON'T LET YOU DOWN. IT'S GONNA BE A HIT! 723 00:27:46,206 --> 00:27:47,457 [CHUCKLES] 724 00:27:49,876 --> 00:27:52,629 HEY. HOW'D THE SHOPPING TRIP GO? 725 00:27:52,671 --> 00:27:55,048 GREAT. GOT A PAIR OF AIR JORDANS 726 00:27:55,090 --> 00:27:56,675 AND A LECTURE FROM OLIVIA 727 00:27:56,716 --> 00:27:58,176 ABOUT WHY WE SHOULDN'T GET MARRIED. 728 00:27:58,218 --> 00:27:59,552 JORDAN: OH. 729 00:27:59,594 --> 00:28:01,221 SIMONE: HOW WAS YOUR BACHELOR PARTY? 730 00:28:01,262 --> 00:28:04,057 BASICALLY THE SAME MINUS THE SHOES. 731 00:28:04,099 --> 00:28:06,017 SIMONE: WELL, I GOT YOU SOME. 732 00:28:06,059 --> 00:28:08,103 -THANK YOU, BABY. -YOU'RE WELCOME. 733 00:28:08,144 --> 00:28:10,647 JORDAN, LISTEN-- 734 00:28:10,689 --> 00:28:13,066 I THINK YOU BOTH HAVE SAID ENOUGH ALREADY. ALL RIGHT? 735 00:28:13,108 --> 00:28:14,734 THIS IS EXACTLY WHY I WANTED TO KEEP IT A SECRET. 736 00:28:14,776 --> 00:28:16,903 SIMONE: WE DIDN'T WANT ALL THIS NEGATIVE ENERGY 737 00:28:16,945 --> 00:28:18,905 FROM PEOPLE WHO JUST DON'T GET IT. 738 00:28:18,947 --> 00:28:21,408 LOOK, WE LOVE EACH OTHER. ALL RIGHT? 739 00:28:21,449 --> 00:28:23,076 AND WE'RE GETTING MARRIED. IT'S THAT SIMPLE. 740 00:28:23,118 --> 00:28:24,619 ALL RIGHT. IF YOU GUYS CAN'T BE HAPPY FOR US, 741 00:28:24,661 --> 00:28:26,162 THEN THE SOLUTION IS EVEN SIMPLER. 742 00:28:26,204 --> 00:28:27,997 YOU'RE NO LONGER INVITED. 743 00:28:28,039 --> 00:28:29,582 COME ON. 744 00:28:34,587 --> 00:28:36,923 [BOTH SIGH] 745 00:28:36,965 --> 00:28:38,550 YOU WANT TO FLEX, J.P.? 746 00:28:38,591 --> 00:28:40,427 YOU'RE MESSING WITH THE WRONG ONE. 747 00:28:55,316 --> 00:28:57,110 OLIVIA: I CAN'T STOP THINKING ABOUT THE LOOK ON THEIR FACES. 748 00:28:57,152 --> 00:28:58,945 SPENCER: YEAH. THAT WAS WORSE THAN DISAPPOINTED MOM FACE. 749 00:28:58,987 --> 00:29:01,322 I NEVER SEEN THEM LIKE THAT. AND WE DID THAT TO THEM. 750 00:29:01,364 --> 00:29:04,242 I MEAN, WHO ARE WE TO TELL THEM WHAT TO DO? 751 00:29:04,284 --> 00:29:06,369 AND THEY'RE OBVIOUSLY IN LOVE. 752 00:29:06,411 --> 00:29:09,706 WE SHOULD ALL BE SO LUCKY. 753 00:29:09,748 --> 00:29:11,666 AND IT'S NOT LIKE WE HAVE IT ALL FIGURED OUT. 754 00:29:11,708 --> 00:29:15,420 I JUST PAID 10 BUCKS TO GET YOU CLARITY. 755 00:29:15,462 --> 00:29:17,881 MY PARENTS DEFINITELY DON'T. 756 00:29:17,922 --> 00:29:20,049 HEY, OBVIOUSLY, MINE DIDN'T EITHER. 757 00:29:20,091 --> 00:29:22,218 BUT MAYBE JORDAN AND SIMONE DO. 758 00:29:22,260 --> 00:29:23,762 THAT'S WHAT COCO SAID. 759 00:29:23,803 --> 00:29:25,889 THEY'RE GONNA HAVE ENOUGH PEOPLE TELLING THEM 760 00:29:25,930 --> 00:29:29,517 THEY MADE A MISTAKE, LIKE YOUR MOM AND POPS. 761 00:29:29,559 --> 00:29:32,270 NOT TO MENTION SIMONE'S PARENTS 762 00:29:32,312 --> 00:29:34,731 AND PRETTY MUCH EVERYONE ELSE. 763 00:29:34,773 --> 00:29:36,983 YEAH, ESPECIALLY J.J., WHEN HE REALIZES 764 00:29:37,025 --> 00:29:38,568 HIS WINGMAN'S GONE FOR GOOD. 765 00:29:38,610 --> 00:29:40,069 [CHUCKLES] 766 00:29:42,530 --> 00:29:45,116 I MEAN, THEY'RE GONNA BE ALL ALONE IN THIS. 767 00:29:45,158 --> 00:29:47,410 MAYBE HIS SISTER AND BEST FRIEND 768 00:29:47,452 --> 00:29:49,162 SHOULD HAVE THEIR BACK. 769 00:29:50,622 --> 00:29:53,416 YEAH. MAYBE IT'S NOT TOO LATE. 770 00:30:02,217 --> 00:30:06,095 I THINK ALL FAMILIES FIGHT BEFORE WEDDINGS. 771 00:30:06,137 --> 00:30:08,556 IT MIGHT EVEN BE A RITE OF PASSAGE. 772 00:30:08,598 --> 00:30:10,892 YEAH, AND WE DEFINITELY PASSED. 773 00:30:10,934 --> 00:30:13,019 [INHALES AND EXHALES] 774 00:30:13,061 --> 00:30:15,688 YOU DON'T THINK THAT WE'RE MAKING A MISTAKE, DO YOU? 775 00:30:15,730 --> 00:30:19,192 I MEAN, WE BOTH HAVE SAID "THIS IS CRAZY" MORE THAN ONCE. 776 00:30:19,234 --> 00:30:21,194 'CAUSE IT IS CRAZY. 777 00:30:21,236 --> 00:30:24,781 BUT I DON'T THINK WE'RE MAKING A MISTAKE. 778 00:30:26,783 --> 00:30:29,661 I THINK PEOPLE FREAK OUT ABOUT THE WORD "MARRIED," 779 00:30:29,702 --> 00:30:32,455 AND ALL WE'RE SAYING IS THAT WE LOVE EACH OTHER 780 00:30:32,497 --> 00:30:35,291 AND WE WANT TO BE TOGETHER IN A REAL WAY. 781 00:30:35,333 --> 00:30:37,669 HOW COULD THAT BE A MISTAKE? 782 00:30:37,710 --> 00:30:41,422 HUH. YEAH. THAT'S WHAT COCO SAID. 783 00:30:41,464 --> 00:30:44,717 OK. DEVIL'S ADVOCATE. 784 00:30:44,759 --> 00:30:47,595 WE CAN STILL BE TOGETHER AND NOT BE MARRIED. 785 00:30:47,637 --> 00:30:49,222 I MEAN, THAT'S WHAT MOST COUPLES DO, 786 00:30:49,264 --> 00:30:51,057 ESPECIALLY COUPLES OUR AGE. 787 00:30:53,935 --> 00:30:56,229 IS THAT WHAT YOU WANT? 788 00:30:56,271 --> 00:30:58,523 MARRIAGE OFFICIANT: ...YOUR LOVELY WEDDED WIFE 789 00:30:58,565 --> 00:31:00,149 TO HAVE AND TO HOLD 790 00:31:00,191 --> 00:31:02,485 IN SICKNESS AND IN HEALTH 791 00:31:02,527 --> 00:31:04,445 FOR BETTER OR FOR WORSE... 792 00:31:06,906 --> 00:31:09,117 NO. YOU KNOW WHAT? SCREW WHAT EVERYONE ELSE THINKS. 793 00:31:09,158 --> 00:31:12,078 EVEN IF IT IS A MISTAKE, IT'S OUR MISTAKE TO MAKE. 794 00:31:12,120 --> 00:31:15,665 I WANT TO MARRY YOU, SIMONE. 795 00:31:15,707 --> 00:31:18,001 I WANT TO START SPENDING THE REST OF MY LIFE WITH YOU TODAY 796 00:31:18,042 --> 00:31:20,378 IN A REAL WAY. 797 00:31:20,420 --> 00:31:22,297 DO YOU WANT TO MARRY ME? 798 00:31:22,338 --> 00:31:26,551 I THINK THAT'S THE FIRST TIME YOU PROPOSED FOR REAL. 799 00:31:26,593 --> 00:31:29,095 UP UNTIL NOW, WE'VE BEEN SAYING, 800 00:31:29,137 --> 00:31:30,889 "WHY NOT?" 801 00:31:33,349 --> 00:31:35,268 SO WHAT'S YOUR ANSWER? 802 00:31:35,310 --> 00:31:36,811 WHY NOT? 803 00:31:36,853 --> 00:31:38,771 [CHUCKLES] 804 00:31:38,813 --> 00:31:41,274 YES. 805 00:31:41,316 --> 00:31:43,818 JORDAN BAKER... 806 00:31:43,860 --> 00:31:46,362 I WANT TO MARRY YOU. 807 00:31:49,365 --> 00:31:50,783 OK. 808 00:31:50,825 --> 00:31:55,663 COME ON. THEN LET'S DO THIS. 809 00:31:55,705 --> 00:31:57,540 LET'S GET MARRIED, 810 00:31:57,582 --> 00:31:59,709 EVEN IF IT IS JUST YOU AND ME AGAINST THE WORLD. 811 00:32:02,045 --> 00:32:04,005 OLIVIA: NOT THE WHOLE WORLD. 812 00:32:04,047 --> 00:32:06,841 DON'T WORRY. WE'RE NOT HERE TO OBJECT. 813 00:32:06,883 --> 00:32:08,801 ANY MORE THAN WE ALREADY HAVE. 814 00:32:11,596 --> 00:32:14,349 OLIVIA: LOOK, WE WANT YOU TWO TO BE HAPPY. 815 00:32:14,390 --> 00:32:19,020 AND IF THIS MAKES YOU HAPPY, THEN WE WANT TO BE THERE FOR YOU. 816 00:32:19,062 --> 00:32:21,022 SPENCER: YEAH. WE DON'T WANT TO STAND IN YOUR WAY. 817 00:32:21,064 --> 00:32:23,024 WE WANT TO STAND BESIDE YOU. 818 00:32:23,066 --> 00:32:26,194 OLIVIA: IF YOU'LL STILL HAVE US, OBVIOUSLY. 819 00:32:27,987 --> 00:32:32,408 ♪ WON'T YOU CONSIDER ME? ♪ 820 00:32:58,768 --> 00:33:00,895 HEY. 821 00:33:00,937 --> 00:33:02,647 WHAT'S UP, BABY? EVERYTHING OK? 822 00:33:02,689 --> 00:33:04,315 YEAH, THIS IS REALLY COOL. 823 00:33:04,357 --> 00:33:06,317 I'M REALLY PROUD OF YOU. 824 00:33:06,359 --> 00:33:08,069 HEY, WAIT TILL TONIGHT, WHEN ALL MY FRIENDS ARE IN THE CROWD. 825 00:33:08,111 --> 00:33:09,654 THIS ABOUT TO BE THE BEST SHOW YET. 826 00:33:09,696 --> 00:33:11,280 I KNOW. 827 00:33:11,322 --> 00:33:13,992 UM, HEY, LIL JEWEL, SHE'S MARRIED, RIGHT? 828 00:33:14,033 --> 00:33:16,327 YEAH. WHY? 829 00:33:16,369 --> 00:33:18,246 NO. I WAS JUST CURIOUS. I WAS JUST ASKING. 830 00:33:18,287 --> 00:33:21,124 OK. SO WHAT'S UP? HOW'D IT GO WITH J.P.? 831 00:33:21,165 --> 00:33:22,792 WHAT DOES HE THINK OF THE NEW SONG? 832 00:33:22,834 --> 00:33:25,753 YEAH, HE LIKED IT. HE LIKED IT A LOT. 833 00:33:25,795 --> 00:33:29,590 SO THERE'S NO NEED TO BRING IN THE BIG DOGS. YOU'RE FINE. 834 00:33:29,632 --> 00:33:31,509 OF COURSE HE DID. 835 00:33:31,551 --> 00:33:34,012 BECAUSE IF HE DIDN'T, I WAS READY TO GO JUNKYARD ON HIS ASS. 836 00:33:34,053 --> 00:33:35,263 STRAIGHT UP. 837 00:33:35,304 --> 00:33:37,056 I KNOW YOU WOULD'VE. I LOVE YOU. 838 00:33:37,098 --> 00:33:38,307 I LOVE YOU. 839 00:33:38,349 --> 00:33:40,059 I'M REALLY PROUD OF YOU. 840 00:33:41,394 --> 00:33:43,813 THERE ARE ALWAYS GONNA BE PEOPLE 841 00:33:43,855 --> 00:33:46,941 WHO ASK WHY WE GOT MARRIED SO YOUNG. 842 00:33:46,983 --> 00:33:50,695 AND MY ANSWER WILL ALWAYS BE THE SAME. 843 00:33:50,737 --> 00:33:53,823 WHEN YOU KNOW, YOU KNOW. 844 00:33:55,366 --> 00:33:57,702 AND THIS IS HOW I KNOW. 845 00:33:57,744 --> 00:34:02,707 I KNOW BECAUSE I'M A DIFFERENT MAN AROUND YOU, SIMONE. 846 00:34:02,749 --> 00:34:04,500 A BETTER MAN, 847 00:34:04,542 --> 00:34:07,837 THE MAN I'VE ALWAYS WANTED TO BE. 848 00:34:07,879 --> 00:34:09,672 SPENCER: YOU KNOW, YOU'RE GOOD AT THIS-- 849 00:34:09,714 --> 00:34:12,925 MAKING PEOPLE FEEL BETTER. 850 00:34:12,967 --> 00:34:15,136 JORDAN: I KNOW BECAUSE I THINK ABOUT YOU 851 00:34:15,178 --> 00:34:17,055 EVEN WHEN YOU'RE NOT AROUND. 852 00:34:19,432 --> 00:34:23,311 JORDAN: AND I KNOW THAT YOU'LL ALWAYS LOVE ME, 853 00:34:23,352 --> 00:34:25,480 EVEN AT MY WORST. 854 00:34:25,521 --> 00:34:30,359 OLIVIA: HELP! STOP, STOP... 855 00:34:30,401 --> 00:34:34,572 JORDAN: YOU'RE THE ONE FOR ME, SIMONE. 856 00:34:34,614 --> 00:34:36,783 I KNOW THAT. 857 00:34:36,824 --> 00:34:40,411 TIANA MAJOR9 & EARTHGANG: ♪ WHEN I CRASH INTO YOU, YOU... ♪ 858 00:34:40,453 --> 00:34:42,914 SIMONE: JORDAN, WHEN I FIRST MET YOU, 859 00:34:42,955 --> 00:34:45,958 MY LIFE, IT WAS A MESS. 860 00:34:46,000 --> 00:34:49,670 AND I NEVER FELT SO ALONE. 861 00:34:49,712 --> 00:34:51,881 ♪ LET ME TELL YOU... ♪ 862 00:34:51,923 --> 00:34:54,592 SIMONE: BUT ONCE I LET YOU INTO MY LIFE, 863 00:34:54,634 --> 00:34:59,055 I HAD NEVER FELT SO SAFE AND SO LOVED. 864 00:34:59,097 --> 00:35:01,140 ♪ AND I DON'T CARE ABOUT THE FUTURE OR THE PAST ♪ 865 00:35:01,182 --> 00:35:03,434 ♪ I DON'T CARE, I DON'T CARE, NO, NO ♪ 866 00:35:03,476 --> 00:35:04,936 ♪ RIDING SLOW 'CAUSE YOU KNOW... ♪ 867 00:35:04,977 --> 00:35:06,813 SIMONE: AND YOU PROBABLY DON'T KNOW THIS, 868 00:35:06,854 --> 00:35:09,816 BUT BEING WITH YOU, IT SAVED MY LIFE. 869 00:35:09,857 --> 00:35:13,861 ♪ WHEN WE COLLIDE ♪ 870 00:35:13,903 --> 00:35:16,781 ♪ WHEN WE COLLIDE ♪ 871 00:35:16,823 --> 00:35:19,909 ♪ IT'S A BEAUTIFUL DISASTER ♪ 872 00:35:19,951 --> 00:35:22,745 ♪ WHEN I CRASH INTO YOU ♪ 873 00:35:22,787 --> 00:35:25,123 ♪ YOU, YOU... ♪ 874 00:35:25,164 --> 00:35:26,374 MARRIAGE OFFICIANT: RINGS? 875 00:35:26,415 --> 00:35:28,000 IT'S IN HERE SOMEWHERE. 876 00:35:28,042 --> 00:35:29,502 HERE WE ARE. 877 00:35:29,544 --> 00:35:30,628 [CLEARS THROAT] 878 00:35:32,213 --> 00:35:33,714 [SIMONE AND JORDAN EXHALE] 879 00:35:33,756 --> 00:35:36,050 [SIMONE CHUCKLES] 880 00:35:36,092 --> 00:35:37,426 TIANA MAJOR9 & EARTHGANG: ♪ WITHOUT YOU ♪ 881 00:35:37,468 --> 00:35:41,764 ♪ I'M JUST A FRACTION ♪ 882 00:35:41,806 --> 00:35:44,016 ♪ CLOSING IN ON MY DEMISE... ♪ 883 00:35:44,058 --> 00:35:45,685 WEDDING OFFICIANT: JORDAN, DO YOU TAKE SIMONE-- 884 00:35:45,726 --> 00:35:48,104 UH, DO YOU MIND IF WE JUST SKIP TO THE PART 885 00:35:48,146 --> 00:35:49,647 WHERE I GET TO KISS HER, BOSS? IS THAT COOL? 886 00:35:49,689 --> 00:35:51,232 I NOW PRONOUNCE YOU MAN AND WIFE. 887 00:35:51,274 --> 00:35:52,275 YOU MAY KISS THE BRIDE. 888 00:35:52,316 --> 00:35:54,026 THANK YOU. 889 00:35:54,068 --> 00:35:56,154 TIANA MAJOR9 & EARTHGANG: ♪ WHEN WE COLLIDE ♪ 890 00:35:56,195 --> 00:35:59,157 ♪ IT'S A BEAUTIFUL DISASTER ♪ 891 00:35:59,198 --> 00:36:01,868 ♪ WHEN I CRASH INTO YOU ♪ 892 00:36:01,909 --> 00:36:05,872 ♪ YOU, YOU ♪ 893 00:36:05,913 --> 00:36:08,541 ♪ CRASH INTO YOU ♪ 894 00:36:08,583 --> 00:36:11,669 ♪ YOU, YOU ♪ 895 00:36:17,842 --> 00:36:20,011 [DOOR OPENS AND SHUTS] 896 00:36:20,052 --> 00:36:21,929 I'M SORRY I SLIPPED OUT. 897 00:36:21,971 --> 00:36:23,973 I HAD TO MAKE A STOP. 898 00:36:26,475 --> 00:36:28,811 YOU GOING SOMEWHERE? 899 00:36:28,853 --> 00:36:31,647 COMING HERE WAS A MISTAKE. 900 00:36:31,689 --> 00:36:33,441 I WANTED YOU HERE. 901 00:36:35,443 --> 00:36:37,153 THAT'S WHY I CALLED YOU. 902 00:36:41,073 --> 00:36:43,034 OK, THIS HAS GOT TO STOP. 903 00:36:43,075 --> 00:36:45,119 YOU'VE BEEN REARRANGING MY MAKEUP TABLE ALL DAY, 904 00:36:45,161 --> 00:36:46,746 AND I ONLY GOT 3 THINGS ON IT. 905 00:36:46,787 --> 00:36:49,624 SIX. I ADDED ONE FOR BALANCE. 906 00:36:49,665 --> 00:36:51,792 IT DOES LOOK NICE. 907 00:36:51,834 --> 00:36:54,670 LOOK--DAMN. NOW YOU GOT ME DOING IT. ALL RIGHT. 908 00:36:54,712 --> 00:36:57,006 ENOUGH, BECAUSE WE BOTH KNOW WHAT THIS IS REALLY ABOUT. 909 00:36:57,048 --> 00:36:59,175 SPENCER. 910 00:36:59,217 --> 00:37:02,303 EH, BEFORE YOU ACT THE FOOL AND TRY TO DENY IT, 911 00:37:02,345 --> 00:37:04,680 JUST NOD BECAUSE YOU KNOW I'M RIGHT. 912 00:37:05,932 --> 00:37:08,142 OK, THEN. 913 00:37:08,184 --> 00:37:09,477 GO AND GET YOUR MAN ALREADY. 914 00:37:09,518 --> 00:37:11,312 NOW? 915 00:37:11,354 --> 00:37:13,022 YES, NOW! 'CAUSE ALL YOUR FIDGETING GETTING ON MY NERVES. 916 00:37:13,064 --> 00:37:15,066 WELL, WHAT--WHAT IF SPENCER DOESN'T WANT THIS? 917 00:37:15,107 --> 00:37:16,984 OF COURSE IT'S WHAT HE WANTS. 918 00:37:17,026 --> 00:37:19,862 HE TOLD YOU HISSELF THAT HE WOULD WAIT UNTIL YOU WERE READY. 919 00:37:19,904 --> 00:37:22,198 AND YOU LOOK READY TO ME. 920 00:37:22,240 --> 00:37:24,825 WELL, I CAN'T LEAVE BEFORE SOUNDCHECK. 921 00:37:24,867 --> 00:37:26,702 OK. 922 00:37:26,744 --> 00:37:29,830 [TURNS ON MICROPHONE] MIC CHECK. 1, 2. 923 00:37:29,872 --> 00:37:31,040 [TAPS MICROPHONE] 924 00:37:31,082 --> 00:37:34,335 MIC CHECK. 1, 2, 1, 2. 925 00:37:34,377 --> 00:37:37,713 NOW GO GET SPENCER. 926 00:37:37,755 --> 00:37:40,633 YES. NOW. GO. 927 00:37:42,593 --> 00:37:45,096 [SIGHS] 928 00:37:56,190 --> 00:37:59,402 THE PSYCHIC WAS RIGHT ABOUT ONE THING. 929 00:37:59,443 --> 00:38:01,904 I NEEDED CLARITY. 930 00:38:03,864 --> 00:38:05,574 I GOT IT NOW. 931 00:38:09,578 --> 00:38:11,539 SPENCER. 932 00:38:32,685 --> 00:38:35,021 I LOVE YOU. 933 00:38:35,062 --> 00:38:38,566 I AIN'T EVEN SURE WHEN IT HAPPENED. 934 00:38:38,607 --> 00:38:40,276 MAYBE IT WAS THE NIGHT I GOT SHOT 935 00:38:40,318 --> 00:38:44,739 OR WATCHING MOVIES WITH YOU ALL SUMMER 936 00:38:44,780 --> 00:38:47,366 OR MAYBE IT'S BEEN SINCE MY FIRST DAY AT BEVERLY 937 00:38:47,408 --> 00:38:50,202 AND I JUST AIN'T REALIZED IT, BUT I KNOW NOW. 938 00:38:50,244 --> 00:38:54,999 I'M IN LOVE WITH YOU. 939 00:38:55,041 --> 00:38:56,792 WE CAN'T. 940 00:38:56,834 --> 00:38:58,961 WHAT ABOUT LAYLA AND ASHER? 941 00:38:59,003 --> 00:39:01,714 OH, I KNOW. I KNOW. I KNOW. I CARE ABOUT LAYLA. I DO. 942 00:39:01,756 --> 00:39:05,384 BUT THERE'S A REASON YOU'RE HERE WITH ME NOW, OK? 943 00:39:05,426 --> 00:39:08,095 THERE'S A REASON WE'RE TOGETHER. 944 00:39:09,263 --> 00:39:11,682 LOOK AT JORDAN AND SIMONE. 945 00:39:11,724 --> 00:39:13,809 IF TODAY TOLD ME ANYTHING, 946 00:39:13,851 --> 00:39:16,395 IT CLARIFIED FOR ME THAT IF YOU GOT A CHANCE AT 947 00:39:16,437 --> 00:39:20,524 REAL HAPPINESS, YOU GOT TO TAKE IT... 948 00:39:20,566 --> 00:39:22,818 WAFIA: ♪ HOW DO YOU GO FROM TALKING EVERY DAY... ♪ 949 00:39:22,860 --> 00:39:24,278 NO MATTER WHAT. 950 00:39:24,320 --> 00:39:26,655 ♪ TO WILL WE EVER SPEAK AGAIN ♪ 951 00:39:26,697 --> 00:39:30,534 ♪ WITH SOMEONE YOU KNOW SO WELL ♪ 952 00:39:30,576 --> 00:39:31,786 ♪ SO WELL ♪ 953 00:39:31,827 --> 00:39:33,579 I'M SORRY, SPENCER. 954 00:39:33,621 --> 00:39:35,915 ♪ STILL EXISTS, BUT IT'S SOMEBODY ELSE ♪ 955 00:39:35,956 --> 00:39:38,459 ♪ AND NOBODY TELLS YOU ♪ 956 00:39:38,501 --> 00:39:42,797 ♪ HOW IT'S SUPPOSED TO END? ♪ 957 00:39:42,838 --> 00:39:45,091 ♪ HOW TO LOSE A FRIEND ♪ 958 00:39:50,846 --> 00:39:53,015 ♪ NOW WE'RE STRANGERS ♪ 959 00:39:53,057 --> 00:39:55,142 ♪ WITH THE SAME MEMORIES ♪ 960 00:39:55,184 --> 00:39:57,144 ♪ I REMEMBER ♪ 961 00:39:57,186 --> 00:40:01,273 ♪ THIS PAST NEW YEAR'S EVE, WE WERE LYING IN YOUR BED ♪ 962 00:40:01,315 --> 00:40:03,401 ♪ TALKING 'BOUT OUR DREAMS ♪ 963 00:40:03,442 --> 00:40:06,070 ♪ AND I THOUGHT THAT WAS THE WAY IT WAS ALWAYS GONNA BE... ♪ 964 00:40:06,112 --> 00:40:07,822 JUST DON'T LEAVE THINGS LIKE THIS. 965 00:40:20,459 --> 00:40:22,002 WAFIA: ♪ NOBODY TELLS YOU... ♪ 966 00:40:22,044 --> 00:40:23,379 [KNOCK ON DOOR] 967 00:40:23,421 --> 00:40:26,465 ♪ HOW IT'S SUPPOSED TO END ♪ 968 00:40:26,507 --> 00:40:28,843 ♪ HOW DO YOU GO FROM... ♪ 969 00:40:28,884 --> 00:40:30,052 SPENCER: LAYLA. 970 00:40:30,094 --> 00:40:31,762 -HEY. -HEY. 971 00:40:31,804 --> 00:40:33,264 WHAT YOU DOING HERE? 972 00:40:33,305 --> 00:40:34,640 AIN'T COOP'S SHOW ABOUT TO START? 973 00:40:34,682 --> 00:40:37,435 YEAH. UM, I JUST WANTED TO THANK YOU. 974 00:40:37,476 --> 00:40:39,061 FOR WHAT? 975 00:40:39,103 --> 00:40:42,356 FOR BEING THERE FOR ME THROUGH EVERYTHING, 976 00:40:42,398 --> 00:40:44,775 HAVING PATIENCE, 977 00:40:44,817 --> 00:40:47,945 FOR LOVING ME ENOUGH TO WAIT TILL I WAS READY. 978 00:40:47,987 --> 00:40:50,948 I'M READY NOW. 979 00:40:50,990 --> 00:40:54,201 I LOVE YOU, SPENCER. 980 00:40:54,243 --> 00:40:55,911 I NEVER STOPPED LOVING YOU. 981 00:40:55,953 --> 00:40:57,746 ♪ I STILL MISS YOU ♪ 982 00:40:57,788 --> 00:40:59,790 -♪ STILL MISS YOU ♪ -♪ HOW DO YOU... ♪ 983 00:40:59,832 --> 00:41:02,793 ♪ OOH OOH OOH OOH ♪ 984 00:41:02,835 --> 00:41:04,795 SPENCER, VOICE-OVER: LISTEN TO ME. 985 00:41:04,837 --> 00:41:08,132 YOU COMING HERE WAS NOT A MISTAKE, 986 00:41:08,174 --> 00:41:11,010 AND ME KISSING YOU WAS NOT A MISTAKE. 987 00:41:11,051 --> 00:41:15,139 US BEING TOGETHER WOULD NOT BE A MISTAKE, LIV. 988 00:41:17,475 --> 00:41:20,644 SPENCER, VOICE-OVER: LOOK, I KNOW YOU FEEL THE SAME WAY. 989 00:41:20,686 --> 00:41:24,148 SO PLEASE DON'T LEAVE THINGS LIKE THIS. 990 00:41:24,190 --> 00:41:27,568 WAFIA: ♪ ...HOW IT'S SUPPOSED TO END ♪ 991 00:41:27,610 --> 00:41:31,113 ♪ HOW DO YOU GO FROM TALKING EVERY DAY... ♪ 992 00:41:31,155 --> 00:41:33,115 ♪ TO WILL WE EVER SPEAK AGAIN? ♪ 993 00:41:33,157 --> 00:41:34,992 [CAR HORN HONKS TWICE] 994 00:41:35,034 --> 00:41:38,454 ♪ STILL EXISTS, BUT IT'S SOMEBODY ELSE ♪ 995 00:41:38,496 --> 00:41:40,706 ♪ AND NOBODY TELLS YOU ♪ 996 00:41:40,748 --> 00:41:44,293 ♪ HOW IT'S SUPPOSED TO END ♪ 997 00:41:44,335 --> 00:41:48,589 ♪ HOW TO LOSE A FRIEND ♪ 998 00:42:18,619 --> 00:42:20,120 GREG, MOVE YOUR HEAD.