1 00:00:06,083 --> 00:00:08,083 SPENCER: OK, OK, LET ME EXPLAIN. 2 00:00:08,083 --> 00:00:10,208 LAYLA: EXPLAIN? [SCOFFS] 3 00:00:10,208 --> 00:00:12,208 YOU TOLD OLIVIA, 4 00:00:12,208 --> 00:00:15,417 MY BEST FRIEND, THAT YOU LOVE HER. 5 00:00:15,417 --> 00:00:18,375 LOVE HER, BEFORE HOOKING UP WITH ME! 6 00:00:18,375 --> 00:00:20,375 I DON'T EVEN KNOW WHO YOU ARE RIGHT NOW. 7 00:00:20,375 --> 00:00:23,208 I'M SORRY. LOOK, I DIDN'T PLAN IT THAT WAY. 8 00:00:23,208 --> 00:00:25,500 LAYLA, I KNOW I MESSED UP, 9 00:00:25,500 --> 00:00:27,708 AND I SHOULD HAVE SAID SOMETHING TO YOU, BUT, 10 00:00:27,708 --> 00:00:30,125 LOOK, I MADE A PROMISE TO WAIT UNTIL YOU WAS READY TO GET BACK 11 00:00:30,125 --> 00:00:32,542 TOGETHER, AND--AND I DIDN'T WANT TO BREAK THAT. 12 00:00:32,542 --> 00:00:34,958 I KNEW HOW MUCH IT MEANT TO YOU. 13 00:00:34,958 --> 00:00:36,958 RIGHT. 14 00:00:36,958 --> 00:00:39,875 HOW MUCH IT MEANT TO ME. 15 00:00:39,875 --> 00:00:41,875 WAIT, WAIT, WAIT. THAT'S NOT WHAT I MEANT. 16 00:00:41,875 --> 00:00:45,500 YOU KNOW, IT DOESN'T MATTER. WE'RE DONE. [SIGHS] 17 00:00:45,500 --> 00:00:48,542 FOR GOOD THIS TIME. I NEVER WANT TO SEE YOU AGAIN. 18 00:00:50,958 --> 00:00:53,958 [DOOR SLAM ECHOES] 19 00:00:53,958 --> 00:00:56,375 YOU GOOD? 20 00:00:57,708 --> 00:01:00,000 SPENCER: I MESSED UP. DILLON: LIKE, 21 00:01:00,000 --> 00:01:02,000 "PUT CRANBERRIES IN POTATO SALAD" MESSED UP, 22 00:01:02,000 --> 00:01:04,708 OR "CUSSED OUT A BLACK MAMA" MESSED UP? 23 00:01:04,708 --> 00:01:07,333 "I WAS REAL CARELESS WITH SOMEBODY FEELINGS" MESSED UP. 24 00:01:09,083 --> 00:01:11,708 YOU WANT TO GET OUT OF HERE FOR A LITTLE WHILE? 25 00:01:11,708 --> 00:01:13,000 WHAT ABOUT SCHOOL? 26 00:01:13,000 --> 00:01:15,208 I'LL GET YOU THERE ON TIME. 27 00:01:15,208 --> 00:01:18,208 GET DRESSED. 28 00:01:18,208 --> 00:01:20,417 DILLON: YO, IT IS ABOUT TIME 29 00:01:20,417 --> 00:01:22,625 YOU TOOK ME ON ONE OF YOUR WORKOUTS. 30 00:01:22,625 --> 00:01:24,625 DAMN, IT'S A DOPE-ASS DAY FOR SOME FOOTBALL. 31 00:01:24,625 --> 00:01:26,833 BIRDS IS CHIRPIN'... DILLON: HERE WE GO AGAIN. 32 00:01:26,833 --> 00:01:29,167 THE GRASS IS FRESHLY CUT, AND LOOK-- 33 00:01:29,167 --> 00:01:31,792 POWER-WALKIN' DEACONS FROM OUR CHURCH ARE OUT IN FULL EFFECT. 34 00:01:31,792 --> 00:01:34,125 DILLON: HA HA HA! SPENCER: WHAT'S GOOD, SIR? DEACON: GOOD TO SEE YOU, SON. 35 00:01:34,125 --> 00:01:36,125 MAN: HEY, YOU GETTING SOME EARLY MORNING REPS IN, BRO? 36 00:01:36,125 --> 00:01:37,875 GOD KNOWS YOU NEED IT. 37 00:01:37,875 --> 00:01:39,542 AIN'T LIKE Y'ALL GOING TO THE PLAYOFFS THIS YEAR. 38 00:01:39,542 --> 00:01:41,167 DILLON: HEY, YOU KNOW THIS DUDE? SPENCER: NAH. 39 00:01:41,167 --> 00:01:43,000 MAN: NAH, I KNOW YOU, THOUGH. 40 00:01:43,000 --> 00:01:45,833 YOU BLACK JESUS IN CLEATS. 41 00:01:45,833 --> 00:01:47,708 OH, WAIT, NO, NO, NO, NO. 42 00:01:47,708 --> 00:01:49,708 SHOULD I CALL YOU THE RESOURCE? 43 00:01:49,708 --> 00:01:51,708 AIN'T THAT WHAT YOU CALLED YOURSELF 44 00:01:51,708 --> 00:01:54,042 WHEN YOU PROMISED TO LEAD SOUTH CRENSHAW TO A STATE TITLE? 45 00:01:54,042 --> 00:01:55,792 [DROPS BACKPACK] YO, WHAT'S WRONG WITH YOU? 46 00:01:55,792 --> 00:01:57,542 IGNORE HIM, D. COME ON. 47 00:01:57,542 --> 00:01:59,542 HEY, HOMIE, I'M JUST SPEAKING FACTS. 48 00:01:59,542 --> 00:02:02,292 THE TEAM, YOU'RE ALL TRASH THIS YEAR, 49 00:02:02,292 --> 00:02:05,333 AND THE RESOURCE, AVERAGE AT BEST. 50 00:02:05,333 --> 00:02:07,333 IF I WAS PLAYING, 51 00:02:07,333 --> 00:02:08,958 YOU WOULDN'T CATCH A BALL ON ME. 52 00:02:08,958 --> 00:02:10,542 I'D LOCK YOUR ASS UP. 53 00:02:10,542 --> 00:02:12,250 YOU NEED TO FALL BACK, HOMIE. 54 00:02:12,250 --> 00:02:13,917 YOU DON'T WANT THIS SMOKE. 55 00:02:13,917 --> 00:02:15,417 AH, I WANT ALL THE SMOKE. 56 00:02:15,417 --> 00:02:18,000 YEAH, WE CAN PLAY ONE-ON-ONE RIGHT NOW. 57 00:02:18,000 --> 00:02:20,000 MY MAN ERIC COULD BE QB. 58 00:02:20,000 --> 00:02:21,542 ALL RIGHT, BET. LET'S GO. 59 00:02:21,542 --> 00:02:23,167 A'IGHT. 60 00:02:23,167 --> 00:02:25,167 WE'LL RUN 5 PLAYS. 61 00:02:25,167 --> 00:02:27,708 IF I STOP YOU FROM CATCHING AT LEAST 3 PASSES... 62 00:02:27,708 --> 00:02:29,583 YOU WON'T. 63 00:02:29,583 --> 00:02:31,500 VO WILLIAMS & KAIRO: ♪ I'MMA TURN UP THE POWER ♪ 64 00:02:31,500 --> 00:02:33,708 ♪ ENERGY BLAZIN', I'M FEELIN' FINER... ♪ 65 00:02:33,708 --> 00:02:35,167 LET'S GO! YEAH! 66 00:02:35,167 --> 00:02:36,625 HEY, YOU BETTER GET IN SOME CLEATS. 67 00:02:36,625 --> 00:02:38,875 I FEEL LIKE MOSSIN' SOMEBODY TODAY, HOMIE. 68 00:02:38,875 --> 00:02:40,250 NAH, I'M GOOD. 69 00:02:40,250 --> 00:02:41,958 KEEP THAT SAME ENERGY, THOUGH. 70 00:02:41,958 --> 00:02:43,958 ♪ ...THE RULES MADE, NOW WE EVOLVING ♪ 71 00:02:43,958 --> 00:02:46,292 ♪ INTO A NEW AGE, HERE WE GO, HERE WE GO ♪ 72 00:02:46,292 --> 00:02:48,500 YES! THAT'S WHAT I'M TALKIN' 'BOUT, BOY, YEAH! 73 00:02:48,500 --> 00:02:50,708 ♪ YEAH, YOU READY OR NOT? HERE WE GO ♪ 74 00:02:50,708 --> 00:02:52,833 ♪ HERE WE GO, GO, GO ♪ 75 00:02:52,833 --> 00:02:54,750 ♪ FEEL LIKE I'M BEING SET FREE ♪ 76 00:02:54,750 --> 00:02:57,417 ♪ FEEL LIKE A BRAND-NEW ME, ARE YOU READY OR NOT? ♪ 77 00:02:57,417 --> 00:03:00,792 ♪ HERE WE GO, HERE WE GO, GO, GO ♪ 78 00:03:00,792 --> 00:03:02,667 ♪ HERE WE GO, HERE WE... ♪ 79 00:03:02,667 --> 00:03:04,792 DILLON: ALL RIGHT, IT'S ALL GOOD. COME ON, MAN. 80 00:03:04,792 --> 00:03:07,625 ♪ HERE WE GO, HERE WE GO, GO, GO ♪ 81 00:03:09,042 --> 00:03:12,042 ♪ HERE WE GO, HERE WE GO, GO, GO ♪ 82 00:03:12,042 --> 00:03:13,667 [BOTH GRUNT] 83 00:03:13,667 --> 00:03:15,667 HEY, MAN, YOU ALL RIGHT? 84 00:03:15,667 --> 00:03:19,042 THAT'S THE THIRD ONE, HOMIE, AND WE OUT. 85 00:03:22,625 --> 00:03:24,667 [SIGHS] 86 00:03:26,667 --> 00:03:29,583 IT'S ALL GOOD, MAN. YOU'LL GET 'EM NEXT TIME. 87 00:03:34,917 --> 00:03:38,250 WAIT. HE GOES TO YOUR SCHOOL? 88 00:03:44,292 --> 00:03:46,042 [SCHOOL BELL RINGS] 89 00:03:46,042 --> 00:03:47,708 ♪ I JUST GOT THAT PORSCHE, I KNOW YOU ♪ 90 00:03:47,708 --> 00:03:49,333 ♪ LIKE IT, LIKE IT, LIKE, IT, LIKE IT ♪ 91 00:03:49,333 --> 00:03:52,000 YES, DJ RELISH, NOT DJ MUSTARD. 92 00:03:52,000 --> 00:03:54,833 SO ARE WE JUST GOING DOWN THE WHOLE REFRIGERATOR DOOR WITH THESE RAP NAMES OR WHAT? 93 00:03:54,833 --> 00:03:58,042 LOOK, THE POINT IS, DJ RELISH DID PUT ON SO MANY DOPE ARTISTS, 94 00:03:58,042 --> 00:04:00,250 AND NOW HE WANTS TO MEET LITTLE OLD ME. 95 00:04:00,250 --> 00:04:01,875 DUH! YOU'VE BEEN KILLING IT. 96 00:04:01,875 --> 00:04:04,042 YOUR MUSIC'S DOPE. OF COURSE HE DOES. 97 00:04:04,042 --> 00:04:06,875 WAIT, DON'T TRY TO BUTTER ME UP NOW THAT YOUR GIRL ABOUT TO BE BIG TIME. 98 00:04:06,875 --> 00:04:08,917 UH-UH. DON'T DO THAT. YOU KNOW I'VE BEEN 99 00:04:08,917 --> 00:04:11,917 YOU AND PATIENCE'S NUMBER-ONE FAN AND FUTURE PUBLICIST. 100 00:04:11,917 --> 00:04:14,917 SPEAKING OF, HOW'S PATIENCE DOING ON LIL JEWEL'S TOUR? 101 00:04:14,917 --> 00:04:16,750 MAN, SHE IS SPAZZIN', OK? 102 00:04:16,750 --> 00:04:19,250 AND QUEEN NAIJA RETWEETED A VIDEO OF HER NEW SINGLE. 103 00:04:19,250 --> 00:04:20,833 KIA: WHAT? COOP: THAT'S WHY I GOT TO ACE 104 00:04:20,833 --> 00:04:22,458 THIS MEETING WITH DJ RELISH, SO SHE CAN BE 105 00:04:22,458 --> 00:04:25,375 AS PROUD OF ME AS I AM OF HER. KIA: AW! 106 00:04:25,375 --> 00:04:28,083 WELL, I HOPE YOU PLAN ON ACING MISS JOHNSON'S MATH EXAM TODAY, TOO. 107 00:04:28,083 --> 00:04:30,417 COOP: WAIT. THAT'S TODAY? KIA: COOP! 108 00:04:30,417 --> 00:04:32,417 GIRL ON P.A. SYSTEM: GOOD MORNING, CHARGERS. 109 00:04:32,417 --> 00:04:35,833 ONLY 3 WEEKS TO HOMECOMING, SO YOU KNOW WHAT THAT MEANS. 110 00:04:35,833 --> 00:04:38,042 IT'S TIME TO ANNOUNCE THE FINALISTS 111 00:04:38,042 --> 00:04:39,833 FOR HOMECOMING COURT. 112 00:04:39,833 --> 00:04:42,250 THE TOP TWO LADIES UP FOR THE COVETED TITLE... 113 00:04:42,250 --> 00:04:44,250 KIA: WHAT? GIRL: OF MISS SOUTH CRENSHAW 114 00:04:44,250 --> 00:04:46,250 ARE...KIA WILLIAMS... 115 00:04:46,250 --> 00:04:48,208 [SQUEALS] 116 00:04:48,208 --> 00:04:50,667 ME? OH, WHAT? STOP. 117 00:04:50,667 --> 00:04:53,292 COOP: LIKE YOU AIN'T KNOW THAT WAS COMING? KIA: HA HA! OK, STOP. 118 00:04:53,292 --> 00:04:55,292 GIRL ON P.A. SYSTEM: AND TAMIA COOPER. 119 00:04:55,292 --> 00:04:57,292 KIA: WHAT? COOP: WHAT? 120 00:04:57,292 --> 00:05:00,833 THAT'S YOUR GIRL COOP! KIA: OK! GET IT, COOP! 121 00:05:00,833 --> 00:05:04,417 GIRL ON P.A. SYSTEM: AND VYING FOR THE TITLE OF MR. SOUTH CRENSHAW, 122 00:05:04,417 --> 00:05:06,875 WE HAVE CHRISTOPHER JACKSON... 123 00:05:06,875 --> 00:05:09,500 [APPLAUSE] AND SPENCER JAMES. 124 00:05:09,500 --> 00:05:11,542 [STUDENTS CHEERING] 125 00:05:19,000 --> 00:05:25,458 FEMALE SINGER: ♪ TELL ME HOW TO SAVE YOU ♪ 126 00:05:29,708 --> 00:05:32,708 ♪ JUST TELL ME HOW TO ♪ 127 00:05:32,708 --> 00:05:38,167 ♪ SAVE YOU ♪ 128 00:05:39,417 --> 00:05:42,083 ♪ OOH ♪ 129 00:05:44,625 --> 00:05:47,750 [KNOCK KNOCK] BILLY: THERE HE IS, 130 00:05:47,750 --> 00:05:50,750 THE LEAD NOMINEE FOR MR. SOUTH CRENSHAW. 131 00:05:50,750 --> 00:05:52,750 YOU KNOW WHAT? I STILL REMEMBER 132 00:05:52,750 --> 00:05:55,500 MY NOMINATION SPEECH BACK IN THE DAY. 133 00:05:55,500 --> 00:05:57,708 IF YOU NEED ANY INSPIRATION, 134 00:05:57,708 --> 00:06:00,125 I KNOCKED THAT BAD BOY OUT ON A TYPEWRITER-- 135 00:06:00,125 --> 00:06:03,833 250 WORDS, DOUBLE-SPACED. IT WAS POETRY. 136 00:06:03,833 --> 00:06:05,333 IS THAT GONNA BE ENOUGH, COACH? 137 00:06:05,333 --> 00:06:07,042 BILLY: 250 WORDS? YEAH. SPENCER: NO, 138 00:06:07,042 --> 00:06:10,042 ENOUGH PLAYERS ON OUR ROSTER. BILLY: OH, YEAH, 139 00:06:10,042 --> 00:06:12,042 ABOUT A THIRD OF OUR PLAYERS ARE INELIGIBLE 140 00:06:12,042 --> 00:06:15,042 BECAUSE OF CARTER'S ELEVATED GPA REQUIREMENT, 141 00:06:15,042 --> 00:06:17,458 BUT WE'LL BE FINE. 142 00:06:17,458 --> 00:06:21,708 JUST SAY IT--IF WE DON'T ADD MORE PLAYERS, WE AIN'T MAKING PLAYOFFS. 143 00:06:21,708 --> 00:06:26,500 I MEAN, YEAH, WE, UH...WE COULD USE SOME DEPTH, YEAH. 144 00:06:26,500 --> 00:06:29,708 OK, LOOK, THIS MORNING I WENT ONE-ON-ONE AGAINST A DUDE 145 00:06:29,708 --> 00:06:31,667 THAT COULD HELP US OUT ON DEFENSE RIGHT NOW. 146 00:06:31,667 --> 00:06:33,458 BILLY: OK. SPENCER: I CAN'T EVEN FRONT. 147 00:06:33,458 --> 00:06:35,292 THE DUDE'S A BEAST. I LOOKED HIM UP. 148 00:06:35,292 --> 00:06:37,333 HIS NAME'S JABARI LONG. 149 00:06:37,333 --> 00:06:39,333 JABARI LONG. 150 00:06:40,833 --> 00:06:43,375 "JABARI LONG, JUNIOR." 151 00:06:43,375 --> 00:06:45,333 HIS GPA FOR LAST SEMESTER 152 00:06:45,333 --> 00:06:48,875 IS INCOMPLETE, SO THAT MEANS HE IS INELIGIBLE. 153 00:06:48,875 --> 00:06:50,958 YOU GOT TO TALK TO CARTER. 154 00:06:50,958 --> 00:06:53,708 [R&B MUSIC PLAYING] 155 00:06:53,708 --> 00:06:55,667 MALE SINGER: ♪ YEAH ♪ 156 00:06:55,667 --> 00:06:57,625 ♪ LOOK ♪ 157 00:06:57,625 --> 00:07:01,417 ♪ I'M NEVER INSECURE, I'M ALWAYS SECURE IN ALL THINGS ♪ 158 00:07:01,417 --> 00:07:04,208 ♪ A TRUE ARTIST, THAT'S WHY IT TOO HARD TO DRAW BLANKS... ♪ 159 00:07:04,208 --> 00:07:06,417 UM, I HAD TO CANCEL 160 00:07:06,417 --> 00:07:09,583 YOUR MEETING WITH DJ RELISH. COOP: I THOUGHT WE WERE GOOD. 161 00:07:09,583 --> 00:07:11,667 WELL, THE ONLY TIME HE COULD MEET WAS DURING YOUR MATH TEST. 162 00:07:11,667 --> 00:07:13,167 MATH? WOULD HAVE SKIPPED IT IF I HAD TO. 163 00:07:13,167 --> 00:07:14,583 I CAN'T BE MISSING OUT ON MEETINGS LIKE THAT. 164 00:07:14,583 --> 00:07:15,875 DON'T WE LEAVE FOR TOUR IN A FEW MONTHS? 165 00:07:15,875 --> 00:07:17,250 YES, BUT-- 166 00:07:17,250 --> 00:07:18,875 BUT WHAT IF HE FINDS ANOTHER ARTIST WHO 167 00:07:18,875 --> 00:07:20,500 DOESN'T HAVE TO WORRY ABOUT TAKING SCHOOL TESTS 168 00:07:20,500 --> 00:07:21,833 AND RUNNING LAPS IN P.E.? 169 00:07:21,833 --> 00:07:23,333 COOP, RELAX. HE'S INTERESTED. 170 00:07:23,333 --> 00:07:24,833 HE THINKS YOU'RE DOPE. HE JUST HAS TO 171 00:07:24,833 --> 00:07:26,250 UNDERSTAND THAT SCHOOL COMES FIRST. 172 00:07:26,250 --> 00:07:27,625 LOOK, IF MEG THEE STALLION 173 00:07:27,625 --> 00:07:29,708 CAN MAKE IT WORK, SO CAN YOU. 174 00:07:31,292 --> 00:07:33,000 YOU NEED TO RELAX. IT'S, LIKE, YOUR 175 00:07:33,000 --> 00:07:34,667 TENTH TIME YOU LOOKED OVER AT THE DOOR. 176 00:07:34,667 --> 00:07:37,625 SPENCER IS IN PRACTICE. YOU ARE GOOD. 177 00:07:37,625 --> 00:07:39,542 WHATEVER. I'M NOT WORRIED ABOUT IT. 178 00:07:39,542 --> 00:07:42,500 LOOK, WE DON'T HAVE TO ACT LIKE NOTHING HAPPENED. 179 00:07:42,500 --> 00:07:46,917 OK, WE BOTH BROKE UP WITH HIM, SO IF YOU WANT TO TALK... 180 00:07:46,917 --> 00:07:49,167 HIM WHO? 181 00:07:50,667 --> 00:07:53,542 HEY, Y'ALL, WHAT YOU THINK? 182 00:07:53,542 --> 00:07:55,708 DAMN, THAT WAS QUICK AS HELL. 183 00:07:55,708 --> 00:07:57,875 WHAT, YOU PRINTED THESE UP IN SIXTH PERIOD? KIA: I GOT CONNECTS. 184 00:07:57,875 --> 00:07:59,375 YOU NEED TO GET STARTED ON YOURS. 185 00:07:59,375 --> 00:08:00,583 OH, YOU ENCOURAGING YOUR COMPETITION, HUH? 186 00:08:00,583 --> 00:08:02,083 OH, I'MMA STILL GO HARD. 187 00:08:02,083 --> 00:08:03,708 I AIN'T ABOUT TO HAND YOU THE CROWN. 188 00:08:03,708 --> 00:08:05,542 BUT I CAN'T LIE, THOUGH. HOW DOPE WOULD IT BE 189 00:08:05,542 --> 00:08:08,000 IF YOU AND SPENCER WON AS BESTIES? 190 00:08:10,625 --> 00:08:13,208 I SHOULD GO. UM, KIA'S RIGHT. 191 00:08:13,208 --> 00:08:14,792 YOU GOT TO GET WORKING ON YOUR CAMPAIGN, 192 00:08:14,792 --> 00:08:17,792 AND I'VE GOT MEETINGS AND STUFF, 193 00:08:17,792 --> 00:08:20,375 SO I WILL CATCH YOU GUYS LATER. 194 00:08:20,375 --> 00:08:22,958 OK. 195 00:08:22,958 --> 00:08:25,542 OK, I'M GUESSING I MISSED SOMETHING. 196 00:08:25,542 --> 00:08:27,458 THAT YOU DID. HAVE A SEAT, SIS. 197 00:08:27,458 --> 00:08:29,167 I GOT A LOT TO FILL YOU IN ON. 198 00:08:29,167 --> 00:08:30,708 CARTER: I TOLD YOU, BILLY, 199 00:08:30,708 --> 00:08:33,125 THE GPA REQUIREMENT IS NON-NEGOTIABLE. 200 00:08:33,125 --> 00:08:35,542 BUT COME ON, MAN. I GAVE UP MY SALARY, 201 00:08:35,542 --> 00:08:37,750 WE'RE WORKING WITH MINIMAL RESOURCES-- 202 00:08:37,750 --> 00:08:39,708 WHOLE SCHOOL'S WORKING ON MINIMAL RESOURCES. WHAT'S YOUR POINT? 203 00:08:39,708 --> 00:08:42,125 LOOK, LOOK, JUST DO IT FOR THE KIDS. 204 00:08:42,125 --> 00:08:44,208 FOR A LOT OF THEM, IT'S THEIR SENIOR YEAR, 205 00:08:44,208 --> 00:08:46,042 AND FOOTBALL COULD BE THEIR LAST CHANCE TO-- 206 00:08:46,042 --> 00:08:47,625 THAT, RIGHT THERE-- 207 00:08:47,625 --> 00:08:49,542 THAT'S WHY I RAISED THE GPA, OK? 208 00:08:49,542 --> 00:08:50,958 THEY SHOULDN'T HAVE TO RELY ON SPORTS 209 00:08:50,958 --> 00:08:52,375 TO MAKE SOMETHING OF THEMSELVES. 210 00:08:52,375 --> 00:08:54,083 DO YOU KNOW ANY OF THESE KIDS PERSONALLY? 211 00:08:54,083 --> 00:08:56,875 HAVE YOU EVER HAD ANY CONVERSATION WITH ANY OF 'EM? 212 00:08:56,875 --> 00:08:59,500 LAST TIME I CHECKED, I'M THE PRINCIPAL, 213 00:08:59,500 --> 00:09:02,042 NOT YOU. BILLY: WELL, INTERIM PRINCIPAL. 214 00:09:02,042 --> 00:09:03,208 OK, WELL, I KNOW WHAT I'M DOING. 215 00:09:03,208 --> 00:09:04,667 AND WHAT IS THAT, EXACTLY? 216 00:09:04,667 --> 00:09:06,917 MAKING THE ENTIRE FOOTBALL TEAM SUFFER 217 00:09:06,917 --> 00:09:09,208 BECAUSE YOU'VE GOT A PERSONAL VENDETTA AGAINST ME? 218 00:09:09,208 --> 00:09:11,458 THIS CONVERSATION'S OVER. 219 00:09:11,458 --> 00:09:13,458 BILLY: YOU JUST PROVED MY POINT. CARTER: NO, YOU--YOU KNOW WHAT? 220 00:09:13,458 --> 00:09:16,417 I DON'T HAVE TO PROVE ANYTHING TO YOU. 221 00:09:16,417 --> 00:09:18,583 YOU'RE NOT THE BIG MAN ON CAMPUS ANYMORE. 222 00:09:18,583 --> 00:09:21,458 I'M DOING WHAT'S BEST FOR SOUTH CRENSHAW, OK, 223 00:09:21,458 --> 00:09:24,792 AND I'M NOT GONNA LET YOU OR ANYONE ELSE GET IN THE WAY OF THAT. 224 00:09:32,792 --> 00:09:34,542 CHORUS: ♪ LIVING BY FAITH ♪ 225 00:09:34,542 --> 00:09:37,375 ♪ I'M GONNA LIFT UP THE PRAISE ♪ 226 00:09:37,375 --> 00:09:39,417 ♪ IT'S A BEAUTIFUL DAY ♪ 227 00:09:39,417 --> 00:09:41,750 ♪ FOR MY SOUL TO BE SAVED ♪ 228 00:09:41,750 --> 00:09:44,292 HEY, SON, JUST IN TIME. 229 00:09:44,292 --> 00:09:45,875 WE'RE HAVING EARL'S ON CRENSHAW. 230 00:09:45,875 --> 00:09:48,250 WE NEVER HAVE EARL'S FOR DINNER, 231 00:09:48,250 --> 00:09:51,458 AND WE ONLY LISTEN TO MOM'S "GRACE FULL OF GRACE" GOSPEL PLAYLIST 232 00:09:51,458 --> 00:09:53,583 WHEN WE CELEBRATING SOMETHING. DILLON: EXACTLY. 233 00:09:53,583 --> 00:09:55,792 CHORUS: ♪ ...LIVING BY FAITH ♪ SPENCER: YOU WON THE BID 234 00:09:55,792 --> 00:09:57,958 TO REDESIGN THE GARDEN IN MY SCHOOL. 235 00:09:57,958 --> 00:09:59,750 GRACE: WHO, ME? SPENCER: YEAH. 236 00:09:59,750 --> 00:10:01,208 FAITH: ♪ BEFORE THE LIGHTS COME ON ♪ 237 00:10:01,208 --> 00:10:04,833 GRACE: OK, I DID! [ALL LAUGHING] 238 00:10:04,833 --> 00:10:06,625 GRACE: OH! 239 00:10:06,625 --> 00:10:08,625 HEY, YOU DID THAT, MA. I'M PROUD OF YOU. 240 00:10:08,625 --> 00:10:10,250 HA HA! THANK YOU, BABY. 241 00:10:10,250 --> 00:10:12,583 I'M JUST DOING MY PART TO HELP OUR SCHOOL. 242 00:10:14,667 --> 00:10:16,125 YOU OK, SPENCER? 243 00:10:16,125 --> 00:10:17,542 YEAH, I'M GOOD. 244 00:10:17,542 --> 00:10:19,167 THIS ABOUT THE BREAKUP? 245 00:10:19,167 --> 00:10:20,833 [CHUCKLING] WHICH ONE, RIGHT? 246 00:10:20,833 --> 00:10:23,333 IGNORE YOUR BROTHER. 247 00:10:23,333 --> 00:10:26,125 I SHOULD NEVER HAVE CLAIMED TO BE 248 00:10:26,125 --> 00:10:28,417 THE RESOURCE AT THAT SCHOOL BOARD MEETING. 249 00:10:28,417 --> 00:10:30,458 NOW MY PROMISE TO SAVE SOUTH CRENSHAW THROUGH FOOTBALL 250 00:10:30,458 --> 00:10:32,125 AIN'T WORKING OUT THAT GOOD. 251 00:10:32,125 --> 00:10:33,750 BUT YOU GUYS HAVE BEEN WINNING GAMES. 252 00:10:33,750 --> 00:10:35,542 BARELY. WHAT? 253 00:10:35,542 --> 00:10:38,208 OK, THEY'RE MISSING A BUNCH OF THEIR TOP PLAYERS. 254 00:10:38,208 --> 00:10:40,833 HE'S RIGHT. AIN'T ELIGIBLE 'CAUSE OF THEIR GPAs. 255 00:10:40,833 --> 00:10:42,917 WITHOUT 'EM, WE AIN'T MAKING THE PLAYOFFS, 256 00:10:42,917 --> 00:10:45,542 SO THAT'S A WRAP ON MY PLAN AND THE SCHOOL AS WE KNOW IT. 257 00:10:45,542 --> 00:10:47,625 IT'S NOT YOUR FAULT, SON, 258 00:10:47,625 --> 00:10:50,292 AND BESIDES, YOU'RE ONLY HALFWAY THROUGH THE SEASON. 259 00:10:50,292 --> 00:10:52,292 THERE'S STILL TIME FOR THE TEAM TO TURN THINGS AROUND. 260 00:10:52,292 --> 00:10:54,375 DILLON: AND WHO KNOWS? MAYBE THEY'LL STUDY REAL HARD, 261 00:10:54,375 --> 00:10:56,375 GET THEIR GPAs UP. 262 00:10:56,375 --> 00:10:58,417 ANYTHING'S POSSIBLE. 263 00:11:05,458 --> 00:11:07,458 HEY, MOM, YOU MIGHT WANT TO CHECK ON LIV, 264 00:11:07,458 --> 00:11:10,625 MAKE SURE SHE DIDN'T DROWN. SHE'S BEEN IN THAT SHOWER FOREVER. 265 00:11:10,625 --> 00:11:12,625 LEAVE YOUR SISTER ALONE. SHE'S HAVING A HARD ENOUGH TIME 266 00:11:12,625 --> 00:11:16,000 AS IT IS, POST-THE BREAKUP. JORDAN: OH, YEAH. 267 00:11:16,000 --> 00:11:18,042 WOW. AALIYAH. 268 00:11:18,042 --> 00:11:20,083 NICE SHIRT. JORDAN: HEH HEH! 269 00:11:20,083 --> 00:11:22,250 BIT OF A BOLD CHOICE FOR YOU. 270 00:11:22,250 --> 00:11:24,833 IT GETS BOLDER. I GOT ONE FOR LIV, TOO. 271 00:11:24,833 --> 00:11:26,500 I KNOW AALIYAH'S HER FAVORITE. 272 00:11:26,500 --> 00:11:28,667 IS THIS, LIKE, A TWIN THING? 273 00:11:28,667 --> 00:11:30,458 EXACTLY. IT'S TWIN TUESDAY. 274 00:11:30,458 --> 00:11:32,583 I FIGURED WE COULD DRESS ALIKE TOGETHER 275 00:11:32,583 --> 00:11:35,083 AT SCHOOL, YOU KNOW, SINCE IT'S SPIRIT WEEK. 276 00:11:35,083 --> 00:11:38,750 I FIGURED IT MIGHT CHEER HER UP. LAURA: OR TRAUMATIZE HER. 277 00:11:38,750 --> 00:11:41,750 I'M JUST KIDDING, HONEY. THAT'S--IT'S VERY, VERY SWEET. 278 00:11:41,750 --> 00:11:44,000 I DON'T KNOW. I JUST KNOW SHE HASN'T REALLY BEEN FEELING SCHOOL LATELY. 279 00:11:44,000 --> 00:11:46,500 YOU KNOW, RUNNING INTO ASHER AND SEEING LAYLA 280 00:11:46,500 --> 00:11:48,958 AND JUST HEARING ALL THE RUMORS, IT CAN'T BE FUN. 281 00:11:48,958 --> 00:11:52,083 MMM. MAYBE SHE SHOULD TAKE A MENTAL HEALTH DAY. 282 00:11:52,083 --> 00:11:55,625 WAIT, S-SERIOUSLY? YOU MEAN, LIKE, DITCH SCHOOL? 283 00:11:55,625 --> 00:11:58,458 WELL, I MEAN, SACRIFICING A DAY OF CLASSES TO FOCUS 284 00:11:58,458 --> 00:12:00,458 ON YOUR MENTAL HEALTH IS MORE IMPORTANT, 285 00:12:00,458 --> 00:12:03,292 SO YEAH, SERIOUSLY. 286 00:12:03,292 --> 00:12:05,333 YEAH, YEAH, HEH! YEAH, YEAH. UH, 287 00:12:05,333 --> 00:12:08,292 YOU KNOW WHAT ELSE IS I SHOULD BE THERE TO SUPPORT HER. 288 00:12:08,292 --> 00:12:10,542 [SCOFFS] NICE TRY, BUDDY. 289 00:12:10,542 --> 00:12:13,125 LIV NEEDS THIS. YOU DON'T. YOU'RE GOING TO SCHOOL. 290 00:12:13,125 --> 00:12:15,708 JORDAN: OK, HOLD ON. WHAT ABOUT MY NEEDS? LAURA: JORDAN. 291 00:12:15,708 --> 00:12:18,125 LOOK, I HEAR YOU. LIV NEEDS A MENTAL HEALTH DAY, ALL RIGHT? 292 00:12:18,125 --> 00:12:20,333 BUT, LOOK, I NEED... [TAPS COUNTER] 293 00:12:20,333 --> 00:12:23,208 [WHISPERING] a "taking care of my sister day," too. 294 00:12:23,208 --> 00:12:25,042 Please? 295 00:12:25,042 --> 00:12:28,000 FINE, BUT YOU MAKE IT BACK 296 00:12:28,000 --> 00:12:30,292 TO SCHOOL IN TIME FOR PRACTICE. JORDAN: [SNAPS FINGERS] DEAL! 297 00:12:30,292 --> 00:12:32,917 DEAL, DEAL, DEAL, DEAL, DEAL. THANK YOU. 298 00:12:32,917 --> 00:12:35,875 LAURA: BYE. JORDAN: LIV! 299 00:12:35,875 --> 00:12:38,125 [OVERLAPPING CHATTER] 300 00:12:40,875 --> 00:12:42,500 VANESSA: HEY, YOU. 301 00:12:42,500 --> 00:12:44,083 HEY. 302 00:12:44,083 --> 00:12:47,083 SO, FOR WHAT IT'S WORTH, I MANAGED TO FIND 303 00:12:47,083 --> 00:12:49,542 A PIECE OF OUR SUMMER AT THE BAKERY THIS MORNING. 304 00:12:55,708 --> 00:12:57,708 PAN DULCE? 305 00:12:57,708 --> 00:12:59,250 VANESSA: YEAH. HEH! ASHER: HA HA! 306 00:12:59,250 --> 00:13:03,083 WOW, THIS IS-- THIS IS AWESOME. 307 00:13:03,083 --> 00:13:05,083 WHERE'S THE REST OF IT? 308 00:13:05,083 --> 00:13:08,000 I MEAN, I DID SAY A PIECE OF OUR SUMMER, RIGHT? 309 00:13:08,000 --> 00:13:10,708 HEH HEH! TASTES JUST LIKE THE ONES WE USED 310 00:13:10,708 --> 00:13:12,583 TO HAVE AT THE PANADERIA IN MEXICO. 311 00:13:12,583 --> 00:13:14,917 EVERY MORNING AFTER OUR JOG, 312 00:13:14,917 --> 00:13:17,250 WHICH KIND OF DEFEATED THE PURPOSE. 313 00:13:17,250 --> 00:13:20,083 IT WAS NEVER REALLY ABOUT THE JOG. 314 00:13:20,083 --> 00:13:22,708 LOOK, I'M--I'M SORRY 315 00:13:22,708 --> 00:13:25,333 FOR BEING SO DISTANT THE PAST TWO WEEKS. 316 00:13:25,333 --> 00:13:27,542 BETWEEN FOOTBALL AND MY BREAKUP 317 00:13:27,542 --> 00:13:29,542 WITH LIV, I JUST NEEDED A MINUTE TO CLEAR MY HEAD. 318 00:13:29,542 --> 00:13:31,792 ALL GOOD. YOU HOLDING UP OK? 319 00:13:31,792 --> 00:13:34,000 I AM NOW. HEH! 320 00:13:34,000 --> 00:13:37,417 REMIND ME TO GET YOU A BIB NEXT TIME, OK? 321 00:13:37,417 --> 00:13:39,458 [GIGGLES] 322 00:13:40,833 --> 00:13:44,250 SO, LISTEN, I HEARD ABOUT THIS REALLY COOL DRIVE-IN 323 00:13:44,250 --> 00:13:47,542 THAT IS SHOWING OLD-SCHOOL MOVIES FROM, LIKE, MID-2000s. 324 00:13:47,542 --> 00:13:50,375 "THE HOT CHICK" IS PLAYING THERE. MAYBE WE CAN GO THIS SATURDAY? 325 00:13:50,375 --> 00:13:52,333 UH... [CLOSES PAPER BAG] 326 00:13:52,333 --> 00:13:54,292 I--I CAN'T THIS SATURDAY. 327 00:13:54,292 --> 00:13:56,167 VANESSA: OK. WHAT ABOUT-- ASHER: YOU KNOW, ACTUALLY, 328 00:13:56,167 --> 00:13:58,708 MY WHOLE WEEKEND IS KINDA HECTIC. 329 00:13:58,708 --> 00:14:01,750 UM, I'M SORRY. I NEED TO GET TO CLASS. I'LL TALK TO YOU LATER. 330 00:14:06,500 --> 00:14:08,833 [SCHOOL BELL RINGS] 331 00:14:10,292 --> 00:14:11,875 [TEXTING] 332 00:14:17,750 --> 00:14:19,917 AHEM. IS THAT MY TEXT YOU'RE ABOUT TO RESPOND TO? 333 00:14:19,917 --> 00:14:21,542 OF COURSE, YUP. 334 00:14:21,542 --> 00:14:24,167 LIAR. I SENT YOU A REMINDER THAT WE'RE 335 00:14:24,167 --> 00:14:27,292 RECORDING OUR NOMINATION SPEECHES FOR HOMECOMING AT SLAUSON CAFE TONIGHT. 336 00:14:27,292 --> 00:14:29,917 SPENCER: OK, BET. KIA: I'LL MAKE SURE THAT YOU 337 00:14:29,917 --> 00:14:33,167 AND COOP DON'T GO BACK-TO-BACK TO GIVE Y'ALL A LITTLE MORE SPACE. 338 00:14:33,167 --> 00:14:36,167 BUT YOU KNOW HOW I ROLL. I'M KEEPING THE FAITH 339 00:14:36,167 --> 00:14:38,375 'CAUSE YOU ARE THE PATRICK TO HER SPONGEBOB, 340 00:14:38,375 --> 00:14:41,250 THE FLAMING HOTS TO HER BRISK ICED TEA. HEH! 341 00:14:41,250 --> 00:14:43,750 Y'ALL NEED EACH OTHER FOR REAL, FOR REAL. 342 00:14:43,750 --> 00:14:45,458 SPENCER: FLAMING HOTS? KIA: OK, YEAH. 343 00:14:45,458 --> 00:14:48,000 THAT WAS A LITTLE CHEESY. HA HA! 344 00:14:48,000 --> 00:14:51,208 [SIGHS] I CAN'T WITH THEM. 345 00:14:51,208 --> 00:14:55,042 KIA: OUR RESOURCE COPS STAY HARASSING JABARI EVER SINCE HE GOT RELEASED FROM JUVIE. 346 00:14:55,042 --> 00:14:57,042 WHAT HE GET LOCKED UP FOR? 347 00:14:57,042 --> 00:14:59,917 HE GOT CAUGHT UP IN SOME BLING-RING NONSENSE. 348 00:14:59,917 --> 00:15:03,083 JABARI WAS A LOOKOUT WHILE SOME OLDER DUDES ROBBED A HOUSE. 349 00:15:03,083 --> 00:15:05,083 YOU KNOW, HE WAS SUPPOSED TO GET OUT IN A YEAR, BUT HE GOT OUT 350 00:15:05,083 --> 00:15:08,042 IN 3 MONTHS ON GOOD BEHAVIOR. THEY DON'T CARE, THOUGH. 351 00:15:08,042 --> 00:15:11,083 KIA: ALL THOSE COPS SEE IS A THREAT TO THEIR FRAGILITY. 352 00:15:13,208 --> 00:15:14,458 YEAH, I'LL SEE YOU TONIGHT. 353 00:15:14,458 --> 00:15:16,125 YEAH. 354 00:15:21,875 --> 00:15:23,667 HEY, JABARI... 355 00:15:25,542 --> 00:15:27,292 SEEN WHAT WENT DOWN WITH THAT COP, MAN. 356 00:15:27,292 --> 00:15:29,167 IF YOU WANT, I COULD TALK TO COACH BAKER. 357 00:15:29,167 --> 00:15:30,875 NAW, I'M COOL, MAN. 358 00:15:30,875 --> 00:15:33,208 I MEAN, I AIN'T GOT NOTHING TO HIDE. 359 00:15:33,208 --> 00:15:36,250 YOU KNOW, IN FACT--HEH!-- I KIND OF LIKE MAKING THEM COPS LOOK STUPID. 360 00:15:36,250 --> 00:15:39,250 HEY, LISTEN, MY BAD FOR HOW I CAME AT YOU YESTERDAY. 361 00:15:39,250 --> 00:15:42,375 YOU'RE A LOT NICER ON THE FIELD THAN I THOUGHT. 362 00:15:42,375 --> 00:15:45,292 HEH! YEAH, YOU, TOO. IT'S BEEN A MINUTE SINCE I WAS COVERED LIKE THAT. 363 00:15:45,292 --> 00:15:49,083 OH, I DID THAT IN SOME J's AND SOME SKINNY JEANS. IMAGINE IF I HAD CLEATS. 364 00:15:49,083 --> 00:15:51,542 HEY, YOU NEED TO CHILL OUT, HOMIE. [CHUCKLING] 365 00:15:51,542 --> 00:15:54,583 I MEAN, IF YOU'RE FEELING YOURSELF THAT MUCH, WHY NOT JOIN THE TEAM? 366 00:15:54,583 --> 00:15:57,583 OH, NAH, I'M COOL, MAN. 367 00:15:57,583 --> 00:16:01,208 HEY, LOOK, LOOK, WE THIS CLOSE TO TURNING THINGS AROUND, BRO. 368 00:16:01,208 --> 00:16:03,958 WE COULD USE A BEAST LIKE YOU ON D, AND IF THIS IS ABOUT 369 00:16:03,958 --> 00:16:06,167 YOUR GPA, THEN DON'T EVEN TRIP, ALL RIGHT? I'VE GOT YOU. 370 00:16:06,167 --> 00:16:08,792 I'MMA START TUTORING MY TEAMMATES, WE GOT, LIKE, WHAT, 371 00:16:08,792 --> 00:16:11,042 3 WEEKS TILL THE END OF SEMESTER? ON GOD, 372 00:16:11,042 --> 00:16:12,625 I'MMA GET Y'ALL RIGHT BEFORE HOMECOMING. 373 00:16:12,625 --> 00:16:14,500 HEY, MY GRADES AIN'T THE ISSUE. 374 00:16:14,500 --> 00:16:16,333 I TOOK CLASSES IN JUVIE, HOMIE. 375 00:16:16,333 --> 00:16:18,167 MY GPA's SOLID ENOUGH TO PASS. 376 00:16:18,167 --> 00:16:19,625 BUT WHEN COACH LOOKED YOU UP, HE SAID 377 00:16:19,625 --> 00:16:20,875 YOUR LAST SEMESTER WAS INCOMPLETE. 378 00:16:20,875 --> 00:16:22,875 THAT'S BECAUSE PRINCIPAL CARTER 379 00:16:22,875 --> 00:16:25,750 AIN'T IN NO RUSH TO GET MY TRANSCRIPTS TRANSFERRED. 380 00:16:25,750 --> 00:16:28,583 NOW HOW 'BOUT YOU STAY OUT MY BUSINESS, 381 00:16:28,583 --> 00:16:31,250 BLACK JESUS? [SHUTS LOCKER] 382 00:16:44,708 --> 00:16:47,333 GRACE: ANYTHING ELSE? CARTER: THAT'S ABOUT IT. 383 00:16:47,333 --> 00:16:49,333 ONCE YOU MAKE THOSE SMALL CHANGES, I'LL GET YOU THE BUDGET, 384 00:16:49,333 --> 00:16:51,542 AND WE'LL DISCUSS THE NEXT STEPS. 385 00:16:51,542 --> 00:16:53,750 NOT BAD, MS. JAMES. 386 00:16:53,750 --> 00:16:55,625 THANKS. I'LL GET RIGHT ON IT. 387 00:16:55,625 --> 00:16:59,958 OH, ONE MORE THING-- THIS NEW GPA REQUIREMENT FOR ATHLETICS. 388 00:16:59,958 --> 00:17:02,292 DOESN'T AFFECT SPENCER. HE'S GOT GOOD GRADES. 389 00:17:02,292 --> 00:17:04,958 BUT IT AFFECTS HIS TEAM, SO IT DOES AFFECT HIM. 390 00:17:04,958 --> 00:17:07,333 LOOK, I KNOW YOU AND BILLY HAVE HISTORY WITH 391 00:17:07,333 --> 00:17:09,667 SOME KID-LIKE BULLYING BACK IN THE DAY-- 392 00:17:09,667 --> 00:17:11,208 THERE WAS NOTHING KID-LIKE ABOUT IT. 393 00:17:11,208 --> 00:17:12,917 WELL, MAYBE YOU'RE NOT REMEMBERING IT CORRECTLY 394 00:17:12,917 --> 00:17:14,875 BECAUSE THAT DOESN'T EVEN SOUND LIKE THE BILLY I KNOW. 395 00:17:14,875 --> 00:17:17,333 WELL, MAYBE YOU DON'T KNOW HIM AS WELL AS YOU THINK YOU DO. 396 00:17:17,333 --> 00:17:20,208 SPENCER: 'SCUSE ME. I'M SORRY TO INTERRUPT. 397 00:17:20,208 --> 00:17:23,167 SIR, WHY WON'T YOU LET JABARI LONG'S CREDITS TRANSFER OVER FROM JUVIE? 398 00:17:23,167 --> 00:17:27,000 I DON'T DISCUSS STUDENTS' PERSONAL INFORMATION WITH OTHER STUDENTS. 399 00:17:27,000 --> 00:17:29,000 LOOK, HE WAS 15 YEARS OLD, 400 00:17:29,000 --> 00:17:31,792 AND HE MADE A BAD CHOICE, LIKE TEENS DO EVERYWHERE, 401 00:17:31,792 --> 00:17:34,417 EVERY DAY. HE GOT TO PAY FOR THAT FOREVER? 402 00:17:34,417 --> 00:17:37,417 HE MADE HIS OWN BED, AND DESPITE HOW BADLY 403 00:17:37,417 --> 00:17:40,042 YOU AND COACH BAKER WANT TO WIN GAMES, 404 00:17:40,042 --> 00:17:43,250 JABARI DOESN'T GET SPECIAL TREATMENT JUST TO BENEFIT THE FOOTBALL PROGRAM. 405 00:17:43,250 --> 00:17:45,917 IT'S NOT SPECIAL TREATMENT. HE TOOK THE CLASSES. 406 00:17:45,917 --> 00:17:47,917 OH, LET ME GUESS: HE DON'T FIT YOUR IMAGE OF WHAT 407 00:17:47,917 --> 00:17:49,958 A YOUNG BLACK MALE SHOULD BE, SO THE HELL WITH HIM AND HIS FUTURE? 408 00:17:49,958 --> 00:17:51,625 GRACE: SPENCER JAMES. 409 00:17:51,625 --> 00:17:55,250 SORRY, MOM. I'MMA-- I'MMA GET TO CLASS. 410 00:17:55,250 --> 00:17:57,458 [FOOTSTEPS RETREAT] 411 00:17:57,458 --> 00:18:00,458 THIS NEW GENERATION IS...PASSIONATE. 412 00:18:00,458 --> 00:18:02,083 MY SON IS RIGHT. 413 00:18:02,083 --> 00:18:04,708 YOU KEEP TALKING ACADEMIC EXCELLENCE 414 00:18:04,708 --> 00:18:07,333 AND CREATING AN ENVIRONMENT FULL OF OPPORTUNITIES 415 00:18:07,333 --> 00:18:10,667 FOR THESE KIDS, BUT YOUR UNWILLINGNESS TO HELP THIS JABARI KID 416 00:18:10,667 --> 00:18:13,917 IS TELLING ME EXACTLY WHAT I NEED TO KNOW ABOUT YOU. 417 00:18:17,667 --> 00:18:22,125 [KARAOKE VERSION OF AALIYAH'S "TRY AGAIN" PLAYING] 418 00:18:22,125 --> 00:18:26,125 [OFF-KEY] ♪ AND IF AT FIRST YOU DON'T SUCCEED ♪ 419 00:18:26,125 --> 00:18:29,167 ♪ THEN DUST YOURSELF OFF AND TRY AGAIN ♪ 420 00:18:29,167 --> 00:18:32,583 ♪ YOU CAN DUST IT OFF AND TRY AGAIN, TRY AGAIN ♪ 421 00:18:32,583 --> 00:18:35,583 ♪ AND IF AT FIRST YOU DON'T SUCCEED ♪ 422 00:18:35,583 --> 00:18:37,792 GUESS WHAT. ♪ YOU CAN DUST IT OFF ♪ 423 00:18:37,792 --> 00:18:40,083 ♪ AND TRY AGAIN ♪ ALL RIGHT, THAT'S IT. 424 00:18:40,083 --> 00:18:41,625 OLIVIA: HA HA HA! JORDAN: THAT--THAT'LL DO. 425 00:18:41,625 --> 00:18:43,000 [MUSIC STOPS] OLIVIA: I'M HONESTLY 426 00:18:43,000 --> 00:18:44,500 IMPRESSED THAT YOU REMEMBER THAT MUCH. 427 00:18:44,500 --> 00:18:46,000 WELL, CONSIDERING THAT THIS WAS THE 428 00:18:46,000 --> 00:18:47,292 SAME SONG THAT YOU MADE ME SING EVERY 429 00:18:47,292 --> 00:18:48,958 SINGLE TIME WE CAME HERE, 430 00:18:48,958 --> 00:18:50,292 [WHISPERS] I'm not so much surprised. 431 00:18:50,292 --> 00:18:52,167 BUT--OH, OK, WE GOT 5 MINUTES 432 00:18:52,167 --> 00:18:53,583 LEFT IN THE ROOM. OLIVIA: PERFECT. 433 00:18:53,583 --> 00:18:54,833 ENOUGH TIME FOR ME TO SING ONE MORE SONG. 434 00:18:54,833 --> 00:18:56,458 ACTUALLY, I WAS THINKING 435 00:18:56,458 --> 00:18:58,250 MAYBE WE COULD JUST TALK. 436 00:18:58,250 --> 00:18:59,583 HERE WE GO. [SIGHS] 437 00:18:59,583 --> 00:19:02,208 JORDAN, I'M FINE, OK? 438 00:19:02,208 --> 00:19:04,042 JORDAN: MM-HMM. OLIVIA: YEAH, 439 00:19:04,042 --> 00:19:06,042 LAYLA'S STILL GIVING ME THE COLD SHOULDER, 440 00:19:06,042 --> 00:19:08,667 AND EVERY RUN-IN WITH ASHER IS AWKWARD, 441 00:19:08,667 --> 00:19:11,833 TO SAY THE LEAST, BUT I AM FINE. 442 00:19:11,833 --> 00:19:13,833 YOU STILL WISH YOU WERE WITH HIM? 443 00:19:13,833 --> 00:19:16,833 MMM, IT WAS INEVITABLE. 444 00:19:16,833 --> 00:19:19,625 JUST DIDN'T EXPECT US TO BREAK UP THE WAY THAT WE DID. 445 00:19:19,625 --> 00:19:22,625 UH, YEAH, THE WEEKEND AT SPENCER'S CABIN WAS 446 00:19:22,625 --> 00:19:26,500 A LOT, BUT MAYBE IT WASN'T A BAD THING. 447 00:19:26,500 --> 00:19:29,667 MAYBE IT WAS THE PERFECT STORM OF DESTRUCTION TO... 448 00:19:29,667 --> 00:19:32,667 ALLOW YOU TO PUT THE PIECES BACK TOGETHER THE RIGHT WAY. 449 00:19:32,667 --> 00:19:35,042 OK, JORDAN PINKETT. [SCOFFS] 450 00:19:35,042 --> 00:19:37,417 WHAT DOES THAT MEAN? 451 00:19:37,417 --> 00:19:39,333 IT'S TIME YOU GO FOR WHAT YOU WANT 452 00:19:39,333 --> 00:19:41,792 OR...WHO. 453 00:19:41,792 --> 00:19:44,250 YOU TALK TO SPENCER? 454 00:19:44,250 --> 00:19:46,250 THERE'S NO FUTURE FOR ME AND SPENCER. 455 00:19:46,250 --> 00:19:48,667 I MEAN, YOU SEE HOW MUCH COLLATERAL DAMAGE WE'VE 456 00:19:48,667 --> 00:19:51,375 ALREADY CAUSED WITH JUST ONE VEGAS KISS. 457 00:19:51,375 --> 00:19:53,750 LOOK AT ME AND SIMONE, RIGHT? 458 00:19:53,750 --> 00:19:55,917 WE MADE A VERY UNPOPULAR DECISION, BUT IT WORKED. 459 00:19:55,917 --> 00:19:58,042 IT TURNED OUT GREAT. 460 00:19:58,042 --> 00:20:00,250 I'VE NEVER BEEN HAPPIER. 461 00:20:00,250 --> 00:20:02,542 YEAH, FOR NOW, 462 00:20:02,542 --> 00:20:05,083 UNTIL BOTH PARENTS FIND OUT THAT NOT ONLY ARE YOU MARRIED, 463 00:20:05,083 --> 00:20:07,708 BUT YOU ALSO STOLE MOM'S SIGNATURE TO MAKE IT HAPPEN. 464 00:20:07,708 --> 00:20:09,750 LOOK, WE'LL CROSS THAT BRIDGE WHEN WE GET THERE, ALL RIGHT? 465 00:20:09,750 --> 00:20:12,542 BUT IN THE MEANTIME, YOU HAVE BRIDGES YOURSELF TO MEND. 466 00:20:12,542 --> 00:20:14,542 YEAH. 467 00:20:14,542 --> 00:20:17,167 I'LL REACH OUT TO SPENCER... 468 00:20:17,167 --> 00:20:18,792 EVENTUALLY. 469 00:20:18,792 --> 00:20:20,667 I MEANT LAYLA. 470 00:20:20,667 --> 00:20:23,500 CLEAR THE AIR, ONCE AND FOR ALL, 471 00:20:23,500 --> 00:20:28,333 AND THEN, MAYBE, YOU KNOW, YOU AND SPENCER CAN... 472 00:20:28,333 --> 00:20:31,792 [OFF-KEY] ♪ DUST YOURSELVES OFF AND TRY AGAIN ♪ 473 00:20:31,792 --> 00:20:34,833 MALE SINGER: ♪ I DON'T WANT TO WAIT TOO LONG... ♪ 474 00:20:34,833 --> 00:20:37,250 PREACH: I LEAVE FOR A MONTH AND THIS IS WHAT YOU DOING? 475 00:20:37,250 --> 00:20:39,375 FAKE-ASS MICHELLE OBAMA CAMPAIGN FLYERS? 476 00:20:39,375 --> 00:20:41,583 YO, OK, I'M HONORED THAT YOU'RE COMPARING ME 477 00:20:41,583 --> 00:20:44,792 TO MY FOREVER FIRST LADY, BUT YOU TRIED IT. 478 00:20:44,792 --> 00:20:48,000 BESIDES, BEEN A MINUTE. THOUGHT YOU WAS DONE WITH ME. 479 00:20:48,000 --> 00:20:50,417 I JUST GOT BACK FROM PHILLY, WENT TO GO DO 480 00:20:50,417 --> 00:20:53,625 SOME ON-THE-GROUND RESEARCH, SEE WHAT MO'S BEEN UP TO SINCE 481 00:20:53,625 --> 00:20:56,375 LEAVING CRENSHAW 10 YEARS AGO. COOP: AND? 482 00:20:56,375 --> 00:20:59,000 I MEAN, I TALKED TO SOME FOLKS, AND APPARENTLY, 483 00:20:59,000 --> 00:21:02,042 SHE'S HEAVILY INVESTED IN THE SOCIAL JUSTICE COMMUNITY OUT THERE. 484 00:21:02,042 --> 00:21:04,583 I MEAN, SHE'S WELL-RESPECTED, BEEN DOING ALL THIS 485 00:21:04,583 --> 00:21:07,708 GROUNDBREAKING STUFF, SO TO ME, IT'S LOOKING LIKE SHE CHECKS OUT. 486 00:21:07,708 --> 00:21:09,208 HMM. 487 00:21:09,208 --> 00:21:11,125 TOLD YOU AIN'T GOT TO WORRY ABOUT IT. 488 00:21:11,125 --> 00:21:13,000 WHAT'S WRONG WITH YOU? 489 00:21:13,000 --> 00:21:14,750 WHO SAYS SOMETHING'S WRONG? 490 00:21:14,750 --> 00:21:16,750 I FLEW ACROSS COUNTRY TO GET THIS INFORMATION 491 00:21:16,750 --> 00:21:18,750 ON MO, AND ALL YOU'VE GOT TO SAY IS, "HUH"? 492 00:21:18,750 --> 00:21:21,167 PLUS YOU GOT THAT SAD-ASS PUPPY LOOK YOU BE DOING 493 00:21:21,167 --> 00:21:22,917 WHENEVER YOU STRESSING OVER SOMETHING. 494 00:21:22,917 --> 00:21:24,875 LOOK, SPENCER AND I CUT EACH OTHER OFF, ALL RIGHT? 495 00:21:24,875 --> 00:21:27,125 IT'S BEEN HARDER THAN I THOUGHT TO LET GO. 496 00:21:27,125 --> 00:21:29,458 LIKE, SEEING HIM EVERY DAY IS--IS ROUGH. 497 00:21:29,458 --> 00:21:31,083 IT'S REALLY ROUGH. 498 00:21:31,083 --> 00:21:33,708 LOOK, I'MMA KEEP IT A BUCK. 499 00:21:33,708 --> 00:21:36,708 YOU AND SPENCER MIGHT MAKE UP OR YOU MIGHT NOT, 500 00:21:36,708 --> 00:21:39,375 BUT DON'T PUT YOUR LIFE ON HOLD FOR NOBODY, 501 00:21:39,375 --> 00:21:40,625 AS HARD AS IT IS. 502 00:21:40,625 --> 00:21:42,333 IS THAT HOW YOU GOT OVER MO? 503 00:21:42,333 --> 00:21:44,333 UH-UH, WE AIN'T GOING THERE. 504 00:21:44,333 --> 00:21:46,042 WHAT I LOOK LIKE, RICKI LAKE? 505 00:21:46,042 --> 00:21:47,292 WHO? 506 00:21:47,292 --> 00:21:49,292 LOOK, IT DON'T EVEN MATTER. 507 00:21:49,292 --> 00:21:50,917 THIS AIN'T ABOUT ME. 508 00:21:50,917 --> 00:21:53,292 YOU GOT TO DO YOU, AND DON'T NOBODY ELSE 509 00:21:53,292 --> 00:21:56,333 KNOW WHAT THAT LOOK LIKE BUT YOU. 510 00:22:04,542 --> 00:22:06,583 [POP MUSIC PLAYING] 511 00:22:11,000 --> 00:22:13,625 UH, DIDN'T EXPECT TO SEE YOU HERE. 512 00:22:13,625 --> 00:22:15,667 YEAH, AND I WAS HOPING NOT TO SEE YOU. 513 00:22:15,667 --> 00:22:17,667 OK. 514 00:22:19,125 --> 00:22:20,958 YOU KNOW WHAT HURT THE MOST? THE FACT 515 00:22:20,958 --> 00:22:23,083 THAT YOU STRUNG ME ALONG OUT OF PITY 'CAUSE YOU THOUGHT 516 00:22:23,083 --> 00:22:24,917 I WAS TOO FRAGILE TO HANDLE THE TRUTH. 517 00:22:24,917 --> 00:22:26,625 SPENCER: LAYLA, I NEVER-- LAYLA: YES, I SPENT SOME TIME 518 00:22:26,625 --> 00:22:28,292 IN A MENTAL FACILITY, BUT I OWNED THAT, AND I 519 00:22:28,292 --> 00:22:30,375 ACTUALLY LEARNED A LOT FROM THAT EXPERIENCE, 520 00:22:30,375 --> 00:22:32,125 AND I LEARNED A LOT FROM MY TIME ON TOUR 521 00:22:32,125 --> 00:22:33,375 'CAUSE YOU KNOW WHAT, SPENCER? 522 00:22:33,375 --> 00:22:34,625 THAT'S WHAT PEOPLE DO. 523 00:22:34,625 --> 00:22:37,250 WE GROW AND WE EVOLVE. 524 00:22:37,250 --> 00:22:39,833 YOU'D BE SURPRISED WHAT MY BAD ASS CAN HANDLE, 525 00:22:39,833 --> 00:22:41,875 BUT YOU'LL NEVER KNOW. 526 00:22:43,542 --> 00:22:46,125 YOU KNOW, THAT NIGHT IN VEGAS, YOU WERE SO BUSY 527 00:22:46,125 --> 00:22:48,750 TRYING TO BE THE SUPERHERO... 528 00:22:48,750 --> 00:22:51,792 BUT YOU ACTUALLY ENDED UP CAUSING THE MOST DAMAGE. 529 00:23:00,625 --> 00:23:03,583 [KNOCK ON DOOR] 530 00:23:03,583 --> 00:23:05,625 COOP: WHAT'S UP, MAN? DILLON: COOP. 531 00:23:05,625 --> 00:23:07,250 YOU MOVING BACK IN? 532 00:23:07,250 --> 00:23:09,208 NAH, LITTLE MAN. 533 00:23:09,208 --> 00:23:11,167 THIS FOR SPENCE. 534 00:23:11,167 --> 00:23:13,583 WHAT IS IT? 535 00:23:13,583 --> 00:23:16,083 IT'S, UH... 536 00:23:16,083 --> 00:23:19,750 IT'S JUST SOME STUFF I WANTED HIM TO HAVE BACK. 537 00:23:19,750 --> 00:23:21,375 GRACE: UH-UH! 538 00:23:21,375 --> 00:23:23,083 YOU NOT LEAVING THAT HERE, GIRL. 539 00:23:23,083 --> 00:23:24,875 I RECOGNIZE THAT BOX. 540 00:23:24,875 --> 00:23:27,417 I GAVE MICAH THAT SAME BOX WHEN WE BROKE UP. 541 00:23:27,417 --> 00:23:29,667 DILLON AND I ARE NOT GETTING IN THE MIDDLE OF YOU 542 00:23:29,667 --> 00:23:32,250 AND SPENCER'S FRIENDSHIP. Y'ALL FIGURE IT OUT. 543 00:23:32,250 --> 00:23:33,917 COME ON, MS. GRACE. YOU DON'T UNDERSTAND. 544 00:23:33,917 --> 00:23:35,917 I UNDERSTAND THAT YOU AND SPENCER HAVE BEEN FRIENDS 545 00:23:35,917 --> 00:23:38,167 WAY TOO LONG TO GO OUT LIKE THIS. 546 00:23:38,167 --> 00:23:40,167 REAL FRIENDS DON'T TAKE THE EASY WAY OUT 547 00:23:40,167 --> 00:23:42,417 BY RUNNING AWAY FROM THEIR PROBLEMS, TAMIA. 548 00:23:42,417 --> 00:23:44,667 IF YOU WANT TO THROW YOUR FRIENDSHIP AWAY, 549 00:23:44,667 --> 00:23:47,333 YOU GIVE SPENCER THAT BOX YOURSELF. 550 00:23:47,333 --> 00:23:50,000 YES, MA'AM. 551 00:24:00,375 --> 00:24:03,000 SHE'S LIKE AN ANGEL. 552 00:24:03,000 --> 00:24:06,000 YO, YO, DUDE, CHECK THIS OUT, HUH? 553 00:24:06,000 --> 00:24:08,000 IT'S A PIC OF ME AND VANESSA. 554 00:24:08,000 --> 00:24:11,292 WE'RE PRACTICALLY TWINNING ON TWIN DAY. 555 00:24:11,292 --> 00:24:13,833 PROGRESS, BRO, PROGRESS. 556 00:24:13,833 --> 00:24:16,250 CATCH YOU ON THE FIELD. 557 00:24:16,250 --> 00:24:18,625 MONTES: CHANGE OF PLANS, ADAMS. 558 00:24:18,625 --> 00:24:21,292 I'M GONNA HAVE YOU RUN WITH THE SECOND-TEAM OFFENSE DURING PRACTICE. 559 00:24:21,292 --> 00:24:23,417 WAIT, WHAT? U-UH, COACH, 560 00:24:23,417 --> 00:24:25,042 NO DISRESPECT, BUT I'VE BEEN RUNNING 561 00:24:25,042 --> 00:24:26,667 WITH FIRST TEAM SINCE I CAME BACK. 562 00:24:26,667 --> 00:24:28,292 AND YOU'VE BEEN CRUSHING IT. 563 00:24:28,292 --> 00:24:30,292 OK, SO IF IT'S NOT BROKEN, 564 00:24:30,292 --> 00:24:32,292 WHY ARE YOU MAKING A CHANGE? 565 00:24:32,292 --> 00:24:33,917 IS THIS, LIKE, A PUNISHMENT THING 566 00:24:33,917 --> 00:24:37,042 'CAUSE OF ME AND VANESSA? MONTES: YOU AND VANESSA? 567 00:24:37,042 --> 00:24:39,250 I'M SWITCHING PETERSON TO OFFENSE, AND I NEED 568 00:24:39,250 --> 00:24:41,000 SOMEBODY TO HELP HIM WITH THE PLAYBOOK. 569 00:24:41,000 --> 00:24:42,583 THAT PERSON WOULD BE YOU, 570 00:24:42,583 --> 00:24:44,458 YOU GOT A COACH'S INSTINCT, 571 00:24:44,458 --> 00:24:46,083 YOUR LEADERSHIP SKILLS HAVE BEEN OFF THE CHART 572 00:24:46,083 --> 00:24:48,292 SINCE YOU RETURNED, SO THIS IS MORE OF 573 00:24:48,292 --> 00:24:50,458 A, UM, COMPLIMENT THING? 574 00:24:50,458 --> 00:24:54,083 I AM--I'M SORRY. I'LL GO CHECK ON PETERSON REAL QUICK. 575 00:24:54,083 --> 00:24:56,083 NOT SO FAST, ADAMS. 576 00:24:56,083 --> 00:24:59,083 AFTER PRACTICE, I'M GONNA NEED AN ANSWER 577 00:24:59,083 --> 00:25:01,458 TO THAT "YOU AND VANESSA" THING. 578 00:25:01,458 --> 00:25:03,667 YOU'RE GONNA WALK ME THROUGH EVERYTHING. 579 00:25:03,667 --> 00:25:06,708 I WANT ALL THE TEA, ALL OF IT. 580 00:25:08,708 --> 00:25:10,750 [KNOCK ON DOOR] 581 00:25:14,917 --> 00:25:16,958 [CLEARS THROAT] 582 00:25:18,500 --> 00:25:20,500 SO YOU IGNORING MY CALLS NOW, HUH? 583 00:25:20,500 --> 00:25:22,125 MY BAD, COACH. WHAT'S UP? 584 00:25:22,125 --> 00:25:25,125 WHAT'S UP? LOOK, I THINK I MAY HAVE SOLVED 585 00:25:25,125 --> 00:25:27,708 PART OF OUR DEPTH PROBLEM. UM, 586 00:25:27,708 --> 00:25:31,000 I'M GONNA BRING UP 5 KIDS FROM JV. 587 00:25:31,000 --> 00:25:34,292 OK, NOW HEAR ME OUT. I'VE BEEN THINKING THAT-- 588 00:25:34,292 --> 00:25:36,708 UH, WHAT'S GOING ON? HOW COME YOU'RE NOT LISTENING TO ME? 589 00:25:36,708 --> 00:25:39,375 SORRY. I'M GOOD. I'M GOOD. 590 00:25:39,375 --> 00:25:41,375 AREN'T YOU SUPPOSED TO BE RECORDING YOUR 591 00:25:41,375 --> 00:25:43,375 NOMINATION SPEECH FOR HOMECOMING KING TONIGHT? 592 00:25:43,375 --> 00:25:45,375 YEAH. REAL TALK? 593 00:25:45,375 --> 00:25:47,792 I AIN'T BEEN FEELING ALL THAT KING-LIKE LATELY. 594 00:25:47,792 --> 00:25:49,833 HUH. WELL... 595 00:25:49,833 --> 00:25:52,375 WHAT IS A KING, ANYWAY? 596 00:25:53,833 --> 00:25:55,833 HEH! 597 00:25:55,833 --> 00:25:58,458 YOU KNOW, I CAME BACK HOME TO MAKE A DIFFERENCE, 598 00:25:58,458 --> 00:26:01,000 BUT SO FAR, IT'S JUST BEEN MESSY. 599 00:26:02,500 --> 00:26:05,125 I MEAN, I WANT TO TUTOR MY TEAMMATES AND HELP JABARI, 600 00:26:05,125 --> 00:26:07,125 BUT I CAN'T EVEN MAKE THAT HAPPEN. 601 00:26:07,125 --> 00:26:09,125 I MEAN, MAYBE EVERYBODY'S RIGHT. 602 00:26:09,125 --> 00:26:11,208 MAYBE I SHOULD STOP TRYING TO BE A SUPERHERO. 603 00:26:11,208 --> 00:26:12,875 ABSOLUTELY NOT. 604 00:26:12,875 --> 00:26:14,792 THAT IS ONE OF YOUR GIFTS. 605 00:26:14,792 --> 00:26:17,417 LOOK, IF ANYBODY'S TO BLAME, IT'S PROBABLY ME. 606 00:26:17,417 --> 00:26:20,042 I KNOW THERE ARE TIMES I PUT 607 00:26:20,042 --> 00:26:22,000 PROBABLY TOO MUCH ON YOUR SHOULDERS, 608 00:26:22,000 --> 00:26:24,500 MORE THAN I SHOULD HAVE, LIKE RIGHT NOW. 609 00:26:24,500 --> 00:26:27,792 NO, NO, THIS AIN'T ABOUT YOU, COACH. IT'S ON ME. 610 00:26:27,792 --> 00:26:29,875 YOU PUT TOO MUCH PRESSURE ON YOURSELF, MAN. 611 00:26:29,875 --> 00:26:32,750 YOU CAN'T DO ALL THIS ALONE. 612 00:26:32,750 --> 00:26:36,375 MY MOTHER USED TO SAY, "IF YOU WANT TO GO FAST, GO ALONE. 613 00:26:36,375 --> 00:26:40,167 IF YOU WANT TO GO FAR, GO TOGETHER." 614 00:26:40,167 --> 00:26:41,583 [EXHALES] 615 00:26:41,583 --> 00:26:43,875 DON'T BE AFRAID TO ASK FOR HELP. 616 00:26:43,875 --> 00:26:46,542 THERE'S HONOR IN THAT. 617 00:26:57,042 --> 00:26:59,042 [OLIVIA SIGHS] 618 00:26:59,042 --> 00:27:01,042 [WHISPERING] I can do this, I can do this, 619 00:27:01,042 --> 00:27:04,458 I can do this, I can do this, I can do this. 620 00:27:07,333 --> 00:27:09,250 UHH! OK. 621 00:27:09,250 --> 00:27:11,917 [POP MUSIC PLAYING] 622 00:27:17,250 --> 00:27:18,917 HEY. 623 00:27:20,417 --> 00:27:22,417 I KNOW THINGS ARE, LIKE, A LITTLE WEIRD, 624 00:27:22,417 --> 00:27:25,208 BUT I WAS REALLY HOPING TO TALK TO YOU. 625 00:27:25,208 --> 00:27:28,583 HONESTLY, LIV, I'VE HAD ALL THE CONFRONTATIONS I CAN HAVE FOR ONE DAY. 626 00:27:28,583 --> 00:27:31,583 I'M NOT--I'M NOT HERE TO CONFRONT YOU. I JUST-- 627 00:27:31,583 --> 00:27:34,042 OK, I UNDERSTAND WHY YOU'RE UPSET, 628 00:27:34,042 --> 00:27:36,042 BUT I DIDN'T-- I DIDN'T DO ANYTHING. 629 00:27:36,042 --> 00:27:39,042 "DIDN'T DO ANYTHING"? ARE YOU SERIOUS? 630 00:27:39,042 --> 00:27:40,500 SPENCER TOLD ME HE LOVED ME. 631 00:27:40,500 --> 00:27:41,917 I DIDN'T TELL HIM TO SAY THAT. 632 00:27:41,917 --> 00:27:44,125 RIGHT, AND THE, UM, LYING TO ME 633 00:27:44,125 --> 00:27:46,333 FOR MONTHS WHILE SPENCER MADE A FOOL OUT OF ME, WHAT WAS THAT? 634 00:27:46,333 --> 00:27:48,792 SPENCER GENUINELY CARES FOR YOU, LAYLA. THAT WASN'T A LIE. 635 00:27:48,792 --> 00:27:51,375 SO CARES FOR ME, BUT LOVES YOU. 636 00:27:51,375 --> 00:27:53,083 I'M OVER IT. 637 00:27:53,083 --> 00:27:54,708 I REFUSE TO BE A CLICHE STANDING 638 00:27:54,708 --> 00:27:57,083 AROUND FIGHTING OVER A BOY. 639 00:27:57,083 --> 00:28:00,917 I MEAN, IT'S NOT LIKE YOU AND SPENCER WERE EVEN TOGETHER AT THE TIME. 640 00:28:00,917 --> 00:28:02,917 WHAT, YOU WANT TO ARGUE TECHNICALITIES? 641 00:28:02,917 --> 00:28:04,917 YOU DON'T GET IT. IT'S NOT ABOUT SPENCER 642 00:28:04,917 --> 00:28:07,208 OR ASHER OR ANY OF MY OTHER EXES YOU WANT 643 00:28:07,208 --> 00:28:09,208 TO GO FOR, IT'S ABOUT LOYALTY, OK? 644 00:28:09,208 --> 00:28:11,542 AND THE FACT IS, YOU SUCK AS A FRIEND. 645 00:28:11,542 --> 00:28:14,750 LAYLA, YOU WOULDN'T KNOW LOYALTY IF IT HAD A PRICE TAG BECAUSE YOU 646 00:28:14,750 --> 00:28:17,250 DON'T VALUE ANYONE OR ANYTHING ONCE IT GETS 647 00:28:17,250 --> 00:28:19,292 IN THE WAY OF WHAT YOU WANT. LAYLA: THAT'S NOT TRUE. 648 00:28:19,292 --> 00:28:21,583 REALLY? BECAUSE WHEN SPENCER FIRST GOT TO BEVERLY, YOU 649 00:28:21,583 --> 00:28:24,583 INTENTIONALLY GOT HIM DRUNK AND ALMOST RUINED HIS FOOTBALL DREAMS, 650 00:28:24,583 --> 00:28:27,208 AND THEN YOU TRIED TO GET ME TO HOOK UP WITH HIM UNTIL YOU REALIZED 651 00:28:27,208 --> 00:28:30,042 THAT YOU JUST WANTED HIM FOR YOURSELF, AND THEN SUDDENLY MY FEELINGS 652 00:28:30,042 --> 00:28:33,167 JUST DIDN'T MATTER ANYMORE, AND DESPITE ALL OF THAT, 653 00:28:33,167 --> 00:28:35,875 I STILL SUPPORTED YOU AT YOUR LOWEST POINT, WHEN YOU WERE BATTLING 654 00:28:35,875 --> 00:28:38,375 YOUR DEPRESSION, UNLIKE YOU, WHO, 655 00:28:38,375 --> 00:28:40,792 IF I REMEMBER CORRECTLY, TOLD ME THAT YOU DIDN'T 656 00:28:40,792 --> 00:28:43,792 EVEN REALIZE THAT MY ADDICTION WAS "THAT BAD" 657 00:28:43,792 --> 00:28:46,708 AFTER I GOT BACK FROM REHAB LAST YEAR. 658 00:28:46,708 --> 00:28:49,917 I MEAN, WHAT KIND OF FRIEND IS THAT? 659 00:28:51,833 --> 00:28:56,875 UM, THE KIND WHO KNOWS WHEN TO PULL THE DAGGER OUT OF HER BACK AND WALK AWAY. 660 00:28:59,125 --> 00:29:01,542 [SNIFFS] YOU KNOW, UM, 661 00:29:01,542 --> 00:29:04,167 I'M NOT GONNA STAND IN YOUR WAY ANYMORE, 662 00:29:04,167 --> 00:29:06,167 SO YOU CAN HAVE SPENCER. 663 00:29:06,167 --> 00:29:08,792 I'M DONE WITH HIM... 664 00:29:08,792 --> 00:29:10,833 AND YOU. 665 00:29:20,500 --> 00:29:22,125 [SIGHS] 666 00:29:22,125 --> 00:29:23,750 HAVE YOU HEARD FROM SPENCE? 667 00:29:23,750 --> 00:29:25,375 HE'S NEXT. 668 00:29:25,375 --> 00:29:28,167 NEVER MIND. I WILL TEXT HIM. 669 00:29:28,167 --> 00:29:30,583 LOOK, WE CAN GO AHEAD AND JUST DO MINE, SINCE WE'RE WAITING. 670 00:29:30,583 --> 00:29:32,625 THAT WAY, I AIN'T GOT TO SEE HIM. 671 00:29:32,625 --> 00:29:34,000 UP TO YOU. 672 00:29:36,125 --> 00:29:38,125 SPENCER: KIA. 673 00:29:38,125 --> 00:29:40,125 KIA: YOU'RE LATE! SPENCER: I KNOW. 674 00:29:40,125 --> 00:29:41,708 I KNOW. MY BAD-- KIA: I DON'T CARE. 675 00:29:41,708 --> 00:29:43,792 JUST GET YOUR BUTT ONSTAGE. I'M HITTING RECORD. 676 00:29:55,625 --> 00:29:57,958 [SIGHS] UH, 677 00:29:57,958 --> 00:30:00,292 LOOK, I WASN'T GONNA RECORD MY SPEECH TONIGHT, 678 00:30:00,292 --> 00:30:03,292 BUT THEN A, UH... 679 00:30:03,292 --> 00:30:05,500 A SMART MAN ASKED ME, 680 00:30:05,500 --> 00:30:07,708 "WHAT IS A KING, ANYWAY?" 681 00:30:07,708 --> 00:30:09,583 [BILLY CHUCKLES] SPENCER: LOOK, I DON'T KNOW 682 00:30:09,583 --> 00:30:12,583 WHAT A KING IS, BUT I KNOW EVERYBODY WATCHING THIS 683 00:30:12,583 --> 00:30:16,208 HAS SOMETHING THAT MAKES THEM KING- AND QUEEN-LIKE, 684 00:30:16,208 --> 00:30:19,792 WHETHER IT'S KIA'S LOVE FOR THE CULTURE, 685 00:30:19,792 --> 00:30:24,417 OR MY HOMIE CHRIS' LOYALTY, OR... 686 00:30:24,417 --> 00:30:26,958 OR COOP'S RESILIENCE. 687 00:30:26,958 --> 00:30:29,583 WE ALL GOT A SUPERPOWER, 688 00:30:29,583 --> 00:30:32,208 AND BEING MR. SOUTH CRENSHAW IS ABOUT RECOGNIZING 689 00:30:32,208 --> 00:30:34,375 ANOTHER PERSON'S SUPERPOWER, 690 00:30:34,375 --> 00:30:37,042 IT'S ABOUT LEANING ON 'EM WHEN YOU NEED HELP. 691 00:30:37,042 --> 00:30:40,042 THIS WHOLE TIME, I THOUGHT I NEEDED TO BE THE RESOURCE, 692 00:30:40,042 --> 00:30:43,500 BUT TRUTHFULLY, WE ALL THE RESOURCE, MAN. 693 00:30:44,958 --> 00:30:47,750 SPENCER: AND IF WE WANT ALL OF US SOUTH CRENSHAW CHARGERS TO PROSPER, 694 00:30:47,750 --> 00:30:50,375 IT'S GONNA TAKE EVERYBODY... 695 00:30:50,375 --> 00:30:51,750 EVERYBODY. 696 00:30:54,208 --> 00:30:56,875 THIS AIN'T ABOUT ONE OF US. 697 00:30:59,417 --> 00:31:02,083 IT'S ABOUT ALL OF US. 698 00:31:02,083 --> 00:31:04,333 [FOOTSTEPS DESCEND] 699 00:31:04,333 --> 00:31:06,292 KIA: GOOD JOB. MM-HMM. SPENCER: LATER. 700 00:31:07,833 --> 00:31:09,542 "SMART MAN," HUH? 701 00:31:09,542 --> 00:31:11,500 YEAH, I MIGHT HAVE EMBELLISHED A LITTLE BIT. 702 00:31:11,500 --> 00:31:13,208 HA HA HA! OH, FYI. UH, 703 00:31:13,208 --> 00:31:15,625 I HEARD BACK FROM 3 OF OUR BEST TEACHERS, 704 00:31:15,625 --> 00:31:17,625 AND THEY'RE ALL DOWN TO HELP YOU TUTOR 705 00:31:17,625 --> 00:31:19,875 OUR BOYS BEFORE SCHOOL SO, BETWEEN THEM 706 00:31:19,875 --> 00:31:22,500 AND THE KIDS FROM JV, WE MIGHT ACTUALLY HAVE A SHOT AT SOMETHING. 707 00:31:22,500 --> 00:31:25,333 SPENCER: PRAYERS UP. JABARI: HEY, MY BAD. 708 00:31:25,333 --> 00:31:27,417 KIA MENTIONED I WOULD FIND Y'ALL HERE. 709 00:31:27,417 --> 00:31:28,792 BILLY: WHAT'S UP? 710 00:31:28,792 --> 00:31:30,417 I JUST WANTED TO SAY THANK YOU 711 00:31:30,417 --> 00:31:32,333 FOR GETTING MY JUVIE CREDITS TRANSFERRED. 712 00:31:32,333 --> 00:31:34,292 UH, THAT-- THAT'S DOPE, MAN, 713 00:31:34,292 --> 00:31:36,250 BUT THAT AIN'T HAD NOTHING TO DO WITH ME. 714 00:31:36,250 --> 00:31:38,000 - YEAH, ME, NEITHER. - WELL, WHOEVER IT WAS, 715 00:31:38,000 --> 00:31:39,875 THEY DID ME A SOLID. 716 00:31:39,875 --> 00:31:41,167 HUH. 717 00:31:41,167 --> 00:31:43,167 IF YOU STILL GOT A SPOT FOR ME, 718 00:31:43,167 --> 00:31:45,292 I'D LIKE TO JOIN THE TEAM, COACH. 719 00:31:45,292 --> 00:31:47,500 I'VE BEEN HEARING SOME GOOD THINGS, SOME REAL GOOD THINGS, 720 00:31:47,500 --> 00:31:50,500 BUT LOOK, DON'T EXPECT ME TO START YOU RIGHT OUT THE GATE. 721 00:31:50,500 --> 00:31:52,833 YOU'RE GONNA HAVE TO EARN YOUR SPOT, JUST LIKE EVERYBODY ELSE. 722 00:31:52,833 --> 00:31:55,292 I GOT YOU, COACH. 723 00:31:55,292 --> 00:31:57,250 HEY, YOU STILL TUTORING? 724 00:31:57,250 --> 00:31:58,833 YEAH, YEAH, YOU SHOULD SLIDE THROUGH. 725 00:31:58,833 --> 00:32:01,667 I WILL, BUT NOT AS NO STUDENT. 726 00:32:01,667 --> 00:32:04,292 YOU GOT YOURSELF ANOTHER TUTOR. 727 00:32:04,292 --> 00:32:06,667 YEAH, I'M A SCIENCE WIZ. 728 00:32:06,667 --> 00:32:08,625 BILLY: FOR REAL? JABARI: 3.4 GPA. 729 00:32:08,625 --> 00:32:10,958 BILLY: UH-OH. JABARI: I MEAN, IT'S LIKE YOU SAID. 730 00:32:10,958 --> 00:32:12,500 WE ALL THE RESOURCE, RIGHT? 731 00:32:12,500 --> 00:32:14,208 YES, WE ARE. [SHAKE HANDS] 732 00:32:14,208 --> 00:32:15,875 APPRECIATE YOU. 733 00:32:15,875 --> 00:32:17,083 I'MMA STICK AROUND. 734 00:32:17,083 --> 00:32:18,333 GOOD SPEECH. 735 00:32:18,333 --> 00:32:19,958 A SCIENCE WIZ? 736 00:32:19,958 --> 00:32:22,667 [BILLY AND JABARI CHATTER INDISTINCTLY] 737 00:32:25,625 --> 00:32:27,750 [POP MUSIC PLAYING] 738 00:32:27,750 --> 00:32:30,208 JJ: WHAT IS THAT? ASHER: CLOSE GAME. 739 00:32:30,208 --> 00:32:31,542 CLOSE GAME. 740 00:32:31,542 --> 00:32:32,833 JORDAN: HA HA! 741 00:32:32,833 --> 00:32:34,708 HEY, GOT A MINUTE? 742 00:32:36,708 --> 00:32:39,583 UH, SURE. 743 00:32:39,583 --> 00:32:41,208 SO, WHAT YOU THINK? 744 00:32:41,208 --> 00:32:42,833 HER SHOES ARE WHITE. YOURS AREN'T. 745 00:32:42,833 --> 00:32:44,250 DEFINITELY NOT A MATCH. 746 00:32:44,250 --> 00:32:45,875 YOU'RE RIGHT. 747 00:32:45,875 --> 00:32:48,167 NO, MINE ARE MORE OF AN ALABASTER. 748 00:32:48,167 --> 00:32:50,167 YOU KNOW, HONESTLY, DUDE, 749 00:32:50,167 --> 00:32:52,792 V AND I DON'T NEED TWIN DAY TO VALIDATE OUR THING. 750 00:32:52,792 --> 00:32:54,792 I MEAN, WHAT WE HAVE IS DEFINITELY 751 00:32:54,792 --> 00:32:56,667 TRENDING IN THE RIGHT DIRECTION. 752 00:32:56,667 --> 00:32:58,417 YEAH, YOU THINK SO? 753 00:32:58,417 --> 00:33:01,333 THEN WHY IS SHE TALKING TO ASH RIGHT NOW AND NOT YOU? 754 00:33:01,333 --> 00:33:05,250 WELL, 'CAUSE THEY'RE FRIENDS. [SCOFFS] 755 00:33:05,250 --> 00:33:07,875 VANESSA: I CAN'T BELIEVE YOU TOLD MY MOM ABOUT THIS SUMMER. 756 00:33:07,875 --> 00:33:11,333 AND DID YOU ACTUALLY THINK I WAS ASKING YOU TO THE MOVIES AS A DATE? 757 00:33:11,333 --> 00:33:13,792 I MEAN, YOU'VE BEEN SINGLE FOR WHAT, TWO SECONDS? 758 00:33:13,792 --> 00:33:16,625 MY BAD. I--I MISREAD THE MOMENT WITH YOU THIS MORNING. 759 00:33:16,625 --> 00:33:19,833 AND APPARENTLY YOU MISREAD THE MOMENT WITH MY MOM THIS AFTERNOON. 760 00:33:19,833 --> 00:33:21,625 YOU SUCK AT READING WOMEN. 761 00:33:21,625 --> 00:33:23,917 ASHER: DAMN. HARSH, BUT OK. VANESSA: LOOK, 762 00:33:23,917 --> 00:33:26,125 I HAVE NO INTEREST IN DATING YOU. 763 00:33:26,125 --> 00:33:28,417 I'M NOT SOME REBOUND. I KNOW MY WORTH. 764 00:33:28,417 --> 00:33:30,875 I WAS LEGIT ASKING YOU OUT AS A FRIEND, 765 00:33:30,875 --> 00:33:33,750 NO STRINGS ATTACHED. I'VE MISSED THAT. 766 00:33:35,208 --> 00:33:37,083 I'VE MISSED IT, TOO. 767 00:33:37,083 --> 00:33:38,542 ALL RIGHT. 768 00:33:38,542 --> 00:33:40,542 WE NEED A DO-OVER. 769 00:33:40,542 --> 00:33:42,542 CLEAN SLATE. 770 00:33:42,542 --> 00:33:44,583 JUST FRIENDS? 771 00:33:44,583 --> 00:33:46,625 DEAL. 772 00:33:46,625 --> 00:33:48,333 YOU STILL WANT TO SEE "THE HOT CHICK"? 773 00:33:48,333 --> 00:33:49,625 ACTUALLY, I'M GOING WITH JJ. 774 00:33:49,625 --> 00:33:51,375 HEH HEH! 775 00:33:54,792 --> 00:33:56,542 HEY, FOR REAL? 776 00:33:58,042 --> 00:34:00,458 KIA: DANG, GIRL. CAN YOU LOOK A LITTLE LESS DEAD? 777 00:34:00,458 --> 00:34:02,875 THIS IS YOUR BIG MOMENT. COOP: BUT IT'S NOT. 778 00:34:02,875 --> 00:34:05,417 MY BIG MOMENT IS OUT THERE ON A DIFFERENT STAGE. 779 00:34:05,417 --> 00:34:08,042 CAN WE JUST GET THIS OVER WITH? KIA: OK, GO. 780 00:34:08,042 --> 00:34:10,042 COOP: LOOK, I KNOW Y'ALL EXPECTING ME TO 781 00:34:10,042 --> 00:34:12,250 GET UP HERE AND MAKE A BUNCH OF PROMISES, 782 00:34:12,250 --> 00:34:16,875 PROMISES THAT I CAN'T KEEP IF CHOSEN AS MS. SOUTH CRENSHAW. 783 00:34:16,875 --> 00:34:19,583 SPENCER WAS RIGHT, AND A QUEEN RECOGNIZES 784 00:34:19,583 --> 00:34:22,000 THE SUPERPOWERS IN OTHERS, BUT 785 00:34:22,000 --> 00:34:24,875 ALSO HAS TO RECOGNIZE HER OWN FIRST. 786 00:34:26,542 --> 00:34:29,542 SHE HAS TO RECOGNIZE WHAT'S BEST FOR HER AND WHAT'S NOT. 787 00:34:29,542 --> 00:34:32,542 BEING A QUEEN MEANS LEADING MY EXAMPLE, 788 00:34:32,542 --> 00:34:35,542 AND SOMETIMES WINNING MEANS MOVING OUT THE WAY 789 00:34:35,542 --> 00:34:38,167 SO THE RIGHT PERSON CAN TAKE THE ROLE 790 00:34:38,167 --> 00:34:41,000 'CAUSE YOU WIN WHEN YOU DO WHAT'S BEST 791 00:34:41,000 --> 00:34:44,042 FOR YOU, NOT WHAT OTHERS THINK IS BEST. 792 00:34:45,625 --> 00:34:48,458 PLUS, YOU CAN'T BE A QUEEN 793 00:34:48,458 --> 00:34:50,500 IF YOU AIN'T STAYING IN THE KINGDOM. 794 00:34:50,500 --> 00:34:53,500 SO I APPRECIATE THE NOMINATION, 795 00:34:53,500 --> 00:34:55,750 BUT I RESPECTFULLY DECLINE. 796 00:34:57,458 --> 00:35:01,083 I'M GONNA TAKE MY SUPERPOWERS WHERE THEY'RE NEEDED MOST. 797 00:35:01,083 --> 00:35:02,750 THANK YOU. 798 00:35:05,292 --> 00:35:07,208 WAIT. COOP, 799 00:35:07,208 --> 00:35:09,125 WHY DOES IT SOUND LIKE YOU JUST QUIT SCHOOL? 800 00:35:09,125 --> 00:35:11,000 'CAUSE I DID. 801 00:35:11,000 --> 00:35:13,417 I'M OFFICIALLY QUITTING 802 00:35:13,417 --> 00:35:15,875 EVERYTHING THAT'S HOLDING ME BACK. 803 00:35:17,708 --> 00:35:20,375 KIA: ARE YOU NOT GONNA TRY TO STOP HER? 804 00:35:31,500 --> 00:35:32,958 FEMALE SINGER: ♪ BREAKING MY BACK ♪ 805 00:35:32,958 --> 00:35:36,583 ♪ BITING MY TONGUE ♪ LAYLA: THANK YOU. HEH HEH! 806 00:35:36,583 --> 00:35:38,000 HEY, LAYLA. 807 00:35:38,000 --> 00:35:40,542 LAYLA: HEY. JORDAN: HEY. YOU OK? 808 00:35:40,542 --> 00:35:43,792 UH, YEAH, I JUST FORGOT MY WALLET. I'M FINE. 809 00:35:43,792 --> 00:35:46,417 LOOK, JORDAN, I DON'T WANT TO PUT YOU IN THE MIDDLE OF IT. 810 00:35:46,417 --> 00:35:49,083 SHE'S YOUR SISTER. JORDAN: AND YOU'RE MY FRIEND. 811 00:35:49,083 --> 00:35:51,917 I TAKE IT THINGS DIDN'T GO GREAT WITH LIV? 812 00:35:51,917 --> 00:35:54,958 LAYLA: UH, YEAH, NOT EXACTLY. JORDAN: I'M SORRY. 813 00:35:54,958 --> 00:35:56,958 YOU DON'T HAVE TO APOLOGIZE, JORDAN. I'M OK. 814 00:35:56,958 --> 00:35:58,958 HONESTLY, I'M JUST... 815 00:35:58,958 --> 00:36:01,167 I'M JUST TIRED OF THE LIES AND EVERYONE THINKING 816 00:36:01,167 --> 00:36:04,250 I'M NOT MENTALLY STABLE ENOUGH TO HANDLE ANYTHING. 817 00:36:04,250 --> 00:36:06,667 I SHOULD GO. 818 00:36:06,667 --> 00:36:09,208 FOR THE RECORD, LAYLA... 819 00:36:11,083 --> 00:36:14,083 YOU'RE ONE OF THE STRONGEST PEOPLE I KNOW. 820 00:36:14,083 --> 00:36:16,125 NEVER DOUBTED IT. 821 00:36:18,917 --> 00:36:21,542 LAYLA: THANKS. JORDAN: YEAH. 822 00:36:21,542 --> 00:36:25,417 SEE YA. 823 00:36:28,583 --> 00:36:30,583 [ZIPS BRIEFCASE] 824 00:36:30,583 --> 00:36:32,583 OH, HEY, MR. CARTER. AHEM. 825 00:36:32,583 --> 00:36:34,792 I, UH, I JUST WANTED TO THANK YOU, FOR, UH, 826 00:36:34,792 --> 00:36:37,417 RECONSIDERING THE--THE CONVERSATION 827 00:36:37,417 --> 00:36:40,583 AND TRANSFERRING JABARI'S CREDITS. 828 00:36:40,583 --> 00:36:43,708 MY DECISION HAD NOTHING TO DO WITH YOU. 829 00:36:43,708 --> 00:36:46,333 GRACE AND SPENCER REMINDED ME THE VALUE 830 00:36:46,333 --> 00:36:49,958 OF FIGHTING TO MAKE A PLACE FOR EVERY STUDENT HERE AT SOUTH CRENSHAW. 831 00:36:49,958 --> 00:36:52,083 MY MAN... 832 00:36:52,083 --> 00:36:56,292 WHAT I GOT TO DO TO DEAD THIS HIGH-SCHOOL BEEF THING WE GOT BETWEEN US? 833 00:36:56,292 --> 00:36:58,500 THERE'S NO "DEADING" THE FACT 834 00:36:58,500 --> 00:37:00,500 THAT YOU PUNCHED ME SO HARD, I ENDED UP 835 00:37:00,500 --> 00:37:02,792 IN THE E.R. WITH 7 STITCHES. 836 00:37:04,292 --> 00:37:07,000 THAT NEVER HAPPENED. 837 00:37:07,000 --> 00:37:09,667 YOU SEE, THAT'S THE PROBLEM. 838 00:37:09,667 --> 00:37:12,667 YOU GOT TO MOVE ON, CAREFREE, 839 00:37:12,667 --> 00:37:14,583 WIPE IT FROM YOUR MEMORY, AND GO ON AND BE 840 00:37:14,583 --> 00:37:16,708 THE BIG SHOT WHILE MY LIFE GOT BLOWN UP. 841 00:37:16,708 --> 00:37:19,250 OK, MY PARENTS PULLED ME OUT OF SOUTH CRENSHAW 842 00:37:19,250 --> 00:37:22,250 BECAUSE THEY FEARED FOR MY SAFETY. 843 00:37:22,250 --> 00:37:24,875 THAT'S HOW REAL IT WAS. 844 00:37:24,875 --> 00:37:28,083 YOU'RE THE REASON THAT I WAS SENT TO BOARDING SCHOOL 845 00:37:28,083 --> 00:37:30,708 AND TAKEN AWAY FROM MY FAMILY. 846 00:37:30,708 --> 00:37:33,375 THAT CHANGED MY LIFE. 847 00:37:36,333 --> 00:37:40,125 LOOK, MAN, I'M SORRY THAT ALL THAT HAPPENED TO YOU, UM... 848 00:37:40,125 --> 00:37:42,750 BUT I'M TELLING YOU, 849 00:37:42,750 --> 00:37:44,792 YOU'RE REMEMBERING IT WRONG. 850 00:37:52,417 --> 00:37:53,958 CAN YOU HURRY YOUR BUTT, PLEASE? 851 00:37:53,958 --> 00:37:55,500 I TOLD MR. DRAYMOND I WOULD HAVE EVERYTHING 852 00:37:55,500 --> 00:37:57,042 CLEANED UP AND BACK IN PLACE BY 10:00. 853 00:37:57,042 --> 00:37:59,125 SPENCER: MY BAD. [DOOR OPENS] 854 00:37:59,125 --> 00:38:01,167 DANG! IT'S 10:00 ALREADY? 855 00:38:01,167 --> 00:38:03,167 [DOOR CLOSES] 856 00:38:10,958 --> 00:38:13,958 HEY. 857 00:38:17,250 --> 00:38:20,083 YOU KNOW WHAT? I'M JUST GONNA GO DO, UM, 858 00:38:20,083 --> 00:38:23,708 WHATEVER, IN THE BACK, SO... 859 00:38:23,708 --> 00:38:27,917 I'M SORRY THAT I DIDN'T RESPOND TO YOUR TEXT EARLIER. 860 00:38:27,917 --> 00:38:32,333 I DIDN'T MEAN TO--HEH!-- LEAVE YOU IN SOME WEIRD 3-DOT RANSOM ALL DAY. 861 00:38:32,333 --> 00:38:34,750 SPENCER: IT'S ALL GOOD. OLIVIA: IT'S NOT, 862 00:38:34,750 --> 00:38:36,750 BUT... 863 00:38:36,750 --> 00:38:39,250 I'M GONNA FIX IT. 864 00:38:39,250 --> 00:38:41,292 [TEXTING] 865 00:38:43,208 --> 00:38:45,375 [SENDS TEXT] 866 00:38:45,375 --> 00:38:47,875 [CELL PHONE VIBRATES] 867 00:38:54,417 --> 00:38:56,500 OH, YOU'RE GONNA MAKE ME WAIT. 868 00:38:56,500 --> 00:38:58,125 SPENCER: HELL YEAH. OLIVIA: OK. 869 00:38:58,125 --> 00:38:59,167 SPENCER: YEAH. OLIVIA: OK. 870 00:38:59,167 --> 00:39:00,417 LET'S GO. 871 00:39:00,417 --> 00:39:02,417 HA HA HA! LET'S GO. 872 00:39:02,417 --> 00:39:06,083 ["COLLIDE" BY TIANA MAJOR9 AND EARTHGANG PLAYING] 873 00:39:08,167 --> 00:39:10,375 TIANA: ♪ I'VE BEEN SO FRUSTRATED ♪ 874 00:39:10,375 --> 00:39:12,375 ♪ HAVE TO LET IT OUT ♪ 875 00:39:12,375 --> 00:39:15,000 BACKGROUND SINGER: ♪ HAVE TO LET IT OUT ♪ 876 00:39:15,000 --> 00:39:17,000 SO I WAS THINKING, 877 00:39:17,000 --> 00:39:19,000 YOU KNOW HOW WE'RE ALWAYS TELLING PEOPLE 878 00:39:19,000 --> 00:39:22,000 THAT WE'RE NOT TOGETHER AND... 879 00:39:22,000 --> 00:39:24,250 HOW THERE'S NOTHING THERE BETWEEN US? 880 00:39:24,250 --> 00:39:26,208 YEAH. 881 00:39:27,792 --> 00:39:31,417 [SIGHS] WELL... 882 00:39:31,417 --> 00:39:33,625 WHAT IF THERE WAS SOMETHING? 883 00:39:33,625 --> 00:39:37,250 ♪ COLLIDE ♪ 884 00:39:37,250 --> 00:39:40,542 LIV, I ALREADY TOLD YOU HOW I FELT IN VEGAS, AND YOU RAN AWAY. 885 00:39:40,542 --> 00:39:42,375 ♪ IT'S A BEAUTIFUL... ♪ 886 00:39:42,375 --> 00:39:44,167 AND I DON'T KNOW IF IT'S 'CAUSE YOU AIN'T FEEL THE SAME, 887 00:39:44,167 --> 00:39:45,917 OR YOU WERE SCARED. 888 00:39:45,917 --> 00:39:48,333 IT'S DEFINITELY NOT THE FORMER. 889 00:39:48,333 --> 00:39:50,333 ♪ YOU, YOU, YOU ♪ 890 00:39:50,333 --> 00:39:53,292 HEY, JUST SAY WHAT YOU'RE TRYING TO SAY. 891 00:39:53,292 --> 00:39:55,917 [SIGHS] THERE WAS JUST, LIKE, A LOT 892 00:39:55,917 --> 00:39:58,917 GOING ON AT THE TIME... 893 00:39:58,917 --> 00:40:01,917 BUT THAT WAS THEN, 894 00:40:01,917 --> 00:40:06,583 AND...RIGHT HERE, RIGHT NOW... 895 00:40:09,542 --> 00:40:13,583 I HAVE NEVER BEEN MORE CERTAIN ABOUT MY FEELINGS FOR YOU... 896 00:40:15,000 --> 00:40:18,208 FEELINGS THAT I'VE HAD SINCE YOU FIRST CAME TO BEVERLY 897 00:40:18,208 --> 00:40:22,000 AND...HAVE ONLY GOTTEN DEEPER SINCE. 898 00:40:23,958 --> 00:40:27,167 AND--AND YEAH, HEH! US BEING TOGETHER 899 00:40:27,167 --> 00:40:31,167 MAY NOT BE...THE MOST POPULAR CHOICE, 900 00:40:31,167 --> 00:40:36,000 BUT, I MEAN, WE CAN'T WORRY ABOUT ALL OF THAT. 901 00:40:36,000 --> 00:40:39,458 ALL WE CAN WORRY ABOUT IS US, 902 00:40:39,458 --> 00:40:41,500 THIS. 903 00:40:47,083 --> 00:40:49,708 I LOVE YOU, TOO, SPENCER. 904 00:40:49,708 --> 00:40:55,708 TIANA: ♪ WHEN WE COLLIDE ♪ 905 00:40:55,708 --> 00:40:59,125 ♪ WHEN WE COLLIDE ♪ 906 00:40:59,125 --> 00:41:02,583 ♪ IT'S A BEAUTIFUL DISASTER ♪ 907 00:41:02,583 --> 00:41:05,000 ♪ WHEN I CRASH ♪ SPENCER: WHY THE HELL YOU STILL DRIVING? 908 00:41:05,000 --> 00:41:06,458 OLIVIA: HA HA! TIANA: ♪ YOU, YOU ♪ 909 00:41:06,458 --> 00:41:07,875 PULL THIS CAR OVER, GIRL. 910 00:41:07,875 --> 00:41:10,042 I AIN'T WAITING ANOTHER SECOND FOR THIS. 911 00:41:10,042 --> 00:41:11,833 ♪ CRASH INTO YOU ♪ 912 00:41:11,833 --> 00:41:15,042 ♪ YOU, YOU, YOU ♪ 913 00:41:15,042 --> 00:41:17,208 ♪ CRASH INTO-- ♪ SPENCER: LIV. 914 00:41:17,208 --> 00:41:18,500 LIV! 915 00:41:18,500 --> 00:41:20,708 [LOUD CRASH] 916 00:41:20,708 --> 00:41:24,292 [BREATHLESSLY] OH, NO. OH, MY GOD. 917 00:41:24,292 --> 00:41:26,625 ARE YOU OK? 918 00:41:26,625 --> 00:41:28,667 YEAH, YEAH. ARE YOU OK? 919 00:41:28,667 --> 00:41:30,750 SPENCER: I THINK SO. OLIVIA: YOU OK? 920 00:41:30,750 --> 00:41:33,375 [DISTANT SIRENS APPROACHING] OH, NO. 921 00:41:33,375 --> 00:41:34,917 OH, MY GOD. [ENGINE SPUTTERS] 922 00:41:34,917 --> 00:41:37,250 NO, NO, NO, NO, NO. MY GOD. [WHIMPERS] 923 00:41:37,250 --> 00:41:40,250 OH, MY GOD! YOU HAVE TO SWITCH SEATS WITH ME BEFORE THE COPS COME! 924 00:41:40,250 --> 00:41:41,875 SPENCER: WHAT? OLIVIA: PLEASE, SPENCER! 925 00:41:41,875 --> 00:41:43,875 YOU HAVE TO SWITCH SEATS WITH ME! 926 00:41:43,875 --> 00:41:48,000 [EXHALES SHARPLY] I'M NOT GONNA PASS A SOBRIETY TEST. 927 00:42:17,250 --> 00:42:18,750 MAN: GREG, MOVE YOUR HEAD!