1 00:00:01,784 --> 00:00:03,568 [WHISTLE BLOWS] 2 00:00:03,612 --> 00:00:05,396 WOMAN: SPENCER, AT TWO TOUCHDOWNS, 3 00:00:05,440 --> 00:00:07,920 147 YARDS RECEIVING, YOU'VE REALLY BECOME A STAR 4 00:00:07,964 --> 00:00:10,923 THESE PAST FEW GAMES. SPENCER: UM, I DON'T PAY NO MIND 5 00:00:10,967 --> 00:00:13,926 TO THAT INDIVIDUAL STUFF. THIS WAS A TEAM EFFORT. 6 00:00:13,970 --> 00:00:16,277 WADE: HEH HEH! LOOK, I'LL ANSWER THAT FOR HIM. 7 00:00:16,320 --> 00:00:18,931 EVERYONE CAN SEE THAT S.J.'s GREATNESS IS UNDENIABLE. 8 00:00:18,975 --> 00:00:21,238 NOW HERE'S THE BRUTAL TRUTH. JORDAN: "S.J."? 9 00:00:21,282 --> 00:00:22,892 WADE: SOME PLAYERS BELONG ON THE BENCH... 10 00:00:22,935 --> 00:00:24,937 WELL, THOSE ARE THE BOY'S INITIALS. 11 00:00:24,981 --> 00:00:26,548 IT'S JUST A TRAGEDY S.J.'s CRAZY TALENT 12 00:00:26,591 --> 00:00:28,332 WAS WASTED FOR HALF THE SEASON. 13 00:00:28,376 --> 00:00:30,334 ARE YOU CRITICIZING COACH GARRETT'S DECISION TO KEEP 14 00:00:30,378 --> 00:00:33,207 SPENCER ON SPECIAL TEAMS FOR SUCH A LONG TIME? 15 00:00:33,250 --> 00:00:34,860 HEH HEH! YOU'RE LOOKING FOR A QUOTE. 16 00:00:34,904 --> 00:00:36,775 IT'S A NICE TRY, BUT IT'S LIKE THIS. 17 00:00:36,819 --> 00:00:39,387 WATER RISES TO ITS LEVEL, RIGHT? 18 00:00:39,430 --> 00:00:42,216 WELL, I'M WATERS. SPENCER'S THE LEVEL. 19 00:00:42,259 --> 00:00:45,697 WADE: I MEAN, HIS PRESENCE ALONE RAISES THE CALIBER OF PLAY ON THE FIELD. 20 00:00:45,741 --> 00:00:48,048 AIN'T THAT RIGHT? SPENCER: AHEM. 21 00:00:50,615 --> 00:00:53,009 ALL I KNOW IS WADE WATERS 22 00:00:53,053 --> 00:00:56,056 IS THE BEST Q.B. IN THE COUNTRY, AND SO 23 00:00:56,099 --> 00:00:59,320 PLAYING WITH HIM PUTS GREATNESS WITHIN REACH FOR ALL OF US. 24 00:00:59,363 --> 00:01:03,063 WADE: HEY, NOW HOW'S THAT FOR A QUOTE? COME HERE. GOOD GAME. 25 00:01:11,636 --> 00:01:14,596 WADE: EVERYONE CAN SEE THAT S.J.'s GREATNESS IS UNDENIABLE. 26 00:01:14,639 --> 00:01:16,685 NOW HERE'S THE BRUTAL TRUTH. SOME PLAYERS BELONG 27 00:01:16,728 --> 00:01:18,774 ON THE BENCH, OTHERS BELONG ON THE FIELD. [KNOCK ON DOOR] 28 00:01:18,817 --> 00:01:20,732 ASHER: YOU WANTED TO SEE ME, COACH? WADE: IT'S JUST A TRAGEDY-- 29 00:01:20,776 --> 00:01:22,343 TELL ME ABOUT SPENCER JAMES. 30 00:01:22,386 --> 00:01:24,780 HEH! WELL, HE'S THE BEST FOOTBALL PLAYER 31 00:01:24,823 --> 00:01:27,130 I'VE EVER PLAYED WITH OR AGAINST. 32 00:01:27,174 --> 00:01:29,350 WELL, AS YOU KNOW, WE'RE PLAYING HIM AT HOMECOMING. 33 00:01:29,393 --> 00:01:31,178 THERE'S NOT A LOT OF GAME FILM ON HIM YET. 34 00:01:31,221 --> 00:01:33,049 ALL WE KNOW IS THAT HE WAS A HIGH-SCHOOL ALL-AMERICAN 35 00:01:33,093 --> 00:01:34,529 AND A SPECIAL-TEAMS PLAYER FOR MOST OF THIS YEAR. 36 00:01:34,572 --> 00:01:36,183 NOW HE SEEMS TO BE THE PRIMARY FOCUS 37 00:01:36,226 --> 00:01:38,837 OF G.A.U.'s OFFENSE, AND AS A TRUE FRESHMAN, 38 00:01:38,881 --> 00:01:41,971 THAT'S IMPRESSIVE. ASHER: LIKE I SAID, HE'S THE BEST I'VE EVER SEEN. 39 00:01:42,014 --> 00:01:44,800 [INHALES DEEPLY] AND YOU'RE HIS ROOMMATE, RIGHT? 40 00:01:46,193 --> 00:01:48,499 YEAH. WHY? 41 00:01:48,543 --> 00:01:51,154 'CAUSE I'M GONNA NEED YOU TO DO A FULL SCOUTING REPORT BY TOMORROW. 42 00:01:51,198 --> 00:01:53,069 - WHAT, BECAUSE HE'S MY ROOMMATE? - NO. 43 00:01:53,113 --> 00:01:55,027 NO, BECAUSE YOU PLAYED WITH HIM AND AGAINST HIM. 44 00:01:55,071 --> 00:01:56,855 YOU KNOW HIM BETTER THAN ANYONE. 45 00:01:56,899 --> 00:01:58,683 I NEED TO KNOW HIS STRENGTHS, HIS WEAKNESSES. 46 00:01:58,727 --> 00:02:00,729 I WANT TO MAKE HIM A NONFACTOR AT HOMECOMING. 47 00:02:00,772 --> 00:02:02,731 LOOK, ASHER, IF THIS IS A PROBLEM FOR YOU, 48 00:02:02,774 --> 00:02:04,733 I CAN GIVE IT TO SOMEONE ELSE. 49 00:02:04,776 --> 00:02:06,474 I JUST THOUGHT YOU'D BE EXCITED ABOUT YOUR FIRST 50 00:02:06,517 --> 00:02:09,085 COACHING ASSIGNMENT. ASHER: NO, NO, NO, I--I AM. 51 00:02:09,129 --> 00:02:12,393 I AM. THANK YOU. MONTES: THIS ISN'T JUST ABOUT SPENCER JAMES. 52 00:02:12,436 --> 00:02:15,396 HE'S THE FOCUS, BUT I NEED A FULL SUMMARY 53 00:02:15,439 --> 00:02:17,876 ON THAT ENTIRE OFFENSE, TOP TO BOTTOM. 54 00:02:17,920 --> 00:02:19,487 THINK YOU COULD PUT THAT TOGETHER FOR US? 55 00:02:19,530 --> 00:02:21,576 YES, SIR. 56 00:02:30,672 --> 00:02:33,022 "BEST QUARTERBACK IN THE COUNTRY." 57 00:02:33,065 --> 00:02:34,893 WELL, THE BOY CAN SLING THAT BALL. 58 00:02:34,937 --> 00:02:37,505 - THANKS, DAD. - WAIT. OK. 59 00:02:37,548 --> 00:02:39,811 ARE WE NOT SUPPOSED TO LIKE HIM OR SOMETHING? WHAT'S GOING ON? 60 00:02:39,855 --> 00:02:43,075 - WADE IS MY COMPETITION. - I KNOW, BUT HE'S ALSO YOUR TEAMMATE. 61 00:02:43,119 --> 00:02:45,861 YOUR REAL COMPETITION IS WEARING A DIFFERENT UNIFORM. 62 00:02:45,904 --> 00:02:47,906 I KNOW YOU DON'T WANT TO BE PLAYING AGAINST HIM, RIGHT? 63 00:02:47,950 --> 00:02:50,257 OK, SO YOU THINK HE'S THE BEST IN THE COUNTRY, TOO? 64 00:02:50,300 --> 00:02:53,085 J., AT YOUR LEVEL, YOU'RE EITHER PLAYING WITH OR AGAINST 65 00:02:53,129 --> 00:02:55,131 THE BEST IN THE COUNTRY. I DON'T KNOW WHAT YOU WANT ME TO SAY. 66 00:02:55,175 --> 00:02:57,133 I WISH YOU WOULD HAVE GIVEN ME THAT ADVICE BEFORE I TOLD WADE I WAS 67 00:02:57,177 --> 00:02:59,744 COMING FOR HIS SPOT. NOW I JUST FEEL LIKE AN IDIOT. 68 00:02:59,788 --> 00:03:02,269 ALL I'VE DONE EVER SINCE IS WEAR OUT THE PAINT ON THE BENCH. 69 00:03:02,312 --> 00:03:04,358 EVEN SPENCER THINKS HE'S BETTER. BILLY: OK. 70 00:03:04,401 --> 00:03:07,012 BABY BOY, YOU NEED TO GET YOURSELF TOGETHER. 71 00:03:07,056 --> 00:03:09,580 - [SIGHS] - YOU'RE BEING WAY TOO SENSITIVE RIGHT NOW. 72 00:03:09,624 --> 00:03:11,800 YOU GOT TO GET OVER IT. YOU FEEL ME? 73 00:03:11,843 --> 00:03:13,323 DO YOU FEEL ME? 74 00:03:13,367 --> 00:03:15,456 - YEAH. - ALL RIGHT. GIMME THAT JUICE. 75 00:03:15,499 --> 00:03:18,023 [SIGHS] 76 00:03:21,331 --> 00:03:23,942 SINCE WHEN DO YOU COOK? 77 00:03:23,986 --> 00:03:27,555 MMM, SINCE THE SERVICE FEES ON THOSE FOOD DELIVERY APPS 78 00:03:27,598 --> 00:03:30,079 BECAME MORE EXPENSIVE THAN THE ACTUAL FOOD. 79 00:03:30,122 --> 00:03:31,689 - YEAH, YOU'RE RIGHT. - HEH! 80 00:03:31,733 --> 00:03:33,778 IT DOES SMELL PRETTY GOOD IN HERE, THOUGH. 81 00:03:33,822 --> 00:03:36,781 GIRL, KELIS AIN'T JUST, LIKE, A SINGER-SONGWRITER. 82 00:03:36,825 --> 00:03:39,262 SIS GOT RECIPES, TOO. 83 00:03:39,306 --> 00:03:41,264 [SIGHS] YEAH. 84 00:03:41,308 --> 00:03:44,136 OH. WOW. THOSE ARE GORGEOUS. 85 00:03:44,180 --> 00:03:46,878 YEAH. THEY'RE...FOR YOU. 86 00:03:46,922 --> 00:03:48,880 [SIGHS] 87 00:03:48,924 --> 00:03:50,708 COOP-- COOP: I DIDN'T SEND 'EM, 88 00:03:50,752 --> 00:03:52,841 ALL RIGHT? THEY WAS AT THE DOOR. 89 00:03:52,884 --> 00:03:54,930 WHAT? 90 00:03:58,847 --> 00:04:00,805 OH, MY GOD. 91 00:04:00,849 --> 00:04:02,807 OH, WOW. THESE ARE FROM SABINE. 92 00:04:02,851 --> 00:04:05,810 HA! OK. I'M GONNA, UH, 93 00:04:05,854 --> 00:04:08,813 I'M GONNA PUT THESE IN A VASE. 94 00:04:08,857 --> 00:04:10,815 THAT'S SO NICE. 95 00:04:10,859 --> 00:04:12,600 [CHUCKLES] 96 00:04:13,992 --> 00:04:16,343 [POP MUSIC PLAYING] 97 00:04:16,386 --> 00:04:18,170 MALE SINGER: ♪ HOLD UP, WHAT YOU WAITING FOR? ♪ 98 00:04:18,214 --> 00:04:19,911 J.J.: UP, UP. HERE WE GO. FOUR SECONDS LEFT. 99 00:04:19,955 --> 00:04:21,435 NUMBER 11 NEARS THE END ZONE. 100 00:04:21,478 --> 00:04:23,393 OH, HE TOUCHES BACK INSIDE, CROSSES 101 00:04:23,437 --> 00:04:26,440 THE 10-YARD LINE. WILL HE MAKE IT? 102 00:04:26,483 --> 00:04:28,790 J.J. AND ASHER: TOUCHDOWN! HA HA! TOUCHDOWN! 103 00:04:28,833 --> 00:04:31,445 J.J.: WITH A BEAUTY! HA HA! ASHER: HE'S UNSTOPPABLE! 104 00:04:31,488 --> 00:04:33,447 Y'ALL ARE STUPID, MAN. WHAT'S UP? 105 00:04:33,490 --> 00:04:35,231 J.J.: WHAT'S UP, MAN? ASHER: HEY, MAN, SERIOUSLY, 106 00:04:35,275 --> 00:04:36,798 GREAT GAME, DUDE. SPENCER: THANKS, BRUH. 107 00:04:36,841 --> 00:04:38,147 PAYING FOR IT NOW, THOUGH. 108 00:04:38,190 --> 00:04:39,931 I FEEL LIKE I GOT RUN OVER BY A BUS. 109 00:04:39,975 --> 00:04:41,542 ASHER: YEAH? SPENCER: MM-HMM. 110 00:04:41,585 --> 00:04:43,587 WHAT HURTS? YOUR ANKLE? 111 00:04:43,631 --> 00:04:44,936 NO. 112 00:04:44,980 --> 00:04:47,852 BACK? HANDS? HOW YOUR HANDS FEEL? 113 00:04:47,896 --> 00:04:51,465 MY HANDS ARE FINE, BRUH. YOU GETTING INTO PHYSICAL THERAPY NOW OR SOMETHING? 114 00:04:51,508 --> 00:04:54,294 J.J.: COACH MR. MONTES HAS ASH ON SOME SECRET-AGENT BIZ 115 00:04:54,337 --> 00:04:56,600 FOR THE BIG G.A.U.- COASTAL HOMECOMING GAME. 116 00:04:56,644 --> 00:04:58,341 ASHER: YEAH, HE ASKED ME TO DO A FULL SCOUTING REPORT 117 00:04:58,385 --> 00:05:00,604 ON YOU, JORDAN, SOME OF THE OTHER G.A.U. GUYS. 118 00:05:00,648 --> 00:05:02,606 SPENCER: FOR REAL? ASHER: YEAH. IT'S MY FIRST 119 00:05:02,650 --> 00:05:05,087 OFFICIAL ASSISTANT COACH ASSIGNMENT, SO... 120 00:05:05,130 --> 00:05:07,698 - THAT IS DOPE. CONGRATS, MAN. - HEY, THANK YOU. 121 00:05:07,742 --> 00:05:09,874 - I'M HAPPY FOR YOU. SO WHAT YOU GOT ON ME? - OH, UH, 122 00:05:09,918 --> 00:05:11,876 YOU'LL HAVE TO WAIT AND SEE, GAME NIGHT. 123 00:05:11,920 --> 00:05:14,139 OH, IT'S LIKE THAT? OK, OK, WELL, WHILE 124 00:05:14,183 --> 00:05:16,838 YOU'RE WRITING YOUR LITTLE REPORT THERE, JUST REMEMBER, I'M 6'1". 125 00:05:16,881 --> 00:05:18,187 J.J.: HA HA HA! ASHER: 6'1"? 126 00:05:18,230 --> 00:05:19,406 NO, YOU--YOU'RE NOT LISTENING. 127 00:05:19,449 --> 00:05:21,364 YOU GOT TO FACTOR IN THE CLEATS. 128 00:05:21,408 --> 00:05:23,018 THE CLEATS ARE A PART OF THE WHOLE-- J.J.: OH, OH, 129 00:05:23,061 --> 00:05:24,715 DO THE CLEATS HAVE HEELS NOW? IS THAT-- 130 00:05:24,759 --> 00:05:26,282 ASHER: I THINK THAT'S A-- THAT'S A BIG HEEL. 131 00:05:26,326 --> 00:05:27,979 J.J.: HA HA HA! SPENCER: Y'ALL GOT JOKES. 132 00:05:28,023 --> 00:05:29,590 OK, OK. Y'ALL SUPPOSED TO BE MY FRIENDS, 133 00:05:29,633 --> 00:05:31,243 BUT OK, DON'T EVEN WORRY 'BOUT IT. 134 00:05:31,287 --> 00:05:32,854 JORDAN: YEAH, WELL, REAL FRIENDS KEEP YOU 135 00:05:32,897 --> 00:05:34,464 GROUNDED, SO... 136 00:05:34,508 --> 00:05:36,858 ASHER: UH, EXACTLY. THAT'S WHY WE CAN'T 137 00:05:36,901 --> 00:05:38,468 LET YOU GET TOO HIGH ON YOUR OWN GREATNESS. 138 00:05:38,512 --> 00:05:40,514 FEEL ME? SPENCER: GREATNESS? 139 00:05:40,557 --> 00:05:42,690 YEAH, THAT'S WHAT THAT REPORTER SAID IN THAT INTERVIEW. 140 00:05:42,733 --> 00:05:46,911 IT'S CRAZY, MAN. TWO WEEKS AGO, COACH GARRETT DIDN'T EVEN KNOW MY NAME, 141 00:05:46,955 --> 00:05:50,306 AND NOW I'M THE HEART OF THE ENTIRE OFFENSE? IT FEELS LIKE A FLUKE. 142 00:05:50,350 --> 00:05:52,917 I DON'T EVEN KNOW IF THAT'S SUSTAINABLE GAME TO GAME. 143 00:05:52,961 --> 00:05:54,919 JORDAN: YEAH, WELL, I DON'T KNOW. 144 00:05:54,963 --> 00:05:56,530 I WOULDN'T WORRY ABOUT IT TOO MUCH, S.J. 145 00:05:56,573 --> 00:05:58,401 I THINK YOU'LL BE FINE. 146 00:05:58,445 --> 00:06:00,011 I MEAN, YOU DO HAVE ONE OF THE BEST QUARTERBACKS 147 00:06:00,055 --> 00:06:01,839 IN THE COUNTRY TOSSING YOU THE ROCK, RIGHT? 148 00:06:01,883 --> 00:06:03,972 AM I MISSING SOMETHING, MAN? YOU WALKED IN HERE 149 00:06:04,015 --> 00:06:06,104 LIKE YOU HAD SOMETHING TO SAY, SO YOU MIGHT AS WELL JUST SAY IT. 150 00:06:06,148 --> 00:06:08,106 I MEAN, YOU CHANGED YOUR MIND ABOUT WADE PRETTY DAMN QUICK 151 00:06:08,150 --> 00:06:10,152 THE MINUTE HE STARTED TALKING YOU UP. 152 00:06:10,195 --> 00:06:11,675 THAT'S SOME SERIOUS BACKPEDALING. 153 00:06:11,719 --> 00:06:13,851 THIS TENSION IS BUMMIN' ME OUT. 154 00:06:13,895 --> 00:06:16,941 ALL RIGHT, LOOK, MAN. IT AIN'T LIKE I'M BEST FRIENDS WITH THE DUDE. 155 00:06:16,985 --> 00:06:19,204 AND SINCE WHEN IS IT A CRIME TO CHANGE YOUR MIND ABOUT SOMEBODY? 156 00:06:19,248 --> 00:06:22,338 WHEN YOU AND I FIRST MET, WE DIDN'T EVEN LIKE EACH OTHER. YOU REMEMBER THAT? 157 00:06:22,382 --> 00:06:24,427 YEAH, SUDDENLY I REMEMBER IT REALLY WELL. 158 00:06:24,471 --> 00:06:26,298 WHOA, WHOA, WHOA. GUYS, HEH! COME ON. 159 00:06:26,342 --> 00:06:27,952 WE'RE ALL FRIENDS HERE, RIGHT? 160 00:06:27,996 --> 00:06:29,693 MAYBE YOU SHOULD BOTH JUST WALK AWAY, RELAX 161 00:06:29,737 --> 00:06:31,391 BEFORE YOU SAY SOMETHING YOU CAN'T 162 00:06:31,434 --> 00:06:33,393 TAKE BACK, YEAH? 163 00:06:33,436 --> 00:06:35,090 GUYS? 164 00:06:43,446 --> 00:06:45,796 IT'S NOT LIKE I SAID JORDAN WASN'T A GREAT QB. 165 00:06:45,840 --> 00:06:48,233 ALL I DID WAS COMPLIMENT WADE'S SKILLS AFTER A GOOD GAME. 166 00:06:48,277 --> 00:06:51,236 WELL, WE BOTH KNOW HOW BAD JORDAN WANTS TO GET BACK OUT ON THE FIELD. 167 00:06:51,280 --> 00:06:52,934 IT'S ONLY A MATTER OF TIME. 168 00:06:52,977 --> 00:06:54,805 THAT BOY IS TOO TALENTED NOT TO PLAY. 169 00:06:54,849 --> 00:06:57,460 WHATEVER. WE'LL FIGURE IT OUT. 170 00:06:57,504 --> 00:07:00,071 IT'S NOT OUR FIRST FIGHT, AND WE FAMILY. 171 00:07:00,115 --> 00:07:02,073 WE GOT EVERYTHING WE NEED HERE? 172 00:07:02,117 --> 00:07:03,684 - A BLANKET? - CHECK. 173 00:07:03,727 --> 00:07:05,599 SNACKS AND REFRESHMENTS? 174 00:07:05,642 --> 00:07:07,427 CHECK. 175 00:07:07,470 --> 00:07:10,038 AND...CHECK. 176 00:07:10,081 --> 00:07:12,649 ALL RIGHT. WE ARE ALL SET FOR OUR ALL-DAY SNACK BREAK. 177 00:07:12,693 --> 00:07:14,303 IT'S GONNA BE GOOD TO GET AWAY. 178 00:07:14,346 --> 00:07:15,913 WE'VE BOTH BEEN SO BUSY LATELY. 179 00:07:15,957 --> 00:07:17,785 - MMM. - FOOTBALL, YOUR ARTICLE. 180 00:07:17,828 --> 00:07:20,222 YOU KNOW, WHY DON'T WE TAKE IT ONE STEP FURTHER? 181 00:07:20,265 --> 00:07:22,354 WHAT DO YOU SAY WE DON'T TALK ABOUT FOOTBALL OR MY N.I.L. ARTICLE TODAY? 182 00:07:22,398 --> 00:07:24,792 MY BAD. WHAT IS FOOTBALL? 183 00:07:24,835 --> 00:07:26,184 LET'S GO. 184 00:07:26,228 --> 00:07:27,577 WHOA, WHOA, WHOA, WHOA. 185 00:07:27,621 --> 00:07:29,231 LET ME GET THAT FOR YOU. 186 00:07:29,274 --> 00:07:31,842 OH. SO CHIVALROUS. 187 00:07:31,886 --> 00:07:34,062 - [KISS] - WELL, I HOPE YOU 188 00:07:34,105 --> 00:07:36,847 PACKED MORE WHERE THAT CAME FROM. SPENCER: HEH HEH! 189 00:07:36,891 --> 00:07:40,851 OFTEN RUNS INSIDE BLITZ. INSIDE, INSIDE. 190 00:07:40,895 --> 00:07:45,552 OOH, "A PROTOTYPICAL LINEBACKER"? NICE. THAT BETTER BE ABOUT ME. 191 00:07:45,595 --> 00:07:47,989 - HEY, I'M WORKING, J.J. - HOW AM I SUPPOSED TO GET AN EDGE 192 00:07:48,032 --> 00:07:50,339 OVER THE G.A.U. GUYS IF YOU DON'T EVEN LET ME PEEP 193 00:07:50,382 --> 00:07:52,733 THE SCOUTING REPORT? ASHER: HEY, HEY, HEY. 194 00:07:52,776 --> 00:07:55,039 NO ONE IS PEEPING ANYTHING UNTIL IT'S FINISHED, 195 00:07:55,083 --> 00:07:57,172 IF IT'S EVER FINISHED. [SIGHS] 196 00:07:57,215 --> 00:08:00,044 HEY, YOU THINK G.A.U.'s DOING SCOUTING REPORTS ON US? 197 00:08:00,088 --> 00:08:01,829 WHAT DO YOU THINK MINE WOULD SAY? 198 00:08:01,872 --> 00:08:03,918 J.J., ENOUGH. THIS IS NOT A JOKE, DUDE. 199 00:08:03,961 --> 00:08:06,268 I HAVE ONE SHOT TO NAIL THIS REPORT AND PROVE TO MONTES 200 00:08:06,311 --> 00:08:08,836 THAT I HAVE WHAT IT TAKES TO BE AN ASSISTANT COACH, 201 00:08:08,879 --> 00:08:10,838 AND HE'S ALREADY SKEPTICAL ON WHETHER OR NOT 202 00:08:10,881 --> 00:08:13,101 I CAN DELIVER THIS, SO JUST-- J.J.: DID HE SAY THAT? 203 00:08:13,144 --> 00:08:15,712 [SIGHS] NO... 204 00:08:15,756 --> 00:08:19,368 NOT IN SO MANY WORDS, BUT... 205 00:08:19,411 --> 00:08:22,371 I JUST DON'T WANT TO MESS THIS UP, 206 00:08:22,414 --> 00:08:25,461 AND I HAVE NO IDEA IF WHAT I HAVE IS--IS ANY GOOD. 207 00:08:25,505 --> 00:08:28,072 OK, SO GET SOMEONE TO GIVE IT A ONCE-OVER 208 00:08:28,116 --> 00:08:30,553 BEFORE YOU TURN IT IN. 209 00:08:30,597 --> 00:08:33,774 SOMEONE LIKE...ME. 210 00:08:33,817 --> 00:08:35,776 [CHUCKLES] NO SHADE, J.J., BUT YOU 211 00:08:35,819 --> 00:08:38,343 AND MONTES DON'T EXACTLY THINK THE SAME WAY. 212 00:08:38,387 --> 00:08:40,345 [SIGHS] 213 00:08:41,825 --> 00:08:45,220 BUT...YOU'RE DEFINITELY ON TO SOMETHING. 214 00:08:45,263 --> 00:08:48,005 THANKS, MAN. J.J.: YEAH. 215 00:08:48,049 --> 00:08:49,746 YEAH. 216 00:08:51,269 --> 00:08:53,837 PATIENCE: HEY. SKYE: HEY, GIRL. IS COOP HERE? 217 00:08:53,881 --> 00:08:56,492 PATIENCE: UH-- COOP: WHEW! RIGHT ON TIME. 218 00:08:56,536 --> 00:08:58,886 SKYE: I'M, LIKE, A HALF-HOUR LATE. COOP: REALLY? 219 00:08:58,929 --> 00:09:00,627 YEAH. YOU JUST TEXTED, "WHERE ARE YOU?" 220 00:09:00,670 --> 00:09:02,716 COOP: OH. OH. OK. 221 00:09:02,759 --> 00:09:05,153 WHATEVER. WORTH THE WAIT. YEAH, YOU LOOK GOOD. YOU READY? 222 00:09:05,196 --> 00:09:08,112 SKYE: YEAH, LET'S DO IT. PATIENCE: HMM. Y'ALL TWO GOING ON A DATE? 223 00:09:08,156 --> 00:09:10,114 SKYE: YEAH. COOP CALLED OUT OF THE BLUE. 224 00:09:10,158 --> 00:09:11,855 GUESS SHE FINALLY CAME TO HER SENSES. 225 00:09:11,899 --> 00:09:14,423 LOOK, IT--IT WASN'T OUT THE BLUE, OK? 226 00:09:14,466 --> 00:09:16,512 BUT WHATEVER. LET'S GO GET SOME FOOD 'CAUSE I AIN'T GONNA LIE. 227 00:09:16,556 --> 00:09:18,601 THAT HALF-HOUR WAIT GOT ME EXTRA-HUNGRY. 228 00:09:18,645 --> 00:09:20,603 [CHUCKLES] 229 00:09:20,647 --> 00:09:22,736 OK, WELL, Y'ALL HAVE FUN. 230 00:09:28,785 --> 00:09:30,831 [DOOR CLOSES] 231 00:09:33,224 --> 00:09:36,445 OLIVIA: OK. SPENCER: MAN, I AM STARVING. WHAT YOU GOT IN THERE, GIRL? 232 00:09:36,488 --> 00:09:38,795 MMM. IT'S KIND OF A SURPRISE. 233 00:09:38,839 --> 00:09:40,754 OH. OK. 234 00:09:40,797 --> 00:09:42,843 OOH. 235 00:09:44,453 --> 00:09:47,021 DOPE. DOPE. 236 00:09:47,064 --> 00:09:49,763 WAIT. I THOUGHT... THESE WERE YOUR FAVORITES. 237 00:09:49,806 --> 00:09:51,852 NO, NO, I LOVE 'EM. IT'S JUST 238 00:09:51,895 --> 00:09:54,768 THE TEAM NUTRITIONIST MANDATED WE CUT BACK ON BREAD AND SUGAR, SO... 239 00:09:54,811 --> 00:09:56,770 - I SHOULD HAVE ASKED. I'M SORRY. - NO, IT'S ALL GOOD. 240 00:09:56,813 --> 00:09:58,989 YOU KNOW WHAT? THE HELL WITH THAT MANDATE. WATCH THIS. 241 00:09:59,033 --> 00:10:00,991 MMM. OLIVIA: YEAH? OH. OK. 242 00:10:01,035 --> 00:10:03,385 - MMM. I MISSED THESE BAD BOYS. - YEAH, YOU DID. 243 00:10:03,428 --> 00:10:05,387 [PAPER CRINKLES] OH, HERE. 244 00:10:05,430 --> 00:10:07,737 I WENT TO SLAUSON CAFEÉ AND PICKED UP 245 00:10:07,781 --> 00:10:10,174 YOUR USUAL. OLIVIA: OH! YES. 246 00:10:10,218 --> 00:10:12,481 - HA HA. - THANK YOU. 247 00:10:12,524 --> 00:10:14,483 OOH. - WHOA. THERE YOU GO. 248 00:10:14,526 --> 00:10:16,485 - THANK YOU. - MM-HMM. 249 00:10:16,528 --> 00:10:18,574 AHEM. 250 00:10:21,490 --> 00:10:24,058 SSS. THIS WHOLE MILK? 251 00:10:24,101 --> 00:10:27,365 THAT'S A...VENTI, NO WHIP AND EXTRA HONEY, RIGHT? 252 00:10:27,409 --> 00:10:29,803 I KINDA SWITCHED TO OAT MILK AFTER WE 253 00:10:29,846 --> 00:10:31,892 DID THAT ARTICLE ON THE DAIRY INDUSTRY. 254 00:10:31,935 --> 00:10:34,546 OH. OK. UH, I CAN, UM-- 255 00:10:34,590 --> 00:10:37,158 UH, YOU KNOW WHAT? NO. IT'S FINE. IT'S SO SILLY. 256 00:10:37,201 --> 00:10:39,639 SEE? IT'S GOOD. 257 00:10:41,118 --> 00:10:43,164 AHEM. 258 00:10:46,646 --> 00:10:49,213 SO, UH, YOU AND THE GIRLS DOING A'IGHT? 259 00:10:49,257 --> 00:10:51,476 - YEAH. WE'RE GOOD. - COOL. 260 00:10:51,520 --> 00:10:53,696 - YEAH. - COOL. 261 00:10:53,740 --> 00:10:55,916 ACTUALLY, UM, PATIENCE AND I, 262 00:10:55,959 --> 00:10:58,483 WE SAW LAST NIGHT'S FOOTBALL HIGHLIGHTS. 263 00:10:58,527 --> 00:11:01,486 AND WE ARE NOT SUPPOSED 264 00:11:01,530 --> 00:11:03,488 TO BE TALKING ABOUT ARTICLES OR FOOTBALL TODAY. 265 00:11:03,532 --> 00:11:05,490 - HEH HEH HEH! - I'M SORRY. 266 00:11:05,534 --> 00:11:08,276 IT'S ALL GOOD. UM... 267 00:11:09,756 --> 00:11:12,715 GLAD THEY FINALLY GOT TO RENOVATE THE PARK. OLIVIA: YEAH. 268 00:11:12,759 --> 00:11:14,717 IT'S A LOT WINDIER THAN I THOUGHT IT WOULD BE, THOUGH. 269 00:11:14,761 --> 00:11:16,327 YEAH, I KNOW. THAT--THAT SUCKS. 270 00:11:16,371 --> 00:11:18,025 YEAH. 271 00:11:19,635 --> 00:11:21,637 YOU GONNA FINISH THAT COFFEE? 272 00:11:21,681 --> 00:11:23,987 PROBABLY NOT. WANT IT? 273 00:11:24,031 --> 00:11:26,076 UH, YEAH, YEAH. SURE. 274 00:11:27,599 --> 00:11:29,558 YOU WANT THIS? 275 00:11:29,601 --> 00:11:31,516 SURE. 276 00:11:35,695 --> 00:11:37,261 AHEM. 277 00:11:37,305 --> 00:11:40,264 MALE SINGER: ♪ NO ALARM THIS MORNING 278 00:11:40,308 --> 00:11:43,485 ♪ NOTHIN' GONNA TELL ME WHERE I GOTTA BE ♪ 279 00:11:43,528 --> 00:11:46,096 ♪ WE CAN TAKE THIS SLOW 280 00:11:46,140 --> 00:11:48,098 [KNOCK ON DOOR] JORDAN: HEY. WHOA. 281 00:11:48,142 --> 00:11:50,100 GO EASY ON THE TREES, HUH? 282 00:11:50,144 --> 00:11:52,712 HEH! UH, HOW WAS YOUR TRIP TO BRINGSTON? 283 00:11:52,755 --> 00:11:55,279 I FEEL LIKE I HAVEN'T REALLY SEEN YOU SINCE YOU'VE BEEN BACK. 284 00:11:55,323 --> 00:11:58,369 IT WAS--IT WAS GOOD, YOU KNOW? TOO SHORT, AS ALWAYS. 285 00:11:58,413 --> 00:12:01,546 - UH-- - UH, "CARRIE, IT'S BEEN A LONG TIME." 286 00:12:01,590 --> 00:12:03,766 "CARRIE, I HOPE THIS GE--" 287 00:12:03,810 --> 00:12:05,725 YOU HAVEN'T GONE TO SEE CARRIE YET? 288 00:12:05,768 --> 00:12:07,727 I KNOW, OK? I... 289 00:12:07,770 --> 00:12:09,729 EVERY TIME I WANT TO DRIVE DOWN TO SAN DIEGO, 290 00:12:09,772 --> 00:12:11,905 I DON'T KNOW WHAT I'M GONNA SAY WHEN I SEE HER, 291 00:12:11,948 --> 00:12:14,385 SO WHEN I PEN THE PERFECT SPEECH, 292 00:12:14,429 --> 00:12:15,996 I WILL GO. I PROMISE. 293 00:12:16,039 --> 00:12:17,737 UH, DO YOU KNOW WHAT THIS IS CALLED? 294 00:12:17,780 --> 00:12:19,347 UH, PREPARATION. 295 00:12:19,390 --> 00:12:21,479 STALLING. STALLING. IF IT'S NOT 296 00:12:21,523 --> 00:12:24,439 THE PERFECT SPEECH, IT'LL BE SOME OTHER EXCUSE. 297 00:12:24,482 --> 00:12:26,963 OK, YOU KNOW WHAT? GET UP. 298 00:12:27,007 --> 00:12:29,183 - WHAT? WHY? - BECAUSE WE'RE GOING TO SAN DIEGO, THAT'S WHY. 299 00:12:29,226 --> 00:12:31,185 - JORDAN-- - LAYLA, WHATEVER YOU WANT 300 00:12:31,228 --> 00:12:33,187 TO SAY TO CARRIE, YOU CAN PRACTICE ON ME IN THE CAR. 301 00:12:33,230 --> 00:12:35,580 - NO. JORDAN-- - LAYLA, 302 00:12:35,624 --> 00:12:38,583 IT'S TIME, FOR YOUR SAKE AND HERS. 303 00:12:38,627 --> 00:12:41,630 [KEYS JINGLE] I'LL BE IN THE CAR. 304 00:12:43,110 --> 00:12:45,155 GREAT. [SIGHS] 305 00:12:50,378 --> 00:12:51,945 I JUST THOUGHT THAT SPENCER WOULD BE 306 00:12:51,988 --> 00:12:53,947 IN MY CORNER, YOU KNOW? LIKE NOT TELLING REPORTERS 307 00:12:53,990 --> 00:12:56,210 THAT WADE WAS THE BEST QUARTERBACK IN THE COUNTRY? 308 00:12:56,253 --> 00:12:58,255 DIDN'T YOU SAY HE WAS THE BEST WHEN WE WERE LOCKED IN MY STUDIO? 309 00:12:58,299 --> 00:13:00,780 MY POINT IS, IS THAT SPENCER DID NOT HAVE TO RUB IT IN MY FACE. 310 00:13:00,823 --> 00:13:03,478 JORDAN, IT'S BEEN, LIKE, TWO HOURS OF THIS, OK? 311 00:13:03,521 --> 00:13:05,828 INCLUDING YOU TALKING THROUGH MY FAVORITE PODCAST ON SPOTIFY, 312 00:13:05,872 --> 00:13:08,135 AND NOW I HAVE TO LISTEN TO THE EPISODE AGAIN. 313 00:13:08,178 --> 00:13:10,964 ALSO, I'M STARTING TO THINK THAT YOU KIDNAPPING ME TO SAN DIEGO IS 314 00:13:11,007 --> 00:13:12,966 MORE ABOUT YOU RUNNING AWAY FROM YOUR PROBLEMS 315 00:13:13,009 --> 00:13:15,055 AND LESS ABOUT HELPING WITH MINE. 316 00:13:15,098 --> 00:13:19,363 KIDNAPPING? WHAT? NO. LAYLA, THIS IS-- THIS IS 100% ABOUT YOU. 317 00:13:20,887 --> 00:13:23,454 OK, M-MAYBE 80/20, BUT THE 80 IS YOU. 318 00:13:23,498 --> 00:13:25,021 - OK. - I PROMISE, OK? 319 00:13:25,065 --> 00:13:27,067 HOW'S THE SPEECH COMING? LAYLA: HORRIBLY. 320 00:13:27,110 --> 00:13:28,982 OK, WELL, IF IT MAKES YOU FEEL ANY BETTER, I'M SURE THAT CARRIE IS 321 00:13:29,025 --> 00:13:30,722 FREAKING OUT ABOUT WHAT TO SAY TO YOU AS WELL. 322 00:13:30,766 --> 00:13:32,899 WELL, I HIGHLY DOUBT THAT SINCE SHE DOESN'T... 323 00:13:32,942 --> 00:13:35,902 KNOW THAT I'M COMING, SO... 324 00:13:35,945 --> 00:13:38,556 OK, LAYLA, UM, I'M NO EXPERT, 325 00:13:38,600 --> 00:13:40,776 BUT, UM, MAYBE IT'S NOT THE BEST IDEA 326 00:13:40,820 --> 00:13:45,389 TO SURPRISE THE GIRL WHO HISTORICALLY HAS NOT BEEN THE MOST STABLE. 327 00:13:45,433 --> 00:13:48,305 OK, YEAH, I'M-- I'M GONNA TEXT HER. 328 00:13:48,349 --> 00:13:50,090 - GOOD IDEA. - UM--[SIGHS]-- 329 00:13:50,133 --> 00:13:52,092 I'M GONNA SAY I'M IN TOWN... [TEXTING] 330 00:13:52,135 --> 00:13:55,660 AND I WOULD REALLY LIKE TO TALK IN PERSON. 331 00:13:55,704 --> 00:13:57,837 THAT'S GOOD. THERE. 332 00:13:57,880 --> 00:13:59,447 - BOOM. - I DID IT. 333 00:13:59,490 --> 00:14:01,492 PROBABLY NOT GONNA RESPOND--OH, MY GOD. 334 00:14:01,536 --> 00:14:05,192 WAIT. THE DOTS. THE DOTS... 335 00:14:05,235 --> 00:14:07,150 AND THEY'RE GONE. JORDAN: WHOA. 336 00:14:07,194 --> 00:14:08,935 LOOK AT THIS. 337 00:14:08,978 --> 00:14:11,067 CHECK IT OUT! 338 00:14:11,111 --> 00:14:13,591 THEY'RE HAVING AN OUTDOOR SCREENING OF "17 AGAIN." 339 00:14:13,635 --> 00:14:15,332 - HUH. - DO YOU REMEMBER WHEN ME, 340 00:14:15,376 --> 00:14:16,943 YOU, AND LIV WATCHED THIS AT THE HOUSE? 341 00:14:16,986 --> 00:14:18,945 YEAH, YEAH, I REMEMBER YOU CRYING 342 00:14:18,988 --> 00:14:20,947 TO YOUR MOM. JORDAN: I ONLY CRIED TO MY MOM 343 00:14:20,990 --> 00:14:23,340 BECAUSE YOU KICKED ME OUT OF THE FORT THAT I BUILT US. 344 00:14:23,384 --> 00:14:26,343 [CELLPHONE CHIMES AND VIBRATES] LAYLA: OH. 345 00:14:26,387 --> 00:14:29,172 OK, UM, SHE SAID SHE CAN'T BELIEVE I'M HERE, 346 00:14:29,216 --> 00:14:31,174 AND SHE CAN'T WAIT TO SEE ME, BUT SHE'S STUCK 347 00:14:31,218 --> 00:14:33,481 AT WORK FOR THE NEXT 2 1/2 HOURS. 348 00:14:33,524 --> 00:14:36,179 2 1/2 HOURS. DAMN. OK. 349 00:14:37,789 --> 00:14:40,357 OK. ALL RIGHT. [TEXTING] 350 00:14:40,401 --> 00:14:43,230 WHAT DID YOU--WHAT DID YOU SAY BACK TO HER? 351 00:14:43,273 --> 00:14:45,885 I SAID I'LL WAIT. 352 00:14:45,928 --> 00:14:48,626 YOU'RE RIGHT. IT'S-- IT'S TODAY OR NEVER. 353 00:14:51,020 --> 00:14:53,631 - TODAY IT IS. - MM-HMM. 354 00:14:53,675 --> 00:14:55,982 [SIGHS] 355 00:14:56,025 --> 00:14:59,072 OLIVIA: OH. OH, SORRY. SPENCER: HEH! MY BAD. 356 00:15:06,296 --> 00:15:08,995 OK, IT DOESN'T TRIP YOU OUT THAT WE CAN'T FIND 357 00:15:09,038 --> 00:15:11,736 NOTHING TO TALK ABOUT OUTSIDE OF FOOTBALL AND WORK? 358 00:15:11,780 --> 00:15:14,348 I MEAN, I THINK "NOTHING" IS A LITTLE EXTREME. 359 00:15:14,391 --> 00:15:16,785 I MEAN, BESIDES, LOOK-- WE'RE TALKING ABOUT HAVING 360 00:15:16,828 --> 00:15:18,787 NOTHING TO TALK ABOUT, SO THAT'S SOMETHING. SPENCER: HEH! 361 00:15:18,830 --> 00:15:20,397 OK, WELL, THE DAY'S NOT OVER. 362 00:15:20,441 --> 00:15:22,269 WE STILL GOT TIME TO COURSE-CORRECT, 363 00:15:22,312 --> 00:15:23,966 FIND OUR STRIDE. WHAT ARE YOU DOING LATER? 364 00:15:24,010 --> 00:15:25,794 UM, I'M ACTUALLY KIND OF HOSTING THIS, LIKE, 365 00:15:25,837 --> 00:15:28,101 LITTLE HAPPY-HOUR THING FOR SOME OF MY CO-WORKERS 366 00:15:28,144 --> 00:15:30,886 FROM THE "TRIBUNE." IT WAS SUPPOSED TO BE AT CHRISTEL'S, BUT SHE HAS 367 00:15:30,930 --> 00:15:32,975 THE FLU, SO-- SPENCER: AND YOU FIGURED I'D CRAMP YOUR STYLE BY INVITING ME? 368 00:15:33,019 --> 00:15:35,151 PLEASE. I JUST DOUBT THAT YOU WANT TO HANG OUT 369 00:15:35,195 --> 00:15:37,371 WITH MY WORK FRIENDS. SPENCER: WHY, THEY ALL DRINK OAT MILK? 370 00:15:37,414 --> 00:15:38,981 NO! 371 00:15:39,025 --> 00:15:41,201 I MEAN, YEAH, MOST OF THEM, BUT I JUST 372 00:15:41,244 --> 00:15:43,377 DIDN'T THINK IT'D BE SOMETHING YOU'D BE INTERESTED IN. 373 00:15:43,420 --> 00:15:46,293 ANYTHING INVOLVING YOU I'M INTERESTED IN. 374 00:15:46,336 --> 00:15:47,947 OK. 375 00:15:47,990 --> 00:15:49,774 COME, THEN. 376 00:15:49,818 --> 00:15:51,776 - YOU SURE? - YEAH, I'M SURE. 377 00:15:51,820 --> 00:15:54,910 I MEAN, WHY WOULDN'T I WANT MY BOYFRIEND THERE? 378 00:15:54,954 --> 00:15:56,825 [KISS] 379 00:16:03,919 --> 00:16:06,226 BILLY: OK, UH, WELL, 380 00:16:06,269 --> 00:16:09,229 AT LEAST MONTES CAN'T SAY THAT YOU WEREN'T THOROUGH. 381 00:16:09,272 --> 00:16:10,970 TOO LONG? 382 00:16:11,013 --> 00:16:12,710 UH, A LITTLE BIT, 383 00:16:12,754 --> 00:16:14,582 BUT, WELL, YEAH, THIS IS D1, 384 00:16:14,625 --> 00:16:16,584 SO ANYBODY CAN LOOK AT FILM AND SEE 385 00:16:16,627 --> 00:16:19,021 THAT THESE PLAYERS ARE BIGGER, FASTER, AND STRONGER. 386 00:16:19,065 --> 00:16:20,980 [SIGHS] ASHER: SO IT'S TOO LONG AND IT SUCKS. 387 00:16:21,023 --> 00:16:23,808 NO, IT DOESN'T SUCK. UM, YOU GOT TO DIG DEEPER 388 00:16:23,852 --> 00:16:26,550 THAN THESE PLAYERS' PHYSICAL ATTRIBUTES. 389 00:16:28,857 --> 00:16:31,816 FOR EXAMPLE, UM, IF YOU KNOW A PLAYER IS SUFFERING 390 00:16:31,860 --> 00:16:34,167 FROM A RECENT INJURY, THEN YOU GOT TO HIGHLIGHT 391 00:16:34,210 --> 00:16:36,647 THE FACT THAT THEY COULD POSSIBLY BE A WEAK LINK. 392 00:16:36,691 --> 00:16:39,259 UH, IF SOMEBODY JUST BROKE UP WITH THEIR GIRLFRIEND, 393 00:16:39,302 --> 00:16:41,696 YOU NEED TO HIGHLIGHT THE FACT THAT THEY'RE, 394 00:16:41,739 --> 00:16:43,915 YOU KNOW, CYBERSTALKING THEIR GIRL ONLINE 395 00:16:43,959 --> 00:16:46,527 WHEN THEY SHOULD BE PAYING MORE ATTENTION ON THE FIELD. 396 00:16:46,570 --> 00:16:48,964 - IT'S REALLY KICKING A MAN WHILE HE'S DOWN, THOUGH. - LOOK, IF YOU WANT 397 00:16:49,008 --> 00:16:52,141 YOUR REPORT TO ADD VALUE, THEN YOU'RE GONNA 398 00:16:52,185 --> 00:16:54,796 HAVE TO FIND THESE PLAYERS' SORE SPOTS. 399 00:16:54,839 --> 00:16:57,407 THAT'S WHAT COMPETITIVE ADVANTAGES ARE BUILT ON. 400 00:16:57,451 --> 00:16:59,409 COME ON, COACH. 401 00:16:59,453 --> 00:17:02,238 JORDAN AND SPENCER ARE MY FRIENDS, MY ROOMMATES. 402 00:17:02,282 --> 00:17:06,068 I HAVE INSIDER KNOWLEDGE, AND I KNOW THAT'S WHY MONTES GAVE ME THIS ASSIGNMENT. 403 00:17:06,112 --> 00:17:10,072 I--I MEAN, IS IT MESSED UP TO USE THAT TO BREAK THEM DOWN IN A REPORT? 404 00:17:10,116 --> 00:17:14,076 DO I THINK YOU SHOULD BETRAY YOUR FRIENDSHIPS? NO, ABSOLUTELY NOT, 405 00:17:14,120 --> 00:17:16,600 BUT THERE IS A FINE LINE, 406 00:17:16,644 --> 00:17:19,038 AND YOU GOT TO FIND IT BECAUSE OUR JOB 407 00:17:19,081 --> 00:17:21,040 AS COACHES, WE NEED TO FIND 408 00:17:21,083 --> 00:17:23,912 EVERY BIT OF INFORMATION THAT IS ACCESSIBLE TO US 409 00:17:23,955 --> 00:17:26,480 AND USE IT TO WIN. IT'S JUST ABOUT WINNING. 410 00:17:26,523 --> 00:17:28,482 SO YOU HAVE TO ASK YOURSELF 411 00:17:28,525 --> 00:17:30,484 IF YOU WANT TO COACH OR NOT 412 00:17:30,527 --> 00:17:33,226 BECAUSE FROM HERE ON OUT, 413 00:17:33,269 --> 00:17:36,098 IT'S ONLY GONNA GET HARDER. 414 00:17:42,583 --> 00:17:44,150 WOMAN: GO. LET'S GO, LET'S GO. 415 00:17:44,193 --> 00:17:45,803 MAN: HE'S OPEN, HE'S OPEN, HE'S OPEN. 416 00:17:45,847 --> 00:17:47,936 OH, JULIE HAS IT. WOMAN: LET'S GET IT! 417 00:17:47,979 --> 00:17:51,461 JORDAN: LAYLA, UM, ARE WE REALLY GONNA SIT HERE FOR ANOTHER HOUR? 418 00:17:51,505 --> 00:17:53,942 [JORDAN WHISPERS] Oh, my God. 419 00:17:53,985 --> 00:17:55,944 YOU KNOW, I'VE BEEN THINKING. 420 00:17:55,987 --> 00:17:58,947 I DON'T THINK YOUR PROBLEM IS SPENCER OR WADE. 421 00:17:58,990 --> 00:18:02,255 - [SIGHS] - I THINK IT'S YOU. I THINK YOU'RE PSYCHING YOURSELF OUT. 422 00:18:02,298 --> 00:18:04,257 - WHAT? NO, NO, NO, NO. - MM-HMM. 423 00:18:04,300 --> 00:18:06,259 THE PROBLEM IS I'M STUCK DROWNING ON THE DEPTH CHART 424 00:18:06,302 --> 00:18:08,913 AND NO ONE WANTS TO SAVE ME. LAYLA: THEN SAVE YOURSELF. 425 00:18:08,957 --> 00:18:10,915 - I-- - NO, THAT'S WHAT I'M SAYING, JORDAN. 426 00:18:10,959 --> 00:18:12,917 YOU HAVE TO MAKE IT HAPPEN. 427 00:18:12,961 --> 00:18:15,268 OK. COME ON. 428 00:18:15,311 --> 00:18:17,096 JORDAN: WAIT. WHAT ARE YOU DOING? 429 00:18:17,139 --> 00:18:19,141 I NEED TO STOP THINKING ABOUT WHAT'S GONNA HAPPEN 430 00:18:19,185 --> 00:18:21,317 WHEN CARRIE GETS HERE, AND YOU NEED TO FORGET 431 00:18:21,361 --> 00:18:23,972 ABOUT WADE AND SPENCER AND JUST PLAY SOME FOOTBALL. 432 00:18:24,015 --> 00:18:26,975 IT'S NOT LIKE THEY COULDN'T USE YOUR HELP. 433 00:18:27,018 --> 00:18:29,151 [SCOFFS] YOU CAN'T BE SERIOUS. 434 00:18:29,195 --> 00:18:30,761 OH, OK. 435 00:18:30,805 --> 00:18:32,763 IS JORDAN BAKER AFRAID HE CAN'T, UM, 436 00:18:32,807 --> 00:18:35,157 CAN'T KEEP UP WITH THE YMCA ALL-STARS? 437 00:18:35,201 --> 00:18:38,160 HEH! OK. YOU KNOW WHAT, KEATING? 438 00:18:38,204 --> 00:18:40,467 GAME ON. FIRE UP THOSE HANDS. 439 00:18:40,510 --> 00:18:42,730 - ARE YOU SURE? NOT SCARED? - COME ON. WARM UP THOSE HANDS. LET'S GO. 440 00:18:42,773 --> 00:18:45,211 OK, SQUAD, ALL RIGHT. I WANT YOU TO GIVE ME A SKINNY POST. 441 00:18:45,254 --> 00:18:46,734 YOU GIVE ME THE BACK LEFT PYLON. 442 00:18:46,777 --> 00:18:48,823 YOU GIVE ME A DRAG ACROSS THE MIDDLE. 443 00:18:48,866 --> 00:18:51,260 LAYLA, CHOP UP THOSE FEET, HIT THAT BACK RIGHT PYLON, OK? 444 00:18:51,304 --> 00:18:53,610 ON 1, ON 1. READY? HERE WE GO. HERE WE GO. HERE WE GO. 445 00:18:53,654 --> 00:18:55,351 DOWN, SET! RIGHT 60. 446 00:18:55,395 --> 00:18:57,179 FEMALE SINGER: ♪ ACTIVATE IT ALL THE WAY 447 00:18:57,223 --> 00:18:58,354 WIDE SET-SET! 448 00:18:59,877 --> 00:19:01,357 ♪ WE GO IN 449 00:19:01,401 --> 00:19:03,533 ♪ WHEN WE GO OUT 450 00:19:03,577 --> 00:19:05,535 ♪ WE GET UP 451 00:19:05,579 --> 00:19:07,885 ♪ WHEN WE GET DOWN 452 00:19:07,929 --> 00:19:09,974 ♪ GOT YOU SPINNIN' 453 00:19:10,018 --> 00:19:11,628 ♪ ROUND AND ROUND 454 00:19:11,672 --> 00:19:15,502 ♪ WE GO IN WHEN WE GO OUT 455 00:19:15,545 --> 00:19:18,157 ♪ GO OUT, GO OUT JORDAN: WIDE 80! 456 00:19:18,200 --> 00:19:21,203 [SINGER WHISTLING TO SONG] JORDAN: WIDE 80, SET! 457 00:19:23,553 --> 00:19:25,512 ♪ GO OUT, GO OUT 458 00:19:25,555 --> 00:19:27,253 ♪ HEY 459 00:19:29,516 --> 00:19:32,214 ♪ OOH, OOH, OOH, GO OUT, GO OUT ♪ 460 00:19:32,258 --> 00:19:35,478 [PEOPLE CHUCKLING] NOAH: I ADMIT, I CAN BE A LITTLE TERRITORIAL 461 00:19:35,522 --> 00:19:38,481 WHEN IT COMES TO BYLINES, BUT IT'S NOT AS BAD AS WHEN LIV LISTENS TO JAZZ. 462 00:19:38,525 --> 00:19:40,222 - OH! - WHY? WHAT HAPPENS? 463 00:19:40,266 --> 00:19:42,616 OH, THEY THINK THAT JAZZ HYPNOTIZES ME, 464 00:19:42,659 --> 00:19:45,096 WHICH IT DOESN'T. NOAH: DUDE, A NUKE COULD HIT 465 00:19:45,140 --> 00:19:48,230 L.A. AND LIV WOULDN'T KNOW 'CAUSE THELONIOUS MONK PUT HER IN A HAPPY TRANCE. 466 00:19:48,274 --> 00:19:50,537 I DIDN'T KNOW YOU WERE INTO THELONIOUS MONK LIKE THAT. 467 00:19:50,580 --> 00:19:52,930 IT'S NOTHING, BUT I DO KNOW ANDREW'S LOVE FOR-- 468 00:19:52,974 --> 00:19:54,932 WHAT DO YOU CALL IT, ECLECTIC PUNK? NOAH: HEH! 469 00:19:54,976 --> 00:19:57,413 OLIVIA: NOW, THAT IS A SITUATION THAT REQUIRES 470 00:19:57,457 --> 00:19:59,589 SOME PROFESSIONAL HELP. NOAH: YOU KNOW WHERE HE GOT IT FROM, THOUGH, RIGHT? 471 00:19:59,633 --> 00:20:01,243 WHEN HE DATED BRESHA OVER AT 472 00:20:01,287 --> 00:20:03,245 THE "WESTSIDE STAR," SHE GOT HIM INTO THAT. 473 00:20:03,289 --> 00:20:05,421 I MEAN, WHAT'S IT SOUND LIKE? CAN'T BE THAT BAD. 474 00:20:05,465 --> 00:20:06,857 W-WAIT. I'M STILL STUCK ON BRESHA. 475 00:20:06,901 --> 00:20:08,424 YOU DATED BRESHA? ANDREW: YEAH. 476 00:20:08,468 --> 00:20:10,209 OLIVIA: BROODY BRESHA? ANDREW: HEH! YEAH. 477 00:20:10,252 --> 00:20:12,254 SHE'S OUR COMPETITOR! NOAH: AND SHE CAN'T WRITE. 478 00:20:12,298 --> 00:20:14,343 ANDREW: AND SHE IS BROODY AS HELL--I'LL ADMIT IT-- 479 00:20:14,387 --> 00:20:16,476 BUT, HEY, IT MADE FOR AN INTERESTING TWO YEARS. 480 00:20:16,519 --> 00:20:19,348 OLIVIA: TWO YEARS? NOAH: DUDE, YOU HAVE TO TELL HER 481 00:20:19,392 --> 00:20:21,350 HOW IT STARTED AND HOW THE "WESTSIDE STAR" ENDED UP 482 00:20:21,394 --> 00:20:22,960 WITH YOUR ARTICLE ON ENVIRONMENTAL DROUGHTS. 483 00:20:23,004 --> 00:20:24,571 - OH. - I'M USING THE BATHROOM. 484 00:20:24,614 --> 00:20:26,225 OH, YEAH, YEAH, YEAH. UM, I WANT TO HEAR 485 00:20:26,268 --> 00:20:28,052 ABOUT THAT. ANDREW: UM, WE CAN SKIP-- 486 00:20:28,096 --> 00:20:30,098 NO, LET'S GO WITH IT. YEAH, YEAH, YEAH. 487 00:20:30,141 --> 00:20:32,622 ANDREW: YOU TELL HER. NOAH: I'LL TELL YOU. [LAUGHTER] 488 00:20:32,666 --> 00:20:35,625 [DISTANT HIP-HOP MUSIC PLAYING] SKYE: GOT TO ADMIT, 489 00:20:35,669 --> 00:20:37,627 THIS WAS UNEXPECTED. 490 00:20:37,671 --> 00:20:39,629 COOP: WHAT, YOU DIDN'T THINK I WOULD CALL YOU? 491 00:20:39,673 --> 00:20:41,631 OH, NO, I KNEW YOU'D CALL EVENTUALLY. 492 00:20:41,675 --> 00:20:44,286 I MEANT THE FOOD TRUCK. HOT DOGS? 493 00:20:44,330 --> 00:20:45,896 YOU'RE GONNA LOVE IT. TRUST ME. 494 00:20:45,940 --> 00:20:48,508 SKYE 101--I DON'T DO FOOD TRUCKS, 495 00:20:48,551 --> 00:20:50,510 AND CERTAINLY NOT ON A DATE, 496 00:20:50,553 --> 00:20:52,773 BUT I'M MAKING AN EXCEPTION FOR YOU. 497 00:20:52,816 --> 00:20:54,731 HMM. WHAT MAKES ME SO SPECIAL? 498 00:20:54,775 --> 00:20:57,343 SKYE: WELL, HOW MUCH TIME YOU GOT? MAN: NEXT! 499 00:20:57,386 --> 00:20:59,693 COOP. WHAT'S GOOD? 500 00:20:59,736 --> 00:21:02,696 COOP: WHAT'S UP, MAN? MAN: THAT IS A BIG DOG WITH THE WORKS FOR YOU 501 00:21:02,739 --> 00:21:05,568 AND A HASH PUPPY DOG FOR PATIENCE. 502 00:21:05,612 --> 00:21:07,962 NAH, MAN. HER NAME IS SKYE. 503 00:21:10,399 --> 00:21:12,445 [MOUTHS "SORRY"] 504 00:21:17,450 --> 00:21:21,497 I AM SORRY. THAT WAS...UNNECESSARY. 505 00:21:21,541 --> 00:21:23,717 ALL GOOD. [SIGHS] SKYE 101-- 506 00:21:23,760 --> 00:21:25,719 YOU'LL NEVER HAVE TO GUESS WHAT I'M THINKING. 507 00:21:25,762 --> 00:21:27,808 IF I'M PISSED, TRUST ME, YOU'LL KNOW. 508 00:21:27,851 --> 00:21:30,506 OK, GOOD. I JUST-- YOU KNOW, I DON'T WANT YOU TO 509 00:21:30,550 --> 00:21:33,248 THINK THAT I'M OUT HERE JUGGLING GIRLS BECAUSE I'M NOT, ALL RIGHT? 510 00:21:33,292 --> 00:21:35,642 PATIENCE AND I ARE DONE. I MEAN, DONE-DONE. 511 00:21:35,685 --> 00:21:38,688 I'M TALKING MARIAH CAREY "I DON'T KNOW HER" DONE. 512 00:21:38,732 --> 00:21:41,169 YEAH, I GET IT. YOU GUYS ARE DONE. 513 00:21:41,212 --> 00:21:43,954 YOU KNOW, I KNOW IT PROBABLY LOOKS WEIRD BECAUSE WE STILL LIVE 514 00:21:43,998 --> 00:21:46,609 TOGETHER, BUT THAT'S JUST A ROOMMATE SITUATION; I MEAN, SHE 515 00:21:46,653 --> 00:21:48,785 MOVED TO THE OTHER ROOM UPSTAIRS REAL FAST, 516 00:21:48,829 --> 00:21:50,787 BUT IT'S ALL GOOD 'CAUSE NOW WE GOT OUR OWN SPACE, 517 00:21:50,831 --> 00:21:53,181 AND SHE CAN FILL HERS WITH ALL THE FLOWERS 518 00:21:53,224 --> 00:21:55,357 SHE WANTS FROM SABINE AND WHOEVER ELSE IS 519 00:21:55,401 --> 00:21:57,272 SENDING 'EM. I MEAN, YOU SHOULD HAVE SEEN THE TULIPS THAT CAME 520 00:21:57,316 --> 00:21:59,883 TO THE CRIB LAST NIGHT. I WAS--WAIT. WHAT-- 521 00:21:59,927 --> 00:22:01,885 WHERE YOU GOING? YOU NEED SOMETHING? 522 00:22:01,929 --> 00:22:04,453 - YEAH, SOME AIR. - BUT WE OUTSIDE. 523 00:22:04,497 --> 00:22:07,717 YOU KNOW, I WAS COOL WITH HAVING HOT DOGS ON A DATE, 524 00:22:07,761 --> 00:22:10,981 AND I WAS COOL WITH OLD BOY IN THE TRUCK CALLING ME BY ANOTHER CHICK'S NAME, 525 00:22:11,025 --> 00:22:13,244 BUT SOMETHING I'LL NEVER BE OK WITH IS YOU 526 00:22:13,288 --> 00:22:16,030 SPENDING THE ENTIRE DATE TALKING ABOUT HER, AND I'M 527 00:22:16,073 --> 00:22:18,162 NOT EVEN GONNA GET INTO THE FACT THAT YOUR "OUT OF THE BLUE" CALL 528 00:22:18,206 --> 00:22:20,382 LAST NIGHT WAS 'CAUSE PATIENCE GOT SOME DAMN TULIPS. 529 00:22:20,426 --> 00:22:21,992 OK, UH, SKYE, I'M SORRY. 530 00:22:22,036 --> 00:22:23,603 NEXT TIME YOU WANT TO PISS OFF YOUR EX, 531 00:22:23,646 --> 00:22:25,256 DON'T CALL ME. 532 00:22:25,300 --> 00:22:26,954 [SIGHS] 533 00:22:29,130 --> 00:22:31,393 [DISTANT CHATTER AND LAUGHTER] 534 00:22:31,437 --> 00:22:33,613 [FOOTSTEPS APPROACH] 535 00:22:33,656 --> 00:22:37,312 HEY, THERE YOU ARE. IS EVERYTHING OK? 536 00:22:37,356 --> 00:22:39,314 - JUST TAKING A BREATHER. - OK. 537 00:22:39,358 --> 00:22:41,577 WELL, UM, I REALLY WANT TO INTRODUCE YOU TO ONE 538 00:22:41,621 --> 00:22:44,319 OF MY CO-WORKERS WHO IS A HUGE G.A.U. FAN-- 539 00:22:48,454 --> 00:22:51,021 SPENCER, IS EVERYTHING OK? 540 00:22:51,065 --> 00:22:53,546 JAZZ? 541 00:22:53,589 --> 00:22:57,332 - YEAH, I LIKE JAZZ. SO WHAT? - SINCE WHEN? 542 00:22:57,376 --> 00:23:00,335 [CHUCKLING] SINCE CHRISTEL PLAYS IT NONSTOP IN THE OFFICE, 543 00:23:00,379 --> 00:23:04,078 AND IT WAS EITHER LOVE IT OR BE TORTURED EVERY DAY, SO I CHOSE LOVE. 544 00:23:04,121 --> 00:23:06,907 OK, AND, UH, WHAT ABOUT NOAH? 545 00:23:06,950 --> 00:23:09,779 I THOUGHT Y'ALL TWO WERE BEEFING SINCE HE STOLE YOUR ARTICLE. 546 00:23:09,823 --> 00:23:12,521 I MEAN, THAT WAS-- THAT WAS WEEKS AGO, 547 00:23:12,565 --> 00:23:15,306 AND HE'S ACTUALLY BEEN REALLY SUPPORTIVE SINCE. 548 00:23:15,350 --> 00:23:17,134 SEE? I AIN'T KNOW THAT, JUST LIKE 549 00:23:17,178 --> 00:23:18,919 I DON'T KNOW YOUR COFFEE ORDER NO MORE. 550 00:23:18,962 --> 00:23:22,096 BABE, ALL OF THIS OVER THELONIOUS MONK, 551 00:23:22,139 --> 00:23:24,098 SOME ANCIENT BEEF, AND OAT MILK? 552 00:23:24,141 --> 00:23:27,188 I MEAN, IT'S JUST TRIVIA. SPENCER: NOT TO ME. 553 00:23:27,231 --> 00:23:30,800 THE SPECIAL THINGS WE KNOW ABOUT EACH OTHER IS WHAT MAKES US US, 554 00:23:30,844 --> 00:23:33,237 AND YOUR CO-WORKERS KNOW YOU BETTER THAN I DO NOW. 555 00:23:33,281 --> 00:23:35,457 YEAH, WELL, THAT'S JUST BECAUSE THEY SPEND MORE TIME WITH ME. 556 00:23:35,501 --> 00:23:37,546 THEY DON'T KNOW ME LIKE YOU DO. THAT'S CRAZY. 557 00:23:37,590 --> 00:23:39,940 IS IT? LOOK, THIS ISN'T JUST 558 00:23:39,983 --> 00:23:42,769 ABOUT THEM, LIV. YOU DIDN'T FEEL THAT TODAY? 559 00:23:42,812 --> 00:23:44,901 - FEEL WHAT? - THAT SOMETHING'S OFF, 560 00:23:44,945 --> 00:23:48,427 THAT WE'RE OFF, LIKE... 561 00:23:48,470 --> 00:23:51,430 "STARTING TO GROW APART" OFF? 562 00:23:51,473 --> 00:23:53,867 UM... 563 00:23:55,825 --> 00:23:58,785 I MEAN--I MEAN, YEAH, A LITTLE, 564 00:23:58,828 --> 00:24:01,440 BUT I... 565 00:24:01,483 --> 00:24:03,442 HEH! 566 00:24:03,485 --> 00:24:05,444 I SHOULD GO. 567 00:24:05,487 --> 00:24:07,446 YOU GOT GUESTS DOWNSTAIRS, 568 00:24:07,489 --> 00:24:09,491 AND--AND NOW AIN'T THE TIME. 569 00:24:09,535 --> 00:24:11,319 [KISS] 570 00:24:11,362 --> 00:24:13,930 I'MMA HOLLA AT YOU LATER. 571 00:24:13,974 --> 00:24:16,019 [FOOTSTEPS RETREAT] 572 00:24:20,981 --> 00:24:23,026 [SIGHS] 573 00:24:27,596 --> 00:24:29,293 [CHUCKLES] 574 00:24:40,566 --> 00:24:42,524 [FOOTSTEPS APPROACH] 575 00:24:42,568 --> 00:24:45,048 HEY, DUDE, WHAT THE HELL ARE YOU DOING? 576 00:24:45,092 --> 00:24:47,094 ARE YOU SERIOUS RIGHT NOW? 577 00:24:47,137 --> 00:24:49,313 "THOUGH HE'S FAST WITH EXCELLENT FOOTBALL I.Q., 578 00:24:49,357 --> 00:24:51,315 SPENCER JAMES LACKS CONFIDENCE"? [ASHER SIGHS] 579 00:24:51,359 --> 00:24:53,492 YOU'RE READING MY SCOUTING REPORT? 580 00:24:53,535 --> 00:24:56,146 "HE FEARS HIS ELEVATION TO G.A.U.'s OFFENSE MIGHT BE A FLUKE. 581 00:24:56,190 --> 00:24:59,149 "HE'S UNSURE HE'S CAPABLE OF DELIVERING A WINNING PERFORMANCE 582 00:24:59,193 --> 00:25:02,544 GAME AFTER GAME, MAKING SPENCER EASY TO DEMORALIZE"? 583 00:25:05,460 --> 00:25:08,028 WHY'D YOU GO THROUGH MY LAPTOP? 584 00:25:08,071 --> 00:25:10,987 IT'S AN INVASION OF PRIVACY. SPENCER: YOU LEFT IT OPEN IN A PUBLIC PLACE. 585 00:25:11,031 --> 00:25:14,295 - I'M IN MY HOUSE. - OUR HOUSE, AND YOU REALLY GONNA COME AT ME ABOUT PRIVACY? 586 00:25:14,338 --> 00:25:16,906 THOSE WERE MY WORDS THAT I CONFIDED TO MY FRIENDS, 587 00:25:16,950 --> 00:25:19,343 NOT SOME SNITCH. ASHER: SNITCH? 588 00:25:19,387 --> 00:25:22,346 I'M NOT SNITCHING, SPENCE, I'M SCOUTING. 589 00:25:22,390 --> 00:25:25,741 THAT'S THE JOB. LIKE IT OR NOT, WE'RE ON RIVAL TEAMS NOW. 590 00:25:25,785 --> 00:25:28,396 Y-YOU REALLY EXPECT ME TO BELIEVE YOU'RE NOT PLANNING ON USING ANY OF 591 00:25:28,439 --> 00:25:31,355 THE HISTORY YOU HAVE ON J.J. TO YOUR ADVANTAGE WHEN YOU PLAY US? 592 00:25:31,399 --> 00:25:34,794 ABOUT HIM ON THE FIELD? ABSOLUTELY, BUT THE STUFF HE'S CONFIDED TO ME AS HIS FRIEND? 593 00:25:34,837 --> 00:25:38,058 YOU SAY NO, YOU ARE LYING TO YOURSELF AS WELL AS ME, MAN! 594 00:25:38,101 --> 00:25:41,322 THIS IS D1 FOOTBALL. WE ARE BOTH TRYING TO WIN. 595 00:25:41,365 --> 00:25:43,933 I WANT A CAREER AS A COACH; THAT MEANS BREAKING DOWN PLAYERS 596 00:25:43,977 --> 00:25:46,588 IS A PART OF THE JOB. THAT'S WHAT COACH BAKER TOLD ME-- 597 00:25:46,632 --> 00:25:49,243 HOLD UP, HOLD UP, HOLD UP. 598 00:25:49,286 --> 00:25:52,812 YOU EXPECT ME TO BELIEVE COACH BAKER PUT YOU UP TO THIS? 599 00:25:54,335 --> 00:25:56,685 HE SAID DIG A LITTLE DEEPER INTO YOUR PSYCHE 600 00:25:56,729 --> 00:25:59,209 IF I WANT A BETTER REPORT, YEAH. 601 00:26:05,172 --> 00:26:07,174 AFTER EVERYTHING WE'VE BEEN THROUGH, 602 00:26:07,217 --> 00:26:10,177 YOU REALLY GONNA HAND IN THAT SCOUTING REPORT TO YOUR COACH, MAN, 603 00:26:10,220 --> 00:26:13,702 WITH ALL THAT PERSONAL STUFF I TOLD YOU AS A FRIEND? 604 00:26:15,922 --> 00:26:17,967 I ALREADY DID. 605 00:26:27,324 --> 00:26:29,065 I MEAN, I--I NEED TO JOIN 606 00:26:29,109 --> 00:26:31,677 AN L.A. REC LEAGUE AFTER THOSE STATS I JUST PUT UP. 607 00:26:31,720 --> 00:26:33,679 OK, EASY THERE, ODELL, OK? 608 00:26:33,722 --> 00:26:36,333 HA HA! BUT YOU KNOW WHAT? 609 00:26:36,377 --> 00:26:39,162 IT WAS NICE TO SEE YOU OUT THERE, RELAXED AND LAUGHING. 610 00:26:39,206 --> 00:26:41,164 YEAH, WELL, UM, I MEAN, THAT GAME WAS 611 00:26:41,208 --> 00:26:43,166 A GREAT DISTRACTION FROM ALL THINGS CARRIE. 612 00:26:43,210 --> 00:26:45,560 I CAN ONLY IMAGINE HOW YOU FEEL. JORDAN: MMM. WHAT DO YOU MEAN? 613 00:26:45,604 --> 00:26:47,606 YOU GOT TO FEEL REJUVENATED. 614 00:26:47,649 --> 00:26:49,956 I MEAN, YOU HAD SOME HELP FROM YOUR BEST RECEIVER-- 615 00:26:49,999 --> 00:26:51,958 ME, OF COURSE-- BUT, I DON'T KNOW. 616 00:26:52,001 --> 00:26:54,351 NO ONE EVEN CAME CLOSE TO TOUCHING YOU ON THAT FIELD. 617 00:26:54,395 --> 00:26:56,353 LAYLA, THAT WASN'T A CHALLENGE. 618 00:26:56,397 --> 00:26:58,921 I'M A D1 COLLEGE QUARTERBACK. I'M SUPPOSED TO BEAT THOSE GUYS. 619 00:26:58,965 --> 00:27:01,402 LAYLA: NO, JORDAN, I-- [CELLPHONE VIBRATES] 620 00:27:01,445 --> 00:27:02,838 SORRY. 621 00:27:02,882 --> 00:27:04,884 [SIGHS] OK. 622 00:27:04,927 --> 00:27:08,539 CARRIE JUST PARKED, SO SH-SHE'S HERE. 623 00:27:08,583 --> 00:27:10,541 UM... 624 00:27:10,585 --> 00:27:13,632 OK, THIS IS REALLY HAPPENING. JORDAN: HEY, HEY. 625 00:27:13,675 --> 00:27:15,808 YOU CAN DO THIS. 626 00:27:15,851 --> 00:27:18,549 OK? I'LL BE RIGHT HERE IF YOU NEED ME. 627 00:27:18,593 --> 00:27:20,160 OK. 628 00:27:20,203 --> 00:27:22,249 OK. 629 00:27:22,292 --> 00:27:24,251 OK. 630 00:27:24,294 --> 00:27:26,949 [DOOR CLOSES] HELLO? 631 00:27:26,993 --> 00:27:28,951 HEY, BABY GIRL. 632 00:27:28,995 --> 00:27:30,953 WHAT'S HAPPENIN'? 633 00:27:30,997 --> 00:27:33,173 UH, DAD... 634 00:27:33,216 --> 00:27:37,090 YOU KNOW THERE'S PEOPLE YOU CAN CALL TO FIX THAT OLD THING, YEAH? 635 00:27:37,133 --> 00:27:39,875 NOTHING A LITTLE DUCT TAPE CAN'T FIX. 636 00:27:39,919 --> 00:27:43,052 DO YOU WANT SOME HELP WITH ANYTHING? 637 00:27:43,096 --> 00:27:45,751 [CHUCKLES] UH-OH. 638 00:27:45,794 --> 00:27:48,405 SOMETHING'S GOING ON. SIT DOWN. 639 00:27:48,449 --> 00:27:50,494 WHAT'S UP? 640 00:27:53,802 --> 00:27:56,457 BEFORE YOU GUYS GOT MARRIED, 641 00:27:56,500 --> 00:27:59,765 HOW DID YOU AND MOM MAKE IT WORK WHEN YOU 642 00:27:59,808 --> 00:28:03,377 HAD TO BE SUPER-FOCUSED ON FOOTBALL AND HER ON LAW? 643 00:28:03,420 --> 00:28:05,988 THE OLD BALANCING ACT, HUH? 644 00:28:06,032 --> 00:28:08,425 WELL, I STILL DON'T KNOW IF WE EVER MADE IT WORK, 645 00:28:08,469 --> 00:28:12,299 BUT I CAN SAY THAT WE, UH, WE NEVER STOPPED TRYING. 646 00:28:14,127 --> 00:28:16,085 AND DID YOU GUYS EVER... 647 00:28:16,129 --> 00:28:18,087 DRIFT APART? 648 00:28:18,131 --> 00:28:20,307 OH, PLENTY OF TIMES, BUT ONLY WHEN WE 649 00:28:20,350 --> 00:28:22,309 TOOK OUR EYES OFF THE PRIZE, HMM? 650 00:28:22,352 --> 00:28:26,008 BUT THEN WE'D REALIZE AND THEN COURSE-CORRECT, 651 00:28:26,052 --> 00:28:29,795 ONLY BECAUSE WE-- WE BOTH WANTED TO MAKE IT WORK. 652 00:28:31,448 --> 00:28:34,103 WHAT'S GOING ON WITH YOU AND SPENCE? 653 00:28:35,583 --> 00:28:37,541 UM... 654 00:28:37,585 --> 00:28:40,806 I MEAN, WE'VE BOTH JUST BEEN BUSIER 655 00:28:40,849 --> 00:28:43,765 THAN WE'VE EVER BEEN, AND IT'S JUST, LIKE, CAUSING 656 00:28:43,809 --> 00:28:47,421 THIS WEIRD DISCONNECT BETWEEN US THAT WE JUST CAN'T SHAKE. 657 00:28:48,901 --> 00:28:51,642 WHAT IF WE CAN'T COURSE-CORRECT, DAD? 658 00:28:51,686 --> 00:28:54,471 LOOK, EVERY RELATIONSHIP'S GONNA HAVE THEIR UPS 659 00:28:54,515 --> 00:28:57,561 AND DOWNS, BUT YOU HAVE TO FIGURE OUT IF YOU'RE WILLING 660 00:28:57,605 --> 00:29:00,564 TO WEATHER THE EBBS AND THE FLOWS. 661 00:29:00,608 --> 00:29:05,178 AND IF YOU ARE... THEN YOU--YOU NEVER STOP TRYING. 662 00:29:08,790 --> 00:29:10,749 SO, HOW WAS THE DRIVE? 663 00:29:10,792 --> 00:29:12,751 UH, IT WAS GOOD. YEAH, UM, 664 00:29:12,794 --> 00:29:14,796 IT'S NOT TOO MUCH TRAFFIC, 665 00:29:14,840 --> 00:29:17,625 AND, UH, THE WEATHER HELPED. CARRIE: GOOD. 666 00:29:17,668 --> 00:29:19,888 LAYLA, YOU DIDN'T COME 667 00:29:19,932 --> 00:29:22,238 TO SAN DIEGO TO ASK ME ABOUT THE WEATHER. 668 00:29:22,282 --> 00:29:24,588 YEAH, UM... 669 00:29:24,632 --> 00:29:26,852 I DON'T REALLY KNOW WHAT TO SAY. 670 00:29:26,895 --> 00:29:28,810 SURE YOU DO. 671 00:29:28,854 --> 00:29:32,422 LAYLA, WHAT I DID TO YOU WAS UNFORGIVABLE. 672 00:29:32,466 --> 00:29:35,643 AND YES, I WAS SICK AND I WASN'T IN CONTROL, 673 00:29:35,686 --> 00:29:38,341 BUT THAT DOESN'T MEAN THAT YOU DON'T GET TO BE FURIOUS AT ME. 674 00:29:38,385 --> 00:29:40,822 YOU SHOULD BE. IF YOU WANT TO SCREAM 675 00:29:40,866 --> 00:29:43,825 OR YELL OR HIT ME OR WHATEVER, YOU CAN. 676 00:29:43,869 --> 00:29:46,697 I'M NOT GONNA FIGHT YOU, CARRIE. 677 00:29:46,741 --> 00:29:50,745 IF I WAS, I WOULDN'T NEED YOUR PERMISSION TO DO SO. 678 00:29:52,399 --> 00:29:55,315 I WAS MAD AT YOU FOR A REALLY LONG TIME. 679 00:29:55,358 --> 00:29:59,319 [SNIFFLES] AND ON MY WAY DOWN HERE, I REALIZED I'M NOT... 680 00:29:59,362 --> 00:30:02,931 I'M NOT ANGRY ANYMORE, YOU KNOW? I'M JUST EXHAUSTED. 681 00:30:02,975 --> 00:30:05,542 A LONG TIME AGO, I ACCEPTED THAT I WASN'T 682 00:30:05,586 --> 00:30:08,545 ENOUGH TO KEEP MY MOM ALIVE OR... 683 00:30:08,589 --> 00:30:12,158 MY DAD IN TOWN OR MY BOYFRIEND FAITHFUL, BUT... 684 00:30:12,201 --> 00:30:15,161 [SNIFFLES] YOU KNOW, WITH YOU, I REALLY--I REALLY 685 00:30:15,204 --> 00:30:17,163 THOUGHT I WAS MAKING A DIFFERENCE. 686 00:30:17,206 --> 00:30:19,600 I TRIED SO HARD TO BE THERE FOR YOU-- 687 00:30:19,643 --> 00:30:22,603 INTRODUCING YOU TO MY FRIENDS AND MOVING YOU IN WITH ME, AND-- 688 00:30:22,646 --> 00:30:24,605 [SNIFFLES] GOD, AFTER ALL THAT, 689 00:30:24,648 --> 00:30:26,912 IT, LIKE, STILL WASN'T ENOUGH; 690 00:30:26,955 --> 00:30:28,914 NOT ENOUGH TO KEEP YOU OFF THAT CLIFF 691 00:30:28,957 --> 00:30:31,394 OR TO KEEP YOU FROM TRYING TO TAKE ME WITH YOU. 692 00:30:31,438 --> 00:30:34,397 - LAYLA-- - IT'S JUST THE STORY OF MY LIFE, REALLY, 'CAUSE... 693 00:30:34,441 --> 00:30:37,400 KEEP TRYING TO FIX EVERYTHING AND--SURPRISE-- 694 00:30:37,444 --> 00:30:40,012 I JUST FALL UP SHORT AGAIN AND AGAIN AND-- 695 00:30:40,055 --> 00:30:42,014 LAYLA, YOUR FRIENDSHIP IS WHAT KEPT ME 696 00:30:42,057 --> 00:30:44,233 OFF THAT CLIFF LONGER. 697 00:30:44,277 --> 00:30:46,888 BEING UP THERE WAS ABOUT ALL THE WAYS THAT I 698 00:30:46,932 --> 00:30:49,935 WAS DEFICIENT... NOT YOU. 699 00:30:49,978 --> 00:30:52,807 YOU ARE THE REASON THAT I HAVE MADE 700 00:30:52,851 --> 00:30:54,983 SO MUCH PROGRESS 701 00:30:55,027 --> 00:30:58,944 AND HAVE MY FAMILY BACK, AND HAVE A JOB. 702 00:30:58,987 --> 00:31:02,077 I MEAN, YOU GOT ME TO TRY AGAIN AT RUNNING SPRINGS. 703 00:31:02,121 --> 00:31:05,211 YOU'RE THE REASON I'M STILL HERE. 704 00:31:06,734 --> 00:31:11,739 I MEAN, IF THAT ISN'T BEING ENOUGH, THEN... I DON'T KNOW WHAT IS. 705 00:31:19,355 --> 00:31:21,923 AND I BET, IF YOU LOOK CLOSELY, 706 00:31:21,967 --> 00:31:25,057 THERE'S A LOT OF PEOPLE IN YOUR LIFE THAT FEEL THIS WAY. 707 00:31:28,060 --> 00:31:30,105 [SNIFFLES] 708 00:31:32,325 --> 00:31:34,283 [DOOR CLOSES, PATIENCE SIGHS] 709 00:31:34,327 --> 00:31:37,634 WOULDN'T KILL LIV'S FRIENDS TO ACTUALLY CLEAN UP. 710 00:31:37,678 --> 00:31:39,636 [SIGHS] 711 00:31:39,680 --> 00:31:41,638 YOU'RE KIDDING ME, RIGHT? 712 00:31:41,682 --> 00:31:44,032 - I DIDN'T EVEN SAY ANYTHING. - SO IT WASN'T, LIKE, ENOUGH 713 00:31:44,076 --> 00:31:46,034 FOR YOU TO INVITE SKYE TO RUB HER IN MY FACE, 714 00:31:46,078 --> 00:31:48,341 BUT YOU GONNA TAKE HER TO OUR SPOT? 715 00:31:48,384 --> 00:31:50,038 YOU THE ONE THAT GOT CHLORINE SENDING 716 00:31:50,082 --> 00:31:51,779 THE ENTIRE RAINFOREST OVER TO OUR CRIB. 717 00:31:51,822 --> 00:31:53,128 OK, HER NAME IS SABINE, 718 00:31:53,172 --> 00:31:54,521 AND THOSE FLOWERS ARE PLATONIC. 719 00:31:54,564 --> 00:31:55,783 MAN, THOSE FLOWERS ARE RED! 720 00:31:55,826 --> 00:31:57,176 THEY ARE NOT PLATONIC! 721 00:31:57,219 --> 00:31:59,265 OOH, YOU ABOUT TO FEEL SO STUPID. 722 00:31:59,308 --> 00:32:01,267 MAN, WHATEVER. AT LEAST MY NAME DON'T SOUND LIKE SOMETHING 723 00:32:01,310 --> 00:32:03,922 THEY DUMP IN POOL WATER. PATIENCE: MMM, OK. 724 00:32:03,965 --> 00:32:08,796 YEAH, UH, "CONGRATS ON AN AMAZING ALBUM LAUNCH. YOUR FRIEND, SABINE." 725 00:32:10,276 --> 00:32:11,886 HMM. 726 00:32:11,930 --> 00:32:13,975 SABINE DOES HAVE NICE HANDWRITING. 727 00:32:14,019 --> 00:32:16,064 - NOW YOU KNOW HER NAME, HUH? - LOOK, I'M SORRY, 728 00:32:16,108 --> 00:32:17,805 OK? I JUST THOUGHT-- PATIENCE: YEAH, YEAH, I KNOW 729 00:32:17,848 --> 00:32:19,807 WHAT YOU THOUGHT, AND... 730 00:32:19,850 --> 00:32:21,940 [SCOFFS] 731 00:32:23,506 --> 00:32:26,074 OUR RELATIONSHIP? 732 00:32:26,118 --> 00:32:28,772 IT MEANT A LOT TO ME, COOP. 733 00:32:28,816 --> 00:32:32,776 THE WAY THAT WE'RE TRYING TO... HURT EACH OTHER, 734 00:32:32,820 --> 00:32:35,779 WE'RE NOT ABOUT TO HAVE A FRIENDSHIP LEFT, 735 00:32:35,823 --> 00:32:38,565 AND I DON'T WANT THAT. COOP: I DON'T WANT THAT, EITHER. 736 00:32:38,608 --> 00:32:42,134 OK, SO... WHAT DO WE DO? 737 00:32:42,177 --> 00:32:44,136 I MEAN... 738 00:32:44,179 --> 00:32:46,268 [SIGHS] 739 00:32:46,312 --> 00:32:49,228 - WE SHOULD AGREE ON SOME GROUND RULES. - I'M DOWN WITH THAT. 740 00:32:49,271 --> 00:32:51,230 WELL, FIRST OF ALL, 741 00:32:51,273 --> 00:32:53,884 BAKER HOUSE HAS TO BE SWITZERLAND-- 742 00:32:53,928 --> 00:32:56,452 NEUTRAL GROUND, NO MORE DATES IN THE HALLWAY. 743 00:32:56,496 --> 00:32:59,194 OK, FINE, AND NO MORE FLOWERS FROM GIRLS YOU TRIED TO GET WITH, EITHER. 744 00:32:59,238 --> 00:33:01,849 OK, DEAL, AND ALSO, WE HAVE TO DECIDE 745 00:33:01,892 --> 00:33:04,460 ON WHERE IN L.A. IS OFF-LIMITS BECAUSE 746 00:33:04,504 --> 00:33:06,985 I DON'T WANT YOU TAKING GIRLS TO OUR SPOTS. 747 00:33:07,028 --> 00:33:09,813 OK, BUT I CAN GO TO D-DOGGS BY MYSELF, RIGHT? 748 00:33:09,857 --> 00:33:13,252 YES, YES, OF COURSE. WELL, LET'S HAVE COFFEE. 749 00:33:13,295 --> 00:33:16,081 OK, WELL, BEFORE YOU START PLANTING YOUR FLAG 750 00:33:16,124 --> 00:33:19,171 IN ALL THE L.A. CAFEÉS, I HAVE SOMETHING FOR YOU. 751 00:33:22,870 --> 00:33:25,612 - OOH. - I'M SO USED TO GETTING YOU FUNNEL CAKES BECAUSE 752 00:33:25,655 --> 00:33:29,137 I KNOW THAT YOU LIKE 'EM THAT I GOT IT ANYWAY, EVEN THOUGH YOU WASN'T THERE. 753 00:33:29,181 --> 00:33:31,139 OK. 754 00:33:31,183 --> 00:33:33,141 OOH, YES! 755 00:33:33,185 --> 00:33:35,143 OK. 756 00:33:35,187 --> 00:33:38,755 WELL, LET'S EAT... AND NEGOTIATE. 757 00:33:40,279 --> 00:33:42,194 MMM. 758 00:33:43,673 --> 00:33:45,632 [KNOCK ON DOOR] 759 00:33:45,675 --> 00:33:48,243 HEY, MAN. SHOOT, THIS HOUSE IS GETTING MORE ACTION 760 00:33:48,287 --> 00:33:50,419 THAN WHEN I WAS IN HIGH SCHOOL. [SIGHS] 761 00:33:50,463 --> 00:33:52,552 SPENCER: WHY? [DOOR CLOSES] 762 00:33:52,595 --> 00:33:54,641 WHAT'S GOING ON HERE? BILLY: OH, DON'T ASK. 763 00:33:54,684 --> 00:33:57,687 [CHUCKLES] WHAT CAN I HELP YOU WITH, MR. JAMES? 764 00:33:59,211 --> 00:34:02,823 DID YOU TELL ASHER TO DOG ME IN HIS SCOUTING REPORT? 765 00:34:02,866 --> 00:34:05,217 NO, NO. 766 00:34:05,260 --> 00:34:08,046 I DID TELL HIM THAT HE SHOULD DO HIS JOB. 767 00:34:08,089 --> 00:34:09,264 GREAT. 768 00:34:09,308 --> 00:34:11,397 THANKS TO YOUR ADVICE, 769 00:34:11,440 --> 00:34:13,138 MY RIVALS NOW THINK I LACK CONFIDENCE 770 00:34:13,181 --> 00:34:15,140 AND THAT I'M EASY TO DEMORALIZE. 771 00:34:15,183 --> 00:34:17,229 YEAH. [INHALES DEEPLY] 772 00:34:17,272 --> 00:34:19,666 LOOK, SPENCE, TELL ME COACH GARRETT BLOWING HOT AND COLD 773 00:34:19,709 --> 00:34:22,060 AT YOU THIS WHOLE SEASON DIDN'T MESS WITH YOUR CONFIDENCE. 774 00:34:22,103 --> 00:34:24,105 AND SO IT WAS COOL FOR ASH TO EXPLOIT THAT? 775 00:34:24,149 --> 00:34:26,194 THAT'S SCREWED UP, COACH. BILLY: LOOK, SPENCE, 776 00:34:26,238 --> 00:34:27,848 YOU ARE GOOD AT BATTLING LINEMEN, 777 00:34:27,891 --> 00:34:30,590 BREAKING TACKLES, BUT THIS IS REAL LIFE. 778 00:34:30,633 --> 00:34:32,635 IT'S COMPLICATED. YOU'LL HAVE TO LEARN HOW TO BALANCE 779 00:34:32,679 --> 00:34:34,855 FRIENDSHIPS AND--AND RELATIONSHIPS 780 00:34:34,898 --> 00:34:37,858 THAT--THAT DON'T QUITE LOOK OR SEEM THE WAY 781 00:34:37,901 --> 00:34:39,990 YOU THOUGHT THEY ONCE DID, YOU KNOW? 782 00:34:40,034 --> 00:34:42,602 WELCOME TO ADULTHOOD AND BEING ON TOP. 783 00:34:42,645 --> 00:34:44,604 OK. 784 00:34:44,647 --> 00:34:47,302 SO I GUESS I NEED TO BE WATCHING MY BACK FROM NOW ON, HUH? 785 00:34:47,346 --> 00:34:48,956 OH, ABSOLUTELY. 786 00:34:48,999 --> 00:34:51,089 THESE JOURNALISTS, 787 00:34:51,132 --> 00:34:54,483 THEY'RE GONNA TEAR YOU DOWN QUICKER THAN THEY BUILT YOU UP. 788 00:34:54,527 --> 00:34:57,138 EVERYTHING YOU DO IS GONNA BE UNDER A MICROSCOPE, 789 00:34:57,182 --> 00:35:00,750 SO ASHER'S REPORT IS JUST A TASTE OF-- OF YOUR NEW REALITY. 790 00:35:00,794 --> 00:35:02,535 A REALITY WITHOUT ANY FRIENDS? 791 00:35:02,578 --> 00:35:05,538 NO, NO, ASH--ASH IS STILL YOUR FRIEND. 792 00:35:05,581 --> 00:35:08,541 HE'S GOT A JOB TO DO, YOU'VE GOT A JOB TO DO. 793 00:35:08,584 --> 00:35:10,543 YOU'RE BOTH GOOD. 794 00:35:10,586 --> 00:35:12,545 YOU JUST HAVE TO NAVIGATE THE SCRUTINY 795 00:35:12,588 --> 00:35:15,069 THEN THAT'S AT YOUR LEVEL OF GREATNESS. 796 00:35:15,113 --> 00:35:18,159 THERE'S THAT WORD AGAIN--"GREATNESS." 797 00:35:18,203 --> 00:35:20,118 YEP. 798 00:35:20,161 --> 00:35:22,163 GET USED TO IT, SON. 799 00:35:40,790 --> 00:35:43,358 LISTEN, MAN, ABOUT THE REPORT-- 800 00:35:43,402 --> 00:35:45,491 I SHOULDN'T HAVE READ IT. I MEAN, 801 00:35:45,534 --> 00:35:47,493 I AIN'T THINK IT WAS A SECRET OR NOTHING. 802 00:35:47,536 --> 00:35:50,148 KINDA ASSUMED IT'D BE POSITIVE, BUT... 803 00:35:50,191 --> 00:35:52,715 IT WASN'T MINE TO READ, SO MY BAD. 804 00:35:52,759 --> 00:35:55,805 NO, NO, NO. SPENCE, MOST OF THAT REPORT WAS POSITIVE-- 805 00:35:55,849 --> 00:35:57,807 NO EXPLANATION NEEDED, BRUH. 806 00:35:57,851 --> 00:36:00,549 I UNDERSTAND WHY YOU DID WHAT YOU DID NOW. 807 00:36:00,593 --> 00:36:02,551 OK. 808 00:36:02,595 --> 00:36:04,553 COOL. OK. 809 00:36:04,597 --> 00:36:06,729 THE LAST THING THAT I WANT IS FOR THIS TO AFFECT 810 00:36:06,773 --> 00:36:09,341 OUR FRIENDSHIP, YOU KNOW? SPENCER: NO, I SAID I UNDERSTAND. 811 00:36:09,384 --> 00:36:13,083 I AIN'T SAY NOTHING ABOUT OUR FRIENDSHIP NOT BEING AFFECTED. 812 00:36:14,955 --> 00:36:16,913 IT'S LIKE THAT? 813 00:36:16,957 --> 00:36:19,089 YOU ALL FOR TRUTH AND HONESTY, RIGHT? 814 00:36:19,133 --> 00:36:22,223 I MEAN, YOU SAID IT YOURSELF, ASH: OUR TEAMS ARE RIVALS. 815 00:36:22,267 --> 00:36:24,573 OUR DREAMS AND OUR CAREERS ARE WRAPPED UP IN THOSE TEAMS. 816 00:36:24,617 --> 00:36:26,575 THAT MAKES US RIVALS. 817 00:36:26,619 --> 00:36:29,230 THAT'S WHY YOU DID WHAT YOU DID. 818 00:36:29,274 --> 00:36:31,667 ALL FOUR OF US, MAN-- 819 00:36:31,711 --> 00:36:33,887 ME, YOU, JORDAN, AND J.J.-- 820 00:36:33,930 --> 00:36:36,716 WE'VE BEEN BURYING OUR HEADS IN THE SAND THESE LAST FEW MONTHS, 821 00:36:36,759 --> 00:36:39,675 ACTING LIKE THE G.A.U. AND COASTAL RIVALRY DOESN'T AFFECT US. 822 00:36:39,719 --> 00:36:42,983 BUT WITH THIS HOMECOMING GAME COMING UP, 823 00:36:43,026 --> 00:36:45,681 WE CAN'T LIE TO OURSELVES NO MORE. 824 00:36:50,033 --> 00:36:52,601 WE ALL GOT JOBS TO DO. 825 00:36:52,645 --> 00:36:55,256 MINE IS TO MAKE SURE THAT NOTHING 826 00:36:55,300 --> 00:36:58,259 AND NO ONE GETS IN THE WAY OF ME DOMINATING ON THAT FIELD. 827 00:36:58,303 --> 00:37:00,392 WHAT ARE YOU TRYING TO SAY, SPENCER? 828 00:37:00,435 --> 00:37:03,046 FOUR OF US CAN'T BE FRIENDS ANYMORE? 829 00:37:03,090 --> 00:37:05,135 UNTIL AFTER THE HOMECOMING GAME, THERE'S GONNA NEED TO BE 830 00:37:05,179 --> 00:37:07,225 A SEPARATION OF CHURCH AND STATE IN THIS HOUSE. 831 00:37:07,268 --> 00:37:09,357 ME AND JORDAN IN OUR CORNER, 832 00:37:09,401 --> 00:37:11,446 YOU AND J.J. IN YOURS 833 00:37:11,490 --> 00:37:14,101 'CAUSE I'LL BE DAMNED 834 00:37:14,144 --> 00:37:17,104 IF I LET A RIVAL USE ANYTHING I SAY OR DO 835 00:37:17,147 --> 00:37:19,933 IN MY HOME TO GET ONE OVER ON ME. 836 00:37:26,679 --> 00:37:28,594 [FOOTSTEPS RETREAT] 837 00:37:28,637 --> 00:37:29,943 HMM. 838 00:37:31,684 --> 00:37:34,295 [SLOW HIP-HOP MUSIC PLAYING] FEMALE SINGER: ♪ SO GOOD... 839 00:37:34,339 --> 00:37:36,906 THANK YOU FOR MEETING ME. 840 00:37:36,950 --> 00:37:39,518 YEAH, WELL, I'VE GOT A THING NEARBY IN 23 MINUTES, 841 00:37:39,561 --> 00:37:42,521 BUT, YOU KNOW, FIGURED I HAD TIME FOR AN APOLOGY. 842 00:37:42,564 --> 00:37:44,523 [SIGHS] 843 00:37:44,566 --> 00:37:46,525 LOOK... 844 00:37:46,568 --> 00:37:48,570 I AM SORRY. 845 00:37:48,614 --> 00:37:51,225 I AIN'T NEVER MET NOBODY LIKE YOU, 846 00:37:51,269 --> 00:37:53,401 AND I KNOW I ASKED YOU OUT 847 00:37:53,445 --> 00:37:55,403 FOR THE WRONG REASON, BUT 848 00:37:55,447 --> 00:37:58,058 BEFORE I MESSED UP COLOSSALLY, 849 00:37:58,101 --> 00:38:01,061 I DON'T KNOW, OUR VIBE, IT JUST... 850 00:38:01,104 --> 00:38:03,237 IT FELT RIGHT. 851 00:38:03,281 --> 00:38:06,849 KEEP GOING, ON THE "HOW YOU MESSED UP" PART. 852 00:38:06,893 --> 00:38:10,026 I MESSED UP SO BAD, I ALMOST DON'T DESERVE A SECOND CHANCE. 853 00:38:10,070 --> 00:38:11,463 - ALMOST? - YEAH. 854 00:38:11,506 --> 00:38:13,465 I MEAN, HOW YOU GONNA GIVE ME A HARD TIME 855 00:38:13,508 --> 00:38:15,467 IF YOU DON'T GO OUT WITH ME AGAIN? 856 00:38:15,510 --> 00:38:19,209 THAT'S ALMOST LIKE LETTING ME OFF TOO EASY. 857 00:38:20,733 --> 00:38:23,344 WHAT IF I DON'T BELIEVE IN GIVING SECOND CHANCES? 858 00:38:23,388 --> 00:38:24,954 [SIGHS] 859 00:38:24,998 --> 00:38:26,956 LISTEN, I DON'T KNOW WHO 860 00:38:27,000 --> 00:38:29,611 THAT CRAZY, RANTING, 861 00:38:29,655 --> 00:38:32,440 TULIP-OBSESSED GIRL WAS AT THE FOOD TRUCK. 862 00:38:32,484 --> 00:38:34,268 I'M NOT THAT GIRL. 863 00:38:34,312 --> 00:38:36,879 I PROMISE YOU THAT, SO TECHNICALLY, 864 00:38:36,923 --> 00:38:39,055 I'M ASKING YOU FOR A FIRST CHANCE. 865 00:38:40,579 --> 00:38:42,711 [SIGHS] 866 00:38:45,671 --> 00:38:49,631 DO YOU STILL HAVE 21 MINUTES AND 51 SECONDS? 867 00:38:49,675 --> 00:38:52,678 I GUESS WE COULD FIT THAT CHANCE IN NOW. 868 00:38:57,813 --> 00:38:59,380 [DISTANT CHATTER] 869 00:38:59,424 --> 00:39:01,600 - CARRIE WAS RIGHT, YOU KNOW. - HMM? 870 00:39:01,643 --> 00:39:03,819 YOU'VE ALWAYS BEEN MORE THAN ENOUGH. 871 00:39:03,863 --> 00:39:07,040 [CHUCKLES] WELL, I THINK THAT'S SOMETHING I'M ALWAYS 872 00:39:07,083 --> 00:39:10,826 GONNA STRUGGLE WITH, BUT...TODAY I BELIEVED IT. 873 00:39:10,870 --> 00:39:13,829 I WAS STRONG ENOUGH TO FACE HER AGAIN. 874 00:39:13,873 --> 00:39:16,702 GLAD I DID. 875 00:39:16,745 --> 00:39:20,140 AND IT FEELS GOOD TO KNOW THAT SHE'S GONNA BE OK 876 00:39:20,183 --> 00:39:23,143 AND--[INHALES]-- THAT I HELPED IN SOME WAY. 877 00:39:23,186 --> 00:39:24,753 [CHUCKLING] "SOME WAY"? LAYLA, 878 00:39:24,797 --> 00:39:27,365 YOU--YOU HELPED HER IN A BIG WAY. 879 00:39:29,279 --> 00:39:32,239 I OWE A LOT OF PEOPLE AN APOLOGY 880 00:39:32,282 --> 00:39:35,460 FOR HOW I, YOU KNOW, ACTED THIS PAST YEAR, 881 00:39:35,503 --> 00:39:37,462 BUT TO YOU... JORDAN: MM-HMM? 882 00:39:37,505 --> 00:39:39,464 I OWE A THANK YOU. 883 00:39:39,507 --> 00:39:41,248 UH, A THANK YOU? 884 00:39:41,291 --> 00:39:43,424 - YEAH. - WHY? WHY'S THAT? 885 00:39:43,468 --> 00:39:46,079 UM, YOU KNOW, FOR NOT-- NOT GIVING UP ON ME 886 00:39:46,122 --> 00:39:48,124 WHEN I WAS PUSHING EVERYONE AWAY. 887 00:39:48,168 --> 00:39:51,780 YOU'RE RESILIENT, JORDAN. THAT'S HOW I KNOW YOU'RE 888 00:39:51,824 --> 00:39:54,870 GONNA FIND A WAY BACK OUT ON THAT FIELD. YOU ALWAYS DO. 889 00:39:54,914 --> 00:39:57,177 JUST FOCUS ON YOUR GAME, 890 00:39:57,220 --> 00:40:00,354 YOU KNOW? FORGET EVERYONE ELSE. 891 00:40:01,834 --> 00:40:04,880 [BASKETBALL NET SWISHING, BASKETBALL BOUNCING] JORDAN: YEAH. 892 00:40:15,021 --> 00:40:17,327 [JAZZ PIANO PLAYING, DOOR OPENS] 893 00:40:32,691 --> 00:40:35,563 WHAT? HEH HEH! WHAT IS ALL THIS? 894 00:40:35,607 --> 00:40:37,565 HAVE A SEAT. 895 00:40:37,609 --> 00:40:39,654 [MUSIC CONTINUES] 896 00:40:43,789 --> 00:40:45,965 WHAT IS YOUR NAME? 897 00:40:46,008 --> 00:40:48,184 - SPENCER-- - JUST GO WITH IT. 898 00:40:48,228 --> 00:40:50,186 OK. 899 00:40:50,230 --> 00:40:52,188 OLIVIA BAKER. 900 00:40:52,232 --> 00:40:54,277 OLIVIA BAKER. FAVORITE COLOR? 901 00:40:54,321 --> 00:40:55,888 BLACK. 902 00:40:55,931 --> 00:40:58,499 - FAVORITE FOOD? - DUH. WHATEVER'S ON YOUR PLATE. 903 00:40:58,543 --> 00:41:01,154 [BOTH CHUCKLE] 904 00:41:01,197 --> 00:41:04,679 SERIOUSLY, WHAT IS-- WHAT IS ALL THIS? 905 00:41:04,723 --> 00:41:07,334 I'M STEPPING MY GAME UP. 906 00:41:07,377 --> 00:41:09,945 LOOK, A LOT OF RELATIONSHIPS 907 00:41:09,989 --> 00:41:12,165 HAVE BEEN FRACTURING IN MY LIFE LATELY. 908 00:41:12,208 --> 00:41:14,210 I AIN'T LETTING OURS BE ONE OF 'EM. 909 00:41:14,254 --> 00:41:16,299 I LOVE YOU. 910 00:41:17,823 --> 00:41:20,347 AND I AM NOT GOING ANYWHERE, SPENCER, 911 00:41:20,390 --> 00:41:22,610 BUT YOU'RE RIGHT. 912 00:41:22,654 --> 00:41:25,265 I MEAN, WE'RE BOTH EVOLVING, 913 00:41:25,308 --> 00:41:28,268 AND THAT MEANS MAYBE A LITTLE MORE WORK ON BOTH OF OUR PARTS 914 00:41:28,311 --> 00:41:31,097 TO MAKE SURE WE'RE RIDING THIS GROWTH WAVE TOGETHER. 915 00:41:31,140 --> 00:41:34,274 WHICH IS WHY I'VE DECIDED TO GET TO KNOW OLIVIA 2.0. 916 00:41:34,317 --> 00:41:36,581 - MMM. - OTHERWISE KNOWN AS 917 00:41:36,624 --> 00:41:38,234 O.M.O. 918 00:41:38,278 --> 00:41:41,107 - HMM? - OAT MILK OLIVIA. 919 00:41:42,587 --> 00:41:44,850 - WE'RE GONNA HAVE TO CHANGE THE NAME. - [CHUCKLES] 920 00:41:44,893 --> 00:41:46,852 [KISS] OLIVIA: HA HA HA! 921 00:41:46,895 --> 00:41:48,941 OK. AHEM. BIGGEST PET PEEVE? 922 00:42:15,968 --> 00:42:17,535 GREG, MOVE YOUR HEAD!