1 00:00:01,566 --> 00:00:03,394 OH, MY GOD. MY OLD BOSS 2 00:00:03,438 --> 00:00:05,005 CHASE MATHESON. 3 00:00:05,048 --> 00:00:06,919 I'VE SPENT WAY TOO MUCH TIME SINCE THEN 4 00:00:06,963 --> 00:00:08,051 THINKING ABOUT WHAT HAPPENED, 5 00:00:08,095 --> 00:00:09,313 WHAT YOU DID TO ME. 6 00:00:09,357 --> 00:00:10,793 CHASE: DENNIS, YOUR WIFE JUST SAID 7 00:00:10,836 --> 00:00:12,447 SHE CAN'T STOP THINKING ABOUT ME. 8 00:00:12,490 --> 00:00:13,752 UNH! 9 00:00:13,796 --> 00:00:15,058 STAY THE HELL OUT OF OUR LIVES. 10 00:00:15,102 --> 00:00:16,451 I'M A PART OF YOUR LIFE 11 00:00:16,494 --> 00:00:17,756 WHETHER YOU LIKE IT OR NOT. 12 00:00:17,800 --> 00:00:19,019 JUST ASK YOUR DADDY. 13 00:00:19,062 --> 00:00:20,411 MR. HAN, HEY. 14 00:00:20,455 --> 00:00:22,065 [GRUNTING] 15 00:00:22,109 --> 00:00:23,675 HENRY: WHO ARE YOU PEOPLE? 16 00:00:23,719 --> 00:00:25,242 DANIEL: WE ARE THE WAN ZAI. 17 00:00:25,286 --> 00:00:27,679 -HELLO, SON. -DAD. 18 00:00:27,723 --> 00:00:29,594 NICKY: WE LEARNED THAT JULIETTE TAN 19 00:00:29,638 --> 00:00:32,858 IS ABOUT TO COLLECT SOME MYSTICAL RED ROCKS CALLED JYU SA. 20 00:00:32,902 --> 00:00:34,469 THE STONES DID SOMETHING TO YOU. 21 00:00:34,512 --> 00:00:36,036 I--I FELT IT, TOO. 22 00:00:36,079 --> 00:00:37,602 RUSSELL: THE POWER OF THE JYU SA. 23 00:00:37,646 --> 00:00:39,691 WHEN MY EXPERTS COMBINE IT WITH THE BELL, 24 00:00:39,735 --> 00:00:42,172 THIS CITY WILL BE DESTROYED, 25 00:00:42,216 --> 00:00:46,524 AND FROM THE ASHES, A NEW WORLD WILL BE BORN. 26 00:00:58,362 --> 00:01:00,190 [MOANING] 27 00:01:06,892 --> 00:01:09,330 [SCREAMING] 28 00:01:13,203 --> 00:01:14,944 [WOMAN SCREAMING] 29 00:01:29,872 --> 00:01:31,352 DAD, WHAT ARE YOU DOING HERE? 30 00:01:31,395 --> 00:01:33,049 WHY ARE YOU WITH THESE PEOPLE? 31 00:01:33,093 --> 00:01:34,833 THEY AMBUSHED ME. THEY KNOCKED ME OUT. 32 00:01:34,877 --> 00:01:37,619 NOT HOW I INTENDED THIS TO GO DOWN, 33 00:01:37,662 --> 00:01:40,709 BUT HERE WE ARE. 34 00:01:40,752 --> 00:01:44,582 PLEASE, SON. TALK TO ME. 35 00:01:44,626 --> 00:01:47,498 -WHY'D YOU ATTACK ERIC HAN? -ATTACK? NO. I-- 36 00:01:47,542 --> 00:01:49,848 WHERE'S THE SHEET MUSIC? DID YOU GIVE IT TO NICKY? 37 00:01:49,892 --> 00:01:51,328 HAN HAD THE SHEET MUSIC. 38 00:01:51,372 --> 00:01:52,895 I DON'T KNOW. I FOUND HIM LIKE THAT. 39 00:01:52,938 --> 00:01:54,810 HENRY... 40 00:01:54,853 --> 00:01:57,334 WE NEED ANSWERS. 41 00:01:57,378 --> 00:01:58,988 WHO ARE YOU? 42 00:02:02,687 --> 00:02:04,080 I'LL ASK THE QUESTIONS. 43 00:02:06,300 --> 00:02:08,519 NICKY: ZERO REPLIES TO MY TEXTS OR VOICEMAILS. 44 00:02:08,563 --> 00:02:10,173 OK. I CHECKED HENRY'S APARTMENT AND THE LIBRARY. 45 00:02:10,217 --> 00:02:11,783 NO SIGN OF HIM. 46 00:02:11,827 --> 00:02:13,176 ALTHEA, DO YOU HAVE ANYTHING? 47 00:02:13,220 --> 00:02:17,137 NO. HIS PHONE ISN'T PINGING BACK. 48 00:02:17,180 --> 00:02:19,791 PROBABLY DEAD. 49 00:02:19,835 --> 00:02:21,663 HIS PHONE, NICKY. JUST HIS PHONE. 50 00:02:21,706 --> 00:02:23,621 [KNOCK ON DOOR] 51 00:02:23,665 --> 00:02:25,449 HEY. ANY LUCK? 52 00:02:25,493 --> 00:02:27,364 HENRY'S CAR WAS STILL PARKED AT HAN'S APARTMENT. 53 00:02:27,408 --> 00:02:28,931 THE PLACE, IT WAS-- IT WAS TOSSED. 54 00:02:28,974 --> 00:02:30,324 NO ONE'S THERE, 55 00:02:30,367 --> 00:02:33,065 AND I FOUND BLOOD ON THE FLOOR. 56 00:02:33,109 --> 00:02:35,111 I LOOKED INTO IT. HAN WAS ADMITTED 57 00:02:35,155 --> 00:02:36,982 TO ST. FRANCIS MEMORIAL LATE LAST NIGHT. 58 00:02:37,026 --> 00:02:38,506 HENRY WASN'T ADMITTED THERE 59 00:02:38,549 --> 00:02:41,073 OR ANY OTHER LOCAL HOSPITAL. 60 00:02:41,117 --> 00:02:42,727 SO NO REAL LEADS? 61 00:02:42,771 --> 00:02:44,555 I'M SORRY, NICKY. IT WAS AN OLD BUILDING. 62 00:02:44,599 --> 00:02:46,296 NO CAMERAS. 63 00:02:46,340 --> 00:02:48,472 OH. THE BANK NEXT DOOR, HOWEVER... 64 00:02:48,516 --> 00:02:49,908 DENNIS: CAN YOU ACCESS THE SECURITY CAMS? 65 00:02:49,952 --> 00:02:51,649 HONEY. 66 00:02:51,693 --> 00:02:54,565 GOT IT! NEW RECORD. 67 00:02:56,524 --> 00:02:59,701 SUSPICIOUS-LOOKING VAN PULLING UP TO HAN'S BUILDING. 68 00:03:02,007 --> 00:03:04,706 LOOKS LIKE THEY'RE PULLING SOMEONE OUT. 69 00:03:04,749 --> 00:03:06,708 -THAT'S GOT TO BE HENRY. -WHO'S THE MUSCLE? 70 00:03:06,751 --> 00:03:08,362 THOSE DON'T LOOK LIKE TAN MARKS. 71 00:03:08,405 --> 00:03:11,103 THERE. THAT LICENSE PLATE. 72 00:03:11,147 --> 00:03:12,409 EVAN, CAN YOU CALL THAT IN? 73 00:03:12,453 --> 00:03:13,758 I'M SORT OF RUNNING OUT FAVORS 74 00:03:13,802 --> 00:03:15,586 NOW I'M NOT IN THE D.A.'s OFFICE. 75 00:03:17,284 --> 00:03:18,676 I'LL SEE WHAT I CAN DO. 76 00:03:25,770 --> 00:03:28,033 I TOLD YOU 77 00:03:28,077 --> 00:03:30,427 HAN WAS ALREADY TIED UP TO THE CHAIR AND BLEEDING. 78 00:03:30,471 --> 00:03:32,299 I DIDN'T STEAL ANYTHING. 79 00:03:32,342 --> 00:03:34,170 STOP PROTECTING NICKY! 80 00:03:34,214 --> 00:03:35,389 JUST TELL ME THE TRUTH! 81 00:03:35,432 --> 00:03:36,825 HENRY: OH, YOU WANT THE TRUTH? 82 00:03:36,868 --> 00:03:38,348 HOW LONG WERE YOU LYING TO ME? 83 00:03:38,392 --> 00:03:40,872 HOW LONG WERE YOU LYING TO MOM? 84 00:03:40,916 --> 00:03:42,831 MY WHOLE LIFE? 85 00:03:42,874 --> 00:03:44,789 I JOINED THE WAN ZEI WHEN I WAS A TEENAGER. 86 00:03:44,833 --> 00:03:46,313 I READ ABOUT THE WAN ZEI. 87 00:03:46,356 --> 00:03:48,271 JUST A BUNCH OF CROOKS AND THIEVES. 88 00:03:48,315 --> 00:03:52,275 NOT THIEVES. WE'RE PROTECTORS. 89 00:03:52,319 --> 00:03:54,408 WE KEEP POWERFUL OBJECTS OUT OF THE WRONG HANDS 90 00:03:54,451 --> 00:03:56,061 HERE IN S.F. AND ACROSS THE WORLD. 91 00:03:56,105 --> 00:03:58,455 HENRY... 92 00:03:58,499 --> 00:04:00,196 WE'RE THE GOOD GUYS. 93 00:04:02,938 --> 00:04:04,635 YOU COULD HAVE FOOLED ME. 94 00:04:07,334 --> 00:04:10,424 ERIC HAN IS ONE OF US. 95 00:04:10,467 --> 00:04:12,339 HE'S IN THE HOSPITAL WITH RUPTURED EARDRUMS, 96 00:04:12,382 --> 00:04:14,036 BRAIN SWELLING. 97 00:04:14,079 --> 00:04:16,038 DOCTORS SAY IT WAS SOME KIND OF ANEURYSM. 98 00:04:19,607 --> 00:04:22,523 I JUST WANT TO KNOW WHAT HAPPENED, SON. 99 00:04:22,566 --> 00:04:24,046 I TOLD YOU EVERYTHING. 100 00:04:26,962 --> 00:04:28,355 LET ME GO. 101 00:04:29,791 --> 00:04:31,009 WOMAN: STEP BACK. 102 00:04:33,360 --> 00:04:34,796 HE'S PLAYING YOU. 103 00:04:34,839 --> 00:04:36,711 DANIEL: YUEN, I BELIEVE HIM. 104 00:04:36,754 --> 00:04:38,190 YUEN: YOU'RE TOO CLOSE, DANIEL. 105 00:04:38,234 --> 00:04:40,105 WE TRIED THINGS YOUR WAY. 106 00:04:44,719 --> 00:04:46,286 NOW IT'S MY TURN. 107 00:04:46,329 --> 00:04:47,765 -YOU'RE NOT HURTING HIM. -HE KNOWS MORE 108 00:04:47,809 --> 00:04:49,637 THAN HE'S LETTING ON. 109 00:04:49,680 --> 00:04:51,856 DON'T FORGET, DANIEL, 110 00:04:51,900 --> 00:04:53,510 THE MISSION COMES FIRST. 111 00:04:53,554 --> 00:04:55,164 GRAB HIM! 112 00:04:57,471 --> 00:04:58,733 YUEN, DON'T! 113 00:05:00,256 --> 00:05:02,476 [WHOOSH] 114 00:05:02,519 --> 00:05:03,694 GET BACK! 115 00:05:06,393 --> 00:05:07,959 WOMAN: ♪ BAD CHICK, AND YOU KNOW IT ♪ 116 00:05:08,003 --> 00:05:09,483 ♪ GOT A LOT OF DOUGH, AND TONIGHT... ♪ 117 00:05:09,526 --> 00:05:11,485 HENRY: NICKY! 118 00:05:11,528 --> 00:05:13,313 ♪ TONIGHT, I'M GONNA THROW IT ♪ 119 00:05:13,356 --> 00:05:14,792 ♪ THIS IS FOR THE GOOD GIRLS IN THE HOUSE ♪ 120 00:05:14,836 --> 00:05:16,228 ♪ I'M GONNA BLOW IT 121 00:05:16,272 --> 00:05:17,404 ♪ IF YOU WANT TO START SOMETHING ♪ 122 00:05:17,447 --> 00:05:18,579 ♪ LET'S GET IT POPPIN' 123 00:05:18,622 --> 00:05:19,841 ♪ I'M SHOPPIN' 124 00:05:21,712 --> 00:05:24,498 HENRY: NICKY, STOP! NICKY: WHY? 125 00:05:24,541 --> 00:05:26,064 BECAUSE... 126 00:05:26,108 --> 00:05:27,414 THAT'S MY DAD. 127 00:05:50,088 --> 00:05:51,873 -HOW'D YOU FIND US? -YOUR VAN. 128 00:05:51,916 --> 00:05:53,701 IT'S REGISTERED TO THIS ADDRESS. 129 00:05:53,744 --> 00:05:56,007 WHOEVER YOU ARE, YOU'RE NOT AS STEALTHY AS YOU THINK. 130 00:05:56,051 --> 00:05:57,618 NOW ARE YOU GONNA LET US PASS, 131 00:05:57,661 --> 00:05:59,968 OR YOU WANT TO GET YOUR ASS KICKED AGAIN? 132 00:06:00,011 --> 00:06:02,492 DANIEL: STOP. YOU TWO DON'T HAVE TO LEAVE. 133 00:06:02,536 --> 00:06:04,364 DANIEL. 134 00:06:04,407 --> 00:06:06,670 THEY DIDN'T STEAL THE SHEET MUSIC, YUEN. 135 00:06:06,714 --> 00:06:08,759 SOMEONE ELSE GOT TO ERIC, 136 00:06:08,803 --> 00:06:11,414 AND I'M GUESSING IT WAS SOMEONE CONNECTED TO THE TANS. 137 00:06:11,458 --> 00:06:13,198 YOU KNOW ABOUT TAN? 138 00:06:13,242 --> 00:06:14,635 I'M READY TO PUT OUR CARDS ON THE TABLE. 139 00:06:14,678 --> 00:06:16,506 NO MORE ZIP TIES, NO MORE KNIVES. 140 00:06:16,550 --> 00:06:18,203 YOU'RE LETTING HIM MANIPULATE YOU. 141 00:06:18,247 --> 00:06:19,553 THEY CAN BE USEFUL. 142 00:06:19,596 --> 00:06:20,902 HOW DO YOU KNOW WE CAN TRUST THEM? 143 00:06:20,945 --> 00:06:23,165 WE DON'T... 144 00:06:23,208 --> 00:06:25,472 BUT I'M DONE FOLLOWING YOUR ORDERS. 145 00:06:30,215 --> 00:06:33,088 YUEN: WE'RE NOT FINISHED WITH THIS CONVERSATION. 146 00:06:37,005 --> 00:06:38,876 I'LL PUT ON SOME TEA. 147 00:06:43,838 --> 00:06:46,014 NICKY JUST TEXTED. HENRY'S OK. 148 00:06:46,057 --> 00:06:47,581 OH. THANK GOD. 149 00:06:47,624 --> 00:06:51,454 OH. AHEM. SO... HOW DO I LOOK? 150 00:06:51,498 --> 00:06:52,977 IF YOU WERE A VC, 151 00:06:53,021 --> 00:06:54,457 WOULD YOU INVEST IN MY APP? 152 00:06:54,501 --> 00:06:56,633 YOU LOOK AMAZING, BUT YOU COULD GET FUNDING 153 00:06:56,677 --> 00:06:57,982 IN SWEATS. 154 00:06:58,026 --> 00:06:59,419 YOUR APP'S GOT REAL HEAT BEHIND IT. 155 00:06:59,462 --> 00:07:01,029 STILL, THE FUTURE OF MY BUSINESS 156 00:07:01,072 --> 00:07:02,465 DEPENDS ON THESE MEETINGS. 157 00:07:02,509 --> 00:07:03,988 I CAN'T MESS IT UP. 158 00:07:04,032 --> 00:07:05,642 [DOORBELL RINGS] 159 00:07:05,686 --> 00:07:06,948 HMM. 160 00:07:10,778 --> 00:07:13,041 MR. SOONG, COME IN. 161 00:07:15,435 --> 00:07:17,480 DAD? WHAT ARE YOU DOING HERE? 162 00:07:17,524 --> 00:07:19,395 ALTHEA: I'M SO SORRY. I CAN'T STAY. 163 00:07:19,439 --> 00:07:21,571 I'VE GOT TO RUN. BIG INVESTOR MEETINGS ALL DAY. 164 00:07:21,615 --> 00:07:23,660 YES. DIANA TOLD ME. 165 00:07:23,704 --> 00:07:25,270 STARTING A BUSINESS ON YOUR OWN. 166 00:07:25,314 --> 00:07:28,360 -WE'RE VERY IMPRESSED. -THANK YOU. 167 00:07:28,404 --> 00:07:30,275 OK. WISH ME LUCK. 168 00:07:30,319 --> 00:07:31,625 YOU GOT THIS, BABE. 169 00:07:37,979 --> 00:07:41,809 DENNIS...WHAT HAVE YOU DONE? 170 00:07:41,852 --> 00:07:45,247 HENRY: SO TALK. WHO ARE THE WAN ZEI? 171 00:07:48,250 --> 00:07:50,600 THE WAN ZEI WAS FORMED OVER 100 YEARS AGO 172 00:07:50,644 --> 00:07:52,602 BY TWO CHINESE IMMIGRANTS... 173 00:07:55,431 --> 00:07:58,303 LAU HING-GAI AND TSANG DAOMING. 174 00:07:58,347 --> 00:08:00,088 THAT'S LI JIAMING, 175 00:08:00,131 --> 00:08:01,872 THE GUARDIAN WHO RANG THE YUELING BELL. 176 00:08:01,916 --> 00:08:03,787 THE FOUNDERS OF THE WAN ZEI KNEW JIAMING? 177 00:08:03,831 --> 00:08:06,181 THEY WERE FRIENDS, FELLOW IMMIGRANTS. 178 00:08:06,224 --> 00:08:08,096 THEY WERE THERE WHEN HE DIED. 179 00:08:08,139 --> 00:08:10,881 ONE MORNING AT THE LOCAL CHINESE BENEVOLENT ASSOCIATION, 180 00:08:10,925 --> 00:08:13,101 JACOB SLOAN BUSTED IN WITH HIS MUSCLE, 181 00:08:13,144 --> 00:08:15,538 COMPELLED LI JIAMING TO RING THE BELL, 182 00:08:15,582 --> 00:08:18,541 -FORCED THE OTHERS TO WATCH. -DAY OF THE GREAT EARTHQUAKE. 183 00:08:18,585 --> 00:08:22,240 ONLY LAU HING-GAI AND TSANG DAOMING SURVIVED. 184 00:08:22,284 --> 00:08:23,894 THEY VOWED TO NEVER LET 185 00:08:23,938 --> 00:08:26,244 THE BELL FALL INTO THE WRONG HANDS AGAIN. 186 00:08:26,288 --> 00:08:29,421 OUT OF THAT, THE WAN ZEI WAS BORN. 187 00:08:29,465 --> 00:08:30,858 IF THE MISSION WAS LOCAL, 188 00:08:30,901 --> 00:08:32,555 THEN WHY ALL THE GLOBETROTTING? 189 00:08:32,599 --> 00:08:34,862 WELL, THE YUELING BELL WAS JUST THE BEGINNING. 190 00:08:34,905 --> 00:08:36,646 AFTER YEARS, OUR BROTHERHOOD REALIZED 191 00:08:36,690 --> 00:08:38,561 THERE WERE OBJECTS OF POWER ALL OVER THE WORLD 192 00:08:38,605 --> 00:08:40,128 FROM EVERY CULTURE, 193 00:08:40,171 --> 00:08:41,651 AND WHEN THERE'S POWER TO BE TAKEN... 194 00:08:41,695 --> 00:08:43,566 MEN LIKE RUSSELL TAN AREN'T FAR BEHIND. 195 00:08:43,610 --> 00:08:45,394 AFTER YOU GUYS DESTROYED THE BELL, 196 00:08:45,437 --> 00:08:46,830 WE THOUGHT TAN WAS DONE, 197 00:08:46,874 --> 00:08:48,615 BUT WE HAVE INTEL THAT SUGGESTS OTHERWISE. 198 00:08:48,658 --> 00:08:50,312 -WHAT INTEL? -TAN'S DAUGHTER RAMPED UP 199 00:08:50,355 --> 00:08:52,662 A LARGE-SCALE 3-D PRINTING OPERATION. 200 00:08:52,706 --> 00:08:54,882 SHE'S GOT METALLURGISTS ON RETAINER. 201 00:08:54,925 --> 00:08:57,449 THEY'RE RE-CREATING THE BELL. 202 00:08:57,493 --> 00:08:58,973 IF THEY CAN DO AN EXACT REPLICA 203 00:08:59,016 --> 00:09:00,583 AND TAN CAN CREATE THE SAME TONES 204 00:09:00,627 --> 00:09:02,237 AS THE ORIGINAL BELL, 205 00:09:02,280 --> 00:09:04,282 THE NEW ONE WILL HAVE THE SAME EFFECT. 206 00:09:04,326 --> 00:09:06,720 AN EARTHQUAKE THAT COULD LEVEL THE CITY. 207 00:09:06,763 --> 00:09:09,287 WE'VE GOT WHEELS IN MOTION AGAINST TAN, 208 00:09:09,331 --> 00:09:11,551 BUT WE COULD USE YOUR HELP. 209 00:09:11,594 --> 00:09:13,291 NICKY: UH, LAST TIME YOU NEEDED SOMETHING FROM HENRY, 210 00:09:13,335 --> 00:09:15,337 HE ENDED UP ZIP-TIED TO A CHAIR. 211 00:09:18,558 --> 00:09:19,907 KEEP TALKING. 212 00:09:25,913 --> 00:09:27,741 ALFRED: YOU ASSAULTED ONE OF THE MOST INFLUENTIAL MEN 213 00:09:27,784 --> 00:09:30,439 IN THE CITY IN A PUBLIC PLACE NO LESS. 214 00:09:30,482 --> 00:09:32,049 BUT IS IT TRUE? ARE WE STILL IN BUSINESS WITH HIM? 215 00:09:32,093 --> 00:09:33,573 WE PULLED OUT OF CLOUDRUSH 216 00:09:33,616 --> 00:09:35,009 AND MOST OF MATHESON'S ENTERPRISES. 217 00:09:35,052 --> 00:09:37,489 MOST? 218 00:09:37,533 --> 00:09:40,449 THERE WERE SOME PROMISING SMALLER INVESTMENTS, 219 00:09:40,492 --> 00:09:42,930 POSITIONS I CHOSE TO HOLD ONTO. 220 00:09:42,973 --> 00:09:45,802 IT WAS PURELY A FINANCIAL DECISION. 221 00:09:45,846 --> 00:09:47,630 DIVEST. I DON'T CARE WHAT IT TAKES. 222 00:09:47,674 --> 00:09:50,285 I WILL HAVE NOTHING TO DO WITH THAT CREEP. 223 00:09:52,156 --> 00:09:54,115 I DO NOT TAKE ORDERS FROM YOU, SON. 224 00:09:54,158 --> 00:09:57,640 THE WORLD IS NOT BLACK AND WHITE. 225 00:09:57,684 --> 00:10:00,338 YOU'D KNOW THAT, BUT YOUR MOTHER AND I HAVE CODDLED YOU. 226 00:10:00,382 --> 00:10:01,949 IT'S TIME TO GROW UP. 227 00:10:01,992 --> 00:10:04,038 I THOUGHT GIVING YOU THAT PROMOTION WOULD HELP, 228 00:10:04,081 --> 00:10:05,605 MAKE YOU SEE. 229 00:10:05,648 --> 00:10:07,302 I CAN'T ACCEPT THIS, DAD. 230 00:10:07,345 --> 00:10:09,565 IF YOU INTEND TO REMAIN 231 00:10:09,609 --> 00:10:12,089 AT THE SOONG CORPORATION, 232 00:10:12,133 --> 00:10:13,874 YOU'LL HAVE TO. 233 00:10:20,402 --> 00:10:21,969 THANKS FOR SEEING ME. 234 00:10:22,012 --> 00:10:24,406 ONLY BEEN ON YOU FOR WEEKS. 235 00:10:24,449 --> 00:10:26,538 DOCTORS MAKE ME NERVOUS. 236 00:10:26,582 --> 00:10:28,540 BESIDES, I THOUGHT YOU'D RATHER BE HOOKING UP 237 00:10:28,584 --> 00:10:30,847 WITH A CERTAIN HOT CHEF INSTEAD. 238 00:10:30,891 --> 00:10:32,588 LET'S FOCUS ON YOU. 239 00:10:32,632 --> 00:10:35,156 SO NICKY TELLS ME THAT YOU HAD 240 00:10:35,199 --> 00:10:37,201 AN INTERESTING REACTION TO THE JYU SA. 241 00:10:37,245 --> 00:10:39,639 HOW YOU FEELING? 242 00:10:39,682 --> 00:10:41,553 I DIDN'T SLEEP MUCH LAST NIGHT. 243 00:10:43,207 --> 00:10:45,949 CRAZY DREAMS. 244 00:10:45,993 --> 00:10:48,430 THERE WAS THIS FIGURE DRESSED IN BLACK, 245 00:10:48,473 --> 00:10:51,389 THIS WOMAN SCREAMING IN CHILDBIRTH, 246 00:10:51,433 --> 00:10:53,217 THIS WEIRD RED DRINK. 247 00:10:53,261 --> 00:10:55,002 SOUNDS INTENSE. 248 00:10:55,045 --> 00:10:57,308 I THINK I SAW MY MOM, TOO. 249 00:10:59,876 --> 00:11:01,835 [RAPID HEARTBEAT] 250 00:11:01,878 --> 00:11:03,619 SOMETHING WRONG? 251 00:11:06,100 --> 00:11:08,580 SO IF YOU'RE DOWN FOR SOME RESEARCH ON THE GEMS, 252 00:11:08,624 --> 00:11:10,104 WE COULD HIT THE LIBRARY. 253 00:11:10,147 --> 00:11:12,280 ANYTHING TO GET ME OFF THIS TABLE. 254 00:11:12,323 --> 00:11:15,587 -GO ON. I'LL MEET YOU THERE. -OK. 255 00:11:15,631 --> 00:11:16,980 [SIGHS] 256 00:11:28,252 --> 00:11:30,037 "THE MOURNE LANDSCAPE," 257 00:11:30,080 --> 00:11:32,039 IRISH PAINTING PASSED DOWN THROUGH THE GENERATIONS 258 00:11:32,082 --> 00:11:35,085 BY A SINGLE FAMILY, THE O'BRIENS. 259 00:11:35,129 --> 00:11:38,436 THIS PAINTING IS CONNECTED TO AN ANCIENT CELTIC RITUAL, 260 00:11:38,480 --> 00:11:41,439 THE AHRAÁN DE BAINT, THE SONG OF EXTRACTION. 261 00:11:41,483 --> 00:11:44,442 WHAT DOES A CELTIC RITUAL HAVE TO DO WITH THE YUELING BELL? 262 00:11:44,486 --> 00:11:46,706 GOT TO OPEN YOUR MIND, SON. 263 00:11:46,749 --> 00:11:49,143 CHINA'S NOT THE ONLY PLACE WITH MAGIC. 264 00:11:49,186 --> 00:11:50,753 IF WE CAN GET OUR HANDS ON THE RITUAL, 265 00:11:50,797 --> 00:11:52,233 WE CAN SAP THE BELL OF ITS POWER. 266 00:11:52,276 --> 00:11:53,887 NO MAGIC, NO EARTHQUAKE. 267 00:11:53,930 --> 00:11:56,628 -WE CAN STOP TAN'S WHOLE PLAN. -THAT'S THE IDEA. 268 00:11:56,672 --> 00:11:59,283 NOW THE RITUAL'S ON A SCROLL THAT'S BEEN LOST FOR AGES, 269 00:11:59,327 --> 00:12:01,155 BUT ACCORDING TO OUR RESEARCH, 270 00:12:01,198 --> 00:12:03,200 THERE WAS A MAP THAT LED SO THE LOCATION OF THE SCROLL 271 00:12:03,244 --> 00:12:05,159 HIDDEN ON THE BACK OF THAT PAINTING. 272 00:12:05,202 --> 00:12:07,291 SO IF WE CAN FIND THE ORIGINAL PAINTING, 273 00:12:07,335 --> 00:12:08,771 WE FIND THE SCROLL? 274 00:12:08,815 --> 00:12:10,338 PROBLEM IS THE PAINTING WAS STOLEN 275 00:12:10,381 --> 00:12:12,427 FROM THE O'BRIENS DECADES AGO. 276 00:12:12,470 --> 00:12:13,994 HASN'T BEEN SEEN SINCE. 277 00:12:14,037 --> 00:12:15,430 [CELL PHONE VIBRATES] 278 00:12:20,087 --> 00:12:22,567 HENRY. 279 00:12:22,611 --> 00:12:26,223 YOU SHOULD GO, SEE WHAT'S UP WITH MIA. 280 00:12:26,267 --> 00:12:28,660 OK. BE CAREFUL. 281 00:12:28,704 --> 00:12:31,576 MR. YAN, I'M SORRY, BUT I HAVE TO GO. 282 00:12:31,620 --> 00:12:33,056 GOOD LUCK. 283 00:12:34,797 --> 00:12:37,887 SO ABOUT THIS PAINTING. 284 00:12:37,931 --> 00:12:39,715 I MAY KNOW SOMEONE WHO CAN HELP. 285 00:12:43,197 --> 00:12:44,807 RYAN: I THINK I FOUND SOMETHING. 286 00:12:44,851 --> 00:12:47,070 CHINA'S FIRST EMPEROR WAS OBSESSED 287 00:12:47,114 --> 00:12:48,680 WITH LIVING FOREVER. 288 00:12:48,724 --> 00:12:50,378 HE FORCED EVERY PHILOSOPHER AND MYSTIC 289 00:12:50,421 --> 00:12:52,989 IN HIS EMPIRE TO LOOK FOR WAYS TO CHEAT DEATH. 290 00:12:53,033 --> 00:12:54,686 LEGEND HAS IT ONE OF HIS ALCHEMISTS, 291 00:12:54,730 --> 00:12:57,167 A WOMAN NAMED XIAO, USED 292 00:12:57,211 --> 00:12:59,691 A "POWERFUL RED STONE" TO CRACK THE CODE OF IMMORTALITY. 293 00:12:59,735 --> 00:13:02,085 THE DETAILS ARE VAGUE, THOUGH. 294 00:13:02,129 --> 00:13:05,523 UM, SHE DID EXPERIMENTS, 295 00:13:05,567 --> 00:13:08,570 MESSED UP STUFF WITH CHILDREN AND PREGNANT WOMEN. 296 00:13:08,613 --> 00:13:10,311 THAT SOUNDS LIKE MY DREAM. 297 00:13:10,354 --> 00:13:11,616 YOU THINK THERE'S MORE OUT THERE 298 00:13:11,660 --> 00:13:13,401 ABOUT THIS ALCHEMIST, THIS XIAO? 299 00:13:13,444 --> 00:13:14,750 I'LL CHECK. 300 00:13:21,713 --> 00:13:24,325 [VOICES WHISPERING] 301 00:13:34,335 --> 00:13:36,728 [WHISPERING CONTINUES] 302 00:13:38,861 --> 00:13:41,690 [VOICES GROW LOUDER] 303 00:13:47,609 --> 00:13:49,132 [VOICES STOPS] 304 00:13:56,661 --> 00:13:57,967 -HEY. -HEY. 305 00:13:58,011 --> 00:13:59,273 WHAT'S UP WITH MIA? 306 00:13:59,316 --> 00:14:00,883 HER VITALS ARE OFF THE CHARTS. 307 00:14:00,927 --> 00:14:03,451 BLOOD PRESSURE, HEART RATE THROUGH THE ROOF. 308 00:14:03,494 --> 00:14:04,800 DID YOU TELL HER? 309 00:14:04,844 --> 00:14:06,715 NAW. I DIDN'T WANT TO FREAK HER OUT. 310 00:14:06,758 --> 00:14:08,586 IT'S GOT TO BE THE JYU SA. 311 00:14:08,630 --> 00:14:11,851 WHEN I TOUCHED IT, I FELT, LIKE, A JOLT TO MY SYSTEM, 312 00:14:11,894 --> 00:14:15,506 BUT MIA, SHE COMPLETELY LOST IT. 313 00:14:15,550 --> 00:14:16,943 WHERE'D YOU PUT THE SAMPLE? 314 00:14:16,986 --> 00:14:18,466 IN YOUR RESEARCH CABINET. 315 00:14:18,509 --> 00:14:20,555 [VOICES WHISPERING] 316 00:14:29,129 --> 00:14:31,174 NICKY: OH, MY GOD. MIA! 317 00:14:31,218 --> 00:14:33,263 MIA! MIA! 318 00:14:42,577 --> 00:14:43,970 SHE'S STARTING TO RUN A FEVER. 319 00:14:44,013 --> 00:14:46,798 -OK. I'LL GET A COMPRESS. -MIA? 320 00:14:46,842 --> 00:14:48,148 JIN: WHAT HAPPENED? 321 00:14:48,191 --> 00:14:49,714 SHE COLLAPSED IN THE LIBRARY. 322 00:14:49,758 --> 00:14:51,803 -SHOULD WE GET A DOCTOR? -I AM A DOCTOR! 323 00:14:51,847 --> 00:14:53,457 I DID EVERYTHING I COULD TO TRY AND WAKE HER. 324 00:14:53,501 --> 00:14:54,589 WHAT DO YOU MEAN? 325 00:14:54,632 --> 00:14:56,243 MIA'S BEEN POISONED, 326 00:14:56,286 --> 00:14:58,027 EXPOSED TO SOMETHING POWERFUL. 327 00:14:58,071 --> 00:14:59,724 YOU'RE JUST GONNA HAVE TO TAKE OUR WORD FOR IT, MAMA. 328 00:14:59,768 --> 00:15:01,117 WHATEVER SHE'S GOING THROUGH, IT'S NOT 329 00:15:01,161 --> 00:15:02,510 SOMETHING MEDICINE CAN FIX, 330 00:15:02,553 --> 00:15:04,860 BUT WE'RE GONNA FIGURED IT OUT. 331 00:15:04,904 --> 00:15:08,211 LAO GONG, LISTEN TO NICKY. IT'LL BE OK. HMM? 332 00:15:14,217 --> 00:15:17,525 HENRY: OK. THANK YOU, RAZOR. 333 00:15:17,568 --> 00:15:18,830 RAZOR, HUH? 334 00:15:18,874 --> 00:15:20,441 YOUR FRIEND KNOW ANYTHING? 335 00:15:20,484 --> 00:15:22,443 WELL, I WOULDN'T CALL HIM MY FRIEND, BUT YEAH. 336 00:15:22,486 --> 00:15:24,140 HE CONFIRMED THE PAINTING WAS STOLEN. 337 00:15:24,184 --> 00:15:25,576 SAYS RIGHT NOW THE OWNER HAS IT HANGING UP 338 00:15:25,620 --> 00:15:26,969 IN THIS PLACE CALLED THE ASSISI CLUB. 339 00:15:27,013 --> 00:15:28,710 HEARD OF IT. MEMBERS ONLY, 340 00:15:28,753 --> 00:15:31,234 ULTRA-EXCLUSIVE, CATERS TO OLD MONEY, 341 00:15:31,278 --> 00:15:33,715 SAFE PLACE FOR RICH PEOPLE TO SHOW OFF THEIR STOLEN ART, 342 00:15:33,758 --> 00:15:36,283 BUT THEY DON'T LET JUST ANYBODY WALK INTO THAT CLUB. 343 00:15:36,326 --> 00:15:37,675 WHAT'S OUR PLAY? 344 00:15:37,719 --> 00:15:39,416 THE PLAY IS I'LL DEAL NICKY IN, 345 00:15:39,460 --> 00:15:41,375 AND THEN WE TAKE IT FROM HERE. 346 00:15:41,418 --> 00:15:43,116 OR...WE COULD MAKE A RUN 347 00:15:43,159 --> 00:15:46,293 ON THE ASSISI CLUB TOGETHER. 348 00:15:46,336 --> 00:15:49,339 YOUR OLD MAN'S PRETTY GOOD IN THE FIELD. 349 00:15:49,383 --> 00:15:51,211 YEAH. I... 350 00:15:51,254 --> 00:15:54,866 LOOK. I KNOW YOU GOT YOUR WAY OF DOING THINGS, 351 00:15:54,910 --> 00:15:56,999 BUT I GOT A DEEP BAG OF TRICKS, TOO. 352 00:15:57,043 --> 00:15:59,959 COME ON. COULD BE FUN. 353 00:16:02,222 --> 00:16:04,964 RYAN: SHE'S UNCONSCIOUS, BUT HER VITALS KEEP SHOOTING UP. 354 00:16:05,007 --> 00:16:07,009 HER BRAIN'S STILL ACTIVE LIKE SHE'S 355 00:16:07,053 --> 00:16:08,793 IN SOME KIND OF REM STATE. 356 00:16:08,837 --> 00:16:10,795 SO LIKE A DREAM? 357 00:16:10,839 --> 00:16:12,972 OK. WHAT HAPPENED WHEN YOU EXAMINED HER? 358 00:16:13,015 --> 00:16:15,539 -DID SHE SAY ANYTHING? -SHE SAID SHE HAD WEIRD DREAMS, 359 00:16:15,583 --> 00:16:18,499 A...PREGNANT WOMAN, FIGURE IN BLACK. 360 00:16:18,542 --> 00:16:21,981 -RED DRINK? -HOW'D YOU KNOW? 361 00:16:22,024 --> 00:16:23,591 I HAD THE SAME DREAM. 362 00:16:23,634 --> 00:16:27,464 IT WAS JUST FLASHES, BUT--WHAT? 363 00:16:27,508 --> 00:16:28,900 THERE WAS SOMETHING IN HERE 364 00:16:28,944 --> 00:16:30,685 ABOUT AN ALCHEMIST NAMED XIAO. 365 00:16:30,728 --> 00:16:32,165 LEGEND HAS IT SHE USED THE JYU SA 366 00:16:32,208 --> 00:16:34,036 TO DO EXPERIMENTS ON PEOPLE. 367 00:16:34,080 --> 00:16:35,733 SHE CLAIMED THAT THESE EXPERIMENTS 368 00:16:35,777 --> 00:16:38,171 ALLOWED HER TO WALK IN OTHER PEOPLE'S DREAMS. 369 00:16:39,520 --> 00:16:41,130 THAT'S HER. 370 00:16:43,089 --> 00:16:44,916 I SAW HER IN MY DREAM. 371 00:16:44,960 --> 00:16:48,964 OK. UH, IT SAYS SHE USED A CONCOCTION, 372 00:16:49,008 --> 00:16:50,922 A TEA INFUSED WITH JYU SA. 373 00:16:50,966 --> 00:16:53,012 SHE CLAIMED IT WAS A CONDUIT FOR MAGIC 374 00:16:53,055 --> 00:16:54,491 AND THAT IT LINKED HER CONSCIOUSNESS WITH HER SUBJECTS 375 00:16:54,535 --> 00:16:56,276 AND THAT ULTIMATELY IT CAN UNLOCK 376 00:16:56,319 --> 00:16:58,321 THE SECRET TO IMMORTALITY. 377 00:16:58,365 --> 00:17:01,368 SHE THOUGHT SHE COULD LIVE FOREVER IN THEIR MINDS. 378 00:17:01,411 --> 00:17:05,285 OK. THIS TEA, CAN YOU MAKE IT? 379 00:17:05,328 --> 00:17:06,938 I MEAN, WE HAVE JYU SA. 380 00:17:06,982 --> 00:17:08,114 THE REST OF THE INGREDIENTS ARE 381 00:17:08,157 --> 00:17:10,159 PRETTY SIMPLE. WHY? 382 00:17:10,203 --> 00:17:13,075 AT THE LAB, THE JYU SA COMPLETELY TOOK MIA OVER, 383 00:17:13,119 --> 00:17:14,424 AND WHEN SHE TOUCHED THE STONE, 384 00:17:14,468 --> 00:17:16,426 IT SENT HER INTO THIS DREAM, RIGHT? 385 00:17:16,470 --> 00:17:18,559 -YEAH. -WELL, I FELT SOMETHING, TOO. 386 00:17:18,602 --> 00:17:20,169 THERE MUST BE SOME CONNECTION 387 00:17:20,213 --> 00:17:21,779 BETWEEN OUR BLOODLINE AND THE JYU SA. 388 00:17:21,823 --> 00:17:24,521 HER REACTION TO IT IS WAY STRONGER THAN MINE. 389 00:17:24,565 --> 00:17:27,089 MAYBE THAT'S BECAUSE SHE'S BOTH WARRIOR AND GUARDIAN. 390 00:17:27,133 --> 00:17:29,048 SO TOUCHING THE JYU SA ALONE WON'T TAKE ME THERE, 391 00:17:29,091 --> 00:17:31,093 BUT IF I HAD A BIGGER DOSE... 392 00:17:31,137 --> 00:17:32,877 YOU MEAN XIAO'S CONCOCTION? 393 00:17:32,921 --> 00:17:35,576 -IF YOU CAN RE-CREATE IT-- -NICKY. I-- 394 00:17:35,619 --> 00:17:38,231 MAYBE IT'LL TAKE ME THERE, TO MIA'S DREAM. 395 00:17:38,274 --> 00:17:40,755 EVEN REFINED, CINNABAR IS TOXIC, 396 00:17:40,798 --> 00:17:42,496 AND WE DON'T KNOW XIAO'S CLAIMS ARE REAL. 397 00:17:42,539 --> 00:17:44,454 I MEAN, PEOPLE DIED IN THESE EXPERIMENTS, 398 00:17:44,498 --> 00:17:47,457 AND, OK, SAY YOU WALK INTO MIA'S DREAM. 399 00:17:47,501 --> 00:17:49,111 THERE'S NO GUARANTEE YOU CAN HELP HER. 400 00:17:49,155 --> 00:17:50,939 I HAVE TO TRY. 401 00:17:50,982 --> 00:17:52,984 SHE'S GETTING WORSE, RYAN. 402 00:17:53,028 --> 00:17:55,987 WHAT IF MIA IS LOST IN THIS DREAM? 403 00:17:56,031 --> 00:17:57,902 WHAT IF I'M THE ONLY PERSON WHO CAN GET HER OUT? 404 00:17:57,946 --> 00:17:59,556 YOU SAID IT YOURSELF. 405 00:17:59,600 --> 00:18:01,689 THIS ISN'T GONNA BE CURED BY MEDICINE. I-- 406 00:18:01,732 --> 00:18:03,125 PLEASE. 407 00:18:06,041 --> 00:18:07,825 ALTHEA: I KNOW SOMEONE WILL REVOLUTIONIZE 408 00:18:07,869 --> 00:18:10,567 THE WAY WE CONNECT WITH OUR COMMUNITIES. 409 00:18:10,611 --> 00:18:12,134 OUR TECH FUSES THE INTERFACE 410 00:18:12,178 --> 00:18:13,875 OF A SOCIAL MEDIA APP 411 00:18:13,918 --> 00:18:16,399 WITH THE FUNCTIONALITY OF A CROWDSOURCING PLATFORM, 412 00:18:16,443 --> 00:18:19,576 CREATING A NEW WAY FOR NEIGHBORS TO CONNECT, 413 00:18:19,620 --> 00:18:23,145 FOR LOCAL BUSINESSES TO BOOST THEIR IMPACT AND ACCESS, 414 00:18:23,189 --> 00:18:25,626 BUT MOST IMPORTANTLY, I KNOW SOMEONE WILL BRING 415 00:18:25,669 --> 00:18:27,236 COMMUNITIES TOGETHER. 416 00:18:27,280 --> 00:18:28,716 WE JUST NEED THE CAPITAL. 417 00:18:28,759 --> 00:18:30,152 I DO SEE THE POTENTIAL HERE. 418 00:18:30,196 --> 00:18:31,545 VERY WELL PITCHED. 419 00:18:31,588 --> 00:18:32,676 THERE'S A LOT IN HERE I LOVED. 420 00:18:32,720 --> 00:18:34,548 LOVED YOUR PASSION. 421 00:18:34,591 --> 00:18:36,637 BUT I'M AFRAID IT'S GONNA BE A PASS FROM US. 422 00:18:36,680 --> 00:18:38,334 MAN: THE IDEA JUST NEES A LITTLE MORE TIME IN THE OVEN. 423 00:18:38,378 --> 00:18:41,511 WE'VE GOT OUR EYES ON YOU, ALTHEA SHEN-SOONG, 424 00:18:41,555 --> 00:18:42,947 -BUT... -YOU'VE DECIDED TO GO 425 00:18:42,991 --> 00:18:45,733 IN A DIFFERENT DIRECTION. 426 00:18:45,776 --> 00:18:48,431 YES. PRECISELY. 427 00:18:48,475 --> 00:18:49,476 GOOD LUCK TO YOU. 428 00:18:49,519 --> 00:18:50,564 GOOD LUCK TO YOU. 429 00:18:50,607 --> 00:18:52,174 GOOD LUCK TO YOU. 430 00:18:52,218 --> 00:18:53,610 SOPHIA MOJO: ♪ EVERYBODY, COME ON 431 00:18:53,654 --> 00:18:56,309 ♪ EVERYBODY, LET'S GO 432 00:18:56,352 --> 00:18:59,181 ♪ EVERYBODY, COME ON 433 00:18:59,225 --> 00:19:01,531 ♪ EVERYBODY, LET'S GO NOW 434 00:19:01,575 --> 00:19:04,143 EXCUSE ME. MAY I GET A LEMON DROP? 435 00:19:04,186 --> 00:19:05,796 MAKE IT A DOUBLE. 436 00:19:05,840 --> 00:19:08,059 ♪ EVERYBODY, DO, DO, DO, YEAH ♪ 437 00:19:08,103 --> 00:19:09,452 ♪ EVERYBODY 438 00:19:13,413 --> 00:19:15,110 [WHIMPERING] 439 00:19:21,812 --> 00:19:23,858 [TEA KETTLE WHISTLING] 440 00:19:56,586 --> 00:19:59,110 YOU SURE ABOUT THIS? 441 00:19:59,154 --> 00:20:01,156 -WOULDN'T SAY THAT. -I CAN STAY. 442 00:20:01,200 --> 00:20:02,810 NO. I'M OK. 443 00:20:06,988 --> 00:20:08,337 BE CAREFUL. 444 00:20:18,434 --> 00:20:22,569 IT IS NOT TOO LATE. 445 00:20:22,612 --> 00:20:24,701 YOU CAN TURN BACK. 446 00:20:24,745 --> 00:20:26,529 YOU DO NOT KNOW WHAT WILL HAPPEN 447 00:20:26,573 --> 00:20:28,705 IF YOU DRINK THAT TEA. 448 00:20:28,749 --> 00:20:30,881 I DON'T SEE ANOTHER WAY. 449 00:20:33,188 --> 00:20:34,581 MY CHILD... 450 00:21:04,437 --> 00:21:05,873 MIA? 451 00:21:19,016 --> 00:21:20,322 MIA? 452 00:21:25,240 --> 00:21:26,502 MIA? 453 00:21:29,897 --> 00:21:31,246 MIA? 454 00:21:37,383 --> 00:21:39,994 ARE YOU DOUBTING YOUR DECISION, MY CHILD? 455 00:21:42,910 --> 00:21:46,957 I CAN FEEL HER. SHE'S IN HERE SOMEWHERE. 456 00:21:48,437 --> 00:21:50,570 [WOMAN MOANING] 457 00:21:58,404 --> 00:22:01,537 XIAO, THE ALCHEMIST. 458 00:22:08,675 --> 00:22:11,242 [WOMAN SCREAMING] 459 00:22:11,286 --> 00:22:12,722 WHAT WAS THIS? 460 00:22:12,766 --> 00:22:14,855 YOU FEEL IT, DON'T YOU, 461 00:22:14,898 --> 00:22:17,684 A CONNECTION TO HER? 462 00:22:17,727 --> 00:22:22,471 YOU ARE WITNESSING THE BEGINNING. 463 00:22:22,515 --> 00:22:24,908 THE BIRTH OF YOUR ANCESTOR, 464 00:22:24,952 --> 00:22:27,084 THE FIRST WARRIOR. 465 00:22:27,128 --> 00:22:29,391 [SCREAMING] 466 00:22:34,048 --> 00:22:36,137 MAN: I AM SO SORRY ABOUT THE HEAT. 467 00:22:36,180 --> 00:22:38,705 THE AC SHUT DOWN OUT OF THE BLUE. 468 00:22:38,748 --> 00:22:40,054 HOW ABOUT A ROUND OF ICED TEAS? 469 00:22:40,097 --> 00:22:41,577 THAT'D BE GREAT. 470 00:22:41,621 --> 00:22:43,753 SECOND MAN: HEY, BOSS. MAN: EXCUSE ME. 471 00:22:49,237 --> 00:22:51,108 OH, THANK GOD. 472 00:22:53,850 --> 00:22:55,722 I WAS TOLD YOU WOULDN'T ARRIVE FOR HOURS. 473 00:22:55,765 --> 00:22:57,288 DANIEL: WE MOVED SOME THINGS AROUND. 474 00:22:57,332 --> 00:22:59,247 LEAST WE COULD DO FOR A BIG CLIENT. 475 00:22:59,290 --> 00:23:01,075 -HEY! -AC UNIT'S OUT BACK. 476 00:23:01,118 --> 00:23:04,208 SECURITY WILL LEAD YOU TO THE SERVICE ENTRANCE. 477 00:23:04,252 --> 00:23:05,993 SMELL THAT? 478 00:23:06,036 --> 00:23:07,516 [SNIFFING] 479 00:23:07,560 --> 00:23:09,997 DANIEL: FREON LEAK. 480 00:23:10,040 --> 00:23:11,346 IT'S A BIG ONE. 481 00:23:11,390 --> 00:23:13,348 [SNIFFING] 482 00:23:13,392 --> 00:23:15,611 I DON'T SMELL ANYTHING. 483 00:23:15,655 --> 00:23:18,658 THAT'S THE PROBLEM. MOST PEOPLE DON'T. 484 00:23:18,701 --> 00:23:20,137 GONNA HAVE TO CHECK THE...VENTS 485 00:23:20,181 --> 00:23:21,443 FOR THE SOURCE OF THE LEAK. 486 00:23:21,487 --> 00:23:22,923 YEP. 487 00:23:22,966 --> 00:23:25,142 I'LL EVACUATE THE MEMBERS. 488 00:23:25,186 --> 00:23:27,449 FIX IT. QUICKLY. 489 00:23:34,935 --> 00:23:36,763 TOLD YOU I KNEW A FEW TRICKS. 490 00:23:40,941 --> 00:23:43,160 SO WHY DO YOU THINK ALL YOUR MEETINGS WENT BUST? 491 00:23:43,204 --> 00:23:46,555 WELL, ORDINARILY, I'D SAY IT'S BECAUSE MY PITCH SUCKED, 492 00:23:46,599 --> 00:23:48,165 BUT IT DIDN'T. 493 00:23:48,209 --> 00:23:51,342 NO, NO. MY PRESENTATION WAS TIGHT. 494 00:23:51,386 --> 00:23:52,953 MY DELIVERY WAS STRONG, 495 00:23:52,996 --> 00:23:55,216 AND THE PRODUCT IS BOMB. 496 00:23:55,259 --> 00:23:58,959 I THINK SOMEONE POISONED THE WELL. 497 00:23:59,002 --> 00:24:00,395 DENNIS AND I HAD A RUN-IN 498 00:24:00,439 --> 00:24:01,701 -WITH CHASE MATHESON. -UGH. 499 00:24:01,744 --> 00:24:04,486 DENNIS CLOCKED HIM. 500 00:24:04,530 --> 00:24:08,577 I CAN'T PROVE IT, BUT CHASE IS STILL VERY CONNECTED. 501 00:24:08,621 --> 00:24:10,231 ALL IT TAKES IS THE RIGHT RUMORS 502 00:24:10,274 --> 00:24:12,189 AND THE RIGHT EARS AND THE QUESTIONING 503 00:24:12,233 --> 00:24:14,801 OF THE FUNDAMENTALS OF MY BUSINESS PLAN, 504 00:24:14,844 --> 00:24:18,282 AND POOF, I'M RADIOACTIVE. 505 00:24:18,326 --> 00:24:21,372 -WHAT ARE YOU GONNA DO? -HEH! WHAT CAN I DO? 506 00:24:21,416 --> 00:24:23,287 HOW DO YOU FIGHT A RUMOR? 507 00:24:23,331 --> 00:24:24,941 AND NO MATTER HOW GOOD MY IDEA IS, 508 00:24:24,985 --> 00:24:27,161 MY COMPANY IS STARVED FOR CAPITAL. 509 00:24:29,293 --> 00:24:32,035 IT'S ONLY A MATTER OF TIME UNTIL I HAVE TO PACK IT IN. 510 00:24:32,079 --> 00:24:33,907 NO. YOU'RE NOT GIVING UP. 511 00:24:33,950 --> 00:24:35,561 NO. I--I--I WAS FORCED TO RESIGN 512 00:24:35,604 --> 00:24:37,345 UNDER A CLOUD OF SUSPICION, 513 00:24:37,388 --> 00:24:40,522 AND SURE, YOU CAUGHT ME DAY DRINKING ALONE, 514 00:24:40,566 --> 00:24:42,524 BUT I'M NOT GIVING UP, 515 00:24:42,568 --> 00:24:46,267 AND IF I'M NOT GIVING UP, NEITHER ARE YOU. 516 00:24:46,310 --> 00:24:47,703 BESIDES, NOT TO SOUND CRASS, 517 00:24:47,747 --> 00:24:50,227 BUT ISN'T YOUR HUSBAND LOADED? 518 00:24:50,271 --> 00:24:52,099 I GAVE MYSELF ONE RULE-- 519 00:24:52,142 --> 00:24:54,797 NEVER ASK DENNIS OR HIS FAMILY FOR MONEY. 520 00:24:54,841 --> 00:24:56,843 PFFT. THAT'S KIND OF A DUMB RULE. 521 00:24:56,886 --> 00:25:00,803 BESIDES, WHEN HAVE RULES EVER STOPPED ALTHEA SHEN-SOONG? 522 00:25:00,847 --> 00:25:03,545 -HMM? -HMM. 523 00:25:03,589 --> 00:25:05,416 WOMAN: ♪ THERE'S JUST NO GETTING OVER YOU ♪ 524 00:25:05,460 --> 00:25:07,114 THAT SHOULD DO IT. 525 00:25:13,599 --> 00:25:17,298 THAT'S IT. THE MAP TO THE RITUAL. 526 00:25:17,341 --> 00:25:18,734 [CAMERA SHUTTER CLICKS] 527 00:25:20,954 --> 00:25:22,608 WE DON'T MAKE A HALF-BAD TEAM. 528 00:25:27,569 --> 00:25:30,050 YOU KNOW, I REGRET ALL OF IT, DON'T YOU? 529 00:25:31,791 --> 00:25:35,577 EVERY LIE, EVERY MISSED BIRTHDAY. 530 00:25:35,621 --> 00:25:37,405 I WOULD HAVE READ YOU IN SOONER, 531 00:25:37,448 --> 00:25:39,233 BUT I'D ALREADY SEEN IT. 532 00:25:39,276 --> 00:25:40,539 SEEN WHAT? 533 00:25:40,582 --> 00:25:42,062 THE MAN YOU'D BECOME WITHOUT ME. 534 00:25:45,021 --> 00:25:46,632 FIGURED I COULD ONLY MESS THAT UP. 535 00:25:46,675 --> 00:25:48,242 [DOOR SLAMS] 536 00:25:48,285 --> 00:25:50,940 HEY! WHAT THE HELL ARE YOU DOING? 537 00:25:50,984 --> 00:25:54,117 WENT TO THE AC UNIT TO SEE WHAT WAS TAKING SO LONG. 538 00:25:54,161 --> 00:25:55,902 SAW THE WIRES WERE SNIPPED. 539 00:25:55,945 --> 00:25:57,730 THIS WAS A SETUP. 540 00:25:57,773 --> 00:26:00,384 WATCH OUT SON. WE GOT A GENIUS IN OUR MIDST. 541 00:26:00,428 --> 00:26:03,083 -DAD, WE GOT WHAT WE NEEDED. -NOT EVERYTHING. 542 00:26:03,126 --> 00:26:04,737 THAT PAINTING DOESN'T BELONG TO YOU. 543 00:26:04,780 --> 00:26:06,565 DOESN'T BELONG TO YOU EITHER. 544 00:26:09,524 --> 00:26:11,308 IT'S GOING BACK TO THE O'BRIENS. 545 00:26:13,528 --> 00:26:15,791 HEY, GUYS. LOOK. THERE'S NO NEED FOR-- 546 00:26:15,835 --> 00:26:17,227 CHEN LINONG: ♪ I'M THE BEST 547 00:26:22,450 --> 00:26:23,799 ♪ I'M THE BEST 548 00:26:28,630 --> 00:26:30,240 ♪ I'M THE BEST 549 00:26:38,684 --> 00:26:39,946 NICKY: THAT BABY 550 00:26:39,989 --> 00:26:42,078 IS IT LIANG DAIYU? 551 00:26:42,122 --> 00:26:45,908 NO. THE ALCHEMIST CREATED THE WARRIOR AND GUARDIAN LINES 552 00:26:45,952 --> 00:26:48,519 LONG BEFORE LIANG DAIYU, 553 00:26:48,563 --> 00:26:50,696 LONG BEFORE THE WEAPONS. 554 00:26:50,739 --> 00:26:53,699 SO WARRIORS AND GUARDIANS, WE WERE CREATED 555 00:26:53,742 --> 00:26:55,570 BY XIAO'S EXPERIMENTS? 556 00:26:55,614 --> 00:26:58,355 THE ALCHEMIST WANTED TO CREATE 557 00:26:58,399 --> 00:27:01,489 A MORE POWERFUL HUMAN. 558 00:27:01,532 --> 00:27:04,100 MANY DIED IN THE PROCESS, 559 00:27:04,144 --> 00:27:06,320 BUT IN THE END, 560 00:27:06,363 --> 00:27:08,757 SHE CREATED A MIRACLE, 561 00:27:08,801 --> 00:27:11,717 THE WARRIORS AND GUARDIANS. 562 00:27:11,760 --> 00:27:16,722 XIAO'S DESIGN WAS FOR A BETTER WORLD, 563 00:27:16,765 --> 00:27:20,639 BUT EVEN THE BEST LAID PLANS GO AWRY. 564 00:27:24,425 --> 00:27:25,818 MIA? 565 00:27:30,692 --> 00:27:32,999 WHO IS THAT? 566 00:27:33,042 --> 00:27:35,828 WHEN THE ALCHEMIST CREATED THE BLOODLINES, 567 00:27:35,871 --> 00:27:37,873 SHE NEVER MEANT FOR THEM TO CROSS. 568 00:27:37,917 --> 00:27:41,181 IT IS FAR TOO MUCH POWER FOR ONE PERSON TO CONTAIN, 569 00:27:41,224 --> 00:27:44,271 BUT OVER A THOUSAND YEARS AGO, 570 00:27:44,314 --> 00:27:47,187 A WARRIOR AND GUARDIAN FELL IN LOVE. 571 00:27:47,230 --> 00:27:49,102 A CHILD WAS BORN. 572 00:27:49,145 --> 00:27:51,539 I THOUGHT MIA WAS THE FIRST. 573 00:27:51,582 --> 00:27:54,629 NO. THERE WAS ANOTHER. 574 00:27:54,673 --> 00:27:57,719 HER NAME WAS SUYIN. 575 00:27:57,763 --> 00:28:00,853 SHE WAS THE FIRST HYBRID. 576 00:28:00,896 --> 00:28:04,378 THE HYBRID'S PARENTS DIED SOON AFTER SHE WAS BORN. 577 00:28:04,421 --> 00:28:06,510 THE GIRL WAS RAISED BY MONKS, 578 00:28:06,554 --> 00:28:10,079 WHO PLEDGED TO HIDE HER TRUE IDENTITY FROM THE WORLD, 579 00:28:10,123 --> 00:28:12,995 BUT HER POWER BECAME TOO MUCH TO CONTAIN. 580 00:28:13,039 --> 00:28:14,736 [THUNDER] 581 00:28:14,780 --> 00:28:16,477 WHAT'S HAPPENING? 582 00:28:18,958 --> 00:28:22,701 WHERE THE HYBRID WENT, DEATH FOLLOWED. 583 00:28:22,744 --> 00:28:24,441 AGH! 584 00:28:24,485 --> 00:28:26,313 [MONKS SHOUTING] 585 00:28:26,356 --> 00:28:30,012 PEI-LING: SHE WAS AN ABOMINATION. 586 00:28:30,056 --> 00:28:33,712 IT TOOK THE COMBINED POWER OF THE WARRIORS AND THE GUARDIANS 587 00:28:33,755 --> 00:28:35,017 TO STOP HER. 588 00:28:35,061 --> 00:28:37,541 MANY WERE KILLED. 589 00:28:37,585 --> 00:28:40,196 MIA. 590 00:28:40,240 --> 00:28:42,024 IT WON'T BE LIKE THAT. 591 00:28:42,068 --> 00:28:43,765 [THUNDER] 592 00:28:43,809 --> 00:28:45,854 [VOICES WHISPERING] 593 00:28:52,992 --> 00:28:55,081 RAAH! 594 00:28:55,124 --> 00:28:56,560 AAH! 595 00:28:58,214 --> 00:28:59,868 YOU FELT IT. 596 00:28:59,912 --> 00:29:02,915 HER POWER. 597 00:29:02,958 --> 00:29:05,482 WHY ARE YOU SHOWING ME ALL THIS? 598 00:29:05,526 --> 00:29:08,877 THE BLOODLINES WERE NEVER INTENDED TO MIX. 599 00:29:08,921 --> 00:29:10,923 JUST LIKE SUYIN, 600 00:29:10,966 --> 00:29:12,925 MIA SHOULD NEVER HAVE BEEN BORN, 601 00:29:12,968 --> 00:29:14,448 AND LIKE SUYIN, 602 00:29:14,491 --> 00:29:16,537 HER POWER WILL CONSUME HER. 603 00:29:16,580 --> 00:29:18,234 IT WILL CORRUPT HER. 604 00:29:18,278 --> 00:29:20,541 -NO. I WON'T LET THAT HAPPEN. -IT'S INEVITABLE. 605 00:29:20,584 --> 00:29:23,762 YOU CAME HERE TO RESCUE HER FROM THIS DREAM, 606 00:29:23,805 --> 00:29:25,589 BUT IF YOU LET HER GO, 607 00:29:25,633 --> 00:29:27,983 SHE WILL BE TRAPPED HERE FOREVER. 608 00:29:28,027 --> 00:29:30,333 THE WORLD WILL BE SAFE. 609 00:29:30,377 --> 00:29:32,422 I KNOW IT'S HARD, 610 00:29:32,466 --> 00:29:35,121 BUT YOU MUST LEAVE MIA BEHIND. 611 00:29:35,164 --> 00:29:36,818 NO. I'M NOT GIVING UP ON HER! 612 00:29:36,862 --> 00:29:38,820 MIA IS PAST SAVING. 613 00:29:43,999 --> 00:29:46,001 SOMEONE ONCE TOLD ME 614 00:29:46,045 --> 00:29:48,090 NO ONE IS PAST SAVING. 615 00:29:52,138 --> 00:29:53,879 YOU'RE NOT PEI-LING. 616 00:29:58,318 --> 00:30:00,189 YOU'RE THE ALCHEMIST. 617 00:30:06,543 --> 00:30:08,241 YOU'VE TAKEN ON MY SHIFU'S FORM. 618 00:30:08,284 --> 00:30:09,764 WELL DONE, MY CHILD. 619 00:30:09,808 --> 00:30:12,854 XIAO...HOW ARE YOU DOING THIS? 620 00:30:12,898 --> 00:30:15,074 ONCE YOU WERE EXPOSED TO THE STONE, 621 00:30:15,117 --> 00:30:19,992 IT OPENED THE DOOR TO DIRECT CONTACT WITH YOU, WITH MIA, 622 00:30:20,035 --> 00:30:21,254 MY CHILDREN. 623 00:30:21,297 --> 00:30:22,821 EVERYTHING YOU'VE SHOWN ME-- 624 00:30:22,864 --> 00:30:24,300 THE BIRTH OF THE WARRIOR BLOODLINE, 625 00:30:24,344 --> 00:30:26,607 THE FIRST HYBRID--IS ANY OF IT EVEN TRUE? 626 00:30:26,650 --> 00:30:31,090 EVERY WORD, EVERY IMAGE PULLED 627 00:30:31,133 --> 00:30:32,874 DIRECTLY FROM THE CONSCIOUSNESS 628 00:30:32,918 --> 00:30:34,571 OF ALL THE WARRIORS AND GUARDIANS 629 00:30:34,615 --> 00:30:36,312 WHO CAME BEFORE YOU. 630 00:30:36,356 --> 00:30:39,054 SO YOU DREW MIA IN WITH THE JYU SA. 631 00:30:39,098 --> 00:30:41,448 YOU TRAPPED HER HERE. 632 00:30:41,491 --> 00:30:44,233 THE LONGER MIA STAYS IN THIS REALM, 633 00:30:44,277 --> 00:30:47,280 THE CLOSER SHE COMES TO DEATH. 634 00:30:47,323 --> 00:30:48,803 YOU WERE DISTRACTING ME. 635 00:30:48,847 --> 00:30:49,978 WHERE ARE YOU HIDING HER? 636 00:30:50,022 --> 00:30:52,807 HEH HEH HEH. 637 00:30:52,851 --> 00:30:54,287 IN A MEMORY, 638 00:30:54,330 --> 00:30:56,898 A MEMORY OF A FALLEN WARRIOR. 639 00:30:56,942 --> 00:30:58,987 THERE SHE WILL SEE THE TRUTH. 640 00:30:59,031 --> 00:31:00,641 IT WILL SHATTER HER. 641 00:31:00,684 --> 00:31:02,164 ONCE SHE HAS SEEN IT ALL, 642 00:31:02,208 --> 00:31:04,384 SHE WILL LOSE THE WILL TO FIGHT, 643 00:31:04,427 --> 00:31:06,821 TO ESCAPE THIS REALM. 644 00:31:06,865 --> 00:31:10,390 YOU CAN'T HELP HER NOW. 645 00:31:10,433 --> 00:31:13,610 JUST GO...CHILD. 646 00:31:13,654 --> 00:31:17,440 YOU CAN LEAVE WHENEVER YOU CHOOSE. 647 00:31:52,998 --> 00:31:54,303 MAMA? 648 00:32:05,010 --> 00:32:06,228 MAMA? 649 00:32:18,588 --> 00:32:21,896 I'VE MISSED YOU SO MUCH. 650 00:32:25,944 --> 00:32:28,120 I NEVER SHOULD HAVE RUN AWAY. 651 00:32:30,035 --> 00:32:31,384 YOU'RE RIGHT. 652 00:32:31,427 --> 00:32:33,821 THE WORLD IS A DANGEROUS PLACE. 653 00:32:33,864 --> 00:32:35,954 [CAR APPROACHING] 654 00:32:39,044 --> 00:32:40,306 [CAR DOOR OPENS AND SHUTS] 655 00:33:02,154 --> 00:33:04,025 HELLO, MEI-XUE. 656 00:33:04,069 --> 00:33:07,202 I'VE BEEN LOOKING FOR YOU FOR A LONG TIME. 657 00:33:11,032 --> 00:33:13,208 I'M NOT GOING ANYWHERE. 658 00:33:16,168 --> 00:33:19,258 MIA IS IN HERE, AND I WILL FIND HER. 659 00:33:25,090 --> 00:33:27,048 [GRUNTING] 660 00:33:31,879 --> 00:33:33,881 FIGHT AS HARD AS YOU WANT. 661 00:33:33,924 --> 00:33:35,709 IT WON'T MAKE A DIFFERENCE. 662 00:33:35,752 --> 00:33:39,191 I CREATED THIS REALM. I CONTROL IT. 663 00:33:59,776 --> 00:34:02,257 YOU CAN'T HURT ME. 664 00:34:02,301 --> 00:34:04,346 I AM ETERNAL. 665 00:34:04,390 --> 00:34:06,827 I LIVE FOREVER... 666 00:34:06,870 --> 00:34:09,264 IN EVERY WARRIOR AND GUARDIAN. 667 00:34:09,308 --> 00:34:13,442 AS LONG AS YOU LIVE, I LIVE. 668 00:34:32,026 --> 00:34:33,854 UNH! 669 00:34:33,897 --> 00:34:35,812 YOU CAN'T WIN. 670 00:34:35,856 --> 00:34:39,164 I AM IN CONTROL. 671 00:34:39,207 --> 00:34:40,991 NO, YOU'RE NOT. 672 00:34:42,602 --> 00:34:44,082 NICKY: UNH! 673 00:34:46,736 --> 00:34:50,175 YOUR POWER, IT COMES FROM ME, 674 00:34:50,218 --> 00:34:53,656 MY LIFE, MY BLOODLINES. 675 00:34:53,700 --> 00:34:56,398 YOU DON'T HAVE THE POWER HERE. 676 00:34:56,442 --> 00:34:58,139 I DO. 677 00:34:58,183 --> 00:35:00,533 YOU'RE MAKING A MISTAKE. 678 00:35:02,187 --> 00:35:03,623 HUH! 679 00:35:08,628 --> 00:35:09,977 MIA. 680 00:35:14,024 --> 00:35:16,505 GIVE ME THE SWORD. 681 00:35:16,549 --> 00:35:18,420 THE SWORD ISN'T HERE. 682 00:35:18,464 --> 00:35:21,162 THEN WHY HIDE ALL THE WAY OUT HERE, 683 00:35:21,206 --> 00:35:23,164 ALL ALONE? 684 00:35:27,212 --> 00:35:29,997 A DAUGHTER. 685 00:35:30,040 --> 00:35:33,827 HER FATHER-- THE GUARDIAN. 686 00:35:33,870 --> 00:35:36,003 A HYBRID. 687 00:35:36,046 --> 00:35:38,048 SHE WILL BE EXTREMELY USEFUL. 688 00:35:38,092 --> 00:35:39,528 I WON'T LET YOU NEAR HER. 689 00:35:39,572 --> 00:35:42,270 I WOULD EXPECT NO LESS. 690 00:35:42,314 --> 00:35:43,402 [COCKS GUN] 691 00:35:43,445 --> 00:35:45,230 I RESPECT YOU, MEI-XUE, 692 00:35:45,273 --> 00:35:47,710 AND I WILL GIVE YOU A PROPER BURIAL 693 00:35:47,754 --> 00:35:49,756 OUT AMONGST YOUR TREES. 694 00:35:49,799 --> 00:35:51,627 NICKY: MIA, WE CAN LEAVE RIGHT NOW. 695 00:35:51,671 --> 00:35:53,325 YOU DON'T HAVE TO SEE THIS. 696 00:35:53,368 --> 00:35:55,065 SHE WAS ALL ALONE! 697 00:35:55,109 --> 00:35:56,241 I SHOULD HAVE BEEN THERE! 698 00:35:56,284 --> 00:35:58,591 YOU WILL NEVER GET HER. 699 00:36:00,462 --> 00:36:02,812 HEY. THIS CAN ONLY HURT YOU. 700 00:36:02,856 --> 00:36:05,815 PLEASE LOOK AWAY. 701 00:36:05,859 --> 00:36:08,122 I'LL WATCH FOR BOTH OF US. 702 00:36:08,166 --> 00:36:11,430 SHE IS STRONG. 703 00:36:11,473 --> 00:36:13,562 SHE WILL FIGHT YOU. 704 00:36:15,347 --> 00:36:18,088 I LOOK FORWARD TO IT. 705 00:36:18,132 --> 00:36:20,221 [SOBBING] 706 00:36:23,964 --> 00:36:25,313 [GASPS] 707 00:36:41,111 --> 00:36:43,940 MAP LEADS TO THE HILLS OF LOUTH COUNTY. 708 00:36:43,984 --> 00:36:45,725 THAT'S WHERE YOU'LL FIND THE SCROLL. 709 00:36:45,768 --> 00:36:47,292 WE GET THE SCROLL, WE MIGHT BE ABLE 710 00:36:47,335 --> 00:36:49,294 TO STRIP THE MAGIC FROM RUSSELL TAN'S BELL, 711 00:36:49,337 --> 00:36:51,383 STOP THE BASTARD IN HIS TRACKS. 712 00:36:54,212 --> 00:36:59,304 HENRY...I COULDN'T HAVE DONE THIS WITHOUT YOU. 713 00:36:59,347 --> 00:37:01,001 HAPPY TO HELP, 714 00:37:01,044 --> 00:37:05,875 AND...TO BE HONEST, I HAD FUN. 715 00:37:10,271 --> 00:37:11,838 OK. 716 00:37:11,881 --> 00:37:13,883 DANIEL: HEY. LOOK. 717 00:37:13,927 --> 00:37:16,364 YUEN AND I, WE'RE ON THE FIRST FLIGHT TO IRELAND. 718 00:37:16,408 --> 00:37:19,237 WE'RE GONNA GET THE RITUAL. 719 00:37:19,280 --> 00:37:21,195 COULD USE YOUR HELP IN THE FIELD. 720 00:37:21,239 --> 00:37:22,849 YOU SERIOUS? 721 00:37:22,892 --> 00:37:24,416 I KEPT THE WAN ZEI FROM YOU BECAUSE 722 00:37:24,459 --> 00:37:28,028 I WANTED TO GIVE YOU A CHOICE, 723 00:37:28,071 --> 00:37:31,161 A CHOICE THAT MY FATHER DIDN'T GIVE ME, 724 00:37:31,205 --> 00:37:33,642 BUT IT'S OBVIOUS 725 00:37:33,686 --> 00:37:35,818 YOU WERE BORN FOR THIS. 726 00:37:37,211 --> 00:37:40,562 I APPRECIATE IT... 727 00:37:40,606 --> 00:37:44,305 BUT MY PLACE IS HERE WITH NICKY. 728 00:38:04,804 --> 00:38:07,197 OOH! HEH. 729 00:38:07,241 --> 00:38:09,156 OHH! BAM BAM! 730 00:38:09,199 --> 00:38:11,811 THOUGHT YOU HAD A WORK DINNER. 731 00:38:11,854 --> 00:38:14,553 NOT TONIGHT. 732 00:38:14,596 --> 00:38:16,119 HEY, BABE. 733 00:38:16,163 --> 00:38:18,948 WELL, IT WAS A SWING AND A MISS FOR ME. HEH. 734 00:38:18,992 --> 00:38:23,213 I'M 99.9% SURE THAT CHASE IS SABOTAGING ME, 735 00:38:23,257 --> 00:38:25,433 BUT, HEY, SCREW IT. 736 00:38:25,477 --> 00:38:27,696 I'VE GOT A KILLER APP, 737 00:38:27,740 --> 00:38:30,264 I'M ONE BAD BOSS BITCH, 738 00:38:30,308 --> 00:38:33,267 AND I AM NOT ABOUT TO GIVE UP. 739 00:38:33,311 --> 00:38:35,574 I'M GONNA MAKE HIM "RULE" THE DAY 740 00:38:35,617 --> 00:38:37,924 HE MESSED WITH ALTHEA SHEN-SOONG. 741 00:38:39,882 --> 00:38:43,059 "RULE" THE DAY? RUE THE DAY. RUE THE DAY. 742 00:38:43,103 --> 00:38:45,061 -BABE. -AND I KNOW I SAID 743 00:38:45,105 --> 00:38:47,455 I'D NEVER ACCEPT YOUR PARENTS' OFFER, 744 00:38:47,499 --> 00:38:54,244 BUT I'M READY TO FULLY ACCEPT ANYTHING YOU-- 745 00:38:54,288 --> 00:38:58,292 ALTHEA. MY DAD-- HE'S STILL IN BUSINESS 746 00:38:58,336 --> 00:39:00,816 WITH CHASE MATHESON. 747 00:39:00,860 --> 00:39:04,603 I TOLD HIM TO CUT TIES, OR I WALK. 748 00:39:07,345 --> 00:39:09,869 SO... 749 00:39:09,912 --> 00:39:12,175 HE CUT ME OFF, ALTHEA. 750 00:39:12,219 --> 00:39:16,876 IT'S GONE. IT'S ALL GONE. 751 00:39:19,531 --> 00:39:20,967 OH. 752 00:39:38,201 --> 00:39:40,682 THIS WAS BABA'S IDEA? 753 00:39:40,726 --> 00:39:43,119 HE FELT THAT MIA AND MAMA COULD USE IT. 754 00:39:43,163 --> 00:39:44,643 SAID THEY NEVER REALLY GOT A CHANCE 755 00:39:44,686 --> 00:39:46,122 TO GRIEVE AUNT MEI-XUE. 756 00:39:52,564 --> 00:39:54,130 YOU SURE YOU'RE READY? 757 00:39:56,698 --> 00:39:58,613 I AM. 758 00:39:58,657 --> 00:40:00,093 MIA... 759 00:40:00,136 --> 00:40:01,399 [SPEAKS MANDARIN] 760 00:40:07,709 --> 00:40:09,102 HMM? 761 00:40:09,145 --> 00:40:10,538 [SPEAKS MANDARIN] 762 00:40:56,062 --> 00:41:00,240 LAO GONG... THANK YOU. 763 00:41:00,283 --> 00:41:03,243 I NEEDED THIS. 764 00:41:03,286 --> 00:41:04,897 HOW'S MIA? 765 00:41:04,940 --> 00:41:06,942 RYAN: HER VITALS HAVE LEVELED OUT. 766 00:41:06,986 --> 00:41:09,510 WHATEVER YOU DID OVER THERE ON THE OTHER SIDE 767 00:41:09,554 --> 00:41:10,859 DID THE TRICK. 768 00:41:10,903 --> 00:41:12,557 NICKY: THANKS, RYAN, FOR TRUSTING ME. 769 00:41:12,600 --> 00:41:14,080 RYAN. 770 00:41:14,123 --> 00:41:15,777 I'M JUST GLAD MIA'S GONNA BE OK. 771 00:41:25,178 --> 00:41:29,617 DID YOU TELL THEM ABOUT MIA'S DESTINY? 772 00:41:31,445 --> 00:41:33,534 YOU'RE WRONG, XIAO. 773 00:41:33,578 --> 00:41:35,318 I CAN TEACH HER. 774 00:41:37,495 --> 00:41:39,932 ONCE THIS IS ALL OVER, WARRIOR, 775 00:41:39,975 --> 00:41:43,239 YOU'RE GOING TO WISH I'D KILLED HER. 776 00:42:15,141 --> 00:42:16,534 MAN: GREG, MOVE YOUR HEAD!