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♪ (DREAMY MUSIC PLAYING) ♪

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So...

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I'm sure
you've all been programmed

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to expect something radical.

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But what I have here
for you today...

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it really isn't new at all.

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♪ (DREAMY MUSIC CONTINUES) ♪

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♪ (DREAMY MUSIC FADES) ♪

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We know you have
a decades-long plan

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to become entrenched
in Western markets,

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sports franchises,
entertainment venues.

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But a bank...

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is a more unique proposition

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in terms of its reach
and influence

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over foreign institutions.

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Finance isn't a space
you can just break into.

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You'll be buying both our U.S.

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and our European
banking licenses.

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Plug and play.

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MIKEY LEIBOWITZ: (OVER SPEAKER)
<i>Uh, excuse me,</i>

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<i>it's Mikey Leibowitz
from Vanguard.</i>

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<i>As one
of your biggest investors,</i>

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<i>we'd like to know</i>

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<i>why Pierpoint is showing
so much leg here.</i>

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Uh, sorry, Mikey.
(CHUCKLES NERVOUSLY)

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Care to explain
what you actually mean there?

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I think he means
that Al-Mi'raj Holdings

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is just private equity makeup

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masking the true face
of a sovereign wealth fund.

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As long as we're all aware...

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this is state-backed financing.

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(SPEAKS ARABIC)

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♪ (TENSE MUSIC PLAYING) ♪

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LILY HAVERS: (IN ENGLISH)
"We would like to know
why you think your imperialism

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is better than ours."

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(INHALES, CHUCKLES)

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♪ (TENSE MUSIC CONTINUES) ♪

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(CAR DOOR CLOSES)

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(BIRDS CALLING IN DISTANCE)

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(FISHING REEL CLICKS)

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Et tu, Brute?

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(WATER SPLASHING)

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OTTO MOSTYN: Harper...

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people who fuck around
with my investments...

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find themselves cut off
from society.

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Invasions of privacy.
Bureaucratic entanglements.

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Do sit down.

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I have ways and means
of making people's lives hell.

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So what? You're...

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threatening me out loud now?
(SCOFFS)

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- If I told you...
- (ZIPPER CLOSING)

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...sovereign wealth money
had come into Pierpoint,

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would you use that information
to take profit on your short?

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The whole game is information.

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I was born

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as a node in an average network.

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I worked hard
to become a key node

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in an excellent one.

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Betting on sure things
is the aim.

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Petra doesn't see it that way.

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(SNICKERS)

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- I'm very aware of that.
- (ZIPPER OPENING)

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OTTO:
And it's probably more shameful
to trust our friends,

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than to be deceived by them.

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She's a tattletale.

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And she's why I called you here.

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(OTTO SIGHS)

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I want a spiritual successor
to my operations.

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Peter's too old.

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And even he's lost
the cloacal breath

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and bought a grouse moor.

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I want someone who believes
in trading like I trade.

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Who understands that nothing
comes from nothing.

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I'd be
an interesting figurehead.

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The optics are good.

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You'd make my fund
look terribly modern.

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But I also want someone
who understands

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and wears
the attendant downside risks

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that I've worn for years now.

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Look, when you're as good as us,
you don't get caught.

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But one day, there may well be
a rather loud knock on the door

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that requires
a fucking expensive lawyer.

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Fuck me.

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This all sounds
rather Faustian, doesn't it?

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Forgive me. I'm not Beelzebub.

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I'm something...
far more dangerous.

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(KNIFE SLASHING)

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A primate...

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aware of his own mortality.

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♪ (TENSE MUSIC FADES) ♪

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(CHILDREN CLAMOR)

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(INDISTINCT CHATTER)

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- (CAR DOOR SLAMS SHUT)
- (CHILDREN SCREAMING)

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(CELL PHONE BUZZES)

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Hello.

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ROSE WINTER: (OVER PHONE)
<i>What the hell is this email?</i>

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I think you know what it is.

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How dare you
try to intimidate me?

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YASMIN KARA-HANANI:
<i>And what the fuck</i>

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<i>were you trying to do to me
the last time that we met?</i>

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This is what's gonna happen,
okay, you stupid fucking bitch?

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You're gonna pay the restitution
to the embezzlement claimants,

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and you're going
to leave me the fuck alone.

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(CHUCKLING)
Do you have any idea--

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I know you like
to think of yourself

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as some bootleg Anna Wintour,

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but the board
are not gonna think twice

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about kicking you to the curb.

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I mean, thi--
this is the systemic cover-up

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by a female-led institution

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of a man's consistent pattern
of abuse.

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I mean, I don't know about you,

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but I think
that's a sensational story,

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and I know exactly
where to take it.

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ROSE: <i>All right, uh, where?</i>

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Wh-- Who...
Who will listen to you?

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What network do you have?

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Rose, I think you forget
who my family are.

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ROSE: <i>What family?</i>

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This is the courtesy
of a final warning.

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ROSE: <i>You know what?</i>

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You sound exactly
like your father.

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I sound nothing like him.

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He was weak.

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(CELL PHONE CLATTERS)

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(CHILD WAILS)

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(REPEATING THUDS)

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CHILD: Come on!

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♪ (CONTEMPLATIVE MUSIC
PLAYING) ♪

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- (INDISTINCT CHATTER)
- (SCANNER BEEPING)

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(YASMIN SNIFFLES)

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Henry.

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Hi, um, been a while.

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TOM WOLSEY:
<i>We're still over a barrel.</i>

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If we look like we're trading
to zero at U.S. open,

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they'll buy us
for a single U.S. dollar

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and we'll be grateful.

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- We need share price stability.
- How do we ensure that?

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I'm flying to New York
so that when they wake up,

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I can speak
to our big investors.

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Vanguard sounded edgy.

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I'll speak to BlackRock
and Berkshire Hathaway

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to make sure the Al-Mi'raj offer
flies through uncontested.

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And crucially,
also to our employees.

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We need to present today
as just another trading day.

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Can one of you address London
while I'm in the air?

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I'll dial in.

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Wilhelmina, it may help
coming from someone senior.

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If we're looking
to maintain the status quo...

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Eric is the voice
of the status quo.

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I can-- I can do it.
I'll-- I'll speak to London.

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Can't imagine how many billions
of words you've said in sales.

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(WILHELMINA FASSBINDER CHUCKLES)

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Time for some choice ones.

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(DOOR CHIME DINGS)

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Uh...

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- Rob, it's like 9:00 a.m.
- (CAR DOOR CLOSES)

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(PANTING) So?

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It's never too early
for these. (CHUCKLES)

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- (CHUCKLES DRYLY)
- (GROANS)

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Who were you on the phone to?

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Uh, I was talking
to Henry. (SNIFFS)

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- ROBERT SPEARING: Oh, yeah?
- Hmm.

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What did he want?

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I called him.

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Um, I kind of thought

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that his dumb "smart" money
might be a good place for you

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to start
seed funding conversations.

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(ROBERT LAUGHS)

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- ♪ (DREAMY MUSIC PLAYING) ♪
- It's funny 'cause, um...

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I'd actually been thinking
the exact same thing.

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But I... I thought
you might be uncomfortable.

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Oh, God, fuck that.

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- Take the money and run, babe.
- (BOTH LAUGH)

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Yeah, no, he wants us
to swing by for a face-to-face.

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Uh, he's at his uncle's.
It's kind of on the way home.

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What, now? You're not tired?

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You know, I got this
sort of jolt of vicarious energy

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at the thought of you
just rinsing

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- the bitch's coffers.
- (BOTH LAUGH)

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YASMIN: So, um...

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- (SEAT BELT CLICKS)
- ...would Little Labs

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mean a move to New York?

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ROBERT: (INHALES) California.

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Shame.

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00:09:02,320 --> 00:09:05,200
I'd murder for a little res
at the Polo Bar.

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00:09:05,200 --> 00:09:08,360
Glass of Ruinart,
dozen oysters. God, heaven!

188
00:09:08,360 --> 00:09:09,800
(BOTH CHUCKLE)

189
00:09:10,120 --> 00:09:11,120
So...

190
00:09:12,120 --> 00:09:13,400
where are we headed then, boss?

191
00:09:15,120 --> 00:09:17,520
Deepest, darkest Somerset.

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00:09:17,520 --> 00:09:19,720
(IN SOMERSET ACCENT)
Oh, marvelous. (LAUGHS)

193
00:09:21,120 --> 00:09:23,400
- So did you win?
- What?

194
00:09:23,400 --> 00:09:25,760
Your little lottery thing,
did you win?

195
00:09:26,480 --> 00:09:28,240
Of course not. (CHUCKLES)

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00:09:35,520 --> 00:09:38,440
- (AGITATED CHATTER)
- ♪ (DREAMY MUSIC CONTINUES) ♪

197
00:09:39,080 --> 00:09:40,160
Hi.

198
00:09:40,160 --> 00:09:41,680
♪ (DREAMY MUSIC FADES) ♪

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00:09:41,680 --> 00:09:44,960
So, I know some of you
haven't been home.

200
00:09:46,560 --> 00:09:47,520
Guys?

201
00:09:48,440 --> 00:09:50,160
Yeah, lot of uncertainty.

202
00:09:50,160 --> 00:09:51,600
(INDISTINCT CHATTER)

203
00:09:51,600 --> 00:09:53,120
ERIC TAO: (OVER SPEAKERS)
<i>Guys, can I...</i>

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00:09:55,000 --> 00:09:56,080
(CHATTER FADES)

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00:09:56,080 --> 00:09:58,880
ERIC: Can--
Can I have your attention?

206
00:10:00,400 --> 00:10:02,280
Okay. (SMACKS LIPS)

207
00:10:03,600 --> 00:10:06,880
How we carry ourselves
through turbulence

208
00:10:07,840 --> 00:10:09,600
is how we define ourselves.

209
00:10:09,600 --> 00:10:13,040
Let me take you back to 2008.

210
00:10:13,040 --> 00:10:14,520
- (EMPLOYEES MURMURING)
- ERIC: I know.

211
00:10:14,520 --> 00:10:16,760
The eye of the Lehman storm.

212
00:10:16,760 --> 00:10:20,920
Hours from insolvency.
Do you know what we did?

213
00:10:24,400 --> 00:10:26,080
We came to work.

214
00:10:26,080 --> 00:10:28,480
- (EMPLOYEE SCOFFS)
- We answered the phones.

215
00:10:28,480 --> 00:10:31,920
We printed tickets.
We carried the day!

216
00:10:32,840 --> 00:10:35,600
<i>It is imperative
you go to your desk</i>

217
00:10:35,600 --> 00:10:37,680
<i>and let clients know,</i>

218
00:10:37,680 --> 00:10:41,520
this morning,
the sun still rose on Pierpoint.

219
00:10:41,520 --> 00:10:44,000
'08 was totally different.
We had capital reserves

220
00:10:44,000 --> 00:10:45,120
and good management.

221
00:10:45,120 --> 00:10:46,960
(EMPLOYEES APPLAUD)

222
00:10:46,960 --> 00:10:48,720
Apparently, you're sending us
down the river

223
00:10:48,720 --> 00:10:50,800
to the fucking Gulf
of all places.

224
00:10:50,800 --> 00:10:52,840
EMPLOYEE 1: The Gulf?
They'll fire us all!

225
00:10:52,840 --> 00:10:54,040
EMPLOYEE 2: Are you serious?

226
00:10:54,040 --> 00:10:57,920
It would be unwise to confirm
or deny speculation...

227
00:10:57,920 --> 00:10:59,440
- (EMPLOYEES JEERING)
- EMPLOYEE 3: Fucking hell!

228
00:10:59,440 --> 00:11:00,640
ERIC: ...given-- given the--

229
00:11:00,640 --> 00:11:03,040
the sensitivity
of our share price.

230
00:11:03,040 --> 00:11:06,080
(OVERLAPPING ANGRY CHATTER)

231
00:11:09,720 --> 00:11:10,720
You know...

232
00:11:12,440 --> 00:11:14,920
I've stood
in this room many times.

233
00:11:14,920 --> 00:11:15,880
(CHATTER FADES)

234
00:11:15,880 --> 00:11:18,080
I've-- I've watched
a lot of you grow up.

235
00:11:20,160 --> 00:11:26,320
I think, if I could see myself
as a grad now...

236
00:11:27,920 --> 00:11:31,680
- ♪ (TENSE MUSIC PLAYING) ♪
- Me, immigrant son,

237
00:11:31,680 --> 00:11:36,920
<i>bespectacled, so scared,
scared of my own shadow,</i>

238
00:11:36,920 --> 00:11:41,480
swallowing down the promises
of capitalism and meritocracy.

239
00:11:41,480 --> 00:11:43,520
Do I look like a man
who was lied to?

240
00:11:43,520 --> 00:11:44,760
- (EMPLOYEES LAUGH)
- EMPLOYEE 4: Today?

241
00:11:44,760 --> 00:11:46,360
EMPLOYEE 5:
Your nose is growing Pinocchio.

242
00:11:46,360 --> 00:11:48,800
(AGITATED CHATTER)

243
00:11:50,520 --> 00:11:52,320
Our prospective partners

244
00:11:52,920 --> 00:11:54,560
believe in the principles

245
00:11:54,560 --> 00:11:56,600
that I heard
on my very first day here.

246
00:11:56,600 --> 00:11:59,400
I cleaved them to my heart...

247
00:12:00,200 --> 00:12:01,600
<i>like you have.</i>

248
00:12:02,560 --> 00:12:03,720
Pierpoint people.

249
00:12:04,680 --> 00:12:07,040
This is what we're selling.

250
00:12:07,040 --> 00:12:10,760
How well you've come to embody
what you've been taught.

251
00:12:10,760 --> 00:12:12,360
You are all safe.

252
00:12:12,360 --> 00:12:14,000
- That's something.
- (EMPLOYEES SCOFFING)

253
00:12:14,000 --> 00:12:17,520
You are all safe
because you are the asset.

254
00:12:17,520 --> 00:12:18,720
EMPLOYEE 6: Are we safe though?

255
00:12:18,720 --> 00:12:20,960
ERIC:
<i>Growth and change are inevitable</i>

256
00:12:20,960 --> 00:12:24,760
<i>but this process must be
anchored in shared values.</i>

257
00:12:24,760 --> 00:12:28,240
Pierpoint's history
is a history of change.

258
00:12:28,240 --> 00:12:32,800
- First movers, quick winners.
- ♪ (MUSIC TURNS UPLIFTING) ♪

259
00:12:32,800 --> 00:12:35,480
<i>Whatever alleged deal
you've heard about,</i>

260
00:12:35,480 --> 00:12:38,960
<i>represents two axes
using economic trust</i>

261
00:12:38,960 --> 00:12:41,080
<i>to put themselves
in the box seat</i>

262
00:12:41,640 --> 00:12:43,560
of a new world order.

263
00:12:44,560 --> 00:12:48,960
They want us
and respect us for our history.

264
00:12:48,960 --> 00:12:52,200
We choose to respect them

265
00:12:52,200 --> 00:12:54,400
for their vision
of a shared future.

266
00:12:55,760 --> 00:12:57,840
This is how we survive.

267
00:12:57,840 --> 00:13:02,880
Remember, everything good
comes from two partners

268
00:13:02,880 --> 00:13:05,120
willingly coming to the table.

269
00:13:06,720 --> 00:13:11,160
Orderly financial exchange
is the basis of harmony.

270
00:13:14,680 --> 00:13:16,440
Money tames the beast.

271
00:13:18,720 --> 00:13:20,160
Money is peace.

272
00:13:21,080 --> 00:13:24,120
Money... Money is civilization.

273
00:13:24,120 --> 00:13:25,720
The end of the story...

274
00:13:26,600 --> 00:13:27,600
is money.

275
00:13:28,960 --> 00:13:31,320
Our partners believe this.

276
00:13:32,040 --> 00:13:33,600
They believe in us.

277
00:13:33,600 --> 00:13:36,800
We take their hand

278
00:13:36,800 --> 00:13:40,960
<i>and build a bridge
with our belief.</i>

279
00:13:44,600 --> 00:13:45,760
Your desk...

280
00:13:47,360 --> 00:13:48,680
is your house!

281
00:13:50,200 --> 00:13:51,240
That's right.

282
00:13:53,840 --> 00:13:57,680
So, go home! Go to work!

283
00:14:01,040 --> 00:14:02,000
(LONE APPLAUSE)

284
00:14:07,120 --> 00:14:08,360
Thank you.

285
00:14:08,360 --> 00:14:11,000
(EMPLOYEES APPLAUDING)

286
00:14:11,000 --> 00:14:12,760
- WILHELMINA: <i>Wow.</i>
- ♪ (UPLIFTING MUSIC FADES) ♪

287
00:14:12,760 --> 00:14:15,280
What was all that shit
about money is peace?

288
00:14:15,280 --> 00:14:17,080
- (INDISTINCT CHATTER)
- (ERIC CHUCKLES)

289
00:14:17,080 --> 00:14:22,840
I cribbed it from a short story
about an advertising executive

290
00:14:22,840 --> 00:14:25,080
called <i>The Largesse
of the Sea Maiden.</i>

291
00:14:26,280 --> 00:14:28,000
- Hmm.
- Thought I'd hit
all the targets.

292
00:14:28,000 --> 00:14:31,720
Immigrant mentality,
American promise,

293
00:14:31,720 --> 00:14:33,840
"this place made me,"
blah, blah, blah.

294
00:14:34,560 --> 00:14:35,920
ESG bullshit.

295
00:14:37,080 --> 00:14:38,160
(CHUCKLES)

296
00:14:38,160 --> 00:14:39,760
- (ERIC CHUCKLES)
- (CELL PHONE DINGS, BUZZES)

297
00:14:39,760 --> 00:14:42,480
- Well, good work.
- Thanks.

298
00:15:00,440 --> 00:15:02,480
(INDISTINCT CHATTER)

299
00:15:02,480 --> 00:15:03,960
SWEETPEA GOLIGHTLY:
Very good speech,

300
00:15:03,960 --> 00:15:06,440
in the sense that they've
falsely convinced people

301
00:15:06,440 --> 00:15:08,400
that they've
fully considered something.

302
00:15:08,400 --> 00:15:09,760
Can never really buy a word

303
00:15:09,760 --> 00:15:11,640
that comes
out of that cunt's mouth.

304
00:15:11,640 --> 00:15:15,240
Sweetpea, a couple of messages
on Pierpoint internal messenger

305
00:15:15,240 --> 00:15:19,480
saying we're getting bought
by something called Al-Mi'raj?

306
00:15:19,480 --> 00:15:20,800
RISHI RAMDANI:
Those rumors are getting louder

307
00:15:20,800 --> 00:15:22,680
than skeletons fucking
on a tin roof.

308
00:15:22,680 --> 00:15:24,840
(INDISTINCT CHATTER OVER PA)

309
00:15:24,840 --> 00:15:25,840
(CELL PHONE DINGS)

310
00:15:28,400 --> 00:15:30,760
♪ (SUSPENSEFUL MUSIC PLAYING) ♪

311
00:15:32,520 --> 00:15:33,720
(CELL PHONE CLATTERS)

312
00:15:41,880 --> 00:15:44,600
- (PA SYSTEM BELL CHIMES)
- (RISHI CLEARS THROAT)

313
00:15:44,600 --> 00:15:46,560
Paging that old Italian geezer.

314
00:15:48,040 --> 00:15:49,600
Just to let you know,

315
00:15:49,600 --> 00:15:53,280
we've reached the ninth circle
of your cunting inferno,

316
00:15:53,280 --> 00:15:55,640
having Arabs
bid for your services.

317
00:15:57,480 --> 00:16:00,080
Now I finally know
what IG baddies feel like.

318
00:16:00,080 --> 00:16:01,520
(MIC FEEDBACK SQUEALS)

319
00:16:09,240 --> 00:16:10,760
Oh! (CHUCKLES)

320
00:16:10,760 --> 00:16:14,520
I hope you all enjoy
feeling your flesh sear

321
00:16:14,520 --> 00:16:16,640
in the hell
you've created for yourselves.

322
00:16:18,560 --> 00:16:19,920
Good fucking morning.

323
00:16:21,120 --> 00:16:22,960
EMPLOYEE: Your jokes are lead,
mate. Fuck off!

324
00:16:22,960 --> 00:16:24,800
(EMPLOYEES MURMURING)

325
00:16:26,760 --> 00:16:27,840
(SCOFFS)

326
00:16:29,840 --> 00:16:33,040
♪ (MUSIC TURNS UPLIFTING) ♪

327
00:16:36,400 --> 00:16:38,680
(EXHALES, WHISPERS)
What the fuck am I doing?

328
00:16:40,320 --> 00:16:43,000
- ♪ (UPLIFTING MUSIC FADES) ♪
- (DOOR OPENS)

329
00:16:46,480 --> 00:16:49,000
- Am I here to mediate something?
- (DOOR CLOSES)

330
00:16:49,760 --> 00:16:51,600
OTTO: I feel like Howard Smith.

331
00:16:52,400 --> 00:16:54,440
You're Buckley and you're Vidal.

332
00:16:54,440 --> 00:16:57,040
- (PETRA KOENIG SIGHS)
- No. Both Buckleys.

333
00:16:57,960 --> 00:16:59,520
Probably. Hopefully.

334
00:16:59,520 --> 00:17:00,600
(PETRA CHUCKLES DRYLY)

335
00:17:01,800 --> 00:17:03,640
We want this to be amicable.

336
00:17:07,400 --> 00:17:11,280
You've made a handsome ROI
on your initial seed investment.

337
00:17:11,280 --> 00:17:14,280
We've outperformed the market
by eight percent.

338
00:17:14,280 --> 00:17:17,520
You will have that capital back,
plus your eight percent.

339
00:17:17,520 --> 00:17:19,840
In return, we will be
fully untethered

340
00:17:19,840 --> 00:17:21,920
from your fund and oversight.

341
00:17:22,880 --> 00:17:25,640
This all sounds
rather final, doesn't it?

342
00:17:26,520 --> 00:17:29,120
Where are we
on the Pierpoint short?

343
00:17:30,720 --> 00:17:31,840
We took profit.

344
00:17:34,240 --> 00:17:36,680
♪ (SUSPENSEFUL MUSIC PLAYING) ♪

345
00:17:36,680 --> 00:17:39,600
Why? When did you take profit?

346
00:17:39,600 --> 00:17:41,440
PETRA: Less fees to Goldman.

347
00:17:41,440 --> 00:17:45,040
It wasn't our most...
lucrative trade.

348
00:17:48,560 --> 00:17:50,920
At one point
in the middle of the night,

349
00:17:50,920 --> 00:17:54,720
you were making
300 million dollars

350
00:17:54,720 --> 00:17:55,840
on that trade.

351
00:17:55,840 --> 00:17:59,240
Hundreds of millions of dollars.
Poof! Gone.

352
00:18:00,120 --> 00:18:03,760
Like snowflakes on a carburetor.

353
00:18:03,760 --> 00:18:06,680
Harper,
is this acceptable to you?

354
00:18:09,080 --> 00:18:10,800
We had a sure thing here,
didn't we?

355
00:18:13,400 --> 00:18:15,320
It is, amicably.

356
00:18:17,360 --> 00:18:19,800
OTTO: You do know
what you could have
paid yourselves,

357
00:18:19,800 --> 00:18:22,520
had you landed
the plane on this trade?

358
00:18:23,080 --> 00:18:24,040
We do.

359
00:18:25,880 --> 00:18:29,120
We'd like to amicably remind you

360
00:18:29,120 --> 00:18:32,120
that you have made money
being in business with us

361
00:18:32,120 --> 00:18:34,120
in the final reckoning,

362
00:18:34,120 --> 00:18:37,040
and we appreciate
your initial seed investment.

363
00:18:38,040 --> 00:18:41,000
"Hide not thy poison
with such sugar'd words."

364
00:18:41,840 --> 00:18:44,040
Well, in this case,

365
00:18:44,040 --> 00:18:46,240
in good conscience...
(CLICKS TONGUE)

366
00:18:46,240 --> 00:18:51,120
...I can't be in business
with people who seem comforted

367
00:18:51,120 --> 00:18:54,600
by the casual slide
toward mediocrity

368
00:18:54,600 --> 00:18:57,320
that is the hallmark
of modern life.

369
00:19:00,360 --> 00:19:02,040
Really thought
I'd found a spark.

370
00:19:03,840 --> 00:19:05,680
As ever, I wish you the best.

371
00:19:09,440 --> 00:19:10,800
(DOOR OPENS)

372
00:19:13,560 --> 00:19:14,840
- (GROANS)
- ♪ (SUSPENSEFUL MUSIC FADES) ♪

373
00:19:14,840 --> 00:19:17,320
PETRA: All these
classically-educated guys

374
00:19:17,320 --> 00:19:18,520
hide their thuggishness

375
00:19:18,520 --> 00:19:20,640
behind their verbosity
and tailoring.

376
00:19:20,640 --> 00:19:24,000
(INHALES DEEPLY) Look, I'm sorry
I went behind your back.

377
00:19:25,000 --> 00:19:28,040
I had a full-blown
fucking wobble.

378
00:19:28,040 --> 00:19:30,360
I felt the floor go beneath me,
with the legality

379
00:19:30,360 --> 00:19:32,680
of how you got us
into the Pierpoint short.

380
00:19:32,680 --> 00:19:34,520
Okay? I panicked.

381
00:19:35,280 --> 00:19:36,960
HARPER STERN: I forgive you.

382
00:19:36,960 --> 00:19:40,200
I'm not gonna punish you
for reacting that way.

383
00:19:40,200 --> 00:19:42,560
- Thanks for owning it.
- ♪ (INTRIGUING MUSIC PLAYING) ♪

384
00:19:42,560 --> 00:19:46,800
Thank you for...
being honest with me.

385
00:19:48,520 --> 00:19:49,840
Didn't use
any inside information

386
00:19:49,840 --> 00:19:52,760
on our take-profit level,
so I hope you'll forgive me too.

387
00:19:52,760 --> 00:19:54,440
- (CHUCKLES)
- (PETRA LAUGHS)

388
00:19:54,440 --> 00:19:56,560
Fucking hell.
(CLEARS THROAT, SNIFFS)

389
00:19:56,560 --> 00:19:58,240
HARPER: No unilateral decisions.

390
00:19:58,880 --> 00:20:00,560
I meant that.

391
00:20:00,560 --> 00:20:02,160
Um, I've been making
decisions on my own

392
00:20:02,160 --> 00:20:03,360
for, like, a long time,

393
00:20:03,360 --> 00:20:05,960
so I think I'm ready
for something new.

394
00:20:07,560 --> 00:20:09,360
No unilateral decisions.

395
00:20:12,960 --> 00:20:15,080
(SMACKS LIPS)
Who knows? (CHUCKLES)

396
00:20:15,080 --> 00:20:18,120
Maybe reciprocity really is
the key to a happier life.

397
00:20:18,120 --> 00:20:19,920
- (HARPER LAUGHS)
- (INHALES SHARPLY)

398
00:20:19,920 --> 00:20:20,960
Yeah.

399
00:20:23,560 --> 00:20:25,040
♪ (INTRIGUING MUSIC CONTINUES) ♪

400
00:20:25,040 --> 00:20:26,280
Fucking hell.

401
00:20:27,040 --> 00:20:28,320
(BOTH CHUCKLE)

402
00:20:30,440 --> 00:20:31,440
Bit much.

403
00:20:45,640 --> 00:20:46,800
(YASMIN EXHALES)

404
00:20:48,720 --> 00:20:51,160
(CAR DOORS CLOSE)

405
00:20:51,160 --> 00:20:54,040
- HENRY MUCK: You found us.
- ROBERT: Hey, you all right?

406
00:20:54,840 --> 00:20:57,240
- (HENRY GRUNTS)
- It's a nice gaff.

407
00:20:57,240 --> 00:20:58,280
HENRY: Mm.

408
00:21:00,120 --> 00:21:01,680
- Hello.
- HENRY: Hi.

409
00:21:03,920 --> 00:21:05,000
(CHUCKLES)

410
00:21:06,600 --> 00:21:07,640
HENRY: Come in.

411
00:21:08,160 --> 00:21:10,520
(BIRDS CHIRPING)

412
00:21:21,960 --> 00:21:23,480
HENRY:
Al-Mi'raj Holding Companies

413
00:21:23,480 --> 00:21:25,720
- just bought Pierpoint.
- (TEA POURING)

414
00:21:25,720 --> 00:21:28,520
- HENRY: It's all over the wires.
- ♪ (INTRIGUING MUSIC FADES) ♪

415
00:21:28,520 --> 00:21:31,680
HENRY: I was given
a bit of Pierpoint stock

416
00:21:31,680 --> 00:21:34,120
as a sweetener
when they landed the Lumi IPO.

417
00:21:34,120 --> 00:21:35,280
(TEA POURING)

418
00:21:35,280 --> 00:21:36,840
HENRY: Might make a bit
of prosciutto money

419
00:21:36,840 --> 00:21:38,160
if it continues to rally.

420
00:21:38,160 --> 00:21:39,600
(TEA POURING)

421
00:21:39,600 --> 00:21:41,960
ROBERT: I haven't told them yet,
but I won't be going back.

422
00:21:42,520 --> 00:21:44,080
Prosciutto money?

423
00:21:44,080 --> 00:21:47,320
Yeah, you know, uh,
money for cold cuts.

424
00:21:47,320 --> 00:21:49,360
Odds and ends.

425
00:21:49,360 --> 00:21:52,160
A couple of million dollars.
Uh, prosciutto money.

426
00:21:53,480 --> 00:21:55,080
You, uh... you already know

427
00:21:55,080 --> 00:21:58,000
how big a fan I am
of Pierre and Little Labs.

428
00:21:58,000 --> 00:21:59,560
I guess I just...

429
00:21:59,560 --> 00:22:01,480
never really saw
a scalable thing there

430
00:22:01,480 --> 00:22:02,520
due to legality.

431
00:22:02,520 --> 00:22:04,120
ROBERT: People are thinking
too short term.

432
00:22:04,800 --> 00:22:05,840
Well...

433
00:22:08,040 --> 00:22:09,160
word of advice,

434
00:22:09,160 --> 00:22:12,280
if they make you CFO...
(EXHALES)

435
00:22:12,280 --> 00:22:13,960
...don't IPO too early.

436
00:22:20,320 --> 00:22:24,200
Currently, I'm actually
financing a speaker circuit

437
00:22:24,200 --> 00:22:26,400
for public business failures.

438
00:22:27,880 --> 00:22:30,800
An arena where business leaders
can be vulnerable

439
00:22:30,800 --> 00:22:33,040
and learn
from each other's mistakes.

440
00:22:33,040 --> 00:22:35,200
What, for a thousand bucks
a head?

441
00:22:35,200 --> 00:22:36,840
No.

442
00:22:36,840 --> 00:22:41,920
No, clearly, Henry's transcended
all material possessions, right?

443
00:22:41,920 --> 00:22:44,880
Oh, sorry.
(CLEARS THROAT) Sorry.

444
00:22:44,880 --> 00:22:47,320
- Can you not hear me over there?
- (CHUCKLES)

445
00:22:49,240 --> 00:22:50,880
Speak to Rob.

446
00:22:50,880 --> 00:22:53,240
He knows how powerful
a re-centering can be.

447
00:22:54,920 --> 00:22:56,520
And I've been speaking
to the prime minister

448
00:22:56,520 --> 00:23:00,160
about contesting a marginal seat
at the next election.

449
00:23:00,160 --> 00:23:02,480
I want to dedicate my life
to public service.

450
00:23:06,240 --> 00:23:08,320
You keep bending my ear
for a few more hours,

451
00:23:08,320 --> 00:23:10,280
I may have no choice
but to back your venture.

452
00:23:12,440 --> 00:23:14,600
Something about you, Robert...

453
00:23:14,600 --> 00:23:16,840
makes me either
want to kill you or love you.

454
00:23:17,760 --> 00:23:19,120
Not quite sure which yet.

455
00:23:22,480 --> 00:23:24,960
(SLURPS, GULPS)
You guys staying?

456
00:23:27,240 --> 00:23:28,680
ROBERT: Uh, it's-- (HESITATES)

457
00:23:29,560 --> 00:23:31,320
We don't want to impose.

458
00:23:31,320 --> 00:23:34,320
You came all this way.
Stay the night for God's sake.

459
00:23:34,320 --> 00:23:37,760
I mean, do you have the space?
I don't...

460
00:23:38,680 --> 00:23:40,480
I've already had rooms
made ready.

461
00:23:40,480 --> 00:23:41,720
Haven't we, Stevens?

462
00:23:41,720 --> 00:23:42,800
Yes, sir.

463
00:23:47,040 --> 00:23:48,480
We can stay.

464
00:23:48,480 --> 00:23:50,640
I'm actually glad
you said that, to be fair.

465
00:23:50,640 --> 00:23:52,760
I'm knackered. I can't be arsed
driving anymore.

466
00:23:52,760 --> 00:23:54,240
(BOTH CHUCKLE)

467
00:23:55,400 --> 00:23:57,280
Yeah, we'll stay.

468
00:23:57,280 --> 00:23:58,640
Separate rooms, right?

469
00:24:00,200 --> 00:24:01,160
Joking.

470
00:24:02,040 --> 00:24:03,320
It's my uncle's 60th tomorrow.

471
00:24:03,320 --> 00:24:05,120
Um, supper...

472
00:24:05,120 --> 00:24:07,480
(INHALES DEEPLY)
...then shooting on Sunday.

473
00:24:07,480 --> 00:24:09,440
He'd be delighted
to have you as guests.

474
00:24:10,320 --> 00:24:11,960
I wouldn't have
anything to wear.

475
00:24:11,960 --> 00:24:13,680
HENRY:
Nonsense, I know your size.

476
00:24:13,680 --> 00:24:16,000
A friend of mine at Net-a-Porter
owes me a few favors,

477
00:24:16,000 --> 00:24:18,360
so, uh, we can, um,
send someone to London

478
00:24:18,360 --> 00:24:20,320
- to pick something up.
- PETER STEVENS: Absolutely, sir.

479
00:24:24,400 --> 00:24:26,560
Mm, I think we'll head back
in the morning.

480
00:24:27,440 --> 00:24:28,760
But thank you.

481
00:24:32,000 --> 00:24:35,080
- (CLOCK TICKING)
- (YASMIN INHALES)

482
00:24:41,080 --> 00:24:42,640
(EXHALES)

483
00:24:45,000 --> 00:24:46,160
(KNOCKING ON DOOR)

484
00:24:49,880 --> 00:24:51,040
HENRY: Yas, hi.

485
00:24:51,800 --> 00:24:52,760
Uh...

486
00:24:53,720 --> 00:24:55,000
I'm so glad you came.

487
00:24:58,200 --> 00:25:01,080
I wanted to call you,
so when you called me,

488
00:25:01,080 --> 00:25:02,320
it felt, um...

489
00:25:03,880 --> 00:25:05,480
I don't know. (SIGHS)

490
00:25:07,160 --> 00:25:08,560
I wanted to say sorry...

491
00:25:09,720 --> 00:25:10,760
for, um...

492
00:25:13,360 --> 00:25:16,400
I've treated
a lot of people as chattel,

493
00:25:16,400 --> 00:25:19,480
whose, uh, value and utility

494
00:25:19,480 --> 00:25:21,200
I've seen only
in relation to myself.

495
00:25:21,200 --> 00:25:24,440
Honestly, I'm slightly jaded
by people apologizing

496
00:25:24,440 --> 00:25:26,240
for their behavior. (HESITATES)

497
00:25:27,320 --> 00:25:29,120
Nobody's perfect, right?

498
00:25:31,360 --> 00:25:32,600
But honestly, Henry,

499
00:25:32,600 --> 00:25:35,360
I'm just not sure
I buy this whole re-brand.

500
00:25:35,360 --> 00:25:38,080
(ICE BUCKET CLINKING)

501
00:25:39,000 --> 00:25:40,000
Thank you, sir.

502
00:25:43,200 --> 00:25:44,640
HENRY: Ruinart and Twiglets.

503
00:25:47,480 --> 00:25:48,960
No, it's good to see you, Yas.

504
00:25:57,120 --> 00:26:00,080
(BIRDS CHIRPING, CALLING)

505
00:26:01,000 --> 00:26:03,160
(TRAFFIC RUMBLING)

506
00:26:05,920 --> 00:26:07,440
I'm glad you had the sense
to hire me.

507
00:26:07,440 --> 00:26:08,480
HARPER: Hmm.

508
00:26:09,320 --> 00:26:10,760
I always felt like
we had a bond.

509
00:26:11,360 --> 00:26:12,400
You know?

510
00:26:13,720 --> 00:26:15,520
The type of people
who aren't for everyone.

511
00:26:15,520 --> 00:26:17,400
But are definitely
for someone, right?

512
00:26:19,360 --> 00:26:22,560
Tell me, for my own... sanity...

513
00:26:23,600 --> 00:26:27,000
when exactly did you
and Eric decide to fuck me?

514
00:26:28,560 --> 00:26:30,400
(CHUCKLES NERVOUSLY)

515
00:26:30,400 --> 00:26:32,520
That's, uh--
That's water under the bridge.

516
00:26:32,520 --> 00:26:34,240
Exactly!

517
00:26:34,240 --> 00:26:37,080
Water under the bridge.
So, indulge me.

518
00:26:37,880 --> 00:26:38,960
(CLICKS TONGUE)

519
00:26:41,800 --> 00:26:43,040
Uh, reception...

520
00:26:44,200 --> 00:26:47,520
- At my wedding.
- Hmm. Your wedding.

521
00:26:48,720 --> 00:26:50,800
Thanks for that, by the way.
Sorry I didn't send a card.

522
00:26:50,800 --> 00:26:52,120
(RISHI CHUCKLES)

523
00:26:52,120 --> 00:26:54,560
Eric sidles over,
and he just says...

524
00:26:55,560 --> 00:26:57,400
"She's gotta go."

525
00:26:57,400 --> 00:27:00,280
Actually, I think he said,
"That psychopath's gotta go."

526
00:27:00,280 --> 00:27:02,720
(CHUCKLES)
He was pretty loaded, so...

527
00:27:02,720 --> 00:27:04,640
Hmm. Do you think
I'm a psychopath?

528
00:27:04,640 --> 00:27:06,200
(LAUGHS)

529
00:27:08,040 --> 00:27:08,960
I...

530
00:27:09,840 --> 00:27:10,800
I don't know.

531
00:27:12,880 --> 00:27:15,760
Does it matter?
They walk among us.

532
00:27:15,760 --> 00:27:19,080
I guess emotional detachment
probably makes a good trader.

533
00:27:20,000 --> 00:27:21,440
- RISHI: I agree.
- Yeah.

534
00:27:22,080 --> 00:27:23,280
Opportunism.

535
00:27:24,760 --> 00:27:26,040
Predatory instinct.

536
00:27:27,520 --> 00:27:30,160
- Do you consider yourself
a predator, Rish?
- (DOOR OPENS)

537
00:27:32,640 --> 00:27:34,800
Sweetpea is gonna be
working with us.

538
00:27:34,800 --> 00:27:37,280
- ♪ (TENSE MUSIC PLAYING) ♪
- (SWEETPEA CLEARS THROAT)

539
00:27:39,280 --> 00:27:40,800
What is this,
fucking <i>Blind Date?</i>

540
00:27:42,240 --> 00:27:43,960
What are you-- (CHUCKLES)

541
00:27:43,960 --> 00:27:45,680
What are you doing?
Are you... Are you, like,

542
00:27:45,680 --> 00:27:47,520
trying to humiliate me
or something?

543
00:27:47,520 --> 00:27:49,360
I wanted to give Sweetpea
the pleasure

544
00:27:49,360 --> 00:27:51,720
of watching someone
treat you with as little respect

545
00:27:51,720 --> 00:27:53,160
as you treat them.

546
00:27:53,160 --> 00:27:55,520
She's fucking brass!

547
00:27:55,520 --> 00:27:58,320
She hawks her beef curtains
on the net!

548
00:27:58,320 --> 00:28:00,640
I'm well aware
of Sweetpea's extracurriculars.

549
00:28:00,640 --> 00:28:02,400
What, and you think
that's acceptable for a hire,

550
00:28:02,400 --> 00:28:03,480
do you?

551
00:28:03,480 --> 00:28:06,400
I love a woman who doesn't leave
money on the table.

552
00:28:06,400 --> 00:28:09,280
(INHALES DEEPLY)
Rish, let's be straight.

553
00:28:09,280 --> 00:28:12,000
You are not without charm,
but you are a punter.

554
00:28:12,920 --> 00:28:14,720
A... chancer.

555
00:28:16,040 --> 00:28:17,560
A dinosaur.

556
00:28:17,560 --> 00:28:20,360
There's no room for you
in the modern market.

557
00:28:21,280 --> 00:28:22,800
A machine could do your job.

558
00:28:22,800 --> 00:28:24,360
SWEETPEA: And they already do.

559
00:28:26,800 --> 00:28:27,800
Time's up.

560
00:28:28,480 --> 00:28:30,120
(CHUCKLES) Uh...

561
00:28:32,720 --> 00:28:33,680
All right.

562
00:28:34,800 --> 00:28:37,680
All right, uh, you know,
I've... I've-- I've--

563
00:28:37,680 --> 00:28:41,040
I've made mistakes, okay?
I... I can admit that.

564
00:28:41,040 --> 00:28:43,320
Look, I-- I... I don't wanna--
I don't wanna swan in here

565
00:28:43,320 --> 00:28:46,680
and tell you how to do your job.
That-- That's not my job, okay?

566
00:28:46,680 --> 00:28:49,480
I'm... I'm--
I'm an execution guy.

567
00:28:49,480 --> 00:28:51,680
You'll always need
an execution guy.

568
00:28:51,680 --> 00:28:53,160
We have an execution guy.

569
00:28:53,880 --> 00:28:55,280
Who?

570
00:28:55,280 --> 00:28:58,320
- ♪ (TENSE MUSIC BUILDS) ♪
- (BREATHES HEAVILY)

571
00:28:58,320 --> 00:29:01,040
Please, you have no... no idea
what you're doing to me here.

572
00:29:01,040 --> 00:29:03,640
Look, respectfully, um...

573
00:29:04,560 --> 00:29:09,400
you make it very hard
to give a fuck.

574
00:29:09,400 --> 00:29:11,480
- Okay, please listen.
- SWEETPEA: Yeah.

575
00:29:11,480 --> 00:29:13,480
Listen, you... No, you--
You don't understand, okay?

576
00:29:13,480 --> 00:29:16,680
I-- I... I need liquidity.

577
00:29:17,280 --> 00:29:19,760
(BREATHES HEAVILY) Plea--

578
00:29:23,960 --> 00:29:25,480
(BREATHES DEEPLY)

579
00:29:33,560 --> 00:29:35,520
(DOOR RATTLES)

580
00:29:36,200 --> 00:29:37,160
Can--

581
00:29:37,600 --> 00:29:38,600
(BUTTON CLICKS)

582
00:29:44,880 --> 00:29:46,320
(WHISPERS) For fuck's sake.

583
00:29:52,680 --> 00:29:54,800
(BIRDS CHIRPING)

584
00:29:56,120 --> 00:29:58,280
♪ (TENSE MUSIC FADES) ♪

585
00:29:58,280 --> 00:30:00,760
(CLOCK TICKING)

586
00:30:02,120 --> 00:30:03,240
(DOOR OPENS)

587
00:30:04,160 --> 00:30:05,280
You're up early.

588
00:30:05,960 --> 00:30:06,880
Henry told me

589
00:30:06,880 --> 00:30:09,080
we'd have the pleasure
of your company.

590
00:30:09,080 --> 00:30:11,160
It's quite a difficult house
to sleep in.

591
00:30:11,160 --> 00:30:14,400
I agree. I still don't feel
wholly comfortable in it.

592
00:30:14,400 --> 00:30:16,520
It was here before me,
it'll be here after me.

593
00:30:17,080 --> 00:30:18,040
Please.

594
00:30:22,920 --> 00:30:24,920
- (SLURPS)
- (TEACUP CLINKS)

595
00:30:25,640 --> 00:30:28,520
(GROANS, EXHALES)

596
00:30:30,080 --> 00:30:32,200
Your paper
keeps buying my pictures.

597
00:30:32,880 --> 00:30:34,040
My news editor.

598
00:30:36,880 --> 00:30:38,720
Stop hiding behind your editors.

599
00:30:38,720 --> 00:30:40,520
What, you think
it's a distancing device

600
00:30:40,520 --> 00:30:43,920
I use to... to comfort myself
when terrorizing people?

601
00:30:45,920 --> 00:30:48,000
When are you going
to print the Alondra stuff?

602
00:30:49,360 --> 00:30:50,840
Um...

603
00:30:50,840 --> 00:30:53,760
you can't sit on it much longer.

604
00:30:53,760 --> 00:30:55,600
ALEXANDER NORTON:
She won't be easily appeased.

605
00:30:55,600 --> 00:30:59,360
We paid for the exclusive,
but... that'll lapse.

606
00:31:00,960 --> 00:31:03,400
The woman has nothing
and a child.

607
00:31:04,680 --> 00:31:05,920
What would you have me do?

608
00:31:09,840 --> 00:31:11,240
I wanna take care of her.

609
00:31:12,760 --> 00:31:14,440
(INHALES DEEPLY)

610
00:31:17,920 --> 00:31:19,240
I used to hate this house...

611
00:31:21,280 --> 00:31:22,800
in my bones.

612
00:31:25,480 --> 00:31:28,280
I had three older sisters
my father never cared for.

613
00:31:29,280 --> 00:31:31,120
He was obsessed
with the execution of the estate

614
00:31:31,120 --> 00:31:32,880
and what he bequeathed,
and to whom.

615
00:31:34,080 --> 00:31:36,720
Then I was finally born.
A boy. Hurrah.

616
00:31:37,760 --> 00:31:40,880
Doted on by women. Rather fey.

617
00:31:42,680 --> 00:31:43,920
He hated me too.

618
00:31:46,000 --> 00:31:48,400
He bred a particular strain
of misandry in me,

619
00:31:48,400 --> 00:31:50,120
which has led me to...
(INHALES DEEPLY)

620
00:31:50,120 --> 00:31:51,840
...maybe a rather
regressive view.

621
00:31:52,840 --> 00:31:55,120
A feminine touch
built into a family...

622
00:31:56,040 --> 00:31:57,920
saves it from itself.

623
00:31:59,080 --> 00:32:01,440
Perhaps it's even misogynistic
to say it,

624
00:32:01,440 --> 00:32:03,760
but I've found the capacity
for self-destruction

625
00:32:03,760 --> 00:32:05,880
to be a more male trait.

626
00:32:07,040 --> 00:32:08,880
I think people
tend towards it anyway.

627
00:32:08,880 --> 00:32:10,480
(CHUCKLES)

628
00:32:10,480 --> 00:32:14,080
It's, um--
It's not gendered. (LAUGHS)

629
00:32:14,800 --> 00:32:16,800
And I... (SIGHS)

630
00:32:16,800 --> 00:32:19,320
I don't think that the key
to Henry's salvation

631
00:32:19,320 --> 00:32:23,520
is in... some random girl.
(SCOFFS)

632
00:32:25,200 --> 00:32:29,400
Your unwarranted public shunning
for your privilege

633
00:32:29,400 --> 00:32:33,040
shouldn't blinker you
from your own exceptionality.

634
00:32:35,240 --> 00:32:36,600
You're not a random girl.

635
00:32:40,080 --> 00:32:42,520
May I speak candidly
for a moment?

636
00:32:44,200 --> 00:32:46,400
Yeah. Of course.

637
00:32:49,080 --> 00:32:51,640
I always knew
your father was a predator.

638
00:32:52,720 --> 00:32:54,560
There were a number
of disciplinary hearings

639
00:32:54,560 --> 00:32:56,240
at Oxford,
which he only wriggled out of

640
00:32:56,240 --> 00:32:58,160
because of the quality
of the lawyers he could hire.

641
00:33:02,040 --> 00:33:04,080
You know that has nothing
to do with you.

642
00:33:06,080 --> 00:33:07,800
Yasmin, look at me.

643
00:33:09,880 --> 00:33:11,840
That has nothing to do with you.

644
00:33:13,880 --> 00:33:15,040
Do you understand?

645
00:33:16,040 --> 00:33:18,960
It really has nothing
to do with you at all.

646
00:33:26,760 --> 00:33:31,240
(CLOCK CHIMING)

647
00:33:34,880 --> 00:33:35,840
(NORTON KISSES)

648
00:33:39,600 --> 00:33:40,600
(YASMIN EXHALES)

649
00:33:44,320 --> 00:33:46,200
I'm sorry. I, um...

650
00:33:47,560 --> 00:33:49,600
I haven't wished you
a happy birthday.

651
00:33:50,520 --> 00:33:52,520
- NORTON: You just did.
- (YASMIN CHUCKLES)

652
00:33:53,880 --> 00:33:58,000
I am fiercely protective
of my family.

653
00:33:58,000 --> 00:33:59,560
♪ ("BLURRED" BY DARKSTAR
PLAYING) ♪

654
00:33:59,560 --> 00:34:01,160
And I always use my...

655
00:34:02,080 --> 00:34:05,320
not-insubstantial power
to protect them.

656
00:34:08,360 --> 00:34:09,520
But then again...

657
00:34:10,560 --> 00:34:12,680
life's about
the family you choose.

658
00:34:15,440 --> 00:34:16,640
(CHUCKLES SOFTLY)

659
00:34:22,240 --> 00:34:25,120
♪ (SONG CONTINUES) ♪

660
00:34:54,360 --> 00:34:56,280
- (KNOCKING ON DOOR)
- (DOOR OPENS)

661
00:34:59,680 --> 00:35:00,680
Hi.

662
00:35:02,560 --> 00:35:03,520
Hi.

663
00:35:05,280 --> 00:35:07,200
YASMIN: Should we, um...

664
00:35:07,200 --> 00:35:09,520
go somewhere for a while?
(CHUCKLES)

665
00:35:14,800 --> 00:35:15,760
Yeah.

666
00:35:16,520 --> 00:35:18,120
Okay. (CHUCKLES)

667
00:35:22,200 --> 00:35:23,200
(DOOR CLOSES)

668
00:35:24,720 --> 00:35:28,400
♪ ("WHEN WE WERE THAT
WHAT WEPT FOR THE SEA"
BY COLIN STETSON PLAYING) ♪

669
00:35:37,920 --> 00:35:39,920
♪ (SONG CONTINUES) ♪

670
00:36:00,800 --> 00:36:02,000
(LAUGHS)

671
00:36:03,560 --> 00:36:05,200
- (SQUEALS) Stop it!
- (LAUGHS)

672
00:36:06,320 --> 00:36:09,160
(BOTH LAUGH)

673
00:36:14,880 --> 00:36:16,040
- (ROBERT LAUGHS)
- (GASPS)

674
00:36:18,080 --> 00:36:19,160
(YASMIN GIGGLES)

675
00:36:21,680 --> 00:36:24,920
(BOTH BREATHE HEAVILY)

676
00:36:30,080 --> 00:36:32,120
- (YASMIN MOANS, PANTS)
- (ROBERT PANTS)

677
00:36:35,240 --> 00:36:36,560
(MOANS)

678
00:36:37,520 --> 00:36:38,680
Where do you want me to come?

679
00:36:38,680 --> 00:36:40,680
(WHISPERS) Come inside me.

680
00:36:40,680 --> 00:36:42,520
- ROBERT: Are you sure?
- Yeah, come inside me.

681
00:36:43,240 --> 00:36:46,520
(MOANS) I love you. I love you.

682
00:36:47,720 --> 00:36:49,920
(BOTH MOAN CLIMACTICALLY)

683
00:36:50,440 --> 00:36:52,360
(BOTH BREATHE HEAVILY)

684
00:37:03,000 --> 00:37:04,160
(WHISPERS) I love you.

685
00:37:12,560 --> 00:37:13,720
I love you.

686
00:37:15,520 --> 00:37:16,720
I love you too.

687
00:37:29,760 --> 00:37:31,880
(YASMIN PANTS)

688
00:37:32,960 --> 00:37:37,880
(BOTH CHUCKLE SOFTLY)

689
00:37:37,880 --> 00:37:41,200
- ♪ (SONG CONCLUDES) ♪
- (BIRDS CHIRPING)

690
00:37:41,200 --> 00:37:42,480
(YASMIN GIGGLES)

691
00:37:43,600 --> 00:37:44,680
(ZIPPER CLOSES)

692
00:37:46,680 --> 00:37:50,200
(SNIFFS, BREATHES HEAVILY)

693
00:37:56,320 --> 00:37:57,600
YASMIN: <i>Do you love me?</i>

694
00:38:00,800 --> 00:38:01,920
HENRY: Where have you been?

695
00:38:04,080 --> 00:38:05,040
Exploring.

696
00:38:08,440 --> 00:38:09,920
I got lost in the grounds.

697
00:38:09,920 --> 00:38:12,040
- (ROBERT PANTS)
- (YASMIN MOANS, ECHOES)

698
00:38:12,640 --> 00:38:13,880
And I fucked Robert.

699
00:38:16,640 --> 00:38:17,800
How have you been?

700
00:38:20,040 --> 00:38:22,680
HENRY: Yeah, yeah, uh...
(CLEARS THROAT)

701
00:38:24,360 --> 00:38:26,200
- Feeling centered.
- Don't lie to me.

702
00:38:31,120 --> 00:38:32,400
I've really been struggling.

703
00:38:35,680 --> 00:38:36,960
Can't seem to...

704
00:38:37,760 --> 00:38:40,400
feel joy at the moment.

705
00:38:42,760 --> 00:38:43,880
I hope it passes.

706
00:38:45,120 --> 00:38:47,400
YASMIN:
I see past this costume, Henry.

707
00:38:48,600 --> 00:38:50,000
All of this...

708
00:38:51,120 --> 00:38:54,640
- self-searcher shit--
- After the journey, the, uh...

709
00:38:55,720 --> 00:38:57,000
the ayahuasca trip.

710
00:38:59,560 --> 00:39:01,920
I was driving home and the sun
was about to come up,

711
00:39:01,920 --> 00:39:03,760
and I just started...

712
00:39:05,760 --> 00:39:06,960
screaming...

713
00:39:08,000 --> 00:39:10,600
at the driver to stop,
just stop...

714
00:39:11,960 --> 00:39:13,560
in the middle of the road.

715
00:39:13,560 --> 00:39:16,840
And I found my way
down to the riverbank,

716
00:39:16,840 --> 00:39:19,480
and I watched the sunrise
with some tramps

717
00:39:20,240 --> 00:39:21,520
under Vauxhall Bridge.

718
00:39:22,920 --> 00:39:24,120
Did some smack.

719
00:39:25,400 --> 00:39:26,480
Sent you a message

720
00:39:26,480 --> 00:39:28,560
saying you were
deeply connected to my purpose.

721
00:39:28,560 --> 00:39:29,640
(SOBS)

722
00:39:31,880 --> 00:39:33,320
I fucking shared their needles.

723
00:39:33,320 --> 00:39:36,120
- (GASPS)
- (HENRY SOBS)

724
00:39:37,560 --> 00:39:39,200
(SIGHING HEAVILY)

725
00:39:44,160 --> 00:39:45,520
(INHALES DEEPLY)

726
00:39:45,520 --> 00:39:49,960
I thought if I made this
higher-consciousness shit a...

727
00:39:51,320 --> 00:39:53,680
cornerstone of my personality
for a bit,

728
00:39:53,680 --> 00:39:55,920
it might help me
through whatever this is, so...

729
00:39:57,480 --> 00:39:58,880
YASMIN: Well, um...

730
00:40:00,080 --> 00:40:02,920
it's escapist nonsense, Henry.

731
00:40:03,960 --> 00:40:04,920
(HENRY SNIFFLES)

732
00:40:07,480 --> 00:40:10,240
And we should be practical.
(EXHALES SHARPLY)

733
00:40:10,240 --> 00:40:13,360
♪ ("LIEBESTRAUM NO. 3"
BY FRANZ LISZT PLAYING) ♪

734
00:40:16,680 --> 00:40:17,800
(SNIFFLES)

735
00:40:19,200 --> 00:40:21,400
- (LIVELY CHATTER)
- ♪ (SONG CONTINUES) ♪

736
00:40:21,400 --> 00:40:24,040
Charlie van de Ven.
Remember Charlie?

737
00:40:28,560 --> 00:40:31,240
I knew
we had similar dimensions.

738
00:40:31,240 --> 00:40:34,320
You look even more handsome
than me, which isn't easy.

739
00:40:34,880 --> 00:40:36,200
Thank you. (CHUCKLES)

740
00:40:45,960 --> 00:40:47,440
Christ, better say something.

741
00:40:48,280 --> 00:40:50,000
The guy's a fucking charlatan!

742
00:40:50,000 --> 00:40:51,400
- (GLASS CLINKS)
- I did!

743
00:40:54,200 --> 00:40:57,600
- (GUESTS SHUSHING)
- (CHATTER FADES)

744
00:41:00,240 --> 00:41:02,280
Anyone who knows me
knows I loathe speeches.

745
00:41:02,280 --> 00:41:04,880
- (GUESTS LAUGH)
- Any pronouncements, really.

746
00:41:04,880 --> 00:41:09,000
- Unless they're in print.
- (GUESTS CHUCKLE)

747
00:41:09,000 --> 00:41:13,400
Suffice to say, that being
with you all in this room, now,

748
00:41:14,560 --> 00:41:18,600
and what it will mean
for my memories of the house...

749
00:41:20,520 --> 00:41:21,520
is a gift.

750
00:41:23,320 --> 00:41:24,960
You are my life's work.

751
00:41:27,400 --> 00:41:30,960
Every life is full
of unintended consequences,

752
00:41:30,960 --> 00:41:32,560
but I've really tried to live

753
00:41:32,560 --> 00:41:35,320
so you all feel my life
has been an act

754
00:41:35,320 --> 00:41:37,720
of familial... care.

755
00:41:40,960 --> 00:41:44,840
I hope my life's
been an act of love.

756
00:41:44,840 --> 00:41:47,800
♪ (SONG CONTINUES) ♪

757
00:41:49,120 --> 00:41:51,120
Thank you for sharing it.

758
00:41:51,120 --> 00:41:52,920
- GUEST 1: Hear, hear.
- GUEST 2: Hear, hear.

759
00:41:54,760 --> 00:41:55,840
OTTO: Hear, hear.

760
00:41:57,600 --> 00:41:58,680
A loyal toast.

761
00:41:58,680 --> 00:42:00,160
GUESTS: Yes!

762
00:42:02,320 --> 00:42:04,080
OTTO: The king.

763
00:42:04,080 --> 00:42:05,720
- NORTON: The king!
- GUESTS: The king!

764
00:42:05,720 --> 00:42:09,000
- (SCOFFS SOFTLY)
- (INDISTINCT CHATTER)

765
00:42:09,720 --> 00:42:11,680
- Fuck the king.
- (CHUCKLES)

766
00:42:11,680 --> 00:42:15,680
- (GLASS CLINKS)
- Uh-- Now, uh, sorry, sorry.

767
00:42:15,680 --> 00:42:18,360
Um, I'm going
to have to be, uh...

768
00:42:18,360 --> 00:42:20,320
well, characteristically
selfish here

769
00:42:20,320 --> 00:42:23,080
and co-opt
my uncle's celebration.

770
00:42:23,080 --> 00:42:25,680
Um, yeah, I think the...
the biggest surprise

771
00:42:25,680 --> 00:42:27,440
of the night
is this still fits me

772
00:42:27,440 --> 00:42:28,760
- from university, just about.
- (GUESTS LAUGH)

773
00:42:28,760 --> 00:42:30,000
GUEST 3: Buller, buller, buller!

774
00:42:30,000 --> 00:42:31,680
- Buller, buller, buller!
- (GUESTS LAUGH)

775
00:42:31,680 --> 00:42:32,800
Quite.

776
00:42:32,800 --> 00:42:36,400
But, uh, no, that aside,
and seriously, um...

777
00:42:36,400 --> 00:42:39,640
We, uh--
Well, we have some news.

778
00:42:39,640 --> 00:42:40,680
YASMIN: Hmm.

779
00:42:41,520 --> 00:42:42,560
We're engaged.

780
00:42:44,120 --> 00:42:45,480
(CHUCKLES SOFTLY)

781
00:42:45,480 --> 00:42:47,520
♪ (JARRING PIANO CADENZA
PLAYS) ♪

782
00:42:47,520 --> 00:42:50,520
- Bravo!
- (HENRY LAUGHS)

783
00:42:50,520 --> 00:42:52,920
(GUESTS CHEER, APPLAUD)

784
00:42:52,920 --> 00:42:56,760
I knew it! (LAUGHS) I knew it.

785
00:43:03,280 --> 00:43:07,200
- ♪ (DREAMY PIANO THEME PLAYS) ♪
- (APPLAUSE FADES)

786
00:43:07,200 --> 00:43:10,000
♪ (SONG FADES) ♪

787
00:43:10,000 --> 00:43:11,640
YASMIN: <i>We should be practical.</i>

788
00:43:19,240 --> 00:43:20,640
So do you love me?

789
00:43:21,720 --> 00:43:22,800
(SNIFFLES)

790
00:43:26,800 --> 00:43:27,760
Yes.

791
00:43:30,920 --> 00:43:32,040
Honestly, I don't know.

792
00:43:33,840 --> 00:43:36,240
- Maybe I'm just too selfish.
- (EXHALES)

793
00:43:40,280 --> 00:43:41,280
Do you love me?

794
00:43:43,760 --> 00:43:45,080
Yeah. (SNIFFLES)

795
00:43:46,680 --> 00:43:48,080
(CHUCKLES SOFTLY)

796
00:43:48,600 --> 00:43:49,680
I don't believe you.

797
00:43:50,320 --> 00:43:52,760
(LAUGHS, INHALES)

798
00:43:56,320 --> 00:43:57,760
I want commitment.

799
00:43:57,760 --> 00:44:00,480
♪ ("SYMPHONY NO. 2,
5TH MOVEMENT" BY GUSTAV MAHLER
PLAYING IN BACKGROUND) ♪

800
00:44:01,600 --> 00:44:02,880
I want a partner.

801
00:44:06,320 --> 00:44:07,680
Yas, you're not serious.

802
00:44:07,680 --> 00:44:11,200
- (CHUCKLES, SNIFFLES)
- HENRY: Look at the state of me.

803
00:44:12,840 --> 00:44:16,160
You-- You want me to what?
You want me to... propose?

804
00:44:20,040 --> 00:44:22,800
Get down on one knee like this?

805
00:44:24,600 --> 00:44:26,480
To tell you I'm yours forever

806
00:44:26,480 --> 00:44:28,680
and I'm incapable
of letting you down?

807
00:44:28,680 --> 00:44:30,640
♪ (CHORUS SINGING
IN BACKGROUND) ♪

808
00:44:31,600 --> 00:44:32,760
You're not serious.

809
00:44:35,640 --> 00:44:37,440
If I asked you to marry me,
you'd say no.

810
00:44:37,440 --> 00:44:38,680
Is this some kind of game?

811
00:44:42,440 --> 00:44:44,120
Do you really
want to spend a life...

812
00:44:46,200 --> 00:44:47,160
with me?

813
00:44:54,400 --> 00:44:55,880
Henry, you had me
at Net-a-Porter.

814
00:44:55,880 --> 00:44:58,320
- I mean...
- (BOTH LAUGH)

815
00:44:58,320 --> 00:45:00,320
- ♪ (MUSIC BUILDS) ♪
- (YASMIN SNIFFLING)

816
00:45:01,920 --> 00:45:03,480
I can't believe this.

817
00:45:06,760 --> 00:45:08,880
I don't even have a ring.
You deserve a ring.

818
00:45:10,680 --> 00:45:11,920
(SNIFFLES)

819
00:45:17,600 --> 00:45:20,360
(CLEARS THROAT, SNIFFLES)

820
00:45:20,360 --> 00:45:23,040
- (HENRY LAUGHS)
- (CHUCKLES) Thanks, Daddy.

821
00:45:25,200 --> 00:45:27,520
- (SNIFFLES) Henry.
- ♪ (SONG CONCLUDES) ♪

822
00:45:27,520 --> 00:45:28,760
I deserve everything.

823
00:45:28,760 --> 00:45:31,200
♪ ("THE LAST GOODBYE"
BY THE KILLS PLAYING) ♪

824
00:45:31,200 --> 00:45:33,080
(GUESTS APPLAUD)

825
00:45:33,080 --> 00:45:35,840
To my wonderful fiancée!

826
00:45:36,800 --> 00:45:40,320
GUESTS:
To your wonderful fiancée!

827
00:45:40,320 --> 00:45:45,840
<i>♪ It's the last goodbye
I swear ♪</i>

828
00:45:45,840 --> 00:45:48,000
(INDISTINCT CHATTER)

829
00:45:48,000 --> 00:45:51,280
<i>♪ I can't rely ♪</i>

830
00:45:51,280 --> 00:45:55,000
<i>♪ On a dime-a-day love ♪</i>

831
00:45:55,000 --> 00:45:58,120
<i>♪ That don't go anywhere ♪</i>

832
00:46:02,720 --> 00:46:06,080
<i>♪ I'll learn to cry ♪</i>

833
00:46:06,080 --> 00:46:08,560
<i>♪ For someone else ♪</i>

834
00:46:10,080 --> 00:46:13,360
<i>♪ I can't get by ♪</i>

835
00:46:13,360 --> 00:46:16,960
<i>♪ On an odds and ends love ♪</i>

836
00:46:16,960 --> 00:46:19,400
<i>♪ That don't ever match up ♪</i>

837
00:46:19,400 --> 00:46:20,960
I'm sorry.

838
00:46:20,960 --> 00:46:25,400
<i>♪ I heard all you said
And I took it to heart ♪</i>

839
00:46:25,400 --> 00:46:26,480
I understand.

840
00:46:32,120 --> 00:46:36,480
<i>♪ I won't forget, I swear ♪</i>

841
00:46:36,480 --> 00:46:39,440
♪ (CROWD SINGING
"FOR HE'S A JOLLY GOOD FELLOW"
IN BACKGROUND) ♪

842
00:46:39,440 --> 00:46:42,680
<i>♪ I have no regrets ♪</i>

843
00:46:42,680 --> 00:46:46,600
<i>♪ For the past is behind me ♪</i>

844
00:46:46,600 --> 00:46:51,880
<i>♪ Tomorrow reminds me
Just well ♪</i>

845
00:46:51,880 --> 00:46:55,360
CROWD: (IN BACKGROUND)
<i>♪ For he's a jolly good fellow ♪</i>

846
00:46:55,360 --> 00:46:57,800
<i>♪ And so say all of us! ♪</i>

847
00:46:57,800 --> 00:47:00,800
- (CROWD CHEERING)
- ♪ ("THE LAST GOODBYE"
CONTINUES) ♪

848
00:47:00,800 --> 00:47:03,840
OTTO: Okay, outside,
Land Rovers on the left.

849
00:47:03,840 --> 00:47:05,880
Marco, if it flies, it dies.

850
00:47:05,880 --> 00:47:07,520
(INDISTINCT CHATTER)

851
00:47:07,520 --> 00:47:09,000
(BIRDS CHIRPING)

852
00:47:20,200 --> 00:47:25,280
<i>♪ Can't quite see the end ♪</i>

853
00:47:26,720 --> 00:47:30,280
<i>♪ How can I rely ♪</i>

854
00:47:30,280 --> 00:47:33,880
<i>♪ On my heart, if I break it ♪</i>

855
00:47:34,560 --> 00:47:38,080
<i>♪ With my own two hands ♪</i>

856
00:47:38,080 --> 00:47:41,360
<i>♪ I heard all you said ♪</i>

857
00:47:41,360 --> 00:47:44,760
<i>♪ And I love you to death ♪</i>

858
00:47:45,400 --> 00:47:47,640
<i>♪ I heard all you said ♪</i>

859
00:47:47,640 --> 00:47:48,640
- You okay?
- Yeah.

860
00:47:48,640 --> 00:47:51,720
<i>♪ Don't say anything ♪</i>

861
00:47:51,720 --> 00:47:52,800
HENRY: You guys ready?

862
00:47:52,800 --> 00:47:55,000
(INDISTINCT CHATTER)

863
00:47:56,160 --> 00:47:58,680
<i>♪ It's the last goodbye ♪</i>

864
00:47:58,680 --> 00:47:59,680
OTTO: Get in! Come on!

865
00:47:59,680 --> 00:48:01,960
<i>♪ I swear ♪</i>

866
00:48:01,960 --> 00:48:03,760
(CAR DOOR CLOSES)

867
00:48:03,760 --> 00:48:07,200
<i>- ♪ I can't survive ♪</i>
- (INDISTINCT CHATTER)

868
00:48:07,200 --> 00:48:10,200
<i>♪ On a half-hearted love ♪</i>

869
00:48:10,880 --> 00:48:15,200
<i>♪ That will never be whole ♪</i>

870
00:48:17,600 --> 00:48:20,360
I'm good at making people feel
like I love them.

871
00:48:22,640 --> 00:48:23,920
But, um...

872
00:48:25,760 --> 00:48:27,400
I don't know that I ever have.

873
00:48:30,120 --> 00:48:31,360
Loved anyone.

874
00:48:33,240 --> 00:48:35,040
♪ (SONG FADES) ♪

875
00:48:35,040 --> 00:48:37,840
♪ ("NATURAL HABITAT"
BY 070 SHAKE, KEN CARSON
PLAYING) ♪

876
00:48:37,840 --> 00:48:42,680
<i>♪ You don't know
Where I've been in my mind ♪</i>

877
00:48:42,680 --> 00:48:49,240
<i>♪ In my mind, mind, mind
Mind, mind ♪</i>

878
00:48:49,240 --> 00:48:52,880
<i>♪ Ooh-oh, yeah ♪</i>

879
00:48:52,880 --> 00:48:57,040
<i>♪ Whoa, whoa ♪</i>

880
00:48:59,320 --> 00:49:03,360
<i>♪ Whoa, whoa ♪</i>

881
00:49:03,960 --> 00:49:05,760
(INDISTINCT CHATTER)

882
00:49:05,760 --> 00:49:07,920
<i>♪ It's a mean world
Cold world ♪</i>

883
00:49:07,920 --> 00:49:11,000
<i>- ♪ Baby, who's to blame? ♪</i>
- ♪ (SONG FADES) ♪

884
00:49:11,000 --> 00:49:12,600
ERIC: When the fuck
did that happen?

885
00:49:30,480 --> 00:49:31,560
Okay.

886
00:49:33,560 --> 00:49:34,600
Okay.

887
00:49:36,480 --> 00:49:40,160
I should have known
when I stopped getting emails.

888
00:49:40,160 --> 00:49:42,520
- Eric.
- Do me one courtesy.

889
00:49:42,520 --> 00:49:46,440
Spare me the soft-touch spiel.
Just do it.

890
00:49:48,800 --> 00:49:51,000
I get that I was a useful idiot.

891
00:49:52,160 --> 00:49:53,680
We don't see it that way.

892
00:49:54,800 --> 00:49:56,200
How do Al-Mi'raj see it?

893
00:49:59,080 --> 00:50:01,880
Cuts have been more aggressive
than we anticipated.

894
00:50:03,120 --> 00:50:05,320
Our new partners
fear the thinning margins

895
00:50:05,320 --> 00:50:07,080
in sales and trading
can only be allayed

896
00:50:07,080 --> 00:50:08,440
by more automation.

897
00:50:09,400 --> 00:50:11,000
New York is the focus there.

898
00:50:11,000 --> 00:50:14,640
Sales and trading in London
and Zürich is being wound up.

899
00:50:14,640 --> 00:50:17,160
Our offices will be focused
on private wealth

900
00:50:17,160 --> 00:50:19,480
manage the assets
of Al-Mi'raj's partners

901
00:50:19,480 --> 00:50:21,400
in their part of the world.

902
00:50:21,400 --> 00:50:24,320
There's no business need
for you at Pierpoint now.

903
00:50:25,600 --> 00:50:29,320
I presume Tom knew about this.

904
00:50:29,320 --> 00:50:30,760
WILHELMINA: Uh, he didn't.

905
00:50:32,080 --> 00:50:33,160
He'll be moved on.

906
00:50:33,160 --> 00:50:34,840
♪ (CONTEMPLATIVE MUSIC
PLAYING) ♪

907
00:50:34,840 --> 00:50:37,600
Al-Mi'raj don't agree
with his lifestyle.

908
00:50:46,880 --> 00:50:50,640
From Madam ESG
to the mouthpiece for a state.

909
00:50:51,560 --> 00:50:54,480
- In how few moves.
- Come on, Eric.

910
00:50:55,680 --> 00:50:57,640
We both know it's all the same.

911
00:50:59,680 --> 00:51:02,840
I'm head
of institutional securities.

912
00:51:02,840 --> 00:51:05,280
- I know what my contract is.
- And you'll be very happy

913
00:51:05,280 --> 00:51:07,360
with what we're paying you
to break it.

914
00:51:07,360 --> 00:51:09,120
This is not a confrontation.

915
00:51:09,480 --> 00:51:10,480
Hmm.

916
00:51:11,320 --> 00:51:12,800
It's a happy goodbye.

917
00:51:14,320 --> 00:51:17,160
Twenty million dollars
over 48 months.

918
00:51:18,320 --> 00:51:19,560
Stock?

919
00:51:19,560 --> 00:51:21,480
WILHELMINA:
No, these guys do cash.

920
00:51:25,360 --> 00:51:28,760
Do the other
London desk heads know?

921
00:51:30,120 --> 00:51:32,240
No, but...

922
00:51:32,240 --> 00:51:33,760
VPs and associates
are being told

923
00:51:33,760 --> 00:51:35,000
across the other floors
this morning.

924
00:51:37,960 --> 00:51:39,280
I'll call the desk heads.

925
00:51:39,280 --> 00:51:40,680
WILHELMINA:
Uh, you don't have to do that.

926
00:51:40,680 --> 00:51:41,760
ERIC: Listen.

927
00:51:43,080 --> 00:51:45,920
It's better... coming from me.

928
00:51:49,160 --> 00:51:50,160
WILHELMINA: Sure.

929
00:51:52,920 --> 00:51:55,360
Um, I'll see you Thursday?

930
00:51:57,000 --> 00:51:58,040
ERIC: Thursday?

931
00:51:59,680 --> 00:52:00,680
Bill's memorial.

932
00:52:02,320 --> 00:52:03,280
Oh.

933
00:52:04,720 --> 00:52:05,640
Of course.

934
00:52:15,120 --> 00:52:16,640
♪ (CONTEMPLATIVE MUSIC FADES) ♪

935
00:52:16,640 --> 00:52:18,920
- Happy Friday!
- (INDISTINCT CHATTER)

936
00:52:18,920 --> 00:52:21,320
- Do you want a donut?
- (WHISPERS) Thank you.

937
00:52:21,320 --> 00:52:22,960
SWEETPEA: I guess
where I think I can add alpha

938
00:52:22,960 --> 00:52:25,040
- is by looking for dislocations.
- ASSISTANT: Donut?

939
00:52:25,040 --> 00:52:26,360
- Oh, no.
- No.

940
00:52:26,360 --> 00:52:28,360
PETRA: You've got a light
in your eyes which tells me...

941
00:52:28,360 --> 00:52:30,200
ASSISTANT:
Do you want a jammy donut?

942
00:52:30,200 --> 00:52:31,880
- PETRA: Keep up the good work.
- (WHISPERS) Thank you.

943
00:52:31,880 --> 00:52:33,200
- Okay?
- SWEETPEA: Okay, thanks.

944
00:52:35,400 --> 00:52:37,560
ASSISTANT:
Oh, I hope you don't mind.

945
00:52:37,560 --> 00:52:39,880
Petra's asked me to block book
the first Wednesday

946
00:52:39,880 --> 00:52:41,520
of every month
for a team dinner.

947
00:52:41,520 --> 00:52:43,400
I put it in
for the next 12 months.

948
00:52:43,920 --> 00:52:44,960
Great.

949
00:52:48,520 --> 00:52:50,160
ANRAJ CHABRA: No,
I got those hot girl frames...

950
00:52:50,160 --> 00:52:51,680
PETRA: You good?

951
00:52:51,680 --> 00:52:53,800
- Mm-hmm.
- PETRA: Good.

952
00:52:53,800 --> 00:52:55,520
You should be,
you're doing great.

953
00:52:55,520 --> 00:52:57,160
ANRAJ: I look sexy as all fuck.

954
00:52:57,160 --> 00:52:59,160
- (TELEPHONE RINGING)
- (RECEIVER CLACKS)

955
00:52:59,160 --> 00:53:01,360
SWEETPEA: Uh, LeviathanAlpha.
Sweetpea here.

956
00:53:01,360 --> 00:53:04,000
♪ (CONTEMPLATIVE MUSIC
PLAYING) ♪

957
00:53:05,200 --> 00:53:06,840
SWEETPEA: Yeah, I can--
I can get that over to you

958
00:53:06,840 --> 00:53:08,360
in, like, 30 seconds.

959
00:53:11,760 --> 00:53:12,880
Thank you so much.

960
00:53:14,560 --> 00:53:16,600
♪ (CONTEMPLATIVE MUSIC
CONTINUES) ♪

961
00:53:24,760 --> 00:53:25,840
(GROANS)

962
00:53:28,720 --> 00:53:29,760
(SIGHS)

963
00:53:29,760 --> 00:53:32,160
I don't usually let people
walk away from me twice.

964
00:53:35,640 --> 00:53:39,760
If I work for you,
the risk to me is huge.

965
00:53:41,000 --> 00:53:45,400
So, the proposition
is mine and mine entirely.

966
00:53:47,920 --> 00:53:49,960
I'm going to run
a short-only fund.

967
00:53:51,560 --> 00:53:52,960
You'll be popular.

968
00:53:52,960 --> 00:53:55,120
Hating on short-selling
is a political pawn.

969
00:53:55,120 --> 00:53:57,200
The market needs short-sellers.

970
00:53:57,200 --> 00:53:59,960
Short-selling generates
bad ethics PR.

971
00:53:59,960 --> 00:54:01,160
You're wrong.

972
00:54:02,600 --> 00:54:04,760
The fund will look
like a white knight.

973
00:54:04,760 --> 00:54:06,560
We'll knuckle down on companies

974
00:54:06,560 --> 00:54:08,760
who might be
misleading the market,

975
00:54:08,760 --> 00:54:12,480
committing fraud, or engaging
in unethical business practices.

976
00:54:12,480 --> 00:54:16,440
We will find the liars,
We will find vulnerabilities,

977
00:54:16,440 --> 00:54:18,840
and therefore,
what is misprized.

978
00:54:19,920 --> 00:54:22,240
Using a combination
of forensic accounting

979
00:54:22,240 --> 00:54:23,800
and corporate espionage.

980
00:54:23,800 --> 00:54:25,360
OTTO: Corporate espionage?

981
00:54:26,840 --> 00:54:28,320
Would you like me
to say it again?

982
00:54:30,560 --> 00:54:31,880
What gave you this idea?

983
00:54:34,240 --> 00:54:37,160
If someone had been inside Lumi,

984
00:54:37,160 --> 00:54:39,000
close to your godson
from the jump,

985
00:54:39,000 --> 00:54:41,920
we would've always known
it was a short.

986
00:54:41,920 --> 00:54:45,160
You want information.
We will be drowning in it.

987
00:54:46,720 --> 00:54:48,720
A lot of it above board, some...

988
00:54:50,400 --> 00:54:52,760
Let's say we'll have
kompromat and leverage

989
00:54:52,760 --> 00:54:55,920
so that we are always right
and always on time.

990
00:54:58,000 --> 00:54:59,440
Well, it's subversive.

991
00:55:00,640 --> 00:55:02,480
Eh, it's very smart.

992
00:55:02,480 --> 00:55:05,360
"Anti-fraud fraudsters."
It's quite a disguise.

993
00:55:06,520 --> 00:55:08,000
It's only criminal
if we're caught.

994
00:55:10,640 --> 00:55:12,160
And I wanna run it
from New York.

995
00:55:13,320 --> 00:55:14,920
I think I'm ready to go home.

996
00:55:18,200 --> 00:55:19,520
Have you heard from Jesse?

997
00:55:20,120 --> 00:55:21,160
Oh, yes.

998
00:55:22,760 --> 00:55:25,120
I'm sure he'll throw in
a few bucks.

999
00:55:26,160 --> 00:55:28,000
I told him
we were meeting today.

1000
00:55:28,680 --> 00:55:30,280
He asked if you were happy.

1001
00:55:31,120 --> 00:55:32,080
I said...

1002
00:55:33,160 --> 00:55:35,240
"She seemed it
the last time I saw her."

1003
00:55:35,240 --> 00:55:36,720
And he said...

1004
00:55:38,760 --> 00:55:40,080
"That's no way to live."

1005
00:55:45,440 --> 00:55:46,520
Harper.

1006
00:55:48,000 --> 00:55:49,800
Don't make the mistake
of thinking you'll grow up

1007
00:55:49,800 --> 00:55:51,440
and live in a world
without fear.

1008
00:55:51,440 --> 00:55:52,960
♪ ("LOVE IS BLUE"
BY PAUL MAURIAT PLAYING) ♪

1009
00:55:52,960 --> 00:55:54,440
(BIG BEN TOLLING)

1010
00:56:00,480 --> 00:56:02,880
- (BIG BEN CONTINUES TOLLING)
- (ELEVATOR DINGING)

1011
00:56:04,360 --> 00:56:07,200
♪ (SONG CONTINUES) ♪

1012
00:56:36,920 --> 00:56:37,880
Goodbye, Peter.

1013
00:56:40,160 --> 00:56:41,560
Goodbye, sir.

1014
00:57:10,520 --> 00:57:13,400
♪ (SONG FADES) ♪

1015
00:57:14,360 --> 00:57:15,920
(SNIFFLES, SIGHS)

1016
00:57:16,920 --> 00:57:19,360
(SOBS HEAVILY)

1017
00:57:24,720 --> 00:57:28,200
This is the list of people
who have yet to RSVP,
by the way.

1018
00:57:28,200 --> 00:57:30,520
Malala is a no.

1019
00:57:30,520 --> 00:57:32,480
And I saw Carrie Johnson
was on the list,

1020
00:57:32,480 --> 00:57:34,000
but I assume
that was an oversight.

1021
00:57:34,000 --> 00:57:35,400
YASMIN: Great.

1022
00:57:35,400 --> 00:57:37,720
Could you, um--
Could you send my secretary in?

1023
00:57:37,720 --> 00:57:38,800
Thanks.

1024
00:57:44,400 --> 00:57:45,480
- (DOOR OPENS)
- (DOOR CHIME DINGS)

1025
00:57:45,480 --> 00:57:46,480
HARPER: Thanks.

1026
00:57:49,480 --> 00:57:51,720
- Hi, pack of lights, please.
- (CELL PHONE BUZZING)

1027
00:57:51,720 --> 00:57:53,560
(CELL PHONE CONTINUES BUZZING)

1028
00:57:57,160 --> 00:57:58,560
Um, excuse me.

1029
00:57:59,800 --> 00:58:01,320
Hello?

1030
00:58:01,320 --> 00:58:04,240
Why haven't you responded
to my wedding invitation?

1031
00:58:04,240 --> 00:58:06,240
HARPER: (OVER PHONE)
<i>Thought it was
a courtesy invite.</i>

1032
00:58:06,240 --> 00:58:07,680
YASMIN: <i>I want you there.</i>

1033
00:58:07,680 --> 00:58:10,080
Why, Yas?
When was the last time we spoke?

1034
00:58:10,080 --> 00:58:14,080
Well, I saw you
on Forbes 30 Under 30.

1035
00:58:14,800 --> 00:58:16,240
Congratulations.

1036
00:58:16,240 --> 00:58:18,160
<i>I'm surprised
Eric gave you a quote.</i>

1037
00:58:18,600 --> 00:58:19,560
So was I.

1038
00:58:20,560 --> 00:58:23,000
My mom texted me
for the first time in 18 months

1039
00:58:23,000 --> 00:58:24,600
with some crucial info.

1040
00:58:25,560 --> 00:58:27,160
<i>My hair looked like shit.</i>

1041
00:58:28,080 --> 00:58:29,440
(SCOFFS) Fuck her.

1042
00:58:31,040 --> 00:58:34,360
Did you see me...
in <i>Real Country?</i>

1043
00:58:34,360 --> 00:58:36,080
Can't say I'm a subscriber.

1044
00:58:37,240 --> 00:58:39,320
- Which issue?
- YASMIN: <i>This month's.</i>

1045
00:58:39,320 --> 00:58:42,360
♪ (DREAMY MUSIC PLAYING) ♪

1046
00:58:44,840 --> 00:58:45,800
HARPER: Oh!

1047
00:58:46,680 --> 00:58:48,320
Did you control the copy?

1048
00:58:48,320 --> 00:58:49,840
YASMIN: <i>Of course we did.</i>

1049
00:58:49,840 --> 00:58:51,400
(PAGES RUSTLING)

1050
00:58:54,280 --> 00:58:56,240
HARPER: Okay, so where
is this wedding? Puglia?

1051
00:58:56,240 --> 00:58:57,960
YASMIN: <i>God, no.</i> (CHUCKLES)

1052
00:58:57,960 --> 00:59:01,920
<i>No. No, no. It's, uh--
It's here. It's in the country.</i>

1053
00:59:01,920 --> 00:59:03,680
HARPER: Tell me
about the seating chart.

1054
00:59:03,680 --> 00:59:05,160
Any corporate bigwigs?

1055
00:59:05,160 --> 00:59:07,360
You know I like to get them
drunk and talking.

1056
00:59:07,360 --> 00:59:09,800
Are you honestly saying that
you'll only come to my wedding

1057
00:59:09,800 --> 00:59:11,880
if I sit you
next to someone important?

1058
00:59:12,960 --> 00:59:14,160
Why else would I come?

1059
00:59:17,200 --> 00:59:19,440
♪ (DREAMY MUSIC FADES) ♪

1060
00:59:20,640 --> 00:59:22,040
(SNIFFLES)

1061
00:59:22,040 --> 00:59:24,400
♪ ("QUI AIME T'IL VRAIMENT"
BY FRANÇOISE HARDY PLAYING
IN BACKGROUND) ♪

1062
00:59:27,720 --> 00:59:29,280
(VINAY SARKAR SCOFFS)

1063
00:59:29,280 --> 00:59:30,840
RISHI: Uh... (CHUCKLES) Big man.

1064
00:59:30,840 --> 00:59:31,960
Yes, bro. How you doing?

1065
00:59:31,960 --> 00:59:33,600
- RISHI: Good.
- Looks like I'm intruding.

1066
00:59:33,600 --> 00:59:34,840
(RISHI CHUCKLES)

1067
00:59:37,800 --> 00:59:39,560
DIANA RAMDANI:
I wanted to surprise you

1068
00:59:39,560 --> 00:59:41,680
before he turned up unannounced.

1069
00:59:42,280 --> 00:59:43,480
VINAY: How's the bambino?

1070
00:59:45,240 --> 00:59:47,440
Di, light 'em up, please.

1071
00:59:53,400 --> 00:59:56,080
(CUTLERY CLINKING)

1072
00:59:56,080 --> 00:59:57,320
Go on.

1073
00:59:57,320 --> 01:00:00,080
Make a wish, Rish. (CHUCKLES)

1074
01:00:07,760 --> 01:00:08,720
(RISHI BLOWS)

1075
01:00:09,680 --> 01:00:11,560
(VINAY APPLAUDS)

1076
01:00:11,560 --> 01:00:12,960
Happy birthday, bro.

1077
01:00:14,400 --> 01:00:16,160
RISHI: (SNIFFLES) Thanks.

1078
01:00:16,960 --> 01:00:19,960
Thank you.
Just, um... (SNIFFLES)

1079
01:00:21,480 --> 01:00:22,880
I'm-- I'm not hungry right now.

1080
01:00:26,720 --> 01:00:29,840
VINAY: Oh...
What is this little bolt-hole?

1081
01:00:31,360 --> 01:00:33,160
Rish, you're not living here
on your own, are you?

1082
01:00:33,160 --> 01:00:34,120
- Yeah.
- Mm.

1083
01:00:34,120 --> 01:00:37,080
(SNIFFS)
Smells like a wank palace.

1084
01:00:37,080 --> 01:00:39,320
(CHUCKLES)

1085
01:00:39,320 --> 01:00:42,680
Look at that. (EXHALES SHARPLY)
Fucking generic, innit?

1086
01:00:44,080 --> 01:00:46,240
- It's just temporary.
- Temporary, hmm.

1087
01:00:48,480 --> 01:00:50,360
You lot on the skids
or something?

1088
01:00:51,920 --> 01:00:54,080
I mean, separation
suits you though, Di.

1089
01:00:54,080 --> 01:00:55,600
You look good.

1090
01:00:55,600 --> 01:00:58,400
Your hair is different. Blondie.

1091
01:00:58,400 --> 01:01:00,440
I thought you were done
with each other.

1092
01:01:00,440 --> 01:01:01,440
VINAY: Nah.

1093
01:01:01,440 --> 01:01:03,360
You're never done
with friends, innit?

1094
01:01:03,360 --> 01:01:05,720
You're not his friend.
You prey on him.

1095
01:01:05,720 --> 01:01:06,960
VINAY: No, no,
he preys on me, darling.

1096
01:01:06,960 --> 01:01:08,360
You exploit him.

1097
01:01:08,360 --> 01:01:10,800
- He exploits my generosity.
- Tell him to leave.

1098
01:01:16,840 --> 01:01:18,560
He owes me
half a million pounds.

1099
01:01:21,040 --> 01:01:22,840
Closer to six big figure.

1100
01:01:27,440 --> 01:01:28,400
(SOFTLY) I'm...

1101
01:01:28,800 --> 01:01:30,080
I'm sick.

1102
01:01:30,760 --> 01:01:34,080
(SOBS HEAVILY)

1103
01:01:34,080 --> 01:01:35,360
You broke us.

1104
01:01:36,600 --> 01:01:38,520
You broke us.

1105
01:01:38,520 --> 01:01:40,800
You are the worst
kind of person,

1106
01:01:40,800 --> 01:01:43,120
because he might be
sick and selfish,

1107
01:01:43,120 --> 01:01:46,120
but you enable him
and feed off his sickness.

1108
01:01:46,120 --> 01:01:47,960
- ♪ (SONG GROWS LOUDER) ♪
- And I bet you have no idea

1109
01:01:47,960 --> 01:01:49,560
what it’s like
to feel love because--

1110
01:01:52,720 --> 01:01:55,000
(BREATHES HEAVILY)

1111
01:01:58,400 --> 01:02:00,680
(RISHI WHIMPERS)

1112
01:02:01,440 --> 01:02:02,440
(WHIMPERS)

1113
01:02:04,320 --> 01:02:05,440
(DOOR CLOSES)

1114
01:02:07,400 --> 01:02:09,480
(WHISPERS) Oh, fuck!

1115
01:02:09,480 --> 01:02:12,440
(BREATHES HEAVILY, WHIMPERS)

1116
01:02:13,720 --> 01:02:17,120
♪ (SONG FADES) ♪

1117
01:02:17,120 --> 01:02:20,360
Um, the chancellor is confirmed
to stay next weekend.

1118
01:02:20,360 --> 01:02:22,160
Put Aurore in the king's room.

1119
01:02:22,720 --> 01:02:23,920
She's eyeing Number 10.

1120
01:02:23,920 --> 01:02:26,760
ALONDRA GALPERIN-DIAZ:
Will Sir Henry
be back this evening?

1121
01:02:26,760 --> 01:02:28,600
(GROANS) I doubt it.

1122
01:02:28,600 --> 01:02:32,120
He's, um--
He's in some Welsh town

1123
01:02:32,120 --> 01:02:34,280
trying to get on the shortlist
for the by-election.

1124
01:02:34,280 --> 01:02:35,840
He's been trying to pronounce...

1125
01:02:35,840 --> 01:02:37,760
(CHUCKLING) ...the name
of the town all week.

1126
01:02:37,760 --> 01:02:38,880
(CHUCKLES)

1127
01:02:38,880 --> 01:02:40,640
♪ (GROOVY POP SONG
PLAYING IN BACKGROUND) ♪

1128
01:02:40,640 --> 01:02:43,320
Do you want a drink? Or, um...

1129
01:02:45,000 --> 01:02:46,320
we could do a bit of blow.

1130
01:02:47,080 --> 01:02:48,680
I mean, I have some left over

1131
01:02:48,680 --> 01:02:52,040
from that ghastly
Historic Houses event last week.

1132
01:02:52,480 --> 01:02:53,520
Sure.

1133
01:02:53,520 --> 01:02:55,280
(GIGGLES)

1134
01:02:55,280 --> 01:02:59,800
<i>♪ Ooh, give me love
Give me love, give me love ♪</i>

1135
01:03:00,480 --> 01:03:02,240
(BAG CRINKLING)

1136
01:03:02,240 --> 01:03:05,960
I wanted to thank you
for giving me employment.

1137
01:03:05,960 --> 01:03:07,760
It was very generous.

1138
01:03:07,760 --> 01:03:10,640
And I'm sorry
I went to the papers at all.

1139
01:03:10,640 --> 01:03:13,480
YASMIN: Well, as long
as you understand, um,

1140
01:03:14,160 --> 01:03:16,360
the people that work with me...

1141
01:03:17,600 --> 01:03:19,000
are loyal to me.

1142
01:03:19,000 --> 01:03:21,520
<i>♪ Ooh, give me love
Give me love, give me love ♪</i>

1143
01:03:21,520 --> 01:03:23,680
We're a family. (CHUCKLES)

1144
01:03:24,280 --> 01:03:25,240
(SNIFFS)

1145
01:03:29,640 --> 01:03:31,440
<i>♪ It's enough, it's enough
It's enough... ♪</i>

1146
01:03:31,440 --> 01:03:34,200
(SNORTS, EXHALES)

1147
01:03:36,400 --> 01:03:37,360
(CHUCKLES SOFTLY)

1148
01:03:38,760 --> 01:03:42,960
- (CLEARS THROAT, SNIFFS)
- ♪ (SONG CONCLUDES) ♪

1149
01:03:43,400 --> 01:03:44,440
(CLEARS THROAT)

1150
01:03:44,440 --> 01:03:48,320
(SNORTS, CLEARS THROAT)

1151
01:03:48,320 --> 01:03:50,720
- YASMIN: So, your baby...
- (SNIFFS)

1152
01:03:50,720 --> 01:03:52,080
(DRINK POURING)

1153
01:03:52,080 --> 01:03:54,280
- ...is she my sister?
- (BOTTLE CLATTERS)

1154
01:03:54,280 --> 01:03:57,440
(SPEAKS SPANISH) Uh--
No, no, no. Not Charles's.

1155
01:04:00,400 --> 01:04:01,960
- (GLASS CLINKS)
- Are you sure?

1156
01:04:02,960 --> 01:04:04,440
ALONDRA:
I'm with the father now.

1157
01:04:06,880 --> 01:04:09,640
I can't imagine what life
must have been like for you.

1158
01:04:09,640 --> 01:04:10,840
(SNIFFS)

1159
01:04:10,840 --> 01:04:13,600
On that boat, I mean,
you know, week after week,

1160
01:04:13,600 --> 01:04:16,800
the people, the requests.
(SIGHS)

1161
01:04:16,800 --> 01:04:19,120
ALONDRA:
The tips were excessive.

1162
01:04:21,120 --> 01:04:23,320
They were buying
your silence. (CHUCKLES)

1163
01:04:24,680 --> 01:04:25,640
(YASMIN SIGHS)

1164
01:04:29,280 --> 01:04:32,480
I-- I never wanted to tell you,

1165
01:04:32,480 --> 01:04:33,760
but, um...

1166
01:04:33,760 --> 01:04:36,520
there were days on the boat
when Charles and his friends,

1167
01:04:36,520 --> 01:04:39,560
- their, um, company...
- ♪ ("HOME AGAIN" BY CAROLE KING
PLAYING IN BACKGROUND) ♪

1168
01:04:39,560 --> 01:04:42,400
(VOICE QUIVERING)
...some of the girls,
they were young.

1169
01:04:44,280 --> 01:04:45,200
Very young.

1170
01:04:45,200 --> 01:04:47,440
<i>♪ It's so far and out of sight ♪</i>

1171
01:04:47,440 --> 01:04:48,680
How young?

1172
01:04:49,640 --> 01:04:52,440
Twelve. Thirteen, fourteen.

1173
01:04:52,440 --> 01:04:54,720
<i>♪ I really need someone
To talk to ♪</i>

1174
01:04:54,720 --> 01:04:57,840
You know,
if he ever did that to you

1175
01:04:57,840 --> 01:05:01,440
when you were young,
if he hurt you like those girls,

1176
01:05:01,440 --> 01:05:03,360
I-- I want you to know
you are seen

1177
01:05:03,360 --> 01:05:06,160
- and protected.
- (YASMIN CHUCKLES)

1178
01:05:06,160 --> 01:05:09,600
He never... (SNIFFS)
He never did that to me.

1179
01:05:09,600 --> 01:05:10,640
ALONDRA: You are seen.

1180
01:05:10,640 --> 01:05:12,360
What the fuck
are you doing? Stop!

1181
01:05:12,360 --> 01:05:16,320
<i>♪ Chills my soul
Right to the marrow ♪</i>

1182
01:05:16,320 --> 01:05:19,000
(GASPS, BREATHES HEAVILY)

1183
01:05:19,000 --> 01:05:20,680
<i>♪ I won't be happy ♪</i>

1184
01:05:20,680 --> 01:05:25,480
<i>- ♪ 'Til I see you alone again ♪</i>
- (SOBS HEAVILY, GASPS)

1185
01:05:25,480 --> 01:05:30,280
<i>♪ 'Til I'm home again
And feelin' right ♪</i>

1186
01:05:30,280 --> 01:05:32,880
(YASMIN BREATHES HEAVILY)

1187
01:05:42,040 --> 01:05:43,600
(CONTINUES BREATHING HEAVILY)

1188
01:05:48,800 --> 01:05:50,000
(EXHALES HEAVILY)

1189
01:05:50,000 --> 01:05:55,200
<i>♪ Snow is cold, rain is wet ♪</i>

1190
01:05:55,200 --> 01:05:56,560
(SNIFFLES)

1191
01:05:56,560 --> 01:05:58,880
<i>♪ Chills my soul ♪</i>

1192
01:05:58,880 --> 01:06:03,440
<i>♪ Right to the marrow... ♪</i>

1193
01:06:04,640 --> 01:06:05,680
(SNIFFLES)

1194
01:06:06,800 --> 01:06:08,120
Get rid of her.

1195
01:06:10,320 --> 01:06:14,440
<i>♪ 'Til I'm home again
And feeling right ♪</i>

1196
01:06:17,040 --> 01:06:19,360
<i>♪ 'Til I'm home again ♪</i>

1197
01:06:19,360 --> 01:06:21,840
<i>♪ And feeling right ♪</i>

1198
01:06:21,840 --> 01:06:23,840
(INDISTINCT CHATTER)

1199
01:06:23,840 --> 01:06:26,320
These conversations
are never easy.

1200
01:06:26,320 --> 01:06:27,880
- ♪ (SONG CONCLUDES) ♪
- EMPLOYEE: (OVER HEADSET) <i>Okay.</i>

1201
01:06:27,880 --> 01:06:30,360
- (CELL PHONE BUZZING)
- (LIGHTER CLICKS)

1202
01:06:30,360 --> 01:06:32,120
- EMPLOYEE: <i>Sorry?</i>
- Can I put you on hold?

1203
01:06:32,120 --> 01:06:33,160
EMPLOYEE: <i>Yeah.</i>

1204
01:06:35,720 --> 01:06:38,880
(CELL PHONE CONTINUES BUZZING)

1205
01:06:41,600 --> 01:06:42,840
Hello?

1206
01:06:42,840 --> 01:06:44,720
HARPER: (OVER PHONE)
<i>Thanks for your comment
in</i> Forbes.

1207
01:06:45,760 --> 01:06:48,280
"A brilliant dropout
whose ambition is boundless."

1208
01:06:49,240 --> 01:06:50,840
Very magnanimous.

1209
01:06:50,840 --> 01:06:53,040
ERIC: (OVER PHONE) <i>I'm glad
you read it that way.</i>

1210
01:06:53,040 --> 01:06:55,400
HARPER: <i>I heard they really
swung the scythe over there.</i>

1211
01:06:56,080 --> 01:06:57,040
Yep.

1212
01:07:00,720 --> 01:07:02,960
Did how the cards fell
make you rich?

1213
01:07:04,120 --> 01:07:05,480
Not nearly enough.

1214
01:07:06,920 --> 01:07:09,440
ERIC: <i>So you're hiring?</i> (LAUGHS)

1215
01:07:10,240 --> 01:07:11,520
I hope they paid you.

1216
01:07:12,120 --> 01:07:13,160
ERIC: <i>A lot.</i>

1217
01:07:13,920 --> 01:07:15,240
Not enough.

1218
01:07:15,240 --> 01:07:17,520
(CLICKS TONGUE) I guess
you know what they say,

1219
01:07:18,560 --> 01:07:21,720
being wealthy
isn't the same as being loved.

1220
01:07:23,120 --> 01:07:25,520
But most of the time
it's close enough?

1221
01:07:25,520 --> 01:07:28,880
♪ (DREAMY MUSIC PLAYING) ♪

1222
01:07:36,920 --> 01:07:37,880
Harp?

1223
01:07:38,440 --> 01:07:39,400
(LIGHTER CLICKS)

1224
01:07:40,640 --> 01:07:41,560
Yeah?

1225
01:07:53,160 --> 01:07:54,280
Take care.

1226
01:07:57,760 --> 01:07:58,760
You too.

1227
01:08:07,800 --> 01:08:09,600
ROBERT: <i>So...</i>

1228
01:08:09,600 --> 01:08:11,160
<i>I'm sure you've all
been programmed</i>

1229
01:08:11,160 --> 01:08:12,800
<i>to expect something radical.</i>

1230
01:08:14,040 --> 01:08:15,640
<i>But what I have here
for you today,</i>

1231
01:08:16,680 --> 01:08:18,080
<i>it really isn't new at all.</i>

1232
01:08:19,240 --> 01:08:20,280
- Jimmy.
- JIMMY: (OVER HEADSET) <i>Eric.</i>

1233
01:08:20,280 --> 01:08:22,360
How goes it up there
on the tenth floor?

1234
01:08:22,360 --> 01:08:25,560
- JIMMY: <i>Yeah, we're good.</i>
- (CLICKS TONGUE) Listen...

1235
01:08:25,560 --> 01:08:28,520
I hate to be
the bearer of bad news...

1236
01:08:29,880 --> 01:08:34,720
♪ (DREAMY MUSIC INTENSIFIES) ♪

1237
01:08:34,720 --> 01:08:37,200
Every prospective Little Labs
customer is trapped...

1238
01:08:38,240 --> 01:08:41,040
somewhere,
on a... sliding scale.

1239
01:08:41,960 --> 01:08:45,480
The listless ennui
of the hyper-privileged,

1240
01:08:45,480 --> 01:08:46,960
the insatiable affluenza

1241
01:08:46,960 --> 01:08:48,520
of the strivers
born with nothing.

1242
01:08:49,640 --> 01:08:52,400
Our product is a shortcut
to something higher.

1243
01:08:52,400 --> 01:08:55,360
Transcendence in a pill.

1244
01:08:55,360 --> 01:08:57,640
And we'll control
the supply-demand curve

1245
01:08:57,640 --> 01:08:59,760
by aggressively
limiting availability.

1246
01:09:00,760 --> 01:09:02,920
Something that the elite see

1247
01:09:02,920 --> 01:09:05,760
as the new answer to problems
which can never be solved

1248
01:09:05,760 --> 01:09:09,000
and the aspirational classes
long to have because they can't.

1249
01:09:09,000 --> 01:09:11,800
You got
a million dollars pre-seed

1250
01:09:11,800 --> 01:09:14,400
from Henry Muck
six months ago, right?

1251
01:09:14,400 --> 01:09:17,520
And half a million
from Ashford Asset Management.

1252
01:09:17,520 --> 01:09:19,240
PIERRE MARTIN: And we're seeing
you gentlemen

1253
01:09:19,240 --> 01:09:20,720
and three other VCs today.

1254
01:09:20,720 --> 01:09:23,680
♪ (CONTEMPLATIVE MUSIC
PLAYING) ♪

1255
01:09:24,120 --> 01:09:25,280
Listen, I...

1256
01:09:26,800 --> 01:09:27,840
I'm just here...

1257
01:09:29,320 --> 01:09:30,640
to give you an opportunity.

1258
01:09:32,520 --> 01:09:35,000
Join us on the ground floor

1259
01:09:35,000 --> 01:09:37,160
of what is going to be
a spectacular journey.

1260
01:09:39,640 --> 01:09:40,720
Mark my words.

1261
01:09:42,880 --> 01:09:45,800
♪ (CONTEMPLATIVE MUSIC
CONTINUES) ♪

1262
01:10:40,640 --> 01:10:44,720
♪ ( CONTEMPLATIVE MUSIC
CONCLUDES) ♪