1 00:00:06,920 --> 00:00:08,760 SEBASTIAN STEFANOWICZ: The prime minister's run a mile, 2 00:00:08,840 --> 00:00:10,440 I see, which makes sense. 3 00:00:10,520 --> 00:00:12,400 I would too. It's a national disgrace. 4 00:00:16,000 --> 00:00:19,360 And the wolves have been fed Lisa Dearn, 5 00:00:19,440 --> 00:00:21,280 but who else is gonna hang for it? 6 00:00:21,360 --> 00:00:22,840 It's always the youngest generation 7 00:00:22,920 --> 00:00:24,080 left paying the bill. 8 00:00:27,040 --> 00:00:28,440 SEBASTIAN: Labour spend their time 9 00:00:28,520 --> 00:00:31,680 excoriating the Conservatives, but their scandals 10 00:00:31,760 --> 00:00:33,880 look and they smell the same. 11 00:00:33,920 --> 00:00:36,360 It's time for a change. Neither party represents that. 12 00:00:36,440 --> 00:00:38,960 AMOL RAJAN: Okay, thank you. Miss Bevan. 13 00:00:39,040 --> 00:00:41,960 Change is a very bright and happy word 14 00:00:42,040 --> 00:00:43,000 for what you represent. 15 00:00:43,080 --> 00:00:44,640 May I say something to the audience, Amol? 16 00:00:44,720 --> 00:00:46,680 -Oh, yes, of course. -SEBASTIAN: If they're still listening. 17 00:00:46,760 --> 00:00:47,960 Please, Mr. Stefanowicz, thank you. 18 00:00:48,000 --> 00:00:49,800 -Thanks. Gentlemen. -SEBASTIAN: Shot for shot, sorry. 19 00:00:49,880 --> 00:00:51,440 ♪ ("GNOSSIENNE NO. 1" BY ERIK SATIE PLAYING) ♪ 20 00:00:51,520 --> 00:00:53,160 JENNIFER BEVAN: The man sat just beside me, 21 00:00:53,240 --> 00:00:57,240 he wants the lessons of Tender to be made easy. 22 00:00:59,520 --> 00:01:03,200 Compliance failures, ministerial naivety, 23 00:01:04,000 --> 00:01:05,880 criminally-minded anomalies. 24 00:01:06,360 --> 00:01:08,280 (CART RATTLING) 25 00:01:08,360 --> 00:01:11,840 (KEYBOARD KEYS CLACKING) 26 00:01:11,920 --> 00:01:15,160 JENNIFER: But Tender is not an anomaly. 27 00:01:16,800 --> 00:01:19,520 It's the hyperreal and logical end point 28 00:01:19,600 --> 00:01:21,360 for what the market state loves. 29 00:01:23,920 --> 00:01:26,360 We must start acknowledging 30 00:01:26,400 --> 00:01:31,120 capitalism is as extractive as it is creative. 31 00:01:35,160 --> 00:01:37,920 And we have to stop pretending that Tender is an alien. 32 00:01:38,680 --> 00:01:39,880 It's a part of us. 33 00:01:42,120 --> 00:01:43,840 The market apparatus 34 00:01:43,880 --> 00:01:46,160 will always find its useful scapegoat. 35 00:01:48,600 --> 00:01:50,520 I am complicit. 36 00:01:50,600 --> 00:01:54,479 I sat in meetings with men and women so impressed 37 00:01:54,560 --> 00:01:57,039 by their technocratic affect and words 38 00:01:57,120 --> 00:01:59,560 that I swallowed both as moral neutrality. 39 00:02:01,440 --> 00:02:04,000 I was convinced I was helping my party. 40 00:02:05,480 --> 00:02:07,360 I was not helping my party. 41 00:02:07,440 --> 00:02:09,479 I was betraying its first principles. 42 00:02:13,480 --> 00:02:18,160 It's become my job to be seduced, and lobbied, 43 00:02:18,240 --> 00:02:20,200 and falsely loved 44 00:02:20,280 --> 00:02:23,040 so that neoliberalism can slowly continue 45 00:02:23,120 --> 00:02:25,079 its decades-long project 46 00:02:25,160 --> 00:02:27,160 of gutting the moral architecture 47 00:02:27,200 --> 00:02:28,480 of how we govern. 48 00:02:30,720 --> 00:02:31,920 But I am unbowed. 49 00:02:32,760 --> 00:02:35,880 First, we must make financial amends 50 00:02:35,960 --> 00:02:37,760 to every unwitting member 51 00:02:37,800 --> 00:02:40,680 of the public that placed money in the very thing 52 00:02:40,760 --> 00:02:42,079 that we sanctified. 53 00:02:43,079 --> 00:02:44,160 And from there, 54 00:02:44,240 --> 00:02:46,440 it will be a time for imagination 55 00:02:46,520 --> 00:02:49,520 and confrontation. I find that thrilling. 56 00:02:50,600 --> 00:02:53,200 This Labour government needs to work for you. 57 00:02:53,960 --> 00:02:58,440 ♪ (MUSIC CONCLUDES) ♪ 58 00:03:02,480 --> 00:03:04,600 (SOFT FOOTSTEPS APPROACHING) 59 00:03:10,760 --> 00:03:11,920 Whitney's gone. 60 00:03:18,280 --> 00:03:20,040 Why didn't you tell me about the, um... 61 00:03:22,200 --> 00:03:23,440 the red-top piece? 62 00:03:27,280 --> 00:03:28,560 My uncle and you... 63 00:03:32,280 --> 00:03:33,520 not bringing me in. 64 00:03:36,760 --> 00:03:38,240 That's not a partnership. 65 00:03:40,960 --> 00:03:42,160 I agree. 66 00:03:44,280 --> 00:03:45,320 It isn't. 67 00:04:03,320 --> 00:04:05,200 Then, uh, then help me understand. 68 00:04:14,440 --> 00:04:17,760 (YASMIN KARA-HANANI SIGHS) 69 00:04:18,279 --> 00:04:20,760 (KISSES) 70 00:04:22,840 --> 00:04:24,040 (HENRY MUCK SIGHS) 71 00:04:29,440 --> 00:04:31,280 I don't love you anymore, Henry. 72 00:04:33,000 --> 00:04:36,200 ♪ ("NO OTHER LOVE" BY JO STAFFORD PLAYING) ♪ 73 00:04:43,320 --> 00:04:44,720 (YASMIN SIGHS) 74 00:04:47,280 --> 00:04:48,480 I don't love you. 75 00:04:56,159 --> 00:04:57,200 Did you ever? 76 00:04:59,320 --> 00:05:00,600 (SOFTLY) Yes. 77 00:05:03,640 --> 00:05:04,760 Yes. 78 00:05:06,560 --> 00:05:07,760 (SOBS) 79 00:05:11,360 --> 00:05:13,200 (SNIFFLES, SIGHS) 80 00:05:17,160 --> 00:05:18,560 I want a divorce. 81 00:05:21,040 --> 00:05:22,160 Okay. 82 00:05:23,600 --> 00:05:24,680 (SNIFFLES) 83 00:05:24,760 --> 00:05:26,240 Okay, you're not thinking, um... 84 00:05:27,960 --> 00:05:29,440 You're not thinking rationally. 85 00:05:29,480 --> 00:05:32,480 Look, we're in the eye of the fucking storm here. 86 00:05:32,560 --> 00:05:34,040 It's not a discussion. 87 00:05:35,000 --> 00:05:37,200 It's what I want, Henry. 88 00:05:38,560 --> 00:05:40,480 We're Catholic for fuck's sake. 89 00:05:47,360 --> 00:05:49,760 You can't-- you can't leave me like this. 90 00:05:49,800 --> 00:05:51,400 Oh. (SOBS) 91 00:05:52,440 --> 00:05:53,880 Of course I can. 92 00:05:58,320 --> 00:06:01,760 We... We had-- we had a whole future. 93 00:06:04,360 --> 00:06:06,240 Life and the ki-- (SNIFFLES) 94 00:06:08,400 --> 00:06:10,080 The kids. 95 00:06:10,160 --> 00:06:12,960 ♪ I was blessed with love ♪ 96 00:06:13,040 --> 00:06:14,800 Who said I wanted that? 97 00:06:14,880 --> 00:06:19,520 ♪ Till the stars burn out Above you... ♪ 98 00:06:19,560 --> 00:06:22,600 (HOARSELY) I love you. I love you. Stop. 99 00:06:23,080 --> 00:06:24,600 Stop. Please. 100 00:06:24,680 --> 00:06:27,840 ♪ Shine ♪ 101 00:06:27,920 --> 00:06:31,880 ♪ No other love ♪ 102 00:06:32,560 --> 00:06:36,880 ♪ Let no other love ♪ 103 00:06:36,960 --> 00:06:39,200 YASMIN: Whatever it is that you're feeling... 104 00:06:39,280 --> 00:06:41,800 ♪ Know the wonder ♪ 105 00:06:41,880 --> 00:06:43,840 (SNIFFLES) ...it'll fade. 106 00:06:43,880 --> 00:06:48,920 -♪ Of your spell ♪ -♪ (SONG CONCLUDES) ♪ 107 00:06:48,960 --> 00:06:51,080 -Ten seconds to open. -(BURPS) 108 00:06:51,120 --> 00:06:53,360 H, you smell like the club. 109 00:06:53,440 --> 00:06:54,600 -Checks out. -(GASPS) 110 00:06:54,680 --> 00:06:56,560 I wonder what it's going to feel like. 111 00:06:56,640 --> 00:06:57,760 No need to wonder. 112 00:07:02,320 --> 00:07:06,680 Limit down. Gapped into oblivion. No bid. 113 00:07:09,200 --> 00:07:10,520 It's a black hole. 114 00:07:14,120 --> 00:07:15,400 What's the PNL? 115 00:07:16,160 --> 00:07:17,400 I d-- 116 00:07:19,560 --> 00:07:24,480 ♪ (UPLIFTING SYNTH MUSIC PLAYING) ♪ 117 00:07:26,000 --> 00:07:28,400 One hundred and ten million. 118 00:07:31,840 --> 00:07:35,680 -Let's fucking go! (LAUGHS) -SWEETPEA GOLIGHTLY: Oh my God! 119 00:07:35,760 --> 00:07:39,159 -(CHUCKLING) Oh, fuck! -Are you shitting me? 120 00:07:39,240 --> 00:07:43,320 (KISSES) Oh my fucking God! Oh my God! 121 00:07:43,400 --> 00:07:45,680 Harper, close the fucking position. 122 00:07:45,760 --> 00:07:46,840 -Now, please. -Yes. 123 00:07:46,920 --> 00:07:48,480 -Yeah, yeah, yeah, yeah. -(SWEETPEA CHUCKLES) 124 00:07:48,560 --> 00:07:50,360 KWABENA BANNERMAN: Oh my God. I'm getting blood flow. 125 00:07:50,440 --> 00:07:52,520 -Huh? -(KWABENA LAUGHS) 126 00:07:52,600 --> 00:07:55,360 -SWEETPEA: What? -KWABENA: (SOFTLY) Shit. 127 00:07:55,440 --> 00:07:57,520 -KENNY KILBANE: (OVER PHONE) Talk to me. -Good morning, Kenny. 128 00:07:57,560 --> 00:07:58,760 Yes, Stern-- (SHUSHES) 129 00:07:58,840 --> 00:08:00,320 -KENNY: Hello, who's this? -SWEETPEA: Sorry. 130 00:08:00,400 --> 00:08:02,080 Good morning, Kenny. Hi, yeah, Harper Stern, um... 131 00:08:02,160 --> 00:08:04,200 We would like to start covering our Tender short 132 00:08:04,280 --> 00:08:06,000 -in size, please. -KENNY: Okay. 133 00:08:06,080 --> 00:08:08,640 HARPER STERN: The violence of the move is gonna make people panic. 134 00:08:08,720 --> 00:08:10,880 Don't spook the tape any more. Peel some off into the puke. 135 00:08:10,960 --> 00:08:15,040 Prioritize, um, best execution, not speed. 136 00:08:15,080 --> 00:08:17,040 KENNY: Oh, you got it, my gorgeous little Cassandra. 137 00:08:17,120 --> 00:08:18,480 Be on chat for updates. 138 00:08:22,200 --> 00:08:23,440 Better order some champagne 139 00:08:23,480 --> 00:08:25,960 -and cigars. -Yes! (CHEERS, CHUCKLES) 140 00:08:26,040 --> 00:08:27,720 (CHUCKLES) Wait, you smoke cigars? 141 00:08:27,760 --> 00:08:29,360 No. I desperately need coffee, though. 142 00:08:29,440 --> 00:08:30,880 Order-- order whatever you want. 143 00:08:30,920 --> 00:08:32,600 Anything. Everything. Order everything. 144 00:08:32,679 --> 00:08:34,559 -(KWABENA CHUCKLES) -Hi, um... 145 00:08:34,600 --> 00:08:36,679 -Oh my God. -Can I order some caviar... 146 00:08:36,760 --> 00:08:38,840 -Yes. Uh-huh! -...and some French toast? 147 00:08:38,919 --> 00:08:40,080 -Pringles. -KWABENA: Yes, please. 148 00:08:40,159 --> 00:08:42,400 -SWEETPEA: And some Casamigos. -KWABENA: Uh-huh. 149 00:08:42,440 --> 00:08:43,840 Can we actually get some chips? 150 00:08:43,919 --> 00:08:45,680 But not-- Can we get the McDonald's chips 151 00:08:45,760 --> 00:08:47,880 and not the really soggy ones, like the ones that are... 152 00:08:47,960 --> 00:08:49,480 Could you possibly go and get some for us 153 00:08:49,560 --> 00:08:50,880 -and bring them back? -(SIGHS) 154 00:08:50,960 --> 00:08:53,000 SWEETPEA: And when you bring them back in, you can actually just put 155 00:08:53,080 --> 00:08:55,400 the caviar on them, please. Yeah, that would be great. 156 00:08:55,480 --> 00:08:56,680 Thank you so much. 157 00:08:56,720 --> 00:08:58,560 KWABENA: Wait, wait, wait, wait. Did you order any Dom? 158 00:08:58,640 --> 00:08:59,760 I didn't hear you order any Dom. 159 00:08:59,840 --> 00:09:01,240 SWEETPEA: I'll do it in the next round... 160 00:09:01,320 --> 00:09:03,080 ERIC TAO: (ON VOICEMAIL) Hey, you've reached Eric Tao. 161 00:09:03,120 --> 00:09:05,160 -Please leave a message. -(MESSAGE TONE BEEPS) 162 00:09:05,240 --> 00:09:07,160 -(KWABENA GROANS) -It's done. 163 00:09:07,240 --> 00:09:10,800 -♪ (MUSIC CONCLUDES) ♪ -Call me back, for God's sake. 164 00:09:10,880 --> 00:09:13,600 (KWABENA AND SWEETPEA CONTINUE CHATTING) 165 00:09:13,680 --> 00:09:16,680 ♪ ("TÚ Y TU MIRAR, YO Y MI CANCIÓN" BY LOS ANGELES NEGROS PLAYING) ♪ 166 00:09:19,160 --> 00:09:20,320 (CHUCKLES SOFTLY) 167 00:09:22,960 --> 00:09:24,640 (INDISTINCT CHATTER) 168 00:09:27,560 --> 00:09:29,920 ♪ (SONG CONTINUES) ♪ 169 00:09:36,280 --> 00:09:39,200 ♪ (VOCALIST SINGING IN SPANISH) ♪ 170 00:09:52,280 --> 00:09:54,480 -♪ (SONG CUTS OFF) ♪ -(CELL PHONE BUZZING) 171 00:09:54,560 --> 00:09:56,680 ♪ (TENSE MUSIC PLAYING) ♪ 172 00:10:03,440 --> 00:10:04,920 WHITNEY HALBERSTRAM: Don't hang up. 173 00:10:05,720 --> 00:10:06,920 I don't have long. 174 00:10:09,720 --> 00:10:10,920 Where are you? 175 00:10:13,640 --> 00:10:15,760 WHITNEY: Go to your bedroom. 176 00:10:15,840 --> 00:10:17,480 Don't fucking question it, just do it. 177 00:10:30,920 --> 00:10:33,920 Inside the cabinet. Loose panel, find it. 178 00:10:40,560 --> 00:10:41,840 (YASMIN COUGHING) 179 00:10:46,400 --> 00:10:49,320 ♪ (MUSIC BUILDING) ♪ 180 00:10:53,640 --> 00:10:55,120 (PLASTIC RUSTLING) 181 00:10:56,520 --> 00:10:59,960 ♪ (MUSIC SWELLS, FADES) ♪ 182 00:11:00,040 --> 00:11:01,480 (QUIETLY) All right, speak. Where are you? 183 00:11:01,560 --> 00:11:04,400 WHITNEY: I'm not gonna say until I know you understand me. 184 00:11:04,440 --> 00:11:06,360 (WHISPERS) Fucking speak! 185 00:11:06,440 --> 00:11:08,080 WHITNEY: I've seen the headlines. 186 00:11:08,160 --> 00:11:09,600 The institutions that waved us through 187 00:11:09,680 --> 00:11:10,880 are looking for their fall guy. 188 00:11:11,720 --> 00:11:12,720 A picture of you in chains 189 00:11:12,800 --> 00:11:15,120 is all they need to show the system isn't broken. 190 00:11:15,160 --> 00:11:16,920 Yeah, that can be you. 191 00:11:17,000 --> 00:11:20,000 WHITNEY: Can it? In that case, where am I? 192 00:11:20,080 --> 00:11:21,800 Pretty sure they know where you are. 193 00:11:21,880 --> 00:11:23,480 You wanna turn yourself in? 194 00:11:23,560 --> 00:11:26,040 They'll detain you, pre-trial, freeze it all. 195 00:11:26,120 --> 00:11:28,440 Incarcerate you before you even smell a cell. 196 00:11:28,520 --> 00:11:30,000 What are you saying? 197 00:11:30,040 --> 00:11:31,880 WHITNEY: Our only power is in retreat. 198 00:11:31,960 --> 00:11:33,920 Running? Fucking running with you? 199 00:11:34,000 --> 00:11:36,040 WHITNEY: Repositioning ourselves, 200 00:11:36,080 --> 00:11:38,560 stalling the bloodlust of the investigators. 201 00:11:38,640 --> 00:11:39,720 Without both of us, 202 00:11:39,800 --> 00:11:41,760 no one can fully reconstruct what happened. 203 00:11:41,840 --> 00:11:43,480 (WHISPERS) This is more fucking bullshit! 204 00:11:43,520 --> 00:11:45,600 WHITNEY: I don't think you can afford to not believe me. 205 00:11:45,680 --> 00:11:47,000 Yeah, try me, dickhead. 206 00:11:47,080 --> 00:11:50,120 WHITNEY: Cross borders, we're not just fugitives, 207 00:11:50,200 --> 00:11:53,240 we become potentially politicized tools. 208 00:11:53,320 --> 00:11:55,760 Politicized in what way? 209 00:11:55,800 --> 00:11:57,480 WHITNEY: There's been Russian state interest 210 00:11:57,560 --> 00:11:59,160 in our company for some time. 211 00:12:01,000 --> 00:12:02,520 (HENRY WHIMPERS) 212 00:12:04,320 --> 00:12:05,880 ♪ (OMINOUS MUSIC PLAYING) ♪ 213 00:12:05,960 --> 00:12:08,120 WHITNEY: That night in New York at the hotel.... 214 00:12:08,200 --> 00:12:09,720 (EXHALES SHAKILY) 215 00:12:09,800 --> 00:12:11,760 WHITNEY: They were, uh, tightening the noose. 216 00:12:12,480 --> 00:12:13,560 HENRY: Whitney? 217 00:12:14,760 --> 00:12:16,960 Whitney, am I in danger? Tell me. 218 00:12:17,040 --> 00:12:18,120 WHITNEY: You are. 219 00:12:18,200 --> 00:12:20,040 You'll be viewed as my accomplice. 220 00:12:20,600 --> 00:12:21,720 (WHISPERING) This... 221 00:12:21,760 --> 00:12:24,640 This isn't real. This is a fucking nightmare. 222 00:12:24,720 --> 00:12:28,040 WHITNEY: For all I know, they could be on their way to your house. Right now. 223 00:12:28,120 --> 00:12:30,840 (BREATHING SHAKILY) If I... 224 00:12:31,800 --> 00:12:33,400 If I turn myself in 225 00:12:34,160 --> 00:12:36,800 and make a big fucking spectacle, 226 00:12:36,840 --> 00:12:38,400 all in-- all in the open, 227 00:12:38,440 --> 00:12:40,200 no bad actor would take the risk. 228 00:12:40,240 --> 00:12:41,680 WHITNEY: Sure. Jail it is. 229 00:12:41,760 --> 00:12:44,160 'Cause no one's ever died in suspicious circumstances 230 00:12:44,240 --> 00:12:46,920 in police custody. We need to disappear. 231 00:12:47,000 --> 00:12:48,720 -(GASPS) -♪ (MUSIC INTENSIFIES) ♪ 232 00:12:48,800 --> 00:12:50,360 WHITNEY: Temporarily. 233 00:12:50,440 --> 00:12:52,960 Or make no mistake, they will do it for us. 234 00:12:53,920 --> 00:12:56,120 I'll text you via Signal. 235 00:12:56,160 --> 00:12:58,760 I'll let you know where I am, everything is set up and arranged. 236 00:12:58,840 --> 00:13:00,800 Destroy the SIM out of the phone you're using. 237 00:13:00,880 --> 00:13:02,680 Leave everything behind and bring the cash 238 00:13:02,760 --> 00:13:04,400 and, Henry, remember... 239 00:13:06,600 --> 00:13:09,200 sell me out, you damn us both. 240 00:13:10,200 --> 00:13:13,080 ♪ (MUSIC SWELLING) ♪ 241 00:13:18,400 --> 00:13:24,120 -♪ (MUSIC FADING) ♪ -(SCREAMS SILENTLY) Fuck! 242 00:13:24,200 --> 00:13:27,640 -(JET ENGINE IDLING) -♪ (SUSPENSEFUL MUSIC PLAYING) ♪ 243 00:13:27,720 --> 00:13:30,400 PILOT: We stay below 5,000 feet as we approach the Channel. 244 00:13:30,480 --> 00:13:31,960 Avoid Heathrow's controlled airspace. 245 00:13:32,600 --> 00:13:34,040 I prefer radio silence, 246 00:13:34,120 --> 00:13:36,240 but on approach I tend to spoof a call sign... 247 00:13:36,320 --> 00:13:38,080 Whatever. I'm paying you to get me there undetected. 248 00:13:38,160 --> 00:13:40,360 I'm not gonna give you notes on how you fulfill that brief. 249 00:13:40,440 --> 00:13:43,400 Well, nobody's moving until we're paid in full. 250 00:13:43,920 --> 00:13:45,520 The cash is on its way. 251 00:13:45,600 --> 00:13:47,280 PILOT: Idling here is not an option. 252 00:13:47,360 --> 00:13:50,200 -Thirty minutes, I spit you out. -I said he's on the way. 253 00:13:52,360 --> 00:13:54,800 ♪ (MUSIC BUILDING) ♪ 254 00:14:00,440 --> 00:14:02,080 (SIGHS) 255 00:14:02,120 --> 00:14:07,760 (DOOR OPENING, CLOSING) 256 00:14:09,680 --> 00:14:14,200 PILOT: Gentlemen, when we land and the door opens, 257 00:14:14,280 --> 00:14:16,560 we were told you were consultants flying private. 258 00:14:17,520 --> 00:14:19,920 When you disembark, you're alone. 259 00:14:25,000 --> 00:14:27,160 I knew I'd see you again very soon. 260 00:14:28,880 --> 00:14:33,000 You need to tell me exactly where we're going 261 00:14:33,080 --> 00:14:37,520 and how it ensures my safety right now. 262 00:14:37,600 --> 00:14:40,560 -(SIGHS) -(PILOTS SPEAKING INDISTINCTLY) 263 00:14:41,760 --> 00:14:43,400 ♪ (MUSIC FADING) ♪ 264 00:14:48,400 --> 00:14:50,800 WHITNEY: I had that made a couple months ago as optionality. 265 00:14:57,640 --> 00:14:59,080 You made the right call, trust me. 266 00:15:01,520 --> 00:15:02,720 We're stronger together. 267 00:15:12,800 --> 00:15:14,120 What the fuck is this thing? 268 00:15:14,960 --> 00:15:16,400 That took a lot of work. 269 00:15:19,000 --> 00:15:21,520 -I'm protecting you. -HENRY: No, no, no, no, no. 270 00:15:21,600 --> 00:15:25,080 You said this was temporary. 271 00:15:26,840 --> 00:15:28,240 This isn't temporary. 272 00:15:29,680 --> 00:15:31,160 You're transporting me. 273 00:15:31,240 --> 00:15:33,480 ♪ (TENSE MUSIC PLAYING) ♪ 274 00:15:33,560 --> 00:15:36,320 I'm not a... I'm not a partner, 275 00:15:36,400 --> 00:15:37,720 I'm a... I'm an asset. 276 00:15:37,800 --> 00:15:39,000 I don't know what that means. 277 00:15:39,080 --> 00:15:41,160 HENRY: Yeah, no, no. Of course not, because... 278 00:15:41,240 --> 00:15:45,640 when people see through you, you, uh, deflect, 279 00:15:45,720 --> 00:15:49,360 or feign ignorance. You-- you-- you change the subject 280 00:15:49,440 --> 00:15:51,920 because you can't be the subject. 281 00:15:51,960 --> 00:15:55,040 You can't... You can't bear the scrutiny. 282 00:15:55,120 --> 00:16:00,440 (JET ENGINE WHIRRING LOUDLY) 283 00:16:00,520 --> 00:16:02,640 I'm... I'm your leverage. 284 00:16:02,720 --> 00:16:06,200 I'm the guy you hide behind or trade away. 285 00:16:06,280 --> 00:16:07,440 You know, there is... 286 00:16:07,520 --> 00:16:10,640 There is dignity to knowing your place. 287 00:16:11,680 --> 00:16:13,240 You forfeited that. 288 00:16:14,240 --> 00:16:17,600 But in your pathetic, self-serving roadmap, 289 00:16:17,680 --> 00:16:19,520 you didn't account for one thing. 290 00:16:20,280 --> 00:16:21,760 My place. 291 00:16:21,840 --> 00:16:25,360 And what I think of this fucking embarrassment. 292 00:16:25,440 --> 00:16:27,160 You think I'd become this for you, 293 00:16:27,240 --> 00:16:28,840 -even for a moment? -(GROANS) 294 00:16:28,920 --> 00:16:30,320 -PILOT: Guys, are we-- -HENRY: Shut up! 295 00:16:31,800 --> 00:16:34,560 You were born a disgusting fucking mooch 296 00:16:34,640 --> 00:16:37,440 and you will die a disgusting fucking mooch. 297 00:16:37,520 --> 00:16:40,280 So fuck your fucking poor boy civilian document 298 00:16:40,360 --> 00:16:41,880 because you know what, old boy? 299 00:16:41,920 --> 00:16:43,600 If you have to reach for something, 300 00:16:43,680 --> 00:16:45,800 then you've already fucking missed it. 301 00:16:45,880 --> 00:16:47,640 I'm getting off this shit heap. 302 00:16:48,360 --> 00:16:50,120 (BOTH GRUNT) 303 00:16:51,080 --> 00:16:53,960 Eat my shit, you peasant. 304 00:16:55,600 --> 00:16:58,320 I'd rather die as me than run as you. 305 00:16:59,240 --> 00:17:02,760 ♪ (MUSIC BUILDING) ♪ 306 00:17:04,000 --> 00:17:06,640 (DOOR OPENING) 307 00:17:10,280 --> 00:17:13,280 (DOOR CLOSING) 308 00:17:25,720 --> 00:17:29,240 -♪ (TENSE MUSIC CONTINUES) ♪ -(REPORTERS CLAMORING) 309 00:17:30,400 --> 00:17:32,840 Move out of my way! Move out of my fucking way! 310 00:17:32,920 --> 00:17:34,560 Open the gate! 311 00:17:35,960 --> 00:17:37,760 Open the fucking gate! 312 00:17:38,640 --> 00:17:42,240 (CLAMORING CONTINUES) 313 00:17:42,280 --> 00:17:45,040 Get off the property! It's private fucking property! 314 00:17:45,120 --> 00:17:47,360 REPORTER: Mr. Muck, was your wife's resignation a joint decision? 315 00:17:51,200 --> 00:17:52,600 (HENRY SIGHS) 316 00:17:54,520 --> 00:17:56,360 ♪ (MUSIC CONCLUDES) ♪ 317 00:17:56,440 --> 00:18:01,040 -(YASMIN SIGHS) -HENRY: (PANTS) I love you. 318 00:18:03,200 --> 00:18:05,680 I love you so, so much. 319 00:18:11,080 --> 00:18:12,480 I can change. 320 00:18:14,920 --> 00:18:16,640 I'll do whatever you want. 321 00:18:16,680 --> 00:18:18,240 (INDISTINCT RADIO CHATTER) 322 00:18:18,320 --> 00:18:20,600 ♪ ("MAGIC MAN" BY TURNSTILE PLAYING) ♪ 323 00:18:22,440 --> 00:18:23,760 (SIGHS) 324 00:18:25,160 --> 00:18:26,440 DAVINA GASCOIGNE: Mr. Muck. 325 00:18:29,360 --> 00:18:32,120 I'm Detective Inspector Davina Gascoigne, Met Police, 326 00:18:32,200 --> 00:18:33,400 Economic Crime Command. 327 00:18:33,480 --> 00:18:35,000 With me are also enforcement officers 328 00:18:35,080 --> 00:18:37,160 Kreitzer and Ellis from the Serious Fraud Office. 329 00:18:37,240 --> 00:18:38,480 You're not being detained, 330 00:18:38,560 --> 00:18:39,840 but we would like to invite you in 331 00:18:39,920 --> 00:18:42,000 for a voluntary interview under caution. 332 00:18:42,080 --> 00:18:43,600 You're entitled to legal representation, 333 00:18:43,680 --> 00:18:46,000 and you can decline to answer any questions. 334 00:18:46,080 --> 00:18:47,280 You do not have to say anything, 335 00:18:47,360 --> 00:18:49,040 but it may harm your defense if you do not mention 336 00:18:49,080 --> 00:18:50,680 something you later rely on in court. 337 00:18:50,760 --> 00:18:52,760 -Anything you do say... -(SOUND FADING OUT) 338 00:18:52,840 --> 00:18:54,480 ♪ Hole ♪ 339 00:18:56,360 --> 00:19:02,400 ♪ Never be afraid just remember What he said when you go ♪ 340 00:19:03,080 --> 00:19:04,560 ♪ Always in the wind ♪ 341 00:19:04,640 --> 00:19:08,320 ♪ While you're slipping through The hands that you hold ♪ 342 00:19:10,160 --> 00:19:12,000 DAVINA: That won't be necessary. 343 00:19:12,080 --> 00:19:14,080 (REPORTERS CLAMORING) 344 00:19:14,160 --> 00:19:16,640 REPORTER 1: Mr. Muck, do you have any comment about Tender's collapse? 345 00:19:17,200 --> 00:19:18,880 ♪ Magic man ♪ 346 00:19:22,120 --> 00:19:24,880 REPORTER 2: Mr. Muck, do you feel guilty for your role in its collapse? 347 00:19:24,960 --> 00:19:27,640 -(TAPPING ON WINDOW) -(REPORTERS CLAMORING) 348 00:19:27,680 --> 00:19:28,760 REPORTER 2: Mr. Muck! 349 00:19:30,560 --> 00:19:33,040 ♪ Magic man ♪ 350 00:19:40,200 --> 00:19:41,760 ♪ (SONG CONCLUDES) ♪ 351 00:19:41,800 --> 00:19:46,640 ♪ ("GET THEE BEHIND ME, SATAN" BY ALMANAC SINGERS PLAYING) ♪ 352 00:19:50,360 --> 00:19:53,600 ♪ Boss comes up to me With a five-dollar bill... ♪ 353 00:19:53,680 --> 00:19:56,680 ♪ Says "Get you some whiskey, boy... ♪ 354 00:19:56,760 --> 00:19:59,920 REPORTER: ...to uncover the whereabouts of Tender's former CFO. 355 00:20:00,000 --> 00:20:03,480 -Shortly after his removal... -♪ Travel on down the line... ♪ 356 00:20:03,520 --> 00:20:05,800 REPORTER: Halberstram, last reported to have passed through 357 00:20:05,880 --> 00:20:08,480 -the Philippines before boarding a flight to China... -YASMIN: Sebastian. 358 00:20:09,280 --> 00:20:10,480 Thanks for coming. 359 00:20:11,080 --> 00:20:12,960 He'll see you now. 360 00:20:13,040 --> 00:20:16,000 (NEWS ANCHOR CONTINUES SPEAKING OVER TV) 361 00:20:16,080 --> 00:20:19,560 Well, I think it's clear that the next leg for Sebastian 362 00:20:19,640 --> 00:20:22,920 is about being taken seriously by institutional media, 363 00:20:23,000 --> 00:20:28,120 whilst not losing his outsider, insurgent voice. (CHUCKLES) 364 00:20:28,200 --> 00:20:30,600 ALEXANDER NORTON: You won the Orwell scholarship, 365 00:20:30,640 --> 00:20:32,680 then became everything he warned us about. 366 00:20:37,120 --> 00:20:38,240 I'm sorry, I don't follow. 367 00:20:38,280 --> 00:20:39,320 NORTON: Your inner circle. 368 00:20:39,400 --> 00:20:42,600 Post-liberal, neo-reactionary, techno-accelerationists. 369 00:20:42,680 --> 00:20:43,800 That's a lot of words. (CHUCKLES) 370 00:20:43,880 --> 00:20:45,720 NORTON: And tech moguls, Marc Andreessen, 371 00:20:45,800 --> 00:20:48,040 -Peter Thiel. -Peter's a close friend of mine. 372 00:20:48,120 --> 00:20:50,560 You must be sorry our laws disqualify foreign donors. 373 00:20:50,600 --> 00:20:52,360 That's something that I would change. 374 00:20:52,440 --> 00:20:54,160 Why limit support for passport holders 375 00:20:54,240 --> 00:20:57,280 when ideas and money are global? 376 00:20:57,360 --> 00:20:59,000 NORTON: You have a clear route into government. 377 00:20:59,080 --> 00:21:00,920 Cross the floor, join the Conservative Party. 378 00:21:01,000 --> 00:21:03,240 Aurore Adekunle is hated. The 1922 Committee 379 00:21:03,320 --> 00:21:05,800 are sharpening their knives for her. 380 00:21:05,880 --> 00:21:07,840 Unify the Right's vote. 381 00:21:08,800 --> 00:21:09,760 The Conservative Party is-- 382 00:21:09,840 --> 00:21:11,240 Is the most successful political party 383 00:21:11,280 --> 00:21:12,560 in the history of democracy? 384 00:21:13,680 --> 00:21:14,800 Is dead. 385 00:21:18,680 --> 00:21:19,840 Rome falls. 386 00:21:21,400 --> 00:21:22,720 SEBASTIAN: And Byzantium rises. 387 00:21:25,480 --> 00:21:27,120 Both parties feed an agenda 388 00:21:27,200 --> 00:21:29,800 set by an unelected civil servant class. 389 00:21:29,840 --> 00:21:31,800 NORTON: But what is your ideology? 390 00:21:31,840 --> 00:21:35,520 -The Cult of Stefanowicz? -High modernity is bust. 391 00:21:35,600 --> 00:21:38,280 We need clarity. We need efficient, 392 00:21:38,360 --> 00:21:41,200 post-partisan governance to help our communities. 393 00:21:41,280 --> 00:21:43,480 You mean young, murderous, under-sexed men? 394 00:21:43,560 --> 00:21:46,040 I mean working people across racial 395 00:21:46,120 --> 00:21:47,360 and traditional political lines 396 00:21:47,440 --> 00:21:49,040 who no longer recognize the country 397 00:21:49,120 --> 00:21:50,400 that they were born into. 398 00:21:54,760 --> 00:21:58,160 We'd need to distance your image from fringe, 399 00:21:59,120 --> 00:22:03,040 outright authoritarian or racial elements. 400 00:22:03,120 --> 00:22:04,520 Yeah, we can polish the aesthetic 401 00:22:04,600 --> 00:22:05,760 without neutering the appeal. 402 00:22:05,840 --> 00:22:07,280 -SEBASTIAN: Thank you. -(KNOCKING ON DOOR) 403 00:22:07,360 --> 00:22:09,200 -(DOOR OPENING) -ASSISTANT: They're ready for you, sir. 404 00:22:09,240 --> 00:22:10,240 I'll be right there. 405 00:22:10,280 --> 00:22:12,160 Yasmin, could you show Mr. Stefanowicz out? 406 00:22:14,920 --> 00:22:16,200 (DOOR CLOSING) 407 00:22:18,680 --> 00:22:21,400 Maybe save talking about abolishing democracy 408 00:22:21,480 --> 00:22:23,920 for your dinners in Silicon Valley. 409 00:22:23,960 --> 00:22:26,280 The US are much better at that than the UK. 410 00:22:28,040 --> 00:22:29,880 -Fundraising, et cetera. -Hmm. 411 00:22:30,960 --> 00:22:33,000 Well, then I hope you're looking forward to Paris. 412 00:22:34,080 --> 00:22:35,960 SEBASTIAN: I'm, uh... 413 00:22:36,000 --> 00:22:38,400 I was very sorry to hear about your divorce. 414 00:22:40,840 --> 00:22:42,200 I don't believe in divorce. 415 00:22:43,800 --> 00:22:44,800 Oh. 416 00:22:46,520 --> 00:22:48,480 Well, you think it's an affront to God? 417 00:22:48,520 --> 00:22:51,480 ♪ (POIGNANT MUSIC PLAYING) ♪ 418 00:22:51,560 --> 00:22:52,680 Yeah. 419 00:22:59,720 --> 00:23:01,120 ♪ (MUSIC FADES) ♪ 420 00:23:01,200 --> 00:23:03,560 Uh, fully private floor. No shared lift. 421 00:23:03,640 --> 00:23:05,640 We have a quant fund in the building already, 422 00:23:05,720 --> 00:23:07,400 so dual power feeds. 423 00:23:07,480 --> 00:23:10,040 Super fast fiber connectivity standard. 424 00:23:10,120 --> 00:23:13,320 Five minutes from a host of other big allocators. 425 00:23:13,400 --> 00:23:15,040 I'll give you five minutes with it. 426 00:23:15,080 --> 00:23:16,880 -I'm just going to make a call. -HARPER: Thank you. 427 00:23:18,800 --> 00:23:19,840 SWEETPEA: Hmm. 428 00:23:20,840 --> 00:23:22,920 Good place to stew on our next idea. 429 00:23:24,440 --> 00:23:26,640 -That can wait. -Hmm. Never. 430 00:23:29,080 --> 00:23:32,400 I thought this might be an appropriate place 431 00:23:32,480 --> 00:23:34,440 to give you guys these. 432 00:23:36,920 --> 00:23:39,040 Two million each on top of your base. 433 00:23:39,120 --> 00:23:41,440 I'm also taking two million, all equal. 434 00:23:41,520 --> 00:23:44,400 -♪ (UPLIFTING MUSIC PLAYING) ♪ -Wow. Socialism in action. 435 00:23:44,480 --> 00:23:45,840 (HARPER CHUCKLES) 436 00:23:45,920 --> 00:23:49,040 The rest of it will stay in our AUM as a buffer 437 00:23:49,080 --> 00:23:50,520 against cyclicality and a promise 438 00:23:50,600 --> 00:23:54,320 to future investors that we are about repeatable alpha. 439 00:23:54,400 --> 00:23:57,440 SWEETPEA: (SIGHS) Two million quid, huh? 440 00:23:58,640 --> 00:23:59,840 (EXHALES SHARPLY) 441 00:24:00,920 --> 00:24:03,400 Could have made more selling pictures of my feet. 442 00:24:03,480 --> 00:24:04,720 (CHUCKLES) 443 00:24:08,120 --> 00:24:10,640 ♪ (MUSIC CONTINUES) ♪ 444 00:24:15,240 --> 00:24:17,800 HARPER: Yasmin has invited me to Paris. 445 00:24:17,840 --> 00:24:20,040 Not sure I wanna make that trip alone. 446 00:24:22,000 --> 00:24:23,840 Yeah, weirdly, I've never been. 447 00:24:23,880 --> 00:24:26,280 I keep hearing it's either under or overrated. 448 00:24:26,360 --> 00:24:28,360 I can never remember which. 449 00:24:28,440 --> 00:24:30,320 Some kind of political fundraiser. 450 00:24:30,400 --> 00:24:32,000 I don't know. 451 00:24:32,080 --> 00:24:35,520 She's hosting these high-minded networking events, 452 00:24:35,600 --> 00:24:36,800 really. 453 00:24:37,720 --> 00:24:38,920 She's going through a divorce. 454 00:24:41,960 --> 00:24:44,560 -Whoa! -(DISTANT THUD) 455 00:24:46,000 --> 00:24:47,240 HARPER: She's keeping herself busy. 456 00:24:47,320 --> 00:24:49,200 I guess it's how she navigates it. 457 00:24:49,280 --> 00:24:51,520 Shit, I met Whitney at one of these events. 458 00:24:51,600 --> 00:24:52,920 Could find our next trade. 459 00:24:54,320 --> 00:24:55,640 Yeah, I'll tag along. 460 00:24:59,600 --> 00:25:01,240 -(KNOCKING ON DOOR) -(DOOR OPENING) 461 00:25:02,960 --> 00:25:04,400 RICKY MARTYN: Thought you were in Wakefield. 462 00:25:04,480 --> 00:25:06,800 (CHUCKLES) Yeah. 463 00:25:11,320 --> 00:25:15,240 You heard any rumblings that have Russia and Tender 464 00:25:15,320 --> 00:25:16,960 in the same sentence? 465 00:25:19,880 --> 00:25:23,200 Dark, oligarch capital? 466 00:25:23,280 --> 00:25:25,440 Or something closer to the Kremlin? 467 00:25:25,520 --> 00:25:26,600 JENNIFER: I'm being serious. 468 00:25:27,600 --> 00:25:28,920 Something more underhand. 469 00:25:29,960 --> 00:25:31,760 Whitehall or MI5? 470 00:25:31,840 --> 00:25:33,600 A source within the company. 471 00:25:33,680 --> 00:25:35,520 -Who? -I'd rather not say. 472 00:25:37,560 --> 00:25:41,080 Look, everyone tainted by association with Tender 473 00:25:41,120 --> 00:25:43,880 is telling self-serving stories. 474 00:25:44,360 --> 00:25:45,920 North is south. 475 00:25:46,000 --> 00:25:48,400 Leave anyone talking inside that thing well alone. 476 00:25:49,080 --> 00:25:50,160 Well, 477 00:25:51,120 --> 00:25:56,000 needs a response, right? Needs an investigation. 478 00:25:56,040 --> 00:25:59,120 We'll start expelling Russian diplomats 479 00:25:59,200 --> 00:26:00,840 in the next ten minutes. 480 00:26:00,920 --> 00:26:02,760 Come on, you're a grown-up. 481 00:26:02,840 --> 00:26:05,960 Every major power runs assets here. 482 00:26:06,040 --> 00:26:08,160 Our tolerance of theirs, theirs of ours, 483 00:26:08,240 --> 00:26:11,360 is part of diplomatic statecraft. 484 00:26:11,440 --> 00:26:15,000 If we ran a response every time a former GRU guy 485 00:26:15,080 --> 00:26:17,200 circled a financial play in London, 486 00:26:17,280 --> 00:26:18,720 that's all we'd fucking do. 487 00:26:18,800 --> 00:26:22,760 My source made it sound like it's part of a large operation. 488 00:26:22,840 --> 00:26:25,560 Inside that factory of lies. Look, Jenni. (CLEARS THROAT) 489 00:26:26,960 --> 00:26:30,000 North isn't south, however much they say it is. 490 00:26:30,040 --> 00:26:32,120 Won't it cause reputational damage 491 00:26:32,200 --> 00:26:35,000 to the PM if these claims do gain traction? 492 00:26:35,040 --> 00:26:37,120 ♪ (TENSE MUSIC PLAYING) ♪ 493 00:26:37,200 --> 00:26:43,120 All right. Take it from someone with top security clearance. 494 00:26:45,960 --> 00:26:47,760 Don't poke this particular bear. 495 00:26:50,480 --> 00:26:51,640 Yeah? 496 00:26:54,560 --> 00:26:58,640 -(CELL PHONE RINGING) -Yeah, hello. Hi. 497 00:26:58,720 --> 00:27:00,840 You're close with Lord Mostyn, right? 498 00:27:01,480 --> 00:27:02,640 Close enough. 499 00:27:02,720 --> 00:27:05,000 JENNIFER: Have you tried taking your concerns to him? 500 00:27:06,840 --> 00:27:09,720 Number 10 know more than they're letting on. 501 00:27:09,800 --> 00:27:13,560 Okay. Uh, yeah, I'll... I'll put it to him. Um... 502 00:27:14,640 --> 00:27:15,840 Thank you, Jenni. 503 00:27:17,040 --> 00:27:20,000 (STAMMERS) I really am sorry for it all, you know? 504 00:27:24,040 --> 00:27:27,400 ♪ (MUSIC CONTINUES) ♪ 505 00:27:32,520 --> 00:27:33,920 ♪ (MUSIC FADES) ♪ 506 00:27:34,000 --> 00:27:36,200 ♪ (DRAMATIC INSTRUMENTAL SYMPHONY PLAYING) ♪ 507 00:27:40,720 --> 00:27:43,240 -(SPEAKING FRENCH) -HARPER: Merci. 508 00:27:43,280 --> 00:27:47,640 -Ah! Bonjour. (CHUCKLES) -HARPER: Bonjour. (CHUCKLES) 509 00:27:47,720 --> 00:27:49,760 I'm so delighted you could make it. 510 00:27:49,840 --> 00:27:51,600 -HARPER: Yeah, of course. -And you must be Kwabena. 511 00:27:51,680 --> 00:27:52,840 -It's great to meet you... -Hi. 512 00:27:52,920 --> 00:27:53,920 ...finally. 513 00:27:54,000 --> 00:27:56,440 Uh, okay, so we have the whole top floor from 8:00 p.m. 514 00:27:56,520 --> 00:27:59,160 -HARPER: Great. -Remember, babe, it's Paris. 515 00:27:59,240 --> 00:28:01,040 Anything could happen. (CHUCKLES) 516 00:28:06,280 --> 00:28:08,680 (INDISTINCT CHATTER) 517 00:28:08,760 --> 00:28:09,720 (CHUCKLES) 518 00:28:09,800 --> 00:28:11,480 I wish I was going through a tough time. 519 00:28:11,560 --> 00:28:12,840 Yeah, right. 520 00:28:14,160 --> 00:28:17,400 ♪ (SYMPHONY CONTINUES) ♪ 521 00:28:17,440 --> 00:28:18,680 Tell you what, old boy. 522 00:28:18,760 --> 00:28:20,000 You'd think there'd be better service 523 00:28:20,080 --> 00:28:21,440 in the upper house of our government. 524 00:28:21,520 --> 00:28:23,120 It's like they're waiting on a writ of summons 525 00:28:23,200 --> 00:28:26,160 before they bring a fucking breadbasket. 526 00:28:26,240 --> 00:28:28,400 -♪ (MUSIC CONCLUDES) ♪ -Anyway, I'm glad you called. 527 00:28:30,480 --> 00:28:33,760 (SIGHS) I know you don't want to speak to your uncle. 528 00:28:33,840 --> 00:28:35,800 Yeah, well, he hurt me. 529 00:28:35,880 --> 00:28:38,160 Well, we're all very worried for you. 530 00:28:39,800 --> 00:28:41,560 When are they bringing charges? 531 00:28:41,640 --> 00:28:45,000 Imminently. They, uh, they confiscated my passport. 532 00:28:46,360 --> 00:28:48,280 I've been advised to take a plea deal. 533 00:28:48,360 --> 00:28:51,920 There's, uh, no mens rea when it came to fraud, 534 00:28:52,000 --> 00:28:57,280 plead to negligence and breach of fiduciary duty. 535 00:28:57,360 --> 00:29:00,680 Prove I wasn't enriched, which I certainly wasn't. 536 00:29:00,760 --> 00:29:02,600 Do that and testify 537 00:29:02,680 --> 00:29:05,280 and they may well commute my sentence 538 00:29:05,320 --> 00:29:07,080 to house arrest. 539 00:29:07,760 --> 00:29:09,560 Testify against who? CFO? 540 00:29:09,640 --> 00:29:11,080 -Halberstram? Good. -HENRY: Hmm. 541 00:29:11,840 --> 00:29:12,920 (SOFTLY) The fucker! 542 00:29:13,520 --> 00:29:14,560 But... 543 00:29:15,640 --> 00:29:19,560 I'll ask my counsel to hold for a beat. 544 00:29:20,600 --> 00:29:22,720 I think I want to shape my testimony 545 00:29:22,800 --> 00:29:26,040 so it's broader than implicating just one man. 546 00:29:28,200 --> 00:29:29,320 I think 547 00:29:30,440 --> 00:29:34,920 Tender may have become a state-influenced shell. 548 00:29:37,840 --> 00:29:39,000 What are you talking about? 549 00:29:42,120 --> 00:29:43,760 (QUIETLY) Tender 550 00:29:43,800 --> 00:29:47,080 was a proxy for Russian intelligence. 551 00:29:49,840 --> 00:29:51,560 Sounds like a dark fairy tale to me. 552 00:29:51,600 --> 00:29:54,160 Yeah, no, I've looked into it and comparables 553 00:29:54,240 --> 00:29:55,680 in other industries. 554 00:29:55,760 --> 00:29:59,560 I have some suspicion about what they used it for. 555 00:30:00,520 --> 00:30:01,640 Data mining. 556 00:30:01,720 --> 00:30:04,480 Laundering money for covert operations, 557 00:30:04,520 --> 00:30:06,920 embedding their people in foreign infrastructure. 558 00:30:07,000 --> 00:30:08,400 One? All? 559 00:30:10,360 --> 00:30:12,440 This better not form part of your defense 560 00:30:12,520 --> 00:30:14,440 because you sound like a fucking lunatic. 561 00:30:14,520 --> 00:30:16,560 I intend to make it part of my testimony, 562 00:30:16,600 --> 00:30:18,160 and I need you to help me. 563 00:30:19,160 --> 00:30:21,040 Raise a question in the Lords. 564 00:30:21,120 --> 00:30:22,920 Speak to your friends on the intelligence 565 00:30:23,000 --> 00:30:25,640 and security committees, the Attorney General, anyone. 566 00:30:28,160 --> 00:30:31,080 Lobbying on your behalf could quickly cross 567 00:30:31,160 --> 00:30:35,600 into the unethical, or even illegal territory, Henry. 568 00:30:35,680 --> 00:30:38,640 I took an oath to uphold the reputation of this house. 569 00:30:44,800 --> 00:30:46,960 Did I ever tell you about my old pal, 570 00:30:47,040 --> 00:30:48,360 Clovis Wodehouse? 571 00:30:50,040 --> 00:30:51,200 No. 572 00:30:53,280 --> 00:30:55,680 He and I had a number of property deals together. 573 00:30:55,760 --> 00:30:57,040 Shopping centers mainly. 574 00:30:57,800 --> 00:30:59,040 Big one in Moscow. 575 00:31:00,720 --> 00:31:03,920 And we fell out. And I made Moscow work for me. 576 00:31:05,160 --> 00:31:07,040 He lost everything on a rival build. 577 00:31:08,360 --> 00:31:12,320 He owed a lot of Russian mutual associates a fortune. 578 00:31:13,960 --> 00:31:15,720 You really don't remember his name? 579 00:31:16,680 --> 00:31:17,840 No. 580 00:31:19,000 --> 00:31:21,200 Well, maybe you'll remember how he died. 581 00:31:22,200 --> 00:31:25,040 Impaled on the beautiful Georgian railings 582 00:31:25,120 --> 00:31:26,120 outside the house 583 00:31:26,160 --> 00:31:28,000 that he could no longer afford to live in 584 00:31:28,080 --> 00:31:30,800 -off the Fulham Road. -♪ (TENSE MUSIC PLAYING) ♪ 585 00:31:30,840 --> 00:31:34,280 OTTO MOSTYN: Now, people speculated about the nature of his fall. 586 00:31:34,360 --> 00:31:37,640 He'd had psychotic episodes, elliptical phone calls. 587 00:31:37,720 --> 00:31:41,040 There was no evidence of any third-party involvement, 588 00:31:41,120 --> 00:31:44,400 so, officially, it was unexplained. 589 00:31:47,800 --> 00:31:49,040 (SIGHS) 590 00:31:49,120 --> 00:31:51,360 So... sorry, what are you saying? 591 00:31:51,440 --> 00:31:55,040 That he was... He was, uh... What, you think he was murdered? 592 00:31:56,240 --> 00:31:58,240 OTTO: He suffered from mental health disorder. 593 00:31:59,600 --> 00:32:02,080 You have a history of mental health disorder, do you not? 594 00:32:04,560 --> 00:32:06,840 Suicide would be a very rational explanation. 595 00:32:13,320 --> 00:32:18,360 The point is, don't draw these types of people 596 00:32:18,440 --> 00:32:20,320 into your existence. 597 00:32:20,400 --> 00:32:24,800 You have your fall guy. Halberstram deceived everyone. 598 00:32:24,880 --> 00:32:27,520 And that's the top and tail of what you'll say. 599 00:32:27,560 --> 00:32:29,440 Now, let's have a little more claret. 600 00:32:31,400 --> 00:32:32,960 Oh, God! You know, 601 00:32:33,000 --> 00:32:35,200 this the only dining room in London 602 00:32:35,280 --> 00:32:37,800 where I could succumb to old age before I get a... 603 00:32:37,840 --> 00:32:38,920 (RAISING VOICE) ...top-up! 604 00:32:39,480 --> 00:32:41,080 Thank you. (CHUCKLES) 605 00:32:42,440 --> 00:32:45,960 Come on, here she is. Um, I've ordered trout. 606 00:32:46,040 --> 00:32:49,160 ♪ ("GET THEE BEHIND ME, SATAN" BY ELLA FITZGERALD PLAYING) ♪ 607 00:32:49,240 --> 00:32:52,000 -HAYLEY CLAY: It's beautiful. -Mm. 608 00:32:53,360 --> 00:32:55,120 It's Galvan. 609 00:32:55,200 --> 00:32:57,920 You look great. You can keep it. (CHUCKLES) 610 00:32:58,000 --> 00:33:01,960 ♪ But the moon is low and I... ♪ 611 00:33:02,000 --> 00:33:03,760 So just enjoy yourself tonight. 612 00:33:05,240 --> 00:33:06,680 It's a great room to be in. 613 00:33:08,640 --> 00:33:10,080 Make people feel welcome. 614 00:33:11,560 --> 00:33:13,560 -Always. -(BOTH CHUCKLING) 615 00:33:15,440 --> 00:33:18,880 -HAYLEY: (SIGHS) Thank you. -Of course. 616 00:33:18,960 --> 00:33:22,560 And, um, I hope your little cousin has fun, too. 617 00:33:22,640 --> 00:33:24,880 -Oh, I think she will. -(YASMIN CHUCKLES) 618 00:33:24,960 --> 00:33:26,120 I think she will. 619 00:33:27,440 --> 00:33:29,520 And she's grateful for the opportunity. 620 00:33:30,960 --> 00:33:32,480 I'm grateful to you. 621 00:33:32,520 --> 00:33:35,000 ♪ Behind me ♪ 622 00:33:36,640 --> 00:33:40,120 ♪ Someone I'm mad... ♪ 623 00:33:40,200 --> 00:33:44,280 Look, I'm not going to ask again, but tell me, 624 00:33:44,360 --> 00:33:46,600 do you have footage of us? 625 00:33:48,040 --> 00:33:49,640 Of me, you and Henry? 626 00:33:49,680 --> 00:33:54,560 ♪ Someone that I mustn't see ♪ 627 00:33:56,280 --> 00:33:57,720 ♪ Satan... ♪ 628 00:33:57,800 --> 00:33:59,800 Yeah, I masturbate to the game tape. 629 00:34:01,760 --> 00:34:04,360 God, you have no idea how incredible everyone looks 630 00:34:04,440 --> 00:34:07,320 when just all they do is want each other? 631 00:34:10,080 --> 00:34:11,880 (CHUCKLES) 632 00:34:13,000 --> 00:34:14,520 Yas, there's no tape. 633 00:34:18,280 --> 00:34:19,320 Good. 634 00:34:19,400 --> 00:34:20,600 ♪ And he may come here ♪ 635 00:34:20,679 --> 00:34:22,840 -YASMIN: Good. -(HAYLEY CHUCKLES) 636 00:34:23,719 --> 00:34:24,840 (YASMIN CHUCKLES) 637 00:34:29,120 --> 00:34:30,360 See Paris and die. 638 00:34:32,000 --> 00:34:33,480 Isn't that it? (CHUCKLES) 639 00:34:33,560 --> 00:34:38,760 ♪ It's too late ♪ 640 00:34:38,840 --> 00:34:40,080 Gorgeous. 641 00:34:43,880 --> 00:34:47,560 ♪ (MELLOW INSTRUMENTAL MUSIC PLAYING) ♪ 642 00:34:47,639 --> 00:34:51,639 KWABENA: What is a "necessary discussion on realignment"? 643 00:34:52,719 --> 00:34:54,800 No idea. 644 00:34:54,840 --> 00:34:58,520 You know, I had a mate at Francis Holland with Yasmin. 645 00:34:58,600 --> 00:35:00,760 Said she was a pretty nasty piece of work. 646 00:35:01,720 --> 00:35:02,760 School's weird. 647 00:35:03,680 --> 00:35:05,800 Most people have been bullied. 648 00:35:05,880 --> 00:35:08,120 Most people have been bullies. (SCOFFS) 649 00:35:08,600 --> 00:35:10,360 I don't agree. 650 00:35:10,440 --> 00:35:14,440 But, um, yeah, anyways, she was like chick's a sadist. 651 00:35:14,520 --> 00:35:16,040 What are you doing? Why are you saying that? 652 00:35:16,120 --> 00:35:18,600 I don't know. The company she keeps? 653 00:35:18,680 --> 00:35:19,960 Her choice of partner? 654 00:35:20,960 --> 00:35:23,600 Look, all I'm saying is, if you met her cold, 655 00:35:23,680 --> 00:35:26,400 like, tonight, say, for the first time, 656 00:35:26,440 --> 00:35:28,320 I don't think you'd be friends with her. 657 00:35:28,400 --> 00:35:30,320 Well, I haven't met her cold, have I? 658 00:35:30,400 --> 00:35:32,360 You can't just strip people of their context. 659 00:35:33,080 --> 00:35:34,600 Besides, you are her guest. 660 00:35:34,680 --> 00:35:36,920 Oh, of course. Sorry. I'll remember to bow. 661 00:35:37,000 --> 00:35:38,600 HARPER: Why are you being such a prick? 662 00:35:39,360 --> 00:35:40,520 You don't have to come to dinner. 663 00:35:40,600 --> 00:35:41,880 No, I'll come. I was looking forward 664 00:35:41,960 --> 00:35:44,000 to speaking to the son of some Lockheed Martin exec 665 00:35:44,080 --> 00:35:46,240 about what peptides he's injecting into his arse. 666 00:35:46,320 --> 00:35:48,320 Okay, narcissism of small differences, bro. 667 00:35:48,400 --> 00:35:49,480 You are from privilege. 668 00:35:49,560 --> 00:35:50,960 You are not better than these people. 669 00:35:52,040 --> 00:35:53,200 These are your people. 670 00:35:56,040 --> 00:35:57,400 Don't talk about Yasmin like that. 671 00:35:57,440 --> 00:35:58,400 She's a survivor. 672 00:35:59,600 --> 00:36:01,520 You have no fucking clue what she's been through. 673 00:36:03,040 --> 00:36:05,360 You know what? Whatever, Harper. I'm going out. 674 00:36:08,560 --> 00:36:10,640 -(DOOR OPENING) -You fucking do that, then! 675 00:36:11,160 --> 00:36:12,720 (DOOR SLAMS SHUT) 676 00:36:12,800 --> 00:36:15,560 ♪ (DRAMATIC ITALIAN ARIA PLAYING) ♪ 677 00:36:17,160 --> 00:36:19,200 (INDISTINCT CHATTER) 678 00:36:34,360 --> 00:36:38,120 How were you so right so early on Tender? 679 00:36:38,200 --> 00:36:41,320 (CHUCKLES) Trust me, we were right too early. 680 00:36:41,400 --> 00:36:43,960 (CHUCKLES) You have any recourse against them, 681 00:36:44,040 --> 00:36:46,920 given the IBN Bauer deal was stock for stock? 682 00:36:49,720 --> 00:36:52,000 Our family were legacy guardians. 683 00:36:52,080 --> 00:36:54,320 We will survive this indecency, won't we? 684 00:36:56,200 --> 00:36:58,960 HARPER: You don't bear Yasmin any ill will? 685 00:36:59,040 --> 00:37:01,280 JOHANNA BAUER: She was the victim of a criminal mind. 686 00:37:01,840 --> 00:37:03,040 We were deceived. 687 00:37:05,080 --> 00:37:07,760 She deserves the chance to restart her life. 688 00:37:07,840 --> 00:37:11,400 MORITZ HUNTER-BAUER: Only she would be skilled enough to set a dinner like this. 689 00:37:11,440 --> 00:37:13,840 Yeah, she told me it was mostly business people trying 690 00:37:13,920 --> 00:37:15,080 to get into politics. 691 00:37:15,800 --> 00:37:17,880 MORITZ: Sure, with deep pockets. 692 00:37:17,960 --> 00:37:19,400 (JOHANNA AND MORITZ CHUCKLE) 693 00:37:19,480 --> 00:37:21,360 These are titans of industry. 694 00:37:21,440 --> 00:37:24,720 Academics, evolutionary biologists. 695 00:37:24,800 --> 00:37:27,200 And they all want to meet Stefanowicz. 696 00:37:27,280 --> 00:37:30,000 There are certain men who embody a zeitgeist. 697 00:37:30,800 --> 00:37:31,840 Look at him. 698 00:37:33,080 --> 00:37:34,360 He is so... 699 00:37:35,480 --> 00:37:38,000 -dashing. -Mother, control yourself. 700 00:37:38,080 --> 00:37:39,160 (JOHANNA CHUCKLES) 701 00:37:39,200 --> 00:37:41,800 Well, it's a shame Paris no longer feels like Paris. 702 00:37:41,880 --> 00:37:43,640 -Don't you think? -Hmm. 703 00:37:43,720 --> 00:37:45,680 Like all major European cities, 704 00:37:45,760 --> 00:37:47,320 you can see where the last wisps 705 00:37:47,400 --> 00:37:49,760 of the neoliberal fantasy of multiculturalism 706 00:37:49,840 --> 00:37:51,680 have gone to die. 707 00:37:51,760 --> 00:37:56,560 Importing people who reject your values is national suicide. 708 00:37:56,640 --> 00:37:59,120 Repatriation is the only model 709 00:37:59,200 --> 00:38:02,240 to reverse this unbelievable erosion 710 00:38:02,320 --> 00:38:04,680 -of our culture. -Hmm. 711 00:38:04,760 --> 00:38:08,000 MORITZ: A nation is its genetic inheritance. 712 00:38:08,080 --> 00:38:09,240 All the evidence suggests 713 00:38:09,320 --> 00:38:11,720 that different demographics have evolved 714 00:38:11,800 --> 00:38:14,320 to have different temperaments, 715 00:38:15,000 --> 00:38:16,680 capacities. 716 00:38:16,760 --> 00:38:19,640 JOHANNA: What will we tell our grandchildren one day? 717 00:38:20,600 --> 00:38:22,800 That we didn't fight for Europe? (CHUCKLES) 718 00:38:22,880 --> 00:38:26,240 Sebastian is a vessel capable of seeing this through. 719 00:38:27,920 --> 00:38:30,720 So, Harper, for how long have you been 720 00:38:30,800 --> 00:38:32,240 a donor to Stefanowicz? 721 00:38:36,800 --> 00:38:40,400 (QUIETLY) You're not like the other ones, are you? 722 00:38:43,400 --> 00:38:44,800 What other ones? 723 00:38:44,880 --> 00:38:47,480 (CUTLERY TAPPING ON GLASS) 724 00:38:47,560 --> 00:38:50,000 (CUTLERY CLINKING) 725 00:38:50,040 --> 00:38:53,080 Well, I'd like to thank you all for being here. 726 00:38:53,160 --> 00:38:56,000 And I would like to thank Yasmin, specifically, 727 00:38:56,080 --> 00:38:58,280 for putting this all together so quickly. 728 00:38:58,840 --> 00:39:00,880 So thank you, Yasmin. 729 00:39:00,920 --> 00:39:05,600 I wanted to, um, think of a toast that would unite us. 730 00:39:08,120 --> 00:39:09,240 Family. 731 00:39:10,760 --> 00:39:11,880 Tradition. 732 00:39:14,360 --> 00:39:15,440 And proud nations. 733 00:39:18,760 --> 00:39:22,200 GUESTS: Family. Traditions. Proud nations. 734 00:39:22,280 --> 00:39:26,440 ♪ ("LA CHAMBRE" BY LÉO FERRÉ PLAYING) ♪ 735 00:39:27,560 --> 00:39:30,120 ♪ (VOCALIST SINGING IN FRENCH) ♪ 736 00:39:30,200 --> 00:39:31,600 JOHANNA: This is so nice. 737 00:39:33,560 --> 00:39:36,320 -HARPER: Are you not drinking? -I'm sober now. 738 00:39:36,360 --> 00:39:39,400 Not in an annoying way, I just enjoy clarity. 739 00:39:39,480 --> 00:39:41,840 -Okay. -(CHUCKLES) 740 00:39:41,920 --> 00:39:44,680 SEBASTIAN: Right, I'm off. I'm on the last Eurostar out. 741 00:39:44,760 --> 00:39:46,880 -YASMIN: You can't stay? -No, it's my son, Alban's, 742 00:39:46,960 --> 00:39:51,440 uh, um, son, Alban's first Holy Communion. 743 00:39:51,520 --> 00:39:55,120 I need to be there in the morning. 744 00:39:55,200 --> 00:39:56,640 You must be the fund manager Yasmin 745 00:39:56,720 --> 00:39:58,280 -speaks so highly of. -HARPER: Harper Stern. 746 00:39:58,360 --> 00:39:59,800 -Nice to meet you. -Pleasure. 747 00:39:59,840 --> 00:40:01,280 I don't just want your donations. 748 00:40:01,360 --> 00:40:03,480 -(HARPER CHUCKLES) -(CHUCKLES) I want your mind. 749 00:40:03,560 --> 00:40:06,320 A mind like yours is key to devising a new OS. 750 00:40:07,480 --> 00:40:11,080 It's a seductive idea made seductively. 751 00:40:11,120 --> 00:40:14,000 I got to tell you, though, there was, um, 752 00:40:14,080 --> 00:40:17,960 some pretty blunt ideas around the table tonight. 753 00:40:18,840 --> 00:40:20,720 You know, I can't police people's views, 754 00:40:20,800 --> 00:40:25,080 even if I find them unpalatable myself. 755 00:40:25,160 --> 00:40:27,920 -Everyone here is here to donate. -Hm. 756 00:40:28,000 --> 00:40:29,720 SEBASTIAN: They don't necessarily represent me 757 00:40:29,800 --> 00:40:31,360 -or my beliefs. -Sure. 758 00:40:31,440 --> 00:40:33,720 -SEBASTIAN: But I'm sorry. -Thanks. 759 00:40:33,800 --> 00:40:36,280 And I meant what I said about the new OS. 760 00:40:36,320 --> 00:40:39,720 -Let's chat. Thank you. -YASMIN: Thank you. 761 00:40:39,800 --> 00:40:43,720 -Have a good evening. Take care. -♪ (CLASSICAL FRENCH CHANSON PLAYING IN BACKGROUND) ♪ 762 00:40:46,000 --> 00:40:48,120 A lot of the business figures in here are foreign nationals. 763 00:40:48,200 --> 00:40:49,800 How are they political donors to him? 764 00:40:49,880 --> 00:40:51,560 Some of them have funds listed in the UK 765 00:40:51,600 --> 00:40:53,480 and make payments that way. 766 00:40:53,560 --> 00:40:55,560 Shell companies? That's illegal, right? 767 00:40:56,160 --> 00:40:57,240 No. 768 00:40:57,320 --> 00:41:00,400 I mean, well, it's a grey area. 769 00:41:00,440 --> 00:41:03,600 That's where the edge is. That's what you always say. 770 00:41:03,640 --> 00:41:05,640 These dinners are mostly to ensure 771 00:41:05,720 --> 00:41:08,080 continued cross-border digital support. 772 00:41:08,800 --> 00:41:10,480 There's not much monetary value, 773 00:41:10,560 --> 00:41:13,080 but the actual value is enormous to the messaging. 774 00:41:15,240 --> 00:41:16,520 HARPER: Why are you doing this? 775 00:41:18,840 --> 00:41:19,920 Joy. 776 00:41:21,400 --> 00:41:22,480 HARPER: Whose? 777 00:41:24,240 --> 00:41:25,640 Mine. (CHUCKLES) 778 00:41:27,120 --> 00:41:28,880 (SOFTLY) Yas, I think these are, like, 779 00:41:29,600 --> 00:41:31,200 very extreme people. 780 00:41:31,280 --> 00:41:33,880 YASMIN: (CHUCKLES) Don't fall into that trap. 781 00:41:33,960 --> 00:41:38,040 These are fresh ideas for a broken social contract. 782 00:41:38,080 --> 00:41:40,280 HARPER: I don't need to hear the fucking messaging. 783 00:41:40,360 --> 00:41:42,880 -(SCOFFS) -Come on, don't be their fool. 784 00:41:42,920 --> 00:41:44,880 YASMIN: The political pendulum swings left to right, 785 00:41:44,920 --> 00:41:47,040 achieving nothing but perpetual campaigning. 786 00:41:47,120 --> 00:41:49,720 I mean, these people are for actual change. 787 00:41:49,760 --> 00:41:51,560 Progress, right? 788 00:41:51,640 --> 00:41:54,360 Did you bring me here just to donate to Stefanowicz? 789 00:41:54,440 --> 00:41:57,760 What are you talking about? You're an apolitical operator. 790 00:42:00,480 --> 00:42:02,760 You sat me next to two fucking Nazis tonight. 791 00:42:04,240 --> 00:42:05,680 They were looking at me like they wanted 792 00:42:05,760 --> 00:42:07,120 to skin me alive. 793 00:42:10,880 --> 00:42:12,360 Sorry. Obviously, I didn't... 794 00:42:13,400 --> 00:42:14,640 HARPER: (QUIETLY) It's fine. 795 00:42:17,440 --> 00:42:20,200 -(YASMIN CLEARS THROAT) -These gentlemen. 796 00:42:21,280 --> 00:42:22,280 Hi. 797 00:42:28,320 --> 00:42:29,840 Who are these girls? 798 00:42:29,920 --> 00:42:32,440 They're, like, practically draped on these men. 799 00:42:32,520 --> 00:42:35,160 They're here for a good time. 800 00:42:35,240 --> 00:42:38,160 -HARPER: Yeah, but who are they? -Well, that's Molly. 801 00:42:38,200 --> 00:42:40,880 She has no education, no real prospects. 802 00:42:40,960 --> 00:42:42,280 She was working in the Norton household 803 00:42:42,360 --> 00:42:45,880 for minimum wage, and now she's here. 804 00:42:45,960 --> 00:42:49,280 And you pay her to be, what, window dressing? 805 00:42:50,040 --> 00:42:51,480 Well, she sits on his lap 806 00:42:51,520 --> 00:42:53,120 and they talk about the first thing that pops up. 807 00:42:53,200 --> 00:42:55,360 -Uh-- -Oh, for God's sake, relax. 808 00:42:55,440 --> 00:42:58,120 It's for the gender balance of a good party. 809 00:42:58,160 --> 00:42:59,640 I mean, they make the whole thing 810 00:42:59,720 --> 00:43:00,800 visually memorable. 811 00:43:00,880 --> 00:43:02,560 Cock-heavy parties are always dead. 812 00:43:02,640 --> 00:43:05,200 Yeah, but you invited them into this situation. 813 00:43:05,280 --> 00:43:07,480 Harper, do you have any idea how this kind 814 00:43:07,560 --> 00:43:10,280 of access changes people's lives? 815 00:43:10,360 --> 00:43:11,640 How it levels them up? 816 00:43:11,720 --> 00:43:13,400 I mean, she'd have never fucking seen Paris 817 00:43:13,480 --> 00:43:14,800 if it wasn't for me. 818 00:43:15,800 --> 00:43:18,920 We both know that this world will own you 819 00:43:19,000 --> 00:43:20,360 if you don't harden up. 820 00:43:23,040 --> 00:43:26,560 I mean, any man, every man, would swim through sewage 821 00:43:26,640 --> 00:43:28,640 if it meant that he could come at the end. 822 00:43:33,800 --> 00:43:37,560 Please hear me when I say this. It comes from a place of love. 823 00:43:37,640 --> 00:43:39,720 That is not your voice coming out of your mouth. 824 00:43:41,280 --> 00:43:42,600 And I know your voice. 825 00:43:46,200 --> 00:43:48,000 (SIGHS) 826 00:43:51,480 --> 00:43:52,680 I wanna show you something. 827 00:43:57,040 --> 00:43:58,480 It's gonna fundamentally change your opinion 828 00:43:58,560 --> 00:44:00,200 on someone, okay? 829 00:44:00,280 --> 00:44:03,720 ♪ ("MON DIEU" BY ÉDITH PIAF PLAYING IN BACKGROUND) ♪ 830 00:44:03,760 --> 00:44:04,960 What the fuck am I looking at? 831 00:44:08,360 --> 00:44:09,480 That's Eric. 832 00:44:11,240 --> 00:44:13,480 The guy that you'd like to believe is just a guy. 833 00:44:13,560 --> 00:44:14,760 That's him having sex with someone 834 00:44:14,840 --> 00:44:16,280 he knew to be underage. 835 00:44:20,040 --> 00:44:21,200 That's his arse. 836 00:44:26,920 --> 00:44:28,360 -(WHISPERS) Oh my God. -(CELL PHONE THUDS) 837 00:44:31,760 --> 00:44:33,280 HARPER: Why do you have that? 838 00:44:34,560 --> 00:44:35,920 YASMIN: That's the girl in the video. 839 00:44:36,400 --> 00:44:37,640 She's underage? 840 00:44:37,720 --> 00:44:39,480 YASMIN: Girls lie about their age, Harper. 841 00:44:39,520 --> 00:44:40,680 And men like it. 842 00:44:41,720 --> 00:44:43,160 He thought he was having sex 843 00:44:43,200 --> 00:44:45,480 with a 15-year-old girl, okay? He's sick. 844 00:44:45,560 --> 00:44:46,960 HARPER: What the fuck is she doing here? 845 00:44:47,040 --> 00:44:50,200 -That's her choice. -What are you talking about? 846 00:44:50,280 --> 00:44:51,400 How old is she? 847 00:44:51,440 --> 00:44:53,200 I lost my virginity when I was 14, okay? 848 00:44:53,280 --> 00:44:55,040 I became a woman as soon as I wanted someone. 849 00:44:55,120 --> 00:44:58,680 Besides, the world is not exploitation or opportunity. 850 00:44:58,760 --> 00:45:01,200 It's both/and. That's the world, Harper. 851 00:45:01,280 --> 00:45:04,280 (CHUCKLES) "Both/and." That's maturity. 852 00:45:08,400 --> 00:45:09,720 Has Eric seen this video? 853 00:45:13,520 --> 00:45:15,840 Why do you have this fucking video of him? 854 00:45:15,920 --> 00:45:17,960 She recorded it for her own safety, okay? 855 00:45:18,040 --> 00:45:20,800 That is what your North Star is capable of. 856 00:45:20,880 --> 00:45:23,720 That's not just a man, Harper. That is a beast. 857 00:45:24,600 --> 00:45:26,360 Both/and. 858 00:45:32,000 --> 00:45:33,760 Is that what this is about? 859 00:45:33,840 --> 00:45:35,520 Are you gonna record all of these men? 860 00:45:35,600 --> 00:45:37,560 Why? Why? 861 00:45:38,800 --> 00:45:39,880 To what end? 862 00:45:47,000 --> 00:45:48,600 (SIGHS) 863 00:45:51,760 --> 00:45:53,240 This is not who you are. 864 00:45:55,240 --> 00:45:57,800 Please, you do not have to do this. 865 00:45:57,840 --> 00:46:00,920 We can just go. We can go for a walk. 866 00:46:01,000 --> 00:46:03,760 Or forget this fucking video. Forget it. Let's just go. 867 00:46:03,840 --> 00:46:06,200 You need air or something. You need anything. Something. 868 00:46:06,240 --> 00:46:08,320 I don't know why you're playing here, but I... 869 00:46:09,200 --> 00:46:11,120 Come on, take my hand. Let's go. 870 00:46:20,520 --> 00:46:24,400 Yasmin, if you have cared at all about me, ever, 871 00:46:24,480 --> 00:46:25,960 you will take my fucking hand. 872 00:46:32,720 --> 00:46:34,920 -Come on. -YASMIN: I'm sorry. 873 00:46:42,400 --> 00:46:44,160 "The world's showing you what it is." 874 00:46:44,240 --> 00:46:45,480 You said that to me. 875 00:46:49,080 --> 00:46:53,840 So you metabolize hard feelings. You become someone. 876 00:46:58,800 --> 00:47:01,920 I feel important here. Do you see that? 877 00:47:03,560 --> 00:47:06,400 I'm necessary. (CHUCKLES) 878 00:47:07,760 --> 00:47:08,960 I feel new. 879 00:47:11,000 --> 00:47:12,280 (SIGHS) 880 00:47:13,160 --> 00:47:14,680 I feel less pain. 881 00:47:17,360 --> 00:47:18,600 That's it. 882 00:47:19,240 --> 00:47:23,400 ♪ (SONG INTENSIFYING) ♪ 883 00:47:48,360 --> 00:47:50,000 Excuse me. You should go. 884 00:47:50,960 --> 00:47:53,080 Excuse me? 885 00:47:53,160 --> 00:47:54,960 HARPER: Just get up and get out of this fucking room. 886 00:47:55,040 --> 00:47:57,000 You have no business being in here. 887 00:47:57,080 --> 00:47:58,520 DOLLY: I'm good here, thanks. 888 00:47:59,600 --> 00:48:01,280 -Give me that. -DOLLY: Get the fuck off me. 889 00:48:01,360 --> 00:48:02,560 HAYLEY: Hey. 890 00:48:03,440 --> 00:48:04,840 Don't fucking touch her. 891 00:48:08,320 --> 00:48:10,040 I think it's time for you to leave, 892 00:48:10,840 --> 00:48:12,000 bitch. 893 00:48:12,040 --> 00:48:13,480 ♪ (SONG CONCLUDES) ♪ 894 00:48:17,440 --> 00:48:21,840 ♪ ("NE ME QUITTES PAS" BY JACQUES BREL PLAYING) ♪ 895 00:48:21,920 --> 00:48:23,520 If you're gonna be like that... 896 00:48:23,600 --> 00:48:26,840 ♪ (VOCALIST SINGING IN FRENCH) ♪ 897 00:48:39,840 --> 00:48:43,200 HAYLEY: (CHUCKLES) Some people. I mean, like... 898 00:48:43,240 --> 00:48:44,440 If you can't be happy in Paris, 899 00:48:44,520 --> 00:48:45,960 where the fuck can you be happy, right? 900 00:48:46,000 --> 00:48:47,200 (CHUCKLES) 901 00:48:47,920 --> 00:48:49,880 (SIGHS, CHUCKLES) 902 00:48:55,040 --> 00:48:56,080 (DOOR CLOSING) 903 00:49:18,600 --> 00:49:22,320 (CAR HORNS HONKING) 904 00:49:32,760 --> 00:49:34,360 ♪ (SONG CONCLUDES) ♪ 905 00:49:34,440 --> 00:49:37,520 KWABENA: Harp, this isn't working for me. 906 00:49:37,560 --> 00:49:39,680 And I'm pretty sure it's not working for you either. 907 00:49:41,520 --> 00:49:43,760 Like, some central casting Parisian bird 908 00:49:43,800 --> 00:49:45,280 threw it on me all night. 909 00:49:46,640 --> 00:49:47,640 Um... 910 00:49:48,840 --> 00:49:49,920 She kissed me. 911 00:49:51,160 --> 00:49:53,320 And if I'm honest, it felt great. 912 00:49:54,680 --> 00:49:55,960 I don't feel guilty. 913 00:49:57,240 --> 00:49:58,360 Not really. 914 00:50:06,800 --> 00:50:07,920 Nothing? 915 00:50:08,720 --> 00:50:09,760 Nothing to say? 916 00:50:09,840 --> 00:50:12,320 What the fuck do you want me to say, Kwabena? 917 00:50:12,360 --> 00:50:13,840 You want me to raise my fucking voice 918 00:50:13,920 --> 00:50:15,520 -like this, huh? -Oh, honestly, Harper, 919 00:50:15,600 --> 00:50:17,880 sometimes I think you're like an NPC, 920 00:50:17,960 --> 00:50:20,080 or like AI or something. 921 00:50:20,160 --> 00:50:21,960 You know, a couple of weeks ago, Sweetpea told me 922 00:50:22,040 --> 00:50:25,200 that she told you about the thing in Accra. 923 00:50:27,240 --> 00:50:28,360 And, look, I know, 924 00:50:28,440 --> 00:50:30,000 I know I should have mentioned it to you. 925 00:50:30,040 --> 00:50:32,760 I know I was wrong for not mentioning it to you. 926 00:50:32,840 --> 00:50:35,840 But, like, it was gross. It was... It was a lie, 927 00:50:37,000 --> 00:50:39,000 but I'm just flat-out perplexed 928 00:50:39,080 --> 00:50:41,000 why you wouldn't raise it with me if you knew. 929 00:50:41,080 --> 00:50:44,920 Like genuinely, help me, help me understand that. 930 00:50:45,000 --> 00:50:46,080 Is it impossible to think 931 00:50:46,120 --> 00:50:48,040 that I don't have another fucking thing going on, 932 00:50:48,120 --> 00:50:49,200 but to wonder 933 00:50:49,280 --> 00:50:52,000 about who my casual fuck is fucking behind my back? 934 00:50:52,080 --> 00:50:53,800 KWABENA: This isn't casual, Harper. 935 00:50:54,840 --> 00:50:58,040 We're like sleep companions who occasionally have 936 00:50:58,120 --> 00:50:59,200 a fucking conversation. 937 00:51:00,880 --> 00:51:04,080 It's like we're intimate with no intimacy. 938 00:51:11,040 --> 00:51:13,080 My mom died while you were in Accra. 939 00:51:14,320 --> 00:51:16,640 ♪ (POIGNANT MUSIC PLAYING) ♪ 940 00:51:17,320 --> 00:51:18,640 KWABENA: Shit, I'm sorry. 941 00:51:21,960 --> 00:51:23,160 Wish you'd said. 942 00:51:26,640 --> 00:51:27,640 Are you okay? 943 00:51:32,720 --> 00:51:34,960 (BREATHES DEEPLY) I feel like all the people 944 00:51:35,040 --> 00:51:37,920 who I thought were constants in my life have all... 945 00:51:39,520 --> 00:51:41,280 become something I didn't know they were. 946 00:51:42,280 --> 00:51:44,200 Or disappeared altogether. 947 00:51:50,320 --> 00:51:51,960 I like being around you, 948 00:51:53,240 --> 00:51:54,560 despite you. 949 00:51:56,240 --> 00:51:58,160 Fuck, it might also be because you're like the only 950 00:51:58,240 --> 00:52:00,680 other Black person I ever interact with. 951 00:52:02,440 --> 00:52:04,240 Is that supposed to be romantic? 952 00:52:06,400 --> 00:52:07,600 No. 953 00:52:22,400 --> 00:52:24,320 I don't know how to be in a relationship. 954 00:52:26,400 --> 00:52:30,760 I don't understand how to do it or, like, 955 00:52:31,760 --> 00:52:33,600 water it, make it last. 956 00:52:35,200 --> 00:52:36,440 There's no manual. 957 00:52:37,520 --> 00:52:38,840 HARPER: There should be. 958 00:52:41,920 --> 00:52:44,040 I just want to protect myself. 959 00:52:44,080 --> 00:52:46,240 Not at the cost of everything else, Harper. 960 00:52:46,280 --> 00:52:48,960 That's... That's too high a price. 961 00:52:53,240 --> 00:52:54,400 No, it's not. 962 00:52:57,480 --> 00:52:58,920 It's not for me. 963 00:52:58,960 --> 00:53:00,720 ♪ (REFLECTIVE MUSIC PLAYING) ♪ 964 00:53:00,800 --> 00:53:04,960 -(CAMERA SHUTTERS CLICKING) -(REPORTERS CLAMORING) 965 00:53:09,000 --> 00:53:12,280 GREGORY WILLIS: This morning, Mr. Muck has formally entered 966 00:53:12,360 --> 00:53:16,480 a plea of guilty to the charges set out in the indictment. 967 00:53:16,560 --> 00:53:19,600 My client is engaging with the process transparently, 968 00:53:19,640 --> 00:53:21,840 and we ask the media and the public 969 00:53:21,920 --> 00:53:24,400 to allow the legal process to continue 970 00:53:24,480 --> 00:53:27,680 as we present the incontrovertible facts. 971 00:53:29,720 --> 00:53:31,840 (REPORTERS CLAMORING OVER TV) 972 00:53:31,920 --> 00:53:34,640 -AIDE: Marked up the priorities pre-Cabinet. -Thanks. 973 00:53:38,040 --> 00:53:41,120 Halberstram was a shadow man who built a... 974 00:53:42,040 --> 00:53:43,680 shadow world. 975 00:53:46,520 --> 00:53:48,720 REPORTER 1: Do you expect to land on your feet again, Mr. Muck? 976 00:53:48,800 --> 00:53:50,680 REPORTER 2: Have you had contact with Mr. Halberstram? 977 00:53:50,760 --> 00:53:53,080 REPORTER 3: Is Mr. Halberstram being shielded abroad? 978 00:53:53,160 --> 00:53:55,800 He was the only person, uh, responsible. 979 00:53:57,480 --> 00:53:59,240 Um, it starts and ends with him. 980 00:53:59,280 --> 00:54:01,360 We were all... We were all deceived. 981 00:54:01,440 --> 00:54:04,440 -(REPORTERS CONTINUE CLAMORING) -REPORTER 4: Are you gonna apologize to Tender's customers? 982 00:54:05,880 --> 00:54:06,880 (SIGHS) 983 00:54:10,560 --> 00:54:13,080 -(CLAMORING CONTINUES) -REPORTER 5: What is the status of your marriage? 984 00:54:14,520 --> 00:54:17,600 (BREATHES DEEPLY) 985 00:54:17,640 --> 00:54:19,760 -(KNOCKING ON DOOR) -MOLLY: Lady Muck. 986 00:54:19,800 --> 00:54:21,120 Um, Miss Hanani. 987 00:54:21,200 --> 00:54:25,240 -Or Yasmin. -Oh, sorry, Miss Hanani. 988 00:54:25,320 --> 00:54:28,800 Um, we just wanted to say thank you for the opportunity. 989 00:54:30,160 --> 00:54:32,240 I told you, you know, there's nowhere like Paris. 990 00:54:34,640 --> 00:54:36,400 Beats Norton Hall, right? 991 00:54:38,800 --> 00:54:39,920 You okay? 992 00:54:40,720 --> 00:54:42,440 -Yeah. Great. -YASMIN: Good. 993 00:54:45,160 --> 00:54:48,000 (SPEAKING FRENCH) 994 00:54:50,480 --> 00:54:52,560 I'm sorry, I... 995 00:54:52,600 --> 00:54:57,160 Um, "She is tossed by the waves, but she does not sink." 996 00:55:01,960 --> 00:55:03,720 (CHUCKLES) 997 00:55:09,920 --> 00:55:11,720 -Hey. -Hi. 998 00:55:11,800 --> 00:55:15,520 -HAYLEY: Can I get you anything? -No. No. You take the day. 999 00:55:15,600 --> 00:55:18,560 Uh, but we have dinner with the Qataris at 8:00. 1000 00:55:18,600 --> 00:55:21,480 L'Épicure. Justine at Hermès is expecting you. 1001 00:55:22,440 --> 00:55:23,560 You got it, boss. 1002 00:55:25,680 --> 00:55:27,600 Fun night. 1003 00:55:27,680 --> 00:55:30,840 Yeah. Uh, can you just, um, make sure I have a minute? 1004 00:55:31,360 --> 00:55:32,520 Mm-hmm. 1005 00:56:01,520 --> 00:56:03,080 CHARLES HANANI: (OVER VOICEMAIL) Darling, hi. 1006 00:56:03,160 --> 00:56:04,480 I'm probably the last person 1007 00:56:04,560 --> 00:56:06,640 you want to hear from, but are you free next week 1008 00:56:06,720 --> 00:56:10,800 to hop aboard the gorgeous boat I named just for you? 1009 00:56:12,720 --> 00:56:14,880 Mallorca! 1010 00:56:14,920 --> 00:56:18,920 I'll pay for your flights. Bring a friend. We have space. 1011 00:56:19,880 --> 00:56:21,240 No men, obviously. 1012 00:56:22,480 --> 00:56:26,240 Come, come. Love you, my little cherub. 1013 00:56:27,120 --> 00:56:29,520 Light of my life. Mina. 1014 00:56:30,840 --> 00:56:33,320 -Mina, Mina. -(SIGHS) 1015 00:56:33,400 --> 00:56:34,960 (FINGER TAPPING) 1016 00:56:35,440 --> 00:56:36,760 (SPEAKER BEEPING) 1017 00:56:36,840 --> 00:56:38,720 CHARLES: (OVER SPEAKER) Darling, hi. 1018 00:56:38,800 --> 00:56:39,920 I'm probably the last person 1019 00:56:40,000 --> 00:56:42,000 you want to hear from, but are you free next week 1020 00:56:42,080 --> 00:56:46,200 to hop aboard the gorgeous boat I named just for you? 1021 00:56:46,280 --> 00:56:47,920 ♪ ("NO OTHER LOVE" BY JO STAFFORD PLAYING) ♪ 1022 00:56:48,000 --> 00:56:50,280 CHARLES: Mallorca! 1023 00:56:50,360 --> 00:56:54,280 I'll pay for your flights. Bring a friend. We have space. 1024 00:56:55,280 --> 00:56:56,520 No men, obviously. 1025 00:56:57,600 --> 00:57:01,600 Come, come. Love you, my little cherub. 1026 00:57:02,480 --> 00:57:05,040 Light of my life. Mina. 1027 00:57:06,120 --> 00:57:10,600 -Mina, Mina. -(SIGHS) 1028 00:57:11,360 --> 00:57:14,120 ♪ Oh, the sweet contentment... ♪ 1029 00:57:14,200 --> 00:57:17,200 CHARLES: Darling, hi. I am probably the last person 1030 00:57:17,280 --> 00:57:19,080 you want to hear from, but are you free next week 1031 00:57:19,120 --> 00:57:23,480 to hop aboard the gorgeous boat I named just for you? 1032 00:57:25,240 --> 00:57:27,600 Mallorca! 1033 00:57:27,680 --> 00:57:31,480 I'll pay for your flights. Bring a friend. We have space. 1034 00:57:32,600 --> 00:57:33,800 No men, obviously. 1035 00:57:35,160 --> 00:57:38,560 Come, come. Love you, my little cherub. 1036 00:57:39,720 --> 00:57:42,600 Light of my life. Mina. 1037 00:57:42,680 --> 00:57:46,760 -Mina. Mina. -♪ In your kiss ♪ 1038 00:57:46,840 --> 00:57:50,880 ♪ Forever yours ♪ 1039 00:57:50,960 --> 00:57:56,320 ♪ I was blessed with love To love you ♪ 1040 00:57:56,400 --> 00:58:01,360 ♪ Till the stars burn out Above you ♪ 1041 00:58:01,440 --> 00:58:08,120 ♪ Till the moon has bought A silver shine... ♪ 1042 00:58:08,200 --> 00:58:10,920 (HENRY SOBS) 1043 00:58:12,720 --> 00:58:15,400 ♪ Let no other love ♪ 1044 00:58:15,480 --> 00:58:17,640 HENRY: I'm sorry. (SNIFFLES) 1045 00:58:17,720 --> 00:58:19,880 ♪ Know the wonder ♪ 1046 00:58:19,960 --> 00:58:22,120 HENRY: I'm so, so sorry. 1047 00:58:22,200 --> 00:58:26,520 ♪ Of your spell ♪ 1048 00:58:26,600 --> 00:58:29,480 -♪ (SONG CONCLUDES) ♪ -(HENRY SOBS) 1049 00:58:29,560 --> 00:58:34,840 ♪ ("CAREFULLY ON TIPTOE STEALING" BY GILBERT AND SULLIVAN PLAYING) ♪ 1050 00:58:34,920 --> 00:58:39,240 ♪ And it's greatly To his credit ♪ 1051 00:58:39,320 --> 00:58:43,600 ♪ That he is an Englishman ♪ 1052 00:58:43,680 --> 00:58:48,440 ♪ That he is an Englishman ♪ 1053 00:58:48,520 --> 00:58:53,440 ♪ For he might Have been a Roosian ♪ 1054 00:58:53,520 --> 00:58:57,560 ♪ A French, or Turk or Proosian ♪ 1055 00:58:57,640 --> 00:59:01,800 ♪ Or perhaps Itali-an ♪ 1056 00:59:01,880 --> 00:59:06,600 ♪ Or perhaps Itali-an ♪ 1057 00:59:06,680 --> 00:59:11,760 ♪ But in spite Of all temptations ♪ 1058 00:59:11,800 --> 00:59:16,440 ♪ To belong To other nations... ♪ 1059 00:59:16,520 --> 00:59:21,960 Oh! Oh! Ready! I've got one, Botty! 1060 00:59:22,040 --> 00:59:25,240 Botty, I've got one! I've got one! 1061 00:59:25,280 --> 00:59:27,720 OTTO: There she is, there she is, now let it... Slowly! 1062 00:59:27,800 --> 00:59:29,280 Bloody thing's jammed! 1063 00:59:29,360 --> 00:59:30,680 -There you go. -Okay. 1064 00:59:30,760 --> 00:59:32,040 (INDISTINCT CHATTER) 1065 00:59:32,080 --> 00:59:36,680 -♪ For in spite Of all temptations... ♪ -Yeah! (LAUGHS) 1066 00:59:36,720 --> 00:59:40,760 -Slowly. Slowly. -HENRY: Come on you fucker! 1067 00:59:40,840 --> 00:59:45,040 -(OVERLAPPING CHATTER) -♪ He remains an Englishman ♪ 1068 00:59:45,120 --> 00:59:51,840 ♪ He remains an Englishman ♪ 1069 00:59:52,520 --> 00:59:55,360 HENRY: Yeah! 1070 00:59:55,440 --> 00:59:58,320 ♪ (SONG CONCLUDES) ♪ 1071 00:59:59,640 --> 01:00:00,720 HARPER: It's hard 1072 01:00:00,800 --> 01:00:02,680 to short frauds in a good market. 1073 01:00:03,560 --> 01:00:06,080 There was nothing to believe in at Tender, 1074 01:00:06,160 --> 01:00:07,280 and we proved that. 1075 01:00:08,360 --> 01:00:10,360 Hope is more profitable than truth. 1076 01:00:10,440 --> 01:00:12,960 That's not changing. Ever. 1077 01:00:13,040 --> 01:00:15,480 So how do you stay sane in a market 1078 01:00:15,560 --> 01:00:18,440 that brutally punishes truth-tellers 1079 01:00:18,520 --> 01:00:20,880 all the time, in real time? 1080 01:00:20,960 --> 01:00:22,520 There will always be stories in the world 1081 01:00:22,600 --> 01:00:25,800 that people are too afraid to question. 1082 01:00:26,680 --> 01:00:27,760 But... 1083 01:00:30,120 --> 01:00:33,840 I had a team of people who I cared about. 1084 01:00:34,800 --> 01:00:37,160 Whose opinions I cared about. (CHUCKLES) 1085 01:00:38,080 --> 01:00:40,680 A few people I talked to 1086 01:00:40,760 --> 01:00:46,000 made you seem like more of a... how shall I say... 1087 01:00:47,280 --> 01:00:49,600 singular operative. 1088 01:00:50,320 --> 01:00:51,360 People change. 1089 01:00:52,360 --> 01:00:53,960 PATRICK RADDEN-KEEFE: You really believe that? 1090 01:00:54,720 --> 01:00:56,640 -Aren't you supposed to? -(SCOFFS) 1091 01:00:57,960 --> 01:01:01,080 Does being so uniquely right, 1092 01:01:01,160 --> 01:01:03,440 when everyone was so totally wrong, 1093 01:01:04,680 --> 01:01:07,040 feel like vindication? 1094 01:01:07,080 --> 01:01:11,800 Or does it ultimately make you feel very alone? 1095 01:01:15,360 --> 01:01:16,720 Both/and. 1096 01:01:18,640 --> 01:01:20,520 -That's a good place to end. -HARPER: Hmm. 1097 01:01:20,600 --> 01:01:22,080 -Thank you. -Thank you. 1098 01:01:28,280 --> 01:01:32,040 ♪ (REFLECTIVE MUSIC PLAYING) ♪ 1099 01:01:34,480 --> 01:01:35,840 FLIGHT ATTENDANT: Are you finished? 1100 01:01:37,880 --> 01:01:40,040 -Sorry. -Your gin and tonic. 1101 01:01:41,440 --> 01:01:42,640 Can I get you another? 1102 01:01:44,200 --> 01:01:45,320 Are you done? 1103 01:01:48,400 --> 01:01:50,680 ♪ (MUSIC BUILDS) ♪ 1104 01:01:53,640 --> 01:01:56,640 ♪ (MUSIC CONTINUES) ♪ 1105 01:02:09,920 --> 01:02:12,920 ♪ (MUSIC CONTINUES) ♪ 1106 01:03:01,160 --> 01:03:03,640 ♪ (MUSIC CONCLUDES) ♪