[music playing]
[water lapping]
[birds chirping]
[footsteps]
[splash]
[click]
[whoosh]
[fire crackling]
[distant barking]
[shuddering breath]
[rustling]
[footsteps]
[motor running]
[paper rustling]
[spritzing]
[rustling]
[music playing]
[footsteps]
[door squeaking open]
[music playing]
An alert is out for a silver station wagon,
similar to this one, driven by a man,
with a woman and young boy as passengers.
Now, there are two ways out of Claire's house to the highway,
this here and here.
Both major intersections, there must be cameras.
Yeah, at both sets of lights.
So we searched the footage around the time the car was
heard leaving Claire's house.
No matches?
Well, there were four matches for the vehicle,
but none of them had three passengers.
And none of the male drivers fit Corey's description.
[sigh]
Corey's not driving.
Sorry?
GRACE: He took Clare for three reasons.
Hostage.
Human shield.
And as a driver.
We're looking for a female driver and a young boy.
And where's Corey?
Hiding.
[tires humming]
Shit.
They've found us.
Turn off.
What?
Just do it.
[tires squealing]
[honking]
[tires crunching on gravel]
[music playing]
Where are we going?
Just keep driving.
[music playing]
[footsteps]
[gasping]
[music playing]
[sigh]
Hi.
Sorry, I had to work late last night.
These are for you.
We'll do dinner too.
These were just because I was thinking about you,
and I was getting coffee, and there was the florist,
and one thing led to another.
I can't.
Sorry?
It-- it doesn't feel right.
Um, the flowers?
All of it.
But yesterday, you said--
I know.
I changed my mind.
[footsteps]
Look, if this is about Lincoln and you need more time,
I can wait.
I'm sorry. [elevator dings]
[sigh]
GRACE: Ah, there you are.
Listen, a young woman was found dead in Redfern.
Body description matches Bo-Lin.
I'm going to need you to go, too, Anna.
She was found in the skip?
Yeah.
Time of death was at least eight hours ago.
And she fell from there.
Mhm, broke her neck on the edge of the bin.
[sigh]
Just had her hair cut.
MARCO: Like Mary's.
Mhm.
She was planning on using her passport-- before this.
GRACE: Yeah.
Did she have anything with her?
No phone, nothing.
Don't look like she jumped.
Plus, forensics found splinters under her fingernails.
She was trying to hang on--
on the way down.
GRACE: So she was pushed.
Looks that way.
[music playing]
This place has been wiped clean.
Whoever this was, they know how to cover their tracks.
What have you got?
[music playing]
[footsteps]
Oi. [thumping]
Get up.
We're going.
Where's Toby?
Toby!
TOBY: Mom, I'm hungry.
[footsteps]
OK, mate.
We're going for a walk--
[car door closes]
--all three of us.
Where are we going?
The best way is to be direct, stick to the facts.
Be compassionate, but not too emotional.
That's their loss, not ours.
You don't have to do this.
I can.
No, I can do it.
EDUARDO: Maybe it's a good sign Bo-Lin didn't get on the plane.
We can get the landlord to fix that.
MANI: Like last time?
It was six weeks before he did anything.
You skipped your exam yesterday, man.
You need to call your lecturer and explain.
MARY: You can ask for special consideration.
MANI: Until I find Bo-Lin, I don't care about my degree.
[knocking]
[door squeaks open]
Bo-Lin's body was found this morning at Redfern.
We believe she may have died after falling
through a warehouse window.
[crying]
MARY: No.
She fell?
It appears she may have been pushed.
[gasp]
Who did this?
We don't know.
I'm sorry.
I want to see her.
Of course.
I have to see her.
We'll arrange that as soon as possible.
[crying]
[music playing]
GRACE: All right, thanks.
[click]
The DNA found on the cigarette at the warehouse
is Corey Baxter's.
He pushed her?
It was Corey's?
He must have collided with her at the store.
She saw him shoot Tony.
He didn't want her to talk.
So he locked her away.
But when he couldn't figure out what to do with her,
he pushed out the window.
No.
What do you mean, no?
GRACE: No.
It's not Corey's MO.
If Bo-Lin had got in his way, he would've
just shot her then and there, just
like he did everybody else.
Instead he keeps her alive.
Why?
His mate said he kept women locked up in Queensland.
Yeah, but there's no sign of sexual assault.
Well, he locked Claire up.
GRACE: That's different.
He thought Toby was his child.
It fits in with his whole obsession with being a father.
But to keep Bo-Lin hidden at the warehouse,
to buy her a ticket to China, it's not him.
Baxter's DNA was found at the crime scene.
You're ignoring physical evidence.
GRACE: No, I'm not ignoring it.
I'm just trying to make sense of it, Charlie.
It doesn't make sense.
MATT: Everything OK here?
Yeah.
You're on restricted duties.
What?
I warned you there'd be ramifications if you walked
out on that meeting yesterday.
I'm in the middle of a murder investigation.
MATT: I just had a phone call from the education minister,
who wants to know why that student you're meant
to have found is now dead.
Do you know how bad this looks?
I'm sorry.
What did you just say?
MATT: Grace, there are broader implications here.
International students are a multi-billion dollar industry.
Well, I'm sorry if Bo-Lin's death has been inconvenient
from a budgetary perspective.
Don't twist my words.
I don't have to.
- Your gun's padlocked. - I get it.
I'm your scapegoat.
You need to tell the minister you
penalized an officer, lucky me.
[music playing]
People are so fucking stupid, they never noticed
when you swap their plates.
Yeah, you can hardly tell.
All right, time to go.
My legs hurt.
It's all right, mate.
It's not too far.
It takes ages.
I should have known he's not mine.
He's A weeper.
I, um, saw that there was a sign for a service
station down the road.
Maybe we can stop and get some food.
That's right.
I said we'd get snacks, didn't I?
CLAIRE: Yeah.
Well, guess what?
I lied.
Now you know how it feels.
[music playing]
[footsteps]
[door closes]
[gasping]
[door squeaking open]
[water running]
How's Mani?
Sorry?
The boyfriend of the girl who died, his name's Mani,
isn't it?
Yeah.
Uh, not good, as can be expected.
Listen, I can't stop thinking about this passport.
See, I know Bo-Lin's friends weren't
helping her out because they've been
under constant surveillance.
They couldn't have got Mary's passport to her.
But that leaves one other scenario.
That Bo-Lin took Mary's passport to the store.
But why would she do that?
I don't think she meant to hurt Tony.
So why would she be thinking about skipping the country?
I don't know.
I told you, I don't remember if I saw Mary's passport that day.
I seized Bo-Lin's.
That's all I know.
Oh, OK.
[door squeaks open]
Don't you like roses?
What?
Charlie's flowers.
Oh, um, yeah, that's not going to work.
Oh, that's a shame.
Weren't you two having dinner yesterday?
Did something change?
It's-- it's just it's not the right time.
Yeah, of course.
[door bounces shut]
That's a pretty good match, eh?
Yeah.
Yeah, that's, um-- that's really smart.
I wouldn't have thought of that.
COREY: Yeah, well, lucky I'm in charge, then.
Oh, yeah, um, where-- where are we going?
COREY: That's for me to know and you find out.
CLAIRE: Are we-- are we still going to Queensland?
COREY: Mm,
It's stuck.
COREY: Eh?
My pirate's sword in the keyhole.
What?
TOBY: See?
Oh, fuck.
Fuck.
What did you do that for, you little shit?
CLAIRE: Don't touch him!
We're going to go.
And you're not going to follow.
Or what?
I'll shoot.
You don't have the guts.
Really?
Come on, Claire bear. [gunshot]
Ah!
Run, Toby, run!
Fuck, you fucking bitch!
[yelling]
[music playing]
It's her.
But then, it's not her.
The haircut?
It's not that.
But she doesn't look like her anymore.
[shuddering breaths]
Look at her.
She's gone.
CHARLIE: You can have as long as you like.
I'll wait outside.
[music playing]
[crying]
[inaudible]
[footsteps]
Corey Baxter is on the run.
He has a woman and a boy with him.
It's all over the news.
Yeah.
Isn't it strange that he made a run
for it the same night Bo-Lin--
he held a gun at my head.
I know what that man is capable of.
I'll tell you as soon as we know anything.
You said that before.
Where is Detective Gibbs?
She's been held up back at the station.
[sigh]
Can I drive you home?
No, thank you.
I'll walk.
[footsteps]
How'd you go?
Mani's a mess.
Mhm.
He already suspects Corey.
Maybe we should tell him about the cigarette.
It's not fair to keep him in the dark.
Listen, I need to talk to you.
Not now.
A woman and her son just hailed down
a truck on the Pacific Highway.
Oh yeah?
She's at Hawkesbury LAC.
No Baxter, but she has a description of where he was.
Go.
What about you?
It's a long story.
[ding]
Um, he-- he made us walk to a--
a commuter car park that was about 20 minutes away.
And he found a car.
And he swapped the plates.
Do you remember any of the numbers or letters?
Even one would help.
CLAIRE (ON PHONE): Uh, no, I was--
I was just looking at the-- the gun.
I couldn't see anything else.
OK, do you know the name of the road
that Corey had you pull over on last night?
Um, we-- we took a, um, a turn off just before Gosford.
It was dark.
And I-- I--
I could only see the road.
And then, when we ran today, I was--
I was just looking for help.
So it's all a bit of a--
bit of a blur.
Can you remember seeing anything-- anything at all?
There w-- there was a picnic area--
green picnic tables.
Was it near anything-- a river, a lookout, or--
There was a creek.
Girrakool picnic area, Old Pacific Highway, Kariong.
[siren blaring]
G'day mate.
Detective Senior Constable Varma.
You've got something there?
Yeah, this.
MARCO: This is the place--
one pirate sword.
Corey got the car to work.
He's back out there.
Yeah, in a common model station wagon
with unknown number plates.
Doesn't exactly lower our options.
Maybe he won't get far.
How long had you been working at Redfern Travel?
Too long.
Yesterday, a one way ticket to Shanghai
was processed, on your computer, in the name of Mary Ho.
Do you remember who might have purchased that ticket?
I'm bad with faces.
I go more off someone's vibe.
Could it have been her?
No, it was a guy.
How about him?
I'm not sure.
I think this guy was old.
Define old.
40s, 50s even.
Do you think you could describe him?
I was, uh, actually kind of distracted.
I was bidding on this first edition Nirvana
vinyl, so not really, soz.
Yep, I'm soz, too.
[music playing]
[plastic rustling]
PENNY: Forensics found this at the crime scene for you.
Oh, thanks.
Is everything OK between you and Mani?
Yeah.
Hmm, it's just, he's got me doing
all the drop offs and pickups.
I thought maybe he might be avoiding you.
No, I don't think so.
Um, I'm sorry about the young girl being found.
I know this has been a really difficult case for you.
Thanks, Penny.
[elevator doors open]
Where you going?
Lunch.
It's 10:00 AM.
I got a big appetite.
[elevator doors close]
[footsteps]
Is Mani inside?
He's gone to get a new hose for the washing machine.
LEAH: He's fixing it, keeping busy.
Seems to help him.
Actually, I need to ask you something.
When Constable Jamison seized Bo-Lin's passport,
where was it?
Here.
So you showed her this drawer.
What did you do then?
I remember Bo-Lin kept other documents, like
bank details in this drawer.
So you knelt down, like that?
I thought the police might want them too, but she said no.
Thanks.
Why is this important?
I'm just checking on something.
She gave me that card for my birthday.
[door squeaks open]
What are you doing?
We found a letter at the crime scene where Bo-Lin was killed.
Is that her handwriting?
Yes.
It's addressed to you.
I made you a copy.
BO-LIN (VOICEOVER): We've only been apart for two days.
But it feels like months since we were snuggled
together in your blanket room.
I would do anything to be back there right now.
But that's not possible.
I have made a terrible mistake.
I need to go back to China.
Please come and meet me.
The only way I can leave is the thought that you will find me.
And we will be together, snuggling somewhere else again,
very soon.
Where's the rest?
She didn't sign it.
That was all that was in the envelope when we found it.
Someone's taken the rest.
It's possible.
[music playing]
Can I help you?
I heard that women escaped, Claire Diego?
Yeah.
Did she really shoot Baxter?
Could he be dead?
We don't know.
He got away.
Is there something I could have done differently?
If I could still play it differently with you, I would.
No, you did nothing wrong.
[music playing]
Charlie, got that meeting.
- What meeting? - You know the one.
Didn't you get the message? We're late.
[music playing]
[shuddering breath]
[grinding]
CHARLIE: What are we doing up here?
What meeting is this?
I want to tell you something.
You're not going to like it.
OK.
You're going to think I'm crazy,
but I want you to hear me out, all right.
I think I know who did this to Bo-Lin.
It was Anna.
[scoffs] No, I know.
Funny.
Listen to me.
She's been acting really weird.
And then something just clicked for me.
When I asked her about Bo-Lin's passport,
she got really defensive.
And?
So when she seized it, she had access to Mary's.
She knew the police were meeting the plane.
She could have tipped her off.
I think, somehow, maybe they're in this-- together.
You're right. This is crazy.
You're not making any sense.
What did she just ask you about?
Corey getting shot.
But that's because--
That's because she's hoping he's
dead because she framed him.
What?
Look, what if she planted the cigarette
butt at the warehouse.
She could've collected it from Claire's.
She knows all about how to clean up a crime scene, right?
She could have left the letter for Mani
and taken out any pages that incriminated her.
See, the only thing that doesn't add up
is who bought the ticket in Mary's name?
That was a man.
There's got to be an explanation, right?
All this time, I've been defending you.
And Richard's right.
[scoffs]
And what's this got to do with Richard?
He asked me for dirt on you.
What?
I didn't say anything.
But maybe I should have.
Like you've totally lost it.
Listen Charlie, I know this is really hard for you
to consider but just think about--
Oh, it's not enough that you killed her husband,
but now you want to blame Anna for murder.
- What happened to Lincoln-- - Yeah, I know.
It's not your fault. Keep telling yourself that.
I have never told myself that.
And I have felt terrible about it every single day since.
He was one of my favorite people.
Why would Anna have done this?
Have you even asked yourself that?
I think their paths crossed, maybe at the store.
I think Anna went back for some reason.
So you're saying she killed Tony, too.
[sigh]
Are you actually saying that?
I don't know.
You're insane.
[music playing]
Uh, Dr. Pierce.
Yes.
I wanted to talk to you about one
of your students, Mani Dalir.
Oh, yes, I heard what happened to his girlfriend.
It's awful.
How is he holding up?
Not so well.
Uh, doesn't care about university right now.
But he will when he's had more time.
HARRIET PIERCE: I hope so.
He's one of my best students.
I wanted to make sure there would still be a place for him
here when he's ready to come back.
[phone ringing]
IAN JAMISON (ON PHONE): Hey, love, aren't you at work?
Yeah, dad.
I just wanted to check how George is.
Oh, he's good.
We're looking for birds.
Nap time now.
Will you give him a cuddle from me?
Yeah, you all right?
Yeah, yeah, I'll see you tonight.
All right, sleepy time, mister.
[music playing]
EDUARDO: Constable Jamison?
Yes?
Uh, you're working on Bo-Lin's case, right?
Mhm, I'm one of the officers.
I need some, uh, paperwork for Mani Dalir.
His lecturer was understanding.
But she needs a full police report.
[tapping on keyboard]
Mani will make a great doctor.
I know it.
But I've never seen two people so in love
as Bo-Lin and Mani were.
It will take a lot for him to get over this.
I'm sorry-- for your friend, I mean.
EDUARDO: It's just been so hard on him,
not knowing anything for so long.
I guess now they found the cigarette at the crime scene,
he has some closure.
Cigarette? [banging]
[phone ringing]
Yes.
They were keeping things from your, man.
What?
The police-- they found a cigarette
with Corey Baxter's DNA.
It was at the warehouse where she died.
Do you still have your hire car?
[zipping]
Hey, pack of Island Gold Classics.
[clink]
[music playing]
[footsteps]
Hey, Charlie, almost didn't recognize you in a suit.
Very sharp, detective.
Thanks.
Don't feel bad about the promotion, mate.
I'm happy for you.
Anna will get it next time.
That's what I said.
Hey, Ian, this may seem like a strange question.
But on the day that I got my detective gig--
Oh, yeah.
Do you remember what time Anna got home?
Yeah, it was late.
Me and Georgie were in bed.
But I think I heard her come in.
Well, Anna, got off work pretty early that day--
around midday.
You sure she didn't come home earlier?
It was after 10:00.
She's not in some kind of trouble, is she?
Is this about that girl?
Who?
Anna's been helping out this young woman
in a nasty relationship.
The boyfriend keeps beating her up.
Don't mention anything, will l mean,
Anna wanted to keep it quiet.
Do you remember her name?
Yeah, Mary.
Mary Ho.
Anna wanted to get her back to China,
you know, out of the country, away from this asshole.
But she was concerned that she get into strife at work
for getting too involved, you know.
Police officers are only supposed to do so much.
That's why I helped her.
I thought that if I bought the airline ticket,
Anna's hands would be clean.
She probably saved this young woman's life.
Don't mention I've said any of this, will you mate, right?
Anna really wanted to keep it quiet.
Sure.
IAN JAMISON: She's a good girl.
I don't need to tell you that.
[music playing]
Anna's dad booked the flight.
What?
That's the missing part to your puzzle.
Ian's in on it?
No.
She fed him some story.
He thinks she's helping out some woman called Mary.
I'm so sorry, Charlie.
[sniffles]
What are you going to do?
We'll need to get a match on the footprints from the store.
It would be good to place Anna at the warehouse, too.
Wait, you called her last night to cancel dinner.
We can use that call to trace where she was.
It must have been quite close to the time of death.
Listen, don't beat yourself up.
You couldn't have known it.
[sniffles]
[footsteps]
MATT: OK, we just had a triple O. Charlie--
Charlie, you OK?
Yeah, he's fine.
Petrol station in North Ryde was just robbed at gunpoint.
The cashier is hiding in the storeroom.
He saw the getaway car.
It matches Baxter's.
Wait, the guy's still in the storeroom.
Yeah.
Well, then, how did he see the getaway car?
I don't know.
That's what he said.
The guy blew smoke in his face.
That's Baxter's MO.
Did he mention that the robber had been shot?
You saw the blood, right, Charlie?
There was a lot of blood.
Has anyone called the landline?
The landlines dead.
Nobody's answering the mobile phone.
Marco's waiting.
Go.
You should take someone else.
Hey, it's not a question.
That is an order.
I answer to Detective Gibbs.
You both answer to me.
Oh, you just backed the wrong horse, Constable.
Frankie, downstairs!
Marco--
Corey made that call.
He's trying to district us.
But why does he want us to go North Ryde?
Because he wants us there while he gets to here.
He's been shot.
He's bleeding.
He's on his last legs.
Where else is he going to go?
[footsteps]
They're rushing.
Maybe the found--
No, no, no, let's just go inside, talk to Detective--
MANI: Talking hasn't worked so far.
[sirens blaring]
That's Detective Gibbs.
EDUARDO: Why are they going that way?
MANI: Let's find out.
EDUARDO: Mani, Mani, Mani, Mani, Mani!
MANI: If they find him, I want to be there.
[tires squealing]
[knocking]
Little fella asleep yet?
Yeah, almost.
I put the kettle on.
You want one?
Um, yeah.
I don't hate you as much as the other cops.
You might have a biscuit with your tea then.
[thunk]
[barking]
Wait here.
Rob?
Rob!
[barking]
[gunshot]
[baby whimpering]
Police!
Down!
Weren't you just robbed?
No.
You didn't call triple O?
Not with this.
Someone cut it.
Shit.
[siren blaring]
[phone ringing]
Tommy, call me back.
The petrol station was a ruse.
We think Corey's on his way.
You've got to get Leah and the baby out now.
EDUARDO: Where are they going?
[siren blaring]
Hey, eh, eh, eh, eh, eh, slow down!
[tires squealing]
They'll notice us.
[music playing]
MANI: Now we've lost them.
You shouldn't have told me to slow down.
[music playing]
His partner's not answering either.
I don't like this.
Leah, where are you?
I'm not going to hurt you, Leah.
I just want to meet my little boy.
[music playing]
[rustling]
[shuddering breathing]
[phone vibrating]
He's here.
He's killed them.
The cops-- I heard him shoot them.
Where are you?
We need an ambulance to 13 Whealing Street--
I'm in the shed with Hunter.
GRACE (ON PHONE): Where's Corey?
I don't know.
She's in the shed.
LEAH (ON PHONE): He's going to find us.
Tell us what's in the shed.
Um, some of my dad's old shit, um, a wheelbarrow.
There's a window.
There's a window on the side.
How big is the window?
LEAH (ON PHONE): Not big enough for him to get through.
Can you lock the door?
No, only from the outside.
GRACE (ON PHONE): What about a barricade?
Anything you can use?
Yeah, I think.
[baby crying]
[grunting]
Done.
Good girl.
Is that Hunter, Leah?
You've got to keep him quiet.
Try feeding him.
I can't.
Yes, you can.
Just stay calm.
We are on our way.
[baby crying]
OK.
Come on, mate.
Drink up.
Drink up, please.
Leah?
Leah, come on, sweetheart.
I just want to meet my little boy.
Give me a gun.
What?
I'm on restricted duties.
Richard locked mine up.
What am I meant to do?
You stay here.
I'm not staying here.
We need to wait for backup, hmm?
Yeah, we should.
Maybe you should have it.
No.
Stay close.
Leah, just want to talk to you.
Leah Baxter.
Just want to talk to you.
Leah.
EDUARDO: That's their car.
I just ant to see my boy, Leah.
[baby crying]
[gasp]
Leah.
[banging]
Leah, open the door.
Leah.
Leah, Come on, sweetheart, open the door.
Leah!
[banging]
Open the fucking door, Leah!
[dog barking]
Oh, we're not going any further.
[baby crying]
[banging]
Fuck!
Stop it, Corey!
Give me the bub.
Leave the blanket.
What?
Just do exactly what I say.
[baby crying]
[banging]
You've got trust me.
[banging]
Open the fucking door!
Drop your guns.
[gunshots]
COREY: You called the fucking cops, didn't you?
Get the fuck out here, now!
Leah, get out here, now.
Corey, drop your gun.
Move. What?
You're just going to shoot your own son?
Is that what you want? - Move.
[grunt]
What-- what the--
[thunk]
[yelling]
[heavy breathing and struggling]
GRACE: All right.
Mani.
Mani, put that down.
Who the fuck are you?
You don't remember me?
You put a gun to my head four days ago.
Mani-- whoa, whoa.
And you killed her.
Who?
Mani, he didn't kill Bo-Lin.
We know who did.
It wasn't him.
GRACE: I'll explain everything later.
But you need to put the gun down.
Do what she says, Mani.
Come on, Mani.
It's not worth it.
He started all of this.
He's ruined so many lives, including Bo-Lin's.
[crying]
That's it.
It's over, all right.
That's it.
Where is he?
Hey.
[baby cooing]
Hey.
[music playing]
[footsteps]
You caught him.
Yeah, we did.
Corey Baxter's done a lot of terrible things.
But we know he wasn't at the warehouse with Bo-Lin.
You want us to keep collecting evidence?
Or is there something you want to tell us?
It all just kept building, one horrible thing after another.
The day you didn't get a promotion,
you went back to the store.
I saw a gun, a balaclava--
I thought Bo-Lin was him.
I tackled her.
Then gun went off.
He was dead.
Anna, why didn't you just arrest her as a police officer?
You did the right thing.
Tony's death was an accident.
I thought everyone would think I was going crazy seeing
Corey Baxter everywhere I went.
And Bo-Lin, she was--
she was so scared.
I wanted to help her.
I never meant to hurt her.
We had an argument.
And I pushed her.
But I never meant for her to fall.
I know.
Hey, it's OK.
And Bo-Lin's letter-- you left that for us to find?
CLAIRE: I want Mani to read it.
I want him to know how much she loved him
and that she never meant for any of this to happen.
[music playing]
Come on.
Let's go downstairs.
[music playing]
[door opens]
[door closes]
[footsteps]
Do you want some tea?
(WHISPERING) Yeah.
Yeah.
Your name is all over the news.
We are so proud of you.
Our son put that man behind bars.
What will happen to Anna?
She'll go to jail.
Ah, she is a good person.
They will take that into account.
Maybe we could look after George some days.
Remember how good you were with him, mhm?
He is a beautiful baby.
I could help you.
Thank you, Mom That would be nice.
[music playing]
[footsteps]
[door opens] - Hey.
Hi, Dad.
Hello, sweetheart, how are you?
Yeah, I'm good.
Is Penny really making pancakes?
She is.
You have the best time, OK.
I want to hear all about it.
Bye, baby.
Want to go wash your hands?
OK.
Congratulations, you got Baxter.
Yeah, we did.
Finally over.
Yeah, it is.
[music playing]
[shaky breath]
[distant laughing]
[knocking]
[door squeaks open]
The rest of Bo-Lin's letter.
There was more.
Constable Jamison didn't destroy it.
Thank you.
Bo-Lin's parents have asked for her
body to be returned to China.
I understand.
JESS: We still got our own goodbye plans.
Would you like to come?
OK.
BO-LIN (VOICEOVER): If for some reason, we can't meet up again,
I want you to do something for me.
Promise me you will swim in our water hole every day,
even in the winter.
And when you jump in, I want you to remember us, remember
how much I love you, Mani, and how much I will keep loving
you, no matter where I am.
[music playing]
[crunching]
Did you steal my chip?
No.
What's wrong with yours?
Yours looked better.
Could you ask next time?
No.
[crunching]
[laughing]
[music playing]