1
00:00:07,166 --> 00:00:08,333
RAMY YOUSSEF:
I don't believe in my feelings.

2
00:00:08,417 --> 00:00:09,750
My feelings make no sense.

3
00:00:11,041 --> 00:00:12,458
You ever have that cousin
growing up

4
00:00:12,542 --> 00:00:14,125
that you kinda have a vibe with?

5
00:00:14,208 --> 00:00:15,417
(AUDIENCE LAUGHS)

6
00:00:15,500 --> 00:00:16,583
You know what I mean?
You're like,

7
00:00:16,750 --> 00:00:18,375
"Ah, man, she looks good."
But then you grow up,

8
00:00:18,458 --> 00:00:20,375
and you're like,
"Ah, I'm over it," or whatever.

9
00:00:20,458 --> 00:00:21,417
But...

10
00:00:22,250 --> 00:00:24,542
-you ever not over it?
-(AUDIENCE LAUGHS)

11
00:00:24,834 --> 00:00:27,000
It's only weird
if you don't have a hot cousin.

12
00:00:27,417 --> 00:00:29,542
Like, if you think it's weird,
you just have an ugly family.

13
00:00:29,625 --> 00:00:31,417
-I'm sorry.
-(AUDIENCE LAUGHS)

14
00:00:42,375 --> 00:00:43,792
TICO: (IN SPANISH)

15
00:00:49,834 --> 00:00:50,875
-(TRAY CLANKING)
-(GASPS)

16
00:00:51,166 --> 00:00:53,625
♪ ("ELLOS QUIEREN SANGRE"
BY VARSOVIA PLAYS) ♪

17
00:01:02,458 --> 00:01:03,834
(RETCHES)

18
00:01:03,917 --> 00:01:05,875
TATI:

19
00:01:05,959 --> 00:01:07,166
(NERVOUS CHUCKLE)

20
00:01:09,959 --> 00:01:11,291
(PHONE RINGS)

21
00:01:11,959 --> 00:01:14,333
WOMAN:

22
00:01:16,458 --> 00:01:17,458
RENALDO: (ON PHONE)

23
00:01:27,750 --> 00:01:29,208
ALEXANDRA: (IN ENGLISH)
Ambassador Gibbons,

24
00:01:29,291 --> 00:01:30,542
Bath and Body Works says

25
00:01:30,625 --> 00:01:32,250
they don't
do international shipping,

26
00:01:32,333 --> 00:01:33,875
but this came for you.

27
00:01:33,959 --> 00:01:37,458
What is it? Is it an invitation?
Did I miss it? Give me that!

28
00:01:40,291 --> 00:01:42,333
It's in some sort of... code.

29
00:01:42,417 --> 00:01:43,625
It's in Spanish.

30
00:01:43,709 --> 00:01:47,250
Um, "Dear American Ambassador
Melanie Gibbons,

31
00:01:47,333 --> 00:01:51,166
-Ignacio Ferracuti has died.
-Iggy, no...

32
00:01:51,250 --> 00:01:54,000
-He died leaving no heirs...
-Okay, twist.

33
00:01:54,083 --> 00:01:56,959
...but left a sum
of 18.9 billion pesos

34
00:01:57,041 --> 00:01:59,291
to whoever can survive a night
in his mansion,

35
00:01:59,375 --> 00:02:02,166
-and you've been selected--
-To be one of five strangers

36
00:02:02,250 --> 00:02:04,959
put to the test to see
who can inherit his fortune!"

37
00:02:05,041 --> 00:02:06,750
Iggy, yes!

38
00:02:06,834 --> 00:02:08,417
These are the best!

39
00:02:08,500 --> 00:02:09,834
All of us arrive
and have dinner,

40
00:02:09,917 --> 00:02:11,125
and then we go to our rooms

41
00:02:11,208 --> 00:02:12,625
and we see who can survive
the night.

42
00:02:12,709 --> 00:02:14,625
Whoever lasts the longest
gets the money!

43
00:02:14,709 --> 00:02:17,583
(LAUGHS GLEEFULLY)
I'm so excited!

44
00:02:17,667 --> 00:02:21,125
Oh my god, should I get bangs?

45
00:02:21,208 --> 00:02:26,709
♪ ("ELLOS QUIEREN SANGRE"
BY VARSOVIA PLAYS) ♪

46
00:02:26,792 --> 00:02:29,667
(SCREAMING)

47
00:02:35,041 --> 00:02:36,750
(IN SPANISH)

48
00:02:38,834 --> 00:02:41,542
(SCREAMING CONTINUES)

49
00:02:43,250 --> 00:02:45,333
-(SCOFFS)
-(DOG BARKS)

50
00:02:50,417 --> 00:02:53,625
-(FRUTSI BARKS)
-(SCREAMING CONTINUES)

51
00:02:54,375 --> 00:02:56,208
BEATRIZ:

52
00:02:56,291 --> 00:02:57,583
(FRUTSI BARKS)

53
00:03:34,333 --> 00:03:35,625
(SCOFFS)

54
00:03:45,792 --> 00:03:48,458
-RENALDO: Come.
-♪ (ELECTRONIC MUSIC PLAYS) ♪

55
00:04:09,959 --> 00:04:11,375
(TYPING)

56
00:04:22,792 --> 00:04:26,458
ÚRSULA:

57
00:05:25,917 --> 00:05:29,250
-(BRAKES SCREECHING)
-(HORN HONKING)

58
00:05:32,208 --> 00:05:33,875
(IN ENGLISH)
Tico, where you going?

59
00:05:34,000 --> 00:05:35,333
I have to go to this panel.

60
00:05:35,417 --> 00:05:37,583
This thing of people thinking
I'm this artist,

61
00:05:37,667 --> 00:05:39,083
it's really snowballed.

62
00:05:39,166 --> 00:05:41,834
Snowball? How-- How do you mean?

63
00:05:41,917 --> 00:05:44,166
Snowball, you know, like
when how you take snow,

64
00:05:44,250 --> 00:05:46,583
and you put it in your hands
like this and you compact it,

65
00:05:46,667 --> 00:05:47,834
and it becomes
like a little ball.

66
00:05:47,917 --> 00:05:49,333
I've only seen that in movies.

67
00:05:49,417 --> 00:05:51,083
Yes, but this is like
you put it on the ground,

68
00:05:51,166 --> 00:05:53,667
and then you roll it along,
and it collects more snow,

69
00:05:53,750 --> 00:05:56,166
-and then, it gets bigger.
-That's fun.

70
00:05:56,250 --> 00:05:58,000
It's not really fun
because sometimes,

71
00:05:58,083 --> 00:06:00,959
this snowball,
it becomes too big.

72
00:06:01,041 --> 00:06:04,125
Oh. I hope to see snow someday.

73
00:06:04,208 --> 00:06:05,583
-Manny, someday...
-Yeah.

74
00:06:05,667 --> 00:06:06,667
I'm gonna take you.

75
00:06:06,750 --> 00:06:08,375
(IN SPANISH)

76
00:06:12,417 --> 00:06:13,667
(IN ENGLISH)
Can you cover for me?

77
00:06:13,750 --> 00:06:15,458
-Yeah, go. Beep beep!
-Beep beep!

78
00:06:17,208 --> 00:06:19,625
ÚRSULA: (IN SPANISH)

79
00:06:23,125 --> 00:06:25,500
♪ (LOUNGE MUSIC PLAYS) ♪

80
00:06:27,625 --> 00:06:29,959
DR. RICKY:

81
00:06:37,875 --> 00:06:39,291
(OFFICE PHONE RINGING)

82
00:07:08,667 --> 00:07:10,166
DR. RICKY: Uh-huh.

83
00:07:13,125 --> 00:07:16,125
JUAN CARLOS:

84
00:07:21,792 --> 00:07:24,000
ANDRÉS VALDEZ:

85
00:07:34,375 --> 00:07:36,083
♪ (SOMBER MUSIC PLAYS) ♪

86
00:07:36,166 --> 00:07:37,834
(GLASS CRACKLES)

87
00:08:30,583 --> 00:08:34,125
JUAN CARLOS:

88
00:08:45,375 --> 00:08:46,417
(SIGHS)

89
00:08:52,792 --> 00:08:54,000
HOST: (IN ENGLISH)
Mr. Ulbrecht...

90
00:08:54,083 --> 00:08:55,125
Yes.

91
00:08:55,208 --> 00:08:57,375
Your work focuses
on found objects

92
00:08:57,458 --> 00:09:00,166
that question the notions
of time and existence.

93
00:09:00,250 --> 00:09:01,583
Yes.

94
00:09:01,667 --> 00:09:04,291
Do you think something digital
can be found?

95
00:09:05,625 --> 00:09:06,834
Yes.

96
00:09:06,917 --> 00:09:09,875
And is the reframing of ideas
around creation

97
00:09:09,959 --> 00:09:12,458
-integral to this?
-Yes.

98
00:09:12,542 --> 00:09:13,875
HOST: Mmm. Mmm.

99
00:09:13,959 --> 00:09:15,500
-(AUDIENCE CLAMORS)
-Yes.

100
00:09:22,166 --> 00:09:24,917
-♪ (EERIE MUSIC PLAYS) ♪
-(IN SPANISH)

101
00:09:25,417 --> 00:09:26,458
RENALDO:

102
00:09:27,375 --> 00:09:29,125
♪ (MUSIC ENDS ABRUPTLY) ♪

103
00:10:06,542 --> 00:10:08,959
ÚRSULA:

104
00:10:10,500 --> 00:10:11,667
TATI:

105
00:10:41,875 --> 00:10:44,917
-(CHUCKLES)
-ANDRÉS:

106
00:10:50,166 --> 00:10:51,250
Uh-huh.

107
00:10:54,625 --> 00:10:55,750
(CLEARS THROAT)

108
00:11:07,208 --> 00:11:08,417
(SIGHS)

109
00:11:10,125 --> 00:11:11,250
(SIGHS)

110
00:11:19,083 --> 00:11:20,792
(IN ENGLISH)
What did she just say?

111
00:11:20,875 --> 00:11:22,917
I didn't get a word of that.

112
00:11:23,000 --> 00:11:25,750
(IN SPANISH)

113
00:11:41,041 --> 00:11:42,709
(IN ENGLISH)
Who the hell is that?

114
00:11:45,333 --> 00:11:46,792
IGNACIO JR: (IN SPANISH)

115
00:12:02,458 --> 00:12:06,291
♪ (DRAMATIC MUSIC PLAYS) ♪

116
00:12:06,375 --> 00:12:07,792
Welcome, come in.

117
00:12:09,166 --> 00:12:10,333
ANDRÉS:

118
00:12:42,667 --> 00:12:43,667
RENALDO:

119
00:12:51,875 --> 00:12:54,333
♪ (CREEPY ORGAN MUSIC PLAYS) ♪

120
00:13:24,417 --> 00:13:26,417
(LAUGHING EERILY)

121
00:13:26,500 --> 00:13:27,709
(SIGHS)

122
00:13:33,709 --> 00:13:36,166
TATI:

123
00:14:06,417 --> 00:14:08,542
♪ (LOUNGE MUSIC PLAYS) ♪

124
00:14:23,875 --> 00:14:27,375
SISTER RAQUEL:

125
00:14:36,291 --> 00:14:37,458
Um...

126
00:14:48,166 --> 00:14:49,291
Yes?

127
00:15:11,625 --> 00:15:12,792
(CLEARS THROAT)

128
00:15:25,125 --> 00:15:26,625
(KEYS CLANGING)

129
00:15:28,291 --> 00:15:30,166
(GASPS)

130
00:15:54,166 --> 00:15:55,333
Ah.

131
00:15:57,542 --> 00:15:59,166
♪ (SOMBER MUSIC PLAYS) ♪

132
00:16:01,500 --> 00:16:05,208
-(KNOCKING)
-(BABY CRIES)

133
00:16:13,000 --> 00:16:14,834
ANDRÉS:

134
00:16:14,917 --> 00:16:17,709
SISTER RAQUEL:

135
00:16:46,041 --> 00:16:47,208
(CLICKS TONGUE)

136
00:16:55,917 --> 00:16:57,041
Mm-hm.

137
00:16:57,750 --> 00:17:00,625
(WALLS RATTLE)

138
00:17:00,709 --> 00:17:03,250
(ELECTRICITY BUZZES)

139
00:17:03,959 --> 00:17:06,709
MYSTERIOUS WOMAN:

140
00:17:26,875 --> 00:17:29,709
(ELECTRICITY CONTINUES BUZZING)

141
00:17:29,792 --> 00:17:33,250
TATI:

142
00:17:43,083 --> 00:17:44,166
(SIGHS)

143
00:17:52,125 --> 00:17:53,542
ANDRÉS:

144
00:17:53,625 --> 00:17:54,959
ÚRSULA:

145
00:17:55,959 --> 00:17:57,125
ANDRÉS:

146
00:18:19,291 --> 00:18:21,709
-(CHIMES TINKLE)
-♪ (SPOOKY MUSIC PLAYS) ♪

147
00:18:27,500 --> 00:18:28,667
♪ (CHIMES AND MUSIC END) ♪

148
00:19:05,125 --> 00:19:08,375
♪ (OMINOUS MUSIC PLAYS) ♪

149
00:19:10,750 --> 00:19:12,083
(FLOORBOARD CREAKS)

150
00:19:26,166 --> 00:19:27,208
(SCREAMS)

151
00:19:28,750 --> 00:19:30,917
RENALDO:

152
00:19:33,083 --> 00:19:34,834
♪ (SPOOKY MUSIC PLAYS) ♪

153
00:19:34,917 --> 00:19:38,500
(IN ENGLISH)
God, I fucking hate these bangs.

154
00:19:38,583 --> 00:19:40,250
I'm gonna kill Jessica.

155
00:19:43,250 --> 00:19:45,125
-(PHONE PINGS)
-♪ (MUSIC INTENSIFIES) ♪

156
00:19:50,417 --> 00:19:51,583
(PHONE PINGS)

157
00:19:55,083 --> 00:19:58,291
What? They're getting
after work drinks?

158
00:19:58,375 --> 00:20:00,250
I can't believe I'm not there.

159
00:20:00,333 --> 00:20:02,542
♪ (POP MUSIC PLAYING) ♪

160
00:20:03,417 --> 00:20:05,166
RENALDO:

161
00:20:05,250 --> 00:20:08,041
♪ (POP MUSIC CONTINUES) ♪

162
00:20:08,125 --> 00:20:10,750
Is that a group of friends
grabbing beers

163
00:20:10,834 --> 00:20:12,166
for the first time in a while?

164
00:20:12,250 --> 00:20:14,834
That's technically a party.

165
00:20:14,917 --> 00:20:16,750
What if they take pictures?

166
00:20:16,834 --> 00:20:18,709
And what if people see them
and they say,

167
00:20:18,792 --> 00:20:20,375
"Oh, it looks like
Melanie wasn't invited.

168
00:20:20,458 --> 00:20:22,709
I guess she doesn't actually
know everyone."

169
00:20:22,792 --> 00:20:25,208
No. That's okay.

170
00:20:25,291 --> 00:20:27,500
You could stay in here,

171
00:20:27,583 --> 00:20:30,083
and maybe... inherit.

172
00:20:30,166 --> 00:20:32,667
-Or you could definitely go...
-RENALDO (IN SPANISH)

173
00:20:32,750 --> 00:20:34,625
to the party. (LAUGHS)

174
00:20:36,834 --> 00:20:38,250
-(DOOR OPENS)
-(KNOCKING)

175
00:20:48,959 --> 00:20:50,291
MYSTERIOUS WOMAN: Uh-huh.

176
00:21:19,291 --> 00:21:22,250
(IN ENGLISH) Okay,
but like, let's get into it.

177
00:21:22,333 --> 00:21:24,583
I'm having a really bad day
today.

178
00:21:24,667 --> 00:21:28,333
I was at Metro PCS
and this woman was talking to me

179
00:21:28,417 --> 00:21:30,041
like I'm a bitch.

180
00:21:30,125 --> 00:21:33,250
You know-- Dad, do not move!

181
00:21:33,333 --> 00:21:36,250
I think we ought to...
let's eat dinner.

182
00:21:36,333 --> 00:21:40,500
Oh, I see. Even my own father's
gonna treat me like a bitch.

183
00:21:40,583 --> 00:21:43,125
No... sweetie, I'm sorry.

184
00:21:43,208 --> 00:21:46,792
Don't "sweetie" me. Like
I'm one of your side bitches.

185
00:21:46,875 --> 00:21:48,125
My what?

186
00:21:48,208 --> 00:21:51,250
Sonia, sweetie, nobody
is calling you a bitch,

187
00:21:51,333 --> 00:21:55,792
and if it feels this way,
well, that is not my intention.

188
00:21:55,875 --> 00:21:57,291
I apologize.

189
00:21:57,375 --> 00:21:59,291
Look what you did
to my poor mother.

190
00:21:59,375 --> 00:22:01,875
She has to run away
from her disgusting husband

191
00:22:01,959 --> 00:22:03,458
because she's embarrassed.

192
00:22:03,542 --> 00:22:06,417
No, I think it's because you're
screaming and shouting so much.

193
00:22:06,500 --> 00:22:07,625
No, I'm not.

194
00:22:07,709 --> 00:22:08,959
-You are a little bit.
-No, I'm not.

195
00:22:09,041 --> 00:22:11,291
-I think there's--
-I swear to God!

196
00:22:11,375 --> 00:22:15,291
(IN SPANISH)

197
00:23:26,000 --> 00:23:27,166
(GASPS)

198
00:23:46,125 --> 00:23:47,166
RENALDO:

199
00:23:53,000 --> 00:23:54,166
(THUDS)

200
00:24:13,750 --> 00:24:14,875
ANDRÉS:

201
00:24:14,959 --> 00:24:16,250
RENALDO:

202
00:24:16,333 --> 00:24:19,000
♪ (ELECTRONIC ROCK MUSIC
PLAYS) ♪

203
00:24:25,000 --> 00:24:26,583
ANDRÉS:

204
00:24:33,875 --> 00:24:34,917
(GASPS)

205
00:24:37,250 --> 00:24:39,583
RENALDO:

206
00:24:57,041 --> 00:24:58,417
(LAUGHS)

207
00:25:08,500 --> 00:25:10,083
(CLAPPING)

208
00:25:25,917 --> 00:25:27,208
ESPERANZA:

209
00:25:41,375 --> 00:25:43,417
(SOBBING)

210
00:26:15,458 --> 00:26:16,500
RENALDO: Yes.

211
00:26:16,583 --> 00:26:18,291
(CHUCKLES NERVOUSLY)

212
00:26:33,959 --> 00:26:36,333
RENALDO:

213
00:26:42,083 --> 00:26:44,375
(CHIMES TINKLE)

214
00:26:45,792 --> 00:26:46,959
(TINKLING STOPS)

215
00:26:53,875 --> 00:26:56,125
RENALDO:

216
00:26:56,208 --> 00:26:58,166
♪ ("NÁUFRAGO"
BY GRADO 33 PLAYING) ♪

217
00:26:59,709 --> 00:27:01,375
ÚRSULA:

218
00:27:01,917 --> 00:27:03,709
ANDRÉS:

219
00:27:13,750 --> 00:27:15,875
♪ (EERIE ELECTRONIC
MUSIC PLAYS) ♪

220
00:27:15,959 --> 00:27:17,375
(IN ENGLISH)
What are you doing here?

221
00:27:17,458 --> 00:27:20,250
Let's just say a little bird
heard from a certain...

222
00:27:20,333 --> 00:27:24,000
mysterious woman that you were
behind the inheritance scare.

223
00:27:24,083 --> 00:27:26,709
Do you have a card?
I might be needing you one day.

224
00:27:33,542 --> 00:27:36,000
-Espuckys?
-Spookys.

225
00:27:36,083 --> 00:27:38,417
Oh, honey, if you want
an international audience,

226
00:27:38,500 --> 00:27:39,709
it's gotta be two o's.

227
00:27:39,792 --> 00:27:42,375
Wait, how did you get in here?

228
00:27:42,458 --> 00:27:44,166
That's classified.

229
00:27:44,250 --> 00:27:46,083
(HELICOPTER BLADES WHIR)

230
00:27:46,166 --> 00:27:49,375
Ugh, the green cards!
Just leave them,

231
00:27:49,458 --> 00:27:52,083
they've touched the ground.
Now they've gone bad.

232
00:27:52,166 --> 00:27:55,750
-Until next time, Renaldo.
-(HELICOPTER RUMBLES)

233
00:27:55,834 --> 00:28:01,083
♪ ("EL SATÉLITE DEL EJÉRCITO
NEGRO" BY EQUINOXIOUS PLAYS) ♪

234
00:28:04,083 --> 00:28:05,375
(BRAKES SCREECH)

235
00:28:05,458 --> 00:28:07,125
-♪ (MUSIC ENDS ABRUPTLY) ♪
-ULBRECHT: Hey!

236
00:28:08,000 --> 00:28:10,250
(KNOCKING) What's up, man?

237
00:28:10,333 --> 00:28:12,500
Yeah, I came to your job
to find you, man.

238
00:28:12,583 --> 00:28:15,041
Are you going around town
impersonating me?

239
00:28:15,125 --> 00:28:16,583
I knew this day would come,

240
00:28:16,667 --> 00:28:18,291
and I know
what you're gonna say...

241
00:28:18,375 --> 00:28:19,834
You're gonna say, "I'm tired
of being rich and famous,

242
00:28:19,917 --> 00:28:22,000
and I want to
escape for a little while

243
00:28:22,083 --> 00:28:24,667
and trade lives with you and see
how the other half lives,"

244
00:28:24,750 --> 00:28:28,709
but I have to tell you
I'm not interested.

245
00:28:28,792 --> 00:28:30,333
I like my life
as a valet driver.

246
00:28:30,417 --> 00:28:32,083
I don't want to trade
with anyone.

247
00:28:32,166 --> 00:28:33,375
No, I was gonna say,

248
00:28:33,458 --> 00:28:35,959
"You have to stop,
or I'm gonna sue you."

249
00:28:36,041 --> 00:28:38,375
Okay, yeah, sure. Yes.

250
00:28:38,458 --> 00:28:41,917
♪ ("EL SATÉLITE DEL EJÉRCITO
NEGRO" BY EQUINOXIOUS PLAYS) ♪

251
00:29:48,000 --> 00:29:49,208
♪ (SOFT MUSIC PLAYS) ♪

252
00:29:49,709 --> 00:29:51,875
-ÚRSULA: Tati!
-(SLURPING)

253
00:29:53,792 --> 00:29:55,125
-(CUP RATTLING)
-(SNAP)

254
00:29:55,208 --> 00:29:56,333
ETHEREAL VOICE:

255
00:29:56,667 --> 00:29:58,458
♪ ("EL SATÉLITE DEL EJÉRCITO
NEGRO" BY EQUINOXIOUS PLAYS) ♪

256
00:29:58,542 --> 00:30:00,834
(IN SPANISH)

257
00:30:10,875 --> 00:30:13,041
♪ (MUSIC CONTINUES) ♪

258
00:30:13,125 --> 00:30:14,875
PEPITO:

259
00:30:17,792 --> 00:30:18,709
♪ (MUSIC STOPS) ♪

260
00:30:18,792 --> 00:30:20,041
♪ (MUSIC CONTINUES) ♪