-[Richard] We good? -[man] Yep. Blocking.
-[Phil] All right. -[Richard] All right?
I just wanna make sure-- Hold on.
I just wanna make sure I'm recording.
-All right, Philip. Let's do it. -[Phil] We're just, uh, checking the mic.
-[man 1] Wait, what happened there? -[man 2] Hey.
[Richard] Seriously? Hello.
Hello? One, two, three, four?
-[man] Ready. -[Richard] Let's go.
We rolling?
-[Richard] Camera speed. -[man] Here we go.
-Hello? -Is this the Rosenthal residence?
Do I have the right number?
Oh, mazel tov!
-Hi. You're frozen. -Hi.
-I am? -You're frozen.
-[Max] No, he's not. -Yes, he is frozen. He can't talk.
I can talk. Can you hear me?
You don't synchronize with the sound, with the picture.
No, I'm not synchronizing?
No.
Hold on one second. I'm gonna try to call you back. Okay?
-[Max] What? -Just hold on one second. We're good.
[Phil] Ah!
Hello! Wait a minute, can we hear you?
-Can you hear me? -[Max] Yeah.
What are you doing, Philip?
I'm wiping you. They said you look dirty.
He says it's the screen. It might be you.
I can't hear you.
Shh.
-Hi. -Hello.
Hello.
Ma, your sound--
Your sound is too loud because you hear me--
Wait. No, the other one.
[Helen] Max, you always do this.
So, tell us about Thailand.
Bangkok is a big, crazy city with lots of traffic
and very noisy and, uh, amaz-- Are you all right there?
-Yeah, I'm fine. Go ahead. -[laughs]
You know we're filming, right?
-Oh. Do we… -[laughs]
-Wait a minute. -Wait a minute.
No, that's the low--
Wait.
-We've got this down to a science… -[Max] Okay.
…haven't we?
[opening theme music plays]
♪ A happy, hungry man's ♪
♪ Traveling all across The sea and the land ♪
♪ He's trying to understand ♪
♪ The art of pasta Pork, chicken, and lamb ♪
♪ He will drive to you ♪
♪ He will fly to you ♪
♪ He will sing for you ♪
♪ And he'll dance for you ♪
♪ He will laugh with you ♪
♪ And he'll cry for you ♪
♪ There's just one thing He asks in return ♪
♪ Somebody feed, somebody feed ♪
♪ Can somebody ♪
♪ Somebody feed Phil? ♪
♪ Somebody feed him now ♪
[Richard] You ready? Let's do it.
[video call ringing]
[Helen] Hi.
Oh, hi.
-[Helen] How are you? -[chuckles]
Good. How are you today?
[Phil narrating] Okay, people. I know why you really tune in to the show.
To see these people, the real stars of Somebody Feed Phil.
We're gonna do a special… uh, episode about Helen and Max.
Oh, I heard that. Oh, I'm so glad.
How are you enjoying Israel this-- this time?
I have to say, I love it this time.
Can you hear what's happening here? Listen.
[gondolier singing]
Birds?
Listen, listen. Listen.
[gondolier continues singing]
-[Max] I hear nothing. -[Helen] I do.
-What do you hear? -Birds. Birds.
I have to ask you what kind of birds you have around your house? I--
-[chuckles] -Well, it could be from the outside.
It's… It's definitely from the outside.
It's a gondolier is going by, singing.
You mean there's somebody walking on the street singing?
Gondolier.
You know, the streets are water…
-[chuckling] …because I'm in Venice. -[Max] Oh, you're right. I see, okay.
Have you heard about the street walker in Venice?
No.
She drowned.
-So… -[Richard laughs]
You understand why you both are so funny?
Well, the whole reason we're doing this is 'cause they were the-- the most beloved
and, I think, best part of the show.
People sat through my crap just to get to them.
[Monica and Karen laugh]
I loved to see you dancing the tango.
That was my favorite.
That was the most frightening thing I've done on the show so far.
You looked terrific.
Yeah, but-- but you danced, uh, a little bit, uh, klutzy.
-No, he didn't. No, he didn't. -[both laugh]
Stick to what you do best, your, uh-- your gab.
Gift for gab.
Forget the dancing.
No, don't forget it. I think you did very well.
I don't agree with him.
Okay. 'Cause she's not a good dancer.
[laughs]
-Anyway-- -Anyway, are you having a good time?
-Not anymore. -[Max laughs]
[Helen Greenberg] Opposites attract.
I loved to see the way they were very much opposite,
but there was like--
Helen always laughed at-- at all of this stuff.
We do communicate. It's 50-50.
She does all the talking, I do all the listening.
-[laughs] -Yeah, no, that's it.
Don't believe him. He doesn't listen.
[laughs]
I never knew if they were trying to be funny
or if they were just hysterical all the time.
I would say both.
My mother not so much trying,
and my father trying and succeeding
and sometimes failing and sometimes not realizing.
Yeah, yeah.
-All those things. -[both laugh]
Dad, can you turn the lights over your bed on?
They just want the little lights on behind you.
Dad is-- Dad is in his natural habitat.
Here he goes. Oh! Look at--
[laughing]
It's--
What's so funny?
Just that it swung around.
Now he's gotta swing it back. That's good.
Want the other one too?
Yeah, why not? Make it even.
[Helen chuckles]
This is actually the main reason I wanted to do the whole thing,
because finally I can ask Richard right now…
[Richard chuckles]
…why did you kill our parents?
[all laughing]
-Oh! -[both laughing]
[Phil] My dad was born Max Horst Rosenthal
in 1926 in Berlin, Germany,
and our mom, Helen Ruth Auerbach,
was born in Hamburg, Germany, in 1933.
Now, my dad and his family were around when Kristallnacht happened.
It's called "The Night of Broken Glass,"
when the Nazis went through the streets smashing Jewish businesses
and beating up anyone they could find.
And so they had to hide in their apartment.
It's a miracle that they were able to escape from Germany right after that.
My mother, maybe not so lucky.
Her and her mother were captured by the Nazis,
and they were sent to a concentration camp in France.
Uh, they were separated from my mom's father,
Philip Auerbach, who I'm named after, actually.
And, uh, after the war, they obviously survived.
They wrote to Philip Auerbach and said, "Hey, let's go to America."
"We have relatives in America."
And, uh, Philip Auerbach said he had work to do in Germany
and didn't wanna leave.
He started what's called the Restitution Program,
which, uh, pays Jews a monthly, uh, check
if their businesses were stolen from the Nazis
to this day.
And so my mom grew up without her dad.
So Martha and her little daughter Helen
took a boat for America,
and the boat was not allowed in,
so they went to Cuba.
Then, when they finally got to New York,
in Washington Heights,
where a lot of German Jews settled,
so many German Jews settled in-- in, uh, Washington Heights
that they called it Frankfurt on the Hudson.
Now, my dad, he was 13 when he emigrated,
and he didn't speak any English,
and his Bar Mitzvah was coming up,
so not only did he have to learn his haftarah portion,
he had to learn English.
All right, dig in, people. Who needs a bagel?
So, because you might have been there,
when did Max and Helen meet?
There was a nightclub, uh, across in New Jersey.
Do you remember that?
-Something something Riviera. -And he was, uh, telling jokes.
-Uh, he was a stand-up comic. -[Helen G.] Right.
I mean, amateur, but he was telling jokes.
[Yvonne] I always told him he should be at the Catskills.
-He should have been one. -'Cause he had a particular kind of humor.
-[Yvonne] He was great. -He wasn't--
It wasn't a gregarious, outgoing humor.
-It was a very subtle humor. -[Yvonne] Subtle.
He made her laugh.
[Helen G.] He always made her laugh.
Even when they were arguing, he made her laugh.
We were either yelling or laughing.
[all laughing]
[Helen G.] That is true.
Can you hear me okay?
[Richard] Just had it on too loud.
Okay.
No, don't make it too loud.
Okay. How is it now?
Dad, do you have your thing?
No.
He never puts it on.
Why don't we do that?
Then you don't have to turn up the thing too loud.
Put on your hearing aid.
-Put it on! -It takes too long to fix it.
All right, so you won't hear me.
Okay.
You know what's good? Instead of putting in a hearing aid,
just say "what" a lot.
-Oh, stop it. -What's the matter with it?
[laughing]
Here we are with the four people my parents loved more than me…
[all laughing]
…starting with the-- the worst thing
to ever happen to me when I was five, Richard.
[laughs]
Hot chocolate? Boy, are you getting spoiled.
Yes. I'm very spoiled.
How about giving some to Richard?
I should give some to Richard?
Why can't I enjoy something for five minutes?
[chuckling]
Why do I have to give him anything?
Eat that and give him the rest.
All right.
[Richard laughs]
Come here, Richard.
[both chuckling]
-Here he is. -Hello.
Your favorite.
[Max chuckles]
That's enough!
-No, go ahead. Take some more. -[both laughing]
[Phil] When they brought Richard home, that was the end of my light on the Earth.
You're gonna see a bunch of home movies
where you're trying to choke me to death.
[Monica laughs]
[Phil] That's all right.
[Monica laughs]
[Phil] But we had a pretty nice childhood in spite of that.
So my first time with your parents was when I was 13.
-I'm sure I don't remember. -Yeah, you were a little kid.
So you came and stayed with us in the apartment?
-In New York? In the Bronx? -Yes. Yes.
Yes. Your mom just took to me when I was an awkward,
miserable 13-year-old.
She just saw that I needed a friend.
Of course. She loved you right away.
And I think the other thing is,
not to take anything away from you,
she really hated having sons.
[both laugh]
-Yeah. -The next person they met was Monica?
-Yes? -Yes.
Who they instantly took in as a daughter.
And then Karen, who they instantly took in as a daughter.
And so now they had two daughters that they liked way more
than either Richard or me.
[laughs]
And then, uh, the fifth Beatle…
[Monica laughs]
…Isabellita, who I know they took in as a daughter as well.
Isabellita came and started looking after my mom,
and then you stayed on and looked after Dad too.
-Yeah. -And they both loved you so much.
So much.
I'm not adjusted yet.
Um…
I live with their memories.
Yeah. Every day.
-Yes. Us too. -Yeah.
[Phil] So they cared about us
even though we were terrible kids.
They were very sweet to us
and very supportive for whatever we wanted to do.
The values were art and culture and education and kindness.
And, you know, it doesn't come from nothing,
but coming from where they came from
and the hate that they endured,
that they turned out this way
is, uh, something I'll be forever grateful for.
[director] And action!
[Amy] Here they are.
[Phil] My job was to create a family.
[Ray Romano] Here's the man who runs the whole show, Phil Rosenthal!
[Phil] My parents were huge influences on me in every aspect of my life.
So much so that, when it came time to write parents for my TV show,
guess who they were somewhat based on?
[Helen] The-- The situations were fairly depicted,
but some of the characterization was not.
In other words, it was exaggerated.
What do you think we are, invalids?
We can't go out and get our own fruit?
-[Phil] They're undeniably funny. -[Monica] Yeah.
And we saw it in the-- in the movie the first time
where we called them from Russia by accident.
Exporting Raymond.
And they happened to be up.
It was just sheer luck that they were awake
and could answer the Skype.
[Max] Hello?
[Phil] Hello. Can you see us?
-Hello! -[both chuckle]
-[Phil] Here we are. Okay. -Hi!
[Phil] Ah, okay.
This is Vladimir and Lyudmila.
-This is Max and Helen. -Vladimir and Lyudmila?
-[Lyudmila] Max and Helen. -Hello.
[Phil] This technology is amazing.
And then my dad hits the wrong button
and they don't think we can see them anymore.
I-- I knew it. Max, I said--
[Max] Oi!
[Phil and others laughing]
-[Phil] Are you okay? -I told you to-- not to touch anything.
[Phil chuckles]
[Lyudmila speaking Russian]
[Phil] This is why we have a show.
This is why I'm here able to be with you in Moscow.
-Because of this right here. -This is typical in our family.
-When you see my mom using Skype, it's-- -A forehead.
It's just, that played like Tootsie.
-Like, giant laughs. -[Monica laughing] Huge laughs.
I think it's very interesting.
-I've always been very interested in… -You don't have to get so close, Ma.
…Russian literature.
You know, the opera. Do you like opera?
-…Moscow for about three days. -They'll never get her off now.
[Phil] This is now all night.
[Helen] …at a time where it was lovely.
By the way, were you interested in how I'm doing?
They had such a connection with them right away, so I never forgot that,
so when we were gonna have our travel show,
I thought, "Well, this is the modern-day equivalent of the postcard,
is to call your parents, right?"
"To show them where you are, tell them about where you are."
And also, because I come from the sitcom world,
recurring characters, and funny, you want funny people.
They-- We couldn't ask for funnier-- Naturally funny people.
Rich would be like, "Oh yeah, we're filming the parents."
And every time afterwards he would say,
"Oh, they always deliver."
-[laughs] -[Phil] They always deliver.
It's always funny.
So what are you doing for your birthday?
-We're going out to this Maribelle. -Yes.
Oh, where we went for your anniversary?
Yeah, yeah, it's over 60 years now.
-It is. -What is?
Our anniversary.
Oh. Well…
[laughs]
Perfect.
[Max] Listen, let me show you the weather outside.
Wait one second.
Max, are you gonna--
What are you doing?
[Max] Can you see?
Yes.
-That's fantastic. -[Max] It's very hazy, right?
That's a very good view everyone's getting.
Thank you.
I think this will be our shot from now on when we call you.
[Helen] What?
Instead of looking at you, we'll just look at this.
-[Max] Right. Isn't that nicer? -[laughs]
You know, I like to show you what I'm eating.
[Helen] What do you have?
-Oh, sardines. -Sardines.
'Cause I know you worry that I don't eat enough.
Right?
Yeah, I'm really worried about that.
[Lee] I'm looking at all this food.
What do you think your mother would have said?
I know it.
-You need all this? -[Helen G.] Too much!
-Too much. -[Helen] Too much.
Number one. We can't enjoy it because it's too much.
And we are not going out this week.
-[chuckles] -We're gonna have all this leftover.
Ma, you know what you'd like?
The fruit.
Maybe the best fruit in the world. Let me show you something you never saw.
You ever see this?
-[Helen] Yes. -[Phil and Richard laugh]
Tell me what it is then, Ma.
It's a fruit, and you open it up.
You're like a genius.
I remember that summer living with them, and I worked at Medi-Mart,
and I had to sew my uniform or something,
and your dad saw my hemming techniques
and just was disgusted,
and he took over.
But he also showed me how to do it better.
-He was a tailor. -Yeah, he was a tailor. Right.
And he was the cleanest, neatest person I had ever met.
-We don't have that memory, but-- -Oh, yeah.
That's funny though.
-Your cellar, the part with the boiler-- -He kept that very--
-It was cleaner than any room of my house. -You know why?
-Why? -Nobody went there.
-Nobody-- There was nothing-- -[laughs]
-Like, he had a handyman's, uh, thing. -Right, right.
Nobody was handy. We didn't do anything.
So it never got dirty.
Never got dirty 'cause it never got used.
-Like my mom's pots and pans. -Never figured that out. Oh, stop it.
For the record, your mom was a good cook.
Don't blow my whole schtick. That's all I have.
-I thought she was a good cook. -That's nice.
I think this finally, Helen, is your redemption.
I've always loved my mother-in-law's cooking.
-Oh, you-- -Thank you, Monica.
When I had the, uh, unspeakable part of the cow in a taco yesterday,
I actually said, "I miss my mother's cooking."
[laughing]
Well, you should be ashamed of yourself.
[laughs]
They always complained about her cooking. And didn't we love her cooking?
-Yeah. -Her soups. Everything's so good.
But they always complained, always said it was so terrible.
[Phil] Listen, I make fun of my mom's cooking.
I've always done it. It made its way into Raymond.
It's part of the shtick.
She does make… something very good.
It's her matzo ball soup.
I'll do it.
Max, I'm the chef. You didn't have anything to do with this.
-Right. You did it all yourself, right? -Right.
You made the soup, the matzo balls yourself.
-Yeah. With no help. -[Phil] Right.
Now, whose recipe is this?
My own.
This isn't-- It wasn't adapted from your mother?
-No. -No?
-No, I-- -This is not, like,
some nice thing where it's passed from generation to generation?
-No. -[Max] Yeah, you can say it, so say it.
What the hell is the difference? Sounds better.
[laughs]
Now, I've al-- I've always thought this was your best-- your best dish.
It is.
-[Helen] No. -[Phil] You think so?
You have no competition.
Let me taste.
Yeah.
What does that mean, "Yeah"?
[Phil] I like it. I think it's very good. But--
But what?
I might be partial. I might need a second opinion.
Hold on.
What is this?
-[Daniel Boulud] Hello. -[Phil] Hello.
-How are you? -Good.
-Who's this? -[Phil] Come with me.
-How are you? -This is my friend Dan.
-Hi, Dan. -[Phil] He likes soup.
Pleased to meet you.
This is Daniel Boulud, one of the world's greatest chefs.
Mm, matzo ball soup. That's my favorite.
Good.
[chuckling] So, he's gonna try Helen Rosenthal's matzo ball soup.
-Do you know who this is, Ma? -[chuckles]
[Max] What?
You know-- You know nearby we have, uh, Épicerie Boulud?
-Oh, yes. -And Boulud Sud?
-Yes. -Right? And the restaurant Daniel?
-Yes. -This is Daniel Boulud.
-I'm Daniel Boulud. -Glad to meet.
Pleased to meet you, ma'am.
I had, on occasion, made matzo ball soup. Not that I grew up with it, but--
Yeah?
I love that. Oh my God. It-- This is very, very good.
-Wow, Ma! -[Max] See?
-You put herbs inside? -Yes.
Some parsley, or there was some dill? What was it?
Parsley. Mostly.
[Daniel] But you put dill also?
Yeah, I use a lot of dill.
So, you see, I brought the dill oil.
-[Phil] Oh! She wants it. -Wonderful. Thank you.
-[Phil] Loves dill. -This is olive oil made with dill.
Have a little bit on your soup and you'll see.
It's gonna float on the surface.
-[Max] Liquid dill? -Voilà. Liquid dill. You want some?
-No, thanks. -[Daniel] Oh, you should try.
-[Phil] Taste it! -It's amazing.
-I think you're gonna like. -[Max] Thank you.
Daniel Boulud is giving you something
-and you're saying no? -Okay.
-[Helen] Very good. -[Phil] Nice, right?
The first time I went back to the house, Helen was, uh, cooking,
and the first time there, I'll never forget it,
she brought something to the table,
and, like, a spoon fell or something, and of course Max goes, "Oi!"
Like the "oi" heard around the world 'cause a spoon dropped.
And they're like-- They start laughing.
And I'll never-- This woman stood there, like, so upset.
It was my first time there.
And I just remember her going, "Help me, Max!"
[laughing]
-And these-- I was outraged… -Still laughing.
…and got up and I helped her, and I think maybe that bonded.
So a couple months later,
she takes me aside and she says…
"I know Philip can be very difficult."
-Me? -[Monica laughs]
"I want you to know,
if anything happens between you,
you and I will still be friends."
[Monica laughs]
My mother, ladies and gentlemen.
[laughing]
"I just met her, but I think I'm Team Monica."
[all laughing]
Well, she was dying for daughters.
And as soon as she found one, "Goodbye, Philip."
[Phil laughs]
[off-screen] I mean, I can't be that forgettable, can I?
All right, this is an actual official Netflix promo for the show.
-Okay. What channel? -No, you-- you don't know what to do.
[Phil] I promise this is 100% real.
[Richard speaking]
[Max] Let me try.
[chuckles]
[Helen laughing]
Isabellita, you know, gave Max his greatest joy,
which was, like, a dozen eggs.
-A day. -[Richard laughs] No.
A dozen eggs for, like, 75 cents.
-Best price he ever heard. -Somehow she--
Somehow Isabellita found the cheapest eggs…
-Yes. -…and nothing made Max happier.
[Isabellita] And he always called me like,
"Isabellita, don't forget to get the eggs."
[all laughing]
[Phil] My dad had very simple taste.
I think I would say every day he asked this one question,
"Are my eggs fluffy?"
Which drove my mother insane because she knew to make them fluffy.
She knew that's how he liked them.
I know. It's so funny that every time, every morning, he always asked me, like,
"What do you think? How many eggs should I get?"
"Like, two or three?"
[laughs]
He wants you to say three.
Yes, of course.
"'Cause that would be good for you, if you had three eggs every day."
That's nicer than when I used to make eggs for him, he would be like,
-"Are you overcooking them?" -[laughs] I know.
"I think they're done now. They're done now."
If he-- And if we went to the diner or the coffee shop,
it was all we could do to keep him from going in the back,
telling the person making the eggs in the restaurant how to make the eggs.
And my mother had one great love of her life.
It wasn't her children…
[laughing] …and it wasn't her husband,
it was the opera.
This was her favorite thing.
I think she would have thrown us all off the roof
for five minutes with Plácido Domingo.
I like the stuffed, uh, llama on the counter.
[Helen] How about Domingo?
Oh, Plácido Domingo. Of course.
Can't you zoom in on him
and let it fill the screen for a few minutes?
[Helen] And Sutherland.
Joan Sutherland. Yes, everybody. These are the things my mother likes.
God forbid you interrupted her on a Saturday afternoon
when WQXR was broadcasting live from the Metropolitan Opera House.
"I'm listening to the opera!"
"Mom, I broke my leg." "I'm listening to the opera!"
We all have our simple loves in our life, right?
And to find the joy and happiness in these little things,
listening to the opera on the radio on a Saturday afternoon,
just having fluffy eggs and enjoying it so much.
If you can find that in your life,
I recommend it,
because you might always be happy then with something.
[pleasant music playing]
Do you know what we actually put on his stone?
-You don't know? -[women] No.
"Are my eggs fluffy?"
[all laughing]
Do you know what it says on her stone? The answer to him.
"I'm listening to the opera."
-[all laughing] -"Don't bother me. Don't bother me."
I think you're having more fun there than all the other places you've been to.
-Is that right? -I don't think so.
Why don't you think so, Ma?
Because I think you enjoy every place that-- Where you are.
I think you're right.
-But I think this is a little more. -No.
There seem to be--
The people seem to be friendlier or something. I don't know. Something.
[Helen] Max, you said the same thing when they were in Israel.
Now you're saying he's happier here.
He's happy wherever he is.
Okay.
As long as he's not here.
-[all laughing] -Here with us. Yeah.
You guys, just take it away. Just give them a show.
You made the special.
-Oh, wow. -You made the special special.
Oh, well, thank you.
They loved you. I know they loved you.
And I loved them as well. Yep.
Helen was my most wonderful relative. I could tell her anything.
She could tell me anything.
-Sweet. -We laughed all the time.
And, um, after she died, I would still call your dad,
and he always loved it.
Always wondered, if we were in the winter, "Are you warm enough? Do you have heat?"
Yeah, 'cause he sees, like, a wood house in the woods.
-"How do you live?" -[laughs]
"How do you heat? You heat with wood?"
-Yeah. -[both laughing]
"Can I bring you some coal?"
-Yeah. -We'll be right back with more woods talk.
[Thyle and Richard laughing]
What's going on in New York?
How's-- How's the weather there today?
-It's cold. -It's-- How do you know? You never go out.
[Phil and Max laugh]
-You didn't go out. It's not that cold. -I opened a window.
You don't even open the window.
-It sounds very exciting over there. -Anyway.
-[laughs] -It is. It's very exciting.
This is what I got from them.
Not just whatever personality traits I got from them,
but through example,
I learned that a sense of humor
is probably the most undervalued human trait.
No, it's not.
-I-- I feel it's a very important trait. -[Richard laughs]
I really do.
-No, then you agree with me. -Yeah, I do.
-But you wanted to first disagree with me. -No, I didn't.
-[laughing] -[Helen G.] That's the style.
Just thank you for a lifetime of more than friendship, of family.
-[Helen G.] We were all. -[Lee] Right.
[pleasant music continues]
[Max] Monica said you're going to a wedding today. Is that--
[Phil] It's true.
[Max] Everybody's getting married all of a sudden.
You recommend it, right?
-No. -[laughs]
It's a good institution, but who wants to live in an institution?
-[laughing] -[Max laughs]
We do this thing now where we call
our comedian friends and they do a joke for Max.
-It's a nice tribute to his spirit. -[Richard and Karen] Yeah.
-It stays alive. -[Monica] Yeah.
Good job, boys. Two nice boys.
All he ever wanted was two nice boys. We'd ask him his wants for his birthday.
"All I want is two nice boys." Because he didn't really have them.
[Monica laughing]
But I know they loved, loved, loved that we work together.
-[Monica] Oh, yeah. -[Phil] And it's been great, just great.
Absolutely.
[Monica] We were like the daughters. It was so--
-[Phil] Yes. -We never felt like in-law, really.
-We were definitely-- -[Phil] No.
[Monica] And they-- And felt that way about both of us, you know?
To the point where Dad said on his last day, to us…
"I couldn't have asked for four better kids."
[Monica] Yeah.
-Thanks for bringing the room down. -[all laugh]
And Isabellita.
[all chuckling]
-So we'll talk to you when you get home. -Yes.
Enjoy the rest of your stay there.
Thank you.
-You can't have it any better. -I think you're right.
Would you like to be in his place?
No.
[Phil laughs]
-I have to be here. With you. -Maybe you couldn't have it any better.
[Max] Right.
You think of that?
[Phil laughs]
Thank you for the good ending.
Goodbye.
Stay well.
You too.
[chuckling]
"Maybe you couldn't have it any better."
[Richard and woman laughing]
That's all you want.
[closing theme song plays]
♪ Somebody please, somebody please ♪
♪ Somebody ♪
♪ Somebody please, somebody please ♪
♪ Somebody ♪
♪ Somebody please, somebody please ♪
♪ Somebody ♪
♪ Somebody please, somebody please ♪
♪ Somebody ♪
♪ Somebody please, somebody please ♪
♪ Somebody ♪
♪ Somebody please, somebody please ♪
♪ Can somebody ♪
♪ Somebody feed Phil? ♪
♪ Oh, please, somebody ♪
♪ Somebody feed Phil ♪
♪ Somebody feed him now ♪