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(orchestral music)

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Downloaded from
YTS.MX

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(projector clicking)

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Official YIFY movies site:
YTS.MX

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(tapping)

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(pensive music)

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♪

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♪

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(phone ringing)

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♪

11
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Mom?

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I don't think I quite know
what I got myself into.

13
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Yeah, I know.
So that's what's difficult.

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It's like 22 dancers are gonna
get there on Wednesday

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and the first rehearsal day
is Thursday,

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so it's just whether or not
the dancers can get together.

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I don't know,
I think maybe I'm...

18
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trying to do too much.

19
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Yeah, I know.

20
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Dancing with people
that we've never danced with.

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Fifteen minute rehearsals
with the orchestra.

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I'm gonna have to meet
with the stage manager,

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I'm gonna have to meet
with the dressing rooms.

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I have to make sure
all the costumes are ready.

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Fifteen different ballets,
pretty pas de deux,

26
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two orchestra rehearsals,
physical therapists.

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A list of the dancers,
a set of rentals,

28
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getting them there.

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Are you excited?

30
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Yeah. A very big deal.

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First I was kind of scared
to say yes.

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New voices,
day of the show.

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That piece,
really tricky.

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(voice layering)

35
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Wardrobe...
But I'm hoping...

36
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Yeah, I know.
Supposed to be there...

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Possible...
Tonight.

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And then having to dance well
on top of that.

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(whining)

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No, the problem is is we don't
have, like, any time.

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(mellow orchestral music)

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♪

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(zipping)

44
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♪

45
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Growing up,
ballet was my least favorite.

46
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I was always trying to get out
of my ballet classes.

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I'd tell my mom, "Oh, I feel
sick and I can't do ballet."

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And she'd say, "Oh, okay,

49
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well, then you can't do
your jazz classes."

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Then I'd be like,
"Oh, I'm all of a sudden

51
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feeling much better."

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I mean, I'm glad she did that

53
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'cause I never would be
where I am today.

54
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♪

55
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When I was asked to curate
a show

56
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at the Los Angeles
Music Center,

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I jumped at the opportunity.

58
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♪

59
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They gave me the freedom
to choose the dancers,

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the pieces,

61
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the choreographers
that I wanted to highlight.

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♪

63
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I wanted to put together
a program that shows

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that ballet isn't just
pink tights and a tutu.

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♪

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Come on.

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But I've never done anything
like this before,

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so it's way out of
my comfort zone.

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♪

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(bright music)

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♪

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-My craft is all about
the stuff.

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Stuff.

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-I wanted to start
BalletNOW off

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from the beginning

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with a nontypical piece,

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and so I'm starting it
with a duet

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with Bill Irwin.

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He's this extraordinary clown
and actor,

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but he also is a dancer.

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-I am going to get
the password for the WiFi.

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Okay.

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-And I shall cause a stir
in the hallway.

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Okay.

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You would never go
to a ballet evening

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and see a piece with a clown
and a ballerina.

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That just doesn't happen.

88
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And that's what I thought
was so interesting

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about our piece

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and what I think is gonna

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really make BalletNOW

92
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something special.

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I don't want to do ballet yet.

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I'm doing it too early.

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(making comical sounds)

96
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This is a ballet show,
but it's not...

97
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just a ballet show.

98
00:05:05,193 --> 00:05:07,824
And this duet with Tiler,

99
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it's about the abstract...

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old baggy pants comedian

101
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and ballerina.

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It's about different kinds
of music

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and movement from our genres.

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-And then you always give
a little, like, thing

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to your hat.

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The very first day
I'd teach him phrases

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and then I would try
to imitate him, you know,

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to see if I could get
some of his clowning.

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-Now move.

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So it's kind of starting
from there

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and then it finishes there.

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-So...

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(making comical sounds)

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-Can you hold this
for one second?

115
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(exhales)

116
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Sometimes gags fit

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and sometimes they're--

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make you laugh
and they're good gags

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but they don't--

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it doesn't sit
within a story.

121
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Could you crank me up again?

122
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Yes.

123
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So I've been working
to really bring my shtick

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to a place where it really fits
with her shtick,

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and I hope it goes well.

126
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So I am a little nervous,

127
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but for me if I'm not nervous,

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it makes me very nervous.

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(Sylvan Esso, "Just Dancing")

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-Oh!
Oh my gosh, every time.

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Bill is all fun and games
until he's not.

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-Five...
-What are we doing?

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-And since we don't have
much time

134
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for these performances,

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there was a lot of stress
happening there.

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Fired.

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Me.

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I'm gonna get it right
this time.

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-I got you.

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<i>-♪ Just dancing ♪</i>

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<i>♪ I'm fakin' it before</i>
<i>I even touch the skin ♪♪</i>

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♪

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-First of all,
I think that I can...

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on the second one,

145
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I think I come up too soon,

146
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and then we have too much music.

147
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-Okay.
-I don't think an evening

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of ballet would be complete

149
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without a romantic pas de deux

150
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between a ballerina
and her partner.

151
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So I do this,

152
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and then if there's a way

153
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where I can do a slower turn.

154
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-Do you want to push off?
-Yeah.

155
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-Or do you want me
to give you a little...

156
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-Well, let me see.

157
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For this reason,
I chose "Carousel,"

158
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and it's one of, I believe,

159
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the most romantic pas de deux
there is.

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-So, you want to just
walk through

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from the beginning?

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(orchestral music)

163
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♪

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-It's the first time
the young girl

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is with this very handsome man,

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and she's finding love,

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falling very fast,

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and it's kind of scary for her,

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and he's basically in control
of the whole thing.

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♪

171
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An amazing partner has to know
your steps and his steps.

172
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He has to know your choreography

173
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to be able to anticipate
what you're gonna do.

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And with Zach,
I can kind of do whatever,

175
00:08:03,257 --> 00:08:05,512
meaning, like,
I know I can trust him.

176
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♪

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I can really go out there
and be free and dance,

178
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and I know he'll get me
no matter what

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because he's really
in the moment with me.

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♪

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Plus, he's kind of cute.

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(laughing)

183
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♪

184
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I don't often get to dance
in California,

185
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but it's where I grew up

186
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and it's where my family is.

187
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♪

188
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So to have the performances
here

189
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is a really big deal for me.

190
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♪

191
00:08:53,525 --> 00:08:55,988
-Where's your ballet...

192
00:08:56,029 --> 00:08:57,156
-Attire?
-...shoes and...?

193
00:08:57,282 --> 00:08:58,618
-Well, I've been in them
all day.

194
00:08:58,660 --> 00:09:00,246
This is the first chance
I've gotten

195
00:09:00,288 --> 00:09:01,498
to be in normal clothes.

196
00:09:01,541 --> 00:09:02,626
-I gotcha.

197
00:09:02,668 --> 00:09:04,755
Tonight I have "Fancy Free."

198
00:09:04,839 --> 00:09:09,724
Then I have, uh,
"Stars and Stripes," I think.

199
00:09:09,765 --> 00:09:11,769
Hopefully that's all
I have left.

200
00:09:11,894 --> 00:09:15,611
I don't--or I might not
be walking out of here.

201
00:09:15,652 --> 00:09:16,403
-Okay.
-All right.

202
00:09:16,529 --> 00:09:17,405
We'll see you later, honey.

203
00:09:17,531 --> 00:09:18,742
-I love you.

204
00:09:21,664 --> 00:09:23,793
Here.

205
00:09:23,877 --> 00:09:24,754
(laughing)

206
00:09:24,795 --> 00:09:27,258
-When did I know
she was good?

207
00:09:27,300 --> 00:09:29,304
From the very beginning.

208
00:09:29,387 --> 00:09:31,934
(piano music)

209
00:09:32,060 --> 00:09:35,651
She would go to
her mother's dance studio

210
00:09:35,692 --> 00:09:37,696
and watch,

211
00:09:37,821 --> 00:09:41,328
and then before you knew it,

212
00:09:41,453 --> 00:09:43,290
she was up doing it.

213
00:09:43,332 --> 00:09:46,004
♪

214
00:09:46,046 --> 00:09:47,800
-She was like a three-year-old

215
00:09:47,925 --> 00:09:49,929
in an adult body.

216
00:09:50,054 --> 00:09:51,139
She just had movement

217
00:09:51,181 --> 00:09:52,685
from the very, very beginning.

218
00:09:52,768 --> 00:09:53,812
♪

219
00:09:53,895 --> 00:09:56,441
You just knew that
she was very different.

220
00:09:56,526 --> 00:09:58,195
♪

221
00:09:58,278 --> 00:10:00,282
And the hardest thing
was knowing

222
00:10:00,324 --> 00:10:02,161
that someone was that talented

223
00:10:02,203 --> 00:10:04,834
and there was nothing
where we lived in Bakersfield

224
00:10:04,917 --> 00:10:08,967
to let her train
and to get better.

225
00:10:09,050 --> 00:10:10,971
♪

226
00:10:11,096 --> 00:10:13,685
-My daughter saw right away

227
00:10:13,727 --> 00:10:15,856
that she couldn't give her

228
00:10:15,939 --> 00:10:18,193
the kind of training

229
00:10:18,235 --> 00:10:19,864
that she needed.

230
00:10:19,947 --> 00:10:23,370
I took her to classes

231
00:10:23,454 --> 00:10:26,586
in Los Angeles.

232
00:10:26,586 --> 00:10:28,798
-Honestly, I spent more time
with my grandmother

233
00:10:28,840 --> 00:10:30,342
than I did my mom
growing up

234
00:10:30,468 --> 00:10:33,182
because I was with her
in the car.

235
00:10:33,223 --> 00:10:36,229
My grandmother literally
drove me three hours

236
00:10:36,313 --> 00:10:38,610
to dance and three hours back.

237
00:10:38,735 --> 00:10:41,991
I'd be at dance from three
until ten at night,

238
00:10:42,116 --> 00:10:43,995
and then we would drive home

239
00:10:44,120 --> 00:10:45,874
four or five days a week

240
00:10:45,957 --> 00:10:47,503
for six years of my life.

241
00:10:47,586 --> 00:10:51,218
♪

242
00:10:51,259 --> 00:10:52,888
Now that I think about it,

243
00:10:52,971 --> 00:10:55,351
I don't know how she did it.

244
00:10:55,392 --> 00:11:01,531
♪

245
00:11:01,656 --> 00:11:04,160
(funky music)

246
00:11:04,244 --> 00:11:10,507
♪

247
00:11:10,590 --> 00:11:12,343
-Yeah, I have clothes
to put on.

248
00:11:12,385 --> 00:11:14,013
-Okay, great.
-Yeah.

249
00:11:14,138 --> 00:11:15,391
No, I'm gonna do it in this.

250
00:11:15,474 --> 00:11:16,393
♪

251
00:11:16,476 --> 00:11:20,025
When I think about showing
how cool dance is,

252
00:11:20,150 --> 00:11:21,863
one of the first names
that pops in my head

253
00:11:21,904 --> 00:11:23,908
is Michelle Dorrance.

254
00:11:23,992 --> 00:11:25,620
She's a tap genius

255
00:11:25,662 --> 00:11:27,791
and I think she's elevated tap

256
00:11:27,916 --> 00:11:30,505
to another, like, status
basically.

257
00:11:30,547 --> 00:11:33,051
(tapping)

258
00:11:34,429 --> 00:11:35,640
-Yeah.

259
00:11:39,773 --> 00:11:41,276
-There we go.
-Ah.

260
00:11:41,318 --> 00:11:43,781
-Michelle,
she has this amazing ability

261
00:11:43,823 --> 00:11:46,537
to put together sounds
that you've never heard

262
00:11:46,579 --> 00:11:47,956
with different forms
of dance,

263
00:11:48,040 --> 00:11:51,547
and that's exactly what
our piece "123456" is.

264
00:11:51,672 --> 00:11:53,175
-Hey.
-Hey!

265
00:11:53,300 --> 00:11:54,929
-How you doin'?
-It's nice to meet you.

266
00:11:55,054 --> 00:11:56,264
-Virgil, hi, I'm Michelle.

267
00:11:56,306 --> 00:11:58,018
-Hi Michelle,
nice to meet you.

268
00:11:58,060 --> 00:12:00,815
-Our piece,
it's with a hip hop dancer,

269
00:12:00,899 --> 00:12:03,070
two tap dancers,
and then a ballerina,

270
00:12:03,153 --> 00:12:05,575
and it's about how
we are gonna interact

271
00:12:05,700 --> 00:12:06,786
with each other.

272
00:12:06,827 --> 00:12:09,082
-Today I think we should just
run the structure.

273
00:12:09,207 --> 00:12:10,209
-Yeah.
-Except the things

274
00:12:10,334 --> 00:12:11,461
that you'll have to practice
full out

275
00:12:11,545 --> 00:12:13,298
are anything rhythmic
like clapping patterns

276
00:12:13,340 --> 00:12:14,217
and things like that.

277
00:12:14,300 --> 00:12:17,306
The piece is
largely collaborative.

278
00:12:17,348 --> 00:12:19,603
Inside of it, every dancer
has the opportunity

279
00:12:19,728 --> 00:12:23,235
to both improvise
and choreograph segments,

280
00:12:23,318 --> 00:12:24,362
and then there are a few things

281
00:12:24,445 --> 00:12:25,740
that I force everyone to do,

282
00:12:25,865 --> 00:12:26,867
which is kind of fun.

283
00:12:26,951 --> 00:12:29,873
(rhythmic clapping)

284
00:12:29,999 --> 00:12:32,044
Now, if you guys can hold that,

285
00:12:32,086 --> 00:12:33,463
you might be fine.

286
00:12:33,548 --> 00:12:34,967
For us, it just--
hold onto it.

287
00:12:35,050 --> 00:12:36,219
-Yeah, but then I have to go
the other way.

288
00:12:36,344 --> 00:12:38,223
-No, we're gonna try that first.

289
00:12:38,306 --> 00:12:40,060
But, yeah, that means
you're half done.

290
00:12:43,735 --> 00:12:45,112
-I'm lost too.
-Yeah, I know, I know.

291
00:12:45,237 --> 00:12:47,951
-I think the biggest challenge
with "123456"

292
00:12:47,993 --> 00:12:49,955
is that we are the score,

293
00:12:49,997 --> 00:12:52,001
we are making the music.

294
00:12:52,126 --> 00:12:53,880
And so, you know,
clapping to them

295
00:12:54,005 --> 00:12:55,007
is very natural,

296
00:12:55,090 --> 00:12:57,261
and to me and Virgil,

297
00:12:57,386 --> 00:13:01,102
I mean, we're, like,
so far lost with that.

298
00:13:01,144 --> 00:13:02,522
It's, like, frightening.

299
00:13:02,647 --> 00:13:04,358
-See, I, like, love clapping

300
00:13:04,400 --> 00:13:05,360
and I love counter rhythms

301
00:13:05,402 --> 00:13:06,781
and, like, I've never
had a problem.

302
00:13:06,864 --> 00:13:08,534
The first time I did it
with Byron earlier,

303
00:13:08,659 --> 00:13:10,037
it was a disaster.

304
00:13:10,162 --> 00:13:12,374
So, yeah, so what you guys
have to do

305
00:13:12,416 --> 00:13:13,376
is lock the hell in.

306
00:13:13,418 --> 00:13:14,378
-Okay.
-Yeah, okay.

307
00:13:14,505 --> 00:13:16,592
-When we were looking
for the hip hopper

308
00:13:16,634 --> 00:13:17,594
in this piece,

309
00:13:17,636 --> 00:13:20,140
we wanted somebody
who was very versatile,

310
00:13:20,265 --> 00:13:21,852
and Virgil's just amazing.

311
00:13:21,894 --> 00:13:24,023
He's excited to partner me

312
00:13:24,107 --> 00:13:26,361
and to teach me his vocabulary.

313
00:13:26,402 --> 00:13:27,488
Yeah, teach me some stuff.

314
00:13:27,531 --> 00:13:28,365
-Yeah, yeah.

315
00:13:28,406 --> 00:13:30,285
'Cause you're all ready
to do this.

316
00:13:30,369 --> 00:13:31,539
-Yeah, that's just--
I don't know...

317
00:13:31,622 --> 00:13:33,876
-I just kind of got...
-Yeah.

318
00:13:33,918 --> 00:13:36,549
-He'll do something crazy
and then I'll do it en pointe.

319
00:13:36,674 --> 00:13:39,178
(tapping)

320
00:13:39,262 --> 00:13:40,139
-Yeah!

321
00:13:40,180 --> 00:13:41,182
This type of event

322
00:13:41,266 --> 00:13:42,894
shows that they're being open

323
00:13:42,936 --> 00:13:45,525
to a lot of different styles
and genres of dance

324
00:13:45,567 --> 00:13:48,446
and not strictly ballet.

325
00:13:48,531 --> 00:13:51,579
And it's important
because it gives everyone

326
00:13:51,662 --> 00:13:53,583
an opportunity to showcase
their work

327
00:13:53,666 --> 00:13:55,920
and step outside their box.

328
00:13:56,045 --> 00:13:57,006
-Um, try it.

329
00:13:57,047 --> 00:13:59,010
One, two, three, four,
five, it's just two.

330
00:13:59,051 --> 00:14:00,889
One, two, three, four, five...

331
00:14:00,930 --> 00:14:03,059
The piece I helped design

332
00:14:03,185 --> 00:14:04,771
the skeleton of the work

333
00:14:04,813 --> 00:14:06,901
and then everyone gets
to insert

334
00:14:06,942 --> 00:14:08,069
a little bit of themselves,

335
00:14:08,153 --> 00:14:09,573
and then simultaneously
has to collaborate

336
00:14:09,656 --> 00:14:11,159
with something they're
less comfortable with.

337
00:14:11,201 --> 00:14:14,290
(rhythmic clapping)

338
00:14:14,332 --> 00:14:16,837
And I think that that brings out

339
00:14:16,962 --> 00:14:18,173
really interesting work.

340
00:14:18,215 --> 00:14:20,720
(rhythmic clapping)

341
00:14:25,229 --> 00:14:26,857
This is it right here.

342
00:14:26,941 --> 00:14:29,111
-One, two, three, four,
five, six.

343
00:14:29,195 --> 00:14:30,615
-Okay, uh, okay.

344
00:14:30,740 --> 00:14:31,951
Is everyone--inside your head,

345
00:14:31,992 --> 00:14:33,370
you feel good for tomorrow?
Okay.

346
00:14:33,453 --> 00:14:34,623
This is fun, yeah.

347
00:14:34,706 --> 00:14:37,211
Now that we kind of started,
I'm, like, really excited.

348
00:14:37,336 --> 00:14:39,090
-Oh, come on!

349
00:14:39,173 --> 00:14:41,679
(mellow music)

350
00:14:41,720 --> 00:14:48,693
♪

351
00:14:48,734 --> 00:14:52,491
(singing)

352
00:14:54,120 --> 00:14:56,249
-And then I get silence,
the thing...

353
00:14:56,374 --> 00:14:58,504
-Thing, and then--yeah,
I think that seems right.

354
00:14:58,629 --> 00:15:00,257
-Something like that, yeah.
-Mm-hm, okay.

355
00:15:00,382 --> 00:15:01,009
-Yeah.
-Yeah.

356
00:15:01,134 --> 00:15:02,136
The New York City Ballet,

357
00:15:02,219 --> 00:15:03,889
we actually aren't
really supposed

358
00:15:04,015 --> 00:15:06,269
to talk to the conductors.

359
00:15:06,394 --> 00:15:08,481
Balanchine
kind of just wanted them

360
00:15:08,524 --> 00:15:09,901
to do their thing,

361
00:15:10,027 --> 00:15:14,243
and then we would just
kind of deal with the tempo.

362
00:15:14,285 --> 00:15:16,164
So I've never really been
in contact

363
00:15:16,289 --> 00:15:17,792
with a conductor
where he's asking me,

364
00:15:17,917 --> 00:15:19,253
"Okay, what do you think
about this?"

365
00:15:19,378 --> 00:15:21,759
and singing me
some of the pieces,

366
00:15:21,842 --> 00:15:23,888
and letting me hear
the tempos.

367
00:15:24,013 --> 00:15:25,140
So this was a first.

368
00:15:25,223 --> 00:15:26,894
It's all kind of a first.

369
00:15:26,977 --> 00:15:29,357
And if we can do it
really fast at the end,

370
00:15:29,398 --> 00:15:30,400
-I'd really like that.
-Okay, yeah.

371
00:15:30,526 --> 00:15:32,237
When the piano comes...

372
00:15:32,279 --> 00:15:34,659
Um, the very, very end.

373
00:15:34,743 --> 00:15:36,037
Okay.

374
00:15:36,120 --> 00:15:37,414
(singing)

375
00:15:37,540 --> 00:15:38,416
-Here.
-Uh huh.

376
00:15:38,542 --> 00:15:41,422
(singing)

377
00:15:41,507 --> 00:15:43,301
And it can keep getting faster.

378
00:15:43,385 --> 00:15:44,513
(singing)

379
00:15:44,554 --> 00:15:45,305
-Cool.

380
00:15:45,430 --> 00:15:47,560
(singing)

381
00:15:47,644 --> 00:15:48,813
Yeah.

382
00:15:48,896 --> 00:15:59,793
♪

383
00:15:59,835 --> 00:16:00,920
(piano music)

384
00:16:01,922 --> 00:16:05,011
-So I've been cueing off
at nine and seventeen,

385
00:16:05,053 --> 00:16:07,307
and I'll play
the high register part right.

386
00:16:07,391 --> 00:16:09,145
♪

387
00:16:09,186 --> 00:16:12,025
(singing)

388
00:16:12,067 --> 00:16:13,194
Yes.

389
00:16:13,278 --> 00:16:14,155
♪

390
00:16:14,196 --> 00:16:16,200
-That's what we mean.
-Yeah.

391
00:16:16,284 --> 00:16:20,292
In the dance world,
it's so run by men.

392
00:16:20,333 --> 00:16:22,839
Most directors are male,

393
00:16:22,964 --> 00:16:25,553
most choreographers
are male.

394
00:16:25,595 --> 00:16:26,722
♪

395
00:16:26,805 --> 00:16:28,976
So it feels very important

396
00:16:29,059 --> 00:16:31,063
to be a woman

397
00:16:31,105 --> 00:16:34,361
and be in charge of this gig.

398
00:16:34,487 --> 00:16:35,615
-Okay, that's great.

399
00:16:35,698 --> 00:16:37,367
-Let's start from the beginning,
right,

400
00:16:37,451 --> 00:16:38,829
and just don't kill yourselves

401
00:16:38,871 --> 00:16:40,750
because you guys gotta do
"Allegro."

402
00:16:40,833 --> 00:16:45,718
So just--it's a mark,
it's to be clean,

403
00:16:45,843 --> 00:16:48,223
so clean arms and feet.

404
00:16:48,306 --> 00:16:51,980
♪

405
00:16:52,105 --> 00:16:54,235
I think "In Creases"
was one of the first pieces

406
00:16:54,318 --> 00:16:57,115
that I thought, "Okay,
this has to be on the program."

407
00:16:57,199 --> 00:16:59,370
Somewhat faster, Rachel,
on your turns.

408
00:16:59,453 --> 00:17:00,873
♪

409
00:17:00,998 --> 00:17:02,502
There we go.

410
00:17:02,627 --> 00:17:04,506
I wanted a group ensemble

411
00:17:04,631 --> 00:17:07,135
and I wanted to showcase
younger dancers

412
00:17:07,177 --> 00:17:09,306
who had never really danced
this piece before

413
00:17:09,431 --> 00:17:11,269
but I knew they had it
in them.

414
00:17:11,310 --> 00:17:12,939
Spot.

415
00:17:13,022 --> 00:17:14,441
That's right.

416
00:17:14,526 --> 00:17:15,528
♪

417
00:17:15,570 --> 00:17:17,574
-In our usual dancing season,

418
00:17:17,657 --> 00:17:19,076
you have the full cast

419
00:17:19,159 --> 00:17:21,330
for, like,
a solid chunk of time,

420
00:17:21,414 --> 00:17:24,504
like, you know, three weeks,
and then you perform it.

421
00:17:24,546 --> 00:17:25,422
This was kind of like

422
00:17:25,506 --> 00:17:26,883
everybody learned it
on their own

423
00:17:26,925 --> 00:17:29,514
and now we're coming together
for the first time full cast,

424
00:17:29,556 --> 00:17:32,185
and so there's, like,
added intensity,

425
00:17:32,269 --> 00:17:33,187
borderline anxiety,

426
00:17:33,313 --> 00:17:35,066
like, you just kind of feel it.

427
00:17:35,150 --> 00:17:36,570
♪

428
00:17:36,695 --> 00:17:38,448
Rachel, just in the solo,

429
00:17:38,574 --> 00:17:39,534
all the steps are good.

430
00:17:39,576 --> 00:17:40,578
Just more accent.

431
00:17:40,703 --> 00:17:42,790
So when you reach,
like, reach.

432
00:17:42,832 --> 00:17:45,462
I mean, développé, développé.

433
00:17:45,546 --> 00:17:46,715
(imitating music)

434
00:17:46,840 --> 00:17:47,842
Yeah, but, you know what I mean,

435
00:17:47,967 --> 00:17:50,096
like, more with the upper body,
yeah.

436
00:17:50,221 --> 00:17:51,349
I definitely think

437
00:17:51,474 --> 00:17:53,604
that they are feeling
a lot of pressure

438
00:17:53,729 --> 00:17:56,484
but also I think
nervous energy is exciting

439
00:17:56,568 --> 00:17:58,112
if it doesn't get in the way.

440
00:17:58,237 --> 00:18:01,327
You can be so nervous
that you just lose it onstage

441
00:18:01,369 --> 00:18:03,832
or it can bring this excitement
to the piece

442
00:18:03,874 --> 00:18:05,836
that you can't get
from something

443
00:18:05,878 --> 00:18:07,590
that's so well rehearsed.

444
00:18:07,674 --> 00:18:08,592
Seven, eight.

445
00:18:08,676 --> 00:18:09,969
One, two, three.

446
00:18:10,095 --> 00:18:11,180
Okay, again.

447
00:18:11,222 --> 00:18:12,224
Sorry.

448
00:18:12,307 --> 00:18:13,434
(imitating music)

449
00:18:13,476 --> 00:18:15,355
The first one's together,
the second one should--

450
00:18:15,438 --> 00:18:18,194
all of you groups
should be together.

451
00:18:18,236 --> 00:18:19,739
Okay, that's not happening.

452
00:18:19,823 --> 00:18:21,618
-It's like this?
-It was my fault.

453
00:18:21,743 --> 00:18:23,956
-I was keeping her square.
-Square.

454
00:18:23,997 --> 00:18:26,878
-These are roles
that I'm dancing

455
00:18:27,003 --> 00:18:30,260
that I wouldn't typically dance
with the company,

456
00:18:30,385 --> 00:18:32,389
and I'm in this atmosphere

457
00:18:32,515 --> 00:18:36,021
of such crazy talent that...

458
00:18:36,147 --> 00:18:39,153
I don't want to look like
the little kid in the back.

459
00:18:39,278 --> 00:18:40,405
(tense music)

460
00:18:40,488 --> 00:18:43,871
And I think everybody has
a very similar mentality.

461
00:18:43,912 --> 00:18:48,630
-And one, two, three,
four, five--

462
00:18:48,756 --> 00:18:51,636
See, there.
Maybe doing a little too much.

463
00:18:51,762 --> 00:18:53,724
Yeah, okay,
let's try it one more time.

464
00:18:53,766 --> 00:18:54,851
♪

465
00:18:54,893 --> 00:18:56,020
Ready?

466
00:18:56,103 --> 00:18:57,272
The sense in the room

467
00:18:57,397 --> 00:18:59,778
is that everybody needs
to step up their game.

468
00:18:59,903 --> 00:19:03,744
We go one, two,
three, four...

469
00:19:03,786 --> 00:19:06,875
But also, I think I'm
definitely taking a huge risk

470
00:19:06,917 --> 00:19:08,670
in putting "In Creases"
on the program

471
00:19:08,754 --> 00:19:11,050
just because they've
never done this piece before.

472
00:19:11,133 --> 00:19:13,387
Ready, five, six, seven,

473
00:19:13,429 --> 00:19:16,393
and one, two, three...

474
00:19:16,435 --> 00:19:19,066
♪

475
00:19:19,191 --> 00:19:20,569
I think we're gonna
pull this off.

476
00:19:20,653 --> 00:19:23,032
I mean...

477
00:19:23,074 --> 00:19:24,076
I hope so.

478
00:19:24,201 --> 00:19:25,579
<i>-Good afternoon,</i>
<i>ladies and gentlemen.</i>

479
00:19:25,663 --> 00:19:26,832
<i>Your call is half hour.</i>

480
00:19:26,915 --> 00:19:27,834
<i>Call is half hour.</i>

481
00:19:27,959 --> 00:19:29,921
(woman continues
talking in background)

482
00:19:30,004 --> 00:19:42,905
♪

483
00:19:42,947 --> 00:19:45,326
(rhythmic clapping)

484
00:19:45,451 --> 00:19:47,455
-I feel like
I have never learned that.

485
00:19:47,582 --> 00:19:48,332
-Yeah, so...

486
00:19:48,416 --> 00:19:50,921
(rhythmic clapping)

487
00:19:52,550 --> 00:19:53,677
-So there's three at the end?

488
00:19:53,719 --> 00:19:56,348
-There's two pickups.

489
00:19:56,473 --> 00:19:58,979
-I always feel like
I'm a very musical ballerina,

490
00:19:59,104 --> 00:20:00,356
but when I get in a room
with Michelle,

491
00:20:00,440 --> 00:20:02,570
I all of a sudden feel like
I'm not musical at all...

492
00:20:02,612 --> 00:20:04,489
(rhythmic clapping)

493
00:20:04,574 --> 00:20:06,870
...because the way
she hears the beats

494
00:20:06,995 --> 00:20:11,337
are just unlike anything
that I've ever heard.

495
00:20:11,420 --> 00:20:13,926
(rhythmic clapping)

496
00:20:21,858 --> 00:20:22,985
-Woo!

497
00:20:28,245 --> 00:20:31,001
-We all have a set
of different skill sets.

498
00:20:31,126 --> 00:20:32,588
(rhythmic clapping)

499
00:20:32,630 --> 00:20:34,216
And I think just
getting us together

500
00:20:34,257 --> 00:20:35,886
and on the same page
is gonna be the--

501
00:20:35,970 --> 00:20:39,142
like, the trickiest part
of the whole piece.

502
00:20:39,226 --> 00:20:40,646
Oh!

503
00:20:40,729 --> 00:20:41,606
-Okay.

504
00:20:41,648 --> 00:20:44,529
(imitating rhythm)

505
00:20:44,654 --> 00:20:45,739
Yeah, you know it.

506
00:20:45,781 --> 00:20:47,158
You know better,
you know that.

507
00:20:47,283 --> 00:20:49,246
I'm not worried,
you know that.

508
00:20:49,287 --> 00:20:51,250
-What should we do?

509
00:20:51,291 --> 00:20:52,878
-We should go from the top.
-Okay.

510
00:20:52,920 --> 00:20:54,966
-Putting a piece together
in a short time for dancers,

511
00:20:55,008 --> 00:20:55,968
that's normal,

512
00:20:56,010 --> 00:20:58,139
but with different styles,

513
00:20:58,222 --> 00:21:01,896
trying to create something
extraordinary and different,

514
00:21:02,022 --> 00:21:04,777
that's something that's
unique and challenging.

515
00:21:04,902 --> 00:21:07,407
(rhythmic clapping)

516
00:21:18,054 --> 00:21:20,517
(tapping)

517
00:21:21,561 --> 00:21:23,774
-One, two, three, four,
five, six.

518
00:21:28,282 --> 00:21:30,579
-One, two, three, four,
five, six.

519
00:21:32,332 --> 00:21:33,167
-Oh!
-Oh!

520
00:21:33,209 --> 00:21:34,211
-I can't even do it.

521
00:21:34,252 --> 00:21:36,298
I can't even do it here.

522
00:21:36,423 --> 00:21:39,680
Let's do the beginning
one more time.

523
00:21:39,806 --> 00:21:41,768
Okay, this is gross, all right.

524
00:21:46,528 --> 00:21:48,030
-Yeah, I have
a half an hour right now,

525
00:21:48,072 --> 00:21:50,076
and then I start...

526
00:21:50,159 --> 00:21:51,453
I have three more ballets

527
00:21:51,579 --> 00:21:53,583
-and then the interview.
-Right.

528
00:21:53,667 --> 00:21:55,336
-I think I have an interview
at some point.

529
00:21:55,461 --> 00:21:57,550
I'm just gonna walk over now,
have a second,

530
00:21:57,591 --> 00:22:00,221
I'll put my stuff
in my dressing room,

531
00:22:00,304 --> 00:22:03,562
and then hopefully
eat something.

532
00:22:03,603 --> 00:22:04,856
Do you have anything, Mom?

533
00:22:04,981 --> 00:22:06,734
-They had bananas and apples
in there for you

534
00:22:06,818 --> 00:22:07,695
they brought to you.

535
00:22:07,736 --> 00:22:09,072
-I didn't get them.

536
00:22:09,114 --> 00:22:10,617
-Nice apples.

537
00:22:10,742 --> 00:22:11,828
-Do you need me to...
-No, no.

538
00:22:11,870 --> 00:22:12,746
We just go over now

539
00:22:12,872 --> 00:22:13,874
'cause I have to be there.

540
00:22:13,999 --> 00:22:15,752
You're gonna walk with me?

541
00:22:15,836 --> 00:22:17,965
-Do you want 'em?
-Mm-hm.

542
00:22:18,048 --> 00:22:19,467
-You really need food, right?
-Mm-hm.

543
00:22:25,104 --> 00:22:27,610
(soft orchestral music)

544
00:22:27,735 --> 00:22:34,247
♪

545
00:22:34,331 --> 00:22:35,959
Christopher Wheeldon's
known for making

546
00:22:36,001 --> 00:22:38,590
extremely hard pas de deux.

547
00:22:38,632 --> 00:22:41,721
His partnering
is really difficult.

548
00:22:41,763 --> 00:22:44,267
You just have to kind of
trust your partner

549
00:22:44,351 --> 00:22:46,271
with everything

550
00:22:46,355 --> 00:22:47,900
because if you're a little off,

551
00:22:48,025 --> 00:22:50,279
you can really end up
on the floor.

552
00:22:50,404 --> 00:22:56,291
♪

553
00:22:56,375 --> 00:22:58,003
(exclaiming)

554
00:22:58,045 --> 00:23:01,260
♪

555
00:23:04,642 --> 00:23:06,270
♪

556
00:23:06,353 --> 00:23:07,898
There's always things
in this pas de deux

557
00:23:08,023 --> 00:23:09,527
that can go wrong.

558
00:23:09,610 --> 00:23:11,656
So I guess that's what's
exciting and scary

559
00:23:11,781 --> 00:23:12,908
at the same time.

560
00:23:12,992 --> 00:23:14,620
♪

561
00:23:14,662 --> 00:23:17,041
Like, just a little bit
upstage of the center.

562
00:23:17,166 --> 00:23:20,423
(indistinct comments)

563
00:23:23,178 --> 00:23:24,682
All right, now I don't even know
if I have time.

564
00:23:24,765 --> 00:23:27,813
I might just have to go
straight to the rehearsal room.

565
00:23:27,896 --> 00:23:29,190
What time is it?

566
00:23:29,316 --> 00:23:30,694
Oh, I have 15 min--
is that right?

567
00:23:30,819 --> 00:23:31,696
-No, this is fast.

568
00:23:31,779 --> 00:23:32,698
-Tell me a little bit about

569
00:23:32,823 --> 00:23:34,200
what were the main ideas

570
00:23:34,284 --> 00:23:35,787
that were in your mind

571
00:23:35,829 --> 00:23:37,415
when this was broached
to you.

572
00:23:37,457 --> 00:23:39,795
-I kind of just really
made it a point

573
00:23:39,837 --> 00:23:41,632
to find something
for everybody

574
00:23:41,674 --> 00:23:44,930
and also kind of emphasize
the new voices of today

575
00:23:45,056 --> 00:23:46,934
that I think, like,
a younger generation

576
00:23:47,060 --> 00:23:50,316
is definitely
very kind of in tune with.

577
00:23:50,399 --> 00:23:51,944
-So is that something
you're putting together,

578
00:23:52,070 --> 00:23:53,698
you're responsible for
getting it rehearsed

579
00:23:53,823 --> 00:23:54,658
and in shape?

580
00:23:54,700 --> 00:23:56,579
I'm kind of responsible
for, like,

581
00:23:56,662 --> 00:23:59,084
it all being rehearsed,
I think, and together.

582
00:23:59,167 --> 00:24:01,046
-So also for you,
that's an example

583
00:24:01,088 --> 00:24:02,298
of contemporary ballerina

584
00:24:02,340 --> 00:24:04,595
going way out of her
usual comfort zone.

585
00:24:04,678 --> 00:24:05,806
-Yeah, definitely.

586
00:24:05,847 --> 00:24:07,810
You know,
I have a lot of ideas,

587
00:24:07,851 --> 00:24:09,980
and to be able to put
something together

588
00:24:10,064 --> 00:24:13,947
is really kind of just very
exciting and stressful.

589
00:24:13,988 --> 00:24:16,118
I mean, I'm definitely, like,
a little nervous,

590
00:24:16,243 --> 00:24:17,579
but I'm really excited.

591
00:24:17,621 --> 00:24:20,961
I think we've put together
some amazing programs

592
00:24:21,002 --> 00:24:23,215
that have something
for everybody.

593
00:24:23,298 --> 00:24:25,971
And, um, yeah,
so we just have to hope

594
00:24:26,096 --> 00:24:28,560
that everything goes well.

595
00:24:28,601 --> 00:24:30,939
And we'll be up
on the fourth floor.

596
00:24:30,981 --> 00:24:32,860
This is Nicole.
Have you met Bill?

597
00:24:32,943 --> 00:24:34,864
-The stage manager.
-Hi Nicole.

598
00:24:34,947 --> 00:24:37,995
-So she's--we're gonna give her
all the cues right now

599
00:24:38,078 --> 00:24:39,497
so she can start partying.

600
00:24:39,582 --> 00:24:40,499
Thanks for everything.

601
00:24:40,625 --> 00:24:42,880
Okay, Nicole,
so first what happens

602
00:24:42,963 --> 00:24:44,466
is the mu--wait.

603
00:24:44,508 --> 00:24:45,719
Curtain comes up, yes.

604
00:24:45,760 --> 00:24:46,762
-Curtain, yeah, curtain goes up.

605
00:24:46,846 --> 00:24:48,892
-Curtain goes up,
'cause this is opening.

606
00:24:48,975 --> 00:24:50,269
-Right.
-Curtain goes up

607
00:24:50,394 --> 00:24:52,023
and lights are already there,

608
00:24:52,148 --> 00:24:56,364
and the music starts
and we're offstage.

609
00:24:56,406 --> 00:24:58,995
"Time It Was,"
a lot of the comedic timing

610
00:24:59,037 --> 00:25:02,544
is very dependent
on the orchestra.

611
00:25:02,669 --> 00:25:05,257
Just the little, you know,
drum roll and the ratchet,

612
00:25:05,341 --> 00:25:08,640
it has to be
just so perfectly timed.

613
00:25:08,765 --> 00:25:12,021
And we have a stage manager
who doesn't know the pieces,

614
00:25:12,146 --> 00:25:13,983
so we're gonna
have to go through cues,

615
00:25:14,025 --> 00:25:15,402
especially the piece
with Bill and I,

616
00:25:15,486 --> 00:25:16,906
there's so many.

617
00:25:16,989 --> 00:25:19,244
And the metronome has to come
in, like, right on the--

618
00:25:19,285 --> 00:25:21,289
you know,
we jump and when we land.

619
00:25:21,373 --> 00:25:22,416
Bump.

620
00:25:22,500 --> 00:25:24,045
-Do you want it on the land
or on the step?

621
00:25:24,170 --> 00:25:25,549
-No, on the step.

622
00:25:25,632 --> 00:25:27,636
That's something that takes
a lot of rehearsal,

623
00:25:27,678 --> 00:25:30,642
and we just don't really
have that time.

624
00:25:30,684 --> 00:25:33,438
But hopefully
once we get onstage

625
00:25:33,565 --> 00:25:34,567
with the orchestra,

626
00:25:34,692 --> 00:25:36,571
then it will just kind of
all come together.

627
00:25:36,696 --> 00:25:37,573
Hopefully.

628
00:25:37,698 --> 00:25:40,160
(mellow music)

629
00:25:40,202 --> 00:25:41,413
♪

630
00:25:41,454 --> 00:25:43,166
We have, like,
15 minute rehearsals.

631
00:25:43,208 --> 00:25:44,460
-Right.
-And it's not enough time

632
00:25:44,545 --> 00:25:46,172
to do the amount of ballets
that we have to do.

633
00:25:46,256 --> 00:25:47,300
-Right, and if...
-And because there's

634
00:25:47,425 --> 00:25:48,928
different casts...

635
00:25:49,053 --> 00:25:50,055
it was like, okay,

636
00:25:50,139 --> 00:25:51,892
I guess each rehearsal
gets 15 minutes.

637
00:25:51,934 --> 00:25:52,936
And, you know,
the other thing is

638
00:25:53,020 --> 00:25:54,314
that he will be in the audience,

639
00:25:54,439 --> 00:25:55,274
he'll be at the table...

640
00:25:55,316 --> 00:25:56,443
-So we can just shout at you.

641
00:25:56,527 --> 00:25:57,821
-"Brandon!"
-Yeah, no, yeah.

642
00:25:57,904 --> 00:25:59,157
-If there's something wrong...
-You can call from the stage.

643
00:25:59,198 --> 00:26:00,326
-Yeah, no, it's no problem.

644
00:26:00,409 --> 00:26:01,829
So I don't actually know--

645
00:26:01,954 --> 00:26:03,583
I'm curious about the history
behind this piece,

646
00:26:03,708 --> 00:26:05,712
'cause I'm not very--
this is a new piece to me.

647
00:26:05,837 --> 00:26:07,214
Well...

648
00:26:07,298 --> 00:26:09,469
this is not the right piece.

649
00:26:09,553 --> 00:26:12,308
-Time out, what?
-Is that what you've had?

650
00:26:12,350 --> 00:26:13,477
-This is what Bill sent me.

651
00:26:13,561 --> 00:26:14,228
(laughing)

652
00:26:14,354 --> 00:26:16,316
-That's not our pas de deux.

653
00:26:16,358 --> 00:26:17,569
Wait, am I in that?

654
00:26:17,611 --> 00:26:18,613
-Are you playing bass?

655
00:26:18,696 --> 00:26:19,948
-This is...
-No.

656
00:26:19,990 --> 00:26:20,992
-I asked him for a video.

657
00:26:21,117 --> 00:26:22,621
When I told him
I was reaching out

658
00:26:22,746 --> 00:26:24,248
to the original designer,
he said,

659
00:26:24,332 --> 00:26:25,501
"Oh, here's a video
that will help you

660
00:26:25,585 --> 00:26:26,671
better understand the piece."

661
00:26:26,712 --> 00:26:28,090
-What was he thinking?
-Yeah, I don't know.

662
00:26:28,215 --> 00:26:29,217
-Maybe it was just for the look.

663
00:26:29,300 --> 00:26:30,427
-Can you send it to him?
-Yeah.

664
00:26:30,469 --> 00:26:31,555
I just have to find it.

665
00:26:31,597 --> 00:26:32,724
-Is there still the ukulele

666
00:26:32,849 --> 00:26:34,227
and that whole,
like, musician thing?

667
00:26:34,310 --> 00:26:35,980
-No.
-He gave me specific notes

668
00:26:36,106 --> 00:26:38,736
on the ukulele and, like,
some kind of instrumentation.

669
00:26:38,861 --> 00:26:40,573
So you should definitely talk.

670
00:26:40,615 --> 00:26:42,118
-Wait, for real?
-Yeah, yeah, yeah.

671
00:26:42,201 --> 00:26:43,120
(tense music)

672
00:26:43,203 --> 00:26:44,247
No, that's not it at all,

673
00:26:44,372 --> 00:26:45,709
it's just me and Bill.

674
00:26:45,750 --> 00:26:48,004
-Well, it's good we're
talking about it then.

675
00:26:48,088 --> 00:26:49,090
Yeah.

676
00:26:49,132 --> 00:27:03,661
♪

677
00:27:03,786 --> 00:27:04,913
-Mm...

678
00:27:05,038 --> 00:27:12,763
♪

679
00:27:12,888 --> 00:27:14,390
Was there anything that you saw

680
00:27:14,474 --> 00:27:15,518
that you think that--

681
00:27:15,602 --> 00:27:17,271
like "Man I Love,"
was it good?

682
00:27:17,396 --> 00:27:18,900
Uh huh, yeah.

683
00:27:19,025 --> 00:27:20,277
Looked really good.

684
00:27:20,402 --> 00:27:23,785
♪

685
00:27:23,910 --> 00:27:25,370
How do the
(mumbles) look?

686
00:27:25,412 --> 00:27:27,041
♪

687
00:27:27,166 --> 00:27:29,170
-Tell the boys to make sure
they tuck their shirts in,

688
00:27:29,253 --> 00:27:30,673
because they all came out.

689
00:27:30,757 --> 00:27:32,176
♪

690
00:27:32,301 --> 00:27:33,303
Yeah.

691
00:27:33,428 --> 00:27:34,263
♪

692
00:27:34,305 --> 00:27:35,182
-You must be hungry.

693
00:27:35,307 --> 00:27:37,144
You never eat
the whole sandwich.

694
00:27:37,186 --> 00:27:38,438
(laughing)

695
00:27:38,564 --> 00:27:41,027
-I just did literally
six ballets.

696
00:27:41,069 --> 00:27:42,029
-I know.

697
00:27:42,071 --> 00:27:45,202
♪

698
00:27:45,327 --> 00:27:47,331
Go with the flow.
Just dance.

699
00:27:47,456 --> 00:27:49,586
(laughing)

700
00:27:49,711 --> 00:27:59,188
♪

701
00:27:59,313 --> 00:28:02,194
I'm nervous that
I'm trying to do too much

702
00:28:02,319 --> 00:28:05,409
and I'm just hoping that

703
00:28:05,450 --> 00:28:08,164
it all doesn't
come crashing down.

704
00:28:08,206 --> 00:28:10,294
I'm feeling so tight
down here,

705
00:28:10,335 --> 00:28:11,922
like, it's kind of hurting
to walk.

706
00:28:11,964 --> 00:28:13,718
-Okay, all right.

707
00:28:13,801 --> 00:28:15,345
-I feel like
they kind of smell too.

708
00:28:15,429 --> 00:28:16,472
I'm sorry,
they've been in shoes...

709
00:28:16,557 --> 00:28:17,934
-Oh, I think I'm used to that.

710
00:28:17,976 --> 00:28:19,228
-Okay.

711
00:28:19,353 --> 00:28:20,607
♪

712
00:28:20,732 --> 00:28:21,817
-All right.

713
00:28:21,859 --> 00:28:30,877
♪

714
00:28:30,960 --> 00:28:32,004
-Everything hurts.

715
00:28:32,129 --> 00:28:34,091
♪

716
00:28:34,175 --> 00:28:36,095
My feet are hurting,

717
00:28:36,179 --> 00:28:38,183
my back is hurting.

718
00:28:38,224 --> 00:28:40,228
-Here. Hand under your head.

719
00:28:40,354 --> 00:28:42,441
-I think I have, like,
a pulled inner thigh.

720
00:28:42,483 --> 00:28:44,362
-Now let's stretch.

721
00:28:44,445 --> 00:28:45,865
♪

722
00:28:45,949 --> 00:28:47,201
-I don't know
if it's the stress...

723
00:28:47,242 --> 00:28:48,996
-Exhale and stretch.

724
00:28:49,121 --> 00:28:50,499
♪

725
00:28:50,625 --> 00:28:52,504
-...but I feel
sick to my stomach.

726
00:28:52,629 --> 00:29:11,416
♪

727
00:29:12,669 --> 00:29:14,338
-We should do that again.

728
00:29:14,380 --> 00:29:16,134
-The up was really good.

729
00:29:16,259 --> 00:29:18,263
-I just feel so low.

730
00:29:18,346 --> 00:29:20,475
Like at the--I'm, like,
all the way down here.

731
00:29:20,518 --> 00:29:22,271
-But you have to
to get my foot on the floor.

732
00:29:22,396 --> 00:29:25,152
-I know, but I should be--
No, no, when I catch you.

733
00:29:25,277 --> 00:29:26,780
-I think you should
be like that.

734
00:29:26,864 --> 00:29:28,617
-But I'm really low.
-Yeah.

735
00:29:28,659 --> 00:29:30,162
-What I'm saying is
I'm, like, down here.

736
00:29:30,245 --> 00:29:32,166
-No, I think that's right.

737
00:29:32,291 --> 00:29:33,376
-Can we try it again?

738
00:29:33,418 --> 00:29:35,172
-You're not Nilas's height.

739
00:29:35,255 --> 00:29:37,009
That's the photo you've seen.

740
00:29:37,051 --> 00:29:38,929
-Yeah.
-Yeah.

741
00:29:39,055 --> 00:29:41,059
-Can we just try it again?
-Okay.

742
00:29:41,184 --> 00:29:41,935
(laughing)

743
00:29:42,019 --> 00:29:42,937
I'm sorry.

744
00:29:43,021 --> 00:29:44,190
It's just because, like,

745
00:29:44,273 --> 00:29:46,528
you aren't like this at all,

746
00:29:46,570 --> 00:29:48,574
-I can't get--
-I'm still gonna do that.

747
00:29:51,454 --> 00:29:53,416
Oh no.

748
00:29:53,458 --> 00:29:54,586
Yeah!

749
00:29:54,669 --> 00:29:55,922
Did I not get high enough?

750
00:29:56,005 --> 00:29:57,382
-Mm-mm.
-Okay.

751
00:29:57,424 --> 00:30:00,180
-I don't think
you're jumping as much now.

752
00:30:00,263 --> 00:30:02,059
Sorry.

753
00:30:02,184 --> 00:30:03,436
-I need energy.
-But you're sick though,

754
00:30:03,521 --> 00:30:04,815
so you get a free pass.

755
00:30:04,940 --> 00:30:05,942
-Okay, let's skip that.

756
00:30:06,025 --> 00:30:07,444
We did that.

757
00:30:07,529 --> 00:30:08,781
♪

758
00:30:08,823 --> 00:30:09,950
(whining)

759
00:30:10,075 --> 00:30:15,460
♪

760
00:30:15,545 --> 00:30:17,214
I don't feel like
this is gonna be good.

761
00:30:17,339 --> 00:30:19,845
(rhythmic clapping)

762
00:30:23,602 --> 00:30:26,567
-One, two, three, four,
five, six.

763
00:30:26,608 --> 00:30:29,238
(tapping)

764
00:30:29,363 --> 00:30:30,365
-Corner!

765
00:30:30,490 --> 00:30:31,743
♪

766
00:30:34,749 --> 00:30:45,605
♪

767
00:30:45,730 --> 00:30:46,857
(shrieking, laughing)

768
00:30:46,982 --> 00:30:50,238
♪

769
00:30:50,322 --> 00:30:53,119
All the choreography
for "123456"

770
00:30:53,244 --> 00:30:56,125
is centered around
this piece of wood

771
00:30:56,250 --> 00:30:59,883
that we use to make the music
and rhythms of the dance.

772
00:30:59,966 --> 00:31:02,597
That floor thing is--
I am slipping like crazy.

773
00:31:02,639 --> 00:31:03,891
-Yeah.
-I don't know what I'm gonna...

774
00:31:03,974 --> 00:31:05,268
-It'll help, Slip NoMor
will change the game.

775
00:31:05,352 --> 00:31:07,523
-For us too, you have to know.
-You like--for that too?

776
00:31:07,607 --> 00:31:10,028
-No, for--this is like...

777
00:31:10,111 --> 00:31:11,990
-I was, like,
spinning on my butt.

778
00:31:12,032 --> 00:31:13,911
(rhythmic clapping)

779
00:31:13,994 --> 00:31:16,499
Without some sort of coating,

780
00:31:16,541 --> 00:31:18,796
this surface is like...

781
00:31:18,879 --> 00:31:21,008
any dancer's worst nightmare.

782
00:31:21,133 --> 00:31:22,595
(tapping)

783
00:31:22,637 --> 00:31:23,889
-Okay, let's remember

784
00:31:24,014 --> 00:31:25,893
to try Slip NoMor
for tomorrow.

785
00:31:25,977 --> 00:31:26,853
-Right.

786
00:31:26,895 --> 00:31:29,108
(tapping)

787
00:31:29,149 --> 00:31:30,903
-Then...

788
00:31:31,028 --> 00:31:32,364
-Wait, I must be two then.

789
00:31:32,406 --> 00:31:34,619
Am I before you guys?

790
00:31:34,661 --> 00:31:35,412
-Oh, she is.

791
00:31:35,538 --> 00:31:36,414
(counting noise)

792
00:31:36,540 --> 00:31:38,919
-Uh, uh, us?

793
00:31:39,044 --> 00:31:40,005
-No way.
-I don't know.

794
00:31:40,046 --> 00:31:41,424
-Uh, uh, you.

795
00:31:41,550 --> 00:31:44,054
-We had to work through
so many complicated things

796
00:31:44,179 --> 00:31:45,641
with "123456."

797
00:31:45,683 --> 00:31:47,562
Fusing together
the different styles,

798
00:31:47,687 --> 00:31:49,691
then getting together
the timing.

799
00:31:49,774 --> 00:31:51,528
And it's just ridiculous
that the thing

800
00:31:51,570 --> 00:31:53,699
that we're stuck on
is the ending,

801
00:31:53,782 --> 00:31:56,078
which really isn't
that complicated.

802
00:31:56,203 --> 00:31:59,460
It's literally four claps,
a turn, and a finish.

803
00:31:59,544 --> 00:32:01,798
But we're really struggling
with it.

804
00:32:01,882 --> 00:32:04,261
(tapping)

805
00:32:04,303 --> 00:32:05,931
-One, two, three...
-No, no, we can't do that.

806
00:32:06,057 --> 00:32:07,309
Let's go from my solo.

807
00:32:07,434 --> 00:32:08,269
Five, six...

808
00:32:08,311 --> 00:32:11,150
(vocalizing rhythm)

809
00:32:11,192 --> 00:32:11,777
(whimper)

810
00:32:11,818 --> 00:32:13,655
(laughing)

811
00:32:13,697 --> 00:32:14,908
Are you okay?

812
00:32:14,949 --> 00:32:16,703
You're gonna feel great.
You're gonna sleep tonight

813
00:32:16,828 --> 00:32:17,830
and your stomach's
gonna feel better

814
00:32:17,955 --> 00:32:19,709
and you're gonna be amazing
in everything.

815
00:32:19,834 --> 00:32:20,836
-Is it gonna be amazing?
-No, yeah, totally.

816
00:32:20,920 --> 00:32:21,838
-No, Tiler, you're gonna--

817
00:32:21,963 --> 00:32:23,091
you're a stage beast.

818
00:32:23,174 --> 00:32:25,345
-Woo!
-Don't stress.

819
00:32:25,470 --> 00:32:27,349
If you ... up,
... up gigantic

820
00:32:27,474 --> 00:32:29,436
and turn it into a solo, okay?

821
00:32:29,478 --> 00:32:31,357
We're gonna get it together.

822
00:32:31,440 --> 00:32:32,735
In a day.

823
00:32:32,819 --> 00:32:34,196
♪

824
00:32:34,238 --> 00:32:35,825
I go off of your other leg.

825
00:32:35,866 --> 00:32:38,371
(tapping)

826
00:32:38,454 --> 00:32:40,250
♪

827
00:32:40,375 --> 00:32:41,335
It's a mess.

828
00:32:41,377 --> 00:32:44,551
(indistinct chatter)

829
00:32:44,592 --> 00:32:46,345
It always comes together
at the end.

830
00:32:46,429 --> 00:32:48,474
♪

831
00:32:48,600 --> 00:32:50,563
Do you know that you sent
the wrong video

832
00:32:50,604 --> 00:32:51,731
to the lighting guy?

833
00:32:51,815 --> 00:32:52,733
-He was like--
-What'd I send?

834
00:32:52,859 --> 00:32:55,990
-You sent him you,
Michelle, and Kate.

835
00:32:56,073 --> 00:32:57,367
There's only just me and Bill.

836
00:32:57,492 --> 00:33:00,624
There's nobody else
in our piece.

837
00:33:00,708 --> 00:33:02,085
-How did I do that?
-Okay.

838
00:33:02,127 --> 00:33:04,006
So how would that go
if we do that?

839
00:33:04,089 --> 00:33:06,720
-Well, just like you were
talking about yesterday...

840
00:33:06,761 --> 00:33:08,222
-So I--oh, I have the hat.

841
00:33:08,264 --> 00:33:10,393
-Chaînés...
-Very in.

842
00:33:10,519 --> 00:33:12,982
(soft music)

843
00:33:13,024 --> 00:33:15,905
♪

844
00:33:15,988 --> 00:33:18,409
Hope I remember all of this
on the shows.

845
00:33:18,535 --> 00:33:20,288
I feel like I have
so much choreography

846
00:33:20,371 --> 00:33:22,167
in my head right now
that I'm like

847
00:33:22,292 --> 00:33:23,795
getting them
a little mixed up.

848
00:33:23,921 --> 00:33:25,340
♪

849
00:33:25,381 --> 00:33:27,219
Memory full.

850
00:33:27,260 --> 00:33:32,522
♪

851
00:33:32,647 --> 00:33:33,857
(knocking)

852
00:33:33,899 --> 00:33:35,653
-Look, I have someone
that wants to meet you.

853
00:33:35,736 --> 00:33:37,113
Oh, Cali, come here.

854
00:33:37,155 --> 00:33:38,992
-Her name is Alexa.

855
00:33:39,034 --> 00:33:40,663
This is Tiler Peck.

856
00:33:40,746 --> 00:33:41,748
-Hi.

857
00:33:41,790 --> 00:33:43,251
Is that a Barbie?

858
00:33:43,292 --> 00:33:44,546
-Yeah.

859
00:33:44,671 --> 00:33:45,798
-Can I see it?

860
00:33:45,881 --> 00:33:48,010
-Does the Barbie have a name?

861
00:33:48,052 --> 00:33:49,054
-The Barbie has a name?

862
00:33:49,137 --> 00:33:50,558
What's the Barbie's name?

863
00:33:50,641 --> 00:33:51,518
-Tiler.

864
00:33:51,560 --> 00:33:54,439
-You gave her my name?

865
00:33:54,524 --> 00:33:56,151
Aw...

866
00:33:56,193 --> 00:33:58,949
♪

867
00:33:59,032 --> 00:34:01,788
My arm really hurts
from that lift in "Fancy,"

868
00:34:01,830 --> 00:34:03,457
you know where I go over
backwards

869
00:34:03,542 --> 00:34:05,671
and I have to hold on
and then go like this?

870
00:34:05,713 --> 00:34:07,299
Oh my God, I feel like
it's, like,

871
00:34:07,382 --> 00:34:08,426
ripping my shoulder out.

872
00:34:08,510 --> 00:34:10,514
-Grandma really has a dress
she wants--

873
00:34:10,598 --> 00:34:11,766
something she wants you
to see.

874
00:34:11,850 --> 00:34:13,102
-Okay, I don't have time
right now.

875
00:34:13,144 --> 00:34:14,396
-Okay.
-I have to go to rehearsal.

876
00:34:14,522 --> 00:34:16,483
-Well, he said--you want
your turkey sandwich?

877
00:34:16,526 --> 00:34:17,528
-I ate it already.

878
00:34:17,612 --> 00:34:19,281
I ate it while I was
out there watching.

879
00:34:19,364 --> 00:34:21,160
Is there a pin somewhere?

880
00:34:21,243 --> 00:34:23,247
No.

881
00:34:23,289 --> 00:34:24,792
(elevator dings)

882
00:34:24,917 --> 00:34:27,422
Mom, did you have one or no?

883
00:34:27,548 --> 00:34:29,259
That's okay, I just need a pin.

884
00:34:29,301 --> 00:34:31,013
Will somebody find a pin?

885
00:34:31,055 --> 00:34:32,808
Hey, so you know before
the double turn

886
00:34:32,892 --> 00:34:33,769
of the arabesque?

887
00:34:33,810 --> 00:34:35,146
Can we go there
because you guys

888
00:34:35,188 --> 00:34:38,319
weren't spaced correctly.

889
00:34:38,402 --> 00:34:43,329
Also, the timing just seemed
a little bit off.

890
00:34:43,412 --> 00:34:46,836
It's hard because "In Creases"
I'm not dancing in,

891
00:34:46,920 --> 00:34:50,761
so in a way I feel like
it's out of my control.

892
00:34:50,803 --> 00:34:52,305
But it's my responsibility

893
00:34:52,389 --> 00:34:54,017
to show Justin Peck's
choreography

894
00:34:54,059 --> 00:34:55,395
in the best light.

895
00:34:55,436 --> 00:34:57,525
(piano music)

896
00:34:57,566 --> 00:34:58,652
I can rehearse them

897
00:34:58,694 --> 00:35:02,325
and I can try to give them notes
as best as I can,

898
00:35:02,450 --> 00:35:04,706
but once they get out there,
I kind of just hope

899
00:35:04,831 --> 00:35:06,333
and pray that it goes well.

900
00:35:06,458 --> 00:35:07,460
♪

901
00:35:07,545 --> 00:35:09,089
But really,
once they're out there,

902
00:35:09,214 --> 00:35:10,216
it's up to them.

903
00:35:10,341 --> 00:35:12,722
♪

904
00:35:12,805 --> 00:35:14,349
That's good.

905
00:35:14,433 --> 00:35:15,853
Okay, thank you.

906
00:35:15,936 --> 00:35:17,606
Then the other thing is,
front line,

907
00:35:17,690 --> 00:35:19,736
are you guys
supposed to be together?

908
00:35:19,861 --> 00:35:22,240
-Yes.
-Yeah, that wasn't together.

909
00:35:22,365 --> 00:35:24,077
Okay, let's do that.

910
00:35:24,119 --> 00:35:25,371
Okay, you make sure
they're together,

911
00:35:25,455 --> 00:35:26,498
and I'm gonna get
in my tutu.

912
00:35:26,624 --> 00:35:27,500
-Oh, you have five minutes.

913
00:35:27,585 --> 00:35:29,756
-Uh huh.
-Five minutes to tutu.

914
00:35:29,881 --> 00:35:32,177
(tense music)

915
00:35:32,218 --> 00:35:34,222
It's hard to describe

916
00:35:34,347 --> 00:35:36,059
what she brings
to the table.

917
00:35:36,101 --> 00:35:38,607
But for her to take on

918
00:35:38,690 --> 00:35:43,491
the magnitude
of being the dancer,

919
00:35:43,617 --> 00:35:45,077
being the curator,

920
00:35:45,119 --> 00:35:46,748
assembling the dancers,

921
00:35:46,873 --> 00:35:49,377
knowing who should be
doing what,

922
00:35:49,461 --> 00:35:51,381
and then she'll put down
the clipboard

923
00:35:51,508 --> 00:35:53,469
and run in and start dancing.

924
00:35:53,512 --> 00:35:55,724
(rhythmic clapping)

925
00:35:55,766 --> 00:35:57,645
It's overwhelming.

926
00:35:57,728 --> 00:36:00,358
♪

927
00:36:00,399 --> 00:36:01,736
-Ah!

928
00:36:01,778 --> 00:36:03,155
Bella?

929
00:36:03,280 --> 00:36:06,663
Hey girl, did you get
the "Red Angels" costumes?

930
00:36:06,746 --> 00:36:07,748
Do they not fit?

931
00:36:07,790 --> 00:36:09,544
-No, it's just, like,
for a child.

932
00:36:09,627 --> 00:36:11,463
-Did you try any on?
-It's not going to be cute. No.

933
00:36:11,506 --> 00:36:13,092
-You try that one on first.

934
00:36:13,133 --> 00:36:14,512
Then I'll help you
put the jacket on

935
00:36:14,637 --> 00:36:15,722
when you sit down.

936
00:36:15,764 --> 00:36:18,018
Now here, which I do that
as quick as possible.

937
00:36:18,143 --> 00:36:19,354
-Should we do that again?
-Yeah, let's do it.

938
00:36:19,396 --> 00:36:20,398
Yeah.

939
00:36:20,481 --> 00:36:21,901
♪

940
00:36:21,985 --> 00:36:23,905
Hi, I'm Tiler.
I don't think I met you.

941
00:36:23,989 --> 00:36:25,032
-Shana, hi.

942
00:36:25,157 --> 00:36:26,911
-Did you put these
in the right place?

943
00:36:26,995 --> 00:36:28,289
-You have that break there.

944
00:36:28,372 --> 00:36:30,544
-I think it was just to give me,
like, some lunch.

945
00:36:30,627 --> 00:36:31,546
-I know.

946
00:36:31,629 --> 00:36:32,548
♪

947
00:36:32,673 --> 00:36:34,635
It seemed like it was
two counts too early,

948
00:36:34,677 --> 00:36:35,929
so let's just try it again.

949
00:36:36,054 --> 00:36:37,683
♪

950
00:36:37,808 --> 00:36:39,562
-Tiler.
-We're ready.

951
00:36:39,687 --> 00:36:41,691
♪

952
00:36:41,774 --> 00:36:43,778
(tapping)

953
00:36:43,820 --> 00:36:45,908
-Oh!
-One, two, three, four,

954
00:36:45,949 --> 00:36:47,327
five, six.

955
00:36:47,452 --> 00:36:48,580
Oh, sorry, guys!

956
00:36:48,705 --> 00:36:51,460
(unintelligible conversation)

957
00:36:51,544 --> 00:36:52,922
♪

958
00:36:52,963 --> 00:36:54,675
-Have you seen the sailors?

959
00:36:54,759 --> 00:36:56,136
-Are they not here?

960
00:36:56,178 --> 00:36:57,890
Does that microphone work?

961
00:36:57,932 --> 00:37:00,061
Should we go over that
real fast?

962
00:37:00,186 --> 00:37:02,273
Do we have, like,
one second or no?

963
00:37:02,315 --> 00:37:04,946
(intense rhythmic music)

964
00:37:05,071 --> 00:37:10,039
♪

965
00:37:15,049 --> 00:37:17,972
(rhythmic clapping)

966
00:37:18,097 --> 00:37:19,600
♪

967
00:37:19,684 --> 00:37:20,811
Let me check the schedule.

968
00:37:20,852 --> 00:37:23,232
I have, like,
a million things.

969
00:37:23,357 --> 00:37:26,238
♪

970
00:37:26,321 --> 00:37:27,741
-That was better,
we'll just, like, play

971
00:37:27,866 --> 00:37:30,371
when you have
those two minutes between

972
00:37:30,454 --> 00:37:32,375
your 17 pas de deux.

973
00:37:32,500 --> 00:37:48,240
♪

974
00:37:48,323 --> 00:37:50,244
(groaning)

975
00:37:50,327 --> 00:37:57,258
♪

976
00:37:57,383 --> 00:37:59,722
(exhales deeply)

977
00:37:59,764 --> 00:38:00,974
♪

978
00:38:09,365 --> 00:38:13,875
Cali, what are we gonna do
with 139 emails, huh?

979
00:38:13,917 --> 00:38:17,131
For this thing.
What are we gonna do?

980
00:38:17,256 --> 00:38:19,762
(chuckles)

981
00:38:25,231 --> 00:38:27,611
(moody ambient music)

982
00:38:27,653 --> 00:38:30,116
♪

983
00:38:30,157 --> 00:38:33,288
Okay, I'm ready.

984
00:38:33,372 --> 00:38:36,169
Okay, I don't know
where I'm going, though.

985
00:38:36,294 --> 00:38:38,048
-She's on the party list
if she wants to come up.

986
00:38:38,132 --> 00:38:40,052
I have her on the list, so...

987
00:38:40,136 --> 00:38:43,058
-You got the F key?

988
00:38:43,183 --> 00:38:46,398
-We're walking to this.

989
00:38:46,439 --> 00:38:48,193
-Yeah, we're gonna go
across the way.

990
00:38:48,277 --> 00:38:50,447
♪

991
00:38:50,532 --> 00:38:52,661
-I'll hang out with you
while you do your press round.

992
00:38:52,703 --> 00:38:56,459
-Thank you.
-All right!

993
00:38:56,586 --> 00:38:57,963
-All right,
shall we get started?

994
00:38:58,088 --> 00:39:00,050
-You may.
-Okay.

995
00:39:00,134 --> 00:39:01,386
-Do you want wine?

996
00:39:01,428 --> 00:39:03,307
-Uh, water's good
to start with.

997
00:39:03,390 --> 00:39:04,434
All right.

998
00:39:04,518 --> 00:39:07,524
Smile for our camera.

999
00:39:07,566 --> 00:39:09,820
(thrum of conversation)

1000
00:39:09,904 --> 00:39:12,951
-Gorgeous, stunning,
you're just like unbelievable.

1001
00:39:13,035 --> 00:39:17,961
♪

1002
00:39:18,086 --> 00:39:20,466
-So continue on
with the reception,

1003
00:39:20,550 --> 00:39:22,930
and if you wanna talk
to Tiler personally,

1004
00:39:22,971 --> 00:39:24,975
she'll be wandering around.

1005
00:39:25,059 --> 00:39:28,315
(conversational hum)

1006
00:39:28,357 --> 00:39:33,242
♪

1007
00:39:33,367 --> 00:39:35,454
-Great seeing you.
-(giggling)

1008
00:39:35,496 --> 00:39:37,083
-Enjoy.

1009
00:39:37,124 --> 00:39:39,254
(flash popping)

1010
00:39:39,337 --> 00:39:41,466
-Thank you so much.
-Thank you!

1011
00:39:41,592 --> 00:40:05,139
♪

1012
00:40:05,222 --> 00:40:06,976
Ahh!

1013
00:40:07,018 --> 00:40:09,773
-Clasp your hands.
-Mm-hm.

1014
00:40:09,898 --> 00:40:12,028
-Okay, we'll get you over here.

1015
00:40:12,111 --> 00:40:14,032
Take a deep breath in
and roll toward me.

1016
00:40:14,115 --> 00:40:16,161
(Tiler breathes deeply)

1017
00:40:16,244 --> 00:40:18,498
That's it there.

1018
00:40:18,541 --> 00:40:22,048
And again, roll toward me.

1019
00:40:24,720 --> 00:40:27,475
Okay. Inhale.

1020
00:40:27,517 --> 00:40:30,356
Exhale.

1021
00:40:30,397 --> 00:40:33,111
Roll and rest.

1022
00:40:33,153 --> 00:40:36,409
(bright rhythmic music)

1023
00:40:36,535 --> 00:40:55,030
♪

1024
00:40:55,072 --> 00:40:57,828
(soft piano music)

1025
00:40:57,911 --> 00:41:06,512
♪

1026
00:41:06,554 --> 00:41:09,434
-Good, just again
from the rise.

1027
00:41:09,518 --> 00:41:12,148
♪

1028
00:41:12,189 --> 00:41:13,943
-Tensions are really
high this morning.

1029
00:41:14,026 --> 00:41:16,448
Everybody feels like
we don't have enough time

1030
00:41:16,532 --> 00:41:19,328
to get this done.

1031
00:41:19,412 --> 00:41:22,334
And in the middle
of all this craziness,

1032
00:41:22,460 --> 00:41:23,796
Virgil comes up
with the idea

1033
00:41:23,838 --> 00:41:25,717
that he's gonna
teach everybody

1034
00:41:25,800 --> 00:41:27,428
a hip hop dance.

1035
00:41:27,470 --> 00:41:28,973
-So the first thing goes

1036
00:41:29,056 --> 00:41:32,354
one, two, and three, four...

1037
00:41:32,480 --> 00:41:36,112
five and six, kick seven,

1038
00:41:36,196 --> 00:41:39,243
eight, one, two, three.

1039
00:41:39,327 --> 00:41:40,872
-Yeah--one, two, three.

1040
00:41:40,997 --> 00:41:44,086
One of the guys asked me
if I could show him some moves.

1041
00:41:44,128 --> 00:41:45,464
So the next thing you know,

1042
00:41:45,464 --> 00:41:48,303
all the other ballet dancers
are behind me,

1043
00:41:48,345 --> 00:41:50,349
startin' doin' the same
hip hop dance.

1044
00:41:50,432 --> 00:41:52,102
I'm like, okay, we got
a big hip hop class now

1045
00:41:52,228 --> 00:41:53,981
with a bunch of ballet dancers.

1046
00:41:54,065 --> 00:41:56,361
(thumping hip hop music)

1047
00:41:56,486 --> 00:42:02,498
♪

1048
00:42:02,624 --> 00:42:05,087
-At first I just thought
it was a huge distraction

1049
00:42:05,128 --> 00:42:07,007
and I thought
the dancers need to focus

1050
00:42:07,132 --> 00:42:10,640
on the choreography that
they're actually gonna dance.

1051
00:42:10,723 --> 00:42:13,019
(Future, "Wicked")

1052
00:42:13,144 --> 00:42:16,610
♪

1053
00:42:16,652 --> 00:42:18,280
-But it honestly
couldn't have come

1054
00:42:18,363 --> 00:42:20,660
at a better time.

1055
00:42:20,785 --> 00:42:22,747
It really relaxed the dancers

1056
00:42:22,789 --> 00:42:25,127
and put them in
a better mind space.

1057
00:42:25,168 --> 00:42:27,298
♪

1058
00:42:27,381 --> 00:42:29,511
Five, six, seven,
and one and two,

1059
00:42:29,636 --> 00:42:31,515
and three, four, five,
six, seven, eight.

1060
00:42:31,640 --> 00:42:34,646
One, two, three, four,
five, six, seven, eight.

1061
00:42:34,771 --> 00:42:43,789
♪

1062
00:42:43,914 --> 00:42:45,500
Tell me how long
it's gonna be,

1063
00:42:45,543 --> 00:42:48,799
'cause I just have to be in
costume in 20 minutes on stage.

1064
00:42:48,924 --> 00:43:01,700
♪

1065
00:43:01,825 --> 00:43:05,415
(indistinct PA announcement)

1066
00:43:05,457 --> 00:43:08,338
(overlapping conversations)

1067
00:43:14,392 --> 00:43:15,435
We're gonna make time.

1068
00:43:15,520 --> 00:43:16,814
We're gonna do
the percussion thing

1069
00:43:16,897 --> 00:43:18,191
one more time.

1070
00:43:18,274 --> 00:43:20,070
-Does he have a monitor?
-He does, yeah.

1071
00:43:20,195 --> 00:43:21,573
He was just saying
he'd love to do it

1072
00:43:21,699 --> 00:43:23,451
one more time
so it's perfect, yeah.

1073
00:43:23,577 --> 00:43:25,080
Good, so we're gonna do that
half-step again.

1074
00:43:25,205 --> 00:43:27,585
Okay.

1075
00:43:27,711 --> 00:43:31,342
(sticks rhythmically tap rim)

1076
00:43:31,426 --> 00:43:32,846
-I think it's...

1077
00:43:32,929 --> 00:43:34,599
real short.

1078
00:43:34,725 --> 00:43:36,227
Like tikka-tikka-tikka.

1079
00:43:36,310 --> 00:43:38,440
-Okay.

1080
00:43:38,481 --> 00:43:40,193
(drumsticks rapidly tap rim)

1081
00:43:40,235 --> 00:43:43,241
-Yeah. That there,
that's great.

1082
00:43:43,366 --> 00:43:44,493
(laughter)

1083
00:43:44,578 --> 00:43:47,374
-And after the second ratchet,
when he does the head thing,

1084
00:43:47,458 --> 00:43:49,211
could it just be
a little "bonk"?

1085
00:43:49,253 --> 00:43:52,844
-I couldn't even see it.
-You couldn't see it, okay.

1086
00:43:52,927 --> 00:43:54,723
(ratcheting noise)

1087
00:43:54,806 --> 00:43:57,227
-Right here.

1088
00:43:57,352 --> 00:44:00,610
-So he grabs his neck
and then...

1089
00:44:00,693 --> 00:44:03,198
-I could give it,
I could give it.

1090
00:44:03,239 --> 00:44:06,496
-Okay, so here's
the ratchet.

1091
00:44:06,580 --> 00:44:08,208
(ratcheting noise)

1092
00:44:08,249 --> 00:44:09,251
And...

1093
00:44:09,376 --> 00:44:10,462
(drum strike)

1094
00:44:10,505 --> 00:44:12,717
(laughter)

1095
00:44:12,759 --> 00:44:13,761
<i>-Two minutes to the end</i>
<i>of the ballet.</i>

1096
00:44:13,886 --> 00:44:16,015
Oh, oh!
She locked you out.

1097
00:44:16,140 --> 00:44:18,979
-Excuse me, can you hand me my
"Who Cares?" costume, please?

1098
00:44:19,021 --> 00:44:21,902
Mom, "Who Cares?"
the peach one.

1099
00:44:21,985 --> 00:44:24,533
"Who Cares?" All right.

1100
00:44:26,410 --> 00:44:28,916
Here you go.

1101
00:44:29,041 --> 00:44:31,672
-Look at--
-She's asking me if I'll--

1102
00:44:31,755 --> 00:44:32,632
-What is that?
-I don't know,

1103
00:44:32,757 --> 00:44:34,385
I just took it.

1104
00:44:34,468 --> 00:44:36,640
-I can't. There's
chocolate now on it.

1105
00:44:36,723 --> 00:44:38,142
-No, it was up there.
-Yeah.

1106
00:44:38,268 --> 00:44:40,355
-I didn't put it up,
it was from up there.

1107
00:44:40,397 --> 00:44:41,274
Not I.

1108
00:44:41,399 --> 00:44:42,610
<i>-Can I have</i>
<i>the actors on stage?</i>

1109
00:44:42,652 --> 00:44:44,990
<i>Tiler, if you're ready,</i>
<i>can you come out?</i>

1110
00:44:45,031 --> 00:44:47,745
-I knew when I was
putting the schedule together

1111
00:44:47,787 --> 00:44:51,419
that our time constraint
was so tight.

1112
00:44:51,545 --> 00:44:53,507
I just wanna make sure
I get out to the front

1113
00:44:53,549 --> 00:44:54,885
before this starts.

1114
00:44:54,926 --> 00:44:57,306
(intense music)

1115
00:44:57,431 --> 00:44:58,391
♪

1116
00:44:58,433 --> 00:44:59,686
Because I think we're
all a little, like,

1117
00:44:59,769 --> 00:45:03,151
"Oh my God, is this
actually gonna come together?"

1118
00:45:03,192 --> 00:45:04,821
Guys, the pushes
in the beginning

1119
00:45:04,946 --> 00:45:06,032
are still not together.

1120
00:45:06,073 --> 00:45:08,829
So we're gonna step six,
coupé seven, back eight,

1121
00:45:08,913 --> 00:45:10,290
so we're together.

1122
00:45:10,332 --> 00:45:12,837
Okay, whenever
you guys are ready.

1123
00:45:12,962 --> 00:45:15,133
(dramatic piano music)

1124
00:45:15,175 --> 00:45:17,805
Seven, eight...yes.

1125
00:45:17,931 --> 00:45:19,935
And the same time here.

1126
00:45:20,060 --> 00:45:21,563
♪

1127
00:45:21,647 --> 00:45:26,405
One, two, three, four,
five, si--yes, much better.

1128
00:45:26,447 --> 00:45:27,659
Okay.

1129
00:45:30,706 --> 00:45:33,211
(atmospheric rhythmic music)

1130
00:45:33,336 --> 00:45:36,050
♪

1131
00:45:36,092 --> 00:45:36,969
Just--yeah.

1132
00:45:37,052 --> 00:45:40,225
Just be aware
where your arms are.

1133
00:45:40,308 --> 00:45:42,479
Open, so you're not like this.

1134
00:45:42,563 --> 00:45:44,108
No, it's an actual lift.

1135
00:45:44,191 --> 00:45:45,611
-All right, ladies and
gentlemen, we're moving on,

1136
00:45:45,736 --> 00:45:47,322
I need you to clear
the stage, please.

1137
00:45:47,364 --> 00:45:49,744
-Just make sure your arm
and your body go together.

1138
00:45:49,828 --> 00:45:52,499
♪

1139
00:45:52,625 --> 00:45:55,130
(music intensifies)

1140
00:45:55,213 --> 00:46:03,939
♪

1141
00:46:03,981 --> 00:46:06,987
Could we call wardrobe
to the stage?

1142
00:46:07,112 --> 00:46:08,615
Wardrobe.

1143
00:46:08,741 --> 00:46:10,995
-Grab that part.

1144
00:46:11,078 --> 00:46:13,499
-Bella?
Hey, girl, I just--

1145
00:46:13,584 --> 00:46:16,464
I have your headpiece
to give you for tonight.

1146
00:46:16,506 --> 00:46:18,009
-For this run?

1147
00:46:18,092 --> 00:46:20,138
For--just as long
as it's in the show,

1148
00:46:20,221 --> 00:46:21,892
that's all I care about.

1149
00:46:22,017 --> 00:46:26,526
♪

1150
00:46:26,610 --> 00:46:28,906
Could we do the Slip NoMor
before this run?

1151
00:46:37,548 --> 00:46:38,842
-Why can't you do
Slip NoMor right now?

1152
00:46:38,884 --> 00:46:41,013
-Well, they're just talking
about the drying time...

1153
00:46:41,097 --> 00:46:42,517
-I didn't realize
they wouldn't have, like,

1154
00:46:42,600 --> 00:46:43,644
a call earlier today.

1155
00:46:43,769 --> 00:46:45,396
Because, like, when we
asked for it last night,

1156
00:46:45,523 --> 00:46:49,113
I thought it would be done
by the time rehearsal started.

1157
00:46:49,154 --> 00:46:52,160
-What time is it?

1158
00:46:52,285 --> 00:46:53,496
Wait, what time is it now?

1159
00:46:53,539 --> 00:46:58,256
Because if we put it on now,
we've got 20 minutes.

1160
00:46:58,297 --> 00:47:00,678
So, like, let's stop maybe
talking about it and do it?

1161
00:47:00,761 --> 00:47:03,057
-We can rehearse this,
like, over there,

1162
00:47:03,141 --> 00:47:04,894
while they're putting
Slip NoMor.

1163
00:47:04,936 --> 00:47:06,773
Hey, guys,
I'd love to do it now.

1164
00:47:06,815 --> 00:47:09,904
(music intensifies)

1165
00:47:09,946 --> 00:47:12,702
♪

1166
00:47:12,785 --> 00:47:13,787
(door closes)

1167
00:47:23,055 --> 00:47:26,897
(soft, urgent music)

1168
00:47:26,938 --> 00:47:29,026
Hey, do you have hairspray?

1169
00:47:29,067 --> 00:47:31,447
-Oh my God, I was just
coming to get eyelash glue.

1170
00:47:31,573 --> 00:47:32,825
-I've got that.
-You do?

1171
00:47:32,909 --> 00:47:35,915
-Yeah.
-I don't have hairspray, ugh!

1172
00:47:35,956 --> 00:47:37,710
-Lauren?
-Yeah?

1173
00:47:37,835 --> 00:47:40,089
-Hey, girl,
do you have hairspray?

1174
00:47:40,173 --> 00:47:42,302
What do you want me
to tell wardrobe when I call?

1175
00:47:42,344 --> 00:47:45,058
-I just want them to come
do my straps.

1176
00:47:45,099 --> 00:47:46,435
♪

1177
00:47:46,477 --> 00:47:48,105
-Can I steal
your hairspray too?

1178
00:47:48,189 --> 00:47:50,068
Uh, it's Lauren's
that I stole.

1179
00:47:50,109 --> 00:47:51,362
-Wait, really?
-Yeah.

1180
00:47:51,487 --> 00:47:52,447
No joke.

1181
00:47:52,489 --> 00:47:53,992
And Bella doesn't
have any either, so.

1182
00:47:54,076 --> 00:47:56,372
-Wait, what?
-Yeah.

1183
00:47:56,497 --> 00:47:59,378
-There.
-Are you serious?

1184
00:47:59,504 --> 00:48:00,631
Okay, I'll bring it back.

1185
00:48:00,714 --> 00:48:04,597
♪

1186
00:48:04,681 --> 00:48:05,724
Okay.

1187
00:48:05,849 --> 00:48:08,354
(music intensifies)

1188
00:48:08,479 --> 00:48:11,443
♪

1189
00:48:11,485 --> 00:48:13,865
(tapping)

1190
00:48:23,969 --> 00:48:30,774
(musicians rehearsing)

1191
00:48:30,858 --> 00:48:33,029
Got it.

1192
00:48:33,112 --> 00:48:36,661
<i>-Half hour, half hour.</i>

1193
00:48:36,745 --> 00:48:39,667
(murmur of conversation)

1194
00:48:39,751 --> 00:48:42,047
(soft, urgent music)

1195
00:48:42,172 --> 00:48:44,384
-Three, four, five, six,
seven, eight.

1196
00:48:44,468 --> 00:48:46,765
-One, two, three, four.

1197
00:48:46,848 --> 00:48:49,227
Three, two, three, four.

1198
00:48:49,269 --> 00:48:51,398
(humming to self)

1199
00:48:51,524 --> 00:48:56,534
♪

1200
00:48:56,659 --> 00:48:58,914
(sandpaper scratching)

1201
00:48:58,997 --> 00:49:01,544
♪

1202
00:49:01,628 --> 00:49:04,383
(indistinct conversations)

1203
00:49:04,424 --> 00:49:06,513
♪

1204
00:49:06,554 --> 00:49:10,521
-Three, two,
three, four, five, six.

1205
00:49:10,562 --> 00:49:13,317
One, two, three, four,
five, six,

1206
00:49:13,442 --> 00:49:14,821
seven, eight.

1207
00:49:14,946 --> 00:49:18,829
One, two, three, four,
five, six, seven, eight.

1208
00:49:18,912 --> 00:49:22,586
Two, two, three, four,
five, six, seven, eight.

1209
00:49:22,670 --> 00:49:27,053
Three, two, three, four,
five, six, seven, eight.

1210
00:49:27,178 --> 00:49:28,682
-Are you guys set for places?
-Yeah.

1211
00:49:28,807 --> 00:49:30,811
-All right. Places,
ladies and gentlemen.

1212
00:49:30,936 --> 00:49:34,527
♪

1213
00:49:34,569 --> 00:49:36,573
(music builds)

1214
00:49:36,656 --> 00:49:48,847
♪

1215
00:49:48,930 --> 00:49:51,351
(music fades)

1216
00:49:53,105 --> 00:49:55,611
(rhythmic tapping)

1217
00:50:11,433 --> 00:50:13,354
(laughter)

1218
00:50:14,356 --> 00:50:16,694
(tapping resumes)

1219
00:50:22,998 --> 00:50:25,504
(applause)

1220
00:50:27,633 --> 00:50:30,096
(laughter)

1221
00:50:31,223 --> 00:50:33,728
(rhythmic tapping)

1222
00:50:39,239 --> 00:50:41,661
(laughter)

1223
00:50:47,422 --> 00:50:49,885
(rhythmic tapping)

1224
00:50:51,973 --> 00:50:52,975
(laughter)

1225
00:50:53,017 --> 00:50:55,522
(rhythmic tapping)

1226
00:50:59,237 --> 00:51:03,120
(laughter)

1227
00:51:03,162 --> 00:51:05,667
(rhythmic tapping)

1228
00:51:22,576 --> 00:51:24,329
(laughter)

1229
00:51:24,412 --> 00:51:28,170
(rhythmic tapping)

1230
00:51:59,984 --> 00:52:02,990
(laughter)

1231
00:52:03,115 --> 00:52:06,873
(rhythmic tapping)

1232
00:52:15,724 --> 00:52:17,101
(applause)

1233
00:52:26,746 --> 00:52:29,209
(drum flourish)

1234
00:52:34,512 --> 00:52:37,099
(laughter)

1235
00:52:37,141 --> 00:52:38,645
(ratcheting noise)

1236
00:52:38,770 --> 00:52:40,022
(laughter)

1237
00:52:40,105 --> 00:52:41,149
(drum strike)

1238
00:52:41,274 --> 00:52:43,738
(laughter)

1239
00:52:46,536 --> 00:52:50,292
(extended drum flourish)

1240
00:52:56,639 --> 00:52:58,726
(applause)

1241
00:52:58,768 --> 00:53:02,526
(rhythmic tapping)

1242
00:53:10,416 --> 00:53:14,550
(tapping slows, strings plucked)

1243
00:53:14,633 --> 00:53:24,570
♪

1244
00:53:24,653 --> 00:53:28,035
(soft string music)

1245
00:53:28,076 --> 00:53:46,071
♪

1246
00:53:46,196 --> 00:53:48,576
(applause)

1247
00:53:48,701 --> 00:53:51,707
(rhythmic tapping)

1248
00:53:56,091 --> 00:53:59,848
(cheers, applause)

1249
00:54:02,311 --> 00:54:03,480
-I wasn't ready for you.

1250
00:54:03,606 --> 00:54:04,984
-I'm gonna need you
to leave, guys,

1251
00:54:05,067 --> 00:54:07,739
in like literally one second.

1252
00:54:07,864 --> 00:54:11,371
(tense music)

1253
00:54:11,496 --> 00:54:13,626
(door slams)

1254
00:54:13,751 --> 00:54:15,755
(sharp exhalation)

1255
00:54:15,839 --> 00:54:17,592
Oh my God.

1256
00:54:17,676 --> 00:54:19,930
I'm sweating profusely.

1257
00:54:19,972 --> 00:54:22,686
♪

1258
00:54:22,728 --> 00:54:26,484
My earrings, two gold ones
to get out.

1259
00:54:26,569 --> 00:54:29,992
♪

1260
00:54:30,075 --> 00:54:31,494
Is that crazy?

1261
00:54:31,579 --> 00:54:33,331
-I think you have another...

1262
00:54:33,373 --> 00:54:35,628
-I think I have another one next.

1263
00:54:35,712 --> 00:54:42,601
♪

1264
00:54:42,642 --> 00:54:45,105
(serene music)

1265
00:54:45,147 --> 00:56:08,606
♪

1266
00:56:08,689 --> 00:56:12,614
(music builds)

1267
00:56:12,697 --> 00:56:17,958
♪

1268
00:56:17,999 --> 00:56:20,880
(applause)

1269
00:56:20,964 --> 00:56:52,109
♪

1270
00:56:52,151 --> 00:56:55,658
(dark rhythmic music)

1271
00:56:55,742 --> 00:57:08,475
♪

1272
00:57:08,517 --> 00:57:12,107
(applause)

1273
00:57:12,149 --> 00:57:19,998
♪

1274
00:57:20,040 --> 00:57:23,506
-Okay, guys,
places, please, places.

1275
00:57:23,547 --> 00:57:26,052
(murmur of audience)

1276
00:57:31,814 --> 00:57:34,903
(strident piano music)

1277
00:57:34,945 --> 00:58:14,315
♪

1278
00:58:18,866 --> 00:59:33,389
♪

1279
00:59:33,431 --> 00:59:37,189
(applause)

1280
00:59:50,173 --> 00:59:52,637
(applause, cheers)

1281
00:59:53,931 --> 00:59:56,060
-We did it!

1282
00:59:56,143 --> 00:59:58,565
-Oh my God.
-We did it.

1283
01:00:01,780 --> 01:00:04,284
(applause echoing)

1284
01:00:16,225 --> 01:00:17,854
(exclaims)

1285
01:00:24,951 --> 01:00:26,955
(deep exhalation)

1286
01:00:31,213 --> 01:00:34,094
(bright rhythmic music)

1287
01:00:34,178 --> 01:00:46,620
♪

1288
01:00:46,745 --> 01:00:49,374
Can we make noise?
Can they hear it?

1289
01:00:49,458 --> 01:00:51,086
-They can hear it
a little bit, it'll be fine.

1290
01:00:51,128 --> 01:00:54,009
-That's the part I feel
doesn't make any sound.

1291
01:00:54,134 --> 01:00:56,222
-Here. Hm.

1292
01:00:56,263 --> 01:00:58,017
(clapping, thumping floor)

1293
01:00:58,100 --> 01:00:59,729
-You're right.
-Switch, yeah.

1294
01:00:59,771 --> 01:01:03,402
-It's hard to both put it down
and support yourself.

1295
01:01:03,529 --> 01:01:06,242
(clapping, thumping)

1296
01:01:06,283 --> 01:01:07,995
-Five, everyone say "five."

1297
01:01:08,037 --> 01:01:09,791
-Like, say it?
-Yep.

1298
01:01:09,916 --> 01:01:11,252
-Like, out loud?

1299
01:01:11,293 --> 01:01:12,295
-Say "five."
-I got it.

1300
01:01:12,420 --> 01:01:14,049
-Do this one more time.

1301
01:01:14,132 --> 01:01:15,009
It was the sloppiest part.

1302
01:01:15,093 --> 01:01:16,513
-Yes, and I have
to put a lip on.

1303
01:01:16,638 --> 01:01:18,224
-Okay.
-And take my hair down.

1304
01:01:18,266 --> 01:01:21,355
And you have to change.
We're fine.

1305
01:01:21,397 --> 01:01:25,280
(orchestra tuning up)

1306
01:01:25,363 --> 01:01:28,996
(soft urgent music)

1307
01:01:29,037 --> 01:01:30,039
♪

1308
01:01:30,164 --> 01:01:33,296
Where are my scissors?

1309
01:01:33,421 --> 01:01:36,678
(thumping, tapping)

1310
01:01:36,761 --> 01:01:42,940
♪

1311
01:01:43,065 --> 01:01:46,573
Go over that thing
in the show one more time, ugh.

1312
01:01:46,656 --> 01:01:47,950
♪

1313
01:01:48,034 --> 01:01:49,579
Oh, ...

1314
01:01:49,662 --> 01:01:53,837
♪

1315
01:01:53,921 --> 01:01:55,799
<i>-Ladies and gentlemen,</i>
<i>places, please.</i>

1316
01:01:55,841 --> 01:01:58,429
<i>Places for "123456."</i>

1317
01:01:58,513 --> 01:02:00,391
<i>Places, please, places.</i>

1318
01:02:00,433 --> 01:02:13,794
♪

1319
01:02:13,835 --> 01:02:15,171
-Forgive us our trespasses
as we forgive those

1320
01:02:15,213 --> 01:02:16,591
who trespassed against us.

1321
01:02:16,716 --> 01:02:18,469
Lord, we ask You
to guide our ears,

1322
01:02:18,553 --> 01:02:22,728
guide our bodies
to prosperity. Amen.

1323
01:02:22,853 --> 01:02:24,106
-Amen.
-Love you, B.

1324
01:02:24,231 --> 01:02:25,483
Love you, Tiler.
Love you, Virgil.

1325
01:02:25,609 --> 01:02:26,611
-Thank you guys.
-This is gonna be fun.

1326
01:02:26,736 --> 01:02:27,738
-I'm getting
a little emotional.

1327
01:02:27,822 --> 01:02:30,619
I gotta keep it together
till after the show.

1328
01:02:30,744 --> 01:02:43,937
♪

1329
01:02:43,979 --> 01:02:46,108
-Stand by for the curtain.

1330
01:02:46,191 --> 01:02:51,452
♪

1331
01:02:55,084 --> 01:02:58,842
(rhythmic clapping)

1332
01:03:45,519 --> 01:03:49,317
(rhythmic tapping, thumping)

1333
01:04:26,350 --> 01:04:30,107
(rhythmic clapping)

1334
01:04:43,092 --> 01:04:46,808
(tapping)

1335
01:05:06,514 --> 01:05:08,017
(rhythmic clapping)

1336
01:05:08,142 --> 01:05:10,479
(in unison) One, two, three,
four, five, six.

1337
01:05:10,522 --> 01:05:14,279
(rhythmic tapping)

1338
01:05:27,765 --> 01:05:30,896
(applause)

1339
01:05:30,979 --> 01:05:34,737
(rhythmic clapping)

1340
01:05:59,077 --> 01:06:02,835
(rhythmic tapping)

1341
01:06:22,833 --> 01:06:24,335
(in unison)
Five!

1342
01:06:24,461 --> 01:06:28,218
(rhythmic clapping, tapping)

1343
01:06:51,056 --> 01:06:52,099
(in unison)
One, two, three,

1344
01:06:52,225 --> 01:06:53,978
four, five, six.

1345
01:06:54,103 --> 01:06:56,107
(rhythmic thumping)

1346
01:06:56,191 --> 01:06:59,949
(cheers, applause)

1347
01:07:02,746 --> 01:07:06,253
(bright, upbeat music)

1348
01:07:06,336 --> 01:07:51,761
♪

1349
01:07:51,802 --> 01:07:54,683
(cheers, applause)

1350
01:07:54,808 --> 01:08:03,785
♪

1351
01:08:03,826 --> 01:08:06,289
-Really, it was so good.

1352
01:08:06,331 --> 01:08:08,711
You guys!

1353
01:08:08,795 --> 01:08:10,715
-We did it, we did it,
we did it!

1354
01:08:10,799 --> 01:08:13,428
-Yeah!

1355
01:08:13,513 --> 01:08:18,188
You guys were dancing,
it was just amazing.

1356
01:08:18,271 --> 01:08:20,860
You guys should be so happy.

1357
01:08:20,944 --> 01:08:22,238
Yeah!

1358
01:08:22,321 --> 01:08:25,244
I'm just so proud
of all the dancers.

1359
01:08:25,327 --> 01:08:26,872
I feel like they danced better

1360
01:08:26,997 --> 01:08:30,212
than I've ever seen them
dance before.

1361
01:08:30,254 --> 01:08:33,009
Thank you for dancing with me.

1362
01:08:33,135 --> 01:08:36,474
(overlapping chatter)

1363
01:08:36,517 --> 01:08:39,480
-Amazing.
-So well curated.

1364
01:08:39,523 --> 01:08:41,151
Thank you! Thank you.

1365
01:08:41,276 --> 01:08:42,278
-Good job, good job.

1366
01:08:42,361 --> 01:08:45,033
-I thought it was so amazing.

1367
01:08:45,117 --> 01:08:48,039
(applause, cheers)

1368
01:08:48,123 --> 01:08:52,674
-BalletNOW was a gift to me
on so many levels.

1369
01:08:52,799 --> 01:08:55,847
♪

1370
01:08:55,889 --> 01:08:59,730
(celebratory chatter)

1371
01:08:59,772 --> 01:09:03,780
You don't get opportunities
like this every day,

1372
01:09:03,863 --> 01:09:06,159
especially as a woman.

1373
01:09:06,284 --> 01:09:09,415
Drinks, drinks!

1374
01:09:09,499 --> 01:09:13,423
(chatter, glasses clinking)

1375
01:09:13,549 --> 01:09:17,641
-To Tiler, congrats!

1376
01:09:17,682 --> 01:09:19,770
-Chug, chug, chug!

1377
01:09:19,812 --> 01:09:21,565
♪

1378
01:09:21,649 --> 01:09:24,822
-I hope this will inspire
younger audiences.

1379
01:09:24,905 --> 01:09:26,909
♪

1380
01:09:26,951 --> 01:09:28,286
And I hope
they left the theater

1381
01:09:28,328 --> 01:09:32,587
with more of an appreciation
for this incredible art form.

1382
01:09:32,671 --> 01:09:34,215
♪

1383
01:09:34,340 --> 01:09:38,014
I think that was a good show!

1384
01:09:38,056 --> 01:09:50,330
♪

1385
01:09:51,457 --> 01:09:54,046
(Charlotte OC, "Medicine Man")

1386
01:09:54,088 --> 01:09:56,844
♪

1387
01:09:56,969 --> 01:10:00,309
<i>-♪ Hot in the night,</i>
<i>cold in the morning ♪</i>

1388
01:10:00,350 --> 01:10:03,356
♪

1389
01:10:03,481 --> 01:10:07,741
<i>♪ The spirit of life</i>
<i>is calling my name ♪</i>

1390
01:10:07,824 --> 01:10:10,329
♪

1391
01:10:10,370 --> 01:10:14,755
<i>♪ The healer inside</i>
<i>will pray for the lonely ♪</i>

1392
01:10:14,880 --> 01:10:17,217
♪

1393
01:10:17,301 --> 01:10:20,934
<i>♪ Remember the time</i>
<i>you stole me away ♪</i>

1394
01:10:20,975 --> 01:10:22,729
♪

1395
01:10:22,854 --> 01:10:26,110
<i>♪ You didn't know me</i>
<i>but once in my veins ♪</i>

1396
01:10:26,235 --> 01:10:29,492
<i>♪ You had a hold</i>
<i>but nothing to say ♪</i>

1397
01:10:29,576 --> 01:10:32,958
<i>♪ You got it all now,</i>
<i>the spirit alive</i>

1398
01:10:32,999 --> 01:10:34,586
<i>is calling my name ♪</i>

1399
01:10:34,628 --> 01:10:37,759
♪

1400
01:10:37,884 --> 01:10:41,474
<i>♪ I don't know what you do</i>
<i>but it's making me better ♪</i>

1401
01:10:41,517 --> 01:10:43,646
♪

1402
01:10:43,729 --> 01:10:48,279
<i>♪ Can we lay down,</i>
<i>lay down together? ♪</i>

1403
01:10:48,363 --> 01:10:50,994
♪

1404
01:10:51,035 --> 01:10:55,043
<i>♪ I wanna take you like a drug,</i>
<i>can you take me to heaven? ♪</i>

1405
01:10:55,168 --> 01:10:57,131
♪

1406
01:10:57,172 --> 01:10:59,511
<i>♪ Can you love, can we love,</i>
<i>can we love,</i>

1407
01:10:59,636 --> 01:11:02,391
<i>can we love forever? ♪</i>

1408
01:11:02,474 --> 01:11:04,771
♪

1409
01:11:04,896 --> 01:11:08,278
<i>♪ 'Cause I want you,</i>
<i>I want you,</i>

1410
01:11:08,403 --> 01:11:12,036
<i>I want you, medicine man ♪</i>

1411
01:11:12,119 --> 01:11:15,668
<i>♪ Send me a sign,</i>
<i>send me no warning ♪</i>

1412
01:11:15,752 --> 01:11:18,549
♪

1413
01:11:18,632 --> 01:11:22,515
<i>♪ I never know why</i>
<i>my heart's on a chain ♪</i>

1414
01:11:22,557 --> 01:11:24,686
♪

1415
01:11:24,770 --> 01:11:27,817
<i>♪ You didn't know me</i>
<i>but once in my veins ♪</i>

1416
01:11:27,942 --> 01:11:31,324
<i>♪ You had a hold</i>
<i>but nothin' to say ♪</i>

1417
01:11:31,407 --> 01:11:34,330
<i>♪ You got it all now,</i>
<i>the spirit alive</i>

1418
01:11:34,455 --> 01:11:36,710
<i>is calling my name ♪</i>

1419
01:11:36,794 --> 01:11:39,465
♪

1420
01:11:39,591 --> 01:11:43,389
<i>♪ I don't know what you do</i>
<i>but it's making me better ♪</i>

1421
01:11:43,431 --> 01:11:45,185
♪

1422
01:11:45,310 --> 01:11:50,320
<i>♪ Can we lay down,</i>
<i>lay down together? ♪</i>

1423
01:11:50,403 --> 01:11:52,700
♪

1424
01:11:52,784 --> 01:11:56,792
<i>♪ I wanna take you like a drug,</i>
<i>can you take me to heaven? ♪</i>

1425
01:11:56,834 --> 01:11:58,712
♪

1426
01:11:58,838 --> 01:12:01,342
<i>♪ Can you love, can we love,</i>
<i>can we love,</i>

1427
01:12:01,425 --> 01:12:04,098
<i>can we love forever? ♪</i>

1428
01:12:04,181 --> 01:12:06,687
♪

1429
01:12:06,728 --> 01:12:09,985
<i>♪ Why don't you,</i>
<i>why don't you ♪</i>

1430
01:12:10,110 --> 01:12:13,324
<i>♪ Why don't you,</i>
<i>medicine man ♪</i>

1431
01:12:13,366 --> 01:12:16,874
<i>♪ 'Cause I want you,</i>
<i>I want you ♪</i>

1432
01:12:16,957 --> 01:12:20,088
<i>♪ I want you, medicine man ♪</i>

1433
01:12:20,130 --> 01:12:26,560
<i>♪ Oh, you got me</i>
<i>in your loving arms ♪</i>

1434
01:12:26,602 --> 01:12:34,241
<i>♪ Oh, you got me in</i>
<i>your loving arms ♪</i>

1435
01:12:34,366 --> 01:12:38,333
<i>♪ I don't know what you do</i>
<i>but it's making me better ♪</i>

1436
01:12:38,374 --> 01:12:40,128
♪

1437
01:12:40,253 --> 01:12:47,602
<i>♪ When we lay down,</i>
<i>lay down together ♪</i>

1438
01:12:47,644 --> 01:12:51,735
<i>♪ I wanna take you like a drug,</i>
<i>can you take me to heaven? ♪</i>

1439
01:12:51,777 --> 01:12:53,656
♪

1440
01:12:53,739 --> 01:12:56,160
<i>♪ Can you love, can we love,</i>
<i>can we love,</i>

1441
01:12:56,285 --> 01:12:58,540
<i>can we love forever? ♪</i>

1442
01:12:58,666 --> 01:13:01,755
♪

1443
01:13:01,797 --> 01:13:04,761
<i>♪ Why don't you,</i>
<i>why don't you ♪</i>

1444
01:13:04,886 --> 01:13:08,142
<i>♪ Why don't you,</i>
<i>medicine man ♪</i>

1445
01:13:08,268 --> 01:13:11,650
<i>♪ 'Cause I want you,</i>
<i>I want you ♪</i>

1446
01:13:11,775 --> 01:13:14,864
<i>♪ I want you, medicine man ♪♪</i>

1447
01:13:14,906 --> 01:13:21,753
♪

1448
01:13:26,763 --> 01:13:29,310
(film projector clicking)

1449
01:13:30,437 --> 01:13:34,194
(mellow music)

1450
01:13:34,320 --> 01:13:36,783
(bright music)