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[Horse carriage approaches
and indistinct chatter]
2
00:00:44,005 --> 00:00:45,855
MR. PARKER'S HERE!
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00:00:45,880 --> 00:00:46,920
FINALLY.
4
00:00:47,672 --> 00:00:51,482
AS REQUESTED. THE MORNING
EDITION OFTHE LONDON POST.
5
00:00:51,506 --> 00:00:54,506
THIS IS ACTUALLY THE FIRST
NEWSPAPER I HAVE BOUGHT MYSELF.
6
00:00:54,798 --> 00:00:57,588
WE USUALLY HAVE THEM
HAND DELIVERED ON A TRAY.
7
00:00:58,047 --> 00:01:01,727
I HAD A CHAT WITH THE SELLER.
COLORFUL CHARACTER. VERY EARTHY.
8
00:01:01,756 --> 00:01:02,976
AREN'T THEY JUST.
9
00:01:03,005 --> 00:01:04,005
[GRUNTS]
10
00:01:05,714 --> 00:01:08,194
THE PUBLICITY WILL BE
GOOD FOR BUSINESS.
11
00:01:08,214 --> 00:01:11,864
THEY MAY EVEN MENTION YOU, RUPERT.
MISS SCARLET'S BUSINESS PARTNER.
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REALLY? THAT'D BE
MOST PLEASING INDEED.
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00:01:14,214 --> 00:01:18,404
ALTHOUGH I DON'T THINK MY MOTHER WOULD
BE PLEASED TO HEAR OF MY NEW INVESTMENT.
14
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-AH! HERE WE ARE.
-READ IT TO US.
15
00:01:21,798 --> 00:01:24,518
"THE CAMPAIGN FOR WOMEN'S
SUFFRAGE TOOK A DRAMATIC TURN
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00:01:24,547 --> 00:01:29,047
WHEN A BOMB PLOT WAS FOILED BY DETECTIVE
INSPECTOR WELLINGTON OF SCOTLAND YARD.
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00:01:29,839 --> 00:01:31,399
DOGGED DETERMINATION...
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00:01:31,422 --> 00:01:33,172
COUNTLESS LIVES SAVED...
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00:01:33,381 --> 00:01:35,261
THE MAN IS A CREDIT
TO THE POLICE SERVICE."
20
00:01:36,297 --> 00:01:38,397
-WHAT DOES IT SAY ABOUTYOU?
-YES.
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00:01:38,422 --> 00:01:41,072
THERE'S NO MENTION OF ME
OR MY PART IN THE INVESTIGATION.
22
00:01:41,089 --> 00:01:44,049
ONLY INSPECTOR WELLINGTON AND HIS
"BRILLIANT, TENACIOUS MIND."
23
00:01:47,381 --> 00:01:48,551
[SIGHS]
24
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DOES IT MENTION ME?
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[THEME MUSIC PLAYING]
26
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[INDISTINCT CHATTER]
27
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-AS WELL ASTHE LONDON POST
THERE ARE ALSO-- -[HUSHES]
28
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[PUFFS LOUDLY]
29
00:02:55,328 --> 00:02:56,408
GOOD...
30
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[SNORTS]
31
00:02:59,536 --> 00:03:00,696
VERY GOOD.
32
00:03:01,287 --> 00:03:02,737
[TITTERS]
33
00:03:05,102 --> 00:03:07,952
-CONTINUE.
-YES, AS I WAS SAYING, SIR.
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00:03:07,995 --> 00:03:11,465
AS WELL ASTHE LONDON POST THERE
ARE ALSO ARTICLES INTHE TELEGRAPH
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00:03:11,496 --> 00:03:14,676
-ANDTHE MORNING CHRONICLE.
-SO I BELIEVE.
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00:03:14,704 --> 00:03:18,664
-WONDERFUL PUBLICITY, WELLINGTON.
-THANK YOU, SIR.
37
00:03:18,828 --> 00:03:21,548
SO GOOD, IN FACT, THAT
I'VE HAD A TELEGRAM FROM
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00:03:21,579 --> 00:03:24,019
THE EDITOR OF THE
ILLUSTRATED POLICE NEWS.
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THEY WISH TO WRITE
AN ARTICLE ABOUT YOU.
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00:03:28,079 --> 00:03:30,799
-ABOUT ME, SIR?
-IT'S AN UTTER RAG, OF COURSE.
41
00:03:30,828 --> 00:03:32,928
FULL OF WILD GOSSIP
AND CHEAP SENSATION.
42
00:03:32,954 --> 00:03:35,314
BUT APPARENTLY THE HOME
SECRETARY READS THE THING.
43
00:03:35,329 --> 00:03:38,789
ANYWAY, THEY'RE SENDING
ONE OF THEIR JOURNALISTS
OVER THIS MORNING.
44
00:03:39,496 --> 00:03:43,696
-[NODS]
-YOU MIGHT WISH TO MENTION ME
AT SOME POINT.
45
00:03:44,371 --> 00:03:46,851
-YES, SIR.
-MY STEADY HAND AT THE WHEEL.
46
00:03:46,870 --> 00:03:49,390
GUIDING THE SHIP
THROUGH CHOPPY WATERS.
47
00:03:49,412 --> 00:03:51,832
INSPIRING ALL THOSE
WHO SERVE UNDER ME.
48
00:03:53,204 --> 00:03:56,624
-USE YOUR OWN WORDS, OBVIOUSLY.
-OBVIOUSLY, SIR.
49
00:03:56,995 --> 00:04:02,075
DO THAT, WELLINGTON,
AND THE PROMOTION WE DISCUSSED
WILL BE YOURS.
50
00:04:02,537 --> 00:04:05,367
[BROODING MUSIC PLAYING]
51
00:04:10,587 --> 00:04:11,667
[GROANS LOUDLY]
52
00:04:11,696 --> 00:04:12,896
[MAN] INSPECTOR.
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[DOOR OPENS]
54
00:04:19,750 --> 00:04:21,170
[DUKE WHISTLING]
55
00:04:24,376 --> 00:04:25,416
WHO LET YOU IN?
56
00:04:25,792 --> 00:04:27,002
ALFRED, THE DESK SERGEANT.
57
00:04:28,795 --> 00:04:31,415
ALFRED?
I THOUGHT HIS NAME WAS ALBERT.
58
00:04:32,087 --> 00:04:35,267
YOU'RE GOOD AT FORGETTING NAMES.
MINE IN PARTICULAR.
59
00:04:36,478 --> 00:04:39,058
AH... THE ARTICLE.
60
00:04:39,936 --> 00:04:43,446
NO MENTION OF ME AT ALL. NO WONDER YOU
WERE SO COY IN TELLING ME ABOUT IT.
61
00:04:43,478 --> 00:04:45,908
-I STUPIDLY MISTOOK YOUR
SLYNESS FOR MODESTY. -ELIZA--
62
00:04:45,936 --> 00:04:50,366
I NEED THAT PUBLICITY. FOR EVERY TEN CLIENTS
THAT COME TO ME, NINE DO AN ABOUT-TURN
63
00:04:50,395 --> 00:04:53,865
WHEN THEY SEE IT'S NOT HENRY SCARLET
BEHIND THE DESK, BUT HIS DAUGHTER.
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00:04:53,894 --> 00:04:57,234
ELIZA, I AM A DETECTIVE
INSPECTOR WITH SCOTLAND YARD.
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00:04:57,936 --> 00:05:00,036
IT'S ONE THING MY MEN
KNOWING ABOUT OUR ARRANGEMENT
66
00:05:00,061 --> 00:05:02,401
BUT IT'S QUITE ANOTHER FOR IT TO
BE PLASTERED ACROSS A NEWSPAPER.
67
00:05:03,688 --> 00:05:06,828
IF A SITUATION OCCURS
WHERE WE WORK TOGETHER AGAIN
68
00:05:06,855 --> 00:05:11,225
I WILL TRY MY UTMOST TO ENSURE YOU
RECEIVE THE CREDIT YOU DESERVE.
69
00:05:12,397 --> 00:05:16,247
VERY WELL. I WILL TRY TO GIVE
YOU THE BENEFIT OF THE DOUBT.
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00:05:16,272 --> 00:05:19,772
-[KNOCK] -DUKE, THERE'S A
MR. BUNCE IN RECEPTION.
71
00:05:20,189 --> 00:05:22,519
-[GROANS]
-I'LL TELL HIM TO WAIT.
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00:05:23,231 --> 00:05:24,831
GOOD. THEN THAT'S SETTLED.
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00:05:25,777 --> 00:05:26,737
OH...
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00:05:28,084 --> 00:05:29,584
IT'S FAR FROM SETTLED.
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00:05:42,333 --> 00:05:44,673
[URGENTLY] FRANK! FRANK!
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00:05:46,375 --> 00:05:47,325
SEND THE JOURNALIST IN.
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00:05:57,216 --> 00:05:59,546
GUTEN MORGEN, FRAULEIN SCARLET.
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00:06:00,118 --> 00:06:01,638
GOOD MORNING,HERRHILDEGARD.
79
00:06:01,660 --> 00:06:05,330
FRAULEINSCARLET,
MAY I INTRODUCE MY NIECE, TILLY?
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00:06:05,743 --> 00:06:07,973
SHE HAS COME TO STAY WITH ME
FROM HAMBURG.
81
00:06:07,993 --> 00:06:09,833
!DELIGHTED TO MEET YOU,
FRAULEINHILDEGARD.
82
00:06:10,118 --> 00:06:13,088
DURING HER STAY
I'M SURE SHE WOULD WELCOME
83
00:06:13,118 --> 00:06:16,468
SOME TIME WITH A MORE
MATURE LADY, SUCH AS YOURSELF.
84
00:06:16,493 --> 00:06:20,803
SOMEONE WHO CAN IMPART ADVICE
ABOUT THE LATEST FASHIONS.
85
00:06:20,827 --> 00:06:23,387
AND INDEED, SOCIETY GOSSIP.
86
00:06:23,409 --> 00:06:26,449
I KNOW HOW YOU LADIES
LIKE TO TALK.
87
00:06:26,576 --> 00:06:29,796
I'M A LITTLE BUSY WORKING TO BE
AWARE OF ANY GOSSIP, HERRHILDEGARD.
88
00:06:29,827 --> 00:06:34,947
QUITE SO. AND I HAVE TOLD TILLY ALL
ABOUT YOU AND YOUR DETECTIVE AGENCY.
89
00:06:35,535 --> 00:06:38,905
I HAVE NEVER
SEEN HER SO EXCITED.
90
00:06:41,576 --> 00:06:44,946
WHICH PRESSES ME TO VENTURE,
ARE YOU BUSY AT THIS MOMENT?
91
00:06:45,660 --> 00:06:48,890
I'M AFRAID TO SAY THAT I AM.
BUT PERHAPS ANOTHER TIME?
92
00:06:48,910 --> 00:06:52,780
THAT IS A SHAME...
SINCE I HAVE A CASE FOR YOU.
93
00:06:54,660 --> 00:06:55,700
THAT SAID...
94
00:06:56,701 --> 00:06:59,911
I'M NEVER TOO BUSY FOR YOU,
HERRHILDEGARD.
95
00:07:00,244 --> 00:07:03,794
NOW WHAT DO YOU KNOW
ABOUT DEATH PHOTOGRAPHY?
96
00:07:06,451 --> 00:07:09,681
[HERRHILDEGARD]THERE ARE THOSE
WHO WISH TO HAVE ONE FINAL IMAGE
97
00:07:09,701 --> 00:07:12,371
OF THEIR LOVED ONES
BEFORE THEY'RE BURIED.
98
00:07:13,952 --> 00:07:16,912
-THERE IS A MARK ON HIS CHEEK.
-YES, MR. HENDERSON.
99
00:07:17,660 --> 00:07:21,870
[HERRHILDEGARD]A FRIEND OF MINE, JAMES
HENDERSON, PROVIDES THIS SERVICE.
100
00:07:28,035 --> 00:07:29,235
[BLAST]
101
00:07:34,618 --> 00:07:35,588
[FOOTSTEPS]
102
00:07:35,618 --> 00:07:36,948
[DOOR OPENS]
103
00:07:39,535 --> 00:07:40,535
[DOOR CLOSES]
104
00:07:41,618 --> 00:07:43,868
IT'S A FASCINATING BUSINESS
YOU HAVE.
105
00:07:44,326 --> 00:07:46,586
THERE ARE THOSE WHO FIND IT
MACABRE.
106
00:07:46,618 --> 00:07:49,158
BUT I BELIEVE WE PROVIDE AN
INVALUABLE SERVICE TO THE BEREAVED.
107
00:07:49,910 --> 00:07:51,410
HERRHILDEGARD
SPEAKS HIGHLY OF YOU.
108
00:07:52,077 --> 00:07:56,137
HE IS MOST KIND.
SO HOW MAY I BE OF SERVICE?
109
00:07:56,160 --> 00:07:59,180
I'VE BEEN RECEIVING
SOME DISTURBING CORRESPONDENCE.
110
00:07:59,202 --> 00:08:02,142
I INFORMED THE POLICE BUT THEY
HAVE, AS YET, DONE NOTHING.
111
00:08:02,160 --> 00:08:04,330
THEY'RE A CONSTANT
DISAPPOINTMENT, ARE THEY NOT?
112
00:08:06,326 --> 00:08:10,156
THEY ARRIVE IN PLAIN ENVELOPES
WITH NO ADDRESS OR POST MARK.
113
00:08:10,701 --> 00:08:11,841
HAND DELIVERED?
114
00:08:11,868 --> 00:08:13,618
AT DIFFERENT TIMES
ON DIFFERENT DAYS.
115
00:08:13,827 --> 00:08:16,827
EACH ONE CONTAINS A PHOTOGRAPH I'VE
TAKEN OF THEIR DECEASED LOVED ONE.
116
00:08:17,660 --> 00:08:19,580
BUT THEY'VE ALL BEEN MANIPULATED
FROM THE ORIGINAL, SEE?
117
00:08:20,743 --> 00:08:24,343
AFTER THE FIRST TWO ARRIVED, I BELIEVED
SOMEONE WAS GAINING ACCESS TO MY STUDIO.
118
00:08:24,368 --> 00:08:27,288
SO I BURNED EVERY NEGATIVE IN MY ARCHIVE.
BUT THEY KEEP COMING.
119
00:08:29,285 --> 00:08:32,785
-AND THERE'S NO MESSAGE WITH THEM?
-ISN'T THIS MESSAGE ENOUGH?
120
00:08:33,326 --> 00:08:36,076
WHOEVER'S DOING THIS
IS TRYING TO TERRIFY ME.
121
00:08:36,160 --> 00:08:39,290
-THAT GHOSTLY FIGURE IS NO RANDOM WOMAN.
-YOU KNOW HER?
122
00:08:40,576 --> 00:08:41,986
HER NAME WAS CATHERINE.
123
00:08:43,035 --> 00:08:44,035
SHE WAS MY WIFE.
124
00:08:44,785 --> 00:08:46,045
[ROUSING MUSIC]
125
00:08:46,842 --> 00:08:48,222
SHE DIED LAST YEAR.
126
00:08:50,674 --> 00:08:53,074
AND IN HERE WE HAVE
OUR RECORDS ROOM.
127
00:08:53,091 --> 00:08:56,671
EVERY ARREST AND CONVICTION
GOING BACK TO 1829.
128
00:08:57,050 --> 00:09:00,940
THERE'S ACTUALLY A WARRANT IN THERE
SIGNED BY ROBERT PEEL, HIMSELF.
129
00:09:00,966 --> 00:09:05,316
ROBERT PEEL? ABSOLUTELY FASCINATING.
[GUFFAWS]
130
00:09:05,341 --> 00:09:07,691
YOU KNOW, IT TRULY IS AN HONOR
131
00:09:07,716 --> 00:09:12,106
TO HAVE BEEN INVITED INTO THE INNER
SANCTUM OF SUCH AN ESTEEMED DETECTIVE.
132
00:09:12,132 --> 00:09:15,072
I MUST SAY I'M SURPRISED
YOU'VE EVEN HEARD OF ME.
133
00:09:15,091 --> 00:09:17,071
YOU ARE TOO MODEST, SIR.
134
00:09:17,091 --> 00:09:19,071
YOUR REPUTATION PRECEDES YOU.
135
00:09:19,091 --> 00:09:22,111
-THAT IS FOR OTHERS TO SAY.
-WHICH THEY DO.
136
00:09:22,132 --> 00:09:25,152
YOU ARE THE TALK OF LONDON,
INSPECTOR.
137
00:09:25,174 --> 00:09:26,944
AND I CAN HONESTLY SAY
138
00:09:26,966 --> 00:09:31,316
WITH MY HAND ON MY HEART,
I WEPT TEARS OF JOY
139
00:09:31,341 --> 00:09:33,901
ON HEARING ABOUT
YOUR LATEST EXPLOITS.
140
00:09:33,924 --> 00:09:37,404
THE SCUPPERING OF THE BOMB PLOT.
[GUFFAWS]
141
00:09:37,424 --> 00:09:40,984
AND NOT JUST OF JOY,
OF GRATITUDE, TOO.
142
00:09:41,008 --> 00:09:43,978
-WELL, THAT IS--
-...AND RELIEF.
143
00:09:44,008 --> 00:09:46,508
TEARS OF JOY, GRATITUDE
AND RELIEF.
144
00:09:47,841 --> 00:09:52,301
[SNIFFLES] EXCUSE ME. I AM AS
EMOTIONAL AS I AM LOQUACIOUS.
145
00:09:52,633 --> 00:09:57,423
I SHALL CONCLUDE BY SAYING AGAIN, IT
IS AN HONOR TO BE IN YOUR PRESENCE.
146
00:09:57,758 --> 00:10:01,228
AND I KNOW OUR READERS
WILL BE ABSOLUTELY FASCINATED
147
00:10:01,257 --> 00:10:06,007
TO LEARN MORE ABOUT THE COURAGE OF THE MAN
WHO KEEPS US SAFE IN OUR BEDS AT NIGHT.
148
00:10:06,299 --> 00:10:09,129
YES, WHILST WE'RE ON THAT...
149
00:10:15,299 --> 00:10:18,859
YOU'D DO ME A GREAT SERVICE
IF IN THE COURSE OF YOUR WRITING
150
00:10:18,883 --> 00:10:22,943
YOU WERE TO MENTION THE HEAD OF OUR
DIVISION, SUPERINTENDENT STIRLING.
151
00:10:22,966 --> 00:10:27,256
HIS LEADERSHIP AND GUIDANCE REALLY
IS AN INSPIRATION TO ALL BELOW HIM.
152
00:10:29,114 --> 00:10:30,074
[AMUSED] IS IT?
153
00:10:30,406 --> 00:10:32,526
[TITTERS] IT IS.
154
00:10:32,864 --> 00:10:35,744
I UNDERSTAND COMPLETELY,
INSPECTOR.
155
00:10:36,613 --> 00:10:38,863
WE ALL HAVE MASTERS TO SERVE.
156
00:10:39,072 --> 00:10:40,572
-[CHUCKLES]
-[GUFFAWS]
157
00:10:40,697 --> 00:10:45,277
AND ON THAT TOPIC, MIGHT I
SUGGEST A LITTLE QUID PRO QUO?
158
00:10:45,489 --> 00:10:49,659
OUR NEWSPAPER EDITOR,
NO STRANGER TO VANITY HIMSELF,
159
00:10:49,905 --> 00:10:54,985
IS VERY KEEN TO ATTRACT
THE LARGEST POSSIBLE READERSHIP.
160
00:10:56,519 --> 00:10:58,159
AS SUCH,
161
00:10:58,185 --> 00:11:02,475
WE TEND TO FAVOR
THE MORE SENSATIONAL STORIES.
162
00:11:02,684 --> 00:11:05,484
WELL, I'M SURE
WE CAN FIND SOMETHING.
163
00:11:05,684 --> 00:11:09,734
[CLEARS THROAT] LET'S SEE
WHAT CAME IN OVERNIGHT.
164
00:11:10,107 --> 00:11:11,817
AH. HERE WE ARE.
165
00:11:11,924 --> 00:11:14,754
"ARESON IN TOWER HAMMET'S BROTHEL"
166
00:11:14,872 --> 00:11:17,752
OOHH PROMISING, VERY PROMISING
167
00:11:18,163 --> 00:11:19,303
ANY FATALITIES?
168
00:11:19,943 --> 00:11:20,943
NO.
169
00:11:21,591 --> 00:11:22,591
OH.
170
00:11:22,969 --> 00:11:23,969
SHAME.
171
00:11:24,977 --> 00:11:25,977
RIGHT.
172
00:11:29,293 --> 00:11:30,293
AH!
173
00:11:30,626 --> 00:11:32,936
"DEAD BODY
FLOATING IN THE THAMES."
174
00:11:32,960 --> 00:11:36,790
[SWOONS] MALE, FEMALE...
[HOPEFUL] CHILD?
175
00:11:37,209 --> 00:11:38,419
MIDDLE-AGED MAN.
176
00:11:39,001 --> 00:11:40,921
AH. [SCOFFS]
177
00:11:42,001 --> 00:11:44,941
O, FOR A WORLD WHERE MEN LIKE WE
178
00:11:44,960 --> 00:11:48,130
COULD BE HELD
IN THE PUBLIC'S AFFECTION.
[GUFFAWS]
179
00:11:48,543 --> 00:11:51,643
I SAY "WE." YOU ARE , OF COURSE,
YOUNGER THAN MYSELF.
180
00:11:51,668 --> 00:11:54,458
BUT YOU TAKE
THE POINT I'M MAKING.
181
00:11:55,501 --> 00:11:58,521
IT IS THE DEATH OF
THE YOUNG AND THE BEAUTIFUL
182
00:11:58,543 --> 00:12:02,753
WHO PERSUADES PEOPLE
TO PART WITH THEIR PENNIES.
[GUFFAWS]
183
00:12:04,858 --> 00:12:07,628
YES. OF COURSE.
184
00:12:07,649 --> 00:12:09,439
THEN YOU WILL UNDERSTAND
185
00:12:09,566 --> 00:12:12,246
THAT IF THE ARTICLE
IS TO BE PUBLISHED
186
00:12:12,274 --> 00:12:14,824
I SHALL NEED A NOVEL, OR...
187
00:12:16,150 --> 00:12:17,980
INTRIGUING CASE.
188
00:12:18,774 --> 00:12:21,794
IF THE ARTICLE
IS TO BE PUBLISHED?
189
00:12:21,816 --> 00:12:25,686
OH! NO. PURELY SEMANTICS,
INSPECTOR.
190
00:12:37,925 --> 00:12:40,175
[FOOTSTEPS APPROACH]
191
00:12:42,742 --> 00:12:46,622
THESE ARE MY VERY BEST
MAGNIFYING GLASSES.
192
00:12:46,949 --> 00:12:49,699
TOP QUALITY...
BAUMANN AND SCHUSTER.
193
00:12:49,949 --> 00:12:52,219
THEY MAKE THE BEST LENSES
IN GERMANY.
194
00:12:52,241 --> 00:12:54,201
YOU'RE MOST KIND,
HERRHILDEGARD.
195
00:12:54,366 --> 00:12:56,676
MY FATHER HAD
AN EXTENSIVE COLLECTION
196
00:12:56,700 --> 00:13:01,380
BUT THEY SEEM TO HAVE GONE AWRY.
GOODNESS ONLY KNOWS
WHERE HE PUT THEM.
197
00:13:01,408 --> 00:13:04,928
YOUR FATHER WAS
A GREAT MANY THINGS,
BUT ORGANIZED
198
00:13:04,949 --> 00:13:07,069
WAS NOT ONE OF THEM.
199
00:13:07,241 --> 00:13:10,181
THESE ARE THE PHOTOGRAPHS
SENT TOHERR HENDERSON.
200
00:13:10,199 --> 00:13:12,469
YES. ONE OR TWO
HAVE SLIGHT MARKS ON THEM.
201
00:13:12,491 --> 00:13:14,411
I NEED TO EXAMINE THEM CLOSELY.
202
00:13:16,658 --> 00:13:18,628
DO YOU KNOW MR. HENDERSON WELL?
203
00:13:18,658 --> 00:13:22,488
OUR PATHS OFTEN CROSS FOR WORK.
I'VE KNOWN HIM TEN YEARS OR SO.
204
00:13:22,700 --> 00:13:26,410
HE CAN'T THINK OF ANYONE
WHO MIGHT WISH TO DISTRESS HIM.
CAN YOU?
205
00:13:26,907 --> 00:13:30,617
NO! HE'S A GOOD MAN. A KIND MAN.
206
00:13:34,074 --> 00:13:35,074
THERE...
207
00:13:35,658 --> 00:13:36,988
THERE IN THE CORNER.
208
00:13:37,199 --> 00:13:40,239
-[MOANS]
-AND HERE ON THE OUTSIDE
OF THE ENVELOPE.
209
00:13:41,866 --> 00:13:44,486
IT LOOKS LIKE... DRIED BLOOD.
210
00:13:45,491 --> 00:13:47,551
A FURTHER THREAT PERHAPS?
211
00:13:47,575 --> 00:13:49,115
WELL THEN WHY MAKE IT
SO HARD TO SEE?
212
00:13:50,074 --> 00:13:52,414
DID JAMES TELL YOU
HOW CATHERINE DIED?
213
00:13:52,824 --> 00:13:53,664
NO.
214
00:13:54,116 --> 00:13:57,506
SHE WAS A TROUBLED SOUL.
TOOK HER OWN LIFE.
215
00:13:57,533 --> 00:14:00,303
AND IT WAS POOR JAMES
THAT FOUND HER.
216
00:14:00,325 --> 00:14:03,275
WHOEVER IS DOING THIS
TO HIM IS MOST CRUEL.
217
00:14:06,783 --> 00:14:09,783
[BROODING DRAMATIC MUSIC]
218
00:14:18,824 --> 00:14:19,914
[SIGHS]
219
00:14:23,033 --> 00:14:24,073
[MOANS]
220
00:14:31,121 --> 00:14:31,951
[DOOR OPENS]
221
00:14:39,824 --> 00:14:43,244
[FOOTSTEPS APPROACH]
222
00:14:45,199 --> 00:14:46,329
MISS SCARLET?
223
00:14:47,283 --> 00:14:49,033
MY NAME IS AMELIA EVANS.
224
00:14:49,283 --> 00:14:51,913
-WE MET AT
MR. HENDERSON'S STUDIO.
-OF COURSE.
225
00:14:52,366 --> 00:14:53,616
PLEASE.
226
00:14:56,074 --> 00:14:57,244
TAKE A SEAT.
227
00:15:04,195 --> 00:15:05,395
I KNOW WHO'S DOING THIS.
228
00:15:07,068 --> 00:15:08,028
YOU KNOW?
229
00:15:08,401 --> 00:15:10,361
I HELP JAMES WITH
HIS PHOTOGRAPHY
230
00:15:10,444 --> 00:15:14,654
BUT I WAS HIRED BY HIS WIFE, CATHERINE,
TO BE GOVERNESS TO THEIR DAUGHTER.
231
00:15:15,152 --> 00:15:17,442
POOR CATHERINE HAD BEEN STRUGGLING
FOR SOME TIME WITH HER HEALTH.
232
00:15:17,902 --> 00:15:19,402
PRONE TO DARK MOODS.
233
00:15:20,402 --> 00:15:22,282
THINGS BECAME SO BAD THAT...
234
00:15:24,766 --> 00:15:26,176
I KNOW HOW SHE DIED.
235
00:15:27,058 --> 00:15:28,598
THE POOR MAN WAS BROKEN.
236
00:15:30,478 --> 00:15:34,018
I STARTED TO HELP WITH HIS WORK AS WELL
AS MY DUTIES AS GOVERNESS TO VIOLET.
237
00:15:34,436 --> 00:15:36,846
I DIDN'T MEAN FOR US
TO BECOME SO CLOSE.
238
00:15:37,686 --> 00:15:39,686
PEOPLE CAN MAKE SUCH JUDGEMENTS.
239
00:15:39,895 --> 00:15:42,975
-THAT'S WHY HE WISHES TO KEEP IT QUIET.
-KEEP WHAT QUIET?
240
00:15:44,690 --> 00:15:45,770
WE'RE ENGAGED.
241
00:15:46,440 --> 00:15:47,860
HE PROPOSED THREE WEEKS AGO.
242
00:15:48,065 --> 00:15:50,265
THE VERY NEXT DAY
THE FIRST PHOTOGRAPH ARRIVED.
243
00:15:51,190 --> 00:15:55,230
SHE'S PUNISHING US.
SHE'S SENDING THESE IMAGES
FROM BEYOND THE GRAVE.
244
00:15:55,565 --> 00:15:57,435
SURELY YOU DON'T BELIEVE THAT?
245
00:15:57,607 --> 00:15:59,747
CATHERINE WARNED ME
SHE WOULD RETURN
246
00:15:59,773 --> 00:16:01,323
AND PUNISH ME IF I WERE
NEAR HER HUSBAND.
247
00:16:02,827 --> 00:16:04,657
THIS IS THE REVENGE
OF HER TORTURED SOUL.
248
00:16:06,214 --> 00:16:07,844
AND I WILL PROVE IT TO YOU.
249
00:16:08,130 --> 00:16:10,050
[GATE CREAKS]
250
00:16:11,807 --> 00:16:13,807
[MRS. EVANS]BEFORE SHE PASSED
INTO SPIRIT,
251
00:16:14,224 --> 00:16:16,414
AND LEFT THIS MORTAL REALM.
252
00:16:16,432 --> 00:16:19,972
YOUR MOTHER GAVE YOU
SOMETHING TO REMEMBER HER BY.
253
00:16:20,390 --> 00:16:22,520
IT WAS... A PAINTING?
254
00:16:23,224 --> 00:16:25,434
YES... THAT'S RIGHT.
255
00:16:25,724 --> 00:16:28,774
A BEAUTIFUL LANDSCAPE
OF A RIVER.
256
00:16:29,224 --> 00:16:32,854
A CITY... LONDON. NO WAIT.
257
00:16:34,141 --> 00:16:35,061
THANK YOU.
258
00:16:35,974 --> 00:16:38,144
NOT LONDON... PARIS.
259
00:16:38,640 --> 00:16:41,310
THE SEINE AT SUNSET.
260
00:16:44,141 --> 00:16:45,641
[SOBBING]
261
00:16:46,849 --> 00:16:49,219
[FOOTSTEPS]
262
00:16:52,474 --> 00:16:55,354
MISS SCARLET IS STILL
NOT CONVINCED, MOTHER.
263
00:16:56,724 --> 00:16:58,854
LET'S SAY
I ENJOYED THE SPECTACLE.
264
00:16:59,141 --> 00:17:00,471
THE SPECTACLE?
265
00:17:01,265 --> 00:17:03,385
THAT'S WHAT YOU BELIEVE
YOU WITNESSED?
266
00:17:04,587 --> 00:17:07,877
THE WORLD WOULD BE
A DULL PLACE IF WE ALL
SHARED THE SAME BELIEFS.
267
00:17:09,148 --> 00:17:12,148
MOTHER HAS THE GIFT.
SHE'S HAD IT SINCE CHILDHOOD.
268
00:17:12,649 --> 00:17:14,819
TELL HER WHAT
YOU KNOW OF CATHERINE.
269
00:17:15,440 --> 00:17:17,230
SHE'S A RESTLESS SOUL.
270
00:17:18,190 --> 00:17:22,570
ANGRY, BETRAYED.
VENGEFUL TOWARDS MY DAUGHTER.
271
00:17:23,106 --> 00:17:26,266
AND YOU THINK SHE'S SENDING
THESE PHOTOGRAPHS
FROM BEYOND THE GRAVE?
272
00:17:26,815 --> 00:17:29,975
I DO NOT THINK IT. I KNOW IT.
273
00:17:30,815 --> 00:17:33,065
CATHERINE HAS TOLD ME HERSELF
FROM SPIRIT.
274
00:17:35,129 --> 00:17:37,759
MISS EVANS, WOULD YOU MIND
IF I SPOKE TO YOUR MOTHER ALONE?
275
00:17:47,969 --> 00:17:52,179
YOU'RE CAUSING YOUR DAUGHTER
GREAT DISTRESS. SURELY YOU
CAN SEE THAT?
276
00:17:52,510 --> 00:17:54,390
I'M ONLY TELLING HER THE TRUTH.
277
00:17:54,719 --> 00:17:57,799
YOU'RE TELLING HER FAIRYTALES.
CRUEL ONES AT THAT.
278
00:17:59,719 --> 00:18:01,299
YOU'RE A LOT LIKE HIM.
279
00:18:02,510 --> 00:18:04,760
-WHO?
-YOUR FATHER.
280
00:18:05,345 --> 00:18:07,755
-HE WAS A SKEPTIC TOO.
-YOU KNEW HIM?
281
00:18:08,136 --> 00:18:11,796
NOT IN LIFE...
BUT I SEE HIM NOW.
282
00:18:13,664 --> 00:18:15,164
-[EERIE MUSIC PLAYING]
-HE FOLLOWS YOU.
283
00:18:15,470 --> 00:18:19,300
I DON'T KNOW WHAT YOUR MOTIVES
ARE FOR SPOUTING SUCH NONSENSE.
284
00:18:21,678 --> 00:18:22,888
I WILL TELL HER.
285
00:18:24,803 --> 00:18:28,473
YOUR FATHER SAYS THAT
WHEN YOU WERE A GIRL
YOU HAD A PET FROG.
286
00:18:28,594 --> 00:18:32,274
HE ONCE USED IT TO DEMONSTRATE
THE EFFECTS OF CHLOROFORM.
287
00:18:33,225 --> 00:18:34,265
HOW DO YOU KNOW THAT?
288
00:18:34,725 --> 00:18:37,725
YOU NAMED THE FROG
AFTER YOUR TEACHER...
289
00:18:39,142 --> 00:18:41,622
MRS. DAWKINS, WASN'T IT?
290
00:18:41,641 --> 00:18:44,061
[OMINOUS MUSIC PLAYING]
291
00:18:46,434 --> 00:18:49,354
THERE'S A SINGLE BULLET WOUND
TO THE CHEST.
292
00:18:49,725 --> 00:18:51,445
THE ENTRY POINT HERE.
293
00:18:51,476 --> 00:18:54,116
THE EXIT WOUND IS LARGER
BECAUSE THE BULLET EXPANDS
294
00:18:54,142 --> 00:18:56,102
AS IT TRAVELS THROUGH THE BODY.
295
00:18:58,725 --> 00:19:01,635
I SEE THAT YOU'RE NOT TAKING
ANY NOTES, MR. BUNCE.
296
00:19:02,725 --> 00:19:07,615
OH, THAT'S BECAUSE YOU
ARE SO FASCINATING
TO LISTEN TO, INSPECTOR.
297
00:19:07,641 --> 00:19:13,431
AND ALSO BECAUSE THIS CRIME
DOES APPEAR
A LITTLE COMMON PLACE.
298
00:19:13,850 --> 00:19:17,060
OUR READERS CRAVE
INTRIGUE AND MYSTERY.
299
00:19:17,309 --> 00:19:19,679
AS, I BELIEVE,
I HAVE ALREADY STATED...
300
00:19:20,059 --> 00:19:21,679
SEVERAL TIMES.
301
00:19:22,434 --> 00:19:25,744
WELL, WE HAVE YET
TO DO INTERVIEWS
WITH KNOWN ASSOCIATES,
302
00:19:25,767 --> 00:19:27,887
CHECKS FOR PREVIOUS CONVICTIONS.
303
00:19:28,184 --> 00:19:32,184
-PERHAPS THAT WILL
THROW UP SOME INTRIGUE.
-AND MYSTERY?
304
00:19:33,184 --> 00:19:34,564
-AND MYSTERY.
-[GUFFAWS]
305
00:19:34,892 --> 00:19:38,622
-[KNOCKS]
-DUKE? WE JUST GOT A MESSAGE
FROM THE YARD.
306
00:19:38,641 --> 00:19:42,411
HIS BUSINESS PARTNER
SHOT HIM. SOME ROW
OVER AN UNPAID LOAN.
307
00:19:42,434 --> 00:19:45,294
WELL, LET'S NOT BE TOO HASTY,
DETECTIVE JENKINS.
308
00:19:45,309 --> 00:19:47,409
THERE MAY BE MORE
TO THIS THAN MEETS THE EYE.
309
00:19:47,434 --> 00:19:49,414
THREE WITNESSES SAW HIM DO IT.
310
00:19:49,434 --> 00:19:53,584
AND WHEN HE GOT ARRESTED HE SAID
"I'M GLAD I KILLED HIM."
311
00:19:53,600 --> 00:19:58,410
EXCUSE ME. MAY I INQUIRE
AS TO WHAT LINE OF BUSINESS
THEY WERE ENGAGED IN?
312
00:19:58,434 --> 00:20:00,064
CIRCUS, PERHAPS?
313
00:20:00,600 --> 00:20:02,950
GRAVE ROBBERY? OPIUM DEALING?
314
00:20:02,975 --> 00:20:05,555
NO. THEY WERE
CHARTERED ACCOUNTANTS.
315
00:20:07,641 --> 00:20:08,481
RIGHT.
316
00:20:09,892 --> 00:20:10,982
THANK YOU.
317
00:20:13,142 --> 00:20:16,452
THERE'S A BURGLARY
IN CLERKENWELL
THAT SOUNDED PROMISING.
318
00:20:16,476 --> 00:20:17,926
WELL LET'S HOPE SO.
319
00:20:18,558 --> 00:20:22,908
[MR. POTTS] INSPECTOR WELLINGTON
AS YOU KNOW, I'M A MAN WHO TAKES
NO PLEASURE FROM CONFLICT.
320
00:20:22,933 --> 00:20:25,833
I RUN FROM IT
WITH ALL THE STRENGTH
I GET FROM THE GOOD LORD.
321
00:20:25,850 --> 00:20:28,520
BUT THERE ARE TIMES
WHEN A FOOT MUST BE PUT DOWN.
322
00:20:28,725 --> 00:20:30,365
AND I REGRET TO INFORM YOU
323
00:20:30,392 --> 00:20:32,852
THAT MY FOOT,
INDEED BOTH MY FOOT... FEET...
324
00:20:33,017 --> 00:20:35,407
HAVE BEEN THRUST FIRMLY
INTO THE GROUND.
325
00:20:35,434 --> 00:20:37,494
WHAT ARE YOU TALKING ABOUT?
326
00:20:37,517 --> 00:20:40,697
SHE VEXES ME SO
I CAN HARDLY STRING
TWO WORDS TOGETHER.
327
00:20:40,725 --> 00:20:43,485
YOU MUST SPEAK TO HER,
INSPECTOR.
SHE WON'T LISTEN TO REASON.
328
00:20:43,517 --> 00:20:46,867
-WHO?
-MISS SCARLET. SHE'S CAUSING
A COMMOTION OUTSIDE,
329
00:20:46,892 --> 00:20:51,682
-TRYING TO GAIN ACCESS.
-WHO IS MISS SCARLET?
330
00:20:52,017 --> 00:20:54,157
-THAT FEMALE--
-MY COUSIN.
331
00:20:54,184 --> 00:20:57,814
A VERY DULL, REALLY QUITE PLAIN,
UNINTERESTING WOMAN.
332
00:20:59,309 --> 00:21:00,489
[SIGHS]
333
00:21:00,517 --> 00:21:02,097
ONE MOMENT, PLEASE.
334
00:21:04,267 --> 00:21:05,267
[GROANS]
335
00:21:16,109 --> 00:21:16,939
NO.
336
00:21:18,275 --> 00:21:19,815
-I HAVEN'T EVEN TOLD YOU WHAT--
-NO.
337
00:21:21,192 --> 00:21:23,382
I NEED THE CRIMINAL BACKGROUND
ON A SUSPECT.
338
00:21:23,400 --> 00:21:26,190
-I BELIEVE
SHE'S PRACTICING FRAUD.
-NO.
339
00:21:26,734 --> 00:21:30,324
-IS THAT ALL
YOU'RE GOING TO SAY?
-YES. I'M BUSY.
340
00:21:31,359 --> 00:21:34,819
WILLIAM, YOU'VE ALREADY
LET ME DOWN ONCE,
PLEASE DO NOT DO IT AGAIN.
341
00:21:39,109 --> 00:21:41,689
-FRANK!
-WHAT ARE YOU DOING?
342
00:21:42,109 --> 00:21:43,439
GO WITH HIM. HE'LL HELP YOU.
343
00:21:43,692 --> 00:21:47,212
NO. HE LIKES ME EVEN LESS
THAN I LIKE HIM.
I'LL WAIT FOR YOU.
344
00:21:47,233 --> 00:21:49,613
I DO NOT WANT YOU
LOITERING HERE.
345
00:21:50,692 --> 00:21:51,532
WHY NOT?
346
00:21:54,109 --> 00:21:56,149
-[SHOUTS] FRANK!
-[BANGS ON DOOR]
347
00:21:57,484 --> 00:21:58,534
WAIT HERE!
348
00:22:07,813 --> 00:22:08,693
[BANGS]
349
00:22:25,275 --> 00:22:28,125
THERE'S NO RECORD
OF EDITH EVANS HAVING
A CRIMINAL CONVICTION.
350
00:22:28,150 --> 00:22:30,400
YOU'RE SURE THIS IS EVERYTHING
ON FRAUDSTERS AND SPIRITUALISTS?
351
00:22:32,525 --> 00:22:35,955
-YES.
-SHE MAY'VE USED
A DIFFERENT NAME.
352
00:22:35,984 --> 00:22:38,824
-THAT'S COMMON IN FRAUD.
-YOU DON'T SAY?
353
00:22:40,443 --> 00:22:43,383
THIS WOMAN IS CONNECTED
TO A CRIME REPORTED HERE
A FEW WEEKS AGO.
354
00:22:43,401 --> 00:22:44,731
I'D LIKE TO SEE THE CASE FILE.
355
00:22:49,296 --> 00:22:53,056
-THAT WON'T HAPPEN. -I'M CONFUSED. I THOUGHT INSPECTOR WELLINGTON
356
00:22:53,088 --> 00:22:56,668
-TOLD YOU TO HELP ME.
-HE SAID TO SHOW YOU
THE CONVICTIONS FOR PETTY FRAUD.
357
00:22:57,463 --> 00:23:00,343
WHICH I HAVE. NOW IT'S AND TIME
FOR YOU TO LEAVE.
358
00:23:02,588 --> 00:23:07,548
FRANK, FRANK, FRANK...
359
00:23:08,004 --> 00:23:11,174
A MAN OF YOUR INTELLIGENCE
CAN MAKE HIS OWN DECISIONS.
360
00:23:14,588 --> 00:23:16,518
IT'S ONE OF YOUR
GREAT STRENGTHS.
361
00:23:16,546 --> 00:23:19,456
WELL... [CHUCKLES] OUT!
362
00:23:29,685 --> 00:23:31,485
[AMELIA]I'M TAKING VIOLET
TO THE PARK.
363
00:23:31,518 --> 00:23:33,538
SAY GOODBYE TO YOUR PAPA
AND MISS SCARLET.
364
00:23:33,560 --> 00:23:35,450
GOODBYE, PAPA.
GOODBYE, MISS SCARLET.
365
00:23:35,476 --> 00:23:36,436
GOODBYE.
366
00:23:40,685 --> 00:23:42,225
SHE'S SO GOOD WITH VIOLET.
367
00:23:42,685 --> 00:23:44,015
I DON'T KNOW WHAT I WOULD'VE...
368
00:23:46,059 --> 00:23:49,269
I SHOULD'VE TOLD YOU
WE WERE ENGAGED.
I'M A PRIVATE MAN.
369
00:23:49,518 --> 00:23:52,178
THERE ARE THOSE WHO'D
QUESTION THE HASTE
WITH WHICH I PROPOSED.
370
00:23:53,893 --> 00:23:56,023
DO YOU REALLY BELIEVE HER MOTHER
IS INVOLVED IN THIS?
371
00:23:56,435 --> 00:23:58,695
SHE'S EITHER A FRAUD
OR COMMUNING WITH THE DEAD.
372
00:23:59,161 --> 00:24:01,241
AND I KNOW WHICH ONE I FIND MOST LIKELY
373
00:24:01,407 --> 00:24:05,027
BUT...EVEN IF SHE WANTED TO MANIPULATE
THE PHOTOGRAPH, SHE WOULD LACK THE SKILL
374
00:24:07,894 --> 00:24:09,794
YOU SAID YOU BURNED THE NEGATIVES.
BEFORE YOU DID,
375
00:24:09,811 --> 00:24:11,891
WHO ELSE WOULD'VE COME
INTO CONTACT WITH THEM?
376
00:24:12,270 --> 00:24:13,270
ONLY AMELIA.
377
00:24:15,147 --> 00:24:16,727
YOU CAN'T POSSIBLY THINK...
378
00:24:17,147 --> 00:24:20,917
AMELIA'S BEEN BESIDE HERSELF.
SHE'S BEEN SUFFERING
NIGHT TERRORS.
379
00:24:20,939 --> 00:24:23,059
THIS WHOLE BUSINESS
HAS BEEN TEARING HER APART.
380
00:24:25,679 --> 00:24:27,299
I HAVE TO GO AWAY
ON BUSINESS TONIGHT.
381
00:24:28,011 --> 00:24:29,511
AND SHE HATES TO BE
ALONE IN THE HOUSE.
382
00:24:30,011 --> 00:24:33,601
-IS THERE ANY WAY YOU COULD--
-I'M A PRIVATE INVESTIGATOR,
NOT A NURSEMAID.
383
00:24:33,803 --> 00:24:37,283
PLEASE... I FEAR
SHE IS LOSING HER MIND.
384
00:24:37,303 --> 00:24:39,263
AND I CANNOT LOSE HER
AS I LOST CATHERINE.
385
00:24:42,178 --> 00:24:45,028
-[SIGHS]
-THANKS AGAIN FOR STAYING,
MISS SCARLET.
386
00:24:45,053 --> 00:24:47,183
I HOPE
I HAVEN'T INCONVENIENCED YOU.
387
00:24:47,637 --> 00:24:49,427
NOT AT ALL. MY PLEASURE.
388
00:24:51,720 --> 00:24:53,700
NIGHT TIMES
ARE DIFFICULT FOR ME.
389
00:24:53,720 --> 00:24:56,010
GIVEN THE THINGS
THAT'VE HAPPENED IN THIS HOUSE.
390
00:24:56,886 --> 00:24:59,176
THAT'S WHY JAMES IS SO KEEN
FOR US TO MOVE AWAY.
391
00:24:59,803 --> 00:25:02,053
-WHERE ARE YOU MOVING TO?
-BRISTOL.
392
00:25:02,553 --> 00:25:05,513
THAT'S WHERE HE'S GONE.
TO SEE ABOUT NEW PREMISES.
393
00:25:07,457 --> 00:25:09,327
HE BELIEVES WE NEED
A FRESH START.
394
00:25:10,188 --> 00:25:11,018
AND YOU?
395
00:25:13,582 --> 00:25:15,002
THANK YOU, RUTH.
396
00:25:20,527 --> 00:25:22,527
YOU DO NOT HAVE TO GET MARRIED,
YOU KNOW?
397
00:25:24,164 --> 00:25:28,394
I WISH TO BE MARRIED TO JAMES MORE THAN
ANYTHING. AND HAVE CHILDREN OF MY OWN.
398
00:25:28,414 --> 00:25:29,674
WHAT WOMAN WOULD NOT?
399
00:25:32,665 --> 00:25:34,535
YOU DO NOT WANT
TO HAVE YOUR OWN FAMILY?
400
00:25:36,331 --> 00:25:38,081
ONE DAY, PERHAPS.
401
00:25:42,206 --> 00:25:44,906
THAT'LL BE ALL, THANK YOU.
YOU MAY GO HOME NOW.
402
00:25:51,665 --> 00:25:55,075
I HAVEN'T BEEN ENTIRELY TRUTHFUL
WITH YOU, MISS SCARLET.
403
00:25:58,331 --> 00:26:04,081
JAMES AND I... WE WERE TOGETHER,
WHILST CATHERINE WAS ALIVE.
404
00:26:04,289 --> 00:26:05,709
AND SHE KNEW.
405
00:26:05,956 --> 00:26:08,326
THAT'S WHY SHE SWORE TO ME
THAT SHE WOULD HAVE REVENGE.
406
00:26:09,414 --> 00:26:11,504
WE'VE BROUGHT THIS PUNISHMENT
ON OURSELVES.
407
00:26:12,039 --> 00:26:14,909
WHOEVER'S PUNISHING
YOU IS NOT A GHOST.
408
00:26:15,331 --> 00:26:19,791
PERHAPS YOU WILL CHANGE
YOUR MIND SINCE THIS IS
CATHERINE'S BEDROOM.
409
00:26:20,331 --> 00:26:22,541
THE SAME ROOM
WHERE SHE TOOK HER OWN LIFE.
410
00:26:24,581 --> 00:26:26,221
[DARK MUSIC PLAYING]
411
00:26:26,248 --> 00:26:28,668
-[INDISTINCT CHATTER]
-[LAUGHTER]
412
00:26:29,623 --> 00:26:31,293
WHAT HAPPENED
WITH THAT JOURNALIST?
413
00:26:32,414 --> 00:26:33,624
HE LEFT.
414
00:26:35,747 --> 00:26:39,997
HE TOLD ME TO CONTACT HIM WHEN
I'VE GOT AN INTRIGUING CASE.
415
00:26:40,921 --> 00:26:42,961
-SMARMY LITTLE GIT.
-YEAH.
416
00:26:43,874 --> 00:26:47,064
I WOULDN'T HAVE TO JUMP THROUGH THESE
HOOPS FOR SOME FLEET STREET HACK
417
00:26:47,082 --> 00:26:49,042
IF STIRLING RESPECTED ME.
418
00:26:49,707 --> 00:26:50,907
HE WANTED ME TO UM-
419
00:26:50,957 --> 00:26:55,287
TO SING HIS PRAISES AND TALK ABOUT
HOW WELL RUN THE DEPARTMENT IS
420
00:26:55,401 --> 00:26:57,001
-SCOFFS, SOUNDS LIKE HIM
421
00:26:58,391 --> 00:27:01,641
I WOUDL'VE HAD THAT PROMOTION ALREADY IF
HE THOUGHT I WAS THE RIGHT SORT OF CHAP
422
00:27:02,056 --> 00:27:03,936
YOU KNOW?..IF I'D BEEN IN THE ARMY
423
00:27:03,953 --> 00:27:05,903
- IF YOU'D BEEN BUGGERED
AT SAME BOARDING SCHOOL!
424
00:27:05,943 --> 00:27:06,943
-LAUGHS-
425
00:27:07,452 --> 00:27:08,622
THE WAY OF THE WORLD, ISN'T IT?
426
00:27:09,493 --> 00:27:11,663
SNOBBY SODS LOOKING DOWN
THEIR NOSES.
427
00:27:12,118 --> 00:27:15,328
SHE'S NO BETTER, YOUR MISS SCARLET.
WHY DO YOU PUT UP WITH HER ANYWAY?
428
00:27:16,326 --> 00:27:20,716
-YOU'RE HOPING TO GET SOMETHING OUT OF IT?
-NO. THAT'S NOT HOW I SEE ELIZA.
429
00:27:20,743 --> 00:27:24,743
[LAUGHS] FORGIVE ME. OF COURSE YOU'D
NEVER TAKE ADVANTAGE OF A WOMAN.
430
00:27:29,133 --> 00:27:31,053
SHE'S ANNOYING AS HELL.
431
00:27:32,008 --> 00:27:33,928
I STILL WOULD. KNOW WHAT I MEAN?
432
00:27:34,258 --> 00:27:36,738
YOU SAY THAT AGAIN AND I'LL KNOCK
YOU THROUGH THAT BLOODY WALL.
433
00:27:40,610 --> 00:27:42,420
I'VE KNOWN ELIZA
SINCE WE WERE YOUNG.
434
00:27:42,443 --> 00:27:45,173
HER FATHER COULDN'T HAVE
DONE MORE FOR ME
435
00:27:45,193 --> 00:27:47,283
IF I WAS HIS OWN
FLESH AND BLOOD.
436
00:27:47,818 --> 00:27:51,148
I HOPE YOU WERE COURTEOUS TO HER WHEN
YOU WERE HELPING HER WITH HER CASE.
437
00:27:51,818 --> 00:27:53,278
OF COURSE I WAS.
438
00:27:55,235 --> 00:27:56,485
IT'S NOT HER CASE.
439
00:27:57,026 --> 00:28:00,816
IT CAME INTO US FIRST. IT GOT
FILED UNDER "WASTE OF TIME."
440
00:28:02,693 --> 00:28:07,493
GHOULS. DEATH PHOTOGRAPHERS AND
MESSAGES FROM BEYOND THE GRAVE.
441
00:28:08,693 --> 00:28:11,743
STRAIGHT OUT OF A PENNY DREADFUL.
BLOODY NONSENSE.
442
00:28:13,568 --> 00:28:15,088
[THUNDER RUMBLES]
443
00:28:15,109 --> 00:28:17,319
[RAIN LASHING]
444
00:28:43,038 --> 00:28:44,498
DON'T BE SO RIDICULOUS
445
00:28:56,320 --> 00:29:00,820
[AMELIA SCREAMS] PLEASE!
446
00:29:00,979 --> 00:29:02,159
MISS EVANS...
447
00:29:02,187 --> 00:29:05,937
-[CRYING]
-IT'S ALRIGHT.
448
00:29:07,187 --> 00:29:08,477
IT'S JUST A DREAM.
449
00:29:08,687 --> 00:29:09,597
I'M SORRY.
450
00:29:10,937 --> 00:29:13,557
-I DIDN'T MEAN TO WAKE YOU.
-I WASN'T ASLEEP.
451
00:29:14,271 --> 00:29:17,441
IS THERE ANYTHING YOU'D LIKE?
SOME WARM MILK, PERHAPS?
452
00:29:17,904 --> 00:29:20,124
-THE MAIDS GONE HOME
-THEN I'LL MAKE IT
453
00:29:20,692 --> 00:29:23,612
YOU'RE VERY KIND, BUT NO.
THANK YOU.
454
00:29:24,151 --> 00:29:26,651
WE COULD HAVE A BRANDY.
FOR MEDICINAL PURPOSES.
455
00:29:27,512 --> 00:29:29,052
BELIEVE ME I'VE TRIED
456
00:29:29,414 --> 00:29:30,954
JUST MAKES THINGS WORSE
457
00:29:31,871 --> 00:29:32,751
I'LL BE FINE NOW.
458
00:29:33,579 --> 00:29:37,249
WELL... IF YOU NEED ANYTHING...
YOU KNOW WHERE I AM.
459
00:29:38,371 --> 00:29:39,261
THANK YOU.
460
00:29:39,288 --> 00:29:41,368
[WIND HOWLS]
461
00:29:43,871 --> 00:29:46,951
-[MUSICAL STAB]
-OH, DEAR GOD!
462
00:29:48,455 --> 00:29:49,535
WHAT IS IT?
463
00:29:49,954 --> 00:29:51,044
IT'S HER... [WHIMPERING]
464
00:29:59,330 --> 00:30:03,100
[THUNDER RUMBLING]
465
00:30:03,121 --> 00:30:05,211
[BIRDS CHIRPING]
466
00:30:12,766 --> 00:30:15,766
ARE YOU SURE IT WAS YOU WHO LEFT
THE WINDOW OPEN LAST NIGHT?
467
00:30:16,349 --> 00:30:18,849
YES. I ALWAYS SLEEP
WITH IT OPEN.
468
00:30:19,640 --> 00:30:23,720
IT WAS RAINING HEAVILY SO IF SOMEONE CAME
THROUGH THERE'D BE FOOTPRINTS OR HAND MARKS.
469
00:30:24,183 --> 00:30:25,683
BUT I CAN FIND NOTHING.
470
00:30:26,266 --> 00:30:29,696
[AMELIA] NO ONE CAME THROUGH THE WINDOW.
IT WAS CATHERINE.
471
00:30:29,724 --> 00:30:30,814
SHE'S PUNISHING US.
472
00:30:31,475 --> 00:30:34,445
-THE FRONT DOOR WAS LOCKED LAST NIGHT?
-I LOCKED IT MYSELF.
473
00:30:34,475 --> 00:30:37,135
APART FROM YOU AND MR. HENDERSON,
WHO ELSE HAS A KEY?
474
00:30:37,599 --> 00:30:39,179
[AMELIA] RUTH, OUR MAID.
475
00:30:48,391 --> 00:30:51,971
[OMINOUS MUSIC PLAYING]
476
00:30:56,523 --> 00:30:57,733
[DOORBELL RINGS]
477
00:30:58,106 --> 00:31:00,556
[TENSE MUSIC PLAYING]
478
00:31:18,772 --> 00:31:21,442
[SUSPENSEFU MUSIC PLAYING]
479
00:31:25,735 --> 00:31:26,895
[DOORBELL RINGS]
480
00:31:36,047 --> 00:31:37,047
[BELL RINGS]
481
00:31:40,777 --> 00:31:43,667
GOOD MORNING, SIR. I WONDER IF
YOU COULD HELP ME.
482
00:31:43,694 --> 00:31:46,504
A FRIEND OF MINE CAME IN HERE
A FEW MOMENTS AGO.
483
00:31:46,527 --> 00:31:48,277
A LADY WITH A WICKER BASKET.
484
00:31:49,402 --> 00:31:53,172
SHE WAS SENDING A MESSAGE TO A MUTUAL
FRIEND WHO WE'RE TO DINE WITH THIS EVENING.
485
00:31:53,194 --> 00:31:56,744
BUT I BELIEVE GAVE THE WRONG INFORMATION
OF THE RESTAURANT WHERE WE ARE TO MEET.
486
00:31:56,944 --> 00:31:59,654
I WONDER IF I MIGHT LOOK AT
THAT MESSAGE IN ORDER TO CHECK.
487
00:32:01,485 --> 00:32:04,125
"MESSAGES TREATED
WITH STRICTEST CONFIDENCE."
488
00:32:04,153 --> 00:32:07,173
I DO UNDERSTAND, OF COURSE,
BUT SHE'S A DEAR FRIEND
489
00:32:07,194 --> 00:32:11,494
AND IS ON OCCASION SOMEWHAT SCATTER-BRAINED.
YOU KNOW HOW US LADIES CAN BE?
490
00:32:13,676 --> 00:32:16,626
PERHAPS THERE'S SOMEONE ELSE
I COULD SPEAK TO? YOUR SUPERIOR?
491
00:32:17,592 --> 00:32:19,222
I'M IN CHARGE TODAY.
492
00:32:21,759 --> 00:32:24,029
I'M A PRIVATE DETECTIVE
WORKING A CASE
493
00:32:24,051 --> 00:32:27,481
-AND WILL PAY YOU HANDSOMELY TO
LOOK THE OTHER WAY. -YOU'RE A WHAT?
494
00:32:36,093 --> 00:32:37,473
[DOORBELL RINGS]
495
00:32:40,676 --> 00:32:41,756
WILLIAM.
496
00:32:43,300 --> 00:32:44,930
WHAT ARE YOU DOING HERE?
497
00:32:45,342 --> 00:32:49,752
I'M LOOKING INTO THE HENDERSON CASE
AGAIN AND MY INQUIRIES BROUGHT ME HERE.
498
00:32:50,390 --> 00:32:52,200
SCOTLAND YARD IS NOW
INTERESTED IN THIS CASE?
499
00:32:52,598 --> 00:32:57,558
STIRLING HAS REQUESTED THAT ALL OPEN CASES
BE RESOLVED BY THE END OF THE MONTH.
500
00:32:58,474 --> 00:33:00,724
SOME INVENTORY FROM
THE HOME OFFICE.
501
00:33:02,283 --> 00:33:05,993
SO WE SHOULD POOL THE INFORMATION WE HAVE
IN ORDER TO BRING THE MATTER TO A CLOSE.
502
00:33:06,532 --> 00:33:09,032
VERY WELL. WHAT INFORMATION
DO YOU HAVE?
503
00:33:09,699 --> 00:33:13,219
WELL, THERE'S A PHOTOGRAPHER
BY THE NAME OF HENDERSON
504
00:33:13,241 --> 00:33:17,131
AND HE'S BEEN
RECEIVING PHOTOGRAPHS.
505
00:33:17,706 --> 00:33:20,666
[LAUGHS] YOU DON'T ACTUALLY HAVE
ANY INFORMATION, DO YOU?
506
00:33:20,894 --> 00:33:23,524
I'VE JUST LOOKED AT THE FILE
AND HAVEN'T GOT UP TO SPEED.
507
00:33:24,186 --> 00:33:26,786
-DID YOU FOLLOW ME HERE?
-DO YOU WANT MY HELP OR NOT?
508
00:33:26,810 --> 00:33:30,950
-WHY WOULD I WANT YOU HELP? -BECAUSE YOU
HAVE AN IRRITATED LOOK ON YOUR FACE.
509
00:33:30,977 --> 00:33:32,807
ONE YOU USUALLY RESERVE FOR ME.
510
00:33:35,977 --> 00:33:38,137
[SHOUTING] YOU WILL BRING ME
THAT MESSAGE NOW!
511
00:33:38,269 --> 00:33:43,349
OR I WILL BREAK EVERY BONE IN YOUR BODY THEN
ARREST YOU FOR ASSAULTING A POLICE OFFICER.
512
00:33:45,968 --> 00:33:46,968
ARE YOU UH..
513
00:33:48,027 --> 00:33:49,277
ARE YOU CRYING?
514
00:33:49,902 --> 00:33:51,342
[SNIFFLES]
515
00:33:51,360 --> 00:33:53,650
JUST GO AND FETCH IT.
NO HARM WILL COME TO YOU.
516
00:33:53,985 --> 00:33:55,435
YES, INSPECTOR.
517
00:33:57,782 --> 00:33:59,282
[ELIZA CLEARS THROAT]
518
00:33:59,657 --> 00:34:00,657
WHAT?
519
00:34:01,448 --> 00:34:04,668
-HE'S LITTLE MORE THAN A CHILD.
-YOU TOLD ME TO FRIGHTEN HIM.
520
00:34:05,285 --> 00:34:09,075
I'M SO SORRY, SIR. I CAN'T FIND THE CONTENTS
OF THE MESSAGE. IT'S ALREADY BEEN SENT.
521
00:34:09,494 --> 00:34:12,834
BUT I KNOW WHO IT WENT TO
AND I'LL GLADLY BE OF SERVICE.
522
00:34:13,285 --> 00:34:14,575
I'M NOT GOING TO HIT YOU.
523
00:34:17,186 --> 00:34:18,346
DO YOU KNOW THIS PERSON?
524
00:34:25,478 --> 00:34:27,938
DID YOU CHANGE OR MANIPULATE
THESE IMAGES?
525
00:34:28,478 --> 00:34:31,478
NO. OF COURSE NOT.
I WOULDN'T EVEN KNOW HOW.
526
00:34:31,644 --> 00:34:34,544
PERHAPS YOU STOLE THE NEGATIVES
BEFORE THEY WERE DESTROYED?
527
00:34:34,562 --> 00:34:37,642
PERHAPS YOU HAD THEM COPIED
BY SOMEONE WHO DID KNOW HOW.
528
00:34:38,520 --> 00:34:39,850
I DON'T UNDERSTAND.
529
00:34:40,061 --> 00:34:41,521
WHY ARE YOU ASKING ME THIS?
530
00:34:41,727 --> 00:34:43,807
-WHAT DO YOU WANT?
-I THOUGHT YOU WERE PSYCHIC.
531
00:34:44,811 --> 00:34:47,481
THIS IS JUST ONE FILE FROM MANY
THAT I FOUND UPSTAIRS.
532
00:34:47,727 --> 00:34:51,437
"NAME OF DECEASED, DATE AND CAUSE
OF DEATH, FAMILY MEMBERS."
533
00:34:51,853 --> 00:34:53,813
SHE HAS RECORDS
ON HUNDREDS OF PEOPLE.
534
00:34:55,727 --> 00:34:58,407
IT LOOKS LIKE THERE ARE FUNERAL
HOMES, DEATH PHOTOGRAPHERS,
535
00:34:58,436 --> 00:35:00,936
AND SEVERAL MORTUARIES
THAT GIVE HER TIP-OFFS.
536
00:35:01,769 --> 00:35:06,639
-WELL... THIS ONE'S FROM A RUTH MC CARTHY.
-THE PHOTOGRAPHER'S MAID.
537
00:35:07,186 --> 00:35:10,976
IT'S A LIST OF HENDERSON'S RECENT CLIENTS
WITH INFORMATION ABOUT THE DECEASED.
538
00:35:11,311 --> 00:35:15,811
SOME FROM HENDERSON'S APPOINTMENT BOOK.
SOME JUST OVERHEARD CONVERSATION.
539
00:35:17,132 --> 00:35:18,172
I CAN EXPLAIN.
540
00:35:18,626 --> 00:35:19,536
PLEASE DO.
541
00:35:26,866 --> 00:35:32,586
"MAY THIRD, MR. HENDERSON TAKES DINNER
WITH GERMAN UNDERTAKER, HERRHILDEGARD.
542
00:35:32,616 --> 00:35:36,336
-HERRH. TALKS FOR SOME CONSIDERABLE
TIME." -SOUNDS LIKE HIM.
543
00:35:36,365 --> 00:35:39,345
"HERRH. MENTIONS
FEMALE DETECTIVE.
544
00:35:39,699 --> 00:35:42,409
AND TELLS STORIES
OF HER FATHER."
545
00:35:42,907 --> 00:35:45,367
[CHUCKLES] YOU HAD A PET FROG?
546
00:35:48,369 --> 00:35:52,549
LOOK... I ADMIT IT.
I DO COLLECT INFORMATION.
547
00:35:52,660 --> 00:35:55,540
BUT I DID NOT SEND
THOSE POSTCARDS.
548
00:35:56,910 --> 00:35:58,800
WHY'D I WANT TO PUNISH
MY OWN DAUGHTER?
549
00:35:58,827 --> 00:36:01,387
YOU DON'T WANT HER TO BE WITH
A MAN YOU FEEL IS UNSUITABLE.
550
00:36:01,410 --> 00:36:04,040
HE'S TWENTY YEARS UNSUITABLE.
551
00:36:04,868 --> 00:36:08,348
AND I DID ENCOURAGE AMELIA'S
BELIEF THAT THOSE PHOTOGRAPHS
552
00:36:08,375 --> 00:36:10,725
WERE FROM CATHERINE'S GHOST.
553
00:36:11,187 --> 00:36:13,347
I HOPED IT MIGHT PART THEM.
554
00:36:13,813 --> 00:36:15,623
BUT THAT'S ALL.
555
00:36:15,646 --> 00:36:19,286
WELL, IF YOU DIDN'T SEND
THE PHOTOGRAPHS, WHO DID?
556
00:36:19,313 --> 00:36:22,693
I DON'T KNOW... I SWEAR.
557
00:36:30,831 --> 00:36:32,001
SHE WAS MOST CONVINCING.
558
00:36:32,414 --> 00:36:34,164
WELL, SHE LIES FOR A LIVING.
559
00:36:34,539 --> 00:36:37,209
LET'S SEE WHAT SHE SAYS
AFTER A NIGHT IN THE CELL.
560
00:36:37,873 --> 00:36:41,163
BRING IN THE MAID AND A FEW OTHERS ON
THE LIST. SEE WHAT THEY HAVE TO SAY.
561
00:36:41,831 --> 00:36:45,251
IN THE MEANTIME, I'LL UPDATE THE
HENDERSONS ON THESE LATEST DEVELOPMENTS.
562
00:36:48,581 --> 00:36:49,711
WILLIAM...
563
00:36:51,706 --> 00:36:52,926
DO YOU BELIEVE IN GHOSTS?
564
00:36:52,956 --> 00:36:55,456
[GUFFAWS] OF COURSE NOT.
565
00:36:55,997 --> 00:36:57,287
NO, NOR DO I.
566
00:36:59,789 --> 00:37:01,289
SOMETIMES...
567
00:37:02,456 --> 00:37:05,286
I FEEL MY FATHER'S PRESENCE.
568
00:37:07,873 --> 00:37:10,123
AND ON OCCASION
I EVEN SPEAK WITH HIM.
569
00:37:12,831 --> 00:37:14,621
DO YOU NOW THINK ME
QUITE PECULIAR?
570
00:37:15,372 --> 00:37:18,042
ELIZA, I'VE ALWAYS THOUGHT YOU
QUITE PECULIAR.
571
00:37:20,623 --> 00:37:22,543
-DUKE. A MESSAGE FROM THE YARD.
-YEAH.
572
00:37:23,122 --> 00:37:25,522
-THAT JOURNALIST WANTS TO SEE YOU.
-[GROANS]
573
00:37:25,539 --> 00:37:27,469
HE WANTS TO GET A SKETCH
OF THIS SPIRITUALIST.
574
00:37:27,498 --> 00:37:30,328
-SEE IF HE CAN GET IT IN THE EARLY
EDITION OR SOMETHING. -[CLEARS THROAT]
575
00:37:32,915 --> 00:37:33,915
[FRANK] OH!
576
00:37:40,831 --> 00:37:42,161
I'LL BE THERE SHORTLY.
577
00:37:50,331 --> 00:37:51,961
-JOURNALIST?
-[GROANS]
578
00:37:52,080 --> 00:37:55,710
IT'S PUBLICITY FOR THE DIVISION.
IT'S ALL VERY STANDARD.
579
00:37:56,043 --> 00:37:58,253
NOW WOULD YOU LIKE ME
TO CALL YOU A CARRIAGE?
580
00:38:00,168 --> 00:38:00,628
WHAT?
581
00:38:02,054 --> 00:38:05,414
HE'S JUST WRITING ABOUT VARIOUS
CASES I'VE BEEN WORKING ON.
582
00:38:05,429 --> 00:38:07,409
INCLUDING THIS ONE
BY THE SOUNDS OF IT.
583
00:38:07,429 --> 00:38:10,569
WELL, THE HENDERSON CASE
HAS PEAKED HIS INTEREST.
584
00:38:10,596 --> 00:38:13,516
YOU KNOW WHAT JOURNALISTS
ARE LIKE. THEY LOVE SENSATION.
585
00:38:14,275 --> 00:38:15,935
WERE YOU GOING
TO TELL HIM ABOUT ME?
586
00:38:16,400 --> 00:38:17,860
YES.
587
00:38:19,067 --> 00:38:21,207
IT'S A COMPLEX SITUATION, ELIZA.
588
00:38:21,233 --> 00:38:22,983
SEEMS FAIRLY SIMPLE TO ME,
WILLIAM.
589
00:38:23,358 --> 00:38:25,498
ONCE AGAIN YOU WISH TO TAKE
ALL THE CREDIT FOR YOURSELF.
590
00:38:25,525 --> 00:38:29,535
I'M ATTEMPTING TO IMPROVE MY POSITION
BUT THERE ARE OBSTACLES IN MY PATH.
591
00:38:29,566 --> 00:38:31,826
THERE'S A CABAL
OF EX-ARMY OFFICERS ABOVE ME.
592
00:38:31,858 --> 00:38:34,858
OH... YOU'RE FACING PREJUDICE
IN YOUR CHOSEN CAREER?
593
00:38:35,484 --> 00:38:36,984
WHAT MUST THAT BE LIKE?
594
00:38:37,691 --> 00:38:38,611
[SIGHS]
595
00:38:43,114 --> 00:38:44,994
[AMELIA]WHY CAN YOU NOT SEE?
596
00:38:45,323 --> 00:38:47,413
WHY WILL YOU NOT LISTEN TO ME?
597
00:38:53,573 --> 00:38:55,123
I'M SORRY TO DISTURB YOU.
598
00:38:55,490 --> 00:38:59,010
I WANTED TO LET YOU KNOW THAT SCOTLAND
YARD HAVE ARRESTED EDITH EVANS
599
00:38:59,032 --> 00:39:01,052
ON SUSPICION OF SENDING
THE PHOTOGRAPHS.
600
00:39:02,240 --> 00:39:04,010
-WHEN WAS THIS?
-A FEW HOURS AGO.
601
00:39:04,031 --> 00:39:06,531
SHE'S BEEN HELD IN CUSTODY
ALONG WITH YOUR MAID.
602
00:39:06,906 --> 00:39:08,816
BUT IT CANNOT BE HER.
603
00:39:08,989 --> 00:39:11,049
YOU'LL HAVE TO TAKE THAT UP
WITH THE POLICE.
604
00:39:11,073 --> 00:39:14,093
IT SEEMS THEY'VE ONCE AGAIN
TAKEN AN INTEREST IN YOUR CASE.
605
00:39:14,497 --> 00:39:18,827
THAT'S NOT WHAT I MEANT. JUST BEFORE YOU
ARRIVED WE FOUND THIS ON THE DOORSTEP.
606
00:39:26,289 --> 00:39:28,659
-WHEN EXACTLY?
-NOT TEN MINUTES AGO.
607
00:39:35,038 --> 00:39:39,208
I'M LEAVING. I HAVE A COUSIN IN SOUTHWARK.
SHE'LL PUT ME UP FOR A WHILE.
608
00:39:39,788 --> 00:39:42,208
CAN WE AT LEAST TALK FIRST?
609
00:39:42,788 --> 00:39:45,828
I CANNOT BE WED TO A MAN WHO
DOES NOT BELIEVE OR TRUST ME.
610
00:39:47,663 --> 00:39:48,833
DO YOU KNOW WHAT HE SAID?
611
00:39:49,247 --> 00:39:50,757
HE WONDERED IF I WAS BEHIND THIS
612
00:39:50,788 --> 00:39:52,908
BECAUSE FOR SOME REASON
I DIDN'T WANT TO MARRY HIM.
613
00:39:56,038 --> 00:39:58,288
NOW I SEE WHERE HIS SUSPICION
HAS COME FROM.
614
00:39:59,746 --> 00:40:02,636
IT'S MY JOB TO CONSIDER
ALL POSSIBILITIES.
615
00:40:02,663 --> 00:40:04,663
I WISH TO BE MARRIED.
616
00:40:04,872 --> 00:40:07,082
TO HAVE CHILDREN.
TO LEAD A NORMAL LIFE.
617
00:40:07,414 --> 00:40:09,524
IF YOU DO NOT,
THAT IS YOUR CONCERN.
618
00:40:09,539 --> 00:40:12,369
BUT DO NOT TRY
TO TWIST THE MINDS OF OTHERS.
619
00:40:18,997 --> 00:40:20,287
[SIGHS]
620
00:40:20,955 --> 00:40:22,365
MR. HENDERSON?
621
00:40:25,455 --> 00:40:28,075
[GIRL] PLACE HIM THERE,
GENTLEMEN. AND WE SHALL BEGIN.
622
00:40:31,164 --> 00:40:33,754
PROP HIM UP
AND I SHALL TAKE THE PHOTOGRAPH.
623
00:40:35,581 --> 00:40:37,661
HIS SKIN IS PALE.
624
00:40:38,289 --> 00:40:40,249
SOME MORE ROUGE, I THINK.
625
00:40:56,247 --> 00:40:57,577
DO YOU WANT TO PLAY?
626
00:40:58,872 --> 00:41:00,292
PERHAPS LATER.
627
00:41:03,997 --> 00:41:05,747
WHERE ARE THE PHOTOGRAPHS,
VIOLET?
628
00:41:07,414 --> 00:41:08,794
WHERE DO YOU KEEP THEM?
629
00:41:09,455 --> 00:41:10,955
SHE TOLD ME NOT TO SAY.
630
00:41:12,289 --> 00:41:13,289
WHO?
631
00:41:14,038 --> 00:41:14,908
MOTHER.
632
00:41:19,746 --> 00:41:21,706
CATHERINE KNEW ABOUT
YOU AND AMELIA.
633
00:41:23,247 --> 00:41:26,537
BEFORE SHE DIED SHE PLANNED
ONE LAST ACT OF REVENGE.
634
00:41:26,788 --> 00:41:29,008
SHE TOLD VIOLET ABOUT A GAME
SHE WANTED TO PLAY.
635
00:41:29,038 --> 00:41:33,208
A GAME THAT WOULD TAKE PLACE AS SOON
AS PAPA AND AMELIA WOULD BE WED.
636
00:41:34,080 --> 00:41:37,960
SHE MADE THE POOR GIRL DELIVER THESE LETTERS
TO YOU WITHOUT KNOWING WHAT WAS IN THEM.
637
00:41:39,872 --> 00:41:40,962
WHERE IS SHE NOW?
638
00:41:42,122 --> 00:41:44,042
[FOOTSTEPS APPROACH]
639
00:41:45,330 --> 00:41:46,960
PLEASE, DON'T BE ANGRY
WITH HER, JAMES.
640
00:41:48,581 --> 00:41:51,081
[TENDER MUSIC PLAYING]
641
00:41:54,997 --> 00:41:56,207
MY SWEET GIRL.
642
00:42:00,997 --> 00:42:02,407
IT'S ALRIGHT.
643
00:42:08,913 --> 00:42:11,763
...TO WHICH HE SAID
"IT'S A COMPLEX SITUATION."
644
00:42:11,788 --> 00:42:14,968
TO WHICH I REPLIED "IT SEEMS
FAIRLY SIMPLE TO ME, WILLIAM.
645
00:42:14,997 --> 00:42:16,497
YOU WISH TO TAKE ALL THE CREDIT
FOR YOURSELF."
646
00:42:17,164 --> 00:42:21,014
QUITE. I BUMPED INTO
HERRHILDEGARD TODAY.
647
00:42:21,038 --> 00:42:24,638
I MET HIS NIECE.
A RATHER DULL SORT OF GIRL.
648
00:42:24,663 --> 00:42:26,723
AND EVEN IF WILLIAM AND I
WERE NOT FRIENDS,
649
00:42:26,746 --> 00:42:29,406
HE STILL GAVE HIS WORD.
IT'S STILL A BETRAYAL.
650
00:42:32,330 --> 00:42:33,750
-RUPERT!
-[STARTS]
651
00:42:34,913 --> 00:42:37,413
-ARE YOU LISTENING TO ME?
-I'M SORRY...
652
00:42:38,581 --> 00:42:42,291
A SHORT ATTENTION SPAN IS THE
COURSE OF BEING AN ONLY CHILD.
653
00:42:42,705 --> 00:42:44,745
BLAME IT ON MY MOTHER
FOR DOTING ON ME SO.
654
00:42:47,289 --> 00:42:48,659
HOW IS MRS. PARKER?
655
00:42:48,955 --> 00:42:52,515
WELL... SHE IS AGAIN
URGING ME TO BE WED.
656
00:42:52,539 --> 00:42:54,869
TO CONTINUE
THE PARKER FAMILY NAME.
657
00:42:56,054 --> 00:42:58,224
IF ONLY I COULD FIND A WIFE
658
00:42:58,637 --> 00:43:01,507
WHO WOULD COMPLIMENT THE MORE
COMPLEX ASPECTS OF MY LIFE.
659
00:43:02,845 --> 00:43:05,505
-[GROANS]
-ELIZA...
660
00:43:07,180 --> 00:43:08,760
BOTH OF OUR LIVES ARE...
661
00:43:09,180 --> 00:43:12,640
UNCONVENTIONAL. PERHAPS WE MIGHT
COME TO SOME ARRANGEMENT?
662
00:43:14,396 --> 00:43:17,856
RUPERT, THERE'S NO DOUBT IN MY MIND THAT
WE'D MAKE EACH OTHER EXTREMELY UNHAPPY.
663
00:43:18,521 --> 00:43:23,411
REALLY? SEE, I'M NOT ASKING YOU TO
PARTAKE IN ANY KIND OF INTIMACY.
664
00:43:23,438 --> 00:43:26,648
I CAN ASSURE YOU I CAN THINK
OF NOTHING WORSE. [GUFFAWS]
665
00:43:28,965 --> 00:43:30,795
-[ELIZA LAUGHS]
-WHAT?
666
00:43:31,215 --> 00:43:35,065
-[CHUCKLES] STOP IT!
-[ELIZA CONTINUES LAUGHING]
667
00:43:35,090 --> 00:43:36,090
[KNOCK ON DOOR]
668
00:43:36,381 --> 00:43:37,761
COME!
669
00:43:40,882 --> 00:43:42,022
SORRY TO BOTHER YOU, SIR.
670
00:43:42,048 --> 00:43:44,258
I WONDER IF... [CLEARS THROAT]
671
00:43:51,610 --> 00:43:54,960
-CONTINUE.
-IT'S ABOUT THAT ARTICLE, SIR.
672
00:43:54,986 --> 00:43:57,376
THE ONE FOR
THE ILLUSTRATED POLICE NEWS.
673
00:43:58,144 --> 00:43:59,394
NO PROBLEMS, I TRUST.
674
00:43:59,848 --> 00:44:01,768
NO, SIR. QUITE THE OPPOSITE.
675
00:44:02,056 --> 00:44:05,616
THEY'RE GOING TO PRESS TONIGHT AND THE
SERIALIZATION WILL BEGIN IN THE MORNING.
676
00:44:05,639 --> 00:44:08,529
I HAVE ALSO TOLD THEM
TO INCLUDE MENTION OF YOU.
677
00:44:08,556 --> 00:44:11,866
AND THE WIDER EFFICIENCY
OF THE DEPARTMENT.
678
00:44:11,890 --> 00:44:14,260
WELL, THAT'S VERY GOOD OF YOU.
679
00:44:15,300 --> 00:44:19,710
THERE'S REALLY NO NEED.
I LOOK FORWARD TO READING IT.
680
00:44:20,615 --> 00:44:23,615
WELL DONE, WELLINGTON.
EXCELLENT WORK.
681
00:44:28,462 --> 00:44:31,672
-WAS THERE SOMETHING ELSE?
-YES, SIR.
682
00:44:32,406 --> 00:44:34,546
YOU MENTIONED THAT
YOU WOULD MAKE A DECISION
683
00:44:34,573 --> 00:44:37,203
ABOUT MY PROMOTION
TO CHIEF INSPECTOR.
684
00:44:37,510 --> 00:44:38,510
AH.
685
00:44:40,796 --> 00:44:43,196
DID WE NOT SPEAK ABOUT THAT EARLIER?
686
00:44:44,189 --> 00:44:47,709
NO SIR, IF WE HAD I WOULD'VE REMEMBERED.
687
00:44:50,174 --> 00:44:52,634
I'M AFRAID I GAVE
THE JOB TO HUDSON.
688
00:44:54,319 --> 00:44:56,159
BETTER LUCK NEXT TIME. AYE?
689
00:44:57,383 --> 00:44:59,133
CHIN UP AND ALL THAT.
690
00:45:04,420 --> 00:45:08,740
WITH ALL DUE RESPECT, SIR, HUDSON HAS ONLY
BEEN WITH THE DIVISION FOR THREE MONTHS.
691
00:45:09,220 --> 00:45:12,740
HE'S BEEN IN THE ARMY
FOR FIVE YEARS.
692
00:45:12,763 --> 00:45:14,683
THE QUEEN'S OWN HUSSARS,
NO LESS.
693
00:45:14,804 --> 00:45:18,804
-WELL, IT'S HARD-- -AND HIS FATHER
AND I WERE IN THE CRIMEA TOGETHER.
694
00:45:20,863 --> 00:45:23,413
YOU'VE NEVER SEEN ANYONE
SO CALM UNDER FIRE.
695
00:45:24,468 --> 00:45:27,298
HIS WHOLE FAMILY HAVE ICE
IN THEIR VEINS.
696
00:45:29,676 --> 00:45:32,966
YOU SHOULD MEET THE MOTHER...
TERRIFYING WOMAN.
697
00:45:44,807 --> 00:45:46,867
GOOD DAY, FRAULEIN SCARLET.
698
00:45:46,890 --> 00:45:48,930
HERR HILDEGARD.
FRAULEIN HILDEGARD.
699
00:45:49,807 --> 00:45:51,557
WHERE ARE YOU OFF TO
THIS FINE MORNING?
700
00:45:52,247 --> 00:45:55,117
YOUR FRIEND IS TAKING US
FOR A STROLL IN THE PARK.
701
00:45:55,391 --> 00:45:56,681
-MY FRIEND?
702
00:45:56,925 --> 00:45:59,285
HE CAME BY LAST NIGHT
AND INTRODUCED HIMSELF
703
00:45:59,310 --> 00:46:02,160
HE'S SO CHARMING, AND AMUSING.
704
00:46:02,815 --> 00:46:04,275
AND HANDSOME TO.
705
00:46:08,811 --> 00:46:10,851
AH. HERE HE IS!
706
00:46:13,098 --> 00:46:14,428
GOOD MORNING, MR. PARKER.
707
00:46:15,430 --> 00:46:17,310
GOOD MORNING,HERR HILDEGARD.
708
00:46:18,597 --> 00:46:19,487
MISS SCARLET.
709
00:46:19,514 --> 00:46:20,644
MR. PARKER.
710
00:46:21,098 --> 00:46:22,808
WHAT A DELIGHTFUL SURPRISE.
711
00:46:28,931 --> 00:46:31,011
GUTEN MORGEN, FRAULEIN.
712
00:46:36,806 --> 00:46:38,756
[FOOTSTEPS APPROACH]
713
00:46:57,346 --> 00:47:00,716
APOLOGIES. I THOUGHT
YOU WERE OUT.
714
00:47:02,692 --> 00:47:03,822
HOW DID YOU GET IN HERE?
715
00:47:04,151 --> 00:47:05,881
HENRY WAS ALWAYS LOSING HIS KEYS
716
00:47:05,900 --> 00:47:08,030
SO HE GAVE ME A SPARE.
717
00:47:09,229 --> 00:47:12,229
IN FACT THIS IS HIS SECOND SPARE.
HE LOST THE FIRST.
718
00:47:18,316 --> 00:47:19,526
WHAT DO YOU WANT?
719
00:47:20,690 --> 00:47:21,980
I LEFT YOU A NOTE.
720
00:47:22,823 --> 00:47:24,913
AND A PRESENT OF SORTS.
721
00:47:25,699 --> 00:47:28,989
I OWE YOU AN APOLOGY... I DIDN'T
WANT TO HAVE AN ARGUMENT.
722
00:47:29,949 --> 00:47:32,049
ALSO SOME THINGS
ARE BETTER WRITTEN DOWN.
723
00:47:32,074 --> 00:47:34,474
YOU'VE A TENDENCY
TO INFURIATE ME IN PERSON.
724
00:47:34,490 --> 00:47:36,200
IT MAKES ME LOSE
MY TRAIN OF THOUGHT.
725
00:47:37,157 --> 00:47:38,867
AND THIS IS YOUR APOLOGY?
726
00:47:40,032 --> 00:47:42,322
[GUFFAWS] NO.
727
00:47:45,198 --> 00:47:46,198
THIS IS.
728
00:47:53,532 --> 00:47:55,242
"DEATH AND THE MAIDEN.
729
00:47:56,531 --> 00:47:59,611
FEMALE DETECTIVE CRACKS CASE
OF GHOSTLY TERROR."
730
00:48:00,523 --> 00:48:02,693
I GOT THERE JUST AS THE PRESS
WAS ABOUT TO ROLL.
731
00:48:03,439 --> 00:48:05,149
I DON'T KNOW WHAT TO SAY.
732
00:48:06,231 --> 00:48:08,871
I CAN'T VOUCH FOR
THE QUALITY OF THE WRITING,
733
00:48:08,897 --> 00:48:12,577
BUT YOUR PART IN SOLVING
THE CASE IS MENTIONED IN FULL.
734
00:48:12,605 --> 00:48:15,475
AS IS THE ADDRESS
OF YOUR PREMISES.
735
00:48:19,024 --> 00:48:21,114
THANK YOU.
736
00:48:25,589 --> 00:48:28,259
-[ELIZA CLEARS THROAT]
-WELL...
737
00:48:29,047 --> 00:48:29,957
I SHOULD GO.
738
00:48:35,131 --> 00:48:37,091
SHALL I LEAVE YOUR SPARE KEY?
739
00:48:39,214 --> 00:48:41,304
NO... KEEP IT.
740
00:48:41,964 --> 00:48:42,944
JUST IN CASE.
741
00:48:42,964 --> 00:48:46,304
[GENTLE MUSIC PLAYING]
742
00:48:50,631 --> 00:48:52,011
[CHUCKLES]
743
00:49:15,174 --> 00:49:16,554
[SMASH]
744
00:49:19,423 --> 00:49:22,633
[OMINOUS MUSIC PLAYING]
745
00:49:39,201 --> 00:49:42,951
[SUSPENSEFUL MUSIC PLAYING]