1 00:00:27,485 --> 00:00:30,280 IT'S ALL THERE. 2 00:00:30,321 --> 00:00:33,491 TELL ME WHERE I CAN FIND THE JACK NAPIER PAINTING. 3 00:00:33,533 --> 00:00:35,452 YOUR PAINTING IS BEING HELD BY THE COLLECTIVE, 4 00:00:35,493 --> 00:00:36,995 PRIVATE CLUB OF CONNOISSEURS 5 00:00:37,037 --> 00:00:39,289 OF OUTLAWED ARTWORK AND ANTIQUITIES. 6 00:00:39,330 --> 00:00:41,541 YOU WANT TO TIE THE ROOM TOGETHER 7 00:00:41,583 --> 00:00:44,210 WITH A VINTAGE CANVAS THAT TAKES YOU 8 00:00:44,252 --> 00:00:47,213 INSIDE THE MIND OF PSYCHOTIC CRIMINALITY? 9 00:00:47,255 --> 00:00:48,840 THESE ARE THE PEOPLE YOU NEED TO KNOW. 10 00:00:48,882 --> 00:00:50,175 I WANT AN INTRODUCTION. 11 00:00:50,216 --> 00:00:51,885 OH. THE TOP CROW? 12 00:00:51,926 --> 00:00:53,970 YOUR BIGGEST CLIENTS ARE IN THE COLLECTIVE. 13 00:00:54,012 --> 00:00:55,346 THEY PAY YOUR BILLS. 14 00:00:55,388 --> 00:00:57,265 YOU WALK UP TO THEIR DOORSTEP 15 00:00:57,307 --> 00:00:58,892 TRYING TO GRAB THAT NAPIER, 16 00:00:58,933 --> 00:01:00,935 THEY'RE GONNA ASK YOU FOR A REFUND. UNH! 17 00:01:15,450 --> 00:01:18,119 YOU'RE FROM CORYANA. 18 00:01:18,161 --> 00:01:21,206 YOU'RE GONNA TELL SAFIYAH TO GIVE MY DAUGHTER BACK. 19 00:01:21,247 --> 00:01:22,415 UNH! 20 00:01:25,710 --> 00:01:27,212 AAH! 21 00:01:33,176 --> 00:01:35,512 I GOT A REPORT OF A GUY LURKING AROUND EAST END 22 00:01:35,553 --> 00:01:37,013 WITH A SPIKY POLE. 23 00:01:37,055 --> 00:01:39,265 IT DOESN'T CONCERN YOU, BATWOMAN. 24 00:01:39,307 --> 00:01:41,559 THAT SO? BECAUSE HE'S HANGING OFF MY LINE, 25 00:01:41,601 --> 00:01:43,812 SO WHY DON'T YOU TELL ME WHAT KIND OF FISH I CAUGHT? 26 00:01:43,853 --> 00:01:46,481 THERE'S AN ITEM I'M LOOKING FOR. 27 00:01:46,523 --> 00:01:48,942 IT'S GONNA HELP ME FIND MY DAUGHTER. 28 00:01:48,983 --> 00:01:51,861 THE WOMAN HOLDING HER CAPTIVE DOESN'T WANT ME TO FIND IT. 29 00:01:51,903 --> 00:01:54,364 SAFIYAH? SHE SENT THIS GUY? 30 00:01:54,405 --> 00:01:57,283 WEAPON FITS THE M.O. OF HER ASSASSINS, 31 00:01:57,325 --> 00:02:00,411 BUT I'LL CONFIRM AFTER YOU HAND HIM OVER NOW. 32 00:02:00,453 --> 00:02:02,789 I DON'T TAKE ORDERS FROM CROWS, 33 00:02:02,831 --> 00:02:06,334 AND I GOT A BETTER SHOT AT FINDING KATE KANE BEFORE YOU DO. 34 00:02:09,587 --> 00:02:11,840 "ALL CROWS ARE BASTARDS." 35 00:02:23,977 --> 00:02:25,979 VESPER: MORNING, GOTHAM. GUESS THE EARLY BIRD 36 00:02:26,020 --> 00:02:27,814 GIVES US THE BIRD. 37 00:02:27,856 --> 00:02:30,024 ACROBATIC ART PRANKSTER WOLF SPIDER WAS AT IT AGAIN, 38 00:02:30,066 --> 00:02:32,068 ROLLING HIS EYES AT THE ENTIRE CITY 39 00:02:32,110 --> 00:02:34,654 FROM THE TOP OF THE GOTHAM CENTURY SKYSCRAPER 40 00:02:34,696 --> 00:02:36,656 WITH AN IRIDESCENT EMOJI, 41 00:02:36,698 --> 00:02:38,700 MILLENNIAL HACKTIVISM AT ITS FINEST 42 00:02:38,741 --> 00:02:42,245 AND ALMOST ENOUGH TO DISTRACT US FROM AN EVEN JUICIER BAT STORY. 43 00:02:42,287 --> 00:02:44,956 ANOTHER SIGHTING OF BATWOMAN 2.0 44 00:02:44,998 --> 00:02:47,292 AND TOP CROW JACOB KANE TOGETHER, 45 00:02:47,333 --> 00:02:49,377 THIS TIME WORKING IN THE EAST END CRIME SCENE. 46 00:02:49,419 --> 00:02:52,213 ARE WE LOOKING AT GOTHAM'S NEWEST POWER COUPLE? 47 00:02:52,255 --> 00:02:54,757 NO. JEEZ. 48 00:02:54,799 --> 00:02:56,551 I THOUGHT BATWOMAN WAS COOL. 49 00:02:56,593 --> 00:02:59,470 HEY. WE DON'T KNOW WHAT THEY WERE DOING. 50 00:02:59,512 --> 00:03:02,015 MAYBE BATWOMAN WAS SAVING HIS ASS. 51 00:03:02,056 --> 00:03:03,391 THOUGHT YOU MIGHT BE HUNGRY 52 00:03:03,433 --> 00:03:06,102 AFTER LAST NIGHT'S RECONNECTING. 53 00:03:06,144 --> 00:03:07,770 STILL SLEEPY. 54 00:03:07,812 --> 00:03:10,732 I WISH YOU COULD DO SOMETHING ABOUT THAT. 55 00:03:10,773 --> 00:03:13,985 YOU CAN TAKE THE DAY OFF. 56 00:03:14,027 --> 00:03:15,987 MMM. I CAN'T. 57 00:03:16,029 --> 00:03:20,783 AS CUTE AS I LOOK IN YOUR RIDICULOUS ROBE, 58 00:03:20,825 --> 00:03:23,286 I SHOULD GET HOME AND CHANGE FIRST. 59 00:03:23,328 --> 00:03:25,413 YOU WALK OF SHAMING FOR ME? 60 00:03:25,455 --> 00:03:29,292 LIKE THE OLD DAYS. 61 00:03:29,334 --> 00:03:32,962 SPEAKING OF THE OLD DAYS, 62 00:03:33,004 --> 00:03:36,216 IT'S TIME YOU GOT THAT APOLOGY I OWE YOU. 63 00:03:39,177 --> 00:03:41,095 MY PARTYING WAS OUT OF CONTROL, 64 00:03:41,137 --> 00:03:43,514 AND YOU TOOK MY STASH THINKING IT WOULD HELP ME, 65 00:03:43,556 --> 00:03:47,310 AND INSTEAD, IT GOT YOUR ASS THROWN IN JAIL, 66 00:03:47,352 --> 00:03:49,395 AND I GET WHY YOU DIDN'T WANT ME TO VISIT YOU. 67 00:03:49,437 --> 00:03:52,315 YOU SERVED 18 MONTHS FOR ME, RY, 68 00:03:52,357 --> 00:03:54,400 AND IT'S TIME I START PAYING YOU BACK. 69 00:03:59,364 --> 00:04:02,033 ONE FOR YOU, ONE FOR ME? 70 00:04:04,702 --> 00:04:06,704 I LOVE IT, 71 00:04:06,746 --> 00:04:08,331 BUT WE'RE GOOD. 72 00:04:08,373 --> 00:04:09,916 YOU GOT YOUR LIFE TOGETHER. 73 00:04:09,958 --> 00:04:11,584 THAT'S ALL I WANTED. 74 00:04:13,962 --> 00:04:16,381 OHH! HEY. WHAT IS THIS? 75 00:04:16,422 --> 00:04:17,840 IT'S.. A WORK INJURY. 76 00:04:17,882 --> 00:04:20,551 YOU FALL ON A CORKSCREW? 77 00:04:20,593 --> 00:04:22,345 RYAN, YOU NEED TO GET THAT LOOKED AT. 78 00:04:22,387 --> 00:04:24,097 YEAH. I JUST GOT THIS JOB. 79 00:04:24,138 --> 00:04:26,557 I DON'T NEED MY BOSS THINKING I CAN'T HACK IT. 80 00:04:26,599 --> 00:04:29,602 YOU TEND BAR. SHE'LL UNDERSTAND. 81 00:04:29,644 --> 00:04:32,522 ALL THESE YEARS LATER STILL WORRYING ABOUT ME. 82 00:04:32,563 --> 00:04:34,399 IT'S KIND OF CUTE. 83 00:04:34,440 --> 00:04:35,984 -YOU KNOW WHAT'S KIND OF CUTE? -HMM? 84 00:04:36,025 --> 00:04:38,403 YOU... 85 00:04:38,444 --> 00:04:42,115 WITHOUT THAT NASTINESS ON YOUR SHOULDER. 86 00:04:42,156 --> 00:04:44,617 YOU TAKE CARE OF EVERYONE ELSE. 87 00:04:44,659 --> 00:04:47,078 TAKE CARE OF YOURSELF FOR ONCE. 88 00:04:50,707 --> 00:04:52,417 MARY: GIVING YOU AN ANTIBIOTIC. 89 00:04:52,458 --> 00:04:54,794 SO...IT'S JUST AN INFECTION? 90 00:04:54,836 --> 00:04:56,504 WELL, IT MIGHT HAVE TURNED NECROTIC 91 00:04:56,546 --> 00:05:00,675 IF YOU HAD WAITED ANY LONGER. 92 00:05:00,717 --> 00:05:03,511 ARE YOU SURE YOU'RE NOT HAVING ANY OTHER SYMPTOMS 93 00:05:03,553 --> 00:05:05,722 THAT YOU'RE NOT TELLING ME ABOUT? 94 00:05:05,763 --> 00:05:07,265 NO. I... 95 00:05:07,307 --> 00:05:10,476 MAYBE A LITTLE MORE TIRED THAN NORMAL. 96 00:05:10,518 --> 00:05:12,103 OK. OK. 97 00:05:15,773 --> 00:05:17,442 KATE WOULD POP TWO OF THESE, 98 00:05:17,483 --> 00:05:18,985 AND SHE'D BE BACK IN FIGHTING SHAPE. 99 00:05:19,027 --> 00:05:21,195 -OK. COOL. -BUT IF YOU'RE HURT, 100 00:05:21,237 --> 00:05:23,156 YOU SHOULD SIT OUT A FEW DAYS. 101 00:05:23,197 --> 00:05:24,657 RIGHT. DID KATE EVER SIT OUT? 102 00:05:24,699 --> 00:05:26,451 KATE WAS NEVER SHOT WITH ANYTHING 103 00:05:26,492 --> 00:05:28,995 THAT PIERCED THROUGH THE BATSUIT, 104 00:05:29,037 --> 00:05:31,831 AND YOU SHOULDN'T COMPARE YOURSELF TO HER. 105 00:05:31,873 --> 00:05:35,251 WHAT'S MY CHOICE, HUH? EVERYBODY ELSE IS. 106 00:05:35,293 --> 00:05:37,378 I KNOW YOU DON'T HAVE A TWITTER, 107 00:05:37,420 --> 00:05:40,423 SO I ASSUME YOU MEAN LUKE. 108 00:05:40,465 --> 00:05:43,426 JUST DON'T TELL HIM ABOUT THIS, OK? 109 00:05:43,468 --> 00:05:45,470 I DON'T NEED ANOTHER REASON FOR HIM NOT TO TRUST ME. 110 00:05:45,511 --> 00:05:48,056 HE'S BEEN QUESTIONING EVERY DECISION I MAKE. 111 00:05:48,097 --> 00:05:49,724 NOT TO BACKSEAT DRIVE, BUT AREN'T YOU 112 00:05:49,766 --> 00:05:51,809 PROFICIENT IN 6 DIFFERENT FORMS OF MARTIAL ARTS? 113 00:05:51,851 --> 00:05:53,394 WHAT'S THE POINT OF JUST LEAVING HIM HERE? 114 00:05:53,436 --> 00:05:55,646 I TOLD HIM WE WANTED THE LOCATION OF CORYANA. 115 00:05:55,688 --> 00:05:57,231 HE'LL GIVE IT UP. TAKE IT FROM A FOSTER KID. 116 00:05:57,273 --> 00:05:59,192 IT IS AMAZING HOW WELL YOU BEHAVE 117 00:05:59,233 --> 00:06:00,651 WHEN YOU ARE LITERALLY STARVING. 118 00:06:00,693 --> 00:06:02,320 WE DON'T HAVE TIME TO WAIT HIM OUT. 119 00:06:02,362 --> 00:06:04,739 IF ALICE FINDS OCEAN BEFORE WE FIND CORYANA, 120 00:06:04,781 --> 00:06:06,157 SAFIYAH'S GONNA GIVE KATE TO HER, 121 00:06:06,199 --> 00:06:07,533 AND ALICE IS GOING TO KILL HER. 122 00:06:07,575 --> 00:06:09,202 OK. SO DO YOUR HACKER THING 123 00:06:09,243 --> 00:06:10,787 AND GET SOME INFO ON THE SPIKY POLE GUY 124 00:06:10,828 --> 00:06:12,330 TO SPEED THIS UP. 125 00:06:14,665 --> 00:06:16,459 I ALREADY TRIED. 126 00:06:16,501 --> 00:06:17,960 I TRACKED HIS MOVEMENTS AND CONFIRMED 127 00:06:18,002 --> 00:06:19,796 THAT HE WASN'T AFTER JACOB KANE. 128 00:06:19,837 --> 00:06:21,381 HE WAS STALKING THE GUY THAT HE KILLED IN THE ALLEY, 129 00:06:21,422 --> 00:06:23,216 BUT THE VICTIM WAS AN INVESTMENT ANALYST 130 00:06:23,257 --> 00:06:24,717 AT GOTHAM CAPITAL WITH NO RECORD. 131 00:06:24,759 --> 00:06:27,178 WHAT'S HE GOT TO DO WITH CORYANA? 132 00:06:27,220 --> 00:06:28,846 SIR, I'M NOT DEFENDING HER ACTIONS, 133 00:06:28,888 --> 00:06:31,516 BUT MY GUESS IS SHE'S AFTER WHAT WE'RE AFTER-- 134 00:06:31,557 --> 00:06:33,017 KATE'S LOCATION. 135 00:06:33,059 --> 00:06:34,936 LET HER KEEP SAFIYAH'S THUG. 136 00:06:34,977 --> 00:06:37,063 WE GOT A NEW LEAD ON THE NAPIER-- 137 00:06:37,105 --> 00:06:39,273 EVAN BLAKE, OLD FRIEND OF KATE'S 138 00:06:39,315 --> 00:06:40,775 AND A FIXTURE ON THE GOTHAM ART SCENE. 139 00:06:40,817 --> 00:06:42,735 JUST FLEW BACK FROM A TRIP TO BERLIN. 140 00:06:42,777 --> 00:06:44,737 HE WAS CAUGHT A COUPLE OF YEARS AGO 141 00:06:44,779 --> 00:06:47,615 WITH PLUNDERED ARTIFACT AND FORCED TO PAY RESTITUTION. 142 00:06:47,657 --> 00:06:50,701 IN OTHER WORDS, A LIKELY MEMBER OF THE COLLECTIVE 143 00:06:50,743 --> 00:06:52,662 WHO MIGHT COOPERATE. 144 00:06:52,703 --> 00:06:55,415 EVAN: COMMANDER, YOU'RE UNDERSELLING OUR ENTIRE ORIGIN STORY. 145 00:06:55,456 --> 00:06:57,375 KATIE KANE SAVED MY LIFE. 146 00:06:57,417 --> 00:06:59,502 -REALLY? -GOTHAM PREP. 147 00:06:59,544 --> 00:07:01,129 IT'S EIGHTH GRADE, AND THE WINTER FORMAL 148 00:07:01,170 --> 00:07:03,005 IS A MULTIVERSE SHATTERING CRISIS 149 00:07:03,047 --> 00:07:05,049 BECAUSE I'M "STRAIGHT." 150 00:07:05,091 --> 00:07:06,551 KATE WAS WAY OUT BY THEN, 151 00:07:06,592 --> 00:07:08,219 I HAD THIS TRAGIC CRUSH, 152 00:07:08,261 --> 00:07:10,054 AND I ASKED HER TO THE DANCE. 153 00:07:10,096 --> 00:07:12,056 I'M SURE SHE WANTED TO ROLL HER EYES SO HARD, 154 00:07:12,098 --> 00:07:14,434 BUT WITH THE GRACE OF A SAINT, 155 00:07:14,475 --> 00:07:16,060 SHE SAID YES. 156 00:07:16,102 --> 00:07:17,562 THE ONLY TIME YOU'LL EVER HEAR TEENAGE KATE 157 00:07:17,603 --> 00:07:19,063 DESCRIBED AS A SAINT. 158 00:07:19,105 --> 00:07:20,606 MY PARENTS TAKE ME TO PICK HER UP, 159 00:07:20,648 --> 00:07:22,108 AND KATE IS JAW-DROPPING 160 00:07:22,150 --> 00:07:24,944 IN THIS TAILORED VELVET SUIT, 161 00:07:24,986 --> 00:07:26,988 JUST RADIATING QUEER CONFIDENCE. 162 00:07:27,029 --> 00:07:29,532 I ON THE OTHER HAND DISSOLVE INTO A MONSOON OF TEARS. 163 00:07:29,574 --> 00:07:31,367 KATE RACES ME UP TO HER BEDROOM, 164 00:07:31,409 --> 00:07:32,827 AND WE GO THROUGH THE WHOLE THING. 165 00:07:32,869 --> 00:07:34,871 "I'M GAY." "I KNOW." 166 00:07:34,912 --> 00:07:36,581 WE MAKE IT TO THE DANCE, 167 00:07:36,622 --> 00:07:38,875 AND I CAME OUT BY DEFAULT 168 00:07:38,916 --> 00:07:41,085 BECAUSE I WORE KATE'S ALEXANDER McQUEEN 169 00:07:41,127 --> 00:07:42,837 OFF-THE-SHOULDER MINI, 170 00:07:42,879 --> 00:07:45,173 WHICH BEGGED A LOT OF QUESTIONS, 171 00:07:45,214 --> 00:07:48,050 BUT I WASN'T AFRAID ANYMORE. 172 00:07:48,092 --> 00:07:50,720 I WAS GLOWING, 173 00:07:50,761 --> 00:07:54,682 AND THEN KATE DITCHED ME TO MAKE OUT WITH MAGGIE WATSON. 174 00:07:54,724 --> 00:07:56,934 SOUNDS LIKE OUR GIRL. 175 00:07:56,976 --> 00:08:00,438 SO YOU NEED MY HELP WITH KATE'S DISAPPEARANCE. 176 00:08:00,480 --> 00:08:01,981 I'M HERE FOR YOU. 177 00:08:02,023 --> 00:08:03,900 KATE WAS LOOKING FOR A PIECE OF ARTWORK, 178 00:08:03,941 --> 00:08:05,735 SOMETHING THAT MAY HAVE GOTTEN HER 179 00:08:05,776 --> 00:08:07,445 ON THE WRONG SIDE OF SOMEONE VERY DANGEROUS. 180 00:08:07,487 --> 00:08:09,322 OUR THEORY IS IF WE FIND THE ITEM 181 00:08:09,363 --> 00:08:10,907 IT WILL LEAD US TO HER CAPTOR. 182 00:08:10,948 --> 00:08:13,159 WELL, YOU'VE COME TO THE RIGHT ART SNOB. 183 00:08:13,201 --> 00:08:15,912 I WAS SENIOR EDITOR AT THE GOTHAM MUSEUM OF ANTIQUITIES, 184 00:08:15,953 --> 00:08:17,997 I CURATE MY OWN PRIVATE COLLECTIONS, 185 00:08:18,039 --> 00:08:20,708 I'VE GOT MY HANDS IN A BIT OF EVERYTHING. 186 00:08:20,750 --> 00:08:23,836 YEAH. WE KNOW. AGENT MOORE. 187 00:08:23,878 --> 00:08:26,589 KATE WAS LOOKING FOR A CANVAS PAINTED BY JACK NAPIER, 188 00:08:26,631 --> 00:08:28,090 ALIAS THE JOKER. 189 00:08:28,132 --> 00:08:29,592 YOU'RE AWARE OF IT, YES? 190 00:08:29,634 --> 00:08:31,552 I KNOW THE LEGEND. 191 00:08:31,594 --> 00:08:33,596 PSYCHOTIC EVILDOER BREAKS INTO HOME, 192 00:08:33,638 --> 00:08:35,973 SPLASHES HOMEOWNER'S GUTS ALL OVER SOME OLD PAINTING 193 00:08:36,015 --> 00:08:38,893 IN THE FOYER AND CALLS IT MODERN ART. 194 00:08:38,935 --> 00:08:40,520 IT'S A BIT ON THE NOSE IF YOU ASK ME. 195 00:08:40,561 --> 00:08:42,897 NOT TO MENTION ILLEGAL TO BUY, SELL, OR POSSESS 196 00:08:42,939 --> 00:08:45,691 SINCE IT WAS STOLEN FROM AN ACTIVE CRIME SCENE. 197 00:08:45,733 --> 00:08:47,443 I'M SORRY. SHOULD THERE BE A HARSH LIGHT 198 00:08:47,485 --> 00:08:49,904 SHINING IN MY EYES RIGHT NOW? 199 00:08:49,946 --> 00:08:53,407 BECAUSE THE KATE I KNEW NEVER GAVE A CRAP ABOUT ART, 200 00:08:53,449 --> 00:08:55,326 AND I HAVEN'T SPOKEN WITH HER IN YEARS. 201 00:08:55,368 --> 00:08:57,578 WE HAVE REASON TO BELIEVE THAT YOU'RE AFFILIATED 202 00:08:57,620 --> 00:09:00,039 WITH THE COLLECTIVE. 203 00:09:00,081 --> 00:09:01,415 HEH. 204 00:09:01,457 --> 00:09:02,792 WE'LL WORK TO GET YOU FULL IMMUNITY 205 00:09:02,833 --> 00:09:04,418 IF YOU HELP US MAKE CONTACT. 206 00:09:04,460 --> 00:09:07,088 IMMUNITY FROM WHAT, MS. MOORE? 207 00:09:07,129 --> 00:09:08,631 I'M A PERFECT ANGEL. 208 00:09:08,673 --> 00:09:10,675 I THOUGHT YOU WERE HERE FRIEND. 209 00:09:10,716 --> 00:09:14,262 I LOVE KATIE, BUT THIS FEELS LIKE ENTRAPMENT. 210 00:09:14,303 --> 00:09:16,389 IF YOU NEED TO CONTACT ME AGAIN, 211 00:09:16,430 --> 00:09:18,474 I'LL REFER YOU TO MY LAWYERS. 212 00:09:24,730 --> 00:09:27,608 I WANT ALL OUR TECH INSIDE EVERY DEVICE EVAN OWNS, 213 00:09:27,650 --> 00:09:30,611 ROUND-THE-CLOCK REVOLVING TAILS. 214 00:09:30,653 --> 00:09:32,613 YES, SIR, BUT THERE COULD BE 215 00:09:32,655 --> 00:09:34,824 AN EASIER WAY TO LOCATE CORYANA-- 216 00:09:34,865 --> 00:09:36,867 WITH BATWOMAN'S HELP. 217 00:09:36,909 --> 00:09:39,203 LET ME ASK HER FOR ACCESS TO HER PRISONER. 218 00:09:39,245 --> 00:09:41,163 BATWOMAN OR WHOEVER IT IS 219 00:09:41,205 --> 00:09:42,832 WHO STEPPED IN FOR MY DAUGHTER, 220 00:09:42,873 --> 00:09:45,334 I AM NOT GONNA GROVEL AT HER FEET. 221 00:09:45,376 --> 00:09:46,711 THEN LET ME DO IT 222 00:09:46,752 --> 00:09:48,796 OR AT LEAST ASK NICELY 223 00:09:48,838 --> 00:09:50,965 BECAUSE ALICE WILL DO A LOT WORSE THAN GROVEL 224 00:09:51,007 --> 00:09:52,925 TO FIND KATE BEFORE WE DO. 225 00:10:04,854 --> 00:10:07,565 [SIGHS] 226 00:10:12,320 --> 00:10:16,115 [MEN GRUNTING] 227 00:10:16,157 --> 00:10:17,825 SAFIYAH: OCEAN. 228 00:10:20,911 --> 00:10:22,663 HI. 229 00:10:22,705 --> 00:10:24,040 HI. 230 00:10:28,085 --> 00:10:30,296 [SIGHS] 231 00:10:32,381 --> 00:10:34,634 WHAT DO YOU CALL IT WHEN YOU'RE SURE 232 00:10:34,675 --> 00:10:36,844 YOU'VE MET SOMEONE... 233 00:10:38,512 --> 00:10:40,890 YOU'RE SURE YOU'VE NEVER MET? 234 00:10:45,895 --> 00:10:47,855 A STAY OF EXECUTION. 235 00:10:47,897 --> 00:10:49,774 [INDISTINCT CHATTER] 236 00:10:49,815 --> 00:10:52,777 MAN: ♪ THERE'S A FULL MOON, I'M HOWLIN' TONIGHT ♪ 237 00:10:52,818 --> 00:10:55,529 ♪ AND THERE'S A-BLOOD ON THE THORN OF A ROSE ♪ 238 00:10:55,571 --> 00:10:57,573 VODKA ON THE ROCKS. 239 00:10:57,615 --> 00:10:59,575 MAN: ♪ THINK YOU'RE GONNA LOVE TONIGHT ♪ 240 00:10:59,617 --> 00:11:03,120 ♪ LISTEN, GIRL, WELL, I THINK YOU SHOULD KNOW ♪ 241 00:11:03,162 --> 00:11:05,706 VISITING FROM GOTHAM? 242 00:11:05,748 --> 00:11:09,919 WHY? DO I LOOK DEPRESSED? 243 00:11:09,960 --> 00:11:12,797 YOU'VE GOT THE SOPHISTICATION OF A CITY MOUSE. 244 00:11:12,838 --> 00:11:19,428 HEH. MOUSE. AHEM. TOUCHY SUBJECT. 245 00:11:19,470 --> 00:11:21,722 DON'T YOU THINK MICE ARE CUTE? 246 00:11:23,724 --> 00:11:27,103 I HAD A MOUSE IN MY LIFE. 247 00:11:27,144 --> 00:11:29,230 I LOVED HIM LIKE A BROTHER, 248 00:11:29,271 --> 00:11:30,773 AND WHEN HE STARTED HOLDING ME BACK 249 00:11:30,815 --> 00:11:33,693 FROM MY DREAMS, I KILLED HIM. 250 00:11:33,734 --> 00:11:35,277 HEH. 251 00:11:38,698 --> 00:11:40,866 SHOOT. UM... 252 00:11:40,908 --> 00:11:42,201 [COUGHS] 253 00:11:42,243 --> 00:11:44,995 I THINK IT'S MY TURN TO, UH... 254 00:11:45,037 --> 00:11:46,706 MAN: ♪ YOU BETTER WAIT ♪ 255 00:11:46,747 --> 00:11:49,041 ♪ BEFORE YOUR HEART IS TURNED TO SLATE ♪ 256 00:11:49,083 --> 00:11:53,295 [SLOW CLAP] 257 00:11:53,337 --> 00:11:57,258 THAT IS THE FASTEST I'VE EVER SEEN HIM TAKE THE HINT. 258 00:11:57,299 --> 00:11:59,135 CAN I JOIN YOU 259 00:11:59,176 --> 00:12:02,221 IN CASE HE DECIDES TO TRY IT AGAIN? 260 00:12:02,263 --> 00:12:04,265 PRETTY SURE HE'S IN THE NEXT COUNTY BY NOW, 261 00:12:04,306 --> 00:12:06,684 BUT BY ALL MEANS. 262 00:12:20,489 --> 00:12:22,283 [GRAPPLING LINE UNSPOOLING] 263 00:12:27,037 --> 00:12:29,415 LAST TIME I CAME HERE TO MEET A BATWOMAN, 264 00:12:29,457 --> 00:12:33,043 THE VIBES... WERE DIFFERENT. 265 00:12:33,085 --> 00:12:35,796 PLEASE SAY THIS ISN'T A BOOTY CALL. 266 00:12:35,838 --> 00:12:38,591 LOOK. I DON'T KNOW WHERE YOU GOT THIS IDEA 267 00:12:38,632 --> 00:12:40,468 THAT ALL CROWS ARE BASTARDS, 268 00:12:40,509 --> 00:12:42,136 BUT SOME OF US ARE TRYING TO MAKE A DIFFERENCE. 269 00:12:42,178 --> 00:12:44,180 WELL, IN MY EXPERIENCE, WHEN THE CROWS FLY TOGETHER, 270 00:12:44,221 --> 00:12:46,348 THEY CALL IT A MURDER FOR A REASON. 271 00:12:46,390 --> 00:12:48,350 I WANT TO OFFER YOU A DEAL. 272 00:12:48,392 --> 00:12:50,519 YOU GET EVERYTHING WE KNOW ABOUT SAFIYAH AND CORYANA, 273 00:12:50,561 --> 00:12:52,563 AND WE GET ACCESS TO YOUR PRISONER. 274 00:12:52,605 --> 00:12:54,523 SO YOU CAN BEAT HIM WITHIN AN INCH OF HIS LIFE. 275 00:12:54,565 --> 00:12:57,109 HE'S A MURDERER WHO KNOWS WHERE KATE'S BEING HELD. 276 00:12:57,151 --> 00:12:59,153 -I'LL THINK ABOUT IT. -YOU SHOULD BE DOING 277 00:12:59,195 --> 00:13:00,946 EVERYTHING IN YOUR POWER TO HELP KATE. 278 00:13:00,988 --> 00:13:03,949 I DON'T NEED A CROW TELLING ME HOW TO DO MY JOB. 279 00:13:03,991 --> 00:13:07,411 I'M NOT SPEAKING TO YOU AS A CROW. 280 00:13:07,453 --> 00:13:09,997 KATE'S THE LOVE OF MY LIFE, 281 00:13:10,039 --> 00:13:12,500 AND I NEED YOUR HELP TO GET HER BACK. 282 00:13:25,846 --> 00:13:27,264 HELL TO THE NO. NO. 283 00:13:27,306 --> 00:13:28,808 WORKING WITH THE CROWS MAKES MY SKIN CRAWL. 284 00:13:28,849 --> 00:13:30,684 SCREW THAT. NO. 285 00:13:30,726 --> 00:13:32,520 IT'S NOT LIKE WE'RE HOSTING THEM A FUNDRAISER. 286 00:13:32,561 --> 00:13:34,939 TRUST ME. WE MAKE A DEAL THAT SOUNDS GOOD, 287 00:13:34,980 --> 00:13:36,232 THEY'LL BREAK IT. 288 00:13:36,273 --> 00:13:37,817 NOT IF WE'RE DEALING WITH SOPHIE. 289 00:13:37,858 --> 00:13:39,610 SOPHIE HAS HAULED MY ASS IN FOR QUESTIONING 290 00:13:39,652 --> 00:13:43,823 SO MANY TIMES SHE KNOWS MY DAMN COFFEE ORDER. NO! 291 00:13:43,864 --> 00:13:46,659 WILL YOU TALK SOME SENSE INTO HER, PLEASE? 292 00:13:46,700 --> 00:13:49,328 WE'RE AT A DEAD END, RYAN. LOOK. I'M SORRY, 293 00:13:49,370 --> 00:13:51,705 BUT YOU'RE OUTVOTED. 294 00:13:51,747 --> 00:13:54,416 I GET IT. YOU WANT KATE BACK, 295 00:13:54,458 --> 00:13:58,045 BUT THE CROWS HAVE TRIED TO RUIN MY LIFE FOR FUN. 296 00:13:58,087 --> 00:13:59,797 I'M NOT HELPING THEM! 297 00:14:18,148 --> 00:14:21,569 LUKE: OK. SO. 298 00:14:21,610 --> 00:14:23,904 CROWS HORROR STORIES. 299 00:14:23,946 --> 00:14:25,781 YOU WANT ME TO GO, OR... 300 00:14:25,823 --> 00:14:28,242 DO YOU WANT TO DO YOUR FIRST? 301 00:14:28,284 --> 00:14:33,539 MY GIRL ANGELIQUE HAD A DRUG HABIT, 302 00:14:33,581 --> 00:14:37,376 AND ON A VERY UGLY NIGHT, 303 00:14:37,418 --> 00:14:41,505 SHE WAS GONE, LIKE A DIFFERENT PERSON, 304 00:14:41,547 --> 00:14:43,674 SO I FOUND HER STASH, AND I TOOK IT, 305 00:14:43,716 --> 00:14:47,177 THINKING I COULD SOMEHOW STRAIGHTEN HER OUT, 306 00:14:47,219 --> 00:14:51,140 BRING HER BACK. 307 00:14:51,181 --> 00:14:54,268 I'M ON THE STREET, CRYING, 308 00:14:54,310 --> 00:14:56,061 NO QUESTION WHAT KIND OF NIGHT I'M HAVING, 309 00:14:56,103 --> 00:14:58,564 AND I PASS THESE TWO CROWS, 310 00:14:58,606 --> 00:15:01,150 AND ONE OF THEM YELLS OUT, 311 00:15:01,191 --> 00:15:04,904 "YOU'D BE CUTER WITH A SMILE ON YOUR FACE." 312 00:15:04,945 --> 00:15:07,239 AND MY MAMA TOLD ME WHAT TO DO ABOUT IT. 313 00:15:07,281 --> 00:15:10,159 I PAY THEM NO MIND AND KEEP MOVING, 314 00:15:10,200 --> 00:15:13,037 BUT THEY--THEY WOULDN'T LET ME GO, 315 00:15:13,078 --> 00:15:15,998 SO MY HAND WENT OUT, MY FINGER WENT UP, AND BOOM, 316 00:15:16,040 --> 00:15:17,708 THOSE CROWS HAD WHAT THEY WANTED. 317 00:15:17,750 --> 00:15:22,046 THEY FOUND THE DRUGS AND THOUGHT THEY WERE YOURS. 318 00:15:22,087 --> 00:15:24,423 SORRY THAT HAPPENED TO YOU. 319 00:15:24,465 --> 00:15:27,134 WHAT WAS YOURS? 320 00:15:27,176 --> 00:15:30,471 UM...THE CROWS... 321 00:15:33,766 --> 00:15:37,019 KILLED MY FATHER. 322 00:15:37,061 --> 00:15:39,730 WAIT. WHAT? 323 00:15:39,772 --> 00:15:41,607 REALLY? 324 00:15:41,649 --> 00:15:43,275 REALLY. 325 00:15:45,486 --> 00:15:47,279 IT'S, UH, NOT A STORY FOR TODAY, 326 00:15:47,321 --> 00:15:50,908 BUT, UM... 327 00:15:50,950 --> 00:15:53,410 IT'S THE WORST THING THAT EVER HAPPENED TO ME. 328 00:16:05,172 --> 00:16:07,383 I SHOULD HAVE LET YOU GO FIRST. 329 00:16:12,388 --> 00:16:15,766 LOOK. I WILL NEVER FORGIVE THEM, 330 00:16:15,808 --> 00:16:19,687 AND I DON'T WANT TO HELP THE CROWS EITHER, 331 00:16:19,728 --> 00:16:23,399 BUT WE NEED THEM TO HELP US. 332 00:16:33,158 --> 00:16:34,952 REMEMBER, THIS ISN'T PUNISHMENT 333 00:16:34,994 --> 00:16:36,495 JUST FOR THE SAKE OF IT. 334 00:16:36,537 --> 00:16:39,123 GIVEN THIS MURDERER EVERY OPPORTUNITY TO TALK, 335 00:16:39,164 --> 00:16:41,959 SO UNLESS YOU HAVE ANY OTHER IDEAS, 336 00:16:42,001 --> 00:16:45,337 IT'S TIME TO TAKE THIS TO THE NEXT LEVEL. 337 00:16:45,379 --> 00:16:47,297 SOPHIE: YOU'VE GOT SOME CHOICES. 338 00:16:47,339 --> 00:16:50,300 YOU CAN GIVE US THE LOCATION OF CORYANA... 339 00:16:50,342 --> 00:16:51,969 UNH! 340 00:16:52,011 --> 00:16:53,595 SOPHIE: YOU CAN GET US IN TOUCH WITH SAFIYAH 341 00:16:53,637 --> 00:16:56,807 OR THE MAN KNOWN AS OCEAN. 342 00:16:56,849 --> 00:16:59,810 HELP US FIND THE NAPIER PAINTING. 343 00:16:59,852 --> 00:17:01,770 [GROANS] 344 00:17:01,812 --> 00:17:03,731 LISTEN TO ME. IT IS NOT WORTH 345 00:17:03,772 --> 00:17:05,190 WHAT THEY'RE GONNA DO TO YOU. 346 00:17:05,232 --> 00:17:06,734 THE MANY ARMS WILL KILL WHOEVER 347 00:17:06,775 --> 00:17:08,777 LAYS HANDS ON THAT PAINTING. 348 00:17:08,819 --> 00:17:11,739 YOU'LL NEVER FIND CORYANA. 349 00:17:11,780 --> 00:17:13,949 I NEVER SAID THE TWO WERE RELATED. 350 00:17:16,118 --> 00:17:19,121 THE PAINTING GETS US TO CORYANA? IS IT A MAP? 351 00:17:22,374 --> 00:17:24,084 [GRUNTS] 352 00:17:24,126 --> 00:17:26,587 [GROANING] 353 00:17:26,628 --> 00:17:28,464 -CYANIDE CAPSULE! -LET'S GET HIM DOWN! 354 00:17:28,505 --> 00:17:30,758 IT'S TOO LATE. IT'S TOO LATE. 355 00:17:35,971 --> 00:17:37,264 RYAN: KANE PUSHED HIM TOO HARD, 356 00:17:37,306 --> 00:17:38,766 AND NOW WE'RE AT A DEAD END. 357 00:17:38,807 --> 00:17:40,851 SOPHIE: MAYBE NOT. 358 00:17:40,893 --> 00:17:43,020 WE'VE BEEN SURVEILLING A SUSPECT WE LINKED TO THE NAPIER, 359 00:17:43,062 --> 00:17:45,439 AND WE JUST GOT A HIT ON ITS LOCATION. 360 00:17:45,481 --> 00:17:47,191 A GROUP CALLED THE COLLECTIVE 361 00:17:47,232 --> 00:17:49,109 IS HAVING A SPECIAL EXHIBITION TOMORROW NIGHT 362 00:17:49,151 --> 00:17:51,028 TO AUCTION THE PAINTING OFF. 363 00:17:51,070 --> 00:17:52,988 WHY NOW? 364 00:17:53,030 --> 00:17:54,531 WORD MUST HAVE GOTTEN BACK TO THE OWNER 365 00:17:54,573 --> 00:17:56,116 ABOUT THE BODY THAT DROPPED THE OTHER NIGHT. 366 00:17:56,158 --> 00:17:58,827 TOO MUCH HEAT. 367 00:17:58,869 --> 00:18:00,329 YOU DOING ANYTHING TOMORROW NIGHT? 368 00:18:00,370 --> 00:18:02,206 YOU LOOKING FOR A DATE TO THIS THING? 369 00:18:02,247 --> 00:18:04,208 WE DON'T HAVE AN INSIDER, 370 00:18:04,249 --> 00:18:06,293 BUT WE NEED SOMEONE WITH NO CONNECTION TO THE CROWS 371 00:18:06,335 --> 00:18:08,170 WHO CAN INFILTRATE THE EVENT 372 00:18:08,212 --> 00:18:12,591 AND GRAB THE NAPIER WITHOUT GETTING CAUGHT. 373 00:18:12,633 --> 00:18:14,468 I GO ALONE. 374 00:18:14,510 --> 00:18:16,261 NO CROWS AT THE LOCATION, 375 00:18:16,303 --> 00:18:17,679 NO SURVEILLANCE, 376 00:18:17,721 --> 00:18:19,223 AND I WANT YOU DIRECTLY IN CHARGE 377 00:18:19,264 --> 00:18:21,391 OF ANY CROWS ASSIGNED TO THIS MISSION. 378 00:18:24,394 --> 00:18:27,564 THIS IS A ONE-OFF. WE'RE NOT PARTNERS. 379 00:18:34,613 --> 00:18:39,660 SO...OCEAN... WHAT DO YOU DO? 380 00:18:39,701 --> 00:18:42,454 I...BORE PEOPLE TO DEATH BY TELLING THEM 381 00:18:42,496 --> 00:18:44,706 I'M A SOIL TECHNICIAN. 382 00:18:44,748 --> 00:18:48,168 OOH. THAT SOUNDS LIKE A FANCY NAME 383 00:18:48,210 --> 00:18:50,963 FOR DIRT NERD, 384 00:18:51,004 --> 00:18:52,589 BUT YOU SMILED WHEN YOU SAID IT, 385 00:18:52,631 --> 00:18:55,050 SO...YOU MUST LIKE YOUR WORK. 386 00:18:55,092 --> 00:18:57,845 I GREW UP IN NATURE. 387 00:18:57,886 --> 00:18:59,847 MY FAMILY CULTIVATED EVERYTHING WE EVER NEEDED 388 00:18:59,888 --> 00:19:02,307 FROM THE LAND. 389 00:19:02,349 --> 00:19:07,521 IN A PLACE LIKE GOTHAM, WHERE EVERYTHING IS CONCRETE, 390 00:19:07,563 --> 00:19:10,858 ISN'T THAT INCREDIBLE? 391 00:19:10,899 --> 00:19:12,693 SO TELL ME, 392 00:19:12,734 --> 00:19:17,865 WHERE IS THIS MAGICAL PLACE YOU HAIL FROM? 393 00:19:17,906 --> 00:19:21,076 MAN: ♪ AND I CHASE MY WHISKEY WITH THE BLUES ♪ 394 00:19:21,118 --> 00:19:22,703 I'M MEETING AN ASSOCIATE. 395 00:19:22,744 --> 00:19:24,955 SHOULD SPLASH SOME WATER ON MY FACE. 396 00:19:24,997 --> 00:19:29,626 5 SHOTS...NO REGRETS. 397 00:19:32,754 --> 00:19:35,048 HEY. CAN I ASK YOU SOMETHING? 398 00:19:35,090 --> 00:19:38,010 HAVE WE MET SOMEWHERE BEFORE? 399 00:19:38,051 --> 00:19:39,720 THINK I'D REMEMBER YOU. 400 00:19:39,761 --> 00:19:42,264 MAN: ♪ CHASE MY WHISKEY WITH THE BLUES ♪ 401 00:19:42,306 --> 00:19:44,975 PROBABLY JUST THINKING ABOUT SOMEBODY ELSE. 402 00:19:50,522 --> 00:19:52,191 OH, WELL. 403 00:20:07,748 --> 00:20:08,916 [FOOTSTEPS] 404 00:20:21,261 --> 00:20:23,347 DO YOU MIND... 405 00:20:23,388 --> 00:20:25,432 SHUTTING THE SHADE? 406 00:20:30,687 --> 00:20:34,066 YOU SLEPT THROUGH HALF THE DAY. 407 00:20:34,107 --> 00:20:37,903 5 SHOTS, NO REGRETS. 408 00:20:41,365 --> 00:20:43,533 SHALL I EXPLAIN? 409 00:20:43,575 --> 00:20:45,494 I DO WISH YOU WOULD. 410 00:20:45,535 --> 00:20:47,329 SOME LUNATIC ON A FAR-AWAY ISLAND 411 00:20:47,371 --> 00:20:48,830 IS HOLDING MY SISTER HOSTAGE, 412 00:20:48,872 --> 00:20:50,374 AND SHE WON'T HAND HER OVER UNTIL I GUT YOU 413 00:20:50,415 --> 00:20:52,626 AND AIR MAIL THE EVIDENCE. 414 00:20:52,668 --> 00:20:55,045 THIS WOMAN GOT A NAME? 415 00:20:55,087 --> 00:20:58,048 ENOUGH WOMEN WANT YOU DEAD I NEED TO BE SPECIFIC? 416 00:20:58,090 --> 00:20:59,967 JUST ANSWER THE DAMN QUESTION. 417 00:21:00,008 --> 00:21:01,927 SAFIYAH. 418 00:21:01,969 --> 00:21:06,598 ALTHOUGH HER OBEDIENT ISLAND FOLLOWERS CALL HER QUEEN. 419 00:21:07,849 --> 00:21:09,434 [SIGHS] 420 00:21:09,476 --> 00:21:12,145 NOT ME. 421 00:21:12,187 --> 00:21:14,231 I CALLED HER SISTER. 422 00:21:20,404 --> 00:21:23,865 MARY: I HAVE 3 WORDS. 423 00:21:23,907 --> 00:21:27,035 WHO...IS SHE? 424 00:21:27,077 --> 00:21:30,539 OHH! MM-WHA! LOOK! 425 00:21:30,580 --> 00:21:32,332 MAN: ♪ WE'RE MAKING SNOW MELT ♪ 426 00:21:32,374 --> 00:21:35,252 WAIT. ARE YOU SURE ART COLLECTORS 427 00:21:35,294 --> 00:21:38,547 ARE SUPPOSED TO HAVE THIS MUCH SWAG? 428 00:21:38,588 --> 00:21:40,632 WELL, FIRST OF ALL, THEY'RE NOT ART COLLECTORS. 429 00:21:40,674 --> 00:21:44,344 THEY'RE OUTLAWS, AND IF EVAN BLAKE IS THE STYLE GUIDE, 430 00:21:44,386 --> 00:21:46,638 THIS PARTY'S ABOUT TO LOOK LIKE "THE HUNGER GAMES." 431 00:21:46,680 --> 00:21:49,391 WHAT'S EVAN BLAKE'S DEAL? 432 00:21:49,433 --> 00:21:52,394 OHH. 433 00:21:52,436 --> 00:21:56,565 HE AND I WERE ALWAYS ANGLING FOR KATE'S AFFECTION. 434 00:21:56,606 --> 00:22:00,235 NOPE. HE WAS WAY MORE COMPETITIVE 435 00:22:00,277 --> 00:22:06,616 AND HAD--HEH-- A LOT MORE FLAIR THAN ME. 436 00:22:06,658 --> 00:22:09,369 NOW HE'S OVEREDUCATED, AND APPARENTLY, 437 00:22:09,411 --> 00:22:11,496 HE'S ADDICTED TO MISCHIEF. 438 00:22:11,538 --> 00:22:15,083 THE CROWS SAY THAT HE RUNS THE DOOR FOR THE COLLECTIVE. 439 00:22:15,125 --> 00:22:16,626 OH. NO. 440 00:22:19,588 --> 00:22:21,715 -YEAH. -OK. 441 00:22:21,757 --> 00:22:24,760 WELL, I THINK I CAN MAKE THIS WORK. 442 00:22:24,801 --> 00:22:27,763 MARY: I'D SAY SO. 443 00:22:27,804 --> 00:22:31,350 H-HEY. I--I BROUGHT THE PLAN-- 444 00:22:31,391 --> 00:22:33,977 I--I BROUGHT THE GAME PLAN. 445 00:22:34,019 --> 00:22:36,938 [BOTH LAUGHING] 446 00:22:36,980 --> 00:22:38,482 THE EVENT IS INSIDE A PRIVATE HANGAR 447 00:22:38,523 --> 00:22:40,150 AT GOTHAM INTERNATIONAL. 448 00:22:40,192 --> 00:22:41,985 IT'S ACTUALLY A PRETTY CLEVER WAY OF DOING THIS. 449 00:22:42,027 --> 00:22:44,363 SO THE COLLECTIVE FLIES IN, THEY UNLOAD THEIR PIECES, 450 00:22:44,404 --> 00:22:46,323 THEY BUY, SELL, PARTY, 451 00:22:46,365 --> 00:22:48,492 THEN THEY LOAD BACK UP, FLY AWAY. 452 00:22:48,533 --> 00:22:51,536 NO CUSTOMS, NO TSA, MAXIMUM SECURITY. 453 00:22:51,578 --> 00:22:53,914 HOW ARE WE SNEAKING THE BATSUIT THROUGH THAT SECURITY? 454 00:22:53,955 --> 00:22:55,665 SEE, WE JUST HAPPEN TO HAVE VIP ACCESS 455 00:22:55,707 --> 00:22:58,502 TO EVERY SQUARE INCH OF THAT TERMINAL. 456 00:22:58,543 --> 00:23:01,922 YEAH. BETWEEN WAYNE ENTERPRISES AND HAMILTON DYNAMICS, 457 00:23:01,963 --> 00:23:04,424 WE BURN MORE PRIVATE JET FUEL 458 00:23:04,466 --> 00:23:06,134 THAN THE HADIDS, KARDASHIANS, 459 00:23:06,176 --> 00:23:08,136 AND THE AIR FORCE COMBINED. 460 00:23:08,178 --> 00:23:09,679 YEAH. SO WITH OUR RESOURCES, 461 00:23:09,721 --> 00:23:11,473 CROWS' INTELLIGENCE, AND A SECRET AGENT 462 00:23:11,515 --> 00:23:15,435 THAT NO ONE'S GOING TO SUSPECT--RYAN WILDER. 463 00:23:15,477 --> 00:23:18,563 WAIT. I'M JUST SUPPOSED TO TALK MY WAY INSIDE? 464 00:23:18,605 --> 00:23:20,732 OH, NO. 465 00:23:20,774 --> 00:23:22,901 DID YOU THINK MARY HAD ALL THE ACCESSORIES? 466 00:23:22,943 --> 00:23:24,903 [INDISTINCT CHATTER] 467 00:23:24,945 --> 00:23:27,697 [ELECTRONIC MUSIC PLAYING] 468 00:23:27,739 --> 00:23:29,741 LOOK AT THIS PRECISION METALWORK. 469 00:23:29,783 --> 00:23:32,994 THE WEIGHT IS PERFECTLY BALANCED. 470 00:23:33,036 --> 00:23:35,038 WHAT'S THE PROVENANCE? 471 00:23:35,080 --> 00:23:36,623 WHICH BAT DID IT BELONG TO? 472 00:23:36,665 --> 00:23:38,625 WOMAN. 473 00:23:38,667 --> 00:23:41,044 -1.0 OR-- -CURRENT MODEL. 474 00:23:43,338 --> 00:23:46,216 THE BATARANG IS A STUNNING PIECE. 475 00:23:46,258 --> 00:23:48,176 WE'LL MAKE AN EXCEPTION 476 00:23:48,218 --> 00:23:52,347 AND ALLOW IT INTO THE EXHIBITION. 477 00:23:52,389 --> 00:23:55,350 OK. I'M REALLY LOVING THAT DRESS. 478 00:23:55,392 --> 00:23:56,768 DIDN'T IT DEBUT IN LONDON? 479 00:23:56,810 --> 00:23:58,270 -NAILED IT. -HUH. 480 00:23:58,311 --> 00:24:01,815 ACTUALLY, IT WAS NEW YORK, WINTER '18. 481 00:24:01,857 --> 00:24:03,483 WELL, I HEARD THERE WAS A DRESS CODE, 482 00:24:03,525 --> 00:24:05,610 SO I BORROWED IT FROM A FRIEND. 483 00:24:05,652 --> 00:24:07,654 HEARD FROM WHO EXACTLY? 484 00:24:07,696 --> 00:24:09,739 OF COURSE, I'M A BIG BELIEVER IN THE FIRST AMENDMENT 485 00:24:09,781 --> 00:24:11,783 EXCEPT WHEN IT COMES TO THE SHENANIGANS THAT GO ON 486 00:24:11,825 --> 00:24:13,869 BEHIND THE COLLECTIVE'S CLOSED DOORS. 487 00:24:13,910 --> 00:24:16,121 HA HA! EVAN BABY, 488 00:24:16,163 --> 00:24:19,708 WHAT ARE YOU DOING TO MY GIRL HERE? 489 00:24:19,749 --> 00:24:21,418 RYAN: YOU BEAT ME HERE. 490 00:24:21,460 --> 00:24:25,172 ANG, BIG NIGHT. PATRONS NEED THEIR PARTY FAVORS. 491 00:24:25,213 --> 00:24:27,257 AHH. 492 00:24:27,299 --> 00:24:29,384 AND THIS ONE'S YOURS? 493 00:24:29,426 --> 00:24:32,804 YEAH. I TOTALLY SPACED ON THE HEADS UP. 494 00:24:32,846 --> 00:24:35,140 IT'S FINE. YOU'RE FORGIVEN. 495 00:24:35,182 --> 00:24:36,349 ANY QUESTIONS? 496 00:24:36,391 --> 00:24:39,186 PRONOUNS? 497 00:24:39,227 --> 00:24:41,313 HE/HIM, THEY/THEM. 498 00:24:41,354 --> 00:24:43,648 I GO WITH THE FLOW. 499 00:24:43,690 --> 00:24:47,652 NOW, YOU TWO, GO FORTH AND DO CRIMES. 500 00:24:47,694 --> 00:24:50,030 ANG, WHAT ARE YOU DOING HERE? 501 00:24:50,071 --> 00:24:52,240 SAVING YOUR ASS AT THE DOOR. 502 00:24:52,282 --> 00:24:53,992 YOU CAN'T JUST SLIDE INTO THE DMs. 503 00:24:54,034 --> 00:24:55,577 YOU NEED A REFERRAL. 504 00:24:55,619 --> 00:24:59,080 WHAT PARTY FAVORS WAS HE TALKING ABOUT? 505 00:24:59,122 --> 00:25:00,916 ANG, NO. 506 00:25:00,957 --> 00:25:02,459 WHAT DO YOU WANT ME TO SAY? 507 00:25:02,501 --> 00:25:04,294 THAT YOU WEREN'T LYING THROUGH YOUR TEETH 508 00:25:04,336 --> 00:25:05,754 WHEN YOU TOLD ME YOU'D PULED YOUR LIFE TOGETHER. 509 00:25:05,795 --> 00:25:07,714 FOR YOUR INFORMATION, I'M CLEAN. 510 00:25:07,756 --> 00:25:09,966 4 MONTHS, BUT DO YOU KNOW WHAT PEOPLE NEED 511 00:25:10,008 --> 00:25:13,428 TO PULL THEIR LIVES TOGETHER? MONEY. 512 00:25:13,470 --> 00:25:17,182 IF YOU GET CAUGHT, DISTRIBUTION IS 8-10 AT BLACKGATE. 513 00:25:17,224 --> 00:25:20,685 SAYS THE GIRL TURNING BATWOMAN'S MISSING HARDWARE 514 00:25:20,727 --> 00:25:22,896 INTO AN ETSY SHOP. 515 00:25:22,938 --> 00:25:24,689 WE KNOW WHAT I'M DOING HERE. 516 00:25:24,731 --> 00:25:26,900 WHAT ARE YOU DOING HERE? 517 00:25:28,902 --> 00:25:30,695 SAVE IT. 518 00:25:30,737 --> 00:25:34,032 YOU ARE THE ONLY ONE HERE WHO'S JUDGING. 519 00:25:38,119 --> 00:25:40,247 -IS THIS THING ON? -LOUD AND CLEAR. 520 00:25:40,288 --> 00:25:41,998 WANT TO TRY CHANNEL TWO? 521 00:25:42,040 --> 00:25:44,000 NO, NOT REALLY. 522 00:25:46,002 --> 00:25:47,379 BATWOMAN TO MOORE. 523 00:25:47,420 --> 00:25:49,548 SOPHIE: COPY. YOU'RE LATE. 524 00:25:49,589 --> 00:25:51,341 THOUGHT MAYBE YOU GOT COLD FEET. 525 00:25:51,383 --> 00:25:54,928 RYAN: BELIEVE IT OR NOT, I RAN INTO AN EX. 526 00:25:54,970 --> 00:25:58,807 OH. OK. WELL, I HOPE HE'S NOT GONNA BE DRAMA. 527 00:25:58,848 --> 00:26:01,518 SHE, AND ALWAYS. 528 00:26:01,560 --> 00:26:03,103 LET YOU KNOW WHEN I FIND THE PAINTING. 529 00:26:03,144 --> 00:26:04,646 STAND BY. 530 00:26:11,319 --> 00:26:14,072 LUKE...GOT THE TARGET. 531 00:26:14,114 --> 00:26:16,032 OK. GREAT. 532 00:26:16,074 --> 00:26:17,993 GIVE ME A GOOD LOOK. 533 00:26:28,545 --> 00:26:31,089 OK. MOVING ON TO THE NEXT PHASE. 534 00:26:56,197 --> 00:26:57,741 [BEEP] 535 00:27:02,245 --> 00:27:04,623 A LOT OF INTEREST IN THIS ONE. 536 00:27:04,664 --> 00:27:08,251 YEAH. IT'S KIND OF GIMMICKY, ISN'T IT? 537 00:27:08,293 --> 00:27:10,170 OH, IT'S DREADFUL, ZERO TECHNIQUE, 538 00:27:10,211 --> 00:27:13,006 BUT, YOU KNOW, CELEBRITY ARTISTS. 539 00:27:13,048 --> 00:27:15,175 HMM. HELP ME TO UNDERSTAND THE APPEAL 540 00:27:15,216 --> 00:27:17,802 IN OWNING SOMETHING LIKE THIS. 541 00:27:17,844 --> 00:27:20,263 SOME OF THE PEOPLE HERE--TOTAL SICKOS. 542 00:27:20,305 --> 00:27:21,973 -AND YOU? -I DON'T LIKE BEING TOLD 543 00:27:22,015 --> 00:27:24,059 WHAT I CAN AND CAN'T DO IN LIFE. 544 00:27:24,100 --> 00:27:25,894 WHETHER IT'S THE ART I COLLECT 545 00:27:25,935 --> 00:27:27,479 OR THE CLOTHES I WEAR, 546 00:27:27,520 --> 00:27:29,564 I'M NOT DESPERATE FOR ANYONE'S APPROVAL. 547 00:27:29,606 --> 00:27:31,900 STILL THROWING SHADE AT MY BORROWED COUTURE. 548 00:27:31,941 --> 00:27:35,111 HEH. WHAT CAN I SAY? 549 00:27:35,153 --> 00:27:38,156 I JUST PREFER TO SEE EVERYONE'S TRUE COLORS. 550 00:27:43,662 --> 00:27:45,330 [COMPUTER BEEPS] 551 00:27:45,372 --> 00:27:46,790 SO I RAN A SPECTRAL ANALYSIS 552 00:27:46,831 --> 00:27:48,333 TO ISOLATE THE ORIGINAL CANVAS 553 00:27:48,375 --> 00:27:50,335 UNDERNEATH THE GORE. 554 00:27:50,377 --> 00:27:52,087 I THINK IT'S A PAINTING OF OCEAN CURRENTS. 555 00:27:52,128 --> 00:27:53,546 YOU WERE RIGHT. 556 00:27:53,588 --> 00:27:55,048 THE JOKER SPLATTERED SOME POOR GUY 557 00:27:55,090 --> 00:27:56,966 ALL OVER A MAP TO CORYANA? 558 00:27:57,008 --> 00:27:59,386 BUT WE'LL NEED TO RESTORE THE CANVAS 559 00:27:59,427 --> 00:28:00,845 TO LOCATE THE ISLAND. 560 00:28:00,887 --> 00:28:02,097 BUT THAT MEANS... 561 00:28:02,138 --> 00:28:03,598 YOU'RE GONNA NEED TO STEAL IT. 562 00:28:12,273 --> 00:28:14,818 I DIDN'T KNOW SAFIYAH HAD FAMILY. 563 00:28:14,859 --> 00:28:16,569 WE WEREN'T BLOOD. 564 00:28:16,611 --> 00:28:19,531 APPARENTLY, WE WEREN'T ANYTHING. 565 00:28:21,199 --> 00:28:22,492 WHY DOES SHE WANT ME DEAD? 566 00:28:22,534 --> 00:28:24,077 OH, NO OFFENSE, BUT I HAVE 567 00:28:24,119 --> 00:28:25,912 WAY TOO MUCH DRAMA IN MY LIFE TO CARE. 568 00:28:25,954 --> 00:28:29,833 SHE'S OBVIOUSLY LOSING HER TOUCH IF SHE SENT YOU. 569 00:28:29,874 --> 00:28:32,043 I'M SORRY. DID YOU JUST CALL ME A BAD ASSASSIN? 570 00:28:32,085 --> 00:28:33,712 NOT TO MONDAY MORNING QUARTERBACK, 571 00:28:33,753 --> 00:28:36,464 BUT YOU HAD AMPLE OPPORTUNITY TO KILL ME. 572 00:28:36,506 --> 00:28:38,133 YOU KNEW I WAS STAYING HERE, 573 00:28:38,174 --> 00:28:40,301 WHICH MEANS YOU COULD HAVE KILLED ME IN MY SLEEP, 574 00:28:40,343 --> 00:28:42,887 BUT MAYBE YOU DON'T KNOW HOW TO PICK A LOCK. 575 00:28:42,929 --> 00:28:44,639 FINE. SURPRISE ATTACK IN THE BAR BATHROOM-- 576 00:28:44,681 --> 00:28:47,559 EASY, PRIVATE. 577 00:28:47,600 --> 00:28:50,979 AT THE VERY LEAST, YOU CAN AMBUSH ME IN MY TRUCK. 578 00:28:51,020 --> 00:28:53,440 I HAVE A BACKSEAT, AND I DON'T LOCK MY DOORS, 579 00:28:53,481 --> 00:28:58,528 BUT INSTEAD, YOU, WHAT, MAKE A SCENE AT THE BAR, 580 00:28:58,570 --> 00:28:59,988 GET MY ATTENTION, 581 00:29:00,029 --> 00:29:02,907 INDULGE IN SMALLTALK, GET DRUNK. 582 00:29:02,949 --> 00:29:08,413 HEH. SAFIYAH MUST BE DESPERATE IF SHE SENT YOU. 583 00:29:08,455 --> 00:29:13,752 I NEEDED MORE ANSWERS BEFORE I COULD KILL YOU. 584 00:29:13,793 --> 00:29:15,587 I'VE NEVER SEEN YOU BEFORE IN MY LIFE. 585 00:29:15,628 --> 00:29:18,381 NOR I YOU, WHICH IS WHY I NEEDED TO KNOW MORE 586 00:29:18,423 --> 00:29:20,717 BEFORE I MADE OCEAN BLEED THE RED SEA. 587 00:29:25,221 --> 00:29:27,974 HOW DO YOU EVEN KNOW WHAT CORYANA LOOKS LIKE? 588 00:29:28,016 --> 00:29:31,352 BECAUSE I WAS THERE 5 YEARS AGO. 589 00:29:31,394 --> 00:29:33,104 THAT'S IMPOSSIBLE. 590 00:29:33,146 --> 00:29:35,064 I WAS THERE 5 YEARS AGO. 591 00:29:36,816 --> 00:29:38,818 -HOW PECULIAR. -HMM. 592 00:29:40,695 --> 00:29:43,698 WELL, I SUPPOSE YOU COULD KILL ME 593 00:29:43,740 --> 00:29:45,325 AND THEN SPEND THE REST OF YOUR LIFE ON THE RUN, 594 00:29:45,366 --> 00:29:47,243 SEEING AS NONE OF THIS CHANGES THE FACT 595 00:29:47,285 --> 00:29:49,579 THE ISLAND QUEEN STILL WANTS YOU DEAD, 596 00:29:49,621 --> 00:29:52,665 OR WE COULD GIVE HER A JINGLE. 597 00:29:52,707 --> 00:29:54,709 I'M GOOD WITH OPTION "A." 598 00:29:57,212 --> 00:29:59,339 SAFIYAH, WE BOTH KNOW THIS ISN'T ABOUT A STUPID FLOWER. 599 00:29:59,380 --> 00:30:01,174 AND WHAT DO YOU THINK IT'S ABOUT? 600 00:30:01,216 --> 00:30:03,218 ME HAVING THE ONE THING YOU CAN'T. 601 00:30:08,848 --> 00:30:10,183 WHAT THE HELL WAS THAT? 602 00:30:10,225 --> 00:30:11,810 EXACTLY. 603 00:30:11,851 --> 00:30:14,103 OPTION "B" IT IS. 604 00:30:14,145 --> 00:30:16,648 AHEM. 605 00:30:16,689 --> 00:30:17,774 [SIGHS] 606 00:30:19,859 --> 00:30:21,653 THERE SHOULD BE A DISPENSER NEXT TO THE SINK 607 00:30:21,694 --> 00:30:25,949 WITH...UH, YOU KNOW, PRODUCTS. 608 00:30:25,990 --> 00:30:27,200 I SEE IT. 609 00:30:27,242 --> 00:30:28,576 A LOT OF FIREPOWER IN THAT ROOM, 610 00:30:28,618 --> 00:30:30,161 SO YOU'RE GONNA HAVE TO MOVE FAST. 611 00:30:30,203 --> 00:30:32,205 BATWOMAN, STATUS CHECK. YOU FIND IT? 612 00:30:33,998 --> 00:30:35,625 TARGET IDENTIFIED. I JUST NEED TO TAKE IT 613 00:30:35,667 --> 00:30:38,336 FOR FURTHER ANALYSIS. 614 00:30:38,378 --> 00:30:40,046 WE'LL MONITOR FROM HERE. 615 00:30:47,011 --> 00:30:48,471 [GROANS] 616 00:30:52,100 --> 00:30:54,811 [ALARM BLARING] 617 00:30:54,853 --> 00:30:57,230 UH...BATWOMAN? 618 00:30:57,272 --> 00:30:59,357 [BLARING CONTINUES] 619 00:31:00,608 --> 00:31:02,986 [EXCITED CHATTER] 620 00:31:05,905 --> 00:31:08,449 I THINK WE HAVE COMPETITION. 621 00:31:08,491 --> 00:31:09,826 LUKE: WHO? 622 00:31:09,868 --> 00:31:11,327 YOU EVER HEARD OF WOLF SPIDER? 623 00:31:17,083 --> 00:31:19,085 SHOOT HIM BEFORE HE GETS TOO HIGH! 624 00:31:19,127 --> 00:31:20,378 MISS--MISS, THIS WAY, PLEASE. 625 00:31:20,420 --> 00:31:22,338 NO. RYAN! 626 00:31:22,380 --> 00:31:25,717 [GUNFIRE] 627 00:31:25,758 --> 00:31:27,427 HAND IT OVER. 628 00:31:44,402 --> 00:31:45,945 -HYAH! -UNH! 629 00:31:47,113 --> 00:31:48,573 UGH! 630 00:31:56,706 --> 00:31:58,249 DAMN. 631 00:32:05,757 --> 00:32:07,592 UNH! 632 00:32:07,634 --> 00:32:10,386 UGH! OHH. 633 00:32:10,428 --> 00:32:12,430 [MOANING] 634 00:32:12,472 --> 00:32:14,307 PAINTING'S ON THE MOVE. 635 00:32:14,349 --> 00:32:15,850 DO YOU NEED MEDICAL? 636 00:32:15,892 --> 00:32:17,644 UGH. JUST SLOW HIM DOWN. I'LL BE THERE. 637 00:32:17,685 --> 00:32:19,187 WE'RE ON IT. 638 00:32:22,065 --> 00:32:24,692 [SIRENS] 639 00:32:34,160 --> 00:32:36,829 [TIRES SQUEALING] 640 00:32:41,000 --> 00:32:42,377 NIMBLE LITTLE BASTARD. 641 00:32:42,418 --> 00:32:44,337 LITTLE TASER ACTION WILL SLOW HIM DOWN. 642 00:32:53,096 --> 00:32:54,514 DAMN IT! GET ME CLOSER. 643 00:32:54,555 --> 00:32:56,182 I'M ON IT. 644 00:33:01,229 --> 00:33:04,107 AW. FRICKING CARTRIDGE IS JAMMED! 645 00:33:04,148 --> 00:33:06,192 [TIRES SQUEAL] 646 00:33:09,821 --> 00:33:11,364 DUDE, WHAT DID YOU DO? 647 00:33:11,406 --> 00:33:13,241 HE JUMPED IN FRONT OF ME. 648 00:33:18,746 --> 00:33:21,916 GET SOME TIES ON HIM. 649 00:33:21,958 --> 00:33:25,378 THIS ISN'T GOOD. CALL FOR MEDICAL. 650 00:33:25,420 --> 00:33:27,922 SOPHIE: STATUS CHECK. 651 00:33:27,964 --> 00:33:30,508 TARGET ACQUIRED. WE GOT THE PAINTING. 652 00:33:30,550 --> 00:33:32,218 -LET'S GO. -WHAT? WHAT ARE YOU DOING? 653 00:33:32,260 --> 00:33:34,804 WE CAN'T LEAVE HIM HERE. 654 00:33:34,846 --> 00:33:36,305 MOORE WANTS THE PAINTING, 655 00:33:36,347 --> 00:33:38,850 NOT AN EXCESSIVE FORCE HEADLINE. 656 00:33:38,891 --> 00:33:40,893 LET'S GO. 657 00:33:40,935 --> 00:33:42,603 SOMEONE ELSE WILL CLEAN HIM UP. 658 00:33:42,645 --> 00:33:44,772 [CAR APPROACHING] 659 00:33:54,157 --> 00:33:55,825 [TIRES SQUEAL] 660 00:34:12,341 --> 00:34:13,634 EVAN? 661 00:34:13,676 --> 00:34:16,679 EVAN! EVAN, CAN YOU HEAR ME? 662 00:34:27,148 --> 00:34:28,900 MARY: WE'RE GONNA NEED A BLOOD DRIVE AFTER THIS. 663 00:34:28,941 --> 00:34:30,359 -HE'S GONNA RECOVER, RIGHT? -WELL, CONSIDERING HE WAS 664 00:34:30,401 --> 00:34:31,903 HIP CHECKED BY A 4,800-POUND HUNK 665 00:34:31,944 --> 00:34:33,780 OF TOXIC MASCULINITY, 666 00:34:33,821 --> 00:34:36,365 HE'S DOING GREAT. 667 00:34:36,407 --> 00:34:38,451 DISTAL FEMUR FRACTURE, DISLOCATED ELBOW, 668 00:34:38,493 --> 00:34:40,787 MINOR CONCUSSION, 669 00:34:40,828 --> 00:34:43,039 BUT WHEN THE BONE SHATTERED, 670 00:34:43,081 --> 00:34:45,041 IT NICKED HIS FEMORAL ARTERY, 671 00:34:45,083 --> 00:34:46,501 SO IF YOU HADN'T BEEN THERE TO BRING HIM IN IN TIME, 672 00:34:46,542 --> 00:34:48,252 HE WOULD HAVE BLED OUT. 673 00:34:48,294 --> 00:34:49,962 OK. WHAT--WHAT HAPPENED BACK THERE? 674 00:34:50,004 --> 00:34:52,256 YOU WANT TO KNOW WHAT HAPPENED? 675 00:34:52,298 --> 00:34:55,009 I LISTENED TO YOU OVER MY GUT, AND NOW LOOK. 676 00:34:55,051 --> 00:34:56,803 I MEANT WHAT HAPPENED TO YOU? 677 00:34:56,844 --> 00:34:58,137 YOU SOUNDED LIKE YOU WERE IN ROUGH SHAPE. 678 00:34:58,179 --> 00:34:59,388 YOU CALLED FOR BACKUP. 679 00:34:59,430 --> 00:35:00,640 THIS ISN'T ABOUT ME. 680 00:35:00,681 --> 00:35:02,266 THIS IS ABOUT US, 681 00:35:02,308 --> 00:35:04,602 THIS TEAM AND HOW I CAN'T KEEP WORKING 682 00:35:04,644 --> 00:35:06,312 FOR YOUR APPROVAL. 683 00:35:06,354 --> 00:35:07,814 I WANTED TO SUIT UP AND NOT THINK 684 00:35:07,855 --> 00:35:10,566 ABOUT YOU COMPARING ME TO KATE KANE FOR ONCE, 685 00:35:10,608 --> 00:35:12,610 SO I AGREED TO PARTNER WITH THE CROWS, 686 00:35:12,652 --> 00:35:14,695 AND FOR WHAT? 687 00:35:14,737 --> 00:35:17,532 YOU SIDED WITH THE GUYS WHO KILLED YOUR OLD MAN. 688 00:35:17,573 --> 00:35:20,618 YOUR TASTE SUCKS, 689 00:35:20,660 --> 00:35:22,745 BUT YOU KNOW WHAT? 690 00:35:22,787 --> 00:35:25,456 I WEAR THE SUIT, I TAKE THE BULLETS, 691 00:35:25,498 --> 00:35:28,292 SO WHEN I SAY I HAVE A BAD FEELING ABOUT SOMETHING, 692 00:35:28,334 --> 00:35:30,002 YOU TWO, LISTEN! 693 00:35:36,092 --> 00:35:39,846 DID HER MAJESTY SAY WHEN SHE'D GRACE US WITH A CALLBACK? 694 00:35:39,887 --> 00:35:42,056 WOULD YOU JUST SIT THERE 695 00:35:42,098 --> 00:35:43,933 WITHOUT TALKING? 696 00:35:43,975 --> 00:35:45,643 I HAVE SPENT MORE YEARS OF MY LIFE 697 00:35:45,685 --> 00:35:49,313 IN CAPTIVITY THAN ANY ELEPHANT IN THE GOTHAM ZOO. 698 00:35:49,355 --> 00:35:53,985 THE KEY TO SURVIVING-- KEEP YOURSELF ENTERTAINED. 699 00:35:54,026 --> 00:35:55,528 ROUGH CHILDHOOD? 700 00:35:55,570 --> 00:35:56,946 YOU COULD SAY I COME BY MY ABANDONMENT ISSUES 701 00:35:56,988 --> 00:35:59,198 HONESTLY, YEAH. 702 00:35:59,240 --> 00:36:02,076 HOW DO YOU KNOW SAFIYAH? 703 00:36:02,118 --> 00:36:05,997 I WAS SQUATTING ON A YACHT IN GOTHAM HARBOR. 704 00:36:06,038 --> 00:36:08,416 SAFIYAH'S MINIONS WERE PIRATING IT WHILE I WAS ON BOARD, 705 00:36:08,457 --> 00:36:11,961 AND APPARENTLY, SHE WAS IMPRESSED 706 00:36:12,003 --> 00:36:13,546 BY THE FIGHT I PUT UP. 707 00:36:13,588 --> 00:36:15,131 AND SHE LET YOU STAY? 708 00:36:15,173 --> 00:36:17,216 -YEAH. -NO WAY. 709 00:36:17,258 --> 00:36:20,178 THE ISLAND'S CARDINAL RULE IS NO OUTSIDERS. 710 00:36:20,219 --> 00:36:22,638 HMM. 711 00:36:22,680 --> 00:36:24,348 WHY DON'T I REMEMBER ANY OF THIS? 712 00:36:24,390 --> 00:36:26,058 THAT'S THE THING. 713 00:36:26,100 --> 00:36:28,936 YOU SHOULD, AND I SHOULD REMEMBER YOU. 714 00:36:28,978 --> 00:36:30,938 THE FACT THAT WE BOTH HAVE THE SAME MEMORIES 715 00:36:30,980 --> 00:36:33,191 MAKES ME THINK THAT SAFIYAH DID SOMETHING 716 00:36:33,232 --> 00:36:35,902 TO GET US TO FORGET. 717 00:36:35,943 --> 00:36:38,029 YOU THINK SAFIYAH ERASED OUR MEMORY? 718 00:36:39,447 --> 00:36:40,865 SOME OF THEM. 719 00:36:42,992 --> 00:36:46,621 THE THING IS WE MIGHT NEVER KNOW. 720 00:36:46,662 --> 00:36:48,331 TELL ME YOU ORDERED DELIVERY 721 00:36:48,372 --> 00:36:49,624 AND THOSE AREN'T 722 00:36:49,665 --> 00:36:53,753 1, 2...3 ASSASSINS APPROACHING. 723 00:36:53,794 --> 00:36:55,630 HMM. 724 00:36:55,671 --> 00:36:58,424 THE MANY ARMS OF DEATH. 725 00:36:58,466 --> 00:37:01,260 OH. MORE RELATIVES OF YOURS, I PRESUME. 726 00:37:01,302 --> 00:37:04,472 YEAH. CAN YOU, UH, CUT ME LOOSE? 727 00:37:04,513 --> 00:37:06,390 I CAN'T TRUST YOU. 728 00:37:06,432 --> 00:37:08,517 YOU DON'T TRUST ME TO DEFEND MYSELF 729 00:37:08,559 --> 00:37:10,186 FROM MURDER? 730 00:37:15,107 --> 00:37:18,653 [VOICE MUFFLED] 731 00:37:27,161 --> 00:37:28,454 WHERE'S OCEAN? 732 00:37:28,496 --> 00:37:29,622 OCEAN: HEY. 733 00:37:29,664 --> 00:37:30,957 SURPRISE. 734 00:37:32,708 --> 00:37:34,001 AAH! 735 00:37:34,043 --> 00:37:36,379 [ALL GRUNTING] 736 00:37:39,840 --> 00:37:41,759 HEY. DO YOU HAVE ANY CASH? 737 00:37:41,801 --> 00:37:43,552 WE SHOULD PROBABLY LEAVE THE MAID A TIP. 738 00:37:43,594 --> 00:37:44,845 YOU'RE DARK. 739 00:37:44,887 --> 00:37:46,264 ALICE: SHOULDN'T HAVE DOUBTED ME. 740 00:37:46,305 --> 00:37:47,974 LET'S GO. YOU'RE DRIVING. 741 00:37:56,899 --> 00:37:58,693 BADGES OF THE CROWS WHO DID THIS. 742 00:37:58,734 --> 00:38:00,569 THAT'S NOT ENOUGH, 743 00:38:00,611 --> 00:38:03,281 BURN IT ALL DOWN, GIRL, THE WHOLE THING. 744 00:38:03,322 --> 00:38:05,324 I CAN'T DO THAT. 745 00:38:05,366 --> 00:38:06,993 I BELIEVE IN THE MISSION OF THE CROWS. 746 00:38:07,034 --> 00:38:09,245 AN ORGANIZATION THAT DECIDES WHAT JUSTICE IS 747 00:38:09,287 --> 00:38:11,414 BASED ON WHO CAN PAY THE MOST MONEY, 748 00:38:11,455 --> 00:38:14,000 THAT BEATS INFORMATION OUT OF ITS SUSPECTS, 749 00:38:14,041 --> 00:38:16,335 THAT RUNS SOMEONE OVER FOR STEALING A PAINTING? 750 00:38:16,377 --> 00:38:18,296 THAT'S WHAT YOU BELIEVE IN? 751 00:38:18,337 --> 00:38:20,715 YOU THINK TWO MEN LOSING THEIR JOBS ISN'T ENOUGH? 752 00:38:20,756 --> 00:38:24,135 YOU'RE RIGHT, BUT I'M FIGHTING TO CHANGE THE CULTURE. 753 00:38:24,176 --> 00:38:26,137 YEAH? WELL, GOOD LUCK WITH THAT, 754 00:38:26,178 --> 00:38:27,763 BUT IF YOU WANT TO PARTY WITH ME, 755 00:38:27,805 --> 00:38:29,932 ADD YOUR BADGE TO THAT LITTLE PILE OVER THERE. 756 00:38:29,974 --> 00:38:33,436 UNTIL THEN, THIS PARTNERSHIP IS OVER. 757 00:38:33,477 --> 00:38:35,855 WHAT ABOUT THE PAINTING? 758 00:38:35,896 --> 00:38:37,982 OUR FORENSICS TEAM IS STILL WORKING ON IT. 759 00:38:38,024 --> 00:38:40,026 DON'T YOU WANT TO KNOW WHERE CORYANA IS? 760 00:38:40,067 --> 00:38:42,194 WE'LL SEE WHO GETS THERE FIRST. 761 00:38:59,754 --> 00:39:04,550 MARY HAMILTON. HEH HEH. AWKWARD. 762 00:39:04,592 --> 00:39:06,594 BECAUSE I KNOW YOU'RE WOLF SPIDER? 763 00:39:06,635 --> 00:39:08,471 BECAUSE I'M PRETTY SURE I'M NAKED. 764 00:39:08,512 --> 00:39:11,724 OH, VERY MUCH SO. 765 00:39:11,766 --> 00:39:14,727 EVAN, YOU NEED TO FIND A BETTER SUIT. 766 00:39:14,769 --> 00:39:18,064 SPANDEX IS NO MATCH FOR AN ONCOMING SUV. 767 00:39:18,105 --> 00:39:20,441 MMM. BUT IT'S SO COMFORTABLE. 768 00:39:20,483 --> 00:39:24,362 THEN MAYBE FIND A SAFER EXCUSE TO PLAY DRESS-UP. 769 00:39:24,403 --> 00:39:27,656 GOTHAM'S ELITE TAKE THEMSELVES TOO SERIOUSLY. 770 00:39:27,698 --> 00:39:29,492 WHO ELSE IS GONNA EYE-ROLL THEM 771 00:39:29,533 --> 00:39:32,161 WITH AS MUCH STYLE AS ME? 772 00:39:34,205 --> 00:39:36,457 THE CROWS GOT THE PAINTING. 773 00:39:38,959 --> 00:39:40,795 I WAS STEALING IT FOR KATE. 774 00:39:43,339 --> 00:39:44,965 THOUGHT I HAD A BETTER CHANCE AT GRABBING IT 775 00:39:45,007 --> 00:39:46,634 THAN THE CROWS. 776 00:39:46,675 --> 00:39:48,552 HEY. DON'T BEAT YOURSELF UP ABOUT IT 777 00:39:48,594 --> 00:39:51,263 BECAUSE IT TURNS OUT NOBODY ACTUALLY GOT THE NAPIER PAINTING. 778 00:39:51,305 --> 00:39:52,973 IT WAS A FORGERY. 779 00:39:53,015 --> 00:39:54,683 -THAT'S IMPOSSIBLE. -NO. 780 00:39:54,725 --> 00:39:56,602 BATWOMAN TOOK A SAMPLE OF THE ORGANIC COMPOUND 781 00:39:56,644 --> 00:39:58,521 THAT WAS PAINTED OVER THE ORIGINAL CANVAS, 782 00:39:58,562 --> 00:40:00,523 AND IT WAS PIG'S BLOOD. 783 00:40:02,566 --> 00:40:04,735 NAPIER WOULD'VE NEVER USED PIG'S BLOOD. 784 00:40:04,777 --> 00:40:07,446 RIGHT. SO THE CROWS ENDED UP 785 00:40:07,488 --> 00:40:09,907 WITH A DECOY COPY, AND THE ORIGINAL 786 00:40:09,949 --> 00:40:12,910 IS STILL OUT THERE SOMEWHERE, 787 00:40:12,952 --> 00:40:14,829 AND SO IS KATE. 788 00:40:25,923 --> 00:40:29,176 WOMAN: ♪ I SEE EVIL EYES ♪ 789 00:40:29,218 --> 00:40:32,596 ♪ LOOKING ROUND ♪ 790 00:40:32,638 --> 00:40:35,891 ♪ SPIRITS IN DISGUISE ♪ 791 00:40:35,933 --> 00:40:38,352 ♪ WALKING AROUND ♪ 792 00:40:38,394 --> 00:40:39,770 [MOANS] 793 00:40:39,812 --> 00:40:42,481 ♪ OOH, OOH, OOH, OOH ♪ 794 00:40:42,523 --> 00:40:45,860 ♪ LOOK, DON'T TOUCH ♪ 795 00:40:45,901 --> 00:40:48,112 ♪ OOH, OOH, OOH, OOH ♪ 796 00:40:48,154 --> 00:40:52,616 ♪ IT'S DANGEROUS ♪ 797 00:40:52,658 --> 00:40:54,034 ♪ SOMETHING WICKED THIS WAY COMES ♪ 798 00:40:54,076 --> 00:40:55,995 OH, MY GOD. 799 00:40:56,036 --> 00:40:59,373 ♪ SOMETHING WICKED THIS WAY COMES ♪ 800 00:40:59,415 --> 00:41:01,959 ♪ SOMETHING WICKED THIS WAY COMES ♪ 801 00:41:02,001 --> 00:41:04,128 [ALICE AND OCEAN LAUGHING] 802 00:41:04,170 --> 00:41:06,046 ONCE WE GET SOME DISTANCE FROM THE MANY ARMS, 803 00:41:06,088 --> 00:41:08,257 WE CAN TRY TO FIGURE OUT WHAT SAFIYAH DID TO US 804 00:41:08,299 --> 00:41:10,092 AND WHY. 805 00:41:10,134 --> 00:41:13,012 LOOKS LIKE YOU'RE NOT AS FAST AS YOU THINK, BUDDY BOY. 806 00:41:13,053 --> 00:41:14,930 THEY GOT YOU PRETTY BAD BACK THERE. 807 00:41:21,228 --> 00:41:23,105 [GASPS] 808 00:41:23,147 --> 00:41:25,774 HEY. YOU ALL RIGHT? 809 00:41:25,816 --> 00:41:29,028 UH...YEAH. EYES ON THE ROAD. 810 00:41:30,571 --> 00:41:32,531 WHAT'S WITH YOU? 811 00:41:32,573 --> 00:41:35,493 NOTHING. 812 00:41:35,534 --> 00:41:36,952 CAN YOU CHECK IN THE BACK REAL QUICK? 813 00:41:36,994 --> 00:41:39,246 IS THERE A WHITE TUBE BACK THERE? 814 00:41:39,288 --> 00:41:40,873 YEAH. 815 00:41:44,460 --> 00:41:47,254 WHAT IS THIS? 816 00:41:47,296 --> 00:41:49,507 YOU EVER HEAR OF A GUY CALLED JACK NAPIER? 817 00:42:18,744 --> 00:42:20,704 MAN: GREG, MOVE YOUR HEAD!